Industrial Pop Force AESTHETIC PERFECTION Shares New Single "Sorrow" Feat. SWARM

Today, AESTHETIC PERFECTION is proud to release their new single "Sorrow," featuring industrial EDM powerhouse SWARM. The new track arrives alongside an official visualizer.

On the new single AESTHETIC PERFECTION mastermind Daniel Graves shares:

"'Sorrow' is a song about processing lost love. A melancholy story wrapped in a sonic assault by SWARM. The perfect pairing of emotional vulnerability and musical aggression."

Supporting the new single, AESTHETIC PERFECTION will begin their US headline run, the Suckers for Punishment tour, this Thursday in Los Angeles with support from Priest and Julien-K.

On the tour, Graves adds:

"I swore to myself that AESTHETIC PERFECTION would never return to the US for another headlining tour. I couldn't be happier to be breaking that oath nearly half a decade later."

Watch the Visualizer for "Sorrow" Below:

AESTHETIC PERFECTION is the industrial pop project of Los Angeles-born, Austria-based singer-songwriter-producer Daniel Graves. For over 26 years, the project has pushed the boundaries of dark electro, fusing industrial aggression with pop precision, goth atmospherics, and forward-thinking production across seven full-length albums, numerous singles, and a visually striking catalog of music videos.

Though never beholden to mainstream trends, AESTHETIC PERFECTION has cultivated a fiercely loyal global audience, selling out headlining tours throughout Europe and North America. Renowned for their relentless drive and explosive live performances, the project has earned slots on some of the world’s largest stages, including multiple arena tours supporting Till Lindemann (Rammstein) across Europe and North America.

Beyond the stage, AESTHETIC PERFECTION has built an extensive network of high-profile collaborations, working with Richard Z. Kruspe (Rammstein), Sean Beavan (Nine Inch Nails, Marilyn Manson, Guns N’ Roses), SINIZTER, Jinxx (Black Veil Brides), Rhys Fulber (Fear Factory / Frontline Assembly), Celldweller, Nikki Misery (New Year’s Day), and Sebastian Svalland (Pain / Katatonia / Lindemann). The band’s music has also appeared in Netflix original programming and on the Underworld: Awakening soundtrack, further cementing its presence within alternative culture.

Stream / Listen to "Sorrow" HERE

AESTHETIC PERFECTION will be hitting the road on the Sucker for Punishment tour starting this week. The tour kicks off on April 2nd in Los Angeles at Whisky A Go Go andruns through the entire US before concluding in Denver on May 2nd at the Ritual Noize Festival. For a complete list of dates, please see below.

AESTHETIC PERFECTION Live:

Sucker for Punishment Tour

Apr 02 - Los Angeles, Ca - Whisky A Go Go

Apr 03 - San Diego, Ca - Brick By Brick

Apr 04 - Pomona, CA - Flyaway

Apr 05 - San Francisco, CA - DNA Lounge

Apr 09 - Madison, Wi - The Annex

Apr 10 - Chicago, IL - WC Social Club

Apr 11 - Cleveland, Oh - The Foundry

Apr 12 - Harrisburg, Pa - Capital City Music Hall

Apr 14 - Clifton, Nj - Dingbatz

Apr 15 - Philadelphia, Pa - Nikki Lopez

Apr 16 - Rochester, Ny - Photo City Music Hall

Apr 17 - Brooklyn, Ny - The Meadows

Apr 18 - Hartford, Ct - Webster Theater

Apr 19 - Manchester, Nh - Jewel Music Venue

Apr 21 - Raleigh, Nc - Chapel Of Bones

Apr 22 - Nashville, Tn - Cobra

Apr 24 - Austin, Tx - Come & Take It Live

Apr 25 - Houston, Tx - Scout Bar

Apr 26 - Dallas, Tx - Trees

Apr 29 - Glendale, Az - The 44

Apr 30 - Las Vegas, Nv - Dive Bar

May 01 - Salt Lake City, Ut - Liquid Joe's

May 02 - Denver, Co - Ritual Noize Festival

Metal Band 40 Cycle Hum Release New Single "Remember The Days" via TLG | ZOID, distributed by Virgin Music Group

Heavy-hitting metal act 40 Cycle Hum released their new single, "Remember The Days," via TLG | ZOID and distributed by Virgin Music Group. 

Anchored by vocalist Brandon Mitchell, guitarist Mark Zavon (Kill Devil Hill), bassist Matt Snell (Five Finger Death Punch), and drummer Francis Ruiz (Buckcherry), the band’s lineup delivers a focused, powerful sound built for today’s rock audience.

"'Remember the Days' turns back the clock to a simpler time. It hits the rewind button and shines a light on all the good times from back in the day," says the band.

Denny Sanders of TLG|ZOID shares, "I like to think working with 40 Cycle Hum is fulfilling a destiny. I was introduced to lead vocalist Brandon by our mutual friend Sen Dog at Cypress Hill's show with The Nashville Symphony. When Brandon gave me his cell number, I already had it in my phone yet neither one of us remembered meeting back in the day. Fast forward a couple months, Brandon sent me the record we had talked about that night at the show, and I was blown away at how good it was. Now here we are ready to rock the world." 

Peter Tsiolis of TLG|ZOID adds, "When Denny sent over the music, I had no idea who it was I was listening to, but the minute the riff for 'Remember The Days' kicked in I was hooked.  The song brings you back to the late 1990s early 2000s.  It's fresh and full of energy.   40 Cycle Hum brings the attitude and the music that brings you back to when music was fun."  

"Remember The Days" is now available on all major streaming platforms. For more information on 40 Cycle Hum, including upcoming releases and tour dates, visit their official website and follow them on social media.

STREAM "Remember The Days"

https://tlgent.ffm.to/40ch-rememberthedays

LISTEN to "Remember the Days" Below:

40 Cycle Hum delivers modern hard rock inspired by the golden age of active rock and hard rock, driven by power, precision, and authentic songwriting.

Scheduled to be released this summer, Entertaining Misery is a hard-hitting 12-track album produced by Stevo Bruno (Five Finger Death Punch, Mötley Crüe, Prong) and mastered by the late George Marino (Sterling Sound), featuring artwork by legendary filmmaker Clive Barker (Hellraiser).

Rooted in classic influences and delivered with modern energy, 40 Cycle Hum stands for uncompromising hard rock with clarity of vision and purpose.

For More Information Please Visit:

Facebook

Instagram

Spotify

There Were Wires Announce "Vessel" + Share "Massive House Fire" Video

THERE WERE WIRES are thrilled to announce their new album Vessel. It's the cult Massachusetts post-hardcore band's first album in 20 years, and they return with a fully realized and evolved sound — rather than a nostalgic throwback.

The album arrives June 26 via Iodine Recordings. Pre-order it here.

The band has also shared the new single "Massive House Fire." Watch the video below.

The track arrives fast and unguarded — a sudden ignition from There Were Wires that settles into a barely controlled burn.
 
"Immediate and merciless, no bullshit," the band states. "Huge riffs and anguished vocals dominate, briefly breaking to expose flickers of vulnerability before the flames close in again. The song is haunted by inevitability, the knowledge that nothing survives intact — 'No one's getting out alive.'"

There Were Wires formed in the late '90s and became a part of Boston's underground hardcore/punk/metal landscape. From tiny basements to big stages, they quickly gained notoriety in New England for their intense and chaotic live shows. Signed to Iodine Records, they released several 7", a self-titled LP, and 2003's Somnambulists EP before abruptly disbanding in 2004.

While the members stepped away into different projects and distant states, the friendship and connections remained. In 2023, There Were Wires reunited for a couple of one-off shows in Cambridge, MA and Providence, RI. What was intended as a single weekend quickly became something more, as the energy of playing together again made clear there was unfinished work.               

