BIG ASS TRUCK I.E. ANNOUNCE DEBUT EP, FOUND ON ROAD DEAD, OUT OCT 20TH VIA NUCLEAR BLAST RECORDS

Inland Empire purveyors of vehicular hardcore mayhem BIG ASS TRUCK I.E. have announced their catastrophic debut EP, FOUND ON ROAD DEAD, arriving digitally and on limited edition vinyl October 20th via Nuclear Blast Records.

Along with the EP announcement, BIG ASS TRUCK I.E. have unleashed its bludgeoning first single, “DRAGGING MEAT,” accompanied by a music video directed by Astral Media/Zack Perez that captures the band’s full-throttle collision of hardcore, concussive breakdowns and monster trucking chaos.

Commenting on the impending record and new single, vocalist Abel Abarca states:

“We’re super stoked to finally get these tracks out into the world. Starting with ‘DRAGGING MEAT’ only made sense with how hard it hits, this song has become one of our favorites we've made and we cant wait to bring it out to our live shows this October/November.”

FOUND ON ROAD DEAD will be available on all digital music services as well as on limited edition 10” “Tire” vinyl and merch on October 20th.

Stream “DRAGGING MEAT”:
https://bigassmftruck.bfan.link/dragging-meat

Pre-Order/Pre-Save FOUND ON ROAD DEAD:
https://bigassmftruck.bfan.link/found-on-road-dead

The EP arrives as BIG ASS TRUCK I.E. prepares to take its high-octane live show across North America on an extensive fall headline tour. The run kicks off on October 20th in San Diego and features a rotating lineup of CHAMBER, MUGSHOT, LOAD THA NINE, SURFACED, RESTRICTOR PLATE and LIE, along with festival appearances at Furnace Fest and Warped Tour Orlando.

Following that, BIG ASS TRUCK I.E. will head to the UK in January for a headlining tour with support from local hardcore crew PINTGLASS. Tickets are available now at https://bigasstruckie.com/.

NORTH AMERICAN TOUR DATES:

Oct 10 - Birmingham, AL - Furnace Fest

Oct 20 - San Diego, CA - Corazon Del Barrio^

Oct 21 - San Francisco, CA - Neck of the Woods^

Oct 23 - Portland, OR - High Limit Room^

Oct 24 - Spokane, WA - The District Bar^

Oct 25 - Seattle, WA - El Corazon^

Oct 26 - Boise, ID - The Shredder^

Oct 28 - Denver, CO - Ante Up^

Oct 30 - Minneapolis, MN - Underground Music Venue*

Oct 31 - Chicago, IL - Gods of Chaos

Nov 1 - Milwaukee, WI - X Ray Arcade*

Nov 2 - Detroit, MI - Catacombs at the Sanctuary*

Nov 3 - Pittsburgh, PA - Preserving Underground*

Nov 4 - Cleveland, OH - Mahall’s*

Nov 5 - Toronto, ON - Hard Luck Bar*

Nov 7 - Hartford, CT - Webster Underground#*

Nov 9 - Baltimore, MD - Metro Gallery#*

Nov 10 - Worcester, MA - Palladium Upstairs#*

Nov 11 - Brooklyn, NY - Saint Vitus#*

Nov 12 - Philadelphia, PA - Ukie Club#*

Nov 13 - Richmond, VA - Canal Club#*

Nov 14 - Atlanta, GA - Masquerade (Purgatory)#*

Nov 15 - Orlando, FL - Warped Tour Orlando

Nov 17 - Houston, TX - The End~

Nov 18 - Dallas, TX - Three Links~

Nov 20 - San Antonio, TX - Rock Box~

Nov 23 - Mesa, AZ - Rosetta Room~

Nov 24 - Las Vegas, NV - American Legion Post 8~

Nov 25 - Pomona, CA - The Glass House

^Load Tha Nine

#Restrictor Plate

*Surfaced

~Lie

UK TOUR DATES:

Jan 1 - Newcastle, UK - The Grove

Jan 22 - Glasgow, UK - Classic Grand

Jan 23 - Liverpool, UK - Rough Trade

Jan 24 - London, UK - Downstairs at The Dome

Jan 25 - Nottingham, UK - Rescue Rooms

Jan 27 - Leeds, UK - Boom

Jan 28 - Bristol, UK - Exchange

Jan 29 - Portsmouth, UK - Kola

Jan 30 - Birmingham, UK - Flapper

Jan 31 - Manchester, UK - Rebellion

Feb 2 - Dublin, IE - The Grand Social

Feb 3 - Belfast, UK - The Limelight 2

About BIG ASS TRUCK I.E.:

Born in the Inland Empire. Fueled by diesel and bad decisions.

2000 horsepower breakdowns. 12-ton riffs. Anyone in the way catches the back wheel stomp.

Not a band. A wrecking crew on bald tires.

BIG ASS TRUCK I.E. isn’t here to partake in hardcore. It’s here to run it over, back it up, and run it over again.

Big riffs. Big energy. BIG ASS TRUCK.

Follow BIG ASS TRUCK I.E.:

Instagram | X | Bandcamp | Spotify | Apple Music

VRSTY Share "dear whoever" Video — WATCH // New Album "ícon" Out 10/23

New York City-based collective VRSTY (pronounced "Varsity") are known for being fearless when it comes to experimenting with musical boundaries. Effortlessly blurring, blending, and bending the lines between genres, they craft their own unique brand of alt pop, hard rock, and R&B that doesn't have a name but it's DNA-distinct, and distinctly VRSTY.

They will release their new album ícon. It arrives on October 23 via Spinefarm. Pre-order it here. 

They drop "dear whoever." Watch the video below.

ABOUT VRSTY:
VRSTY make music as energetic and richly diverse as the city that spawned them. Assembled by band leader Joey Varela, a Puerto Rican singer from New York City raised on R&B, pop, and Spanish music and equally inspired by metallic post-hardcore, VRSTY blend genres with fearless ambition and visceral enthusiasm. A handful of EPs preceded 2020's debut album, Welcome Home, itself followed by a three-part series of sequel EPs solidifying the band's reputation.  
 
VRSTY specialize in what Kerrang! described as "endless grooves and danceable parts, punctuated by breakdowns and completed with dark atmosphere." Meanwhile, "Massive," from 2020's Cloud City EP, remained the Most Played on SiriusXM's Octane for two consecutive weeks. In a 9/10 review, Outburn described Welcome Home as "effortless, fun, and above all genuine." Blabbermouth raved, "While other bands may have introduced the concept of genre-bending, VRSTY have refined it."
 
Levitate, the band's sophomore set, was powered by spirited conviction and a commitment to follow their muse wherever it leads. Tyler co-produced Levitate with Justin Deblieck (Ice Nine Kills, Motionless In White, Lorna Shore, Fit For A King).
 
VRSTY have commanded the crowd anytime they perform, connecting with anyone who struggles with feelings of low self-worth, bad relationships, or generally feels like an outsider. It’s a feeling of shared community evident on the band's tours with the likes of 10 Years, Nonpoint, Secrets, and For The Fallen Dreams, among others.

Ultimately, VRSTY aim to encourage, provoke, and inspire listeners in the next era of their career, which starts with icon.

NIGHT COBRA Announces Sophomore Full-Length, Unleashes First Single, "Keepers Of The Cult"

Forged in the asphalt-cracked underbelly of Houston, TX, NIGHT COBRA unleashes a blistering, high-octane take on razor-sharp heavy metal. Following their celebrated debut album released in 2022 on High Roller Records the band returns sharper, leaner, and more dangerous than ever with a new union with independent heavy metal purveyor Nameless Graves Records. Mixed by the great Mike Exeter (Black Sabbath, Judas Priest, Ozzy Osbourne, etc.), 'Beware the Dark Future' is due on November 6 with two stunning vinyl variants, CD, and digital formats. The "Keepers of the Cult" are now unleashing the anthemic first single, which can be found below.

'Beware the Dark Future' is now available for pre-order via Nameless Graves for CD HERE and vinyl HERE. The single will be available digitally at a later date.

NIGHT COBRA frontman Christian "Bakka" Larson comments, "As the world crumbles we give you an offering of apocalyptic heavy metal. This album is for those without hope and know that humanity has no future...."

Forged in the asphalt-cracked underbelly of Houston, TX, trad metal revivalists NIGHT COBRA unleashes a blistering, high-octane take on razor-sharp heavy metal designed to blow the future apart. Following their celebrated debut album released in 2022 on High Roller Records the band returns sharper, leaner, and more dangerous than ever with a new union with independent heavy metal purveyor Nameless Graves Records.

Fronted by Christian "Bakka" Larson, the driving force behind Necrofier, veteran of Eternal Champion and Venomous Maximus, and visionary creator/producer of the powerhouse Hell's Heroes festival, Night Cobra carries the torch of true metal pedigree while injecting it with a lethal dose of swagger and attitude that can only come from a band that calls Texas home. The album was mixed by the great Mike Exeter (Black Sabbath, Judas Priest, Ozzy Osbourne) and also marks appearances from Texas metal masters Dobber Beverly (Necrofier, Insect Warfare, Oceans of Slumber) and Trevi Biles (Venomous Maximus). The album is bolstered by a guest appearance from James Rivera (Helstar, ex-Destiny's End, ex-Vicious Rumors, ex-Malice). 

