ABOVE SNAKES Returns With Explosive NEW Single “FORSAKEN”

May 30, 2025

“FORSAKEN” sits in the tension between holding on and letting go. It’s about loving something that’s slipping through your fingers knowing it might break you, but not ready to walk away. Dark, raw, and restless, "FORSAKEN" captures the weight of memory, the fear of change, and the fight to not lose yourself in the process.

The wait is over. Hard rock renegades

ABOVE SNAKES are back with a vengeance, unleashing their most anthemic and emotionally charged single to date: “FORSAKEN.”

Done playing by the rules and surrounded by snakes and fakes, Boston’s ABOVE SNAKES launched in the heart of the 2020 pandemic with one mission: torch the playbook and carve their own path. Since then, they’ve toured with Drowning Pool, From Ashes to New, Adelitas Way and Saliva, while earning repeated Premieres on SiriusXM Octane and adds on Music Choice. With over 7 million global streams, all produced and mixed by Kile Odell (Papa Roach, Citizen Soldier) ABOVE SNAKES has also landed editorial support from Spotify, Apple Music, and Pandora.

THE HAUNTED Launches Official Music Video for "Death to the Crown," New Album Out TODAY

May 30, 2025

Swedish thrash pioneers and purveyors THE HAUNTED are now releasing their tenth studio album, 'Songs of Last Resort,' today, May 30, 2025 via longtime partners Century Media Records. To celebrate, the band is now unleashing another scorching new music video for the song "Death to the Crown," which can be found below.

THE HAUNTED guitarist Ola Englund comments about the new single “'Death to the Crown’ is one of those songs that just came out of pure frustration. It’s about that feeling when you’re watching politicians or leaders treat real people like pawns in some kind of game. It’s not about any one person or country – it’s about the bigger pattern. Power going to people’s heads, egos growing out of control, and the rest of us left dealing with the mess. It’s heavy. It’s aggressive. It’s THE HAUNTED.”.

With music recorded by Oscar Nilsson at Studio Bohus, main vocals recorded by Björn Strid at The Cellar Studio, 'Songs of Last Resort' was then mixed and mastered by Jens Bogren at Fascination Street Studios (Kreator, Arch Enemy, Sepultura, etc). Artwork was once again provided by longtime visual collaborator Andreas “Diaz” Pettersson. Pre-orders are now live HERE.

Lineup:

Ola Englund – rhythm & lead guitar

Jonas Björler – bass, backing vocals

Marco Aro – lead vocals

Adrian Erlandsson – drums

Jensen – rhythm guitar

Cover Artwork: Andreas “Diaz” Pettersson

Music recorded by Oscar Nilsson at Studio Bohus

Main vocals recorded by Björn Strid at The Cellar Studio

Mixed and mastered by Jens Bogren at Fascination Street Studios

'Songs of Last Resort' will be available as Ltd. CD Mediabook & Poster (Incl. the bonus track “Feeding the Furnace” (02:32)), as Standard CD Jewelcase, as Digital Album and as 180g. LP & Poster in the following variants:

- Black LP & Poster (Unlimited)

- Ltd. transp. red LP & Poster (500x copies, available from www.cmdistro.de & various other retailers)

- Ltd. transp. petrol green LP & Poster (300x copies, available from various retailers in Europe)

Follow/Stream:

IRON SAVIOR To Release Final Part Of “Reforged” Double Album Series, “Machine World,” on August 22, 2025

May 30, 2025

IRON SAVIOR are one of the dinosaurs in the scene as well as pioneers of the traditional power metal genre and can proudly look back at almost 30 years of history. Founded by Piet Sielck (guitars, vocals) in 1996, the Hamburg, Germany based band quickly established themselves with their energising mix of power metal and sci-fi driven lyrics. Especially fantasy inspired metalheads have always been in love with IRON SAVIOR’s early works which are built on a story about a spaceship carrying the band’s name and their popularity is unbroken. Iron Savior [ 1997], Unification and Interlude [both 1999], Dark Assault [2001], Condition Red [2002] and Battering Ram [2004] were bestsellers - until they ran out of stock.

In order to meet the demand, IRON SAVIOR -- now consisting of Sielck, guitarist Joachim Küstner and a rhythm section powered by Patrick Klose (drums) and latest member Patrick Opitz (bass) -- didn’t only re-record the material from their Noise Records years (1997-2004), they even added an additional doze of enthusiasm to the original songs. Part 1 and 2 of these session have been received enormously well from fans, that’s why the group are even prouder to announce the release of the concluding third part of their legacy worshipping Reforged series today.

Due out on August 22, 2025, Reforged - Machine World features reinterpreted songs as well as a cover version of JUDAS PRIEST’s "Starbreaker," skillfully bridging to IRON SAVIOR’s old tradition of frequently paying tribute to the ‘metal gods.’ The new 2CD/LP marks the quartet’s debut release at their new label home PERCEPTION, the promising new division of Reigning Phoenix Music, where they (re-)unite with other well-known acts such as DANKO JONES, GRAILKNIGHTS, J.B.O., and SERIOUS BLACK among others. The 16 included tracks were recorded and produced at Powerhouse Studio Hamburg by frontman Sielck, who additionally took care of mixing, mastering and artwork/layout of the album.

Band leader Piet Sielck comments: “After collaborating with Nils Wasko and Jochen Richert [managing director] at AFM Records, I didn’t have to think twice when it came to deciding about a new partner. Continuing success, chart entries and three satisfied parties - band, fans and label - are more than enough reasons to follow the two of them to PERCEPTION and the Reigning Phoenix Music family. Onwards to at least 15 more years of this fruitful union!”

Label strategist Wasko adds: “We’re really thankful for IRON SAVIOR’s trust, and we’re equally happy to continue working with Piet and his fellow men at PERCEPTION. Having a collaborative long-term plan, IRON SAVIOR are only warming up, and we’re extremely confident to reach new extragalactic spheres together, with their final 'Reforged' chapter blasting off on the journey to their next original studio album. Power and melodic metal maniacs, go aboard!”

Pre-order/pre-save Reforged - Machine World: https://ironsavior.rpm.link/machineworldPR

Today’s announcement is supported by the first appetizer of the ‘upgraded’ album, "Eye Of The World [2025 Version]," which can originally be found on IRON SAVIOR’s 2001 effort, Dark Assault.

“I was just never happy with this song. Somehow it didn't really take off. But the new version is an absolute hit and is now even being released as the first single,” comments Sielck.

Convince yourselves and stream it here: https://ironsavior.rpm.link/eyePR

UK Metal Trio URNE Release New Single “Harken The Waves” — A Nine Minute-Plus Epic Ft. Troy Sanders of Mastodon

May 30, 2025

Beloved by tastemakers and the underground alike, the London-based metal trio URNE has today released a nine-minute-plus undulating epic, “Harken The Waves,” featuring guest vocals from Mastodon’s Troy Sanders. On the track, Sanders and URNE frontman Joe Nally’s voices blend into a powerful duet that crests and crashes like the song itself. The new single comes alongside a music video, available to view below.

Frontman Joe Nally comments on the new single:

“We feel this is one of the best songs we’ve ever written. On top of that, we were lucky enough to have Grammy-winning metal icon Troy Sanders, from the legendary Mastodon, lend his vocal talents. We’ve grown up listening to Troy and watching Troy live, so having someone like him not only appear, but take on such a significant role in the song, elevating it to another level, means a lot.”

Watch the Music Video for "Harken The Waves" Below:

“Harken The Waves” follows URNE’s recently released double A-side: "Throes Of Grief"plus a spectacular cover of Black Sabbath’s “I.”

Watch the Lyric Video for "Throes Of Grief" HERE

Listen / Stream to "I" HERE

Over the course of two studio albums plus a touring schedule taking in key festival appearances, including Download in the UK, URNE continually redefine the world of epic arena metal, showing that heavy music can also be laden with atmosphere and intent.

URNE embark on a headline run across Germany and France this September, in addition to a newly announced headline performance at London’s Camden Assembly. Then, in December, URNE join Orange Goblin as part of the latter’s UK farewell tour.

See the full list of dates below.

URNE Live:

URNE Headline Tour Dates

Sep 13 - London, UK @ Camden Assembly

Sep 15 - Wiesbaden, DE @ Kesselhaus

Sep 16 - Berlin, DE @ Cassiopeia

Sep 19 - Paris, FR @ La Maroquinerie

Sep 20 - Lille, FR @ Le Grand Mix

Sep 22 - Toulouse, FR @ Le Rex

Sep 23 - Lyon, FR @ Transbordeur Club

Tour Dates In Support of Orange Goblin

Dec 10 - Glasgow @ The Garage

Dec 11 - Dublin @ Button Factory

Dec 12 - Wolverhampton @ KK Steel Mills

Dec 13 - Manchester @ Academy 2

Dec 14 - Bristol @ SWX

Dec 16 - Southampton @ The 1865

Dec 17 - London @ Kentish Town

URNE will also appear at several festivals this summer including Hellfest (France) and Rock For People (Czech Republic).

