WHILE SHE SLEEPS Announce New Album ‘SELF HELL’

As they approach the biggest headline show of their career to date at London’s legendaryAlexandra Palace, Sheffield quintet, WHILE SHE SLEEPS share their brand new single‘SELF HELL’, the title track to their long awaited sixth studio album, which will follow on March 15th, 2024.

Drawing upon a far wider palette of influences to create a sonic collage of each member’s musical passions, ‘SELF HELL’ feels like a second debut album from a band who have become such a vital force over the past decade. This incarnation of WHILE SHE SLEEPSis uncompromisingly unpredictable, the riffs are still granite heavy, but this album sees them drawing upon more diverse influences such as Aphex Twin, Gorillaz, Bicep, TheProdigy and Kendrick Lamar.

Those influences have seen a broader range of instruments incorporated on ‘SELF HELL’, especially with vintage synths such as the Korg MS-20 and the Behringer TD-3. Just as importantly was their attitude. WHILE SHE SLEEPS were all raised in mining villages around Sheffield and remembered how Britpop surrounded the environment during their youth, its working-class swagger informing the album’s defiant nothing-to-lose and everything-to-gain spirit.

Sean Long says,

“The name of the album is the foundation of how we view ourselves and the world. Everyone has a subjective experience like no other. Yet the constant that binds us IS the differences between us and the fact that we are all suffering in our own way. Don’t be too quick to judge and demonize, your time will come for redemption or damnification.

"We’ve been drawing inspiration from an array of misfit artists far from where you would usually pigeonhole WHILE SHE SLEEPS. Each member has brought in a different perspective of inspiration so far apart in genre that it has left us with a very odd and satisfying sonic. WHILE SHE SLEEPS will continue to keep the world guessing on what we will do next. Not only for the fans but this is a spiritual venture that we have to keep alive, moving, and constantly in flux. We do this by scaring ourselves with things we are not supposed to do. Every. Single. Day.”

The single ‘SELF HELL’ demonstrates the sonic leap-forward that WHILE SHE SLEEPS are taking with the album. It does seemingly everything all at once – huge riffs, thumping big beat grooves, a maelstrom of synth textures, melodic vocals contrasted with bloody-throated screams and swirling backing harmonies - all in a way that remains coherent while pushing their boundaries to a maximalist new level.

Watch the Music Video for "SELF HELL"

The album was produced by their long-term collaborator Carl Bown and the band’s guitarist, Sean Long. WHILE SHE SLEEPS - completed by Lawrence ‘Loz’ Taylor(vocals), Mat Welsh (guitar), Aaran Mckenzie (bass) and Adam Savage (drums) - recorded the album during sessions at Metropolis Studios in London, Treehouse Studio in Chesterfield, and their own Six Audio in Sheffield.

Pre-Order 'SELF HELL' HERE

Since debuting in 2012 with ‘This Is The Six’, WHILE SHE SLEEPS have gone from strength-to-strength, achieving a Top 10 breakthrough with "You Are We" as well as widespread critical acclaim for their most previous album, ‘Sleeps Society’.

They’ve consistently been a huge draw across European festivals, most memorably with an emotional return to the stage with 2021’s Download Pilot, a set that The Guardiandescribed “as undeniably Pilot’s finest hour – if not the finest in the entire Downloadlineage.” Fewer than 500 tickets remain available HERE for the landmark Alexandra Palace show. They will then play select gigs around Europe before hitting China, Japan, Taiwan and Thailand in December.

Extraordinary Berlin post-punk - CIRCOLO VIZIOSO presents violin-driven debut 'Verrückt' album

"From Sonic Youth, The Black Angels to Fugazi and Nirvana, this is a band who wears their inspirations on their sleeves, blending these in a fascinating way. Raw and visceral, Circolo Vizioso makes for a highly recommended listen, presenting groundbreaking music with a signature sound" ~ The Spill Magazine

"Hailstorm distortion... that great feel like it has its own time signature; speeding up and slowing down depending on their anger levels or the nervous urgency that bubbles to the surface. It sounds fresh and in the moment, in part due to it being written in a little over an hour" ~ Joyzine

"Cathartic, a taste of the actual sound of the grassroots music makers, a reminder of just how false the world we are offered through advertising, media, marketing, branding... A timely, sonic wake-up call" ~ Big Takeover Magazine


Kraut-inspired punk rock duo Circolo Vizioso presents their debut album 'Verrückt', an invigorating collection of tracks that channel a dystopian feeling of being stir crazy amidst an unjust society. Arriving four years after their 5-track 'Isolation' EP (2020), 'Verrückt' offers a powerful taste of high-intensity, lyric-driven post-punk, created mainly with electric violin, guitar and drums.

Hailing from Berlin, Circolo Vizioso is made up of Tony Scafidi (guitar, bass, drum, hi-hat, vocals) and Paul Geigerzaehler (violin, snare drum, vocals). The band plays abrasive, groovy punk music that is influenced, on the one hand, by the sound of 1990s New York, Chicago and Washington embodied in such bands as Fugazi, Blonde Redhead and Sonic Youth, and by the sound of early 80's and 90's Eastern German and Eastern European punk bands like Dezerter, Sandow and Schleimkeim on the other.

Earlier, the band presented the singles 'Walls', written in outrage over the Russian invasion in Ukraine, and 'Choppy', a high-octane song spawned from a bout of depression brought on by a failed love story.

"On 'Verrückt', we wanted to stretch the potential of the bass drum, the high hat, the snare and the tambourine to the utmost. As two people having to sing, play guitar and violin and drums at the same time makes it challenging to come up with refined and intricate drumming. But it does give us an interesting opportunity to exert a furious, instinctively ancestral and liberating beat on a few drums," says Tony Scafidi.

Paul Geigerzaehler adds, "We wanted to make an album that could express anger, frustration and disaffection against an unfair world and all the discomfort entwined therein. And we wanted to do it with direct and bare lyrics abrasive violin lines, fat distorted guitar solos and big fuzzy riffs. Yet we wanted people to let go of this batshit crazy world in a sort of self-exorcising dance, where one can go to sleep with the illusion of having sweat their demons off at least for the night."

Formed in March 2020 on a balcony in Friedrichshain, Berlin during the first Covid-19 lock-down, Circolo Vizioso was born as an attempt to keep art and music alive and to provide support to their neighbours during a time when no concerts were happening and no cinemas, museums or galleries were open. Circolo Vizioso is these artists' attempt to resist the isolation and the lack of social and human contact, as well as the hunger for music and art during this unusual time.
:
As of March 1, the full 'Verrückt' album is available via Bandcamp, and from other fine music platforms, including Apple Music and Spotify. Circolo Vizioso's Paul Geigerzaehler has also just released his solo album 'KAPUTT' as a Bandcamp exclusive.

CREDITS
Music and Lyrics by Paul Geigerzaehler and Tony Scafidi
Tony Scafidi - guitar, bass, drum, hi-hat, vocals
Paul Geigerzaehler - violin, snare drum, vocals
Audrey Quillons - backing vocals on 'Walls' and 'Verrückt'
Produced by Paul Geigerzaehler and Tony Scafidi
Sound Engineer - Smail Shock Production at B Studio in Berlin
Mixed and Mastered by Sacha Tilotta in Catania, Italy
Publicity by Shameless Promotion PR


Keep up with Circolo Vizioso
Facebook | Bandcamp | Instagram | Twitter | Soundcloud | YouTube | Apple Music | Spotify | Press contact

Keep up with Shameless Promotion PR
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JULIEN-K Announces INDIEGOGO Campaign for DRK|MODE Album!

After 5 wildly successful #1 Indiegogo campaigns that have made Julien-K one of the highest earning crowdfunding bands in the world, the band has returned for their most ambitious campaign yet: DRK|MODE - A PURELY ELECTRONIC DARK INDUSTRIAL CREATION.

The campaign text alone is an undeniable example showing that the band has become masters of the art of gamification and teasing of new material and huge product drops. The band has created a long running narrative that is completely authentic yet somehow borders on fantasy that fans seem to love.

Julien-K casually drops another bomb on fans with their now classic playful yet ominous tone:

Do synthesizers feel pain?

We want to find out.

Can we create a compelling album through acoustic exclusion and electronic torture?
Possibly.

JOIN US IN DRK|MODE.

https://www.indiegogo.com/projects/julien-k-drk-mode#/

After their critically acclaimed and commercially successful return to their Orgy-esque roots in HARMONIC DISRUPTOR, they slowly began the "answer" to that album. That answer is called TRAUMA ECHOES.

"We started creating sludgy, guitar heavy, emotional electro-rock as a path out of the JKHD universe - but we kept finding ourselves pulled to heavy a synthetic 4 on the floor heartbeat. That heartbeat cut a new path that lead us through a new doorway."

"This unexpected dichotomy in our approach confused us at first, but over time it became clear that that we were being led down the path to two separate works of art. Two disparate projects. Twin shadows walking alone in the same darkness."

"The divergent undersurface of TRAUMA ECHOES had to be free of our well known guitar heavy approach. It had to be pure electro. It was a challenge to speak this new language only using machines. Could we create a sound that was definitively JULIEN-K without our guitars? An entire album of it?? Would the fans that have had our backs for so many years support an idea like this?"

This was the beginning of DRK|MODE.

Ryan Shuck says of the bands new campaign “We really broke the mold and set records with our last campaigns, but at this point we’re extremely cautious with our expectations. Will this campaign be so surprisingly successful? We just don't know - it’s not a “new” concept anymore. All we can do is unleash our creativity and energy and do the BEST we possibly can to create a compelling and comprehensive world for our fans to participate in. So far, if we focus on that - we have succeeded every time. We have to have faith in our fans.”