Recording Lineup:

Christian Bakka - Vocals/Synth

Brandon Barger - Guitar

Bill Fool - Guitar

Trevi Biles - Bass

Dobber Beverly - Drums 

Live Lineup:

Christian Bakka - Vocals/Synth

Brandon Barger - Guitar

Bill Fool - Guitar

Trevi Biles - Bass

Anthony Vallejo - Drums 

Special Guest:

James Rivera (Helstar, ex-Destiny’s End, ex-Vicious Rumors) on "Cry for Blood" and "Starlight"

Album credits:

Recorded at Southwing Audio & Shadow Wind Studios 

Mixed by Mike Exeter (Black Sabbath, Judas Priest, Ozzy Osbourne)

Mastered by Peter Hewitt-Dutton at The Bakery

Layout by Subhuman Being

Cover Artist: Calvin Cushman 

Links:

BANDCAMP

E-SHOP

FACEBOOK

INSTAGRAM

YOUTUBE

SPOTIFY

APPLE MUSIC

Molly Hatcher Drop "Once A Gambler" Video — WATCH

Southern Rock legends Molly Hatchet released their new single and video "Once A Gambler" today. The song is taken from the upcoming studio album Lost Horizon.

Watch the video below.

Guitar player Bobby Ingram says, "Win or lose, playing the game, living your life at high speed. Gambling that the winner takes it all. Once a gambling man, always a gambling man, with every aspect of life. Always thinking you are ready to bet it all, having a fierce attitude with no regrets. Living everyday with the positive attitude of betting everything. Even if losing it didn't matter. The next day you were back at sitting down and gambling to win as much as you can. Never looking back, always looking forward and betting on your life's winning to live another day and start it all over again but in another town when the winnings were good."

TOUR DATES:
10/2 — Murphys, CA — Ironstone Amphitheater
10/3 — Madera, CA — ApCal Rock N' Ranch Amphitheater
10/10 — Miami, OK — Buffalo Run Casino
10/11 — Phoenix, AZ — Celebrity Theatre
10/17 — Ponte Vedra Beach, FL — Ponte Vedra Concert Hall
10/23 — Peekskill, NY — Paramount Hudson Valley Theatre
10/24 — Jim Thorpe, PA — Penn's Peak
10/30 — Bristol, TN — The Paramount
11/12 — Nashville, IN — Brown County Music Center
11/14 — Wisconsin Dells, WI — Crystal Grand Music Theatre

GRAVE DIGGER Release New Single + Lyric Video "The Number"

German heavy metal legends GRAVE DIGGER present “The Number”, the new single from their upcoming studio album Faces of Pain, set for release on January 15, 2027 via Reaper Entertainment. With “The Number”, GRAVE DIGGER reveal a particularly intense side of their new album. Musically, the track is built around a powerful, riff-driven mid-tempo foundation, a massive chorus and Chris Boltendahl’s unmistakably rough vocals. Its dark and menacing atmosphere provides the setting for a subject that is particularly close to the GRAVE DIGGER frontman’s heart.

Watch the official lyric video for “The Number” Below:

Chris Boltendahl comments on “The Number”:

“THE NUMBER is far more than just a song – it is a cry against forgetting and a memorial to humanity.

We look back at one of the darkest chapters in history. There was a time when people were stripped of their names, their identities and their dignity. Instead, numbers were burned into their skin. They were no longer seen as human beings, but treated like animals – trapped in an unimaginable system of systematic inhumanity.

When we look at the world today, a justified fear begins to creep in: the fear that these horrific times, in a different form, could one day return. That we might forget where hatred and the dehumanization of others can lead.

This is exactly where THE NUMBER comes in. This song is an unequivocal statement against the horrors of the past. Against what happened and what none of us ever want to experience again. But despite its serious and historical context, the song carries an even more important message: it is a symbol of hope. A sign for peace, for the inviolable dignity of every human being and for a future in which every name matters and every individual is free to be who they are.”

“The Number” offers another taste of Faces of Pain. Following the straightforward old-school approach of their 45th-anniversary album Bone Collector, GRAVE DIGGER continue down this path with a record that sees the band as energetic, uncompromising and diverse as ever.

Razor-sharp riffs, massive choruses and Chris Boltendahl’s unmistakably rough vocals form the backbone of the album. Fast-paced heavy metal bangers such as “Faces of Pain” and “Satan’s Tango” meet riff-driven mid-tempo anthems including “The Number”, “Legends Never Die” and “When The World Is Calling You”, while “Dead Sun” and “Say Hello To The Devil”reveal the band at their heaviest and darkest.

Pre-orders for the new GRAVE DIGGER album are now open. Faces of Pain will be released on January 15, 2027 via Reaper Entertainment and is available in various formats and limited editions.

Pre-order “Faces of Pain” here: https://lnk.to/FacesOfPain
 

More than 45 years after their formation, GRAVE DIGGER show no signs of slowing down. Faces of Pain is an album packed with energy and classic heavy metal – firmly rooted in the band’s history while looking straight ahead.

The album was produced by Chris Boltendahl at Graveyard Studios in Senden, Germany. 

The cover artwork was created by Uwe Jarling.

Starting in January 2027, GRAVE DIGGER will also bring the new material to the stage. On the “Legends Never Die Tour”, fans can experience the unbroken live power of this German heavy metal institution.

LEGENDS NEVER DIE TOUR
GRAVE DIGGER
MOTORJESUS
WARWOLF

14.01.2027: Siegburg – Kubana Live Club
15.01.2027: Münster – Sputnikhalle
16.01.2027: Andernach – JUZ Live Club
21.01.2027: Nürnberg – Hirsch
22.01.2027: Memmingen – Kaminwerk
23.01.2027: München – Backstage
24.01.2027: (CH) Pratteln – Z7 Konzertfabrik
28.01.2027: Aschaffenburg – Colos-Saal
29.01.2027: Mannheim – Capitol
30.01.2027: Leipzig – Hellraiser
04.02.2027: Berlin – Hole 44
05.02.2027: Hamburg – Markthalle
06.02.2027: Hannover – MusikZentrum
12.02.2027: Markneukirchen – Musikhalle
13.02.2027: Bochum – RuhrCongress

Tickets: https://www.rockworld24.com/smartlinks/rockworld24/grave_digger_live.html

For More Information Please Visit:

Official Website

Instagram

Facebook

Spotify

TWISTED SISTER ANNOUNCE TOTALLY TWISTED – THE STUDIO ALBUMS 1982–1987

BMG, in partnership with Rhino Entertainment, announces the release of Totally Twisted – The Studio Albums 1982–1987, a celebration of one of the most explosive and influential periods in rock history with a collection that brings together Twisted Sister’s classic studio albums from 1982 through 1987.

Available as a 5-color-LP box set and a 5CD box set—Totally Twisted chronicles the era in which Twisted Sister evolved from a New York City club phenomenon into an international heavy metal powerhouse.

The collection features five landmark studio albums:

• Under the Blade 

• You Can’t Stop Rock ’n’ Roll

• Stay Hungry

• Come Out and Play

• Love Is for Suckers

Together, the albums capture the full arc of Twisted Sister’s defining ’80s run and present the complete studio-album story of a band whose music, imagery and larger-than-life personality helped define an era.

The 5-color-LP edition presents each album on its own uniquely colored vinyl, creating a striking collector’s package designed for fans who want to experience these essential recordings in the classic album format. 

With its combination of hard-rocking attitude, unforgettable songs and unmistakable visual identity, Totally Twisted – The Studio Albums 1982–1987 is an essential collection for longtime Twisted Sister fans and a definitive introduction for a new generation of rock fans.

PRE-ORDER HERE

About Twisted Sister

Formed in New Jersey in the early 1970s, Twisted Sister emerged as one of heavy metal’s most distinctive and successful bands, combining powerful riffs, anthemic choruses, theatrical imagery and an unmistakable spirit of rebellion.

The band’s best-known lineup—responsible for its first four albums—featured Jay Jay French (guitar), Eddie “Fingers” Ojeda (guitar), Dee Snider (lead vocals), Mark “The Animal” Mendoza (bass) and A.J. Pero (drums). Following the Come Out and Play tour, Pero departed the group and was succeeded by former Good Rats drummer Joey “Seven” Franco, who performed on the band’s 1987 album, Love Is for Suckers.

Twisted Sister achieved international breakthrough success with the release of Stay Hungry in 1984. Certified multi-platinum in the United States, the album produced two of the era’s most enduring rock anthems, “We’re Not Gonna Take It” and “I Wanna Rock,” propelling the band to worldwide prominence.

With their uncompromising sound, iconic music videos and larger-than-life visual identity, Twisted Sister helped define the musical and cultural landscape of 1980s heavy metal. Their enduring catalog and singular approach to performance continue to resonate with generations of rock and metal fans around the world.

Japanese Melodic Power Metal Force HAGANE Sign With Napalm Records!

Napalm Records is thrilled to welcome Japanese melodic power metal force HAGANE to the family!

Hailing from Tokyo, HAGANE have been making waves since their formation in 2018 with their energetic blend of soaring melodies, powerful riffs, lightning-fast guitar work, and infectious songwriting. After captivating audiences in Japan, HAGANE made a strong impression on European soil this summer at Germany's renowned Rockharz Festival, proving that their high-energy performance and melodic metal have what it takes to connect with audiences far beyond their home country.
 
