The Iron Roses Announce "The Iron Roses" + Share "Screaming for a Change" Video — WATCH🌹

The Iron Roses  — Nathan Gray (They/Them), vocals; Becky Fontaine (She/Her), vocals; Philip "Eugenius" Smith (He/Him), guitar and vocals; Pedro Aida (He/Him), guitar and backing vocals; Michael Espinosa (He/Him), bass and backing vocals; and Steve Cerri(He/Him), drums — are a passionate, unique, and beautiful group of people making music that they hope will change the world. 

Their sound is fueled by the injustices of our current times — their songs are the kind of protest anthems that only a group of seasoned musicians could make. Still angry, still driven, and still screaming, this is a band that will never give up the fight.

The band will drop its self-titled album via Iodine Recordings on October 20. Pre-order it
here.

Also, The Iron Roses shared the video for the incendiary first single "Screaming for a Change."

Watch it below

"Kicking off an album meant to both inspire an uprising against old systems and old ideals, 'Screaming for a Change' stands as an anthem for those ready to take their power back," vocalist Nathan Gray states. "We knew this song was the perfect choice to kick off our album and introduce ourselves to the world, as it perfectly sets up what you can expect from The Iron Roses — politically charged, anthemic punk rock with reggae, ska, and, yes, even some post-hardcore and metal influences. This is a song that firmly plants its feet and raises its middle finger in the air. We ain't backing down without a fight."

Regarding the accompanying video, Becky Fontaine continues, "The video is our introduction to the world, not only by its assertion of our social and politically-forward message, but our hearts as a diverse group of humans who don't take themselves too seriously. When we are on stage together, we are having the time of our lives, and we really wanted the video to reflect that joy, and our chemistry together. 'Screaming for a Change' doesn't need to be done in anger; it can be joyful and life-affirming. Simply existing in love and autonomy is a middle finger in the face of those who wish to see us stay down in misery; might as well shine!"
 
            It takes serious talent to write and sing songs that sound angry while the music lifts your spirits. So much of political punk is abrasive and unpleasant. No hooks. No melodies. But other times passionate and irate words sound incongruent with emotionless and insipid music. The Iron Roses manage something rare and commanding with music that lifts the heart coupled powerfully with lyrics that express fury and resentment of the current world. 
 
            Punk as a genre has been so commodified and diluted over the last decades that it seems to be ever-increasingly hard to find bands that resonate this way — that sing and play with such intensity that their authenticity cannot be questioned, that prove that true punk is alive and well and can have you dancing around your kitchen singing along at the top of your voice. 
 
            Yes, we can discuss their pedigree, as well — most notably their frontperson Nathan Gray (of Boysetsfire fame), and their relentless touring and political activism. But none of those things matter if the songs don't connect with the listener. And this collection of songs are going to do just that. From the opening notes of the first song, the cards are on the table. The objective is clear — The Iron Roses are putting to words and music all the thoughts you've had these last few dark years. With the worldwide political climate leaning further and further from the left. With rights for many being limited and destroyed. With no end in sight. We need bands like The Iron Roses giving us a soundtrack to fight. Songs to pour our anger and frustration into when we sing along - just as they did when they wrote and recorded them — and will be doing so from stage when they hit the road hard this autumn. 

The Devil's Trade premiere new album on YouTube

'Vid​é​kek Vannak Idebenn' came at a strange time for Dávid György Makó.  

Makó started The Devil's Trade ten years ago, as a solitary journey between him and his banjo. But once he started working on this album, he began to feel like that phase of his life was ending - though he wasn't quite sure what the next one looked like.  Instead, he found himself in a paralyzed state, floating somewhere between past and present.

Out of that liminal space came 'Vid​é​kek Vannak Idebenn'. At times, the new album harkens back to the stark and doomy meditation on folk music that Makó honed on earlier albums. 
"Clear Like the Wind" is so stripped-down and quiet that you can hear Makó's right hand sliding up and down his guitar, repeating a simple but haunted melody. 

But 'Vid​é​kek Vannak Idebenn' also marks a turning point, when The Devil's Trade grew into something that looks more like a band. Makó brought in his old friend and former bandmate Gáspár Binder, whose dark and stormy drumming sets off the booming thundercloud of
the title track. Makó also leans heavier into electronic textures. Synths shroud "Flashing Through the Lack of Light"like smoke shifting down a mountain.

"This album has given me so much hardship, confirmation, lessons and joy from the first moment I started to work on it, even when it was still a secret," says Makó. "And now it is out to live on its own. I hope you will enjoy it!"    

'Vid​é​kek Vannak Idebenn' is out this Friday, July 14 on Season of Mist. Pre-save the album 
HERE and pre-order it HERE

liminal
/ˈlɪmɪnl/
adjective
TECHNICAL

  1. occupying a position at, or on both sides of, a boundary or threshold.

"I was in the liminal space between past and present"
 

It is of no surprise liminal space is a key element in the next phase of The Devil’s Trade’s fourth album, ’Vidékek vannak idebenn’ (a title that loosely translates to ’There Are Landscapes Within’) as Dávid Makó, the man behind the moniker has indeed arrived to a threshold in his career, where the phase starting with his self-released debut ’Those Miles We Walked Alone’ ended after his latest album ’The Call of the Iron Peak’. The concept of liminal space itself is a not necessarily pleasant state of mind where you left behind your old life, but new doors haven’t exactly opened just yet. 

As Makó states ’The process my first three records pieced together ended, that was no path for me to take anymore, but to take a step forward I had to make decisions I wasn’t inspired enough to make.’ – and from this frustrated, sort of paralyzed state of floating, a new incarnation of The Devil’s Trade was born and so was ‘Vidékek vannak idebenn’ along with it.

While still true to his solo artist roots, delivering gut-wrenching melodies of darkness and beauty on his own, Makó needed an expansion to his universe. With the addition of long-time friend and former bandmate Gáspár Binder on drums and a live keyboard player, he finally took the much needed step forward and ‘Vidékek vannak idebenn’ portrays the next sonic phase of The Devil’s Trade.

A soundtrack to the next phase of his life. A soundtrack to souls stuck in liminal space, hungry to adapt to new realities and to grow further, outside the boundaries which so often shackle them.


Style: Dark Doom Folk

Recording studio: Templom, Budapest Hungary
Producer: Makó Dávid
Mix/Master: Szabolcs Szűcs

Recording line-up:
Dávid Makó: vocals, guitars, keyboards, banjo
Gáspár Binder: drums

Line-up:
Dávid Makó: vocals, guitars, banjo
Gáspár Binder: drums
Gábor Tóth: keyboard

Cover artwork: 
Bálint Benkő (Volume Of Voids)

Links:
www.facebook.com/TheDevilsTrade
www.thedevilstrade.bandcamp.com
www.youtube.com/user/mdgytdt
www.instagram.com/thedevilstrade
https://linktr.ee/thedevilstrade

Shop: 
https://redirect.season-of-mist.com/TDTVVI

Formats:
Digital
Digipak
Vinyl in various colours
Merch

Parmalee Celebrates 10th Anniversary of Opry Appearances with Special Dedication

With three #1 singles to their credit, multi-platinum hitmakers Parmalee celebrated 10 years of Grand Ole Opry appearances last night, with a three-song set and a special dedication.
 
The band opened with their current hit “Girl In Mine,” followed by “Take My Name,” Billboard’s Most Played Country Song of 2022, before closing with their first #1 single, “Carolina.”
 
