Prepare to enter the carnival of shadows. The twisted, theatrical, and unapologetically fierce metal band RAVEN BLACK has returned from the depths of the underworld to unleash their latest sonic nightmare: “DEATH WALTZ.” A hypnotic blend of gothic horror, symphonic metal, and psychotic storytelling, this track is more than just music—it's a dance with death itself.
Driven by thunderous guitar riffs, spine-chilling orchestral layers, and Raven’s haunting, operatic vocals that shift seamlessly into guttural growls,
“DEATH WALTZ” invites listeners into a fever dream where nightmares pirouette in time to a sinister rhythm. It's a track that blurs the line between performance and possession.
This release marks a new chapter for RAVEN BLACK—a darker, more intense evolution of their already infamous sound. Produced by Ulrich Wild (Static-X, White Zombie, Deftones), the single showcases the band’s signature fusion of metal mayhem and circus macabre, with a cinematic flair that could summon the dead to dance.
Meet RAVEN BLACK, a theatrical metal act originally from Los Angeles. Their unique brand of metal, influenced by gothic, classical, and heavy metal music, serves as the soundtrack to vocalist Raven's duality as she shares her story of being a hybrid of both dark and light.
Drawing from a myriad of musical inspirations, RAVEN BLACK expertly blends elements from their favorite art forms, including movies, ethnic backgrounds, and personal life experiences. Each song is crafted to take fans on an adventure, offering new perspectives and understandings. Their sound ranges from melodic to dark, fun to raging and psychotic—yet every track tells a story.
At the heart of their narrative lies a comic book character: a girl whose innocence was taken at a young age. Overcoming her demons and cursed by her predators, she discovers she is half human, half doll. The doll within her is dark, and as she embraces her inner darkness, she travels with her demons who protect her from those seeking to steal her inner power.
She is the key.