Julien-K is an independent electro-rock band formed in Long Beach CA in 2008 by long time friends and collaborators Amir Derakh and Ryan Shuck (founding members of Orgy, Dead By Sunrise). Later joined by Anthony “Fu” Valcic in 2009, the band recorded it’s now classic debut album Death To Analog. Over the last 10 years, the band has released multiple albums and toured extensively, and has become one of the most successful crowd-funded bands in the world. Despite the band's dark & stylistic videos and Blade Runner-esque imagery, the band has focused on a totally “connected” independent and authentic fan-focused career path - often avoiding a more classic commercial approach.

For More Information Please visit:

Official Website

Facebook

Twitter

Instagram

YouTube

Benighted Release New Single Feat. Oli Peters from Archspire

On their upcoming new album, Benighted crawl through a house of horrors. Ekbom doesn't tread so much as it tramples the line between sanity and madness. After all, the title takes its name from a real-life syndrome that makes people believe their skin is infested with bugs.

Today, the brutal French death metal band are releasing the second single off Ekbom. "Nothing Left to Fear" features Oli Peters from their label mates Archspire. Peters adds a new dimension of vocal terror, twisting seamlessly with Benighted's terrifying speed. While inspired by truly horrifying tales of psychological suffering, at 402 BPM, this new single proves that when it comes to the realm of death metal, Benighted are fearless.

Listen to "Nothing Left to Fear":

Ekbom is out April 12 on Season of Mist.

Pre-order: https://redirect.season-of-mist.com/BenightedEkbom
Pre-save: https://orcd.co/benightedekbompresave

"'Nothing Left to Fear' features our brother and incredible vocalist Oli from Archspire", says Benighted. "This is the fastest track we've ever written. It starts off at 402 bpm! The combination of Julien and Oli's vocals makes it soooo brutal! We hope you like this new song and share it to the maximum. Enjoy!"

Benighted are hitting the road in April for the Hellfest Warm-up Tour. Along with their signature style of brutal death metal, the French band are bringing along the support of Ten56 for these 13 lucky shows. Rise of the North Star, Stinky & KAMIZOL K will also join them on select dates.

Photo by © Anthony Dubois

Dive into the darkest realms of the human psyche as BENIGHTED, the French purveyors of brutal death metal & grindcore, unleash their tenth full-length album Ekbom in April 2024. The madness that has defined their discography continues with this radical soundtrack to the twisted times we inhabit.

Born from French Death and Black metal bands DISHUMANIZED, DARKNESS FIRE, and OSGILIATH, Benighted emerged in 1998 with a mission to explore a more brutal, heavy, and modern form of musical expression. The impact of their first self-produced and self-titled full-length album in 2000 transformed Benighted from a side-project into a main act, quickly amassing a devoted fan base. Subsequent albums like Psychose (2002), Insane Cephalic Production (2004), Identisick(2006), and Icon (2007) further cemented their visceral, skull-breaking sound into extreme death metal history.

After a detour into the realms of Necrobreed in 2017, Benighted celebrated their 20th anniversary by capturing the live madness with Dogs Always Bite Harder Than Their Master in 2018.

With Obscene Repressed, they once again took sadistic pleasure in pushing the boundaries of brutality, delving into the disturbed mind of little Michael. His relentless battle against demons, fueled by unresolved oedipal issues with his mother, provided a grotesque tableau for Benighted's sonic butchery. Not content with merely slaughtering everything in their auditory path, Benighted crafted thematically explorative pieces, each turn in their music revealing new layers of horror and despair.

As the relentless journey continues, Benighted is set to unleash Ekbom in April 2024, an album that draws inspiration from the nightmarish 'Ekbom syndrome.' This rare neurological disorder, also known as Delusional Parasitosis, forms the thematic core of the upcoming release. A feeling of having a vile concoction of parasites, worms, and insects crawling under your skin is an apt description of what Benighted have to offer on this newest release. The auditory assault mirrors the repulsive sensations of the syndrome, a visceral and unsettling journey into the abyss of the human mind.

Madness reigns yet again, this time intertwining with the haunting echoes of Ekbom syndrome. Brace yourselves for another mind-shattering chapter in the Benighted saga as they continue to carve their niche in the putrid annals of extreme metal, leaving a trail of sonic disgust in their wake.

Line-up
Julien Truchan - Vocals
Emmanuel Dalle - Guitars
Pierre Arnoux - Bass
Kevin Paradis - Drums

Recording studio
Kohlekeller Studios, Germany (Powerwolf, Aborted, Crematory)

Producer, Sound, Mixing & Mastering engineer
Kristian Kohlmannslehner

Guest musicians
Oliver Peters (Archspire) on "Nothing Left to Fear"
Xavier Chevalier (Blockheads) on "Fame of the Grotesque"

Biography: Sébastien Gamez

Cover art: Grindesign (Rob Borbas)

Pre-save: https://orcd.co/benightedekbompresave

Pre-order: https://redirect.season-of-mist.com/BenightedEkbom

Links:
Official Website: https://www.benighted.fr/
Facebook: https://www.facebook.com/brutalbenighted
Instagram: https://www.instagram.com/benighted_band/
Bandcamp: https://benighted.bandcamp.com/music
SoundCloud: https://soundcloud.com/brutalbenighted
TikTok: https://www.tiktok.com/@benighted_band
Twitter: https://twitter.com/@_BENIGHTED
Spotify: https://open.spotify.com/artist/0dUwIwaPc6UukkCZTaaf7J
Apple Music: https://music.apple.com/us/artist/benighted/267088245
Tidal: https://tidal.com/browse/artist/3919180 

Booking Contact:
France: Rage Tour - philippe@ragetour.com
Worldwide: Redback Promotion - ronny@redback-promotion.com

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Crystal Clear
12" Coloured Vinyl Gatefold - Transparent Yellow & Black Marbled
12" Coloured Vinyl Gatefold - Golden
12" Liquid Vinyl Gatefold - Blood Red Liquid-Filled

FRAZI.ER NYC DEBUT [MUTUAL RYTM / EXHALE ]

As one of Scotland’s most prominent rising techno talents, Frazi.er is an artist who is definitively pioneering the latest generation of clubbing fanatics. His unique highly-sought-after brand of uncompromising, rave-oriented techno has been drawing the praises of all who have witnessed him in the flesh, and at his young age he has already played in over 30 countries across the globe. Releasing on EXHALE, Hydraulix, Sleaze Records and with new music forthcoming on career defining labels, his raw sound is picking up credibility and quick identity!

Frazi.er is no stranger to big projects having shared decks with the likes of Dax J, Amelie Lens, Kobosil, KlangKuenstler, Robert Hood, Speedy J, SHDW & Obscure Shape to name a few. Although some may only know him for his fast, energetic sounds, his versatility to adapt makes him stand out as an overall artist.

BUY TICKETS

📍 H0l0 

🚪 Doors open at 11:00 PM - 6:00 am
🎫  T
ickets available from $19 Ticket tier selling out!

Toronto-based The Shadow Majlis debuts album 'The Departure'

"A powerful achievement... I believe that there are certain tracks and moments that act as portals into another dimension - I'm not being fanciful here!" ~ David J (Bauhaus, Love and Rockets)

"With Ali Jafri at the helm on vocals, guitars, bass, electric sitar, synths, programming, this debut offering from The Shadow Majlis is diverse and stunning, involving a dream-team – not only in terms of production, but also collaborators, ranging from true music legends of our generation and top-notch artists from around the world" ~ The Spill Magazine

Toronto-based artist The Shadow Majlis presents their debut album 'The Departure', 10 tracks that showcase genre-fluid excellence and a wealth of raw emotional experience, fusing elements of Eastern modes with post-punk and immerses listeners in an alternative neo-global style that transcends borders. Just as the album's title suggests, this is a departure from the norm, a journey into something other, where there are no limits. 

Revolving around Ali Jafri, whose reputation as a formidable and versatile multi-instrumentalist has led to involvement in various projects over the years. Whether as a member of David J's live band, playing rock-sitar for Pigface (or through his other projects ARIEL, The Gotham City Drugstore, Saintfield or his solo work), Ali Jafri has cultivated a multi-cultural artistic and musical vision. Now, he's bringing that vision further to fruition via The Shadow Majlis.

Produced and mixed by three-time Grammy Award winning producer David Bottrill (Peter Gabriel, Nusrat Fateh Ali Khan, Tool, David Sylvian, Mastodon, Smashing Pumpkins, Muse, Real World Studios), with Darren McGill engineering the album. Mastered by Noah Mintz, the cover art was created by Stephen Seto (Splintercage).

With Ali Jafri at the helm on vocals, guitars, bass, electric sitar, synths, programming, the debut album features the legendary David J (Bauhaus, Love & Rockets) on bass and drummer-percussionist Rakesh Tewari (Jaffa Road, The Special Interest Group). Adding colour and depth are various guest performers, including vocalist Olena Tsybulska (DakhaBrakha), guitarist Mark Gemini Thwaite (The Mission, Peter Murphy, MGT, Tricky, Gary Numan), cellist Anne Bourne (Loreena McKennitt, Jane Siberry), Tuvan throat singer Soriah, Ravi Naimpally (Niyaz, Constantinople) on tabla, Pankaj Mishra on sarangi, Selmanpak Ayduz on ney, Kerem Koktas on kemanche, and Sasha Singer-Wilson on backing vocals.

Blending alternative music with the rich, diverse instrumentation and rhythms of world music, The Shadow Majlis leaves a distinct imprint on the ever-evolving soundscape. Recorded in Toronto, LA, Portland, Istanbul, Kyiv and Iceland, this is truly an international affair, with languages such as Urdu, Farsi, Arabic, Icelandic and Ukrainian woven with English throughout this album.

The most poignant and powerful artistic output stems from tragedy, and The Shadow Majlis is no exception. Amid a deluge of personal upheaval, this album has been Jafri's means to address his grief over losing his seven-year-old son Oisín, who passed away in September 2022 after a nine-month battle with diffuse intrinsic pontine glioma (a highly aggressive form of brain cancer), the dissolution of his conjugal relationship, and a year-long state of temporary homelessness. Recovering from such devastation is no simple task, but The Shadow Majlis has offered Jafri medicine for his soul, while presenting us an alternative sonic reality in which we can all find solace and relief.