Formed in 2001, the band, featuring brothers Matt (lead singer) and Scott Thomas, Cousin Barry Knox, and childhood friend Josh McSwain, was touring constantly but struggled to make ends meet. Needing money to pay for a recording session, Matt and Scott’s mom took out a second mortgage on her home to fund the recording.
 
“You guys changed our lives with this next song, and I got to tell you a little story about it first,” said Matt. “We went in the studio to record the first version of this song and our ‘buddy’ who was helping us out with the money, wrote us a check to pay the studio bill, but the check bounced. So, we owed the studio guy $11,000 and the only person I felt comfortable asking to help was my mom. She took out a second mortgage on her little three-bedroom house and wrote a check to cover the bill. And here’s the kicker, one of those songs was ‘Carolina.’ So, we paid her back plus 20% and new car so here’s to all the momma’s and daddy’s out there supporting your babies and your dreamers y’all! I want to dedicate this to my mom!
 
Following their Opry appearance, the road warriors took the last flight out of BNA headed west for a weekend of shows.

L to R: JoJamie Hahr (BMG), Jenn Tressler (Opry), Parmalee’s Josh McSwain, Barry Knox, Scott Thomas; Matt Thomas; and Opry’s Jordan Petit and Dan Rogers. | Photo Credit: David Fanning

Metal Injection Shares Festival Playlists Ahead of Inaugural Event

A combination of thrash, death, industrial, hardcore, doom, and more from legends to emerging artists worth discovering!

Inaugural festival taking place September 16-17, 2023 in Orange County, CA

In celebration of the forthcoming Metal Injection Festival, Metal Injection is now sharing a specially curated playlist to pump up fans ahead of this spectacular event! Featuring music from each band on the lineup, the playlists can now be heard via Apple Music and Spotify.

The inaugural Metal Injection Festival will take over Orange County, CA from September 16-17 across two iconic venues - The Observatory and House of Blues Anaheim. The stacked and diverse lineup is a melting pot of genres, inclusive to both legendary bands as well as emerging and underground artists worth discovering. The full lineup is as follows:

Saturday, September 16 @ The Observatory

$35 Ticket [On Sale Now]

Max & Iggor Cavalera (Performing a special Morbid Visions and Bestial Devastation set)

Exhumed

Incite

Fueled By Fire 

Dead Heat

Sunday, September 17 @ House of Blues Anaheim

$50 Ticket [On Sale Now]

Testament

Machine Head

Fear Factory - (Performing a special Demanufacture & Obsolete set)

Xibalba

Spirit Adrift

Exmortus

Kyng

Contracult Collective

Upon Stone

Thrown Into Exile

Tickets for day one are now on sale HERE while day two tickets are available HERE.

"I've always dreamed of having my own festival as a kid, I mean what metal head hasn't!?" Explains Metal Injection founder and company director Frank Godla. "I even wrote it down on a future goal plan for Metal Injection in the early days. When my Slay At Home virtual fest really took off during the pandemic, and reached communities in over 60 countries, it suddenly seemed possible, even overdue.

"Today, I bring you the first ever Metal Injection Festival. Two days days of killer bands ranging from thrash, death, industrial, hardcore, and more from legendary names to the ones worth discovering. We'll also have some really sweet giveaways, a learning area for amazing causes I believe in, and special setlists including the legendary Max & Iggor Cavalera performing Morbid Visions and Bestial Devastation records in entirety, and Fear Factory celebrating their game changing Demanufacture and 25th anniversary of Obsolete with us!

"Every new endeavor has to start somewhere, and I couldn't be more stoked to have this group of amazing bands be part of MI history!"

To further commemorate this exceptional event, Metal Injection is now sharing a special video announcement, which can be found below.

Sponsored by Metal Blade Records, Nuclear Blast, Century Media, Thunderflix and ESP Guitars, the face-melting program will also have a learning booth in support of two very important causes, MusiCares and Suicide Prevention. This initiative will help educate attendees on mental health awareness and related resources for fans and musicians in need.

That's not all! Courtesy of ESP Guitars, Metal Injection will be raffling off a pair of ESP axes signed by each headliner. Night one's guitar will be signed by Max Cavalera while night two's prize will be signed by Alex Skolnick.

Keep those horns high and mighty and stay tuned for more info!

Follow Metal Injection:

Website

Facebook

Twitter

Instagram

YouTube

Tumblr

SiM Announce New Forthcoming Album 'PLAYDEAD' Out On September 27 (via UNFD) + Unleash New Single "RED" For Netflix Anime Series "Kengan Ashura"

SiM fans, rejoice! The genre-blending Japanese metal, punk, and reggae powerhouse have today announced their forthcoming new album 'PLAYDEAD', out on September 27 (via UNFD). In celebration of the news, the heavy reggae punx have shared their new track "RED" taken from the upcoming full-length which is also the theme song for the new season of the Netflix anime series "Kengan Ashura". Speaking about the nu-metal influences of "RED", vocalist MAH shared:

"We aimed at creating sounds that reflect the deep respect we have for the heavy music from the early 2000s, like Limp Bizkit and Korn. The main distortion guitar for the backing is an arrangement of the rhythm from Evanescence’s “Going Under”. The song embodies the history of rock music that’s ingrained in our flesh and blood, our DNA."

When asked about the inspiration behind the song's lyrics, MAH commented:

"The theme of the lyrics is “The Meaninglessness of Division”... We all have different cultures, speak different languages, have different physical attributes, etc. These are facts. But at the end of the day when you cut through the skin, what flows out is the same. Bright red blood. And yet regardless of being in close proximity of one another, the same country, the same city, the same school, even the same class, we as humans try to “divide”. Groups are formed for foolish reasons, like favorite TV programs or celebrities that they dislike, and try to expose the “traitors”. Sadly, this can occur amongst music fans too. Fans watching the same band at the same live venue may say “I don’t like the person next to me” and start instigating mindless discussions on social media. It’s a total waste of time. As artists, this is the very thing we despise the most. We want everyone to view us as their friends and family."

Prior to today, SiM's smash-hit singles "The Rumbling" and "Under The Tree" were featured on the massively popular Japanese anime series "Attack On Titan", which together have clocked up a colossal 300 million streams and countingacross DSPs and over 53 million views on YouTube. Pre-order 'PLAYDEAD' at the link here, stream "RED" here, and watch the trailer for the new season of "Kengan Ashura" in the thumbnail below.

After an incredible reception at this year's Download Festival, as well as at their headlining performance at the 2022 Crunchyroll Expo and sold-out headlining shows at London's O2 Islington and Los Angeles' Echoplex, SiM fans will now have their chance to see the band hit the stage on the Jackpot Juicer North American Tour (with Dance Gavin Dance, Rain City Drive, and Within Destruction). The quartet will also be performing at Louder Than Life Festival and Swanfest later this fall. Tickets are going fast, so be sure to get yours now at the link here and stay tuned for more SiM news coming soon.

