SWANWRITER Releases New Album melodies of despair With Full Visualizer

Through cinematic soundscapes and progressive arrangements SWANWRITER explores tales of horror, history, internal unease and grief in their second full-length, melodies of despair. The album arrives alongside a full length visualizer offering. 

Project founder Koda shares,
"The album is a collection of psychological horror and gothic horror stories. Musically, the songs are very moody and melancholy, mixing heavy moments with calmer acoustic instrumentation passages. The album was produced with a lot of care and love, so I hope it's able to touch the hearts of listeners."

SWANWRITER's exploration of gore and gloom draws from a wealth of thematic and musical influences, notably "the painted valley" inspired by historical a figure, Blood Countess Elizabeth Bathory, while the closing track "phobia" follows a personal journey in the aftermath of loss. 

Thunderous moments of heaviness reveal the extreme power of SWANWRITER's compositional style while haunting piano passages and ethereal orchestration intertwine across the track list. With emotion and atmosphere at the heart of melodies of despair, the album was designed to be experienced from beginning to end in a single sitting to allow its recurring moods and thematic connections to fully emerge.

SWANWRITER presents a thoroughly compelling display of light and shade through intricate, considered progressive instrumental arrangements. Across melodies of despair, SWANWRITER balances chaos and calm through explorations of dark and emotional narratives.  

melodies of despair was produced and mixed by Koda, mastered by Roland Rodas, and features cover artwork by 無た｡ / muta.

About SWANWRITER:
  SWANWRITER is a dark progressive metal project based in Vancouver, British Columbia, created and performed entirely by the anonymous multi-instrumentalist known as Koda. Formed in 2023, the project emerged from a desire to merge progressive metal songwriting with classical composition, atmospheric storytelling, and emotionally driven arrangements.

Having studied classical piano from an early age before later discovering extreme metal, Koda developed SWANWRITER as a space to explore long-form composition without stylistic limitation. The music draws influence from progressive and experimental metal alongside classical composers such as Bach, Beethoven, and Chopin, resulting in compositions that emphasize dynamics, texture, and narrative pacing.

SWANWRITER debuted with There is a darkness in June 2023, establishing a sound centered on extended song structures, melodic development, and cinematic atmosphere. Rather than focusing on technical exhibition, the project prioritizes mood, storytelling, and cohesion across full-length releases.

Themes throughout SWANWRITER’s work often intersect with psychological horror, melancholy, and introspection, shaped in part by inspiration from horror games, film soundtracks, and dark ambient music. Each release is approached as a complete artistic statement, with careful attention given to sequencing, emotional progression, and sonic detail.

Operating independently, SWANWRITER remains a studio-focused project, with future ambitions that include composing music for horror and narrative-driven media.

Connect with SWANWRITER:

Bandcamp: https://swanwriter.bandcamp.com/
Instagram: https://www.instagram.com/swanwritermusic/
Facebook: https://www.facebook.com/swanwritermusic/
X / Twitter: https://x.com/swanwritermusic
YouTube: https://www.youtube.com/@swanwriter
Spotify: https://open.spotify.com/artist/6unE9CWOXt5c4UIiaHD5RR
Apple Music: https://music.apple.com/us/artist/swanwriter/1686779640
TikTok: https://www.tiktok.com/@swanwritermusic

FRANK RAY RELEASES HIGHLY ANTICIPATED NEW EP, GOOD FOR THE SOUL

Today, country artist Frank Ray released his brand-new EP Good For The Soul via BBR Music Group/BMG Nashville. Produced by Seth Mosley and Michael “X” O’Connor, the five-song collection showcases Ray’s signature blend of heartfelt storytelling and modern country sound. Listen HERE.

“I’m so excited for everyone to hear my new EP, Good For The Soul. This project is a direct reflection of both my love for ’90s country music and where my life is at right now. Every song tells a piece of that story. I’m incredibly grateful to my amazing collaborators and producers whose creativity and support helped bring this project to life,” says Ray.

Ray’s latest EP blends modern country energy with the timeless charm of classic honky-tonk. Featuring nostalgic romance and barn burner vibes, the collection is a direct reflection of his faith journey, the reality of watching his kids grow up, and what it means to keep falling in love with his wife through every season. With two tracks co-written by Ray and a special appearance from country star Tracy Lawrence on the title track, Good For The Soul captures the authentic sound that first inspired him as an artist.

The lead song, “Third Row George Strait” was written by acclaimed Nashville songwriters Ben Hayslip, Dan Isbell and Ben Stennis, and previously released on May 1st, paying tribute to country legend George Strait with a catchy melody and fresh up-tempo energy.

Fans will be able to see Ray perform at the Grand Ole Opry on July 4th as the Opry celebrates America's 250th. Tickets are available HERE.

About Frank Ray
Blessed with a smooth country vocal, BBR Music Group/BMG Nashville artist Frank Ray is a long road singer-songwriter who built his career on medicinal-strength performances, making the world a slightly-happier place, one night at a time. But with a new understanding of his “duty,” the hit-making former police officer has gone back to his roots. Growing up amid the intense collision of cultures in border towns Laredo, Texas and Columbus, New Mexico, everything from Tracy Lawrence and Rascal Flatts to Tejano, Ranchera, and Norteño music formed his musical foundation, with service in his blood. Spending 10 years as a law enforcement officer in Las Cruces, New Mexico, Ray wrote tickets by day and worked honky tonks by night, until a battle of the bands scored him a gig opening for Keith Urban. A bright fusion of organic honky-tonk pop and smooth Latin twang led to two Texas radio #1s, while the R&B-inflected “Country’d Look Good on You” reached the Top 20 of Billboard’s Country Airplay chart in 2022. Ray’s good-time credentials were solidified on nationwide tours with Luke Combs, Kane Brown, Luke Bryan, and more, and he was hailed by TIME Magazine, Good Morning America, Rolling Stone, Country Radio Seminar, Pandora, Amazon Music, and beyond. A 2023 album debut played up his vibrant Tex-Mex flavor. But on the new EP, Good For The Soul, sunny honky-tonk tones from the ‘90s and 2000s combine with epic balladry and mood-boosting vocals, in a sonic prescription for the good life.


                                         WEBSITE | INSTAGRAM | FACEBOOK | X | TIKTOK

Photo Credit: David McClister

Devil Metal Quartet NUNSLAUGHTER Releases New Album 'Satanic Chaos Legions' — Out Now via BLKIIBLK

Today, Cleveland’s unholy denizens of the underground, NUNSLAUGHTER, proudly unleash their new album, 'Satanic Chaos Legions,' out now via BLKIIBLK. To mark the occasion, the band also shares their new single, "Unsacrament," alongside an official music video.

On the new track, vocalist Don of the Dead comments:

"'Unsacrament' is a declaration of war from the grave. Dragging the rotting corpse of faith through the mire of humanity. Ready to be unbaptized with the flesh of a dying god. This is our anti-gospel."

Check Out the Official Video for "Unsacrament" Below:

A constant in extreme metal and an unyielding inspiration for generations of black metal and thrash provocateurs, NUNSLAUGHTER’s latest hymnal of brutality kicks off with a call to irreligious arms and doesn’t let go until the bloody end. Tracks like the grinding “Peukharist”or the uncompromising “Unsacrament” batter the senses like the bastard offspring of Slayerand 'Earth A.D.'-era Misfits, inverting crucifixes while worshipping at the hoof of the ibex.

Having already set fire to the international metal scene with festival appearances across the globe and a European tour on the way, make no mistake: NUNSLAUGHTER’s campaign of world-defilement is just beginning.

On the new album, Don of the Dead shares:

"With BLKIIBLK on our side, NUNSLAUGHTER can ram the black horn of Satan down the throats of every metalhead on the planet, spitting fresh venom and blistering hatred directly into the rotting face of Christianity with 'Satanic Chaos Legions.'"

Order 'Satanic Chaos Legions' HERE

NUNSLAUGHTER will hit the road this summer for a European tour.

A full list of dates is below.

