REDIVIDER Unleashes “Quartered & Devoured," A Vicious Salvo of Fury and Ritual

Death metal powerhouse REDIVIDER returns with “Quartered & Devoured”, the first single from their upcoming full-length album Sounds of Malice, arriving January 9, 2026 through Third House Communications.

A feral introduction to the chaos that defines Sounds of Malice, “Quartered & Devoured” captures the pure essence of brutality with a lingering feeling of entrapment. The track tells the story of the first humans in Dungeons & Dragons lore, a wild and violent race despised by the gods for their aggression. The lyrics depict a ritual of defiance, where these humans perform a hanging, drawing, and quartering as a sacrificial act against the divine powers that tried to erase them from existence.

Musically, REDIVIDER wastes no time pulling punches. “Quartered & Devoured”hits hard as the opening track, setting the tone for the record with relentless rhythms, haunting tension, and grooves that refuse to let go. The band fuses precision and chaos to create an atmosphere that is both crushing and unforgettable. Each riff lands with weight, every hook sinks deep, building a sense of unease that never lets up. Groove remains the pulse that ties the track together, a foundation of violence that demands attention.

Sounds of Malice marks REDIVIDER’s most intense and immersive work to date, diving headfirst into themes of rebellion, destruction, and the ancient hunger that drives humanity to endure.

About REDIVIDER:

REDIVIDER is a death metal band from Louisville, Kentucky, formed in 2021 by vocalist Jacob Spencer and guitarist Paul Nunavath. Joined by guitarist Jake Atha and bassist Alexander Farrington, the band draws influence from the early Florida death metal scene and bands like CANNIBAL CORPSE, MORBID ANGEL, DEATH, and GORGUTS. With a sound rooted in old school brutality and layered with modern aggression, REDIVIDER combines guttural vocals, dissonant riffs, and relentless groove to create music that is both violent and immersive.

The band made their live debut in 2022 and quickly gained recognition in the underground scene, sharing stages with acts such as CREEPING DEATH, CRYPTA, MASACRE, COGNITIVE, and SEE YOU NEXT TUESDAY. Their debut album Sounds of Malice is a conceptually rich, sonically punishing record that blends fantasy-driven storytelling with crushing heaviness. Written with live performance in mind, REDIVIDER’s music thrives on tension, rhythm, and unapologetic intensity, death metal built to be felt as much as heard.

REDIVIDER Lineup:
 

  • Jacob Spencer – Vocals

  • Paul Nunavath – Guitar

  • Jake Atha – Guitar

  • Alexander Farrington – Bass

  • Mike Hargrave – Drums (live)

Alkaloid Perform Bach

Since assembling in 2013, Alkaloid have known no bounds. Fresh from the minds who brought metalheads Obscura, Triptykon and Dark Fortress, the supergroup has rearranged the very composition of progressive death metal. Their three studio albums are widely acclaimed for synthesizing seemingly opposing forces. Worldly polyrhythms are bent to shape sci-fi storylines, only to morph into brutally catchy choruses. However, last summer, the quintet conducted a truly one-of-a-kind experiment, the kind that only a maestro an perform. 

Today, Alkaloid are announcing their very first live album. Recorded live in the Netherlands during three special performances, Bach Out of Bounds brings the classical world in conversation with the heaviest of underground arts. Joined by an award-winning ensemble of vocalists, accordion and string players, the band present wildly re-imagined arrangements of three compositions from Johann Sebastian Bach, while also infusing the heart and soul of the classic composer into their own songs.

Along with fresh takes on fan favorites from Numen and The Malkuth Grimoire, Bach Out of Bounds introduces two new songs to Alkaloid's cannon. "Haunter of the Void" looks deep into an unknown future, but its far-out tale is guided by the progressive metal maestro's cosmically crushing virtuoso.   

"We're always open for an artistic challenge", says Morean, Alkaloid's vocalist and guitarist. "When Bach Out of Bounds, came our way, we fully embraced the adventure to show yet another side of Alkaloid. We were lucky to be supported by guest artists who share our vision and passion for defying boundaries".

"'Haunter of the Void' was especially commissioned for this show", Morean continues. "The song translates Bach and 18th century polyphony into Alkaloid's sonic universe by applying Baroque counterpoint composition techniques to our own scales and harmonies. This 10-minute epic links Bach and Alkaloid without diluting our identity one iota".  

Watch Alkaloid perform "Haunter of the Void" live at Bachfestival 2024 below.

Bach Out of Bounds - Live in the Netherlands comes out January 23, 2026 on Season of Mist

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Available Formats
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Even though it was commissioned specially for this performance by the Dutch Performing Arts Fund (FPK), "Haunter of the Void" couldn't have come from any other mind but Alkaloid's. After all, the band has already charted a multi-part saga about a galactic civilization that reaches god-like levels. Their latest space odyssey follows a digitized brain into the void, where it must defy the impossible in order to protect what little hope remains for a long-dead Earth.      

"Thrown to the darkness / To survive", Morean and soprano Chrysa Tsaltampasi call out to each other as if drifting into a black hole. 

"Haunter of the Void" truly expands Alkaloid's universe. Applying Bach's polyphonic composition techniques has deepened the band's gravitational pull. Accordion, violin and cello streak like shooting stars beneath the meteoric riffs and laser-like solos of new guitarists Max Blok and Justin Hombach. With drums rumbling ahead at warped-speed, the song climbs to a head-banging crescendo that sent the crowd at Bachfestival home happy with their minds fully blown. 

“The audience who came and saw these performances went crazy for it”, Morean remembers. “I’m so happy that we can now share them with people everywhere. People aren’t going to know what hit them. Bach Out of Bounds is very different from what other metal bands - or even Alkaloid – normally do”.    

The video for "Haunter of the Void" was filmed live at the 2024 Bachfestival in Dordrecht, Netherlands. It was created by Thomas Niehof / Creative Headroom & Lindy Balduk Photography.      

With Bach Out of Bounds, Alkaloid deliver a classically innovative performance as only a true maestro can.       

Alkaloid is
Morean - Vocals, guitar
Hannes Grossmann - Drums
Linus Klausenitzer - Bass
Justin Hombach - Guitar
Max Blok - Guitar

Guest musicians
Rianne Wilbers - Soprano
Chrysa Tsaltampasi - Soprano
Julija Hartig - Violin
Oene van Geel - 5-string violin
Marieke Hopman - Accordion
Ketevan Roinishvili - Cello

Recording credits
Recorded live in the Netherlands at Bibelot / Dordrecht and Paard van Troje / The Hague
Front of house engineer: Laurens Voois

Production credits
Produced by Alkaloid
Mixed by Hannes Grossman at Mordor Sounds, Germany
Mastered by Victor Bullok at Woodshed Studio, Germany

Songwriting credits
Music for "Allegro", "Adagio - All Is Vanity" and "Agnus Dei" written by Johann Sebastian Bach
Music for "Cthulhu" written by Morean and Hannes Grossman
Music for "Beneath the Sea" and "Haunter of the Void" written by Morean
Music for "A Fool's Desire" written by Hannes Grossman
Music for "The Fungi from Yuggoth" written by Christian Münzner
Lyrics to "Adagio - All Is Vanity" based on "Es ist alles eitel" by Andreas Gryphius and adapted by Morean
Lyrics to "Agnus Dei" taken from John 1:29
Lyrics to "Beneath the Sea", "Cthulhu", "Haunter of the Void", "A Fool's Desire" and "The Fungi from Yuggoth" written by Morean

Available Formats
CD Digipack
2x12" Vinyl Gatefold 

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Follow Alkaloid
Website:https://alkaloid-band.com/
Bandcamp:https://alkaloid-band.bandcamp.com
Spotify: https://open.spotify.com/artist/4KMQDFaAsPEKcqKzdvkYKc
Apple Music:https://music.apple.com/us/artist/alkaloid/368935306
YouTube:https://www.youtube.com/c/Alkaloidbandmetal
Facebook:https://www.facebook.com/alkaloid.metal
Instagram:https://www.instagram.com/alkaloid_metal/
Twitter: https://twitter.com/AlkaloidBand

TOMBSTONES IN THEIR EYES shares 'Alive And Well', a hymn of revival & tribute to late bandmate

LA-based indie rock outfit Tombstones In Their Eyes presents 'Alive and Well', a beautifully raucous psychedelic rock revival hymn, following the brooding lead track 'Under Dark Skies'. This unexpectedly fierce and defiant declaration of strength is the second taste of their 'Under Dark Skies' album, to be released via Little Cloud Records (for North America) and Shore Dive Records (for the UK and EU). This 2-track offering also includes the radio edit.