URNE are:

Joe Nally - Vocals/Bass

Angus Neyra - Lead Guitar

James Cook - Drums

Fit for a King Announce New Album "Lonely God" + Share Video for Title Track

May 30, 2025

FIT FOR A KING — Ryan Kirby, vocals; Bobby Lynge, guitar; Daniel Gailey, guitar; Trey Celaya, drums; and Ryan "Tuck" O'Leary — bass/vocals — are thrilled to announce their new album and eighth overall, titled Lonely God. It was recorded in Los Angeles with producer Daniel Braunstein [Spiritbox].

Lonely God will arrive on August 1 via Solid State Records. Pre-order it here.

The band, which just wrapped up a sold-out North American tour with Killswitch Engage, Kublai Khan TX, and Frozen Soul, are dropping the video for the title track today, as well. Watch it below.

It boasts ALL the sonic hallmarks FFAK fans have come to know and love — gnarly riffs, guttural growls, deep grooves, and a slightly industrial crunch that takes things to the next level, every single time.

"In general, 'Lonely God' relates to the pursuit of power," shares Kirby about the track. "They're trading companionship, relationships, and love for power and money. You may have all of the power and be a 'God,' but it's a lonely spot because the world despises you."

Further expanding on the album itself, Kirby shares, "Lonely God is the result of us writing with no agendas. We didn't care about which song could be viral, or if we needed radio tracks, etc. We just wrote what we wanted, for the first time, in a really long time."

He finishes, "All five of us have our fingerprints on this album. We found a way to balance our voices. We've always been genuine with the lyrics, and that's the case again. There’s so much heart behind all of the instrumentation too. There’s definitely a lot of growth because our bond is tighter than ever."

Fit For A King harness the power of their brotherhood in order to push forward. The music contains traces of the members' personal and collective experiences grafted onto an ever-evolving sonic palette of metalcore unpredictability, alternative melody, and deathcore brutality laced with electronic alchemy. As trends came and went in the background of the last decade, the quintet has weathered trials and tribulations as well as enduring the chaos of a world constantly influx. However, their bond stretches back to 2011 when Fit For A King unleashed their independent debut Descendants. They continually progressed with Creation/Destruction [2013], Slave to Nothing [2014], Deathgrip [2016], and The Path [2020]. Meanwhile, 2022's The Hell We Create marked their fifth Top 3 debut on the Billboard Top Christian Albums Chart and third straight Top 15 debut on the Top Album Sales Chart. Outburn applauded how, "With The Hell We Create, Fit For A King takes on a new depth," and KERRANG! assured, "It hits hard in all the right places." They've impressively garnered just shy of half-a-billion streams fueled by staples like "When Everything Means Nothing," "The Price of Agony," "Breaking the Mirror," and more. Along the way, they also collaborated with the likes of August Burns Red, The Plot In You, The Ghost Inside, and We Came As Romans in addition to packing houses on tour. In 2025, you can hear their strength and camaraderie loud and clear on their eighth full-length offering, Lonely God [Solid State Records].

Pennsylvania alt-pop artist Celeste Corsano presents haunting & passionate 'Nightbird' single

May 30, 2025

Pennsylvania-based artist Celeste Corsano presents her new single 'Nightbird', the dark side of the ying-yang, following her recently-released debut single 'Sunlight Gazing'. An innovative singer-songwriter, Corsano is the latest artist to be added to the growing roster of the blossoming Montclair, NJ-based indie label Magic Door Record Label.

Corsano's music blends poetic lyricism with adventurous arrangements, unexpected rhythms and a distinct emotional range -- from ethereal and moody to playful and bold. With a natural use of mixed meters and layered vocal timbres, her fearless approach to storytelling conveys a deeper truth.

"I live in a rural area. There's nights when I can't sleep, thinking about my living dreams, desires and worries...the noise and chaos of my circumstances and feelings crowd my mind. When that happens, I lie in bed and look out my window and see the shadows of trees, lightning bugs flash, and sometimes hear the cry of a fisher cat... so eerie and wild. I hear the call of an owl, or see a bird that's been disturbed from its perch and fly to another spot. The sights and sounds become part of a message to me.... a nightbird...calling to me," says Celeste Corsano.

For the past year, Corsano has been working with renowned producer Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna, Crash Harmony) at Magic Door Recording Studio, who produced, recorded, mixed and mastered this release, as well as several recordings to follow.

With Ketchem also on drums, this single also features fantastically notable guitarist James Mastro (The Bongos, Mott the Hoople, Ian Hunter, Patti Smith, John Cale) and keyboardist-bass player David Nagler of Nova Social (who has also played with Joan Baez, Aaron Neville, Rosanne Cash, Andrew Bird, Steve Earleand Yo La Tengo).

"I came to Ray Ketchem with iPhone recordings of my keyboard, voice, lyrics and a dream.... and for the next few months I traveled 1 1/2 hours one way to have one of the best times and learning experiences of my life. Ray was the producer, drummer and engineer for my songs, He created the fundamental groundwork and direction for Nightbird with his distinctive drum riff," says Celeste Corsano.

"Besides my demo, the drums were a catalyst and inspiration for guitarist James Mastro and synth player-bassist David Nagler to create the full tapestry, against which I could express myself vocally when it came time to record my tracks. I remember feeling so elated and on a musical high watching and listening to Mastro record the tracks for 'Nightbird'. Those hours are unforgettable. He was a part of the music, his entire body and expression connected to his guitar, rippling like water to its sounds. The guitar work expresses the lyrics so perfectly. It was very moving to watch."

She adds, "David Nagler selected the coolest sounds and added so much to the attitude of this song. When the bass first comes into the song it sends chills. Working with Ray, James and David was such an inspiration. All three of them are so down to earth, personable and into the music. They are all legendary in the music realm and I'm so fortunate to have worked with them."

Raised on a steady diet of lyric-driven artists, Corsano then discovered the pulse of the new wave and punk scenes. Quite active in NYC’s live music scene in her youth, she also wrote poetry, studied art and absorbed sound at a granular level. Initially performing Celtic and Bluegrass music in the tri-state area, she ultimately evolved as a solo artist, writing her own material.

Coming from a deeply musical family, Celeste draws constant inspiration from her brothers - Latin roots musician Tony Corsano and avant-garde percussionist Chris Corsano (Björk, Kim Gordon, Thurston Moore). She also honed her ear during countless studio recording sessions attended with her ex-husband Brad Morrison, producer and founder of Absolute A-Go-Go Records, known for working with such notable artists as Phish, the Figgs and Spiral Jetty.

As of May 27, 'Nightbird' is available from fine online music platforms, including Bandcamp, where 'Sunlight Gazing' can also be found. Additional releases are expected to follow throughout 2025.

The Archives Nashville Returns for Second Annual Artist Closet Sale at CMA Fest

May 29, 2025

The Archives Nashville, a premium digital archiving and storage company specializing in musicians’ wardrobes, will host the second annual Artist Closet Sale during this year’s CMA Fest, running June 5-8 and providing fans an exclusive opportunity to shop their favorite artists’ closets. A portion of the proceeds will support the CMA Foundation’s mission to provide students with access to high-quality music education and equip educators with the resources needed to sustain thriving programs.

The Artist Closet Sale will be held at Fan Fair X, located in Nashville’s Music City Center, from 10:00 a.m. to 5:30 p.m. daily, with this year’s activation occupying double the space of last year’s Closet Sale which raised over $30,000 for the CMA Foundation. Fans will have the chance to browse and purchase wardrobe items from a star-studded lineup including Lauren Akins, Dierks Bentley, Jordan Davis, ERNEST, Riley Green, Tyler Hubbard, Wynonna Judd, Miranda Lambert, Ella Langley, Little Big Town, Ashley McBryde, Megan Moroney, Thomas Rhett, Jelly Roll, Alana Springsteen and Bailey Zimmerman.

“We are excited to bring this unique shopping experience back to CMA Fest and support the CMA Foundation’s incredible work,” shares The Archives founder and longtime celebrity stylist Tiffany Gifford. “Fans will again have the chance to own a piece of their favorite artists’ wardrobe while contributing to a cause that nurtures the next generation of musicians and educators.”

With the vast wardrobe that musicians acquire over the years, Gifford realized there were no viable wardrobe archiving solutions, so she created The Archives to help clients not only store their wardrobe safely and securely, but to offer a digital solution to keep all things organized, searchable and accessible to her clients and their respective teams. The Archives functions by taking inventory and digital photos of the desired wardrobe to be archived, giving teams the option to store pieces in their facilities or integrate their system into current storage locations. RFID tracking technology programmed into each piece allows for tracking movement of each garment with the online inventory showing all pieces and their location while allowing movement as needed.

Clients are able to see specific movement of wardrobe between closets to take current inventory in case of loss or damage; ensure proper storage of all garments and accessories to preserve valuable and noteworthy pieces; quickly search and filter wardrobe from garment attributes, events worn, and style details; more easily curate garment displays for museums and private companies or personal showings; and monetize select pieces by making them available for rent through the platform.

For more information, please visit TheArchivesNashville.com and follow on Instagram @thearchivesnashville.

