Teen Mortgage Drop "Below The Christmas Tree" — LISTEN // Band Partners With Skate Super Skate Posse

Washington, DC punk duo TEEN MORTGAGE — guitarist/vocalist James Guile and drummer Ed Barakauskas — are getting festive with their new holiday track "Below the Christmas Tree."

Listen below.

Of course, in typical Teen Mortgage fashion, it's ANYTHING but a typical holiday track.

"We wanted to give people a new Christmas song to throw in their rotation because the usual Christmas hits get tedious to listen to," states Guile. "The song is a satire of people's tendency to ignore the world and embrace consumerism during Christmas and the way they would continue the tradition in the face of a nuclear holocaust. But the flip side of that is that Christmas is a call for peace."

Teen Mortgage are also partnering with Super Skate Posse and the Boys and Girls Club of Baltimore to provide 50 pre-selected, area youths with new skateboards, helmets, and Converse sneakers, along with a skate demo and music performance in Baltimore.

Guile says, "We're insanely proud to offer kids a chance to be part of the skate community in Baltimore and maybe get inspired to be in a band too."

The event will take place at the Skatepark Of Baltimore, locate at 1201 W 36th Street, Baltimore, MD on Saturday, November 22 from 2 to 3pm, and will include demos from professional skaters Brian Anderson, Darren Harper, Spencer Brown, and Tony Massey, as well as a full performance from the band. 

The Super Skate Posse Givebacks partner with local organizations across America to remove the cost barrier of access to the mental health benefits of skateboarding through a one of a kind experience to underserved youth. This is the first time the event will take place in Baltimore and is sponsored by The Boys And Girls Club Of Baltimore, Converse, Good360, Lingraphica, No Expectations, Team Bonding, Vu Skateshop, JBL Audio, Polio Treading, and Primary Wave.

"It's an honor to work with Teen Mortgage to uplift the youth of Baltimore. It may not be common knowledge but lead singer, James Guile, is a lifelong skateboarder. I commend James and Edward Barakauskas for identifying a need for resources in their community and taking action," says Chris Nieratko, Executive Director, Super Skate Posse.

In addition to this special performance, the band will perform at two holiday-themed shows. The will appear at the Jingle Bell Roxy LA on December 10. Jingle Bell Rox is a 13-night concert series in partnership with Union Rescue Mission. There will be a donation drive at each show to support those in need this season.

The band will also perform at Blissmas 25 with Better Lovers, Glassjaw, Saves the Day, Terror, Onyx, Haywire 617, Koyo, and Johnny Booth on December 13.

Teen Mortgage, who have shared stages with the likes of Weezer and Smashing Pumpkins, are in the middle of a headline tour. Get tickets here. They will hit the road hard in 2026, as well, as they are set to tour with Joyce Manor, Militarie Gun, and Combat next spring. All dates are below.

TEEN MORTGAGE ON TOUR:
HEADLINE 2025:
11/12 — Louisville, KY — Zanzabar
11/14 — Indianapolis, IN — Turntable
11/15 — Lakewood, OH — Mahall's
11/16 — Pittsburgh, PA — Bottlerocket Social Hall

HOLIDAY SHOWS:
12/10 — West Hollywood, CA — The Roxy Theatre
12/13 — Buffalo, NY— Buffalo RiverWorks 
 
WITH JOYCE MANOR, MILITARIE GUN, + COMBAT:
SPRING 2026:
3/09 — Phoenix, AZ — The Van Buren 
3/11 — Austin, TX — Stubb's Waller Creek Amphitheater 
3/12 — Houston, TX — House of Blues Houston 
3/13 — Dallas, TX — House of Blues Dallas 
3/14 — New Orleans, LA — House of Blues New Orleans 
3/16 — Orlando, FL — House of Blues Orlando 
3/17 — Atlanta, GA — Buckhead Theatre 
3/18 — N. Myrtle Beach, SC — House Of Blues Myrtle Beach 
3/20 — Baltimore, MD — Nevermore Hall 
3/21 — Boston, MA — Citizens House of Blues Boston 
3/22 — Philadelphia, PA — The Fillmore Philadelphia 
3/24 — Brooklyn, NY — Brooklyn Paramount 
3/25 — Buffalo, NY — Asbury Hall 
3/26 — Toronto, ON Canada — The Danforth Music Hall 
3/27 — Detroit, MI — Majestic Theatre 
3/28 — Chicago, IL — The Salt Shed 
4/26 — Madison, WI — The Sylvee 
4/27 — Minneapolis, MN — Varsity Theater 
4/30 — Des Moines, IA — Wooly’s 
5/01 — St. Louis, MO — Delmar Hall 
5/02 — Lawrence, KS — Liberty Hall 
5/04 — Denver, CO — Fillmore Auditorium 
5/05 — Salt Lake City, UT — The Depot 
5/07 — Great Falls, MT — The Newberry 
5/08 — Calgary, AB Canada — The Palace Theatre 
5/09 — Edmonton, AB Canada — Midway Music Hall 
5/11 — Vancouver, BC Canada — Commodore Ballroom 
5/12 — Seattle, WA — The Showbox 
5/13 — Portland, OR — Roseland Theater 
5/15 — San Francisco, CA — The Fillmore 

SUNVOLUME Ignites with Explosive New Video for “RIFF CITY” — A Loud, Unapologetic Ode to Pure Rock ’N’ Roll

The amps are roaring, the lights are blinding, and the swagger is undeniable —

SUNVOLUME have arrived with their brand-new single and video “Riff City”, an electrifying anthem that captures the raw, high-voltage essence of modern rock in its purest form.

Directed with cinematic grit and energy that bleeds straight from the stage to the screen, “Riff City” is more than a song — it’s a mission statement. The track barrels forward with thunderous riffs and gritty grooves dripping with attitude, channeling the spirit of ’70s arena rock and 90's grunge through a modern lens that feels fresh, dangerous, and downright addictive.

SUNVOLUME SPOTIFY

Video Filmed/ Edited by:

Terrell Williams of Effeno Films

www.EffenoFilms.com

SUNVOLUME BANDCAMP

BIO:

SUNVOLUME is a rock band from Chicago, Illinois. Formed in 2020 by Justin Sanetra (Guitar, Vocals), Jimmy Russell (Bass), &

Brett Sassetti (Drums). The band has released 7 singles, 1 mixtape, & 2 covers (Day 'N' Nite by Kid Cudi & Somebody To Love by Jefferson Airplane). They have performed at the NXNE music festival (Toronto), Norman Music Festival (Oklahoma) and shared the stage with bands like Everclear, Powerman 5000, Hinder, Smile Empty Soul, Saliva, Crobot, Saving Abel, Dead Poet Society, Tigercub, & more. Their music has been featured on Spotify's "All New Rock" editorial playlist, SiriusXM Octane, & as the "Hit Of The Day" on 95.1FM WIIL ROCK. The band is currently working on their debut album with producer Chris Gelin (Smashing Pumpkins, Korn, Tom Morello).

UPCOMING SHOW:

FREE New Years Eve Rock & Roll party at Reggies in Chicago, IL!!!

Wednesday, December 31st

8pm doors | 9pm show | 21+

Full Bar + Food Menu

SUNVOLUME

Ricky Liontones

The Midnight Calls

The Kozmic Kicks

KING ULTRAMEGA - The Day I Tried To Live (Single)

To commemorate the induction of the legendary SOUNDGARDEN into the Rock & Roll Hall of Fame, alternative rock collective KING ULTRAMEGA have unleashed a powerful new rendition of "The Day I Tried To Live", featuring SOUNDGARDEN's Kim Thayil, with Alissa White-Gluz of ARCH ENEMY, Mark Menghi of METAL ALLEGIANCE, and Charlie Benante of ANTHRAX. "The Day I Tried To Live" is also featured on a 2-song LP release that also features KING ULTRAMEGA's rendition of the SOUNDGARDEN classic "Rusty Cage". KING ULTRAMEGA crafted this single in loving memory of legendary vocalist Chris Cornell, while raising funds and awareness for MusiCares, which is the Recording Academy’s nonprofit that provides mental health, addiction recovery, and emergency services to those in the music community.

