Melodic Death Metal Quartet FALSIMONIAN Releases New EP 'For Survival' With Video For Title Track

Based out of the US and Mexico, melodic death metal band FALSIMONIAN presents their new EP release, For Survival. Centered around a fictional, dystopian world, For Survival considers the everyday impact onto individuals who are living under the threat and fear of a world-ending catastrophe. Accompanying the EP is a new video offering for the title track, "For Survival."

"For Survival being the title track best represents the concept of the album of looking to live life and find joy amidst the chaos of a collapsing society." FALSIMONIAN explains. "It represents the last string of hope that may show up when you feel the end is near. That last attempt to stay alive and to hold on to what's dear to you.

We are super excited for everyone to watch the music video to the title track. It was recorded in a historical location in downtown Conway, SC and directed by Germán López Tirado. Our collaboration strengthens our ability to tell the story of what it means to be human and experiencing a difficult time. Germán’s experience as a documentary filmmaker brought our music to life through stunning visuals and an emotionally charged narrative. We are also extremely grateful to the Conway Architectural Salvage and Heritage Project for allowing us to use their beautiful historical location."

On the EP, For Survival, the band comments: 
"For Survival is a daring debut EP for Falsimonian. While it is melodic death at its core, the inclusion of a wide palette of musical influences (progressive, thrash, black, symphonic, technical, jazz fusion, Latin American roots, Mexican Folk, etc.) Provide a unique listening experience that will resonate with die-hard melodeath fans, listeners looking for something unique, as well as audiences that are new to the genre."

For Survival was produced by Jesus Fuentes Valverde, with mixing and mastering by Gil Andrade. Drums engineering was undertaken by Ruben Sanchez at Urvn Studios, with guitars and keyboards recorded by Jesus Fuentes Valverde and vocals recorded by Erick Valverde. Guitar and vocal editing, and bass programming, was by Jesus Fuentes Valverde. Additional guitars on "Limitless", "Judgment" and "For Survival" were recorded and edited by Cesar Robles. 

All artwork photography for the EP and single releases are from X-Rays Erick Valverde has taken over the last 10 years. The artworks utilize original photographs of a colorful sunset as the light source behind the X-Rays. These colors are commonly seen in the desert skies of the US/Mexico border. Ariadne Willis adjusted the photographs for the layout and design of the EP and single covers. Erick's accidents and health struggles have also indirectly influenced the overall theme of the EP. Additional photography by Rancho Creativo Studios. 

About FALSIMONIAN:

Rooted in melodic death metal, FALSIMONIAN began as the brainchild of Jesus Fuentes and Erick Valverde in 2024, who welcomed Cesar and Mauricio in 2025 completing the band's line-up. Their sound is unique to the members' life experiences as bi-cultural individuals hailing from the harsh desert in the US-Mexico border. 

With members based out of El Paso, Texas, USA; Myrtle Beach, South Carolina, USA; and Leon, Guanajuato, Mexico, FALSIMONIAN incorporate genre influences from Mexican folk and Latin-American roots music, as well as jazz. Musically, the band draw inspiration from metal acts including OPETH, DARK TRANQUILLITY, DREAM THEATER, CHILDREN OF BODOM, and BORN OF OSIRIS. 

FALSIMONIAN take their name from the Latin word "falsimonia", meaning: trick, imposition, deception. Situated in a fictitious dystopian world, the forthcoming EP explores the mundane daily realities of survival in the midst of dark times of war, hate and manipulation. For Survival arrives on November 7, 2026. 

FALSIMONIAN Is:

Erick Valverde - Vocals
Jesus Fuentes Valverde - Guitars, Keyboards
Cesar Robles Sanchez - Lead Guitars 
Mauricio “Moritz” Gonzalez - Drums


Connect With FALSIMONIAN:

Official Website: https://falsimonian.com/
Facebook: https://www.facebook.com/falsimonian
Instagram: https://instagram.com/falsimonian
YouTube: https://www.youtube.com/@falsimonian
Discord: https://discord.gg/aU5TbnPF8M 

Heavy Progressive Project ANNIHILUS MUNDI Releases New Album 'The Dead Sea Scrolls'

Genre-fusing progressive project ANNIHILUS MUNDI has unveiled the sophomore full-length The Dead Sea Scrolls. In the 77-minute long concept album ANNIHILUS MUNDI reconceptualizes the central ideas through Hideaki Anno’s notorious 1995 anime series Neon Genesis Evangelion and its subsequent 1997 film The End of Evangelion. The release also draws upon the personal lived experiences of composer and lyricist Daniel Saillant. Order The Dead Sea Scrolls HERE.

Project founder and composer Daniel Saillant comments on the new album release:
"The Dead Sea Scrolls is an album that followed me across some of the most difficult and highly transformative parts of my life. What started as just a paint-by-numbers Evangelion concept album became something far more complex, combining a story I love with reflections on the drastic changes occurring in the world around me. I deeply love what this music became and have never been prouder of anything I've ever created.

I hope this album finds the ears of those who've experienced the same social, political, and personal anxieties I have, and I hope it helps them process those feelings in the same way it helped me. Endless thanks to Noah, Chris, Davy, Andre, and Rick for helping bring this band to life."

Vocalist Noah Magnelli shares: 
"I could not be more honored to be selected as the lead voice of Annihilus Mundi. The Dead Sea Scrolls has been a huge undertaking vocally for me, and I'm incredibly proud of how it turned out. I could never thank Dan enough for trusting me, and involving me with this project.

It's been surreal to be working alongside incredible musicians like him, as well as Davy, Chris, Andre, and Rick. Many thanks to my family and friends for always supporting and believing in me. Special thanks to our listeners, and the incredible people we've met along this journey. Thank you all for being here. This album is my biggest achievement as a musician, and I look forward to what the future holds."

The Dead Sea Scrolls was produced, mixed and mastered, and engineered by Daniel Saillant at Wailing Pines Productions. The album's artwork was created by Chris at Misanthropic Designs.

About ANNIHILUS MUNDI:

Formed in 2018, ANNIHILUS MUNDI is the creation of Daniel Saillant, blending elements of death metal, shoegaze, and progressive rock. His 2019 debut album Grief and subsequent releases have positioned him as a distinctive voice in the underground metal scene. Inspired by bands such as CYNIC, DEAFHEAVEN, and DREAM THEATER, Saillant continues to push musical boundaries, combining harsh and clean vocals, complex guitar arrangements, and introspective lyrics.

ANNIHILUS MUNDI is:

Daniel Saillant (Vocals, Guitar, Bass, Keyboards, Programming)

Live Line-up:

Noah Magnelli - Vocals
Chris Ramusiewicz - Guitar
Davy Allen - Guitar
Daniel Saillant - Bass, Vocals
Rick Lowell - Drums

Connect with ANNIHILUS MUNDI:

Bandcamp: https://annihilusmundi.bandcamp.com/music
Facebook: https://www.facebook.com/annihilusmundi
Instagram: https://www.instagram.com/annihilusmundi/
Threads: https://www.threads.net/@annihilusmundi
YouTube: https://www.youtube.com/@annihilusmundi
Twitch: https://www.twitch.tv/annihilusmundi
Spotify:
https://open.spotify.com/artist/1keHp0ZrVPtDqCcGspP3Xa?si=jUB4r9JRSzqTqB tKJ3RfEg
Apple Music: https://music.apple.com/us/artist/annihilus-mundi/1492843855
TikTok: https://www.tiktok.com/@annihilusmundi
Discord: https://discord.gg/PKJDYWPrg9

NEW EP RELEASE: Summer Hoop Lets Her Worst Habits Do the Talking on “Self Disrespect”

Dark-pop breakout, Summer Hoop, lets her worst habits do the talking on her brand new EP, "Self Disrespect", officially out via Oxide Music. Accompanying the release is the brand new track "Dizzy Dirty Daydream", a tangled confession of jealousy, fixation, and wanting another chance at something she knows she helped destroy. Listen to "Self Disrespect" BELOW.

Produced by Austin Coupe (Citizen, Silverstein, Ninth Key), "Dizzy Dirty Daydream" catches Summer Hoop replaying a breakup long after the relationship has ended. Dreams become an excuse to see her ex again, new lovers invite uncomfortable comparisons, and admitting fault does little to quiet the urge to do it all over.

Across "Self Disrespect", Summer Hoop explores the difficult balance of wanting to be loved as she is and recognizing the habits that keep getting in the way. Moving between glossy pop hooks and a grittier, heavier undercurrent, today's EP release gives her the room to be fragile, defensive, remorseful, and sometimes contradictory, with an honesty that doesn't always paint a flattering picture.

On getting out of her own head and into "Dizzy Dirty Daydream", Summer Hoop shares:

“Dizzy Dirty Daydream is the sum of a six-month-long spiral about an ex and how I knew I was the villain of the situation. I felt like my brain was in overdrive, thinking the same thoughts over and over again, and basically ended up just laughing through the pain until eventually, I was okay.”

Celebrating the release of "Self Disrespect" and the creative confidence that came with it, Summer Hoop continues:

"I’ve made a lot of music and had many special moments in my career thus far that have led me up to what this group of songs means to me. I constantly long for so much change within myself and my surroundings and these songs feel reflective of the humility, beauty, and pain that comes with being a very impulsive but also, reflective person. My brain is a self-made death machine with comical decision making skills and this is the soundtrack to it currently."

With the release of "Self Disrespect", Summer Hoop brings a sharper sense of who she is and what she wants to say, pairing the immediacy of pop-rock with a willingness to make herself uncomfortable. For fans of Poppy, Maggie Lindemann, and PVRIS, Summer Hoop is quickly carving out a space of her own in the alternative landscape with her growing catalog and a bold artistic identity rooted in the contrast of beauty and chaos.

Following the announcement of her Oxide Music signing, Summer Hoop joined Icon For Hire on a run of Florida dates before heading out for a set of dates supporting Nate Vickers throughout the US. With her "Self Disrespect" EP now released, she's preparing to return to the road yet again for a co-headlining tour with Echos.

Be sure to stay tuned for more Summer Hoop news coming soon.

