Dark, lush and elusive: San Francisco's OCTAVIAN WINTERS present 'Velveteen' from debut EP 'The Line or Curve'

"Capturing progressive sounds and thoughts, weaving them together in a dark and lush tapestry of near-classic post-punk, oscillating between shadow and shimmer. Reflecting the troubled times that we live in, sublime dark sonic delight" ~ The Spill Magazine

"Feels like it was recorded in a studio deep beneath the earth, drawing power from subterranean caves and bubbling magma. There’s tectonic thunder in the pounding drums and rumbling bass... Such power, strong and true, a voice that scales the wall of sound beneath her with ease" ~ Joyzine

"A dark musical weave forged of post-punk and gothic strands. A sonic web that is a neat blend of pulsing bass grooves and shaded ethereality, dark and delicious guitar slashes, and haunting sound washes" ~ The Big Takeover

"Seriously compelling incitement, which Aursjoen’s tones and the electronically atmospheric mists around her only escalate" ~ Ringmaster Review


San Francisco post-punk outfit 
Octavian Winters presents their new video for 'Velveteen', created by David Kruschke. Lifted from their debut album 'The Line or Curve', recently released via Stratis Capta Records, this feels like a getaway song from an imaginary sonic spy novel with its driving rhythm and 80’s vibe.

Born into the ghostly isolation of San Francisco in 2022 and drawing from darkwave and post-punk traditions, Octavian Winters dives into the ethereal, their layered music counterpointing edged grooves alongside lush synth textures and soaring vocal harmonies. In the lead up to the album, the band released the singles 
'Undertow'. 'Ondine' and  'Surreal'.

Recorded in San Francisco by
Mark Pistel (Meat Beat Manifesto, Consolidated) at OW Studio and Room 5 Recording, this EP was produced by Octavian Winters and William Faith (The Bellwether Syndicate, Faith and the Muse, Christian Death, The March Violets), whose credits include Jarboe, Clan of Xymox, Bootblacks and Autumn, Faith also mixed and mastered the album at 13 Studio in Chicago.

Octavian Winters is guitarist Stephan Salit (Thrill of The Pull), drummer Randy Gzebb (Thrill of The PullLove Club,), bassist Jay Denton and Ria (Amenti) Aursjoen on vocals and keyboards. Together, they weave their visceral and ethereal sound into a texture all its own – of stories once told but half-remembered, under a dusk of shadows and stars, in an abandoned city under the winter moon.

Randy Gzebbexplains the tone of this song: "Racing down a gloomy freeway on a grey evening, you walk up an alleyway and duck into a smokey casino, filled with like-minded people, an intense air of anticipation building as everyone gets ready to turn themselves loose, their insecurities, anxieties filled with emotions with driving drums and bass with serrated guitars, desperate vocals playing in the background,

"We had just started working up the music for what would become Velveteen in the summer of 2022 and I was out in Vegas for a few days. I had driven out into the desert, musing on inspiration for lyrics, and was on my way back into the city when the signs for the casinos, shows and strip clubs started popping up. The idea for the lyrics coalesced then -- there was an air of desperation in all the lights and billboards, a false lure to feel... good. To indulge in fantasy.  The lyrics are about people trying to claim their dreams through escape, by avenues that lead down a rabbit hole of despair," says Ria (Amenti) Aursjoen.

This album is about coming to terms with isolation and loss in various forms, touching on themes that the whole world has dealt with face to face for the past few years – feelings and repercussions that have left a deep imprint on all of us. The music and lyrics are a natural extension of these emotions and thoughts, bubbling under the surface.

Each member of Octavian Winters brings their own rich musical tapestry to the collective and have shared the stage with many iconic acts over the years, includingNine Inch Nails, Killing Joke, Lords of the New Church, Savage Republic, Christian Death, The Frozen Autumn, Everything Goes Cold and Black Tape for a Blue Girl.

'The Line or Curve' EP is out now and available digitally from fine music platforms, including via
Apple MusicSpotify andBandcamp.

CREDITS 
All songs written by Octavian Winters except 'Nebula', written by Ria Aursjoen
Ria Aursjoen - Vocals / Keyboards
Stephan Salit - Guitars
Randy Gzebb - Drums
Jay Denton - Bass
Recorded at OW studios San Francisco, CA
Vocals recorded by Mark Pistel, Room 5 Recording, San Francisco, CA
Mixed and mastered by William Faith at 13 Studio, Chicago, IL
Produced by Octavian Winters and William Faith
Artist photos by Dina Marie Robinson
Eric Olson - Design
Steve Devaney - Design at Uroboros Choke 
Publicity by
Shameless Promotion PR
Jay Adams - Video director, cinematographer, editor, producer
'Velveteen' videographer - David Kruschke

Keep up with Octavian Winters
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New single 'Tune Out, Turn Off, Drop In' from THE NOISE WHO RUNS' (IAN PICKERING of SNEAKER PIMPS)

"Ian Pickering is among the most relevant songwriters of this generation, with topical subject matter, sharp lyricism, a relatable attitude and music that is addictive as F*&@. The same spunk as the progenitors of punk and orderly chaos of early post-punk" ~ The Spill Magazine

"Beguiling... anthemic yet accessible, gothic, grand and graceful, delicately dance-driven and dark, coiled and ornate, slow and seductive" ~ Big Takeover Magazine

"Poetic brutality... the anthemic grace and stature of something by The Sisters of Mercy: it has an Arctic chill through which a lyrical, passionate heat radiates" ~ Backseat Mafia

"Ethereal electronic intimation. Light and dark entangle... true splendour and prowess" ~ Ringmaster Review


UK-France duo
The Noise Who Runs presents ‘Tune Out, Turn Off, Drop In’, their second single from the forthcoming ‘Come and Join the Beautiful Army’ EP. Sound almost familiar?  This is a majestic, thumping piece of raw synth-pop, all fat chunky beats and circling keyboards with a thudding, insistent bass, inspired by the 1960s mantra that defined the Hippie counterculture espoused by Timothy Leary - “tune in, turn on, drop out”.

The Noise Who Runs is the brainchild of songwriter
Ian Pickering (of Sneaker Pimps and Front Line Assembly), who also co-authored such hits as 'Spin Spin Sugar', '6 Underground' and 'Tesko Suicide'. Upon relocating from northern England to France, Pickering launched this project with Brazilian-French guitarist Felipe Goes.

As with the first single 'One Scratch Each', ‘Tune Out, Turn Off, Drop In’ - the mirror opposite of Leary’s statement - continues the more stripped-down sound both musically and lyrically. Felipe Goes’ guitars create a disenchanting counterpoint to the overall electronic charge, while Ian Pickering’s lyrics are loaded with a sense of contradiction, confusion, and straddling the line between sharp cynicism and optimistic critique.

Felipe Goes says, “With all these songs, it seemed better not to try and force it, and with ‘Tune Out’ it was quite complete but lacked something unnerving and off-centre, so the guitars needed to be almost imperceptible as guitars, but somehow add another layer of meaning or interpretation to the feel - something slightly jarring and disorientating. They’re coming from the exact opposite of a rock approach, more just able to change and confuse certain parts of the overall mood of the keyboards, rather than dictating and overpowering the sound."

The guitars are used sparingly but specifically to highlight certain points in the lyrics and to lift the music when it’s needed. ‘Tune Out, Turn Off, Drop In’ is just over four minutes but has the vibe of a much shorter pop song you'd want on constant repeat. Lyrically, the song is an update of the original 60s slogan nearly 60 years on, possibly refuting it completely, indicating the appropriation of the counterculture to result in the polar opposite of what was originally envisaged.