Now, HAGANE are ready to enter their next chapter with Napalm Records. The band has signed a worldwide physical deal, excluding Japan, with the Austrian rock and metal label for their upcoming studio album Through the Night. Set for physical release outside Japan on January 15, 2027, the album showcases HAGANE's unique take on melodic power metal, combining epic melodies, powerful vocals, technical musicianship, and an unmistakable Japanese spirit. Through the Night marks an exciting new chapter for the band and their growing international fan base.

HAGANE comment:
''We have signed a worldwide agreement—excluding Japan—with the Austrian label Napalm Records. This prestigious metal-specialized label is home to numerous world-renowned acts, including DragonForce (whose songs have been covered on YouTube by Sakura and JUNNA), Kamelot, Accept, Frozen Crown, and Alter Bridge. Through this partnership, the new album Through the Night will be released globally on both CD and vinyl. Please stay tuned for HAGANE's future activities on the global stage.''

Napalm Records Senior A&R Sebastian Münch about the signing:
''HAGANE absolutely impressed us at this year's Rockharz Festival. For fans of melodic power metal, this is definitely a band to watch! A big thank you to our Japanese partners at Euclid Agency and Eagletail Music for the great collaboration.''

Pre-order your copy of Through the Night HERE.

HAGANE LIVE 2027

In spring 2027, HAGANE will return to Europe for four shows, bringing Through the Night to stages in Germany and Denmark. Following their impressive Rockharz appearance, the shows will give fans the chance to experience the band’s explosive live energy up close. With a new album, a new label home, and plenty of momentum behind them, HAGANE are ready to take their next step on the international metal stage.

EUROPE 2027:
4/9 — Roskilde, DK — Epic Fest
4/13 — Berlin, DE — Lido
4/14 — Hamburg, DE — Markthalle
4/16 — Köln, DE — Club Volta

HAGANE ARE:
Nagi — Vocals + Guitars
Sayaka — Bass guitar
Sakura — Guitars
Juuna — Drums

Void Sector Zero Announce Thrashing Debut Album Dead Space Enigma

Powered by the gravitational pull of a thousand suns, Void Sector Zero brings together three of extreme metal’s brightest burning stars in guitarist Christian Muenzner (Necrophagist, ex-Obscura, ex-Alkaloid), vocalist and bassist Alex Weber (Revocation, Malignancy, Exist), and drummer Gabe Seeber (Decrepit Birth, Abigail Williams, Carach Angren). While inspired by past greats, the star-powered band’s upcoming debut album, Dead Space Enigma, shreds a hole through the space time continuum with their modern spin on progressive thrash metal.      

Today, Void Sector Zero are announcing Dead Space Enigma with a music video for the album’s stellar lead single. “Vortex Divinium” whirls at warp speed through Area 51.  

“This song was inspired by Bob Lazar’s story about Element 1-15, the element that he says was used to fuel the anti-gravity propulsion system of the alien space craft that he was working on”, Muenzner says. “Musically, the song has a very proggy and neoclassical twist with traces of ‘70s prog and jazz fusion”.

Watch the music video for “Vortex Divinium” below:

Dead Space Enigma comes out December 11, 2026 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/voidsectorzerodse

The stars of Void Sector Zero first crossed paths in 2022. Muenzner, Weber and Seeber hit it off while all three were playing together in Obscura during the world tour for A Valediction.

“I’ve always wanted to play tech-thrash”, Muenzner says, citing Coroner, Voivod, Toxik, Martyr, Hexenhaus and Aspid as personal favorites. “When I decided to start my own band in this style, I thought of Alex and Gabe. Not only are they both great players, but I knew from our time in Obscura that we had great chemistry both on and off stage”.

“I am extremely excited to be creating music with Christian and Alex as Void Sector Zero”, drummer Gabe Seeber says. “Playing with musicians of this caliber will push me to progress and become a better musician, and there’s no better label to represent us and this sound than Season of Mist”.  

“Dead Space Enigma was a real blast to work on”, vocalist and bassist Alex Weber says. “Chris wrote a very demanding set of tunes that really pushed my bass and vocal techniques to new levels. To date, I feel like this album has the best recorded bass tone that I’ve ever gotten. It also led me to try new things with my voice that I didn’t know I could do. I can’t wait for everyone to hear it!”

Despite the band’s lengthy incubation period, Void Sector Zero hatch something truly mind-blowing on Dead Space Enigma. Fueled by Seeber’s adroit maneuvering from behind the drum kit, “Vortex Divinium” zips through Lazar’s twisted tale from Area 51. “Become god in the blink of an eye”, Weber growls with superhuman force. Catchy melodies fall atop gravity-defying bass runs like stardust as Muenzner shoots off into a shimmering solo that’s more well-traveled than Halley’s Comet.

“Bluesy guitarists like Jimi Hendrix and Robin Trower influence my approach to soloing as much as Yngwie Malmsteen and other great metal guitarists”, Muenzner says. “Whether it’s neoclassical or classic heavy metal, I like to add contrasts to my solos by introducing new colors”.

The video for “Vortex Divinium” was filmed and directed by Jesus Hernandez.  

Despite the band’s lengthy incubation period, like an experiment secreted at Area 51, Void Sector Zero hatch something truly mind-blowing on Dead Space Enigma. The album isn’t bound to one particular concept, but each song opens another portal into science fiction or cosmic horror. Lead single “Vortex Divinium” whirls at hyper speed through the warped mind of Bob Lazar. Propelled by gravity-defying bass runs, a dizzying guitar solo shreds the cosmic divide between tech-trash,‘70s prog rock and jazz fusion.

“Bluesy guitarists like Jimi Hendrix and Robin Trower influence my approach to soloing as much as Yngwie Malmsteen and other great metal guitarists”, Muenzner says. “Whether it’s neoclassical or classic heavy metal, I like to add contrasts to my solos by introducing new colors”.    

While Void Sector Zero gravitate toward tech-thrash, Dead Space Enigma is teeming with life-forms from across the metal universe. Guest vocalist Morean commands the freakishly fast march of “Cybernetic Infantry” from behind an eerily catchy vocoder. Under the influence of hard rock and trad metal, the twisted time signatures of “Extraterrestrial Disassembly” unravel into a DMT trip gone horribly wrong. “I like albums that offer an escape from reality”, Muenzer says. “Ammutseba” bangs heads in honor of the great Lovecraftian deity, but the all-consuming power of its chorus speaks to this band’s place amongst the gods of extreme metal. “A prophecy / Was once foretold”.  

On Dead Space Enigma, Void Sector Zero emerge with a star-studded explosion of progressive thrash metal.

Lineup

Christian Muenzner - Guitars, Synth

Alex Weber - Vocals, Bass

Gabe Seeber - Drums

Guest musicians
Morean (Alkaloid, ex-Dark Fortress) - Vocals on "Dead Space Enigma" & "Extraterrestrial Disassembly"

Recording credits
Guitars and synths recorded at Shredquarter Studios in Mexico City.
Bass and vocals recorded at Alex Weber's home studio.
Drums recorded at Mayhemeness Recording Studio in Sacramento, California.

Production credits
Produced by Christian Muenzner, Pere Revert and Alex Weber.
Mastering, Mixing & Sound Engineer - Pere Revert
Mastering & Mixing Studio - SONNOS Andorra
Drums engineered by Robert Swanson

Cover art
Tim Kokott

Pre-order & Pre-save

https://orcd.co/voidsectorzerodse

Available Formats
​​​​​CD Digipak
12" Vinyl Gatefold (Black)
12" Vinyl Gatefold (Transparent red and black marbled)
12" Vinyl Gatefold (Transparent blue, black and white marbled)

Follow Void Sector Zero

Facebook:https://www.facebook.com/p/Void-Sector-Zero-61573165450159/

Instagram: https://www.instagram.com/voidsectorzero/

Bandcamp:https://voidsectorzero.bandcamp.com/album/dead-space-enigma

Apple Music: https://music.apple.com/us/artist/void-sector-zero/6804730839

Spotify: https://open.spotify.com/artist/3lU80TNIsN89szETw3iTTD

BRYMIR Cover Scooter's "How Much Is The Fish" + Video!

In the midst of their darkest album to date, Finnish melodic death metallers BRYMIR show their fun side with an unexpected cover. Reworking Scooter's Eurodance classic ''How Much Is The Fish,'' the quartet delivers an additional nod to their stance against ocean pollution, ''Herald of Aegir," from the previous album, Voices In The Sky (2022). Live performances of the song regularly see salmon plushies in the audience, just like live pre-tastes of ''How Much Is The Fish'' over the festival summer have called fans into their very own ''fish pit." BRYMIR certainly know how to hype up their album!

What We Leave Behind releases this Friday, October 2, 2026 via Napalm Records. The band is currently playing release shows in their native Finland and will tour Europe in February and March 2027 — find all dates below.

BRYMIR about "How Much Is The Fish":
''As the album on the whole is definitely the darkest we've done so far, musically and thematically, we wanted to close the album with a bonus song of something defiantly upbeat and silly… And as children of the ever-hopeful golden age of the Eurobeat, we found the perfect song in this classic. When life gives you lemons, transform the juice and keep asking the important questions—like 'How Much is the Fish'? If anybody finds the answer, please contact us immediately.''
 
