Timelost Share Claymation Music Video For "Wet J" — WATCH + New Album "Drained" Out In 2 Weeks!

Today, Philadelphia alt-rock/grunge band Timelost have shared the third and final single "Wet J" before the release of their new album Drained, out 2/23 via Church Road Records. The album is set to bring joy to fans old and new with its energetic blend of garage rock and nostalgic nod to the alternative rock sounds of the 90's.

In addition to the song the band has shared a claymation music video done by the album artist Perry Coker. Watch it below.

"Wet J is about the frustrations of continuously falling into the same mistakes. Wanting to give up and just be left alone to wallow in our own failures. We tried to portray this continuous beating of life with the beautifully made claymation / stop-motion video by Perry Coker (who also did our album art!). Our new album Drained drops in 2 weeks!" - vocalist/guitarist Shane Handal.

Pre-order Drained here.

Born out of a dispersed network of friends collaborating digitally, Timelost has undergone a remarkable evolution since their inception. The band has since found its footing in a sound that pays homage to the great alternative rock bands of the past while incorporating a contemporary influence.
 
Drained represents the latest chapter in Timelost's musical pilgrimage. Recorded and mixed by the skilled hands of fellow Philadelphian Scoops Dardaris (known for his work with Prince Daddy & The Hyena, They Are Gutting A Body Of Water, Another Michael), the album boasts a rich and dynamic production that brings the band's sound to new heights. Mastered by Matt Poirier, a luminary in the field whose portfolio includes The War On Drugs, The National, and Clap Your Hands Say Yeah.
 
With influences reminiscent of iconic bands like Wavves, Weezer, and Dinosaur Jr, Timelost invites listeners to embark on a journey through the raw, unapologetic energy of Drained. The album's tracks, laden with infectious hooks and introspective lyrics, weave a narrative that reflects the band's growth and exploration of new musical territories.
 
About the album, Handal says "Drained is about the continuous beating of life. The state of the world, personal responsibilities, socializing, being in a band, all of it just being exhausting and wanting to burn it down or run away.
 
We originally wrote 7 songs and it felt tired and too similar to our previous stuff, so we dropped almost all of them and started new. We leaned into a more simple and fun approach to songwriting and ended up writing 18 songs over 2+ years. Drained is the best 10."

TIMELOST ARE:
Shane Handal — Vocals/Guitar
Grzesiek Czapla — Drums
Tony DiDonato — Bass

PROFANATICA Unleashes NSFW Music Video for "Take Up The Cross," Kicks Off Headlining U.S. Tour

USBM legends PROFANATICA are now unleashing a gory, NSFW music video for the song "Take Up the Cross," which is taken from the band's latest offering, 'Crux Simplex.' The clip was created by garlix and can be found at THIS LOCATION.

In addition, PROFANATICA is now embarking on an East Coast U.S. headlining tour with support from NUNSLAUGHTER + TOMBS! The trek kicks off tonight, February 13, in Providence, RI and will conclude on March 3 in Brooklyn, NY. The full itinerary can be found below while tickets can be found at THIS LOCATION.

The band will also be appearing on the 2024 edition of Milwaukee Metal Fest on Friday, May 17, in which the full lineup and tickets can be found HERE.

'Crux Simplex' was released on September 22, 2023 via Season of Mist. The record can be streamed, downloaded, and ordered HERE.

PROFANATICA U.S. TOUR 2024 (w/ NUNSLAUGHTER + TOMBS):

02/13: Providence, RI @ Alchemy

02/14: Bensalem, PA @ Broken Goblet

02/15: Baltimore, MD @ Metro Gallery

02/16: Chesapeake, VA @ Riff House

02/17: Greensboro, NC @ The Pour House

02/18: Piedmont, SC @ Tribbles

02/20: Orlando, FL @ Conduit

02/21: Pompano Beach, FL @ Pipers

02/22: Cape Coral, FL @ Nice Guys

02/24/: Atlanta, GA @ Drunken Unicorn

02/25: Louisville, KY @ Portal

02/26: Detroit, MI @ Sanctuary

02/27: Pittsburgh, PA @ Preserving Underground

02/28: Ottawa, ON @ Brass Monkey

02/29: Quebec City, QC @ L'Anti

03/01: Montreal, QC @ Piranha Bar

03/02: Boston, MA @ Sonia

03/03: Brooklyn, NY @ Market Hotel

03/17: Milwaukee, WI @ Milwaukee Metal Fest*

*Profanatica only

PROFANATICA are at the vanguard of the first wave of American black metal. Founded and led by infamous master of black perversion Paul Ledney (drums/vocals), they have purveyed primeval blasphemy for nigh on thirty-three years.