“Of course it failed on the most utopian level but it’s undeniable that without the upheaval and countercultures of the 60s, there wouldn’t be that liberation of behaviour and mentality that seemed stuck in the hypocrisy of the Victorian age. It strikes me as a total rejection of a tired establishment and that sense of respectability on the surface, keeping up appearances, toeing the line, doing as you’re told, obedience to the values of your elders and so-called betters," says Ian Pickering.

“But equally the overarching idea of the original phrase seems to be that introspection and dropping out of mainstream consumer culture would offer the solutions. And maybe they would have. But, as with any counterculture, once it’s been identified by the establishment, they take back the hard yards you’ve struggled to gain and they take back more than they ever relinquished and beef up the fortress around it so it can’t happen again. And then they get the marketing and advertising people on the case and sell it back to you with a cheap cover-all, shortcut to thinking logo and slogan.”

The lyrics for ‘Tune Out, Turn Off, Drop In’ are relatively sparse and simple with repeated phrases, a result of wanting to keep them in line with the ‘pop’ ethic of the song as a whole.  

“All this social commentary stuff is Ian's field of expertise. I don't like thinking about the world. In fact, I don't think I like thinking. Thinking is for smart people which I'm not: I'm a salesman by day and a musician in the evening. Thinking about the world we live in only serves to make us sad or angry,” says Felipe Goes.

Pickering adds, “I’m not sure it’s my field of expertise. Maybe my field of Hippie dreams. If we build it, they will come.”

The full ‘Come and Join The Beautiful Army' EP was mixed and mastered by Colin C at
The Cell Studio, whose clients include CBS, FOX, NBC / Universal, Showtime, HBO and Lionsgate Films and such artists as Front Line Assembly and Danny Saber (Black Grape, Alice Cooper, David Bowie, Madonna).

As of November 8, 'Tune Out, Turn Off, Drop In' will be available across fine music platforms, including
Spotify, Apple Music and Bandcamp, where this and the ‘Preteretrospective’ album can be obtained directly from the artist.

CREDITS
All songs written by Ian Pickering
Recorded and produced by The Noise Who Runs
Felipe Goes - guitars, pianos, keyboards
Ian Pickering - vocals, keyboards, pianos, beats
Mixing, mastering and additional production by Colin C. at
The Cell Studio 
Publicity by
Shameless Promotion PR
Video by Dreamstime.com
Artist photos by Élodie Duhoo

Keep up with The Noise Who Runs
Website | Bandcamp | Facebook | Instagram | Twitter | Soundcloud | YouTube | Spotify | Apple Music | Press contact

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Megan Thee Stallion x Spiritbox "Cobra" (Rock Remix)

Hot on the heels of wowing fans with the release of their critically acclaimed 'The Fear of Fear' EP last week, Spiritbox have another mind-blowing surprise for fans in the shape of their collaboration with Megan Thee Stallion on her new release "Cobra" (Rock Remix) feat. Spiritbox". Stream the track HERE and watch the visualizer below.

Spiritbox's new EP, ‘The Fear of Fear’ builds on the band’s momentum from their massively successful debut album ‘Eternal Blue’, which topped charts and dominated critics’ year-end lists. The 6 tracks on the EP each come with a stunning, high-concept music video which can be viewed via this playlist. Stream‘The Fear Of Fear’ on your platform of choice HERE.

ABOUT SPIRITBOX: 

Spiritbox, dubbed "metal's hottest band" by Billboard. Their debut album, Eternal Blue, dropped September of 2021 and rolled in on a global tsunami of critical acclaim, perfect score reviews and features everywhere including Spin, Forbes, Billboard and Alternative Press to multiple front covers including Kerrang!, Metal Hammer, Alternative Press, Rock Sound, Distorted Sound, Pollstar, and Revolver. The album spawned a string of hit singles including "Holy Roller", "Constance", “Circle With Me”, "Secret Garden" and most recently, "Hurt you". 'Eternal Blue' charted #13 Billboard Top 200, #1 Rock, #1 Hard Rock, #1 Vinyl, #2 Internet Albums, #2 Independent, #3 Digital Albums, #3 Album Sales and top 20 of the official charts in Australia (#8), Germany (#17) and UK (#19). To date, Eternal Blue has clocked up 265 million streams.

 

Spiritbox followed the release of Eternal Blue with the 3-song Rotoscope EP, in 2022. The title track for which came accompanied by an official music video shot by Max Moore, which has run up over 3.6 million YouTube views. The EP has clocked up 28.5 million streams.

They end 2023 with the release of 'The Fear of Fear' EP. Consisting of six tracks, each with their own high-concept music video, the release encapsulates each facet of the Spiritbox spectrum. From glacial and emotive to earth-shatteringly heavy, each track provides a further dive into the sonic world-building of one of the most exciting bands to emerge from heavy music in recent years.

 

To date, Spiritbox have accumulated over 441 million career streams across platforms and 77.4 million YouTube views. They were also nominated for 2 Juno Awards last year for Breakthrough Group Of The Year and Metal/Hard Music Album of The Year last year.

Find SPIRITBOX Online:

spiritbox.com

BBR MUSIC GROUP / BMG HONORS JASON ALDEAN, JELLY ROLL, DUSTIN LYNCH, PARMALEE & LAINEY WILSON WITH PLAQUE PRESENTATIONS

BBR Music Group/BMG celebrated their roster, team, partners and fans at the 2023 Pre-CMA Awards party at Brooklyn Bowl.  Throughout the event, BMG's CEO Thomas Coesfeld, EVP & CFO, North America Joe Gillen, President Jon Loba, Executive Vice President JoJamie Hahr, General Manager Peter Strickland & Senior Vice President of Promotion Carson James took the stage to honor benchmarks in their artists' careers including plaque presentations for Jason Aldean, Jelly Roll, Dustin Lynch, Parmalee & Lainey Wilson.  Descriptions of the plaques can be found below:

  • Jason Aldean - #1 Billboard Top 100 Chart - "Try That In a Small Town"

  • Jelly Roll - "Need a Favor" certified Platinum

  • Dustin Lynch - "Thinking 'Bout You" featuring Mackenzie Porter certified 2X Platinum

  • Parmalee - Career milestones - 1 Billion On-Demand Streams, 4 #1 Singles ("Carolina", "Just The Way", "Take My Name" & "Girl In Mine") & Billboard's 2022 Most Played Song of the Year - "Take My Name"

  • Lainey Wilson - "Heart Like a Truck" certified 2X Platinum

In addition, BMG presented a check to Jelly Roll in the amount of $100,000 to assist in his outreach via Impact Youth Outreach.

The event served as a kickoff to the CMA Awards airing tonight on ABC where you will find among the nominees that Lainey Wilson made history as the most nominated artist for the second consecutive year with nine nominations and Jelly Roll as the most nominated male artist with five nominations.  This morning, it was revealed on Good Morning America that Lainey is entering the night with two wins already for her collaboration with HARDY, “wait in the truck,” winning "Music Video of the Year” and “Musical Event of the Year.”

