Singer/Songwriter Shea Taback Releases New Single “Home” for Valentine's Day!

Shea Taback, a rising star in the music scene, has officially released her debut single, "HOME,"just in time for Valentine's Day. The song, a poignant exploration of heartbreak and resilience, offers a unique perspective on relationships, contrasting the commonly celebrated theme of finding one's "home" with the harsh reality of betrayal and moving on.

In a candid statement, Shea Taback shared her inspiration behind the song: "I constantly hear love songs about what it’s like to find your 'home,' or, in other words, your person. But I wanted to make a song that people could really relate to—a song that’s about being betrayed by someone you thought was your person. More or less, what it’s like to get out of a trapped relationship and move on to another toxic one."

Shea Taback's musical journey began at an early age, having been immersed in the world of music since birth. Watching her father Joe Taback (Breaking in a Sequence), perform on stage as a baby, she quickly developed a passion for the art form. By the time she could form a sentence, Shea was already gracing small stages around Orange County, captivating audiences with her covers.

Her music is deeply rooted in personal experiences, reflecting a genuine desire to connect with her audience. With overwhelming support from her parents, Shea never wavered in pursuing her dreams, making music an integral part of her life.

"HOME" is a testament to Shea Taback's artistry and emotional depth as a songwriter. The single is now available on all major streaming platforms, offering listeners a heartfelt and relatable musical experience.

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BULLETS AND OCTANE UNLEASHES EXPLOSIVE NEW SINGLE AND MUSIC VIDEO, "SPACE LORD SYMPHONY"!

Renowned rock sensation BULLETS AND OCTANE has once again set the stage ablaze with their latest release, "Space Lord Symphony." This electrifying single is accompanied by a visually stunning music video that promises to captivate audiences worldwide.

"Space Lord Symphony" is a sonic journey that combines the band's signature high-energy sound with a cosmic twist. Known for their powerful riffs, anthemic choruses, and relentless energy on stage, Bullets and Octane takes their music to new heights with this intergalactic-inspired anthem.

The accompanying music video, directed by Christine Fullwood, is a cinematic masterpiece that transports viewers into a mesmerizing, surreal odyssey. With mind-bending visuals and a narrative that complements the song's theme, the "Space Lord Symphony" music video is a visual feast for fans and newcomers alike.

"'Space Lord Symphony' is the first single from the new Bullets And Octane album (TBD) due out in 2024. The band, firmly lead by the sober singer and main songwriter GENE LOUIS, is still as raucous, energetic and melodic as ever. The new music will punch you in the face and kick you in the nuts at the same time. Just good time hard rock n roll delivered with a punk snarl." - UVT ENTERTAINMENT / BULLETS AND OCTANE

BULLETS AND OCTANE has consistently pushed the boundaries of rock music, earning them a dedicated global fanbase. "Space Lord Symphony" is a testament to the band's evolution and their commitment to delivering fresh, innovative music.

The single is now available on all major streaming platforms, and the music video can be viewed on the band's official YouTube channel.

Purchase / Stream "Space Lord Symphony"

Bullets and Octane is a hard-hitting rock band hailing from SoCal who have released some of the best music many have never heard. The heavily road-seasoned band has toured with a who’s who of rock; Avenged Sevenfold, Stone Sour, Social Distortion, Bad Religion, Eagles of Death Metal, Flogging Molly, Unwritten Law, Korn, Flyleaf, Deftones...you get the idea!

Bullets lead singer and chief songwriter, Gene Louis, has been the driving force since the band’s inception. His passion, humor, innate storytelling ability and even his imposed self-
destruction has kept the Bullets and Octane song chest full of catchy, sweaty hard rock songs. Live, Gene and the band have few equals who can match their high energy shows, not even by bands half their age. From the indies to the majors, the band has not stopped or lost that passion to entertain.

“I believe that if you have a passion you die for it no matter what, if your stomach hurts because you’re hungry that means that you’re putting all your time, energy and money into your passion”, says Louis. That drive and passion continues as Bullets and Octane continue their journey through 2024 and beyond. It’s been a wild ride since they started in 1998. All rides require a little danger and uncertainty, now shut up and hold on.

Connect with BULLETS AND OCTANE

Kittie Return With First New Music In Thirteen Years & Announce Signing with Sumerian Records

In a monumental return that marks their first new music in thirteen years, glass-ceiling-shattering original Queens of Metal, Kittie have unveiled brand new single "Eyes Wide Open". The track is accompanied by a gloriously powerful, dark music video that perfectly captures the themes of the track. This significant milestone is made even more special as Kittie announce their signing with the world-renowned independent label, Sumerian Records. Stream “Eyes Wide Open” HERE and watch the official music video below. 

"Eyes Wide Open" is a powerful statement from a band that has not only shaped the landscape of heavy metal but also inspired a generation of musicians to break barriers and defy expectations. Produced by Nick Raskulinecz (Foo Fighters, Rush, Alice In Chains, Korn), the single serves as a testament to Kittie's undiminished passion and creativity, offering fans a glimpse into their evolved sound while simultaneously staying true to the raw intensity that first catapulted them into the spotlight 25 years ago.

Morgan Lander, Kittie's co-founder and frontwoman, expressed her enthusiasm for the band's return and new partnership: "Sometimes, incredible opportunities present themselves in surprising ways. Just a few years ago we could have never imagined we would be getting ready to release new music as Kittie. We’ve been given what feels like a second life and are grateful to Ash and the Sumerian family for believing in us."

Sumerian Records Founder and CEO, Ash Avildsen adds: "Kittie are true female pioneers in heavy music that helped bring it into pop culture. They have been both influential in the studio and on the road, as I’ve had the privilege of working with them on touring years ago when they brought out Bring Me The Horizon, In This Moment and many other present day heavyweights as brand new opening acts. The ladies have now returned with what I believe is their greatest album since their debut that set the world ablaze. The attitude, grit and songwriting is all there and I am honored to once again be helping them unleash their talent to the masses."

Speaking on the inspiration behind the new single, Lander goes on to share, "Our first new material in 13 years, 'Eyes Wide Open' is a vision quest for truth. It is a torch lit in the darkness of ignorance to reveal one’s true motives. 'Eyes Wide Open' is a lesson in trust, betrayal, and ultimately the ability to see behind the curtain to reveal all. It was one of the first songs we wrote, coming together again after a long time away from creating, and I think you can really hear the fires reigniting in this track."

The music video for "Eyes Wide Open" is a visually stunning piece that perfectly complements the song's themes of enlightenment and revelation and takes the viewer on a journey through light and darkness, mirroring the band's own journey back to the forefront of metal music, where they belong. 

With the release of "Eyes Wide Open," which premiered on SiriusXM's Liquid Metal earlier this week, Kittie - completed by co-founder and drummer, Mercedes Lander, guitarist Tara McLeod and bassist Ivy Vujic -  is not just making an epic return; they are reasserting themselves as one of modern metal’s most dominant, brutal forces. Fans old and new are invited to witness the band's resurgence, as they embark on this exciting new chapter with Sumerian Records.

Stay tuned for more on Kittie’s global metal domination coming soon!

ABOUT KITTIE

When you discovered Canadian bashers, Kittie, has a direct influence on how you see them. For those that were on board from the beginning with the Spit album, released in 1999, Kittie was considered part of the nu-metal movement. Going into their later albums, In The Black (2009) and I've Failed You (2011), the band had evolved into something far more sinister, and were viewed as a serious full-on metal outfit. Just as they seemed to be hitting their stride six albums into their career, however, Kittieslowly disappeared from the scene in the wake of touring for I've Failed You. The silence was eventually dubbed an "indefinite hiatus" by the band, broken only by a one-off hometown show in London, Ontario in 2017, and the release of the documentary, Kittie: Origins/Evolutions, in 2018. Until now…

Thirteen years later, that silence has been broken in earnest. Vocalist and guitarist, Morgan Lander, drummer Mercedes Lander, guitarist Tara McLeod and bassist Ivy Vujic maintain that Kittie did not break up because it is an ingrained part of their identity. The documentary and the one-off show in London were intended as a cap on everything, leaving a big question mark at what might happen down the road. Offers from promoters to do some shows in 2022 and 2023, including the sell-out, inaugural Sick New World Festival in Las Vegas, were enough to convince Kittie to dust off their instruments, resulting in a renewed interest in the band and a label deal with Sumerian Records. 

When they finally did gather as a unit, it was like putting on a pair of comfortable boots, with no need to break things in before getting down to business.It turns out that thirteen years away has seen the band develop growth in songwriting, arranging, lyrical content and vocal melodies, creating something monstrous and volatile. Produced by Nick Raskulinecz (Foo Fighters, Rush, Alice In Chains, Korn), Kittie have finally surfaced and unleashed their first new single, “Eyes Wide Open” on Sumerian Records. With renewed fury and unfathomable sonic brutality, the new era of Kittie has begun. 

