ASINHELL unleash 'Desert Of Doom' single

For more than 20 years, vocalist/guitarist Michael Poulsen has been spearheading Danish rock and roll machine Volbeat, releasing eight full-lengths, selling millions of albums, and filling stadiums worldwide. Before fronting Volbeat, however, Poulsen formed death metal band Dominus, which recorded four fast, brutal albums in the mid '90s. When Poulsen was putting together songs for Volbeat's 2021 album, Servant Of The Mind, he wrote a bunch of death metal riffs and saved them on his phone. Then, when he was done with the Volbeat record, he reopened the rusty gates to Armageddon and started putting together songs for his new death metal band Asinhell, whose debut album Impii Hora (Latin for Ungodly Hour), is a tribute to Poulsen's favourite old-school groups.

Impii Hora will be released September 29th via Metal Blade. Pre-order it here.

Today, the band has shared new song "Desert Of Doom" and its official video. Watch it below.

"'Desert Of Doom' was inspired by Bolt Thrower, Death, Entombed, and Motörhead. Bang your head 'til it doesn't bang no more!," says Poulsen.

Poulsen has rekindled the death metal fire that fuelled his first band Dominus. He began jamming on riffs with long-time friend and neighbour, drummer Morten Toft Hansen (Raunchy). The two started playing in Morten's tiny garage: no mics, no P.A. — just a drum kit and a combo amp turned all the way up like they used when they were teenagers. Soon, the pair were completing a new song every time they got together. When it came time to add vocals, Poulsen turned to his good friend, who also happened to be one of his all-time favourite death metal growlers: Marc Grewe (Insidious Disease, ex-Morgoth).

"I had known Michael quite a long time and he always mentioned that we should do a death metal project one day, but I never took him too seriously because he was so busy with Volbeat," Grewe says. "Then he called for real and said, 'Yeah, I want to do it now. Are you up for it?' Immediately, I was like, 'Yes, of course!'"

With Asinhell fully formed, the three convened with Volbeat producer Jacob Hansen to produce, mix, and play bass on their debut album. When it was time to add lead guitar to the album, Michael looked no further than friend and The Arcane Order axeman Flemming C. Lund.

The album will be available in the following formats. Pre-order it here.

• Jewel case CD

• 180g Black Vinyl (Europe excl.)

• Crimson Red Marbled Vinyl (Europe excl.)

• White Vinyl (Europe excl., ltd. 1000)

• Gold/Black Dust (EMP excl., ltd.300)

• Clear w/ Red/White Splatter Vinyl (Europe Band store excl., ltd. 500)

• Silver Vinyl (US excl.)

• Silver w/ Red Splatter Vinyl (US. excl.)

• Black & White Melt Vinyl (US excl.)

• Red/Black Splatter Vinyl (US Band store excl., ltd. 500)

• ASINHELL ARE:

   Michael Poulsen — Guitar

  Marc Grewe — Vocals

  Morten Toft Hansen — Drums 

  FIND ASINHELL ONLINE:

  https://asinhell.com/

GREEN LUNG RELEASE VIDEO FOR 'MAXINE (WITCH QUEEN)' THE SECOND SINGLE FROM 'THIS HEATHEN LAND'

Occult rock darlings GREEN LUNG have released a new video for 'Maxine (Witch Queen)', the second single from their hotly anticipated new record This Heathen Land, which will be released on November 3rd via Nuclear Blast Records.

Vocalist Tom Templar comments "We've celebrated British witchcraft in our lyrics since our first EP, and with this new single we wanted to celebrate the most iconic witch of the modern era - Maxine Sanders. The High Priestess at the heart of Alexandrian Witchcraft, Maxine is an unsung national treasure, and one of the first people to connect genuine witchcraft with rock 'n roll back in the early Seventies. 'Maxine (Witch Queen)' is a love song to Maxine from the perspective of a member of her coven, and melds pounding riffage with psyched-out combo organs and stacked, multi-layered vocal harmonies. We were honoured to have several members of Maxine's real life coven appear in the music video, and advise on the ritual elements. Ultimately, the song is intended as a celebration of Maxine Sanders, which we hope will introduce new initiates to her life’s work, and help her legend to live on."

Watch the video for 'Maxine (Witch Queen)' below.

Pre-order This Heathen Land on various formats now at: https://greenlung.bfan.link/thllp

This Heathen Land is the most complete manifestation of the band’s vision to date, fulfilling their long-held goal to, in the words of vocalist Tom Templar, “create the definitive soundtrack to the folk horror film in our heads.” On This Heathen Land, the band have forged a sound and identity that is entirely their own, while maintaining the Sabbathian heaviness and addictive songcraft which made their previous albums so beloved in the metal underground. From the cover art to the vinyl inserts and lyrical themes, This Heathen Land is a painstakingly-researched and executed heavy metal love letter to the folkloric landscape of the UK.

This Heathen Land was produced by Wayne Adams at Bear Bites Horse Studios and was mixed by Tom Dalgety (Opeth, Clutch, Ghost).

In case you missed it, check out the first single 'Mountain Throne' on all streaming platforms here:  https://greenlung.bfan.link/mtsg

GREEN LUNG is
Tom Templar - Vocals
Scott Black - Guitar
Joseph Ghast - Bass
John Wright - Organ
Matt Wiseman - Drums

Introducing Hunter Oliveri! Singer Drops "Dumb" Video — WATCH

Hunter Oliveri doesn't profess to having it all figured out.
 
At just 17, the artist is still making sense of himself — who he is, what he stands for, where his life is going. He doesn't arrive as the next ready-made rock star action figure cast in plastic. There is an unquestionable realness about the way he makes sense of life through his music. But he exhibits a surety of mind beyond his years, to create music that connects and inspires, and that will stoke the growing fire of rock's recent renaissance. 
 
Spinefarm is pleased to announce that Hunter Oliveri has signed to the label's international roster. He has also shared the video for "Dumb."
 
The clip instantly transports the viewer to a gloriously misspent youth, simply in search of the next feel good moment — be it the next blunt, the next swill of beer, or the next hang session with a friend or a crew. It also offers keen insight into Oliveri's sound and songwriting, not to mention his wild coif of curls!
 
Watch it below.

"Dumb" boasts a baggy, distorted riff weaving around an earworm melody and a singalong chorus that finds Oliveri chewing over how "I made a home in the chip on my shoulder / I know I could change / but I'd rather be dumb."
 
It's a fitting look into the heart of a young and hungry artist, who is looking to hold onto and suck the marrow out of his youth and the right here, right now.
 
"My mom wants me to get a job, two jobs, everything's expensive as fuck, I have friends making more on OnlyFans than college graduates/doctors, everything's dumb," Oliveri says. "So I tried to grab the feelings I have on the daily of: What is the point of doing what my parents want me to do when shit just feels dumb as fuck?”
 
He continues, "I bet a lot of kids could relate to having people tell you to go to college, find a steady career, have a family, and be a part of this fucked up system, when in reality, I just want to be a kid my entire life, chase girls, skate, smoke, hang with my friends, and make music. I hope the song connects with anyone who just wants to forget all their problems and live life without all the bullshit. Just rather be 'Dumb.'"

So what else do you need to know about Hunter Oliveri, whose previous single "Kids" was tipped by Pigeons + Planes? Plenty!
 
His songs channel the alternative and grunge blueprint of his musical heroes — like Chris Cornell and Soundgarden, Billy Corgan and the Smashing Pumpkins — imbued with the playful opaqueness of Kurt Cobain's lyricism and the easy slacker hooks of Weezer.
 
Like all of Oliveri's music, it speaks to the messiness of growing up. It sounds exactly like that, too. He simply writes what he knows.
 
There are songs about partying too hard and songs about loving too much; songs about last night's headrush highs and the morning-after's anxious comedown. There are songs for when you seek the comfort of relatability, and there are songs for when you want to simply say "fuck it all."
 
They are the product of the humble authenticity of someone who's grown up in a place no different to a million others the world over. Most have never heard of Paso Robles, CA, and might never again. There's sunshine, strip malls, and vineyards that outnumber venues ten to one, where the nearby underground music scene of San Luis Obispo a few miles down the road is more accessible than anything resembling the bright lights of L.A. two hours to the south or San Francisco up north. "It's a boring city, but we make the most of it," Oliveri shrugs. "We'll go skating, or hang out and smoke. And anyway, it's fun to go moshing in someone's basement."
 
It's no surprise, then, that Oliveri is used to creating more interesting scenes than those that existed outside his window. As a kid, he would do so in the stories he dreamt up in his bedroom. "I like writing stories about worlds I'd want to live in," he says, "which made my own world seem so much bigger."
 
Such creativity inevitably morphed into songwriting in his early teenage years — though music had long since embedded itself within him. "I was probably four years old when I first heard 'Smells Like Teen Spirit' around my parents’ house," he recalls of music's omnipresence in his life. "I never knew the name of the song but every time I heard it, I'd be like, shit, it's that song. It would give me this majestic feeling." He laughs that his mom holds a video recording of her son gamely plucking through a rendition of a Metallica song (it was the epic "One") at his Kindergarten graduation performance. His dad — an avid fan of Korn and Tool — meanwhile tells him that his parents met at Woodstock; not the peace-and-love of Woodstock '69, but, more aptly, the confusion-and-chaos of Woodstock '99.
 
A chance meeting at age 14 with a local producer's father while in a coffee shop with his grandpa was the first domino to fall in Oliveri's music story. The rest is a history still to be written. "I've been so incredibly lucky, but I've manifested this, too," he says. "I've always known writing music would be my life. I just had to make it happen. It was hard to find kids around my city that played instruments and wanted to be in a band, but I've been writing songs every day in my bedroom since I was maybe 13 years old. It takes me to a different place."
 
Those songs are anthems for those disassociated with the world on their doorstep, the soundtrack to growing up marooned inside a digital world that Oliveri speaks of with disdain as "rotting people’s brains."
 
"I want to bring people into my world through my music," he adds. "I want people to feel something when they listen to my music, and to relate to me, and for me to be a friend and an outlet for them."
 
And as for everything else?
 
Well, he'll figure it out as he goes.

TAPROOT RELEASE SINGLE “FAVOURITE SONG” FT. ELIAS SORIANO OF NONPOINT.

Michigan Hard Rock favorites TAPROOT have released their new single “Favourite Song”, the first official single from their upcoming album SC\SSRS, in stores 9/29. Featuring a guest appearance from NONPOINT vocalist Elias Soriano, the track hit digital outlets on September 1st, with a visualizer lyric video available below. Produced by guitarist/vocalist Stephen Richards at The Loft in Saline, MI, and mixed by Matt LaPlant (Nonpoint, Skindred), the album, fully written and recorded by Richards, will be the band’s first studio release since 2012’s The Episodes (Victory), available Sep 29th at retail and all digital outlets Worldwide via THC: Music/Seven Arts/Amplified Distribution.