The full line up for the BBR Music Group/BMG Pre-CMA Awards event featured performances by: Jason Aldean, Chayce Beckham, The Frontmen, HunterGirl, Jelly Roll, King Calaway, Dustin Lynch, Haven Madison, Tim Montana with ZZ Top's Billy Gibbons, John Morgan, Parmalee, Frank Ray, Dylan Schneider, Elvie Shane, Lainey Wilson and was hosted by Austin & Colin

(L-R): BMG's President Jon Loba, BMG's CEO Thomas Coesfeld, Jelly Roll, Lainey Wilson, Jason Aldean, BMG's Executive Vice President JoJamie Hahr, BMG's General Manager Peter Strickland, Dustin Lynch, BMG's EVP & CFO, North America Joe Gillen & BMG's Senior Vice President of Promotion Carson James

Photo Credit: Keith Griner

(L-R): BMG's General Manager Peter Strickland, BMG's President Jon Loba, Parmalee's Scott Thomas, Barry Knox, Matt Thomas, Joshua McSwain, BMG's Executive Vice President JoJamie Hahr& BMG's Senior Vice President of Promotion Carson James

Photo Credit: Getty Images Terry Wyatt

(L-R): BMG's General Manager Peter Strickland, Jelly Roll, BMG's CEO Thomas Coesfeld & BMG's President Jon Loba

Photo Credit: Getty Images Terry Wyatt

Banks Arcade Share "Change" Video

They say a change is as good as a holiday, and for Melbourne's Banks Arcade, a hypnotic diversion is just what the doctor ordered with their brand new single "Change," out today via UNFD.

Watch the video below.

It serves as the second new Banks Arcade single for 2023 and follows the recent blazing track "
Worship the Internet."

"Change" offers a glamorous, dark, and downright scintillating stylistic pivot from the Melbourne group, alongside a brand new music video.

With lush textures, undulating beats, and seductive vocals set against sharp and glossy production, "Change" flits between simmering verses and tempestuous choruses as vocalist Joshua O'Donnell declares, "Please just walk away / Safe to fight another day / I don't want you to stay tonight / But you could change my mind."

 "Change discusses an unhealthy obsession with success, and a fleeting relationship driven by lust that is held back because of it," the band offers about the track.

A band that always wanted to make history, Banks Arcade bring passion and potent execution to their myriad of influences and creative ideas. Formed over a shared love of music with a razor-sharp avant-garde aesthetic, Banks Arcade have  teetered on modernity, their gaze ever-fixed just beyond the horizon via their flourishing sonic wiles. From their 2018 debut EP Endnote to its 2020 follow up Fever Dreams, the group's head-turning singles like "Sick" and "Drown" have gone on to amass over a million individal streams, while their explosive single "Chosen" was chosen by Ubisoft as the official theme song of the Rainbow Six Siege Oceanic Nationals in 2022.

Releasing their full-length Future Lovers in 2022, an LP initially devised as a concept album that evolved into a vessel of personal self-discovery, Banks Arcade cemented their future-facing trademark style while also turning heads courtesy of their emphatic soundscapes, searing metal and hip-hop additions.

Plain White T's Announce Winter 2024 Headline Tour

LAIN WHITE T'S — Tom Higgenson [vocals], Tim Lopez [lead guitar, vocals], Mike Retondo [bass], and De'Mar Hamilton [drums] — will release their self-titled album, out November 17 via Fearless Records. Pre-order it here

The band will also hit the road on a headline North American tour early next year, kicking off January 24 in Spokane and running through February 18 in Salt Lake City. Support will come from Pollyanna. All dates are below. 

Tickets go on sale on Friday, November 10 at 10am local time. Get tickets
here.

The T's also have three album-release shows set for their native Chicago later this month. Those ares are below, as well.

PLAIN WHITE T'S LIVE:
11/17 — Album Release Show  Sub T — Chicago, IL (SOLD OUT)
11/18 — 
All That We Needed Durty Nellies — Chicago, IL 
11/19 — Record Store Signing/Meet and Greet Loud Pizza — Chicago, IL

PLAIN WHITE T'S ON TOUR: 
WITH POLLYANNA:

1/23 — Spokane, WA — Knitting Factory
1/24 — Portland, OR — Hawthorne Thatre
1/26 — San Francisco, CA — Bimbo's 365
1/27 — Anaheim, CA — Chain Reaction
1/28 — Phoenix, AZ — Rebel Lounge
1/30 — Oklahoma City, OK — Beer City Music Hall
2/1 — Atlanta, GA — The Masquerade (Hell)
2/2 — Nashville, TN — Exit/In
2/3 — Charlotte, NC — The Underground
2/4 — Virginia Beach, VA — Elevation 27
2/6 — Philadelphia, PA — Union Transfer
2/7 — New York City, NY — Le Poisson Rouge
2/9 — Pittsburgh, PA — Thunderbird Cafe
2/10 — Columbus, OH — Rumba Cafe
2/13 — Minneapolis, MN — Fine Line
2/14 — Milwaukee, WI — The Rave
2/15 — St. Louis, MO — Delmar Hall
2/17 — Denver, CO — Summit
2/18 — Salt Lake City, UT — Urban Lounge

ABOUT PLAIN WHITE T'S:
Since emerging in 1997, Chicago quartet Plain White T's have remained visible and viable. They have consistently delivered unforgettable pop rock anthems that take up real estate in your brain for months at a time. They have amassed over 2.7 billion total global streams, earned two Grammy nominations, and collected several Platinum-plus and Gold certifications across their impressive catalog. Their signature single "Hey There Delilah" went quadruple-platinum, topped the Billboard Hot 100, and earned the pair of aforementioned GRAMMY® nominations in 2008 — for "Song of the Year" and "Best Pop Performance by a Duo or Group with Vocal." They have made their pop culture mark by appearing on highly visible shows such as the Macy's Thanksgiving Day Parade, Sesame Street, iCarly, 90210, Beavis & Butthead, and Frankenweenie, all the while nabbing press accolades from TIME, Billboard, ESPN, Rolling Stone, AV Club, MTV, MSNBC, and more. Plain White T's have proven to be a reliable musical force, as well as a career band that shows no signs of stopping or slowing down. Their self-titled album arrives in late 2023

MILWAUKEE METAL FEST 2024 Dates Announced, Early Bird Tickets Available Now

The legendary festival that was successfully resurrected in 2023 is set to return May 16 - 19, 2024 at The Rave/Eagles Club!

GET EARLY BIRD PASSES HERE

After a successful return of Milwaukee Metal Festival in 2023, which featured Lamb Of God, Anthrax, Suicidal Tendencies, Biohazard, Machinehead & many others, the iconic midwestern, multi-day event is set for 2024! The festivities will kick off with a pre-party on May 16 while the main festival will run May 17 - 19 at The Rave/Eagles Club in Milwaukee, WI and is promised to have bigger headliners, more food, vendors, live podcasts and other surprises!

The festival returned to prominence in 2023 under the watchful eye of Hatebreed frontman and podcaster Jamey Jasta and Sound Talent Group's Tim Borror, as well as the team at The Rave / Eagles Club, where so many of the original festivals took place.

“The 2024 lineup keeps getting more & more stacked, I thought it would be difficult to top 2023 but we’ve already confirmed a more diverse line up of power metal, black metal, death metal and other elements that were harder to secure in 2023" says Jasta. “Milwaukee Metal Fest 2024 will be one for the ages!"

Early bird tickets are on sale now and available for a limited time! 1, 2 & 3 day options zero interest payment plans available at Etix.com.

Fans can visit the official Milwaukee Metal Fest site and sign up for the mailing list for first access to information and exclusive content HERE.

More details will soon be announced! Stay tuned...!