Kittie are

Morgan Lander (vox/guitar)

Mercedes Lander (drums/backing vox)

Tara McLeod (guitar)

Ivy Vujic (bass)

Ray Hawthorne Drops Dynamic Ryan Gosling Themed Music Video & Debut EP "Heartbreak Feels Good In A Place Like This"

Love is in the air as Ray Hawthorne officially sets the mood with the release of his debut EP, "Heartbreak Feels Good in a Place Like This", alongside a dynamic new music video featuring everyone's favorite movies. Renowned for his work in North Kingsley with Shavo Odadjian of System of a Down, his inaugural solo release "Heartbreak Feels Good in a Place Like This" crowns him as the Heartbreak Hero. Fans can watch the brand new video below.

Accompanying the release of his debut EP is the music video for the epic title track, showcasing Hawthorne on a cinematic journey through the movies. Fans join him for a wild ride as he seamlessly weaves his own narrative into the fabric of movie magic. From heart-wrenching dramas to exhilarating adventures, the music video for "Heartbreak Feels Good in a Place Like This" encapsulates the universal themes of love, heartbreak, and redemption, mirroring the emotional journey captured in Hawthorne's lyrics.

Speaking on today's single release, Ray Hawthorne shares:

"I swear. I’m being dead serious. I’m not Ryan Gosling. For real. As I’m typing this I’m realizing that our first names have many of the same letters. R-Y-A-N, then just move some around, R-A-Y. I’m not sure what to do with the N, but 75% of our first name letters match. Now that I have realized this connection, I wonder if it’s possible that we’re actually the same person? Are we all Ryan Gosling? Or are none of us Ryan Gosling? Is Ryan Gosling even Ryan Gosling? I can’t handle the thought. I wanna see that movie where he plays a stuntman whenever it comes out. I forget what its called, but it looks real good."

Lifting the curtain behind the EP release, Hawthorne continues:

"Do you remember that episode of Degrassi where Ashley really wants Craig to tell her he loves her, but Craig gets all panicked and can’t tell her that he does? It causes so much drama in their relationship. She begins to question her feelings for him and because of that, he becomes seemingly unsure of his feelings for her. So, in an effort to quell the bad vibes, Craig writes a song that includes lyrics IMPLICITLY AND EXPLICITLY stating that he loves her. (Total banger by the way, the only song of his I like better is the one he sings at the battle of the bands after the two inevitably break up, it’s also about Ashley. I believe it’s called ‘What I Know’) I promise I’m going somewhere with this. Craig was only able to admit he loved Ashley in song form, but you as the viewer are left wondering ‘Does he really love her, or was this just his solution to end the drama?’ Or, ’Is this truly the only way he can express himself because he’s kind of nervous about speaking his true feelings outside of the structured environment of a song?’. I tend to believe it’s a mixture of both. So what I’m trying to say is, this collection of songs is kind of like that. I always feel like I have so much to say but often feel a bit to vulnerable when discussing my actual feelings. So for the majority of my life, I’ve just written them into songs instead. These songs can be quite vulnerable even if they seem silly at times. So now you’re left to wonder, am I telling the truth, or am I just trying to get rid of Ashley’s bad vibes?"

As "EMERGENCY" feat. Kellin Quinn paved the way, its evident that Ray Hawthorne's debut EP, "Heartbreak Feels Good in a Place Like This" is an exploration of the human experience through the lens of a talented and fearless artist. His authenticity shines in his latest single, as he proves to be an emotional architect, constructing a musical landscape where vulnerability and strength coexist harmoniously. The EP serves as a mosaic of sentiments, each track unveiling a different facet of Hawthornethat hasn't been seen in any of his previous projects.

Celebrated for his work as the vocalist of North Kingsley, alongside metal heavyweight Shavo Odadjian, his solo endeavor marks a genre-defying sound that seamlessly weaves elements of pop punk, emo, and alternative rock. Building on the success of North Kingsley, where he has garnered over 2 million Spotify streams, his new solo venture is eagerly anticipated as he fuses genres to further push creative boundaries. As he returns to the spotlight with this chapter, Ray Hawthorne is making the most of his distinctive voice and emotional lyricism, all while becoming everyone's favorite Heartbreak Hero.

Be sure to to stay tuned for more new music from Ray Hawthorne coming very soon.

ABOUT RAY HAWTHORNE

DON’T PANIC! As an eternal emo kid from New Jersey, Ray Hawthorne’s vocal stylings have already amassed millions of streams with his project North Kingsley. Alongside Shavo Odadjian of System of a Down, and Saro from the Apple Store, Ray has collaborated with the likes of RZA, Cypress Hill, Scott Storch and more. Having released music in many different genres, Ray is finally stepping into a style of music he’s always loved, scene shit from high school. That’s right. Get your eyeliner and gauges ready, because he’ll 2-Step his way into your broken heart.

Black Tusk Announce New Album

Black Tusk go way back. Guitarist Andrew Fidler and drummer James May both grew up down in the swamps of Savannah, Georgia, where they've been banging heads together for the past 19 years.

The last Black Tusk album found these metal punks fighting to steady their footing after bassist Jonthan Athon passed away. Today, the band are blazing full steam ahead by announcing their seventh album. The Way Forward pulls no punches; it charges straight-on behind their new, albeit familiar lineup. Long-time collaborator Chris "Scary" Adams has now joined as an official member alongside new bassist Derek Lynch, who's run in the same circles around Savannah and the national touring circuit.

Together, these four have cleared a path into the future by relying more on what Black Tusk does best: heavy, no-frills riffing backed by rough and rowdy gang vocals.

"We do use a few lays, effects and synths here and there for texture and space", says Scary, who not only chipped in on vocals and guitars but pulled double duty by producing and mixing The Way Forward. "This record still feels raw and powerful. It captures the feel of being at a Black Tusk show".   

Watch the video for lead single "Brushfire" below.

The Way Forward comes out April 26, 2024.

Pre-order: https://shop.season-of-mist.com/list/black-tusk-the-way-forward

Pre-save: https://orcd.co/thewayforwardpresave

"I watch you burn!" That's how Black Tusk burst through the door on their first single in seven years. Though he contributed to T.C.B.T., Lynch makes his first impression as an official member of the band on "Brushfire". He comes out firing, too, already spitting and full of righteous fury.  

"Thematically, I wanted the lyrics in all of its aggressiveness to keep with the idea of pushing forward even when the world is trying to drag you down", Lynch says. "The mood of the lyrics needed to match the pulverizing tempo of the song". 

Around the halfway point of "Brushfire", Black Tusk break for an eerie, pinging, bass-heavy interlude. "Reach up toward the wall / climbing just to fall", intones May, like he's playing with a voodoo doll. But don't get it twisted; "Brushfire" burns hot and fast. "I am your burden" Fidler screams while Scary lays down the hammer with a mean, ugly, foot-stomping riff.   

"It's been 19 years since we started this band", says Fidler. "That's seen us have some success and some setbacks, some label changes and lineup changes. One thing has remained steadfast though: our love for playing music. This record represents just that, our steadfast resolve to keep making music together as a band and evolve our sound. This is The Way Forward".

Photo by Chris "Scary" Adams

Praise for Black Tusk

"A raucous style of punky, hard rocking sludge, with minimum fuss and ample bursts of energy and ballsy aggression" - Angry Metal Guy

"Chaotic and raw, but also extremely catchy and memorable" - Metal Injection

"A no frills band that goes full throttle. Black Tusk are here to stay" - Heavy Music HQ

"An engine-wrecking riff-fest from the Savannah badlands" - Metal Hammer

"Black Tusk are pretty much the only Georgia metal act who still sound like they hail from the home state of Sandra Dee and Uga" - Invisible Oranges

"Alive, raw, furious, loud...they almost make your face vibrate" - Heavy Blog is Heavy

"Black Tusk's combination of sludge, rock, hardcore and death metal remains fluid, fertile and most importantly, full of life" - Pitchfork

“The big theme of this record is putting your life back together.” That’s Black Tusk guitarist/vocalist Andrew Fidler talking about the band’s new album, The Way Forward. “When everything seems like it’s against you, put your head down and push through. Take those bad things that are happening and use them to help create.” 

The Way Forward might be the Savannah swamp metal crew’s seventh album, but it marks many firsts for Black Tusk. It’s their first with their new lineup, which sees guitarist Chris “Scary” Adams and bassist Derek Lynch joining Fidler and drummer James May. Which also makes it Black Tusk’s first record with a two-guitar lineup. “We were able to add leads and harmonies and all kinds of stuff on the new record that we haven’t done in the past,” Fidler says. “As far as our records go, this one has the most guitar work.”  

