Horizon Theory Release New Single "Transcendence" feat. Morgan Rose (Sevendust) ​   

Horizon Theory has released their new single “Transcendence”, featuring Morgan Rose of Sevendust on both guest vocals and drums, available now via Mindful Recordings.

 

“Transcendence” marks the first single from Horizon Theory’s upcoming full-length album, Mission Control, slated for release in March 2026. Accompanied by a visualizer, the track delivers an atmospheric and hard-hitting sonic experience.

 

Produced by Morgan Rose, mixed by Chris Dawson and mastered by Kris Crummett, the single delivers a polished sound that rivals some of modern rock’s most powerful productions.

 

Josh Harrington, the band's vocalist shares, "'Transcendence' is a song that I think everyone can relate to. It’s basically about a relationship that implodes. Love lost and questions unanswered. Something we’ve all been through at some point in our lives. It features Morgan on drums and backing vocals also!"

 

He adds, "This will be our first release working with a producer and until we toured with Sevendust we hadn’t really considered it. While we were on the road with them Morgan mentioned getting in the studio and putting an album together. To say we were pumped at the opportunity is an understatement! Working with Morgan was an awesome experience and a great way for us to expand our sound with some fresh ideas in the studio. We can’t wait for you to hear the rest of the album Mission Control!"

 

Morgan Rose comments, “I had the best time working with these guys. The songs are amazing. Lyrically, and musically, I have no doubt people will relate to it in a big way”. 

 

“Transcendence” is available now on all major streaming platforms.

 

STREAM "Transcendence HERE

 

WATCH the visualizer video for "Transcendence" below.

Horizon Theory is a 5 piece Heavy Rock/Metal band that is quickly showing that they have what it takes to become a mainstay in the genre. The airtight rhythm section featuring Luen Murr on Bass produces the foundation for what will only prove to be more complex and melodic. Chris Black layers guitars that can mesmerize and enchant just as easily as they can violently blast through whatever is in the path. This all sets the stage for Josh Harrington to invoke emotion and energy from any crowd that witnesses his passionate vocal performance. With several singles racking up Millions of views and streams since 2023 as well as tours with the likes of Sevendust, 10 Years, Cold, Orgy and Smile Empty Soul, HORIZON THEORY has exploded onto the scene with energy and conviction. 

Horizon Theory:

Josh Harrington - Vocals
Chris Black - Guitar
Luen Murr - Bass 

 

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Adam Ezra Group New Song Out Today!!!!

New Song: “Searching For Words That They Haven’t Made Yet” Out Now!!!
This is one of my favorites from the upcoming album.  Officially out today anywhere you can stream music!

Since the beginning of August 150,000 people have streamed our new music around the world and that is TOTALLY because of you all...our core people...listening, saving, and sharing our songs.  Over 30% of those listeners have come to us through algorithmic recommendations triggered by your enthusiasm for our latest releases.  Words can’t do a thank you justice, so in addition we promise to keep this all going...so excited for the releases to come...

Teen Mortgage Drop "Below The Christmas Tree" — LISTEN // Band Partners With Skate Super Skate Posse

Washington, DC punk duo TEEN MORTGAGE — guitarist/vocalist James Guile and drummer Ed Barakauskas — are getting festive with their new holiday track "Below the Christmas Tree."

Listen below.

Of course, in typical Teen Mortgage fashion, it's ANYTHING but a typical holiday track.

"We wanted to give people a new Christmas song to throw in their rotation because the usual Christmas hits get tedious to listen to," states Guile. "The song is a satire of people's tendency to ignore the world and embrace consumerism during Christmas and the way they would continue the tradition in the face of a nuclear holocaust. But the flip side of that is that Christmas is a call for peace."

Teen Mortgage are also partnering with Super Skate Posse and the Boys and Girls Club of Baltimore to provide 50 pre-selected, area youths with new skateboards, helmets, and Converse sneakers, along with a skate demo and music performance in Baltimore.

Guile says, "We're insanely proud to offer kids a chance to be part of the skate community in Baltimore and maybe get inspired to be in a band too."

The event will take place at the Skatepark Of Baltimore, locate at 1201 W 36th Street, Baltimore, MD on Saturday, November 22 from 2 to 3pm, and will include demos from professional skaters Brian Anderson, Darren Harper, Spencer Brown, and Tony Massey, as well as a full performance from the band. 

The Super Skate Posse Givebacks partner with local organizations across America to remove the cost barrier of access to the mental health benefits of skateboarding through a one of a kind experience to underserved youth. This is the first time the event will take place in Baltimore and is sponsored by The Boys And Girls Club Of Baltimore, Converse, Good360, Lingraphica, No Expectations, Team Bonding, Vu Skateshop, JBL Audio, Polio Treading, and Primary Wave.

"It's an honor to work with Teen Mortgage to uplift the youth of Baltimore. It may not be common knowledge but lead singer, James Guile, is a lifelong skateboarder. I commend James and Edward Barakauskas for identifying a need for resources in their community and taking action," says Chris Nieratko, Executive Director, Super Skate Posse.

In addition to this special performance, the band will perform at two holiday-themed shows. The will appear at the Jingle Bell Roxy LA on December 10. Jingle Bell Rox is a 13-night concert series in partnership with Union Rescue Mission. There will be a donation drive at each show to support those in need this season.

The band will also perform at Blissmas 25 with Better Lovers, Glassjaw, Saves the Day, Terror, Onyx, Haywire 617, Koyo, and Johnny Booth on December 13.

Teen Mortgage, who have shared stages with the likes of Weezer and Smashing Pumpkins, are in the middle of a headline tour. Get tickets here. They will hit the road hard in 2026, as well, as they are set to tour with Joyce Manor, Militarie Gun, and Combat next spring. All dates are below.

TEEN MORTGAGE ON TOUR:
HEADLINE 2025:
11/12 — Louisville, KY — Zanzabar
11/14 — Indianapolis, IN — Turntable
11/15 — Lakewood, OH — Mahall's
11/16 — Pittsburgh, PA — Bottlerocket Social Hall

HOLIDAY SHOWS:
12/10 — West Hollywood, CA — The Roxy Theatre
12/13 — Buffalo, NY— Buffalo RiverWorks 
 
WITH JOYCE MANOR, MILITARIE GUN, + COMBAT:
SPRING 2026:
3/09 — Phoenix, AZ — The Van Buren 
3/11 — Austin, TX — Stubb's Waller Creek Amphitheater 
3/12 — Houston, TX — House of Blues Houston 
3/13 — Dallas, TX — House of Blues Dallas 
3/14 — New Orleans, LA — House of Blues New Orleans 
3/16 — Orlando, FL — House of Blues Orlando 
3/17 — Atlanta, GA — Buckhead Theatre 
3/18 — N. Myrtle Beach, SC — House Of Blues Myrtle Beach 
3/20 — Baltimore, MD — Nevermore Hall 
3/21 — Boston, MA — Citizens House of Blues Boston 
3/22 — Philadelphia, PA — The Fillmore Philadelphia 
3/24 — Brooklyn, NY — Brooklyn Paramount 
3/25 — Buffalo, NY — Asbury Hall 
3/26 — Toronto, ON Canada — The Danforth Music Hall 
3/27 — Detroit, MI — Majestic Theatre 
3/28 — Chicago, IL — The Salt Shed 
4/26 — Madison, WI — The Sylvee 
4/27 — Minneapolis, MN — Varsity Theater 
4/30 — Des Moines, IA — Wooly’s 
5/01 — St. Louis, MO — Delmar Hall 
5/02 — Lawrence, KS — Liberty Hall 
5/04 — Denver, CO — Fillmore Auditorium 
5/05 — Salt Lake City, UT — The Depot 
5/07 — Great Falls, MT — The Newberry 
5/08 — Calgary, AB Canada — The Palace Theatre 
5/09 — Edmonton, AB Canada — Midway Music Hall 
5/11 — Vancouver, BC Canada — Commodore Ballroom 
5/12 — Seattle, WA — The Showbox 
5/13 — Portland, OR — Roseland Theater 
5/15 — San Francisco, CA — The Fillmore 

REDIVIDER Unleashes “Quartered & Devoured," A Vicious Salvo of Fury and Ritual

Death metal powerhouse REDIVIDER returns with “Quartered & Devoured”, the first single from their upcoming full-length album Sounds of Malice, arriving January 9, 2026 through Third House Communications.