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Alluvial Share "Fogbelt" Video

ALLUVIAL — Kevin Muller [vocals], Wes Hauch [guitar, vocals], Tim Walker [bass], and Zach Dean [drums] — recently announced their new EP, Death Is But a Door. It arrives on January 12 via Nuclear Blast.

Today, the band has shared the video for "Fogbelt." Watch it
below.

It's a live performance video and it will make you feel like you are front and center, moshing at an Alluvial show. The video was shot and edited by
Randy Edwards. (Instagram: Here)

"'Fogbelt' is a song that came from a movie about human cloning," the band says. "Kevin inspired that main riff that starts the song, and everything fell together pretty quickly after that. It's big, dumb, and gross. It turned our toenails green and we hope it turns yours green, too."

Alluvial are currently on the final stretch of their Fall tour with TesseracT. All remaining dates are below.

ALLUVIAL ON TOUR:
WITH TESSERACT:


11/8 — Austin, TX — Emo's
11/9 — Houston, TX — Warehouse Live
11/11 — Tampa, FL — The Orpheum
11/12 — Atlanta, GA — Buckhead Theatre
11/13 — Nashville, TN — Brooklyn Bowl

Darkness and despair are a breeding ground for creativity in the right hands. Since their inception in 2017, Atlanta-based band Alluvial have embraced the grim and gloom that the world has to offer through an intricately balanced blend of rapid-fire polyrhythms, haunting, sludgy atmospheres and tightly wound grooves. The band takes a stab at creating an even more sinister sound than their previous album, Sarcoma, Death Is But a Door. 

"We wrote about 13 or 14 songs this summer, but we wanted to do this EP between Sarcoma and our next full-length. These songs align with the vibe we want to go for. We will always find a way to be darker from record to record in the same way that South of Heaven was heavier than Reign In Blood and Seasons In The Abyss was heavier than South Of Heaven," says Hauch. "It was that concept of chasing the dragon to find a way to top the message and vibe on the last record while finding a way to do it that made us excited." 

After releasing their instrumental debut full-length, The Deep Longing for Annihilation, the band hit the road. Although the album has racked up millions of streams, there was always an intent to add a vocalist to their following releases. Hauch had begun writing what would become Sarcoma in 2018 and recruited Muller, knowing his vocal prowess from the vocalist's time in Suffocation.  

Bringing Muller into the fold immediately elevated the band’s sound, but Death Is But a Door shows the synergy that the band has developed from working as a cohesive unit over the last few years.  

Although the band's mission is to drive into bleaker and heavier territory with each new release, they manage to bring balance to their sound. While they remain grounded in death metal, the band's approach finds them exploring all of their influences. From traditional thrash like Pantera or Metallica to darker grunge like Alice in Chains or Soundgarden and everything in between, Alluvial aim to keep listeners on their toes by pushing beyond the realms of death metal. 

"I wanted to have a band where we can write meaningful yet action-packed songs. Something that is terrifying but breaks your heart at the same time. I think we'll always chase that, but we want to find new ways to be heavy," says Hauch.  

With the band’s members being as ingrained in the death metal scene as they are — with members previously playing in The Faceless, Suffocation and more — listeners can rest assured they’ll be met with plenty of brutality throughout their music. The twists and turns into clean passages, atmospheric ambience, or any of the other musical avenues explored throughout Alluvial's music take them over the edge and invite listeners to return and find something previously undiscovered.   

Veil of Maya Announce Headline US Run In Early 2024

VEIL OF MAYA US HEADLINE TOUR 2024

With Angelmaker, Left To Suffer*, Until I Wake**, Reflections and Alluvial

Fri, Jan 19      Green Bay, WI, Epic Events Center*

Sat, Jan 20      Madison, WI Majestic*

Sun, Jan 21     Indianapolis, IN Hi-Fi*

Tue, Jan 23     St. Louis, MO Red Flag*

Wed, Jan 24   Columbia, MO Blue Note*

Fri, Jan 26       Denver, CO Gothic*

Sat, Jan 27      Colorado Springs, CO Black Sheep*

Mon, Jan 29   Los Angeles, CA, El Rey*

Tue, Jan 30     Mesa, AZ, Nile Theater*

Thu, Feb 01    Houston, TX, Scout Bar*

Fri, Feb 02      Austin, TX, Empire Garage*

Sat, Feb 03     New Orleans, LA, Southport Hall*

Sun, Feb 04    Atlanta, GA, The Masquerade (Heaven)**

Tue, Feb 06    Charlotte, NC, The Underground**

Thu, Feb 08    Baltimore, MD, Soundstage**

Fri, Feb 09      Hartford, CT, Webster Underground**

Sat, Feb 10     Harrisburg, PA, HMAC**

Tue, Feb 13    New York, NY, Gramercy Theater**

Wed, Feb 14   Pittsburgh, PA, Preserving Underground**

Thurs, Feb 15 Cincinnati, OH, Bogart's**

Fri, Feb 16      Joliet, IL, The Forge**

The tour comes in support of the band's 7th full length studio album, '[m]other' that was released earlier this year to massive excitement and critical acclaim. Keep it locked for more news coming soon.

ABOUT VEIL OF MAYA

By channeling energy in one direction, force grows exponentially. Veil of Maya harness the individual experiences and talents of four distinct musicians—Marc Okubo [guitar], Sam Applebaum [drums], Danny Hauser [bass], and Lukas Magyar [vocals]—into airtight groove-laden metal accented by fits of instrumental virtuosity and vocal catharsis. This approach has endeared them to a devout fan base with critical acclaim and over 135 million total streams and counting (unprecedented for an outfit this crushingly heavy). The Chicago band draw on the strength of their union on their seventh full-length offering, [m]other [Sumerian Records].

Veil of Maya have consistently pushed the boundaries of heavy music by pushing themselves collectively. 2015’s Matriarchmade major waves, crashing the Billboard US Hard Rock Albums Chart at #2 powered by “Aeris,” “LeeLoo,” and “Mikasa.” The latter has gathered over 25.4 million Spotify streams and counting. In 2017, 'False Idol' saw the band return to the Top 3 of the Hard Rock Albums Chart as “Overthrow” and “Doublespeak” each eclipsed 8 million-plus Spotify streams apiece. The record also incited the applause of LoudWire, Substream Magazine, Metal Hammer, and Invisible Oranges who raved, “False Idol is undeniably Veil of Maya: greatly contrasting the band’s past, it serves as a companion and booster for their older work.” Simultaneously, they toured alongside Animals As Leaders, Upon A Burning Body, Chelsea Grin, Oceans Ate Alaska, and more. In the midst of the Pandemic, they dropped “Outsider,” “Viscera,” and “Outrun” and released their long awaited seventh full-length offering, [m]other [Sumerian Records] to great acclaim.

Active Rock Powerhouse, Blameshift, Debuts New Single "All or Nothing"

Emerging from the heart of Long Island, New York, Blameshift, a powerhouse in the world of Active Rock, has just unleashed their latest single, "All or Nothing," now available on all major digital platforms. Fronted by the dynamic and talented Jenny Mann, the band's hard-hitting sound has its roots in a decade of relentless touring, spanning over 25 national tours. This extensive journey has forged an unwavering and dedicated fan base, extending their influence worldwide.

“We are so excited to finally be able to share 'All or Nothing' with our fans. We recorded this song with our long time producer and friend, Erik Ron in North Hollywood, California. 'All or Nothing' is a testament to life’s challenges and the spirit to conquer them," says Jenny Mann.