Jackpot Juicer North American Tour Dates

August 24 || Tempe, AZ || The Marquee Theatre (VERY LOW TICKETS)

August 25 || Las Vegas, NV || Brooklyn Bowl (LOW TICKETS)

August 26 || Los Angeles, CA || Shrine Auditorium & Expo Hall (LOW TICKETS)

August 29 || Seattle, WA || Showbox SODO (LOW TICKETS)

August 30 || Portland, OR || Roseland Theater (LOW TICKETS)

September 1 || Garden City, ID || Revolution Concert House

September 2 || Salt Lake City, UT || The Union Event Center

September 3 || Denver, CO || Mission Ballroom

September 5 || Austin, TX || ACL Live At The Moody Theater (LOW TICKETS)

September 6 || Oklahoma City, OK || The Criterion

September 8 || Houston, TX || White Oak Music Hall

September 9 || Dallas, TX || The Factory in Deep Ellum

September 10 || Birmingham, AL || Iron City (LOW TICKETS)

September 12 || Fort Lauderdale, FL || Revolution Live at the Backyard (LOW TICKETS)

September 13 || Orlando, FL || Hard Rock Live (LOW TICKETS)

September 15 || Nashville, TN || Wildhorse Saloon (LOW TICKETS)

September 16 || Atlanta, GA || Coca-Cola Roxy

September 18 || Raleigh, NC || The Ritz (LOW TICKETS)

September 19 || Silver Spring, MD || The Fillmore (LOW TICKETS)

September 21 || Chicago, IL || Radius

September 23 || Milwaukee, WI || The Rave II

September 25 || Cleveland, OH || Agora Theatre

September 27 || Boston, MA || MGM Music Hall at Fenway

September 29 || New York, NY || The Rooftop at Pier 17 (LOW TICKETS)

September 30 || Asbury Park, NJ || Stone Pony Summer Stage

SWANFEST 2023

October 1 || Philadelphia, PA || Mann Center (LOW TICKETS)

FALL FESTIVAL DATES

September 22 || Louisville, KY || Louder Than Life

ANNOUNCING RAMBLE LINEUP & MIDWEST TOUR!!

RAMBLE – SATURDAY, AUGUST 26TH!!

We are thrilled to announce this year’s Ramble lineup!  We have personally invited each of these artists to be a part of our free annual festival dedicated to ending veteran homelessness in the northeast, and they are all donating their time and talent to be with us!

There is going to be an insane amount of talent on The Mountain in Ashburnham, MA that day.  You should join us in person, but if you can’t, you can livestream the entire festival from wherever you are in the world.  (You can also donate to The Ramble right here right now!  DONATE)


MAKE SURE TO RESERVE YOUR TICKETS NOW!

THE RAMBLE TICKET PAGE

(you can do so with a donation of $0, but all Ramblers must be registered this year so we can prepare parking, food, and services for all!!)

We’re also adding camping this year, so make sure to register for that if you’d like and bring your tent!!  Reserve your camping spot HERE!   

 Go to getrambled.com to learn all about The Ramble!

ADAM EZRA GROUP MIDWEST TOUR

We are currently on an adventure halfway across the country and back!  Come join us as we hit Maine, New Hampshire, Connecticut, Vermont, New York, New Jersey, Pennsylvania, Maryland, Michigan, Ohio, Kentucky, Illinois, and Wisconsin!!

https://adamezra.com/shows

STREAMING

“Switching to Whiskey” is getting dangerously close to hitting 1 million streams on Spotify…help us make it happen and we can all celebrate together with…well…probably whiskey. 🙂

Seriously though, about 1/3 of people around the world are coming to our music because streaming platforms are recommending us.  This is all happening because you are streaming out there and triggering algorithms!!  Put the CD player away, listen to and follow us on your favorite streaming platform.  You are helping us reach thousands of people around the world just by hitting play!  Pretty cool, right?

STREAM OUR MUSIC ON SPOTIFY

STREAM OUR MUSIC ON APPLE MUSIC

STREAM OUR MUSIC ON AMAZON MUSIC

STREAM OUR MUSIC ON PANDORA

Atlanta indie-pop duo I Am a Rocketship shares 'Gravity', final single from their forthcoming 'La Cruella' album

"‘Gravity’ is a gently warm song that defies its title by floating on thermal currents, achieving buoyancy through gently pulsing bass lines, splashes of piano and the subtle breeze of Kippner’s elegantly soft vocals... This is a lesson in the underrated art of restraint" ~ Joyzine

"‘Do You Feel Good’ is laden with a swaggering attitude and a thunderous delivery augmented by a raking guitar riff... melodies and thunder similar to Shirley Manson and Garbage. The sound is epic and dramatic with an euphoric, anthemic chorus and a delicious taste of wry cynicism" ~
Backseat Mafia


As Atlanta indie pop duo
I Am a Rocketship move closer to the release of their new 'La Cruella' album, they present the second single from this 10-track collection. 'Gravity' is a breezy pop number that offers a more bare-bones sound than the band's usual sample-driven and atmospheric-heavy style.

I Am a Rocketship is a duo made up of multi-instrumentalist Eric Weissinger and Swedish artist L E Kippner. Before meeting, Weissinger was a bassist and guitarist backing up various artists and opening for the likes of The Wedding Present, James and The Black Crowes. Upon meeting Kippner (who is a cellist, scientist, radio DJ and vocalist for Swedish synth-pop duo Neobox), the two formed Hitchcock Blondes in Ohio and then I Am a Rocketship upon relocating to Atlanta.

"This is an end-of-summer song. Kind of groovy but a little melancholy. I was trying to channel a bit of Steely Dan and some The War on Drugs here," says Eric Weissinger.

L E Kippner adds, "It’s about allowing yourself to trust someone to catch your fall but it’s also about letting go".

'La Cruella' is in keeping with the band's style, while also exploring new sounds - these compositions are about uncertainty, fear and dreams. Rooted in solid melodies, I Am a Rocketship mixes warm vocals, loud guitars, and cool electronic beats to explore that place where rock and trip-hop never quite met.

Earlier, the duo released
 'Do You Feel Good', a song about the lengths to which folks go to reinvent themselves according to artificial constructs and human templates. This single features Kellii Scott, best known as drummer for the legendary band Failure and for his work with Veruca Salt, Dr. Dre, Pink, Enemy and Christina Aguilera.

"We tried a different way of writing songs for this album, and it turned out that every song had a story. Since our musical style has changed a bit with this album, the way that the lyrics tell those stories has changed as well. These songs don't spell out what is happening but are about feelings. We hope people will find something to recognize, maybe feel that one of the song speaks to them," says L E Kippner.

The band's sixth major release, 'La Cruella' follows their 2016 debut album 'Mission Control', the 'Mind Grafitti' album (2019), 'Ghost Stories' album (2020), the 'oRAnGE' EP (2020) and the latest long-player 'Lies and Legends' (2021).

As of July 11, 'Gravity' is available as a
Bandcamp exclusive. On August 4, the full 'La Cruella' album will be released on all fine music platforms, including Spotify and Apple Music.

CREDITS
Written and performed by Eric Weissinger and L E Kippner
Drums by Kellii Scott on 'Do You Feel Good'
© 2023 My Long Wknd, LLC
except 'Heaven Tonight' written by Rick Nielsen & Tom Petersson © Adult Music, Screen Gems-EMI Music Inc.
Recorded at The Barry Patch by Eric Weissinger
Video by Eric Weissinger


Keep up with I Am a Rocketship
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | Soundcloud | LinkedIn | Email

Darkest Hour Signs With MNRK Heavy

MNRK Heavy announces the addition of DC metal band Darkest Hour to its roster.  Under this new worldwide deal, the band will release their tenth studio album in early 2024. 
 