Photo Credit - Mack Knox

SUMMER HOOP

CO-HEADLINER 2026

AVAILABLE FOR

INTERVIEW, PRE-SHOW, &

POST-SHOW COVERAGE

December 3 - Kansas City, MO - The Rino

December 4 - Tulsa, OK - Whittier Bar

December 5 - Dallas, TX - TX Tea Room

December 6 - Austin, TX - 3TEN

December 7 - Houston, TX - The End

December 9 - Tampa, FL - The Orpheum

December 10 - Orlando, FL - Conduit

December 11 - Atlanta, GA - Vinyl

December 12 - Nashville, TN - The '58 at Eastside Bowl

ABOUT SUMMER HOOP

Based out of Tampa, FL, Summer Hoop has always had music at the center of her world. From being involved with theatre throughout her childhood to forming her own bands as she reached her teenage years, music has always been a focus point. “I didn’t ever see anything else for my life. My dad started bringing me to concerts when I was a literal child at 4 years old. His deep love for rock and alternative music got me into music. I’m on a mission to make fresh stuff that feels nostalgic of the things that I’ve loved in the past.” Summer Hoop says about her introduction into music.

Hoop is a powerhouse artist that takes immense pride in her songwriting, wrapping her art in a layer of protection.“Becoming a solo artist felt like the natural next step, because it gives me the creative control to fully shape my sound and vision while still bringing the energy of a full live band.” Hoop says about flourishing as a solo artist. “I’ve been performing with the same group of musicians for years, so I get that dynamic, collaborative feel on stage, but at the same time I can stay true to my own taste and represent myself exactly how I want to.”

Drawing inspiration from iconic artists such as Fall Out Boy, My Chemical Romance and PVRIS just to name a few. Hoop uses her songs as a way to express difficult topics. “I’ve never been great at saying the hard things out loud. Whether that’s in friendships, relationships, or even with family.” Hoop continues. “Writing music is the only space where I can be brutally honest without censoring myself. It’s how I process everything I go through, because if I don’t write it down, it just sits in me.”

Now, with the release of her EP, "Self Disrespect", Summer Hoop continues to push deeper into emotionally charged territory. The EP explores obsessive devotion, sacrifice, and self-destruction, building on the intensity of her previous releases while marking her debut release via Oxide Music.

Hoop has hit incredible milestones throughout her career, being featured on Bilmuri’s track, “THE VOID APPROACHETH” along with Lost In Separation's "Higher" and sharing the stage with notable acts such as Pierce The Veil, Adam Lambert and Twenty One Pilots. “My songs are like a no-filter version of my thoughts — sometimes dark, lots of times funny, but always real.” Hoop says reflecting on her discography, “Human connection, friendship, and love are painful and confusing a lot of the time, but they’re also the best things we get to experience in this life. My music is about holding both truths at once — the chaos and the beauty.”

Craig Morgan performs on Fox & Friends

Country music hitmaker and Army veteran Craig Morgan performed “Long May You Wave” on Fox & Friends today at the release of his new album, My Country (BBR Music Group/BMG Nashville). Watch BELOW. A musical celebration of our great nation as well as the genre that speaks to the soul of its people, My Country displays Craig’s unwavering patriotism for the Stars and Stripes with songs like “Long May You Wave” and honors his late friend, Toby Keith, with a passionate and personal cover of “American Soldier” along with new titles “I’m Country Music” and “The Will.”

AVAILABLE NOW: Craig Morgan's album My Country HERE
WATCH: "I'm Country Music" music video HERE
WATCH: "Long May You Wave" music video HERE

Earlier this week, during a sold-out Evening With event, Craig was honored with Grammy Museum® Mississippi's Distinguished Service Award, recognizing his enduring contributions to the country music community, distinguished military service and unwavering commitment to veterans.

Not one to slow down, tomorrow, Saturday, November 7, the Grand Ole Opry member will host Craig Morgan’s Veterans Day 5K, supported by Humana, that morning at the Grand Ole Opry House. Net proceeds will benefit Opry Trust Fund, Operation Finally Home, the USO and the Dickson County Craig Morgan Foundation. That same night, Craig will headline Nashville’s Ryman Auditorium.  

About Craig Morgan:
Singer, author (God, Family, Country), TV/Film star (The Pirate King, Beyond The Edge, The Ballad of Davy Crockett, Craig’s World, After The Storm, Morgan Family Strong, All Access Outdoors, Rizzoli & Isles, Army Wives), and soldier Craig Morgan is best known as a country music hitmaker who has amassed more than 2.5 billion career streams and charted over 25 songs on Billboard. With signature hits including “Redneck Yacht Club,” “Almost Home,” “International Harvester,” “Soldier,” “That's What I Love About Sunday,” and his faith-filled tribute, “The Father, My Son, and the Holy Ghost,” the multi-faceted entertainer’s music has formed the soundtrack to our lives for over two decades. He received one of country music's highest honors when he was inducted as a member of the Grand Ole Opry in 2008.

Prior to becoming a country music star and TV sensation, Craig spent seventeen years serving our country in the Army and Army Reserve and in 2023 enlisted again in the Army Reserve, continuing his record of military service. He is a member of the U.S. Field Artillery Hall of Fame and was awarded the Army’s Outstanding Civilian Service Medal. Craig remains committed to supporting active duty and veteran members of our military through his work with Operation Finally Home, and the USO.

Craig’s newest album, My Country (BBR Music Group/BMG Nashville), is a musical celebration of our great nation as well as the genre that speaks to the soul of its people. Released during America’s 250th birthday year, Craig’s 11-song album displays his unwavering patriotism for the stars and stripes with songs like “Long May You Wave” and honors his friend, the late Toby Keith, with a passionate and personal cover of “American Soldier” along with new titles “I’m Country Music” and “The Will.”

His emotional and inspiring memoir - God, Family, Country – is available now. In the book, Craig details all aspects from his inspiring life, revealing never-before-heard stories including the impetus behind his recent enlistment in the Army Reserve, how he worked alongside the CIA as a soldier in Panama, fought sex traffickers as an undercover agent in Thailand, forged his own path to country music stardom, and lives his life by the deepest values: God, family, country.

Learn more at craigmorgan.com and engage with Craig on socials HERE.

Carnifex Drop "Licking Love From A Knife" - New Single and Video Out Now

Southern California deathcore titans CARNIFEX have released their brand new album, More Than Misery, via Sumerian Records. To mark its arrival, the band have also shared the official music video for "The Process Of Pain", featuring Chaney Crabb of Entheos. Stream the album HERE and watch the video BELOW.

Twenty-one years into a career spent staring directly into grief, isolation, anxiety and the fight to survive, CARNIFEX have turned that history into the central statement behind More Than Misery. Earlier records captured vocalist Scott Ian Lewis attempting to endure and process pain while he was still living inside it. Across these ten tracks, he writes from the aftermath, confronting toxic relationships, past trauma, the person in the mirror and the lasting damage those experiences leave behind.

The title carries a deliberate double meaning. “More than misery” can suggest something even worse waiting beyond the darkness, however, for Scott Ian Lewis, it expresses the recognition that a life can contain suffering without being consumed by it and that there is a better life waiting on the other side of the struggle.

Speaking on the album, Scott Ian Lewis shares:

“Carnifex as a band are more driven and focused than ever and More Than Misery isn’t just an album. It’s a statement of survival and a decent into the darkness of living with and surviving past trauma. We wrote this album to be a reminder, that the only way out is through. This album was meant to be listened to start to finish. Deep dive the lyrics, become more than your past, become More Than Misery.”

Musically, More Than Misery brings the instincts that shaped CARNIFEX in 2005 into the present with twenty-one years of experience behind them. The record combines the physical directness of first-wave deathcore with the band’s death-metal foundations, blackened atmosphere, symphonic scale and increasingly prominent lead-guitar work. Guitars sit firmly at the front, orchestration deepens their impact and every song was written with the live room in mind.

With more time to write, scrap and rebuild than on any previous album, CARNIFEX tracked More Than Misery in Tennessee across approximately five to six weeks with Zach Householder of Whitechapel. The record was mixed by Jeff Dunne and marks the band’s first full-length release for Sumerian Records.

More Than Misery is available now via Sumerian Records. Stream and purchase the album HERE.

CARNIFEX are currently on the road across the UK and Europe for the Death Dominion Tour, a triple co-headline run with Despised Icon and Suffocation, joined by Gates to Hell. The band celebrate the arrival of More Than Miseryonstage tonight at Corporation in Sheffield.

Full list of upcoming tour dates below. Tickets and further information HERE

EUROPE AND UK: DEATH DOMINION TOUR | REMAINING DATES

Triple co-headline tour with Despised Icon, CARNIFEX and Suffocation, with Gates to Hell

November 6th: Sheffield, UK - Corporation - Album Release Day

November 7th: Bristol, UK - Electric Bristol

November 9th: Paris, France - La Machine du Moulin Rouge

November 10th: Lyon, France - La Rayonne

November 11th: Milan, Italy - Legend Club

November 12th: Vienna, Austria - Arena Wien

November 13th: Budapest, Hungary - Barba Negra

November 14th: Leipzig, Germany - Felsenkeller*

November 15th: Prague, Czech Republic - MeetFactory

November 17th: Warsaw, Poland - Proxima

November 18th: Berlin, Germany - Columbia Theater

November 19th: Hamburg, Germany - Gruenspan

November 20th: Karlsruhe, Germany - Substage

* Expanded Death Dominion Festival bill also featuring Stillbirth, Sun Eater and Dogbite.

ABOUT CARNIFEX

Formed in Fallbrook, California, in 2005 by vocalist Scott Ian Lewis and drummer Shawn Cameron, CARNIFEXemerged from the collision of death metal, black metal, metalcore and the physical energy of Southern California’s all-ages hardcore scene. Their early music helped establish the language of deathcore’s first wave, while nine studio albums and twenty-one years of relentless touring have made them one of the genre’s most durable forces.

Across albums including Dead in My Arms, Hell Chose Me, Die Without Hope, Slow Death, World War X and Necromanteum, CARNIFEX have expanded their sound through blackened atmosphere, symphonic scale and an increasingly prominent melodic and lead-guitar presence. Through deathcore’s initial rise, years of backlash and its current resurgence, the band have remained committed to the music they helped shape.