A feral introduction to the chaos that defines Sounds of Malice, “Quartered & Devoured” captures the pure essence of brutality with a lingering feeling of entrapment. The track tells the story of the first humans in Dungeons & Dragons lore, a wild and violent race despised by the gods for their aggression. The lyrics depict a ritual of defiance, where these humans perform a hanging, drawing, and quartering as a sacrificial act against the divine powers that tried to erase them from existence.

Musically, REDIVIDER wastes no time pulling punches. “Quartered & Devoured”hits hard as the opening track, setting the tone for the record with relentless rhythms, haunting tension, and grooves that refuse to let go. The band fuses precision and chaos to create an atmosphere that is both crushing and unforgettable. Each riff lands with weight, every hook sinks deep, building a sense of unease that never lets up. Groove remains the pulse that ties the track together, a foundation of violence that demands attention.

Sounds of Malice marks REDIVIDER’s most intense and immersive work to date, diving headfirst into themes of rebellion, destruction, and the ancient hunger that drives humanity to endure.

About REDIVIDER:

REDIVIDER is a death metal band from Louisville, Kentucky, formed in 2021 by vocalist Jacob Spencer and guitarist Paul Nunavath. Joined by guitarist Jake Atha and bassist Alexander Farrington, the band draws influence from the early Florida death metal scene and bands like CANNIBAL CORPSE, MORBID ANGEL, DEATH, and GORGUTS. With a sound rooted in old school brutality and layered with modern aggression, REDIVIDER combines guttural vocals, dissonant riffs, and relentless groove to create music that is both violent and immersive.

The band made their live debut in 2022 and quickly gained recognition in the underground scene, sharing stages with acts such as CREEPING DEATH, CRYPTA, MASACRE, COGNITIVE, and SEE YOU NEXT TUESDAY. Their debut album Sounds of Malice is a conceptually rich, sonically punishing record that blends fantasy-driven storytelling with crushing heaviness. Written with live performance in mind, REDIVIDER’s music thrives on tension, rhythm, and unapologetic intensity, death metal built to be felt as much as heard.

REDIVIDER Lineup:
 

  • Jacob Spencer – Vocals

  • Paul Nunavath – Guitar

  • Jake Atha – Guitar

  • Alexander Farrington – Bass

  • Mike Hargrave – Drums (live)

KING ULTRAMEGA - The Day I Tried To Live (Single)

To commemorate the induction of the legendary SOUNDGARDEN into the Rock & Roll Hall of Fame, alternative rock collective KING ULTRAMEGA have unleashed a powerful new rendition of "The Day I Tried To Live", featuring SOUNDGARDEN's Kim Thayil, with Alissa White-Gluz of ARCH ENEMY, Mark Menghi of METAL ALLEGIANCE, and Charlie Benante of ANTHRAX. "The Day I Tried To Live" is also featured on a 2-song LP release that also features KING ULTRAMEGA's rendition of the SOUNDGARDEN classic "Rusty Cage". KING ULTRAMEGA crafted this single in loving memory of legendary vocalist Chris Cornell, while raising funds and awareness for MusiCares, which is the Recording Academy’s nonprofit that provides mental health, addiction recovery, and emergency services to those in the music community.

Kim Thayil welcomed this unique opportunity to rediscover his relationship with the song, outside of the familiar context of performing it as a SOUNDGARDEN member. Though the process of sharing his original contributions and interpretations of his guitar performances with other musicians was challenging, Thayil found it to be personally cathartic, capturing the essence of "The Day I Tried To Live", while still bringing a fresh power and beauty to the song.

Thayil comments, "I believe that the personal exploration that came out of my accepting the invitation from Mark, and King Ultramega, to participate in these recordings, allowed me to open myself up to the creative risks of sharing an emotive and artistically intimate experience with other creative individuals, and that this has proved to be rewarding and encouraging, for me, of future similar collaborations."

While Thayil's smooth, soulful lead guitar performance shines on top, bassist and KING ULTRAMEGA creative visionary Mark Menghi keeps the groove of the song true to form. Menghi's precise bass performance gives Thayil a familiar foundation to build upon so that together, KING ULTRAMEGA can do justice to Chris Cornell's legacy.

Menghi comments, "It was a bit nerve racking for me to go in and record this track knowing Kim was going to be on this song, as it's his band's song to begin with. In addition, it was equally important for me to keep it true to the original so Alissa had a strong foundation to deliver her magic. 'What would Chris think?' was the question that kept repeating in my head over and over."

As a longtime SOUNDGARDEN fan, vocalist Alissa White-Gluz cites Chris Cornell's work as highly influential and inspirational to her own, through all of his projects. Her energetic performance carries the song through a range of emotional peaks and valleys, from smooth, dark verses to gritty, soaring choruses. The use of subtle dynamics and textures shows meticulous attention to detail, demonstrating White-Gluz's intent to craft a tribute that remains true to Chris Cornell's style and delivery.

"I felt that I needed to try to embody his unique power and swagger when delivering the vocals here," she comments. "He has always had such a remarkable way of wording things; 'I stole a thousand beggars’ change and gave it to the rich' - just so, so good. He always managed to grab our attention with narrative and keep our interest with thoughtful word choice and intriguing messages."

Finally, drummer Charlie Benante of ANTHRAX lays the beat down with care and intention, closely matching the dynamic structure of the original song. Always playing slightly behind the beat, Benante alternates lighter and heavier playing to recreate the signature sound of "The Day I Tried To Live". 

"This is one of my favorite Soundgarden songs," Benante comments. "I just love everything about the song. I especially love the ending, I never expected it to end the way it ends. It's just a beautiful piece of music. Matt’s playing on this tune really compliments the song so much. I just tried to stay true to that."

The LP featuring "The Day I Tried To Live" and "Rusty Cage" is available exclusively on the Reigning Phoenix Music webstore, SOUNDGARDEN webstore, and KING ULTRAMEGA webstore. 

A limited run of 500 purple vinyls (available to US purchasers) and 300 lilac vinyls (available to European purchasers) will go on sale beginning November 7, to commemorate SOUNDGARDEN's induction into the Rock and Roll Hall of Fame.

The vinyl will be available on the Soundgarden, Reigning Phoenix Music and King Ultramega stores.

About KING ULTRAMEGA:

For Menghi and his collaborators, KING ULTRAMEGA is both a deeply personal labor of love and one of the greatest honors of their musical lives. "To be here thirty-plus years later paying tribute to whom I believe was the king of those times is one of the greatest musical honors of my life."

Lineup for "The Day I Tried To Live":
Kim Thayil - Guitar
Alissa White-Gluz - Vocals
Mark Menghi - Bass
Charlie Benante - Drums



Connect with King Ultramega:
kingultramega.com | Apple Music | Spotify | Deezer | Instagram | Facebook | Tiktok | X

Alone At The Afterparty: Nate Vickers Reflects On “Feels So Wrong”

Alt rock's breakout act to watch, Nate Vickers, bares a new kind of vulnerability on his brand new single, "Feels So Wrong", out now via Oxide Records. Building on his confessional momentum of his previous single "Deja Vu,", Vickers pivots from heartbreak's dizzy aftermath to exploring the complicated costs of personal growth, confronting the uneasy guilt and loneliness that lingers after moving on. Watch the brand new video for "Feels So Wrong" below.