Vessel marks the return of There Were Wires after more than two decades, capturing a band reshaped by years, loss, and persistence. From their genesis in Boston as a brash and chaotic hardcore punk band, TWW has morphed into a different beast — older, wiser, and heavier than ever before. The record moves elementally between caustic attack and contemplative restraint, balancing intensity with moments of space and reflection. Themes of fear, grief, and exhaustion surface throughout, shaping a body of work that feels both lived-in and immediate. Vessel holds the accumulated experience of the past, expressed with clarity and purpose.

ABOUT VESSEL:
In 2022, There Were Wires met up to rehearse for a couple upcoming reunion shows. Drummer Ryan Begley, guitarist Thomas Moses, bassist Jebb Riley, and vocalist Jaime Mason were joined by long-time friend and guitarist Joseph Thomas. After dusting off old songs, the group began writing; quietly and without expectations, allowing the material to take shape slowly and naturally. Still endowed with the collaborative DIY spirit of their youth, TWW produced and recorded Vessel themselves over 20 months at a modest home studio. Brief but productive sessions were conducted while the band members were individually experiencing major life events; the weight of which is reflected in the lyrics and evoked in the music. The recording became an opportunity to process outside occurrences in real time: Like examining a gaping wound up close before the stitches commence. 

With the absence of tight deadlines and answering to no one but themselves, the band were able to wander creative paths that financial and time constraints had previously deemed out-of-bounds. Mutual trust and encouragement guided the process, and as a result, a wide array of sonic textures and lyrical themes are present across Vessel’s 10 tracks. New and unexpected elements feel just as "at home" as the still-present assault of guitar/bass/drums/vocals that longtime listeners might expect. 

While their self-titled album ran almost entirely on pure adrenaline and shirt-grabbing emotion, and Somnambulists took risks and hinted at musical growth, Vessel sees TWW ignoring the strictures of genre, and producing their most creative and heartfelt songs to date. Through time, trust, and life experience, There Were Wires have created their most immersive and fully realized work. 

New Eternal Evil Single - "Eyes of Wrath" -

This March, Swedish metal ragers ETERNAL EVIL return with their third album 'Forever Feared.' You can check out the album's first single, "Eyes of Wrath," Below

Following the release of the furious 'The Gates Beyond Mortality,' ETERNAL EVIL wasted no time, immediately embarking on their quest for world domination. Carving their path through Sweden’s vast music landscape, the band quickly claimed their spotlight—opening for In Flames at the legendary Dalhalla, sharing the stage with the mighty Cavalera Brothers two nights in a row, and delivering a full-throttle set at Sweden’s largest rock gathering, the Sweden Rock Festival.

With the name ETERNAL EVIL firmly etched into the minds of Scandinavian metalheads, the band has poured their entire soul and relentless dedication into their new album, 'Forever Feared.' Strengthening their ranks with two of Sweden’s finest musicians—drummer Felix Wahlund and bassist Adam Sjö—the band elevates their sound to new extremes.

Drawing from their roots in thrash and black metal, ETERNAL EVIL have fused every influence they’ve ever embraced and pushed the boundaries of their genre further than any band in their league. 

The album’s artwork reflects a deeply personal struggle: serpents symbolize the hardship and betrayal that have surrounded the band, while the hand that strangles the snake stands as a powerful statement—no matter the challenge, ETERNAL EVIL will always rise above, prevail, and conquer, no matter the cost.

ETERNAL EVIL 'Forever Feared' Preorder coming soon!

Listen to "Eyes of Wrath" Below

Artwork: @spectralvisionsart

ENSLAVED Reveal Sea Shanties 'Fire Marengo' And 'Anna Lovinda'

Norwegian progressive trailblazers Enslaved are honoured to reveal their latest creation - two unique recordings of sea shanties, made in collaboration with the Storm Weather Shanty Choir, who hail from Bergen, Norway's great sailing ship the Statsraad Lehmkuhl.

The shanties are titled 'Fire Marengo' and 'Anna Lovinda'. 'Fire Marengo' is a traditional shanty, whilst 'Anna Lovinda' was written by the late sailor and Norwegian cultural figure Erik Bye.

Enslavedexplained the collaboration:

"Enslaved was formed on the western edge of Norway, where mountains fall into the sea and history is carried by wind and tide. Bergen is not simply a coastal city; it is a threshold — between land and ocean, between myth and lived experience. The sea is not scenery here. It is memory, labour, departure and return.

Among the most powerful living symbols of this heritage is Statsraad Lehmkuhl, the great Bergen tall ship that still sails the world’s oceans. Around this vessel lives and breathes the shanty tradition — songs born of rhythm, rope, salt, and collective effort. From this environment emerged Storm Weather Shanty Choir.

Our connection to the ship began in 2014, when the Tall Ships Races concluded in Bergen. We were invited to compose and perform a commissioned piece on the deck of Statsraad Lehmkuhl. Metal echoed across the harbour that evening — a meeting of ancient wind-powered technology and modern amplified ritual. It felt less like contrast and more like continuity.

Since then, a friendship has grown — particularly with Haakon Vatle, director of the ship’s foundation and one of Norway’s most devoted custodians of the shanty tradition. He often remarks that sailors were the first metalheads — people who faced elemental forces daily and answered them with song. There is truth in that. Shanties were not entertainment; they were functional incantations — rhythm as survival.

In November 2025, during the choir’s 20th anniversary concert in Bergen, we joined forces on the traditional “Fire Marengo” and the Norwegian shanty “Anna Lovinda,” written by the late sailor and cultural figure Erik Bye. The collaboration felt less like fusion and more like recognition — two expressions of the same coastal inheritance meeting at the centre.

After the performance, it was clear that this convergence should not remain ephemeral. We met again in early 2026 to record the material — not as novelty, but as continuation

Because at the centre — at mið — we find not isolation, but shared origin. Wind, rhythm, voice. The same pulse that once moved sails now moves amplifiers. The same call-and-response that coordinated labour now shapes modern ritual.

The sea remembers. And so do we."

Stream the tracks here: https://enslaved.bfan.link/shanty-songs
Watch the visualizer for 'Fire Marengo' below:

Never faltering, Norway’s iconic Enslaved continue to exist as one of the most original and dependable components in our scene's indestructible backbone. Possessing the reputation as one of the most riveting live acts around, they never fail to offer us talent of the highest calibre, always doing justice to their signature black/progressive sound. Enslaved was formed in 1991 by Ivar Bjørnson and Grutle Kjellson, releasing their first demo Yggdrasill in the summer of 1992, their legendary mini-album Hordanes Land coming out in 1993, and with their debut full-length Vikingligr Veldi arriving in the spring of 1994.

Enslaved are a band in stellar form - a band at its most existentialist and self-conscious, proud Bergeners bearing the torch of their hometown’s extraordinary musical history. Their most recent material shows Enslaved at their most unleashed and thought-through - a lethal combination unfurling a potential that’s easily rekindling the furor of their early works while dancing gracefully through their most ambitious, most haunting and most musical tunes yet. A contradiction? Life itself is a contradiction. And yet we all live to prove it wrong.

Enslaved are:
Ivar Bjørnson | guitars 
Grutle Kjellson | vocals
Arve 'Ice Dale' Isdal | guitar
Håkon Vinje | keyboards, clean vocals
Iver Sandøy | drums

Website | Bandcamp | Facebook | Instagram | Twitter | Spotify | YouTube | Apple Music

Out Now - IRON SAVIOR - Awesome Anthems Of The Galaxy

After reigniting their cosmic engines with Machine World – Reforged in 2025, IRON SAVIOR return from the stars with their most daring mission yet: Awesome Anthems of the Galaxy. Building on the modern firestorm of their Noise-era classics, this new release catapults the band into uncharted territory as IRON SAVIOR takes some of the ’80s most iconic pop hits and forge them into blazing power metal epics, charged with their signature energy, precision, and unstoppable spirit.