"With the inspiration of his son's passing, he told me he wanted to create something to honor Oisín as well as cathartically express his experience. It was not to be traditional but experimental, incorporating his industrial sensibility, but also with an international flavor... The emotion was all Ali, and with his raw lyrics and strong melodies over the top of dark and beautifully gut-wrenching tracks, we hope we have created something both passionate and heartfelt that can reach others either suffering loss or grief, or conversely experiencing elation or euphoria as we believe it can touch either," says David Bottrill.

Calling the album a powerful achievement, David J adds, "I believe that there are certain tracks and moments that act as portals into another dimension - I'm not being fanciful here!"

As of February 27, 'The Departure' album will be available exclusively from the artist via Bandcamp. That evening, Ali Jafri will be holding an album listening and viewing party at Ground Control in Toronto. Made possible through funding received from FACTOR, the album will be released on other platforms in early March and then in physical format this spring.

ALBUM CREDITS
Ali Jafri - vocals, guitars, bass VI, electric sitar, percussion, programming, synthesizers, electronics, solfeggio pipes
David Bottrill - backing vocals, electronics, synthesizers
David J (Bauhaus, Love and Rockets) - bass
Rakesh Tewari (Jaffa Road, The Special Interest Group) - drums, percussion
Olena Tsybulska (DakhaBrakha) - vocals
Mark Gemini Thwaite (Peter Murphy, Tricky, The Mission) - guitars
Anne Bourne (Loreena McKennit, Jane Siberry) - cello
Sasha Singer-Wilson - backing vocals
Soriah - Tuvan Throat Singing, Flute
Ravi Naimpally (Niyaz, Constantinople) - tabla
Pankaj Mishra - sarangi
Selmanpak Ayduz - ney
Kerem Koktas - kemancheh
Oisin Adams-Jafri - vocals, percussion, solfeggio pipes
Zayn Jafri - piano
Oscar Adams-Jafri - solfeggio pipes

All songs written by Ali Jafri and David Bottrill, except 'Elliðakot' (written by Ali Jafri) and 'The Departure (Kolyskova)' (written by Ali Jafri, David Bottrill and Olena Tsybulska)
Produced & Mixed by David Bottrill
Engineering by Darren McGill at Union Sound Company & David Bottrill at at Mainstatiion Music and Imagine Sound
Mastered by Noah Mintz at Lacquer Channel
Graphic Design & Illustration by Stephen Seto
Photography by Justin Minister @secondhand_daylight
For Oisín...

Keep up with The Shadow Majlis
Website | Bandcamp | Facebook | Instagram | Twitter | TikTok | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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Morgan Wallen Commemorates 'One Thing At A Time’s' 1 Year w/ “Abbey Road Sessions” Release

One year ago today, on 3/3/23, Morgan Wallen released One Thing At A Timean album that went on to top the Billboard Top 200 chart for 18-non-consecutive weeks, tying Garth Brooks’ 1991 Ropin’ the Wind record with the most weeks at No. 1 for a Country album and becoming the most-streamed album of the year, all genres, on Spotify. To commemorate its one-year anniversary, Wallen surprised-released his Abbey Road Sessions this afternoon (3/3/24). Songs were recorded in London in the iconic Studio Two at the world-renowned Abbey Road Studios on December 5, 2023. Watch/listen HERE

“Playing the O2 in London last fall and getting to record at Abbey Road, where so much iconic music has been made, was legendary for me and my band. We will never forget it," shares Wallen of his trip overseas that included a sold-out show at the O2 for his first-time playing London. “I’m so excited to release these Abbey Road Sessions for my fans on the one-year anniversary of One Thing At A Time. They make all this possible.”
 
The digital series includes five live recordings from One Thing At A Time, an unreleased fan-favorite, “Lies Lies Lies,” and a never-before-recorded cover of Nothing But Thieves’ “Graveyard Whistling.”
 
With over 2.4 million ticket holders attending his current One Night At A Time World TourWallen continues to prioritize his fans and his live show experience as the place to see and hear the Pollstar and Billboard Music Awards’ Top Country Tour winner. 
 
Visit MorganWallen.com for more information and full tour details. 

About Morgan Wallen
When 11-time 2023 Billboard Music Awards-winner and Top Male Artist Morgan Wallen released his third studio albumOne Thing At A Time in 2023, its instant success left The New York Times proclaiming Wallen as “one of the biggest stars in pop, period.” One Thing At A Time has remained atop the all-genre Billboard 200 chart for 18 non-consecutive weeks, tying Garth Brooks’ Ropin’ the Wind with the most weeks at No. 1 for a Country album, and was the most-streamed album of the year on Spotify. The album’s 6x-Platinum single “Last Night” reeled in over 1.5 billion streams globally, becoming the most-streamed song of any genre in the U.S. across Apple Music and Spotify, and the longest running No. 1 solo song in Hot 100 history (16 weeks total).
 
With 11 chart-toppers at Country radio, Wallen recently wrapped his 5 countries/3 continents 57-show One Night At A Time World Tour stadium tour. Playing to over 1 million fans in 2023, Wallen’s One Night At A Time World Tour was named Pollstar's Country Tour of the Year, surpassing attendance records in numerous stops; including Ohio Stadium, where Wallen became the largest weekend ever for the venue, shattering records previously held by George Strait and Taylor Swift. Resuming this April in Indianapolis, Indiana, the 2024 extension of One Night At A Time takes Wallen to 29 additional stadium-plays. Wallen donates $3 from every U.S. ticket sold to his Morgan Wallen Foundation.

Self Deception Share "Hysteria"

Get ready to delve into the dark and twisted world of social media with Self Deception's new single "Hysteria."

Watch the video below.

Following the success of their hit single "Matthew McConaughey," Self Deception are back with a vengeance.

This time, they're shining a spotlight on society's insatiable appetite for instant gratification and validation through social media. "Hysteria" confronts the obsession with fame and recognition in a world where authenticity often takes a backseat.
 
"During a tour at a hotel breakfast, we saw a couple loading up a massive breakfast. They took tons of pictures, making it look like they were about to feast like kings. Then only nibble on half-an-egg and left. That's when the idea for the song was born," says the band's Andreas Clark.
 
But that's not all.

Fans can look forward to even more from Self Deception, as they announce their upcoming album Destroy the Art, set to drop later this year.

With "HYSTERIA" as a taste of what's to come, listeners can expect an album that challenges conventions and pushes boundaries.

Self Deception are also set to appear at Louder Than Life + Aftershock festivals later this year.
 
Stay tuned for more updates.
 
…Hit subscribe, comment, + like! 

Supreme Unbeing releases new single "Spaceman" Aims to be first metal band to play in outer space

SUPREME UNBEING emerges as a five-member leviathan of metal, with the enigmatic Zac Red at the helm, weaving tales that serve humanity, flanked by his menacing quartet: D.Vine, D.Sciple, Unknown & Al Mytee. Together, they're set to cast a spectral spell over Earth’s denizens, armed with riffs that twist the mind and lyrics that whisper to the soul.

With their albums "Enter Reality" & "Enduring Physicality," they've forged a global legion of listeners, eclipsing 10 million streams. Their sonic saga has been lauded by titans of the rock press such as Revolver and Metal Hammer, stamped their mark in the annals of Sweden Rock Magazine, and seized the spotlight on Spotify's editorial playlists, heralding a new era of metal mastery.

In a groundbreaking fusion of music & space exploration, the band is set to captivate the world with their latest venture - the 'Spaceman Challenge'. Inspired by their electrifying cover of the iconic single ‘Spaceman’ releasing March 1st, 2024 (originally by Babylon Zoo), the band is igniting a global movement, bridging the gap between rock music & the final frontier – space.

Pre-listen to 'Spaceman' here: https://linktr.ee/supremeunbeingpr

The 'Spaceman Challenge' is more than a musical feat; it's a call to dreamers, adventurers, and music enthusiasts worldwide. The band's cover of "Spaceman" is not just a tribute to the 90s rock era, but a powerful anthem infused with modern metal influences, promising to energize and inspire a new generation of listeners.

With the challenge, Supreme Unbeing is not only aiming for the stars musically but literally. The band has boldly reached out to space entrepreneurs Elon Musk, Jeff Bezos, and Sir Richard Branson as well as to several national space agencies around the globe, urging them to join this revolutionary campaign. The trio, and the space agencies, are invited to make a pledge, but only if they dare, promising the band a trip aboard their space tourism crafts once the crafts are fit for space tourism travel and when the song reaches the astronomical milestone of 1 billion streams. Will any of our prominent space entrepreneurs, or national space agencies, take up the band on the dare?

"As we ignite the 'Spaceman Challenge,' it's impossible to ignore the cosmic ballet playing out above us. This new space race, orchestrated by giants like Musk, Bezos, and Branson, isn't just a leap towards the stars; it feels like a calculated escape, a secretive gambit with stakes higher than we can fathom. Are we spectators in an intergalactic narrative scripted by unseen hands, a narrative rife with undisclosed agendas and covert pacts made in the shadow of the moon? In this cosmic game of chess, it's paramount to discern the pawns from the kings, for in the vacuum of space, whispers don't echo—they resonate." Says Zac Red

But the journey doesn't end there. The 'Spaceman Challenge' extends its embrace to the public with an extraordinary pledge from the band. By participating in the challenge on www.spacemanchallenge.com, fans aren't just streaming a song; they're securing their entry into an unprecedented contest. Supreme Unbeing commits to transforming these streams into a tangible odyssey. With the royalties generated from 1 billion streams, the band vows to finance a ticket for one fortunate winner, purchasing their seat on the spacecraft out of their own pocket. This isn't just a chance to win a prize; it's an opportunity to be part of a historic moment, a life-altering journey to space financed by the harmonies of rock and the support of fans worldwide. As the song's streams ascend to stellar heights, so does the dream of space travel, now within reach of one lucky individual.