Larry Fleet Releases the Groove-Filled "Like You Used To"

May 29, 2025

Country hitmaker Larry Fleet is back with a brand-new single and even more chances for fans to catch him live. The blues-tinged “Like You Used To” finds Fleet searching for answers on a fading love that once burned with passion. Listen Below.

Co-written by Fleet with Jamie Moore and Ernest K., the mid-tempo groove leans into warm country soul as Fleet reflects on the little things that once made love feel electric – and how to bring that spark back.

“We’ve all been in that relationship where the fire cools off a bit, and you start looking back, wondering where the spark went,” said Fleet. “That’s what ‘Like You Used To’ is about – but it’s got a groove, and I think a lot of folks will connect with this.”

“Like You Used To” follows Fleet’s “Hard Work & Holy Water” and his recent release “A Lotta Women,” a heartfelt tribute to the kind of steady love that holds it all together – both of which showcase the blue-collar ethos and emotional honesty that define his sound.

And fans will have even more chances to hear these tracks live, as Fleet expands his Hard Work & Holy Water Tour with 25 new U.S. dates running through the end of 2025.

Fleet will first take his soulful mix of country, R&B and Southern rock overseas, kicking off the international leg of the tour in Glasgow, Scotland on August 20, followed by shows across the U.K., Belgium and the Netherlands.

Returning stateside, Fleet heads right to the heartland on September 11 in Shipshewana, Indiana, launching a coast-to-coast trek from Georgia to California, with dates extending through December 12 in Las Vegas. On most nights, fans will enjoy a double shot of Fleet – opening with an acoustic set before returning with his full band for the main show. Rising duo The Kruse Brothers will join select West Coast dates.

Fleet’s recent run of sold-out shows and expanding global footprint underscores a breakout chapter in the making. As Billboard praises, he’s an artist who “delves into blues, rock and retro-country with ease,” and with every new release, he proves there’s no substitute for the real thing.

For more information, visit LarryFleet.com.

See Larry Fleet Live:
Aug. 20, 2025 || Glasgow, UK || SWG3
Aug. 22, 2025 || Camden, UK || Electric Ballroom
Aug. 23, 2025 || Bottesford, UK || The Long Road Festival
Aug. 26, 2025 || Belfast, UK || Limelight 1
Aug. 28, 2025 || Dublin, Ire. || The Academy, Middle Abbey Street
Aug. 30, 2025 || Den Haag, Netherlands || Once In A Blue Moon Festival
Sept. 11, 2025 || Shipshewana, IN, USA || Blue Gate Performing Arts Center
Sept. 12, 2025 || Des Moines, IA, USA || Val Air Ballroom
Sept. 13, 2025 || Burnsville, MN, USA || Buck Hill Ski & Snowboard Area
Sept. 25, 2025 || Bloomington, IL, USA || The Castle Theatre
Sept. 26, 2025 || Wisconsin Dells, WI, USA || Crystal Grand Music Theatre
Oct. 2, 2025 || High Point, NC, USA || Cohab Space
Oct. 3, 2025 || Gainesville, GA, USA || Boot Barn Hall - Gainesville
Oct. 4, 2025 || Douglas, GA, USA || Martin Centre
Oct. 5, 2025 || Winnsboro, SC, USA || Field & Stream Music Fest
Oct. 16, 2025 || Saginaw, MI, USA || Red Room at DOW Event Center
Oct. 17, 2025 || Cleveland, OH, USA || House of Blues
Oct. 18, 2025 || Buffalo, NY, USA || Town Ballroom
Oct. 23, 2025 || Cedar Park, TX, USA || The Haute Spot
Oct. 24, 2025 || Houston, TX, USA || House of Blues
Oct. 25, 2025 || San Antonio, TX, USA || Stable Hall
Nov. 6, 2025 || Sioux City, IA, USA || Hard Rock Hotel & Casino Sioux City - Anthem
Nov. 7, 2025 || Sioux Falls, SD, USA || The District
Nov. 8, 2025 || Hays, KS, USA || Fox Theatre
Dec. 4, 2025 || Phoenix, AZ, USA || The Van Buren*
Dec. 5, 2025 || San Diego, CA, USA || House of Blues San Diego*
Dec. 6, 2025 || Sacramento, CA, USA || Ace of Spades*
Dec. 10, 2025 || Anaheim, CA, USA || House of Blue*
Dec. 11, 2025 || Bakersfield, CA, USA || The Historic Bakersfield Fox Theater*
Dec. 12, 2025 || Las Vegas, NV, USA || Golden Nugget
*with special guests The Kruse Brothers

About Larry Fleet:
Tennessee-born troubadour Larry Fleet grew up on a stack of records spanning Merle Haggard, Otis Redding, Willie Nelson and Marvin Gaye. A thoughtful songwriter with a knack for a one-liner, an ear for a sturdy hook, and a powerhouse voice that strikes like a match, Fleet was working blue-collar jobs to make ends meet long before landing his recording contract with Big Loud Records. Seven years later and again working as an independent artist, the devout family man is turning heads among fans and critics as a songwriter (“Man Made A Bar” recorded by Morgan Wallen featuring Eric Church) alongside his own music, 2021’s tribute to the music that raised him, Stack of Records, his aptly titled 2019 debut, Workin’ Hard, 2023's Earned It, featuring the single “Things I Take For Granted,” and his first latest, 2025’s independently-released “A Lotta Women.” Saving Country Music puts it simply: “If you're looking for the future of traditional country music, then look no further.”

Kenny Chesney Delivers Blazing Show & Megan Moroney 4 Song Surprise

May 29, 2025

When Kenny Chesney, recently named Billboard’s No. 1 Country Artist of the 21st Century, pledged that his first ever residency would have surprises, moments no one saw coming and a whole lotta love, he wasn’t kidding. Having kicked off his first set of dates with duet partners and shared award-winners Kelsea Ballerini and Grace Potter, the East Tennessee songwriter/superstar kept the female energy high by welcoming good friend and Sun Goes Down Tour mate Megan Moroney to Sphere Vegas for a high chemistry, big love collaboration.

Beyond debuting Moroney’s postcards from No Shoes Nation “You Had To Be There,” which captures her journey from cheap seats to stadium opener, Moroney played her Top 5 smash “Am I Okay?,” which she performed with Chesney’s blazing hot band at Gillette Stadium. The pair reprised their romping “All The Pretty Girls,” plus Moroney’s return-to-the-set-list fave “She Thinks My Tractor’s Sexy.”

“No one has more fun onstage than Megan Moroney,” Chesney enthused after the pair’s high velocity duets. “She doesn’t just radiate joy up there, she makes everybody want to experience the amount of fun she is clearly having. Even I want to – and don’t always – maintain that level of feeling good. She just brings it.”

Pro Football Hall of Famer Emmitt Smith and uber-manager Shep Gordon (Alice Cooper, Teddy Pendergrass, Ann Murray) were spotted in a decidedly animated crowd. As Chesney noted after the show, “For a Wednesday night crowd, it sure felt like Saturday night! Maybe it was Megan… Maybe we’re really getting the hang of Sphere… Or else it was just meant to be… No matter why, it was an incredible night in No Shoes Nation.”

With USA Today headlining their rave review, “Kenny Chesney delivers vibrant, visually arresting feast at Sphere Las Vegas,” they deemed the show “a technicolor wonder” and wrote, “It’s as much a concert as a sonic and visual roller-coaster ride pairing one of the most acclaimed stars of country with the evolving technological wizardry of the Sphere.” With ABC News calling this 15-show residency, “historic” and Parade opining, “Country legend leaves fans speechless during ‘absolutely unreal’ show,” Chesney is creating a show that expands what country music can contain – and delivers on all the songs that contain people’s lives.

The only country artist to be in Billboard’s Top 10 Touring Acts of the Last 25 Years for the last 15 years, Chesney joins a select group of icons and Rock & Roll Hall of Fame inductees U2, (Grateful) Dead & Company and the Eagles, plus Phish, to play the 17,600-seat spherical venue that deploys next-generation technologies to create an absolutely immersive experience.

“I knew this was going to be incredible when I said, ‘Yes,’ when they asked me to do this, but I had no idea how awesome the experience could actually be. More than all the visuals, the dialed in sound, though, it’s getting to share this stage with a lot of people I love, including everyone in No Shoes Nation, who came to Vegas to be part of this unbelievable moment.”

Limited tickets remain for the Sphere residency at KennyChesney.com with packages available via Vibee, the official VIP Concert & Hotel Package partner for Kenny Chesney’s Live at Sphere residency, at KennyChesney.Vibee.com. All Vibee packages offer guests a choice of premium tickets including Sandbar (general admission floor) or reserved seating, a collectable laminate and lanyard, access to the No Shoes Island VIP Pool Party, exclusive Kenny Chesney curated gift bag and early access to the Guitars, Tiki Bars and a Whole Lotta Love experience on show days for crowd-free shopping on exclusive merch items, and access to a dedicated shopping lane during public hours. Vibee Hotel Packages include a two-night stay at The Venetian Resort Las Vegas (The Venetian or The Palazzo) or Virgin Hotels Las Vegas.

Kenny Chesney Live at Sphere Las Vegas is presented by Blue Chair Bay® Rum.