You can hear it in the squealing solo of “Dance on Your Grave,” the killer harmonies on ripper “Harness (The Alchemist),” and the glorious dual guitar interplay of the powerful title track.  

“‘The Way Forward’ is my favorite song on the record,” Fidler says. “It’s based on a personal experience that everyone can probably relate to. I got divorced in 2020, and I kinda felt like my entire world was collapsing when that happened. But I pulled myself out of it. I realized that this one thing ending in my life isn’t the end of everything. I’m gonna find a way forward. I’m gonna figure out how to live my life and create and be happy and make new relationships. Which is what I’ve done.”  

In true Black Tusk fashion, the new lineup has expanded their triple-vocal approach to quadruple. “Everyone is doing vocals,” Fidler says. “That’s always been a thing in Black Tusk. Derek said he’d never done heavy vocals before, so I was like, ‘Well, here’s the mic. Here’s some words. Yell at it and see if you like it.’ I was blown away the first time he did it. It sounded good as fuck.”   

That’s Lynch on lead single “Brushfire,” a song for which he wrote the main riffs and lyrical concept. “That was my first real contribution to the band,” the bassist says. “Thematically, I wanted the aggressiveness of the lyrics to keep with the idea of pushing forward even when the world is trying to drag you down. The mood of the lyrics needed to match the pulverizing tempo of the song.”  

The lyrics for second single “Dance on Your Grave” were written by May, who moved from Savannah to Athens, GA, in the time since Black Tusk’s last album. “It’s about his struggles through Covid and what this lifestyle can do to people,” Fidler says. “It’s about getting past the party lifestyle and continuing to do things that are creative.”  

Meanwhile, “Breath of Life” distills Black Tusk’s lyrical philosophy into a righteous five-minute pummeling. “Scary came up with the main riff of this song, and it’s one of my favorite riffs on the record,” Fidler says. “I wrote the lyrics, and it’s just about darkness crushing everything. The world is a fucked-up place that we have to navigate through. That’s what a lot of Black Tusk songs are about.”  

Black Tusk recorded The Way Forward at Adams’ own Hidden Audio studio just outside of Savannah. Adams engineered the album and the whole band produced. “I actually helped him build the studio in the detached garage next to his house,” Fidler explains. “Me and my carpentry company went out there to do it, and Scary helped.”  

“We had about 90% of the riffs and song structures going into the studio, while still experimenting with ideas and inspirations,” Adams explains. “Sometimes we completely reworked parts, which made all the difference. For example, early versions of ‘Breath of Life’ and ‘The Way Forward’ are quite different than the record, and I love where they ended up. Though we did use a few effects and synths here and there for texture and space, to me this record still feels raw and powerful. It captures the feeling of being at a Black Tusk show.”  

The cover art for The Way Forward was done by Brian Mercer, who also created the sleeve for Black Tusk’s 2018 album, T.C.B.T.“T.C.B.T. had a dark cover because it was a dark time for the band,” Fidler says, referring to the period immediately after the passing of their longtime friend and bassist Jonathan Athon. “This time, it’s full blown, full-color Black Tusk. Brian Mercer and James collaborated on the concept, and Brian really knocked it out of the park.”  

“The title is kind of a double play,” Fidler says. “It’s the first record with the new lineup, and this is the direction we’re taking the band in. We’ve been doing Black Tusk for 19 years now, and we still love it. That’s why we called it The Way Forward.”  

Line-up:

Andrew Fidler: guitar, vocals
James May: drums, vocals
Derek Lynch: bass, vocals
Chris "Scary" Adams: guitar, vocals

Recording Studio
Hidden Audio

Producer/sound engineer
Chris "Scary" Adams

Mixing studio and engineer
Chris "Scary" Adams

Mastering studio and engineer
Brad Boatright at Audiosiege

Cover artwork
Brian Mercer

Pre-order: https://shop.season-of-mist.com/list/black-tusk-the-way-forward
Pre-save: https://orcd.co/thewayforwardpresave
 

Follow Black Tusk:
https://blacktusk.bandcamp.com/
https://www.instagram.com/tcbt/
https://www.facebook.com/BlackTusk
https://open.spotify.com/artist/7iontmL8hXqoJcSA5oTZqa
https://twitter.com/BlackTusk
https://music.apple.com/us/artist/black-tusk/292231967

REDLIGHT KING AND JEREMY EDGE RELEASE NEW COLLABORATIVE SINGLE "DEVIL'S BEST FRIEND"

“Devil’s Best Friend “ is a collaboration between Redlight King’s Mark (Kaz) Kasprsyk and Jeremy Edge. It makes a stylistic departure for them both as a groovy fuzz laden, delta blues inspired stomp.

“The song is really about being drawn to someone who’s not good for you and instead of removing yourself from a toxic situation you only dig yourself deeper in. As for the down and dirty blues rock vibe, we’ve been tight with Jeremy for over a decade and it only made sense to do a collab." -Mark (Kaz) Kasprsyk

“I first met Kaz and Julian from Redlight King in 2011 playing shows together on the same bill. Then we shared a bus in 2012’s Uproar tour and after doing more shows after that, we’ve stayed in touch ever since. We figured it was finally time to do a proper collaboration. Kaz and I wanted to do something fun and something that was stylistically different from our own projects. It’s a totally different vibe." - Jeremy Edge

“The Devil’s Best Friend “ is basically about a difficult person and a warning to steer clear from them. Kaz started with the original guitar riff and vocal hook and it just exploded from there. We both finished the lyrics and traded vocals with me doing the lead guitar work and him laying down the rhythms. It was a lot of fun creating this and hopefully there will be more to come!" - Jeremy Edge

Listen to Redlight King and Jeremy Edge on Spotify:
https://open.spotify.com/artist/6nJDm27Gnxje4NkVXGCi9g
https://open.spotify.com/artist/6hha7AM7ao3kNpN0VwOXgD

 

For more information, visit:
instagram.com/redlightking
instagram.com/jeremyedgemusic
https://www.facebook.com/redlightkingofficial
facebook.com/jeremyedgemusic

Sonic Universe (Feat. Corey Glover of Living Colour) To Release Debut Album "It Is What It Is" + Share Video For "I Am"

COREY GLOVER ANNOUNCES THE FORMATION OF SONIC UNIVERSE

DEBUT VIDEO "I AM" OUT NOW

Vocalist Corey Glover (Living Colour) has teamed up with guitarist Mike Orlando (Adrenaline Mob) to form Sonic Universe. Bassist Booker Kingand drummer Taykwuan Jackson complete the line up. The band has signed a worldwide deal with earMUSIC for their debut album It Is What It Is scheduled for release on May 10. The 10-song album was produced, engineered, and mixed by Mike Orlando at Sonic Stomp Studios.

Preorder It Is What It Is HERE. 

The debut video from the album "I Am" premieres today. The video was directed by Tom Flynn (whose credits include videos for Lamb of God and Buckcherry) and shot in Toms River, NJ.

The video can be seen below.

"I Am" is available for streaming and download HERE. 

Alternative rock duo LOVELORN DOLLS 'Happy Valentine’ single marks 10-year anniversary with new video

Female-fronted Brussels-based dark gothic synth-rock duo Lovelorn Dolls presents a new music video, for their iconic track ‘Happy Valentine’. With profound impact, this gripping anthem has resonated with fans worldwide for the past decade of haunting melodies. The song that brought the duo acclaim, now offers them the chance to give back to those in need.

With its appealing theme, catchy chorus, penetrating goth rock guitar, and tortured electronic arrangements, ‘Happy Valentine’ was one of the most popular songs from the band’s second album ‘Japanese Robot Invasion’. Most importantly, this song is a somber reminder that not everybody’s love story has a happy ending.

Harnessing the power of music to create positive change, all profits from Bandcamp downloads will directly go towards supporting CVFE (Collective against Family Violence and Exclusion), a Belgian association combating domestic violence. €10 can accommodate a victim for 1 night in the CVFE Shelter. €60 can improve the quality of accommodation for victims (hygiene, cooking, textiles, children's toys, etc.), €100 can feed 5 mothers with 2 children for a day, and €300 provides shelter to a victim for one month.

Just recently, Lovelorn Dolls also released 'Beautiful Chaos', previewing their fourth album 'Deadtime Stories'. An ode to love stories gone wrong, here they inject some beautiful chaos into our lives, with the accompanying video thrusting their tiny girl protagonist into a descent towards a darker world, trapping her in an padded asylum room haunted by beautifully chaotic characters.

Lovelorn Dolls is Kristell Lowagie (lyrics, vocals, arrangements) and Bernard Daubresse (music, programming, guitars, production). Their sound blends the sound of Evanescence, Theatre of Tragedy, Lacuna Coil and The Birthday Massacre.