As the 'Spaceman Challenge' takes off, Supreme Unbeing invites listeners, dreamers, and media partners to join this historic campaign. By featuring 'Spaceman' on playlists, sharing the challenge, and covering this cosmic journey in the press, together, we can turn a musical masterpiece into a milestone for human achievement.

For a music experience that transcends boundaries and for a chance to be part of space history, join the 'Spaceman Challenge'. Let's stream, share, and soar into the new era of rock and space exploration.

Mixed & mastered by World-renown producer & engineer Lasse Lammert (Alestorm, Gloryhammer and countless more), the track will be available on Friday 1st March on Spotify, Apple Music, Deezer and all major streaming services.

Chicago rocker LEON FREAR releases debut 'Wild Rice' album, a survivor's tale of life-altering experiences and the aftermath

"Frear has a voice which somewhat recalls Marty Willson-Piper of The Church fame and his side project Nocturum... This is something for fans of Nick Cave and related"~ Side-Line Magazine

"Frear has a way of telling stories that draw you in, bringing to the surface a multitude of common points, memories and feelings that resonate with the listener... Leon Frear lives to tell a resounding tale through gifted songwriting and clever story-telling" ~ The Spill Magazine

"Track of the Day. The way he tells the story makes it seem like he and the listener are commiserating together... great story" ~ Chasing Destino

"With a unmistakeable voice deserving of becoming a regular fixture in the mind-memory of music lovers everywhere... catchy and contemplative, showcasing clever lyrics channeled through his smooth and deep timbre... an invested labor of love" ~ Rock n Roll Biz

"The combination of evocative lyrics and a dynamic musical backdrop creates an immersive experience, inviting listeners to delve into the complexities of love, longing, and self-discovery" ~ Skylight Webzine

Chicago-based rocker/ songwriter Leon Frear presents his debut album 'Wild Rice', a powerful 10-track offering that reflects a dramatic period in which he experienced a life-altering love affair, its implosion and aftermath, followed by a decade of reflection and changes.

His first release under this moniker, exemplified by focus track 'She Fed Me Water', this represents a new start for Frear since relocating from the south. Informed by his own experience, Frear's music speaks of love, lust, broken promises, miscommunication, and incinerated bridges.

This collection sees Frear playing every instrument and capturing every breath to tape during a recording process that took years to complete. A guitar-based post-punk / indie rock album at its core, 'Wild Rice' has a gentle soul - one could even call it “post-alternative”.

Earlier, Frear released the singles 'A Morning House' (about regret and hope), 'A Town Called Chapel' (a poison pen love letter to an historically musical time and place, ruined plans and lost relationships", and his first single 'Secret Second Moon' with a fantastic animated video by French artist Ronald Grandpey.

Laced with hints of sadness and regret, anger and remorse, the lyrics are tempered with sardonic wit that leaves the listener wondering if Frear doesn’t secretly savor feeling bad. If there’s an opportunity to mock an uncaring universe, this is an opportunity Frear doesn’t let go to waste.  

Dubbing his brand of post-alternative music “vocabulary rock”, Frear aims to shift the emphasis away from the man and towards the music and lyrics, while inviting the listener to commiserate together through this exploration of grief, depression and sadness.

"I try to put less emphasis on sticking to one type of music and more emphasis on crafting songs with strong lyrics. So I’m really just trying to write in a way that the music compliments the lyrical meaning. And I think that can make pinning down my musical style a little more difficult. Broadly speaking, I cut my teeth on the post-punk guitar records of the late 90’s and early aughts and I think those influences still come through in the way I write music," says Leon Frear.

"Musically, I grew up listening to a lot of punk and indie bands. And the biggest influences for me are people I can admire for the way they behave and the way they treat people. Vanessa from Pylon, punk icons like Roger Miller and Patti Smith. Or bands who have had honorable careers like Fugazi or REM. These are the artists who I strive the most to be like."

On March 1, the 'Wild Rice' album was released on vinyl and will be available digitally from fine music platforms, including SpotifyApple Music and Bandcamp.

CREDITS
Music and lyrics written by Leon Frear
Recorded by Leon Frear in his Chicago home studio
Mastering by Adam Boose at Cauliflower Studios
Vocals and instruments performed by Leon, except
Faye Whitt - backup vocals on 'Murder of Crows'
Front cover collage by Faye Whitt
Ronald Grandpey - Director / animator for  'Secret Second Moon' video
Artist photos by Jeremy Glickstein

Keep up with Leon Frear
Bandcamp | Facebook | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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Jenna Paulette Releases Debut Single on Leo33, “Darlin’”

With the release of her debut album The Girl I Was last March, Lewisville, Texas native Jenna Paulette detailed her journey overcoming the heartbreak of a toxic relationship and rediscovering her identity – ultimately returning to the girl she was prior. Emerging stronger than ever, Paulette is now turning toward a chapter of redemption and newfound love with Darlin,’” her first release on Leo33, available now.
 
Reflecting on her personal journey of healing, Paulette shares, “It’s easy when you’re young to meet someone who tells you things that aren’t true about yourself and to believe him until, slowly, he chips away at who you are. If that’s you, I hope this song provides comfort knowing you’re not alone, stirs the courage inside of you to walk away, and offers the reassurance that something better awaits you.” 
 
Written by Paulette alongside Jess Cayne and Matthew Morrisey, “Darlin’” juxtaposes the manipulation of a past relationship with the restored confidence that comes with true love.
 
        He calls me pretty
        And I believe him
        Tells me he loves me
        And God, I can feel it
        His prayer that was answered
        When I was your problem
        Yeah it’s really something
        The way I keep fallin’
        When he calls me darlin’
 
“Darlin’” offers the first taste of new music to come from Paulette on the heels of her record deal with Leo33, as she returns to the studio to prepare her sophomore record for 2024. Paulette’s musical journey has been defined by impactful storytelling, exemplified most recently in the official music video for “You Ain’t No Cowboy” which was released on World Mental Health Day. The video, inspired by the true story of her own cowboy, Ross, challenges mental health stigma in the agricultural community and has over 177,000 views.
 
Paulette’s debut album, The Girl I Was, was released in March 2023 and has amassed over 30M on-demand streams. She swiftly earned her critical acclaim including media coverage from People Magazine, Grammy.com, and more. Additionally, Paulette has been named an Apple Music Country Riser of the Month as well as one of CMT’s Next Women of Country.
 
Paulette is currently on the road with Aaron Watson as part of his The Armadillo Dance Hall Tour, and recently performed to a packed crowd at the Mercury Lounge in New York City. Additional upcoming shows include a performance of the National Anthem at The American Rodeo on March 9 and her return to the Grand Ole Opry on March 20. For more information, visit jennapaulette.com or follow @JennaPaulette on all social platforms.

Jenna Paulette Upcoming Performances:
March 9 // Arlington, TX // The American Rodeo Tailgate Party
March 9 // Arlington, TX // National Anthem at The American Rodeo
March 20 // Nashville, TN // Grand Ole Opry
March 22 // Katy, TX // Mo's Place*
April 11 // Lubbock, TX // Cook's Garage*
April 12 // Midland, TX // The Tailgate*
*Dates with Aaron Watson

About Jenna Paulette:
A CMT Next Women of Country in 2022 and Apple Music’s Country Riser of the Month for March 2023, singer-songwriter Jenna Paulette — a cowgirl who came of age amid the gritty realities of ranch life — is part of Nashville’s growing wave of female artists who are rewriting the rules and charting their own paths. Paulette settled in Nashville in 2015, where she struck up a mentorship with Ashley Gorley – a veteran songwriter with 60+ No. 1 tunes under his belt – which ultimately led to her publishing deal with Sea Gayle Music in June 2021. Since collaborating with songwriters Will Bundy, Rhett Akins and Jessie Jo Dillion, as well as opening for Mason Ramsey, Parmalee, John Michael Montgomery, Clay Walker and most recently Aaron Watson, Paulette has landed brand partnerships with Justin Boots, Boot Barn, Ely Cattleman and Ranch Water.
 
Her debut album The Girl I Was, is available now, showcasing Paulette’s finely calibrated blend of toughness and sensitivity in tracks like “Country In The Girl” and “Pretty Ugly.” Wearing her heart on her sleeve, Grammy.com remarked it as “transformative,” noting “fuses the sounds of Twain and Miranda Lambert, tackling mental health with the somber ‘You Ain't No Cowboy’ and waxing philosophical on ‘Country In The Girl.’ Paulette continued to spotlight her authentic western lifestyle, performing the national anthem at the National Finals Rodeo, making her Grand Ole Opry Debut and performing in multiple festivals including CMA Fest. As Paulette readies her sophomore album in 2024, she recently signed with independent label Leo33. For more information, visit www.jennapaulette.com.

Scotty McCreery Announces Fifth Studio Album 'Rise and Fall' for May 10

Triple Tigers recording artist Scotty McCreery announces his fifth studio album Rise and Fall, featuring 13 tracks that find him exploring themes of heartbreak, rowdy nights, nostalgia, faith, newfound joy, fatherhood, and enduring love, resulting in a project full of insightful storytelling that includes last night’s surprise release, “Slow Dance.” McCreery co-wrote 12 of the 13 songs on the album, which will be released digitally as well as on CD and vinyl. In addition, Amazon will release a limited edition, forest green vinyl version of the album.

  • Pre-order/pre-save Rise and Fall HERE

  • Pre-order autographed vinyl and CDs of Rise and Fall HERE

  • Listen to “Slow Dance” Below.

“I know every artist says it, but this is truly my favorite album I’ve made so far,” shares McCreery. “I wanted to create an album that reflected the music I grew up on and wasn’t chasing trends. So, I brought several of my songwriting buddies to the mountains of North Carolina to sit down and write a full-on country album that told a story, start to finish, and spoke to my soul. We’ve been performing most of the album live on the road and the response from the audiences has been overwhelming. I can’t wait for everyone to hear Rise and Fall when it comes out May 10th.”
 