Kim Thayil welcomed this unique opportunity to rediscover his relationship with the song, outside of the familiar context of performing it as a SOUNDGARDEN member. Though the process of sharing his original contributions and interpretations of his guitar performances with other musicians was challenging, Thayil found it to be personally cathartic, capturing the essence of "The Day I Tried To Live", while still bringing a fresh power and beauty to the song.

Thayil comments, "I believe that the personal exploration that came out of my accepting the invitation from Mark, and King Ultramega, to participate in these recordings, allowed me to open myself up to the creative risks of sharing an emotive and artistically intimate experience with other creative individuals, and that this has proved to be rewarding and encouraging, for me, of future similar collaborations."

While Thayil's smooth, soulful lead guitar performance shines on top, bassist and KING ULTRAMEGA creative visionary Mark Menghi keeps the groove of the song true to form. Menghi's precise bass performance gives Thayil a familiar foundation to build upon so that together, KING ULTRAMEGA can do justice to Chris Cornell's legacy.

Menghi comments, "It was a bit nerve racking for me to go in and record this track knowing Kim was going to be on this song, as it's his band's song to begin with. In addition, it was equally important for me to keep it true to the original so Alissa had a strong foundation to deliver her magic. 'What would Chris think?' was the question that kept repeating in my head over and over."

As a longtime SOUNDGARDEN fan, vocalist Alissa White-Gluz cites Chris Cornell's work as highly influential and inspirational to her own, through all of his projects. Her energetic performance carries the song through a range of emotional peaks and valleys, from smooth, dark verses to gritty, soaring choruses. The use of subtle dynamics and textures shows meticulous attention to detail, demonstrating White-Gluz's intent to craft a tribute that remains true to Chris Cornell's style and delivery.

"I felt that I needed to try to embody his unique power and swagger when delivering the vocals here," she comments. "He has always had such a remarkable way of wording things; 'I stole a thousand beggars’ change and gave it to the rich' - just so, so good. He always managed to grab our attention with narrative and keep our interest with thoughtful word choice and intriguing messages."

Finally, drummer Charlie Benante of ANTHRAX lays the beat down with care and intention, closely matching the dynamic structure of the original song. Always playing slightly behind the beat, Benante alternates lighter and heavier playing to recreate the signature sound of "The Day I Tried To Live". 

"This is one of my favorite Soundgarden songs," Benante comments. "I just love everything about the song. I especially love the ending, I never expected it to end the way it ends. It's just a beautiful piece of music. Matt’s playing on this tune really compliments the song so much. I just tried to stay true to that."

The LP featuring "The Day I Tried To Live" and "Rusty Cage" is available exclusively on the Reigning Phoenix Music webstore, SOUNDGARDEN webstore, and KING ULTRAMEGA webstore. 

A limited run of 500 purple vinyls (available to US purchasers) and 300 lilac vinyls (available to European purchasers) will go on sale beginning November 7, to commemorate SOUNDGARDEN's induction into the Rock and Roll Hall of Fame.

The vinyl will be available on the Soundgarden, Reigning Phoenix Music and King Ultramega stores.

About KING ULTRAMEGA:

For Menghi and his collaborators, KING ULTRAMEGA is both a deeply personal labor of love and one of the greatest honors of their musical lives. "To be here thirty-plus years later paying tribute to whom I believe was the king of those times is one of the greatest musical honors of my life."

Lineup for "The Day I Tried To Live":
Kim Thayil - Guitar
Alissa White-Gluz - Vocals
Mark Menghi - Bass
Charlie Benante - Drums

Connect with King Ultramega:
kingultramega.com | Apple Music | Spotify | Deezer | Instagram | Facebook | Tiktok | X

Alone At The Afterparty: Nate Vickers Reflects On “Feels So Wrong”

Alt rock's breakout act to watch, Nate Vickers, bares a new kind of vulnerability on his brand new single, "Feels So Wrong", out now via Oxide Records. Building on his confessional momentum of his previous single "Deja Vu,", Vickers pivots from heartbreak's dizzy aftermath to exploring the complicated costs of personal growth, confronting the uneasy guilt and loneliness that lingers after moving on. Watch the brand new video for "Feels So Wrong" below.

Wrestling with the irony of success, "Feels So Wrong", sees Nate Vickers spotlighting the double-edged nature of achievement. Today's brand new video follows Nate as he moves through an empty room filled with balloons and party decorations that echo celebration, but ultimately underscore his quiet ache of isolation and disconnection. Through honest, introspective lyrics and his signature alt-rock edge, Vickers reflects on the loneliness that emerges when fake friends return, but true support remain elusive.

Setting the scene for "Feels So Wrong," Nate Vickers muses:

"It feels so cool to be successful, but it feels so wrong at the same time. It's about feeling lonely after finding success. How fake friends will hit you up after you're doing well, but weren't there for you when you needed help."

With his smash hit "A Little Too Late" cementing Nate Vickers as a breakout voice and his previous single "Parasite" pushing his sound into a darker, more visceral territory, latest singles "Falling Away From Heaven" and "Deja Vu" build on that rising momentum. Seeing Vickersblending gritty guitars with pain and the pursuit of healing, these latest tracks capture an artist unafraid to bare his scars while reaching for something greater.

Inspired by icons such as Linkin Park, Three Days Grace, and Bad Omens, Nate Vickers has crafted a sound that is unmistakably his own, drawing more than 1.5 million followers to his TikTok and 540K to his Instagram. Between viral, late-night covers and playlist-dominating originals, Vickers has also earned his place as a standout favorite on Pandora and Sirius XM's Octane. What began as a spark has now become an alt-rock wildfire.

Be sure to stay tuned for more Nate Vickers news coming soon.

ABOUT NATE VICKERS

For Houston-born artist Nate Vickers, perfection isn’t a pursuit – it’s a mandate. Guided by an unflinching commitment to total artistic integrity and execution, Vickers has spent years carving out his own lane where raw emotion meets dark, cinematic soundscapes and precision is everything.

Gravitating towards rock and metal from a young age, Vickers found music early. “I was a big fan of Kiss when I was a kid,” he recalls. “I watched their concert on TV and thought, ‘that's incredible.’” Around age five Vickers formed an unlikely friendship with an eccentric older neighbor and musician who sold him his first drum set and taught him guitar chords. From there, the obsession never stopped. In high school, he began to find his voice thanks to screamo youtube covers he recorded in his bedroom. By 18, Vickers began teaching himself to sing. A natural performer, Vickers has since honed a powerfully confident voice defined by depth, raw emotion, and grit. Holding nothing back, he stylistically sells every word he sings – a foundational mentality to his creative identity.

He carried this mindset into the studio when he started recording original music in 2016. Teaming up with producer Robby Joyner after the dissolution of an early band, Vickers launched his solo project. To this day, Robby is his producer and creative partner. “We align really well stylistically and creatively. If we have to do eight vocal sessions for one song, we'll do it. We don't care … whatever makes it perfect. We both have extremely high standards.” Vickers has since garnered more than 16 million streams on Spotify and 1.5 million followers on Tiktok.

Along the way, however, Vickers faced waves of self-doubt. “I was impressionable and cared about other people's opinions a lot. It finally came to a point where I was either gonna quit doing music or fix that.” With newfound inspiration, he’s entering a revived era of unapologetic artistic vision. “I've always known exactly what I wanted to do. What I want to do right now is the same thing I wanted to do when I was 16,” he says.

Sonically, Vickers draws from the emotional grit of Deftones and the moody tension of The Neighbourhood, forging a hybrid of dark, moody alt-rock and more in-your-face alt-metal.

Photo Credit - Clayton King

BEAUTY IN CHAOS pays homage to Johnny Cash & Joe Strummer on 'God's Gonna Cut You Down / Get Down Moses'

The evolving revolving entity Beauty In Chaos present their latest sonic offering - 'God's Gonna Cut You Down / Get Down Moses', released via 33.3 Music Collectiveand produced by Grammy-nominated producer Michael Rozon (Ministry, Jarboe, Wayne Hussey, The Melvins), 

Beauty In Chaos has come a long way since launching in 2018 by Los Angeles-based guitarist Michael Ciravolo (formerly of Human Drama and Gene Loves Jezebel and current President of Schecter Guitars) but his musical road often finds him circling back to visit his roots, celebrating them with new renditions.

