Killswitch Engage Drop "Collusion" Video — WATCH // New Album "This Consequence" Out Now

Three-time Grammy-nominated hard rock heavyweights and platinum-selling band Killswitch Engage  Jesse Leach, vocals; Adam Dutkiewicz, guitar; Joel Stroetzel, guitar; Mike D'Antonio, bass; and Justin Foley, drums — just released their new album THIS CONSEQUENCE on February 21, via Metal Blade. Get it here.

They have just shared the video for the brand new track "Collusion." Watch it Below:

"'Collusion' is about the struggle between people in power and the common people," explains Leach. "It speaks about the propaganda and divisiveness used to keep us in control. It's about the ruthlessness of the ruling class who use wealth to raise, manipulate, and destroy empires at their will."

He finishes, "I wish for people to use discernment and intellect to read between the lines. My hope is to instill a desire for analyzation and critical thinking amidst the current rigged and corrupt forms of governments the world over."

KsE are also returning to the road this winter and spring. 

Their upcoming winter headline tour features support from Kublai Khan TX, Fit For a King and Frozen Soul, and kicks off on March 5 in Nashville and runs through April 12 in Portland, Maine. The band has also announced dates for May, which will feature support from Shadows Fall, Fit for a King, and Boundaries. Tickets and VIP packages are available here.

KILLSWITCH ENGAGE ON TOUR:
WITH KUBLAI KHAN TX, FIT FOR A KING, + FROZEN SOUL:
 
3/5 — Nashville, TN — The Pinnacle  
3/6 — Chesterfield, MO — The Factory         
3/8 — Fayetteville, AR — JJ's Live       
3/9 — Oklahoma City, OK — The Criterion    
3/11 — El Paso, TX — Don Haskins Center Arena      
3/13 — Las Vegas, NV — The Theater at Virgin Hotels Las Vegas      
3/14 — Reno, NV — Grand Theatre at The Grand Sierra Resort        
3/15 — Wheatland, CA — Hard Rock Live      
3/17 — Garden City, ID — Revolution Concert House           
3/18 — Seattle, WA — The Paramount          
3/19 — Vancouver, BC — PNE Forum
3/21 — Penticton, BC — South Okanagan Events Centre      
3/22 — Tsuut'ina, AB — Grey Eagle Resort & Casino       
3/24 — Winnipeg, MB — Burton Cummings Theatre            
3/27 — Peoria, IL — Peoria Civic Center        
3/28 — Waukee, IA— Vibrant Music Hall      
3/29 — La Vista, NE — The Astro       
3/30 — Kansas City, MO — The Midland Theatre
4/1 — Grand Rapids, MI — GLC Live 20 Monroe       
4/3 — Corbin, KY — The Corbin Arena           
4/4 — Pittsburgh, PA  — Stage AE     
4/5 — Philadelphia, PA — Franklin Music Hall           
4/6 — Greensboro, NC — Greensboro Special Events Center           
4/8 — New Haven, CT — College Street Music Hall   
4/9 — Buffalo, NY — Buffalo RiverWorks      
4/11 — Laval, QC —Place Bell
4/12 — Portland, ME — Cross Insurance Arena    

WITH SHADOWS FALL, FIT FOR A KING, + BOUNDARIES:
5/8 — Columbus, OH— Sonic Temple*
5/10 — Indianapolis, IN — Egyptian Room @ Old National Centre
5/11 — Memphis, TN — Minglewood Hall
5/13 — New Orleans, LA — The Fillmore New Orleans
5/14 —  Birmingham, AL — Avondale Brewing Company
5/16 — Daytona Beach. FL — Welcome To Rockville*
5/17 —  Myrtle Beach, SC — House of Blues
5/18 — Virginia Beach, VA — The Dome
*Festival Date

ABOUT KILLSWITCH ENGAGE:
Killswitch Engage first shook the structure of heavy music upon climbing out of snowy industrialized Western Massachusetts in 2000. A musical outlier, the band pioneered a union of thrashed-out European guitar pyrotechnics, East Coast hardcore spirit, onstage hijinks, and enlightened lyricism that set the pace for what the turn-of-the-century deemed heavy. 2002's Alive Or Just Breathing became avowed as a definitive album, being named among "The Top 100 Greatest Metal Albums of the Decade" by Decibel and celebrated by everyone from Metal Hammer to Revolver. Not only did they bust open the floodgates for dozens to follow, but they also garnered three GRAMMY® Award nominations in the category of "Best Metal Performance" in 2005, 2014, and 2019, respectively, a gold certification for The End of Heartache [2004], and a platinum certification for As Daylight Dies [2006]. The group landed three consecutive Top 10 debuts on the Billboard Top 200 with Killswitch Engage [2009], Disarm The Descent [2013], and their career high best bow at #6 with Incarnate [2016]. The latter two releases, along with 2019's Atonement, would also both capture #1 on the Top Rock Albums and Top Hard Rock Albums charts. The band's total streams are nearing 3 billion to date, while they've remained consummate road warriors who've sold out countless headline tours and have shared stages with everyone from Iron Maiden to Slipknot to Slayer to My Chemical Romance to Mastodon to Parkway Drive, which is a testament to their ability to cross genres and appeal to all fans of hard rock. KsE have remained a featured attraction at every major North American and European festival through the years. The band is celebrating an astonishing, 25-year career as one of the most vital and genre-defining bands of the '00s and continues its incredible legacy.

Killswitch Engage Drop "I Believe" Video

Three-time Grammy-nominated hard rock heavyweights and platinum-selling band Killswitch Engage  Jesse Leach, vocals; Adam Dutkiewicz, guitar; Joel Stroetzel, guitar; Mike D'Antonio, bass; and Justin Foley, drums — are gearing up for the release of their new album THIS CONSEQUENCE out February 21 via Metal Blade. Pre-order it here.

Today, they have shared the video for the new single "I Believe." Watch it below.

"'I Believe' is about undying hope," shares Leach. "During difficult times perspective is everything. Knowing deep down that 'this too shall pass' has been a beacon of light for me. I do believe there is meaning behind suffering. If we are able to push through difficult times and come out the other side, there is a renewed sense of purpose."

He continues, "I know there are much more commonalities between all of us as humans than there are differences. The good far outweighs the bad. This is my message to anyone who's listening — things will get better! However, you have to believe that they will!. There is power in faith, there is power in manifestation and prayer! Keep the faith and push forward with the confidence of better days ahead. Do not let this world pull you down into despair. Tomorrow is a new day and a new possibility for change!"

Their upcoming winter headline tour features support from Kublai Khan TX, Fit For a King and Frozen Soul, and kicks off on March 5 in Nashville and runs through April 12 in Portland, Maine. The band has also announced dates for May, which will feature support from Shadows Fall, Fit for a King, and Boundaries. Tickets and VIP packages are available here.

KILLSWITCH ENGAGE ON TOUR:
WITH KUBLAI KHAN TX, FIT FOR A KING, + FROZEN SOUL:
 
3/5 — Nashville, TN — The Pinnacle  
3/6 — Chesterfield, MO — The Factory         
3/8 — Fayetteville, AR — JJ's Live       
3/9 — Oklahoma City, OK — The Criterion    
3/11 — El Paso, TX — Don Haskins Center Arena      
3/13 — Las Vegas, NV — The Theater at Virgin Hotels Las Vegas      
3/14 — Reno, NV — Grand Theatre at The Grand Sierra Resort        
3/15 — Wheatland, CA — Hard Rock Live      
3/17 — Garden City, ID — Revolution Concert House           
3/18 — Seattle, WA — The Paramount          
3/19 — Vancouver, BC — PNE Forum
3/21 — Penticton, BC — South Okanagan Events Centre      
3/22 — Tsuut'ina, AB — Grey Eagle Resort & Casino       
3/24 — Winnipeg, MB — Burton Cummings Theatre            
3/27 — Peoria, IL — Peoria Civic Center        
3/28 — Waukee, IA— Vibrant Music Hall      
3/29 — La Vista, NE — The Astro       
3/30 — Kansas City, MO — The Midland Theatre
4/1 — Grand Rapids, MI — GLC Live 20 Monroe       
4/3 — Corbin, KY — The Corbin Arena           
4/4 — Pittsburgh, PA  — Stage AE     
4/5 — Philadelphia, PA — Franklin Music Hall           
4/6 — Greensboro, NC — Greensboro Special Events Center           
4/8 — New Haven, CT — College Street Music Hall   
4/9 — Buffalo, NY — Buffalo RiverWorks      
4/11 — Laval, QC —Place Bell
4/12 — Portland, ME — Cross Insurance Arena    

WITH SHADOWS FALL, FIT FOR A KING, + BOUNDARIES:
5/8 — Columbus, OH— Sonic Temple*
5/10 — Indianapolis, IN — Egyptian Room @ Old National Centre
5/11 — Memphis, TN — Minglewood Hall
5/13 — New Orleans, LA — The Fillmore New Orleans
5/14 —  Birmingham, AL — Avondale Brewing Company
5/16 — Daytona Beach. FL — Welcome To Rockville*
5/17 —  Myrtle Beach, SC — House of Blues
5/18 — Virginia Beach, VA — The Dome
*Festival Date

ABOUT KILLSWITCH ENGAGE:
Killswitch Engage first shook the structure of heavy music upon climbing out of snowy industrialized Western Massachusetts in 2000. A musical outlier, the band pioneered a union of thrashed-out European guitar pyrotechnics, East Coast hardcore spirit, on-stage hijinks, and enlightened lyricism that set the pace for what the turn-of-the-century deemed heavy. 2002's Alive Or Just Breathing became avowed as a definitive album, being named among "The Top 100 Greatest Metal Albums of the Decade" by Decibel and celebrated by everyone from Metal Hammer to Revolver. Not only did they bust open the floodgates for dozens to follow, but they also garnered three GRAMMY® Award nominations in the category of "Best Metal Performance" in 2005, 2014, and 2019, respectively, a gold certification for The End of Heartache [2004], and a platinum certification for As Daylight Dies [2006]. The group landed three consecutive Top 10 debuts on the Billboard Top 200 with Killswitch Engage [2009], Disarm The Descent [2013], and their career high best bow at #6 with Incarnate [2016]. The latter two releases, along with 2019's Atonement, would also both capture #1 on the Top Rock Albums and Top Hard Rock Albums charts. The band's total streams are nearing 3 billion to date, while they've remained consummate road warriors who've sold out countless headline tours and have shared stages with everyone from Iron Maiden to Slipknot to Slayer to My Chemical Romance to Mastodon to Parkway Drive, which is a testament to their ability to cross genres and appeal to all fans of hard rock. KsE have remained a featured attraction at every major North American and European festival through the years. The band is celebrating an astonishing, 25-year career as one of the most vital and genre-defining bands of the '00s and continues its incredible legacy.