Wrestling with the irony of success, "Feels So Wrong", sees Nate Vickers spotlighting the double-edged nature of achievement. Today's brand new video follows Nate as he moves through an empty room filled with balloons and party decorations that echo celebration, but ultimately underscore his quiet ache of isolation and disconnection. Through honest, introspective lyrics and his signature alt-rock edge, Vickers reflects on the loneliness that emerges when fake friends return, but true support remain elusive.

Setting the scene for "Feels So Wrong," Nate Vickers muses:

"It feels so cool to be successful, but it feels so wrong at the same time. It's about feeling lonely after finding success. How fake friends will hit you up after you're doing well, but weren't there for you when you needed help."

With his smash hit "A Little Too Late" cementing Nate Vickers as a breakout voice and his previous single "Parasite" pushing his sound into a darker, more visceral territory, latest singles "Falling Away From Heaven" and "Deja Vu" build on that rising momentum. Seeing Vickersblending gritty guitars with pain and the pursuit of healing, these latest tracks capture an artist unafraid to bare his scars while reaching for something greater.

Inspired by icons such as Linkin Park, Three Days Grace, and Bad Omens, Nate Vickers has crafted a sound that is unmistakably his own, drawing more than 1.5 million followers to his TikTok and 540K to his Instagram. Between viral, late-night covers and playlist-dominating originals, Vickers has also earned his place as a standout favorite on Pandora and Sirius XM's Octane. What began as a spark has now become an alt-rock wildfire.

Be sure to stay tuned for more Nate Vickers news coming soon.

ABOUT NATE VICKERS

For Houston-born artist Nate Vickers, perfection isn’t a pursuit – it’s a mandate. Guided by an unflinching commitment to total artistic integrity and execution, Vickers has spent years carving out his own lane where raw emotion meets dark, cinematic soundscapes and precision is everything.

Gravitating towards rock and metal from a young age, Vickers found music early. “I was a big fan of Kiss when I was a kid,” he recalls. “I watched their concert on TV and thought, ‘that's incredible.’” Around age five Vickers formed an unlikely friendship with an eccentric older neighbor and musician who sold him his first drum set and taught him guitar chords. From there, the obsession never stopped. In high school, he began to find his voice thanks to screamo youtube covers he recorded in his bedroom. By 18, Vickers began teaching himself to sing. A natural performer, Vickers has since honed a powerfully confident voice defined by depth, raw emotion, and grit. Holding nothing back, he stylistically sells every word he sings – a foundational mentality to his creative identity.

He carried this mindset into the studio when he started recording original music in 2016. Teaming up with producer Robby Joyner after the dissolution of an early band, Vickers launched his solo project. To this day, Robby is his producer and creative partner. “We align really well stylistically and creatively. If we have to do eight vocal sessions for one song, we'll do it. We don't care … whatever makes it perfect. We both have extremely high standards.” Vickers has since garnered more than 16 million streams on Spotify and 1.5 million followers on Tiktok.

Along the way, however, Vickers faced waves of self-doubt. “I was impressionable and cared about other people's opinions a lot. It finally came to a point where I was either gonna quit doing music or fix that.” With newfound inspiration, he’s entering a revived era of unapologetic artistic vision. “I've always known exactly what I wanted to do. What I want to do right now is the same thing I wanted to do when I was 16,” he says.

Sonically, Vickers draws from the emotional grit of Deftones and the moody tension of The Neighbourhood, forging a hybrid of dark, moody alt-rock and more in-your-face alt-metal.

Photo Credit - Clayton King

Your Inland Empire Cut to the "Edge of Perfection"

From the ashes of Crown, rises a dark new wave of industrial rock. On Your Inland Empire, the duo of Stéphane Azam and David Husser take the heavy electronics that they first donned on Crown’s last album a step further into a dark night of the soul.

Today, Your Inland Empire are releasing “Edge of Perfection” as the third advanced single off their upcoming debut album. With cutting riffs and breakneck beats, the song blurs the thin line between total destruction and pure bliss.    

Watch the video for “Edge of Perfection” below.

Your Inland Empire’ self-titled debut album comes out this Friday, November 14, 2025 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/yourinlandempireyie    

In 2021, Crown’s The End of All Things revealed a striking metamorphosis. The album shifted the duo of Stéphane Azam and David Husser away from their sludge-laden origins into a cinematic fusion of industrial rock, post-metal atmosphere and darkwave sensibility. Its balance of bleakness and accessibility was praised for expanding Crown’s sonic vocabulary, yet the record ultimately stood as both culmination and chrysalis: the closing of one chapter and the quiet emergence of another.

That emergence is now complete. Your Inland Empire opens a new frontier with their upcoming self-titled debut album. A  descendant of the same lineage that begot Godflesh, Nine Inch Nails and Neurosis, “Edge of Perfection” walks the tight rope between pain and control. Swept up in the rush of intoxication that can be found in darkness and chaos, the band’s latest single confronts the wreckage of addiction and emotional dependency.    

“This song is for the lost, the broken, the ones who became ghosts through this society”, says Azam. “A blade gleaming in the night, where darkness has become the only refuge, where destruction is no longer a threat but a way to survive”.

Line-up
David Husser — Guitars, Programming, Production, Experimentation
Stephane Azam — Vocals, Guitars, Songwriting, Experimentation
Nicolas Uhlen — Drums
Marc Strebler — Bass Guitar

Production Credits
Recorded & mixed by David Husser at La Grange Studio, France.
Mastered by Jaime Gomez Arellano at Orgone Studio, Porto, Portugal.

Cover Art
Design & layout by Jeffrey V. Daniels.

Photography
Band photos taken by Jennifer Brachet.

Pre-save & Pre-order

https://orcd.co/yourinlandempireyie

Status Quo's Francis Rossi Announces "The Accidental" Out 1/30

The Accidental by Francis Rossi, releasing by earMUSIC on January 30 on CD, LP, and Digital formats, comes as something of a surprise.

It was certainly a surprise to Francis, who had no plans to record an album. "This truly came out of nowhere," says Rossi. "I spend my life in and out of the studio, rehearsing, tinkering, but something happened earlier this year and, before I knew it, we had created something special."

While Rossi's previous solo albums explored his love for acoustic ballads, vocal harmonies, and the blend of British rock with country influences, this album, his first in seven years, marks a true return to the energetic, guitar-driven sound that made him a legend with Status Quo.

The Accidental sees Francis Rossi playing to his strengths, but taking risks, cutting loose, and exploring new territory — this album is all about old bones and fresh blood.

The fresh blood in question comes largely from Hiran Ilangantilike, a guitarist who was originally a school friend of one of Francis' children, and co-producer Andy Brook. What became the sessions for The Accidental was initially born of just plugging in and making some serious noise, but something clicked in the studio. Lightning was indeed bottled: There was a swing and a groove, and the songs started pouring out. With John "Rhino'"Edwards and Leon Cave later laying down the bass and drums parts, and Amy Smith again bringing an extra dimension on back-up vocals, this became a project with a bite and DNA all of its own; albeit Francis' playing is a distinctive as ever. Almost all of the songwriting credits reflect this fresh and collaborative ethos, though there are two that bear the classic Quo hallmark: Rossi/Young. Rossi produced The Accidental; co-producer Andy Brook recorded, mastered, engineered, and played on the record, and co-wrote three tracks.

Kicking off with a flourish "Much Better" segues into the ebullient "Go Man Go," teeing up future classic "Push Comes To Shove" and the plaintive yet strutting blues singalong of "Back On Our Home Ground" [who will be the first sports team to adopt this one?]. By then the engine is well and truly running, and the highlights keep coming. The chug and chant and choppy chords of "Something In The Air (Stormy Weather)" give way to the cantering "Picture Perfect," which could only be a Rossi number. The long strides of "November Again" distill a melancholy refrain into a catchy chorus, and the epic "Beautiful World" channels vintage era Quo with enough guitar to get the balcony of the Glasgow Apollo bouncing again. "Time To Remember" is built around a piano line and swaying melody and serves as a poignant and powerful coda to an extraordinarily strong set of new songs.