The North Carolina native knows all too well there’s a rhythm to life and a cycle of ups and downs. And right now, he’s on the upswing.
 
Now 30 years old and a seasoned country music veteran selling out concerts across the globe with five consecutive No. 1 hits under his belt, McCreery is also a dedicated husband and father, welcoming a son named Avery in 2022 whose impact on the singer is highlighted in several songs on the album. Recently, he even celebrated the milestone of all milestones for a guy who grew up on Randy Travis, Johnny Cash, Dolly Parton, and Ronnie Milsap; he was invited by his musical hero Garth Brooks to become the newest member of the iconic Grand Ole Opry. McCreery’s induction will take place on April 20 with another of his heroes, Josh Turner, officially welcoming him into the Opry family.
 
But folks like McCreery know it means more when you’ve seen the other side. For him, each highlight has come in contrast to a challenge – things like the loss of his first record deal and the year of naysaying uncertainty that followed before he built himself up again, brick by brick. As a result, Rise and Fall, produced by longtime collaborators Frank Rogers, Aaron Eshuis and Derek Wells, comes from an artist who knows to appreciate the ride – no matter where it leads.
 
“I feel like we’re on the rise now, but I’ve fallen pretty low as well,” McCreery admits. “I learned from every little part of that, and it helped me to know who I was as a person – let alone an artist. The rises and the falls helped craft these songs. They made this album what it is.”

With last night’s release of “Slow Dance,” written by McCreery with Brent Anderson, Derek George and Monty Criswell, McCreery looks for an exit to life in the fast lane, dropping everything to focus on what matters most. After teasing the song on social media a few months back, fans have consistently urged him to drop the track, as the romantic ballad can turn a kitchen floor into a ballroom with its ‘90s-country sway and deep, heart-melting vocal:
 
     Baby, you’re my slow dance
     To Whitley in the kitchen
     Taking my hand, and all of my attention
     Cheek to cheek across the floor
     When I need to shut the door
     On a world that’s always moving so fast
     Baby, you’re my slow dance
 
“I am not the greatest at doing social media, but my team encourages me to do it,” explains McCreery. “A few months back, I was waiting on some hibachi takeout and listening to the new tracks in my truck. I filmed a quick video of me singing along with ‘Slow Dance’ and posted it on my socials, picked up my takeout food, and went home to eat dinner with Gabi. I looked at my phone that evening and the song had blown up; it’s now my most watched TikTok video to date. Over the last few weeks, anytime I post a photo on social media, the response I get back is ‘that’s great…so when are you putting ‘Slow Dance’ out?’ I’m excited to finally put it out!!” 
 
“Slow Dance” is the fourth song released from the album, following lead single “Cab in a Solo” and tracks “Can’t Pass the Bar” and “Love Like This.”

Photo Credit: Jeff Ray

As the album’s lead single “Cab in a Solo” steadily climbs the charts (currently Top 12 on both Mediabase and Billboard), McCreery’s 2024 Cab in a Solo Tour continues tonight in Boston, MA at MGM Music Hall at Fenway with an additional stop in Syracuse, NY at the Landmark Theatre tomorrow, March 2. He will be joined by Anne Wilson as direct support along with Noah Hicks. The tour, produced by Live Nation, kicked off with three consecutive sold out shows and will continue to trek across the U.S. through mid-March.
 
Tickets for the Cab in a Solo Tour are on sale now at ScottyMcCreery.com.
 
Cab in a Solo Tour Dates:
3/1/2024          Boston             MA                  MGM Music Hall at Fenway
3/2/2024          Syracuse          NY                  Landmark Theatre
3/14/2024        Johnstown       PA                   1st Summit Arena
3/15/2024        Wallingford     CT                   Toyota Oakdale Theatre
3/16/2024        Schenectady    NY                  Proctors Theatre
 
McCreery recently launched a campaign with Tunespeak where fans can earn points to gain chances to win a variety of prizes. The ultimate prize winner will receive two tickets and airfare to this year’s ACM Awards in May. Other winners will receive merch packs, signed vinyl, and more. No purchase is necessary. Interested fans can enter the campaign and learn more information at http://tnspk.co/nqwrra.
 
About Scotty McCreery:
Scotty McCreery has been a household name for nearly half his life, ever since making history in 2011 as both the first country artist and the youngest male artist of any genre to debut his first studio album, the Platinum-certified Clear as Day, at No. 1 on the all-genre Billboard Top 200 Albums chart. With his forthcoming album Rise and Fall set for release May 10, featuring current single “Cab in a Solo” along with 12 additional tracks, McCreery explores classic themes of heartbreak, rowdy nights, nostalgia, faith, newfound joy, fatherhood, and enduring love, and through it all, felt comfortable being himself, resulting in a project full of electrified twang, rich baritone vocals and insightful storytelling. The 30-year-old has sold more than 4 million albums and achieved 5 consecutive No.1 hits: the RIAA Platinum-certified “Damn Strait,” the RIAA Gold certified “You Time,” the RIAA Gold certified “In Between,” the RIAA Platinum certified “This is It,” and the RIAA Triple Platinum certified ‘Five More Minutes.” The North Carolina native has earned one Triple Platinum, five Platinum and four Gold singles; one Platinum and two Gold albums; won the 10th season of “American Idol” in 2011 at age 17; was named the ACM New Artist of the Year in 2011; won the CMT Music Award for Breakthrough Video of the Year (“The Trouble with Girls”) in 2012; and BMI Awards for writing One of the Top 50 Country Songs of the Year five times (in 2015 for “See You Tonight,” in 2018 for “Five More Minutes,” in 2019 for “This is It,” in 2021 for “In Between,” and in 2022 for “You Time”). He was awarded Pandora Billionaire status in 2021 in recognition of his music achieving more than one billion streams on Pandora. His song “Five More Minutes” inspired two popular holiday movies which aired on the Hallmark Movies & Mysteries Network: “Five More Minutes” in 2021 and “Five More Minutes: Moments Like These” in 2022. He released his first book Go Big or Go Home: The Journey Toward the Dream in 2016. His most recent album is Same Truck: The Deluxe Album. This fall McCreery was inducted into the North Carolina Music Hall of Fame and was most recently invited to become a member of the Grand Ole Opry by Garth Brooks. The singer/songwriter married his high school sweetheart Gabi in 2018, and the couple had their first son Avery in October 2022. For more information, visit ScottyMcCreery.com.

ELVIE SHANE RELEASES THE REVIVAL ROUSING “DOES HEAVEN HAVE A CREEK” –

BBR Music Group/Wheelhouse Records singer/songwriter Elvie Shane today releases “Does Heaven Have A Creek,” available to listen HERE. Written solo in the days before recording his imminent album DAMASCUS, “Does Heaven Have A Creek” came from a question Shane once asked himself following the passing of his grandmother, about what really matters, and what comes next. His alluring vocals take you to church, with the heartland hymn serving as another reminder of how the Kentucky native "forces you to rethink anything you think you know, or assume, about the genre’s Music Row bros” (Stereogum).

“‘Does Heaven Have A Creek’ is simply the wondering mind of a believer,” said Shane. “A testimony of hope that Heaven has a few of the simple pleasures we enjoy here on earth. Is Heaven only for A-List Christians? Is there room for a prodigal ‘Good Ole Boy’ from Kentucky just trying to live a decent life and be a good man?” 

The track comes as the sixth release from Shane’s sophomore album DAMASCUS, releasing April 19th. Full of unflinching honesty rooted in compassionate clarity, each track steps into the shoes of another, with Shane taking pieces of each character he’s met on his path, melding them into one beautifully woven work. The album is available for pre-order/pre-save/pre-add HERE.

One of Nashville Scene’s “2024 Artists to Watch,” Shane has already garnered buzz for the project, with releases of “Baptized,” “Jonesin’” and “Forgotten Man,” with the latter dubbed “an ode to blue-collar workers that exposes the heart-aching realities of the working class,” (Billboard), and with his track “Pill,” critics praised its gripping honesty as it “further cements Shane as a new voice of the damaged, addicted, and lost in country music,” (Rolling Stone). Shane also recently released “What Do I Know,” along with a moving video to accompany the track featuring a cameo by John Carter Cash, available to watch below.

About Elvie Shane:
With a gritty-yet-gracious fusion of heartland rock and modern country, Kentucky native Elvie Shane has made the conscious decision to aim for impact with his upcoming sophomore release DAMASCUS out April 19. The dynamic project of extremes and deep empathy, sharp-edged fusion of country, rock, hip-hop tells the deeply-layered tale of Shane’s journey – one that countless others struggle to navigate each day. Shane "bravely wrote" (American Songwriter) the album’s lead track “Pill” as a love letter to those struggling with addiction, a reminder that it’s never too late to come back home. It was another shared life experience that earned Shane his Platinum-certified Number One debut, “My Boy.” The tender tribute to the unconditional love of stepparents took Shane from a country road to the top of the charts, touring the country’s biggest stages as well as overseas and racked up over 400 million streams and counting. The track helped launch Shane’s debut album BACKSLIDER, which was hailed by critics from Billboard and Rolling Stone to the Nashville Scene and beyond, earning spots on many "Best Of” lists alongside new artist nominations from the ACM Awards, CMT Music Awards and iHeartRadio Music Awards. For more information, visit www.elvieshane.com

Photo Credit: Nathan Chapman

KEEP UP WITH ELVIE SHANE
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | X

ENSLAVED | announce Jo Quail special appearance at London show + release 'Congelia' feat. Jo Quail

One year ago, cosmic pioneers Enslaved released their latest avant-garde creation Heimdal. To celebrate the studio album's first year of existence, the band announced the Heimdal (Deluxe) digital album, which is out today! As well as a UK and European tour with British post-hardcore quartet Svalbard and US metallers Wayfarer this month. 

Also today, Enslaved are thrilled to announce that internationally acclaimed composer and virtuoso cellist Jo Quail will make a special appearance at the first show of the tour, on March 6th at London's Islington Assembly Hall.