That durability is rooted in the way CARNIFEX operate. Scott Ian Lewis, Shawn Cameron, Cory Arford, Neal Tiemann and Fred Calderon function as five equal band members with two decades of friendship behind them. Their relationship with listeners has endured just as long, with fans and band members moving through adulthood together and repeatedly showing one another that neither side is alone.

On More Than Misery, CARNIFEX bring twenty-one years of hard-earned live instinct to a record written from the far side of survival, built to hit with the same force when they step onstage.

Carnifex are

Scott Lewis - Vocals

Cory Arford - Guitar

Neal Tiemann - Guitar

Shawn Cameron - Drums

Fred Calderon - Bass

Folk Metal Duo FORGOTTEN SHRINE Releases New Album 'Nox Aeterna' With Album Stream & Focus Title Track

Folk metal duo FORGOTTEN SHRINE embarks on a journey of introspection, destruction and resilience in the new concept album, Nox Aeterna. Released today, the album arrives independently alongside a visualizer stream and the focus track, "Nox Aeterna."

Sofia Frasz comments on the album's concept:
"Nox Aeterna is a concept album about two keepers of an ancient shrine to art, creativity, and freedom. Artists, musicians, bards, and storytellers of all kinds throughout the ages have left offerings to the shrine in exchange for inspiration and the courage to pursue their goals. As the shrine has changed hands between generations of keepers over the centuries, the world around the shrine has also changed. The world has grown dull, dark, and full of peril and despair. Wars rage, cities are captured and oppressed, and people no longer believe in dreams, fantasies, or anything greater and more powerful than themselves. They simply endure the drudgery of everyday life with nothing to hope and strive for.

Much of the album is a metaphor for the importance of keeping one’s childlike sense of wonder alive in a world that tries to force everyone to grow up, shut up, and conform to standards that make for a dull, lifeless world. In that sense, it’s a meta-commentary on, and a love letter to, the importance of art and creativity in a functioning society. We all need escapism and something greater than ourselves to strive for. The little things that we look forward to every day, especially when life gets tough, keep us going and help us remember who we are."

On "Nox Aeterna" Josh Alexander shares, 
"'Nox Aeterna' is truly the main event on this album, both in terms of the conveying of the lore and in creating a dense and unique instrumental atmosphere. For me, writing this song all started with the acoustic guitar riff you can hear in the background of the verses, and I built up the entire instrumental around that while integrating leitmotifs and references to other tracks on the album. The song begins with a familiar melody, the one from 'Where Shadows Lie' only something is unsettlingly off about it. This sets the stage for the rest of the song which utilizes a very macabre and chromatic mode that matches perfectly with the theme of being ushered into the darkness and being tempted to make a metaphorical deal with the devil."

Frasz adds, "[t]he song is about the desire to just lie down and give up on your creative pursuits (along with everything else that makes you who you are as an individual), because the act of creation is more difficult than remaining complacent and going through the motions of everyday life. But if you get too complacent, you’ll lose yourself and have nothing left to strive for."

Nox Aeterna was produced, mixed and mastered by Joshua Dalviken. The album artwork was created by Josh Alexander and Joshua Dalviken.

About FORGOTTEN SHRINE:
Created by Josh Alexander (Pennsylvania, USA) and Sofia Frasz (Maryland, USA), FORGOTTEN SHRINE fuses the sounds and textures of folk instruments with the power and darkness of metal. Through their genre-crossing arrangements FORGOTTEN SHRINE delve into fantasy realms creating both upbeat songs perfect for embarking on an adventure and heavier offerings for battling shadowy forces. 

Alexander and Frasz combine their compositional styles, instruments and vocal textures to produce dynamic and emotive music. The upcoming full-length sees the duo each take the reins across the track list while ensuring FORGOTTEN SHRINE's core identity remains cohesive. 

FORGOTTEN SHRINE is: 
Josh Alexander - Guitar, Bass, Hurdy Gurdy, Irish Bouzouki, Additional Instruments, Backing Vocals, Composition.
Sofia Frasz - Lead Vocals, Guitar, Lyrics, Composition.

Connect With FORGOTTEN SHRINE: 
Facebook: https://www.facebook.com/profile.php?id=61555238025771&mibextid=ZbWKwL
Instagram: https://www.instagram.com/forgottenshrineband
YouTube: https://www.youtube.com/@ForgottenShrineBand
Spotify: https://open.spotify.com/artist/0q7rFp0yxvWoxGWqIt21nI?si=p5jz0YOOROOHFy5jxHAW6A
Apple Music: https://music.apple.com/gb/artist/forgotten-shrine/1734698132

Legendary Supergroup ASIA Returns with New Album 'Indigo' — Out Now via Frontiers Music Srl

Today, legendary English rock supergroup ASIA is pleased to announce that their new studio album, ‘Indigo,’ is out now via Frontiers Music Srl. To celebrate, the band is also sharing a new track, “Is This The Life?.” The single is available now, alongside a new visualizer.

John Mitchell comments:

“I’d just finished mixing the live ASIA album, 'Live In England,' when Geoff invited me to write a track for 'Indigo.' It’s a positive song, a Carpe Diem anthem: seize the day and keep looking forward. We’re only here once, so make the most of it! And that’s exactly what Geoff has done with ASIA. I wrote it on keyboards, as I always do, and added the other parts once I was happy with it. I then sent it to Geoff, who added some ASIA magic, and 'Is This The Life' found its place on the album.”

Watch the Visualizer for "Is This The Life?" Below:

More than four decades after redefining the sound of melodic progressive rock, ASIAreturns in 2026 with 'Indigo' - a studio album that bridges past, present, and future with remarkable grace and authenticity.

Now featuring Geoffrey Downes alongside an inspired new lineup - Virgil Donati, John Mitchell, and Harry Whitley - ASIA steps confidently into a new era while honoring the legacy that made them one of the most iconic supergroups of all time.

Geoff Downes described the genesis of the album:

“The initial writing period began in 2015, following the release of our previous album 'Gravitas' in 2014. John Wetton and I started putting our ideas together, aiming to get into the studio once more. It was with great sadness that John became seriously ill. During this time, we had put our plans on hold, and sadly, John passed away before we could continue and complete it. So, it was always in my mind that at some point it would be a shame not to finish off some of these songs and finally release them as part of an ASIA album.

“In 2023, when the tribute concert for John took place, I was so encouraged by the response to ASIA’s music that I viewed this as the perfect opportunity to re-establish not only the band, but also to reunite with our long-time supportive label, Frontiers, paving the way for us to get back in the studio”, he continued.

Downes also added:

“So, ASIA was back in the room, so to speak, and we were very fortunate to have recruited Virgil Donati and John Mitchell, both of whom had worked extensively with John before, as well as our new vocalist and bassist, Harry Whitley. The tours followed to great success throughout 2024 and 2025, and finally, we sat down towards the end of last year to record the album. Working with these fine musicians was a great privilege, and the music just seemed to flow.

“The album was really a joy to make. I forged a close writing relationship with Harry, and I felt how great it was to be working with someone who had very similar musical influences and taste once again, just as I did with John. I feel that this is one of our best albums to date. The songs are deep in musicality, with a powerful and original performance, dynamics, and strong lyrical undertones – it’s an album that hopefully our fans will widely appreciate and support our cause to put ASIA back on the map. Enjoy the ride!” he concluded.

Recorded throughout 2025 and produced by Downes and the band, with mixing and mastering handled by John Mitchell, 'Indigo' captures the unmistakable spirit of ASIAwhile injecting it with renewed vitality and purpose.

At the heart of the album lies an emotional connection to the band’s history. 'Indigo' includes some of the final compositions written by the late John Wetton - “Tattoo Indigo (Parts 2 & 3)” and “Chesapeake Bay”- imbuing the record with a profound sense of continuity and tribute. The presence of Wetton is further felt through the extraordinary vocal performance of Harry Whitley, whose tone and phrasing evoke a striking and deeply moving resemblance to the band’s original voice.

Musically, 'Indigo' stands as a natural continuation of ASIA’s acclaimed 21st-century output, while subtly weaving in the sonic DNA of the band’s classic early albums. From soaring melodies to richly layered arrangements, the album delivers the signature blend of accessibility and musicianship that defined hits like “Heat Of The Moment” and “Only Time Will Tell."

The album also features special guest appearances that elevate its scope: Steve Howe contributes acoustic guitar to the evocative “Chesapeake Bay”, while Mike Portnoy(Dream Theater) delivers a powerful performance on the bonus track “Tattoo Indigo (Part 3)."

Following a resurgence of live activity across the US, Japan, and Europe, ASIA is looking forward to taking to the road again. 

With 'Indigo,' ASIA don’t just revisit their legacy - they expand it, proving once again that their music remains as vital, resonant, and timeless as ever.

Order 'Indigo' HERE

Line Up:

Geoff Downes

Virgil Donati

John Mitchell

Harry Whitley

AMERICAN JETSET Fires On All Cylinders with NEW ALBUM WILD AMERICA

Buckle up! AMERICAN JETSET is back with their new album Wild America! Fueled by a little Sunset Strip sleaze, East Coast swing, and larger-than-life hooks, "Jet Black Gasoline" is a high-octane shot of rock 'n' roll. Blending infectious melodies and the anthemic punch of arena rock, AMERICAN JETSET delivers a modern rocker with one foot planted firmly in rock's glory days. Turn it up, roll down the windows, and let "Jet Black Gasoline" 

do the rest.

Wild America is a rock ’n’ roll road trip through a lifetime of love, loss, excess, and great f**king memories. It's about chasing the ghost of a dream and all the stories collected along the way. Every song is a postcard from a different place and time, filled with the people, places, and hangs that brought the band here.

"We spent most of our lives chasing this thing, and somewhere along the way, the stories became more important than the destination," says AMERICAN JETSETsinger Ian Kaine MacGregor. "We've all seen decades of the best and worst of this world, but every moment is a part of who we are. That's what this record is all about."