From the electrifying rush of A-ha’s “Take On Me” and the thunderous drama of Phil Collins’ “Against All Odds,” to the cinematic pulse of Jermaine Jackson & Pia Zadora’s “When the Rain Begins to Fall” and the adrenaline-fueled Michael Sembello hit “Maniac,” IRON SAVIOR transform timeless hits into a heroic, melodic, full-throttle power metal journey.

“After the huge success of the 2002 Condition Red bonus track ‘Crazy’ (Seal), which was actually used in an HBO TV show,we have been asked by fans and media almost constantly to do a complete cover tracks album. So… two decades later, here we are!” quotes frontman Piet Sielck. Awesome Anthems continues the transformation from pop-to-metal in IronSavior style as started with Seal’s ‘Crazy’ and Eurythmics’ ‘Sweet Dreams.’ We are absolutely proud of the outcome, which never loses the original vibe of the tracks but yet is 100% IRON SAVIOR. Just listen yourself... I guarantee a lot of smiles while doing so!”

With Awesome Anthems of the Galaxy, IRON SAVIOR fuse nostalgia and futurism, passion and precision, proving once again that the past can shine brighter than ever when reforged in metal.

Of Virtue Declare War On New Track "The Art Of Love"

Michigan metalcore outfit, Of Virtue, have torn open a new would, as they've released their brand new single, "The Art Of Love", via Arising Empire. Following the explosive reception to their previous single, "Death Of The Altar", today's brand new single arrives as Of Virtue's latest chapter in an already commanding year, building on the world they established on their 2023 record, "OMEN", which has amassed an impressive 65 million streams since its release. Fans can listen to the new single Below.

Where "Death Of The Altar" turned addiction and self-destruction inward, "The Art Of Love" widens the lens, zeroing in on the quiet, yet deafening, devastation of a connection that consumes more than it gives. Co-written alongside Lee Albrecht (Bilmuri, The Devil Wears Prada, etc) and Evan McKeever (Starset, Koe Wetzel, etc), "The Art Of Love" and "Death Of The Altar" continue the band's ongoing focus on the emotional and relational toll that addiction, mental health, and the stigma surrounding both leave in their wake.

Of Virtue have never shied away from the harder truths, and "The Art Of Love" exposes the way that love can become its own kind of war of attrition, one fought in silences, sacrifices, and the slow erosion of your core.

On reckoning with everything that love can cost you, vocalist and guitarist Damon Tate shares:

"Sometimes you have songs that embody more of the existential problems we have in the world and other times, you just need that blunt force reminder that we all go through a lot of the same things. Toxicity in relationships will exist until the end of time - scorned lovers that are navigating their own character growth while refusing to let go or move on from abusive situations.

Love is one of the most powerful and complex emotions we can experience in our lives. The right person makes you levitate above the clouds and can also make you feel like you're living in a nightmare every day. This song brings our self worth, value and how we accept/show that love to ourselves and others into question."

Harnessing the potent fusion of powerful melodies and emotionally charged lyrics, Of Virtue maintain a steadfast commitment to authenticity, consistently redefining the genre while staying true to their artistic essence. Beloved across 35 countries and having performed at multiple Danny Wimmer festivals, Upheaval, Full Force, Summer Breeze, and Pulp Summer Slamamongst many others, it's no surprise that they've shared stages with bands such as Slipknot, Bad Omens, Nothing More, and Three Days Grace. Beyond their musical prowess, the metal powerhouse also serve as passionate mental health advocates on and off stage. Often seen using their platform to raise awareness and openly discuss these vital issues, Of Virtue have become a source of hope and inspiration for countless fans facing similar challenges.

Carrying forward the spirit of their 2023 record, "Omen", Of Virtue continue to champion vulnerability, community, and the belief that no one is defined solely by their worst decisions. With "Death Of The Altar" and "The Art Of Love" standing as the next chapter, the band further their evolution with a fearless, unflinching look at what it means to reclaim your life, even when it means burning down everything that once felt familiar.

Be sure to stay tuned for more Of Virtue news coming very soon.

Photo Credit: Alexander Bemis

ABOUT OF VIRTUE

In the face of omnipresent change, OF VIRTUE has never wavered, forging a legacy that stands as a testament to the power of reinvention and a refusal to surrender. Since the band’s inception, their music – a punishing-yet-melodic mix of hard rock, metal, and alternative – has mirrored that ambition: unexpected and ever-shifting, always rooted in raw emotion. 

That restless spirit is fully realized on “DEATH OF THE ALTAR,” the band’s new single and first release since 2023’s Omen. Built on jackhammer riffs, skittering industrial electronics, and ethereal production, the track surges from claustrophobic tension into a widescreen, soaring chorus showcasing contrasting vocal styles of Tyler Ennis and Damon Tate – equal parts soulful and caustic. The shift lands like the split second before impact, amplifying the song’s central theme: confronting the moment when devotion turns into self-destruction.

The track arrives as the first glimpse of the band’s forthcoming fourth album and follows a period of rapid ascent: 2023’s Omen propelled the Michigan-based act to more than 65M streams, 4M YouTube views, and tours and festival appearances alongside Slipknot, Gojira, Bad Omens, The Used, and Three Days Grace, yet their momentum has always been fueled by more than accolades. Drawing inspiration from their diverse ethnic backgrounds (Chinese, Vietnamese, Mexican, Black, and Irish heritage), Of Virtue finds strength from these distinct perspectives, shaping their chemistry, songwriting and shared sense of purpose.

Finnish Doom Metal Act GRAIN OF PAIN Celebrates Album Release of "Behind Us All" with New Lyric Video for "Ruins of the Heart"!

Finnish doom metal act GRAIN OF PAIN celebrates the release of their highly anticipated new album "Behind Us All", out now via Noble Demon. To mark the occasion, the band has unveiled a haunting lyric video for the track "Ruins of the Heart".

Mastermind Timo Solonen reflects on the song’s meaning: "There is always someone who wants to lead and use religion or anything to rule others. Do we learn from history or do we repeat the same mistakes over and over again? Is that really what our hearts really want? Do we want to be ruled by someone so we don’t have to make choices? Juho’s solo captures perfectly the meaning of the song and the melody in the end haunts you forever."

Watch the video Below:

Stream the single HERE

With "Behind Us All", GRAIN OF PAIN takes their signature blend of doom and death metal to new emotional depths. Combining crushing heaviness with melodic intensity and a dark, immersive atmosphere, the album showcases a refined and powerful sound that resonates long after the final note fades.

Hailing from Finland, GRAIN OF PAIN is driven by Timo Solonen, who is responsible for songwriting, guitars, and vocals. On bass and clean vocals, Lars Eikind (Before The Dawn) adds a distinct melodic dimension to the band’s sound, further elevating the dynamic range of the compositions.

The album also features renowned musicians Juho Räihä (guitars, additional screams) and Juuso Raatikainen (drums), both known for their work with Swallow the Sun.

"Behind Us All" was produced, recorded, mixed, and mastered by Juho Räihä at SoundSpiral Audio, ensuring a cohesive and powerful sonic experience throughout.

Following their signing with German metal label Noble Demon in 2024 for their debut album "The Moon Lights The Way", GRAIN OF PAIN now raises the stakes with their sophomore full-length release. "Behind Us All" stands as a testament to the band’s evolution, delivering a deeply atmospheric and emotionally charged listening experience.

For More Information Please Visit:

https://www.facebook.com/GrainOfPainMetal  

https://www.instagram.com/grainofpain.band  

https://linktr.ee/nobledemon

CHEZ KANE Releases New Album 'Reckless' — Out Now via Frontiers Music Srl

CHEZ KANE is thrilled to release her new studio album, 'Reckless,' out now via Frontiers Music Srl. To celebrate the release, CHEZ also shares her new single, "Too Dangerous," alongside an official visualizer, available below.

CHEZ comments:

“'Too Dangerous' lives in that space between warning signs and temptation - it captures the tension at the heart of 'Reckless,' where you know better, but it feels too good to resist.”