This song is dedicated to TITE guitarist Paul Boutin, who recently lost his battle with cancer. As Paul Lovecraft, he was a prolific musician, releasing music even after an operation nicked his vocal chords. Having met Tombstones' main-man John Treanor at Kitten Robot Studios about 10 years ago while working on his own projects, they fell into the same orbital realms until Paul eventually joined the band. 

The song features John Treanor on vocals and guitar, Paul Boutin on guitar, Nic Nifoussi on bass, Paul Roessler on keyboards, Stephen Striegel on drums and percussion), and Courtney Davies, Clea Cullen and Joel Wasko on backing vocals,

"When our beloved friend and guitar player lost his life on 10/18/25, we were shocked, confused and incredibly saddened. Paul was so kind, generous, intelligent and always optimistic. Being in TITE was a source of pride and joy for Paul. He was so easy to be around and was dedicated, driving many hours for practices and shows, always bringing his cheerfulness and optimism. We miss him greatly and are glad he is all over this record," says John Treanor.

"We were initially going to scrap 'Alive and Well' as a single after Paul's passing (for obvious reasons), but because it was one of Paul's favorites and a song on which he played guitar, we are going ahead with the release. The lyrics are about rising out of desperate circumstances with newfound strength - something Paul himself experienced, having dragged himself out of his own difficulties to ultimately rebuild a life full of joy and purpose. While not planned that way, 'Alive and Well' ended up being a statement of intent - a story of a journey from despair to strength."

The accompanying video was created by Italian multi-arts visionary Francesca Bonci, known for her work with Federale (BJM's Collin Hegna), British bard Philip Parfitt, The Dandy Warhols' Peter G. Holmström a.k.a. Pete International Airport and Slowdive's Rachel Goswell.

A year on from their 'Asylum Harbour' album, this record emerged during a year of intense personal change, before finally moving into a place of light and gratitude. Recorded and engineered by Paul Roessler (The Screamers, Nina Hagen, 45 Grave) at Kitten Robot Studios, this album was co-produced by John Treanor and mastered by multi-platinum engineer Alex DeYoung at DeYoung Masters (Michael Jackson, BTS, Macy Gray, The Linda Lindas, TSOL).

As of November 11, 'Alive and Well' is available everywhere, including Spotify, Apple Music and Bandcamp, where the 'Asylum Harbour' album can also be found on CD and red vinyl. On December 5, the 'Under Dark Skies' album will be released digitally and on vinyl via Little Cloud Records (US) and Shore Dive Records (UK and EU).

CREDITS
Words and Music written by John Treanor
John Treanor - vocals & guitar    
Nic Nifoussi - bass guitar
Stephen Striegel - drums & percussion  
Paul Roessler - keyboards 
Courtney Davies - backing vocals
Clea Cullen - backing vocals
Joel Wasko - backing vocals
Recorded at Kitten Robot Studios in Los Angeles, CA
Produced & Engineered by Paul Roessler
Co-produced by John Treanor
Mastered by Alex DeYoung at DeYoung Masters
Cover design by Robin Gnista
Released by Little Cloud Records (US) LC-136 & Shore Dive Records (UK & EU)
Videos by Francesca Bonci 
Publicity by Shameless Promotion PR 

Keep up with Tombstones In Their Eyes
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Your Inland Empire Cut to the "Edge of Perfection"

From the ashes of Crown, rises a dark new wave of industrial rock. On Your Inland Empire, the duo of Stéphane Azam and David Husser take the heavy electronics that they first donned on Crown’s last album a step further into a dark night of the soul.

Today, Your Inland Empire are releasing “Edge of Perfection” as the third advanced single off their upcoming debut album. With cutting riffs and breakneck beats, the song blurs the thin line between total destruction and pure bliss.    

Watch the video for “Edge of Perfection” below.

Your Inland Empire’ self-titled debut album comes out this Friday, November 14, 2025 on Season of Mist.

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In 2021, Crown’s The End of All Things revealed a striking metamorphosis. The album shifted the duo of Stéphane Azam and David Husser away from their sludge-laden origins into a cinematic fusion of industrial rock, post-metal atmosphere and darkwave sensibility. Its balance of bleakness and accessibility was praised for expanding Crown’s sonic vocabulary, yet the record ultimately stood as both culmination and chrysalis: the closing of one chapter and the quiet emergence of another.

That emergence is now complete. Your Inland Empire opens a new frontier with their upcoming self-titled debut album. A  descendant of the same lineage that begot Godflesh, Nine Inch Nails and Neurosis, “Edge of Perfection” walks the tight rope between pain and control. Swept up in the rush of intoxication that can be found in darkness and chaos, the band’s latest single confronts the wreckage of addiction and emotional dependency.    

“This song is for the lost, the broken, the ones who became ghosts through this society”, says Azam. “A blade gleaming in the night, where darkness has become the only refuge, where destruction is no longer a threat but a way to survive”.

Line-up
David Husser — Guitars, Programming, Production, Experimentation
Stephane Azam — Vocals, Guitars, Songwriting, Experimentation
Nicolas Uhlen — Drums
Marc Strebler — Bass Guitar

Production Credits
Recorded & mixed by David Husser at La Grange Studio, France.
Mastered by Jaime Gomez Arellano at Orgone Studio, Porto, Portugal.

Cover Art
Design & layout by Jeffrey V. Daniels.

Photography
Band photos taken by Jennifer Brachet.

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Status Quo's Francis Rossi Announces "The Accidental" Out 1/30

The Accidental by Francis Rossi, releasing by earMUSIC on January 30 on CD, LP, and Digital formats, comes as something of a surprise.

It was certainly a surprise to Francis, who had no plans to record an album. "This truly came out of nowhere," says Rossi. "I spend my life in and out of the studio, rehearsing, tinkering, but something happened earlier this year and, before I knew it, we had created something special."

While Rossi's previous solo albums explored his love for acoustic ballads, vocal harmonies, and the blend of British rock with country influences, this album, his first in seven years, marks a true return to the energetic, guitar-driven sound that made him a legend with Status Quo.

The Accidental sees Francis Rossi playing to his strengths, but taking risks, cutting loose, and exploring new territory — this album is all about old bones and fresh blood.

The fresh blood in question comes largely from Hiran Ilangantilike, a guitarist who was originally a school friend of one of Francis' children, and co-producer Andy Brook. What became the sessions for The Accidental was initially born of just plugging in and making some serious noise, but something clicked in the studio. Lightning was indeed bottled: There was a swing and a groove, and the songs started pouring out. With John "Rhino'"Edwards and Leon Cave later laying down the bass and drums parts, and Amy Smith again bringing an extra dimension on back-up vocals, this became a project with a bite and DNA all of its own; albeit Francis' playing is a distinctive as ever. Almost all of the songwriting credits reflect this fresh and collaborative ethos, though there are two that bear the classic Quo hallmark: Rossi/Young. Rossi produced The Accidental; co-producer Andy Brook recorded, mastered, engineered, and played on the record, and co-wrote three tracks.