It's no secret that AMERICAN JETSET was influenced by the sleeping giants of the Sunset Strip. But Wild Americatakes that sound somewhere new. With layered guitars, bigger soundscapes, and towering choruses, these songs would feel right at home in any arena. It's a love letter to the days of record stores, teenage heroes, and a time when the right song could change your life. Kicking it off is "Jet Black Gasoline," the album's first single, combining SoCal sleaze, East Coast swing, and larger-than-life hooks.

"We've made a lot of records over the years, but this one feels different. There's a lifetime of stories in these songs, and we wanted to make something that really captured what all those years of rock ’n’ roll have meant to us," says AMERICAN JETSET drummer Jeff Bradford.

Since forming in Washington, DC, in 2018, AMERICAN JETSET has taken its hook-driven hard rock from coast to coast, played the M3 Rock Festival, and shared stages with Stephen Pearcy (Ratt), Steven Adler (Guns N’ Roses), Tom Keifer (Cinderella), Winger, Slaughter, and just about every other major act in the genre. Along the way, the band has earned a reputation for bringing the kind of high-energy live show that rock ’n’ roll was built on.

The band kicked off the Wild America era on October 29 at the legendary Whisky a Go Go in Los Angeles, with a celebration of the release alongside Vixen. The band hits the road again in 2027 for a US tour before crossing the Atlantic for its first UK run, including a performance at HRH Sleaze X for the festival's 10th anniversary.

At its core, Wild America is about the music, the people, and the memories that last forever. So let's make some more. Turn it up, roll down the windows, and take the long way home.

ABOUT THE BAND

AMERICAN JETSET draws inspiration from the glory days of the Sunset Strip while carving out its own brand of arena rock stadium pop, building a global following through high-energy performances and tours alongside artists including Stephen Pearcy, Tom Keifer, Steven Adler, Winger, Slaughter, LA Guns, and Faster Pussycat.

Since their 2018 debut EP, Live Love Die on Main, the Washington, DC rockers have continued to evolve with each release, from Saloon Rock Whiskey Pop and Cat's Got Your Tongue to 2024's acclaimed 1987. Their latest album, Wild America, released by Golden Robot Records in November 2026, takes that evolution even further with bigger guitars, towering choruses, and deeply

personal songwriting.

The band returns to the road in 2027 with US and UK tours, including an appearance at HRH Sleaze X.

AMERICAN JETSET is...

Ian Kaine MacGregor – Vocals / Guitar

Skinz Skinsacos – Lead Guitar

Kevin Harrington – Bass

Jeff Bradford – Drums

FOGHAT ‘LIVE & LOUD ACROSS THE U.S.A.’ OUT NOW…LIVE, LOUD & READY TO ROCK!

The wait is over! FOGHAT’s LIVE & LOUD ACROSS THE U.S.A. album is here!

After months of anticipation, three rockin' singles, and a whole lot of miles on the road, FOGHAT--Roger Earl (founding drummer), Bryan Bassett (lead/slide guitar), Scott Holt (lead vocals/guitar), and Rodney O'Quinn (bass/vocals)--is celebrating the release of the triple-vinyl LIVE & LOUD ACROSS THE U.S.A., their first with the current lineup, that’s out today on Foghat Records, distributed by Select-O-Hits, a division of Sun Records.

And what better way to celebrate than with the video for “I Just Want to Make Love to You” that takes the bandright back to their roots. It can be seen below.

Written by the legendary bluesman Willie Dixon, the blues classic “I Just Want to Make Love to You” became one of FOGHAT's signature songs when it was recorded for their very first album in 1972. They took that great Chicago blues tune, plugged in the guitars, turned up the volume, and gave it a little FOGHAT boogie. More than five decades later, they’re still playing it, and audiences are still singing along. 

There’s also a special connection that goes far beyond the music. Over the years, FOGHAT had the honor of getting to know Willie Dixon, one of the true giants of American blues. His influence on this band has never faded.As the late Lonesome Dave Peverett introduced him when he came to see the band in Chicago in 1977, “Without Willie Dixon, there would be no Rock n’ Roll.”

The video for “I Just Want to Make Love to You” features the live performance along with vintage photographs of the band, Willie Dixon, and memories from the band’s 2023 visit to Willie Dixon's Blues Heaven Foundation, where they met Dixon’s daughter, Jackie. Blues Heaven is located at the historic Chess Records building in Chicago dedicated to preserving the music and legacy of the blues.

LIVE & LOUD ACROSS THE U.S.A. is available HERE (CD/vinyl) and HERE(digital outlets), which is being sold as two gold vinyl discs, along with a bonus third red vinyl disc (along with a double CD) that includes a reissue of the fan favorite Earl & the Agitators (aka FOGHAT) record, SHAKEN & STIRRED (produced/mixed/mastered by guitarist Bryan Bassett), which has never been available on vinyl until now.

A limited quantity of numbered and autographed copies of LIVE & LOUD ACROSS THE U.S.A. are still available on TalkShop.Live. On August 13, Roger Earl, Scott Holt, and Jason Peverett (Lonesome Dave’s son), and a few selected fans appeared on the site’s Rock & Roll Channel with their good friend and host Steve Harkins for an in-depth discussion about this new release and the band’s legendary career. The band joined Harkins again on October 14 to continue the celebration on TalkShop.live.

Three singles have been previously released from the live album. First up was “My Babe” on August 14 that’s available on all digital outlets HERE and the video can be viewed on the band’s official YouTube page HERE.Next was the Elmore James blues classic, “It Hurts Me Too,” which came out September 18 on the band’s official YouTube page HERE and all digital outlets HERE. The latest video, “Hole to Hide In,” was released October 16 on all digital outlets HERE and can be seen on the band’s official YouTube page HERE.

LIVE & LOUD ACROSS THE U.S.A.

Roger Earl – Drums

Scott Holt – Lead Vocals/Guitar

Bryan Bassett – Slide/Lead Guitar

Rodney O’Quinn – Bass and Lead/Background Vocals

Eddie LeFebvre – Percussion/Background Vocals

SHAKEN & STIRRED -- Earl & The Agitators (aka Foghat):

Roger Earl – Drums

Scott Holt – Lead Vocals/Guitar

Bryan Bassett – Slide/Lead Guitar

Rodney O’Quinn – Bass and Lead/Background Vocals

Craig MacGregor – Bass

Mark Petrocelli – Percussion (live tracks)

Tony Bullard – Guitar (live tracks)

In touring news, FOGHAT will co-headline a spring tour with Nazareth, with some shows already announced. Check out the band’s itinerary below and on their official website:

DATE - CITY - VENUE

2026:

11/14 - St Charles, IL - Arcada Theatre

11/20 - St Louis, MO - The Pageant

2027:

1/15 - Cedar Rapids, IA - Cedar Crossing Casino

1/23 - Bloomington, IL - Bloomington Center For The Performing Arts

2/6 - Prior Lake, MN - Mystic Lake Casino (with The Marshall Tucker Band)

2/19 - Toppenish, WA - Legends Casino Hotel Event Center (with Blue Oyster Cult)

3/19 - Abilene, TX - Outlaws And Legends Music Fest

4/3 - Portsmouth, OH - Vern Rife Performing Arts Center

4/30 - Fort Yates, ND - Prairie Knights Casino & Resort(with Nazareth)

5/8 - Wabash, IN - Honeywell A&E - The Ford Theater (with Nazareth)

5/22 - Lancaster, PA - American Music Theatre (with Nazareth)

www.foghat.com

www.facebook.com/Foghat

www.twitter.com/FOGHAT

www.instagram.com/foghat_official

www.tiktok.com/@foghat_official

www.youtube.com/user/FOGHATMUSIC

https://linktr.ee/foghat_official

Symphonic Metallers EVERDAWN Announce New Album 'Kali' Set for Release on January 15th via Frontiers Music Srl

Today, New Jersey’s symphonic metal band EVERDAWN returns with their new studio album, ‘Kali,’ set for release on January 15, 2027 via Frontiers Music Srl. To give a taste of the upcoming release, the band unveils the first single and official video, “Illusionist,”.

The band comments on the song:

“’Illusionist’ portrays a dark reflection on the destructive nature of boundless ambition, where pursuit of power, recognition, and success erases the boundaries between right and wrong. Behind an illusion of greatness lies a dangerous truth: when success becomes an obsession and deception triumphs the morality, even human well-being or even life can become a price worth paying. But no illusion lasts forever: every ambition comes with a revelation and reckoning, exposing the darkness behind the glory.”

Watch the Official Video for "Illusionist" Below:

EVERDAWN returns with ‘Kali,’ a new album that takes their signature symphonic and progressive metal sound to new heights, combining powerful melodies, cinematic arrangements, and intricate musicianship.

The band comments:

“Our third album, ‘Kali,’ takes listeners on a journey through creation, destruction, and the darker side of existence. It explores the fragile nature of life, the mysteries of the universe, and the forces that shape the human soul. From Shiva’s eternal dance to the end of the universe, we explore ancient myths, forbidden desires, betrayal, and the search for spiritual awakening. Throughout these stories, beauty and destruction often go hand in hand, reminding us how closely creation and devastation are connected.”

“At its core, the album is about the struggles we all face: finding the strength to overcome adversity, the courage to see through lies and deception, and the determination to stand back up when life pushes us down. But beyond the battles we fight, there is a bigger question: what really lasts when everything else is gone?” they added. “Because even the things that seem eternal are not beyond destruction. No power lasts forever, no kingdom is untouchable, and even the stars are destined to fade away.”

Driven by dynamic guitar work, rich keyboard textures and memorable hooks, ‘Kali’ blends the band's symphonic roots with a more progressive approach. Alina Gavrilenko's expressive vocals bring both power and emotion to the songs, complemented by Boris Zaks' atmospheric keyboards, Richard Fischer's guitars and Dan Prestup's precise drumming. Special guest Mike LePond (Symphony X) also contributes bass to the album.

Mixed and mastered by acclaimed producer Jacob Hansen (Volbeat, Amaranthe, Epica, Evergrey), ‘Kali’ showcases EVERDAWN's ability to balance technical sophistication with accessible melodies, appealing to fans of both symphonic and progressive metal.