NUNSLAUGHTER Live:

June 27th - PL Krakow @ Club Zascianek

June 28th - SK Kosice @ Riders Pub

June 30th - RO Bucharest @ Quantic Club

July 1st - HU Budapest @ Supersonic / Blue Hell

July 2nd - CZ Trutnov @ Obscene Extreme Festival

July 3rd - DE Friesack @ Under the Black Sun Festival

July 4th - DE Kassel @ Goldgrube

July 5th - NL Tilburg @ Little Devil

July 6th - BE Oostende @ Twilight

July 7th - BE Antwerp @ Antwerp Music City

July 8th - DE Rostock @ Peter-Weiss-Haus

July 9th - DK Fredericia @ Metal Magic Festival

July 10th - DE Hamburg @ Bambi Galore

July 11th - DE Torgau @ In Flammen Open Air

August 28th - Columbus, OH @ Ace of Clubs

August 29th - Cleveland, OH @ No Class

NUNSLAUGHTER are:

Don of the Dead - Vocals

Wrath - Drums

Malum - Bass

Tormentor - Guitar

Single Gun Theory / Delerium vocalist Jacqui Hunt unleashes ethereal masterpiece 'Desiderium'

Iconic Australian indie-pop singer-songwriter Jacqui Hunt has officially released her deeply anticipated "Desiderium" album with focus track "Cape of Light". Marking a profound artistic milestone, the album is a superb collection that moves through deeply personal reflections on grief, loss, healing and love. Released through her independent label QUSP alongside musical collaborator and husband Brian Conolly, "Desiderium" beautifully pairs sonically abstract, smooth synths with raw, organic pop structures—resulting in a cinematic body of work fused together by the ethereal thread of Jacqui’s poetic radiance.

Best known as the iconic vocalist and co-writer for electronic pioneers Single Gun Theory and a prominent guest vocalist for dreampop trailblazers Delerium, Hunt makes a triumphant return to center stage with this solo record. Merging elements of Kate Bush, Tori Amos, and Beth Gibbons, she describes the sonic landscape of the album as "like stepping out of your body for a while and grounding back to earth — floating on a synth wave while holding the raw reality of a simple piano. The bones that connect to the human voice like a string of air as it floats to the ether and returns to base."

Her first album in 18 years, "Desiderium" serves as both an ending and a beginning, deeply rooted in the circle of life and the passage of time. Named after the Latin noun for a profound yearning for something lost that cannot be replaced, this record reflects the emotional weight Hunt felt when unexpectedly losing both of her parents within a two-year span. With an overarching theme of longing and devotion, Hunt explores the desire to reconnect with what is now absent, delivering a poignant reminder to embrace one's authenticity and honour the "inheritance" of life.

The album's focus tracks showcase this striking versatility. "Planet" is an electro-ethereal soundscape building to a rhythmic frequency of dreamy vocals that merge into space, initially born from a poem sent by Conolly from overseas and transformed spontaneously by Hunt into a long-distance love song. Conversely, "Cycles" presents a raw, melancholic piano ballad of heartfelt simplicity. Enveloped in powerful symmetry, its music video was created by Kade Stenders, a young filmmaker whose parents (famed film director Kriv Stenders and photographer Lisa Stonham) directed several videos for Hunt's pioneering electronic band, Single Gun Theory, decades prior.

38 years after the debut of Single Gun Theory's landmark release "Exorcise This Wasteland", the band's timeless relevance was highlighted just recently when their music was featured on the Paris runway for French fashion house Chloé’s Winter 2026 parade. Hunt also achieved global recognition 29 years ago through her pivotal involvement with Delerium, collaborating as songwriter and vocalist on "Euphoria (Firefly)" for the seminal "Karma" album.

Jacqui Hunt’s stellar trajectory stands as a testament to her enduring impact across the global independent landscape. Her diverse solo and collaborative catalog includes her 2008 debut album "Auraphonic"—featuring the film-licensed track "Calisthenics" —and creative pursuits like the design duo CiiVE, alongside standout vocal contributions for Paul Mac, Vision Four 5, and David McClymont of seminal post-punk band Orange Juice.

'Desiderium' is out June 26th on CD and limited edition vinyl. Also available digitally,the album experience is complemented by the "Alice Magic (K.I.M Remix)", a re-envisioning of the original track by K.I.M (Kim Moyes) of legendary Australian electronic duo The Presets. All of this music is available across digital platforms such as Spotify and Apple Music.

CREDITS
Jacqui Hunt - vocals, keys, production
Brian Conolly - synth, bass, guitar, production
Laurence Pike - drums (‘Cecilia,’ ‘Cycles,’ ‘This Love,’ ‘Temple Of Illumination’)
Daniel Denholm - zither and strings on ‘Cecilia,’ cello solo on ‘Follow Me Here’
Lyrics by Jacqui Hunt, except ‘Planet’ - lyrics by Brian Conolly
Music written by Jacqui Hunt & Brian Conolly
Except ‘Cycles’ and ‘This Love’, written by Jacqui Hunt
and ‘Cecilia’, written by Jacqui Hunt & Daniel Denholm
Recorded at QUSP Studios in Sydney, Australia
Engineered by Brian Conolly
Mixed by Daniel Denholm
Mastered by Michael Lynch
Cover artwork by Qusp Studios
Album released by QUSP. UPC #9324690436552
Copyright 2026 Qusp Pty Ltd. Publishing 2026 Sony/ATV
Publicity by Shameless Promotion PR
Artist photos by Brian Conolly
Planet video original graphics by Brian Conolly. Directed by Jacqui Hunt
'Cycles' video directed & edited by Kade Stenders


Keep up with Jacqui Hunt
Website | LinkTree | Shop | Facebook | Instagram | Threads | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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ETERNAL RECURRENCE Unleash New EP Eternal Recurrence, Release Music Video For "Precious Stones"

ETERNAL RECURRENCE presents the debut self titled EP, Eternal Recurrence. Led by composer and multi-instrumentalist C. Alex Luke, ETERNAL RECURRENCE embraces the symphonic metal genre from an alternative perspective with orchestral arrangements drawn from chamber music. The new EP release arrives alongside a music video for the track "Precious Stones". 

The creative process behind “Precious Stones” differs from the rest of the track list on Eternal Recurrence as it was the first song written for the EP dating back to the COVID pandemic. Initially composed as a straightforward metal track with no symphonic elements, “Precious Stones” was subsequently reworked to incorporate the chamber music arrangement and adhere to the new creative direction for ETERNAL RECURRENCE. 

"Precious Stones" features two guest vocalists. Mordian of DIAMORTE and SHIELD OF WINGS delivers a powerful alto performance during the chorus and bridge, while James Dorton of BLACK CROWN INITIATE, DIAMORTE and NE OBLIVISCARIS contributes harsh vocals to the heavier sections of the song.

Furthermore, “Precious Stones” is the only song on the EP not written by C. Alex Luke. The lyrics were written by Jake Thiele, Luke’s former bandmate from UNTIL EXTINCTION. On the lyrical theme Thiele shares, "In short, ‘Precious Stones’ is about the futility and stupidity of the things that divide us and how we let them suck the enjoyment out of life.”

All material on Eternal Recurrence was composed around a chamber ensemble led by German Dmitriev on violins, Steven Schumann on cellos, Maciek Szczyciński on double bass, and C. Alex Luke on piano. These elements are combined with aggressive guitars, lead work, and drumming rooted firmly in modern metal. The EP cover artwork and layout is by Timur Khabirov at All4band Design, and the project's logo was designed by Pavel Kurbanov at All4band Design.

About ETERNAL RECURRENCE:

ETERNAL RECURRENCE is a symphonic metal project based in Chicago, Illinois, founded in 2025 by multi-instrumentalist and composer C. Alex Luke. Known for blending progressive and extreme metal with classical instrumentation, the project takes a chamber music approach to symphonic metal, prioritizing the nuance and expressiveness of real musicians over large-scale orchestral simulation.

Drawing influence from bands such as KAMELOT, EPICA, OPETH, DREAM THEATER, and REVOCATION, ETERNAL RECURRENCE balances intricate compositions with aggressive modern metal. While traditional symphonic metal often relies on massive orchestras or dense sampled arrangements, ETERNAL RECURRENCE was created around the belief that the human touch of live performance remains essential, especially in an era increasingly shaped by artificial intelligence.

Rather than emulating 19th and 20th century symphonic traditions, the project looks to chamber music for inspiration. Chamber ensembles are designed for smaller spaces and intimate performances, emphasizing clarity, interaction, and detail. This philosophy defines the sound of ETERNAL RECURRENCE.