Extreme Metal Legends NILE Kick Off "Revenge Of The Underworld"

American death metal legends NILE are set to unleash their ferocious live show along their impending North American co-headline tour with Six Feet Under! Featuring support from Psycroptic and Embryonic Autopsy, the tour begins January 7, 2025, in Nashville, TN hitting several major cities including Atlanta, Albany, Pittsburgh, and Las Vegas before concluding in Houston TX on February 22, 2025.

 

This tour follows the band's recent critical smash hit and Napalm Records debut album, 'The Underworld Awaits Us All,' released August 23, 2024. The record appeared in multiple year-end lists including Loudwire's "51 Best Rock And Metal Albums of 2025" and Metal Injection's fifth Best Album of 2024, with BraveWords lauding that "Nile as a quintet in 2024 sounding alarmingly vital and youthful." After three decades of decimation, NILE remains viscously hungry and The Underworld Awaits Us All is a ferocious testament to their monumental legacy.

NILE & Six Feet Under "Revenge Of The Underworld Tour 2025"

w/ PSYCROPTIC and EMBRYONIC AUTOPSY

 

01/07/25: Nashville, TN @ Basement East

01/08/25: Atlanta, GA @ Masquerade

01/10/25: Orlando, FL @ The Abbey

01/11/25: Ft Lauderdale, FL @ Culture Room

01/12/25: Tampa, FL @ Orpheum

01/13/25: Charlseston, SC @ Music Farm

01/14/25: Greenville, SC @ Radio Room

01/15/25: Greensboro, NC @ Hangar 1819

01/17/25: Sayreville, NJ @ Starland Ballroom

01/18/25: Worcester, MA @ The Palladium Underground

01/19/25: Albany, NY @ Empire Live

01/20/25: Mechanicsburg, PA @ Lovedraft's

01/21/25: Pittsburgh, PA @ Preserving Underground

01/23/25: Cleveland, OH @ Agora Theater

01/24/25: Columbus, OH @ The King Of Clubs

01/25/25: Flint, MI @ The Machine Shop

01/26/25: Grand Rapids, MI @ Elevation

01/27/25: Joliet, IL @ The Forge

01/29/25: St Louis, MO @ Red Flag

01/30/25: Cincinnati, OH @ Bogarts

01/31/25: Ft Wayne, IN @ Piere's

02/01/25: Milwaukee, WI @ The Rave

02/02/25: Minneapolis, MN @ Skyway Theater

02/04/25: Denver, CO @ Oriental Theater

02/06/25: Las Vegas, NV @ Sinwave

02/07/25: Santa Ana, CA @ Observatory

02/08/25: Roseville, CA @ Goldfield Roseville

02/10/25: Portland, OR @ Hawthorne Theatre

02/11/25: Seattle, WA @ El Corazon

02/13/25: Berkley, CA @ Cornerstone

02/14/25: Santa Cruz, CA @ Catalyst

02/15/25: Los Angeles, CA @ 1720

02/16/25: Phoenix, AZ @ Nile Theater

02/18/25: Farmington, NM @ Lauter Haus

02/20/25: Dallas, TX @ Haltom Theater

02/21/25: Austin, TX @ Come And Take It Live

02/22/25: Houston, TX @ Warehouse Live

NILE are:

Karl Sanders - Guitar, Vocals, Keyboards

George Kollias - Drums

Brian Kingsland - Guitar, Vocals

Zach Jeter - Guitar, Vocals

Dan Vadim Von - Bass

Killswitch Engage Announce New Album "This Consequence" + Band Shares "Forever Aligned" Video — WATCH❗

Three-time Grammy-nominated hard rock heavyweights and platinum-selling band Killswitch Engage  Jesse Leach, vocals; Adam Dutkiewicz, guitar; Joel Stroetzel, guitar; Mike D'Antonio, bass; and Justin Foley, drums — are pleased to announce their new album THIS CONSEQUENCE. It arrives February 21 via. Metal Blade. Pre-order it here

The band  has also shared the video for first single "Forever Aligned." Watch it below

"'Forever Aligned' is one of those songs that is not just about us as humans, our love, and connection, but that connection to the unknown, the greater power, the universe, or God," explains Leach. "It feels like a really good first song to release not just sonically, but lyrically, as it is all about connection. The device of world we live in could use a lot more connectivity."

Regarding the album, Leach continues, "This Consequence, to me, is the combination of everything the past five years has thrown at us as a band, as humans, and society as a whole. This album is just as much about everybody and their stories as it is for me about my journey personally. Sonically, I love the combination of everybody's ideas and contributions on this album. It feels more like a collaboration than the past few records have been. When all is said and done, I wouldn't change anything about this album."

He finishes, "I think it's the exact record we needed to make. I'm honored and proud of what we all were able to create and refine through this music and message."

KSE will also embark on a headline tour in March. It's their first tour of North America since late 2022, as the band has been busy working on the new material that has become This Consequence. The tour features support from Kublai Khan TX, Fit For a King and Frozen Soul, and kicks off on March 5 in Nashville and runs through April 12 in Portland, Maine. All dates are below, and includes appearances at key spring festivals. Tickets and VIP packages will be available here.

Additionally, the band returns to the cover of Revolver for the third time. See the Winter 2024 cover below. Get it here. It's on stands in January. Please note this issue is different than the special collector's edition deluxe magazine that is "must own" for fans!

ABOUT KILLSWITCH ENGAGE:
Killswitch Engage first shook the structure of heavy music upon climbing out of snowy industrialized Western Massachusetts in 2000. A musical outlier, the band pioneered a union of thrashed-out European guitar pyrotechnics, East Coast hardcore spirit, on-stage hijinks, and enlightened lyricism that set the pace for what the turn-of-the-century deemed heavy. 2002's Alive Or Just Breathing became avowed as a definitive album, being named among "The Top 100 Greatest Metal Albums of the Decade" by Decibel and celebrated by everyone from Metal Hammer to Revolver. Not only did they bust open the floodgates for dozens to follow, but they also garnered three GRAMMY® Award nominations in the category of "Best Metal Performance" in 2005, 2014, and 2019, a gold certification for The End of Heartache [2004], and a platinum certification for As Daylight Dies [2006]. The group landed three consecutive Top 10 debuts on the Billboard Top 200 with Killswitch Engage [2009], Disarm The Descent [2013], and their career high best bow at #6 with Incarnate [2016]. The latter two releases, along with 2019's Atonement, would also both capture #1 on the Top Rock Albums and Top Hard Rock Albums charts. The band's total streams are nearing 3 billion to date, while they've remained consummate road warriors who've sold out countless headline tours and have shared stages with everyone from Iron Maiden to Slipknot to Slayer to My Chemical Romance to Mastodon to Parkway Drive, which is a testament to their ability to cross genres and appeal to all fans of hard rock. KsE have remained a featured attraction at every major North American and European festival through the years. The band is celebrating an astonishing, 25-year career as one of the most vital and genre-defining bands of the '00s and continues its incredible legacy.

KINGS OF MERCIA Celebrate Album Release with New Video for Title Track

KINGS OF MERCIA releases its sophomore album 'Battle Scars' via Metal Blade Records. To celebrate, they are sharing the title track along with a new video, available below.

Now and again, art offers up the perfect storm. When creative worlds collide with a furious cacophony of power, licks, and lyrics, magic happens. Such is the case with KINGS OF MERCIA, whose second album, 'Battle Scars,' is the continuation of a story as unlikely as it is glorious. The band is helmed by guitarist Jim Matheos (Fates Warning) and singer Steve Overland (FM) who are joined by drummer Simon Phillips (The Who, Toto) and bassist Joey Vera (Armored Saint, Fates Warning).

About 'Battle Scars' Steve Overland shared the following:

"That's about post-war distress syndrome. It's about a guy who comes back from fighting and can't really deal with real life. He realizes that he can never be what he was before he went away and did this. But he really, really wants to, but he's trying to get that across to everybody that loves him. But the problem isn’t him–it's what he's been through. I came up with the title ‘Battle Scars,’ and I think that suggested the subject matter.”

Watch the Music Video for "Battle Scars" Below.

KINGS OF MERCIA's 2022 approachable, world-class self-titled debut was termed “truly a hybrid: it’s heavy, but not metal. It’s got tones of melodic AOR hard rock but with an edge.” Now, 2024 brings the band's sophomore album written and recorded throughout 2023, 'Battle Scars' sees the core writing team of Matheos and Overland expanding on their obvious chemistry.

 

"I think it was a bit easier this time around because we’ve established a good working rhythm,"states Matheos, "I’ll send Steve at least a few songs every couple of months, and I try to keep them varied. This allows him to work on whichever ones he feels strongly about."

 

“What Jim sends me is the first draft of that song,” says Overland. “So once he's heard all the melodies and the harmonies I sing, he can chop it about and make it how he thinks it should be. He always sends me three or four different versions. He'll say, ‘What do you think? Which do you like?’ Then we work it out between us and come up with the one we're both happy with.”