Ledney formed the band from the ashes of the first INCANTATION lineup when he split and took with him all of the members sans John McEntee. That early trio of ex-INCANTATION members reeled off three ground-breaking demos of some of the most extreme and blasphemic metal of its time in rapid succession. The band flyers that permeated the tape-trading circuit were no less shocking and featured the trio bloody and naked and in the throes of what was most certainly a primeval summoning of some kind. In short order, they had inked a deal with the fledgling Osmose Productions for what became one of that labels first releases (Osmose release #5); a legendary split with Colombia's MASACRE.

Something so volatile could only last briefly, and after another brief recording session the band collapsed under the weight of its own extremity. but the recordings made in this two year window went on to see dozens of reissues in the coming decades, in a testament to how formidable and formative they are to the black metal scene worldwide.

After almost fifteen years spent with his equally polarizing solo project HAVOHEJ, Ledney reignited the flames of PROFANATICA in 2006. Reemerging with a new deal from Hells Headbangers, Ledney and his new band released 'The Enemy of Virtue', a collection of that vaunted early material, and a new fulllength, 'Profanatitas de Domonatia'. A triumphant return, 'Profanatitas de Domonatia' picked up right where these Kings of US Black Metal left off, delivering a savage stream of chainsaw guitars and relentless battery upon which they desecrated everything sacred.

This set-in motion another frenetic burst of work for PROFANATICA. The next decade saw them

unleash four new full-length albums of blasphemous perversions, sacrilegious incantations, and furious black metal. In addition, the band issued six mini-albums and EP's, a full DVD of early footage, and began touring internationally in Europe and in Central and South America. For the first time PROFANATICA were appearing near or at the top of the bill at festivals like Maryland Death Fest, Messe Des Mortes, Hells Headbash, Prague Death Mass (Czech Republic), Chaos Descends (Germany), Black Sun (Spain), Tyrant Fest (France), SWR Fest (Portugal) and many more.

In fall 2018, PROFANATICA joined forces with Season of Mist and undertook their biggest tour to date supporting WATAIN and ROTTING CHRIST across Europe. And a year later, the trio vomited forth a most vulgar strain of black metal ejaculate with their SoM debut album 'Rottng Incarnation of God.'

The band embarked on an extensive twelve-country European headline tour in the album's wake. Shortly after returning home that winter, the world ground to a halt in 2020. Save a live-streaming concert production for the legendary Rock al Parque in conjuncton with BATUSHKA, little was heard from PROFANATICA.

That is until spring 2023, when PROFANATICA emerged from their den of iniquity on a European headline tour to promote a new album. 'Crux Simplex' is a ten-track offensive of sin and sacrilege, a nasty affront that bastardizes the first 10 stations of the cross. As per their legacy, PROFANATICA deals in bestial, first-wave black metal barbarity, and their eighth album unveils ungodly levels of bile and blasphemy. 

Live Lineup:

Mayhemic Slaughter of the Heavens – Drums / Vocals

Destroyer of Holy Hymen – Guitar

The True Perversion of the Heavenly Father – Bass 

Follow Profanatica here:

Bandcamp

Facebook

Spotify

Apple Music

BRODEQUIN Release Torturous New Single

After 20 years of relative silence, last month, Brodequin returned with the announcement of their long-awaited fourth album. Today, the Brothers Bailey and their punishing new drummer are releasing the second torturous single off Harbinger of Woe.

Listen to "Suffocation in Ash" below.

Harbinger of Woe comes out March 22, 2024.

Pre-order: https://shop.season-of-mist.com/list/brodequin-harbinger-of-woe

Pre-save: https://orcd.co/harbingerofwoepresave

There's a reason why metalheads from every underground fiefdom recognize Brodequin as the most brutal band in all of death metal. After all, they did take their name from the most wicked torture device that any peasant has had the misfortune of receiving. 

Brodequin's whole discography is culled from the bloody annals of medieval history, but the source of inspiration behind their new single dates all the way back to ancient Persian history. "Basically, the victim, who's held in a tower that's specifically designed for this sort of thing, is immersed in ash", explains Jamie Bailey, who honed his morbid curiosity for the Middle Ages as a college history student.   