MNRK’s SVP of Rock & Metal, Scott Givens, says, “We are thrilled to welcome Darkest Hour back to MNRK Heavy and look forward to unleashing their amazing new record. "
 
Mike Schleibaum, Darkest Hour’s guitarist, says, “We are beyond excited to announce our partnership with MNRK HEAVY!  We have been working for years with members of their team on various other projects and know they will help give our new album the worldwide release it deserves. We have always strived to bring our unique blend of thrash, metal, hardcore, and punk to the largest audience possible, and with the massive reach of MNRK, we are confident and ready to begin the next chapter of our band’s story.”
 
MRNK Heavy will also reissue the band’s 2017 studio album, Godless Prophets and the Migrant Flora, on several vinyl variants and digitally on DSPs. The album was produced by underground legend Kurt Ballou (Converge) at his Godcity complex and is already destined to be a Metalcore classic.
 
Darkest Hour vocalist John Henry says, “Godless Prophets & the Migrant Flora has always held a special place in our hearts and in our discography. Over the process of working on this re-issue, our love for this album has only grown deeper. We are happy to announce the vinyl variants and its re-emergence on worldwide streaming services.”
 
A bastard child born of the mid-90s punk/metal/hardcore movement, Washington, DC's DARKEST HOUR combine the passion, energy, and soul of punk/hardcore with the style, speed, vengeance, and fury of melodic speed/thrash/death metal. DARKEST HOUR have helped define the entire New Wave of American Metal sound as one of modern metal/core pioneers. A sound that gave the metal and hardcore/punk world the revitalization it surely needed. This style blended the raw, hardcore punk of the ‘80s with the Scandinavian death metal of the ‘90s and forged a sound that would later become the template for modern metal. Since their inception 21 years ago, Darkest Hour has released nine studio full-length albums (via 11 different record labels), appeared in major motion pictures and US television shows and video games, and have toured the world extensively, covering 6 of the 7 continents. 
 
Connect with Darkest Hour:

Instagram
Facebook
YouTube

Gunship Announce New Album "Unicorn" + Share "Monster In Paradise" Video — WATCH🦄

Synthwave pioneers GUNSHIP — comprised of Dan Haigh, Alex Westaway,and Alex Gingell — invite listeners to celebrate the power of imagination on their new album Unicorn, out September 29. Pre-order it here.

Gunship invites their listeners to celebrate the power of imagination on Unicorn. Named after the international icon of fantasy and imagination, it's emblazoned with the tagline "Imagination Is A Weapon." The trio's trademark, synth-laden atmosphere and transportative soundscapes have continued to evolve to include more rock, industrial, and EDM influences, and allow the listener to revel in an alternative reality on a 14-track electric thrill ride.

Unicorn boasts a diverse array of special guests, who each bring something different to the project. Collaborators include John Carpenter, Gavin Rossdale (Bush), Dave Lombardo (Slayer), Carpenter Brut, Timmy Cappello (Lost Boys, Tina Turner, Ringo Starr), Health, Tyler Bates (John Wick, Guardians of the Galaxy etc), Lights, Power Glove, Charlie Simpson, Britta Philips (Jem), and Milkie Way (Wargasm).

Today, the band share the first song from the much-anticipated third album, cyberpunk track "Monster in Paradise," where they are joined by a host of hard-hitting collaborators including the saxman Tim Cappello, electro-punk artist Milkie Way, film composer and guitarist Tyler Bates and Slayer's legendary drummer Dave Lombardo. Here, Gunship continue to evolve the synthwave genre into exciting new directions.

Stream the track
here. Watch the video below.

Priding themselves in being accomplished audio-visual artists, the band also unleash the neon-lit music video for "Monster in Paradise." The visual sees the cinematic worlds of Blade Runner and The Terminator collide amidst a sprawling dystopian metropolis, and stars two of the song's collaborators, Milkie Way and Timmy Cappello. The dreamscape sees darkness converge with laser light in a vision of the not-so-far future, replete with towering skyscrapers, flying vehicles, and shimmering holographic displays which work together to create a vivid backdrop for the adrenaline-fueled cyberpunk rock spectacle.

Perhaps the star of the video, Milkie Way (the fiery frontwoman of Wargasm) pays homage to the indomitable Sarah Connor from The Terminatorfilms. Driving Sarah's classic 1983 Jeep CJ-7 Renegade and providing a Terminator-style voiceover, Milkie initially appears to be giving a performance true to Sarah Connor's character, although perhaps things are not quite as they seem…

...Are the machines recruiting humans with a mind-altering silver liquid?

 "Gunship, Timmy Capello, and Dave Lombardo is truly a match made in heaven and I'm so happy to be included in this beautiful maelstrom of synth-metal perfection," says Milkie Way.

What would it be like to attend a rock show in a dystopian cyberpunk world? Discover and watch the video
here

Prepare to be transported to a world where darkness collides with neon brilliance.

ABOUT GUNSHIP:
GUNSHIP are Dan Haigh, Alex Westaway, and Alex Gingell. The band’s sound is created with vintage analogue synthesizers and other retro electronic gear from the 1980s. Driven and inspired by nostalgia for a bygone era, Gunship harness this retro approach to birth something fresh and new. Their sound is sonically diverse — blending sweeping fluorescent synth lines with fever pitched and adrenalizing electric bass arpeggios. Dan Haigh from Gunship describes their sound as "a neon-soaked, late night, sonic getaway drive, dripping with luscious analogue synthesizers, cinematic vocals and cyberpunk values, exploding from the front cover of a dusty plastic VHS case which has lain forgotten since 1984." Gunship was formed in 2014 as a new musical venture for Westaway and Haigh, also members of post-hardcore band Fightstar with Charlie Simpson (Busted) and Omar Abidi, going on hiatus in 2010. Unicorn follows their critically acclaimed self-titled debut (Gunship, 2015), and 2018 follow-up Dark All Day.

New proggressive supergroup TEMIC announce debut album

TEMIC are announcing their debut album today. 'Terror Management Theory' is an energetic, heartfelt journey through the human experience. It speaks to our fears, as well as our instinctive drive to persist. But to reach this point, all four members of this prog supergroup had to navigate quite the career path.

Guitarist Eric Gillette first hit it off with Diego Tejeida (keyboards, sound design) while the two played together in the touring band for Mike Portnoy's Shattered Fortress. Simen Sandness drums for Shining and Arkentype, while Fredrik Bergersen Klemp still shows off his range as the singer for Maraton.

When Gillette and Tejedia decided to start a band together while the world was shut down in 2020, their idea wasn't necessarily simple: orchestrate their love for high-energy electronica and killer melodies into a modern prog-metal band. But on their first-ever single, Temic have no problem pulling off that whole concept. 

Clocking in at just shy of six minutes, "Count Your Losses" gives TEMIC plenty of time to show off. The band roll out an arena-ready guitar solo  to go along with scatting drum fills, fretless bass runs and synths built for a rave. And just think - that only covers the bridge!

Add all of that together with Bergersen Klemp's clean, melodic tenor, and you get the perfect introduction to progressive metal's newest sensation.  

""Count Your Losses" depicts the beginning of our journey," says TEMIC. "It's also the very first song that we wrote as a band. We've been anxiously waiting for this moment, and now it's finally here!"

Watch the video for "Count Your Losses"
below.

'Terror Management Theory' is out November 17 on Season of Mist. Pre-order the album
HERE. Pre-save the album HERE.

Introducing TEMIC—prog’s newest, most ambitious, and most adrenaline-fueled act. TEMIC melds the creative minds of keyboardist and sound designer Diego Tejeida (Devin Townsend, Mike Portnoy’s Shattered Fortress, ex-Haken), guitarist Eric Gillette (The Neal Morse Band, Mike Portnoy’s Shattered Fortress), drummer Simen Sandnes (SHINING, Arkentype), and vocalist Fredrik Bergersen Klemp (Maraton, 22).