Watch the Official Music Video for "HOW MUCH IS THE FISH" BELOW:

Helsinki-based BRYMIR make a strong case for melodic death metal with What We Leave Behind, coming October 2, 2026 via Napalm Records! In a darkening world full of existential dread, the Finnish band — singer Viktor Storm Gullichsen, guitarist Joona Björkroth, bassist Jarkko Niemi, and drummer Patrik Fält — takes a stand with their most sinister album yet. Again heavily influenced by their singer’s main job as a movie sound designer, BRYMIR create vast cinematic soundscapes around their sometimes bleak, sometimes hopeful, but always honest messages.
 
Strongly tied to current societal developments, BRYMIR deliver an equally raw and fantastical album. Their darkest output yet, the band’s fifth album hits especially hard—and leaves absolutely no open questions behind. As introspective as it is outspoken, What We Leave Behind is an epic plea for humanity.

BRYMIR about What We Leave Behind:
"Since our previous album, the world certainly hasn't gotten any lighter—and as art reflects life, our fifth album, What We Leave Behind, is the darkest creation we've made so far. Both musically as well as thematically… 'What We Leave Behind?' is the core question explored from many perspectives: from personal hopes, dreams, and fears to societal developments to dark sci-fi and existential despair. Join us on this dark emotional journey, at times violent, at times beautiful, and always honest in baring the soul of what is BRYMIR — no compromise, everything raw and real."

Get Your Copy Of What We Leave Behind NOW.

BRYMIR LIVE 2026:
FESTIVALS:
11/6 — Kempele, FI — ZRock Winter Fest

WHAT WE LEAVE BEHIND TOUR 2026:
WITH SPECIAL GUESTS HORIZON IGNITED + OMNIVORTEX:
9/18 — Vantaa, FI — Skenesali
9/25 — Seinäjoki, FI — Rytmikorjaamo
9/26 — Oulu, FI — 45 Special
10/2 — Tampere, FI — Olympia
10/3 — Lahti, FI — VNUE
10/8 — Jyväskylä, FI — Lutakko
10/9 — Turku, FI — Apollo
10/16 — Kouvola, FI — House of Rock
10/17 — Kuopio, FI — Circus
10/24 — Vaasa, FI — Fanny
10/30 — Hämeenlinna, FI — Suisto
10/31 — Helsinki, FI — Korjaamo

EUROPEAN SPRING 2027:
2/19 — Copenhagen, Denmark — BETA
2/20 — Oslo, Norway — John Dee
2/21 — Stockholm, Sweden — Kollektivet Livet
2/23 — Hamburg, Germany — Knust
2/24 — Aschaffenburg, Germany — Colos-Saal
2/25 — Berlin, Germany — Bi Nuu
2/26 — Stuttgart, Germany — Proton
2/27 — Pratteln, Switzerland — Z7
2/28 — Munich, Germany — Backstage
3/1 — Leipzig, Germany — Hellraiser
3/2 — Neunkirchen, Germany — S. Reithalle
3/3 — Cologne, Germany — Club Volta
3/4 — Sittard, Netherlands — Volt
3/5 — Utrecht, Netherlands — De Helling
3/6 — Bochum, Germany — Gleis 9

BRYMIR ARE:
Viktor Storm Gullichsen — Vocals
Joona Björkroth — Guitars
Jarkko Niemi — Bass
Patrik Fält — Drums

Manchester's CAULBEARERS announce new album, sharing the lead track 'Brothers At The Wheel'

Manchester-based outfit Caulbearers return with ‘Brothers At The Wheel’, an urgent and uncompromising single that confronts the structures of power governing modern life, while ultimately offering solidarity and collective action as an alternative to despair. It's is a rich and timely preview of their forthcoming album 'Come Back Home', out on October 30th via Single Cell Recordings..

A collective of musicians formed in 2007 and led by Damien Mahoney, Caulbearers are known for blending diverse musical styles, including soul, funk, hip-hop, dub, nu jazz, folk and post-punk influences. With contributors hailing from around the UK and Europe, their DIY ethic has coursed through every element of their releases, from design, production, videos and gigs to the recording process itself.

Mixed by Seadna McPhail (Badly Drawn Boy, Jah Wobble, Everything Everything, I Am Kloot, Happy Mondays) and mastered by Jim Spencer (New Order, Johnny Marr, Charlatans, Factory Floor) at Eve Mastering, this song was recorded by Mahoney and Chris Hamilton at Toast Recordings and Seadna McPhail at Airtight Studio..

'Brothers At The Wheel' traces a journey of political awakening - from a naive plea for those in power to change course before disaster hits, to disillusionment at the resulting hollow words and empty promises that leave the status quo intact.

“If we truly consider humanity as a brotherhood and sisterhood of equals, it seems the ultimate betrayal of our family to exploit, to oppress and to victimise others whilst creating structures that concentrate wealth in the hands of an ever-smaller, unaccountable minority,” explains Damien Mahoney.

“The 'wheel' in the title is that system -- a machine built to keep turning for profit and power, regardless of the cost to people, communities, or the planet.”

The song's resolution isn't despair but solidarity: a call for unity at the grassroots level, recognising that the same struggle echoes in other streets, other words, other languages. In resisting the forces intent on dividing us, the lyrics point to real power within the collective -- like a seed that can grow into something more balanced, harmonious, and connected.

The song's urgency isn't just lyrical -- it's built into the music itself. 'Brothers At The Wheel' comes straight out of the traps with an unrelenting groove: strings, bass, and keys locked into a single insistent pattern, guitar answering in the gaps, percussion driving it forward, while the vocal melody cuts its own path in short, sharp phrases that swap between landing on and off the beat.

Past the tempo shift, the song opens into a second movement: a soaring, wordless lament from ethereal folk artist Ruth Blake — beautiful and mournful, yet defiant, a celebration of the human spirit. Underneath, the arrangement builds in waves — guitars layering, cello and violin rising, keys, bass and drums gathering weight — swelling to a crescendo before dissolving.

'Brothers At The Wheel' is available everywhere digitally from September 29th, including  Spotify, Apple Music and Bandcamp, the latter version also including a bonus radio edit, capturing the awakening in full — appeal, disillusionment, and the turn toward unity — within a tighter arc. On October 10, Caulbearers' album release show will take place at The Carlton Club in Manchester, joined by Ruth Blake and number of special guests, and support from John Haycock.

CREDITS

Lyrics & Music written by Damien Mahoney

Damien Mahoney — vocals
Ruth Blake - vocals
Stefan Skrimshire - cello
Will Lenton - keys
Anton Hunter - guitars
Grenville Harrop - drums
Dan Mitchell - bass
Gavin Mullan - percussion
Olivia Moore - violin
Produced & Edited by Damien Mahoney
Mixed by Seadna McPhail at Airtight Studios
Recorded by Chris Hamilton at Toast, Damien Mahoney at Padded Cell & Seadna McPhail at Airtight
Mastered by Jim Spencer at Eve Mastering
Cover design & artwork by Latent Variables
© 2026 Single Cell Recordings

Publicity by Shameless Promotion PR

Keep up with Caulbearers
Website | LinkTree | Bandcamp | Facebook | Instagram | Twitter | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Ruth Blake
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube | Soundcloud | Apple Music | Spotify | Press contact

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KAITLIN BUTTS TAKES HELLO, HONKY TONK LIVE AND IN PERSON WITH SPECIAL TOUR DATES TO CELEBRATE ITS RELEASE

With her fourth studio album Hello, Honky Tonk set to arrive October 30 via Republic Records, Tulsa-born singer/songwriter Kaitlin Butts is taking the album’s colorful cast of characters, theatrical spectacle and late-night energy on the road to celebrate its release with the Hello, Honky Tonk Live and In Person Tour. 

The six-date run kicks off October 29 at Nashville’s Skinny Dennis, the day before the release of Hello, Honky Tonk, before making stops at Honky Tonks across Texas and Oklahoma in December with support from singer/songwriter Meels. Tickets go on sale Friday, October 2 at 10 a.m. CT at kaitlinbutts.com.

“I’ve spent so much time imagining this honky tonk and all the people who inhabit it, so getting to actually bring it to life in the rooms that inspired it feels really special,” says Butts. “I can’t wait to play these songs live and celebrate this record together.”

Hello, Honky Tonk Live and In Person Tour Dates
Oct. 29 — Nashville, TN — Skinny Dennis
Dec. 10 — College Station, TX — Harry’s Northgate
Dec. 11 — Helotes, TX — Floore's Country Store
Dec. 12 — Corpus Christi, TX — Brewster Street Ice House
Dec. 17 — Oklahoma City, OK — Tower Theatre
Dec. 18 — Fort Worth, TX — Billy Bob’s Texas

Named one of Rolling Stone’s most anticipated albums for 2026, Hello, Honky Tonk is a love letter to the honky tonks and nightlife that have shaped Butts while becoming a huge part of her life on the road. Recorded in Nashville with producer Tofer Brown (Carter Faith, Willow Avalon, Little Big Town), the album brings to life a bar like no other, populated by a cast of characters listeners might recognize from the dance floor, behind the bar or from the corner booth.