Stream "All or Nothing" HERE

Blameshift's Jenny Mann & Tim Barbour are also the creators of Strüng, the music inspired jewelry line made from authentic guitar strings and “Born in the USA”. As the demand for Strüng continued to rise, they realized they had created something truly special that touched people deeper than an ordinary piece of jewelry.

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KORPIKLAANI - Release Video For Boney M Cover Song 'Gotta Go Home'

Finnish Folk Metal Superstars KORPIKLAANI return with a very special single today, before heading out on tour through Brazil, Argentina, and Chile. Accompanied by a totally fun video, the Finns proudly present their take on BONEY M’s ‘Gotta Go Home’ to get you in a party mood during the dark season of the year.

Jonne Järvelä, a fan since his childhood, added:

"When I was a kid there weren’t so many good albums in my parents' vinyl collection. But I found something I really liked: it was ”Roadrunner” by Hurriganes, which I was listening to almost every day since I was still in diapers. CCR and Boney M. were also on my very limited playlist at the time. 'Gotta Go Home' was somehow funny. Much more fun than 'The Rivers Of Babylon', which I also liked. Then our drummer Samuli came up with it and was very excited about the idea to cover it. I have the same moves in our video which I practised hundreds of times in my childhood days with my tennis racket in front of the mirror."

LISTEN TO 'GOTTA GO HOME':
https://korpiklaani.bfan.link/gotta-go-home

WATCH THE VIDEO FOR 'GOTTA GO HOME' below.

Visit KORPIKLAANI at:
https://linktr.ee/korpiklaani

unpeople Sign With SharpTone Records + Share "smother" Video

unpeople have announced their signing to SharpTone Records. The four piece, who toured alongside labelmates BETTER LOVERS recently, have also revealed the video for their debut single "smother," which was debuted on Alyx Holcombe's BBC Introducing Rock Show earlier this week.

Watch the video for "smother" 
below.

Stream "smother" on all platforms now
here.

Frontman Jake Crawford comments on the new single, saying, "'smother' is a song born of unfiltered introspection and sheer desperation. The intentionally prying first line 'Are you being honest with yourself?' was more of a question to myself, let alone the potential audience. Myself and [guitarist] Luke [Caley] were certainly 'feeling the pressure' at the time of the song's inception. Having come off the back of two massive breakups, one band and one personal, we were literally scrambling for 'something to live for.' Lyrically, it was a collaborative effort. Luke came up with the chorus, which I immediately connected with. It then inspired me to really dig into the suffocating feeling of being at a complete loss of direction at the time. The rest came relatively easily as we were certainly in similar boats, albeit from slightly differing perspectives."

In relation to signing to SharpTone Records, the band says, "Since the inception of unpeople, SharpTone was at the top of our list in terms of who would be our dream label to work with. We have such respect for the team and what they do. It is evident to us that they are equally as passionate about the music as we are. We are extremely excited to be part of such an awesome roster and feel very privileged to be able to call SharpTone our home."

UNPEOPLE ARE:
Jake Crawford — Guitar, Lead Vocals
Luke Caley — Guitar, Vocals
Meg Mash — Bass, Vocals
Richard Rayner — Drums, Vocals

GREEN LUNG RELEASE VIDEO FOR "HUNTERS IN THE SKY"

'Eight songs plus a spoken word intro is all this is, but it’s all that it needs to be. Welcome to Green Lung’s weird church' - Kerrang 5/5

This Heathen Land is an insanely great record, and Green Lung deserve to be massive' -  Blabbermouth 9/10

'London's stoner-doom heroes have brewed up a beguiling, surprisingly diverse concoction of killer riffs, bewitching folklore and knockout songs ... the sheer quality of songwriting edges ever upwards' - Metal Hammer 8/10

'One of the best rock albums this year, and you get the sense that they have just started to hit their stride too. A fantastic blast of occult hard rock' - Echoes & Dust

GREEN LUNG's third studio album, This Heathen Land, was released last week via Nuclear Blast Records. To celebrate, the band have revealed a new video for the track 'Hunters In The Sky', and revealed a host of UK/European tour dates for 2024 with support from LOWEN and SPIRIT ADRIFT.


Tom Templar comments "We're deeply grateful to everyone who has supported the release of THIS HEATHEN LAND over the past week, whether by listening to the album, picking it up in a record shop or spreading the word online - it's been a joy to see it connect with you all. To celebrate the album release we have one final music video to share with you all.

'Hunters in the Sky' was inspired by the Right to Roam movement, who protested the banning of wild camping on Dartmoor last summer. It's a song about standing up to the English aristocracy's attempts to control our common land, and a celebration of the beautiful Dartmoor landscape, from Wistman's Wood to Crockern Tor. We'd always wanted to write a song about the Wild Hunt, one of the most dramatic European folkloric motifs, and hopefully we've done it justice. We hope you enjoy it - and huge thanks to Billy Price for directing this and all the other videos for this album, and to Blackthorn Ritualistic Folk for dancing in the video and supplying some incredible folk costumes, especially a truly majestic replica of the Dorset Ooser, who you might see on stage with us soon.."

Watch the new video for 'Hunters In The Sky' below.

Find out more about The Right To Roam at: 
righttoroam.org.uk

Catch GREEN LUNG live on their their newly announced 2024 headline dates, as well as their imminent UK headline tour.

Tickets are available from greenlung.co.uk

GREEN LUNG is
Tom Templar - Vocals
Scott Black - Guitar
Joseph Ghast - Bass
John Wright - Organ
Matt Wiseman - Drums

Autarkh Streaming New Album

Autarkh already sounded like the future on their debut. But the Dutch contemporary metal band have pushed their distended view of the digital age to further extremes on their new album. 

"It is even safe to say that the Autarkh that exists on Emergent is not the same Autarkh that existed on Form in Motion", writes
No Clean Singing. "...right when you're able to put a pin in why you're enjoying a particular segment of Emergent, Autarkh propel themselves off in a completely different direction with joyous abandon". 

Emergent
comes out this Friday, November 10.

Autarkh are known for hard-wiring extreme metal with glitchy electronics. Emergent still bristles with melodic dissonance and programmed beats. Lead single "Strife opens with drum pads that pound quietly, only to escalate into a towering chorus that's spiked by a thousand megawatts of industrial-sized riffs.

But Emergent reveals a new and improved Autarkh. This album is bigger andbrighter. "Open Focus" courses with hammering riffs, pixelated drum breaks and even an unfettered bass groove. After headbanging through another avalanche of a chorus, "Refocus" breaks into a crystal-clean vocal that's backed by radiant harmonies.

There is a darker side to Emergent. "Duhkha" seethes with ominous sound effects that could've been ripped out of a slasher flick. "Clouded gaze, clouded aura / Left behind with my past self", Nienhuis screams with vein-popping intensity, paying homage to former Dodecahedron band mate Michiel Eikenaar, who passed away in 2019. But through this battle with their inner demons, Autarkh find inner peace. Over a chugging beat and sky rocketing power chords, the band lift their voices to glistening new heights: "Remember all ye that existence is pure joy. Into the light".

Autarkh might be from the future. But they're still human after all.

Pre-order:
https://redirect.season-of-mist.com/AutarkhEmergent

Pre-save:
https://orcd.co/autarkhemergentpresave

"We are really happy that our new album Emergent is finally about to be officially released!", says Autarkh. "We feel this is a next step in our artistic development – Emergent has a more open, diverse and radiant imprint and offers increased versatility compared to our debut Form In Motion.  We sincerely hope you enjoy listening to it as much as we did making it!"