Produced, mixed and mastered by producer Maxx Maryan, known for his work with electro-goth metal duo Helalyn Flowers and IMJUDAS, the 'Deadtime Stories' album will be released this summer via Alfa Matrix / SPLEEN+, whose catalogue includes Front 242, Ayria, Recoil, Leather Strip and Alien Vampires.

‘Happy Valentine’ can be obtained via Bandcamp. The 'Beautiful Chaos' EP is also out now, available everywhere, including Apple Music, Spotify and Bandcamp. The full ‘Deadtime Stories’ album will be released on May 24.

Keep up with Lovelorn Dolls
Website | Bandcamp | Facebook | Instagram | Twitter | Soundcloud | TikTok | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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IN FLAMES - Release Digital Bonus Version Of Foregone Including Bonus Track 'Become One'

In celebration of the first anniversary of the band's latest studio album Foregone, Swedish melodic death metal icons IN FLAMES have released a digital bonus version of Foregone today on all streaming platforms.
The anniversary edition of this highly lauded part of the group's discography comes accompanied by alternative artwork as well as including a new bonus track, 'Become One'.

The band states:
"Foregone was a very special record to make and time for our band.
We normally don’t have any extra material leftover but this time we had “Become One” and want to share it with you all.  Hope you enjoy!!
See you out on the road this year!"

Stream Foregone (Bonus Version) including 'Become One' here:
https://inflames.bfan.link/fgbslp

Watch the visualizer for 'Become One'

IN FLAMES released their fourteenth studio album Foregone on February 10th last year via Nuclear Blast. The record combines the greatest aggressive, metallic, and melodic strengths of their landmark records with the seasoned song writing of their contemporary era.
Order the album here:
https://inflames.bfan.link/foregone-newalbum.ema

IN FLAMES will be on tour with label mates GATECREEPER this spring. Catch the band live:

OFFICIAL US TOUR DATES:
May 1 - Portland, ME - State Theatre
May 2 - Hampton Beach, NH - Hampton Beach Casino Ballroom
May 3 - Brooklyn, NY - Warsaw
May 4 - Wilmington, DE - The Queen
May 5 - Norfolk, VA - The Norva
May 7 - Charleston, SC - Charleston Music Hall
May 8 - Greensboro, NC - Piedmont Hall
May 9 - Atlanta, GA - Buckhead
May 10 - Daytona, FL - Rockville
May 12 - Huntsville, AL - Mars Music Hall
May 14 - Nashville, TN - Marathon Music Works
May 16 - Pittsburgh, PA - Mr. Small's Theatre
May 17 - Buffalo, NY - The Town Ballroom
May 18 - Columbus, OH - Sonic Temple
May 19 - Milwaukee, WI - Milwaukee Metal Fest
May 21 - Detroit, MI - St. Andrews
May 22 - St. Louis, MO - The Hawthorn
May 23 - Oklahoma City, OK - Diamond Ballroom
May 24 - Austin, TX - Emo's
May 25 - Houston, TX - House of Blues
May 26 - Dallas, TX - House of Blues

AboutIN FLAMES
IN FLAMES are one of the biggest metal bands in the world - never shying away from pushing their artistic boundaries, crafting music that's as catchy as it is crushing. Formed in 1990, the band is considered one of the forefathers of melodic death metal and the purveyors of the ‘Gothenburg sound'. With now fourteen studio albums under their belt, countless successful tours around the globe playing with the likes ofBlack Sabbath, Metallica, Iron Maiden, Megadeth, Judas Priest andSlayer - with millions of records sold and a massive fanbase worldwide, IN FLAMES have proven to be an unstoppable force. From their 1994 debut Lunar Strain onwards, the band's intricate twin guitar attack, melodic vocals and superb arrangements have given them a signature sound that has evolved throughout the years.

IN FLAMESare
Anders Fridén | Vocals
Björn Gelotte | Guitar / Vocals
Chris Broderick | Guitar
Tanner Wayne | Drums
Liam Wilson | Bass

Breaking Benjamin's Keith Wallen Shares "Headspace Holiday" Video

NEW SOLO ALBUM INFINITY NOW ARRIVES MAY 3 VIA RISE RECORDS

WALLEN SHARES VIDEO FOR NEW SINGLE "STRINGS" — WATCH

BREAKING BENJAMIN guitarist KEITH WALLEN will drop his latest solo album Infinity Now on May 3 via Rise Records. Pre-save it here. 

Today, Wallen has shared the video "Headspace Holiday." Watch it below.
 

"Life can stress you out and there's a lot of bad news on the TV more often than not, so 'Headspace Holiday' is about just that, the need for a mental escape from all of life's noise," Wallen shares about the song's inspiration.

As for the videol, he states, "It can be a challenge to find the right visual representation for your music sometimes, but we were able to get some cool performance and artsy silhouette shots. The director Jake Johnson was awesome to work with and I really like how it turned out. Plus, there was a Trans Am in it so that was cool!"

ABOUT KEITH WALLEN:
Keith Wallen is a prolific songwriter responsible for soaring melodies and hypnotic hooks heard across modern rock radio. The West Virginia-born troubadour uses his solo work as a vehicle to explore his multifaceted passions, moving seamlessly from the smart pop of '80s favorites like The Police and Depeche Mode to the big moody riffs of '90s grunge heroes like Alice In Chains, Soundgarden, and Stone Temple Pilots. 
 
His co-writing collaborations include compositions with Saint Asonia, Fuel, We Came As Romans, Red, Dorothy, and Korn guitarist Brian "Head" Welch's Love And Death. Wallen bares his soul as a solo artist with earnest resolve, powering his honest anthems with commanding vocals. 
 
A former member of Adelitas Way, Keith was among his first calls when Benjamin Burnley decided to reform and reconfigure his band. Dark Before Dawn, Breaking Benjamin's powerhouse comeback, debuted at No. 1 on the Billboard 200. Ember followed in 2018. 
 
Keith's self-produced acoustic and piano-driven Allies EP arrived in 2014. His debut solo album, 2021'sThis World Or The Next, featured "Dream Away," a song streamed 1.4M times on Spotify alone. His second solo album, Infinity Now, includes production and co-writing contributions from Kevin Thrasher (RIVALS, Jelly Roll) and work with Dan Braunstein (Spiritbox, Dayseeker) and Andrew Baylis (Sleeping With Sirens, Jelly Roll, Brantley Gilbert). 
 
Produced by Kevin Thrasher (Jelly Roll, RIVALS) and mixed by Joel Wanasek (Rain City Drive, Scott Stapp), Keith's sophomore solo album, Infinity Now, extends a warm invitation into the singer/songwriter's heart and mind. Hard rock bombast meets intimate pensiveness via engaging songs like "Blackout," "Strings," and first single, "Headspace Holiday."
 
As guitarist for Breaking Benjamin, a solo artist or songwriting collaborator, the common threads through Keith Wallen's work are honesty, authenticity, and heartfelt spirit. 

Timelost Share Claymation Music Video For "Wet J" — WATCH + New Album "Drained" Out In 2 Weeks!

Today, Philadelphia alt-rock/grunge band Timelost have shared the third and final single "Wet J" before the release of their new album Drained, out 2/23 via Church Road Records. The album is set to bring joy to fans old and new with its energetic blend of garage rock and nostalgic nod to the alternative rock sounds of the 90's.

In addition to the song the band has shared a claymation music video done by the album artist Perry Coker. Watch it below.

"Wet J is about the frustrations of continuously falling into the same mistakes. Wanting to give up and just be left alone to wallow in our own failures. We tried to portray this continuous beating of life with the beautifully made claymation / stop-motion video by Perry Coker (who also did our album art!). Our new album Drained drops in 2 weeks!" - vocalist/guitarist Shane Handal.

Pre-order Drained here.

Born out of a dispersed network of friends collaborating digitally, Timelost has undergone a remarkable evolution since their inception. The band has since found its footing in a sound that pays homage to the great alternative rock bands of the past while incorporating a contemporary influence.
 
Drained represents the latest chapter in Timelost's musical pilgrimage. Recorded and mixed by the skilled hands of fellow Philadelphian Scoops Dardaris (known for his work with Prince Daddy & The Hyena, They Are Gutting A Body Of Water, Another Michael), the album boasts a rich and dynamic production that brings the band's sound to new heights. Mastered by Matt Poirier, a luminary in the field whose portfolio includes The War On Drugs, The National, and Clap Your Hands Say Yeah.
 
With influences reminiscent of iconic bands like Wavves, Weezer, and Dinosaur Jr, Timelost invites listeners to embark on a journey through the raw, unapologetic energy of Drained. The album's tracks, laden with infectious hooks and introspective lyrics, weave a narrative that reflects the band's growth and exploration of new musical territories.
 
About the album, Handal says "Drained is about the continuous beating of life. The state of the world, personal responsibilities, socializing, being in a band, all of it just being exhausting and wanting to burn it down or run away.
 