Pre-Order ‘Kali’ HERE

Originally formed in New Jersey in 2014 under the name Midnight Eternal, the band released their self-titled debut before embarking on tours across North America and Europe alongside Queensrÿche and Therion. Following lineup changes and the arrival of vocalist Alina Gavrilenko, the band adopted the name EVERDAWN, marking a new chapter in their musical journey.

Their second album, ‘Cleopatra,’ followed in 2021, accompanied by a European tour supporting Michael Schenker. In December 2023, EVERDAWN released ‘Venera’ through Frontiers Music Srl, further establishing their distinctive blend of symphonic and progressive metal.

With ‘Kali,’ EVERDAWN continues to build on that foundation, delivering an ambitious new chapter in their evolving sound.

EVERDAWN are:

Boris Zaks — keyboards

Alina Gavrilenko — lead vocals

Richard Fischer — guitars (and backing vocals)

Dan Prestup — drums

Mike Lepond (Symphony X) – bass

STORM FORCE Album TRUTH Now Available on All Digital Platforms and Compact Disc

The Storm Force album Truth is now available on all digital platforms and compact disc. Fans melodic rock can purchase or stream the album Truth at https://tr.ee/Rc79vu1ggr

Storm Force recently released their performance music video for the new single “Anti Social Media”, from their new album Truth. The entire album is available to stream or as a 24 bit hi res digital download on Bandcamp. 

Storm Force delivers powerful melodic hard rock fueled by soaring vocals, massive hooks, and the timeless energy of classic arena rock. Founded by guitarist and songwriter Greg Fraser, best known for his work with Canadian hard rock veterans Brighton Rock, the band blends classic influences with a modern edge, creating a sound that feels both familiar and refreshingly current.

The band first made its mark with the release of its debut album, Age Of Fear, in 2020 through Escape Music. The album earned praise from melodic rock fans and media alike, showcasing a powerful mix of driving guitars, memorable choruses, and emotionally charged songwriting.

Drawing inspiration from Whitesnake, Dokken, Scorpions, and Bon Jovi, Storm Force delivers music built for loud speakers, live stages, and fans who still believe in authentic, guitar-driven rock!

Age Of Fear the debut Storm Force album, along with both Fraze Gang albums are now available for a budget friendly download of $5,99 each at bravewordsrecords.bandcamp.com

Band Members:

Patrick Gagliardi – lead vocals

Greg Fraser – lead guitar, backing vocals

Mike Berardelli – bass guitar

Roger Banks – drums

Production:

Produced and Mixed by Darius Szczepaniak

Strada XR Atmos Studio, Mississauga, ON

Recorded at Storce Recording, Niagara Falls, ON

Additional Musicians:

All keyboards by Mike “Benny” Bedrosian, except on “Between The Lines,” performed by Ray Coburn.

Margaret Maria – Cello on “I Wasn’t Finished Loving You”

Songwriting:

All songs written by Patrick Gagliardi and Greg Fraser, except “Saviour,” written by Greg Fraser.

Links:

https://stormforce.ca/

https://www.facebook.com/officialstormforce

https://x.com/stormforceband

https://youtube.com/@stormforce6368

https://www.instagram.com/stormforceband

https://www.tiktok.com/@stormforceband

Dethwish Released "Ruby" on 10/31 + Touring This Fall

DETHWISH, a 26-year-old nu-metal x hyperpunk artist hailing from Connecticut and who traffics in the same scene as bands like Symposia and Cheem, has rapidly gained recognition for high-energy live performances and innovative soundscapes. The music is as gnarly as it is nihilistic, but it's delivered with purpose and the kind of earworm hooks that take up real estate in your brain for days at a time. Think Nine Inch Nails for the Gen Z and TikTok generation — and beyond.

On Halloween, Dethwish released the new album RUBY. Get it here. Ruby is essentially an extension of Dethwish's debut album, The Disappearing Act, which arrived this past spring. Two albums in one year? Yes, Dethwish is that prolific and that good. 

"Ruby is an album about losing a friend, yourself, and a girl from New Jersey on the early internet," Dethwish states.

Dethwish, who has shared the stage with notable acts such as Wargasm, Cheem, Flatwounds, Lip Critic, My Upside Down, and MKultra thus far, has announced the Ruby's Revenge Tour, which will culminate in a record release show in his native Connecticut on November 28. Get tickets here.

DETHWISH LIVE:

Ruby’s Revenge Tour  

11/4 – Los Angeles, CA
11/5 – Pomona, CA
11/6 – Las Vegas, NV
11/7 – Phoenix, AZ
11/10 – Austin, TX
11/11 – Houston, TX
11/12 – New Orleans, LA
11/15 – Miami, FL
11/16 – Orlando, FL
11/17 – Raleigh, NC
11/18 – Seaford, DE
11/20 – Philadelphia, PA
11/21 – New Brunswick, NJ
11/22 – Brooklyn, NY
11/27 – Boston, MA
11/28 – Hamden, CT

Ministry Releases The FINAL Album Today: “Hate To Go (Take Out Or Delivery)” Out Now On Cleopatra Records, Alongside New Single “Crickets” & Music Video Directed By Dean Karr

And that’s a wrap, folks. After 45 incredible years, Ministry’s final album, Hate To Go (Take Out Or Delivery) is out now on Cleopatra Records. With 10 tracks about societal collapse, frauds in charge and the impending robot takeover, Al Jourgensen is officially exiting as loud as he came onto the scene.

“I’m proud of what I’ve accomplished,” says Jourgensen, who’s been recognized as a pioneer of industrial music with a history built upon 17 studio albums, 8 live releases, 8 side projects, multiple touring campaigns across 5 continents, an autobiography, 2 documentaries, the administration of last rites no less than 3 times, and the countless numbers of devoted acolytes and fans.

“I’m amazed at the path that it’s taken, from With Sympathy to where we’re at today, and all points in between,” he adds. “It’s been quite a ride, but I’m completely at peace with the fact that it’s done.”

Alongside the album release, Ministry shares a new single, “Crickets” that warns of fascism repeating itself in 2026 and imploring people to start speaking up before it’s too late. It’s accompanied by a music video directed by Dean Karr (Korn, Queens of the Stone Age, Ozzy Osbourne). See the video BELOW.

“Crickets” follows previous singles from Hate To Go (Take Out Or Delivery), including “Singularity,” “Burned Out” and “We Hate.”

Ministry’s 17th and final release also features one final collaboration with legacy member Paul Barker on the ending album track “We’re Still Here,” alongside the handiwork of current Ministry bandmates, guitarists Monte Pittman and Cesar Soto, bassist Paul D’ Amour, sampler/synth player John Bechdel and drummer Pepe Clarke Magaña.

Ministry will bring tracks from Hate To Go (Take Out Or Delivery) and other classic hits on the road in 2027 with an international goodbye tour. The Goodbye Europe Tour with special guest Die Krupps begins April 2027. It will be followed by a full U.S. run, to be announced. The European tour dates will feature exclusive meet and greet opportunities with Al Jourgensen, also including a photo op, souvenir laminate pass, silk screen poster and final European tour coin. Fans can purchase meet and greets HERE.

In the meantime, Ministry has a few final dates for 2026, including Australia’s Good Things Festival and side dates. Find more info and tickets at MinistryBand.com.

MINISTRY AUSTRALIA 2026 DATES

December 4 Melbourne, VIC @ Good Things Festival

December 5 Sydney, NSW @ Good Things Festival

December 6 Brisbane, QLD @ Good Things Festival

December 8, Sydney, NSW @ Liberty Hall*

December 10, Adelaide, SA @ Hindley St Music Hall*

*new date announcement, on sale Friday, September 18

MINISTRY GOODBYE EUROPE 2027 TOUR

April 2 Utrecht, NL @ Ronda

April 3 Saarbrücken, DE @ Garage

April 4 Brussels, BE @ Ancienne Belgique

April 6 Manchester, UK @ O2 Victoria Warehouse

April 7 Dublin, IE @ 3Olympia

April 9 Nottingham, UK @ Rock City

April 10 London, UK @ Troxy

April 12 Paris, FR @ Bataclan

April 14 Madrid, ES @ La Riviera

April 15 Barcelona, ES @ Paral-lel

April 17 Lausanne, CH @ Docks

April 18 Munich, DE @ Tonhalle

April 19 Vienna, AT @ Gasometer

April 21 Prague, CZ @ Forum Karlín

April 22 Warsaw, PL @ Progresja

April 24 Berlin, DE @ Columbiahalle

April 25 Hamburg, DE @ Grosse Freiheit 36

April 26 Copenhagen, DK @ Amager Bio

April 27 Oslo, NO @ Rockefeller

April 29 Stockholm, SE @ Fållan

May 1 Helsinki, FI @ House of Culture

ABOUT MINISTRY

Born in 1981 in Chicago, Ministry has been the lifetime passion project of founder Al Jourgensen, considered to be the pioneer of industrial music. In its early days, Ministry was identifiable by its heavy synth-pop material in line with the new sounds and technology that were being developed in the ‘80s. Ministry’s output began with four 12” singles on Wax Trax! Records in 1981 before the first LP With Sympathy in 1983 via Arista Records. As time progressed however, so did Ministry, quickly developing a harsher, and more stylized sound that the band soon became infamous for on seminal albums Twitch (1986), The Land of Rape and Honey (1988), and The Mind Is A Terrible Thing To Taste (1989). With the release of Psalm 69: The Way to Succeed and The Way to Suck Eggs (1992), Ministry hit an all-time high in the mainstream musical realm and received its first Grammy nomination. In total, Ministry has been nominated for a Grammy award six times. Eight more albums would follow before an indefinite break in 2013, only to be unearthed again in 2018 with AmeriKKKant, continuing to reflect Jourgensen’s views on the frightening state of society and politics. The 2021 album Moral Hygiene marked a new creative era of Jourgensen and the band. It was followed by Ministry’s 16th studio album, HOPIUMFORTHEMASSES, released in 2024 as well as The Squirrely Years Revisited with reworked songs from the band’s synth pop era in 2025. Ministry’s final album, Hate To Go (Take Out Or Delivery) is set for release on October 30, 2026 via Cleopatra Records.