Dutch contemporary metal adventurers Autarkh are back with their sophomore full-length album Emergent. Michel Nienhuis, founder of Autarkh and Dodecahedrom, teamed up again with guitarist/producer David Luiten (Inferum), bassist Desmond Kuijk (Dear Mother) and electronics wizard Tijnn Verbruggen to create the follow-up to their highly acclaimed debut album 'Form In Motion', released by Season Of Mist on 12 March 2021. Monica Kendrick (Chicago Reader, US) on the relevance of the group’s debut: 

"And I’ll call it now: given the time to flourish and sink into the ears of an audience, Autarkh will become highly influential on the next generation of extreme metal." 

'Emergent' is another testament to Autarkh’s imagination and creativity. It delivers increased versatility and contrast, and sees the band expand towards more uplifting and consonant territories. Form In Motion explored the boundaries of sonic extremes; on 'Emergent', Autarkh broadens its horizon and shows diversity and nuance while preserving its intense and razor-sharp edge.

With nine tracks, 'Emergent' is a sonic exploration of the inner universe where all things light and dark can be encountered. The listener is lured into an "Open Focus" (a meditative state of mind) in preparation for an inward journey along the physical energy centers. From the thumping synth basses of "Strife" and the menacing sludgy melancholy of "Duhkha", we move into the bewildering blasts of "Trek", where stellar harmonies will eventually burst through the oppressive atmosphere. The trip continues with the crushing downtempo groove that enforces "Refocus", as well as the mind-bending a capella interlude "Aperture" and the frivolous "Eye Of Horus" and "Countless Kaleidoscopes", to finally deliver all-encompassing enlightenment with Ka. 

Composers Nienhuis’s and Luiten’s statements and states of mind capture the same capriciousness and unease of 'Form In Motion', this time leaving a more open, diverse and radiant imprint. With exciting vocal harmonies, bold contrasts and a vivid imagination, Autarkh sheds a bright light on the inner self and exposes it to the world with intensity and conviction. That makes Emergent an evocative release with a multilayered yet crystal-clear production that promises a bright future for Autarkh.

Line-up:

Michel Nienhuis: vocals & guitars
David Luiten: vocals & guitars
Desmond Kuijk: bass
Tijnn Verbruggen: synths & beats

Recording Studio: David Luiten Studio, Monodisc Studio, Moonbear Music & Engineering
Mix/Master: David Luiten

Cover artwork: Arno Frericks

Pre-order: https://redirect.season-of-mist.com/AutarkhEmergent
Pre-save:https://orcd.co/autarkhemergentpresave

Booking:
info@autarkh.com

Formats:
CD Jewelcase
Digital
Vinyl in various colours

Links:
www.autarkh.com
www.facebook.com/autarkh
www.instagram.com/autarkhband
www.youtube.com/c/autarkh
www.autarkh.bandcamp.com

Annie Bosko's Sultry "Neon Baby" Third Most-Added at Country Radio

Following her first release for Benny Brown’s Stone Country Records, singer/songwriter Annie Bosko’s sultry “Neon Baby” is the third most-added song at Country radio today, Nov. 6. Listen to the track, along with recently released “Boots On,” HERE.
 
“I’m so excited ‘Neon Baby’ is my radio single,” shares Bosko. “It’s such a feel-good song, and I think it’s a different sound and message, especially coming from a female. I loved embracing my romantic side and featuring the dreamy lap steel guitar. It’s got a lot of soul and a little throwback with a modern twist.”
 
Written by Bosko with Jeffrey Steele (Rascal Flatts’ “What Hurts The Most,” Tim McGraw’s “The Cowboy In Me”) and Bridgette Tatum (Jason Aldean’s “She’s Country”), and working with producers Derek George and Mickey Jack Cones, “Neon Baby” entices listeners with the California native’s flare for neo-traditional twang, a fitting conduit for its playful and flirty lyrics:
 
      I’ll be your neon baby
      I’ll drive you midnight crazy
      I’ll hit your lips like whiskey
      When you lean in to kiss me
      Put that whiskey down and kiss me again and again
      Turn me on
      I’ll be your neon, baby
 
Bosko made her Grand Ole Opry debut Sept. 30 among dates opening for Tim McGraw and Dwight Yoakam and is set to perform at several prominent festivals in 2024. With her radio tour well underway, she has shared her “fearless” pure-country sound and edge-of-your-seat songwriting with stations across the country.
 
Among recent visits, Ashley Morrison from WFUS-Tampa Bay shared, “When you meet Annie and spend time with her voice you’ll wonder where the heck she’s been – I learned she’s been spending years with other impressive creators but her vocal range and musical abilities leave you wanting more. I’m excited that country radio and listeners are being introduced to her. She’s incredibly personable and exudes the confidence you’d expect from an artist who’s been in the spotlight for decades.”
 
Having performed the National Anthem countless times for events across NASCAR, NFL, NBA, MLB and more, Bosko will sing the anthem next month on Dec. 11 for the National Finals Rodeo in Las Vegas.
 
For more information, visit
AnnieBosko.com or follow @AnnieBosko on social media platforms.

About Annie Bosko
With a voice that beams like a ray of California sunshine, Stone Country Records/Brown Sellers Brown singer-songwriter Annie Bosko pairs a sound anchored deep in the organic twang of ‘90s country with simple songs told from the heart, preaching equal parts healing and honky-tonk hope. A student of legendary crooners like Patsy Cline with added inspiration from Shania Twain, George Strait, Dwight Yoakam, The Beatles and more, the Golden State native broke out in 2014 with the SiriusXM/CMT hit “Crooked Halo,” bucking the bro-country trend for a traditionally flavored anthem that has now amassed more than 3 million streams. She went on to write songs recorded by Willie Nelson and Jessica Simpson, tour alongside Tim McGraw, Dierks Bentley and Blake Shelton, sell out the famed Troubadour and perform on the Grand Ole Opry and at Ryman Auditorium – the fabled Mother Church of Country Music – while also becoming an in-demand studio vocalist and earning the title Artist to Watch from Rolling Stone Country. After a series of standout collaborations with country icons Vince Gill, Dwight Yoakam and Raul Malo, she is now embracing her true nature for a creative rejuvenation. Working with producers Derek George and Mickey Jack Cones, a new batch of music pairs unapologetic twang, clever wordplay, and deep compassion with her longstanding downhome-diva vocal, capturing the full range of a timeless American art in its purest form. In 2023, Bosko released the powerful-yet-tender ballad “Dandelions” in memory of the victims of Nashville’s Covenant School shooting – a track written alongside Danny Myrick which has now become a beacon of community remembrance and faith. Lost in grief and capturing the reverberating shock of that day’s unfathomable loss, the track has been embraced by the Covenant School families themselves, with all proceeds from being donated for their benefit through ACM Lifting Lives. Looking ahead, Bosko will continue to release sharp-yet-simple, pure-country songs written or co-written with hit makers like Jeffrey Steele, Bridgette Tatum and more, all aimed at uplifting, inspiring or just singing along with women and country-music lovers everywhere.

Photo Credit: Ford Fairchild

TUNE IN ALERT: Craig Morgan and Jelly Roll perform “Almost Home” on “The Kelly Clarkson Show” – November 10

Country music hit-maker, author and patriot Craig Morgan will be joined by multi-genre hitmaker and CMA Award nominee Jelly Roll to perform their collaboration, “Almost Home,” from Morgan’s recently released Enlisted EP, on “The Kelly Clarkson Show.” Tune-in this Friday, November 10, during a special Veterans Day show for their dynamic and emotional performance. Check local listings for showtimes HERE.