The origins of TEMIC date back to 2017, when Tejeida and Gillette toured the world as band members of Mike Portnoy’s Shattered Fortress. From the very first chords they exchanged, their musical chemistry both on and off stage was undeniable, leading them to discuss the prospect of starting a new band together. Unfortunately, conflicting tour and recording commitments forced them to turn their attention elsewhere for years—that is, until the world came to a standstill in 2020, and Tejeida called Gillette to ask a fateful question:
“Remember how we said we should make music together? Well, how about now?”

Thus, the first demos for what would later become TEMIC’s 2023 debut album, Terror Management Theory, began to emerge. Within a few weeks after that initial phone call, the musical vision of TEMIC had become clear: Let’s create progressive music that is heavily influenced by high-energy electronic music, but arranged and orchestrated for a 5-piece modern prog rock/metal band—where, at last, the pulse can be the focus, and the vocal melody can be king.

Eager to join forces with the very best bandmates, Tejeida and Gillette first summoned the rhythmic power of their friend and drummer Sandnes. With characteristic enthusiasm, Sandnes seized the opportunity, prepared to contribute his percussive prowess as the heartbeat of TEMIC. When it came time to find the singer that would carry TEMIC’s melodies to new heights, Sandnes recommended vocal powerhouse Klemp, whose emotive delivery and unmatched intensity left no doubt that he was destined to be the voice of TEMIC. Finally, to round out the rhythm section of Terror Management Theory, dynamic bassist Jacob Umansky (Intervals) was invited on board as a guest player, gracing the album with an unrivaled groove and a signature low-end sound.

Together, this mammoth lineup is TEMIC, a high-energy, electronic-inspired, modern melodic prog metal band for the next generation.
 
Line-up:
Fredrik Bergersen (Maraton, 22) – Vocals
Eric Gillette (The Neal Morse Band, Mike Portnoy’s Shattered Fortress) – Guitars and Backing Vocals
Simen Sandnes (Shining, Arkentype)  – Drums and Percussion
Diego Tejeida (Devin Townsend, Mike Portnoy’s Shattered Fortress, ex-Haken) - Keyboards and Sound Design
 
Recording Studio: Drums and vocals recorded at Top Floor Studios (Gothenburg, Sweden)
Producer: Produced by TEMIC. Drums and vocals engineered by Jakob Herrmann Gothenburg, Sweden)
Mix/Mastering: Mixed and mastered by Rich Mouser at The Mouse House (Los Angeles, USA)
 
Guest musicians:
Jacob Umansky (USA) – Bass guitar on the whole album
Mosaic Gospel Choir (Norway) – Mothallah
Garden State Threshold Choir (USA) – Mothallah
 
Cover artwork: Hicham Hamzi

Pre-order:
https://redirect.season-of-mist.com/Temic
Pre-save:
https://orcd.co/tmtpresave
 
Formats:
Digital
Digipak
2x 12” Gatefold in various colours
Merch
 
Follow Temic
https://temicband.com
www.facebook.com/TEMICBAND
www.instagram.com/temicband

SVALBARD - announce new album 'The Weight Of The Mask' + single/video 'Faking It'

Svalbard are proud to announce their ardently anticipated new studio album, The Weight Of The Mask, due out on October 6th via Nuclear Blast Records. 

White-hot new single 'Faking It' has also been revealed, accompanied by a video. The track lays bare a poignant, candid account of dealing with depression and coming to the realization that you are "faking it" to just get by. 

Svalbard's intention with their music is to make people feel less alone, and to be there for people in their darkest times. The Weight Of The Mask bravely lays out experiences of mental illness and depression, hoping to help destigmatize these topics. 

Svalbard's Serena Cherry stated,

"If the previous record was about facing your demons, then The Weight of The Mask is about fighting them with everything you've got. You can literally hear the depression transform into aggression in these songs. The Weight of The Mask was admittedly a challenging album to make because we cut so deep this time around, it was a painful but ultimately cathartic process. This album is the sound of two years worth of internal darkness boiling away inside and then finally being unleashed.

"Faking It is a song about feeling deprived of meaningful human connection due to depression acting like a wall that shuts you off from others. It addresses the ways in which those who suffer with depression can feel guilted into putting on a happy mask. The lyrics are a reflection on happiness as a social obligation and how scarily good you can become at deceiving everyone around you into thinking that you're fine when you're not. With 'Faking It', we are both acknowledging the pressure for forced positivity, the fear that people won't like you if you're sad, and also questioning where the root of this intolerance towards depression lies." 

Pre-order The Weight Of The Mask + stream 'Faking It' 
HERE 
Watch the 'Faking It' video
below.

Serena added about the 'Faking It' video,

"This video leans on deliberately obvious binary oppositions to hammer home the message of the song. We have the glossy smiling shots, filmed in the fakest place we could find: The Selfie Factory; mixed with dark, expressive performance footage that represents the internal struggle within." 

Stream the previous single 'Eternal Spirits' here: https://Svalbard.bfan.link/eternal-spirits.ema
Watch the 'Eternal Spirits' video here: 
https://youtu.be/1Oh30tCl1DQ

The Weight Of The Mask was recorded at The Ranch Production House, UK. The record was produced and mixed by Lewis Johns, with mastering by Grant Berry. Engineering was handled by Lewis Johns, assisted by Matt Janke, with additional editing by Kel Pinchin and Sebastien Sendon.

The beautiful album artwork was created by artist and illustrator Hestor Aspland, with layout by Lee O'Connor.

Serena Cherry stated about the album artwork,

"We have been huge fans of Hester Aspland's Illustration since we saw her stunning artwork carved into a wooden table at our favorite metal bar, The Gryphon. The intricate, floral aspect of her artwork for The Weight of The Mask reflects the sonic beauty within our melodies. Then the bleaker animal skull mask symbolizes the lyrical content. Working with Hester was an absolute dream and we love the art she has created for us."

The Weight Of The Mask  will be available in the following formats

  • CD Jewel Case

  • LP

    • 1LP Crystal Clear w/Black Marble

    • 1LP Purple w/Black Splatter (band exclusive)

  • Digital Album

  • Formed in Bristol UK, Svalbard have released three studio albums, three EPs, and several split releases. Their exceptional last studio album, 2020's When I Die, Will I Get Better? was dubbed by Metal Hammer UK as "the most important British metal record of 2020", with both Metal Hammer and Kerrang! lauding the record as a top 10 album of the year. A career milestone, it cemented Svalbard as a powerful and vital component of our global music scene.

    Whilst refining their distinctive blend of euphoric black metal, post-rock, and d-beat, Svalbard have incorporated a few more surprising influences along the way. From soft, mournful singing to progressive guitar leads, it showcases a sensitive dynamic that lends impact to their most crushing moments - of which there are undoubtedly many. There’s no poetry, no ambiguity - just direct, raw honesty as the quartet tackles some very uncomfortable subjects head-on. This is heavy in the most evocative sense of the word. The blunt lyrics are equally as important as the music.