“Favourite Song” goes to radio this week and has already started garnering attention from stations across the US, including spins on the nationally syndicated show HARD DRIVE with Lou Brutus. The track made its live debut on the WJJO stage at TASTE OF MADISON over the weekend, where Nonpoint vocalist Elias Soriano made a guest appearance on stage to perform the track live for the first time.

“Favourite Song” ft: Elias Soriano watch below.

SC\SSRS is available for pre-order now from taprootmerch.com.

TAPROOT will play BLUE RIDGE ROCK FESTIVAL in Alton, VA this weekend, followed by a series of sold out album release shows at the Machine Shop in Flint, MI, and an “Album Release Tour” with dates through the end of 2023 featuring special guests September Mourning, Eva Under Fire, Smile Empty Soul, Dead By Wednesday, I Set My Friends on Fire, and Heartsick on select dates. The upcoming shows will also showcase the return of original drummer Jarrod Montague, who rejoined the band earlier this year.

Tour Dates:

Sat 9/9 - Blue Ridge Rock Festival | Alton, VA

Fri 9/29 - The Machine Shop | Flint, MI - SOLD OUT w/ Heartsick | Lift the Medium

Sat 9/30 - The Machine Shop | Flint, MI - SOLD OUT w/ Eva Under Fire | See This Through | Never the Crash

Sun 10/1 - The Machine Shop | Flint, MI - SOLD OUT with Eva Under Fire | Heartsick

Fri 10/6 - Route 20 | Racine, WI - w/ Smile Empty Soul | Heartsick | Finding Ghosts
https://www.ticketweb.com/event/taproot-route-20-tickets/13144878?fbclid=IwAR1A9XiYXGJcYJzQ1XKPL1V0EaMhq1e7uv0QhzRY-QOqYgp0XEfiSwC3x6I

Sat 10/7 - The Forge | Joliet, IL- w/ Smile Empty Soul | Heartsick
https://www.ticketweb.com/event/taproot-the-forge-tickets/13047315

Fri 10/13 - EPIC Event Center | Green Bay, WI- w/ September Mourning | Heartsick
https://www.etix.com/ticket/p/7467383/taproot-green-bay-epic-event-center

Sat 10/14 - The Blue Note | Harrison, OH- w/ September Mourning | Lift the Medium, Xero Hour
https://www.cincyticket.com/eventperformances.asp?evt=6170

Fri 10/20 - The KING of CLUBS | Columbus, OH-w/ September Mourning | XFACTOR1 | Artifax
https://wl.seetickets.us/event/Taproot/538999?afflky=TheKingofClubs

Sat 10/21 - The Winchester Music Tavern | Lakewood, OH- w/ September Mourning | Brothers At Arms
https://bit.ly/TAPROOT_216

Thu 11/2 - The Vault - New Bedford, MA w/ Dead By Wednesday
https://www.ticketweb.com/event/taproot-vault-music-hall-and-pub-tickets/13292728

Fri 11/3 - Wally's | Hampton Beach, NH w/ Eva Under Fire/ Dead by Wednesday
https://www.ticketmaster.com/event/01005E7B0FDABC20

Sat 11/4 - The Gramercy Theatre | NYC, NY- w/ Eva Under Fire / Dead by Wednesday
https://www.ticketmaster.com/event/00005E7BE2474039

Fri 11/17 – Elevation | Grand Rapids, MI
https://www.etix.com/ticket/p/7187497/taproot-grand-rapids-the-intersection-elevation

Sat 11/18 - The Eclectic Room | Angola, IN
https://www.ticketweb.com/event/taproot-album-release-tour-the-eclectic-room-tickets/13087705

Fri 12/8 – Masonic Theatre – Steubenville, OH w/Theriaca
https://www.eventbrite.com/e/taproot-wtheriaca-tickets-700180768527?

Sat 12/9 - 101 WRIF - FM Detroit Presents: District 142 - Wynadotte, MI w/ I Set My Friends On Fire
https://www.ticketweb.com/event/taproot-vs-i-set-my-district-142-tickets/13348388?pl=District142

Limited VIP Experience Upgrades for all shows available at taprootmerch.com| taprootvip.com

TAPROOT also recently released Best of Besides, a 17-track collection of remastered demos and rarities, mastered by Richard Easterling (Tantric, Zen From Mars) that hit stores and digital May 5th.

Taproot formed in 1997 in Ann Arbor, Michigan, and went on to sign to Atlantic Records, releasing their Ulrich Wild (Static-X, Pantera, Mindless Self Indulgence) produced debut album GIFT in 2000, followed by extensive touring including appearances on Ozzfest 2000 and 2001, and tours with Deftones, Incubus, Papa Roach, Slipknot, Mudvayne, Disturbed, and Linkin Park.

The band's sophomore release Welcome, their first pairing with legendary producer Toby Wright (Alice in Chains, Metallica, Korn, Primus) which Rolling Stonecalled, “a self-preserving transition from new metal to art metal”, went on to sell over 500,000 copies and spawn the hit Rock singles “Poem”, which peaked at #5 on the Mainstream Rock charts, and “Mine”, helping propel Welcome to over 50 million digital streams. The band would continue heavy touring with Alien Ant Farm, Chevelle, joining Disturbed on the Music As A Weapon Tour, and Linkin Park. Vocalist Stephen Richards would also appear on the track “P5hng Me A*wy” on Linkin Park’s 2002 remix album REANIMATION.

2005 saw the release of Blue-Sky Research, also helmed by Wright, the band’s final release for Atlantic, which spawned the hit radio single “Calling”, co-written with FARvocalist Jonah Matranga, and saw the band collaborate with Billy Corgan (Smashing Pumpkins), Nick Hexum (311), and Stephen Carpenter (Deftones), with heavy touring again, with the likes of Chevelle, Staind, P.O.D., and Flyleaf.

Taproot released several more full-length studio albums, including 2008’s Our Long Road Home (Velvet Hammer), 2010’s Plead The Fifth (Victory),with the single “Fractured (Everything I Said was True” reaching the top 20 on the Active Rock Chart, and 2012’s The Episodes, while continuing to tour consistently through 2013, when the band went on an indefinite hiatus, returning only to play a sporadic handful of local Michigan shows, before reforming officially this year.

For More Information Please Visit:

LinkTree

Instagram

Facebook

Officialtaproot.com

Taprootmerch.com

CARNATION Reveal the Rot on new single 'Metropolis'

Like so many of the best death metal bands, Carnation aren't shy about delivering capital punishment. "You will die in the darkness / Forfeit your life to progress", growls Simon Duson on "Metropolis", reaching all the way into the pit of his stomach.

"Metropolis" is punishing. The latest single off 'Cursed Mortality" will bludgeon your eardrums with grinding riffs and a blast beat that barrels full steam ahead, like a train with its brakes cut. But it also comes with a personal touch.

While the song gets its name from Fritz Lang's 1927 sci-fi classic, Duson is painfully familiar with the relentless pace of modern life, having had all the life sucked out of him by a previous job. 

"'Metropolis' reveals the corruption and filth concealed beneath the glitter and glamour of our world, echoing the dark undertones of our civilization's relentless advancement", says Carnation. "This song is a haunting reminder that often, what lies beneath the surface is far more enigmatic than meets the eye".

Watch the high-speed visualizer for "Metropolis" Below

'Cursed Mortality' comes out on November 3. Pre-order the album HERE. Pre-save it HERE

Faithful fans will undoubtedly find what they have come to love and expect of Carnation  on ‘Cursed Mortality’. However, they can also expect the unexpected, as the band venture further into previously unknown territories.

The artwork for 'Cursed Mortality' was masterfully crafted by the late Mariusz Lewandowski (†), who is renowned for his remarkable talent in creating majestic. dark. surrealist. masterpieces. Lewandowski's haunting visuals perfectly capture the essence of the album.

Carnation also collaborated with the revered Lord of the Logos, Christophe Szpajdel, who created a brand new logo that perfectly encapsulates the essence of ‘Cursed Mortality'. Known for his iconic designs and ability to bring forth the spirit of the music through typography, Szpajdel's contribution further solidifies the album's visual identity.

The second decade of Carnation begins now. Prepare for an intense journey concerning the exploration of fleeting mortality.

Photo by Gaëlle Spaas

For the last decade, CARNATION has been at the forefront of reviving old school death metal. There’s something to be said about the artfulness of taking something so primitive and walking that fine line between keeping its classic authenticity without sounding tired or dated. CARNATION has always teetered this line, injecting a fresh and contemporary approach without losing the genre’s time-honored traditions. However, the band’s third endeavor sees CARNATION erasing those boundaries entirely and abandoning any and all conventions as they traverse into daring new territory. ‘Cursed Mortality’ pulls the Belgian death dealers deeper into experimental new waters, taking risks as the band steps out of the shadows of its predecessors and comes into its own identity. 'Cursed Mortality's' statement is clear: This is no longer simply a revival; this is CARNATION’s rebirth.

“We still play death metal and we still identify as such” explains frontman Simon Duson. “But we know that this is also our second decade performing it. And while it is very important for us to stay true to the old-school style, we know we had to open things up a bit and reach out to those who might be interested in extreme metal, but aren’t that much into the old aspect of it. It also feels fresher to us because we’ve decided to change our visual approach, with a new logo, a new look on stage and so on. In a way, it really feels like the beginning of a new chapter for CARNATION.”

Album number three is much more than just a new chapter, but rather feels like a sequel to an already storied career, punctuated by press accolades, an impressive history of live performances, and a lauded discography consisting of several EPs, splits, and two critically acclaimed full-length albums.

With the debut of its first EP in 2015, CARNATION quickly garnered the attention of fans, media, and most notably of all, record label Season of Mist, who quickly noticed the band’s potential and picked them up without hesitation. Upon forming this union, the band dropped its first full-length, ‘Chapel of Abhorrance,’ in 2018. Angry Metal Guy astutely noted that the Belgians’ debut album was “one of the best death metal debuts of the year, and CARNATION have earned their place as one of the most promising new bands in the genre'' while Distorted Sound Magazine echoed these remarks, calling ‘Chapel of Abborhance’ “one of most brutalizing, well executed and, above all, fun, death metal releases of 2018'' in its 9/10 review of the album.

CARNATION’s momentum only seemed to pick up from there. The band kept busy on the road, performing a variety of tours with their death metal brethren in Deserted Fear, Schirenc Plays, Pungent Stench, and Pestilence, while headlining stages in Japan and Brazil. Upon conquering the live circuit and laying waste to audiences across three different continents, the band unleashed its 2020 opus, ‘Where Death Lies,’ which broke them out from the underground with the kind of seismic force that most bands can only dream of. If the critics liked ‘Chapel of Abhorrance,’ ‘Where Death Lies’ was the moment they fell in love, enamored by Carnation’s relentless brutality and crushing precision.