Talking about the record, CHEZ said:

“Finally, I can tell you! The official announcement of my third album, 'Reckless', is here! My last album, 'Powerzone,' dropped in 2022, and I’ve grown a lot since then. This time around, I got hands-on and collaborated on some writing. I pushed myself hard to make something that’s bigger, bolder, and yeah… sexy as hell.

“Massive thank you to Danny Rexon once again for being incredible to work with. Creating this with you was magic”, she added. “I can't wait for you guys to hear what we’ve made!”

Watch the Visualizer for “Too Dangerous" Below:

CHEZ KANE is back with her third studio album, 'Reckless' - an explosive blend of arena-ready hooks, slick guitar work, and unapologetic 80s-style swagger. Following the success of her first two records, CHEZ levels up with a collection that’s bigger in sound, richer in emotion, and packed with pure melodic firepower.

Once again, written and produced by Danny Rexon, frontman of Swedish hard rockers Crazy Lixx, 'Reckless' channels the golden age of melodic rock while injecting it with fresh energy and modern production.

The chemistry between CHEZ and Danny continues to shine, resulting in a record that blends 80s-inspired anthems, infectious hooks, and soaring vocals into a modern rock statement with attitude.

From glam-infused bangers to emotional slow-burners, 'Reckless' showcases CHEZ’s growing confidence and undeniable charisma, proving she’s not just riding the revival wave - she’s leading it.

If you’re craving fist-pumping choruses, soaring vocals, and a no-holds-barred throwback to the glory days of rock, look no further. CHEZ KANE’s 'Reckless' is melodic rock done right - bold, catchy, and undeniably alive.

Turn it up loud. This one’s recklessly unforgettable!

Order 'Reckless' HERE

Black Metal Legends Winterfylleth Release Title Track + New Album "The Unyielding Season"

With the release of their ninth album, The Unyielding Season, out now via Napalm Records, UK's black metal legends WINTERFYLLETH unleash the title track as the third single. "The Unyielding Season" captures the overarching theme of the album: The song is a reflection of the current state of the world wrapped in raging, yet refined atmospheric black metal, guiding the way to a worthy follow up to 2024's celebrated predecessor The Imperious Horizon.

WINTERFYLLETH's ninth album is a social commentary wrapped in meticulously crafted poetry and prose. Where the preceding album described an ominous, malevolent force, lurking in the distance, The Unyielding Season now explores said threat becoming a reality.

Chris Naughton on "The Unyielding Season":
"'The Unyielding Season' – the song that puts music and emotion to the album concept as a whole. A beautiful, haunting and reflective track that tries to capture the weight and gravity of the current social circumstances we are living through in the world. It shares its concept with that of the wider album, and essentially tries to be a voice of the people against the tide of pressures in the world."

Watch the visualizer video for "The Unyielding Season" BELOW !

WINTERFYLLETH about the new album:
"2026 marks a year of big changes for WINTERFYLLETH! A new label, a new member, a new album, and the landmark of 20 years making music together. We are enthused by what this new chapter will bring, and as a result, we are now able to share our ninth album, The Unyielding Season, with the world. It is also a powerful and virulent first output, through which we seal our new collaboration with Napalm Records.

In many ways, the new album is a reflection on — and a rebellion against — the turmoil's and fears that are tearing the lives of many individuals apart. It is a cry against the unsustainable & constant weight of malevolence and pressure being pushed into the world by agents of an un-resting and unyielding force for evil. We hope the album resonates with you, stirs your soul, and gives you a source for hope. But, we also hope it makes you ask questions of your own circumstances and gives you pause to consider the unnerving state of the world we all share."

Order your copy of The Unyielding Season NOW!

WINTERFYLLETH ARE:
Chris Naughton – Vocals, Guitars
Simon Lucas – Drums
Mark Doyle – Bass, Backing Vocals
Mark Deeks – Keyboard, Synth, Backing Vocals
Russell Dobson – Lead Guitar, Backing Vocals

ARION Unleash Explosive New Single “Hurricane”

A new chapter has begun: Finnish melodic metal force ARION return with a bang, launching the album cycle for their upcoming fifth studio album with the brand-new single “Hurricane”, released via RPM. The track is a fast-paced, modern melodic metal anthem that stands out with its theme of cathartic empowerment, a massive chorus hook, and the band’s signature infectious riffing.

Driven by an arena-ready chorus and sharp songwriting, “Hurricane” initially feels like a classic hit in the making. But ARION add a clever twist, breaking away from predictable structures and injecting a fresh, modern edge that keeps listeners on their toes. More singles will follow throughout 2026, with the full album scheduled for release at the beginning of 2027, following their European tour with GLORYHAMMER and MAJESTICA in October 2026. 

Stream “Hurricane”: https://arion.rpm.link/hurricanePR

A visualizer video is streaming below:

Guitarist Iivo Kaipainen comments: “We are happy to come back with this new fantastic single called ‘Hurricane’! The song features an especially massive and catchy chorus and infectious main riff, which are both long time trademarks for the band. Sounds like a traditional hit format song? WRONG! There’s a cool modern twist waiting to break the linear true and tried hit song formula that will definitely catch every listener off guard. See for yourself!”

About ARION
ARION are among Finland’s most exciting modern melodic metal exports. Known for their high-impact songwriting, technical skill and engaging stage presence, the band continues to bridge the gap between classic and modern metal.

Over the years, ARION have toured extensively across Europe and Japan with acts such as DREAM THEATER, GLORYHAMMER, BATTLE BEAST, BLOODBOUND and SONATA ARCTICA. They have also collaborated with renowned vocalists including Elize Ryd (AMARANTHE), Noora Louhimo and Melissa Bonny (AD INFINITUM / KAMELOT).

With tens of millions of streams to their name, including the standout track At The Break Of Dawn surpassing 20 million streams and achieving gold status in Finland, ARION have firmly established themselves as one of the most important new wave metal export acts from the country. Their continued evolution and international presence underline their growing importance in the global metal scene.

ARION is:
Lassi Vääränen - Vocals
Iivo Kaipainen - Guitar
Topias Kupiainen - Drums
Arttu Vauhkonen - Keys
Georgi Velinov - Bass
 
Connect With ARION: 
Website | https://arion.fi/ 
Facebook | https://www.facebook.com/OfficialArion/ 
Instagram | https://www.instagram.com/arionfinland/ 
X | https://x.com/arion_band 
Spotify | https://open.spotify.com/intl-de/artist/0c09mxGbMHuFLpPJMY6JdA

Ian Munsick Releases New Single, “Love Is Blind”

As Ian Munsick readies his next studio album – his first full-length project under WEST TO THE REST RECORDS/Triple Tigers Records – the Wyoming native is bracing for a run at Country radio. His new single “Love Is Blind” is available on streaming platforms now, and will impact radio on April 20. Listen Below.
 
Written by Munsick, Ryan Tyndell and Jeremy Spillman, the love-gone-wrong anthem was born from a moment of boredom, a guitar and an old familiar motif. 
 
“‘Good things happen when you pick up a guitar…’
 
“I had just finished making my last album, Eagle Feather, and was in the midst of enjoying Christmas break at home with my family, away from playing, writing and recording music,” reflects Munsick. “My old faithful friend was hanging up on the wall, collecting dust, when those words popped into my head, ‘Good things happen when you pick up a guitar.’ The signature riff spilled out of my fingers and gave me immediate lyrical inspiration to write the lines ‘Now I’m right in the middle of a bow and a fiddle, tell me, how long have I been getting played.’ ‘Love Is Blind’ wrote itself. 
 
“Almost a year later, I played a simple guitar/vocal recording for a then potential label partner, Triple Tigers Records and as soon as the last note faded, the label presidents looked at me and said the words that every artist wants to hear, ‘there’s your hit record,’” he adds. “Good things happen when I pick up a guitar.”
 
“Love Is Blind” is Munsick’s latest release following his WEST TO THE REST RECORDS/Triple Tigers Records debut, “Geronimo.” Directed by Ben Christensen, the accompanying music video was shot in Wyoming by Isaac Spotts and produced by Caroline Munsick. Watch Below.
 