To celebrate this news, Enslaved have released an electrifying alternative version of their track 'Congelia', featuring Jo Quail, alongside a beautiful lyric video created by Kolibri Media.

Guitarist Ivar Bjørnson commented,
"London has a very special place in the history of our band, since the very first live shows we ever did outside of our home town(s) - the city has supported us through it all. We have a huge part of our extended family and tribe here; it is always like coming home. Just with better Indian food and worse traffic. This time London seems set on outdoing its welcome of us; Jo Quail will join us on stage to perform 'Congelia' with us! We are so proud and eager to show you how absolutely crushing that sounds. See you very soon. Baah!"

Jo Quail commented,
"I am thrilled to be joining forces with Enslaved once again on stage! It was such a wonderful experience in Bergen last year and I am honoured to be able to do this again in London - I hope you'll enjoy this moment as much as I will."

STREAM HEIMDAL (DELUXE): https://enslaved.bfan.link/heimdal-deluxe.ema
WATCH THE 'CONGELIA - FEAT. JO QUAIL' LYRIC VIDEO BELOW;

Heimdal (Deluxe) includes the studio album in full, as well as alternative versions of two album tracks 'Forest Dweller' and 'Congelia', both with sublime performances from renowned cellist Jo Quail, bonus track 'Gangandi', plus the entirety of 'The Otherworldly Big Band Experience' - Enslaved's stunning 2022 streaming event featuring fellow psychedelic Norwegian prog band Shaman Elephant.

Enslaved's latest studio album Heimdal (released March 2023) is both a departure and a communion with roots forged over three decades ago in the turbulent birth throes of Norway’s black metal scene. It's a record that points towards new beginnings, and a dawn that’s on the other side of the apex of the land. A psychedelic journey through arcane Norse folklore, connecting with one's ancient ancestors and our future selves.

'The Otherworldly Big Band Experience' was an Enslaved show like none other, their biggest, boldest project to date - a colossal, kaleidoscopic stage show featuring a stellar setlist covering their career, both past and present. Including some tracks never previously performed live. 

Enslaved will be touring the UK and Europe this month. The 16-date run will take the band across 10 different countries, with support coming from Svalbard and Wayfarer.

Tickets are on-sale now from https://enslaved.no/

Never faltering, Norway’s iconic Enslaved continue to exist as one of the most original and dependable components in our scene's indestructible backbone. Possessing the reputation as one of the most riveting live acts around, they never fail to offer us talent of the highest calibre, always doing justice to their signature black/progressive sound. Enslaved was formed in 1991 by Ivar Bjørnson and Grutle Kjellson, releasing their first demo Yggdrasill in the summer of 1992, their legendary mini-album Hordanes Land coming out in 1993, and with their debut full-length Vikingligr Veldi arriving in the spring of 1994.

Enslaved are a band in stellar form - a band at its most existentialist and self-conscious, proud Bergeners bearing the torch of their hometown’s extraordinary musical history. Their most recent material shows Enslaved at their most unleashed and thought-through - a lethal combination unfurling a potential that’s easily rekindling the furor of their early works while dancing gracefully through their most ambitious, most haunting and most musical tunes yet. A contradiction? Life itself is a contradiction. And yet we all live to prove it wrong.

Enslaved are:
Ivar Bjørnson | guitars 
Grutle Kjellson | vocals
Arve 'Ice Dale' Isdal | guitar
Håkon Vinje | keyboards, clean vocals
Iver Sandøy | drums

New ‘Ride or Die’ single from Scandinavian post-punk outfit Then Comes Silence out now.

"Then Comes Silence are everything a band should be - good tunes, good playing and singing, and good looking. Their songs are ear-worms, once heard difficult to forget, as catchy as gonorrhea but far better for your health" ~ Wayne Hussey

”I can see them being huge” ~ Dani Filth (Cradle of Filth)
 
"Capturing the alluring intersection of 1980s Post-Punk, New Wave and College Rock in one fell swoop, this music feels organic and fresh, with ample drive, clever songwriting and a killer melody, along with crisp production" ~ The Spill Magazine 

"Truly love it" ~ She Past Away
 
"Hellacopters of Gothic Rock" ~ Jyrki 69 (The 69 Eyes)

"The only band that have been voted in as album of the month three times!" ( 'Blood' in 2017 / 'Machine' in 2020 / 'Hunger' in 2022) ~ Sonic Seducer Magazine

Swedish post-punk outfit Then Comes Silence has unleashed their new single ‘Ride or Die’, along with an adrenaline-filled trip of a video, co-directed by Gözde Duzer. The first taste of their seventh album ‘Trickery’, forthcoming via Metropolis Records, it has already reached #3 in Germany's authoritative DAC Charts.

Hailing from Stockholm, Then Comes Silence was founded by Alex Svenson in 2012, originally inspired by frequent touring with A Place To Bury Strangers and an attraction to horror and the occult. Today he is joined by drummer Jonas Franssonand Hugo Zombie (Los Carniceros del Norte) on guitar.

This album celebrates friendship, unity and the feeling of belonging to a group, a tribe. Being a part of what most people would call the goth and post-punk community is, according to the band, a great privilege. Of course, there are dark sides to everything, but after being on the road and meeting people from the music scene for so many years, the band have experienced a caring and welcoming community.

"No one is free from apprehension and fear. Everyone feels some kind of alienation in certain degrees. You might often think you need to camouflage yourself to be part of a context. Make a change to fit in the group. The need for friendship is strong so you adapt. Maybe not always the way you hoped. But then...  there are moments when we unite and harmonize with other people and feel an incredible community together. That feeling is priceless and a blessing. Friendship is love. It is important and worth fighting for," says Alex Svenson.

Recorded by Jörgen Wall (Jay-Jay Johanson, The Hellacopters) over three days at Stockholm's Kapsylen Studio and mixed by Tom van Heesch (Rammstein, Apocalyptica, Backyard Babies), this album was mastered by Svante Forsbäck / Chartmakers (Rammstein, Amaranthe, Ville Valo, The Rasmus, Apocalyptica).

Following up their 2022 album 'Hunger', released via Nexilis Records / Schubert Music (Europe) and Metropolis Records (North America), these sessions capture the heart and essence of alternative rock. With electronic elements essential to the new recordings, 'Trickery' is also a salute to punk music, to which Then Comes Silence traces their roots.

After debuting with their eponymous album in 2012, Then Comes Silence put out two more albums before releasing 'Blood' via Nuclear Blast in 2016. Their subsequent 'Machine' album was jointly released via Oblivion/SPV and Metropolis Records in 2020.

Then Comes Silence has toured and played live with The Fields of the Nephilim, The Chameleons, A Place To Bury Strangers, The Bellwether Syndicate and Vision Video, as well as performing at Wave Gotik Treffen, M'era Luna, Amphi Festival, Castle Party and W-Festival.

'Ride or Die' is out now everywhere, including Apple MusicSpotify and Bandcamp. On April 5, the 'Trickery' album will be released on vinyl and CD, as well as digitally. Then Comes Silence will be touring North America extensively with Vision Video from late April through May.

CREDITS
Music & Lyrics by Alex Svenson 
Published by HaHa Musikförlag
Alex Svenson - vocals, bass, synthesizer
Jonas Fransson - drums
Hugo Zombie - guitar
Video directed by Gözde Duzer & Then Comes Silence
Starring Johnny Nattsjö as Nebelmeer on synthesizer, 
Bengii, Lord Of All Possible Pain and Mischief, and El Pseudo as themselves  
From 'Trickery' album, released via Metropolis Records
Publicity by Shameless Promotion PR


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ARISING EMPIRE ALERT: Venues Share New Video

NEW ALBUM TRANSIENCE OUT MARCH 29 VIA ARISING EMPIRE

The sparrows have been chirping it from the rooftops for a while, but now it's official certainty: in 2024, VENUES will unfold to their full size for the first time. And we're all here to witness it live. In short: Their third album Transience arrives worldwide on March 29 via Arising Empire!

Watch the video for new single "Godspeed, GoodbyeBelo.

After the two strong benchmarks with Aspire and Solace, which oscillated somewhere between post-hardcore, alternative metal, and metalcore, the Stuttgart-based band definitively tears down all barriers, boundaries, and bulwarks. Transience unleashes an emotional cascade full of grand melodies, visionary soundscapes, and raw, unfiltered emotion. This album = catharsis; it's medicine for a sick world and the antidote to dreariness, indifference, and coldness.

You hear it, you feel it: The 10 songs of Transience are about farewell, new beginnings, and the inevitability of change. They are they emotional projectiles that hit exactly where they hurt the most: In our wounded hearts.

Recorded in three creative and harmonious sessions with their regular producer Christoph Wieczorek (Annisokay) at the Sawdust Recordings in Halle, the Stuttgart band's third album carries all the pain of a wounded world within it.

VENUES do not look away. They repress and sugarcoat nothing. Yet, they also do not give up on themselves or this world and sing, scream, play against the feeling of powerlessness. They do not close their eyes to toxic relationships ("Unspoken Words"); they channel emotional baggage ("Godspeed, Goodbye").

But VENUES are most moving in their most intimate moments. Robin addresses his mother's cancer in "Braille" or Lela sings about captivity in the oppressive "Coming Home." She softly says, "I have yet to manage to sing this song without crying."

Pre-order the new album Transience as CD, limited colored vinyl and special fan box, together with unique merch options at the Arising Empire Online Shop, here.