Kicking off with a flourish "Much Better" segues into the ebullient "Go Man Go," teeing up future classic "Push Comes To Shove" and the plaintive yet strutting blues singalong of "Back On Our Home Ground" [who will be the first sports team to adopt this one?]. By then the engine is well and truly running, and the highlights keep coming. The chug and chant and choppy chords of "Something In The Air (Stormy Weather)" give way to the cantering "Picture Perfect," which could only be a Rossi number. The long strides of "November Again" distill a melancholy refrain into a catchy chorus, and the epic "Beautiful World" channels vintage era Quo with enough guitar to get the balcony of the Glasgow Apollo bouncing again. "Time To Remember" is built around a piano line and swaying melody and serves as a poignant and powerful coda to an extraordinarily strong set of new songs.

Pre-order The Accidental here. 

Today’s announcement coincides with the launch of the first two songs: "Something In The Air (Stormy Weather)" and "Go Man Go" are available for streaming and download now.

Listen to the digital 2-track single below.

"For anyone who liked any of my solo albums previously, well, I've no idea what you'll make of this one because it's a real departure, but I love it," Rossi says. "It's loud, the guitars are right to the fore, and there are some great songs there."

This new album finds Francis Rossi once more at the top of his game, with a searing yet thoughtful collection of rockers that will please anyone who likes their dose of heavy cut with melody and verve. Mark Twain said that the accident is "the greatest of all inventors" when there are no rules, expectations or preconceptions, anything can — and will — happen. The Accidental proves that amazing things unfold when an artist with an unrivaled track record is inspired to create new music — even after more than 50 years of success — by the sheer love of playing. That unbridled joy is where the elemental magic that animates The Accidental is conjured.

Myrath Drop Video for "Until The End" (Feat. Amaranthe's Elize Ryd) — WATCH // Announce New Album "Wilderness of Mirrors"

Tunisian x French progressive metal band Myrath are back with the video for the stunning new single "Until The End," featuring Elize Ryd, the powerhouse vocalist of Amaranthe. Released today alongside the official announcement of their seventh studio album, Wilderness of Mirrors, the single marks the beginning of a bold new era for the band.

"Until The End" is a cinematic duet that explores the fragile line between truth and illusion, blending Myrath's signature Middle Eastern melodies with arena-sized metal and soaring choruses. The collaboration with Ryd adds a dramatic, emotive layer, making the track an instant highlight of the upcoming album.

Listen to "Until The End" here.

Watch the video below. 

Wilderness of Mirrors will be released March 27 via earMUSIC and features 10 brand-new, emotionally charged tracks that continue Myrath's evolution. Fans can expect a journey through fantasy and reality, from haunting melodies to thunderous riffs and cinematic arrangements.

To celebrate the release, Myrath will embark on a major European tour starting in April 2026, bringing Wilderness of Mirrors to fans across 16 countries.

With millions of views on their epic videos, critically acclaimed albums, and performances at festivals such as Hellfest, Wacken, and Sweden Rock, Myrath continue to captivate audiences worldwide. Wilderness of Mirrors represents the band at their most dynamic and authentic, a milestone in their journey toward becoming one of metal’s most exciting acts.

Pre-orders for Wilderness of Mirrors and tickets for the European tour are available now. Don't miss the next chapter in Myrath's epic musical journey.

More info about the European tour dates and tickets here. 

Pre-order the new album here. 

Mayhem Announce New Album "Liturgy of Death" Out 2/6 + Unvei Video for "Weep for Nothing"

The most influential black metal band of all time is back with their seventh studio album Liturgy of Death. 

With this new opus, Mayhem reaffirm their status as the most uncompromising force in extreme metal music. Four decades into their career, Mayhem turn their focus toward the inescapable reality of death. Liturgy of Death examines loss, fear of dying, powerlessness, and the fragility of existence through a stark and unrelenting lens.

Stream "Weep for Nothing" here. 

Watch The visualizer Below. 

"Weep for Nothing" turns the fear of mortality into revelation, a hymn to nothingness where grief becomes meaningless. With its cold and fast grandeur, razor-sharp riffs. and a suffocating atmosphere, the band channels it channels the essence of mortality without offering solace or escape.

Pre-order Liturgy of Death here. 

With Necrobutcher, Hellhammer, Attila, Morten, and Ghul locked into a unit tighter than ever, Liturgy of Death celebrates Mayhem's own legacy, a continuation of the raw and uncompromising sound that defined their beginnings. The result is a merciless record — dark, fast, and unrelenting —that captures the band in their most dangerous and vital form. 41 years since their formation in Langhus, Mayhem remain a defining force in Norwegian black metal, continuing to shape the sound they helped create.

MAYHEM LINEUP:
Attila Csihar — Vocals
Ghul — Guitar
Hellhammer — Drums
Necrobutcher — Bass
Morten — Guitar

Introducing HÉR, a bridge to the raw spirit of the North

Emerging from the northern shores of Poland, HÉR are both seekers and storytellers. Their upcoming debut album, Monochrome, weaves bowed strings, raw incantations and entrancing percussion into ritual soundscapes that conjure the vast and mythical landscape of the North. The album’s lead single, “Needles and Bark”, calls on the enduring spirit of Icelandic fjords and Old Norse myths, inviting us into a meditation on decay and endurance.

“The pine on the rocks dries and dies / needles neither protect nor the bark / why should he live long?”

Watch the video for “Needles and Bark” below.

Monochrome comes out January 30, 2026 on Season of Mist.

Pre-order & Pre-save

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Available Formats:
CD Digipak
12” Vinyl Gatefold — Black
12" Colored Vinyl Gatefold — Transparent Orange

“We are honored and deeply thrilled to announce our signing to Season of Mist”, HÉR says. “To begin our musical journey with such a renowned and visionary label is both a privilege and a powerful affirmation of our path.

“HÉR — meaning ‘here’ in Icelandic — is more than a name; it is a call to presence. And here, in this moment, something new begins. Our collaboration with Season of Mist opens a gateway to share our sound, our myth, and our vision with a wider world”.

“This signing marks not only our debut”, HÉR continues, “but also the crossing of a threshold — from the roots of Old Norse poetry and northern mysticism into a vast, boundless landscape of sound and emotion. We stand ‘here,’ united by rhythm, voice, and story, ready to bring the raw essence of the North to those who are willing to listen, feel, and be transformed.

Sit here with us — sestu hérna — and witness what begins now”.

Line-up:
Maciej Świniarski — Vocal, Percussion
Tomasz Chyła — Vocal, Violin, Synth Percussion
Piotr Chęcki — Saxophone, Percussion
Tomasz Sadecki — Bass Guitar, Synth, Percussion
Sławek Koryzno — Drums, Percussion

Production Credits:
Recorded at Monochrom Studio, Gniewoszów, Lower Silesian Voivodeship, Poland.
Produced & Engineered by Ignacy Gruszecki.
Mixed & Mastered by Marcin Bors at Fonoplastykon, Wrocław, Poland.