Pre-order The Accidental here. 

Today’s announcement coincides with the launch of the first two songs: "Something In The Air (Stormy Weather)" and "Go Man Go" are available for streaming and download now.

Listen to the digital 2-track single below.

"For anyone who liked any of my solo albums previously, well, I've no idea what you'll make of this one because it's a real departure, but I love it," Rossi says. "It's loud, the guitars are right to the fore, and there are some great songs there."

This new album finds Francis Rossi once more at the top of his game, with a searing yet thoughtful collection of rockers that will please anyone who likes their dose of heavy cut with melody and verve. Mark Twain said that the accident is "the greatest of all inventors" when there are no rules, expectations or preconceptions, anything can — and will — happen. The Accidental proves that amazing things unfold when an artist with an unrivaled track record is inspired to create new music — even after more than 50 years of success — by the sheer love of playing. That unbridled joy is where the elemental magic that animates The Accidental is conjured.

DESPISED ICON | SHADOW WORK OUT NOW + RELEASE TRACK VIDEO FOR TITLE SINGLE

Canadian deathcore pioneers DESPISED ICON unleash their seventh full-length album Shadow Work via Nuclear Blast Records. The album stands as the band's most fine-tuned and dynamic effort to date, balancing relentless speed, crushing grooves, and morbid melodies, while remaining true to their signature blend of extreme death metal and hardcore grit.

DESPISED ICON's new single, 'Shadow Work,' is an unflinching descent into inner turmoil and trauma. Backed by the band's trademark onslaught of blast beats and hardcore grit, the track chronicles a harrowing journey of self-reckoning and raw, cathartic healing. Watch the video visaulizer below.

Order Shadow Work: 
https://despisedicon.bfan.link/shadow-work

In a few days, DESPISED ICON will join headliner's SANGUISUGABOGG on their U.S. tour. The 22-date trek, which includes DEFEATED SANITY, and CORPSE PILE as support, will kick off in Detroit on November 4th and make stops in Santa Ana, Houston and New York concluding on November 30th in Columbus, OH. Following the tour, the band will headline 2 sold-out hometown shows on December 6th and 7th at Club Soda.

11.04  Detroit, MI @ St. Andrews Hall
11.05  Chicago, IL @ Metro
11.06  Indianapolis, IN @ Deluxe (Old National Centre)
11.07  Lawrence, KS @ The Granada
11.08  Denver, CO @ Summit Music Hall
11.09  Albuquerque, NM @ El Rey
11.11  Phoenix, AZ @ The Nile Theater
11.12  Santa Ana, CA @ The Observatory
11.13  Berkeley, CA @ UC Theatre
11.14  Los Angeles, CA @ The Regent
11.15  Las Vegas, NV @ Fremont Country Club
11.17  Dallas, TX @ Echo Lounge & Music Hall
11.18  Austin, TX @ Mohawk
11.19  Houston, TX @ Bad Astronaut
11.21  Tampa, FL @ The Orpheum
11.22  Atlanta, GA @ The Masquerade
11.23  Charlotte, NC @ The Underground
11.25  Pittsburgh, PA @ Roxian Theatre
11.26  Baltimore, MD @ Baltimore Soundstage
11.28  New York, NY @ Irving Plaza
11.29  Philadelphia, PA @ Union Transfer
11.30  Columbus, OH @ The King of Clubs
12.06  Montreal, QC @ Club Soda *sold out*^
12.07  Montreal, QC @ Club Soda *sold out*^

^ - DESPISED ICON only

Shadow Work is now available in the following formats:

  • CD Jewelcase

  • Gold & Black Corona Vinyl

Shadow Work was produced by the band’s own Alex Erian and Eric Jarrin, while Christian Donaldson (CRYPTOPSY, SHADOW OF INTENT, SIGNS OF THE SWARM) handled mixing and mastering. The album marks a significant chapter for a band whose core lineup has remained largely unchanged since its inception. It’s a deeply introspective record that reflects both personal growth and the turbulence of the world around us. The artwork for the album was created by Eliran Kantor (HATEBREED, THY ART IS MURDER, CAVALERA).

DESPISED ICON's line-up is:
Alex Erian | Vocals
Steve Marois | Vocals
Eric Jarrin | Guitars
Ben Landreville | Guitars
Sébastien Piché | Bass
Alex "Grind" Pelletier | Drums

Volumes Announce New Album "Mirror Touch" Out 12/12 + Share "S.O.A.P." Visualizer

15 years into their career, Volumes have weathered ups, downs, time, trends, and everything else life could throw at them only to come out stronger on the other side. Against all odds, a devout audience has ridden shotgun and grown with them every step of the way, waiting for this moment.

The Los Angeles quartet — Michael Barr [vocals], Raad Soudani [bass], Myke Terry [vocals], and Nick Ursich [drums] — are thrilled to announce their fifth album, titled Mirror Touch. It will be released digitally on December 12 via longtime label Fearless Records. The physical album will arrive on February 27 of next year. Pre-order it here. 

Volumes have dropped the visualizer for the new single "S.O.A.P." Watch it

Volumes have never sounded as confident and assured as they do on this riff-roaring new single. Crunchy, industrial-tinged production, screamed vs. melodic vocal interplay, and a thunderous breakdown signal the beginning of the new era of Volumes. If Meshuggah or Fear Factory entered into a cage match with the Terminator: Judgment Day's T-1000 liquid antagonist, it would sound a lot like "S.O.A.P."

"'S.O.A.P.' is about pure and impure indulgence," the band explains. "Good versus evil. Playing with fire or magic — the lines are blurred here. We self-nurture habits that are deemed immoral, although who is the person making that decisions for us?"

Through a decade-and-a-half, Volumes' quiet impact has been felt, with over 167 million streams in the U.S. alone, widespread acclaim, and sold-out shows. They've carved out their own corner of heavy music with an inimitable hybrid of head-crushing polyrhythmic prog-spiked metal, hardcore spirit, and unbridled attitude. They have assuredly leveled up over the course of albums such as Via [2011], No Sleep [2014], Different Animals [2017], and Happier? [2021]. KERRANG! hailed the latter as "an album that gives a nod to the band's past while still bringing in new ideas." Meanwhile, the group shared stages on tour with everyone from Ice Nine Kills and Born of Osiris to Dance Gavin Dance and Counterparts. The Los Angeles group continues to fortify a full-on sensory assault with thick riffing, chilling soundscapes, and the venomous bite of its incomparable two-headed vocal hydra.

First single “Obsession” off upcoming album by WICKED will be unleashed today on all digital streaming services, accompanied by a live visualizer!

"October 31st, marks the end of the harvest! The boys in WICKED are bringing an offering when the veil is at its thinnest! Now you can't put it down. It ignites your nerves, setting fire to your veins, and all you know is you want more. Are you in love or is this something else? Fixation, fascination and lust. Rock N Roll like you've never heard it before! There's a new full length album from WICKED on the horizon and you just may become obsessed after the first single drops this Halloween. Be aware; Obsession by WICKED will be unleashed today on all digital streaming services, accompanied by a live visualizer! You've been warned! Your latest Obsession will be WICKED!"