 

Steve and I started working together in 2021,” says Matheos. “I was aware of FM–they came up around the same time as Fates Warning – but I’d lost touch with them and wasn’t familiar with their more recent work. When Steve was recommended to me, I checked out some of the newer releases and felt Steve was exactly what I was looking for.”

 

“It's a different genre of music that I'm normally involved in,” says Overland, whose voice has been likened to other British greats Paul Rodgers and Glenn Hughes. “Obviously, I’d heard of Fates Warning – they're a very big cult band in their field. Jim and I touched base, and I told him to send me one backing track. If it sounds great, then it's a win-win. If it doesn't, we'll just call it a day, knock it on the head, not take it any further. That song became ‘Humankind’ from the first album. I wrote the melodies and the title and put it all together. Jim got it and he was blown away. So we made a couple more. I loved doing it. It was just such a different challenge for me.”

 

Those songs would become the self-titled debut album, which was released in 2022. Written during lockdown, bouncing tracks across the Atlantic, KINGS OF MERCIA found its mojo. Fans of Fates Warning, FM, and Armored Saint all rejoiced at the common ground on KINGS OF MERCIA, the sweet spot in the middle of the Venn diagram.

 

It’s a true collaboration that has led to KOM's 'Battle Scars.' However, despite the unfolding sound and clear chemistry between the four Kings, Overland has never met his bandmates in person. 'Battle Scars,' like its predecessor, is a slab of transatlantic magic.

Pre-Order 'Battle Scars' HERE

KINGS OF MERCIA are:

Jim Matheos - Guitars

Steve Overland - Vocals

Simon Phillips - Drums

Joey Vera – Bass

ASINHELL, Featuring Volbeat's Michael Poulsen, Share "Impii Hora" Video

For more than 20 years, vocalist/guitarist Michael Poulsen has been spearheading Danish rock and roll machine Volbeat, releasing eight full-lengths, selling millions of albums, and filling stadiums worldwide. Before fronting Volbeat, however, Poulsen formed death metal band Dominus, which recorded four fast, brutal albums in the mid '90s.

When Poulsen was putting together songs for Volbeat's 2021 album, Servant of the Mind, he wrote a bunch of death metal riffs and saved them on his phone. Then, when he was done with the Volbeat record, he reopened the rusty gates to Armageddon and started putting together songs for his new death metal band Asinhell, whose debut album Impii Hora (Latin for "Ungodly Hour"), is a tribute to Poulsen's favorite old-school groups. 

 Impii Hora was originally released September 29, 2023 via Metal Blade. Get it here.

Today, the band has shared the video for the title track. Watch it below.

The video comes on the one-year anniversary of the album release. The footage was shot in Berlin during the band's recent European tour.

"It means 'Ungodly Hour' in Latin and the song is about all these evil, vile, and terrible acts that get committed in this Ungodly Hour," shares Poulsen about the title. "It's definitely an anti-religion song. Basically, we are not churchgoers, but on the other hand, I totally respect people who believe in something. But religion, to me, is the oppression that comes with being a part of the church. That's the oppressive thing, not the belief in some high, holy spirit. To me, the anti-religion stuff is more about what people have done to believers — trying to manipulate people to follow them, which is an autocratic kind of thing."

It follows last spring's video for "Pyromantic Scryer." Watch it here.

Poulsen has rekindled the death metal fire that fueled his first band Dominus. He began jamming on riffs with longtime friend and neighbor, drummer Morten Toft Hansen (Raunchy). The two started playing in Morten's tiny garage: no mics, no P.A. — just a drum kit and a combo amp turned all the way up like they used when they were teenagers. Soon, the pair were completing a new song every time they got together. When it came time to add vocals, Poulsen turned to his good friend, who also happened to be one of his all-time favorite death metal growlers: Marc Grewe (Insidious Disease, ex-Morgoth).

"I had known Michael quite a long time and he always mentioned that we should do a death metal project one day, but I never took him too seriously because he was so busy with Volbeat," Grewe says. "Then he called for real and said, 'Yeah, I want to do it now. Are you up for it?' Immediately, I was like, 'Yes, of course!'"

With Asinhell fully formed, the three convened with Volbeat producer Jacob Hansen to produce, mix, and play bass on their debut album. When it was time to add lead guitar to the album, Michael looked no further than friend and The Arcane Order axeman Flemming C. Lund. 

ASINHELL ARE:
 Michael Poulsen — Guitar
Marc Grewe — Vocals
Morten Toft Hansen — Drums 

ASINHELL, Featuring Volbeat's Michael Poulsen, Share "Pyromantic Scryer" Video

For more than 20 years, vocalist/guitarist Michael Poulsen has been spearheading Danish rock and roll machine Volbeat, releasing eight full-lengths, selling millions of albums, and filling stadiums worldwide. Before fronting Volbeat, however, Poulsen formed death metal band Dominus, which recorded four fast, brutal albums in the mid '90s. When Poulsen was putting together songs for Volbeat's 2021 album, Servant of the Mind, he wrote a bunch of death metal riffs and saved them on his phone. Then, when he was done with the Volbeat record, he reopened the rusty gates to Armageddon and started putting together songs for his new death metal band Asinhell, whose debut album Impii Hora (Latin for "Ungodly Hour"), is a tribute to Poulsen's favorite old-school groups. 

 Impii Hora was released September 29 via Metal Blade. Get it here.

Today, the band has shared the video for "Pyromantic Scryer." Watch it below.

"'Pyromantic Scryer' was the first song I wrote for the album and it surely has an Entombed vibe, and as I've said before, it was L.G. Petrov who kicked started the birth of Asinhell," says Poulsen.

"Pyromancy is the 'art' of prophecy/augury by any means of fire," says vocalist Marc Grewe. "The song is about a mad man who thinks he can predict the future from fires. Fires he sets himself. In his delusion, he thinks he is a misunderstood messiah. The song can also been seen metaphorical on some things that are going on (and wrong) in the world of  today… a small spark of a mad man (or group/cult) can set the world on fire. I think the video created by Shan Dan shows this dangerous behavior in a quite drastic way!"

Poulsen has rekindled the death metal fire that fueled his first band Dominus. He began jamming on riffs with longtime friend and neighbor, drummer Morten Toft Hansen (Raunchy). The two started playing in Morten's tiny garage: no mics, no P.A. — just a drum kit and a combo amp turned all the way up like they used when they were teenagers. Soon, the pair were completing a new song every time they got together. When it came time to add vocals, Poulsen turned to his good friend, who also happened to be one of his all-time favorite death metal growlers: Marc Grewe (Insidious Disease, ex-Morgoth).

"I had known Michael quite a long time and he always mentioned that we should do a death metal project one day, but I never took him too seriously because he was so busy with Volbeat," Grewe says. "Then he called for real and said, 'Yeah, I want to do it now. Are you up for it?' Immediately, I was like, 'Yes, of course!'"

With Asinhell fully formed, the three convened with Volbeat producer Jacob Hansen to produce, mix, and play bass on their debut album. When it was time to add lead guitar to the album, Michael looked no further than friend and The Arcane Order axeman Flemming C. Lund. 

ASINHELL ARE:
 Michael Poulsen — Guitar
Marc Grewe — Vocals
Morten Toft Hansen — Drums 

ASINHELL unleash 'Desert Of Doom' single

For more than 20 years, vocalist/guitarist Michael Poulsen has been spearheading Danish rock and roll machine Volbeat, releasing eight full-lengths, selling millions of albums, and filling stadiums worldwide. Before fronting Volbeat, however, Poulsen formed death metal band Dominus, which recorded four fast, brutal albums in the mid '90s. When Poulsen was putting together songs for Volbeat's 2021 album, Servant Of The Mind, he wrote a bunch of death metal riffs and saved them on his phone. Then, when he was done with the Volbeat record, he reopened the rusty gates to Armageddon and started putting together songs for his new death metal band Asinhell, whose debut album Impii Hora (Latin for Ungodly Hour), is a tribute to Poulsen's favourite old-school groups.

Impii Hora will be released September 29th via Metal Blade. Pre-order it here.

Today, the band has shared new song "Desert Of Doom" and its official video. Watch it below.

"'Desert Of Doom' was inspired by Bolt Thrower, Death, Entombed, and Motörhead. Bang your head 'til it doesn't bang no more!," says Poulsen.

Poulsen has rekindled the death metal fire that fuelled his first band Dominus. He began jamming on riffs with long-time friend and neighbour, drummer Morten Toft Hansen (Raunchy). The two started playing in Morten's tiny garage: no mics, no P.A. — just a drum kit and a combo amp turned all the way up like they used when they were teenagers. Soon, the pair were completing a new song every time they got together. When it came time to add vocals, Poulsen turned to his good friend, who also happened to be one of his all-time favourite death metal growlers: Marc Grewe (Insidious Disease, ex-Morgoth).

"I had known Michael quite a long time and he always mentioned that we should do a death metal project one day, but I never took him too seriously because he was so busy with Volbeat," Grewe says. "Then he called for real and said, 'Yeah, I want to do it now. Are you up for it?' Immediately, I was like, 'Yes, of course!'"

With Asinhell fully formed, the three convened with Volbeat producer Jacob Hansen to produce, mix, and play bass on their debut album. When it was time to add lead guitar to the album, Michael looked no further than friend and The Arcane Order axeman Flemming C. Lund.

The album will be available in the following formats. Pre-order it here.

  • Jewel case CD

  • 180g Black Vinyl (Europe excl.)

  • Crimson Red Marbled Vinyl (Europe excl.)

  • White Vinyl (Europe excl., ltd. 1000)

  • Gold/Black Dust (EMP excl., ltd.300)

  • Clear w/ Red/White Splatter Vinyl (Europe Band store excl., ltd. 500)

  • Silver Vinyl (US excl.)