Kenny Chesney Live at Sphere Las Vegas LIMITED TICKETS REMAIN
Friday, May 30
Saturday, May 31
Wednesday, June 4
Friday, June 6
Saturday, June 7
Wednesday, June 11
Friday, June 13
Saturday, June 14

CULTURA TRES Feat. SEPULTURA's PAULO XISTO PINTO JR. and JUANES Unite on “Cien”

May 29, 2025

“CIEN” releases worldwide on May 29, 2025, via ONErpm. For fans of fearless metal, Latin fusion, and socially conscious art—this is a must-listen.

Stream "CIEN": https://music.culturatres.com/cien

CULTURA TRES, the South American metal powerhouse led by Sepultura’s Paulo XistoPinto Jr., joins forces with Latin music icon JUANES on a daring new collaboration: “Cien,” set for release May 29, 2025, through ONErpm.

A seismic blend of thrash, grunge, and Colombian folklore, “Cien” evokes the spirit of ‘90s metal while honoring the rich musical traditions of Latin America. The track is as sonically heavy as it is emotionally evocative—rooted in themes of environmental loss, particularly the deforestation of the Amazon rainforest.

Not a surprising topic, considering these Colombian, Brazilian and Venezuelan musicians, are all from countries with the rainforest in their backyard.

“It’s a pleasure to share a song with Juanes, not only a legend of Latin music, but also a true heavy metal fan,” says Paulo Xisto.

“Man! It’s been a pleasure to make this song with you. Since my teenage years, metal has been a part of my essence, and having the opportunity to record the solo and sing has been amazing,” says JUANES.

A Cross-Cultural Creative Journey

The collaboration unfolded over six months, beginning with CULTURA TRES sendingJUANES a batch of punk-infused riffs. When JUANES returned with haunting, psychedelic guitar additions, the song’s energy shifted entirely—prompting a complete rewrite of the original material. This creative back-and-forth resulted in a track that balances dark melodies with abrasive power.

“JUANES is an incredible metal guitarist—when we first heard his solo on ‘Cien,’ it blew us away,” says frontman Alejandro Montoya.

Originally drafted in English, the lyrics only truly resonated when the band followed Paulo’s suggestion to switch to Spanish. The change added a deeper sense of authenticity and emotional weight. The contrasting vocal styles—JUANES’ melancholic chants and Alejandro’s screaming vocals—reflect the song’s central tensions: beauty versus destruction, tradition versus progress.

“Blending metal and Latin music in one of our native languages (Spanish), helps showcase the power and potential of South American metal!” says Paulo.

Metal Meets Legacy: How It All Came Together

What may surprise casual fans is that JUANES—known worldwide for his Latin pop-rock hits—started his career in a metal band (Ekhymosis, 1988). His admiration for Sepultura and deep respect for Paulo’s legacy created a natural bridge for this collaboration. After one of JUANES’ shows in Amsterdam, Paulo and Alejandro were invited backstage, where they had a chance to check out JUANES’ newly released signature Fender guitar. Mutual admiration, shared roots, and even common crew members eventually led to exchanging riffs and ideas and “Cien” was born.

“Once a metalhead, always a metalhead,” says Paulo.

About CULTURA TRES

With members from Colombia, Brazil, and Venezuela, CULTURA TRES is a genre-defying metal act known for blending sludge, thrash, and traditional South American sounds. Their 2023 album Camino de Brujos (Universal Music) solidified their reputation across Europe, Japan, and Latin America as a truly innovative force in heavy music.

About JUANES

A global ambassador for Latin music, JUANES has earned 25 Latin Grammys, 4 Grammy Awards, and international acclaim for his signature fusion of rock, pop, and Latin folk. Beyond his music, he is a dedicated activist through his Fundación Mi Sangre, championing peace and social justice in Colombia and beyond.

For More Information Please Visit:

UFO ‘NO PLACE TO RUN’ SCHEDULED TO RELEASE ON DELUXE, EXPANDED, REMASTERED AND REISSUED DOUBLE CD AND TRIPLE VINYL

May 29, 2025

Chrysalis Records are proud to present UFO’s classic 1980 album ‘No Place To Run’, newly remastered from the original production tapes transfers at AIR Mastering and reissued on stunning 3LP tri-fold sleeve 180gm vinyl and 2CD Digipak formats on August 15th, 2025.

‘No Place To Run’ was the eighth studio album by UFO and the first with Paul Chapman on guitar, following the departure of Michael Schenker. It was produced by legendary Beatles producer George Martin and recorded at his newly launched AIR Studios in Montserrat in the Caribbean, a stark difference from the bands’ usual surroundings.

Reflecting on the album forty five years later Phil Mogg said: “The thing that sticks in my mind from recording ‘No Place To Run’ was the complete miss match with UFO / George Martin (who was a lovely chap) and nothing summed it up more than when George would say to Geoff (sound engineer): ‘Well Geoff, it’s six o’clock, time for a G&T out on the veranda.’ How very civilized!”

The reissue includes a new and previously unreleased mix of ‘Live at The Marquee, London, November 16th 1980’, mixed by revered engineer Brian Kehew from the original multi-track tapes, giving a powerfully fresh sound. Only three tracks have ever been officially released before (‘Lettin’ Go’, ‘Mystery Train’ and ‘No Place to Run’). The other eleven tracks from this legendary show have not been available until now. The set will take fans right back to the electric atmosphere of the Marquee, with a band at the very top of their game.

Brian Kehew said:
“Paul Chapman’s guitar sound here is really superb, a thick and singing B.C.Rich-into-Marshall tone… No Place To Run is certainly a special time for the band, the peak of their public acceptance. With the music world shifting into new wave and synth-pop around them, they stayed true to their roots and delivered yet another classic album.” (quote taken from liner notes)

Both formats feature new liner notes by Michael Hann featuring interviews with front-man vocalist Phil Mogg and drummer Andy Parker.

UFO ‘No Place To Run’ (2025 Remaster – Deluxe Edition) is released on double CD and 3LP on August 15th, 2025 on Chrysalis Records. Order link: https://UFO.lnk.to/NPT

‘Young Blood’ (Single Version) - 2025 Remaster will be released on DSPs as a single on May 29th, 2025
https://UFO.lnk.to/YBL

CROP Announces New Album S.S.R.I, New Single "Alone" Out Today

May 29, 2025

Lexington, KY’s heaviest export, CROP, has announced the release of their highly anticipated sophomore album S.S.R.I, due out August 22, 2025 via Third House Communications. Alongside the announcement, the band has dropped the album’s first single, “Alone”—a soul-crushing breakup song that cuts deeper than heartbreak and settles into the kind of emotional void that never really closes.

“Alone” is a brutal meditation on what it means to lose someone twice—once in the relationship, and again in the realization that their presence offered no real solace.

Backed by thunderous guitars, unrelenting drums, and vocals that walk the line between raw power and quiet devastation, “Alone” captures the emotional core of S.S.R.I—an album steeped in grief, clarity, and the jagged edge of survival. Recorded, mixed, and mastered by Jason Groves, S.S.R.I builds on the massive sound CROP introduced with their self-titled 2021 debut, and dives even further into the chaos of identity, loss, and mental disintegration.

The seven-track record features emotionally heavy tracks like “Formaldehyde,” “10-56,” and “Break,” and pairs crushing riffs with deeply introspective lyrics, reflecting the band’s evolution from local underground staple to national force.

Known for their blistering live shows and rising reputation in the doom and heavy grunge scenes, CROP has performed at Maryland Doom Fest, RPM Fest, and shared stages with WEEDEATER, CONAN, REZN, BONGZILLA and more. With S.S.R.I, the band delivers not just an album, but a fully immersive psychological and sonic experience.

About CROP:

Formed in 2020 in Lexington, KY, CROP is a four-piece heavy band steeped in the grit of 90s grunge and sharpened by the weight of modern doom. Their sound is both relentless and reflective—massive walls of distortion colliding with lyrics that cut deep. With Marc Phillips on vocals, Zach Hunter on guitar, Braun Dabney on bass, and Andrew Beauvier on drums, CROP crafts songs that explore grief, isolation, existential dread, and the fight to stay human in an increasingly fractured world.

Their debut album CROP (2021) introduced audiences to their brutal honesty and raw sonic identity. With their follow-up S.S.R.I (2025, Third House Communications), the band has expanded both emotionally and sonically, delivering a record that is as vulnerable as it is heavy. Known for cathartic live performances and a growing presence on the underground festival circuit, CROP has shared stages with heavyweights like WEEDEATER, CONAN, and BONGZILLA, while earning praise from outlets like LEO Weekly and Riff Zealot.

For CROP, the music is a confrontation—a refusal to look away from the darkest corners of life, and an insistence that even pain deserves to be heard at full volume.