The new two-song digital EP single features an enveloping, smokey rendition of the traditional gospel hymn 'God’s Gonna Cut You Down', popularized by The Man in Black himself - Mr. Johnny Cash (who also happens to be a distant cousin to BIC’s own Tish Ciravolo), along with the B-side showcasing Beauty In Chaos' own take on Joe Strummer’s 'Get Down Moses'.  

In addition to very familiar territory (guitars and textures), BIC curator Michael Ciravolo contributes vocals on both tracks, joined by Michael Rozon (lap steel guitar, snare drum, voices), as well as Tish Ciravolo, Whitney Tai, Set Miller, Anthony Loveand Tim Perry (background vocals and foot stomps).

“While both of these songs have certainly been covered before, I think we have injected BIC into them … even if we have stretched, what some have come to expect from us sonically,” says Michael Ciravolo.

BIC also unveils the video for 'God’s Gonna Cut You Down', filmed and directed by Vicente Cordero (Industrialism Films) and edited by Ryan Conlon based on a concept by Michael Ciravolo.

Ciravolo shares, “I think the haunted New Orleans’ French Quarter vibe compliments our approach to the song.  There is certainly an underlying story-line running through the video, which is left to an individual’s interpretation… but in the end; good indeed triumphs over evil”.  

This two-track single follows two solid releases for BIC' - their 'Dancing With Angels' album and the remix companion album ‘Signs In The Heavens Reality Upside Down’,  which is available as a limited edition double CD, along with videos for 'Made Of Rain (Almost Acoustic)' feat. Ashton Nyte and Whitney Tai and the double-whammy offering 'Children Of The Revolution' feat. Al Jourgensen and 'Open Your Eyes' (honoring T.Rex / Marc Bolan and The Lords of the New Church, respectively).

Past BIC releases involve members of The Cure, Ministry, Cheap Trick, The Offspring, Gene Loves Jezebel, Marilyn Manson, Human Drama, Bauhaus, Nine Inch Nails, Van Halen, A Flock of Seagulls and dUg Pinnick, ICE-T, Rolan Bolanand Zakk Wylde, among many other luminaries.

The new single is available everywhere digitally, including Beauty In Chaos' store, Spotify, Apple Music and Bandcamp. Beauty In Chaos also plans to release the video for 'Get Down Moses' in December.

CREDITS
Michael Ciravolo – voices, guitars and textures
Michael Rozon – lap steel guitar, snare drum, voices
Background voices & foot stomps – Tish Ciravolo, Whitney Tai, Set Miller, Anthony Love & Tim Perry
Recorded, mixed & mastered by Michael Rozon at SAINTinLA
Produced by Michael Rozon & Michael Ciravolo
Video filmed and directed by Vicente Cordero (Industrialism Films)
Edited by Ryan Conlon. Concept by Michael Ciravolo
Lightning by Anthony Love (SL Lighting)
Hair and Makeup by Dania Ridgeway. Props courtesy of Prop Heaven
Video features Michael Ciravolo (voice), Tish Ciravolo (guitar), Michael Rozon (guitar) & Anthony Love (priest & devil)
EP cover art by Liz Ardman
Video cover by GABB
Publicity by Shameless Promotion PR 

Keep up with Beauty in Chaos
Website | Store | Facebook | Instagram | Twitter | Blog | Soundcloud | Bandcamp | Apple Music | Spotify | Press contact

Keep up with Shameless Promotion PR
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Nuclear Blast Records Announces Worldwide Signing of HOKKA

Nuclear Blast Records is proud to welcome HOKKA, a powerful new force in Finnish rock, to its global roster. The band unites three major names from Finland’s rock legacy: former  BLIND CHANNEL frontman Joel Hokka, THE RASMUS founding member and former guitarist-songwriter Pauli Rantasalmi, and phenomenal young drummer Jimi Aslak.

HOKKA makes an explosive entrance with their debut single, 'In the Darkness', available today on all major streaming platforms: https://hokka.bfan.link/inthedarkness

Accompanied by an epic and visually stunning music video, the song introduces the signature elements of HOKKA’s sound: deep, dark, and cold Nordic melancholy fused with a modern rock edge. Their music channels the emotional intensity of early-2000s Finnish rock while pushing boldly into new territory with unapologetic energy and ambition.

Watch 'In the Darkness' now and experience the dawn of HOKKA ,Below

With a magnetic debut and a fearless creative vision, HOKKA is poised to become the next breakout act from Finland’s rich rock scene.
The band will make their first live appearance on Finnish YLE’s major New Year’s Eve TV show, broadcast live from Oulu-halli on December 31st.

"Different generations of Finnish rock are united for this newborn band proud to be part of Nuclear Blast Records roster." comments Joel Hokka

HOKKA is here to stay and slay.

line up:
Joel Hokka - voc
Pauli Rantasalmi - guitar
Jimi Aslak - drums

social media: 
Instagram: @joelhokka @jimiaslak @paulirantasalmi
Tiktok: @joelhokka @jimiaslak.  
YouTube: @hokkasyndicate.    

Alkaloid Perform Bach

Since assembling in 2013, Alkaloid have known no bounds. Fresh from the minds who brought metalheads Obscura, Triptykon and Dark Fortress, the supergroup has rearranged the very composition of progressive death metal. Their three studio albums are widely acclaimed for synthesizing seemingly opposing forces. Worldly polyrhythms are bent to shape sci-fi storylines, only to morph into brutally catchy choruses. However, last summer, the quintet conducted a truly one-of-a-kind experiment, the kind that only a maestro an perform. 

Today, Alkaloid are announcing their very first live album. Recorded live in the Netherlands during three special performances, Bach Out of Bounds brings the classical world in conversation with the heaviest of underground arts. Joined by an award-winning ensemble of vocalists, accordion and string players, the band present wildly re-imagined arrangements of three compositions from Johann Sebastian Bach, while also infusing the heart and soul of the classic composer into their own songs.

Along with fresh takes on fan favorites from Numen and The Malkuth Grimoire, Bach Out of Bounds introduces two new songs to Alkaloid's cannon. "Haunter of the Void" looks deep into an unknown future, but its far-out tale is guided by the progressive metal maestro's cosmically crushing virtuoso.   

"We're always open for an artistic challenge", says Morean, Alkaloid's vocalist and guitarist. "When Bach Out of Bounds, came our way, we fully embraced the adventure to show yet another side of Alkaloid. We were lucky to be supported by guest artists who share our vision and passion for defying boundaries".

"'Haunter of the Void' was especially commissioned for this show", Morean continues. "The song translates Bach and 18th century polyphony into Alkaloid's sonic universe by applying Baroque counterpoint composition techniques to our own scales and harmonies. This 10-minute epic links Bach and Alkaloid without diluting our identity one iota".  

Watch Alkaloid perform "Haunter of the Void" live at Bachfestival 2024 below.

Bach Out of Bounds - Live in the Netherlands comes out January 23, 2026 on Season of Mist

Pre-order 
https://orcd.co/alkaloidbachoutofbounds

Pre-save on Spotify
https://open.spotify.com/prerelease/2pWtSI1XiPBUoM0TLenyKV?si=VX7Qw3CEQ5ec26ubrYgJiA&nd=1&dlsi=a691e08dbd9948ed

Available Formats
CD Digipack
2x12" Vinyl Gatefold 

Even though it was commissioned specially for this performance by the Dutch Performing Arts Fund (FPK), "Haunter of the Void" couldn't have come from any other mind but Alkaloid's. After all, the band has already charted a multi-part saga about a galactic civilization that reaches god-like levels. Their latest space odyssey follows a digitized brain into the void, where it must defy the impossible in order to protect what little hope remains for a long-dead Earth.      

"Thrown to the darkness / To survive", Morean and soprano Chrysa Tsaltampasi call out to each other as if drifting into a black hole. 

"Haunter of the Void" truly expands Alkaloid's universe. Applying Bach's polyphonic composition techniques has deepened the band's gravitational pull. Accordion, violin and cello streak like shooting stars beneath the meteoric riffs and laser-like solos of new guitarists Max Blok and Justin Hombach. With drums rumbling ahead at warped-speed, the song climbs to a head-banging crescendo that sent the crowd at Bachfestival home happy with their minds fully blown. 