Inspired in part by the vaudeville vignettes of Chicago and Disney World’s Country Bear Musical Jamboree, Butts envisioned Hello, Honky Tonk as a place where all of these characters could coexist.

“The thought behind the concept was how in Chicago, the character Roxie Hart is dreaming up what her show would look like and all the people in it,” says Butts. “I picture all of this happening at Skinny Dennis here in Nashville. These are all the different people in the room. There's the bar fight that's happening. There's the bad girl that just got off work. There's me being the entertainer. There are so many people that really love the nightlife. It’s a connector for people.”

The upcoming tour follows a string of new music from Hello, Honky Tonk, including the recent releases “What More Could You Want,” “I Wanna Be Bad” and “Never Really Mine.” “What More Could You Want,” a Broadway-ready piano ballad and autobiographical sketch of a performer questioning how much more she has to give, offers an intimate glimpse behind the curtain of the album’s larger-than-life world.

“That song feels exactly word for word what I feel like every day,” says Butts. “This tug and pull of loving this and craving this and loving to be on stage, loving every creative moment but also being stressed out wondering, ‘Do you like me? Do I need to be shinier? Do you want more?’”

The album continues the momentum of Butts’ critically acclaimed Roadrunner! in 2024, a bold reimagining inspired by Rodgers and Hammerstein’s Oklahoma! that landed on numerous year-end best-of lists and featured her viral anthem “You Ain’t Gotta Die (To Be Dead To Me),” which has amassed more than 157 million TikTok views and 67 million global streams.

For the latest news, music and tour dates, visit kaitlinbutts.com and follow @kaitlinbutts on Instagram and Facebookand @kaitlinbuttsmusic on TikTok.

Glasswaves Share "SCARed" — WATCH + LISTEN

Glasswaves, an up 'n' coming, Rochester, New York-based trio that seamlessly blends dark pop, alternative rock, and electronic elements with a heavy and dynamic edge, recently announced their new album while (True). It arrives October 23 via SharpTone Records. Pre-order it here.

The band — Noah Rich [vocals], Owen Miller [guitar], and Brendan Curtis [bass] — shares "SCARed."

Watch the visualizer below. 

The track is at once gorgeously creepy and crushing. It will escort you down the darkest hallways of your mind and grab you by the back of the neck with its artful ferocity.
 

"'SCARed' captures that moment when your thoughts turn to static, and you can't tell what's real, what's memory, or what's just yourself unraveling," explains Noah about the song's inspiration point. "From the moment Owen, our producer, and I got in the room with this song, we knew it was something special."

Regarding the album as a whole, Noah states, "while(True) is our most ambitious and personal release yet. Through the story of a failing medical technology company experimenting with dream manipulation, we explore themes of trauma, addiction, perception, and the unseen forces that shape the way we think. More than anything, this album represents our growth as writers. We challenged ourselves creatively, stopped following expectations, and made the record we truly wanted to make. We can't wait for people to experience the world of while(True) and find their own meaning within it."

In an effort to seemingly better understand and treat trauma, addiction, and obsession, a med-tech company called Liminal-Neuro runs psychological tests on various subjects by administering an experimental drug labeled "Neuro Veil."

When these experiments fail, a radiant ancient female entity known as “The Veil” materializes, embodying the subject’s most intimate desires. This manipulative force brings out the worst in her victims and incites unimaginable horror. 

Undeterred by ethics, Liminal-Neuro's lead doctor makes it his mission to find her…

This story could certainly serve as the plotline for an epic sci-fi horror mini-series or even some actual news headline. However, it plays out in captivating fashion on Glasswaves’ full-length debut LP, while(True). The Rochester, NY trio set the narrative's action to a soundtrack electrified by bursts of cathartic metalcore, shockwaves of ethereal hard rock, and spasms of vulnerable dark pop. 

Coupled with big screen-worthy storytelling, the collective, which formed in 2023 and steadily built a following through singles, an EP, and touring, instantly strike a chord on multiple levels.

"People will see things happening and choose not to do anything, because it’s easier than taking action,” explains Miller. "Developments like A.I. data centers deplete natural resources, but nobody seems to care. 'The Veil' represents this sort of selfishness. Even though the company Liminal Neuro promises to get rid of your fears and worries and empower you to become the person you want to be, the doctors are merely using everyone just to find 'The Veil.'"

Throughout 2026, the musicians assembled while(True) alongside producer Justin Spaulding, working out of Atlanta and New York as well as via Discord. The group mined a diverse swath of inspirations, spanning The Neighbourhood, Tame Impala, The Plot In You, Sace6, and Bring Me The Horizon. 

Ultimately, Glasswaves have crafted a multi-dimensional world without comparison.

New Heavy Music From thrown

Swedish heavyweights thrown have officially launched the pre-order for their highly anticipated new album UNWANTED, set for release on November 6 via Arising Empire.

Few bands in modern heavy music have experienced a rise quite like thrown. In just a few years, the Swedish four-piece have gone from one of the scene's most exciting new names to a genuine international phenomenon, building a massive global audience with a sound that is instantly recognizable, relentlessly heavy, and impossible to ignore.

Now, UNWANTED captures thrown at the height of that momentum.

Following the impact of their acclaimed debut album EXCESSIVE GUILT, the new record takes everything that has made thrown one of today's most exciting heavy acts and pushes it even further. Crushing grooves collide with hardcore aggression, nu metal swagger, and an almost instinctive sense for hooks, creating songs that are brutally direct without sacrificing their infectious quality.

Lyrically, UNWANTED retains the raw honesty and confrontational attitude that have become inseparable from thrown. Frustration, self-reflection, resentment, isolation, and the absurdity of dealing with other people all find their way into the record, but rarely without the sarcasm, confidence, and blunt humor that give the band their unmistakable personality. Rather than dwelling on darkness, thrown turn it into fuel.

The first three singles have already demonstrated exactly how powerful that combination can be. "split" marked the beginning of this new chapter with a frantic collision of crushing heaviness and internal chaos. "rehearsed" followed with enormous grooves and a venomous edge, while "critic" turned outside noise and unsolicited opinions into a defiant statement from a band increasingly comfortable doing things entirely on their own terms.

Together, the tracks offer the first glimpse of an album that feels unmistakably thrown while showing just how far the band have come. UNWANTED is compact, aggressive, addictive, and built around impact. There is no unnecessary excess and barely a second wasted. That approach has propelled thrown to a level few emerging heavy bands reach this quickly.

Their 2022 debut EP EXTENDED PAIN surpassed 50 million streams across just five tracks and remained in Spotify's Global Metal Top 200 for almost a year. The momentum exploded further with 2024's EXCESSIVE GUILT, an eleven-track debut album delivered in little more than twenty minutes. Since then, thrown have grown to more than 1.5 million monthly listeners on Spotify and accumulated well over 100 million streams worldwide, establishing themselves as one of the biggest breakout stories in contemporary heavy music.

Their impact reaches far beyond streaming. thrown have taken their explosive live show across North America, Europe and Australia, touring alongside artists including Knocked Loose, Fit For A King, Counterparts, While She Sleeps, and Wage War, while steadily building an international headline audience of their own.

The band's remarkable ascent has also been recognised by the wider heavy music community. thrown took home Best Breakthrough Live Artist at the Heavy Music Awards in 2024, followed by Best Breakthrough Album in 2025, further underlining their position among the leading names of a new generation of heavy music.

At the centre of it all are Marcus Lundqvist on vocals, Johan Liljeblad and Andreas Malm on guitars, and drummer and producer Buster Odeholm. Together, they have created a sound that pulls from hardcore, metalcore, and nu metal while belonging completely to thrown: Massive grooves, abrasive production, unforgettable hooks and songs designed to hit immediately.

With UNWANTED, thrown are no longer simply proving why they are one of heavy music’s most exciting breakthrough bands. They are showing exactly why they have become one of the most compelling heavy acts of their generation.

No filler. No compromise. No slowing down.​

thrown LIVE:

10/1 — Asbury Park, United States — House Of Independents
10/2 — Allentown, United States — Archer Music Hall
10/3 — Norwalk, United States — District Music Hall
10/4 — Worcester, United States — Palladium
10/6 — Grand Rapids, United States — Elevation
10/7 — Milwaukee, United States — The Rave / Eagles Club
10/8 — Minneapolis, United States — Varsity Theater
10/9 — Kansas City, United States — The Truman
10/11 — Birmingham, United States — Furnace Fest 2026
10/13 — Jacksonville, United States — The Albatross
10/14 — Tampa, United States — The Orpheum
10/16 — Greenville, United States — Radio Room
10/17 — Greensboro, United States — Hangar 1819
10/31 — Göppingen, Germany — Core Fest 2026
11/27 — Johanneshov, Sweden — Fållan
11/29 — Hamburg, Germany — Grosse Freiheit 36
11/30 — Berlin, Germany — Huxleys Neue Welt
12/1 — Wien, Austria — Gasometer
12/3 — München, Germany — TonHalle München
12/4 — Wiesbaden, Germany — Schlachthof Wiesbaden
12/5 — Köln, Germany — Palladium Köln
12/6 — Paris, France — Élysée Montmartre
12/8 — Tilburg, Netherlands — Poppodium 013
12/9 — Antwerpen, Belgium — Trix
12/11 — Manchester, United Kingdom — Academy
12/12 — Glasgow, United Kingdom — O2 Academy Glasgow
12/13 — London, United Kingdom — Troxy
2/3 — Fremantle, Australia — Freo Social
2/5 — Hindmarsh, Australia — The Gov
2/7 — Melbourne, Australia — Forum Melbourne
2/10 — Bruce, Australia — UC Hub
2/11 — Moore Park, Australia — Liberty Hall
2/12 — Newcastle, Australia — King Street Hotel
2/13 — Brisbane, Australia — The Tivoli

THUNDERMOTHER Announce New Album "Mothers of Thunder" Out February 5, 2027

Swedish hard rock queens THUNDERMOTHER are back with their Napalm Records studio debut, Mothers of Thunder, out on February 5, 2027. Their seventh album once again proves that the genre's leading ladies can do everything men could — and maybe even better. Their rock 'n' roll vibe comes in with dirty riffs and cheeky lines, the powerful delivery begging for energetic live shows.