While touring had been halted that year, CARNATION never stagnated nor waivered. The band’s tenacity paid off with their sophomore effort being named among one of the best records of the year by The Pit, Chicago Music Guide, Pandemonium Metal, and many more, while the single “Iron Discipline'' was singled out by Loudwire as one of the best songs of 2020. Legacy outlet Kerrang! also took notice, ranking the band among the “50 Greatest Death Metal Bands Right Now,” cracking the top 20 picks.

While the Belgian slayers still stay true to their roots, they step outside of their comfort zone with more groove, melody, and progression, showcasing their versatility as musicians and clearly defining their own unique sound. ‘Cursed Mortality’ sounds darker, with passages of melancholic melodies that compliment the heaviness.

Most bands might feel anxious about making such dramatic changes, especially to incorporate clean vocals within such extreme music, CARNATION embraces the unknown and does not fall victim to fear or monotony. “As artists, it's something natural,” explains Verstrepen about why the band has shifted direction. “Doing the same thing over and over again doesn't inspire us. We love to create and we love to explore new paths. We knew some people wouldn't like clean vocals in death metal, but we don't want to think of that too much. We stand 100% behind our music and we really like what we did here. Some people will drop out, but there will definitely be others joining! As Lemmy would say, 'You win some, you lose some.'”

Indeed, a personal metamorphosis is always a risk, but one that historically has paid off. The first records of bands like Black Sabbath, Carcass, Death, or even Bathory sound nothing like the mid-late era offerings of those very same artists, and yet, those records that strayed off the beaten path are regarded as some of the most seminal albums in the history of metal. Playing it safe sounds easy, but it isn’t always a part of a legend’s origin story. And CARNATION isn’t here to play by the rules; the band is ready to take a leap of faith and redefine an era.

CARNATION Lineup:
Simon Duson: Vocals
Jonathan Verstrepen: Lead Guitar
Bert Vervoort: Rhythm Guitar
Yarne Heylen: Bass Guitar
Vincent Verstrepen: Drums

Recording studio: Project Zero Studio

Producer / Mixing engineer: Yarne Heylen

Mastering studio and engineer: Joel Wanasek

Biography: Katy Irizarry

Artwork: Mariusz Lewandowski

Logo: Christophe Szpajdel

Links:
https://www.carnationband.com/         
https://www.facebook.com/CarnationBE/          
https://www.instagram.com/carnationbandofficial/
https://www.youtube.com/c/CarnationOfficialBE
https://open.spotify.com/artist/7s6SmrbyQvp26jN5EbnU9u

Pre-save: https://orcd.co/cursedmortalitypresave
Pre-order: https://redirect.season-of-mist.com/CarnationCM

Available Formats:
CD digipak
Digital
12” vinyl in various colours
Merchandise

CANADIAN PROTO-PUNK GREATS TEENAGE HEAD RELEASE ‘PERFORMANCE: LIVE AT HEATWAVE’

First time ever released! Vinyl LP and DVD Documentary Film

In the summer of 1977 when the whole punk scene was blossoming in Toronto, word hit the street that some big-time manager was looking for the best punk band in Toronto. That guy turned out to be John Brower and he decided the best Toronto punk band was Teenage Headfrom Hamilton, Ontario, and the area’s answer to the Ramones, New York Dolls, and Stooges. And Brower’s decision was a wise one – Teenage Head (comprised of singer Frankie Venom, guitarist Gord Lewis, bassist Steve Mahon, and drummer Nick Stipanitz) quickly became the most popular Canadian punk band, on the strength of such classic studio efforts as 1979’s self-titled debut, 1980’s platinum-certified Frantic City, and 1982’s gold-certified Some Kinda Fun. 
 
But it was on the concert stage that Teenage Head was best experienced. And now, fans will be able to hear a vastly sonically improved version of one of their most popular shows recorded in 1980, with the arrival of Performance: Live at Heatwave on September 5, 2023 via SINGMarket. 

Pre order link here: 
https://market.singidea.com/market/asset/b1933438-b2e1-4dde-a5d0-6912cc8baff3

“Teenage Head was never booked to play the Heatwave Festival, that’s why our name never appeared on the poster or the ticket!,” remembers Mahon. “After our infamous sell out show at Ontario Place on June 2nd, 1980, we were set to headline a festival to be called the ‘Canadian Rock Festival’ on August 20th at Exhibition Stadium during the CNE (Toronto’s annual summer fair). Alice Cooper was set to play the same venue the night before, but when it turned out that Alice was not exactly in shape to get through the show, the thousands of fans in the Stadium expressed their unhappiness and ripped the place apart and did extensive damage to the sound system, as a result our show was cancelled. Our management team contacted our early supporter John Brower who was the promoter of Heatwave and of course he offered us a slot. Our set was recorded by Doug McClement on 8-track half-inch tape on his Comfort Sound truck.”
 
And according to the bassist, it turns out that the performance became one of the band’s best-known out of near-tragedy. “On September 7, 1980, a little after playing Heatwave we suffered a terrible accident traveling home from a gig in Palmerston, Ontario. Gord’s injuries were devastating, he was out of commission for the better part of a year. So, knowing we weren’t able to play the 3rd annual broadcast on Halloween, we quickly went into Amber Studios, also in Toronto. There, we mixed the Heatwave show, which Q107 did broadcast on Halloween 1980 (which explains all the not-so-great bootleg versions). It’s very possible that we may have never pulled that tape from the vaults had it not been for that accident. We are really lucky to have had these tapes. Now thanks to the wizardry of Peter Moore we finally have a great version that captures the power of the day. Doug Arrowsmith used two songs in the documentary Picture My Face: The Story of Teenage Head – and here are the rest.”
 
Performance:
Live at Heatwave will be available as a killer deluxe package (see below for details), as well as less expensive offerings that focus solely on the 1980 performance. But either way, fans of Teenage Head are in for a special blast from the past, according to Mahon – “So kick back, crank it up, grab a cold one and transport back to Mosport Park, August 23, 1980, it’s a TEENAGE HEAD PERFORMANCE LIVE AT HEATWAVE.” 

SING Deluxe Package - includes vinyl and DVD documentary film

Physical Items:
• LP: pink 180g high-quality vinyl with fluorescent green and yellow splatter
• CD: of entire album w/ bonus encore C’mon Everybody
• DVD Documentary: Picture My Face – The Story of Teenage Head
• 2’ x 3’ Poster
• 2 x 8” x 10” b/w 1980s-era band glossy photos
• 4 x 4 sticker of album cover
• Actual size Heatwave ticket stub reproduction

Digital Collectable High Resolution Items:
• MP3s of all album tracks
• Audiophile WAV files of all album tracks (including the encore track C’mon Everybody)
• Front cover of album
• Back cover of album
• Front of album insert
• Back of album insert
• 2’ X 3’ Teenage Head iconic live poster
• Two vintage setlists
• Two vintage 8” X 10” photos
• Two lyric sheets
• Heatwave ticket stub
 

PLUS:
• Golden Ticket to win a Fender bass guitar signed by Stephen Mahon!
 
 

FOR MORE INFORMATION, VISIT: 
www.singmarket.com

New romantic post-punks Black Rose Burning reveal 'Fight!', final single ahead of 'Ad Astra' album

"A compelling blend of ominous Goth atmospheres, dark, but dynamic dancefloor anthems, New Wave ’80s tunefulness, and electronics-embedded tech tracks, all draped with the silky, reflective, and longing vocals of George Grant" ~ Big Takeover Magazine

"Leaning towards Ultravox and Colourbox on the new wave spectrum, they sometimes channel vibes from Phantasmagoria-era The Damned and Butterfly on a Wheel-era The Mission" ~ Amplify Music Mag

"Space might be the final frontier but Black Rose Burning are already stellar" ~ Onyx Music Reviews

"Smoulders from the ashes of goth-rock, whilst emerging from the dry-ice ambience of 80s nostalgia. Like a noir-new romantic, Black Rose Burning peacock preens from the underworld of art-pop, whilst intermixing its post-punk palette" ~ The Manc Review


NYC-based alternative rock outfit Black Rose Burning presents their invigorating new single 'Fight!', a potent taste of their third full-length album 'Ad Astra', mastered by Jason Corbett of ACTORS at Jacknife Sound.  Earlier, the band released the singles 'Night Terrors' and 'Sing to Me (E.L.E.)'. 

Formed in 2018 by instrumentalist, producer and engineer George Grant, Black Rose Burning also involves guitarist Frank Morin (World Inferno Friendship Society) and drummer Luis Infantas (Monster Zero).

“The final single before the release of the full 'AD Astra' record, 'Fight!' was written from a standpoint of someone who is unhappy with a partner or a relationship and has essentially given up but, for whatever reason, won’t or can’t just end it,” says George Grant.

"It always seems like you’re in the midst of one great big battle. I think there are many reasons why this happens, from loyalty to fear of being alone to sometimes even selfishness. It’s painful to realize that your belief in someone/something that you once felt had so much promise and potential has deteriorated to the point that you have no choice but to let it all go.”

'Ad Astra' was recorded in George’s own studio, PV Recording Company, which has hosted notable artists over the years, including Emelio Zeff China (Peter Murphy), Knox Chandler (Siouxsie And The Banshees), Chibi (The Birthday Party Massacre), Nellie McKay, Julia Marcel, Paul Bakija (Reagan Youth), Ego Likeness and Voltaire (with whom Grant also played bass for 10 years).
 
Grant says, “This new music marks the debut of the entire band recording together, instead of me playing all the instruments and programming drums. It takes everything to a whole new level in terms of feel and especially in musicianship."

Ad Astra' album order / Bandcamp https://blackroseburning.bandcamp.com/album/ad-astra
'Fight!'  https://blackroseburning.bandcamp.com/track/fight

In 2021, Black Rose Burning released their second album 'The Wheel', one year after debuting 'The Year of the Scorpion' album. George Grant's soulful vocal delivery, instantly recognizable voice, solid instrumentation crossing several genres are standout features of this music. Roughly 40 years of songwriting across various genres has helped George embellish on clever hooks, drive and the gothic-pop sensibilities of The Cult's early years.

'Fight!' is out now exclusively via Bandcamp. The 'Ad Astra' album will be released on September 15 on CD and also available digitally from fine music platforms, including Spotify, Apple Music and Bandcamp.  That same night, Black Rose Burning will be playing their album release show at NYC's Mercury Lounge for The Red Party.