We originally wrote 7 songs and it felt tired and too similar to our previous stuff, so we dropped almost all of them and started new. We leaned into a more simple and fun approach to songwriting and ended up writing 18 songs over 2+ years. Drained is the best 10."

TIMELOST ARE:
Shane Handal — Vocals/Guitar
Grzesiek Czapla — Drums
Tony DiDonato — Bass

PROFANATICA Unleashes NSFW Music Video for "Take Up The Cross," Kicks Off Headlining U.S. Tour

USBM legends PROFANATICA are now unleashing a gory, NSFW music video for the song "Take Up the Cross," which is taken from the band's latest offering, 'Crux Simplex.' The clip was created by garlix and can be found at THIS LOCATION.

In addition, PROFANATICA is now embarking on an East Coast U.S. headlining tour with support from NUNSLAUGHTER + TOMBS! The trek kicks off tonight, February 13, in Providence, RI and will conclude on March 3 in Brooklyn, NY. The full itinerary can be found below while tickets can be found at THIS LOCATION.

The band will also be appearing on the 2024 edition of Milwaukee Metal Fest on Friday, May 17, in which the full lineup and tickets can be found HERE.

'Crux Simplex' was released on September 22, 2023 via Season of Mist. The record can be streamed, downloaded, and ordered HERE.

PROFANATICA U.S. TOUR 2024 (w/ NUNSLAUGHTER + TOMBS):

02/13: Providence, RI @ Alchemy

02/14: Bensalem, PA @ Broken Goblet

02/15: Baltimore, MD @ Metro Gallery

02/16: Chesapeake, VA @ Riff House

02/17: Greensboro, NC @ The Pour House

02/18: Piedmont, SC @ Tribbles

02/20: Orlando, FL @ Conduit

02/21: Pompano Beach, FL @ Pipers

02/22: Cape Coral, FL @ Nice Guys

02/24/: Atlanta, GA @ Drunken Unicorn

02/25: Louisville, KY @ Portal

02/26: Detroit, MI @ Sanctuary

02/27: Pittsburgh, PA @ Preserving Underground

02/28: Ottawa, ON @ Brass Monkey

02/29: Quebec City, QC @ L'Anti

03/01: Montreal, QC @ Piranha Bar

03/02: Boston, MA @ Sonia

03/03: Brooklyn, NY @ Market Hotel

03/17: Milwaukee, WI @ Milwaukee Metal Fest*

*Profanatica only

PROFANATICA are at the vanguard of the first wave of American black metal. Founded and led by infamous master of black perversion Paul Ledney (drums/vocals), they have purveyed primeval blasphemy for nigh on thirty-three years.

Ledney formed the band from the ashes of the first INCANTATION lineup when he split and took with him all of the members sans John McEntee. That early trio of ex-INCANTATION members reeled off three ground-breaking demos of some of the most extreme and blasphemic metal of its time in rapid succession. The band flyers that permeated the tape-trading circuit were no less shocking and featured the trio bloody and naked and in the throes of what was most certainly a primeval summoning of some kind. In short order, they had inked a deal with the fledgling Osmose Productions for what became one of that labels first releases (Osmose release #5); a legendary split with Colombia's MASACRE.

Something so volatile could only last briefly, and after another brief recording session the band collapsed under the weight of its own extremity. but the recordings made in this two year window went on to see dozens of reissues in the coming decades, in a testament to how formidable and formative they are to the black metal scene worldwide.

After almost fifteen years spent with his equally polarizing solo project HAVOHEJ, Ledney reignited the flames of PROFANATICA in 2006. Reemerging with a new deal from Hells Headbangers, Ledney and his new band released 'The Enemy of Virtue', a collection of that vaunted early material, and a new fulllength, 'Profanatitas de Domonatia'. A triumphant return, 'Profanatitas de Domonatia' picked up right where these Kings of US Black Metal left off, delivering a savage stream of chainsaw guitars and relentless battery upon which they desecrated everything sacred.

This set-in motion another frenetic burst of work for PROFANATICA. The next decade saw them

unleash four new full-length albums of blasphemous perversions, sacrilegious incantations, and furious black metal. In addition, the band issued six mini-albums and EP's, a full DVD of early footage, and began touring internationally in Europe and in Central and South America. For the first time PROFANATICA were appearing near or at the top of the bill at festivals like Maryland Death Fest, Messe Des Mortes, Hells Headbash, Prague Death Mass (Czech Republic), Chaos Descends (Germany), Black Sun (Spain), Tyrant Fest (France), SWR Fest (Portugal) and many more.

In fall 2018, PROFANATICA joined forces with Season of Mist and undertook their biggest tour to date supporting WATAIN and ROTTING CHRIST across Europe. And a year later, the trio vomited forth a most vulgar strain of black metal ejaculate with their SoM debut album 'Rottng Incarnation of God.'

The band embarked on an extensive twelve-country European headline tour in the album's wake. Shortly after returning home that winter, the world ground to a halt in 2020. Save a live-streaming concert production for the legendary Rock al Parque in conjuncton with BATUSHKA, little was heard from PROFANATICA.

That is until spring 2023, when PROFANATICA emerged from their den of iniquity on a European headline tour to promote a new album. 'Crux Simplex' is a ten-track offensive of sin and sacrilege, a nasty affront that bastardizes the first 10 stations of the cross. As per their legacy, PROFANATICA deals in bestial, first-wave black metal barbarity, and their eighth album unveils ungodly levels of bile and blasphemy. 

Live Lineup:

Mayhemic Slaughter of the Heavens – Drums / Vocals

Destroyer of Holy Hymen – Guitar

The True Perversion of the Heavenly Father – Bass 

Follow Profanatica here:

Bandcamp

Facebook

Spotify

Apple Music

BRODEQUIN Release Torturous New Single

After 20 years of relative silence, last month, Brodequin returned with the announcement of their long-awaited fourth album. Today, the Brothers Bailey and their punishing new drummer are releasing the second torturous single off Harbinger of Woe.

Listen to "Suffocation in Ash" below.

Harbinger of Woe comes out March 22, 2024.

Pre-order: https://shop.season-of-mist.com/list/brodequin-harbinger-of-woe

Pre-save: https://orcd.co/harbingerofwoepresave

There's a reason why metalheads from every underground fiefdom recognize Brodequin as the most brutal band in all of death metal. After all, they did take their name from the most wicked torture device that any peasant has had the misfortune of receiving. 

Brodequin's whole discography is culled from the bloody annals of medieval history, but the source of inspiration behind their new single dates all the way back to ancient Persian history. "Basically, the victim, who's held in a tower that's specifically designed for this sort of thing, is immersed in ash", explains Jamie Bailey, who honed his morbid curiosity for the Middle Ages as a college history student.   

But don't just take his word for it. "Suffocation in Ash" treats unsuspecting spectators to an unflinching account of this real life torture chamber. Mike Bailey churns the riff like a giant wooden wheel, condemning even the sorriest of sinners to a hail of ash. Fellow executioner Brennan Shackelford continues to reign down a merciless torrent of blast beats and pinging cymbals long after their prisoner has been brought begging to one shredded knee.

"Silence. Liar", Jamie gurgles, as if echoing the guilty conscience inside their poor beaten skull.

"I sought to shed light on an execution method rooted in antiquity", Jamie says about the concept behind "Suffocation in Ash". "This specific technique often escapes the attention of those intrigued by these kinds of historical practices. Lyrically, my aim was to transport the listener into the vivid depiction of the scene I attempt to portray". 

"Among the myriad methods employed, a prominent example was the affixing of an individual to a pillar, or, more commonly, a tree trunk through the use of long iron nails".

That's Jamie Bailey, talking in true Brodequin fashion about the very first single from Harbinger of Woe.

"Of Pillars and Trees" is classic Brodequin. Mike's riffs churn like severed limbs through a meat grinder. Brennan pings his cymbals with all the murderous intent of a spiked mace. Heck, the death growls are nasty enough to make you think that Jamie is sucking the blood of his enemies through a straw.

Watch the medieval video for "Of Pillars and Trees", which was created by Matti Way of From the North Films: https://youtu.be/yh7awqeuZJQ    

Photo by Jacob Smith

After signing with Season of Mist in 2022, Brodequin re-issued their entire discography on LP and CD.

"Relentless, barbaric intensity" - John Gallagher (Dying Fetus), who named Instruments of Torture one of the most brutal albums ever.  

"Kicks in like a sledgehammer" - Metal Rage raved over Methods of Execution

"A merciless massacre" - Power Metal praised Festival of Death. 