“The audience who came and saw these performances went crazy for it”, Morean remembers. “I’m so happy that we can now share them with people everywhere. People aren’t going to know what hit them. Bach Out of Bounds is very different from what other metal bands - or even Alkaloid – normally do”.    

The video for "Haunter of the Void" was filmed live at the 2024 Bachfestival in Dordrecht, Netherlands. It was created by Thomas Niehof / Creative Headroom & Lindy Balduk Photography.      

With Bach Out of Bounds, Alkaloid deliver a classically innovative performance as only a true maestro can.       

Alkaloid is
Morean - Vocals, guitar
Hannes Grossmann - Drums
Linus Klausenitzer - Bass
Justin Hombach - Guitar
Max Blok - Guitar

Guest musicians
Rianne Wilbers - Soprano
Chrysa Tsaltampasi - Soprano
Julija Hartig - Violin
Oene van Geel - 5-string violin
Marieke Hopman - Accordion
Ketevan Roinishvili - Cello

Recording credits
Recorded live in the Netherlands at Bibelot / Dordrecht and Paard van Troje / The Hague
Front of house engineer: Laurens Voois

Production credits
Produced by Alkaloid
Mixed by Hannes Grossman at Mordor Sounds, Germany
Mastered by Victor Bullok at Woodshed Studio, Germany

Songwriting credits
Music for "Allegro", "Adagio - All Is Vanity" and "Agnus Dei" written by Johann Sebastian Bach
Music for "Cthulhu" written by Morean and Hannes Grossman
Music for "Beneath the Sea" and "Haunter of the Void" written by Morean
Music for "A Fool's Desire" written by Hannes Grossman
Music for "The Fungi from Yuggoth" written by Christian Münzner
Lyrics to "Adagio - All Is Vanity" based on "Es ist alles eitel" by Andreas Gryphius and adapted by Morean
Lyrics to "Agnus Dei" taken from John 1:29
Lyrics to "Beneath the Sea", "Cthulhu", "Haunter of the Void", "A Fool's Desire" and "The Fungi from Yuggoth" written by Morean

Available Formats
CD Digipack
2x12" Vinyl Gatefold 

Pre-order & Pre-save
https://orcd.co/alkaloidbachoutofbounds 

Follow Alkaloid
Website:https://alkaloid-band.com/
Bandcamp:https://alkaloid-band.bandcamp.com
Spotify: https://open.spotify.com/artist/4KMQDFaAsPEKcqKzdvkYKc
Apple Music:https://music.apple.com/us/artist/alkaloid/368935306
YouTube:https://www.youtube.com/c/Alkaloidbandmetal
Facebook:https://www.facebook.com/alkaloid.metal
Instagram:https://www.instagram.com/alkaloid_metal/
Twitter: https://twitter.com/AlkaloidBand

SharpTone Signs Mothica // Singer Releases "Evergreen Misery" Video

SharpTone Records is thrilled to announce that the label has signed MOTHICA to its worldwide roster. 

To herald the signing, MOTHICA has shared the video for the  new single "EVERGREEN MISERY."

Watch it below.

"Writing 'Evergreen Misery' was a journey full of every twist and turn you could imagine," Mothica shares, pulling back the curtain to share details about the song's redemptive factor with her dedicated fanbase. "I was a few months out of rehab and I needed to release this simmering anger and deep melancholy that I was numbing for so long. Getting swept up into the underbelly of the music industry took a huge toll on my mental health. When I checked into a 30-day treatment program, I was ready to leave music entirely. The behind the scenes stirs up a lot of animosity, envy and sorts of ugly emotions. I took a step back to focus on my recovery, and finally felt ready to reconnect with the pure feeling of writing music again.

She continues, "The lyrics are a reflection of some energy vampires I've had in my life. People I let into my life who tried to borrow elements of my story as their own, knowing they didn't experience the pain my art stems from. There's a dark humor in that for me, this idea of 'take what you want from me, my misery is bottomless' — which is a bit dramatic, but that's how it felt."

Mothica finishes, "I knew I wanted to step into a heavier era with this next release, which my fans have deemed 'Rockica' with my releases like 'Nocturnal,' my Polyphia collab, or my Bring Me The Horizon remix. I grew up going to metalcore shows and it finally felt like the right time to pull from that side of myself. I love Nine Inch Nails, Sleep Token, Bad Omens, Wage War, Bring Me the Horizon, Evanescence, and so many other artists in the scene that combine cinematic synths, gritty guitars and big emotional hooks. Working with my producer Elliot Polokoff helped me carve out what this era sounds like, and what flavor of rock felt undeniably true for Mothica."

Renewal and rebirth is what lead the singer to her new label home.

"While writing this new era of music, I knew I was taking a step in a different sonic direction," she explains. "The entire team at SharpTone Records really saw my vision with both the music and the visuals I create. I'm so excited to announce this partnership with SharpTone Records to elevate the next evolution of MOTHICA."

ABOUT MOTHICA:
Rather than immolating in the light of a flame, MOTHICA absorbs the heat and fashions the embers and ashes into anthems rooted in dark alternative soundscapes and hyper-charged by heart-wrenching metal catharsis. The singer, performer, and consummate creative has unfettered herself from the throes of addiction, held back thoughts of suicide, wrestled with mental health, and grew as an artist and as a woman. For the past decade, MOTHICA has woven her multi-sensory sonic cocoon around a diehard audience. The songstress has entangled listeners in the embrace of albums such as Blue Hour [2020], NOCTURNAL [2022], and Kissing Death [2024]. Regarding the latter, Wonderland marveled at how "this raw, vulnerable, and deeply cathartic collection of tracks is paired with expansive, cinematic visuals," while LADYGUNN hailed it as "an innovative audio/visual journey that delves into her intricate relationship with life, loss, and mental health." EARMILK raved "KISSING DEATH is bold, important, and transformative," and KERRANG! christened it "brilliant."  Leveraging art school roots, her experience as a sought-after illustrator and graphic designer, and unstoppable D.I.Y. drive, she handcrafted an inimitable world, powering everything from merchandise design to creative direction on videos and photo shoots. Moreover, she has collaborated with Polyphia, Scene Queen, and Papa Roach and toured with Coheed & Cambria, Halestorm, and many others. Along the way, she has tallied hundreds of millions of streams. Projecting her voice with intensity and opening up her heart with intention, MOTHICA sounds reborn on her debut for SHARPTONE and more to come.

TOMBSTONES IN THEIR EYES shares 'Alive And Well', a hymn of revival & tribute to late bandmate

LA-based indie rock outfit Tombstones In Their Eyes presents 'Alive and Well', a beautifully raucous psychedelic rock revival hymn, following the brooding lead track 'Under Dark Skies'. This unexpectedly fierce and defiant declaration of strength is the second taste of their 'Under Dark Skies' album, to be released via Little Cloud Records (for North America) and Shore Dive Records (for the UK and EU). This 2-track offering also includes the radio edit.

This song is dedicated to TITE guitarist Paul Boutin, who recently lost his battle with cancer. As Paul Lovecraft, he was a prolific musician, releasing music even after an operation nicked his vocal chords. Having met Tombstones' main-man John Treanor at Kitten Robot Studios about 10 years ago while working on his own projects, they fell into the same orbital realms until Paul eventually joined the band. 

The song features John Treanor on vocals and guitar, Paul Boutin on guitar, Nic Nifoussi on bass, Paul Roessler on keyboards, Stephen Striegel on drums and percussion), and Courtney Davies, Clea Cullen and Joel Wasko on backing vocals,

"When our beloved friend and guitar player lost his life on 10/18/25, we were shocked, confused and incredibly saddened. Paul was so kind, generous, intelligent and always optimistic. Being in TITE was a source of pride and joy for Paul. He was so easy to be around and was dedicated, driving many hours for practices and shows, always bringing his cheerfulness and optimism. We miss him greatly and are glad he is all over this record," says John Treanor.