All material on the debut release, Eternal Recurrence, was composed specifically for a chamber string ensemble alongside full metal instrumentation. The ensemble features German Dmitriev on violins, Steven Schumann on cellos, Maciek Szczyciński on double bass, and C. Alex Luke on piano, integrated with heavy guitars, technical leads, and aggressive drumming.

Released independently in 2026, Eternal Recurrence serves as both an introduction and a mission statement, presenting symphonic metal that values realism, restraint, and emotional detail without sacrificing heaviness or intensity. The project exists at the intersection of classical tradition and modern metal, focused on authenticity, composition, and the expressive imperfections that only human performers can provide.

Out Now - BLOOD OF ANGELS - Les Agnst ov Thanatous

Les Agnst ov Thanatou is the forthcoming full-length album from BLOOD OF ANGELS, out on June 21, 2026. Born from confrontation with loss, mortality, and the fear that follows both, the album plunges headfirst into the emotional and psychological aftermath of death. Drawing from extreme metal, cinematic atmosphere, and disciplined melodic structure, the record presents a cohesive narrative that traces the human response to grief through violence, ritual, memory, and reflection. Every song advances the album’s central question of how people survive after death has altered their world.

The album opens by drawing the listener away from the physical world and into a transitional psychological space where the boundaries between life and death begin to dissolve. This opening establishes the emotional framework of the record and prepares the listener for the confrontations that follow. From this point, the music shifts into expressions of conflict, reflecting the instinctive human response to mortality through aggression, denial, and rage.

As the narrative progresses, chaos gives way to structure. Songs centered on ritual and ceremony reflect humanity’s need to impose meaning on death through tradition, belief, and communal experience. These passages acknowledge loss as a shared condition shaped by culture and history, offering moments of order within emotional upheaval.

Midway through the album, the focus turns inward. Themes of psychological trauma, survivor’s guilt, and emotional isolation emerge as external struggle collapses into internal reckoning. The music becomes increasingly layered and introspective, mirroring the persistence of memory and the lasting impact of grief long after the moment of loss.

In its closing movements, Les Agnst ov Thanatou confronts finality and remembrance. Acceptance appears as awareness rather than comfort, recognizing the permanence of death while affirming the endurance of legacy and memory. The album concludes in a reflective state, emphasizing that while life ends, its influence continues through those who remain.

Through its cohesive narrative and emotional intensity, Les Agnst ov Thanatou stands as BLOOD OF ANGELS’ most immersive conceptual work to date. The album invites listeners to confront fear, loss, and mortality directly, offering an experience that remains long after the final sound fades.

About BLOOD OF ANGELS:

BLOOD OF ANGELS is an extreme metal band based in Tampa, Florida, known for blending melodic death metal, blackened atmospheres, and aggressive modern metal into a unified and emotionally charged sound. Since forming in 2017, the band has developed a reputation for confronting dark subject matter through disciplined songwriting, cinematic structure, and uncompromising intensity.

The band’s music draws influence from across the metal spectrum, incorporating elements of death metal, black metal, thrash, and groove while maintaining a strong melodic foundation. Rather than adhering to a single subgenre, BLOOD OF ANGELS focuses on emotional impact and narrative cohesion, using heavy music as a vehicle for catharsis, reflection, and confrontation.

Lyrically, BLOOD OF ANGELS explores themes of mortality, loss, conflict, and psychological struggle. These ideas are often presented through concept-driven releases that encourage immersive listening rather than isolated tracks. The band’s forthcoming album, Les Agnst ov Thanatou, continues this approach with a focused examination of grief and the human response to death.

BLOOD OF ANGELS has earned multiple industry awards for songwriting and performance, including honors from the Hollywood Independent Music Awards and Akademia Music Awards. In 2025, the band completed a sold-out headlining European tour, further establishing their presence on the international metal stage.

With a commitment to artistic growth and respect for metal’s legacy, BLOOD OF ANGELS continues to push forward with music that is heavy, deliberate, and emotionally resonant.

BLOOD OF ANGELS is: 

Randy Reyes – Vocals, Acoustic Guitar
Aaron Robinson – Guitar
Jonathan Rushford – Drums, Keyboards
The Maggot – Bass, Background Vocals

Connect with BLOOD OF ANGELS:

Official Website: http://www.bloodofangels.net
Spotify: https://open.spotify.com/artist/0kq6q6hYYdNgk0ZSvgQPzF
Facebook: http://www.facebook.com/bloodofangels1
Instagram: http://www.instagram.com/bloodofangels
YouTube: http://www.youtube.com/bloodofangels
ReverbNation: http://www.reverbnation.com/bloodofangels1
Merch / E-Shop: https://merchbooth.com/pages/blood-of-angels-battle-gear
Apple Music: https://music.apple.com/us/artist/blood-of-angels/1195719891

SCRATCHING, SCREAMING, AND SHREDDING: THE NINJA KITTIES ARRIVE WITH THEIR SELF TITLED ALBUM

THE NINJA KITTIES are officially here, and they're bringing a genre-bending sonic assault that refuses to play by

anyone's rules.

With the release of their highly anticipated self-titled LP, Ninja Kitties, the band delivers a relentless collection of songs that proudly wave the flag for punk rock while kicking down the walls separating generations and genres.

Drawing inspiration from the rebellious spirit of 1970s punk and the explosive energy of 1990s punk rock, THE NINJA KITTIES inject their music with elements of classic rock, alternative rock, hard rock, metal, emo, and screamo, creating a sound that is both nostalgic and undeniably fresh.

From razor-sharp riffs and infectious hooks to screamo growls and technically impressive arpeggio sweep solos, Ninja Kittiesis a musical rollercoaster built for fans who crave melody, aggression, and unapologetic individuality.

LISTEN ON:

YOUTUBE MUSIC

AMAZON MUSIC

REVERB NATION

Out Today From Kerry King!

KERRY KING's 2024 offering From Hell I Rise was born in the aftermath of SLAYER's final curtain call on November 30, 2019, in the band’s Los Angeles hometown. Now, two years since it's unveiling, the iconic SLAYER songwriter/guitarist celebrates this milestone with the forthcoming offering, From Hell I Rise: Extended Deluxe Edition. The approaching anniversary edition of From Hell I Rise sees the track list include additional demos featuring vocal performances by KERRY KING.

Joining the KING crusade is a lineup that began with SLAYER drummer Paul Bostaph. “Paul's kind of like my [Vinny] Appice to Ronnie James Dio,” KING says. “I knew Paul wanted to be part of this since 2018”. Alongside KING, the role of guitars “went Phil Demmel’s way.” The band is completed by bassist Kyle Sanders (HELLYEAH), and in the much-talked-about vocalist spot, Mark Osegueda (DEATH ANGEL), a friend of KING’s since the early ‘80s Cali thrash days. The lineup kills. From the instrumental entrée “Diablo” into the relentless, repentless “Where I Reign,” to the last cut, the statement-making, full-circle title track “From Hell I Rise,” KING and co. are in full control. Music and lyrics are very intentional, with song topics including war, women’s rights, current American politics…and one-tune inspired by THE SCORPIONS and HELLOWEEN-style riffs. (“That one, ‘Shrapnel,’ was something super-indulgent for me, and it came out really cool,” he says.)

Black Metal Kings DARK FUNERAL Announce New Live Album 'A Beast To Praise' Set for Release on August 21st via Century Media

The Swedish kings of black metal, DARK FUNERAL, proudly announce their long-awaited new live album, 'A Beast To Praise,' set for worldwide release via Century Media on August 21, 2026.

Recorded at Fållan in Stockholm in 2022, 'A Beast To Praise' captures DARK FUNERAL's devastating live performance in support of their acclaimed album 'We Are The Apocalypse.'Spanning 13 tracks and nearly 70 minutes, the release showcases the band's relentless stage presence while celebrating an album that entered the charts across Europe upon it's 2022 release, including #6 in Germany, #13 in Finland, #28 in Switzerland, #29 in Austria, and #31 in Sweden.

The first preview of the upcoming live release arrives today in the form of the single and live video for "The Arrival Of Satan's Empire," which can be viewed below.