Munsick also recently announced he’ll be partnering with The Landmark Hotel & Casino to open the Ian Munsick Cowboy Bar & Western Grill in August in Deadwood, S.D. Built between 1894-1920, The Landmark is Deadwood’s largest historic structure at approximately 35,000 square feet. The Ian Munsick Cowboy Bar & Western Grill will reside within over 2,600 square feet of the footprint. The venue will promote and celebrate country and western music with old school country bar decor, along with two performance stages, one indoors and one outdoors.
 
The Eagle Flies Free Tour, which kicked off on February 13 in Charlotte, N.C., is currently underway. With upcoming stops in Helotes, Texas; Durant, Okla. and more, Munsick is joined by a rotating lineup of guests including Ben Haggard and Kenny Whitmire. The run will include Munsick’s second headlining show at Red Rocks Amphitheatre on August 25, with special guests ERNEST and Ned LeDoux.

The Eagle Flies Free Tour Dates:
Friday, March 27 || Helotes, TX || Floores Country Store (w/ local support)
Saturday, March 28 || Durant, OK || Choctaw Grand Theater ^
Thursday, April 16 || Jim Thorpe, Penn. || Penn's Peak +
Friday, April 17 || Warren, Ohio || Packard Music Hall + 
Saturday, April 18 || Mount Vernon, Ky. || Renfro Valley - The New Barn Theater + 
Friday, April 24 || Wilmington, Ohio || Bowstring Brewyard + 
Saturday, April 25 || Marietta, Ohio || Peoples Bank Arena +
Friday, May 22 || Isle of Palms, S.C. || The Wind Jammer +
Saturday, May 23 || Pelham, Tenn. || The Caverns +
Saturday, May 30 || Cocoa, Fla. || Cocoa Riverfront Park Amphitheater +
Friday, June 5 || Louisville, Ky. || Fourth Street Live
Saturday, June 27 || Libby, Mont. || Happys Inn
Tuesday, Aug. 25 || Red Rocks Amphitheatre || Morrison, Colo. &
 
^ w/ Ben Haggard
& w/ ERNEST and Ned LeDoux
+ w/ Kenny Whitmire

About Ian Munsick:
A native son of Wyoming, Ian Munsick has accumulated over one billion global streams across three albums – Coyote Cry, White Buffalo and Eagle Feather – and a host of accolades, including 19 awards and 14 festival selections for his documentary, White Buffalo: Voices of the West. Having painted a stampeding, spirited portrait of the American West with his sophomore album White Buffalo in 2023, Munsick expanded on the concepts of the land, people, culture and stories that inspire him, with the project’s follow-up 20-track album, Eagle Feather, released on April 18, 2025 via Warner Music Nashville. In addition to selling over 100,000 headlining tickets in 2024 and 2025, Munsick also opened on select dates of Lainey Wilson’s Country’s Cool Again Tour. He has been named an “Artist to Watch” by Spotify, CMT, Fender, MusicRow, is a Martin Showcase Artist, headlined Cheyenne Frontier Days and founded WEST TO THE REST RECORDS. Standout RIAA-Platinum duet “Long Live Cowgirls” (with Cody Johnson) off of White Buffalo hit No. 1 on SiriusXM’s The Highway Hot 30 Countdown, was named one of Amazon Music’s Best Country Songs of 2022 with “Long Haul” and “Horses Are Faster” receiving RIAA Gold-certification alongside “God Bless the West” named as one of Spotify Hot Country Presents’ Best Songs of 2025. As he partners with Triple Tigers for new music in 2026 and beyond, fans of Ian Munsick will always find an open heart, natural awe and plainspoken honesty as he rides on… bringing the West to the rest. Online at IanMunsick.com.

BRANTLEY GILBERT HEATS UP COUNTRY RADIO WITH “GOOD DAMN”

Multi-Platinum trailblazer Brantley Gilbert returns to Country radio with “GOOD DAMN,” his first single with BBR Music Group/BMG Nashville on Wheelhouse Records. A simmering throwback that nods to the swagger and storytelling of his early days, the track finds Gilbert leaning into the style that first defined his sound. Following an exclusive world premiere yesterday on Country radio, “GOOD DAMN” is now available on all streaming platforms. Listen to “GOOD DAMN” Below.
 
Written by Gilbert alongside Brock Berryhill, HARDY and Taylor Phillips, and produced by Gilbert and Berryhill, “GOOD DAMN” is inspired by the real-life twists in his love story with his wife of 11 years and captures the tension of running into the one who got away and realizing the spark never disappeared.
 
“This song hits close to home for me,” shares Gilbert. “It’s about a second chance and being honest in the moment. You see someone you’ve got a past with and realize there’s still something there. Instead of overthinking it, you shoot your shot.”
 
“GOOD DAMN” offers a first look at what’s to come as he works on his highly anticipated eighth studio album. With a career built on chart-topping hits and deeply personal storytelling, Gilbert continues to evolve while staying rooted in the honesty and grit that has defined his music from the start.
 
The Georgia native is set to embark on festival dates this spring and summer, with additional tour dates through the fall to be announced. For more information, visit BrantleyGilbert.com.

About Brantley Gilbert
Multi-Platinum trailblazer Brantley Gilbert turns up the heat with “GOOD DAMN,” his first single with BBR Music Group/BMG Nashville on Wheelhouse Records, available now. A simmering, sexy throwback that nods to the swagger and storytelling of his early days and inspired by the real-life twists in his love story with his wife of 11 years, the song captures the tension of running into the one who got away and realizing the spark never left. Unmistakably BG, “GOOD DAMN” is proof that some flames never fade. An era-defining artist forever bonded to his fans, Gilbert’s been mining the timeless values of hard-working dedication, high-octane thrills and humble faith since his 2009 debut, A Modern Day Prodigal Son, creating a chart-topping grit-and-grace fusion which helped set the stage for today’s genre-blending format. With his dedicated BG Nation behind him, the performer-songwriter has racked up more than 8.3 BILLION career streams, boasting back-to-back Platinum albums and seven No. 1 hits including the RIAA 7x Platinum “Bottoms Up;” 2x Platinum “Country Must Be Country Wide;” 2x Platinum “You Don’t Know Her Like I Do;” 2x Platinum “One Hell of An Amen;” and the Platinum-certified “What Happens In A Small Town” with Lindsay Ell. Possessing a can’t-fake-it quality of fierce independence, the ACM, CMA and AMA award winner has toured alongside everyone from Willie Nelson and Toby Keith to Kenny Chesney, Nickelback and more.
 

BRANTLEYGILBERT.COM | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | X

ALISON NICHOLS HAS “BOX WINE PROBLEMS” BUT HAVING A GOOD TIME AIN’T ONE – OUT NOW

Alison Nichols releases her first original song through BBR Music Group/BMG Nashville with “Box Wine Problems,” a release that skips the explanations and gets straight to the good part. Written by Nichols alongside Sherrie Austin and Will Rambeaux and produced by Rambeaux and Ilya Toshinskiy, the song moves with loose rules, open pours, and a total lack of concern for how things are supposed to go. It does not ask permission and it does not clean up the mess. It just expects you to keep up the good times among the inebriated havoc. Listen HERE.

From the opening chorus, “Box Wine Problems” makes one thing clear. Everything might be going wrong, but nobody is leaving. The wine is cheap, the cups are plastic, someone is crying, someone is lying, someone is fully passed out, and somehow this is still the night you would not trade for anything. Nichols sings it straight, letting the chaos speak for itself and leaning into the idea that fun does not require order, answers, or a plan.

“This song is about letting go of the idea that the night has to make sense,” says Nichols. “You stop trying to fix it, stop trying to control it, and just let it be what it is. That is usually when it gets really good.”