Order: https://redirect.season-of-mist.com/BrodequinReisssues

Stream:
https://orcd.co/brodequin-methods
https://orcd.co/brodequin-festival
https://orcd.co/brodequin-torture

The Middle Ages might’ve brought the world out of The Dark Ages. But for every compass or printing press, those enlightened thinkers were also responsible for inventing the most torturous devices in human history. None were more brutal than the brodequin. Not only did the French use this instrument to cripple their victims, but to squeeze their legs to the point where bone marrow would spill out of their wounds.    

You could say the same about Brodequin. The band come with their own long and sordid history. Brothers Jamie and Mike Bailey have been playing brutal death metal since 1998. Putting his history degree to good use, Jamie’s lyrics are inspired by real historical events, staying true to death metal’s core thematic pillars of dismemberment, torture, abuse and murder. But their artwork broke from genre’s generic splatter illustrations by digging into intricate period woodcuts and beautifully grotesque oil paintings. 

“There simply was no point in history that was more brutal than the medieval period,” says Jamie. “At the same time that such barbarity was deployed, there was also an explosion in fine art, architecture and music. It all comes to feed our identity as a band”.   

Brodequin’s first album catapulted them far beyond their kingdom of Knoxville. “This band has stuck out in the underground with relentless, barbaric intensity”, says Dying Fetus’ vocalist and guitarist John Gallagher, who named Instruments of Torture one of the most brutal death metal albums ever. Festival of Death put another flesh-tearing arrow in their quiver (“Some of the fastest, most brutalizing death metal ever recorded” - Sputnik Music). But after sieging festival stages across Europe with Methods of Execution, the band had to be put on ice.  

“We had a series of deaths in our family”, Jamie explains. “Mike and I knew we had to step away until we had the time and were at a place mentally to give Brodequin the attention it deserved.”  

Now, after 20 years of peaceful silence, Brodequin have returned with fresh instruments of torture. The Brothers Bailey are back with a new drummer, a new label and their long-awaited fourth album.

“Brodequin had been away for so long that I was stunned by the level of interest from fans and record labels”, Jamie says. "Before playing Hellfest, the band was approached backstage by a metalhead rocking a Brodequin t-shirt who happened to work for Season of Mist. Soon enough, they were hitting it off with Michael Berberian. The rest, as they say, is history. 

“We all hung out for hours”, recalls Jamie. “The extraordinary level of enthusiasm shown toward our music made Season of Mist the obvious choice”. 

As has been the case with this band for their entire career, Harbinger of Woe lives up to its name. Lead single “Of Pillars and Trees” is classic Brodequin. Mike’s distorted guitar chords churn like limbs through a meat grinder. The way Brennan Shackelford pings, blasts and flays his snare through “Suffocation in Ash” with the all encompassing speed of a sandstorm. Jamie’s growls are so phlegmy, so rotted, that to drag them out from whatever dark bowel movement spawned them would make an executioner sick to their stomach. And yet — somewhere deep inside all that carnage hides a terrifying beauty. The title track leaves you deaf, dumb and blind, begging on your knees in the face of a punishing, almighty riff.    

“This album is a journey into this lost period of history where brutality and beauty coexist. Beauty, in the arts the were created, but also the beautiful brutality that was needed to engineer deadly devices like the brodequin”.  

With Harbinger of Woe, Brodequin reclaim their throne as the most brutal band in all of death metal.

Line up:
Jamie Bailey: Bass/Vocals
Mike Bailey: Guitar
Brennan Shackelford: Drums

Recording
Drums recorded at Brennan's Drum Room in Dallas, Texas.

Guitar, bass and vocals recorded at Navarre 24 in Harriman, Tennessee

Producer and sound engineer
Mike Bailey

Mastering studio and engineer
Brad Boatwright

Mixing studio and engineer
Josh Welshman

Artwork
Original artwork done by Jose de Brito.
Additional elements by Jamie Bailey.

Pre-order: https://shop.season-of-mist.com/list/brodequin-harbinger-of-woe

Pre-save: https://orcd.co/harbingerofwoepresave

Links:
www.brodequinofficial.com
www.facebook.com/brodequinTN
www.brodequin.bandcamp.com
www.instagram.com/brodequintn

Portland-based Sun Atoms present 'Ceiling Tiles' 7" single and haunting monochrome video

"Sun Atoms is a tripped-out opus packed with droning electronics, shimmering guitars, dayglo melodies and a deep, whispered delivery" ~ Brooklyn Vegan

"Ebbing and flowing like Love and Rockets under a Spiritualized raga; the spirit of Bowie’s classic Moonage Daydream echoes through the band’s astral fabric” ~ First Look

"Thoroughly enjoyable. We appreciate their artistic leap into an enthralling intersection of post-punk, indie rock and new wave. Worthy of your “put on repeat” playlist, this music opens a gateway for your consciousness to coast into fascinating sonic realms" ~ Spill Magazine

“Sun Atoms give first rate performances that bend and blend song to song through luminary influences Leonard Cohen, The Cure, Moon Duo, and Nick Cave in a resulting amalgamation that combines psychedelic, dark wave, and post-modern pop” ~ The Big Takeover

"Sun Atoms fuses styles and sounds like a long lost Basquiat painting found in deep space among comets and stars” ~ Maximum Volume

Portland alternative pop / postmodern rock outfit Sun Atoms present their new single 'Ceiling Tiles', released via Little Cloud Records digitally and on 7" vinyl. The video follows ghosts on a velvety caper through an endless maze, arriving at a house of cards on the verge of metaphysical collapse. The B-side complements chills with thrills with a unique rendition of the Leonard Cohen classic, here dubbed 'Tower of Song (in the key of JAMC)'.

Written around a compelling baseline by Peter G. Holmström (The Dandy Warhols, Pete International Airport), who also produced this single, the single was mixed by the iconic Jagz Kooner (Massive Attack, Primal Scream, Oasis, Garbage). This is the first taste of the band's sophomore album, to be released in late spring.

Vocalist Jsun Atoms (The Upsidedown, Daydream Machine) is joined by Holmström on bass, multi-instrumentalist June Kang, Mars de Ponte (LoveBomb Go-Go), L.A. drummer Eric Rubalcava and Boise native Derek Spencer Longoria-Gomez (Hi Hazel). 2021 brought the band's debut album 'Let There Be Light', also produced by Holmström and mixed by the iconic Stephen Street (Blur, The Smiths, The Cranberries), involving performances by the likes of The Vandelles' Jasno Swarez, The Black Angels’ Alex Maas and Gregg Williams (Sheryl Crow, Blitzen Trapper).

"When I was a child, I saw a being made of light climb through my bedroom window, they stood at the foot of my bed and reached out to touch my foot," explains Jsun Atoms. "Mesmerizing and haunting, much like the new Sun Atoms single 'Ceiling Tiles', which reveals a story of characters living under a faux sky being manipulated to make it appear that the stars are aligning, when in fact, above this tiled Truman Show, the stars are doing just that. The characters in the song go about their day-to-day dance while the globe they are spinning on becomes an eye."

Filmed by Brady Tuazon, this video follows several characters, who come to life from of a deck of tarot cards. An amalgamation of new colors in psychedelic, dark wave, and post-modern pop, 'Ceiling Tiles' explores a dreamy netherworld peeling away under the heartbeat like a synthesized glove. A cautionary tale of a dystopian future, some of which is already materializing before our eyes now, we follow the characters into a mirror, where they live outside of the lines under a faux sky, only to find that the planet itself is an eye, crying rain. Do they make it through the maze of plastic plants and security guards and get the message out in order to light up the world?

As Sun Atoms kicked off 2024 by playing three sold-out shows at Portland’s historic Revolution Hall, opening for Dinosaur Jr., this presented the perfect chance to shoot this video. With its long stairways and iconic brick facade as the ideal backdrop for this monochromatic video, here unfolds a mysterious tale of characters living between worlds and connected by Jean Cocteau’s famously mirrored portal.

As Sun Atoms roams this 113,000+ square foot state-of-the-art concert venue, Brady reveals two worlds, weaving through each other’s transparent personas and disappearances like white light on black attire. The band members appear like rare birds in the roles of madcap non-conformist odd fellows living outside of the lines.

“I wanted to conjure the same feelings I had the first time I saw Sun Atoms perform this song. Jsun and I were in lockstep as we discussed the vision for the video. We pulled in inspiration from Jean Cocteau and other noir films like “The Killing” by Kubrick," explains the video's director, Brady Tuazon.

"Working within the boundaries of black and white let us emphasize the theme of two worlds in a psychedelic noir manner. Portraying each member as their normal selves and as a ghost version adds another layer to the duality. It makes us ask the questions, “If our own ghosts saw us today, would they be kind and encouraging to us? Or would they be spirits signaling their existence as a cautionary tale?  Filming the video was a true testament of the grit and creative solidarity at the core of Portland creatives. We had limited time and resources to pull this off”.