Watch the Live Video for "The Arrival of Satan's Empire" Below:

DARK FUNERAL’s Lord Ahriman comments on ‘A Beast To Praise’:

“‘A Beast To Praise’ (Live at Fållan, Stockholm) captures a very important moment in the history of DARK FUNERAL — not only the live release ritual for ‘We Are The Apocalypse,’but also our return to the stage after years of silence during the pandemic. That night at Fållan was intense in every possible way. The energy in the room, the fire, the audience and the atmosphere all came together into something far beyond an ordinary concert. This release is the immortal document of that night. With the release of this live album and the upcoming European touring cycle in the fall of 2026, we now close the chapter surrounding ‘We Are The Apocalypse.’ At the same time, we are already deeply focused on the next era of DARK FUNERAL and hard at work creating new material for what will become our next studio album, planned for release in 2027. And as one chapter closes, a new one is already taking shape — bigger, darker and more epic than ever before...”

Pre-Order 'A Beast To Praise' HERE

DARK FUNERAL will next embark on the massive “In League With Satan” tour across Europe together with Behemoth and Dimmu Borgir in October. All upcoming tour dates currently announced can be found below.

DARK FUNERAL Live:

August 6-9 - Schlotheim, Germany @ Party.San Open Air

August 28-30 - Câmpulung, Romania @ Posada Rock

August 28-30 - Požega, Serbia @ Hellhammer Festival

"In League With Satan" – European Tour

w/ Behemoth & Dimmu Borgir

October 9 - Zurich, Switzerland @ Halle 622

October 10 - Zwickau, Germany @ Sparkassen-Arena Zwickau

October 11 - Esch sur Alzette, Luxembourg @ Rockhal

October 13 - Milan, Italy @ Alcatraz

October 14 - Munich, Germany @ Zenith

October 16 - Paris, France @ Zenith

October 18 - Den Bosch, The Netherlands @ Mainstage

October 20 - Cologne, Germany @ Palladium

October 22 - Hamburg, Germany @ Inselpark Arena

October 23 - Berlin, Germany @ Columbiahalle

October 24 - Brno, Czech Republic @ Hala Vodova

October 27 - Helsinki, Finland @ Ice Hall

October 29 - Stockholm, Sweden @ Hovet

October 30 - Copenhagen, Denmark @ K.B. Hallen

More info and tickets can be found HERE

Stay alert for more news on DARK FUNERAL and 'A Beast To Praise' coming up soon…

DARK FUNERAL are:

Lord Ahriman – Guitars 

Chaq Mol – Guitars 

Heljarmadr – Vocals

Adra-Melek – Bass

Jalomaah – Drums 

REVELATE is here... Adam Ezra group

We've Been Waiting A Long Time For This...

For you to enjoy whenever you're ready to listen.

Years of stories...
Songs...
The Gathering Series...
A pandemic...
A renewed vision for this village of ours...

All woven together into this collection of recordings.

It's an honor to give this one away. 🔥🌊

Stream Revelate

You've been hearing so much from us lately, I really wanted to keep this short, but I'm just feeling like I need a moment of reflection:

This journey of ours has been so underground for so long.

I've never minded.

It's just made me love and appreciate those of you who have found us that much more.

Because you sure did have to work to find us.

And, you did.

You connected.

You believed in us.

And more and more these days, you're shining our light out there for the rest of the world to see.

What an incredible thing we get to be a part of…”Adam”

Portland's Wooden Overcoat shares "I Knew You Would', showcasing debut "Hello Sunbeam" EP

Portland psychedelic indie-pop outfit Wooden Overcoat unveils 'I Knew You Would' with its garage-meets-grunge sound, complete with a haunted vocal harmony you didn’t know you needed. The video was created by Italian multi-arts visionary Francesca Bonci, well known for her work with The Dandy Warhols, Tombstones In Their Eyes, Federale (The Brian Jonestown Massacre's Collin Hegna), Pete International Airport and Slowdive's Rachel Goswell.

Wooden Overcoat's recently released debut "Hello Sunbeam" EP is a sweet spot where lo-fi garage psych meets 90s shoegaze, anchored by layered harmonies and an evocatively intimate vocal delivery. Exploring vivid, emotionally resonant themes, this vibrant four-track collection presents a fantastic dreamlike environment for lovers of life.

The sonic brainchild of multi-instrumentalist Brant Hajek, Wooden Overcoat took its name from an old Americana euphemism for a coffin. Hajek’s creative process is personal, having returned to music after a hiatus. What started as a practice in self-production transformed into a deep creative obsession with soundscapes and gear. Recording in a rented basement, Hajek crafted this EP through spontaneous experimentation, propelled forward by sudden bursts of inspiration.

"The lyrics to ‘I Knew You Would’ are more about transcribing emotional impact than saying something meaningful. I wrote it when I was feeling a lot of grief, very uneasy, and it’s about the isolation you can feel going through bouts of depression, even when you have someone very close to you. Thinking about it in hindsight, I feel like I was writing about myself, hurling accusations for not being better, or finding the ability to improve things about myself or the way I was handling stress and grief," says Brant Hajek.

"Recording this EP almost ruined my life, and I hope it sounds like it. Each song is its own little world, in which I lost myself. With childlike wonder, exploring concepts and sounds, I was inspired to make something new each time just to keep the wheel turning. I loved the feeling of momentum, knowing I was creating something out of thin air and maybe grabbing ahold of something slippery and evasive.."

Hajek’s creative process is a deeply personal, layered journey towards the spark that turns an emotionally restless melodies into finished pieces. While he himself performed every instrument on thise EP, Wooden Overcoat is now a full band, bringing these tunes to the stage. With Hajek on guitar and lead vocals, he is joined by bassist Dillon Glusker, guitarist Mac and drummer Brian Levin.

Earlier, Wooden Overcoat released the shimmering lead track "Home" - a reverb-drenched sanctuary, blending in sun-drenched textures and a wash of tape echo and reverb, and "Finally Arrived" with its viscous guitars, slow thudding drums, rhythmic trance-like pulse and dreamy soundscape.  Between mourning and romantic friction, it examines the delicate nature of human connection and tendency to view individuals as replaceable assets. "Heaven Right Now" is a reverb-soaked psych-rock track about hidden emotional fractures, shared suffering, and how people quietly break under pressure.

"This EP was written at a dark time in my life. My mother was diagnosed with cancer, the world was flipped on its head and never really recovered, political turmoil and conflicts overseas dominated the collective conscious, and it profoundly affected me. My relationship was suffering from cumulative stress and I can now see how it came through in what I created. Themes of beauty that doesn’t last, self-sabotage, dissociation, cynicism, and desire for connection but feeling removed from it," says Hajek.

The "Hello Sunbeam" EP is out now, available on digital platforms everywhere, including Spotify, Apple Music and Bandcamp.

CREDITS
Written, recorded, mixed and mastered by Brant Hajek
Performed by Brant Hajek
Recorded in a house in Portland, Oregon
Only humans made this art
Cover art + photo by Brant Hajek
Band photos by Brett Chauncey
Videos by Francesca Bonci 
Publicity by Shameless Promotion PR

Keep up with Wooden Overcoat
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Keep up with Shameless Promotion PR
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Norwegian "Tundra Rockers" Slomosa Drop Heavy-Hitting KEXP Live Session

Norway’s sludge-fueled groove titans Slomosa have unveiled a blistering five-song live session for Seattle’s KEXP, recorded during the band's first-ever U.S. headlining tour this past April. Known for redefining Desert Rock into what they proudly call “Tundra Rock," the Bergen-based four-piece delivered a raw, hypnotic, and thunderous performance in the legendary KEXP studios. 

Fans can now stream the full, uninterrupted performance to experience the band's massive grooves and infectious energy firsthand.  Watch below:

Reflecting on the KEXP session, the band writes, “[...] we’ve binged down endless hours of KEXP sessions ourselves through the years. So, needless to say, it was a huge honour to be invited to do our own! [It was] slightly intimidating standing between the lights that we knew so well from the screen - but as soon as we started playing, we got into it alright.”

The KEXP session arrives as the perfect primer for the band’s U.S. fall tour as direct support for Clutch. The three-week tour promises to bring some of the loudest, most groove-driven nights of the year to cities across the country.