"We were initially going to scrap 'Alive and Well' as a single after Paul's passing (for obvious reasons), but because it was one of Paul's favorites and a song on which he played guitar, we are going ahead with the release. The lyrics are about rising out of desperate circumstances with newfound strength - something Paul himself experienced, having dragged himself out of his own difficulties to ultimately rebuild a life full of joy and purpose. While not planned that way, 'Alive and Well' ended up being a statement of intent - a story of a journey from despair to strength."

The accompanying video was created by Italian multi-arts visionary Francesca Bonci, known for her work with Federale (BJM's Collin Hegna), British bard Philip Parfitt, The Dandy Warhols' Peter G. Holmström a.k.a. Pete International Airport and Slowdive's Rachel Goswell.

A year on from their 'Asylum Harbour' album, this record emerged during a year of intense personal change, before finally moving into a place of light and gratitude. Recorded and engineered by Paul Roessler (The Screamers, Nina Hagen, 45 Grave) at Kitten Robot Studios, this album was co-produced by John Treanor and mastered by multi-platinum engineer Alex DeYoung at DeYoung Masters (Michael Jackson, BTS, Macy Gray, The Linda Lindas, TSOL).

As of November 11, 'Alive and Well' is available everywhere, including Spotify, Apple Music and Bandcamp, where the 'Asylum Harbour' album can also be found on CD and red vinyl. On December 5, the 'Under Dark Skies' album will be released digitally and on vinyl via Little Cloud Records (US) and Shore Dive Records (UK and EU).

CREDITS
Words and Music written by John Treanor
John Treanor - vocals & guitar    
Nic Nifoussi - bass guitar
Stephen Striegel - drums & percussion  
Paul Roessler - keyboards 
Courtney Davies - backing vocals
Clea Cullen - backing vocals
Joel Wasko - backing vocals
Recorded at Kitten Robot Studios in Los Angeles, CA
Produced & Engineered by Paul Roessler
Co-produced by John Treanor
Mastered by Alex DeYoung at DeYoung Masters
Cover design by Robin Gnista
Released by Little Cloud Records (US) LC-136 & Shore Dive Records (UK & EU)
Videos by Francesca Bonci 
Publicity by Shameless Promotion PR 

Keep up with Tombstones In Their Eyes
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ALEXANDRA KAY AIMS “STRAIGHT FOR THE HEART” OF COUNTRY RADIO WITH DEBUT SINGLE, IMPACTING TODAY

With over 8.7 million social media followers, an iTunes #1 All Genre Album, two #1 iTunes Country Albums, the viral heart-first songstress and Pandora’s “2025 Artist to Watch: Country” Alexandra Kay just-released her sophomore album, Second Wind, securing both critical acclaim and her debut on Billboard’s Top Country Albums chart. Celebrating the project’s chart-topping success, the Billboard “Rookie of the Month” today impacts country radio with 71 adds on her super-charged debut single “Straight For The Heart.”

This accomplishment puts Kay in the company of Taylor Swift and Carrie Underwood among the Top Five of All-Time first-week debuts by a solo female artist on the Mediabase Country chart.

Upcoming Tour Dates:
Nov. 11 - Colorado Springs, CO - Phil Long Music Hall
Nov. 13 - Wichita, KS - Cotillion Ballroom
Nov. 14 - Lincoln, NE - Bourbon Theatre
Nov. 15 - Clive, IA - Horizon Events Center
Nov. 16 - Milwaukee, WI - The Rave
Dec. 12 - Nashville, TN - Grand Ole Opry
March 14 - Perth, Australia*
March 17- Melbourne, VIC*
March 18 - Sydney, NSW*
March 20 – Willowbank, Australia - CMC Rocks 2026
March 24 - Auckland, New Zealand*
March 26 - Christchurch, NZ*

* with Old Dominion

KEEP UP WITH ALEXANDRA KAY

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X | FACEBOOK

Portland's Rayon unveils 'Shopping' single, a tongue-in-cheek ode to consumerism & survival

No-wave, angular post-punk outfit Rayon present their beautifully whacked-out single 'Shopping', a tongue-in-cheek ode to consumerism and travel born from near-burnout and a revitalizing trip south of the border. The video for 'Shopping', filmed with their awesomely nostalgic Super 8 video, showcases grocery store antics before being kicked out, proving that new life can always be found on aisle five.

Along with B-side 'Running', the single is available on 7" vinyl and as a two-track digital release via Little Cloud Records. This is the first in an exciting new series of similar records in the works for Rayon.

The project of long-time North Portland resident and Detroit-area native Eric Sabatino, Rayon now also involves members of Sun Atoms, Yuvees, Pastilla and Martha Stax - namely Anna Sabatino, Riley McLaughlin, Eric Rubalcava and Derek Longoria-Gomez. Recording on rainy weekends in a garage studio packed with old reel-to-reel tape machines, partially-functional tube amps, and leaky British motorcycles, these songs were recorded onto 16 tracks of 1/2” tape, while running the tracks through a slightly-wonky sounding tape echo.

Sabatino broke tradition with this release, deciding to mix it together with famed recording engineer Larry Crane (Cat Power, Sleater-Kinney, The Decemberists, The Go-Betweens, Elliott Smith, Death Cab for Cutie) at Jackpot Recording and Timothy Stollenwerk (Yo La Tengo, Grouper, Morphine) at Stereophonic Mastering.

"Doing everything on film and tape is a bit of a safety check-valve, to make sure we make everything like humans with no autotune, copy/paste or AI. I'm becoming an imperfectionist,” says Eric Sabatino.

“This was the first time we’ve engaged a "professional" to work on our recordings. The education we received was immense, and Larry was kind with his explanations of everything we had previously done "wrong" with our recordings, was willing to work with what we provided and willing to get weird with us."

Written in two parts, 'Shopping' is a tongue-in-cheek song about consumerism and travel, written by a person who travels and consumes quite a bit. 'Running' is an anxious song about the people you love and the addictions that they can't shake - and the sound of a tape echo that's about to stop working.

Rayon spent last winter honing these and other songs through a series of live shows, including an epic trip to Guadalajara, which served as creative fodder for the band's latest inspiration and re-invigoration.

"This EP almost didn’t happen. I nearly walked away from Rayon. The last record wasn’t selling, a lack of decent show offers, festival rejections and a general feeling of burnout was happening. Our second guitarist left, and then our drummer. The addition of guitarist Riley McLaughlin (from Yuvees and Club Deluxe) and Eric Rubalcava (drums) and Derek Longoria-Gomez (percussion and bass) from our "band-in-law" Sun Atoms brought new life and energy to the band," says Eric Sabatino.

"We played some of the first enjoyable shows in a few years, and a new energy emerged. We started functioning as a band, we traveled to Mexico, and came back to record these songs. And another record is in the works. As for the new video, we got kicked out of two grocery stores making it. The Mexican Tienda was cool as hell; they loved it. We shopped and goofed around in stores, drove the old car down to the park under the bridge and had a picnic. Jeff filmed it all on a cute old Super 8 camera."

Before forming Rayon, Eric Sabatino spent years playing with bands in Southern Michigan and Portland, sometimes with as many as six projects on the go at the same time. Self-described as “a guy who grew up on 80’s/90’s post punk and grunge trying to reconcile their love of R&B, Soul and 60’s British Pop”, Sabatino is now fully focused on this one project, built on the experience of years of writing, collaborating, studio work and touring with some of the Pacific Northwest’s hardest working bands.
   
'Shopping b/w Running' is out now digitally and available as a limited pressing of 150 blue transparent 7" record and 150 black 7" vinyl. It can be ordered in all formats via Bandcamp.

CREDITS
All songs written by Eric Sabatino
Recorded by Eric Sabatino in Rayon's garage on 16-track tape
Mixed by Eric Sabatino & Larry Crane at Jackpot! Recording
Mastered by Timothy Stollenwerk at Stereophonic Mastering
Eric Sabatino - guitar, bass & vocals
Eric Rubalcava - drums
Riley McLaughlin - guitar
Anna Sabatino - keys & vocals
Cover photo & layout by Eric Sabatino (photo of lamp lady shot on an Argus C3 with Cinestill 800t)
Video shot on film (Super 8 Camera) & edited by Jeff Tuyay
Publicity by Shameless Promotion PR


Keep up with Rayon
Website | Bandcamp | Facebook | Instagram | YouTube | Spotify | Apple Music | Press contact

Keep up with Little Cloud Records
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Your Inland Empire Cut to the "Edge of Perfection"

From the ashes of Crown, rises a dark new wave of industrial rock. On Your Inland Empire, the duo of Stéphane Azam and David Husser take the heavy electronics that they first donned on Crown’s last album a step further into a dark night of the soul.