CROP is:

Marc Phillips – Vocals
Zach Hunter – Guitar
Braun Dabney – Bass
Andrew Beauvier – Drums

Connect with CROP:

Linktree: https://linktr.ee/legalizecrop
Bandcamp: https://legalizecrop.bandcamp.com
E-Shop: http://paypal.me/legalizecrop
Facebook: https://www.facebook.com/legalizecrop
Instagram: https://www.instagram.com/legalizecrop/
YouTube: https://youtube.com/@legalizecrop

OBSIDIAN TONGUE Streams New Album 'Eclipsing Worlds of Scorn' Ahead of Release

May 29, 2025

Progressive black metal duo OBSIDIAN TONGUE is now streaming their latest full-length, 'Eclipsing Worlds of Scorn,' in its entirety ahead of tomorrow's release! The album can be heard below.

'Eclipsing Worlds of Scorn' is due tomorrow, May 30, via Profound Lore Records and be ordered HERE.

In addition, OBSIDIAN TONGUE has recently announced FRAILTY & SCORN, eight performances of black metal intensity this June alongside WOE. The trek will kick off on June 6 in Long Island City, NY and will make its way throughout the East Coast until the final stop on June 13 in Providence, RI. The tour will not only celebrate the release of OBSIDIAN TONGUE's upcoming studio album, but also will bring both bands back to many cities they have not visited in nearly a decade. Show pre-orders will begin soon as well as local support announcements. The full itinerary can be found below!

Comprised of multi-instrumentalist Brendan Hayter (Thrawsunblat/Obsequiae live) and drummer Raymond Capizzo (Falls Of Rauros/Panopticon live), OBSIDIAN TONGUE returned to the all-analog Mystic Valley Studio, where their first two records were made, to print their Covid-era home sessions onto two-inch tape. Mixed and mastered in the analog domain as well by Alex Garcia-Rivera, 'Eclipsing Worlds of Scorn' boasts a unique and unmistakable sonic force amidst the modern digital landscape; created with a total absence of click tracks, quantization, or sound replacement of any kind.

OBSIDIAN TONGUE Tour Dates (Co-headlining w/ WOE):

06/06: Long Island City, NY @ El Bunker del Diablo

06/07: Milton, DE @ Brimming Horn Meadery // Party Like It's 793 Fest

06/08: Baltimore, MD @ The Depot

06/09: Richmond, VA @ Cobra Cabana

06/10: Raleigh, NC @ The Pour House

06/11: Philadelphia, PA @ Kung Fu Necktie

06/12: Syracuse, NY @ The Jugg on Teal

06/13: Providence, RI @ Fete Music Hall

In the summer of 2024, Obsidian Tongue, comprised of vocalist/guitarist/bassist Brendan Hayter (Thrawsunblat/Obsequiae live) and drummer Raymond Capizzo (Falls Of Rauros/Panopticon live) returned to the all-analog Mystic Valley Studio, where their first two records were made, to print their Covid-era home sessions onto two-inch tape. Mixed and mastered in the analog domain as well by Alex Garcia-Rivera, 'Eclipsing Worlds of Scorn' boasts a unique and unmistakable sonic force amidst the modern digital landscape; created with a total absence of click tracks, quantization, or sound replacement of any kind.

The progressive black metal journey that is 'Eclipsing Worlds of Scorn' takes off immediately with the wrathful sounds of “Orphaned Spiritual Warrior” and “Snakeskin Tunnel Colony,” easily the band’s two heaviest tracks to date. These flow directly into the apocalyptic title track, and onto the vulnerable and surreal sounds of “To Forgive Oneself” leading into the acoustic instrumental “…And Still They Dream.” This dream ends with the triumphant “Theater of Smoke & Wind,” a true psychedelic black metal classic that still evokes some of the original feeling found on the band’s 'Subradiant Architecture' debut.

Sixteen years into the band’s existence, Obsidian Tongue clearly show no signs of running out of new ways to alter their sound - song by song, album by album.

Lineup:

Brendan Hayter - Guitar, Vocals, Bass, Synth

Raymond Capizzo - Drums

Recorded @ Mystic Valley Studio

Mixed & Mastered by Alex Garcia-Rivera

Pre-Orders: https://linktr.ee/obsidiantongue

Links:

Knosis Share New Song "Dokumuma"

May 29, 2025

Japanese metal powerhouse KNOSIS, the visionary project led by renowned multi-instrumentalist and vocalist Ryo Kinoshita, is proud to release their new single "DOKUNUMA," taken from their debut full-length album GENKNOSIS, due out August 1 via SharpTone Records.

KNOSIS blends searing metal, visceral hardcore, and introspective soundscapes,capturing the raw emotion and spiritual tension of life's heaviest moments. Following the powerful debut single "FUHAI" (Featuring Yukina of Hanabie),
and previous single "SHINMON," the release of "DOKUNUMA" continues to set the tone for what promises to be one of the year’s most compelling heavy records.

Stream "DOKUNUMA" here.

PRE-ORDER "GENKNOSIS" HERE

RAVEN BLACK RAVEN BLACK UNVEILS HAUNTING NEW SINGLE “DEATH WALTZ”

May 29, 2025

Prepare to enter the carnival of shadows. The twisted, theatrical, and unapologetically fierce metal band RAVEN BLACK has returned from the depths of the underworld to unleash their latest sonic nightmare: “DEATH WALTZ.” A hypnotic blend of gothic horror, symphonic metal, and psychotic storytelling, this track is more than just music—it's a dance with death itself.

Driven by thunderous guitar riffs, spine-chilling orchestral layers, and Raven’s haunting, operatic vocals that shift seamlessly into guttural growls,

“DEATH WALTZ” invites listeners into a fever dream where nightmares pirouette in time to a sinister rhythm. It's a track that blurs the line between performance and possession.

This release marks a new chapter for RAVEN BLACK—a darker, more intense evolution of their already infamous sound. Produced by Ulrich Wild (Static-X, White Zombie, Deftones), the single showcases the band’s signature fusion of metal mayhem and circus macabre, with a cinematic flair that could summon the dead to dance.

CLICK TO PREORDER HERE "BLACK SONATA"

Meet RAVEN BLACK, a theatrical metal act originally from Los Angeles. Their unique brand of metal, influenced by gothic, classical, and heavy metal music, serves as the soundtrack to vocalist Raven's duality as she shares her story of being a hybrid of both dark and light.

Drawing from a myriad of musical inspirations, RAVEN BLACK expertly blends elements from their favorite art forms, including movies, ethnic backgrounds, and personal life experiences. Each song is crafted to take fans on an adventure, offering new perspectives and understandings. Their sound ranges from melodic to dark, fun to raging and psychotic—yet every track tells a story.

At the heart of their narrative lies a comic book character: a girl whose innocence was taken at a young age. Overcoming her demons and cursed by her predators, she discovers she is half human, half doll. The doll within her is dark, and as she embraces her inner darkness, she travels with her demons who protect her from those seeking to steal her inner power.

She is the key.

Buffalo dreamgaze artist Dotsun Moon shares 'Save Us', exploring the uncertainty of new love

May 29, 2025

Upstate New York-based artist Dotsun Moon presents his new single 'Save Us', a lush and gazey plea to break down walls and find shared hope, even when love feels like a shot in the dark. Diving into a soundscape that captures the thrill and uncertainty of new love, this is a reverb-rich call to save what might be before it's lost.

'Save Us' arrives hot on the trail of 'Never Had a Heart', inspired by the driving energy and artful restraint of those who pioneered the early post-punk and new wave scene. Both singles offer a stunning taste of Dotsun Moon's third album 'Tiger', which is - both spiritually and sonically - influenced by M83 and New Order. Dashing out of the gate, this music is inspired by the music that motivated this artist to write music in the first place.

Based in Buffalo, Dotsun Moon is the creative wellspring from which Richard Flierl's musical visions flow, transforming his artistic inspirations into tangible form. Seeing several incarnations since releasing their debut album 4 A.M. in 2011, the trajectory remains steadfast on a path of dreamy rock offerings over the years, with multi-instrumentalist Flierl also gradually assuming vocal duties. In spring, Dotsun Moon shared new videos for the invigorating singles 'Bring Love' and 'Give Up The Tears'.

"You’d be forgiven if M83 comes to mind. The inspiration stops at the power of the intro and allows me to launch into the bass and guitar influences that are pronounced throughout this album. The song is a fun yet urgent call to someone important to let me in and find the good around us," says Richard Flierl.

"'Save Us' is about a relationship or just starting one, because a lot of relationships don’t last very long even after they do start. 'Save Us' means let this relationship work, but we haven’t a clue what we are doing. Sometimes we fool ourselves into believing we are in a good relationship at the start, despite all the warnings there really isn’t communication happening."

Conveying his bold and self-contained vision in every note and vocal line, Dotsun Moon's new album is a complete solo endeavor and a departure from previous work, which involved female vocals. Evoking both euphoria and a poignant sense of grounding, Dotsun Moon brings you this compelling and unique exploration. Engineered and mastered by Doug White at Watchmen Studios in Lockport, NY, Richard Flierl and Doug White mixed the album on location.

"This is a huge change to prior releases, which have powerful female singers at the center. On this album, I am on vocals and all the songs are written and played by me from guitars and bass to keyboards, drums and programming. Doug White at Watchmen Studios brought decades of recording and mixing knowledge to the recordings that allows the songs to truly shine," says Richard Flierl.