Slomosa Tour Dates with Clutch:

Oct 16 Charlotte, NC - The Fillmore Charlotte
Oct 17 Myrtle Beach, SC - House of Blues
Oct 18 Jacksonville, FL Five
Oct 20 Tampa, FL The Ritz Ybor
Oct 22 New Orleans, LA House of Blues
Oct 23 Robinsville, M Bluesville at Horseshoe Tunica
Oct 24 St. Louis, MO Blueberry Hill Duckroom*
Oct 25 Fayetteville, AR Ozark Music Hall
Oct 27 Des Moines, IA Val Air Ballroom
Oct 29 Green Bay Epic Event Center
Oct 30 Moline, IL The Rust Belt
Oct 31 Cincinnati, OH The Andrew J. Brady Music Center
Nov 1 Fort Wayne, IN Clyde Theatre
Nov 3 Burlington, VT Higher Ground
Nov 5 Hampton Beach, NH Hampton Beach Casino Ballroom
Nov 6 Wilkes-Barre, PA F.M. Kirby Center
Nov 7 Norfolk, VA The Norva
 *Slomosa Headline Show

Tickets for all dates are on sale now.

Photo credit: Carlos Cruz

Brutal Planet Records Introduces: Voivod - The End of Dormancy EP

Prepare for an extraordinary sonic experience with the CD release of Voivod's The End of Dormancy EP (Turquois color cover), presented by Brutal Planet Records as part of their exclusive Metal Icon Series. Officially licensed from Century Media, this CD brings Voivod’s boundary-pushing, progressive metal and avant-garde sound to a new format, having only been available on vinyl and CD (inverted color scheme). Includes a 6-page insert booklet with artwork and lyrics. Don’t miss your chance to own this groundbreaking CD release and celebrate The End of Dormancy in a bold new way! 

With nearly 23 minutes of genre-defining music, this EP is a masterpiece of cosmic riffs, complex rhythms, and inventive arrangements that capture Voivod’s unique style. Highlights include the powerful studio version of "The End of Dormancy" and electrifying live renditions from Montreal Jazz Fest 2019, immersing listeners in Voivod’s intense and mind-bending musical exploration.

Fans can purchase online at: 

https://boonesoverstock.com/products/voivod-the-end-of-dormancy-e-p-cd-2026-brutal-planet-original-color

Voivod “The End Of Dormancy” (3 tracks) – 500 CDs (Turquoise) 732131699463 (Brutal Planet Records)

KHEMMIS RELEASE HIGHLY ANTICIPATED SELF-TITLED ALBUM

Denver's long-revered torchbearers of doom KHEMMIS have officially released their highly anticipated new self-titled album today via Nuclear Blast Records. Marking the band's first studio album since 2021's acclaimed Deceiver, Khemmis stands as a powerful reaffirmation of the band's singular identity, blending towering riffs, haunting melodies, triumphant heavy metal heroism, and crushing emotional weight into one of the most compelling records of their career.

Stream/Purchase Khemmis: https://khemmis.bfan.link/khemmis-album

To celebrate today's release, the band has also unveiled a new music video directed by Alex Pace for the album standout ‘Gilded Chambers.’

Speaking on the track, vocalist and guitarist Phil Pendergast comments:

"If your aim is to write an album full of rippers, at least one has to kick off with a time honored Heavy Metal tradition -- the drum intro -- and resolve around a sing-along chorus. 'Gilded Chambers' is that track. The accompanying video comes from the track's live premiere in Denver, proving that motorcycle-ready riffs, psychedelia-tinged bridges, and death metal breakdowns make this one kill live. Check it out, then join us in the pit this summer. Horns up!"

‘GILDED CHAMBERS’ MUSIC VIDEO:

Khemmis—the follow-up to 2021’s acclaimed Deceiver—features eight tracks of unrelenting, monolithic heavy metal adorned by stunning artwork from Christopher Remmers. More than just another chapter, the record represents the band in their truest form: a celebration of heavy music, forged through camaraderie, conviction, and an enduring love of the riff.

Across eleven years, KHEMMIS have become one of modern metal’s most revered names, beginning with their 2015 debut Absolution and continuing through landmark releases like Hunted—named Decibel’s Album Of The Year—Desolation, and Deceiver. But while the band’s legacy is firmly established, Khemmis finds them energized by something more immediate: the joy of simply playing loud, heavy music together.

As Hutcherson explains:

“We decided early in the songwriting process that we wanted to write a tight, high-energy album that retained the essential ‘Khemmis sound’ while also embodying the joy of creating, experiencing, and loving heavy metal. Ours have always been deeply personal songs born from tragedy and sorrow; while the songs on Khemmis are still undeniably dark, they are not mined from our suffering. Instead, this record is a celebration of the music world that has sustained us.”

KHEMMIS will embark on a headlining tour this month with support from NECROFIER and WRETCHED, followed by an excursion with MONOLORD soon after. Tickets and additional tour information are available at khemmisdoom.com/live.

“Forsake The Light” North American Headline Tour W / NECROFIER & WRETCHED

June 19 - Vancouver, BC - Rickshaw Theater

June 20 - Seattle, WA - Substation

June 21 - Portland, OR - Aladdin Theater

June 23 - Sacramento, CA - Starlet Room

June 24 - Berkeley, CA - Cornerstone

June 25 - Santa Cruz, CA - Felton Music Hall

June 26 - Los Angeles, CA - Lodge Room

June 27 - San Diego, CA - Brick By Brick

June 28 - Pioneertown, CA - Pappy & Harriet’s

June 30 - Phoenix, AZ - Nile Theater

July 1 - Cottonwood, AZ - Queen B

July 2 - Albuquerque, NM - Sister

W / MONOLORD

Aug 27 - Chicago, IL - Thalia Hall

Aug 28 - Louisville, KY - Portal

Aug 29 - Atlanta, GA - Garden Club

Aug 30 - Asheville, NC - Eulogy

Aug 31 - Columbia, SC - New Brookland Tavern

Sep 2 - Philadelphia, PA - Underground Arts

Sep 3 - Brooklyn, NY - Elsewhere

Sep 5 - Baltimore, MD - Labor Daze

Sep 8 - Columbus, OH - Ace of Cups

Sep 9 - Detroit, MI - Sanctuary

Sep 10 - Indianapolis, IN - Black Circle

“Forsake The Light” European Headline Tour W / CELESTIAL SANCTUARY

Oct 10 - Bochum, DE - Die Trompete

Oct 11 - Hengelo, NL - Metropool

Oct 13 - Birmingham, UK - The Flapper

Oct 14 - Manchester, UK - The Bread Shed

Oct 15 - London, UK - The Underworld

Oct 16 - Portsmouth, UK - Kola

Oct 17 - Paris, FR - Backstage By The Mill

Oct 18 - Liege, BE - Desertfest

Oct 19 - Leipzig, DE - Naumanns

Oct 20 - Prague, CZ - Subzero

Oct 21 - Berlin, DE - Cassiopeia

Oct 22 - Hamburg, DE - Monkeys

Oct 23 - Copenhell Metal Cruise*

Oct 24 - Oslo, NO - Hostsabbat*

*Khemmis only

About KHEMMIS:

After eleven years of albums and global touring, Colorado’s Khemmis have cemented themselves as pillars of modern heavy metal. Yet as they approach their fifth full-length, the band found something newly vital: the simple joy of creating heavy music together. Formed with no expectations, the group’s longevity has become its foundation, with guitarist/vocalist Ben Hutcherson describing the band as a rare source of stability and camaraderie. Since their 2015 debut Absolution, followed by the acclaimed Hunted, Desolation, Doomed Heavy Metal MLP, and Deceiver, Khemmis have built a legacy of towering, spiritual doom that continues to resonate with fans worldwide.

Despite changes—including members relocating and bassist David Small joining in 2022—the band emerged more focused than ever. Recording again at Flatline Audio in Colorado, the lineup of Hutcherson, Phil Pendergast, Zach Coleman, and Small leaned into renewed trust and chemistry, with distance paradoxically strengthening their bond. The addition of Small invigorated the rhythm section and encouraged experimentation, while the band rediscovered the excitement that defined their early days. That renewed energy fueled a collaborative atmosphere rooted in confidence, inspiration, and the shared thrill of simply playing heavy metal.

The resulting self-titled album is both a celebration and reinvention: a conceptually framed ritual of heavy metal that moves from the pounding “Invocation of the Dreamer” to the climactic “Benediction Tones,” balancing galloping aggression with emotionally resonant anthems. The record embraces extremity, catharsis, and joy in equal measure, complemented by new visual direction from artist Christopher Remmers. Through lineup changes, distance, and a shifting world, Khemmis remain unshaken—leaning into the music that defines them. Their self-titled album arrives June 12th, 2026 via Nuclear Blast, capturing the band in their truest and most energized form.