"We've been really busy in the studio over the last year digging deep into a song writing chapter that has continued to evolve from our previous albums. With each album we feel a growth and evolution that seems to follow us through our lives. As we leave the "Sunburn" album in the rear view and all its reflection of our extreme lifestyle and ups and downs as we started this band, we now look forward to a song writing chapter of where we are going! We can't wait for you to hear our upcoming album release, but for now we hope you find yourself obsessed over our first single and all of its fresh, exciting nuances!" - Danny

"When we first sat down to write Obsession, we were fueled by so many exciting experiences in our lives touring and meeting some of the most interesting characters in Rock N Roll. It was clear our lives had been consumed and fixated on being rockstars and we wouldn't have it any other way. There's something romantic, dark and sexual about that kind of devotion in an ethereal way. Which isn't surprising that this track is dripping with that kind of lyricism and influence." - Scotty V

"It was so liberating to dive head first into this track and allow it to call on so many different influences. Melodic rock with a metal edge, just take a listen to that break down in the bridge! It's already a fan favorite part for those who've caught sneak peaks at our recent shows!" - Gunnar

"Becoming obsessed with something can be such an experience, sometimes for the best and sometimes for the worst. Once it starts, it's almost impossible to take hold of and reel in. We wanted to put all of that into this song and really take the listener to where we've found ourselves. Like a runaway train ablaze, this song will bring the heavy, melodic power you've been looking for when you just need to Rock The F*#K Out!" - Chad Michael

"Obsession" opens the floodgates of upcoming releases and music videos for WICKED's latest upcoming album due early 2026! Let the song rip as you Rock this Halloween and let yourself become obsessed with the magic of straight ahead High Energy Rock N Roll in 2025! The band will be celebrating the release of the new single “Obsession” with a special release show on November 7th at Record Archive in Rochester NY. First 50 people will get a limited signed Obsession poster! 

Music Video: https://youtu.be/Yq9_cyMxRp0

Presave: http://lnk.to/wickedobsession

www.wickedrocknrollofficial.com

Howl Owl Howl Offers First Scent of '90s-Coded Throwback on "My Cologne"

After revealing their surprise formation last month, new rock group Howl Owl Howl is giving fans the first scent of its raw, sharp-edged sound. Dropping their debut song “My Cologne” (10/31), the trio of ‘90s alternative legends unveil a punchy garage rocker with a playful core, dedicated to the act of reinvention.
 
Written by Howl Owl Howl members Darius Rucker (Hootie & the Blowfish frontman/multi-Platinum country star), Mike Mills (R.E.M. co-founder/Rock & Roll Hall of Famer), and Steve Gorman (The Black Keys co-founder/former drummer), “My Cologne” features shared lead vocals from both Rucker and Mills, with a fist-pumping rhythm built on Gorman’s killer instincts. 
 
But the new band’s lineup is not the only star-studded piece of the “My Cologne” story.
 
Scrappy and irreverent, the tongue-in-cheek anthem was actually inspired by Ariana Grande’s 2018 track “R.E.M.” – which then turned into a perfume line with a familiar feeling cassette-tape package. Mills says he found the possible connection to his iconic band too hilarious not to write about … especially since imitation is the sincerest form of flattery.
 
“I’m not dissing Ariana – in fact I got no problem with it at all,” he says with a laugh. “I just thought it was funny that either she was completely unaware of how weird that was, or she was aware and didn’t care. Either way, I thought I’d write a little song and say I want to smell like Ariana Grande.”
 
Stream or download Howl Owl Howl’s “My Cologne” Below.

Meanwhile, only a few days remain before Howl Owl Howl starts its first chapter on the road.
 
Showcasing the band’s longtime creative camaraderie and unique new sound, the Howl Owl Howl Tour 2025 features nine dates beginning November 3 in Indianapolis, Indiana, with additional stops stretching across the Eastern U.S. and Midwest.
 
Each show will combine three distinctive, award-winning talents in new and unheard ways, as the band performs their original music live for the first time – tunes steeped in the rebellious passion and forever-young philosophy of rock…yet designed in a different phase of life.
 
All tickets for the Howl Owl Howl Tour 2025 are on sale now. Full tour routing below.
 
Howl Owl Howl Tour 2025:
November 3  ||  Indianapolis, IN  ||  The Vogue
November 4  ||  Chicago, IL  ||  Metro Chicago
November 6  ||  Washington, D.C.  ||  9:30 Club
November 7  ||  Asbury Park, NJ  ||  Stone Pony
November 8  ||  Boston, MA  ||  Paradise Rock Club - Music Hall
November 11  ||  New York, NY  ||  Webster Hall
November 12  ||  Philadelphia, PA  ||  Union Transfer
November 14  ||  Athens, GA  ||  Georgia Theatre
November 15  ||  Atlanta, GA  ||  Variety Playhouse

About Howl Owl Howl:
As a true supergroup drawing on three of the most impactful careers in American rock, Howl Owl Howl is an elusive musical creature: a brand-new band with an old school rock ‘n’ roll soul. Founded by GRAMMY-winning Hootie & the Blowfish frontman/multi-Platinum country star Darius Rucker, REM co-founder/Rock & Roll Hall of Famer Mike Mills, and The Black Crowes co-founder and former drummer/lauded media personality Steve Gorman, Howl Owl Howl was born from friendship and the pure joy of collaboration, and is now powered by the world-class instincts of true originals, who are far from done making noise. Infusing roots rock with an open-minded alternative flair, the band’s first batch of music was 30 years in the making, matching a fluid, feel-oriented rhythm section to the barrel-chested vocal rasp of an iconic frontman. After moving in the same orbit through their hard-touring ‘90s heyday, an upcoming album captures the group’s wide range of sonic influence in melody-driven freeform style. From punchy garage rock and jangle pop to throwback soul, blues, and beyond, self-penned songs veer from deeply personal to colorful and quirky, on a set steeped in the rebellious passion and forever-young philosophy of rock…yet designed in a different phase of life. With more maturity and humility – but the same us-against-the-world swagger each member brought to their genre-defining first act – the near-mythical group hits the road in late 2025, swooping into a new era.  
 
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Liverpool duo THE WOOD present soulful and timeless new 'Cold Fire' EP Title track features stunning renowned Scottish vocalist Brooke Combe

Liverpool-based duo The Wood present their 'Cold Fire' EP, released via UK imprint Riverdream Records. Here, Alex Evans (vocals) and Steve Powell (guitar and bass) are at their best, with solid grooves and melodies full of beauty, passion and genuine feeling. Creating music that is difficult to categorise yet somehow sounds familiar, The Wood cleverly mesh soul, rock and folk in songs filled with purpose and an innate sense of release.


Mastered by Pete Maher (U2, Nick Cave, Depeche Mode, Pixies. Nine Inch Nails), the EP was produced bySteve Powell, an expert at unearthing sonic magic. Having recorded many notable artists records, includingMichael Head and The Strands, John Power, def.fo, The Stairsand Ella Guru, Powell also produced and played guitar on the firstMichael Head and the Red Elastic Band record 'Arturius Revisited', as well as the number one indie album'Adios Senor Pussycat'.

For the lead track 'Cold Fire', the duo are joined by ex-Island Records vocalist Brooke Combe, fresh from an appearance on Later With Jools Holland and having just supported Lionel Richie on his UK-Ireland summer tour and Benson Boone on his US tour this last month. She’s tasked herself with bringing more soul to the masses, so she’s in more than appropriate company with The Wood. A shared mission it seems.

The balmy blues chords of an electric piano open before Combe's timeless soul voice steps quietly into a willing spotlight. She’s upfront in the mix, singing to your face; yet it feels close and personal. 'Cold Fire' soothes its way toward the chorus, building around a conclave of gospel harmonies and a sultry, simmering groove. The arrival of Alex Evans’ voice, tumbling down the registers and through the changes, comes edged with a pure soul grit. A perfect storm of gospel, soul, jazz and rock, and its real. It feels ageless, an uncut gem of a song presented in the most natural way.

The Wood's funkier-than-thou version of 'Romantic Attitude', the John Fitch and Associates rare soul classic, screams to be heard and then shrugs its shoulders with an insistent funk groove, Steve Powell’s spectacular psyched-up six stringed wig-outs feature as standard, sounding like the party you really wish you’d gone to.

'Hold On' feels time-aged, sundried, dusty and raw, like Laurel Canyon through a cracked and dirty windscreen. You can feel there’s whisky nearby. It’s a song of yearning and hope, a conversation windblown by time. Steve Powell’s minimal production and Phil Melville’s interwoven layers of slide dobro swoop around Alex Evans’ scored soul vocal, in a space where only what’s necessary is allowed. No extras, no fuss from this perfectly balanced songwriting duo.