Guest Musicians:
Magdalena Kuraś „Freya”

Cover Art:
Mary Zaleska

Photography:
Daria Szczygieł (https://dariaszczygiel.com/)

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Follow HÉR:
Facebook: https://www.facebook.com/herbandofficialprofile/
Instagram: https://www.instagram.com/her.bandofficial/
Bandcamp: https://hersom.bandcamp.com/

Spotify: https://open.spotify.com/artist/4yHViIb0eCl4eVMFcVnzm5

Apple Music: https://music.apple.com/artist/h%C3%A9r/1751778615

CoreLeoni Live At Hallenstadion Zurich

Swiss hard rock veterans CORELEONI, featuring members of GOTTHARD, are proud to unleash their new live album, Live At Hallenstadion Zurich, via Perception. Featuring a mix of classic GOTTHARD tracks and new favorites from CORELEONI’s latest studio album, III, Live At Hallenstadion Zurich documents a pivotal night in the CORELEONI saga.

One hot summer evening on July 3rd 2025, CORELEONI supported heavy metal legends JUDAS PRIEST at Zurich’s Hallenstadion, performing in front of 7,000 rock and metal fans. The show took the audience on a wild ride through classic GOTTHARD tracks and newer songs from III. An instant success, III had reached #2 on the Swiss album charts and found a place in the hearts of fans around the world. New tracks such as “Like It Or Not” and “Sick & Tired” became staple crowd-pleasers, right alongside beloved fan favorites such as “Sister Moon”, “Mountain Mama”, and “Standing In The Light”.

On Live At Hallenstadion Zurich, the band delivers nine songs in total and kicks off the show with two high-energy classics, “Downtown” and “Firedance”. “We wanted to go out and rock the shit out of our body”, explains guitarist Leo Leoni. Fellow guitarist Igor Gianola adds, “It seems we succeeded. The crowd was fantastic and we were able to deliver a great performance, as we wanted.”

CORELEONI’s energy and the audience’s passion electrified the show. “The night was fantastic”, remembers Leoni. “There was this special magic in the air, Zürich is always fantastic for us to play, but this was somehow a night to remember.”

The band also recalls fond memories of the bonds they forged with metal veterans JUDAS PRIEST, making the show a particularly notable highlight in CORELEONI’s career. “At the Hallenstadion we met Scott Travis on stage, who was there the whole show, and he spent some very nice words about our performance. He’s a great guy and a fantastic drummer, so we appreciated and proved our effort to get it right to the point”, recalls Gianola.

“It was an honour for us to support Judas Priest, they are one of the most important metal bands and I follow them also since I was a kid. It wasn’t the first time we played together, but especially in this location, it was like a mythos”, comments Leo Leoni.

Experience the magic of this unforgettable night right through your speakers or headphones.

Digital release only, available worldwide on December 19th, 2025 on all major digital music platforms.

About CORELEONI
Founded by guitarist Leo Leoni in 2018, CORELEONI started reviving the early GOTTHARD days successfully with their album duo consisting of The Greatest Hits - Part 1 and II. The band also convinced fans and critics alike with their high-energy performances all over Europe, making the five-piece write their very own material. The result titled III was finally released in early 2022 and saw the addition of gifted Albanian singer Eugent Bushpepa to CORELEONI’s powerful line-up, which is completed by guitarist Jgor Gianola (ex-GOTTHARD, ex-U.D.O.), bass player Mila Merker and drummer Alex Motta. The group’s latest record hit the official Swiss album chart at no. 2 and thereby cemented the high demand for their captivating craft. Of course, III guided the quintet’s way across the continent once again while making one thing even clearer: CORELEONI are more than just a studio band and need to be experienced (a)live to understand their vision in full. So what are you waiting for? Feel the magic & enjoy their second live offering, Live at Hallenstadion Zurich!

CORELEONI are:
Eugent Bushpepa | vocals
Leo Leoni | guitars
Jgor Gianola | guitars
Mila Merker | bass
Alex Motta | drums
 

More on CORELEONI:
coreleoni.com | Facebook | Instagram | X | YouTube | Spotify | Apple Music

Danko Jones - Leo Rising

Toronto’s most determined and hardest‑working power trio, DANKO JONES, let out a mighty roar in Leo Rising, an eleven-track masterclass in sweat-soaked, no-nonsense rock ’n’ roll. The album – produced to red‑hot perfection by long‑time collaborator Eric Ratz – lands on 21 November 2025 via Perception - A Division of Reigning Phoenix Music and Sonic Unyon (for Canada).

“You know the sound every kid makes with their mouth when they play air guitar?”Danko asks. “That’s still the sound I want to put on every album we make. If we can come close to that sound, that’s an album worth releasing. Eric Ratz produced this album and he knows this about me. I have complete faith in the guitar tones he manages to capture. There weren’t any changes in recording. We still did it all apart from one another, like our previous two albums. JC recorded in Finland, Rich flew in from Prince Edward Island to Toronto to record his drums, and I worked with Eric in Toronto on guitars and vocals.”

Leo Rising is another triumph from one of the most consistent bands in the business. Above all, it showcases the fizzing, electrified chemistry between the three members of this explosive powerhouse. Operating as a stable and harmonious unit since 2013, DANKO JONES join forces on stage every night, united in their love for riffs, melodies, and a raucous, sweat-drenched good fucking time.

“This is the line-up I wish we had from the start,” Danko concludes. “I’m not just saying that because time has already proven it. First and foremost, we all get along with each other onstage and offstage. The mood is always light and nobody’s ego gets in the way. When it comes to writing and recording, we are all on the same page and we service the songs, always!”

Leo Rising may just be the most uplifting and inspirational DANKO JONES album to date. A thunderous display of high octane guitar-driven rock awaits, from the thrill seeking opener "What You Need" to the blues infused seductive delight, "Too Slick For Love". Also lying in wait on Leo Rising is the power-pop hit "Everyday Is Saturday Night" which brings the party vibes with a catchy lyrical hook you'll find yourself repeating everyday of the week. "It's A Celebration" sees the energy continue flowing with fiery rhythms across the dynamic track. Unafraid to reveal a grittier side as the distortion is turned up a notch, the sleaze-metal leaning "Pretty Stuff" is followed by the edgy "Gotta Let It Go". 

DANKO JONES are:
Danko Jones | vocals, guitars
John Calabrese | bass
Rich Knox  | drums

DON’T BELIEVE IN GHOSTS TURN TRAGEDY INTO TRIUMPH ON “BUT ON THE BRIGHT SIDE” — OUT NOVEMBER 7TH ​   

New York City alternative indie-pop rock band Don’t Believe In Ghosts return with their most personal and powerful release to date, But On The Bright Side, available everywhere this Friday, November 7th via Mindful Recordings. The band will celebrate the release with a special hometown show at Soho Live NYC on Saturday, November 15th, joined by special guests Moonwater.

 

The album title, But On The Bright Side, was born from a year that tested the band’s strength and unity like never before. Early in the process of making the record, frontman Steven Nathan was diagnosed with a genetic kidney disorder, forcing him to completely rethink his health, lifestyle, and priorities while pushing forward to complete the album.

 

Guitarist Dan DelVecchio nearly lost his ability to play after a serious medical condition required surgery, with recovery stretching longer than expected and putting the band’s live future in question. Drummer Ken Yang endured the devastating loss of his father and later faced a medical emergency that required life-saving surgery, followed by complications that sent him back into the hospital.

 

“It was hard wrapping mixes and putting the final touches on these songs after all we'd been through this last year,” says Nathan. “That’s really where the title But On The Bright Side came from. Even when everything feels like it’s falling apart, there’s always something to hold onto — and for us, that was the music.”