But don't just take his word for it. "Suffocation in Ash" treats unsuspecting spectators to an unflinching account of this real life torture chamber. Mike Bailey churns the riff like a giant wooden wheel, condemning even the sorriest of sinners to a hail of ash. Fellow executioner Brennan Shackelford continues to reign down a merciless torrent of blast beats and pinging cymbals long after their prisoner has been brought begging to one shredded knee.

"Silence. Liar", Jamie gurgles, as if echoing the guilty conscience inside their poor beaten skull.

"I sought to shed light on an execution method rooted in antiquity", Jamie says about the concept behind "Suffocation in Ash". "This specific technique often escapes the attention of those intrigued by these kinds of historical practices. Lyrically, my aim was to transport the listener into the vivid depiction of the scene I attempt to portray". 

"Among the myriad methods employed, a prominent example was the affixing of an individual to a pillar, or, more commonly, a tree trunk through the use of long iron nails".

That's Jamie Bailey, talking in true Brodequin fashion about the very first single from Harbinger of Woe.

"Of Pillars and Trees" is classic Brodequin. Mike's riffs churn like severed limbs through a meat grinder. Brennan pings his cymbals with all the murderous intent of a spiked mace. Heck, the death growls are nasty enough to make you think that Jamie is sucking the blood of his enemies through a straw.

Watch the medieval video for "Of Pillars and Trees", which was created by Matti Way of From the North Films: https://youtu.be/yh7awqeuZJQ    

Photo by Jacob Smith

After signing with Season of Mist in 2022, Brodequin re-issued their entire discography on LP and CD.

"Relentless, barbaric intensity" - John Gallagher (Dying Fetus), who named Instruments of Torture one of the most brutal albums ever.  

"Kicks in like a sledgehammer" - Metal Rage raved over Methods of Execution

"A merciless massacre" - Power Metal praised Festival of Death. 

Order: https://redirect.season-of-mist.com/BrodequinReisssues

Stream:
https://orcd.co/brodequin-methods
https://orcd.co/brodequin-festival
https://orcd.co/brodequin-torture

The Middle Ages might’ve brought the world out of The Dark Ages. But for every compass or printing press, those enlightened thinkers were also responsible for inventing the most torturous devices in human history. None were more brutal than the brodequin. Not only did the French use this instrument to cripple their victims, but to squeeze their legs to the point where bone marrow would spill out of their wounds.    

You could say the same about Brodequin. The band come with their own long and sordid history. Brothers Jamie and Mike Bailey have been playing brutal death metal since 1998. Putting his history degree to good use, Jamie’s lyrics are inspired by real historical events, staying true to death metal’s core thematic pillars of dismemberment, torture, abuse and murder. But their artwork broke from genre’s generic splatter illustrations by digging into intricate period woodcuts and beautifully grotesque oil paintings. 

“There simply was no point in history that was more brutal than the medieval period,” says Jamie. “At the same time that such barbarity was deployed, there was also an explosion in fine art, architecture and music. It all comes to feed our identity as a band”.   

Brodequin’s first album catapulted them far beyond their kingdom of Knoxville. “This band has stuck out in the underground with relentless, barbaric intensity”, says Dying Fetus’ vocalist and guitarist John Gallagher, who named Instruments of Torture one of the most brutal death metal albums ever. Festival of Death put another flesh-tearing arrow in their quiver (“Some of the fastest, most brutalizing death metal ever recorded” - Sputnik Music). But after sieging festival stages across Europe with Methods of Execution, the band had to be put on ice.  

“We had a series of deaths in our family”, Jamie explains. “Mike and I knew we had to step away until we had the time and were at a place mentally to give Brodequin the attention it deserved.”  

Now, after 20 years of peaceful silence, Brodequin have returned with fresh instruments of torture. The Brothers Bailey are back with a new drummer, a new label and their long-awaited fourth album.

“Brodequin had been away for so long that I was stunned by the level of interest from fans and record labels”, Jamie says. "Before playing Hellfest, the band was approached backstage by a metalhead rocking a Brodequin t-shirt who happened to work for Season of Mist. Soon enough, they were hitting it off with Michael Berberian. The rest, as they say, is history. 

“We all hung out for hours”, recalls Jamie. “The extraordinary level of enthusiasm shown toward our music made Season of Mist the obvious choice”. 