Today, Your Inland Empire are releasing “Edge of Perfection” as the third advanced single off their upcoming debut album. With cutting riffs and breakneck beats, the song blurs the thin line between total destruction and pure bliss.    

Watch the video for “Edge of Perfection” below.

Your Inland Empire’ self-titled debut album comes out this Friday, November 14, 2025 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/yourinlandempireyie    

In 2021, Crown’s The End of All Things revealed a striking metamorphosis. The album shifted the duo of Stéphane Azam and David Husser away from their sludge-laden origins into a cinematic fusion of industrial rock, post-metal atmosphere and darkwave sensibility. Its balance of bleakness and accessibility was praised for expanding Crown’s sonic vocabulary, yet the record ultimately stood as both culmination and chrysalis: the closing of one chapter and the quiet emergence of another.

That emergence is now complete. Your Inland Empire opens a new frontier with their upcoming self-titled debut album. A  descendant of the same lineage that begot Godflesh, Nine Inch Nails and Neurosis, “Edge of Perfection” walks the tight rope between pain and control. Swept up in the rush of intoxication that can be found in darkness and chaos, the band’s latest single confronts the wreckage of addiction and emotional dependency.    

“This song is for the lost, the broken, the ones who became ghosts through this society”, says Azam. “A blade gleaming in the night, where darkness has become the only refuge, where destruction is no longer a threat but a way to survive”.

Line-up
David Husser — Guitars, Programming, Production, Experimentation
Stephane Azam — Vocals, Guitars, Songwriting, Experimentation
Nicolas Uhlen — Drums
Marc Strebler — Bass Guitar

Production Credits
Recorded & mixed by David Husser at La Grange Studio, France.
Mastered by Jaime Gomez Arellano at Orgone Studio, Porto, Portugal.

Cover Art
Design & layout by Jeffrey V. Daniels.

Photography
Band photos taken by Jennifer Brachet.

Pre-save & Pre-order

https://orcd.co/yourinlandempireyie

OVERT ENEMY Unleash New Lyric Video for “Psychotic Episode,” A Brutal Reflection on the Collapse of Mental Health in America

Texas metal juggernauts OVERT ENEMY have released the lyric video for “Psychotic Episode,” a relentless track from their latest album Insurrection, available now.

“Psychotic Episode” channels pure aggression into a blistering critique of the broken mental health system in America. The song dives into the chaos of a fractured mind, told through one person with three distinct voices. The concept draws inspiration from the psychological tension of films like Split and Glass.

The track is a prime example of OVERT ENEMY’s collaborative lyric writing, blending Leo Ortiz’s visceral storytelling with Hahn’s raw emotional delivery. Musically, “Psychotic Episode” is a storm of precision drumming, razor-sharp riffs, and guttural vocals. It is an aural descent into madness that is as technically impressive as it is thematically intense.

Insurrection pushes the band’s boundaries while staying true to their thrash metal roots, merging face-melting riffs, conceptual storytelling, and unrelenting energy across a diverse tracklist. The album cements OVERT ENEMY’s reputation as one of the most powerful forces in modern thrash.

About OVERT ENEMY:

Formed in 2013 in the heart of Mission, Texas, OVERT ENEMY has become a formidable presence in the global metal scene, known for their raw intensity, technical precision, and relentless pursuit of musical evolution. What began as a tribute to SLAYER guitarist Jeff Hanneman quickly grew into something much larger, as the band developed their own unique sound, blending Texas groove with thrash metal’s speed and aggression. Drawing influence from titans like SLAYER, PANTERA, FEAR FACTORY, and SEPULTURA, OVERT ENEMY has crafted a musical identity that pays homage to these greats while pushing the boundaries of modern metal.

At the core of the band’s sound is a dedication to the power of the riff. Whether it’s the crushing, groove-laden guitar work or their innovative dual-lead guitar harmonies, OVERT ENEMY delivers a high-energy, brutal assault that fans of traditional thrash, groove metal, and even modern progressive metal will appreciate. Their triple vocal approach, featuring vocals from Leo Ortiz, Laura Ortiz, and Robert Hahn, sets them apart from many other bands, giving them a diverse range of vocal textures that perfectly complement their hard-hitting instrumentation.

The band's journey has been fueled not only by their passion for music but also by a deep sense of resilience. Despite personal challenges—including Leo “Lizard” Ortiz’s battle with chronic back issues, Laura “Slayerella” Ortiz’s triumph over cancer, and other life-altering obstacles—the members of OVERT ENEMY have continually pushed forward, proving that their commitment to their craft is unwavering. This tenacity is reflected in their live performances, which have earned them the admiration of heavyweights like MAX CAVALERA of SOULFLY, DINO CAZARES of FEAR FACTORY, and ICE-T of BODY COUNT. OVERT ENEMY has also built a cult following through their tireless dedication to engaging with fans, using every opportunity to connect with their audience on and off stage.

The band’s early work, including the critically acclaimed Inception EP (2018) and Possession EP (2019), laid the groundwork for what was to come, demonstrating their ability to blend thrash’s raw energy with groove metal’s more deliberate, headbanging pace. Their commitment to the old-school metal ethos combined with a modern, forward-thinking approach has made OVERT ENEMY one of the most exciting underground metal bands in the post-pandemic era.

While thrash metal certainly runs through their veins, OVERT ENEMY refuses to be confined by genre. The release of Insurrection marks a new chapter for the band, as they delve into broader sonic landscapes and thematic complexity. The album reflects their growth both musically and personally, touching on themes ranging from personal struggle and mental health to global political unrest and conceptual sci-fi narratives. Every track offers something unique, showing the band’s ability to experiment with diverse sounds and ideas without losing their aggressive edge.

Outside of the studio, OVERT ENEMY has built a reputation as a DIY powerhouse, handling much of their own production, marketing, and fan engagement. Their strong DIY ethic has earned them endorsements from leading brands like Sawtooth Guitars, Emperor Cabs, FU-Tone, and GODPS Music. Despite the challenges of the pandemic, the band has used their time wisely, staying connected with their fans through live streams, social media, and consistent content releases. Their music has also found its way into independent films, further expanding their reach beyond the metal scene.

As they look to the future, OVERT ENEMY remains committed to creating music that not only reflects their personal experiences but also resonates with fans around the world. They are driven by faith, family, and a passion for their art, and they continue to be a beacon of the metal resurgence, blazing their own trail in the genre.

OVERT ENEMY is:

• Leo “Lizard” Ortiz – Guitar/Vocals

• Laura “Slayerella” Ortiz – Bass/Vocals

• Robert Hahn – Guitar/Vocals

• Saul Castillo – Drums

Alt-Pop Trio Exploring Birdsong Reveal Video for New Single "Romanticise" + Announce 2026 Tour

Exploring Birdsong are stepping into a new era with their stunning single "Romanticise," released today via Long Branch Records.

Stream "Romanticise" here. 

Watch the video below. 

The trio has also announced a 2026 UK headline tour. Catch Exploring Birdsong at the following locations.

9/23 — Glasgow, UK — Classic Grand
9/24 — London, UK — Islington Assembly Hall
9/25 — Bristol, UK —  Strange Brew
9/26 — Manchester, UK — Gorilla 

Exploring Birdsong are headlining London's St Pancras Old Church tonight, November 5, and tomorrow, November 6. After the first date sold out in two minutes, the band added a second. This also sold out in minutes, underlining the breathless excitement building around the group.

"'Romanticise' is centered around a relationship plagued by toxicity," the band shares. "Written from the perspective of the perpetrator, lyrically it depicts the needless and unnecessary frustration and anger shown towards their partner. The chorus had to be catchy. This was written first, and as the writing process developed and lyrical content was formed, we wanted the breakdown section to match the chaotic and aggressive nature of the lyrics."