  • Silver w/ Red Splatter Vinyl (US. excl.)

  • Black & White Melt Vinyl (US excl.)

  • Red/Black Splatter Vinyl (US Band store excl., ltd. 500)

  • ASINHELL ARE:

     Michael Poulsen — Guitar

    Marc Grewe — Vocals

    Morten Toft Hansen — Drums 

    FIND ASINHELL ONLINE:

    https://asinhell.com/

ASINHELL, Featuring Volbeat's Michael Poulsen, Share "Island of Dead Men" — LISTEN

ASINHELL SHARE "ISLAND OF DEAD MEN"

BAND FEATURES VOLBEAT'S MICHAEL POULSEN, MARC GREWE (INSIDIOUS DISEASE, EX-MORGOTH), +  MORTEN TOFT HANSEN (RAUNCHY)

DEBUT ALBUM IMPII HORA OUT SEPTEMBER 29 VIA METAL BLADE RECORDS

For more than 20 years, vocalist/guitarist Michael Poulsen has been spearheading Danish rock and roll machine Volbeat, releasing eight full-lengths, selling millions of albums, and filling stadiums worldwide. Before fronting Volbeat, however, Poulsen formed death metal band Dominus, which recorded four fast, brutal albums in the mid '90s. When Poulsen was putting together songs for Volbeat's 2021 album, Servant of the Mind, he wrote a bunch of death metal riffs and saved them on his phone. Then, when he was done with the Volbeat record, he reopened the rusty gates to Armageddon and started putting together songs for his new death metal band Asinhell, whose debut album Impii Hora (Latin for "Ungodly Hour"), is a tribute to Poulsen's favorite old-school groups. 

 Impii Hora will be released September 29 via Metal Blade. Pre-order it
here.

Today, the band has shared "Island of Dead Men." Watch below.

"'Island of Dead Men' was the second song I wrote for the album," says Poulsen. "It's one of the faster and more aggressive songs on the record, but with a groovy Death chorus and a solid middle piece that hails the mighty Autopsy. Enjoy… or don't!" 

Poulsen has rekindled the death metal fire that fueled his first band Dominus. He began jamming on riffs with longtime friend and neighbor, drummer Morten Toft Hansen (Raunchy). The two started playing in Morten's tiny garage: no mics, no P.A. — just a drum kit and a combo amp turned all the way up like they used when they were teenagers. Soon, the pair were completing a new song every time they got together. When it came time to add vocals, Poulsen turned to his good friend, who also happened to be one of his all-time favorite death metal growlers: Marc Grewe (Insidious Disease, ex-Morgoth).

"I had known Michael quite a long time and he always mentioned that we should do a death metal project one day, but I never took him too seriously because he was so busy with Volbeat," Grewe says. "Then he called for real and said, 'Yeah, I want to do it now. Are you up for it?' Immediately, I was like, 'Yes, of course!'"

With Asinhell fully formed, the three convened with Volbeat producer Jacob Hansen to produce, mix, and play bass on their debut album. When it was time to add lead guitar to the album, Michael looked no further than friend and The Arcane Order axeman Flemming C. Lund. 

The album will be available in the following formats:
*Jewel case CD
*180g Black Vinyl (Europe excl.)
*Crimson Red Marbled Vinyl (Europe excl.)
*White Vinyl (Europe excl., ltd. 1000)
*Gold/Black Dust (EMP excl., ltd.300)
*Clear w/ Red/White Splatter Vinyl (Europe Band store excl., ltd. 500)
*Silver Vinyl (US excl.)
*Silver w/ Red Splatter Vinyl (US. excl.)
*Black & White Melt Vinyl (US excl.)
*Red/Black Splatter Vinyl (US Band store excl., ltd. 500)

ASINHELL ARE:
 Michael Poulsen — Guitar
Marc Grewe — Vocals
Morten Toft Hansen — Drums 

Metal Injection Shares Festival Playlists Ahead of Inaugural Event

A combination of thrash, death, industrial, hardcore, doom, and more from legends to emerging artists worth discovering!

Inaugural festival taking place September 16-17, 2023 in Orange County, CA

In celebration of the forthcoming Metal Injection Festival, Metal Injection is now sharing a specially curated playlist to pump up fans ahead of this spectacular event! Featuring music from each band on the lineup, the playlists can now be heard via Apple Music and Spotify.

The inaugural Metal Injection Festival will take over Orange County, CA from September 16-17 across two iconic venues - The Observatory and House of Blues Anaheim. The stacked and diverse lineup is a melting pot of genres, inclusive to both legendary bands as well as emerging and underground artists worth discovering. The full lineup is as follows:

Saturday, September 16 @ The Observatory

$35 Ticket [On Sale Now]

Max & Iggor Cavalera (Performing a special Morbid Visions and Bestial Devastation set)

Exhumed

Incite

Fueled By Fire 

Dead Heat

Sunday, September 17 @ House of Blues Anaheim

$50 Ticket [On Sale Now]

Testament

Machine Head

Fear Factory - (Performing a special Demanufacture & Obsolete set)

Xibalba

Spirit Adrift

Exmortus

Kyng

Contracult Collective

Upon Stone

Thrown Into Exile

Tickets for day one are now on sale HERE while day two tickets are available HERE.

"I've always dreamed of having my own festival as a kid, I mean what metal head hasn't!?" Explains Metal Injection founder and company director Frank Godla. "I even wrote it down on a future goal plan for Metal Injection in the early days. When my Slay At Home virtual fest really took off during the pandemic, and reached communities in over 60 countries, it suddenly seemed possible, even overdue.

"Today, I bring you the first ever Metal Injection Festival. Two days days of killer bands ranging from thrash, death, industrial, hardcore, and more from legendary names to the ones worth discovering. We'll also have some really sweet giveaways, a learning area for amazing causes I believe in, and special setlists including the legendary Max & Iggor Cavalera performing Morbid Visions and Bestial Devastation records in entirety, and Fear Factory celebrating their game changing Demanufacture and 25th anniversary of Obsolete with us!

"Every new endeavor has to start somewhere, and I couldn't be more stoked to have this group of amazing bands be part of MI history!"

To further commemorate this exceptional event, Metal Injection is now sharing a special video announcement, which can be found below.

Sponsored by Metal Blade Records, Nuclear Blast, Century Media, Thunderflix and ESP Guitars, the face-melting program will also have a learning booth in support of two very important causes, MusiCares and Suicide Prevention. This initiative will help educate attendees on mental health awareness and related resources for fans and musicians in need.

That's not all! Courtesy of ESP Guitars, Metal Injection will be raffling off a pair of ESP axes signed by each headliner. Night one's guitar will be signed by Max Cavalera while night two's prize will be signed by Alex Skolnick.

Keep those horns high and mighty and stay tuned for more info!

Follow Metal Injection:

Website

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Instagram

YouTube

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Introducing ASINHELL, Featuring Volbeat's Michael Poulsen! Band to Release "Impii Hora" on 9/29🔥

INTRODUCING... ASINHELL

BAND FEATURES VOLBEAT'S MICHAEL POULSEN, MARC GREWE (INSIDIOUS DISEASE, EX-MORGOTH), +  MORTEN TOFT HANSEN (RAUNCHY)

DEBUT ALBUM IMPII HORA OUT SEPTEMBER 29 VIA METAL BLADE RECORDS

BAND SHARES "FALL OF THE LOYAL WARRIOR" LYRIC VIDEO

For more than 20 years, vocalist/guitarist Michael Poulsen has been spearheading Danish rock and roll machine Volbeat, releasing eight full-lengths, selling millions of albums, and filling stadiums worldwide. Before fronting Volbeat, however, Poulsen formed death metal band Dominus, which recorded four fast, brutal albums in the mid '90s. When Poulsen was putting together songs for Volbeat's 2021 album, Servant of the Mind, he wrote a bunch of death metal riffs and saved them on his phone. Then, when he was done with the Volbeat record, he reopened the rusty gates to Armageddon and started putting together songs for his new death metal band Asinhell, whose debut album Impii Hora (Latin for Ungodly Hour), is a tribute to Poulsen's favorite old-school groups. The songs are rooted in crushing riffs yet injected with strong guitar hooks and shout-along refrains. 

 Impii Hora will be released September 29 via Metal Blade. Pre-order it
here.

"We're very excited to share the first taste of Asinhell with 'Fall of the Loyal Warrior,'" says Poulsen. "The song is kind of a tribute to bands I love, like Bolt Thrower, Entombed, Autopsy, Grave, and Darkthrone. They're the reason why we can do this in the first place, and we're proud to wear our influences on our sleeve. The album was inspired by late '80s and early '90s old school death metal, and one of our brightest points of inspiration was the mighty Death, fronted by the legendary Chuck Schuldiner. There's a lot of Death in there. Schuldiner is one of my favorite death metal vocalists, the other being our vocalist Marc [Grewe]. So to me, this song is the combination of two of my favorites. 'Let the metal flow,' as Chuck would have said!"

While Poulsen sings in Volbeat and sang for Dominus, he didn't want to front Asinhell. So, in March 2022, he called his old friend, ex-Morgoth singer Marc Grewe (Insidious Disease) and invited him to join the party. "I had known Michael quite a long time and he always mentioned that we should do a death metal project one day, but I never took him too seriously because he was so busy with Volbeat," Grewe says. "Then he called for real and said, 'Yeah, I want to do it now. Are you up for it?' Immediately, I was 'Yes, of course!'"

After considering drummer friends from established bands, Poulsen asked Morten Toft Hansen from Danish group Raunchy to join. Not only does Morten play like a fiend possessed, his and Poulsen's six-year-old daughters are good friends… and, it takes just 10 minutes to drive to Morten's place.