THUNDERMOTHER have previously proven to excel at just that: after opening for the legendary Scorpions and Judas Priest, playing at iconic festivals like Wacken Open Air, Summer Breeze, or Sweden Rock, and releasing their first live album, Live'n'Alive, in 2026, the four-piece is ready for a new era. Mothers of Thunder is high-energy encouragement for women as well as thrilling, head-bopping fun for everyone else.

Along with the announcement, THUNDERMOTHER turn the genre on its head with the first single, ''Bimbo Boost." Playing the epic riff to Deep Purple's "Smoke On The Water'' backwards, the four-piece addresses the pressure on female artists to always look perfect when going on stage — an expectation that passes by male musicians.

THUNDERMOTHER about '"Bimbo Boost'":
''It's damn hard being a woman. We have to do our makeup, straighten our hair, reverse aging, and always look our best. It's exhausting. We wish we had a magic guitar booster pedal that instantly did all of that for us! We love making fun music videos, and this time we went bananas!”

Watch the Official Music Video for ''Bimbo Boost'' Below:

With their seventh album, THUNDERMOTHER take a step to become nothing less than rock goddesses. Mothers of Thunder is their time to shine, putting genre colleagues in their places with ease. The future belongs to THUNDERMOTHER!

THUNDERMOTHER about Mothers of Thunder:
''We know that it's what every band says when they're releasing a new album, but this time it's true. This is the best THUNDERMOTHER album yet! The songwriting, the playing, and the lyrical themes have reached the next level, and we can't wait to share Mothers of Thunder with the world!

"Mothers of Thunder has killer riffs, groovy grooves, and powerful vocals paired with fun energy and the occasional serious tone. But most importantly, it has Filippa, Joan, Linnéa, and Majsan! Our musicianship gets a real chance to shine, and I think you can hear how much fun we're having through your speakers.

"This album is for you, the old fans, the new fans, and the future fans. Together we will make sure to keep rock'n'roll alive and kicking! We are THUNDERMOTHER, and this is Mothers of Thunder. Play it loud, sing along, and don't forget to ROCK!”

Get Your Copy Of Mothers of Thunder NOW!

THUNDERMOTHER LIVE 2026:
FESTIVALS:
11/14 — Vikingline, SE — Rock at Sea

MOTHERS OF THUNDER TOUR 2027:
WITH BONAFIDE:
2/19 — Utrecht, NL — Tivoli Vredenburg
2/20 — Cologne, DE — Live Music Hall
2/21 — Bochum, DE — Zeche
2/23 — Bensheim, DE — Musiktheater Rex
2/24 — Salzburg, AT — Rockhouse
2/26 — Obertraubling, DE — Airport Eventhall*
2/27 — Munich, DE — Backstage
2/28 — Memmingen, DE — Kaminwerk
3/2 — Zurich, CH — Dynamo
3/3 — Aschaffenburg, DE — Colos-Saal
3/5 — Stuttgart, DE — Im Wizemann
3/6 — Saarbrucken, DE — Garage
3/7 — Hanover, DE — Capitol
*THUNDERMOTHER ONLY

WITH THE KARMA EFFECT:
3/19 — Hamburg, DE — Große Freiheit 36
3/20 — Berlin, DE — Festsaal Kreuzberg
3/21 — Nuremberg, DE — Hirsch
3/23 — Linz, AT — Posthof
3/24 — Budapest, HU — Barba Negra
3/26 — Vienna, AT — SIMM City
3/27 — Leipzig, DE — Hellraiser
3/28 — Warsaw, PL — Hydrozagadka
3/30 — Copenhagen, DK — Vega
4/1 — Gothenburg, SE — Monument
4/2 — Oslo, NO — John Dee
4/3 — Stockholm, SE — Debaser Strand

THUNDERMOTHER ARE:
Filippa Nässil — Guitar, Backing Vocals
Linnéa Vikström Egg — Lead Vocals, Guitar
Majsan Lindberg — Bass, Backing Vocals
Joan Massing — Drums

CROSSBONE SKULLY ANNOUNCE NEW ALBUM "CONDEMNED TO ROCK N' ROLL" + DROP "RIDING WITH ANGELS" VIDEO

Crossbone Skully, formed by Tommy Henriksen (Alice Cooper, Hollywood Vampires), announce their sophomore album 'Condemned to Rock n' Roll', arriving January 29 via earMUSIC. Alongside the album announcement, Crossbone Skully drop their brand-new single ''Riding With Angels',' available now on all digital platforms.

Watch the video below.

Following ''Thunder Love," featuring Phil Collen', the new single offers another glimpse into the world of Condemned to Rock n' Roll, an album that captures the full spectrum of the band's sound and spirit.

''Condemned to Rock n' Roll'' draws inspiration from music that has shaped Henriksen throughout this life, from '80s metal, classic rock, pop, country, and everything in between. The result is what Henriksen stands for: ''Condemned to Rock n’ Roll is the sound of a life spent chasing the dream, the song, and everything that comes with it.''

Across the album's 14 tracks, themes of love, rebellion, and survival collide with Henriksen's unmistakable songwriting and voice. At its core, lies a simple truth:  ''I didn’t choose rock n' roll. I was condemned to it.''

Fronted by Henriksen and featuring fellow Alice Cooper guitarist Anna ''Blackthorn'' Cara, Crossbone Skully continue to expand their universe with a revolving cast of Rock n' Roll Misfits and collaborators. Behind the scenes, the album reunites Henriksen with executive producer Mutt Lange, acclaimed engineers Mike Plotnikoff and Olle Romo, mastering engineer Howie Weinberg, and Grammy-nominated mixer Jay Ruston, creating a powerhouse team behind the record.

PRE-ORDER THE ALBUM HERE.

ABOUT "RIDING WITH ANGELS":
Where ''Thunder Love'' delivered raw power and relentless energy, ''Riding With Angels'' reveals a different side of Crossbone Skully.
Henriksen explains, '''Riding With Angels' pays tribute to the people who hav traveled alongside me - the ones who supported me, believed in me, and helped me get through to the light.''

With the album now officially announced and available for pre-order, Crossbone Skully invite fans old and new to join them for the next chapter.

Kaitlin Butts Asks "What More Could You Want" Ahead of 'Hello, Honk Tonk' (10/30)

Tulsa-born singer/songwriter Kaitlin Butts turns inward with “What More Could You Want,” the latest offering from her upcoming fourth studio album, Hello, Honky Tonk, arriving October 30 via Republic Records. A Broadway-ready piano ballad, the song is an autobiographical sketch of a performer looking at herself in the mirror and asking how much more she has to give. 

Listen to “What More Could You Want”  Below and pre-save Hello, Honky Tonk HERE. 

Where other songs from Hello, Honky Tonk revel in the colorful characters, nightlife and theatrical spectacle of the honky tonk, “What More Could You Want” pulls back the curtain to reveal the person at the center of it all. The result is an intimate meditation on the complicated relationship between performing, seeking approval and wondering whether what you give is ever enough.

“That song feels exactly word for word what I feel like every day,” says Butts. “This tug and pull of loving this and craving this and loving to be on stage, loving every creative moment but also being stressed out wondering, ‘Do you like me? Do I need to be shinier? Do you want more?’”

Written from the perspective of someone who has spent years entertaining others while constantly questioning what they see when the lights go down, “What More Could You Want” offers one of the most exposed moments on Hello, Honky Tonk. The song’s restrained piano and unhurried pace leave plenty of room for Butts’ words to land, trading the larger-than-life spectacle of the honky tonk for a private moment of self-reflection.

Also available today, the music video for “What More Could You Want” directed by Chris Beyrooty. Continuing to find inspiration in the vaudeville vignettes of movie musical Chicago and Disney World’s beloved Country Bear Musical Jamboree, the clip brings the album’s cover to life giving Butts her own Teddi Barra moment.

It was during a recent trip to see the original Jamboree before it was updated, a favorite of hers as a kid, that inspiration struck. “When Teddi Barra came down from the ceiling on her swing, my mom and I just looked at each other and I was like, ‘That is me,’" she says of the cowboy-hatted, feather-boa sporting brown bear who inspired the album’s cover.  

While Butts fantasizes about the lives of those who come to her virtual honky tonk, she hopes that fans walk out of it not just knowing her better, but themselves as well.