Over the years, Dotsun Moon has performed with such notable artists as Mary Ognibene (The Lovely Intangibles) and Buffalo Music Hall of Famer Maria Sebastian, having also played shows with Joywave, Vanishing Kids and The Lost Patrol, not to mention Pride Festival.

As of April 30, 'Never Had a Heart' is available from fine music platforms, including Spotify, Apple Music and Bandcamp. The full 'Tiger' album, set for release on June 27, is available for pre-order.

CREDITS
Music & lyrics written by Richard Flierl (ASCAP)
Vocals, guitar, bass, drums, programming & synths by Richard Flierl
Mixed by Richard Flierl and Doug White at Watchmen Studios in Lockport, NY
Engineered and mastered by Doug White at Watchmen Studios
Cover artwork by Doc Wintersmith
Artist photos by Meredith Snow
Publicity by Shameless Promotion PR

Full Lineup Revealed for Las Vegas Songwriters Festival Aug. 21-24 at Mandalay Bay

May 28, 2025

The Las Vegas Songwriters Festival presented by MGM Resorts International and Entersong Entertainment officially announced the full lineup for its premiere event taking place August 21-24, 2025 at Mandalay Bay Resort and Casino. This unprecedented four-day celebration will bring together some of the most iconic voices behind today’s biggest hits, marking the largest gathering of hit songwriters in the destination’s history.

Featuring more than 300 No. 1 songs represented through 100 live performances across five stages at Mandalay Bay, the Las Vegas Songwriters Festival will offer fans an intimate and immersive experience to hear the stories behind the songs – told directly by the writers themselves. Performances are scheduled to begin daily at 11 a.m. with select sets to include unique collaborations, one-of-a-kind songwriter pairings, Q&A sessions and more.

Hosted by chart-topping songwriter Matt Warren (Darius Rucker, Gary Allan), the Festival was founded by Entersong’s Rob Hatch and Mike Every in partnership with MGM Resorts.

The all-star lineup includes select shows hosted by event partner, The Bluebird Café. These special performances will feature songwriters “in-the-round” at the intimate House of Blues B-Side venue, including:

Bob DiPiero, a Nashville Songwriters Hall of Fame inductee with more than 15 No. 1 hits for artists such as Reba McEntire, Tim McGraw and Brooks & Dunn;
Dean Dillon, legendary songwriter behind dozens of George Strait’s biggest hits and a member of the Country Music Hall of Fame;
Liz Rose, GRAMMY-winning co-writer of Taylor Swift’s “Teardrops on My Guitar” and “You Belong With Me;”
Victoria Shaw, genre-spanning hitmaker of Garth Brooks’ “The River” and songs for Ricky Martin and Lady A

General admission and VIP tickets are now available. Fans also can purchase a room and ticket package at LVSF at Mandalay Bay, making the Las Vegas Songwriters Festival’s first year an ideal event and vacation getaway.

For more event information, visit LVSF.

About Mandalay Bay
Mandalay Bay Resort and Casino is set on 120 lush acres featuring Mandalay Bay Beach, a tropical pool paradise with real sand. The Michelob ULTRA Arena, award-winning restaurants, exhilarating entertainment, unique shopping, Shark Reef Aquarium and the 2-million-square-foot convention center combine to make Mandalay Bay a captivating Las Vegas resort destination. The resort offers three distinct hotel experiences: Mandalay Bay with 3,211 luxurious rooms and suites reflecting a modern tropical ambiance; Four Seasons Hotel, offering 424 rooms and suites; and the luxury all-suite W Las Vegas. Mandalay Bay is operated by MGM Resorts International (NYSE: MGM). For more information and reservations, visit mandalaybay.com, call toll free at (877) 632-7800, or find us on Instagram, Facebook and X.

About Entersong Entertainment
Entersong Entertainment is a premier music event producer specializing in curating experiences that connect audiences with the music they love. From intimate performances to large-scale festivals, Entersong is passionate about celebrating the power of song and the incredible talent behind it. The Las Vegas Songwriters Festival reflects Entersong’s mission to spotlight the artistry of songwriting and create unforgettable moments for fans. Find out more at entersong.com or find us on Instagram or Facebook.

About Bluebird Café (Nashville, Tenn.)
Nashville’s Bluebird Cafe is a small but mighty venue where up-and-coming songwriters and artists build their careers and rise to fame. Over the past 43 years, the tiny room has evolved into one of the most significant music venues in the world, a room where all songwriters are welcomed and supported, from novice to established hit-makers. Artists such as Kathy Mattea, Garth Brooks, Faith Hill and Taylor Swift have had career moments along with countless hit songwriters whose music is represented on a wide range of charts. Over 80,000 people visit the venue annually; many of them because of seeing the Bluebird on television, in news pieces, The Foo Fighters’ documentary, Sonic Highways, the feature film, The Thing Called Love, or on the ABC hit drama, Nashville. The venue’s history was featured in the 2019 documentary, BLUEBIRD, available on streaming channels including iTunes and Amazon. For more information bluebirdcafe.com.

Jamey Johnson’s 2025 'The Last Honky Tonk Tour'

May 28, 2025

Award-winning country singer/songwriter Jamey Johnson will launch his 36-city headlining tour, The Last Honky Tonk Tour, on June 4 at Wichita Riverfest in Wichita, KS. Tickets are on sale now and more dates will be announced soon.

“The tour will be a lot of fun,” says Johnson. “It’s a chance for us to hang out every night, where we get to walk onstage and show off what we’ve learned over the past 20 years. This is my 20th year on the road, not counting the road gigs I did in the 10 years before that.”

The tour’s name comes from the song he recently recorded, which was the title track of the 2010 album by The Wayne Mills Band, featuring musician Jason “Rowdy” Cope on guitar. “I thought that the name sounded pretty good as a tour name – The Last Honky Tonk Tour,” he adds.

The tour title’s lyrics include, “I’ll be there when they burn the last honky tonk down/
In body, mind, and spirit, under the table, or under the ground/
The fading echoes of a barroom band might be the only sound/
I’ll be there when they burn the last honky tonk down.”

Johnson’s new recording – which was completed with producer Buddy Cannon a few weeks ago – and the tour name are in tribute to Mills and Cope, both of whom were his dear friends. Mills was murdered at a Nashville bar in 2013. Jason “Rowdy” Cope, a member of The Steel Woods who had previously been a member of Johnson’s band, died in 2021 from complications from diabetes.

“When Wayne and Rowdy got together and did that record, that song made it on my radar,” he says. “Back then, I played that song several times with Wayne. We would do it at shows. So, it is one I haven’t done in a while.

“And now Wayne’s son, Jack, is a badass guitar player. He says he learned it all from Rowdy. I don’t doubt that at all. Jack really is something else!

“I thought, ‘Man, his dad would be proud. Let’s break that song out and get Jack to play guitar on it.’ I am proud to have him playing on it.”

This is one of more than 50 new songs Johnson has recorded since releasing Midnight Gasoline, his first new solo album in 14 years, in late 2024. He will preview some of the new songs during this tour and begin releasing them later this year.

“We are going to do some of the new stuff,” Johnson adds. “We will do some of the songs from Midnight Gasoline from last year and all the years before. Whatever album you like, we will do some of those songs.

“It’s exciting to play the new songs,” he says. “I like it when people tell me they have heard the new stuff and they like it. I like it when people have something else to listen to. Sometimes it’s as simple as that.”

The Last Honky Tonk Tour Routing:
June 4, 2025  ||  Wichita, KS  ||  Wichita Riverfest
June 5, 2025  ||  Round Rock, TX  ||  Round Rock Amp
June 6, 2025  ||  Bossier City, LA  ||  Paradise Theater at Margaritaville Resort and Casino
June 7, 2025  ||  Lake Charles, LA  ||  Golden Nugget Lake Charles
June 12, 2025  ||  Warren, OH ||  Packard Music Hall
June 13, 2025 ||  Detroit, MI  ||  Aertha Franklin Amphitheater
June 14, 2025  ||  Creighton, PA || Pittsburgh Brewing Company
June 20, 2025  ||  Albuquerque, NM  ||  Isleta Resort & Casino Showroom
June 21, 2025  ||  Chandler, AZ  ||  Wild Horse Pass Hotel & Casino
June 22, 2025  ||  Winchester, CA  ||  Temecula Valley Balloon & Wine Festival
June 26, 2025  ||  Emigrant, MT  ||  The Old Saloon
June 27, 2025  ||  Emigrant, MT  ||  The Old Saloon
June 28, 2025  ||  Whitefish, MT  ||  Big Mountain Ranch Indian Relay Races
July 11, 2025  ||  Danville, VA  ||  The Pantheon at Caesars Virginia
July 12, 2025  ||  Somerset, KY  ||  Master Musicians Festival
July 25, 2025  ||  Franklin, OH  ||  JD Legends
July 26, 2025  ||  Franklin, OH  ||  JD Legends
August 7, 2025  ||  Webster MA  ||  Indian Ranch Amphitheatre
August 8, 2025  ||  Quakertown, PA  ||  Univest Performance Center
August 9, 2025  ||  Charles Town, WV  ||  Hollywood Casino- The Event Center
August 16, 2025  ||  Petros, TN  ||  Brushy Mountain State Penitentiary Distillery
August 23 & 24, 2025  ||  N. Charleston, SC  ||  Marcus King Family Reunion
September 5, 2025  ||  Cherokee, NC  ||  Harrah’s Cherokee Resort Event Center
September 6, 2025  ||  Cherokee, NC  ||  Harrah’s Cherokee Resort Event Center
September 11, 2025  ||  Hot Springs, AR  ||  Oaklawn Racing Casino Resort
September 12, 2025  ||  Pryor, OK  ||  Born & Raised Festival
September 13, 2025  ||  Helotes, TX  ||  Floores Country Store
September 20, 2025  ||  New Madrid, MO  ||  New Madrid Riverfront Park
September 21, 2025  ||  Council Bluffs, IA  ||  Harrah’s Stir Cove
September 26, 2025  ||  Durant, OK  ||  Choctaw Casino
September 27, 2025  ||  Fort Worth, TX  ||  Billy Bob’s Texas
October 4, 2025  ||  Atlantic City, NJ  ||  Tropicana Atlantic City
October 5, 2025  ||  Verona, NY  ||  Turning Stone Resort Casino
October 10, 2025  ||  Biloxi, MS  ||  Beau Rivage Resort & Casino
October 17, 2025  ||  Nashville, TN  ||  Schermerhorn Symphony Center
October 18, 2025  ||  Nashville, TN  ||  Schermerhorn Symphony Center