 

Stream Don't Believe In Ghosts

https://linktr.ee/dontbelieveinghosts

Recorded across multiple studios including Mindful Recording Studio (NYC), Canyon Private Studios (Nashville, TN), and Mixing Night Studios (OH), the album represents a mosaic of collaboration and perseverance. The band worked with Grammy-winning producer Ken Lewis (FUN., X Ambassadors, Taylor Swift) and Cooper Anderson (Co-produced “Girl” and “Drowning”), alongside co-writing sessions with Brendan Benson (The Raconteurs), Don Miggs, and Nick Brown (MONA). Mixing duties were shared by Steven Nathan, Ken Lewis, and the legendary Mark Needham (The Killers, Imagine Dragons, Neon Trees), giving the album its dynamic and cinematic energy.

 

The album follows the success of recent singles “Driver,” “Brooklyn Baby,” and “Outta Your Head” — the latter currently receiving airplay around the world. Together, they set the tone for a record that blends introspection and optimism, transforming personal struggle into soaring, anthemic alt-pop.

 

While the past year brought uncertainty, But On The Bright Side stands as a defiant statement of resilience, creativity, and faith in moving forward.

 

When Don’t Believe In Ghosts return to the stage at Soho Live on November 15th, it will mark more than just a release celebration — it will be a rebirth.

 

“When we walk out on that stage, it’s not just about performing,” Nathan reflects. “It’s about everything we went through to get there — and the fact that we’re still here, stronger than ever.”

AGENBITE MISERY Release “A Charitable View of Temporary Insanity”

Experimental metal trio AGENBITE MISERY have released “A Charitable View of Temporary Insanity,” the latest track from their forthcoming debut album Remorse of Consciousness, due out February 6, 2026.

Serving as the emotional centerpiece of the record’s first half, the song is a sprawling meditation on death, memory, and inner turmoil. It adapts the “Hades” episode from James Joyce’s Ulysses, in which protagonist Leopold Bloom journeys through Dublin to attend a funeral while reflecting on personal loss. With lyrics drawn directly from Bloom’s internal monologue, the band translates Joyce’s psychological density into a massive, genre-warping composition.

The track unfolds with a gentle, ambient intro that evokes the quiet tension of a city morning. Subtle field recordings and bass harmonics set the scene before a crushing sludge riff drops in, anchoring the song’s emotional gravity. From there, the composition drifts between suffocating heaviness and moments of haunted clarity. Elements of funeral doom, acoustic interludes, blackened chaos, and harsh noise are woven together with meticulous intent.

One of the track’s most jarring moments comes when the instrumentation falls away completely, leaving only sparse percussion and a raw, grief-stricken vocal. The lyrics, drawn from Bloom’s thoughts about his deceased infant son, strike with an emotional immediacy that few metal bands attempt, let alone deliver with this level of conviction.

“A Charitable View of Temporary Insanity” is a clear statement of purpose from a band committed to exploring the limits of what heavy music can express. While dense and ambitious, the song remains grounded in thoughtful, evocative songwriting that rewards close listening.

Remorse of Consciousness adapts each chapter of Ulysses into a standalone piece, forming a concept album that bridges literary complexity with sonic extremity. With this single, AGENBITE MISERY continues to carve out a space entirely their own, where literature and extreme metal converge with startling clarity.

About AGENBITE MISERY:
AGENBITE MISERY is a New Hampshire-based trio that fuses literary ambition with the visceral force of experimental metal. Formed in 2022 by guitarist Sam Graff, bassist Cam Netland, and drummer Adam Richards, the band emerged from a shared academic background in literature and a mutual devotion to the most extreme and boundary-pushing corners of heavy music.

At its core, AGENBITE MISERY is a project rooted in transformation. Their work doesn’t merely incorporate influences, it dismantles them, reshapes them, and recontextualizes them within a vision that is as cerebral as it is punishing. Their sound weaves together elements of black metal, sludge, death metal, post-punk, ambient, and noise rock, unified not by style but by intent: to confront, to immerse, and to challenge.

Individually, the members bring a history of musical experimentation: Sam Graff and Adam Richards were longtime collaborators in the avant-garde project UNDER GREEN SUNS and the Boston metalcore outfit VICARIUM, while Cam Netland previously fronted the Connecticut stoner/black metal band COAGULATE. Together, they’ve forged something entirely distinct, a collective voice that draws from their diverse histories but refuses to be defined by any one genre or scene.

AGENBITE MISERY exists at the edge of metal and the margins of modern art, translating abstract ideas into concrete sound with unrelenting force. Whether performing live or recording in isolation, their ethos remains constant: dig deeper, aim higher, and never repeat what has already been done.

AGENBITE MISERY is:
Sam Graff – Guitars / Vocals / Synth
Cam Netland – Bass / Vocals
Adam Richards – Drums / Vocals

Connect with AGENBITE MISERY:
Bandcamp: https://agenbitemisery.bandcamp.com
Facebook: https://www.facebook.com/profile.php?id=61574211514876#
Instagram: https://www.instagram.com/agenbitemisery/?hl=en
YouTube: https://www.youtube.com/channel/UCwjOZilhkqTRkZHpJJwlbhw
Spotify: https://open.spotify.com/artist/6dYQgCtNvpvNWwfQ06LQQZ
Apple Music: https://music.apple.com/us/artist/agenbite-misery/1716987132
TikTok: https://www.tiktok.com/@agenbite.misery
Ampwall: https://agenbitemisery.ampwall.com/

UK electronic outfit Scissorgun shares 'Gone Rogue', teasing new album 'Scream If You Wanna Go Faster'

UK electronic outfit Scissorgun announce their album 'Scream If You Wanna Go Faster', out November 21 via Dimple Discs. Mixing urban electronica with fuzz and wah guitar, these trailblazers present a solid collection of songs, dances and abstract soundscapes. A must-have for Factory Records collectors, the vinyl includes seven tracks, while the digital and CD versions include three bonus tracks. Ahead of its release, they present the tracks 'Gone Rogue' and 'Bad As Bingo'.

Formed in Manchester in August 2016, Scissorgun is an electronic trio comprised of Dave Clarkson (synths, rhythms, tapes, percussion), Alan Hempsall (vocals, treated guitar, samples, loops) and Adrian Ball (light show and projections). Carriers of Factory Records' legacy.

“We always operate on instinct and improvisation is the key starting point. Some ideas become structured songs, but others remain as first recorded, with the music finding us and not vice versa. The title is a soft attempt at social comment, intended to be inferred rather than overt,” says Dave Clarkson.

Their musical scope is varied - pastoral dreams one minute and, the next, crashing swathes of noise chased down with a dub twist.

"The idea for 'Gone Rogue' started with a busy electro bass line and, as soon as we found a good quote from a conspiracy theorist on social media, the whole thing seemed to turn into a polemic against turning your back on humanity in revulsion. We dwell on the impact of the fight for our attention on the individual and the damage done. All the while, the driving beat is pushing us on with heavy cowbells and pulsing bass. We’ll all feel better if we dance," says Dave Clarkson.

Alan Hempsall adds, "As for 'Bad as Bingo', we were both overjoyed when this came out of the mincing machine. We’d been looking for something with a go-go beat to it, so this was perfect. The words flowed automatically as the best ones always do. Broad brush observations of a situation gone bad coupled with a mawkish sentimentality for what’s lost. The glitching and grinding bass line and barking dogs take on a life of their own. Suddenly it all makes sense and the initial spark revolts into structure and form."

Alan and Dave first met in 2007 when Dave’s band, Triclops, were supporting Biting Tongues at Islington Mill in Salford. Alan was in the audience and was so taken with Triclops’s performance that he wandered over to show appreciation and a friendship was struck up, bonding over a mutual weakness for early industrial, rock and modern jazz. After nine years of gig-hopping and hanging out, the timing was suddenly right for them to organise some jam sessions to see what came out.