CREDITS
Music and lyrics written by George Grant
George Grant - bass guitar, vocals, synth programming
Luis Infantas - drums and triggers
Frank Morin - all guitars
Recorded by the band @ PVRCo (Putnam Valley Recording Company)
Mastered by: Jason Corbett (Actors)
Cover Art by Antonella Di Mattei @ Eshmoon DM Design
Artist photos by Shane K. Gardner
Booking: Jack@rockyroadtouring.com 
Publicity by Shameless Promotion PR

TOUR DATES
Thu, Oct 5th – Raleigh, NC @ Ruby Deluxe  
Fri, Oct 6th – Tampa, FL @Crobar for Absolution Fest
Sat, Oct. 7th – TBC
Sun, Oct 8th – Louisville, KE @ Art Sanctuary
Tue, Oct 10th – Indianapolis, IN @ The Black Circle
Wed, Oct 11th – Chicago, IL @ Be Afraid Of The Dark Fest
Thu, Oct 12th – Pittsburgh, PA @ Cattivo (with Visceral Anatomy)
Fri, Oct 13th – Richmond, VA @Fallout w/ Empathy Test
Sat, Oct 14th – Wilmington, DE @ Bar XIII (TBC)


Keep up with Black Rose Burning
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | YouTube| Spotify | Apple Music | Press contact

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Toronto-NYC power trio ON relases 'Gator' single & announces North American tour dates with The Veldt and Snailmate

"A cool album. A smart album. A deftly crafted album. A rock album? Yes…but much more. So much more" ~ Big Takeover Magazine

"A clever blend of pop melody with raw rock abrasiveness in quite a potent sonic sucker punch. Their very tight weave of classic and alt rock coated grunge works fabulously" ~ The Spill Magazine

"Its DNA intwértwined with sounds once pounded out by the likes of the Pumpkins, Hole and L7...  one of the most exciting outfits to emerge post-pandemic" ~ Global Texan Chronicles


Toronto-NYC indie rock power trio ON is back to blow our minds with their fresh single 'Gator', released via Toronto-based imprint Indiestructable Records. Like a 2000-pound-per-square-inch bite force from an Alligator, this 6/8 groove is a hook-laden rock waltz. It’s a parody and observation about living in a gated community amongst live Alligators roaming free. Gator’s meaning is two-fold.

ON is a riveting power trio led by Lucy Di Santo (vocals, bass) with Dan Cornelius on drums and Steve Fall on guitars. Their latest music output sees the trio carry on the legacy of the band from which they were formed - 90's Sire Records band Acid Test. its members have also been in other popular Toronto bands Danko Jones and Deliuss.

“This song was written while the band was on a writing/recording session in Naples, Florida. We stayed in a gated community - meaning pass codes to enter the neighborhood and real “surveillance”. In the community was this pond - with freely roaming alligators. And there we have it - we think we are boundless and free - and yet we have lines and gates to keep us so called “safe”. There is the illusion  - masking the element control as “safety”…. While the alligators roam freely.  One begs to ask:  who of the two “gators” is really free here?” says frontwoman Lucy Di Santo.

'Gator' single  https://bit.ly/3L9kQdw

Dishing out infectious guitar riffs with a dash of groove, their adrenaline-laden music is a invigorating, the band paying homage to their post-punk, grunge, old-school funk and 90s college rock roots. 'Gator' follows up the band's latest single 'Make Me', a song of frustration and wanting to recapture that euphoria.

“We had a cool riff and Lucy had a great melody but we didn't have an intro to the song. We were working this up demoing it in Drew's 'Starsound Studios' in Cape Coral , Fla. Lucy took a break, went into the truck we rented and hummed a melody. I copied it on my guitar through my cheap Blackstar practice amp w/the delay feature and we put it down as a track. The vibe just worked so we kept that original track in the main verse and as a hook throughout the song. And that original track stayed even as we added more layers and mixed," says Steve Fall.

Dan Cornelius adds, “The song has a strong guitar hook and melody - and the drums are tailored to  support and enhance those elements. So I thought the drums  should be a drum pattern that anyone could tap along to ON their steering wheel while waiting for traffic. Simple drum groove. Simple drum fills.”

The band is currently busy recording their next record at BC Studio in Brooklyn with legendary producer Martin Bisi, famed for his groundbreaking work with Sonic Youth, Swans, Brian Eno, John Zorn, Herbie Hancock, Iggy Pop, Helmet, Africa Bambaataa, Dresden Dolls, Unsane, Cop Shoot Cop and many other notable artists.

ON also recently completed an extensive US tour in support of their critically-acclaimed 'ON' album, co-produced by Darius Szczepaniak (Sum 41, Black Crowes, Big Sugar, Bare Naked Ladies, Jann Arden) at Phase One Studios in Toronto. The album received extensive press and radio attention, not to mention charting in the Radio Indie Alliance charts consecutively for nearly a year.

As of September 5, 'Gator' is available from fine music platforms, including Spotify, Apple Music and Bandcamp.

CREDITS
Written, arranged by ON (Di Santo, Fall, Cornelius)
Lucy Di Santo - vocals, bass
Dan Cornelius - drums
Steve Fall - guitars
Produced by ON and Darius Szczepaniak
Engineered, mixed and mastered by Darius Szczepaniak at Phase One Studios, Toronto
Preproduction & original engineering by Drew Howard at The Star Sound Studios, Cape Coral, FL
Photography by Yuliya Skya 
Publicity by Shameless Promotion PR

TOUR DATES
Fri 09/15 NYC, NY @Gold Sounds
Sat 09/16 Flemington, NJ @Flemington DIY
Tues 09/19 Baltimore, MD @The Crown  
Wed 09/20 Alexandria, VA @Galactic Panther
Thurs 09/21 Winston-Salem, NC @Monstercade (with The Veldt)
Fri 09/22 Raleigh, NC @Ruby Deluxe (with The Veldt)
Sat 09/23 Atlanta, GA - Tiny's Music (with The Veldt)
Sun 09/24 Nashville, TN - TBA (with The Veldt)
Tues 09/26 Cincinnati, OH @Northside Tavern (with The Veldt)
Wed 09/27 Detroit, MI @Smalls (with The Veldt)
Thurs 09/28 Toronto, ON - TBA (with The Veldt)
Wed 10/11 Joiliet, IL @Drunken Donut (with Snailmate)
Thurs 10/12 Port Huron, MI @Schwonk Stead Sound  (with Snailmate)
Sat 10/14 Peterborough, ON @Historic Red Dog  (with Snailmate)
Sun 10/15 Toronto @Bovine Sex Club (with Snailmate, Second Wife)
Tues 10 /17 Ithaca, NY @Deep Dive (with Snailmate)
Thurs 10/19 Kingston, ON @The Toucan  (with Snailmate)
Fri 10/20 Ottawa, ON @Avant-Garde Bar  (with Snailmate)
Sat 10/21 NYC, NY @Bar Frida  (with Snailmate)


Keep up with ON
Website | LinkTree | Bandcamp | ON Store | Facebook | Instagram | Twitter | YouTube | Spotify | Apple Music | SongKick | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | Spotify | LinkedIn | Email

KALLIAS Announces East Coast Tour for Winter 2023

FOLLOW // STREAM // DOWNLOAD HERE

Progressive death metal rising stars Kallias will be embarking on a run of East Coast performances later this year along with IATT! The 'Reign of Terror' tour will kick off on November 30 in Allston, MA and will work its way down the coast until the final curtain on December 3 in Philadelphia, PA. The full itinerary can be found below!

Kallias will be supporting its brand new full-length, 'First Ascent,' which was just released digitally on August 25, 2023, via AISA Distribution! The record can be streamed everywhere HERE.

Kallias U.S. Tour Dates (Reign of Terror Tour w/ IATT):

11/30: Allston, MA @ O'Briens

12/01: Brooklyn, NY @ The Kingsland

12/02: Clifton, NJ @ Dingbatz

12/03: Philadelphia, PA @ Milkboy

Kallias is comprised of players who are masters of their craft. Nicole Papastavrou's solid history of songwriting and tight rhythms paired with Colin Cook's jazzy and technical leads are the perfect compliment. JP Andrade's undeniably precise percussion serves the music on every level, from jazz-influenced melodic sections to satisfyingly odd rhythms for the eager prog-loving ear. Beautifully woven bass lines by Chris Marrone provide an indomitable structure and embrace for each instrument — never overpowering, yet always highlighting.

For modern day prog and metal fans, Kallias can be compared to bands such as Opeth, Meshuggah, and Decapitated. The quartet holds a musical chemistry that is few and far between and that will keep you in the foreground from the beginning with bone-chilling introductions. This is by no means background music. Kallias creates their own genre for a panoramic audio experience that demands the listener's undivided attention to focus and feel.

Kallias Lineup:

Nicole Papastavrou - Guitars + Vocals

Chris Marrone - Bass + Vocals

Colin Cook - Guitars

John Paul “JP” Andrade - Drums

'First Ascent' Recording Lineup:

Nicole Papastavrou: Guitar, Vocals

Chris Marrone: Bass, Vocals

John Paul “JP” Andrade: Drums

Zaki Ali: Guitar

Special Guests:

Jeff Loomis (Nevermore, Arch Enemy) on "Irrational Fear"

Rafael Trujillo (ex-Obscura, Obsidious) on "21 Grams"

Greg Burgess (Allegaeon, Nuclear Power Trio) on "Nine in Time"

Colin Cook (Stanley Clarke Band) on "Matter Eater"

Album credits:

Written by Kallias; Nicole Papastavrou, Chris Marrone, John Paul Andrade, Zaki Ali

Produced by Zaki Ali

Recorded at Redshift Recording and Cinderella Man Studios by Zaki Ali

Mixed and mastered by Zack Ohren

Cover Art:

3D Art by Francesco Artusato (Light The Torch, ex- All Shall Perish)

Follow Kallias:

YouTube

Facebook

Instagram

Official Website

Bandcamp

Twitch

TikTok

Spotify

Apple Music

Download/Stream

NYC Industrial Metal Outfit, BLACK SATELLITE, Announce US Tour Dates Supporting Cradle of Filth + DevilDriver, and Wednesday 13

New York industrial metal outfit BLACK SATELLITE are thrilled to share the stage with extreme metal legends CRADLE OF FILTH and groove metal leaders DEVILDRIVER on the second leg of the “Double Trouble Live” tour!

The follow up to the duo’s co-headlining run earlier this Spring, Double Trouble Live IIwill feature support from BLACK SATELLITE, along with Ill Nino and Savage Existence. The trek kicks off in Los Angeles, CA on October 4 and will conclude on October 29 in Riverside, CA.

Commenting on the upcoming tour, BLACK SATELLITE vocalist Larissa Vale says,

“We are beyond thrilled to hit the road on the Double Trouble tour with such legends. We’ll be playing our heaviest set yet and can’t wait to share it with everyone soon!”

Following the dates with Cradle of Filth and DevilDriver, BLACK SATELLITE will hop on the Fall tour for Wednesday 13, during which they will celebrate 21 years of Murderdolls! Rounding out the bill is support from Gemini Syndrome and Infected Rain.

On these upcoming shows, BLACK SATELLITE adds, “If you know us, you know we can’t stay off the road. We are super excited to be joining Wednesday 13 this fall, playing our favorite cities with such a killer lineup!”