The two veteran musicians started practicing and completed a full song almost every time they got together. Grewe was tied up at home in Germany when it came time to write the vocals, so Poulsen sent the singer phone recordings from rehearsals to start the process. Through Poulsen and Toft Hansen's years of experience and renewed hunger to destroy, they captured a firestorm in a bottle. 

Asinhell went from being a mere idea to recording the piledriving full-length Impii Hora in about a year. Poulsen asked Volbeat's management to help find a home for Asinhell and was thrilled when they mentioned that Metal Blade founder Brian Slagel would love the band. As soon as he heard Impii Hora, Slagel made Asinhell a top priority. "It's such a dream come true for me to get to be on fucking Metal Blade Records," Poulsen exclaims. "When they said they wanted to put out the album, I felt like I was 17 years old again. I was like, 'Oh my God, I'm making a deal with Metal Blade! How cool is that?' It was like I was finally getting the record deal I dreamed of when I was a teenager."

The album will be available in the following formats:
*Jewel case CD
*180g Black Vinyl (Europe excl.)
*Crimson Red Marbled Vinyl (Europe excl.)
*White Vinyl (Europe excl., ltd. 1000)
*Gold/Black Dust (EMP excl., ltd.300)
*Clear w/ Red/White Splatter Vinyl (Europe Band store excl., ltd. 500)
*Silver Vinyl (US excl.)
*Silver w/ Red Splatter Vinyl (US. excl.)
*Black & White Melt Vinyl (US excl.)
*Red/Black Splatter Vinyl (US Band store excl., ltd. 500)

ASINHELL ARE:
 Michael Poulsen — Guitar
Marc Grewe — Vocals
Morten Toft Hansen — Drums 

Lybica, Feat. KsE Drummer Justin Foley, Share "Resonance" Video — WATCH // Touring This Summer

Lybica, a dynamic instrumental 4-piece from South Florida featuring Killswitch Engage drummer Justin Foley on guitar, have carved out an impressive name for themselves over the last year, persistently winning fans over with their flavorful guitar melody and powerful metallic crunch. 

Their self-titled debut album was released last year on Metal Blade Records. Get it 
here.

Today, they have shared the video for album track "Resonance." Watch it 
below.  

Produced by Vince Edwards, this trippy and quirky visual take on the track features background waves that are driven by the audio amplitude of the song and thus change as the audio changes.

"'Resonance' has become a live favorite of mine," says Foley. "Joey's feedback 'solo' in the bridge is different each night, and he really takes it to some spacey places. Come hear it for yourself when we hit the road with Loss Becomes and Godseyes. Can't wait to see you all out there on the road."

As Foley mentioned, Lybica are touring this summer with Loss Becomes. All dates are below.

Also, watch Foley's appearance on Chef Brain Tsao's YouTube channel to discuss some very important topics, namely pizza, 
here. Tsao is also guitarist for Loss Becomes, so it's all in the family! 

LYBICA ON TOUR:
WITH LOSS BECOMES + GODSEYES:

6/28 — Chapel Hill, NC — Local 506*
6/29 — Albany, NY — Empire Underground
6/30 — Amityville, NY — Amityville Music Hall
7/1 — Hamden, CT — Space Ballroom
7/2 — Clifton, NJ — Dingbatz
7/3 — Hampton Beach, NH — Wally's
7/5 — Philadelphia, PA – The Foundry
7/6 — Mechanicsburg, PA — Lovedraft's Brewing
7/7 — Parkersburg, WV — Tracey's Pub
7/8 — Columbus, OH — Big Room Bar
*LYBICA ONLY; HEADLINE DATE

LYBICA ARE:
 Justin Foley — Guitar
Joey Johnson — Guitar
Doug French — Bass
James Christopher Lane — Drums

ABOUT LYBICA:
Lybica's origin story can be traced back to 2020 when it became clear to Justin Foley that he wasn't going to be spending much time with his normal bandmates for a while. Quarantine days still needed to be time well spent, and he'd been working on some demos that he finally decided to share with a few local friends in South Florida. "I'd written a bunch of stuff that didn't quite fit into traditional song structures," Foley says. "And I've always been drawn to bands where the instruments provide hooks, rather than relying on a lyric. It seemed like a good time to start something new and see where it could go."
 
Foley met fellow musicians
Doug French (Gravel Kings) and Joey Johnson(Gravel Kings, Barriers Now Bridges, Days Spent) back in 2016, and they had repeatedly talked about jamming together but never actually got around to it. Foley and French — both drummers by trade — often spoke about trying something different that allowed them each to get out from behind the kit. "I've always wanted to play a stringed instrument," French shares. "And bass felt natural, since it is the other half of the rhythm section."
 
 Johnson grew up playing shows all over Florida, heavily influenced by early punk and then both hardcore and metal. "[People at] all the good places to get a beer kept asking me if I had met Justin, since they know I play music," he recalls. "I heard about him in our town for about a year before we actually met through mutual friends. We hit it off when we started talking [about] instrumental music."
 
When French and Johnson eventually received the demos from Foley, they really liked what they heard. For several months, the three of them emailed music back and forth while learning the parts, especially Foley and French on instruments — guitar and bass, respectively — that they weren't experienced playing. They eventually started playing together with the drum tracks from the demos blasting through the PA speakers. Before too long, they had enough music for a full record and the direction of the band was taking shape.

The band eventually recruited Orlando drummer
James Christopher Lane of A Brilliant Lie to fill its "drummer vacancy." Lane, who was born and raised in Chicago and is currently based in Orlando, joined the band in December 2021.
 
The founding trio soon discovered that they had something else in common besides music.  "The three of us are pretty big cat people," Foley points out. "So it only made sense to call the band Lybica." Named after a small wildcat species native to Africa that is widely considered the godfather of the modern house cat, Lybica is the first known feline species to be tamed and domesticated by humans. Fast forward 10,000 years, and today, Lybica the band are as addictive as catnip. Lybica are poised to make some serious noise in 2023 — fur-real.

Loss Becomes Share "L.O.F." Video — WATCH // Touring This Summer

LOSS BECOMES — Brian Tsao, Guitar; Will Gomez, Bass; Anthony Copozzi, Vocals; Anthony Lopardo, guitars; Sean Ageman, drums — have dropped the video for the new single "L.O.F." The song was originally titled "Capazism."

Watch it
below

"'L.O.F.' Is an abbreviation for 'lube oil filter,' which means 'oil change,'" says Copozzi. "[It's] a term my father has been using to communicate on paper what kind of job needs to be done on a customer's car. He’s been writing this down on a yellow notepad as far back as I can remember over at Nor-Bel Service Center. The song itself is pretty much about a personal 'mental/social oil change.' Oddly enough, when I saw him write it down again, it felt like a good fit to title the song “L.O.F.”

The band will also hit the road this summer with Lybica and Godseyes. All dates are below.

LOSS BECOMES ON TOUR:
6/29 — Albany, NY — Empire Underground
6/30 — Amityville, NY — Amityville Music Hall
7/1 — Hamden, CT — Space Ballroom
7/2 — Clifton, NJ — Dingbatz
7/3 — Hampton Beach, NH — Wally's
7/5 — Philadelphia, PA – The Foundry
7/6 — Mechanicsburg, PA — Lovedraft's Brewing
7/7 — Parkersburg, WV — Tracey's Pub
7/8 — Columbus, OH — Big Room Bar

ABOUT LOSS BECOMES: 
Perhaps you saw him defeating Bobby Flay on his eponymous show Beat Bobby Flay. Or maybe you caught a peek of him leading the kitchen at Beauty & Essex NYC or more recently hosting his very own Williamsburg, Brooklyn sandwich shop, Mission Sandwich Social. But Chef Brian Tsao is not your typical chef.  He wants to fill your ears as much as he wants to fill your belly. So with a heavy appetite for heavy music, Tsao picked up his guitar and was ready for a new adventure with some incredible musicians, including Will Gomez, a hospital radiologic technologist who earned his stripes as the former bassist of NYC bands Johnny Cage Is a Fake and Tiger Flowers. In search of a powerful voice, all roads led to Anthony Copozzi, who earned his vocal chops as lead singer of Long Island metal act Thracian.
 
LOSS BECOMES are a modern take on classic metalcore with hardcore tendencies. The music is unforgivingly aggressive and executed with intensity and vigor. Anthony’'s ferocious enthusiasm can be heard on every lyric, giving the band what can only be described as a full aural assault.
 
LOSS BECOMES recorded its first full-length at Long Island’s Westfall Recording Co. with producer Anthony Lopardo at the helm (Moon Tooth, Johnny Booth, Give Up The Goods). He has since joined the band as second guitarist.  The self-titled debut was released in late 2021, garnering widespread praise and attention among its peers and fans with hard hitting anthems such as "Moments', 'Healing' and 'Demons', and resulting in LOSS BECOMES sharing stages with the likes of Alien Weaponry, Moon Tooth, Nekrogoblikon, Resistor and Dr. Acula to name a few.

Another recent addition is drummer Sean Agemen, who mastered his chops in previous acts Give Up The Goods and Sargasm.  Sean's production company Washed Up Media handles video production and photoshoots for the band among other clients, and also helps produce and promote local shows, all adding to the impressive DIY ethic that LOSS BECOMES has become known for.  The formidable 5-piece are ready to take the next step, with plenty of new music planned for the coming months....be on the lookout!

Death Ray Vision (Feat. KsE bassist Mike D) Announce New Album + Share "From the Rafters" Video

NEW ALBUM NO MERCY FROM ELECTRIC EYES ON JUNE 30 VIA METAL BLADE RECORDS

BAND FEATURES KILLSWITCH ENGAGE BASSIST MIKE D'ANTONIO AND INTRODUCES NEW VOCALIST

Birthed at the juncture where hardcore and punk meet metal, DEATH RAY VISION have announced their forthcoming third album, No Mercy From Electric Eyes, due out June 30 via Metal Blade Records. Pre-order it
here.