'Wait For The Sun' means business. It comes storming in, in a blizzard of insistent urgency, intense and unforgiving. It’s all chugging and rock guitars, blissed out harmonies, and an Alex Evans vocal steeped in his trademark passionate energy. This is The Wood in triumphant mode, and rightly so, because the 'Cold Fire' EP is a definite triumph.

Rewinding a few years, Evans and Powell met while Evans was recording at his Ark Recording Studios, located amongst the imposing brick edifices of Liverpool's ancient dockland. Released in 2024, their debut 'Days' album (previewed by 'Let It Loose'), also involved Martin Smith and Simon James (The Coral, Shack) on brass and Jake Howden-Woodward (Nova Twins) on drums.

As of October 31, the 'Cold Fire' EP is available everywhere online, including Apple Music, Spotify and Bandcamp.

SINGLE CREDITS
Written by Steve Powell & Alex Evans
Alex Evans – vocals
Steve Powell – guitar & bass
Brooke Combe – vocals
Jake Woodward – drums
Mike Smith – organ
Rob Stringer – piano
Charlie Griffiths – backing vocals
Clair Griffiths – backing vocals
Amy Chalmers – violin
Matt Phillips – cello
Rachel Nicholas – viola
Produced & recorded by Steve Powell at Ark Recording Studios, Liverpool
Mastered by Pete Maher
Single cover graphics by Alex Evans
EP cover graphics by Alex Evans & Ed Rimmer
Released by Riverdream Records 2025
Artist photos by John Johnson
Publicity by Shameless Promotion PR



Keep up with The Wood
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IRON SAVIOR: New Single “Fame” Out Now!

Hamburg’s power metal masters IRON SAVIOR return with a blazing new single: “Fame”, their take on the iconic 80s anthem by Irene Cara!

With roaring guitars, soaring vocals and a cinematic sense of grandeur, “Fame” perfectly captures the spirit of ambition and energy that defined an era, and sets the tone for what’s to come on the band’s upcoming album Awesome Anthems of the Galaxy, due for release in March 2026 via PERCEPTION - A Division Of Reigning Phoenix Music.
 
Listen to Fame, below.
 
After reigniting their cosmic engines with Machine World – Reforged in 2025, IRON SAVIOR embark on their boldest mission yet. Awesome Anthems of the Galaxy transforms some of the most iconic pop hits of the 1980s into full-throttle power metal epics, combining nostalgia, passion, and the band’s trademark precision and fire.
 
From the electrifying rush of A-ha’s “Take On Me” and the thunderous drama of Phil Collins’ “Against All Odds” to the cinematic pulse of Jermaine Jackson & Pia Zadora’s “When The Rain Begins To Fall” and the adrenaline-fueled “Maniac” by Michael Sembello, IRON SAVIOR reforge pop classics into heroic, melodic metal anthems.

With Awesome Anthems of the Galaxy, IRON SAVIOR fuse nostalgia and futurism, passion and precision, proving once again that the past can shine brighter than ever when reforged in metal!

About IRON SAVIOR:
 
Forged in Hamburg’s metal heart, Iron Savior have been delivering their signature brand of powerful, melodic heavy metal for nearly three decades. Led by founder, vocalist, guitarist, and producer Piet Sielck, the band has become a cornerstone of the German power metal scene with their blend of high-octane riffs, anthemic choruses, and sci-fi storytelling.
 
For More Info Visit:
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NYC's Ecce Shnak & world-class DJ Eskei83 unleash 'Jeremy, Utilitarian Sadboy (Kill Em Mix)'

NYC-based alt-rockers Ecce Shnak and Germany's Eskei83 present 'Jeremy, Utilitarian Sadboy (Kill Em Mix)', an invigorating re-envisioning of the original version of 'Jeremy, Utilitarian Sadboy'. This adrenaline-filled hit, which has already lit up the DJ-producer’s recent sets at Tomorrowland and elsewhere, serves as a bridge towards the band's full-length album, 'Dandy Variances', slated for spring release via Records Man, Records.

Ecce Shnak (pronounced Eh-kay sh-knock) is David Roush (composer, bassist and one of two singers), Bella Komodromos (vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn (drums). Known for their high-wire sonic performance, where intense musicality and a touch of madness exist in perfect, precarious balance, they whimsically incorporates diverse artistic expressions, tackling profound subjects and intriguing minutiae with remarkable clarity. 

'Jeremy, Utilitarian Sadboy (Kill Em Mix)' evokes imagery of sci-fi and action-thriller fight scenes from the Matrix, Bladerunner, and John Wick. Rest assured, the good guys win! Reimagining the original’s math-metal guitar riff as a throbbing dubstep synth-bassline and its frenetic drums as a straightforward high-octane dance-beat, Eskei83 quotes snippets of Bella and Davey’s sung and shouted performance as a gang vocal for energized crowds to share their own voices to the ecstatic romp. 

"The Dresdenian shite-kicker recently spun his version at the dragon-blessed Tomorrowland party in Belgium. Both Ecce Shnak and Eskei83 are proud to share this version with their own audiences and music-lovers generally. Endless gratitude to all music lovers worldwide," says David Roush.

Eskei83 adds, "I made a remix for Ecce Shnak and played it at Tomorrowland! In 2024, I was asked to create my version of 'Jeremy, Utilitarian Sadboy' and what started as an experimental challenge turned into a legit club weapon. My [Kill Em Mix] is now ready to smash floors!"

Since releasing their 'Shadows Grow Fangs' EP in February, recorded and produced by Jeff Lucci, mixed by Nicholas Vernhes  (Animal Collective, Deerhunter, Wild Nothing, The War on Drugs) and mastered by Grammy award-winning engineer Joe LaPorta (David Bowie, The Weeknd, Foo Fighters, Vampire Weekend).

Since then, Ecce Shnak has garnered ample press attention and airplay, released their live 'Backroom Sessions' EP, hosted a hot series of live shows in New York City, and completed a successful U.S. tour with platinum-selling legends Spacehog and EMF. Ecce Shnak also features on the new EMF single 'LGBTQ+ Lover', an epic indie dance track that offers a safe space for the marginalized queer community, the video footage being filmed during their recent joint tour.


'Jeremy, Utilitarian Sadboy (Kill Em Mix)' is out now viaRecords, Man Records, available from digital music platforms, includingSpotifyand YouTube and Amazon Music.  

CREDITS
Music written / composed by David Roush
Remix by Eskei83
Vocals by David Roush and Isabella Komodromos
Sound Engineer: Jeff Lucci at the Art Farm (NY)
Released by Records Man, Records
Artist photos byTommy Krause
A&R: Beth Narducci forYou + Me Entertainment
Publicity by Shauna McLarnon forShameless Promotion PR

Keep up with Ecce Shnak
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Keep up with Eskei83
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DRAKE MILLIGAN ANNOUNCES BRAND-NEW ALBUM, TUMBLEWEED, OUT NOVEMBER 7 AND RELEASES NEW SONG “OLD FLAMES, OLD WHISKEY”

Critically acclaimed Country artist, Drake Milligan, announces a brand-new album, Tumbleweed, set to release November 7, and drops a new song, “Old Flames, Old Whiskey,” out everywhere now – pre-add/pre-save/pre-order and listen HERE. Produced by Trent Willmon, Tumbleweed will include 14 tracks that perfectly combine traditional Texas country, Western swing, and modern Nashville stylings, while showcasing Milligan’s timeless musicality. The title track, which was released last month, hit #12 on the UK Country Radio Airplay chart in only its second week. Milligan will be celebrating today’s announcements on the Grand Ole Opry stage tonight at 7:00pm CT. 

Written by Brett and Jim Beavers, “Old Flames, Old Whiskey” leans into Milligan’s smooth baritone as he weaves a tale of memory, regret, and the trouble that comes when heartbreak meets a bottle. The new song captures the spirit of country’s golden era while firmly establishing Milligan’s place as one of the genre’s most compelling new voices. 