    Svalbard are:
    Vocals/Guitar - Serena Cherry
    Vocals/Guitar - Liam Phelan
    Drums - Mark Lilley
    Bass - Matt Francis

ATLive Returns Oct. 20-21: Grupo Firme, George Strait Set to Headline

ATLive RETURNS OCTOBER 20 & 21
WITH GRUPO FIRME AND GEORGE STRAIT HEADLINING

Plus J Balvin, Carrie Underwood, Farruko, Willie Nelson & Family, Yahritza Y Su Esencia and Little Big Town

AMB Sports and Entertainment (AMBSE) is once again bringing the biggest artists to Mercedes-Benz Stadium with the return of the highly anticipated ATLive powered by Ticketmaster and presented by Sweetwater Brewing Company and Wells Fargo. The most exciting multi-day music event in the Southeast returns on Friday, October 20 and Saturday, October 21. This year’s lineup promises to deliver an unforgettable experience, featuring an incredible roster of superstar artists from both Latin and Country music.
 
Friday’s lineup will feature energetic performances led by Latin GRAMMY Award-winners Grupo Firme, along with one of the best-selling Latin artists of all time, J Balvin, GRAMMY-nominated rapper and singer/songwriter Farruko and Latin GRAMMY-nominated sibling trio Yahritza Y Su Esencia. 
 
Saturday will then offer a star-studded extravaganza with Country icon George Strait, eight-time GRAMMY winner Carrie Underwood, the legendary Willie Nelson & Family and six-time CMA Vocal Group of the Year Little Big Town.
 
Tickets for each night go on sale Friday, July 21 at 10 a.m. ET via Ticketmaster.
 
“We are extremely excited to once again bring an incredible lineup of artists to Mercedes-Benz Stadium for ATLive,” said Doug Roberts, vice-president of stadium events and premium sales, AMB Sports and Entertainment. “The ATLive concert series has quickly become one of the can’t-miss concert events of the year and we look forward to welcoming fans of both Latin and Country music for two great nights at Mercedes-Benz Stadium in October.”

ATLive
 powered by Ticketmaster and presented by Sweetwater Brewing Company and Wells Fargo is a multi-genre concert series developed and promoted by AMB Sports and Entertainment and has quickly become the premier destination concert series for the city of Atlanta and the Southeast. In its first three years, ATLive hosted six shows at Mercedes-Benz Stadium with nearly 300,000 people in attendance to enjoy incredible music from Eric Church, Luke Combs, Sheryl Crow,  Billy Joel, Miranda Lambert, Metallica, Lionel Richie, Blake Shelton, Chris Stapleton, George Strait, Keith Urban and more. ATLive is produced by AMBSE in partnership with Messina Touring Group.
 
To learn more about the two-night event, visit 
mercedesbenzstadium.com/ATLive. Follow along online at #ATLive. 

 
About Mercedes-Benz Stadium 
Opened in August 2017, Mercedes-Benz Stadium is a world-class sports and entertainment venue in downtown Atlanta and home to the National Football League’s Atlanta Falcons and Major League Soccer’s Atlanta United. The multi-purpose stadium was named the 2019 Sports Facility of the Year and is host to major sports and entertainment events, including the 2026 World Cup, the 2018 and 2025 College Football Playoff National Championship Game, the 2018 MLS Cup, and Super Bowl LIII. Mercedes-Benz Stadium is the first professional sports stadium in North America to achieve LEED Platinum Certification and the first stadium worldwide to achieve TRUE Platinum Certification for zero waste by the United States Green Building Council. Mercedes-Benz Stadium is proud to be collaborating with naming rights partner Mercedes-Benz and thirteen founding partners including Coca-Cola, Equifax, The Home Depot, Novelis, SCANA Energy, Truist, IBM, Georgia Power, American Family Insurance, Global Payments, Ticketmaster and Delta Air Lines. 

Jame's Elsewhere Announce "Paradise" EP + Share "Escapist" Video — WATCH

JAMIE'S ELSEWHERE, featuring Of Mice & Men vocalist/bassist Aaron Pauley, have announced their new Paradise EP, out July 19 via SharpTone Records. It's the first new material from the band in nearly a decade. Pre-order the EP here.

Today, the band has shared the new single "Escapist." Watch the video
below.

'We're thrilled to announce that we've signed with SharpTone Records, and excited to announce the release our first single 'Escapist' from our new EP Paradise," says Pauley. "This new chapter of the band has been years in the making, and we're so excited to be teaming up with the talented and creative minds at SharpTone Records to bring these songs, and this story, to our fans all around the world — both old fans and new!"

Following nine years of dormancy, Jamie's Elsewhere couldn't simply return with simply songs. Instead, they swing for the fences and speak to multiple senses all at once with the Paradise EP. The California quartet — the aforementioned Pauley [vocals], Matt Scarpelli [guitar], Chance Medeiros [bass], and Mike Spearman [keys] — expand their vision like never before with an arresting narrative set to a soundtrack of emotionally charged heavy music underscored by cinematic electronics, soaring melodies, jarring hardcore, and moments of unpredictable sonic bludgeoning. After carving out a niche and generating tens of millions of streams, the group pull audiences into an all-encompassing and entrancing soundscape.
 
"The concept follows a protagonist through the day-to-day grind," Pauley notes. "He discovers Paradise, which is a metaverse where you can upload your soul. It was a tongue-in-cheek way for us to label a dystopian A.I. The irony is hopping on the internet could never be a real paradise. We went really deep in terms of the story and lyrics."

Following their emergence in 2005, Jamie's Elsewhere quietly attracted a devout audience via a series of EPs and fan-favorite albums, namely Guidebook for Sinners Turned Saints [2008] and They Said a Storm Was Coming [2010]. Along the way, the band toured with everyone from Motionless In White and Memphis May Fire to Ice Nine Kills. Assuming lead vocal and bass duties for Of Mice & Men during 2012, Pauley initially parted ways with Jamie's Elsewhere. 2014 saw the group drop Rebel-Revive highlighted by "Empty Eyes" [feat. Garrett Rapp of The Color Morale] and "The Illusionist" [feat. Tyler Carter of Issues], which amassed over 6.2 million Spotify streams. On the eve of the tenth anniversary of The Said A Storm Was Coming, Spearman caught an Of Mice & Men gig, and conversations about reviving Jamie's Elsewhere began in earnest. Those conversations morphed into writing sessions and the rest, as they say, is history and here we are.

Thy Art Is Murder Share "Keres" Video — WATCH

Australia's extreme metal titans Thy Art Is Murder have released their storming new single, "Keres," the second taste of new music lifted from the band's forthcoming album, Godlike, out September 15 via Human Warfare. Pre-order Godlike here.

Watch the video
below.

A stadium-sized death metal anthem, "Keres" has it all: bone crushing verses, colossal stomping choruses, an urgent guitar solo, and frontman CJ McMahon's vocals demolishing all in his wake as he rams that hook straight into your brain.

"Keres" is an absolute standout in the Thy Art Is Murder collection and guitarist Andy Marsh explains why the band can't wait to get it out there.

 "It's not often we have this level of excitement to present a new single to the world," Marsh states. "'Keres' is a metal anthem filled with grinding verses and stomping choruses, stripping down some of the complexity that may have gotten in the way of previous attempts to deliver a song of this magnitude. The Keres was an evil sprite in ancient Greek mythology that would feed on the dead, but could not participate in acts of violence. We think this behavior is as relevant in the arena of news and politics as it was on those ancient battlefields." 

Thy Art Is Murder ascended the ranks of extreme metal's top-tier bands with a meteoric underground rise as explosive as humankind's seemingly inevitable descent into doom and death. With their new album, Godlike, Australia's most harrowingly brutal export since George Miller's Mad Max franchise invites audiences worldwide to join them in a fresh Armageddon. 