As has been the case with this band for their entire career, Harbinger of Woe lives up to its name. Lead single “Of Pillars and Trees” is classic Brodequin. Mike’s distorted guitar chords churn like limbs through a meat grinder. The way Brennan Shackelford pings, blasts and flays his snare through “Suffocation in Ash” with the all encompassing speed of a sandstorm. Jamie’s growls are so phlegmy, so rotted, that to drag them out from whatever dark bowel movement spawned them would make an executioner sick to their stomach. And yet — somewhere deep inside all that carnage hides a terrifying beauty. The title track leaves you deaf, dumb and blind, begging on your knees in the face of a punishing, almighty riff.    

“This album is a journey into this lost period of history where brutality and beauty coexist. Beauty, in the arts the were created, but also the beautiful brutality that was needed to engineer deadly devices like the brodequin”.  

With Harbinger of Woe, Brodequin reclaim their throne as the most brutal band in all of death metal.

Line up:
Jamie Bailey: Bass/Vocals
Mike Bailey: Guitar
Brennan Shackelford: Drums

Recording
Drums recorded at Brennan's Drum Room in Dallas, Texas.

Guitar, bass and vocals recorded at Navarre 24 in Harriman, Tennessee

Producer and sound engineer
Mike Bailey

Mastering studio and engineer
Brad Boatwright

Mixing studio and engineer
Josh Welshman

Artwork
Original artwork done by Jose de Brito.
Additional elements by Jamie Bailey.

Pre-order: https://shop.season-of-mist.com/list/brodequin-harbinger-of-woe

Pre-save: https://orcd.co/harbingerofwoepresave

Links:
www.brodequinofficial.com
www.facebook.com/brodequinTN
www.brodequin.bandcamp.com
www.instagram.com/brodequintn

Portland-based Sun Atoms present 'Ceiling Tiles' 7" single and haunting monochrome video

"Sun Atoms is a tripped-out opus packed with droning electronics, shimmering guitars, dayglo melodies and a deep, whispered delivery" ~ Brooklyn Vegan

"Ebbing and flowing like Love and Rockets under a Spiritualized raga; the spirit of Bowie’s classic Moonage Daydream echoes through the band’s astral fabric” ~ First Look

"Thoroughly enjoyable. We appreciate their artistic leap into an enthralling intersection of post-punk, indie rock and new wave. Worthy of your “put on repeat” playlist, this music opens a gateway for your consciousness to coast into fascinating sonic realms" ~ Spill Magazine

“Sun Atoms give first rate performances that bend and blend song to song through luminary influences Leonard Cohen, The Cure, Moon Duo, and Nick Cave in a resulting amalgamation that combines psychedelic, dark wave, and post-modern pop” ~ The Big Takeover

"Sun Atoms fuses styles and sounds like a long lost Basquiat painting found in deep space among comets and stars” ~ Maximum Volume

Portland alternative pop / postmodern rock outfit Sun Atoms present their new single 'Ceiling Tiles', released via Little Cloud Records digitally and on 7" vinyl. The video follows ghosts on a velvety caper through an endless maze, arriving at a house of cards on the verge of metaphysical collapse. The B-side complements chills with thrills with a unique rendition of the Leonard Cohen classic, here dubbed 'Tower of Song (in the key of JAMC)'.

Written around a compelling baseline by Peter G. Holmström (The Dandy Warhols, Pete International Airport), who also produced this single, the single was mixed by the iconic Jagz Kooner (Massive Attack, Primal Scream, Oasis, Garbage). This is the first taste of the band's sophomore album, to be released in late spring.

Vocalist Jsun Atoms (The Upsidedown, Daydream Machine) is joined by Holmström on bass, multi-instrumentalist June Kang, Mars de Ponte (LoveBomb Go-Go), L.A. drummer Eric Rubalcava and Boise native Derek Spencer Longoria-Gomez (Hi Hazel). 2021 brought the band's debut album 'Let There Be Light', also produced by Holmström and mixed by the iconic Stephen Street (Blur, The Smiths, The Cranberries), involving performances by the likes of The Vandelles' Jasno Swarez, The Black Angels’ Alex Maas and Gregg Williams (Sheryl Crow, Blitzen Trapper).