Follow KHEMMIS:

Website | Facebook | Instagram | Bandcamp | Spotify | Apple Music

SPREAD EAGLE Releases New Studio Album 'The Brutal Divine' — Out Now via Frontiers Music Srl

Hard rock veterans SPREAD EAGLE are thrilled to release their new album ‘The Brutal Divine,’ out now via Frontiers Music Srl. The band also shares the new track “Forbidden Local Honey,” along with an official visualizer, available below.

SPREAD EAGLE are currently on the road on “The Brutal Divine Tour 2026,” with dates across the US, and in UK and Europe throughout the summer. For the full list of dates, please see below and HERE.

The band comments:

“Actually, we’re not entirely sure what this song is about. There are references to the drug trade and to a certain singer who often flies between Brooklyn and Florida to ply his wares. Add in some sexual innuendos and it makes one hell of a sleazy rocker… Enjoy!”

Watch the Visualizer for "Forbidden Local Honey"

'The Brutal Divine' is SPREAD EAGLE’s long-awaited fourth studio album and a fierce new chapter in the band’s uncompromising legacy. Known for their raw energy, streetwise attitude, and explosive live performances, they once again prove why they remain a vital force in modern hard rock.

The band described the new record as “an emotionally and musically heavy body of songs showcasing a unique command of power, dynamics, and melody. We have harnessed the energy of years of non-stop touring and turned it into a metal/punk thrill ride of an album."

“Lyrically, 'The Brutal Divine' challenges us to question our views and ask if we're truly as free-thinking as we may believe. Once that question is posed, the album progresses towards uplifting messages of hope and community”, they continued.

Fronted by the unmistakable voice of Ray West, the band delivers a powerful collection of songs that balance grit and melody, aggression and soul. Guitarist Gianmaria “Jommy” Puledda injects the record with razor-sharp riffs and soaring harmonies, while Rob De Luca(bass, vocals) and Rik De Luca (drums) form a thunderous rhythmic backbone that drives every track with authority and groove.

Produced by Rob De Luca, 'The Brutal Divine' captures the band at their most focused and dynamic - blending their classic hard rock roots with a darker, heavier edge. The album channels the intensity and authenticity that first put SPREAD EAGLE on the map, while showcasing a band that continues to evolve without losing its identity.

With a full slate of live dates planned in support of the release, SPREAD EAGLE is ready to bring 'The Brutal Divine' to stages around the world - where their music truly comes alive. This is hard rock delivered with conviction, attitude, and fire.

Order 'The Brutal Divine' HERE

SPREAD EAGLE Live:

"THE BRUTAL DIVINE TOUR 2026”

Jun 12 - Clifton, NJ - Dingbatz (album release party)

Jun 13 - Newark, DE - Halftime (album release party)

Jun 19 - Norton, WV - RimRocks Fest

Jul 3 - Jacksonville, FL - The Albatross

Jul 4 - Bunnell, FL - 1405 Saloon

Jul 9 - Riverhead, NY - Suffolk Theater

Jul 31 - Brooklyn, NY - Polish Slavic Center

Aug 1 - Fallston, MD - Fallston Barrel House

Aug 31 - Bratislava, Slovakia - Muzeum obchodu

Sep 2 - Velden am Worthersee, Austria - Bluesiana

Sep 4 - Moncalieri, Italy - McRyan's

Sep 5 - Issenheim, France - Rockfest

Sep 6 - Basel, Switzerland - Sunbeach

Sep 10 - Frankfurt, Germany - Huhnerstall

Sep 11 - Lichtenfels, Germany - Paunchy Cats

Sep 12 - Wroclaw, Poland - Klub Muzyczny Liverpool

Sep 13 - Reichenbach, Germany - Bergkeller

Sep 15 - Turku, Finland - Fuusio

Sep 16 - Helsinki, Finland - Bar Loose

Sep 18 - Grebbestad, Sweden - Rode Orm

Sep 19 - Gothenburg, Sweden - The Abyss

Sep 22 - Swindon, England - The Victoria

Sep 23 - Southampton, England - The Brook

Sep 24 - St Albans, England - The Horn

Sep 25 - Isle of Wight, England - Strings

Sep 26 - London, England - New Cross Inn

Sep 27 - Derby, England - The Victoria Inn

Sep 28 - Birmingham, England - Subside

Sep 30 - Newcastle, England - Trillians

Oct 1 - Edinburgh, Scotland - Bannermans

Oct 2 - Buckley, Wales - The Tivoli

Oct 3 - Harrogate, England - The Den

Oct 4 - Stockport, England - Spinning Top

Oct 16 - Arlington, TX - Heavy Metal Hall of Fame

Oct 17 - San Antonio, TX - Fitzgerald's

GET TICKETS HERE

SPREAD EAGLE are:

Ray West - Lead Vocals

Gianmaria “Jommy” Puledda - Guitars and Vocals

Rob De Luca - Bass and Vocals

Rik De Luca - Drums

FLESHCRAWL Release Video For "Chapel of Guts" Alongside New Album 'Epitome of Carnage'

FLESHCRAWL unveil a torrent of ferocious bloodshed, chaos and power in their tenth studio album, Epitome of Carnage, out now via Distortion Music Group (DMG) - Powered by Reigning Phoenix Music. Accompanying the full length release is a rampage of gloom in the new music video for "Chapel of Guts".

On "Chapel of Guts" FLESHCRAWL share, "with 'Chapel of Guts' we wanted to showcase the full spectrum of our sound. This track stands out from our more classic Swedish Death Metal tracks, making it the perfect contrast to the other singles and the album as a whole. It's a short break from the more straight-forward tracks, offering a more dark contrast."

"It digs a bit deeper into the Fleshcrawl roots, combining heavy, doomy passages with intense blast beats and a lot of dynamics. It captures that darker atmosphere we wanted to have on the record. It is Death Metal with a room to breathe and then to choke."

On the writing process the band explain, "We didn't force it into a specific direction; we just let the track develop its own flow and energy during the writing process."

A foreboding darkness awaits in "Chapel of Guts". A haunting, enveloping atmosphere swells and hurriedly subsides as the pace increases and intensity rises. As the heaviness ebbs and flows through chaos, it's ferocious brutality leaves nothing in its wake. 

Watch "Chapel of Guts" Bellow:

The long-awaited Epitome of Carnage is constructed on the foundation of an expansive career. FLESHCRAWL remain devoted to the death metal genre despite having encountered loss and change along the way. As the tenth full-length release, the new album stands as testament to FLESHCRAWL's unwavering creativity and drive. Arriving seven years after 2019's Into the Catacombs of Flesh, Epitome of Carnage reveals a renewed vigor and power that bleeds through the track list. 

Contained within Epitome of Carnage are twelve vicious onslaughts that showcase FLESHCRAWL's unimpeded speed and power. Materializing alongside demonstrations of inescapable heaviness, explosive riffs, and melodic touches amongst the shadows, they leave behind no survivors. 

FLESHCRAWL is: 
Bastian Herzog - Drums, Vocals
Manu Markowski - Bass
Apu Justin Reisch - Guitars
Christian Kalbrecht - Guitars
Borisz Sarafutgyinov - Vocals

FLESHCRAWL Online:
Facebook
Instagram
YouTube
Spotify 
Apple Music

BLOODHUNTER Release New Album 'Sons Of The Abandoned'

Spanish melodic death metal powerhouse BLOODHUNTER have officially released their brand-new studio album “Sons Of The Abandoned” via ROAR - A Division of Reigning Phoenix Music.  

Marking this milestone, the band are not only kicking off a run of Spanish live dates alongside CRYPTA , but are also premiering a brand-new music video for “Masters Of Deceive”, one of the album’s most dynamic and emotionally charged tracks. 

Guitarist Dani Arcos comments: "This song is insane. We mixed guttural and melodic vocals, slow and melodic choruses with the most extreme riffs on the album... and there's even a recorded piano that you only realize has been there the whole time at the end of the song."