About Jamey Johnson:
The 10-time GRAMMY nominee has been called “one of the greatest country singers of our time,” by The Washington Post. His music has garnered international acclaim and is embraced by fans of classic and contemporary country, as well as Americana and mainstream rock.

The Grand Ole Opry member is also widely regarded as one of the greatest country songwriters of his generation. He is one of only two people in the history of country music (along with Kris Kristofferson) to win two Song of the Year awards in the same year – for “Give It Away” and “In Color” – from the Academy of Country Music and the Country Music Association.

A consummate storyteller, his songs have been recorded by George Strait, Trace Adkins, Willie Nelson, Merle Haggard, James Otto, Joe Nichols and others. He is “a first-rate preservationist of classic country songwriting,” says The New York Times.

His 2024 album, Midnight Gasoline is a musical continuation of his last two solo studio albums, That Lonesome Song, which was certified double platinum for 2 million in sales, and the gold-certified 2010 album, The Guitar Song, which debuted at No. 1 on the Billboard Top Country Album Chart. Rolling Stone and SPIN named The Guitar Song to their all-genre Top 5 Best Albums of the Year. (He also released a 2012 duets project, the GRAMMY-nominated Living for a Song: A Tribute to Hank Cochran.)

“In Color” has received a 5X-Platinum certification for sales/streams of five million, and “High Cost of Living” was certified platinum. “Between Jennings and Jones” and “That Lonesome Song” have been certified gold for sales/streams of 500,000.

LAINEY WILSON’S NEW SINGLE “SOMEWHERE OVER LAREDO” IS MOST ADDED AT COUNTRY RADIO THIS WEEK

May 28, 2025

16x ACM, 9x CMA and Grammy Award-winning artist Lainey Wilson’s new single, “Somewhere Over Laredo,” is the most added song at country radio this week with 129 adds. Furthering its success, the track garnered over 1.16 million streams across platforms in the first 24 hours of its release, earning Wilson her biggest first day of streaming to date.

The song is from the new deluxe version of Wilson’s award-winning album, Whirlwind, which will be released August 22 via BBR Music Group/BMG Nashville in celebration of the record’s one-year anniversary (pre-order/pre-save/pre-add here). In addition to Whirlwind’s original 14 songs, the extended edition will feature five additional tracks: “Somewhere Over Laredo,” “Bell Bottoms Up,” “King Ranch, King George, King James,” “Yesterday, All Day, Every Day” and “Peace, Love and Cowboys.”

Already receiving widespread attention, Wilson performed “Somewhere Over Laredo” live for the first time at the 2025 American Music Awards earlier this week and appeared on CBS Mornings to discuss the new track, while Billboard praised, “one of her most commanding, dynamic vocal performances to date, crescendo-ing from a soft-focus, tender vocal, before gradually reaching into her upper register for powerful moments that heighten the song’s emotional acuity.”

Written by Wilson, Trannie Anderson, Dallas Wilson and Andy Albert, the track honors the timeless classic “Somewhere Over The Rainbow” while showcasing Wilson’s poignant storytelling and authentic country sound, as she reflects on past love and pays tribute to small towns across the country.

The release adds to yet another triumphant year for Wilson, who won four awards at the 60th Annual ACM Awards earlier this month: Entertainer of the Year (her second consecutive win), Female Artist of the Year (her third consecutive win), Album of the Year (Whirlwind) and Artist-Songwriter of the Year. During the awards ceremony, she also debuted a new song, “Trailblazer,” with Reba McEntire and Miranda Lambert, which she wrote with Lambert and Brandy Clark.

Additionally, Wilson is in the midst of her nearly sold-out Whirlwind World Tour, which includes stops at New York’s Madison Square Garden, Los Angeles’ Kia Forum, Nashville’s Bridgestone Arena, Austin’s Moody Center and Denver’s Ball Arena among many others. The upcoming dates follow the tour’s first leg—a completely sold-out extensive run across the U.K and Europe earlier this year. See below for the complete tour itinerary, full details can be found at www.laineywilson.com/tour.

Produced by Grammy Award-winning producer Jay Joyce (Miranda Lambert, Eric Church), Whirlwind was released to overwhelming critical attention last summer with The Tennessean calling it “the best release of her career,” while NPR Music praised, “She’s becoming a major headlining country star, and this album feels like it’s cementing that position” and Rolling Stone declared, “her music has a blend of brawn, heart, and willingness to upend the status quo that’s not only listenable, but also the kind of thing you can’t help but root for.”

In just the past year, Wilson was also inducted into the Grand Ole Opry, performed during the Dallas Cowboys’ Thanksgiving Halftime Show, won Best Country Album at the 2024 Grammy Awards and two awards at the 58th CMA Awards, where she also made her hosting debut alongside Peyton Manning and Luke Bryan. Wilson also received two awards at this year’s ACM Honors: the prestigious Triple Crown Award—presented to those who have won ACM Entertainer of the Year, Female/Male Vocalist of the Year and New Female/Male Vocalist of the Year—and the Milestone Award, which is given to an artist who has had an unprecedented or outstanding year in country music.

A prolific and sought-after songwriter, Wilson has scored eight #1 hits including “4x4xU,” “Watermelon Moonshine” and the 2x Platinum Certified “Heart Like A Truck,” and has collaborated with artists such as Post Malone (“Nosedive”), Cole Swindell (“Never Say Never”), Jelly Roll (“Save Me”), HARDY (“wait in the truck”) and Myles Smith (“Nice To Meet You”). She is also a triple threat within entertainment as a singer, songwriter and actor and will make her feature film acting debut in next year’s adaptation of Colleen Hoover’s Reminders of Him, after first acting in Paramount’s hit television series, Yellowstone. Moreover, Wilson wrote and recorded “Out of Oklahoma,” which was featured in the new Twisters movie.

LAINEY WILSON CONFIRMED TOUR DATES
May 30—Panama City Beach, FL—Pepsi Gulf Coast Jam
May 31—Lexington, KY—Railbird Festival
June 6—Myrtle Beach, SC—Carolina Country Music Fest
June 18—Nashville, TN—Grand Ole Opry
June 20—Wildwood, NJ—Barefoot Country Music Fest
June 26—Milwaukee, WI—Summerfest
June 27—Cadott, WI—Country Fest
July 10—Ottawa, ON—Ottawa Bluesfest
July 12—Cavendish, PEI—Cavendish Beach Music Festival
August 14—Phoenix, AZ—Footprint Center*
August 15—Albuquerque, NM—Isleta Amphitheater*
August 16—Denver, CO—Ball Arena*
August 21—Bend, OR—Hayden Homes Amphitheater*
August 22—Sacramento, CA—Golden 1 Center*
August 23—Los Angeles, CA—Kia Forum*
August 28—Calgary, AB—Scotiabank Saddledome*
August 29—Edmonton, AB—Rogers Place*
August 30—Saskatoon, SK—SaskTel Centre*
September 11—Baton Rouge, LA—Raising Cane’s River Center†
September 12—Baton Rouge, LA—Raising Cane’s River Center†
September 13—Bossier City, LA—Brookshire Grocery Arena†
September 18—Austin, TX—Moody Center‡
September 19—Fort Worth, TX—Dickies Arena‡
September 20—Houston, TX—The Cynthia Woods Mitchell Pavilion presented by Huntsman ‡
September 25—Toronto, ON—Budweiser Stage§
September 26—Clarkston, MI—Pine Knob Music Theatre§
September 27—Grand Rapids, MI—Van Andel Arena§
October 2—Nashville, TN—Bridgestone Arena||
October 3—Noblesville, IN—Ruoff Music Center§
October 4—Cleveland, OH—Blossom Music Center§
October 9—Columbia, MD—Merriweather Post Pavilion§
October 10—New York, NY—Madison Square Garden§
October 11—Mansfield, MA—Xfinity Center§
October 16—St. Louis, MO—Hollywood Casio Amphitheatre||
October 17—Rosemont, IL—Allstate Arena||
October 18—Saint Paul, MN—Xcel Energy Center||
October 24—Knoxville, TN—Thompson-Boling Arena at Food City Center#
October 25—Charlotte, NC—Spectrum Center#
November 7—Tampa, FL—Amalie Arena#
November 8—Orlando, FL—Kia Center#

*with special guests ERNEST and Kaitlin Butts
†with special guests ERNEST and Maddox Batson
‡with special guests Muscadine Bloodline and Drake Milligan
§with special guests Muscadine Bloodline and Lauren Watkins
||with special guests Muscadine Bloodline and Maddox Batson
#with special guests ERNEST and Drake Milligan

Morgan Wallen Claims No. 1 Spot on Billboard 200 and Hot 100

May 28, 2025

With Billboard calling him “one of the biggest stars in the music world right now” and The New Yorker adding “[he’s] popular on a scale that seems to circumvent genre entirely” on the heels of his fourth studio album release, Morgan Wallen’s I’m The Problem further solidifies his standing, debuting today at No. 1 globally across seven countries.