Watch the Music Video for "Broken"

BLACK SATELLITE

Fall 2023 - US Tour Dates

 w/ Cradle of Filth, DevilDriver, and Ill Nino

10/4 - Los Angeles, CA @ The Belasco

10/5 - Tucson, AZ @ Encore

10/7 - San Antonio, TX @ Boeing Center at Tech Port

10/8 - Oklahoma City, OK @ The Criterion

10/10 - Fayetteville, AR @ JJ's Live

10/12 - Destin, FL @ Club LA

10/13 - Fort Myers, FL @ The Ranch

10/14 - Fort Lauderdale, FL @ The Culture Room

10/15 - Atlanta, GA @ Center Stage

10/17 - Charlotte, NC @ The Underground - Charlotte

10/18 - Asheville, NC @ Salvage Station

10/20 - Harrisburg, PA @ HMAC

10/21 - New York, NY @ Palladium Times Square

10/22 - Baltimore, MD @ Rams Head Live!

10/24 - Cincinnati, OH @ Bogarts

10/25 - Sauget, IL @ Pop's

10/26 - Wichita, KS @ Temple Live

10/27 - Lubbock, TX @ The Garden

10/29 - Riverside, CA @ Riverside Municipal Auditorium

w/ Wednesday 13, Gemini Syndrome, and Infected Rain

10/31 - Phoenix, AZ @ The Nile Theater

11/01 - Albuquerque, NM @ Launch Pad

11/03 - Dallas, TX @ Sundown at Granada

11/04 - Houston, TX @ Warehoue Live

11/05 - Austin, TX @ Come & Take It Live

11/07 - Lawrence, KS @ The Bottleneck

11/9 - Minneapolis, MN @ Skyway Theatre

11/10 - Madison, WI @ The Annex

11/11 - Joliet, IL @ The Forge

11/12 - Bloomington, IL @ Castle Theater

11/14 - Racine, WI @ Route 20 Outhouse

11/15 - Flint, MI @ Machine Shop

11/16 - Cleveland, OH @ The Foundry

11/17 - Pittsburgh, PA @ Crafthouse

11/18 - Lititz, PA @ Mickey's Black Box

11/19 - Clifton, NJ @ Dingbatz

11/22 - Spartanburg, SC @ Ground Zero

11/24 - Winston-Salem, NC @ Millenium

11/25 - Richmond, VA @ The Canal Club

11/26 - Leesburg, VA @ Tally Ho Theater

11/28 - Atlanta, GA @ Masquerade

11/30 - Knoxville, TN @ The Concourse

12/1 - Louisville, KY @ Headliners Music Hall

12/2 - Columbus, OH @ The Kings Of Clubs

12/3 - Indianapolis, IN @ Hi Fi Annex

12/5 - Des Moines, IA @ Lefty's Live Music

12/6 - Lincoln, NE @ Bourbon Theater

12/8 - Denver, CO @ The Oriental Theater

12/9 - Colorado Springs, CO @ Black Sheep

BIO:

NYC’s BLACK SATELLITE, comprised of Larissa Vale and Kyle Hawken, is creating waves in the rock scene with a sound that’s dark, edgy, and distinctly their own. Fusing industrial and metal influences, their music transcends conventional boundaries – solidifying their place in the genre. The band continues to break new ground through ceaseless hard work and nonstop touring, showcasing their dedication both on and off stage.

Shortly after launching their first single “Valkyrie” from their 2017 debut album ‘Endless’, BLACK SATELLITE garnered attention from press outlets like Billboard, Huffington Post, Revolver, Loudwire, Knotfest, and Alternative Press. The band was also named one of Alternative Press’ “12 Bands You Need to Know” in a print issue of the magazine.

BLACK SATELLITE subsequently released two cover songs paying tribute to Type O Negative, which charted on metal radio.

The band recently concluded writing and recording their sophomore record, ‘Aftermath’, mixed by veteran producer Ben Grosse (Marilyn Manson, Breaking Benjamin, Filter) with tracks produced by Kane Churko (Papa Roach, In This Moment). Their previous single, “Void”, was the first taste of the upcoming album and Knotfest commented on the track, “the first single offers a glimpse into the bold, stylishly dark sound that has made the duo of Larissa Vale and Kyle Hawken such a promising prospect.”

BLACK SATELLITE has since completed back-to-back tours as direct support for John 5, Fozzy, and Nita Strauss, with additional appearances at Metal In The Mountains Festand Blue Ridge Rock Fest. BLACK SATELLITE also toured supporting Cold and Sumo Cyco in Spring 2022, as well as Drowning Pool in Fall of 2022. The band joined the Double Trouble Live Tour with co-headliners Cradle of Filth + DevilDriver as direct support in March 2023. They will be continuing with the second leg of the tour in October 2023 directly followed by a massive Fall tour with Wednesday 13.

Satellite Citi Release New Video For "Anxious Hearts"

The Los Angeles-based hard rock duo, Satellite Citi, have today released their latest video to accompany their recent single, "Anxious Hearts". Fans can listen to the track HERE, and watch the brand new video below.

Speaking on today's single release, Anna Gevorkian (vocals/drums) shares:

"We had the honor of co-writing “Anxious Hearts” with some really incredible musicians, Taylor Carroll (Lit) and Arejay Hale (Halestorm). The concept of overcoming anxiety is really a universal one and lyrically we were able to come up with a message that we felt could resonate with so many different types of people. In a world where everyone is so divisive it feels necessary to write a song that cuts through all that."

Sharing insight as the director of the "Anxious Hearts" video, Rosie Geozalian continues:

"We wanted to imagine what the future of entertainment and filmmaking might be like. You already have the algorithm personalizing your feed. You have AR + VR experiences becoming more and more immersive. We imagined a future “cerebral reality” experience that would be tailored to each person’s fears and anxieties. You go to the theatre and the cerebral reality glasses allow you to watch your own fears as a film — imagine exposure therapy as entertainment."

With over 1.5 million streams on Spotify alone, it's no surprise that Satellite Citi have returned with another successful single. "Anxious Hearts" was not only co-written by Lit's Taylor Carroll and Halestorm's Arejay Hale, but also produced by Mike Plotnikoff (My Chemical Romance, Three Days Grace, Papa Roach). The band has more exciting news on the horizon, revolving around new music and even a comic book that will accompany their next body of work. Be sure to stay tuned for more Satellite Citi news coming soon.

WHAT THE PRESS ARE SAYING:

"Satellite Citi’s signature sound of ferocious melodies, energetic drums and clashing guitars, creates the perfect anthem for those determined to fight their demons.”

Huffington Post

"Satellite Citi resurrect the rock genre with a fresh and modern delivery."

New Noise Magazine

Southern California fans also have the chance to see Satellite Citi twice this fall! Fans can purchase tickets for the September 29th show in Palmdale HERE, and HERE for the band's show on October 27th.

Don't miss your chance to see the band live!

ABOUT SATELLITE CITI

Satellite Citi are a Los Angeles based Hard Rock band with front-woman Anna Gevorkian serving as both lead vocalist and drummer. While combining infectiously catchy vocals with thunderous drums, guitarist and backing vocalist, Shaunt Sulahian, provides powerful and distinctive guitar riffs that resurrect the hard rock genre with its originality. The band are joined by anonymous Spacewalkers on guitar, bass and keys for their live show. The distinct sound that Satellite Citi crafts with their unique blend of riff-filled modern rock and melody driven vocals is just as important as their message. The band combines social commentary with a deep appreciation for history and ancestry on their debut album "Fear Tactics". The record thematically also centers around the importance of mental health and represents the band’s own struggles of coping with fear and anxiety, that are even more permeated in today’s culture.

Satellite Citi

Anna Gevorkian - Vocals & Drums

Shaunt Sulahian - Guitar

Photo Credit - Michelle Shiers

Contemporary Alternative Rock Band, A Doll's House Release Debut Single "HEY WAIT" to all major platforms!

Contemporary alternative rock band A Doll's House will release their debut single on September 8th to all major platforms. The single is already being picked up at radio stations across the country.

"Hey, Wait", the first single from A Doll’s House debut album, Annum, is emblematic of the band’s “chill rock” sound. Produced by Brian Wheat, a contagious groove and honed harmonies tell of a woman who now “lives a life uphill” remembering when “there used to be somewhere to run.”

Annum is the debut album from A Doll’s House. Produced by Brian Wheat (co-founder of the American rock band Tesla), the album is perhaps best described as “chill rock.” Contagious grooves and melodies coupled with true musicianship and honed harmonies, Annum is a refreshing contemporary rock album with pop appeal. The title Annum (Latin for “year”) derives from the last four tracks of the album, which loosely chart the course of a year through the seasons, "Steps to Summer", "Witch’s Tree", 'Chimney', and "Wisteria'.

New music can come from anywhere...even four middle-aged guys. Meet A Doll’s House. A band that is old but new. In the late 80’s, Dav and Seth, two friends in L.A.,started writing songs together. They found Tony --the drummer--and A Doll’s House was born. For a few years, the band played all the L.A. clubs, The Whiskey, The Roxy, The Troubadour, etc. They built a bit of a following and they did well. But not well enough. Life took over and the party ended. They were barely 22 years old. Thirty years later, those same three guys were now in their 50s with established careers as a lawyer, a veterinarian and a TV producer. Married, kids, mortgages --the whole deal. Bucking the odds and embracing the well-worn adage “better late than never,” they got back to making music together. The gods smiled and they were met with two strokes of good luck. First, an L.A. vocalist, Dave Santos, found the original three guys and the four clicked virtually overnight. With a serious lead singer in place, the second bit of good fortune struck. Brian Wheat,a seasoned rocker and record producer, stumbled on A Doll’s House. Brian is perhaps best known as the bass player and co-founder of Tesla –a true American rock band that has charted multiple Top 40 hits, sold millions of albums world-wide and is still going strong. A Doll’s Housewanted to record a self-financed album at Brian’s J Street Studios. Brian heard the songs and decided to take charge of producing the album himself in every sense of the word, from arranging to recording, to mixing and mastering. The result is A Doll’s House first album: Annum. A ten-track album, literally thirty years in the making....Welcome to A Doll’s House world.

Pre-Save "Hey Wait"

https://lnk.to/adollshouse_heywaitsingle

For More Information Please Visit:

Official Website

Facebook

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YouTube

NIGHT SHALL DRAPE US Sign with Season of Mist

Season of Mist is proud to welcome Night Shall Drape Us!

Night Shall Drape Us are a new, raw, black metal band from Finland. They're led by veteran members of the blasphemous Behexen and hellish Horna. Mark an upside down cross on your calendar for next spring, when the band will release their debut album. 

"The incarnation of Night Shall Drape Us has been a long time coming", the band says. "It started as a solo passion project, but finding the right people to complete the debut album - as well as finding the right label to partner up with - was an important and time taking process. We are pleased to take the next step with such a well-established label as Season of Mist."

Line-up
LHR - All music and instruments / Live drummer
Spellgoth - Vocals
Infection - Vocals/ Live Guitar
Wraath - Vocals/ Live Bass Guitar
Vexd - Live Guitar
 

More NIGHT SHALL DRAPE US:
A blaze in the northern sky... Born from the mind and recorded & performed by LRH, NIGHT SHALL DRAPE US came into its full glorious existence once he gathered his brothers in spirit and blood to handle vocal duties on the eight hymns that finally became their debut album titled LUNATIC CHOIR. Fast, melodic and uncompromising Black Metal executed to perfection.