Apart from Dinosaur Jr., Sun Atoms has played shows with Modest Mouse, Fishbone, Besnard Lakes, The Veldt and New Candys, in addition to performing at Seattle’s Freakout Fest and Portland’s Lose Yr Mind Fest with Allah Las, Broncho and Night Beats. The band will be touring this spring, starting at Treefort Festival, along with Ty Segall, A Place To Bury Strangers, Neko Case and Built To Spill. 

As of February 23, the 'Ceiling Tiles' is available on beautiful 7" vinyl and from fine digital platforms, including Apple Music, Spotify and Bandcamp. Sun Atoms will be releasing a new album in late spring.

CREDITS
'Ceiling Tiles' written by Peter G. Holmström, Jsun Atoms, June Kang, Derek Spencer Longoria-Gomez, Mars de Ponte, Eric Rubalcava
Produced and Engineered by Peter G. Holmström at Air Traffic Control
Recording (additional drums) by Gregg Williams at The Trench Studio
Recording (add. vox) by Tommy Dietrick / Joshua Tree Recording Studio
Initial tracking by Eric Crespo at Red Lantern Studios
Mixed by Jagz Kooner at Stone Circle Studios
Mastered by Keith Tenniswood at Curve Pusher
Peter G. Holmström - bass, guitar, sequencers, keys
June Kang - MPC, synths, percussion
Derek Spencer Longoria-Gomez - guitar, vocals
Mars de Ponte - guitar, keys, vocals
Eric Rubalcava - drums, percussion
Jsun Atoms - vocals, guitar
Cover artwork by James Coffman. Layout by Sean Gothman
Video directed and Edited by Brady Tuazon
'Tower of Song (in the key of JAMC)' written by Leonard Cohen
Released by Little Cloud Records 2024
'Ceiling Tiles' video directed by Brady Tuazon with support from Nigel Coutinho, Ryan Gamo, Erik Meharry and Hannah Glavor 
Artist photos by Erik Meharry 

TOUR DATES
March 23  BOISE, ID - Treefort Festival, In-store at Record Exchange
March 24  BOISE, ID - Treefort Festival, Shrine Social Club
March 25  SACRAMENTO, CA - Old Ironsides
March 27  LAS VEGAS, NV - The Usual Place
March 28  LOS ANGELES, CA - The Moroccan Lounge
March 29  PIONEERTOWN, CA - Red Dog Saloon
March 30  SAN FRANSCISCO, CA - Kilowatt
April 5  PORTLAND, Oregon - Star Theater
April 6  SEATTLE, WA - Seagaze Festival, Tractor Tavern Seattle


Keep up with Sun Atoms
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube | Soundcloud | Apple Music | Spotify | BandsInTown | SongKick | Booking contact | Press contact

Keep up with Little Cloud Records
Website | Facebook | Bandcamp | Twitter | Instagram | YouTube

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Whiskey Myers Victory Lane Awaits Each High Limit Racing Night for 2024 Sprint Car Season

Multi-Platinum chart-toppers Whiskey Myers have joined the soundtrack of the 2024 High Limit Racing season, with the genre-bending band signing on as the sponsor of Whiskey Myers Victory Lane. 
 
With the lyrics “Put me back in the saddle out on the road; The way I make a livin’ is the only way I know” epitomizing the spirit behind High Limit Racing, Whiskey Myers’ high-energy song “The Wolf” will be the official victory song played as the victor rolls into Whiskey Myers Victory Lane each race night. Check out the full version of the song on High Limit Racing’s Spotify Playlist (a “clean” version will be used in all FloRacing broadcasts and at-track). 

“We loved getting to know Rico Abreu with our partnership last season – seeing our name on his sprint car was something we never imagined when we started a band,” shared Whiskey Myers drummer Jeff Hogg. “With Rico joining High Limit Racing full time in 2024, we knew we wanted to follow his lead.”

In addition to the at-track and in-stream partnership, the Whiskey Myers Minute, a one-minute compilation of that week’s High Limit Racing highlights, will be posted to High Limit’s Instagram account following each race week with various Whiskey Myers songs being featured. 

“Not only does Whiskey Myers produce great music that fits the grassroots racing brand, the members of the band are also genuine race fans,” said Kendra Jacobs, Chief Marketing and Events Officer at High Limit Racing. “From support of our series to their partnership with Rico (Abreu), Whiskey Myers invests in sprint car racing and truly sees the value of the sports’ fan base and its growth potential.”
 
Whiskey Myers Victory Lane and “The Wolf” will be featured starting with the High Limit Racing season opener at East Bay Raceway Park on February 12 and 13. The 59-race nationwide season will conclude with a two-day finale at The Dirt Track at Texas Motor Speedway on October 11 and 12. Tickets for select events, including the season-opening “Battle at the Bay” are now available here. 
 
Like High Limit Racing, Whiskey Myers will tour the country this year playing dozens of concerts from coast-to-coast. The current tour schedule can be seen here, with more dates being added. To learn more about Whiskey Myers, visit www.whiskeymyers.com, follow @whiskeymyers on X (formerly Twitter), Facebook and Instagram and subscribe to their YouTube channel.
 
Make sure to follow @HighLimitRacing on X, Facebook, and Instagram to stay up-to-date with series information including news, event updates, ticketing information, and more.

For fans unable to attend the track, every High Limit Racing event will be streamed live on FloRacing, the series’ exclusive streaming partner. If you’re not a FloRacing subscriber, you can sign up today here. 

About Whiskey Myers 
Genre-bending band Whiskey Myers have played more than 2,500 live shows to ever-increasing crowd sizes since their emergence in 2007. In addition to headlining their own sold-out shows from coast to coast at iconic venues such as Red Rocks Amphitheatre and Ryman Auditorium, plus performing at marquee festivals Bonnaroo, Stagecoach, Download and more, the six-piece was also personally selected to open The Rolling Stones’ Chicago stadium show in 2019. Their latest self-produced album, Tornillo, available everywhere now via the band’s own Wiggy Thump Records, features the No. 17 most-played Americana song of 2022, “John Wayne,” and follows their fifth studio album, Whiskey Myers, which debuted at No. 1 on both the Country and Americana/Folk sales charts, at No. 2 on the Rock chart and No. 6 on the all-genre Billboard 200 chart (No. 3 among new releases). In total, Whiskey Myers have sold more than 2 million albums and amassed over 2.8 billion streams while earning six RIAA Gold & Platinum certifications as an independent band. Known for their high-energy live show and unique sound, the band praised by Esquire as “the real damn deal” has also earned sync success with features (and an on-screen appearance) in Paramount’s hit show “Yellowstone” as well as Netflix series “What/If,” Angelina Jolie film “Those Who Wish Me Dead” and CBS series “SEAL Team,” among several others. USA Today describes their sound as “a riff-heavy blend of Southern rock and gritty country that has earned comparisons to the Allman Brothers Band and Led Zeppelin,” with Rolling Stone noting “it’s the seminal combination of twang and crunchy rock & roll guitars that hits a perfect sweet spot.”

Photo Credit: Khris Poage

OCEANS - Release New Single 'Slaves To The Feed'!

OCEANS are back with their first new music of 2024! The German nu-metal band proudly presents their latest single 'Slaves To The Feed', which provides another strong message towards the importance of mental health and raising awareness on this topic. The new song sees OCEANS collaborate with Australian keyboardist MISSTIQ as well as Josh Collard from EARTH CALLER.
 
To coincide with the release of 'Slaves To The Feed', OCEANS are unleashing a second new single! 'Breed Consume Die' sees the Germans once again prove their musical versatility as they let their heavier side come to the fore. Josh Collard from EARTH CALLER is also featured on this song, which serves as a social wake-up call.

As if the release of two new singles wasn't enough, OCEANS have also delivered a brand new music video for their single 'Slaves To The Feed', which you can watch below.

Timo Rotten comments: 

"Social media makes us sick. It makes me sick, I'm fucking addicted to my smartphone. Even though it has made my life miserable to a certain extent, I still keep scrolling. And why is that? Because people tell me it's part of the business. We as a band are both part of the solution and part of the problem."

Stream the new singles here: https://oceans.bfan.link/slavesttfeed

Get your copy of  OCEANS' last album Hell Is Where The Heart Is here:
https://oceans.bfan.link/hell-is-where-the-heart-is

Watch the previously released visualizer video for 'Chop Suey' here:
https://youtu.be/hfv9crPEPS0

TOUR DATES

Just in time for the release of the two new singles, OCEANS are going on tour. As support for OUR MIRAGE, the nu-metallers will be playing several shows across Germany in February and March. In addition, OCEANS will play two more shows in April as special guests for ANCHORS AND HEARTS. 