Having been on the road throughout 2025 opening for Lainey Wilson, Blake Shelton and Luke Bryan, Milligan will kick off “The Tumbleweed World Tour” at his headlining show at Nashville’s Brooklyn Bowl on November 11, which will also serve as his official album release party. The tour will include all forthcoming shows including dates in Paris and Brussels in March 2026 and C2C Festival in Rotterdam, Berlin, London, Glasgow, and Belfast. Milligan is also announcing a pop-up performance at Ole Red in Orlando, FL on Saturday, November 8, a second show in the market as he’ll be onstage at the KIA Center opening for Lainey Wilson earlier that night. Attendees will get an intimate glimpse into his re-imagined show ahead of “The Tumbleweed World Tour.” For tickets and more information please visit drakemilligan.com.

About Drake Milligan:

Drake Milligan burst onto the national music stage entering the Billboard Emerging Artists Chart at #5 after dominating iTunes with his debut album, Dallas/Fort Worth, charting back-to-back #1 hits on the iTunes Country Songs Chart, #1 on iTunes All-Genre Chart and reclaimed the #1 spot on iTunes Country Albums Chart, all while simultaneously holding positions #1, #2, #3 and #5 on iTunes Country Video Chart. In the UK, Milligan’s debut album spent 11 consecutive weeks in the Top 20 of the Official Country Artists Albums Chart. A student of classic Country music with the swagger of early Rock ‘n’ Roll, the Fort Worth, Texas native is an electrifying entertainer who cites George Strait and Elvis Presley – the King of Country and the King of Rock ‘n’ Roll – as musical heroes, and his unique twist of traditional Country has been embraced by fans, peers and the media alike. Milligan has performed on The Kelly Clarkson Show, The Grand Ole Opry, Stagecoach and CMA Music Festival, and earned high praise from People, BBC, USA Today, Parade, American Songwriter, CMT.com, Billboard, ET, Access Hollywood, Cosmopolitan, Cowgirl Magazine and Taste of Country. Following his Dallas/Fort Worth debut – named “One of the Best Country Albums of 2022” by Billboard and others – Milligan uncorked a Canadian Country Radio #1 in 2023 (“Honky Tonkin’ About” with The Reklaws) and garnered 5 million views in just a few months with “Cowgirl For Christmas.” His latest EP release titled, Jukebox Songs, features four all new tracks and was released in 2024, with hit single “I Got A Problem” earning #1 on the Australian Country Radio charts. The acclaimed “Artist to Watch” (CMT, Pandora, etc.) also returned to his primetime TV roots for a performance on the America’s Got Talent spin-off show, America’s Got Talent: Fantasy League and hit the road alongside Cody Johnson on his 2024 U.S. arena tour. With over 230M streams worldwide, Milligan has spent 2025 on his own headlining tour and opening for Lainey Wilson, Luke Bryan, and Blake Shelton. Having recently dropped the title track to his forthcoming album, Tumbleweed, set to release on November 7th, Milligan is preparing for his next chapter.

KEEP UP WITH DRAKE MILLIGAN
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NYC-London duo THE KING CANUTES pay tribute to PREFAB SPROUT on 'Cars and Girls

Brooklyn-London indie duo The King Canutes present 'Cars and Girls', the second taste of their debut album 'Eastern Seaboard, Perfect Summer', forthcoming via the Montclair, New Jersey-based Magic Door Record Label. Prefab Sprout aficionados will surely appreciate the cover homage to the band’s Steve McQueen masterpiece.

The King Canutes is Keir Woods (vocals, electric and acoustic guitars), who brings a sonorous true folk voice of Northern England, while Richard Alwyn Fisher (vocals, backing vocals, electric and acoustic guitars) is the scrappy Replacements-style Midwesterner. The pair met in Brooklyn in the early 2000s in NYC’s cosmopolitan pop / indie rock scene and released their debut EP 'Last Callers and Losers' in 2008.

The duo used to perform this song for ‘The Love Hangover’ [an annual post-Valentine’s Day show]. This version blossoms into a smooth swaggering rock ride out. Woods' vocals evoke the wistfulness of the original version while Fisher's sinewy guitar lines break down the layers, then build back as a drum machine transitions to live drums by Kevin March of Guided by Voices.

The King Canutes

Cars and Girls

'Eastern Seaboard, Perfect Summer' album out Nov. 21 via Magic Door Record Label

21 October 2025

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Brooklyn-London duo The King Canutes pay tribute to Prefab Sprout on 'Cars and Girls'

FOR FANS OF: Belle & Sebastian, Lloyd Cole, The Go-Betweens, Elliott Smith, The Chills, Orange Juice, The New Pornographers, American Music Club
INFLUENCES: Lloyd Cole, Richard Thompson, Lou Reed, David Bowie, Leonard Cohen
FOCUS TRACKS: Seymour Stein, Mixture as Before, Cars and Girls, Man From Hawaii, Perfect Summer, Red Hook Sunset
FCC clean (no profanity)

FOR SHARING
'Cars and Girls' single  https://distrokid.com/ hyperfollow/thekingcanutes/ cars-and-girls
Bandcamp  https://thekingcanutes.bandcamp.com/track/cars-and-girls
Spotify  https://open.spotify.com/artist/5lex8QRtmMDs9njOCwTdMd
'Seymour Stein (for Earle Holmes)'  https://youtu.be/y9tz2SAFKFg
Get the single  https://distrokid.com/ hyperfollow/thekingcanutes/ seymour-stein-for-earle-holmes
Spotify  https://open.spotify.com/track/3g8lOj27RRigNafFfZw2aT
Bandcamp  https://thekingcanutes.bandcamp.com/track/seymour-stein-for-earle-holmes 
Album pre-order  https://thekingcanutes.bandcamp.com/album/eastern-seaboard-perfect-summer
Apple Music  https://music.apple.com/us/artist/the-king-canutes/295362605

FOR REVIEW & AIRPLAY
Album preview  https://on.soundcloud.com/ bxHMO7lIMeNQyU0iLn
Online press kit  https://haulix.promo/94zj 
Download via Google Drive  https://tinyurl.com/TheKingCanutes-PressKit


Brooklyn-London indie duo The King Canutes present 'Cars and Girls', the second taste of their debut album 'Eastern Seaboard, Perfect Summer', forthcoming via the Montclair, New Jersey-based Magic Door Record Label. Prefab Sprout aficionados will surely appreciate the cover homage to the band’s Steve McQueen masterpiece.

The King Canutes is Keir Woods (vocals, electric and acoustic guitars), who brings a sonorous true folk voice of Northern England, while Richard Alwyn Fisher (vocals, backing vocals, electric and acoustic guitars) is the scrappy Replacements-style Midwesterner. The pair met in Brooklyn in the early 2000s in NYC’s cosmopolitan pop / indie rock scene and released their debut EP 'Last Callers and Losers' in 2008.

The duo used to perform this song for ‘The Love Hangover’ [an annual post-Valentine’s Day show]. This version blossoms into a smooth swaggering rock ride out. Woods' vocals evoke the wistfulness of the original version while Fisher's sinewy guitar lines break down the layers, then build back as a drum machine transitions to live drums by Kevin March of Guided by Voices.

“When we first began playing “Cars and Girls” live it was stripped back to the bare essence, in contrast to the Prefab Sprout very eighties classic. But over the years, and with the gifts of the studio, our version has become as layered and baroque as the original!,” says Keir Woods.

Richard Alwyn Fisher adds, “Prefab Sprout offered such a unique voice, and it was fun and satisfying to create a version that was both an homage and also a new and personal take on the song.”