It so happens that both of their bands were on hiatus at the time. While Dave Clarkson was in Triclops from 2000 to 2015, he was in White Cube prior to that. He since boasts an extensive catalogue of solo works.

As for Alan Hempsall, he was the vocalist for Crispy Ambulance, who was on Factory Records from 1980 to 1982, before spending five years in the mid ‘80’s playing percussion in a Brazilian Samba band. Hempsall also famously appeared on stage with Joy Division in April 1980, standing in for Ian Curtis at a show in Bury that descended into a riot.

"As with any album, we operate on instinct. Improvisation is the key starting point. At this moment, anything can and generally does come out. The bizarre accidents and serendipity that occur during this process are the parts we keep. Those moments that feel like you’re merely the vessel that the music is transmitted through," says Alan Hempsell.

Dave Clarkson adds, "Some ideas gradually emerge into structured songs whilst others have the fortitude to remain in their original form to some extent or another. Yet no conscious decision is made. We are not in control. It is the music that finds the musicians. As the body of work is growing and developing, it seems to take on its own identity, something else we appear to have little influence on. So, there is an element of Praxis at work here, we’ll do it because we want to and think up the reasons why later."

Prior to this album, Scissorgun released three albums - ‘Assault Two’ (2017), ‘All You Love Is Need’ (2020) and ‘Psychological Colouring Book’ (2021). They frequently perform live and have opened for such artists as Wolfgang Flur, Wrangler and Eric Random.

Ahead of its official release on November 21, ‘Scream If You Wanna Go Faster’ is available via Bandcamp - both digitally and as a signed white label vinyl release (with colour paper photocopy of a brilliant sleeve). It can be ordered on CD and cyan-coloured vinyl from select record shops. Scissorgun's album release show takes place on November 19 at the Amersham Arms in London.

CREDITS
All music written performed and recorded by Scissorgun
Dave Clarkson – synths, keyboards, loops, electronic drums & field recordings
Alan Hempsall – vocals, words, treated guitars, effects & found sounds
Engineering & production by Dave Clarkson
Mastering by Peter Beckmann at Technology Works, East Lothian
Scissorgun device by Kevin Craig
Sleeve design by Bruce
Photography by Wayne Goodman
Recorded over the course of 2024 at Cavendish House Studio, Manchester, UK
With thanks to Adrian Ball at Hollowsphere, AV
Released by Dimple Discs
Publicity by Shameless Promotion PR


Keep up with Scissorgun 
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Dark Metal Band THE VICE Unleash First Single/Video From Upcoming EP "The Red Tape Sessions"! ​  

Stockholm-based dark metal four-piece THE VICE has announced the release of their brand new 3-track EP "The Red Tape Sessions", set to drop on December 5 via Noble Demon. With the track "Cardinal Tropes", the band offers a first glimpse of what’s to come. The single is accompanied by a striking music video, available to watch below:

THE VICE about the song: "Sometimes things don't have to be too complicated, pretentious. 'Cardinal Tropes' began with only a couple of lines spat out on top of a simple, cool rhythm. Those first few seconds made it very clear as to what kind of a song it was going to be, so writing and arranging the rest was nothing but smooth sailing. And the end result is a dazzling display of The Vice firing on all cylinders, a purple freaking haze of mean rock 'n' roll, dark metal, self-indulgence and a juvenile tenacity to always take the road less traveled." 

From the very beginning, THE VICE has followed their own crooked path, driven by a desire to carve out a place of their own within the scene.

 

And that grimy, wildhearted, metal/rock/pop fusion, with one foot firmly planted in the windswept, frozen North and the other cemented to the concrete of the streets, sure sounds like nothing else.

 

Dark, blackened metal, ferocious rock 'n' roll, posh punk and harsh, hardcore attitude; mixed with a huge dose of the cultural colossi of the 90's such as Guns & Roses, Pantera, Prince, Grunge, Oasis, Neometal, Fight Club, The Matrix and Terminator 2 to name a few. All of that - and everything in between - comes close to describing the very essence of THE VICE.

Three full-length albums and numerous EPs into their career, the band stands as a confident, adrenaline-pumping unit - a bunch of loose cannons at the starting blocks, ready to commence the next chapter in THE VICE saga.

 

The first leg of this new era is marked by "Cardinal Tropes", the opening track from "The Red Tape Sessions" mini-EP, closing out 2025 with a colorful bang. The track is a straightforward, mean-sounding statement piece - a perfect representation of THE VICE in 2025.

 

"The Red Tape Sessions" - a striking collection that builds upon the foundations of March’s "A Great Unrest" (Noble Demon), elevating both the production and songwriting while drenching it all in a strange, electrifying neon glow - arrives December 5 and is available for pre-order HERE.

The Vice are:
Rickard - Vocals & Guitars 
Charlie - Bass 
Petter - Drums
Joel Öhman - Guitar

For more info visit:
https://www.facebook.com/TheViceOfficial/  
https://www.instagram.com/theviceofficial/  
https://theviceonline.bandcamp.com/  
https://linktr.ee/nobledemon    

Kreator Pay Homage to Dario Argento's Horror Classic "Suspiria" in "Tränenpalast" (Feat. Britta Görtz) Video

Metal titans KREATOR have released a new single from their sixteenth full-length, Krushers Of The World, which will be out on January 16 via Nuclear Blast Records.

Arriving just in time for Halloween, the song "Tränenpalast" is a comprehensive homage to horror maestro Dario Argento's 1977 cult film Suspiria, which is hailed by fans as one of the most defining genre entries of its era. While the lead melody references the film's original score by Italian prog band GOBLIN, lending it a melodic death metal touch, the lyrics mention "the three mothers," an ancient witch coven from the Suspiria universe. In addition, the music video created by acclaimed masters of the macabre, Grupa 13, features KREATOR performing in the film's haunted ballet school setting complemented by disturbing images of said witches in various stages of transformation.

You can watch the video below — if you dare!

"Tränenpalast" features vocal coach Britta Görtz of extreme metal band HIRAES.

Mille Petrozza comments,"'Tränenpalast' è il nostro tributo alla grande tradizione del cinema italiano. Ci siamo ispirati al classico Suspiria di Dario Argento e al suo epico remake firmato da Luca Guadagnino. Musicalmente, ci inchiniamo ai grandi Goblin, in diretto dialogo con il maestro Claudio Simonetti. Speriamo che la canzone vi piaccia tanto quanto piace a noi.  Solo amore per i grandi! Salve alle orde!"

+++

"'Tränenpalast' is our tribute to the great tradition of Italian cinema. We drew inspiration from Dario Argento's classic Suspiria and Luca Guadagnino's epic masterpiece remake. Musically, we bow to the great Goblin, in direct conversation with maestro Claudio Simonetti. We hope you enjoy the song as much as we do. Only love to the greats! Hail to the Hordes!"

Pre-order/presave Krushers of the World here.

AVAILABLE IN THE FOLLOWING FORMATS:
Limited 3LP + 2CD Digipak Deluxe Box Set (Black/White/Red Splatter LP + transp. Red 2LP) w/ demon figurine & pin by Cave Toys, LP-sized 24-page photo booklet, beer coaster, patch, poster and alternate box artwork (CD2 and LP2+3 contain bonus live album "Krushing Classics 1985-1990")

Limited 3LP + 2CD Digipak Ltd. Box Set (Gold/Red ink spot LP + transp. Orange 2LP)
w/ LP-sized 24-page photo booklet, beer coaster& poster (CD2 and LP2+3 contain bonus live album "Krushing Classics 1985-1990")

Black LP
Red LP
Transparent Red / Black Marbled LP
Orange / Black / White Splatter LP
Dark Red / White Corona LP
Red Gold LP
Gold / Black Marbled LP

Limited Edition 2CD Digipak 
(CD2  contains bonus live album "Krushing Classics 1985-1990")

Jewelcase CD

Digital Album

FESTIVALS:
5/21 — Baltimore, MD — Maryland Deathfest 2026

Volumes Announce New Album "Mirror Touch" Out 12/12 + Share "S.O.A.P." Visualizer

15 years into their career, Volumes have weathered ups, downs, time, trends, and everything else life could throw at them only to come out stronger on the other side. Against all odds, a devout audience has ridden shotgun and grown with them every step of the way, waiting for this moment.