Make sure to grab your tickets now: https://bnds.us/0ibwu7

About:

Ever since their inception, up and coming German outfit OCEANS have dropped jaws everywhere they went. With a unique sound that sits somewhere between nu-metal, progressive, post and death metal and putting mental health at the top of their agenda, the four piece quickly became a known constant in today’s metal landscape. OCEANS have become known for their inclination towards innovation and experimentation within their genre; covering songs by the likes of Alessia Cara and collaborating with prominent musicians such as MACHINE HEAD’s Robb Flynn and CALIBAN’s Andy Dörner amongst others. Having released two EPs in 2019, their debut album in 2020 and another EP in 2021, the band featuring visionary mastermind Timo Rotten can easily be described as one of Europe’s hardest and fastest working bands in the genre. Enter 2022 and OCEANS have already proved that they’re set to continue on their upwards trajectory with the release of their trilogy Hell Is Where The Heart Is - Part I: Love, it’s follow-up Hell Is Where The Heart Is - Part II: Longing and Hell Is Where The Heart Is - Part III: Clarity, which together form their second album Hell Is Where The Heart Is. 

OCEANS is:
Timo Rotten | vocals, guitar
Patrick Zarske | guitar
Thomas Winkelmann | bass
J.F. Grill | drums

More info:
www.oceansofficial.com
www.facebook.com/oceansofficialde
www.twitter.com/ocnsofficial
www.youtube.com/oceansofficial
www.nuclearblast.de/oceans

Listen to Royal Tusk's new song 'Hated'

Alberta rock trio Royal Tusk have released a new song 'Hated,' from their third full-length album, 'Altruistic,' due February 23, 2024.

Spending nearly a year writing throughout the pandemic, the trio eventually hunkered down in Alberta’s Audio Department recording studio where they self-produced Altruistic. In the midst of the process, Carriere wound up in the throes of a year-long battle to get healthy after suffering from a blood clot in his lung. He lost over 20lbs and could barely speak...

FIND OUT MORE ABOUT 'ALTRUISTIC' HERE

New Model Army Share "Language" Lyric Video — WATCH

NEW MODEL ARMY and earMUSIC are celebrating the worldwide chart success the band’s recent studio album Unbroken by releasing the lyric video for the song "Language." 

Watch it Below.

With their U.K. and European "Unbroken Tour" about to start, their most recent studio album reached top positions in the official album charts all around the world. Produced by Tchad Blake (Arctic Monkeys, Pearl Jam, The Black Keys, U2), it's a very New Model Army album, full of guitars but with the emphasis on the rhythmic power of bass and drums which characterizes all the band's work. With Unbroken, the band continues to push the boundaries of its signature sound, while staying true to its heart. 

"Not much hits me as genuine these days, but New Model Army hits it for me. Wonderfully recorded and produced by themselves, mixing this album felt like a gift. Here's hoping lots of people feel the same way about listening to it," says Blake.

GET UNBROKEN HERE.

FORMATS:
CD Hardcover Mediabook /Black LP Gatefold / Ltd. Red LP Gatefold / Digital

The Last Ten Seconds Of Life 'No Name Graves' Album Out Now + Release "Letalia Infernalis" Lyric Video (via Unique Leader Records)

The Last Ten Seconds Of Life have released their new album 'No Name Graves' (via Unique Leader Records). In celebration of their latest full-length, the band has shared the lyric video for "Letalia Infernalis". Leading up to release day, the band have shared "Of All Humanity, the Sum" and "Broken Glass Incantation". Stream 'No Name Graves' in its entirety here and watch the lyric video for "Letalia Infernalis" below.

The Last Ten Seconds Of Life Are:

Wyatt McLaughlin

Tyler Beam

Andrew Petway

Dylan Potts

Photo Credit - Jordan Price

EXHORDER RELEASES 2ND SINGLE, 'FOREVER AND BEYOND DESPAIR,' FROM UPCOMING RECORD

NOLA thrash and groove trailblazers EXHORDER will release their much anticipated 4th full-length record, Defectum Omnium, on March 8th with Nuclear Blast Records. Today, the band has revealed the record’s 2nd single, ‘Forever and Beyond Despair’; a ripping and gripping pit thrasher with massive riffs and blistering solos. You know, what EXHORDER are known for!

Commenting on the new song, vocalist/guitarist Kyle Thomas says:

“Our second single ‘Forever and Beyond Despair’ embraces many of the punk rock ingredients that we grew up on. Exhorder got its start on the punk rock scene of New Orleans, so it only made sense to dig back into this part of our roots. With aggressive angst and sarcastic themes, this song is absolutely a middle finger to the hypocrisies of the establishment.”

‘Forever and Beyond Despair’ Music Video

EXHORDER’s latest and greatest features 12 crushing tracks and ominous cover artwork by Travis Smith (Katatonia, Opeth), the album follows the band’s critically revered 2019 release Mourn The Southern Skies. The new single follows the band’s recent release of their metal anthem “Year of the Goat.”

Pre-order/Pre-save Defectum Omnium: https://exhorder.bfan.link/defectum-omnium

Stream ‘Forever and Beyond Despair’: https://exhorder.bfan.link/forever-and-beyond-despair

Following the release of Defectum Omnium in April, EXHORDER will kick off a US tour with Bay Area thrash legends VIO-LENCE, Virginian extreme metalheads DECEASED and LA death metal band MORTAL WOUND. The brutality starts April 5th in Cambridge, MA and will culminate April 13th in Chicago, IL.

Tickets are on sale now at the links below.

EXHORDER US Tour Dates:

April 5 - Cambridge, MA - Middle East (Tickets)

April 6 - Brooklyn, NY - Monarch (Tickets)

April 7 - Philadelphia, PA - Underground Arts (Tickets)

April 8 - Baltimore, MD - The Ottobar (Tickets)

April 10 - Cleveland, OH - The Winchester (Tickets)

April 11 - Cincinnati, OH - Legends (Tickets)

April 12 - Detroit, MI - Sanctuary (Tickets)

April 13 - Chicago, IL - Reggies (Tickets)

About EXHORDER:

Formed in 1986, EXHORDER’s journey has proven exciting, yet tumultuous. After a twenty-seven-year absence following their final Roadrunner Records release in 1992, EXHORDER re-entered the game with an album considered by many to be a contender for the "Best Comeback Album" category. The band released Mourn the Southern Skies in October of 2019 through Nuclear Blast Records. Fraught with euphoric peaks and crippling valleys throughout its existence, lineup changes, and the 2020-2021 pandemic, EXHORDER has since clawed back through the muck to prepare yet another album to add to the discography. In the spring of 2024, EXHORDER presents yet again via Nuclear Blast their fourth full-length recording, Defectum Omnium,  the Latin phrase for "The Failure of All". Singer Kyle Thomas wryly explains that the album title is representative of the current state of affairs that the world is in. "The world is a dumpster fire, and we are all complicit.", he explains. "People have been talking about, ‘...viruses killing us off, blah-blah, blah...', when in actuality WE are the virus to the Earth. Mother Nature is simply trying to shake off the fleas, and her ‘viruses’ are the antibodies combating US. Earth will survive, and we will join the dinosaurs, wooly mammoths, and saber-toothed tigers soon enough in her history."
 
Produced by EXHORDER and mixed by Jens Bogren, Defectum Omnium puts a foot back into the roots of the band's inception. The scales have tipped favorably towards the presence of punk and thrash more so than on Mourn the Southern Skies. Tracks like ‘Wrath of Prophecies’, ‘Forever and Beyond Despair’, and ‘Sedition’ are what EXHORDER comes by most honestly when referring to their beginnings. There is also a strong presence of doom influence, as always. ‘The Tale of Unsound Minds’ and the haunting ‘Defectum Omnium/Stolen Hope’ will raise utter despair from the depths of your soul. The thick New Orleans grooves EXHORDER has been known for beating out since day one are still undeniable, and they stand out in tracks like ‘Year of the Goat’, ‘Under the Gaslight’, and ‘Three Stages of Truth/Lacing the Well’. 

One trait about Defectum Omnium that deserves to be pointed out is that it is more of a journey and experience than just a regurgitated selection of songs on autopilot. With peaks and valleys much like a roller coaster ride, one listener described the album as having "...a little something for everyone.". As EXHORDER has always been hard to classify by one genre, the album is loaded with heaviness, aggression, speed, and venom. It also has an equal presence of mystery, melody, and harmony, and vacillates between darkness and light. Themes that dart back and forth between surviving oppression, despair, revolution, and brittle hope take you through the band's madness by way of the musical path that they have forged. With touring plans underway in support of Defectum Omnium, EXHORDER finds itself poised to finally achieve the brass ring potential that has always seemed to be just out of their reach.

Follow EXHORDER:

https://www.exhorder.com/

https://www.facebook.com/exhorderofficial

https://www.instagram.com/exhorderofficial/

https://www.youtube.com/@ExhorderOfficial

https://www.tiktok.com/@exhorder_official