In the U.S., Wallen broke his own record for most simultaneous entries in Billboard Hot 100 history, with all 37 songs off the album charting. He also currently occupies the No. 1, 2 and 3 slots simultaneously with his duet with Tate McRae “What I Want,” “Just In Case,” and the title track “I’m The Problem,” respectively – becoming the first country artist ever to do so.

I’m The Problem became Wallen’s first No. 1 debut on the U.K.’s Official Charts, as Wallen joins a small group of elite artists including Taylor Swift, Shania Twain, Post Malone and Beyonce as the only artists in U.K. chart history to debut No. 1 with a country album. The feat is especially notable as One Thing At A Time previously marked Wallen’s highest debut on the chart at No. 40.

“The massive growth that we’ve seen in the UK is truly something special,” Wallen shared with Official Charts. “One Thing At A Time debuted at #40 and I’m The Problem is debuting at #1 only two years apart. I am so grateful and humbled my music is connecting in a place where we have spent time and worked to build a real and meaningful relationship with our fans there. Thank you guys so much.”

I’m The Problem additionally debuted at No. 1 across five other countries – including New Zealand, Australia, Canada, Norway and Scotland – and became Wallen’s third album to debut at No. 1 on the Billboard 200 chart, with the largest streaming week for any album in 2025 so far in both the U.S. and Canada.

Wallen’s preceding albums – Dangerous: The Double Album and One Thing At A Time – have resided in the top 10 of the Billboard 200 chart for more than 100 weeks each, making him the first artist ever to achieve that feat.

Dubbed a “self-examining storytelling extravaganza” by Billboard, I’m The Problem features 37 tracks, and combines Wallen’s country, cross and dirt-rock influences, underscored by collaborations with pop superstars Post Malone and Tate McRae, plus close friends Eric Church, ERNEST and HARDY. The fusion of influences left Grammy.com lauding, “[Wallen] remains as eclectic as ever, shifting easily from R&B-inflected slow jams to rough-and-ready outlaw country stomps.”

The album opens with the title track, “I’m The Problem,” a cutting double-edged confession that reveals the complexities of a relationship at its lowest point. It concludes with “I’m A Little Crazy,” a quiet, self-reflective song that looks inward while examining the world outside. As with Wallen’s other albums, his eclectic taste in music creeps into his songs. But with this album, he’s really honed his ability to integrate those influences, drawing on guitar sounds of Indie bands like The War On Drugs, country greats like Keith Whitley and hip-hop drum tracks. Between all of that, Wallen also reaches listeners on a granular level.

While Wallen co-wrote 22 of the tracks, he tapped into 49 songwriters, curating a tracklist that’s both deeply personal and resonant, viewing life events through a different lens than he’s used in the past. Hits Daily Double observes that the result is “a 37-song cycle of self-reckoning,” adding, “he doesn’t sugarcoat or make excuses.”

Wallen recently debuted seven of the album’s songs at his inaugural, self-curated and multi-genre Sand In My Boots Festival, including the title track “I’m The Problem;” the Grammy.com-praised “deceptively smooth-sounding” “Kick Myself;” “Don’t We,” declared an “arena-ready track” by Billboard; “I’m A Little Crazy,” noted as “a gorgeous paranoiac ballad” by Washington Post; “I Got Better;” “Superman” and “Just In Case.”

Wallen’s coinciding 2025 I’m The Problem Tour kicks off June 20 at NRG Stadium in Houston, Texas. The 20-show run will include stops in Seattle, Washington; Foxborough, Massachusetts; Toronto, Ontario and more. With a second stop added in Madison, Wisconsin, Wallen’s appearances will mark the first time an artist has played two consecutive nights at Camp Randall Stadium.

A rotating lineup of guests including Brooks & Dunn, Miranda Lambert, Thomas Rhett and Koe Wetzel join in direct support with Gavin Adcock, Corey Kent, Ella Langley and Anne Wilson as first-of-three across select dates. Coupled with May’s Sand In My Boots Festival and a special one-night-only album release celebration show on May 28 at Roundhouse in London, these 22 shows are the only place to see the superstar in 2025.

Morgan Wallen 2025 I’m The Problem Tour Dates:
June 20 // NRG Stadium // Houston, TX w/ Corey Kent and Koe Wetzel
June 21 // NRG Stadium // Houston, TX w/ Corey Kent and Koe Wetzel
June 28 // Camp Randall Stadium // Madison, WI w/ Ella Langley and Miranda Lambert
June 29 // Camp Randall Stadium // Madison, WI w/ Ella Langley and Miranda Lambert
July 11 // Hard Rock Stadium // Miami Gardens, FL w/ Gavin Adcock and Miranda Lambert
July 12 // Hard Rock Stadium // Miami Gardens, FL w/ Gavin Adcock and Brooks & Dunn
July 18 // State Farm Stadium // Glendale, AZ w/ Ella Langley and Miranda Lambert
July 19 // State Farm Stadium // Glendale, AZ w/ Ella Langley and Brooks & Dunn
July 25 // Lumen Field // Seattle, WA w/ Anne Wilson and Miranda Lambert
July 26 // Lumen Field // Seattle, WA w/ Anne Wilson and Brooks & Dunn
Aug 1 // Levi’s Stadium // Santa Clara, CA w/ Anne Wilson and Miranda Lambert
Aug 2 // Levi’s Stadium // Santa Clara, CA w/ Anne Wilson and Brooks & Dunn
Aug 15 // Huntington Bank Field // Cleveland, OH w/ Ella Langley and Miranda Lambert
Aug 16 // Huntington Bank Field // Cleveland, OH w/ Ella Langley and Thomas Rhett
Aug 22 // Gillette Stadium // Foxborough, MA w/ Corey Kent and Miranda Lambert
Aug 23 // Gillette Stadium // Foxborough, MA w/ Corey Kent and Miranda Lambert
Sep 4 // Rogers Centre // Toronto, ON w/ Gavin Adcock and Miranda Lambert
Sep 5 // Rogers Centre // Toronto, ON w/ Gavin Adcock and Brooks & Dunn
Sep 12 // Commonwealth Stadium // Edmonton, AB w/ Ella Langley and Miranda Lambert
Sep 13 // Commonwealth Stadium // Edmonton, AB w/ Ella Langley and Brooks & Dunn

About Morgan Wallen:
Morgan Wallen sets the pace in, and beyond, country music – with Billboard calling him “the biggest country star in the world” and The New York Times doubling down, declaring he’s “one of the biggest stars in pop, period.” With 18 No. 1 singles at Country radio, 19 Billboard Music Awards to-date, more than 170 weeks spent atop Billboard’s Top Country Albums chart (the most in country music history), the highest selling country tour under his belt and more, Wallen has propelled country music to a global level in less than five years. As Las Vegas Review Journal puts it: “Wallen’s appeal is remarkable as it is fueled by his ability to connect to a crowd.”

With Dangerous: The Double Album, Wallen solidified his place as country music’s “dominant superstar,” with the project recently being named Billboard’s No. 1 Album of the 21st Century. One Thing At A Time’s groundbreaking success saw Wallen’s crossover appeal reach a global scale, as he topped the Australian ARIA charts for the first time, along with a host of other accolades. With three No. 1’s already hailing from his fourth studio album, I’m The Problem, available now via Big Loud / Mercury, Wallen digs even deeper, uncovering a side that’s both more vulnerable and more resolute than ever before.

As Wallen prepares a refreshed setlist for his 20-stadium-show I’m the Problem Tour, kicking off on June 20 in Houston, Texas, he also highlighted some of his favorite artists by bringing the personally-curated, multi-genre Sand In My Boots Music Festival to Gulf Shores, Alabama in May, which sold out in less than two hours.

Wallen continues to donate a portion of every ticket sold to his Morgan Wallen Foundation — which supports youth music and athletic programs and gives communities access to essentials in times of crisis. More at MorganWallen.com.