The Los Angeles quartet — Michael Barr [vocals], Raad Soudani [bass], Myke Terry [vocals], and Nick Ursich [drums] — are thrilled to announce their fifth album, titled Mirror Touch. It will be released digitally on December 12 via longtime label Fearless Records. The physical album will arrive on February 27 of next year. Pre-order it here. 

Volumes have dropped the visualizer for the new single "S.O.A.P." Watch it

Volumes have never sounded as confident and assured as they do on this riff-roaring new single. Crunchy, industrial-tinged production, screamed vs. melodic vocal interplay, and a thunderous breakdown signal the beginning of the new era of Volumes. If Meshuggah or Fear Factory entered into a cage match with the Terminator: Judgment Day's T-1000 liquid antagonist, it would sound a lot like "S.O.A.P."

"'S.O.A.P.' is about pure and impure indulgence," the band explains. "Good versus evil. Playing with fire or magic — the lines are blurred here. We self-nurture habits that are deemed immoral, although who is the person making that decisions for us?"

Through a decade-and-a-half, Volumes' quiet impact has been felt, with over 167 million streams in the U.S. alone, widespread acclaim, and sold-out shows. They've carved out their own corner of heavy music with an inimitable hybrid of head-crushing polyrhythmic prog-spiked metal, hardcore spirit, and unbridled attitude. They have assuredly leveled up over the course of albums such as Via [2011], No Sleep [2014], Different Animals [2017], and Happier? [2021]. KERRANG! hailed the latter as "an album that gives a nod to the band's past while still bringing in new ideas." Meanwhile, the group shared stages on tour with everyone from Ice Nine Kills and Born of Osiris to Dance Gavin Dance and Counterparts. The Los Angeles group continues to fortify a full-on sensory assault with thick riffing, chilling soundscapes, and the venomous bite of its incomparable two-headed vocal hydra.

First single “Obsession” off upcoming album by WICKED will be unleashed today on all digital streaming services, accompanied by a live visualizer!

"October 31st, marks the end of the harvest! The boys in WICKED are bringing an offering when the veil is at its thinnest! Now you can't put it down. It ignites your nerves, setting fire to your veins, and all you know is you want more. Are you in love or is this something else? Fixation, fascination and lust. Rock N Roll like you've never heard it before! There's a new full length album from WICKED on the horizon and you just may become obsessed after the first single drops this Halloween. Be aware; Obsession by WICKED will be unleashed today on all digital streaming services, accompanied by a live visualizer! You've been warned! Your latest Obsession will be WICKED!"

"We've been really busy in the studio over the last year digging deep into a song writing chapter that has continued to evolve from our previous albums. With each album we feel a growth and evolution that seems to follow us through our lives. As we leave the "Sunburn" album in the rear view and all its reflection of our extreme lifestyle and ups and downs as we started this band, we now look forward to a song writing chapter of where we are going! We can't wait for you to hear our upcoming album release, but for now we hope you find yourself obsessed over our first single and all of its fresh, exciting nuances!" - Danny

"When we first sat down to write Obsession, we were fueled by so many exciting experiences in our lives touring and meeting some of the most interesting characters in Rock N Roll. It was clear our lives had been consumed and fixated on being rockstars and we wouldn't have it any other way. There's something romantic, dark and sexual about that kind of devotion in an ethereal way. Which isn't surprising that this track is dripping with that kind of lyricism and influence." - Scotty V

"It was so liberating to dive head first into this track and allow it to call on so many different influences. Melodic rock with a metal edge, just take a listen to that break down in the bridge! It's already a fan favorite part for those who've caught sneak peaks at our recent shows!" - Gunnar

"Becoming obsessed with something can be such an experience, sometimes for the best and sometimes for the worst. Once it starts, it's almost impossible to take hold of and reel in. We wanted to put all of that into this song and really take the listener to where we've found ourselves. Like a runaway train ablaze, this song will bring the heavy, melodic power you've been looking for when you just need to Rock The F*#K Out!" - Chad Michael

"Obsession" opens the floodgates of upcoming releases and music videos for WICKED's latest upcoming album due early 2026! Let the song rip as you Rock this Halloween and let yourself become obsessed with the magic of straight ahead High Energy Rock N Roll in 2025! The band will be celebrating the release of the new single “Obsession” with a special release show on November 7th at Record Archive in Rochester NY. First 50 people will get a limited signed Obsession poster! 

Music Video: https://youtu.be/Yq9_cyMxRp0

Presave: http://lnk.to/wickedobsession

www.wickedrocknrollofficial.com

All Sinners Release New Single "World That's Burning" via Rat Pak Records ​   

Massachusetts-based hard rock/metal band All Sinners proudly announce the release of their powerful new single, “World That’s Burning,” available now via Rat Pak Records. The track marks the second single from their highly anticipated upcoming album, We Own the Night, slated for worldwide release on November 14, 2025.

 

“The powerful and greedy have us divided for their benefit.  But we have the power to take it back!  Strike the match, fan the flames in a world that’s burning down!" comments Mike Golarz.

 

Stream "World That's Burning"

https://lnk.to/3NI7YuSs

Listen to the teaser for the new single:

The new album marks a bold step forward for the band, combining their signature heavy riffs with more complex arrangements and raw, emotional depth. This powerful new collection of tracks showcases the band’s growth both musically and thematically, building on the foundation laid by their debut EP while introducing new sonic territory that will leave fans and newcomers alike in awe.

 

We Own the Night delivers an aggressive yet melodic exploration of human struggle, resilience, and redemption, delivered with All Sinners' trademark intensity. The album reflects the band's evolution, blending classic metal influences with elements of modern hard rock, creating a sound that is both timeless and fresh.

 

“We’ve put everything we have into this album,” says guitarist & singer Mike Golarz. "'We Own the Night' isn’t just a collection of songs; it’s a journey we’re taking with our fans. It’s about facing the dark moments and finding strength in the aftermath.” 

 

Pre-Order HERE: https://ratpakrecords.com/collections/all-sinners

In addition to the album release, All Sinners will be bringing their high-energy live show to stages across the U.S., with a string of upcoming show dates. Fans can expect an unforgettable mix of new material from We Own the Night alongside favorites from their catalog.