Follow NIGHT SHALL DRAPE US
Facebook: https://www.facebook.com/profile.php?id=100088106610327

Whiskey Myers Set First-Ever Acoustic Tour for December

Chart-topping hitmakers Whiskey Myers are set to embark on the first-ever acoustic tour of the decade-plus career that has seen the road warriors sell out iconic venues from Red Rocks Amphitheatre to the Ryman Auditorium with their signature high-energy production. Now, with the Whiskey Myers & Friends Tour set for this December, the genre-bending band brings a special, stripped-back version of their multi-Platinum catalog to fans alongside friends and special guests Aaron Raitiere, Adam Hood and Brent Cobb.

Tickets for the run of acoustic shows go on sale next Friday, Sept. 15 at 10 a.m. local time via whiskeymyers.com. Tickets to remaining Whiskey Myers 2023 Tour headlining shows and dates as direct support on Eric Church’s The Outsiders Revival Tour are on sale now.

The tour will feature unique versions of songs from across the band’s full discography, including their most recent critically acclaimed album Tornillo, praised by American Songwriter for putting Whiskey Myers “in a league of their own with their signature hard-rocking sound on full display” with Nashville Lifestyles declaring, “Southern rock is alive and well on Whiskey Myers’ Tornillo – and it comes with a brassy border-town swagger… Equal parts train songs, tenacious energy, and Tabasco… their lawless musicality burns like the sun.”

For more information, visit WhiskeyMyers.com and follow on social media @WhiskeyMyers.

Whiskey Myers & Friends Tour Graphics by Soundwaves Creative

Whiskey Myers Upcoming Dates:
* Eric Church The Outsiders Revival Tour
^ Whiskey Myers 2023 Tour
+ Whiskey Myers & Friends Tour
Sept. 13         Prior, Okla. | Born & Raised Festival
Sept. 21         Alpharetta, Ga. | Ameris Bank Amphitheatre *
Sept. 22         Alpharetta, Ga. | Ameris Bank Amphitheatre *
Sept. 23         Charlotte, N.C. | PNC Music Pavilion *
Sept. 24         Charlotte, N.C. | PNC Music Pavilion *
Sept. 27         Saint Augustine, Fla. | The Saint Augustine Amphitheatre ^
Sept. 28         Saint Augustine, Fla. | The Saint Augustine Amphitheatre ^
Sept. 29.        West Palm Beach, Fla. | iTHINK Financial Amphitheatre *
Sept. 30         Tampa, Fla. |. MIDFLORIDA Credit Union Amphitheatre *
Oct. 7            Monterey, Calif. | Rebels & Renegades Festival
Oct. 14          Tyler, Texas | Rose City Music Festival
Nov. 11         Thackerville, Okla. | WinStar World Casino and Resort
Dec. 1.          Birmingham, Ala. | Alabama Theatre +
Dec. 2           Pelham, Tenn. | The Caverns +
Dec. 3           Pelham, Tenn. | The Caverns +
Dec. 6           Akron, Ohio | Akron Civic Center +
Dec. 7           Louisville, Ky. | The Louisville Palace Theater +
Dec. 8           Fort Wayne, Ind. | Embassy Theatre +
Dec. 9           Rockford, Ill. | Coronado Performing Arts Center +

About Whiskey Myers
Genre-bending band Whiskey Myers have played more than 2,500 live shows to ever-increasing crowd sizes since their emergence in 2007. In addition to headlining their own sold-out shows from coast to coast at iconic venues such as Red Rocks Amphitheatre and Ryman Auditorium, plus performing at marquee festivals Bonnaroo, Stagecoach, Download and more, the six-piece was also personally selected to open The Rolling Stones’ Chicago stadium show in 2019. Their latest self-produced album, Tornillo, available everywhere now via the band’s own Wiggy Thump Records, features the No. 17 most-played Americana song of 2022, “John Wayne,” and follows their fifth studio album, Whiskey Myers, which debuted at No. 1 on both the Country and Americana/Folk sales charts, at No. 2 on the Rock chart and No. 6 on the all-genre Billboard 200 chart (No. 3 among new releases). In total, Whiskey Myers have sold more than 1.6 million albums and amassed over 2.3 billion streams while earning six RIAA Gold & Platinum certifications as an independent band. Known for their high-energy live show and unique sound, the band praised by Esquire as “the real damn deal” has also earned sync success with features (and an on-screen appearance) in Paramount’s hit show “Yellowstone” as well as Netflix series “What/If,” Angelina Jolie film “Those Who Wish Me Dead” and CBS series “SEAL Team,” among several others. USA Today describes their sound as “a riff-heavy blend of Southern rock and gritty country that has earned comparisons to the Allman Brothers Band and Led Zeppelin,” with Rolling Stone noting “it’s the seminal combination of twang and crunchy rock & roll guitars that hits a perfect sweet spot.”

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GRAVEYARD - Release new single 'Breathe In, Breathe Out'

Swedish blues rock institution GRAVEYARD have released a new single titled 'Breathe In, Breathe Out', the second single from their upcoming album 6, that's set to be released on September 29th via Nuclear Blast Records.

The band comments “Our 2nd single from the upcoming album 6 is rolling in like a fresh breeze from the west coast for all of you to enjoy. We are happy and thrilled about it, hope you will feel the same”

Watch the video for 'Breathe In, Breathe Out'  below.

Pre-order the album and stream 'Breathe In, Breathe Out' now at: 
https://graveyard.bfan.link/breathe-in-breathe-out.ema

The album was recorded at Silence Studios and Don Pierre Studios and was produced by Don Ahlsterberg, who previously worked with the band on Graveyard (2007), Hisingen Blues (2011) and Lights Out (2012).

6 is easily identifiable as the most striking, original album of GRAVEYARD’s story so far. A gently lysergic blend of desolate guitars, simmering Hammond and lithe, nimble bass and drums, the Swedes demonstrate a lightness of touch that they have only hinted at in the past.

About GRAVEYARD

As enduring and authentic as an old school leather jacket, GRAVEYARD have long since mastered the art of rock’n’roll. Formed in 2006 in Gothenburg, Sweden, their shared passion for hard rock, psychedelia and the eternal bedrock of blues marked them out from the start. Led by vocalist/guitarist Joakim Nilsson, they opened their account with their now seminal self-titled Tee Pee Recordings debut in 2007, showcasing fiery chemistry and some wildly imaginative songwriting. Subsequently snapped up by the mighty Nuclear Blast Records, the band’s rise to prominence was swift and irresistible.
 
In 2008, guitarist Jonatan Ramm expanded the ranks, joining Nilsson, bassist Rikard Edlund and drummer Axel Sjöberg for the recording of second album Hisingen Blues. A critical smash that more than lived up to the hype, it established GRAVEYARD as rock’n’roll heavyweights. A thunderous, soul-stirring live band, with subtlety and swagger in equal amounts, they spent the next decade keeping fans of loose-limbed and earthy rock music in a near-constant state of rapture. From the rootsy clatter of 2012’s Lights Out to the magical, muscular grooves of 2018’s Peace (taking in the sepia-tinted folk doom of 2015’s Innocence & Decadence along the way), GRAVEYARD have made some of the most vital and vivid heavy rock of the 21st century.

GRAVEYARD is
Joakim Nilsson - vocals, guitar
Jonatan Ramm - vocals, guitar
Truls Mörck - vocals, bass
Oskar Bergenheim - drums

Trevor Rabin launches ‘Push’; second track taken from ‘Rio’, his first new solo vocal album in 34 years

Trevor Rabin, the South African guitarist, singer, multi-musician, writer and producer, recently announced ‘Rio’, his first solo album of vocal material in 34 years, set for release on October 6th, 2023 worldwide.

Today he is pleased to reveal the second single taken from the album, and you can now watch the video for ‘Push’ below.

Trevor comments: “For this song I was thinking of the horror of politics and politicians. Once Vinnie Calaiuta played drums on this, it inspired me to redo some of  the instrumentation. Vinnie‘s performance lifted this song beyond what I  imagined. I utilized the strings at the end of the track to start the ARW live shows.”

‘Rio’ will be available as a Ltd CD+Blu-ray Mediabook & Ltd Deluxe Gatefold Red 180g 2LP + Blu-ray (including 8-page LP-booklet and obi strip), both featuring bonus material, 5.1 surround sound & liner notes. Also available as Standard CD Jewelcase, Gatefold 180g 2LP+LP-booklet (with etching on side D), and as Digital Album.  The cover for the album was created by Trevor himself: “I dabble with digital art so I sent some images of mine to the label and was pleasantly surprised when they liked them.”.

Pre-order and stream the new single here:
https://trevorrabin.lnk.to/Rio

The Ltd CD+Blu-ray Mediabook & Ltd Deluxe Gatefold Red 180g 2LP + Blu-ray also features the following bonus tracks:
Spek & Polly
Fragile (Demo)
Georgia

Given that his previous vocal-led solo album, ‘Can’t Look Away’, was released in 1989 (2012’s ‘Jacaranda’ was all-instrumental), Rabin has kept us waiting for more than three decades for a follow-up. Trevor admits that there was pressure from all sides, including his own family, to have speeded up the process. However, the delay is excusable. Since leaving Yes following the ‘Talk’ album in 1994 and largely as a prequel to touring as part of ARW in 2016, the guitarist entered the time-consuming world of movie soundtracks. Not just any old movies, either. Trevor’s name appears as composer for such blockbusters as Con Air, Armageddon, Remember the Titans, Enemy Of The State, Deep Blue Sea, Glory Road, and Gone In 60 Seconds and both National Treasure movies, amongst many others. “Over the past ten years I was having ideas, concepts that I couldn’t implement due to my busy schedule,” he explains, adding: “To be honest, those years flew by in a flurry. I knew that this was the time, and once I found my momentum I worked on the album 24/7.”  The process proved a labour of love and as with his first and second solo records, ‘Trevor Rabin’ and ‘Face To Face’ (from 1977 and ’79 respectively), Rabin handled just about all of the instruments himself.

Stylistically, ‘Rio’– is tough to categorize. Besides guitar-driven rock-meets-pop, ‘Goodbye’ is Country & Western with an edgy drive, while ‘Tumbleweed’ begins in a burst of harmonies. No wonder its working title was ‘The Demographic Nightmare’.

“I wanted to get into many different areas,” Rabin states. “Of course there are ‘prog things’, but overall there are a lot of styles going on.”
As mentioned, Trevor plays the majority of the instruments on the record. However, on drums for a number of tracks is Lou Molino, while Trevor also contributes some drums and percussion. Vinnie Calaiuta provides drums on ‘Push’, and Rabin’s son Ryan Rabin helped out with some of the most important percussive arrangements. Along the way Trevor also drafted in a couple of friends, Dante Marchi and Liz Constantine, to sing back up on two songs.