In late July of this year, Morgan answered the call from the Army Reserve on the stage of the Grand Ole Opry and re-enlisted. Morgan previously served with the Army’s 101st and 82nd Airborne Divisions and was making a commitment to attain 20 years of service.

Just as the Army has called on Morgan, the Tennessee native has recruited some of his talented friends to contribute to his latest project, available now. Appropriately titled Enlisted (Broken Bow Records), the six-track release offers new takes on four of his biggest hits along with two new tracks and includes appearances by an all-star group of performers including Trace Adkins, Luke Combs, Gary LeVox, Jelly Roll, Blake Shelton, and Lainey Wilson

Listen now at craigmorgan.lnk.to/Enlisted

Morgan just wrapped his headlining “God, Family, Country Tour 2023,” in partnership with Operation Finally Home. The tour and his recent record follow last fall’s release of his personal memoir — God, Family, Country, which he wrote with Jim DeFelice, #1 New York Times bestselling co-author of American Sniper. The book chronicles Morgan’s road to success, from his humble childhood in Tennessee to his years as an elite military operative to his country music stardom. Country music fans and thrill seekers alike will love this intimate look at his remarkable life. Learn more HERE.

Morgan previously served seventeen years in the Army and Army Reserve with the 101st and 82nd Airborne Divisions as an E-6 Staff Sergeant and Fire Support Specialist and including Airborne, Air Assault Jumpmaster and Rappel Master among his certifications. He is now returning to serve his country in a new way – as a soldier in the Army Reserve. The newly sworn in Staff Sergeant and Warrant Officer candidate will continue touring and releasing new music in his civilian career while simultaneously serving our country in the Army Reserve.

Photo credit: (c) Grand Ole Opry, Photos by Chris Hollo

ABOUT CRAIG MORGAN: 

A multi-faceted entertainer, Craig Morgan has made a name for himself as a country music icon, TV personality, author, celebrated outdoorsman and patriotic Army veteran. One of country music's best-loved artists, Morgan has amassed over 1.5 billion career streams and charted over 25 songs on Billboard, thrilling massive crowds with signature hits including “Bonfire,” “Almost Home,” “Redneck Yacht Club,” “International Harvester,” “This Ole Boy,” “Soldier,” “That's What I Love About Sunday” and his faith-filled tribute to his son Jerry, “The Father, My Son and The Holy Ghost.” Craig just released his newest project, Enlisted, a six-song collection of reimagined hits and brand-new songs featuring collaborations with Trace Adkins, Luke Combs, Gary LeVox, Jelly Roll, Blake Shelton, and Lainey Wilson.

Craig received one of country music's highest honors when he was inducted as a member of the Grand Ole Opry. Prior to becoming a country music star and TV sensation, Morgan served seventeen years serving our country in the Army and Army Reserve and in 2023 enlisted in the Army Reserve, continuing his military career. Morgan remains an avid supporter of America's military personnel and has made more than sixteen overseas trips to perform for our troops. He is a member of the U.S. Field Artillery Hall of Fame and recipient of the USO Merit Award. In 2018, he was awarded the Army’s Outstanding Civilian Service Medal, one of the highest awards the Department of the Army can bestow upon a civilian, in recognition of his significant dedication to our military men and women around the world. He remains committed to supporting active duty and veteran members of our military through work with Operation Finally Home, the USO and more. 

He's reprised his popular headlining run — “God, Family, Country Tour 2023,” in partnership with Operation Finally Home — playing thirteen theater and auditorium dates through the end of this month. God, Family, Country, Craig’s gripping new memoir, released last fall in partnership with Blackstone Publishing. He details all aspects from his inspiring life, revealing never-before-heard stories including how he worked alongside the CIA as a soldier in Panama, fought sex traffickers as an undercover agent in Thailand, forged his own path to country music stardom, and lives his life by the deepest values: God, family, country. 

 

ABOUT JELLY ROLL:
Nashville native singer/songwriter Jelly Roll (Jason DeFord) recently debuted Top 3 on the Billboard 200 All Genre Chart and #2 on the Top Country Album charts with his debut Country Album, Whitsitt Chapel (released June 2nd, 2023) - earning the biggest Country debut album in Billboard Consumption Chart history. Following his sweep at the 2023 CMT (Country Music Television) Music Awards where he earned 3 awards to become the most awarded artist of the night, the Billboard Country Power List Cover star and “country’s ‘most authentic’ new artist” (The New Yorker) recently received Billboard’s 2023 Breakthrough Award. “One of Nashville’s fastest rising stars” (The New York Times), Jelly was an 8X nominee and 4X winner at the People’s Choice Country Awards and is the most nominated male at the 2023 CMA Awards, with 5 total nominations. His current hit single “Save Me” — a confessional, vulnerable expression of self-doubt— set the stage for his new season of life and took him to new heights, has more than 155 million views on YouTube and Platinum certification from the RIAA.  Jelly debuted the song along with Lainey Wilson at the 2023 ACM Awards on the heels of his 28-week reign at No. 1 on Billboard’s Emerging Artists chart. “Save Me” is the follow-up single to his multi-week #1 hits on Country and Rock radio, “Need A Favor” and “Son of A Sinner.” 

Having just wrapped his sold-out 44-city 2023 Backroad Baptism Arena Tour and celebrated multi-format success with "Need a Favor" inside the Top 10 on Hot AC and Top 25 on Top 40, Jelly Roll continues to resonate with fans on a global scale and earn numerous industry milestones - from playing his sold-out hometown show for 18,000 fans at Nashville’s Bridgestone Arena to sold-out dates at the Ryman Auditorium and the release of his critically acclaimed Hulu documentary produced by ABC News, “Save Me.” Featured by NightlineGMAGMA3, The New York TimesThe TennesseanBillboardVarietyAmerican SongwriterCMT and more, his self-built, unconventional industry rise and unique fan connection has garnered praise from numerous outlets, with Variety noting, “for everyone who’s facing the same struggles, Jelly Roll is their Springsteen,” and American Songwriter echoing, “with a string of accolades and an extremely dedicated following, Jelly Roll has emerged as a force to be reckoned with in the music industry.”

KEEP UP WITH CRAIG MORGAN

WEBSITE | FACEBOOK | INSTAGRAM | TIKTOK | X | YOUTUBE 

QUEENSRŸCHE ANNOUNCE 'THE ORIGINS TOUR,' WILL PERFORM BOTH THEIR CLASSIC SELF-TITLED EP AND 'THE WARNING'

Although Queensrÿche would score multi-platinum albums and hit singles over their career, their fans have developed an undeniable love for the group's early releases – when they helped trailblaze a style of rock that combined elements of metal and prog. And for the first time ever, Queensrÿche will be performing both classic releases in their entirety as part of 'The Origins Tour.' 
 
Launching on March 22, 2024 in Houston, TX at Hell's Heroes Festival and running until May 12 in Ft. Meyers, FL, 'The Origins Tour' will see Queensrÿche – singer Todd La Torre, guitarists Michael Wilton and Mike Stone, bassist Eddie Jackson, and drummer Casey Grillo – joined on most dates by another highly respected/influential band that also launched in the '80s, Armored Saint.
 