 

Upcoming Show Dates:

November 5, 2025 Dokken with All Sinners at Whisky A Go Go – Hollywood, CA

November 14, 2025 Dangerous Toys All Sinners / Wreckless Child at Rochester Opera House – Rochester, NH

November 15, 2025 Dangerous Toys All Sinners / Pink (Acoustic) at The Met – Pawtucket, RI

November 29, 2025 All Sinners at Purchase Street Records – New Bedford, MA

December 18, 2025 That Metal Show – Annual Holiday Bash Hosted by: Eddie Trunk – Don Jamieson – Jim Florentine 

FEATURING: Lashing Wire / All Sinners / After Forever at Dingbatz – Clifton, NJ

December 20, 2025 Warrant with All Sinners at Tupelo Music Hall – Derry, NH

February 26, 2026 George Lynch with All Sinners at Racket NYC – New York, NY

February 27, 2026 George Lynch with All Sinners at Empire Live – Albany, NY

February 28, 2026 George Lynch with All Sinners at Fete Music Hall – Providence, RI

March 1, 2026 George Lynch with All Sinners at Tupelo Music Hall - Derry NH 

 

All Sinners:

Mike Golarz - Vox/Guitar 

Nick Testone - Lead Guitar

Bruce Morrison - Bass

Roger Chouinard - Drums

 

For More Information Please Visit:

Official Website

Facebook

Instagram

Spotify

NIGHT TERROR'S FIRST SINGLE AND VIDEO “REMEDY IS IN THE POISON” IS OUT ON OCTOBER 31ST THROUGH DEKO ENTERTAINMENT

Meet NIGHT TERROR…the supergroup rising from the newly energized ashes of Seven Witches, and the brainchild of acclaimed guitarist, Jack Frost. Frost, who besides being the face of Seven Witches, is best known for playing & touring with national acts such as Aldo Nova, Savatage, Joey Belladonna, Lizzy Borden and many others, put together this monster all-star band of who’s who in metal today. The line-up consists of vocal legend Jason McMaster of Dangerous Toys & Watchtower, drum icon Karl Wilcox of Diamond Head, TANK & Brothers In Arms, bassist extraordinaire, Dennis Hayes of Iced Earth & Seven Witches, and also esteemed special guest on keys, Eric Ragno of Londen.

Night Terror’s debut album Return Of The Witches will bring you back to the era of the famed Seven Witches, Passage To The Other Side record, with its screaming Halford-like vocals & riffs of pure, unapologetic metal at its finest. That combined with killer thunderous drums and sick bass runs, will take you on a journey to those past days of the early 80’s, and the rise of the New Wave of British Heavy Metal. Frost’s mission in putting together this newest project with some of the industry’s most quintessential players, was not to reinvent the wheel…but rather to resurrect it. As he states, “Night Terror is very special to me. Up from the ashes of Seven Witches. I wanted to do more in that power metal vein. And having the opportunity to work with Jason was a magical moment. He’s one of the greatest voices of that classic NWOBHM. And my boys Dennis and Karl just brought it. This EP is true classic Metal. Horns Up!"

Watch “Remedy Is In The Poison” Video Below.

McMaster continues, "This collection of tunes was an honor to put together with these guys. Jack's guitar playing is taking my brain, and my guts to places in my subconscious.  These places are where I float around and create melodies and topics for lyrics. I feel we are keeping a style of breathing. If you like Dio, Sabbath, UFO, and NWOBHM, this could be satisfaction." The first single and video “Remedy Is In The Poison” is out on Halloween with the full album dropping in early December. There are a limited number of autographed bundles signed by the entire band, so don’t miss out on owning a piece of this soon to be classic NWOBHM release.

Order here: https://www.dekoentertainment.com/inthesquare/night-terror

For more information, visit

www.dekoentertainment.com/

Deko Entertainment–Art Has Value

Singer/Songwriter Kaitlin Butts Signs to Republic Records; New 'Yeehaw Sessions' EP Coming Nov. 14

Gaining traction as one of country music’s fastest-rising artists, acclaimed Nashville-based singer, songwriter, and performer Kaitlin Butts will unveil her new Yeehaw Sessions EP on November 14, 2025. It notably marks the celebrated rising star's debut under her recently minted deal with Republic Records. Pre-order/Pre-save Yeehaw Sessions EP HERE.
 
"From releasing my album over a year ago as an independent artist, to having a viral song, to now signing a record deal with such a prestigious label like Republic Records, the journey has felt nothing short of surreal,” shares Butts. "I’m so inspired by the Republic team and how their vision aligns with the dreams that I’ve always had for myself.”
 
Kicking off this next chapter in earnest, she just shared a powerfully moving cover of the Jimmy Eat World classic “The Middle” giving fans the first taste of the forthcoming  EP. Listen to “The Middle” Below.
 
The woman declared “unafraid to test boundaries,” by Rolling Stone, spikes this pop-punk staple with serious Oklahoma soul. Stripping back the arrangement back to bare acoustic guitar, slide, fiddle, and dobro, her vocals especially shine as she delivers the instantly recognizable hook with a whole lot of heart. Ultimately, this version of “The Middle” illuminates Butts’ impressive range and uncanny ability to make even the most recognizable track her own with respect and reverence.

"It has been such an incredible year! And in the midst of these great things — viral songs, huge tour opportunities — all that positive attention can bring with it some negative moments too. I was feeling particularly down about myself after some of those negative comments online and starting to wonder if maybe they were right. Then one night at karaoke with friends — because that’s what I, as a professional singer, do to make myself feel better,” Butts shares with tongue firmly planted in cheek, “this girl started singing 'The Middle,' a song that I was very familiar with but reading the lyrics on the screen, it was the first time I was able to take in what the song meant and I started to tear up. I needed to hear those words in that exact moment. It was a reminder to me that I’ve worked my entire life for this dream, and I’ll be damned if I let some keyboard warrior rain on my parade. I hope my version meets someone the way that song met me in that moment."
 
On the music video, she shares: "In Jimmy Eat World’s original music video, a girl shows up to a party, strips her coat at the door and walks into a party where everyone is in their underwear. In this video, I wanted to pay tribute to that and throw my band in the back of a truck like we were on our way to that party,” Butts says. "I called up Chris Beyrooty to direct and we headed to Taylor Sheridan’s Bosque Ranch in Weatherford, TX. With the band dressed in their skivvies, we hit record and captured something hilariously beautiful." 
 
In the spirit of her first covers EP, 2022’s Sad Yeehaw Sessions, the Yeehaw Sessions sees Butts re-record, reimagine, and reinvigorate a handful of personal favorite tunes accompanied by her live band. 
 
“A couple years ago I put out an EP called Sad Yeehaw Sessions, a collection of sad covers that I have always loved and wish I had written myself.” Butts shares. “It fit perfectly with my album at the time, What Else Can She Do, which I had written during a difficult time in my life. After releasing Roadrunner!, which features much happier songs, I wanted folks to know that there were brighter days ahead. In keeping with that theme, we've created the antithesis of Sad Yeehaw Sessions, something upbeat, rowdy and fun….all cover songs that I’ve been performing live the last couple years."  
 
After road-testing these renditions much to the delight of audiences everywhere, she has outfitted the EP with covers of “Red Wine Supernova” by Chappell Roan, “Sin Wagon” by The Chicks,” “Tulsa Time” by Don Williams, as well as “The Middle.” Plus, it boasts a new recording of her viral hit “You Ain’t Gotta Die (To Be Dead to Me),” infusing it with a rush of energy.

She will celebrate the arrival of Yeehaw Sessions on November 14 with a very special headline show at the largest honky-tonk in the world—Billy Bob's in Fort Worth, TX. Tickets are available HERE.
 
Throughout 2025, she has captivated crowds everywhere on tour with Sierra Ferrell, Lainey Wilson, Molly Tuttle, Wyatt Flores, The Lone Bellow and Flatland Cavalry. Renowned for her stage presence, she’s also played with the likes of Ella Langley and Brothers Osborne in addition to electrifying festivals, including Lollapalooza, Two Step Inn,C2C, and Breakaway Festival. Not to mention, Opry NextStage touted her among its “Class of 2025,” and CMT named her as part of its CMT Next Women of Country Class of 2025.
 
For the latest news and tour dates visit kaitlinbutts.com, and follow along on Instagram, Facebook and @kaitlinbutts and on TikTok @kaitlinbuttsmusic.