Watch the official "Box Wine Problems" music video below:

Sonically, the track mirrors that energy. It opens with a stripped-down chorus and no percussion, creating a raw, unfiltered entry before the rhythm kicks in. Classic Southern slide guitar runs through the track, adding grit and movement, and the song closes with a full-room sing-along featuring friends in the studio, capturing the sound of a night that has grown louder, looser, and more crowded as it goes.

The moment behind the song is just as fitting. Nichols wrote “Box Wine Problems” the day she officially signed her record deal, turning a celebration with Austin and Rambeaux into a spontaneous writing session that matched the mood of the occasion.

Following the response to her release of “John Deere Green,” Nichols moves further into her own lane with “Box Wine Problems.” It introduces an artist who understands that sometimes the best nights are not the ones you plan, but the ones you stop overthinking and stay for anyway.

KEEP UP WITH ALISON NICHOLS

TIKTOK | INSTAGRAM | FACEBOOK | X

Hard Rock Band Bastion Rose Releases Psychological New Single "I" ​

BLOOMINGTON, IN –Continuing their ascent into the vanguard of modern heavy music, cinematic hard rock outfit Bastion Rose has announced the release of their introspective single "I." The track serves as the next single from the band’s third chapter, Blue Rising.

Following their recent singles, "Dust" and "Bones," "I" turns the lens inward. The track explores the violent necessity of personal evolution. Driven by a sophisticated rhythmic pulse and soaring, melodic hooks, the song captures the moment a "calloused" spirit finally decides to break.

“The song is a dialogue with the parts of ourselves that prefer to stay as stone because change is terrifying,” says frontman Austin Frink. “We often stay the same because it’s safe, but 'I' is about that breaking point—the moment you realize you have to liquefy your old self to break through the stone and finally grow. It’s about moving beyond the 'commotion inside' to become something more.”

Blue Rising represents a bold new evolution for the band as Bastion Rose continues to build on the world-class sonic architecture established in their previous works. The band’s debut EP, Fade To Blue, and their powerhouse full-length, Traces of Gold, were both produced by three-time Grammy-winner David Bottrill (Tool, Muse, Rush). That collaboration set a high bar for the band’s technical, progressive arrangements and raw, alternative metal energy—a standard that remains the heartbeat of their new material.

The release of "I" finds Bastion Rose at an all-time high, with over 2 million streams across their catalog and a global YouTube community of 60,000 subscribers. The band is currently striking while the iron is hot, promising a steady stream of music for their rapidly expanding fanbase.

“We have so much music ready to share with the world right now,” Frink adds. “Blue Rising is just the next chapter of a very prolific phase for Bastion Rose. We aren't interested in slowing down.”

"I" is available on all major streaming platforms as of March 27, 2026.

STREAM "I" 

https://linktr.ee/bastionrose

Based in Bloomington, Indiana, Bastion Rose has emerged as a high-caliber hard rock project born from a pursuit of light within the darkness. Their sound is a sophisticated collision of post-grunge grit and alternative metal intensity, defined by potent, intelligent guitar work, ethereal soundscapes, monumental riffs, and powerful, impassioned vocals and lyrics. It is a sonic identity that caught the attention of three-time Grammy Award-winning producer David Bottrill. Known for his work with legendary visionaries like Tool, Godsmack, Muse, Peter Gabriel, and Rush, Bottrill describes Bastion Rose as a "new embodiment of classic heavy rock... the sounds, the tones, everything. They are reverential to the style of music from the past, bringing it into the modern world."

Bottrill’s involvement provided the blueprint for Bastion Rose’s world-class production standards. From the debut EP Fade To Blue to the full-length powerhouse Traces of Gold, the collaboration resulted in a sound that is both polished and visceral—music that balances the technical, rhythmic intelligence of Tool with the riff-centric, soaring melodic energy of Audioslave. This cinematic depth is not a studio trick; it is a reflection of a journey through hardship. The creative mission is inextricably linked to the personal story of Austin Frink, who navigated a period of staggering loss, including the sudden deaths of both parents and a cancer diagnosis that threatened to permanently silence his singing voice. Frink turned his pain and survival into a universal message. His lyrics explore the heavy themes of existence, hope, and the fleeting nature of life, transforming personal tragedy into a rallying cry for resilience.

The world has taken notice of this ascent. In less than a year, Bastion Rose has experienced a meteoric rise, with a catalog surpassing 1.5 million streams and a global community of 60,000 YouTube subscribers and 36,000 social followers standing behind them. With critical acclaim from industry pillars like SPIN Magazine, Metal Hammer, and Classic Rock Magazine, Bastion Rose has scaled from a studio project into a market-ready force. Striking while the iron is hot, the band is currently unveiling their next prolific chapter: Blue Rising. Spearheaded by the haunting single, "Dust," the record is a philosophical exploration of transience. As Traces of Gold continues to dominate playlists, Blue Rising serves as a clear indicator of the band’s relentless creative pace. For those seeking music that is emotionally resonant and sonically massive, Bastion Rose is the essential melodic voice in the new era of heavy music. 

Bastion Rose:
Austin Frink: Vocals and Guitar
Austin Mudd: Guitar
Steve Pierce: Bass
John Donlon: Drums
Barrett Abraham: Keys

For More Information Please Visit:

Official Website

Instagram

Facebook

YouTube

ONLY HUMAN Premiere Inventive Debut Album Planned Obsolescence

ONLY HUMAN are already on the brink of a major discovery with their debut album. On Planned Obsolescence, the Danish upstarts invent an existential form of prog metal that speaks to our not-too-distant dystopia.

Planned Obsolescence comes out tomorrow, Friday, March 27 on Season of Mist, but you can hear all eight inventive songs today by listening to the full album stream on the Season of Mist YouTube channel.

Listen Below:

“The album is supposed to wake people up to all the ways technocracy is encroaching on society”, Only Human vocalist Patrick Grønbæch Christensen says. “Tech companies often design their products to have an expiration date, so that we’re forced to replace them with the newest model. Through our social media and the adoption of influencer culture, we now live in a reality where humans are products to be consumed and disposed of”.

Pre-order & Pre-save

https://orcd.co/onlyhumanplannedobsolescence

Concept albums are standard issue for metal, especially in the prog space. But when the five members of Only Human first put their heads together in 2023, they decided to build the very human fabric of the band around one increasingly prescient idea.

“We like a lot of bands that just play rock music, but we wanted ONLY HUMAN to be about something”, Christensen says. “We’re interested in creating a musical universe that portrays a future on the brink of collapse”.  

Planned Obsolescence reckons with technology’s increasingly hostile takeover. “Techno Fascist” comes crashing down amidst a turbulent downstream of low-tuned chugs. The intrusion of beats, blips and synthetic swirls into the heavy mainframe of “Breach” mirrors not only how technology has seeped into our everyday lives but also the looming threat that it poses in rendering humans obsolete.  

While Planned Obsolescence is full of existential dread, that doesn’t mean the album leaves us no hope. There’s nothing broken or even outdated about Only Human. The band’s fusion of heavy polyrhythmic grooves, anthemic hard rock and haunting electronic soundscapes hits like a deep breath of fresh air. “Defy and learn to walk again”, commands blood-pumping lead single “Automata”.

“When the world is going badly, the reason is because people gave up”, Christensen concludes. “Things aren’t hopeless. We can absolutely fight back. Hopefully, this album gets people to think about valuing humanity over profit”.

On Planned Obsolescence, Only Human invent existential prog metal for our dystopian future.  

Catch ONLY HUMAN live and in the flesh during their upcoming record release show, as well as at Sweden Rock Festival and Naestved Metalfest.

ONLY HUMAN Live in 2026

May 2 - Copenhagen, DK @ Rust (Record Release Show)

June 3-6 - Sölvesborg, SE @ Sweden Rock Festival

August 27-29 - Næstved, DK @ Næstved Metalfest

September 5 - Grindsted, DK @ Metalbox Festival

November 7 - Hjortshoj, DK @ Viruphuset (with Cold Night for Alligators)

“When the world is going badly, the reason is because people gave up”, Christensen concludes. “Things aren’t hopeless. We can absolutely fight back. Hopefully, this album gets people to think about valuing humanity over profit”.