Find Ministry Online

Website: www.ministryband.com

Facebook: www.Facebook.com/WeAreMinistry

Instagram: www.Instagram.com/WeAreMinistry

DARKEST HOUR RELEASE NEW ALBUM 'SUFFER DIVINE', SHARE "SALVATION" MUSIC VIDEO

Washington, D.C. metal veterans DARKEST HOUR have unleashed their latest full-length album, Suffer Divine, marking another milestone in the band's decades-long career. Mark Lewis (Whitechapel, The Black Dahlia Murder, Cannibal Corpse) produced the album, which distills everything Darkest Hour loves about heavy music, from force to spirit. 

Guitarist Mike Schleibaum says, “‘Suffer Divine is a love letter to melodic death metal. While it stays true to our core sound, it also pushes the sound of our band forward with precision focus. It has so many dense layers; we’re very excited for listeners to get to know it and really dig into it. It’s a guitar-focused record for sure, and you really hear the heightened guitar approach Nico and I have been developing over the past few records. But I also love the lyrics, John’s vocal performance, Deal’s thunderous sound, and the insanity that is Travis Orbin’s drumming. Can’t believe it is finally out, jam it now, and make sure you crank it up loud!"

"Salvation" serves as the record's focus track and latest music video, highlighting the band's continued commitment to their signature blend of melodic aggression and hardcore intensity.

Watch video for “Salvation” Below:

Emerging from Washington, D.C.'s underground punk and hardcore scene in the mid-'90s, DARKEST HOUR forged a distinctive identity by combining the raw energy of hardcore with the speed and ferocity of thrash and melodic death metal. Their pioneering approach helped shape modern metalcore and established them as a key force in the New Wave of American Metal. 

Over the years, DARKEST HOUR have continued to push forward while retaining the intensity that first defined their music. Their catalog has earned both critical recognition and a dedicated fan base, with Deliver Us (2007), Eternal Return (2009), and Godless Prophets & the Migrant Flora (2017) all appearing on the Billboard charts. The band released its tenth studio album, Perpetual Terminal, in 2024.

That relentless approach remains central to the band's identity. New Noise Magazine has praised DARKEST HOUR for maneuvering "with an unrivaled level of dedication" as they continue developing their distinctive melodic fusion of heavy metal and hardcore. The publication also noted that, while remaining true to their punk-rock mentality, the band continues to embrace new methods of expression with each album. 

For vocalist John Henry, that longevity is rooted in something deeper than simply making music. 

"This has been such a constant in my life that I can't live without," Henry told New Noise. "Any time we ever felt dragged down, something would happen where we would write a song, or we would do a tour, and it'd be, like, okay, we can't stop. This is what we know. This is what we love, and we love doing it too much." 

With Suffer Divine, DARKEST HOUR continue their decades-long journey, delivering a new chapter in a career built on intensity, perseverance, and an unwillingness to stand still. "Salvation," the album's focus track, offers listeners a point of entry into the band's latest full-length effort, which continues their commitment to the uncompromising blend of melody, aggression, and hardcore intensity that has defined their sound.

DARKEST HOUR is:

John Henry – vocals
Mike Schleibaum – guitar
Nico Santora – guitar
Aaron Deal – bass
Travis Orbin – drums

Stream / Get Suffer Divine, click here: https://darkesthour.ffm.to/sufferdivine 

Solo Tour Dates:

November 10th at No Class in Cleveland, OH
November 11th at Hoosier Dome in Indianapolis, IN

Darkest Hour & Fear Factory Tour:

November 12th at The Regency Live in Springfield, MO
November 13th at Wave in Wichita, KS
November 14th at Oriental Theater in Denver, CO
November 15th at Black Sheep in Co. Springs, CO
November 17th at Pub Station in Billings, MT
November 18th at The Newberry in Great Falls, MT
November 20th at El Corazon in Seattle, WA
November 21st at The Hawthorne Theatre in Portland, OR
November 22nd at Shrine Social Club in Boise, ID
November 24th at Strummers in Fresno, CA
November 25th at House of Blues in San Diego, CA
November 27th at The Glass House in Pomona, CA
November 28th at The Whisky A Go Go in Los Angeles, CA
November 29th at The Whisky A Go Go in Los Angeles, CA

Darkest Hour W Judiciary, & Eternal:

December 1st in Austin TX @ Come And Take It Live 
December 2nd in Dallas TX @ Trees
December 3rd in Lawrence KS @ Bottleneck
December 4th in Chicago, IL @ Reggies Rock Club 
December 5th in Pontiac, MI @ Pike Room
December 6th in Pittsburgh, PA @ Preserving Underground
December 7th in Toronto, ON @ Lee’s Palace 
December 8th in Montreal, QC @ Foufounes 

Darkest Hour W Judiciary, Nehemiah, Justifications: 

December 9th in Albany, NY @ Empire Underground 
December 10th in Worcester, MA @ The Palladium (Upstairs)
December 11th in Brooklyn, NY @ St. Vitus  
December 12th in Millersville, PA @ Phantom Power 
December 13th in Washington, DC @ Atlantis 
 

FOR MORE INFORMATION, VISIT: https://linktr.ee/DarkestHour

Kaitlin Butts' 'Hello, Honky Tonk' Out Now via Republic Records

Tulsa-born singer-songwriter Kaitlin Butts’ highly anticipated fourth studio album, Hello, Honky Tonk, is out now via Republic Records, alongside a new music video for “The Bartender” that offers a first look at the mini musical Butts has created to bring the album’s colorful cast of characters to life. Listen to Hello, Honky Tonk HERE. Watch “The Bartender” video BELOW and stay tuned for more details on the mini musical on the horizon.

“I always see my songs visually,” shares Butts. “When I’m writing, I’m not just thinking about the music, I’m seeing the characters and what’s happening in the room. With Hello, Honky Tonk, I wanted to bring every corner of that bar to life. A mini musical felt like the perfect way to let people step inside this world we’ve been creating and I can’t wait to share it.”

Named one of Rolling Stone’s most anticipated albums for 2026, Hello, Honky Tonk is a love letter to the honky tonks and nightlife that have shaped Butts’ life and career. Recorded in Nashville with producer Tofer Brown (Carter Faith, Willow Avalon, Little Big Town), the 14-track collection creates a world of its own, populated by the characters listeners might recognize from the dance floor, behind the bar or tucked away in the corner booth.
 
The new video for “The Bartender” brings that world into focus, offering a first glimpse of Butts’ larger creative vision for the album. Inspired in part by the vaudeville vignettes of Chicago and Disney World’s Country Bear Musical Jamboree, Hello, Honky Tonk unfolds like a musical set inside a neighborhood bar, where every character has a story and every night brings a new scene.
 
Co-written by Butts, Natalie Hemby and Brown, “The Bartender” pairs steel guitar with plenty of swagger as a mixologist lends an ear to those in need of a judgment-free confidant. The track features the baritone of TJ Osborne of Brothers Osborne on backing vocals, adding a sultry menace to the song’s portrait of the person behind the bar who knows everyone’s secrets.
 
“TJ’s voice was exactly how I pictured the bartender in my head. It’s got that deep richness that makes you feel like this man has heard every secret in town and isn’t gonna tell a soul,” shares Butts, cheekily adding. “I also love that we got to put one of the most masculine voices in country music on this track, who also happens to be one of the gayest.”

For Butts, the album’s concept grew from imagining all the characters and storylines unfolding inside one honky tonk, with each song offering another perspective on the nightlife that connects them.
 
“The thought behind the concept was how in Chicago, the character Roxie Hart is dreaming up what her show would look like and all the people in it,” says Butts. “I picture all of this happening at Skinny Dennis here in Nashville. These are all the different people in the room. There's the bar fight that's happening. There's the bad girl that just got off work. There's me being the entertainer. There are so many people that really love the nightlife. It’s a connector for people.”
 
And yet even as Butts honors the merry murderesses of the Cook County Jail and a line-up of surprisingly sassy and lovelorn teddy bears, the sound is pure country, folding in other influences ranging from Merle Haggard and Roger Miller to the Chicks and Miranda Lambert. And while Butts fantasizes about the lives of those who come to her virtual honky tonk, she hopes that fans walk out of it not just knowing her better, but themselves as well. 
 
“All these songs are very deeply personal to me, and I relate to them word for word,” she says. “But my intention is never just to be relatable. I hope people find their own lives within the whole thing.” She hopes fans walk away not only knowing her better, but recognizing themselves in the songs—and,  like any good night out at the honky tonk, having a good time. After spending some time in darker corners on previous albums, Butts is ready to kick up her heels. “I'm excited to get to perform these songs and have a lot of fun on stage.”

The album arrives on the heels of a whirlwind week for Butts with a flurry of appearances leading up to its release. She made her national television debut with a performance of “I Wanna Be Bad” on “TODAY with Jenna & Sheinelle” while also stopping by LGBTQ+ nightlife favorites Flaming Saddles and Pieces Drag Bar. Butts celebrated the album with a release show at Lucinda’s in New York City on Tuesday, Oct. 27, before returning to Nashville for a sold-out performance at Skinny Dennis on Thursday, Oct. 29, the very honky tonk that helped inspire the album’s world.
 
With Hello, Honky Tonk, Butts builds on the momentum of her critically acclaimed 2024 album Roadrunner!, a bold reimagining inspired by Rodgers and Hammerstein’s Oklahoma! The album landed on numerous year-end best-of lists and featured her viral anthem “You Ain’t Gotta Die (To Be Dead To Me),” which has amassed more than 157 million TikTok views and 67 million global streams.

Butts will continue celebrating Hello, Honky Tonk with her Hello, Honky Tonk Live and In Person Tour, with December dates in Texas and Oklahoma. Tickets are available at kaitlinbutts.com.