Today, the band has shared the video for "From the Rafters." Watch it
below.

"When society breaks down and justice is no longer upheld, the kids will take to the streets in revolt," says bassist Mike D. "This is a song about injustice and rebellion — it does not pull any punches."

DEATH RAY VISION ARE:
Keith Bennett — Vocals
Chris Rosati — Guitar/vocals
Pete Cortese — Guitar
Mike D'Antonio — Bass
Colin Conway — Drums

DEATH RAY VISION ON TOUR:
6/9 — Hampton Beach, NH — Casino Ballroom (w/ Killswitch Engage)
6/23 — Holyoke, MA — GatewayCity Arts (w/Tree)
6/24 — Brooklyn, NY — Kingsland (w/Tree)
6/25 — Providence, RI — Alchemy (w/Tree)
6/30 — Cambridge, MA — Sonia (Record Release Show w/ Burning Wind, Apollyon, Grotesqueries and Klaxon)

ABOUT DEATH RAY VISION:
Commencing writing in late 2018 following a tour with Killswitch Engage — who share bassist Mike D'Antonio with DRV — the band had a lot of creative momentum still burning following that year's Negative Mental Attitude and kept it rolling.  The results will demonstrate that they are playing at the top of their game.  "We're a lot more cohesive as a band after playing together for so many years, and we've gotten better at songwriting and collaborating to bring out the best in everyone’s ideas," says guitarist Pete Cortese.

A further new dimension affecting the sound is the addition of vocalis Bennett to the band's ranks, who the existing members knew would be the perfect fit from his time with notable acts Wrecking Crew, Panzerbastard (both of whom shared the stage with Cortese and D'Antonio's other band Overcast), and Ramallah. "Keith brings a whole lot of piss and vinegar, with a side of street cred. He brought a new sense of enthusiasm and excitement and got us even more fired up to make a great record," says Cortese. Guitarist Chris Rosatiadds, "Creatively speaking, Keith is a force of nature. His ability to get inside a new song and quickly come up with vocals and lyrics is really something to witness." 

Lyrically, No Mercy From Electric Eyes is a more politically charged record than their previous releases - “it’s more pissed off, and anyone paying attention to the state of the world can understand why,” says Cortese - but it’s also deeply personal for Bennett. “Every word I’m singing is from the heart,” says the vocalist. “I should have been dead a few years ago, I’m here for a reason. These lyrics are a direct line to how I feel, how I live, what I see."

When it came to tracking, drummer Colin Conway laid down his parts at Mad Oak studio with long time associate Benny Grotto, while everything else was recorded, engineered and produced by Rosati at his home studio, Mass Metal Studios.

The record is wrapped up with a title drawn from the lyrics of one of the tracks — Cortese pointing out that it makes perfect sense given their band name - and vivid artwork courtesy of D'Antonio, which according to the bassist stems from the idea "of 'being under the thumb of an ethereal overlord.' The fear of knowing the 'master' is watching your every move, from a short distance away. In this world, only obedience is accepted and absolutely no mercy is given to those who fail.” Having poured so much of their hearts and souls into No Mercy From Electric Eyes, the band hope to play the songs live as much as possible, and have aspirations of touring outside of the US for the first time, but at the end of the day they are proud of what they have achieved and believe they are worth giving a damn about, because they give a damn about everything they do. "We made a great record that doesn’t sound like many contemporary metal bands," says Cortese. "It's heavy as fuck without having to rely on drop Z tuning, and it's a great balance of aggressive and melodic without sounding contrived.”

Death Ray Vision (Feat. KsE bassist Mike D) Announce New Album + Share "Behead the King" Video — WATCH👑

DEATH RAY VISION  TO DROP NEW ALBUM NO MERCY FROM ELECTRIC EYES ON JUNE 30 VIA METAL BLADE RECORDS

BAND FEATURES KILLSWITCH ENGAGE BASSIST MIKE D'ANTONIO AND INTRODUCES NEW VOCALIST


Birthed at the juncture where hardcore and punk meet metal, DEATH RAY VISION have announced their forthcoming third album, No Mercy From Electric Eyes, due out June 30 via Metal Blade Records. Pre-order it here.

Today, the band has shared the video for "Behead the King." Watch the video below

"'Behead the King' is about the helplessness you feel watching the world burn around you and being powerless to do anything about it," says guitarist Pete Cortese. "It was a blast working with director Anthony Jarvis on the video."

"This new Death Ray Vision record is ready to rip your face off," shares bassist Mike D'Antonio. "With release day imminent, we are very excited to unveil the newest DRV video for 'Behead the King.' Paying homage to Boston, both past and present, it features DRV's newest member — Keith Bennett on vocals. Filled with blistering riffs and mind-melting breakdowns, get ready forNo Mercy From Electric Eyes."

DEATH RAY VISION ARE:
Keith Bennett — Vocals
Chris Rosati — Guitar/vocals
Pete Cortese — Guitar
Mike D'Antonio — Bass
Colin Conway — Drums

DEATH RAY VISION ON TOUR:
6/9 — Hampton Beach, NH — Casino Ballroom (w/ Killswitch Engage)
6/23 — Holyoke, MA — GatewayCity Arts (w/Tree)
6/24 — Brooklyn, NY — Kingsland (w/Tree)
6/25 — Providence, RI — Alchemy (w/Tree)
6/30 — Cambridge, MA — Sonia (Record Release Show w/ Burning Wind, Apollyon, Grotesqueries and Klaxon)

ABOUT DEATH RAY VISION:
Commencing writing in late 2018 following a tour with Killswitch Engage — who share bassist Mike D'Antonio with DRV — the band had a lot of creative momentum still burning following that year's Negative Mental Attitude and kept it rolling.  The results will demonstrate that they are playing at the top of their game.  "We're a lot more cohesive as a band after playing together for so many years, and we've gotten better at songwriting and collaborating to bring out the best in everyone’s ideas," says guitarist Pete Cortese.

A further new dimension affecting the sound is the addition of vocalis Bennett to the band's ranks, who the existing members knew would be the perfect fit from his time with notable acts Wrecking Crew, Panzerbastard (both of whom shared the stage with Cortese and D'Antonio's other band Overcast), and Ramallah. "Keith brings a whole lot of piss and vinegar, with a side of street cred. He brought a new sense of enthusiasm and excitement and got us even more fired up to make a great record," says Cortese. Guitarist Chris Rosatiadds, "Creatively speaking, Keith is a force of nature. His ability to get inside a new song and quickly come up with vocals and lyrics is really something to witness." 

Lyrically, No Mercy From Electric Eyes is a more politically charged record than their previous releases - “it’s more pissed off, and anyone paying attention to the state of the world can understand why,” says Cortese - but it’s also deeply personal for Bennett. “Every word I’m singing is from the heart,” says the vocalist. “I should have been dead a few years ago, I’m here for a reason. These lyrics are a direct line to how I feel, how I live, what I see."

When it came to tracking, drummer Colin Conway laid down his parts at Mad Oak studio with long time associate Benny Grotto, while everything else was recorded, engineered and produced by Rosati at his home studio, Mass Metal Studios.

The record is wrapped up with a title drawn from the lyrics of one of the tracks — Cortese pointing out that it makes perfect sense given their band name - and vivid artwork courtesy of D’Antonio, which according to the bassist stems from the idea “of ‘being under the thumb of an ethereal overlord’. The fear of knowing the ‘master’ is watching your every move, from a short distance away. In this world, only obedience is accepted and absolutely no mercy is given to those who fail.” Having poured so much of their hearts and souls into No Mercy From Electric Eyes, the band hope to play the songs live as much as possible, and have aspirations of touring outside of the US for the first time, but at the end of the day they are proud of what they have achieved and believe they are worth giving a damn about, because they give a damn about everything they do. “We made a great record that doesn’t sound like many contemporary metal bands,” says Cortese. “It’s heavy as fuck without having to rely on drop Z tuning, and it’s a great balance of aggressive and melodic without sounding contrived.”

Ingested Share "With Broken Wings" Video — WATCH // U.S. Tour Kicks Off Next Week

NEW ALBUM ASHES LIE STILL OUT NOW VIA METAL BLADE

NORTH AMERICAN HEADLINE TOUR KICKS OFF NEXT WEEK

INGESTED released Ashes Lie Still last fall via Metal Blade. Get it here.

Today, the band has shared the video for "With Broken Wings." Watch it below.

It's truly a slice of life — Ingested style!

"Manchester has always been a big part of our identity, so we wanted to the video to be a nod and a homage to our roots and the music we grew up listening to as kids," says singer Jason Evans. "We filmed it on location on a street in a Manchester housing estate, in one continuous take. No bells or whistles, just a dirty Manc, on a Mancunian street, with some fucking heavy riffs! This is our home. Enjoy!"

Ingested will return to the road on a North American headline tour next week. All dates are below.