Lineup
Patrick Grønbæch Christensen- Vocals
Martin Hastrup - Guitars
JaCK Kijne - Guitars
Andreas Pröll - Drums
Guillaume Blanjean - Bass

Recording, Mixing and Mastering Studio
Only Human Studio

Production Credits
Producer & Sound Engineer - Patrick Grønbæch Christensen
Mixing Engineer - Patrick Grønbæch Christensen
Mastering Engineer - Patrick Grønbæch Christensen (Digital and CD), Brett Caldas-Lima (Vinyl)

Cover Art
Guillaume Blanjean

Pre-order & Pre-save

https://orcd.co/onlyhumanplannedobsolescence

Available Formats
CD Digipack
12" Vinyl Jacket (Black)
12" Colored Vinyl (Transparent red with black and white splatters)
12" Colored Vinyl (Transparent red and black marbled)

Follow Only Human
Official Website: https://onlyhuman.band/
Bandcamp: https://onlyhumandk.bandcamp.com/
Instagram: https://www.instagram.com/onlyhumandk/
Facebook: https://www.facebook.com/OnlyHumanDK
Apple Music: https://music.apple.com/dk/artist/only-human/1742337573
Spotify: https://open.spotify.com/artist/11Cl9Vdw4xGPUMtcurjgg1
Youtube: https://www.youtube.com/@onlyhumandk

DIMMU BORGIR - Announce New Album 'Grand Serpent Rising' + Watch The Video For Single 'Ulvgjeld & Blodsodel'

Eight years after the release of their critically acclaimed album Eonian, Norwegian symphonic black metal titans DIMMU BORGIR return with a towering new opus: Grand Serpent Rising. Set for release on May 22 via Nuclear Blast Records, the album delivers thirteen punishing yet remarkably diverse tracks that reaffirm the band’s status as one of the most formidable forces in extreme music.

Shagrath comments: “I truly feel we’ve outdone ourselves musically on this album. It’s been a long and demanding process, but seeing how it all came together makes it incredibly rewarding. Grand Serpent Rising reflects every era of Dimmu Borgir - This album carries echoes of every chapter of Dimmu Borgir’s legacy - I believe our fans will recognize that, and find something within it that truly resonates.”

Even the sheer weight of the album title speaks volumes.

"It fits perfectly," guitarist Silenoz explains. “Dimmu Borgir is a leviathan of a band on a grand scale and we are rising once again. While the serpent represents evil to some, for us it symbolizes something else: renewal, growth, knowledge, and liberation. Shedding our skin, so to speak. And let’s not forget that February 2026 marks the end of the Year of the Snake, roughly the same moment this album was completed.”

Grand Serpent Rising was recorded in Gothenburg with acclaimed producer Fredrik Nordström, whose legacy with the band includes landmark releases Puritanical Euphoric Misanthropia and Death Cult Armageddon. The collaboration once again captures the band at their most expansive and ferocious, blending orchestral grandeur with unrelenting black metal intensity.

Alongside the album announcement, the band unveils a cinematic video for the track 'Ulvgjeld & Blodsodel'. Sung in Norwegian, the song stands as a punishing epic rooted in themes of heritage and bloodline - the passing of something essential from one generation to the next.

Watch the video for 'Ulvgjeld & Blodsodel' below:

Listen to 'Ulvgjeld & Blodsodel' here: 
https://dimmuborgir.bfan.link/ulvgjeld-blodsodel

Pre-order Grand Serpent Rising here: 
https://dimmuborgir.bfan.link/grandserpentrising

In October 2026, two of the most influential forces in extreme metal join together for a monumental live assault: DIMMU BORGIR and BEHEMOTH will embark on the 'In League With Satan' Co-Headline Tour, storming across Europe and the UK. As special guests, the Swedish black metal icons Dark Funeral will add even more ferocity to an already devastating lineup.

TICKETS: www.dimmu-borgir.com/tour 

LINE UP:
Shagrath - vocals
Silenoz - guitars
Damage - guitars
Victor - bass
Gerlioz - keyboards
Daray - drums

DIMMU BORGIR ONLINE:
https://facebook.com/dimmuborgir
http://instagram.com/dimmuborgir
https://youtube.com/user/dimmuborgir
https://x.com/dimmuborgir
https://dimmu-borgir.com/

Ray Hawthorne Has Never Been Better On New Single "Overwhelmed"

Everyone's favorite pop punk disruptor, Ray Hawthorne, is barely keeping it together, but in the best way possible. Following the woozy late-night spiral of "Somewhere Else" and his sophomore album, "Ray Hawthorne Isn't Real" the Los Angeles-based firebrand returns with "Overwhelmed," a chest-tightening, full-speed anthem about the terror of falling apart and not knowing if anyone will notice. Fans can listen to the new single Below.

At its core, "Overwhelmed", is about the cruel irony of needing people most when you're least able to let them in. Ray Hawthorne writes from inside that contradiction, watching himself push away the people who show up, unable to stop, and unsure if he deserves to be caught anyway. It's Ray Hawthorne's greatest trick, taking his worst moments and making them into songs that are impossible to not sing along to.

Ever the philosopher, Ray Hawthorne dives deep into how fans should listen to his music and who is to blame if they don't:

"I think Jeff Probst might be a vampire and not enough people are talking about it. There’s all these conspiracies on the internet about people not aging, or faking their deaths and turning into different celebrities. Like people are saying Jim Carrey is now Walton Goggins, or Kurt Cobain is actually Rivers Cuomo (shoutout Pete for turning me on to that one). But nobody talks about Jeff Probst. I’ve been watching Survivor like my whole life and this dude has NEVER aged. Some call it hair dye, but I think it’s something more sinister than that. How many of us have actually auditioned for Survivor? Not many. I’d be willing to bet that the fine print of the contract says something like “In exchange for a chance at winning one million dollars you are agreeing to let Jeff Probst steal your life force”. And nobody’s actually reading it. They’re just happy to compete. I’m certain this information is dangerous, but someone has to take a stand. If you never hear from me again just know that it was most likely Jeff Probst (or his personal assistant) that eliminated me. Listen to my new song in protest. Use it as a way to stand against this system of Hollywood elite vampires. Play it as loud as you can to let them know that you know the truth.”

Renowned for his work in North Kingsley, the acclaimed project alongside Shavo Odadjian of System of a Down, Hawthorne initially captured hearts as the Heartbreak Hero with his inaugural solo release "Heartbreak Feels Good in a Place Like This". Building on his solo work, his debut record "Ray Hawthorne Sucks" further cemented his status as a bold new voice in pop punk, quickly amassing a devoted following and over 20 million streams across all streaming platforms for his magnetic charm and razor-sharp wit.

Blending heartbreak, sarcasm, and just the right amount of emotional stability, Ray Hawthorne leads with a messy kind of hope, turning emotional freefall into something you can scream along to. Where debut album and his firstborn, "Ray Hawthorne Sucks", leaned into an earnest DIY vulnerability, his latest record, "Ray Hawthorne Isn't Real", took a turn and tapped into the restless defiance of a secondborn. The 15 tracks helped embrace the chaos, laugh at the pain, and maybe, just maybe, allow us all to find a little redemption along the way.

Starting from the very real possibility that Ray Hawthorne is just a guy screaming into the ether (and somehow making it sound catchy), his catalog has become a refuge for anyone who's ever felt too loud, too sensitive, or too much. Loud, petty, and deeply cathartic, Ray Hawthorne is proudly one of the most unapologetically honest voices modern pop-punk.

Be sure to stay tuned for more Ray Hawthorne news coming very soon.