The King Canutes make intelligent, skewed pop with echoes of early 80s-90s Australian and Scottish pop, British folk and Midwestern indie rock, all melted in the current cosmopolitan cauldrons of New York and London. Combining the dynamic tension of dual singer-songwriters, their music sites somewhere between The Go-Betweens and the long-distance, long-haul commitment of The Postal Service,

The duo recently released 'Seymour Stein (for Earle Holmes)', named for Earle Holmes, the club owner and friend who gave Keir his Paris bookings after moving from NYC. This song captures the elation of freedom and the frustration of starting the artistic journey again. This song is elevated by stellar horns by Mac Gollehon (David Bowie, Al Jarreau, Duran Duran, Mick Jagger), bassist Dave Derby (Dambuilders, Gramercy Arms, Lloyd Cole), and Jessie Kilguss on backing vocals. 

Produced, recorded, mixed and mastered by renowned producer Ray Ketchem (Guided by Voices, Luna, Elk City, Gramercy Arms) at Magic Door Recording Studio, this ambitious album involves world-class artists such as Kendall Meade (Sparklehorse, Mascott), Mike Dillon (Rickie Lee Jones), John Leon (Roky Erickson), David Nagler (Nova Social, Joan Baez, Aaron Neville), Doug McEachern (Suran Song in Stag), Renée LoBue (Elk City) and Verena Wiesendanger (Semi Gloss).

As of October 21, 'Cars and Girls' is out everywhere, including Spotify, Apple Music and Bandcamp. The 'Eastern Seaboard, Perfect Summer' album, out on November 21st, is now available for pre-order.

ALBUM CREDITS
Written by Keir Woods and Richard Alwyn Fisher, except
'Cars and Girls' written by Paddy McAloon
Produced, recorded, mixed & mastered by Ray Ketchem at Magic Door in Montclair, NJ
Keir Woods / vocals, electric and acoustic guitars
Richard Alwyn Fisher / vocals, backing vocals, electric and acoustic guitars
Dave Derby / bass, backing vocals

Kevin March / drums
Ray Ketchem / percussion, keyboard

Mac Gollehon / horns

Jessie Kilguss / backing vocals
Single artwork by Peregrine Honig
Album artwork by Ray Ketchem
Released by Magic Door Record Label
Artist photos by Lisa Whiteman
Publicity by Shameless Promotion PR

Keep up with The King Canutes
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Ian Munsick Releases Ozzy Osbourne Tribute, “No More Tears (Live From Sturgis)”

While Ian Munsick has been critically celebrated by HITS Daily Double and The New Yorker for putting the “western back in country,” the Wyoming native is also known for genre-bending covers during his live show, showcasing his range of influences with his rendition of girl pop hits including Sabrina Carpenter’s “Espresso,” and classics such as Neil Young’s “Old Man.” Most recently, Munsick went viral for an Ozzy Osbourne tribute, performing “No More Tears” in honor of the rock legend who passed away earlier this year. Munsick knew he had something special due to fans’ reactions – and today is releasing his live recording of the song.
 
Listen to “No More Tears (Live From Sturgis)” Below. 
 
Ozzy’s influence on Munsick began at an early age, as Munsick recalls, “When I was 8 years old, I stumbled upon my older brother’s CD collection. I sneakily slid out a black colored album with a small tan cross on top and threw it in my walkman CD player (shout out the early 2000’s). One of the most iconic bass riffs of all time captured my ears right out of the gate, followed by the most recognizable voice in all of Rock n Roll. It was Ozzy’s 1991 hit song ‘No More Tears.’”
 
Doing the cover of “No More Tears” in Nebraska upon the singer’s death in July came together by happenstance. Munsick shares, “23 years later, I’m on stage sound checking in Kearney, Nebraska when out of the air and into my fingers comes that same iconic bass riff. My band quickly followed suit and we jammed a verse and chorus before moving on to our normal soundcheck routine. I headed back to the bus to catch a quick nap before the long night ahead when breaking news hit my phone… ‘RIP Ozzy.’ The universe was telling me to play that song that night, so we quickly worked up a fiddle heavy version of the heavy metal hit. 

“As our 90 minute show was coming to end, I nervously looked at my drummer to count me in for our tribute to the Ozzman,” he adds. “The bass riff captured the country audience as they erupted with joy and sadness all at once. After the show, social media did its thing and made our cover of ‘No More Tears’ the most viral moment I’ve had thus far in my career. I knew we had to release a version exactly like the one we played in Nebraska that night. Luckily, the Sturgis Motorcycle Rally was the following weekend... what better atmosphere to play some Ozzy? This time, we hit record.”
 
Munsick recently set The Eagle Flies Free Tour for 2026. Beginning February 13 in Charlotte, North Carolina, the tour will feature 17 dates with special guests Lanie Gardner, Ben Haggard, Tyler Nance and Jake Worthington, highlighting one of the most distinctive voices in modern country music – and his distinctive modern-Western style. 
 
The follow up to his 2025 Eagle Feather album, Munsick’s The Eagle Flies Free Tour continues a streak of touring success for the native son of Sheridan, Wyoming – including a history making turn at the famous Cheyenne Frontier Days in July. 
 
Headlining the iconic rodeo and Western lifestyle celebration, Munsick became the first Wyoming native to secure top-billing of the event’s musical lineup, playing songs from across his three albums – Coyote Cry, White Buffalo and Eagle Feather.

The Eagle Flies Free Tour Dates:
Friday, February 13 || Charlotte, NC || Coyote Joe’s *
Saturday, February 14 || Atlanta, GA || Tabernacle *
Thursday, February 19 || Casper, WY || Ford Wyoming Center $
Friday, February 20 || Bozeman, MT || Brick Breeden Fieldhouse #
Saturday, February 21 || Idaho Falls, ID || Mountain America Center #
Tuesday, February 24 || Portland, OR || Roseland Theatre $
Thursday, February 26 || Kennewick, WA || Toyota Center #
Friday, February 27 || Missoula, MT || Adams Center #
Saturday, February 28 || Spokane, WA || FIC for the Art #
Tuesday, March 3 || Grand Island, NE || Heartland Event Center $
Thursday, March 5 || Fargo, ND || Scheels Arena #
Fridasy, March 6 || Brookings, SD || Dacotah Bank #
Saturday, March 7 || Mankato, MN || Grand Hall #
Friday, March 13 || Shipshewana, IN || Blue Gate Theatre (w/ local support)
Saturday, March 14 || Clear Lake, IA || Surf Ballroom (w/ local support)
Friday, March 27 || Helotes, TX || Floores Country Store (w/ local support)
Saturday, March 28 || Durant, OK || Choctaw Grand Theater ^
 
* w/ Lanie Gardner
# w/ Jake Worthington and Tyler Nance
$ w/ Tyler Nance
^ w/ Ben Haggard
 
 
About Ian Munsick:
A native son of Wyoming, Ian Munsick has accumulated nearly one BILLION global streams across three albums – Coyote Cry, White Buffalo and Eagle Feather – and a host of accolades, including 19 awards and 14 festival selections for his documentary, White Buffalo: Voices of the West. Having painted a stampeding, spirited portrait of the American West with his sophomore album White Buffalo in 2023, Munsick expanded on the concepts of the land, people, culture and stories that inspire him, with the project’s follow-up 20-track album, Eagle Feather, released on April 18, 2025 via Warner Music Nashville. In addition to selling over 100,000 headlining tickets in 2024, Munsick also opened on select dates of Lainey Wilson’s Country’s Cool Again Tour and supported Morgan Wallen on select dates of his record-setting One Night At A Time Tour. Munsick concluded his spring Horses Are Faster Tour in Nashville. He has been named an “Artist to Watch” by Spotify, CMT, Fender, MusicRow and most recently was named a Martin Showcase Artist. Standout duet “Long Live Cowgirls” (with Cody Johnson) off of White Buffalo hit No. 1 on SiriusXM’s The Highway Hot 30 Countdown, was named one of Amazon Music’s Best Country Songs of 2022 and recently received RIAA Gold-certification alongside “Long Haul” and “Horses Are Faster.” Fans of Ian Munsick will always find an open heart, natural awe and plainspoken honesty as he rides on… bringing the West to the rest. Online at IanMunsick.com.