PHOTO CREDIT: Ingmar Wein

VENUES ARE:
Lela — Clean Vocals
Robin — Shouts
Valentin — Guitar
Dennis — Drums

Party Cannon Announce Unique Leader Records Signing + New Album 'Injuries Are Inevitable' Out April 26th

Hold on to your seats as Party Cannon, purveyors of brutal party slam, have today announced their new signing with Unique Leader Records. In celebration of the news, the band announced their new upcoming album 'Injuries Are Inevitable' out on April 26th and unleashed their new track "Weird, But Not Illegal" along with the accompanying music video. When asked about signing with ULR, Party Cannon commented:

We are hyped to announce UNIQUE LEADER RECORDS are joining the party – a label that should know much better. It’s amazing to be working with the label that put out such classics as GORGASM, DISGORGE, INVERACITY, DISAVOWED as well as current favourites such as WAKING THE CADAVER, DISENTOMB, and KRAANIUM and we can’t thank them enough for having us onboard. Now I know what all you fellow death metal mega virgins are thinking, an underground brutal band signs to a bigger label, have they gone soft? I can assure you that we’re not the type of band to get a bigger advance and start making the softest music imaginable under the guise of ‘good songwriting’, Unique Leader encouraged us to make the most sonically offensive album we could. This is pure, 1000% Party Slam in its most concentrated form.

Speaking about today's 'Injuries Are Inevitable' album announcement, the band shared:

’Injuries Are Inevitable’ is our first concept album, the main influence being the documentary ‘Class Action Park’ about the iconic Action Park. The park was an infamous landmark in the 80s due to its complete disregard for any kind of rules or safety. Park guests were free to do as they please and staff were undertrained and often very drunk – most of the rides were designed and built by people who had no idea what they were doing. All this plus a massive party atmosphere resulted in ridiculous antics, serious injuries, and a number of deaths. We felt this really embodied the Party Cannon spirit and was the perfect subject matter for a concept album.

Instruments were tracked with Mike Bew at Foel Studios in Wales which is a converted farm in the middle of nowhere. We spent most days tracking until 2 am and petting the large number of meerkats that were onsite. Steve Wright (DYING FETUS, VISCERAL DISGORGE) handled mixing and mastering. As always, we kept it sounding like you’re in the room with real humans playing real music real badly. Musically this album focuses more on shorter songs this time around so we can pack more nonsense into our live sets. Each song is still full of blastbeats, guttural vocals, and of course – a variety of physically punishing, sex drive raising, IQ lowering slam riffs.” 

Party Cannon also stated when asked about "Weird, But Not Illegal":

We chose "WEIRD, BUT NOT ILLEGAL" to be the first single and to open the album as it is the perfect example of what Party Slam is – if someone asked you to define our sound, you’d blast this song. Hitting that sweet spot between slamming brutal death metal and goregrind, it’s packed full of fast blasts, inhuman noises, and repulsive slime this is exactly the song you need to hit a PR today. The last minute of the song is some of the most offensively danceable stuff we’ve ever written so we better see you getting dumb in the pit. The title covers the moral and legal grey area that Action Park operated in and how a lot of their practices only just fell in line with the law.

We really wanted to avoid the normal ‘band plays in front of background’ style video for this song and put out something ridiculous and entertaining. The video was filmed by Calum McMillan in Glasgow and is a tribute to our love of B-move horror films and stupid early 2000s stoner films. It is full of ridiculous gags, greenscreen effects, and tributes to some of favourite films.

Pre-save 'Injuries Are Inevitable' here, stream "Weird, But Not Illegal" here, and watch the music video below.

EU fans who are ready to get their party on have their chance to see the band on the EU VOMITOUR 2024 run with Cognitive as support. Grab your tickets at the link here and stay tuned for more Party Cannon news coming soon.

PARTY CANNON are BACK with their HEAVIEST, SLAMMINGEST, and DUMBEST album yet; an overwhelming helping of the henchest and most nauseating Party Slam. The band have doubled down on their signature Party Slam style to bring you an experience so IQ-lowering, so soul-crushing, so life expectancy-reducing that we recommend you wear a helmet while listening for your own safety. 'Injuries Are Inevitable' takes us on a deep dive of the infamous Action Park; the world’s un-safest theme park. Through the medium of guttural vocals, rapid blast beats, and anabolic slam riffs you will be taken on an immersive 4D experience of the debauchery, partying, and downright irresponsibility this iconic park had to offer. 

No admission for cowards, big dumb party riffs only.

Alienist Drop Debut EP "LOVE/HATE" + Share Video For "Hypnotise"

"Many of the recent Australian metalcore releases sound very similar, but this band has forged their way on their own path" — Metal-Roos

"There's a high level of composition there, and it's all in the little nuanced details…this is a win for me" — 
Prymalchaos
 

Love and hate; a dichotomy as old as time, and it's this agitated balance of two cohesive yet opposing forces that ultimately strikes at the sharpened core of the debut EP Love/Hate from Alienist, out now via UNFD.

Thematically traversing themes of religion, self doubt, relationship struggles, and mental health, Love/Hate balances its searing instrumentals and dexterous layers alongside arresting and immense emotive content; a fact seen not just in the broader EP itself, but in the brand new single and video "Hypnotise" also out today.

Watch the video for "Hypnotise" below

Parting the curtain behind "Hypnotise," the band shares, "A reflection of how we, as a band, have struggled internally with mental health issues and the existence of the band and our audience has allowed us to fight through those struggles and provide us with a sense of purpose. The name 'hypnotise' explores how although an audience may feel hypnotised by us, being on the stage and performing our art, that we are truly the ones that are hypnotised by the audience that supports us."

An explosive amalgamation of rage and serenity, Love/Hate is an exciting debut collection of songs from the Wollongong five-piece. Whether battling with religious ideals alongside commanding execution (Godless), facing the crumbling world around with a flurry of distortion (Distorted Reflections), detailing a breakdown of love set to turgid guitars and torrential beats (Absent), seeking hope and purpose in creativity (Hypnotise), or serving up a biting commentary on a toxic relationship (Prisoner Of You), Love/Hate is simultaneously confronting and cathartic, with Alienist firmly at the helm of a journey that feels instantly personal yet universal.

"We explore a lot of different themes on this EP," reveals guitarist, clean vocalist and lead songwriter Damon Renes, "but obviously the entire overall theme is love/hate and the fact that there's such a big dichotomy between the two words at the same time."

"People do a lot of things that are hateful, and yet use the word that they're doing it for as 'love' and vice versa," Renes adds. "Love can make you do a lot of hateful things as well. The EP explores relationships with religion, but it also explores toxic relationships and abusive relationships and the falling apart of relationships that you think were going to be your 'forever,' and what it feels like when you realise that that's not going to be the case."

Named for an anachronistic term for psychiatry, Alienist forged from the remnants of a former covers band, with the current lineup consisting of Lachlan Forsberg (vocals), Damon Renes (guitar), Anthony Vella (guitar), Chris Olliffe (bass), and Jake Ceely (drums), convening over a shared passion for crafting meaningful and memorable music alongside influences ranging from I Prevail and Wage War, to Bring Me The Horizon, Architects, Polaris, and Northlane. 

From their debut single, 2019's "Social Faker," through to their most recent track prior to today, 2022's "Exile," Alienist relentlessly enamor with their modern flair and infectious design. And it's this heavy yet nuanced nature of glistening light and menacing shade that has seen the Wollongong five-piece previously secure airplay on triple j, perform alongside the likes of Thy Art Is Murder, Make Them Suffer, Ocean Grove, Yours Truly, and Fit For An Autopsy at UNIFY Off The Record in 2023, open for juggernauts Northlane and Gravemind, and tick off an almost sold out national headline tour — and all without breaking a sweat in an exceedingly short space of time.

ABOUT ALIENIST:
Hailing from Wollongong, Australia, metalcore five-piece Alienist relentlessly enamor with modern flair and infectious design, wielding elasticated riffs, soaring melodics, and ambient gloss offset against beast-mode breakdowns, caustic grooves, and fiery sonic chasms.

With influences spanning the likes of Wage War, I Prevail, Bring Me The Horizon, and Polaris fused with their burgeoning trademark sound, Alienist have swiftly stormed the heavy scene in a remarkably short space of time, chalking up triple j airplay, supports alongside Northlane and Gravemind, an appearance at UNIFY Off The Record and an almost sold out national headline tour in a mere two years outside of the pandemic pause.

Now with their gazes firmly fixed on 2024, prepare to witness Alienist in a whole new light. Wollongong's best-kept secret is out and ready to take on the world.

Born of Osiris Release New Single + Visualizer "A Mind Short Circuiting" via Sumerian Records

Born of Osiris has today released their new single "A Mind Short Circuiting" and the official visualizer (via Sumerian Records). Speaking about the track, the band shared:

'A Mind Short Circuiting' embodies the essence of our roots. The combination of ethereal melodies with down-tuned guitars has helped inspire lyrics that evoke darker emotions. We are sure that our OG fans will appreciate this one.

Prior to today, the band dropped "Torchbearer", the first single and music video since the release of their smash-hit 2021 album 'Angel or Alien'. Stream "A Mind Short Circuiting" here, and watch the visualizer below.

North American fans have their chance to see the band's incredible live show on the upcoming Angels & Villains Tour, co-headlining with Attila and with Traitors, Extortionist, and Not Enough Space as support. For ticket information please click here, and be sure to stay tuned for more Born of Osiris news coming very soon.