“All these songs are very deeply personal to me, and I relate to them word for word,” she says. “But my intention is never just to be relatable. I hope people find their own lives within the whole thing.”

Named one of Rolling Stone’s most anticipated albums for 2026, Hello, Honky Tonk is a love letter to the honky tonks and nightlife that have shaped Butts while becoming a huge part of her life on the road. Recorded in Nashville with producer Tofer Brown (Carter Faith, Willow Avalon, Little Big Town), the album brings to life a bar like no other, populated by a cast of characters listeners might recognize from the dance floor, behind the bar or from the corner booth.

The album’s theatrical world was inspired in part by the vaudeville vignettes of Chicago and Disney World’s Country Bear Musical Jamboree. Butts, who began performing in musical theatre as a child, envisioned the album as a place where all of these characters could coexist.

“The thought behind the concept was how in Chicago, the character Roxie Hart is dreaming up what her show would look like and all the people in it,” says Butts. “I picture all of this happening at Skinny Dennis here in Nashville. These are all the different people in the room. There's the bar fight that's happening. There's the bad girl that just got off work. There's me being the entertainer. There are so many people that really love the night life. It’s a connector for people.”

“What More Could You Want” follows Butts’ recent releases “I Wanna Be Bad” and “Never Really Mine.” Together, the songs offer glimpses of the wide-ranging characters, emotions and musical theatricality that await when listeners say Hello, Honky Tonk on Oct. 30. 

The album continues the momentum of Butts’ critically acclaimed Roadrunner! in 2024, a bold reimagining inspired by Rodgers and Hammerstein’s Oklahoma! that landed on numerous year-end best-of lists.

The new project marks Butts’ first full-length release since signing with Republic Records in October 2025 and follows The Yeehaw Sessions, her fan-favorite EP featuring genre-bending takes on songs including Chappell Roan’s “Red Wine Supernova,” Jimmy Eat World’s “The Middle,” The Chicks’ “Sin Wagon” and Don Williams’ “Tulsa Time,” alongside her viral anthem “You Ain’t Gotta Die (To Be Dead To Me),” which has amassed more than 157 million TikTok views and 67 million global streams.

Butts continues to expand her creative footprint both onstage and behind the camera. Earlier this year, she joined Willow Avalon on “Hypothetically Speaking” and its official video, starred in Ella Langley’s music video for the award-winning hit “Choosin’ Texas,” co-directed and wrote the treatment for Flatland Cavalry’s “Unglued” and joined The Band Perry on the reimagining of their hit “You Lie (Forever Version).”

She has also joined Lainey Wilson on her Whirlwind Tour and Ella Langley on The Dandelion Tour, headlined her own sold-out overseas tour with the European Cowgirl Experience and was featured in the Country Music Hall of Fame’s American Currents exhibition for the second consecutive year. She was also nominated for a 2026 MusicRow Award for Breakthrough Artist of the Year and was named to both the 2025 Opry NextStage class and the CMT Next Women of Country class.

For the latest news, music and tour dates, visit kaitlinbutts.com and follow @kaitlinbutts on Instagram and Facebookand @kaitlinbuttsmusic on TikTok.

Clutch Announce New Album 'Wasted Lands'; Share Music Video For Title Track

Maryland rock institution Clutch have announced their fourteenth studio album, Wasted Lands, set for release on January 22, 2027 via the band’s own Weathermaker Music. An extensive variety of pre-order bundles are available now HERE. The announcement arrives alongside the release of its raucously groovy, riff-driven title track, “Wasted Lands,” and accompanying official music video, available to stream HERE and watch below.

Written and recorded at their longtime Frederick, Maryland base, the Doom Saloon, Wasted Lands reunites Clutchwith producer Machine for the first time since 2015’s Psychic Warfare. The sheer velocity of their creative collaboration can be felt from the first note of the record and is expertly displayed on today’s release title track, “Wasted Lands”. Neil Fallon’s lyrical knack of conjuring characters from a handful of strange, sharply observed details and dropping them into Clutch songs with their own vibrant and storied mythologies has long been a defining characteristic of the Clutch canon. On “Wasted Lands,” he conjures a creature so malign that H.P. Lovecraft and Stephen King are invoked only to make clear that even they could not dream it up. Rumor casts it as a government experiment, a heavenly angel or an omen preparing the ground for the end of days. Nobody knows for certain. The locals call it Neil Patrick Fallon. Sharing some thoughts on today’s release, Neil Fallon says 

"The inspiration for the lyrics in Wasted Lands came about when it was brought to my attention that someone had been dragging my name on FaceBook (weird, right?). Apparently, I had reneged on a free t-shirt and dinner. I think it was a prize in a pay to play contest. Not to overstate the obvious, but it was a load of horse hockey. Many people tried to explain to this person that it was not me and that they had been hustled. But they simply would not believe it. So I thought, screw it, no half-measures. You want a monster? Let’s give you one."

Beneath Fallon’s lyrical story-craft, Jean-Paul Gaster, Dan Maines and Tim Sult lock into a classic-Clutch, riff-driven groove featuring a very intentional and strategically placed bass-drum hit from Gaster. One he knew would make the live crowd go wild. He shares

“There’s a part where Neil says, ‘Vegetable, mineral, man, or beast.’ And I put a bass drum on, ‘man or beast,’ and Machine thought that was kind of weird. He was like, ‘Man, you’re covering up the vocal!’ And I said, ‘No, that bass drum is gonna make the crowd go nuts, I guarantee it.’ And it does, because there’s nothing more exciting than having a big bass drum slam through a PA, and Neil singing a vocal on top of it. I mean, I get goosebumps from that, you know?”

Across Wasted Lands, Clutch keep their riff-heavy foundations intact while making room for a sharper melodic streak. Tracks including “Colorado Fuel and Iron,” “Stage Fright” and “Loaf and Jug” build their considerable weight around chord progressions as much as individual riffs. “Beware the Fever” brings banjo onto a Clutch record for the first time, using a rough demo played by Fallon and recorded by Gaster during a writing session. Despite several attempts to re-record the performance, nothing quite came close so the original recording is what went on the record. 

Fallon’s lyrics open in the rubble of the Georgia Guidestones on “The Drifter Returns” and close beneath an exploding star on “The Message is Clear.” The route between them runs through Colorado’s Highway 50, abandoned company towns, corporate appetites, creature-feature horror and deep space. 

Speaking on the announcement of their fourteenth studio album, Clutch share 

“Exploded monuments, haunted coal towns, robber barons, time cops, a chestburster, fifteen tons of antimatter and a creature called Neil Patrick Fallon. Wasted Lands came from one clear intention: write a great rock record that will make fans go nuts when they hear these songs live, while leaving enough space in the creative process to follow the unexpected turns that keep Clutch exciting to us and our fans after thirty-five years together.”

Wasted Lands will be released worldwide on January 22, 2027 via Weathermaker Music. To pre-order the album and see all music and apparel products available in the US and additional territories, go to clutchmerch.com

US fans will have the opportunity to experience some of the new material from Wasted Lands for the first time when the band head out on their 16-date US headline tour next month with support from Slomosa and Blood Vulture. The run begins October 16 at The Fillmore Charlotte and closes November 7 at The NorVa in Norfolk, taking Clutchthrough the South, Midwest and Northeast ahead of the album’s January release. Tickets are available from clutchmerch.com

Download Tour Art HERE

CLUTCH US TOUR 2026

WITH SLOMOSA AND BLOOD VULTURE

Fri, Oct 16 | Charlotte, NC | The Fillmore Charlotte

Sat, Oct 17 | North Myrtle Beach, SC | House of Blues

Sun, Oct 18 | Jacksonville, FL | FIVE

Tue, Oct 20 | Tampa, FL | The Ritz Ybor

Thu, Oct 22 | New Orleans, LA | House of Blues

Fri, Oct 23 | Robinsonville, MS | Bluesville at Horseshoe Tunica

Sun, Oct 25 | Fayetteville, AR | Ozark Music Hall

Tue, Oct 27 | West Des Moines, IA | Val Air Ballroom

Wed, Oct 28 | Green Bay, WI | EPIC Event Center *Date changed

Fri, Oct 30 | East Moline, IL | The Rust Belt

Sat, Oct 31 | Cincinnati, OH | The Andrew J Brady Music Center

Sun, Nov 1 | Fort Wayne, IN | The Clyde Theatre

Tue, Nov 3 | South Burlington, VT | Higher Ground

Thu, Nov 5 | Hampton Beach, NH | Hampton Beach Casino Ballroom

Fri, Nov 6 | Wilkes-Barre, PA | F.M. Kirby Center for the Performing Arts

Sat, Nov 7 | Norfolk, VA | The NorVa

CLUTCH WASTED LANDS AUSTRALIA TOUR 2027

With Special Guests Corrosion of Conformity

Sat, Jan 23 | Perth | Metropolis Fremantle

Mon, Jan 25 | Brisbane | Eatons Hill Hotel

Wed, Jan 27 | Sydney | Enmore Theatre

Fri, Jan 29 | Melbourne | Forum Theatre

Sat, Jan 30 | Adelaide | Froth & Fury Festival

ALICE COOPER & DICK WAGNER'S LONG-LOST CONCEPT ALBUM FINALLY COMES TO LIFE AS MARYANN COTTON'S CHESTER ROSE, ARRIVING OCTOBER 30th THROUGH DEKO ENTERTAINMENT

A remarkable chapter in rock history is finally being completed. Conceived years ago by Alice Cooper and his longtime collaborator Dick Wagner, Chester Rose was envisioned as a theatrical concept album in the spirit of Welcome to My Nightmare, a dark, cinematic production intended for both album and television.