TREVOR RABIN Online:
www.instagram.com/trevorrabin.official 
www.facebook.com/TrevorRabinMusic 
https://twitter.com/trevorrabin


INSIDEOUTMUSIC Online:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
 www.facebook.com/InsideOutMusic
www.twitter.com/insideouteu 

1 1/2 years into the war, Jah Wobble and The Ukrainians' ‘Ukrainian National Anthem in Dub’ (feat. Jon Klein) grooves in relevance

Music icon Jah Wobble and legendary British folk-punk outfit The Ukrainians have released the 'Ukrainian National Anthem In Dub', a truly unique and inspired version of the war-torn country's hymn, flavoured with Wobble's trademark dub sound. This project grew out of the desire to raise funds, as well as support and awareness for refugees fleeing the continuing conflict in Ukraine.

Produced, recorded, arranged and mixed by original Public Image Ltd. bassist Jah Wobble and former Siouxsie and The Banshees’ guitarist Jon Klein, the idea for the song emerged when Wobble’s bass tech suggested he do a collaboration with The Ukrainians, long-time purveyors of traditional Ukrainian music, heavily influenced by western post-punk.

The Ukrainians formed in 1990 following the success of the Wedding Present's 1989 Ukrainian John Peel Sessions (Ukrayinski Vystupy v Johna Peela), in which 3 of its members (Peter Solowka, Len Liggins and Roman Remeynes) took part. The first Western band to produce a video entirely in Eastern Europe in 1991, they've since released five studio albums, in addition to various live albums and EPs,

The band's current line-up is Len Liggins (lead vocal / violin), Peter Solowka(acoustic guitar / backing vocal), Paul Weatherhead (backing vocal / mandolin) and Stephen Tymruk (accordion).
 
Sales proceeds from the ‘Ukrainian National Anthem In Dub’ will be donated to two key charities that are aiding Ukrainian refugees forced to flee their homes. Namely, funds will go towards the Disasters Emergency Committee (DEC) Ukraine Humanitarian Appeal and the Association of Ukrainians in Great Britain (AUGB) Help Ukraine Emergency Appeal.
Order the single https://ffm.to/jahwobbleukrainians
Bandcamp https://jahwobbletheukrainians.bandcamp.com

Jah Wobble explains, “I was introduced to Len from the Ukrainians by Mark my bass tech. I was very keen to help in any way that I could.  So I enlisted the help of Jon Klein and Anthony Hopkins, who I run ‘Tuned in’ with. It’s a community music project based in the London Borough of Merton. We have built a recording studio there. Indeed, at the moment, Anthony is involved in the process of the settlement of Ukrainian refugees coming in to the borough. It was a lot of fun putting the track together. And well done to Len and the rest of the band for initiating this."
 
"We'd like to say a big thank you to Jah Wobble and Jon Klein for creating this fabulous track with us in order to raise much needed funds for Ukrainian refugees. Monies collected will buy provisions, medical aid and clothing for traumatised individuals and families whose situation is desperate beyond our understanding here in western Europe," says The Ukrainians' Len Liggins.

"It's important for us all to keep in mind too, that as reports of the invasion's progress slip down the priority list on the national news, a great deal of support will still be needed by these refugees on an ongoing basis. Please don't forget them just because you see less of them on your screens. Please continue to support them. The mass murders, cruel rapes and wanton destruction of Ukraine will continue while the TV cameras are pointing somewhere else."

‘Ukrainian National Anthem in Dub’ is available directly from the artists via Bandcamp (the quickest way to ensure timely support to Ukraine) and can also be found on other platforms at https://ffm.to/jahwobbleukrainians.

LYRICS     
Ukraine's glory has not perished, nor her freedom gone  
Our strong people, once again, fate will smile upon  
All our enemies will soon disappear like dew in the sun  
Then, once more will we be free, in the land we call our own
Body and soul we will lay down for our freedom
And the world will know that we are people of the Kozak nation

CREDITS
Produced by Jah Wobble and Jon Klein
Mixed and arranged by Jon Klein
Jah Wobble - bass
Jon Klein - guitar, keys and programming
‘The Legendary’ Len Liggins - lead vocal, backing vocal, violin
Peter Solowka - acoustic guitar, backing vocal
Paul Weatherhead - backing vocal, mandolin
Stephen ‘Mr Steff’ Tymruk - accordion
Jah Wobble cover photo by Paul Cliff
Video by Jon Klein and Rebecca Walkley; editing by Jon Klein

Keep up Jah Wobble
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Keep up with The Ukrainians
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Side-Line-Magazine releases whopping 88-track 'Electronic Bodies' compilation in aid of Ukraine

Side-Line Magazine has launched a brand new charity compilation, called 'Electronic Bodies', including 88 tracks from the electronic / EBM underground. Now available exclusively via Bandcamp, this epic collection follows a tradition of music compilations aimed at raising funds for worthy causes, facilitated by the Belgian electro industrial magazine Side-Line.  

Active since 1989 as a magazine with a focus on electro and industrial music, Side-Line also releases free compilations for darkwave, postpunk, electropop, synthpop and industrial music, offering artists a platform for wider exposure and spearheading charity initiatives. Their most recent compilations include 'Electronic Resistance - A Darkwave / Post-Punk Compilation From The Ukrainian Underground' and 'Electronic Resistance - Reconstruction'.

Curated by Side-Line's Chief Editor Bernard Van Isacker, this compilation is a tale of two halves: the first immerses you in old-school vibes, while the latter offered the bands some extra freedom as far as sound is concerned. This time around, all donations will go towards the provision of psychological support for Ukraine soldiers and citizens suffering from PTSD.

Diving deep into the rhythms of EBM (Electronic Body Music), New Beat, and their contemporary offshoots, this compilation features artists from countries spanning from Germany to Australia, the United States to Estonia, and many more. It's clear that EBM still resonates worldwide and this after the genre was established more than 40 years ago!

"I recently came across an article detailing the psychological toll of the war initiated by Russia against Ukraine. The repercussions are devastating, with families torn apart and a surge in divorces and suicides. Many are grappling with PTSD, a condition that arises after experiencing traumatic events. Symptoms disrupt daily life, manifesting as flashbacks, avoidance behaviours, and a host of other issues. If we’re in a position to assist, we should," says Bernard Van Isacker.

Bandcamp  https://sidelinemag.bandcamp.com/album/electronic-bodies-session-1
T-shirt  https://sidelinemag.bandcamp.com/merch/electronic-bodies-t-shirt
T-shirt + Flask  https://sidelinemag.bandcamp.com/merch/electronic-bodies-t-shirt-flask

"While it’s undeniably sombre, it’s essential to recognise our privileged position compared to their plight. Rather than symbolic gestures, I advocate for tangible action. The West should be doing more. The disparity between resources squandered on frivolities and the valiant efforts of the Ukrainian populace defending their homeland infuriates me."

The magazine’s commitment to showcasing a blend of emerging talents and seasoned bands remains unwavering. After all, Side-Line is a platform to launch new talents. While not every artist boasts high-end studio equipment, some of these tracks have been masterfully enhanced by Erlend Eilertsen (Lights A.M, Essence Of Mind).

Offering a tangible connection to the music, the magazine offers an exclusive 'Electronic Bodies' T-shirt and, in true EBM spirit, a combo packagethat includes a limited edition hand-numbered Electronic Bodies flask. Each merch order includes a download of the compilation, ensuring that the beats never stop. Shipping takes places in the first week of October and placing orders as soon as possible allows SideLine to know what amount of stock needs to be order.

'Electronic Bodies' is out now, along with related merch. Available by donation, find it Bandcamp,

TRACK LIST
1.    ELM - Vessel Of Violence (Weaponized Cardio Mix) 03:38
2.    OS42 - Entropie (Tbm) 05:00
3.    Ionic Vision - Deathrow 04:40
4.    Cybernetic Diarrhea - Track One 02:27
5.    Töt - Mon Nom Est Personne 02:48
6.    Aesthetische - Boiling Over (Celsius Version) 05:32
7.    Rector Scanner - Fluormenschen (Transformation Mix) 03:35
8.    AD:keY - Alles Was Ich Will (Single Mix) 03:35
9.    Darkmen - I Feel It In Me (Cubic Reprise) 03:46
10.   Him+He - Dr Jones (Ocult Mix) 04:42
11.   Psychosomatik - Stress (Oldschool Version) 03:38
12.   The Maxx - Cocaine (A Industrya Remix Version) 04:43
13.   Reichsfeind - This (Exclusive Mix) 04:07
14.   Railwrx - Alliance 02:58
15.   Novakill - Pull The Trigger 04:06
16.   Gerard Jugno 106 - Truth Bypass March 05:07
17.   This Guy Called Tom - Procrastination 04:34
18.   Stahlgeist - Infected Colony (Alternate Version) 04:43
19.   Kant Kino - Frontline (Edit) 03:15
20.   Retcon - Rotor 04:42
21.    Kreign - Don't Force The Hand 04:33
22.    M V D R - The Radical Other_Correct Version 03:58
23.    Moroderhead - Lights In The Sky 04:15
24.    Oleg Kosjugin - Kukeseen (Unseen Remix By Forgotten Sunrise) 04:26
25.    Nervous Damage - Going Through The Motions 03:06
26.    First Aid 4 Souls - Anger 05:09
27.    I Hate Fridays - Slasher 04:02
28.    Niton Decay Feat. Lucas Mountain - We Came To Win (And Take It All) 04:43
29.    Kingsmarine - Military Pop 02:01
30.    Venus In Disgrace - Generation Commodore 02:59
31.    Memory Overrelease - Celluloid Canvas 04:11
32.    Superikone - Wir suchen das Glück 03:07
33.    Mach Fox & Zeven Odd Gods - A Sickness 05:06
34.    Diverje - Numb (EBM Remix By Psychosomatik) 03:56
35.    Maschinenbau - Weltornung 04:51
36.    Elektrosekt - Your Sex 05:54
37.    Conditions Extrm - Sei Stolz 04:03
38.    Cyber Corp - Body Suspect 03:34
39.    Dödsvarg - Arvika Elektriska 02:54
40.    Aiboforcen - Cycle Of Life (Short Edit) 04:04
41.    Exferno - Tyska Ord 03:32
42.    Alone In The Shadows - Dunkle Musik 04:19
43.    Chaos All Stars - 1997 (2023) 03:47
44.    Extinction Plan - Electrofied 04:28
45.    Adam (Be) - Lust Killer (Fenixfire Mix) 03:24
46.    Circumpolar - Waiting In The Rain 05:44
47.    Balsab - Futurismo 03:17
48.    Antiflvx - Silueta De Luz (Feat. Ambivalencia) 03:57
49.    Europa Clipper - Justify 03:39
50.    Agitprop 666 - Chrome Koran 05:06
51.    Assassun - Shapeshifters 03:30
52.    Avarice In Audio - War Tanz 04:27
53.    Ars - Thanatophobia 04:55
54.    Diffuzion - Ain't Gonna Fuck With My Brain 04:28
55.    Cryophonique - Converging Fears 04:44
56.    Digital Factor - What 03:50
57.    Hard Facts - Repulsion Field (Alexithymic Version) 05:24
58.    Fatherless Child - Individualism Won't Pay, Bro 04:00
59.    Error Fate - Decry 04:37
60.    Ǝ.N.D - Until The End Of Human Breed (2023) 03:48
61.    Finkseye - Explosive 04:08
62.    Conspiracy Thief - Excess Denied 04:56
63.    Fuckware - Combat 04:29
64.    Hikikomori - Bosai (Original Mix) 03:00
65.    Human Vault - Flesh And Bone (Void You Are Edit By Nadragea - Side-Line Cut) 04:46
66.    Hinein - Artefact From Outer Space 04:04
67.    Implant - The King And The Rebel (Distributed Denial Of Service Remix) 03:28
68.    Little Sap Dungeon - The Fade 05:15
69.    Llumen - You Can Have It All (Matrix Edit) 05:04
70.    Imiafan - Hyteparade 03:32
71.    Non Toxique Lost - In Memoriam 07:50
72.    Lønnkrog - Ingen 03:44
73.    Machine Command - Bodyheat 03:42
74.    Mindstrike - Not A Toy (Album Version) 03:53
75.    Pakrac - No More War (Fenixfire Mix) 05:54
76.    Rabbits Wear Boots - Cyborg 05:10
77.    Ultra Fear - In The Night 03:28
78.    Raudadler - Sexual Deviants 05:24
79.    Saigon Blue Rain - The Mort 04:02
80.    Sinthetik Messiah - Know Your Enemy 04:33
81.    Miseria Ultima - Yet Shivering Profound 03:40
82.    UCNX - Burning Slowly Down 04:15
83.    Robotiko Rejekto - Alive 130 03:52
84.    Red Industrie - They Dominate By Law (Extended Re-Edit) 04:27
85.    Red Panel - Decaying Sun (Maschinenbau Remix) 03:22
86.    Paradox Obscur - Escape 03:21
87.    The Psychic Force - Lockdown Lovers 04:49
88.    Venal Flesh - Adytum I 04:24