HELLO, HONKY TONK LIVE AND IN PERSON TOUR DATES
Dec. 10 — College Station, TX — Harry’s Northgate
Dec. 11 — Helotes, TX — Floore’s Country Store
Dec. 12 — Corpus Christi, TX — Brewster Street Ice House
Dec. 17 — Oklahoma City, OK — Tower Theatre
Dec. 18 — Fort Worth, TX — Billy Bob’s Texas

For the latest news, music and tour dates, visit kaitlinbutts.com and follow @kaitlinbutts on Instagram and Facebook, and @kaitlinbuttsmusic on TikTok.

DUSTIN LYNCH WIPES THE SLATE CLEAN WITH SEVENTH STUDIO ALBUM OUT NOW

MULTI-PLATINUM, 10x #1 hitmaker Dustin Lynch releases his seventh studio album, Clean Slate, available everywhere via BBR Music Group/BMG Nashville. Across 12 tracks, Lynch navigates love, heartbreak, second chances and the hard-earned perspective that comes with time, delivering a collection that balances the energy of his signature country sound with some of his most vulnerable storytelling to date. Listen BELOW.

At the heart of the album is its aching title track, “Clean Slate,” a deeply personal reflection on losing your way and wondering whether it's too late to find your way back. Building slowly around a hurt he can't quite explain, Lynch inhabits the mind of a wide-eyed desperado who has spent too long giving his angels the cold shoulder. As the arrangement swells, so does the weight of everything he's been carrying, searching for somewhere safe to land and the possibility that his past doesn't have to determine his future.

Written by Johnny Simpson, Jeremy Dussolliet, Tim Sommers, James Abrahart and Jackson Foote, and produced by Ross Copperman, “Clean Slate” gives the album its name and its emotional center. More than a promise of a fresh start, the song confronts the difficult space between who you've become and who you still hope to be.

“There's something compelling about the idea of a clean slate that signifies and promises a new chapter. I think we've all had moments where we look at our lives and wonder how we got to where we are,” shares Lynch. “What I love about this song is that it is a hard look in the mirror.That felt like the right message to build this album around.”

While the title track carries the album's emotional weight, Clean Slate moves through the full spectrum of relationships and experiences that have shaped Lynch's life and music. The road-tested, high-energy “Made In A Bottle” finds him chasing relief from a lost love one bar at a time, while “How You Been,” his up-tempo collaboration with Ashley Cooke, revisits a summer romance through a phone call that brings every memory rushing back. Lynch has described the duet as a second chapter to his 4X PLATINUM smash “Thinking ’Bout You.”

Elsewhere, “One Tennessee” brings a fiery vocal performance, while “Built Us A Life” and “Old Man Knows” add to the album's reflections on love, experience and the passage of time. The collection closes with “Home To You,” a collaboration with electronic duo MC4D that brings a dance-driven finish to an album rooted in Lynch's country foundation.

Lynch worked with an extensive roster of Nashville songwriters and musicians on the project, contributing to eight of its 12 tracks alongside collaborators including Zach Crowell, Justin Ebach, Josh Thompson, Jameson Rodgers, Brent Anderson, Hunter Phelps, Ben Johnson and John Byron. Production duties are shared by Ross Copperman, Zach Crowell and Austin Shawn, with MC4D producing the album's closing track. Together, they bring a mix of live-band energy, modern country production and electronic influences to a collection that reflects the different sides of Lynch's musical identity.

Clean Slate arrives as Lynch continues to build on a career spanning 10 No. 1 hits, four Top 5 albums, 12 RIAA-certified singles and more than 5 BILLION cumulative global streams. Earlier this year, he celebrated those milestones with Setlist Staples - 10 #1's, a collection of his decade-plus run of Country radio chart-toppers, alongside new RIAA certifications for “Small Town Boy” (5X PLATINUM), “Thinking ’Bout You” (4X PLATINUM), “Ridin’ Roads” (2X PLATINUM) and “Chevrolet (feat. Jelly Roll)” (PLATINUM).

With Clean Slate, Lynch adds another chapter to a catalog built on lasting hits, bringing the stories, sounds and experiences of where he's been into sharper focus as he looks toward what's next.

ENSLAVED - Celebrate Album Release Day With Visualizer For 'I Am Ice (Ft. Johan Sara Jr.)'

Progressive trailblazers Enslaved release their acclaimed seventeenth studio album, Mið (Nuclear Blast Records). 

In celebration, the band have released the visualiser for focus track 'I Am Ice', featuring Sami musician Johan Sara Jr.

Guitarist Ivar Bjørnson states: “Mið is out, and I am immensely proud to share it with you. An album exploring the idea of ‘centre’ raises a question: what are we moving towards? For me, that is the quest: following an idea far enough that it begins to challenge your reasons for following it. Mythology, sound and what it means to be human keep giving us things to explore. It feels good to be here, with this record.” 

Of the collaboration with Johan Sara Jr., he adds: “‘I Am Ice’ is a world of its own, with the seeds of the whole album hidden within it. Johan Sara’s joik opens a space where different ages and distant places seem to exist at once. Guitars, voices and percussive textures move through that space, with all the tension and friction their meeting brings. Some of what happens here finds its counterpart later on Mið. I like the thought of returning to the song after hearing the whole record and discovering that something familiar has taken on another meaning.”

Vocalist/bassist Grutle Kjellson adds: "I remember struggling a bit to come up with a logical vocal arrangement, so I decided to do something I rarely do: write the lyrics in their entirety without adapting them to the music. Ivar had a few lines lying around, and so had I. At the time, I was also trying to study the metrics, verse structure and origins of the Old Norse skaldic poetry. For some strange reason, I decided to try to create something resembling these ancient verses in the lyrics, and, fascinatingly enough, the lines seemed to take shape quite naturally as I went along! I shan’t claim this is written 100% like a skaldic poem, but still heavy inspired by such.

"The song is about a journey through personal darkness and the process of rising again. Once the lyrics were finished, the arrangement suddenly made sense as well – or at least, it made sense by Enslaved standards."

PURCHASE / STREAM MIð:
https://enslaved.bfan.link/mid

WATCH THE VIDEO FOR 'I AM ICE (FT. JOHAN SARA JR.)' BELOW:

Throughout their 35-year journey, across 17 albums, the Norwegian vanguard have continually redefined the boundaries of progressive black metal, weaving Old Norse histories and sacred traditions into complex modern soundscapes. With their latest offering, Enslaved turn their gaze toward the fundamental concept of the axis: the middle, the origin, and the infinite reach of the present moment.  

To celebrate the arrival of Mið, Enslaved will hit the road across the UK and Europe in February 2027 as a co-headline with Iceland's Sólstafir, with support coming from Norway's Gaahls Wyrd.

Tickets are available here: https://enslaved.no/


ENSLAVED & SÓLSTAFIR
CO-HEADLINE TOUR 2027
w/ Gaahls Wyrd

04/02/27 - DE Berlin, Festsaal
05/02/27 - DE Leipzig, Felsenkeller 
06/02/27 - DE Hamburg, Fabrik 
07/02/27 - DK Copenhagen, Amager Bio 
08/02/27 - DE Frankfurt, Batschkapp 
09/02/27 - FR Strasbourg, La Laiterie
11/02/27 - FR Rennes, Antipode 
12/02/27 - FR Clermont-Ferrand, La Cooperative de Mai 
13/02/27 - FR Toulouse, Le Metronum 
14/02/27 - ES Barcelona, Razzmatazz 2 
16/02/27 - FR Paris, Elysee Montmartre 
17/02/27 - UK London, Electric Ballroom 
18/02/27 - BE Liege, OM 
19/02/27 - NL Nijmegen, Doornroosje
20/02/27 - NL Utrecht, Tivoli Pandora 
21/02/27 - DE Cologne, Live Music Hall 
23/02/27 - CH Solothurn, Kofmehl
24/02/27 - IT Milan, Magnolia 
25/02/27 - AT Vienna, SIMM City 
26/02/27 - PL Warsaw, Progresja 
27/02/27 - CZ Brno, Fleda 

Enslaved live in 2027 (USA)

27-30 May 27   US - Baltimore @ Maryland Deathfest 2027

Enslaved live in 2026

30 Oct 26         NO - Oslo @ Big Dipper - Signing Session / Meet & Greet
31 Oct 26         NO - Oslo @ Oslo Spektrum w/ Dimmu Borgir & Satyricon

Never faltering, Norway’s iconic Enslaved continue to exist as one of the most original and dependable components in our scene's indestructible backbone. Possessing the reputation as one of the most riveting live acts around, they never fail to offer us talent of the highest calibre, always doing justice to their signature black/progressive sound. Enslaved was formed in 1991 by Ivar Bjørnson and Grutle Kjellson, releasing their first demo Yggdrasill in the summer of 1992, their legendary mini-album Hordanes Land coming out in 1993, and with their debut full-length Vikingligr Veldi arriving in the spring of 1994.

It’s a rare and remarkable feat that 35 years and now 17 albums in, Enslaved’s horizons still continue to expand. Every stage of the Bergen band’s evolution, every new phase entered, has felt like an organic act of discovery and renewal. Their journey has been at once a commitment to a promise that found its embryonic form in the Norwegian black metal scene they emerged from, and a willingness to challenge both orthodoxy and themselves from the off to make that potential manifest.

Enslaved’s new album, Mið, an Old Norse word for ‘centre’, or ‘middle’, marks another departure, and another new beginning. The band have always dealt in states of transition, nor least on the thematically linked, mythology-steeped rites of passage that were 2020’s Utgard and 2023’s Heimdal. What lay beyond, however, was… unexpected.

Mið is an album that sheds light on harmonies and dialogues embedded all around us: between the ways of the past, and how they can bring enlightenment to the present, between small kernels of truth and their ability to project onto the most universal on canvases, and between band members relying on instinct and each other to create a record that galvanises on every possible level.

Enslaved are:
Ivar Bjørnson | guitars 
Grutle Kjellson | vocals, bass
Arve 'Ice Dale' Isdal | guitar
Håkon Vinje | keyboards
Iver Sandøy | drums

Website | Bandcamp | Facebook | Instagram | Twitter | Spotify | YouTube | Apple Music

Powerhouse Rock Group SHOGUN MOJO — Feat. KISS Guitarist Tommy Thayer and Dan Reed — Releases Debut Self-Titled Album — Out Now via Frontiers Music Srl

SHOGUN MOJO - an exciting new collaboration between legendary KISS guitarist Tommy Thayer and acclaimed singer-songwriter Dan Reed of Dan Reed Network fame – debut on Frontiers Music Srl with their self-titled album, available now. The new track “Dog Eat Dog,” along with an official video, is also out now.