The band continues. "The opening line to the chorus is a sarcastic jab at the protagonist's partner — 'You could romanticise a car wreck at eighty' — it illustrates their frustration at a tenaciously positive outlook, and is followed by 'Would you anatomise the way I'm behaving?,' shifting the blame from themselves as if their behavior is being overly scrutinized when questioned. The song is written, unfortunately, from personal experience."

The alt-pop trio, centered on Lynsey Ward's stunning vocals, showcase a richer and more expansive element with their newest effort — a mature evolution from the organic rawness of their piano-led roots. Despite the shift in sound first signaled with the acclaimed 2024 singles "The Collapse," "Weight in Gold," "All I Lack," and "Stitch," the three-piece has not sacrificed any of the emotional intimacy or genre-blending beauty that sets them apart.

The voice of Ward (also of Espera), mixed with the talents of Jonny Knight (bass + keyboards) and Matt Harrison (drums), help forge a truly unique approach to songwriting and modern heavy music. 

Previously, the band has supported Katatonia and Sleep Token as well as a main stage appearance at RADAR and Euroblast festival. Straddling pop, progressive rock, and uncategorizable genre-blending beauty, the band is mostly unplaceable, but "Romanticise" suggests flashes of Everything Everything's inventiveness, the dramatic flair of Kate Bush, and the synth-heavy intensity of Enter Shikari — whilst remaining uniquely Exploring Birdsong.

EXPLORING BIRDSONG ARE:
Lynsey Ward — Vocals, Piano
Jonny Knight — Bass, Synthesizers
Matt Harrison — Drums, Percussion

KORPIKLAANI - Release Video For 'Got The Time'

Finnish Folk Metal Superstars KORPIKLAANI have released a video for their cover of the popular ANTHRAX version of the Joe Jackson song 'Got The Time', which is streaming now on all platforms. Originally released in Finnish under the name 'Ennen' between KORPIKLAANI's most recent albums Jylhä (2021) and Rankarumpu (2024), you can now enjoy the English version as well. 

Be sure to catch KORPIKLAANI live on the remaining dates of this year or at HEIDENFEST 2026 with Finntroll, Heidevolk, Trollfest and The Dread Crew Of Oddwood. All dates below.

LISTEN TO 'GOT THE TIME':
https://korpiklaani.bfan.link/got-the-time

WATCH THE VIDEO FOR 'GOT THE TIME' BELOW.

KORPIKLAANI ONLINE:
https://linktr.ee/korpiklaani

Photo by Peero Lakanen / edited by Jan Yrlund

Nightfall Salute Judas in New Video for "The Traders of Anathema"

Ahead of their long-awaited return to stages all across Europe, today, Nightfall are releasing a new video for one of the fiercest cuts off their monumental new album Children of Eve. “The Traders of Anathema” is a climactic hymn to Judas Iscariot. Its blazing riffs and towering chorus are the ultimate tribute to the eternal rebel.  

Watch the video for “The Traders of Anathema” below.

Children of Eve is out now on Season of Mist

https://orcd.co/nightfallchildrenofeve

“The Traders of Anathema” is the perfect rallying cry for Nightfall’s resurgence into the live arena. Backed by the monumental production of Jacob Hansen, the song grapples with faith, guilt and rebellion amidst a grand chorus and Gothic fury.  After taking a break from the stage and launching Metal Music Against Depression(MMaD) out of their frontman’s own personal struggles, Nightfall are now back and ready to step resiliently into the spotlight as a true act of defiance on their upcoming European tour with Possessed, Terrorizer, Massacre and Ater.

“Hello people of darkness”, greets the half-masked Efthimis Karadimas. “The time has come for us to hit the road across Europe. After a very long introverted period where we kept the band away from touring activity, we finally set to rise again. From the ashes of depression, the battles with inner demons and all those endless nights in despair, we managed to grow up stronger and motivated. This is by far the best line-up, the loudest and the most precise. I can’t wait to sing about pain and darkness in front of you. Embrace darkness, you children of Eve.”

With Children of Eve, Nightfall return from the shadows to unite blackened souls everywhere with their darkest and most epic creation yet.

Line-up:

Efthimis Karadimas - Vocals

Kostas Kyriakopoulos - Guitars

Vasiliki Biza - Bass

Fotis Benardo - Drums

Recording Credits:

Recorded at Devasoundz Studios, Athens, Greece

Produced by Efthimis Karadimas with Fotis Benardo & Thimios Krikos

Engineered by Fotis Benardo & Thimios Krikos

Mixed & Mastered by Jacob Hansen at Hansen Studios, Ribe, Denmark

Production Credits:

Produced by Efthimis Karadimas & Engineered by Fotis Benardo

Mixed & Mastered in Hansen Studios, Denmark by Jacob Hansen

Cover Art:

Eliran Kantor

Art Concept:

Efthimis Karadimas

Order & Stream: https://orcd.co/nightfallchildrenofeve

Follow Nightfall:

Official Website: http://www.nightfall.gr/

Instagram: https://www.instagram.com/nightfallband/

YouTube: https://www.youtube.com/@NIGHTFALL_band

Facebook: https://www.facebook.com/nightfallband/

Spotify: https://open.spotify.com/artist/4W0Vom1cl6o3UCq8tTfRHV

Apple Music: https://music.apple.com/artist/nightfall/1369568685

Deezer: https://www.deezer.com/artist/76457

TIDAL: https://tidal.com/browse/artist/3521048

Bandcamp: https://nightfallofficial.bandcamp.com/

TikTok: https://www.tiktok.com/@nightfallband_gr

Black Coast Announce Signing to Papercut Recordings & Release New Single "Overflow"

Stoke-on-Trent, UK’s Black Coast have signed to Papercut Recordings, the label from Leo Valeri and Ryan “Tuck” O’Leary. The partnership launches with new single “Overflow”, punctuating a bold new chapter for the band and serving as the first step toward a full album planned for Spring 2026 (more on that to come). Fans can stream “Overflow” HERE. Watch the accompanying music video Below. 

"Overflow” narrows the frame to the private headspace people use to cope when life swells too loud. Speaking on the track, vocalist Charlie Hewitt shares

“Overflow is the inner escape that everyone dwells in. I don’t want to wake up to reality sometimes. Sink in the overflow.”

That sentiment threads through Black Coast's catalog, which has drawn comparisons to Alice in Chains, Deftones, and Linkin Park while carving out its own identity. The band has accumulated over 4 million streams across platforms, with their work tackling mental health, personal struggle, and the weight of unprocessed emotion.

"Overflow" arrives as Black Coast enter into a bold new chapter. Their newly inked deal with Papercut Recordings comes after years of self-releasing music and building a dedicated following through relentless touring and raw, emotionally charged performances. The band has worked with producer Sam Bloor at Lower Lane Studios since 2019, a partnership that has shaped their evolution from their 2021 debut album Outworld through their 2023 self-titled EP.



Black Coast will support the release with in EU and UK tour dates in November and December, including shows with Silly Goose and a London date supporting Profiler on December 10 at The Black Heart.

ABOUT BLACK COAST

Black Coast are a heavy music band from Stoke-on-Trent, England, formed in January 2016 from the ashes of local projects Bet It All and Dead City Souls. The five-piece comprising Charlie Hewitt (vocals), Scott Pinnington (guitar), Joe Mayer (guitar), Jack Beardsall (bass), and Matty Clark (drums) blend hardcore intensity with grunge textures, groove-driven riffs, and nu-metal aggression.

Their debut album Outworld (2021) and self-titled EP (2023) established Black Coast as a band unafraid to confront internal darkness, with lyrics centered on mental health, emotional barriers, and the struggle for authentic self-expression. Produced by Sam Bloor at Lower Lane Studios, their catalog has earned over 4 million streams and 130K YouTube views to date.

Live, Black Coast are known for visceral, emotionally raw performances that prioritize connection over spectacle. They continue to champion Stoke-on-Trent's thriving music scene while advocating for men's mental health awareness.