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Darius Rucker Reveals "Fires Don't Start Themselves" Video with CMT Premiere, Following TODAY Citi Concert Series & ESPN College GameDay Appearances

Three-time GRAMMY Award-winning superstar Darius Rucker unveiled the official music video for his current single, “Fires Don’t Start Themselves,” with an exclusive CMT world premiere this morning across all platforms, including CMT, CMT Music, the CMT Equal Play channel on Pluto TV, CMT.com and Paramount billboards in Times Square. The cinematic video casts Rucker as a detective hot on the trail of a young couple whose passionate love is setting their town ablaze, both literally and figuratively. Watch HERE.
 
The song, praised by Billboard for Rucker’s “effective use of the impressive vocal control and power in his lower register,” is featured on his highly anticipated new album, Carolyn's Boy, set for Oct. 6 release and named for his late mother as an “homage to the greatest woman I’ve ever known.” Preorder HERE.
 
“It’s been six years… We had so much to write about, so I took my time, got with some great guys, got some great songs and I’m really excited for people to hear it,” Rucker shared from the “TODAY” Citi Concert Series stage on Friday, Sept. 1 as he offered a preview of the project with rousing performances of “Fires Don’t Start Themselves,” No. 1 hit “Beers And Sunshine” and recent release “Have A Good Time,” in addition to treating viewers to his Diamond-certified fan-favorite “Wagon Wheel,” one of the top five best-selling Country songs of all time.
 
From there, Rucker also made a stop in Charlotte over the weekend to cheer on his beloved USC Gamecocks as the guest picker on ESPN’s College GameDay, debuting his starring role on the show’s new theme song for the season, before performing the National Anthem and serving as an honorary captain for the USC vs. UNC coin toss. Fans across the country can celebrate the start of football season with year three of his Darius Rucker Collection by Fanatics line, with an expansion to select NCAA teams for the first time, in addition to new NFL offerings and the debut of a full line of MLB apparel.
 
Next, Rucker returns to the road on his Starting Fires Tour ahead of the album’s release next month, which will also be celebrated during the second year of his personally curated Riverfront Revival Music Festival set for Oct. 7-8 in his hometown of Charleston, S.C. In addition to Rucker himself, fans will be treated to performances by Turnpike Troubadours, Lainey Wilson, Band of Horses and more. Limited tickets remain at RiverfrontRevival.com.
 
For more information on all things Darius Rucker, visit DariusRucker.com and follow on social media @DariusRucker.

About Darius Rucker
Rucker first achieved multi-Platinum status in the music industry as lead singer and rhythm guitarist of the GRAMMY Award-winning band Hootie & the Blowfish, who have sold more than 25 million albums worldwide including their Double Diamond-certified (21x Platinum) debut Cracked Rear View, which remains among the top 10 best-selling studio albums of all time. Since releasing his first Country album in 2008, Rucker has earned a whole new legion of fans with four No. 1 albums on the Billboard Country chart, including RIAA Platinum-certified Learn to Live and True Believers,plus 10 No. 1 singles at Country radio and 11 Gold, Platinum or multi-Platinum certified hits. Rucker was inducted as a Grand Ole Opry member in 2012 and in 2014 he won his third career GRAMMY Award for Best Solo Country Performance with his Diamond-certified (11x Platinum) version of  “Wagon Wheel,” one of the top five best-selling Country songs of all time. He co-hosted the 54th annual CMA Awards in 2020 and topped the charts at Country radio once again with “Beers And Sunshine” in 2021. Rucker’s new single, “Fires Don’t Start Themselves” is available everywhere now with his forthcoming album, Carolyn’s Boy, set for Oct. 6 release as he performs the new music for fans this summer on his Starting Fires Tour.
 
As a lifelong philanthropist, Rucker co-chaired the capital campaign that generated $150 million to help build the new MUSC Shawn Jenkins Children's Hospital in his hometown of Charleston, S.C. and has raised over $3.6 million for St. Jude Children's Research Hospital through his annual Darius & Friends benefit concert and golf tournament. In addition, Rucker has advocated for over 200 charitable causes supporting public education and junior golf programs in South Carolina through the Hootie & the Blowfish Foundation and serves as a National Chair for the National Museum of African American Music in Nashville, Tenn. Rucker is also an avid sports fan, with his Darius Rucker Collection by Fanatics apparel line available at Fanatics.com, and he is part of the Music City Baseball investment group working to bring an MLB team to Tennessee in addition to serving as a partner at the MGC Sports & Entertainment agency.  

UADA Streams New Album 'Crepuscule Natura' Ahead of Friday's Release

Enigmatic black metal masters UADA are now streaming their upcoming opus, 'Crepuscule Natura,' in its entirety ahead of Friday's release! Fans can tune in and hear the offering in advance below!

In addition, UADA is currently retraversing the void on an extensive North American headliner, which sees support from CLOAK and GHOST BATH. The ongoing trek will make its way around the continent until the final curtain draws on October 1 in North Hollywood, CA. The full itinerary can be found below and tickets are now on sale HERE.

'Crepuscule Natura,' which will be released worldwide on September 8, 2023 via Eisenwaldand is available for worldwide pre-sale HERE.

The album follows up UADA's 2020 release, 'Djinn,' which was regarded as "the most important record of the year" by Metal Insider, named one of the Best Albums of 2020 by New Noise Magazine, and regarded as "worthy of our your undivided attention at worst, and complete worship at best" for the Decibel Magazine October 2020 issue cover story.

UADA North American tour (w/ support from Cloak and Ghost Bath):

9/5: Calgary, AB @ Dickens

9/6: Edmonton, AB @ Starlite Room

9/7: Saskatoon, SK @ Coors Event Center

9/8: Winnipeg, MB @ The Good Will

9/9: Minneapolis, MN @ Studio B at Skyway Theatre

9/10: Milwaukee, WI @ X-Ray

9/11: Cleveland, OH @ No Class **NEW VENUE**

9/12: Pittsburgh, PA @ Preserving Underground

9/13: Toronto, ON @ Lee's Palace

9/14: Ottawa, ON @ Brass Monkey

9/15: Quebec City, QC @ La Source De La Martiniere

9/16: Montreal, QC @ Petit Campus

9/17: Brooklyn, NY @ Meadows

9/18: Philadelphia, PA @ Milkboy

9/19: Baltimore, MD @ Metro Gallery

9/20: Raleigh, NC @ The Pour House

9/21: Atlanta, GA @ Masquerade

9/22: New Orleans, LA @ Gasa Gasa

9/23: Houston, TX @ Secret Room

9/25: Austin, TX @ Come and Take It Live

9/26: El Paso, TX @ Rockhouse

9/27: Albuquerque, NM @ Launchpad **NEW VENUE**

9/28: Phoenix, AZ @ Pub Rock Live

9/29: Las Vegas, NV @ The Usual Place **NEW VENUE**

9/30: San Diego, CA @ Brick By Brick

10/1: North Hollywood, CA @ Knitting Factory

Ever since the cloaked Pacific Northwest band appeared on the music radar, UADA has always been electrified by both polar worlds. Their echelon was stark and meaningful. Within the stretch of three albums as well as dense and triumphant live shows across the globe, they have not only spiked the map of extreme metal music but their unrelenting touring schedule and unbridled will to push forward into new horizons has also earned them a reception in all the extremes imaginable, be it worship or spite.

Five sonic vessels form the nucleus of 'Crepuscule Natura,' and within it`s 41 minutes, the record easily creates a sonic and aesthetic bridge between the band`s debut, 'Devoid of Light' (2016), and their sophomore effort 'Cult of a Dying Sun' (2018), only to forge onward upon the relentless path set forth with 'Djinn' (2020). Here, a more refined and muscular, yet no less melodic stronghold awaits. On 'Crepuscule Natura,' UADA provides all their memorable hooks, tasteful leads, and riding blasts in their distinct style, balancing their epic surging melodies with powerful spurts of aggression. Just like the band's smoke-heavy shows, the momentum and emphasis of their craft always stays grandiose, mythical, and triumphant – all the while making sure to birth a couple of new fan favorites and soon-to-be staple live songs.

'Crepuscule Natura', once again graced by the artwork of legendary Kris Verwimp and photography by Peter Beste, shows UADA on fire to unleash the marrow of black heavy metal.

Album Credits:

All music by UADA

Mixed and Mastered by Jake Superchi at Obsidian Spells

Album Cover & Moon emblem by Kris Verwimp

Photography by Peter Beste

Layout by Valkenstijn

Released via Eisenwald

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Digital album released on September 8, 2023

CD formats to be shipped on or around September 15, 2023

Vinyl formats to be shipped on or around November 3, 2023