Vocalist Diva Satánica adds: "This song includes my very first clean backing vocals in BLOODHUNTER. I really wanted to give it a try because it represented the eternal disappointment of people trying to pull out from me a different version of myself but which I didn’t really feel identified with as a vocalist. This song speaks about toxic environments and how hard is to step out from there to follow your own path. It was the first song that we wrote for this album: it goes from a very dramatic chorus to the most enraged verses, to represent the complex dynamics in a relationship."

Formed in Galicia, BLOODHUNTER have steadily carved their name into the international extreme metal scene through relentless touring, uncompromising sound and a clear artistic vision. Fronted by Diva Satanica, the band blends extreme metal aggression with melodic depth, groove and narrative ambition, forging a sound that is both ferocious and emotionally charged. 

Since their inception, BLOODHUNTER have stood out for their conceptual approach and strong identity. Their music has always balanced brutality with atmosphere, drawing from themes such as ancient civilizations, power, human conflict and transcendence. Over the years, the band has evolved naturally, refining their songwriting and pushing beyond genre boundaries without losing their aggressive core.

“Sons Of The Abandoned”, produced by Tue Madsen, marks a turning point in BLOODHUNTER’s career. It is their most personal and honest album so far, shifting the focus inward to explore identity, vulnerability, personal struggle and the cost of pursuing one’s own path. For the first time, the lyrics speak directly from the heart, addressing inner demons, toxic environments, generational disconnection and the feeling of being lost in a world driven by individuality and superficial values. Musically, the album expands the band’s palette. Crushing riffs coexist with elegant grooves and striking melodic passages, while sharp contrasts define the songwriting: rage against beauty, speed against atmosphere, darkness against clarity.

With “Sons Of The Abandoned”, BLOODHUNTER solidify themselves as a band unafraid to evolve, challenge expectations and expose their own scars. This is not just another extreme metal album, it is a statement of identity, resistance and survival in a world that constantly demands compromise.

Order “Sons Of The Abandoned” HERE:
http://bloodhunter.rpm.link/sonsPR

BLOODHUNTER Live, with CRYPTA:
June 12 - Madrid @ Revi Live
June 14 - Mos @ Sala Rebullón
June 15 - Vitoria @ Urban Rock Concept
June 16 - Valencia @ Sala Rock City
June 17 - Badalona @ Sala Estraperlo

For More Info Visit: 
Official Site: https://bloodhunter.rpm.link/sitePR
Facebook: https://bloodhunter.rpm.link/facebookPR
Instagram: https://bloodhunter.rpm.link/instagramPR
X: https://bloodhunter.rpm.link/twitterPR
TikTok: https://bloodhunter.rpm.link/tiktokPR
Spotify: https://bloodhunter.rpm.link/spotifyPR
Apple Music: https://bloodhunter.rpm.link/applePR
 
BLOODHUNTER is:
Diva Satánica – Vocals 
Dani Arcos – Guitar
G. Starless – Guitar 
Adrián Perales – Drums 
Fabián Tejeda – Bass

Fit For a King Share New Song "Blood Pact" Ahead of Summer Tour With Motionless In White

FIT FOR A KING  — Ryan Kirby, vocals; Bobby Lynge, guitar; Daniel Gailey, guitar; Trey Celaya, drums; and Ryan "Tuck" O'Leary — bass/vocals — dropped their eighth album Lonely God last summer via Solid State Records. Get it here. 

The band returns today with new music in the form of the standalone song "Blood Pact." It's full of piss, phglem, and palpable rage — just as fans like it.

Watch the visualizer and listen below.

"'Blood Pact' is a song that, unfortunately, has become more relevant as time goes on," explains Kirby. "It's about how the decisions of people in power affect the rest of us. And how as a human race, we face the reality of destruction, even when it's not the majority making the decision."

The song arrives ahead of FFAK's summer tour with Motionless in White, which kicks off July 14 and runs through August 15.

FFAK will remain on the road through 2026 and into 2027. The band will embark on a headline run of Latin America in October and then head to Australia with Beartooth in January. All dates are here. [[ADD LINK]]

FIT FOR A KING ON TOUR:
WITH MOTIONLESS IN WHITE:
7/14 — Bridgeport, CT — Hartford Healthcare Amphitheater
7/16 — Gilford, NH — BankNH Pavilion
7/18 — Bristow, VA — Jiffy Lube Live
7/21 — Charlotte, NC — Truliant Amphitheater
7/22 — Alpharetta, GA — Ameris Bank Amphitheatre
7/24 — Irving, TX — The Pavilion at Toyota Music Factory
7/25 — Houston, TX — The Cynthia Woods Mitchell Pavilion 
7/26 — Austin, TX — Germania Insurance Amphitheater
7/28 — Albuquerque, NM — Isleta Amphitheater
7/29 — Phoenix, AZ — Talking Stick Resort Amphitheatre
7/31 — Los Angeles, CA — The Kia Forum
8/1 — Wheatland, CA — Toyota Amphitheatre
8/4 — Portland, OR — Theater of the Clouds
8/5 — Auburn, WA — White River Amphitheatre
8/7 — Sandy, UT — Beddy’s Plaza at America First Field
8/9 — Morrison, CO — Red Rocks Amphitheatre
8/11 — Oklahoma City, OK — Zoo Amphitheatre
8/12 — Rogers, AR — Walmart AMP
8/14 — Indianapolis, IN — Everwise Amphitheater at White River State Park
8/15 — Sterling Heights, MI — Michigan Lottery Amphitheatre at Freedom Hill

Dirty Heads Release "7 Seas" Album + Share "2 Young" + Summer Tour With 311 Kicks Off Next Month

Southern California's favorite sons, the RIAA Platinum Certified band DIRTY HEADS, are pleased to release their ninth full-length album, 7 Seas, via Better Noise Music. Listen to 7 Seas here.

Today, they serve up "2 YOUNG," which features a duet between singer Duddy and his daughter Sophia Lynn, proving that music is indeed the tie that binds. 

Listen to the song (via visualizer) below.

"I remember Sophia sitting in a high chair while we were writing 'Lay Me Down,' so to now have her featuring on our album is very special. Her voice was meant for this song," states Duddy.

Sophia Lynn weighs in about the track's heft, saying, "Getting to work with Dirty Heads was such a full circle moment for me. This track is so meaningful, and I'm so grateful to be a part of it. As someone who's just stepping into a new chapter of life after graduating high school, these lyrics really resonate with me. Growing up is exciting, but it can also be confusing, overwhelming, and messy. I hope this song reminds people that at whatever stage in life they're at, it's okay to not have everything figured out."

Earlier this week, DIRTY HEADS gave fans a sneak peek of the album with an intimate Q&A and listening party event at the Honda Lounge at the iHeartRadio Studios in L.A. The listening party and Q&A will be available for fans to watch on VEEPS in celebration of the release.

DIRTY HEADS will hit the road this summer for a co-headline trek with 311. They also have headline dates and festival appearances on deck. All forthcoming dates are below.

DIRTY HEADS' signature brew of sun-kissed reggae, breezy hip-hop, boundary-breaking alternative, and hazy pop is as intoxicating as ever on 7 Seas. Overall, the album represents yet another evolution for the beloved outfit.

Last month, DIRTY HEADS launched a collaboration with 4ocean — a global organization on a mission to end the ocean plastic crisis. Frontman Jared Watsonembarked on an excursion alongside the 4ocean team. Together, they picked up trash from the shoreline of Key Largo at the John Pennekamp Coral Reef State Park. The trash collected on the excursion has been recycled into a Dirty Heads 4ocean bracelet. Fans can help 4ocean pull even more plastic out of the ocean with purchase of the bracelets — either individually or as part of a very special and very limited, premium vinyl edition of the new album, which is now available for pre-order on the band's store. Get it here.