From the beginning, Cooper and Wagner imagined the project being brought to life by a younger artist with the right voice, charisma, and theatrical presence. That artist became Maryann Cotton, who was discovered by Wagner and taken under his wing before being introduced to Cooper. Cotton later relocated from Copenhagen, Denmark, to Los Angeles to work directly on the album and its evolving concept.

Written by Alice Cooper, Dick Wagner, and Maryann Cotton, Chester Rose tells the story of a rock star turned serial killer whose twisted descent into lust, romance, obsession, and murder unfolds across twelve captivating tracks. The album takes listeners on a dramatic journey, beginning with explosive hard rock energy before evolving into darker and more sophisticated storytelling reminiscent of Lou Reed, Peter Gabriel, and classic Alice Cooper.

The first single, "Thief of Hearts," is available now. "“Thief of Hearts” was one of the first songs Dick Wagner and Alice Cooper had written for the concept, and one of the very first songs Dick ever played for me.

Throughout this entire project, I’ve tried to stay respectful and true to the core of the original concept Dick created, while at the same time expanding on it and ultimately turning it into Maryann Cotton’s world. With “Thief of Hearts” in particular, I wanted to stay as true as possible to Alice’s original vocal lines and phrasing from the original version that was presented to me. It was important to me to preserve the DNA of what Dick and Alice created while still making the song my own.

I remember hearing the song for the first time and being completely blown away. As a lifelong Alice Cooper fan, it immediately took me back to somewhere between 1975 and 1977. It had that unmistakable Cooper/Wagner trademark, feel and attitude. You could hear exactly where it came from.", says Maryann Cotton.

Watch "Thief of Hearts" (featuring Dick Wagner and Tommy Henriksen, Below:

Although extensive pre-production work was completed and multiple versions of the project were developed, the album was never fully recorded or released. Tragically, Dick Wagner passed away shortly before the project was scheduled to enter the studio.

Determined to fulfill the vision he had shared with Cooper and Wagner, Cotton revisited the project two years ago. He reopened the original Pro Tools sessions, painstakingly restoring Wagner's guitar riffs and solos while carefully cleaning, editing, and mixing the material to preserve its original spirit. Longtime collaborator Steve Hunter became an integral part of the process, contributing throughout the completion of the album.

Adding to the project's significance, Tommy Henriksen of Hollywood Vampires contributed both rhythm and lead guitar performances. Much of the album features the legendary guitar partnership of Steve Hunter and Dick Wagner, making Chester Rose the final recording in rock history to feature performances from both musicians together. The result is a powerful and timeless hard rock album that bridges generations while preserving the creative vision of two of rock's most celebrated collaborators.

Pre-Order Chester Rose on CD, LP, and Limited Signed Bundles:
https://www.dekoentertainment.com/maryann-cotton

OPUS Announces New Solo Acoustic-Rock Single + Video “Slip Away” Ahead of Full-Length Album Purging the Demons

Dead By Wednesday, Zetro, Ellefson, Earth & Gang Green drummer unveils deeply personal solo project rooted in raw performance, heartbreak, family, and authenticity

OPUS, the powerhouse drummer known for his work with Dead By Wednesday, Zetro, Ellefson, Earth and Gang Green, releases his new solo acoustic-rock single “Slip Away” today across all major streaming platforms. The accompanying official music video, directed by Sal DelGreco, is also available now.

“Slip Away” offers the first taste of OPUS’ forthcoming full-length solo album, Purging the Demons, arriving November 6, 2026.

 A deeply personal collection born from one of the most difficult periods of OPUS’ life, Purging the Demons explores loss, love, heartbreak, anger, stress, and the challenge of maintaining family connections through separation. Rather than hiding behind polished production or studio perfection, OPUS embraces the rawness of the performances and the emotions that inspired them.

“In a world obsessed with perfection, Purging the Demons is my reminder that truth lives in the cracks," says OPUS.

The album represents a deliberate return to an old-school approach to recording. OPUS wrote, recorded, and performed 99% of the instruments on the record, with the songs captured without vocal tuning, quantizing, or drum replacements. The imperfections are part of the point leaving the human element intact and allowing the performances to speak for themselves.

Purging the Demons was written over the course of approximately a year and a half during a long, dark, and challenging period in OPUS’ personal life. The resulting songs transform those experiences into an honest and unfiltered musical statement.

All songs on Purging the Demons were mixed by Max Scialdone, who worked with OPUS throughout the project to preserve the raw character and emotion of the recordings while bringing the album to its final form.

At a time when music is increasingly shaped by digital processing, algorithms, filters, and artificial perfection, Purging the Demons takes the opposite approach. It is a record about being human, messy, emotional, imperfect, and real.

With “Slip Away,” OPUS opens the door to a solo album that isn't about hiding the cracks. It's about embracing them.

 STREAM “Slip Away” here: https://orcd.co/opus_slip-away

Album Pre-save: https://orcd.co/opus_purging-the-demons

WATCH the Official Music Video for "Slip Away" Below:

For more information please visit:

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Save Us Share "Last of Me" Video — WATCH

Transcontinental trio SAVE US — Miguel Owls [vocals], Chris Biddiscombe[guitar], and Benji Havercroft [drums] — will release their new album Death To Something on October 16 via Solid State Records. Pre-order the album, produced by Landon Tewers, here.

They have shared the video for "Last of Me." Watch it below. 

It's a lush, vocal-forward track that cycles masterfully through a course of quiet-loud dynamics. Strap yourself in; this one's an emotional thrill ride that will connect with fans of Deftones, Loathe, and Dayseeker.

"'Last of Me' was an emotional challenge for me," explains Owls. "I had so much I wanted to say, but I really pushed to keep it clear and honest without feeling wordy or cheesy. It's about finally breaking free from a toxic relationship and recognizing the grip it had on you for so long. There’s a lot of weight behind that realization, but also a sense of release. I truly hope this song helps people find the strength to let go, move forward, and start healing."

The origin story of SAVE US and how the globally-based band came together is quite simple. Back in 2023, Owls was regularly posting covers on social media and quietly cultivating a following online. Hailing from the Central Valley of California, he never expected to find his future bandmates in his DMs. Bristol, UK-based Biddiscombe stumbled upon one of the vocalist's Architects covers and sent a message on TikTok. Clicking right away, they commenced creating music (despite over 5,000 miles between them). Due to a factory day job from 1pm-9:30pm, Owls typically woke up at 5am in order to write with Chris and Benji before work. Prior to meeting in-person, the trio had remotely recorded a few tracks. Eventually, the singer crossed the pond to shoot the visual for "Distance" from their LUCID EP. Reacting with listeners, the track clocked north of 2.6 million Spotify streams. The group maintained their momentum with 2024's EXIST EP. A year later, they inked a deal with Solid State and decamped to Michigan where they recorded with sought-after producer and The Plot In You mastermind Landon Tewers.

Ultimately, the band's name reflects their shared experience.

"Chris and Benji were both ready to stop doing music," Owls reveals. "I was in the same boat. We were all on the edge of letting our dreams go. Out of nowhere, we found each other, went all the way in together, and the band genuinely saved us. We're always dabbling in emotion, so our goal is to reach you on a human level."

Mission accomplished on Death To Something, which in all actuality, brought the band members back to life.

All upcoming SAVE US Fall 2026 tour dates are below.

SAVE US ON TOUR:
WITH SAOSIN:
10/23 — Anaheim, CA — House of Blues Anaheim
10/24 — Tempe, AZ — Marquee Theatre
10/25 — Albuquerque, NM — Sunshine Theater
10/27 — San Antonio, TX — Vibes Event Center
10/28 — Dallas, TX — House of Blues Dallas
10/29 — Houston, TX — House of Blues Houston
10/30 — New Orleans, LA — House of Blues New Orleans
10/31 — Pensacola, FL — Vinyl Music Hall
11/1 — Orlando, FL — House of Blues Restaurant & Bar
11/3 — Nashville, TN — Brooklyn Bowl Nashville
11/4 — Raleigh, NC — The Ritz
11/6 — Sayreville, NJ — Starland Ballroom
11/7 — New York, NY — Webster Hall
11/8 — Worcester, MA — Palladium
11/10 — Philadelphia, PA — Brooklyn Bowl Philadelphia
11/11 — Baltimore, MD — Nevermore Hall
11/13 — Buffalo, NY — Town Ballroom
11/14 — Detroit, MI — The Majestic Theatre
11/15 — Chicago, IL — House of Blues Chicago
11/17 — Milwaukee, WI — The Rave / Eagles Club
11/18 — Minneapolis, MN — The Fillmore Minneapolis
11/20 — Denver, CO — Summit Music Hall
11/21 — Salt Lake City, UT — The Complex
11/22 — Boise, ID — Knitting Factory
11/24 — Seattle, WA — Showbox SoDo
11/25 — Portland, OR — Roseland Theater
11/27 — Los Angeles, CA — The Novo
11/28 — San Diego, CA — SOMA