Tickets will go on sale on Friday, November 10 at 10:00am local, and can be purchased via this link:
https://bnds.us/8vkhdd

QUEENSRYCHE – The Origins Tour
PLAYING THE EP & THE WARNING

with special guests ARMORED SAINT

 
Mar 22 - Hell’s Heroes Festival * - Houston, TX USA
Mar 23 - Tower Theatre * - Oklahoma City, OK USA
Mar 26 - Sycuan Casino * - El Cajon, CA USA
Mar 27 - House of Blues - Anaheim, CA USA
Mar 28 - Ace of Spades - Sacramento, CA USA
Mar 31 - Neptune Theatre - Seattle, WA USA
Apr 2 - Black Sheep - Colorado Springs, CO USA
Apr 3 - Gothic Theatre - Englewood, CO USA
Apr 5 - Ameristar Casino & Hotel * - Kansas City, MO USA
Apr 6 - Delmar Hall - St Louis, MO USA
Apr 7 - Paramount Theatre - Cedar Rapids, MI USA
Apr 9 - Coronado Theatre - Rockford, IL USA
Apr 10 - Peoria Civic Center - Peoria, IL USA
Apr 12 - The Vogue - Indianapolis, IN USA
Apr 13 - State Theatre - Kalamazoo, MI USA
Apr 14 - Majestic Theatre - Detroit, MI USA
Apr 16 - Bogart’s - Cincinnati, OH USA
Apr 17 - House of Blues - Cleveland, OH USA
Apr 19 - Phoenix Theatre - Toronto - CA
Apr 20 - Théâtre Beanfield - Montreal - CA
Apr 21 - Elements - Kitchener - CA
Apr 24 - Roxian Theatre - Pittsburgh, PA USA
Apr 26 - Empire Live - Albany, NY USA
Apr 27 - Palladium - Worcester, MA USA
Apr 28 - Toad’s - New Haven, CT USA
Apr 30 - Starland Ballroom - Sayreville, NJ USA
May 1 - Keswick Theatre - Glenside, PA USA
May 3 - The Paramount - Huntington, NY USA
May 5 - The Fillmore - Charlotte, NC USA
May 7 - Masquerade – Atlanta, GA USA
May 9 - Jannus Live - St. Petersburg, FL USA
May 10 - The Plaza Live – Orlando, FL USA
May 11 - Culture Room - Ft. Lauderdale, FL USA
May 12 - The Ranch - Ft. Meyers, FL USA
 
*no ARMORED SAINT

"We are thrilled to bring to you The Origins Tour!,' says La Torre. "This will be the first time in Queensrÿche's history that the EP and 'The Warning' will be performed live in their entirety. And to make this an even more stellar tour, we are so excited that our great friends and legendary metallers Armored Saint will be joining us as direct support. We are all proud to bring you this touring package and we can't wait to see you on the road."
 
Originally formed in 1982, Queensrÿche became one of rock's top bands on the strength of such albums as 1986's 'Rage for Order,' 1988's 'Operation: Mindcrime,' and 1990's 'Empire,' the latter of which spawned the hit single/video "Silent Lucidity." The band continues to be successful to this day – as evidenced by their latest studio offering in 2022 (and 16th overall), 'Digital Noise Alliance.' 
 
And La Torre is especially looking forward to these upcoming special performances. "Join us for this unique and very special experience, as we celebrate the origins of Queensrÿche. Take hold!"
 
FOR MORE INFORMATION, PLEASE VISIT:
queensrycheofficial.com

DEKO ENTERTAINMENT IS SET TO RELEASE TRAPEZE’S MEDUSA AND YOU ARE THE MUSIC...WE’RE JUST THE BAND ON VINYL--THE FIRST TIME IN OVER 40 YEARS

Originally released in 1970, Medusa was recorded at Morgan Studios, and was produced by the Moody Blues bassist John Lodge. The line- up of Glenn Hughes (Deep Purple), Mel Galley (Whitesnake), and Dave Holland (Judas Priest) recorded this album and the follow up, You Are the Music...We're Just the Band, in 1972 before that lineup disbanded. You Are the Music...We're Just the Band also featured a wide range of guest performers, including guitarist B. J. Cole, pianist Rod Argent, and saxophonist Jimmy Hastings. Now, Deko Entertainment will reissue both albums, fully remastered and repackaged, on February 2, 2024 in the following configurations:

Medusa, not released on vinyl since 1979, has now has been fully remastered on 180-gram vinyl, an awesome gatefold sleeve, in two beautiful versions. The Platinum Edition – comes on transparent, 180-gram amber vinyl with purple, green, and black splatter (limited to 250 copies pressed), featuring a signed 10”x10” band photo by Glenn Hughes (limited to 100 copies). The Standard Edition – comes on gold nugget, 180-gram vinyl (limited to 250 copies pressed).

You Are the Music... We're Just the Band, not released on vinyl since 1978, has now has been fully remastered on 180-gram vinyl, in two beautiful versions.  The Platinum Edition – comes on 180-gram, white, red, and black twist vinyl (limited to 250 copies pressed), featuring a signed 10”x10” band photo by Glenn Hughes (limited to 100 copies).  The Standard Edition – comes on red galaxy, 180-gram vinyl, and handsomely repackaged (limited to 250 copies pressed).

Listen to original version of “Black Cloud” below.

“Trapeze store:
https://bit.ly/TRAPEZE-VINYL

Deko Entertainment president, Bruce Pucciarello, enthuses about Glenn Hughes, "Tremendously influential but not fairly credited with blending funk, rock, and energy together. Trapeze showed us that Glenn Hughes was a monster in rock well before he moved on to Deep Purple.”

For more information, visit:
www.dekoentertainment.com
Deko Entertainment—Art Has Value 

CAVALERA - RELEASE LYRIC VIDEO FOR 'NECROMANCER' + KICK OFF 'MORBID DEVASTATION' UK/EUROPEAN TOUR ON NOVEMBER 9TH!

On July 14th, metal legends CAVALERA released the re-recorded versions of SEPULTURA's first EP Bestial Devastation and their first full-length album Morbid Visions via Nuclear Blast Records.


Today, the band offers fans the lyric video created by Costin Chioreanu for 'Necromancer' from the Bestial Devastation EP.


Max Cavalera states, "'Necromancer' stands out on the EP. The new version and video bring to life the magic that started 40 years ago. I consider it my first 'big' song!"

Iggor Cavalera comments, “'Necromancer' is a very special song for me, it is such a powerful force of riffs, beats, and screams. The video has a super cool vibe, dark and creepy."

Check out the lyric video for 'Necromancer', below.

In two days, CAVALERA will embark on their highly anticipated 'Morbid Devastation' UK/European Tour. Accompanying the brothers on stage will be Igor Amadeus Cavalera (HEALING MAGIC, GO AHEAD AND DIE) fulfilling bass duties and Travis Stone (PIG DESTROYER, DESOLUS) will be supplying lead guitars. INCITE will be opening the tour package each night.

Purchase your tickets, here: 
https://www.cavaleraconspiracy.net/tour

Morbid Visions and Bestial Devastation were re-recorded at The Platinum Underground. The albums were produced by Max Cavalera and Iggor Cavalera while John Aquilino handled the engineering. Arthur Rizk was responsible for the mixing and mastering of both albums. CAVALERA enlisted Eliran Kantor to create the artwork for both albums.

Order Morbid Visions here: 
https://cavalera.bfan.link/morbid-visions

Order Bestial Devastation here: 
https://cavalera.bfan.link/bestial-devastation