The Angels & Villains Tour USA 2024:

4/12 - Louisville, KY @ Mercury Ballroom

4/13 - Fort Wayne, IN @ Piere’s Entertainment Center

4/14 - Columbus, OH @ King of Clubs

4/15 - Buffalo, NY @ Iron Works

4/16 - New Kensington, PA @ Preserving Underground

4/18 - Worcester, MA @ The Palladium (Upstairs)

4/19 - Brooklyn, NY @ The Brooklyn Monarch

4/20 - Reading, PA @ Reverb

4/21 - Sayreville, NJ @ Starland Ballroom

4/23 - Richmond, VA @ The Broadberry

4/24 - Charlotte, NC @ The Underground

4/25 - Nashville, TN @ Brooklyn Bowl

4/26 - Atlanta, GA @ Variety Playhouse

4/27 - Tampa, FL @ The Ritz

4/29 - Baton Rouge, LA @ Varsity Theater

5/01 - Corpus Christi, TX @ House of Rock

5/03 - Oklahoma City, OK @ 89th St. Collective

5/04 - Austin, TX @ Come and Take It Live

5/05 - San Antonio, TX @ Paper Tiger

5/07 - Albuquerque, NM @ El Rey Theater

5/08 - Mesa, AZ @ Nile Theater

5/09 - San Diego, CA @ House of Blues

5/10 - Pomona, CA @ The Glass House

5/11 - Los Angeles, CA @ 1720

5/12 - San Francisco, CA @ Regency Ballroom

5/14 - Portland, OR @ Bossanova Ballroom

5/15 - Seattle, WA @ The Showbox

5/17 - Salt Lake City, UT @ The Depot

5/18 - Englewood, CO @ Gothic Theatre

5/20 - St. Lous, MO @ Red Flag

5/21 - Lincoln, NE @ Bourbon Theatre

5/22 - Minneapolis, MN @ Varsity Theater

5/23 - Davenport, IA @ Capitol Theater

5/24 - Milwaukee, WI @ The Rave II

5/25 - Chicago, IL @ Bottom Lounge

5/26 - Pontiac, MI @ Crofoot Ballroom

Necrowretch Release Ruthless New Video

Since their creation, Necrowretch have proudly carried the mark of the beast. A decade ago, these devil worshippers emerged alongside the old school death metal revival. But their new album casts the French band in a bigger, blacker and more Satanic mold.

"Any move toward what's considered true black metal is a good thing and Necrowretch stride with furious momentum in that particular direction", writes Black Metal Terror. "These are the fabled days of world end and I can think of no finer record to track the sound of it all than Swords of Dajjal". 

Swords of Dajjal is out now. To celebrate the mass fanfare that has greeted their latest offering, today, Necrowretch are releasing a new video for one of the album's deeper cuts. 

Watch the raw and ruthless video for "Vae Victis" below.

Order: https://redirect.season-of-mist.com/NecrowretchSwords

Stream: https://orcd.co/necrowretchswordsofdajjal

While forged with newfound mysticism, Swords of Dajjal was drawn from real life experience. Living in Turkey during the tail end of the last decade inspired Necrowretch's lead swordsmith Vlad to create their new album in the splitting image of the Antichrist. Each song warns of a harrowing prophecy brought down by Dajjal, who reigns fire over "Vae Victis".

"Woe to the vanquish!" snaps Vlad, brandishing his pale but bloodied fangs.   

Indeed, "Vae Victis" is pure savagery. The blast beats waste no time, galloping ahead like the horsemen of the apocalypse through a sandstorm. But Necrowretch can slice and dice from all angles. Walls of trembling, melodic distortion close in, only for the band to sneak up and crush you with a headbanging riff that swings with all the brute force of a scepter.     
 
"Malheur aux vaincus!" Vlad says in greetings of his band's new single. "History testifies that only the strongest survive and that prophetic wisdom still continues in the world we are living in. 'Vae Victis' is based on the story of the sack of Rome in 390 BC, where the Gauls defeated the Romans and imposed their conditions on the vanquished. In torment and disgrace, only the ruthless man, the survivor, can become a king. In chaos and torment, only the lawless man, the compeller, can become the bestower of Life and Death".

The video for "Vae Victis" was filmed in Paris. It was edited and directed by Mounir Chraibi. 

Photo by Léonor Ananké

Praise for Necrowretch and Swords of Dajjal

"At times darkly oppressive and threatening, at others brutally crushing, it is a great record" - Angry Metal Guy 4/5

"A rare union of conception and achievement" - No Clean Singing

"The vocals are both theatric and hard-hitting. The drumming is insane. A great mix between tremolo riffs and chugs". - Thralls of Metal (4.5 stars) 

"A banger of a release...expertly straddles along the lines of black and death metal" - The Metal Pit (9/10)

"Turns out they're not actually your regular blackened death band after all, but something even more sinister" - Metal Storm

"Dynamic blackened death metal...embraces melody and blends it with pure savagery" - Teeth of the Divine

"A raw, primitive and relentless sound with absolutely manical percussion and possessed singer Vlad's beastial screams" - Kerrang! 

"They charge blastbeats and hurl guitars and the kitchen sink at listeners, and that is almost always certain to attract fans of kvtl metal" - Echoes and Dust

"Speedy, razor-sharp display of blackened death metal mayhem that is as entertaining on a tenth listen as it is on the first" - Heavy Blog is Heavy 

"Filled with enough hate, putrefaction and sorrow to fill a deep inferno of black, deathly abyss" - V13

"They approach their ghoulish task with considerably more gusto (and know-how) than many of their peers" - Pitchfork

Now entering their fifteenth year as a band, France’s Necrowretchare about to open the most ambitious chapter of their career with Swords Of Dajjal, their three-years-in-the-making fifth album.

Initially the sole work of multi-instrument and vision leader Vlad, the band was - for better and for worse - lumped in the ‘old school deathmetal revival’ of the early 10’s. Yet while their debut Putrid Death Sorcery did indeed  bear all the usual suspects of said genre, it nevertheless already had that extra, raw-as-fuck and just plain vicious element that really set them apart from the rest of the pack. Conforming to the norm was never in question and instead of selling out or trying to slow things down, as true misfits as they are, they went the exact opposite direction, first with 2015’sWith Serpents Scourge, only to be vigorously confirmed by its furiousfollow-up, and their first for Season Of Mist, 2017’s Satanic Slavery. To the point where once the touring cycle was over for the latter, Vlad himself felt he had explored this direction as far as he could have and that changes were on the horizon.

“On Satanic Slavery we on purpose took things as far as we could, as our goal was to deliver the most bestial album possible. But once we achieved that goal, I knew we had to take a slightly different if still as uncompromised direction.” Incidentally, that’s when Wenceslas Carrieu from Cadaveric FUMES entered the picture, first as a momentary live session on bass. But when second stringer Kev Desecrator vowed to amicably part way with the band to focus on DESTRÖYER 666, he switched to six-strings and proved to be the valuable songwriting partner Vlad had been looking for since thedeparture of the band original bass player Amphycion in 2015. “Heimmediately came up with lots of ideas and thanks to him, we now have a whole new dynamic: a bit like Sepultura had back in the days in between Max Cavalera and Andreas Kisser, with me focusing now on my vocals and playing rhythm guitars while Wenceslas takes care of all the solos, the starting riffs and the off-the-map bits.

With their fourth album, and first with Wencelas, The Ones From Hell was only one month old when Necrowretch was about to tour Europe with both Kampfar and Taake for three weeks. A tour bus was booked, the set was well-rehearsed, everything was ready and then... disaster struck. “Six days before we were due to play our first show, the whole thing was cancelled. Then COVID hit us and the world was basically shut down. We were numbfor a couple of days but soon realized that the best way to bounce back was to move forward so we instantly started working on new songs.” The result is Swords Of Dajjal by far, their biggest, boldest and most ambitious production ever.

“We spent no less than three years working on the songs, demoeing them and fine-tuning the details and rehearsing them as a three-piece and six weeks in the studio with Francis Caste (Hangman's Chair, REGARDE LES HOMMES TOMBER, Svart Crown etc.). Prior to that, we used to be a pure product of the underground, with albums done in just a couple of days whom were never 100% satisfied with in the end as we had to rush everything. We’re still very underground, mind you. But this time around, we knew we had to give it all, no matter what. So we started by changing our gear, our sound and our tuning. And once we entered the studio, we forinstance spent a whole day just testing different amps just to get the right sound and crunch we were looking for. I even took some singing lessons to gain more depth and power. In a way, it almost feels like a whole new band.”

The whole record was written on purpose mostly on acoustic twelve-string guitars (“the idea was that if it sounds good and catchy that way, it’d be even better with distortion”) and as a three-piece, “something we hadn’t done in a long time” with their new drummer Nicolas Ferrero, not exactly a newcomer as he’s been playing on and off live with them since 2018. The result is, according to Vlad, “our most black metal record, with splashes of death metal here and there. Whereas on the previous album all tempos were pushed to the extreme, there’s far more variety here to be found. It also gave us free reins to reach a more mystical, Biblical if you will vibe” fed by his experience living in Turkey in the late 10’s. “We choose to focus onthe Dajjal character, basically the antichrist in the Muslim religion. The Coran says that he’ll appear as a false prophet only to bring doom to this world, with an army of demons coming from the east.” Represented on the cover of the album with his double edged sword and bathed in the same kind of reddish and orangey mesmerizing lights one can experience when the sun sets on wind-beaten deserts, all eight songs on the album are prophecies, past and future, where Dajjal plays the leading role.

Now completed on bass by R. Cadaver (former Cadaveric Fumes vocalist) who officially joined once the recording was done after playing as a live session member for the last two years, and armed with their biggest, most complex and intense album of their career, Necrowretch are about to yield their sword of destruction and exterminate everything in sight.

Lineup
Vlad - Vocals, Guitars
W. Cadaver - Lead Guitars
R. Cadaver (Live) - Bass
N. Destroyer - Drums

Recording Studio       
Studio Sainte Marthe, Paris

Sound, Mixing & Mastering Engineer
Francis Caste

Cover Art
Stefan Thanneur / Manifeste

Photography
Léonor Ananké

Biography
​​​​​Olivier Zoltar Badin

Stream: https://orcd.co/necrowretchswordsofdajjal

Order: https://redirect.season-of-mist.com/NecrowretchSwords
Booking
necrowretch@gmail.com

Links:
Official Website: https://necrowretch.net/
Facebook: https://www.facebook.com/Necrowretch
Instagram: https://www.instagram.com/necrowretch
Spotify: https://open.spotify.com/intl-fr/artist/0cIx910hgtpgvicBJv3ybq
Bandcamp: https://necrowretch.bandcamp.com/

Available Formats:
CD Digipak
CD Digipak + Exclusive Woven Patch w/ Red Merrow Border
Digital Download
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Transparent Yellow
12" Coloured Vinyl Gatefold - Crystal Clear, Yellow & Black Marbled