INGESTED ON TOUR: 
WITH DEVOURMENT, EXTERMINATION DISMEMBERMENT, + ORGANECTOMY

 5/4 — Brooklyn, NY — Brooklyn Monarch
5/5 — Mechanicsburg, PA — Lovecraft's
5/6 — Baltimore, MD — Soundstage
5/7 — Greensboro, NC — Hanger 1819
5/9 — Miami, FL — Gramps*
5/10 — Orlando, FL — Conduit*
5/11 — Atlanta, GA — Masquerade
5/12 — Nashville, TN — The End
5/13 ­— Little Rock, AR — Rev Room**
 5/14 — Fort Worth, TX — Rigdlea Room
5/16 — Houston, TX —Scout Bar**
5/17 — Austin, TX — Come and Take It Live**
5/18 — Albuquerque, NM —Launchpad
5/19 — Mesa, AZ — Nile Underground 
5/20 — Anaheim, CA —Chain Reaction
5/21 — San Francisco, CA — Neck Of The Woods
5/23 — Portland, OR — Bossanova Ballroom^
5/24 — Seattle, WA — El Corazon^
5/25 — Spokane, WA — The Big Dipper
5/26 — Boise, ID — The Shredder
5/27 — Salt Lake City, UT — Metro Music Hall
5/28 — Denver, CO — Roxy Theater
5/30 — Chicago, IL — Cobra Lounge#
5/31 — Detroit, MI — Sanctuary#
6/1 — Cleveland, OH — No Class#
6/2 — Toronto, ON —Velvet Underground#
6/3 — Montreal, QC — Foufones Electriques#
6/4 — Cambridge, MA —Sonia#
*With Implosive Disgorgence
**With Peeling Flesh
^With I Declare War
#With Vomit Forth

ABOUT INGESTED:
Ingested are the flagbearers of modern UK death metal. They have been churning out bilious anti-anthems for more than a decade-and-a-half, dropping a string of releases that have helped shape the genre. They return with Ashes Lie Still, their most dynamic, inventive, and daring release to date, holding nothing back. The band describes it as "a modern essential. It still has the core Ingested elements of groovy slamming riffs, quick drumming, and guttural vocals but there's also atmosphere, ethereal moments, and some raw old school aggression."  Over the course of 10 tracks, Ingested hack, slash, and steamroll through everything in their path, and Ashes Lie Still easily stands as the highpoint of an already impressive career. Founded in 2006 in Manchester, England, Ingested have since toured extensively with Cannibal Corpse, The Black Dahlia Murder, Nile, Carnifex, and Revocation, and have been seen on European festival stages including Summer Breeze Open Air. Slimmed down to a three-piece, the band feels it is in the best place it ever has been, enabling the members to work at the top of their game.

Ashes Lie Still was mixed and mastered by Christian Donaldson. It was co-produced by the band and previous collaborator Nico Beninato, with drummerLyn Jeffs living close to Beninato's studio in Mallorca and recording his drums there, while Sean Hynes recorded his guitars at home in the UK with the producer assisting remotely. Vocal tracking was interrupted by Jason Evansfalling seriously ill when finally making it to Mallorca and was ultimately tracked back in Manchester. Bass was again supplied by Dominic Grimard (Ion Dissonance/The Last Felony).

Ingested succinctly encapsulate their existence, saying, "We've always been the underdogs, always fighting for scraps. Well it's time to get out of the fucking way, because now it's our turn to eat at the table."

You've. Been. Warned.

INGESTED ARE:
Jason Evans — Vocals
Sean Hynes — Guitars + Backing Vocals
Lyn Jeffs — Drums

NEW ALBUM VOYAGE OUT TODAY, APRIL 21 VIA METAL BLADE 

New York City's Tanith  — Russ Tippins (guitars, vocals), Cindy Maynard(bass, vocals), and Keith Robinson (drums) — have released their new album Voyage, out April 21 via Metal Blade. Get it here.

 The album was recorded and mastered on 24-track analog tape and has never been digitized from recording to pressing. Also, fans will recognize Tippins from NWOBHM legend Satan.

Today, the band has shared the video for "Flame." Watch it below.

"To us, 'Flame' is a standout track," the band says. "Firstly, it's written in a major key, which isn't too common in metal these days, and, Cindy plays keys on the intro! Although the lyrical theme is pretty dark, we made sure to keep the music upbeat and positive. We really had the best time making this video at Saint Vitus... enjoy!"

The record will be available digitally, on CD, and via multiple vinyl variants.

ABOUT TANITH:
There is perhaps no band keeping the spirit and sound of '70s hard rock and heavy metal alive more so than Tanith.

Formed in 2017, the band embraced that era wholeheartedly, resulting in 2019's aptly titled In Another Time, which instantly earned cult status and put them on the map. Now, they return with Voyage, picking up where they left off and once again demonstrating their mastery when it comes to this niche. "I wanted more of the same but different in some marginal way," explains vocalist/guitarist Russ Tippins (also of Satan). "Voyage is the sound of the universe speaking to mankind through the medium of Tanith. Or, if you like, twin-guitar heavy rock with dual singers which, if you grew up in the 1970s, will make you want to bounce over to the nearest record store. On a space hopper."

While their debut came together easily, this time around there were hurdles to overcome, first and foremost the COVID-19 lockdown, which geographically split up the band, Tippins living in the UK while vocalist/bassist Cindy Maynard and drummer Keith Robinson dwelt in Brooklyn. Once life finally returned to "normal" and they were ready to record, they were hit by another bombshell with guitarist Charlie Newton abruptly bowing out of the band the day before tracking began.

"Speaking as one part of a two-guitar band, it felt like trying to fly with one wing," says Tippins. "It happened so suddenly we were dumbstruck. I guess we sat around for a few days thinking he was sure to walk through the door at any moment. But soon enough we realized we'd have to try to find a way to make this record without Charlie and I’m not just talking about laying down his lines. It’s about the shared dream we had with him. The conviction he brought to that dream. The four-way belief now reduced to three."

Returning to Brooklyn's Excello Recording and engineer Hugh Pool — the same combination used for tracking In Another Time — the band produced the album themselves, with Pool mixing. The sessions were a fun time for Tanith, again recording to tape rather than digital and utilizing vintage amps and speakers to find the best possible sounds for the instruments. "Just having the time every day all day to be in the music was a big deal and all of our energy went into this project even after leaving the studio," says Maynard. "We were thinking and breathing the music, constantly working on parts and ideas. We came in well prepared overall, and that gave us time to try out different sounds for different parts to get just the thing we were looking for." Given that they established themselves as a twin-guitar band on their debut they also brought in an extra player, Andee Blacksugar, best known for touring with Peter Murphy and as a member of KMFDM, now also a member of Blondie, who Robinson had played with before. 

With the record fully realized, the band are eager for people to hear it, and they are confident that it is worth taking the time to listen to it — and experience it — in all its old school glory.  Tippins says, "I can think of only two other rock bands in the entire world right now that records onto 24-track analog tape. If all you've ever known is digitally produced music you really need to listen to Voyage on vinyl and experience the difference. And I'm not talking about vinyl pressed from masters recorded on Pro Tools. At no point from tracking to pressing has any of the music on Voyage been digitized. It will open your eyes."

Gozu Share New Single "CLDZ" — LISTEN

 FIFTH ALBUM REMEDY OUT MAY 19 BLACK LIGHT MEDIA/METAL BLADE

Boston's GOZU — Marc Gaffney (vocals and guitar); Joseph Grotto(bass); Doug Sherman (lead guitar); and Seth Botos (drums) — return riffing and screaming with their fifth full-length Remedy. It arrives via Black Light Media/Metal Blade on May 19. Pre-order it here.

Today, the band has shared the new single "CLDZ." Listen below

 "Rain or shine, these 'CLDZ' will brighten your day, every single time," the band states.

The record was engineered and mixed by Dean Baltulonis (Death Ray Vision, The Hope Conspiracy) at Wild Arctic Studios in Portsmouth, New Hampshire. It was mastered by Ryan Williams at Augmented Audio.

The record was engineered, mixed, and mastered by Dean Baltulonis (Death Ray Vision, The Hope Conspiracy) at Wild Arctic studios in Portsmouth, New Hampshire. The album will be available via Digital/Streaming, CD, and vinyl. The U.S. vinyl variant will be Blue/White Melt, while the European vinyl variant will be Red/Black Melt. 

About the album Gozu says, "A wise man said, 'To rock is human, to roll is divine. Gozu's Remedy should be cranked at full volume, all the time,"

Gozu will be on tour next month, as well. They share, "On May 19, Gozu hit the road with some serious BGVs. Get ready to stop, drop, and open up shop! See you all at a club near you. Woooo." All dates are below.

GOZU ON TOUR:
5/19 — Brooklyn, NY — Saint Vitus
5/20 — Philadelphia, PA — Kung Fu Necktie
5/21 —  Pittsburgh, PA — Green Beacon Gallery
5/23 — Indianapolis, IN — Black Circle *
5/24 — Columbus, OH — Ace of Cups *
5/25 — Newport, KY — Southgate House/Revival Room *
5/26 — Chicago, IL — Reggies / Music Joint *
5/27 — Lincoln, NE — Cosmic Eye Brewery
5/28 — Denver, CO —The Crypt
5/30 — Houston, TX — Black Magic Social Club
5/31 — Austin, TX — The Lost Well
6/1 — Arlington, TX — Division
6/2 — New Orleans, LA — Gasa Gasa
6/3 — Nashville, TN — Springwater *
6/4 — Atlanta, GA — Boggs Social & Supply *
6/5 — West Columbia, SC — New Brookland Tavern *
6/7 — Raleigh, NC — The Pour House *
*With Ancient Days

ABOUT GOZU:
This is Gozu's world, we're just living in it. Given that it has been five years since the Boston quartet dropped the monstrous Equilibrium, returning with Remedy is one hell of a way to make sure that everyone — whether previously familiar with them or otherwise — realizes that they are perhaps the most badass of American rock bands, for they have taken everything to the next level.

"There is a certain maturity mixed with a childlike enthusiasm to play music, and we all are better players now than on Equilibrium," says vocalist/guitarist Marc Gaffney. "We have all really tried to look at what we enjoy but more what we do not enjoy. Playing music is a gift and when it becomes A Nightmare on Elm St Part 37.3, you are done." The result is nine tracks of their signature combination of fuzzy, '70s-inspired riffs, rich, catchy, grunge-esque vocal melodies and a touch of old school trippy psychedelia written and played with the utmost passion and enthusiasm, eclipsing everything else in their catalogue. "The band wanted a very heavy groove-oriented album with singalong choruses. We also wanted sonically to hit you in the chest, like a three-combination, left-right-left, like Micky Ward. Harmonies and melodies were something we really looked at and wanted to shine, and thick guitar tones, driving bass and drums were under the microscope."