Dan Reed shares:

“Like many of the songs on our debut album, the lyrics in this track are pointed at the idea that even in an era of extreme division on many issues, continuous violent conflicts, political upheaval, and confusion about the future, we should attempt to hold on to some part of us that reaches for the light, the hope that one day the human race will get its act together. First we need to accept that we live in an often brutal world... Dog eat dog... Sideline idealism while in the background we train to be resilient, to overcome our differences, our fears... And become 'warriors of the light', so to speak. This song is about that endeavor!”

Watch the Official Video for "Dog Eat Dog" Below:

SHOGUN MOJO is the explosive new rock collective masterminded by legendary guitarist Tommy Thayer (KISS, Black ’N Blue) and acclaimed vocalist Dan Reed (Dan Reed Network), uniting decades of arena rock legacy, musical innovation and pure rock’n’roll spirit.

Backed by a Sweden-based and exceptionally tight lineup featuring drummer Robert Mehmeti Kizilcay, guitarist Roger Öjersson and bassist Jake Nyman, the band delivers a debut album packed with towering hooks, driving energy and electrifying performances.

Tommy Thayer comments on the record:

“I’ve always loved doing projects like this because they give me a chance to step outside of my usual world and just create, play guitar, and have fun making music. Dan and I go back a long way, and it’s been great getting to know Bengt and Ikiz over the past year and discovering the chemistry we have together. SHOGUN MOJO really came from that shared energy, getting in a room, playing, writing, and seeing where it took us. There’s a great spirit and camaraderie in this band that comes through in the music, and I’m excited for people to finally hear what we've created together.”

“This debut album is a reflection of all the rock records both Tommy, Bengt, Ikiz, and I grew up listening to! Even Brion James from my band Dan Reed Network has a co-write on the album called 'Funk Party'! What we captured in the studio is playing live together like bands did in the 70s, and the outcome is a record that's a groovy, rowdy funk rock celebration of life. At least that was the goal”, added Dan Reed. “In a world of AI music, we took it back to the roots of having fun writing in a room together and recording in a room together. We hope you feel what we attempted to capture. We are often told, 'People don't want to hear guitar solos anymore'... so Tommy has a guitar solo in every song!”

Order 'Shogun Mojo' HERE

Musically, SHOGUN MOJO channels the infectious melodic punch of classic late ’70s and early ’80s hard rock, blending the anthemic spirit of KISS with the soulful intensity and unmistakable swagger of Dan Reed’s vocal style. Fans of Dan Reed Network’s 'Slam' will immediately connect with the album’s vibrant mix of massive choruses, funk-infused grooves, and feel-good rock energy - but with a warmer, more organic, and timeless sound that recalls the golden era of analog-driven rock records.

Raw, dynamic and unapologetically alive, SHOGUN MOJO’s debut is a celebration of big riffs, earworm melodies and the enduring power of classic hard rock reinvented for a new generation.

SHOGUN MOJO are:

Dan Reed

Tommy Thayer

Bengt Jonasson

Robert Ikiz

Symphonic Metal/Gothic Rock Band CARMERIA Releases New Album Ex Cathedra, Alongside Visualizer For "Phantasma"

Australia's CARMERIA present the third studio album Ex Cathedra, an enthralling offering that showcases the next evolution in the band's sound.Released independently today, the new full length centers around finding resilience and joy despite suffering encountered as part of the human experience.

Commenting on the release of Ex Cathedra, singer/songwriter/producer Jordan von Grae shares:
"Personally, Ex Cathedra feels like the culmination of my journey as an artist. As a band, it feels like the record in which we have found our identity. 

At its heart, this album is a tribute to perseverance in the face of hardship; to the notion that ‘this too shall pass,’ and the understanding that while we cannot always choose our circumstances, we have the power to choose how we respond to them.

Above all, it is a celebration of our capacity to live fully alongside suffering; to love despite loss, to find belonging in one another, and to find solace in the knowledge that while pain may be an inevitable part of the human experience, the beauty of our lives need not be diminished by it." 

On the meaning behind "Phantasma," Jordan von Grae reveals:
"Phantasma explores the ways in which guilt, shame and regret can distort our perception of ourselves. While those feelings can encourage reflection and positive change, they can also become destructive when we allow ourselves to be consumed by the things we cannot change, or accept blame for things that we were never responsible for.

Additionally, 'Phantasma' serves as a reminder not to allow the suffering of the past to eclipse the joy that may still exist in the future, and argues that resilience can sometimes require forgiveness, including forgiveness of oneself. Despite its thematic tone, this song was incredibly fun to put together, and I feel like it perfectly encapsulates the album's sonic philosophy of 'Misery you can dance to.'"

Ex Cathedra was principally written by CARMERIA singer/songwriter/producer Jordan von Grae. Zahija composed “Ex Cathedra,” while Bobrov made additional songwriting contributions to “Wings,” “Phantasma,” “A Rose Divine” and “Echoes of the Dream.”

The recording lineup consists of Jordan von Grae on lead vocals, harmonies and choirs, as well as programming for keys, synths, orchestra and drums; Jerry Zahija on lead and rhythm guitars and solos; and Emma Louise Nagy on bass, acoustic guitars and additional vocals. All drums, keys, synths and orchestration were programmed by von Grae, with the exception of the orchestra on “Ex Cathedra,” which was programmed by Zahija and Robert Ianni.

Ex Cathedra was mixed by Jordan von Grae and mastered by Miro Mastering. The album and single covers were designed by Jordan von Grae, illustrated by Hassane and coordinated by Mishka Bobrov. Album photography was completed by Matt Bartolo.

In 2026, CARMERIA return with their third full-length album, Ex Cathedra, a record that expands the band’s established symphonic and gothic foundations with a stronger melodic rock influence. Centred on the idea that suffering is an unavoidable part of life but despair is not, the album represents a further evolution in CARMERIA’s songwriting, production and visual identity while remaining rooted in the qualities that have defined the band from the beginning: melody, storytelling, independence and connection.

CARMERIA is:

Jordan von Grae — Vocals
Jerry Zahija — Guitars
Mishka Bobrov — Keytar
Emma Louise Nagy — Bass

Connect with CARMERIA:

Facebook: https://www.facebook.com/CarmeriaMusic
Instagram: https://www.instagram.com/carmeria
X: https://x.com/carmeria
YouTube: https://www.youtube.com/c/CARMERIA
Twitch: https://www.twitch.tv/carmeria
TikTok: https://www.tiktok.com/@CarmeriaMusic
Patreon: https://www.patreon.com/cw/carmeria

SARCATOR Celebrate Release Of New Album The Ones We Follow, Out Now Via Reigning Phoenix Music!

Swedish metal trailblazers SARCATOR are celebrating the release of their brand new studio album, The Ones We Follow, out today via Reigning Phoenix Music!

With their fourth full-length offering, SARCATOR push beyond the boundaries of their extreme metal roots and venture into darker, hook-driven territory. Gothic Western atmospheres collide with raw rock ’n’ roll energy, while the band’s signature death and blackened vocals remain firmly intact. Bold, dynamic, and bursting with youthful energy, The Ones We Follow marks another exciting step forward in the band's evolution, showcasing a sound that is unmistakably their own.

There comes a point in every band's journey when experimentation gives way to conviction. When years of searching no longer lead to another reinvention, but to an identity. For Sweden's SARCATOR, that moment has arrived.  

Over the past years, SARCATOR have built a reputation as one of Scandinavia's most exciting young heavy bands, earning nominations for both Sweden's P3 Guld and Grammis Awards while sharing stages with Hellripper, 1349 and Midnight. Yet The Ones We Follow is not the culmination of that journey. With new bassist Linus Edmarker now joining the fold, it is where everything comes together.

Rather than asking where they fit within heavy music, SARCATOR follow a far simpler principle:

What serves the song? Every creative decision begins there.

That philosophy has become the band's creative compass, allowing punk urgency, gothic atmosphere, timeless heavy metal, dark rock swagger and extreme metal intensity to coexist naturally. The result is what the band simply calls death's rock; not a genre, but an identity.

The same creative restlessness runs through the entire album. Rather than following expectations, trends or genre boundaries, SARCATOR trusted instinct at every turn. Every creative decision - from the songwriting to the visual world - serves one purpose: the song itself.

In a recent interview with Dead Rhetoric, vocalist and guitarist Mateo Tervonen reflected on the band's musical evolution: “When we wrote the second album, we started to listen to all kinds of music, and it made the album sound more progressive, weird, and rock-oriented, and we have kept that since then.” On the creation of the new album, he said “We were more focused. That shines through in the material as well. It’s very worked through.”

The Ones We Follow is not about looking back or recreating the past. It marks the moment where SARCATOR move forward with complete confidence in who they have become. The songwriting is sharper, the artistic identity clearer, the visual world more immersive and the band's vision more focused than ever before.

What comes next is about seeing who follows.

 

The Ones We Follow is out now Reigning Phoenix Music.
Order your album copy HERE: https://sarcator.rpm.link/followalbumPR 

Upcoming Live Dates:
06.11.2026 Stockholm (Sweden) - Kollektivet Livet + Zadism (Album Release Show!)
07.11.2026 Zebbug (Malta) - Metal at Lust Festival / The Garage
05.12.2026 Falun (Sweden) - Klubb Slammer
19.12.2026 Gothenburg (Sweden) - Monument + The Crown
26-28.08.2027 Næstved (Denmark) - Næstved Metalfest

More dates to be announced.

 

SARCATOR are:
Mateo Tervonen – Guitar / Vocals
Leo Buchalle – Guitar
Jesper Rosén – Drums
 
More on SARCATOR:
www.sarcator.com
www.facebook.com/SarcatorSwe
www.instagram.com/sarcatorofficial