The sixth explosive album in the band's arsenal, Godlike cements Thy Art Is Murder as death metal's modern torchbearers. A soundtrack to a divisive post-modern dystopia, Godlike sees Thy Art Is Murder explore new depths and dynamics without sacrificing an ounce of intensity or urgency the band have staked their career on.

Recorded with their longtime producer and mixer, Will Putney, across the album's 10 nihilistic tracks Thy Art are masters of their craft as they deliver sharp stabs, guttural descents and groove with muscular athleticism and confidence. Frontman CJ McMahon gives his strongest performance ever as he belts through lyrics that thematically confront how cycles of violence continue over time and feelings of separation in a hyper-polarized world.

Thy Art Is Murder's thinking-person's blackened death metal has challenged, provoked and inspired audiences around the world. Through relentless hard work, Thy Art have become one of the most successful extreme metal bands Australia has ever produced, making history on their own terms. Backed by an uncompromising discography, the two-time ARIA-Award nominees have smashed chart records in their native country, becoming the first homegrown extreme metal act to debut in the Top 5 with 2017's Dear Desolation.

Their electrifying and incendiary performances have seen the band do countless laps of the globe, becoming tourmates with genre-titans like Cannibal Corpse, Slayer, Kreator, Lamb Of God, Killswitch Engage, and Parkway Drive, alongside playing crucial festivals like Summer Breeze, Download, Graspop, and Wacken.

Join Thy Art Is Murder when they enter Godlike mode this coming September. 

Blistering UK Quintet Turin Release "The Unforgiving Reality In Nothing"

UK heavyweights of misery, the intense & visceral TURIN (formerly This Is Turin), return with the brutal & uncompromising "The Unforgiving Reality In Nothing," shining a light on the Human condition exploring the curse that is the forced Morals and Virtues instilled creating a delusion of existence.

TURIN says, “As well as it being an acronym for TURIN, it's been at the heart of this album's concept for all the lyrics. All five of us have been in situations where we act like nothing's wrong or bothering us, The reality of doing that is unforgiving. It harms us. It can impact those around us, and often, the reality of the situation doesn't change until we speak up and look for support. In some cases, forgiveness. We wrote this song at the tail end of the COVID lockdown in the UK as a way for us to reinvent our sound and push forward with whatever the next stage of this band would be; what came from it was a new album and a new drive to evolve what we have."

The first song from their forthcoming 2024 album, the band worked with one of the UK’s finest heavy metal producers & multiple Heavy Music Awards nominee Lewis Johns (Loathe, Rolo Tomassi, Ithaca, Employed To Serve, Svalbard, Conjurer, Pupil Slicer) creating a milestone in the bands long history in the metal scene, a pure evolution of their sound and writing ability to define a new chapter for UK Deathcore.

Influenced by a diverse range of extreme music subgenres, TURIN are known for their bludgeoning live shows, earning them Kerrang’s MCN Live Award with appearances at the UK’s top festivals such as Bloodstock Open Air & Techfest, plus supports with Martyr Defiled, Decapitated, Within Destruction, Hacktavist, Ingested, SikTh, Origin, Dragged Into Sunlight & a collab with Thy Art Is Murder’s CJ McMahon on 2020's ‘Misery’.

Studio D’lux Releases New Single "Slow Burn" Featuring All Star Line-Up from Legendary Bands Chicago, Steely Dan and Billy Joel on New Yacht Rock Single

Studio D’Lux features an all star line up from legendary bands Chicago, Steely Dan, and Billy Joel on new yacht rock vibe single. This is the follow up from the recent Studio D’Lux EP, which released on December 2, 2022 and has so far streamed 200k on Spotify. This project and song is written and produced by singer/keyboardist Doug Kistner. Grammy winner Bill Champlin, best know for co writing "After The Love Is Gone" for Earth Wind & Fire and for his voice on "Look Away" and "Hard Habit to Break" by Chicago, adds his soulful vocals to the track. Famed rock drummer Liberty Devitto and bassist Malcolm Gold supply the grooves. The song takes a turn at the 3 minute mark and features a guitar solo from Steely Dan’s Jon Herington.

Studio D'Lux is a musical venture led by singer, songwriter and instrumentalist Doug Kistner, who writes and produces all the songs released by the group. Doug Kistner has played with Trans-Siberian Orchestra, John Waite, Blood, Sweat &Tears, and Danny Seraphine's CTA. He is currently playing with Lords of 52nd Street and Summer of Love.

You will hear these world class musicians put their stamp on this exciting new music inspired by the great music of the 70s and 80s.

"Slow Burn" can be streamed/downloaded at:

https://vibe.to/SlowBurn

WATCH "Slow Burn" by Studio D'Lux featuring Bill Champlin, Liberty DeVitto & Jon Herington: below

WEEDEATER Announce Fall Tour

WEEDEATER are loaded up and ready to ride.

The sludge-stoned cowboys are blazing the ol' dusty trail later this summer with 10+ shows across the Northeast and Midwest. Along the way, they're hitting a couple festivals, including headlining spots at Albuquerque's Rock City Fest and Slower & Harder Fest in Atlanta.

Joining Weedeater is the grindin', frashin' punk rock wrecking machine King Parrot.

God Luck and Good Speed.

Tour dates
08/05 Albuquerque, NM @ Rock City Fest
[TICKETS]
08/30 Charlotte, NC @ Snug Harbor
[TICKETS]
08/31 Washington, DC @ Black Cat
[TICKETS]
09/01 Brooklyn, NY @ Meadows
[TICKETS]
09/02 Montague, MA @ RPM Fest
[TICKETS]
09/03 Buffalo, NY @ Mohawk Place
[TICKETS]
09/04 Detroit, MI @ Sanctuary
[TICKETS]
09/06 Grand Rapids, MI @ Pyramid Scheme
[TICKETS]
09/07 Cave In Rock, IL @ Full Terror Assault Fest
[TICKETS]
09/08 Champaign, IL @ Loose Cobra (On Sale 07/15)
09/10 Atlanta, GA Atlanta Utility Works @ Slower & Harder Fest
[TICKETS]
09/11 Greensboro, NC @ Hangar 1819
[TICKETS]

At its founding, Weedeater rose like a doobie phoenix out of the ashes of BUZZOV•EN. When the cult sludge act called it a day, bass player Dave “Dixie” Collins teamed up with guitarist Dave “Shep” Shepherd and founded Weedeater in the harbor town of Wilmington about the year 1998.

Their crushing and massive first full-length ‘…and Justice for Y’all’ (2001) created an immediate buzz, while critics were struggling to put a tag on their sound. Nearly everybody agreed that stoner rock, doom, sludge and some crusty elements were part of the mix, which the band simply calls “weed metal”. The debut was produced by renowned engineer Billy Anderson (Eyehategod, Neurosis) as well as sophomore album ‘Sixteen Tons’ (2002). Weedeater went out to perform live with Corosion of Conformity and Alabama Thunderpussy among others.

After some detours of Dixie Dave, who played shortly with Bongzilla and Sourvein, third album ‘God Luck and Good Speed’ hit the world in 2007 and shifted the band’s focus slightly towards the stoner side. The latest full-length ‘Jason… the Dragon’ got delayed when vocalist Dixie Dave lost a toe due to an incident with his favorite shotgun. When the sludge driven album finally came out in 2011, shows in the US and Europe cemented the band’s reputation as a fierce live entity.