One element that gave the band a kick in the pants going into Remedy was drummer Seth Botos joining Gaffney, guitarist Doug Sherman and bassist Joe Grotto. "Seth brings such an impeccable work ethic and freshness to the band that it was infectious. He is the breath of delicious fresh air the three old men needed. He reminds us of a young Kevin Bacon/Wayne Rooney." Auditioning drummers ate up some of the time elapsed between records but like for so many bands the biggest obstacle was COVID, which slowed down the whole process.

Recording with honorary fifth member of Gozu, producer/engineer Dean Baltulonis (Death Ray Vision, The Hope Conspiracy) at Wild Arctic studios in Portsmouth, New Hampshire, sessions were unlike any that the band had previously experienced. Botos laid his drums down in just a day-and-a-half, taking all suggestions his bandmates had and putting his signature spin on them, echoing the fact that they were all invested in the process more than ever before. 

The band obviously hopes to tour the record after so long off the road, and they would love the opportunity to share the stage with bands they admire. When asked what other unfulfilled goals they have at this juncture, Gaffney answers without hesitation: "To always improve, write better, play better, enjoy everything that we are offered and take advantage of it. I feel we are always setting goals for ourselves so we are not stagnant or believe we can’t do more. The goal should always be to have fun, kill it and let the music set people free. The minute we stop setting goals and challenges for ourselves is the minute we have failed."

Tanith Share "Olympus By Dawn" Video — WATCH

NEW ALBUM VOYAGE OUT APRIL 21 VIA METAL BLADE 

New York City's Tanith  — Russ Tippins (guitars, vocals), Cindy Maynard(bass, vocals), and Keith Robinson (drums) — previously announced their new album Voyage, out April 21 via Metal Blade. Pre-order it here.

 The album was recorded and mastered on 24-track analog tape and has never been digitized from recording to pressing. Also, fans will recognize Tippins from NWOBHM legend Satan.

Today, the band has shared the video for "Olympus By Dawn." Watch it below.

"On 'Olympus,' we were looking for a different dynamic with a clean guitar riff woven around heavy bass and drums," the band says. "The lyric relates the feeling of performing while sleep-deprived, something we experienced on our last tour.  With the video, we were trying to reinforce the feeling of the song with a dream-like vibe. We are thrilled with how both the song and video turned out!"

ABOUT TANITH:
There is perhaps no band keeping the spirit and sound of '70s hard rock and heavy metal alive more so than Tanith.

Formed in 2017, the band embraced that era wholeheartedly, resulting in 2019's aptly titled In Another Time, which instantly earned cult status and put them on the map. Now, they return with Voyage, picking up where they left off and once again demonstrating their mastery when it comes to this niche. "I wanted more of the same but different in some marginal way," explains vocalist/guitarist Russ Tippins (also of Satan). "Voyage is the sound of the universe speaking to mankind through the medium of Tanith. Or, if you like, twin-guitar heavy rock with dual singers which, if you grew up in the 1970s, will make you want to bounce over to the nearest record store. On a space hopper."

While their debut came together easily, this time around there were hurdles to overcome, first and foremost the COVID-19 lockdown, which geographically split up the band, Tippins living in the UK while vocalist/bassist Cindy Maynard and drummer Keith Robinson dwelt in Brooklyn. Once life finally returned to "normal" and they were ready to record, they were hit by another bombshell with guitarist Charlie Newton abruptly bowing out of the band the day before tracking began.

"Speaking as one part of a two-guitar band, it felt like trying to fly with one wing," says Tippins. "It happened so suddenly we were dumbstruck. I guess we sat around for a few days thinking he was sure to walk through the door at any moment. But soon enough we realized we'd have to try to find a way to make this record without Charlie and I’m not just talking about laying down his lines. It’s about the shared dream we had with him. The conviction he brought to that dream. The four-way belief now reduced to three."

Returning to Brooklyn's Excello Recording and engineer Hugh Pool — the same combination used for tracking In Another Time — the band produced the album themselves, with Pool mixing. The sessions were a fun time for Tanith, again recording to tape rather than digital and utilizing vintage amps and speakers to find the best possible sounds for the instruments. "Just having the time every day all day to be in the music was a big deal and all of our energy went into this project even after leaving the studio," says Maynard. "We were thinking and breathing the music, constantly working on parts and ideas. We came in well prepared overall, and that gave us time to try out different sounds for different parts to get just the thing we were looking for." Given that they established themselves as a twin-guitar band on their debut they also brought in an extra player, Andee Blacksugar, best known for touring with Peter Murphy and as a member of KMFDM, now also a member of Blondie, who Robinson had played with before. 

With the record fully realized, the band are eager for people to hear it, and they are confident that it is worth taking the time to listen to it — and experience it — in all its old school glory.  Tippins says, "I can think of only two other rock bands in the entire world right now that records onto 24-track analog tape. If all you've ever known is digitally produced music you really need to listen to Voyage on vinyl and experience the difference. And I'm not talking about vinyl pressed from masters recorded on Pro Tools. At no point from tracking to pressing has any of the music on Voyage been digitized. It will open your eyes."

Gozu Announce New Album "Remedy" + Share "Tom Cruise Control" Video — WATCH

Boston's GOZU — Marc Gaffney (vocals and guitar); Joseph Grotto(bass); Doug Sherman (lead guitar); and Seth Botos (drums) — return riffing and screaming with their fifth full-length Remedy.

It arrives via Black Light Media/Metal Blade on May 19. Pre-order it here.

Today, the band has shared the video for "Tom Cruise Control." Watch it below.
 
"'Tom Cruise Control' will take you riding into the danger zone," the band shares. "It will take you right into the danger zone! Turn 'n Burn."

The record was engineered, mixed, and mastered by Dean Baltulonis (Death Ray Vision, The Hope Conspiracy) at Wild Arctic studios in Portsmouth, New Hampshire. The album will be available via Digital/Streaming, CD, and vinyl. The U.S. vinyl variant will be Blue/White Melt, while the European vinyl variant will be Red/Black Melt. 

About the album Gozu says, "A wise man said, 'To rock is human, to roll is divine. Gozu's Remedy should be cranked at full volume, all the time,"

Gozu will also hit the road this May. 

 "On May 19, Gozu hit the road with some serious BGVs. Get ready to stop, drop, and open up shop! See you all at a club near you. Woooo."

All dates are below.
GOZU ON TOUR:
5/19 — Brooklyn, NY — Saint Vitus
5/20 — Philadelphia, PA — Kung Fu Necktie
5/21 —  Pittsburgh, PA — Green Beacon Gallery
5/23 — Indianapolis, IN — Black Circle *
5/24 — Columbus, OH — Ace of Cups *
5/25 — Newport, KY — Southgate House/Revival Room *
5/26 — Chicago, IL — Reggies / Music Joint *
5/27 — Lincoln, NE — Cosmic Eye Brewery
5/28 — Denver, CO —The Crypt
5/30 — Houston, TX — Black Magic Social Club
5/31 — Austin, TX — The Lost Well
6/1 — Arlington, TX — Division
6/2 — New Orleans, LA — Gasa Gasa
6/3 — Nashville, TN — Springwater *
6/4 — Atlanta, GA — Boggs Social & Supply *
6/5 — West Columbia, SC — New Brookland Tavern *
6/7 — Raleigh, NC — The Pour House *
*With Ancient Days

ABOUT GOZU:
This is Gozu's world, we're just living in it. Given that it has been five years since the Boston quartet dropped the monstrous Equilibrium, returning with Remedy is one hell of a way to make sure that everyone — whether previously familiar with them or otherwise — realizes that they are perhaps the most badass of American rock bands, for they have taken everything to the next level.

"There is a certain maturity mixed with a childlike enthusiasm to play music, and we all are better players now than on Equilibrium," says vocalist/guitarist Marc Gaffney. "We have all really tried to look at what we enjoy but more what we do not enjoy. Playing music is a gift and when it becomes A Nightmare on Elm St Part 37.3, you are done." The result is nine tracks of their signature combination of fuzzy, '70s-inspired riffs, rich, catchy, grunge-esque vocal melodies and a touch of old school trippy psychedelia written and played with the utmost passion and enthusiasm, eclipsing everything else in their catalogue. "The band wanted a very heavy groove-oriented album with singalong choruses. We also wanted sonically to hit you in the chest, like a three-combination, left-right-left, like Micky Ward. Harmonies and melodies were something we really looked at and wanted to shine, and thick guitar tones, driving bass and drums were under the microscope."

One element that gave the band a kick in the pants going into Remedy was drummer Seth Botos joining Gaffney, guitarist Doug Sherman and bassist Joe Grotto. "Seth brings such an impeccable work ethic and freshness to the band that it was infectious. He is the breath of delicious fresh air the three old men needed. He reminds us of a young Kevin Bacon/Wayne Rooney." Auditioning drummers ate up some of the time elapsed between records but like for so many bands the biggest obstacle was COVID, which slowed down the whole process.

Recording with honorary fifth member of Gozu, producer/engineer Dean Baltulonis (Death Ray Vision, The Hope Conspiracy) at Wild Arctic studios in Portsmouth, New Hampshire, sessions were unlike any that the band had previously experienced. Botos laid his drums down in just a day-and-a-half, taking all suggestions his bandmates had and putting his signature spin on them, echoing the fact that they were all invested in the process more than ever before. 

The band obviously hopes to tour the record after so long off the road, and they would love the opportunity to share the stage with bands they admire. When asked what other unfulfilled goals they have at this juncture, Gaffney answers without hesitation: "To always improve, write better, play better, enjoy everything that we are offered and take advantage of it. I feel we are always setting goals for ourselves so we are not stagnant or believe we can’t do more. The goal should always be to have fun, kill it and let the music set people free. The minute we stop setting goals and challenges for ourselves is the minute we have failed."