DIRTY HEADS ON TOUR:
6/13 — Bend, OR — Reggae Rise Up Oregon *
6/19 — Swanzey, NH — Northlands Festival *
6/21 — Virginia Beach, VA — Point Break Festival *
6/25 — Morrison, CO — Red Rocks Amphitheater
6/26 — Dillon, CO — Dillon Amphitheater
6/27 — Albuquerque, NM — Sandia Casino Amphitheater
7/11 — Shakopee, MN — Mystic Lake Amphitheater #^
7/12 — Chicago, IL — Huntington Bank Pavilion at Northerly Island #^
7/15 — Grantville, PA — Hollywood Casino at Penn National Race Course #^
7/16 — Wantagh, NY — Northwell at Jones Beach Theater #^
7/18 — Atlantic City, NJ — Ovation Hall at Ocean Casino Resort #^
7/19 — Syracuse, NY — Empower Federal Credit Union Amphitheater at Lakeview #^
7/22 — Columbia, MD — Merriweather Post Pavilion #^
7/23 — Holmdel, NJ — PNC Bank Arts Center #
7/25 — Pittsburgh, PA — Stage AE Outdoor #^
7/26 — Toronto, ON — RBC Amphitheatre #^
7/28 — Grand Rapids, MI — Acrisure Amphitheater #^
7/30 — Clarkston, MI — Pine Knob Music Theatre #^
7/31 — Thornville, OH — Everwild Music Festival *
8/1 — Nashville, TN — Pinnacle #^
8/2 — Indianapolis, IN — Everwise Amphitheater at White River State Park #^
8/4 — Kansas City, MO — Morton Amphitheater #^
8/5 — Council Bluffs, IA — Harrah’s Stir Cove #^
8/7 — Casper, WY — The Gaslight ^
8/8 — West Valley City, UT — Utah First Credit Union Amphitheatre #^
8/10 — Bonner, MT — Kettlehouse ^
8/11 — Nampa, ID — Ford Idaho Center Amphitheater #^
8/12 — Airway Heights, WA — BECU Live at Northern Quest #^
8/13 — Auburn, WA — White River Amphitheatre #^
8/15 — Concord, CA — Toyota Pavilion at Concord #^
8/16 — Santa Barbara, CA — Santa Barbara Bowl $^
8/18 — Long Beach, CA — Long Beach Amphitheater $^
8/19 — Chula Vista, CA — North Island Credit Union Amphitheatre $^
8/22 — Austin, TX — Germania Insurance Amphitheater $^
8/23 — Houston, TX — The Cynthia Woods Mitchell Pavilion $^
8/25 — Irving, TX — The Pavilion at Toyota Music Factory $^
8/26 — Rogers, AR — Walmart AMP $^
8/28 — Alpharetta, GA — Ameris Bank Amphitheatre $^
8/29 — Tampa, FL — MIDFLORIDA Credit Union Amphitheatre $^
8/30 — West Palm Beach, FL — iTHINK Financial Amphitheatre $^
# Ocean Alley
$ Atmosphere
^ ROME
* Festival

DIRTY HEADS ARE:
Jared Watson — Vocals
Dustin "Duddy B" Bushnell — Vocals + Guitar
Jon Olazabal — Percussion
Matt Ochoa — Drums
David Foral — Bass

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KOE WETZEL IS THE NIGHT CHAMPION SIXTH STUDIO ALBUM OUT NOW

For a man who's spent the last decade turning chaos into career momentum, embracing the excess and emerging with a clearer view of himself on the other side, The Night Champion arriving via Columbia Records today, June 12, essentializes all of it. The heavy, hard rock songs, the high plains drifts that sail on currents of desolation, regret and frustration and those ballads you’d never expect from someone as hard-charging as Koe Wetzel. Listen Below. 
 
“I feel like right now I’m the best version of myself I’ve ever been,” Wetzel marvels. “I survived the night side of me. I’m coming out of it a champion. That’s the essence of this record.”
 
Still, as “Sinner” sears the slow burn opener of The Night Champion, it’s obvious he’s lost none of the edge or the ballast that made him a roughneck favorite long before the torrent of success surged. Through a conversation with the Almighty, God has no trouble telling the singer, “you’re probably gonna do it again.”
 
For all its rough edges, The Night Champion may be Wetzel's most reflective work to date. Whether the bring-on-the-jagged-pain “Hurts Like You,” the seductively obsessive “Magnet,” the lust-driven, reality-check “When I’m Gone” or the hushed requiem for a can’t quit/can’t stay love “I’ll Lock Up,” Wetzel delivers the raw twitch of how it feels across the 11-song project produced by Gabe Simon (9 Lives, Noah Kahan, Lana Del Rey). Beneath the calloused flesh and concrete-seeming heart, there’s a vulnerability slowly emerging as he evolves.
 
“It’s kind of where I am now: an edgy roughness to all of the songs that doesn’t give a f*ck, but there’s a tenderness to it, too. Whatever happens, I’m man enough to deal, but the focus and headspace have shifted; I’ve grown up and become okay with looking back.”
 
That romantic fatality infuses “Dollar and a Bottle,” the muscular meander written with alt-outlaw Nikki Lane, showcasing his signature wanting more while sideswiping the happily ever after with random excess. Factor in additional female collaborators Amy Allen, Carrie K and Steph Jones, as well as vocalist Maggie Antone, and Wetzel may forge a man’s man’s world, but it’s tempered by how women see it. Through the slight dissonance and darkness split by a harmonica and the low-to-the-ground vocal of “Nowhere Fast,” the swerve of living hard is pulled back from the edge with a catalog of the bad deeds and what might be a better end.
 
Whether you were there from the independent jump or got on board during last year’s “High Road” radio rush, The Night Champion is built to offer complexity as it brings his disparate audiences together. It echoes on the muscular “Time Goes On,” weighing what was, what could’ve been and what’s happened since they were kids against an onerous musical tableau, or in the hungers that drive us and the illusions people who love us cling to on the pulverizing truth-tell “The Man.”
 
“I’m not torn between the worlds,” the intense Pittsburg, Texan explains. “This, though, is where all the fans meet. Sitting here now, it’s all happened so fast, it’s kind of a blur, but bringing everyone together, no matter when they got here, this is that moment.”
 
This or Sam Harris of X Ambassadors’ deeply personal “Circus,” the album’s sole outside cut delivered with an emphasis on syncopation and the details. “Sam’s the older cousin who shows up with a really good bottle of whiskey at the picnic and turns you onto some great band or record. He’s just that guy, and he never pitches anything. But when I heard this – that idea of ‘you can’t know what you’re getting into when you sign on’ – I called him and asked if I could cut it.”
 
What Koe Wetzel knows now could fill a library, but he’s still pushing forward. The more he learns, the deeper he wants to dive. “Surrounded” is captured and shook down by memories, while the acoustic “When I Was” owns the damage. More than capturing the wild catting, red dirt piece of mind, there’s that sense that behind wild eyes, there’s much going on.
 
“In a lot of ways, it’s closing a chapter, and opening another one for what’s to come for the next 10, 12 years,” Wetzel says, taking it all in. “Here we go.”
 
As The Night Champion arrives today, Wetzel is taking the new music worldwide on his 50+ date The Night Champion World Tour. Physical variants including CDs plus camo picture disc, moon picture disc and gold vinyls are also available exclusively via KoeWetzelMusic.com while supplies last, with orders shipping summer 2026.

About Koe Wetzel
Roughneck, rule-breaking, red-dirt rocking, Koe Wetzel forged a harder kind of country that drew on grunge, rock and Texas’s outlaw sound. Starting as a kid in a beat-up van, he rose to regional then national prominence with Rolling Stone declaring him “the ultimate if-you-know-you-know artist.” Headlining arena tours even before signing with Columbia, his raw, unabashed music that prompted the cover headline on touring bible Pollstar “Red Dirt Renegade Smashes Confines and Rocks the F out!” found even greater success in the mainstream. 4x Platinum hit “High Road,” his debut Country radio single, spent five weeks at No. 1 and became the most played record of 2025. The Night Champion, his wildly anticipated new project out now, amplifies all the pieces of Wetzel’s musical attack to deliver an album that takes 2025’s American Music Awards Favorite Rock Album and Favorite Country Song nominee to deeper places.
 
Exhaustively touring the U.S., Europe and Australia, Wetzel built a global audience, amassing over 6 billion worldwide audio streams en route to 15 RIAA certifications. Having appeared on “The Late Show with Stephen Colbert,” “This Past Weekend with Theo Von,” covers of USA Today, the LA Times, Pollstar, Billboard and more, he kicked off 2026 playing to over 70,000 fans at the storied Houston Rodeo. His 50+ date The Night Champion World Tour sees the fever pitch growing for the Pittsburg, Texan who’s tough, tender, ready to shoot out the lights, but also willing to reckon with where he comes from.
 
For more information, visit KoeWetzelMusic.com. Follow on TikTok @Koe_Wetzel and on Instagram and Facebook @KoeWetzelMusic.