After signing to Season of Mist, Weedeater reissued their full back-catalogue on their new label. Yet the Bible Belt state of North Carolina, USA remains a fertile ground for hemp and stoner rock. Their latest album, ‘Goliathan’, makes the South smoke again. It's a monster record that'll blow your mind.

Line-up:

Dixie Dave :Bass, vocals
Shep :Guitar, vocals
Travis T-Boogie Owen :Drums

Style: Weed Metal

Links
http://www.weedmetal.com/
https://weedeater.bandcamp.com/music
https://www.facebook.com/weedmetal
https://www.instagram.com/weedeaterband/
https://open.spotify.com/artist/40uWyieMnDCdIlba6Pr7xL
https://twitter.com/weedmetal


For more on Season of Mist, visit our official
WEBSITE, FACEBOOK, INSTAGRAM, YOUTUBE, and TWITTER

THE LION'S DAUGHTER Shares Unnerving Music Video for New Song via Metal Injection, Reveals New Album Details

St. Louis horror metal outfit The Lion's Daughter will be releasing its brand new full-length, 'Bath House,' on October 13, 2023 as an independent entity. In celebration of this new release, the band has partnered with Metal Injection for the premiere the title track along with a disturbing music video that is certain to shock and excite horror fans everywhere. The video can be found below.

“Saying that this album was influenced by everything-that-I’ve-ever-liked-ever isn’t a very good answer, but it’s an accurate one,” explains frontman Rick Giordano on 'Bath House's' unique sound. “I turned the left side of my brain off completely and let a lifetime of soaking up great art just come to the surface naturally. There are bits of all the things I love in there… from old Metallica to film scores to industrial and whatever else, but I think these things have melded together in a way that is cohesive and not just nonsensical genre-hopping. There are clean vocals and guitar solos, a lot of things that we’ve never tried before. It really feels like you uploaded my entire record collection to a hard drive and had an AI create an album based on that.”

In addition, The Lion's Daughter will be performing live later this year! On October 13, the band will have a special Friday the 13th album release party in its hometown of St. Louis, MO. Then, the band will hit Black Circle Brewing in Indianapolis, IN on 11/11 for another rager! The full itinerary can be found below with more dates TBA!

'Bath House' is now available for pre-sales HERE.

The Lion's Daughter Live Dates (U.S.):

10/13: St. Louis, MO @ Red Flag (Album Release Show)

11/11: Indianapolis, IN @ Black Circle Brewing

“What we did see… was something altogether different, and immeasurably more hideous and detestable. It was the utter, objective embodiment of the fantastic novelist’s ‘thing that should not be.’” - H.P. Lovecraft, “At The Mountains of Madness”

Some creations are designed to elicit nightmares, evoking unspeakable terrors that are meant to shock, terrify, and mesmerize the masses. Since the release of its first full-length in 2012, The Lion’s Daughter has consistently put forth music that is just as disturbing as it is enticing, making a name for itself as a dark force among its musical contemporaries. And much like an eldritch horror, the band is constantly shape shifting like a Shoggoth, capable of fitting into many different musical spaces, while at the same time, fitting into no earthly dimensions just as an ancient alien rising up from centuries of arctic slumber with a mission to destroy and conquer.

And much like the Shoggoth, The Lion’s Daughter have defied all gods and masters, releasing its latest opus as an independent entity, breaking away from the corporate confines of a label. ‘Bath House’ is another generically unclassified masterpiece from the St. Louis horror quartet, pulling elements from everything from Faith No More to Godflesh to Samhain, creating a sound that’s way ahead of its time and yet certain to grab the listener by the throat.

“Saying that this album was influenced by everything-that-I’ve-ever-liked-ever isn’t a very good answer, but it’s an accurate one,” explains frontman Rick Giordano on the band’s unique sound. “I turned the left side of my brain off completely and let a lifetime of soaking up great art just come to the surface naturally. There are bits of all the things I love in there… from old Metallica to film scores to industrial and whatever else, but I think these things have melded together in a way that is cohesive and not just nonsensical genre-hopping. There are clean vocals and guitar solos, a lot of things that we’ve never tried before. It really feels like you uploaded my entire record collection to a hard drive and had an AI create an album based on that.”

As the music itself on ‘Bath House’ is a representation of Giordano’s musical palette, the lyrics are perhaps the darkest and most vulnerable of his career. The band strays away from fantasy on this record and instead, gets raw and relatable. “It’s all really ugly shit,” he says of the new album’s themes. “Which, for our band, is not shocking at all. But this time around, it’s all much more personal to me, which makes it a bit difficult and uncomfortable to talk about. I wasn’t in a great place while writing this record. Grief, fear, jealousy, and general devastation can be found all over this thing. That wasn’t my intention exactly, but like the music, I let the lyrics kind of write themselves without letting logic or reason interfere.”

To further illustrate the darkness that dwells within ‘Bath House,’ The Lion’s Daughter commissioned a perverse and unnerving image from UK artist Daniel Peacock for the album cover. The image not only works well in cohesion with the record, but also symbolizes that while ‘Bath House’ still very much carries the band’s signature sound, it still isn’t exactly what fans might expect. Giordano explains, “Our previous two album covers featured masked characters. I wanted to see what happens when you take the mask off. This record isn’t shrouded in mystery the same way the previous couple have been. It’s much more of an in your face kind of attack, and I felt the artwork should represent that. This horrible creature looks dangerous and frightening, but is also clearly in pain and also afraid. It’s the perfect image to represent whatever the fuck ugly thing lives in my head. On this record it is no longer hiding behind a mask… it is loose and it’s right outside your fucking house.”

As the St. Louis horror masters set forth on a new trajectory, the former trio has also added Black Fast guitarist Aaron Akin to the lineup, creating a sound that’s more intense and grand. “Aaron was the guitarist and vocalist of a band called Black Fast. They were hands down the best metal band to come out of St. Louis in decades. Once they disbanded, it was a no-brainer to try and get the guy who fronted my favorite local band to be in my band. Why wouldn’t I? Plus, as anyone who knows Aaron will tell you, he’s an all around great guy,” explains Giordano on how this new union came about.

And as a new union has been formed, former binds have been severed as The Lion’s Daughter is no longer tied to a label, doing this record fully independently for the first time in its career and taking full and total control. “It’s just nice to have 100% control over everything again,” Giordano says of the band’s new freedom. “That was the whole intention when we started this band years ago. We lost sight of that for a while. No disrespect intended towards anyone, but this band has always been pretty anti-music industry and anti-bullshit.”

Despite so many changes, The Lion’s Daughter is still the same band that cult followers have come to worship, but with everything cranked up to 11. With heavier music, a fuller sound, and darker themes, the band is maximizing terror with its monstrous brand of debauchery and unspeakable perversions. Unpleasant dreams…

Recording Lineup:

Rick Giordano - vocals, guitars, bass, synths

Erik Ramsier - drums

Scott Fogelbach - additional vocals on tracks 2, 7, 8

Live Lineup:

Rick Giordano - guitar and vocals

Scott Fogelbach - bass and vocals

Aaron Akin - guitar

Erik Ramsier - drums

Guest Musicians:

Sarah Vie - violin and vocals on tracks 2, 4, 7, 9

Recording Studio:

Encapsulated Studios

Producer // Sound Engineer // Mixing // Mastering:

Gabe Usery

Cover Artist:

Dan Peacock

Photographer:

Chris Bauer

Links:

Bandcamp

Facebook

Instagram

YouTube

Spotify

Apple Music