ABOUT RAY HAWTHORNE

Do you remember that episode of Degrassi where Ashley really wants Craig to tell her he loves her, but Craig gets all panicked and can’t tell her that he does? It causes so much drama in their relationship. She begins to question her feelings for him and because of that, he becomes seemingly unsure of his feelings for her. So, in an effort to quell the bad vibes, Craig writes a song that includes lyrics IMPLICITLY AND EXPLICITLY stating that he loves her. (Total banger by the way, the only song of his I like better is the one he sings at the battle of the bands after the two inevitably break up, it’s also about Ashley. I believe it’s called ‘What I Know’) Anyway, Craig was only able to admit he loved Ashley in song form, but you as the viewer are left wondering ‘Does he really love her, or was this just his solution to end the drama?’ Or, ’Is this truly the only way he can express himself because he’s kind of nervous about speaking his true feelings outside of the structured environment of a song?’. I tend to believe it’s a mixture of both. So what I’m trying to say is, this collection of songs is kind of like that. I always feel like I have so much to say but often feel a bit too vulnerable when discussing my actual feelings. So for the majority of my life, I’ve just written them into songs instead. These songs can be quite vulnerable even if they seem silly at times. So now you’re left to wonder... am I telling the truth or just trying to get rid of Ashley’s bad vibes?

Dungeon Synth Entity WRAITH KNIGHT Announces New Full-Length, Reveals Haunting First Single

Enigmatic dungeon synth entity WRAITH KNIGHT will be releasing a haunting new full length, 'Of Arcane Magic & Forbidden Knowledge: The Necromantical Passage,' on April 2 via Out Of Season (USA) and Neuropa Records (Belgium)! To celebrate the impending release, WRAITH KNIGHT is now sharing the first single from the offering, "Decrepit Wings & Rotting Bones - The Dracolich," which can now be heard below.

WRAITH KNIGHT comments, "The new single represents the mystery and magic of ancient and otherworldly realms that only we can dream of."

The album can be pre-ordered now in CD format via BANDCAMP or via OUT OF SEASON in the U.S. or via NEUROPA for EU. Cassette and vinyl orders will be available in April.

Additionally, WRAITH KNIGHT will be touring North America in support of MORTIIS + UADA along with Jerome Reuter’s ROME on the upcoming 'Witches of Dystopia' tour! MORTIIS. MORTIIS shall be performing songs from his groundbreaking 2001 full-length, 'The Smell Of Rain,' along with other volumes of dystopian despair, while UADA will be performing their seminal 2016 debut album 'Devoid of Light' in its entirety + a special CERMONIAL CASTINGS 30-year anniversary set featuring WRAITH KNIGHT. The full itinerary can be found below while tickets are available HERE.

GET TICKETS HERE

THE WITCHES OF DYSTOPIA TOUR MMXXVI

(UADA + MORTIIS w/ Jerome Reuter’s ROME + WRAITH KNIGHT):

04/10/26: Portland, OR @ Dante's

04/11/26: Vancouver, BC @ Rickshaw

04/13/26: Calgary, AB @ Dickens

04/14/26: Edmonton, AB @ Starlite

04/16/26: Winnipeg, MB @ Sidestage

04/17/26: Minneapolis, MN @ Skyway at Studio B

04/18/26: Madison, WI @ Annex

04/19/26: Chicago, IL @ Reggies

04/20/26: Detroit, MI @ Sanctuary

04/21/26: Indianapolis, IN @ Black Circle

04/22/26: Covington, KY @ Madison Live

04/23/26: Pittsburgh, PA @ Preserving Underground

04/24/26: Toronto, ON @ Lee's Palace

04/25/26: Montreal, QC @ Cafe Campus

04/26/26: Quebec City, QC @ La Source

04/27/26: Boston, MA @ Brighton Music Hall

04/28/26: Brooklyn, NY @ Meadows

04/29/26: Bensalem, PA @ Broken Goblet

04/30/26: Baltimore, MD @ Metro

05/01/26: Raleigh, NC @ Chapel Of Bones

05/02/26: Atlanta, GA @ 529 EAV

05/03/26: Orlando, FL @ Conduit

05/05/26: Houston, TX @ Warehouse Live

05/06/26: Austin, TX @ Come And Take It Live

05/07/26: Dallas, TX @ Club Dada

05/08/26: Albuquerque, NM @ Launchpad

05/09/26: Denver, CO @ HQ

05/10/26: Salt Lake City, UT @ Urban Lounge

05/11/26: Las Vegas, NV @ Swan Dive

05/12/26: San Diego, CA @ Brick By Brick

05/13/26: Los Angeles, CA @ The Echo

05/14/26: San Jose, CA @ The Ritz

05/15/26: Eugene, OR @ John Henry's

05/16/26: Seattle, WA @ El Corazon

WRAITH KNIGHT is an epic dungeon synth/ambient fantasy musical project that is masterminded by OldNick/Nick Superchi (Ceremonial Castings, Mysticism Black, The Great Sorcerer, etc.).

Formed in 2022 with the debut release 'Deep in the Dungeons of the Dragonlord,' Wraith Knight is known for a heroic, epic high fantasy style that is reminiscent of Frazetta, Tolkien & Robert E. Howard stories.

Lineup:

Nick "OldNick" Superchi

For fans of: Summoning, Mortiis, & Tangerine Dream

Cover Artist: Kris Verwimp

Mixed & Mastered by Nick Superchi

Links:

BANDCAMP

FACEBOOK

INSTAGRAM

APPLE MUSIC

SPOTIFY

MALVADA Unleashes New Single “RNR GRL” Out Now via Frontiers Music Srl

Today, the female-led, super-talented Brazilian Rock band MALVADA unleashes their new single and official video, “RNR GRL," a powerful new track out now via Frontiers Music Srl.

Listen HERE

The band comments:

“The single is a reminder of the presence of women in rock n' roll, whether as artists, singers, or songwriters... And about our influence within this space, highlighting and showing the importance of each one of us in the creation of music.”

The rising star of the Brazilian rock scene has a name: MALVADA, and they are ready to take over the world!

Watch the Official Video for "RNR GRL" BELOW:

MALVADA was initially formed in March 2020, at the beginning of the pandemic. With a rock n' roll style full of personality, the band quickly attracted attention as one of the most promising acts in the Brazilian rock scene.

In January 2021, MALVADA released their first single entitled "Mais Um Gole," which gained greater prominence in the scene. Shortly afterwards, in May of the same year, it was time to release the second single, "Cada Escolha uma Renúncia," which preceded the launch of the band's debut album, 'A Noite Vai Ferver.'

In 2022 and 2023, MALVADA solidified its presence on the national rock panorama, performing more than a hundred shows in several cities in Brazil. The band had the privilege of participating in huge festivals, such as Rock in Rio, Best of Blues and Rock, Angra Fest,and Chama Rock, sharing the stage with renowned national and international rock names, like Pitty, Ira!, Angra, Viper, Edu Falaschi, Matanza, Golpe de Estado, Extreme, and Tom Morello.

In November 2023, MALVADA, composed of Indira Castillo, Bruna Tsuruda, Rafaela Reoliand Juliana Salgado surprised with a big announcement: the band has become the newest signee of the prestigious Italian label Frontiers Records, which has renowned bands in its catalog such as Mr. Big, Asia, Whitesnake, Jeff Scott Soto, among others, promising to take them to a new level, with opportunities to expand their reach and conquer the global market.

Their latest self-titled album, released last June and produced by the Brazilian Grammy-award-winning producer Giu Daga, delivers a powerful and exciting musical experience, featuring tracks in both English and Portuguese, setting the bar for the band to conquer a global audience.

MALVADA recently toured Europe with Michael Schenker, wrapping the tour up last month, and is set to play again at Rock in Rio in September, along with Bring Me The Horizon, Avenged Sevenfold, Bad Omens, and Poppy.

Stream / Listen to "RNR GRL" HERE

MALVADA are:

Indira Castillo - Vocals

Bruna Tsuruda - Guitar

Juliana Salgado - Drums

Rafaela Reoli - Bass