NEW SINGLE: Katerina Nicole Finds Her Diamond Edge On "Crystalline"

Atmospheric metal disruptor, Katerina Nicole, steps back into the storm with the video for her latest single, "Crystalline". Built around sharp riffs, aching vocals, and lyrics that see her caving deeper into reflection, "Crystalline" is a punishing anthem that swings between soul-baring confessions and full-throttle screams. Fans can watch the brand new video below.

Trapped inside the walls of her own creation, Katerina turns vulnerability into a weapon as she navigates through a whirlwind of danger and defiance. The brand new video for "Crystalline" throws Katerina into a gritty auto shop, held by strangers who think they've won. Breaking loose from her restraints, she fights back with a force that leaves nothing to chance, taking down her captors in a blur of grit and adrenaline. It's as if Katerina is fighting her way out from behind the glass, each howl and guttural note scattering her story in every direction.

Offering a glimpse beyond the crystalline edges, Katerina Nicole shares:

"‘In Crystalline, I let myself be seen — fragile, honest, and whole in my vulnerability."

With "Crystalline", she doesn't just revisit the storm, but she becomes it. Reminding us that every shattered edge refracts light and strength, her transformation is a declaration of survival. There is beauty in fracture and in the chaos, Katerina Nicole discovers the kind of resilience that only comes from breaking and rebuilding yourself anew.

Following up her breakout EP, "Serene in Violent Oceans", this new era of Katerina Nicolecarves out territory where melody collides with mayhem. Unafraid to plunge headlong into the deep end, Katerina fuses ethereal atmospheres with guttural breakdowns, wrapping vulnerability in distortion and letting each song become a ritual of self-discovery through darkness and light.

This is Katerina Nicole at her most fearless: haunting, heavy, and clear as crystal.

Be sure to stay tuned for more Katerina Nicole news coming soon.

ABOUT KATERINA NICOLE

Katerina Nicole is a force of metal—raw, cinematic, and unapologetically bold. Hailing from Kelowna, BC, Katerina blends melodic nu metal, doom, and industrial grit into a sound that’s both emotionally unrelenting and sonically massive. With roots in the pop and EDM world, her shift into heavy music wasn’t a pivot—it was an evolution. Her music is drenched in vulnerability, rage, and resilience, channeling chaos into catharsis with every guttural scream and haunting melody.

Her debut EP, “Serene in Violent Oceans”, is a visceral statement piece— equal parts confession and confrontation. Produced by Jordan Chase (Trench, World of Pleasure), the record marks the arrival of a singular new voice in heavy music. Her live performances are nothing short of ritualistic: raw, hypnotic, and emotionally charged, commanding the stage with both fury and grace. Backed by a growing global fanbase, Katerina Nicole is not here to ask for space in the scene—she’s here to take it.

Misfire Unleash New Video For Track "All Over The Place"

Illinois thrash metal wrecking crew Misfire release a new video for their track “All Over The Place” today. Directed by Alex Zarek, the video captures the unhinged energy and raw aggression that define Misfire’s live presence. Watch it below:

Misfire is set to hit the road across the U.S. this fall, joining legendary thrashers Death Angel, Toxic Holocaust, and Lions at the Gate for a tour that promises nothing but carnage. The run kicks off November 26 in Denver, CO, and smashes through cities nationwide before wrapping December 17 in Los Angeles, CA.

Drummer James Nicodemus fires off, “Let’s go! This is our final run of the year, and it’s a monster. We’re beyond stoked to share the stage with absolute legends — Death Angel, Toxic Holocaust, Lions at the Gate — and we’re coming for blood. See you maniacs in the pit!”

“All Over The Place” comes off Misfire’s latest full-length Product of the Environment, released earlier this year — a record hailed by Ghost Cult Magazine as: “Total thrash, total riffs, total devastation… don’t go crying to mummy when your eyeballs burst and your face falls off. You brought this on yourself.”

Full tour dates below. Brace yourself. Misfire is coming.

U.S. Tour Dates:

11/26 Denver, CO @ Oriental Theater
11/28 Joliet, IL  @ The Forge
11/29 Davenport, IA @ Capitol Theater
11/30 Minneapolis, MN @ Varsity Theater
12/02 Indianapolis, IN @ Vogue
12/03 Pittsburgh, PA @ Mr. Smalls Theater
12/04 Brooklyn, NY @ Brooklyn Monarch
12/05 Worcester, MA @ The Palladium
12/06 Albany, NY @ Empire Live
12/07 Reading, PA @ Reverb         
12/10 Dallas, TX @ Southside Ballroom
12/11 Houston, TX @ Warehouse Midtown
12/12 Corpus Christi, TX @ House of Rock
12/13 San Antonio, TX @ Vibes
12/15 Albuquerque, NM @ Sunshine Theater
12/16 Tucson, AZ @ 191 Toole
12/17 Los Angeles, CA @ The Belasco

Stream / Get Product of the Environment HERE.

Follow Misfire:

Official Website
Instagram
TikTok
Facebook
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DEAD ANIMAL ASSEMBLY PLANT Ignite Revolution With “The Only Good Dictator Is A Dead Dictator”

DEAD ANIMAL ASSEMBLY PLANT has released their new single “The Only Good Dictator Is a Dead Dictator” via Armalyte Industries. The Portland-based industrial outfit returns with one of their most ferocious and politically charged tracks to date, blending crushing industrial metal, seething electronics, and the band’s signature horror aesthetic into an unflinching statement about power, fear, and human complicity.

Recorded at Primal Studios and produced, mixed, and engineered by Fernando Ruiz, “The Only Good Dictator Is a Dead Dictator” captures DEAD ANIMAL ASSEMBLY PLANT at their most intense and focused. The single was mastered by Nicky Howard, with cover art by guitarist Rebecca Wager. A one-shot live performance video filmed at Wasteland Weekend premiered today at noon PST on YouTube. You can see the video below.

"This song is aggressive from tonality to message. The song underlines society’s complicity towards totalitarianism and how we are controlled through fabricated fears and toxic vitriol spewed by those in power. The cyclical nature of humans falling for the lies and promises of dictators. It’s a tale we’ve spun over and over and yet it continues to happen. Doing the same thing over and over expecting different results. In the end - the only good dictator no matter who or where - is a dead dictator. Anyone who desires that much abusive power is a blight on humanity and the world is better off without tyrants." - Zach "Dead" Wager

About DEAD ANIMAL ASSEMBLY PLANT:
Formed in 2007, the Portland OR, USA, act began as a solo project by Zach Wager before evolving into a full band in 2011. Drawing inspiration from the likes of SLIPKNOT, PIG, NINE INCH NAILS, and ROB ZOMBIE, DEAD ANIMAL ASSEMBLY PLANT allow themselves to be experimental with their creative direction. The band use these influences along with a wide array of instruments and styles to create a distinctive sound, "I think the unique elements of our sound really stem from not trying to write any conventionally genre specific song. So whether it’s using theremins, sampling high tension wires, or anything we feel can add some personality to the song - nothing is off limits."

Over the course of their career to date, DEAD ANIMAL ASSEMBLY PLANT's notable appearances include Knotfest (2015), Wasteland Weekend (2018-2022, 2024), as support for COMBICHRIST on the Only Death is Immortal North American Tour (2024), along with headlining Hellfire Tour (2018, West Coast/Southwest Run) and Bring Out The Dead North American Tour (2019). DEAD ANIMAL ASSEMBLY PLANT have also created/performed multiple soundscapes for Belgian surrealist photographers, Mothmeister, at their art exhibits. 

DEAD ANIMAL ASSEMBLY PLANT is: 
Zach ‘Dead’ Wager (Vocals)
Rebecca ‘Buzz’ Wager (Guitars)
Nick ‘Nix’ Snyder (Bass)
Jason ‘Skorn’ Moore (Drums)

Links:
Bandcamp: https://deadanimalassemblyplant.bandcamp.com/album/bring-out-the-dead-2
Instagram: https://www.instagram.com/deadanimalassemblyplant 
Facebook: https://www.facebook.com/deadanimalassemblyplant
YouTube: https://www.youtube.com/deadanimalassemblyplant
Twitch: https://www.twitch.tv/deadanimalassemblyplant
TikTok: https://www.tiktok.com/deadanimalassemblyplant