"When I was a child, I saw a being made of light climb through my bedroom window, they stood at the foot of my bed and reached out to touch my foot," explains Jsun Atoms. "Mesmerizing and haunting, much like the new Sun Atoms single 'Ceiling Tiles', which reveals a story of characters living under a faux sky being manipulated to make it appear that the stars are aligning, when in fact, above this tiled Truman Show, the stars are doing just that. The characters in the song go about their day-to-day dance while the globe they are spinning on becomes an eye."

Filmed by Brady Tuazon, this video follows several characters, who come to life from of a deck of tarot cards. An amalgamation of new colors in psychedelic, dark wave, and post-modern pop, 'Ceiling Tiles' explores a dreamy netherworld peeling away under the heartbeat like a synthesized glove. A cautionary tale of a dystopian future, some of which is already materializing before our eyes now, we follow the characters into a mirror, where they live outside of the lines under a faux sky, only to find that the planet itself is an eye, crying rain. Do they make it through the maze of plastic plants and security guards and get the message out in order to light up the world?

As Sun Atoms kicked off 2024 by playing three sold-out shows at Portland’s historic Revolution Hall, opening for Dinosaur Jr., this presented the perfect chance to shoot this video. With its long stairways and iconic brick facade as the ideal backdrop for this monochromatic video, here unfolds a mysterious tale of characters living between worlds and connected by Jean Cocteau’s famously mirrored portal.

As Sun Atoms roams this 113,000+ square foot state-of-the-art concert venue, Brady reveals two worlds, weaving through each other’s transparent personas and disappearances like white light on black attire. The band members appear like rare birds in the roles of madcap non-conformist odd fellows living outside of the lines.

“I wanted to conjure the same feelings I had the first time I saw Sun Atoms perform this song. Jsun and I were in lockstep as we discussed the vision for the video. We pulled in inspiration from Jean Cocteau and other noir films like “The Killing” by Kubrick," explains the video's director, Brady Tuazon.

"Working within the boundaries of black and white let us emphasize the theme of two worlds in a psychedelic noir manner. Portraying each member as their normal selves and as a ghost version adds another layer to the duality. It makes us ask the questions, “If our own ghosts saw us today, would they be kind and encouraging to us? Or would they be spirits signaling their existence as a cautionary tale?  Filming the video was a true testament of the grit and creative solidarity at the core of Portland creatives. We had limited time and resources to pull this off”.

Apart from Dinosaur Jr., Sun Atoms has played shows with Modest Mouse, Fishbone, Besnard Lakes, The Veldt and New Candys, in addition to performing at Seattle’s Freakout Fest and Portland’s Lose Yr Mind Fest with Allah Las, Broncho and Night Beats. The band will be touring this spring, starting at Treefort Festival, along with Ty Segall, A Place To Bury Strangers, Neko Case and Built To Spill. 

As of February 23, the 'Ceiling Tiles' is available on beautiful 7" vinyl and from fine digital platforms, including Apple Music, Spotify and Bandcamp. Sun Atoms will be releasing a new album in late spring.

CREDITS
'Ceiling Tiles' written by Peter G. Holmström, Jsun Atoms, June Kang, Derek Spencer Longoria-Gomez, Mars de Ponte, Eric Rubalcava
Produced and Engineered by Peter G. Holmström at Air Traffic Control
Recording (additional drums) by Gregg Williams at The Trench Studio
Recording (add. vox) by Tommy Dietrick / Joshua Tree Recording Studio
Initial tracking by Eric Crespo at Red Lantern Studios
Mixed by Jagz Kooner at Stone Circle Studios
Mastered by Keith Tenniswood at Curve Pusher
Peter G. Holmström - bass, guitar, sequencers, keys
June Kang - MPC, synths, percussion
Derek Spencer Longoria-Gomez - guitar, vocals
Mars de Ponte - guitar, keys, vocals
Eric Rubalcava - drums, percussion
Jsun Atoms - vocals, guitar
Cover artwork by James Coffman. Layout by Sean Gothman
Video directed and Edited by Brady Tuazon
'Tower of Song (in the key of JAMC)' written by Leonard Cohen
Released by Little Cloud Records 2024
'Ceiling Tiles' video directed by Brady Tuazon with support from Nigel Coutinho, Ryan Gamo, Erik Meharry and Hannah Glavor 
Artist photos by Erik Meharry 

TOUR DATES
March 23  BOISE, ID - Treefort Festival, In-store at Record Exchange
March 24  BOISE, ID - Treefort Festival, Shrine Social Club
March 25  SACRAMENTO, CA - Old Ironsides
March 27  LAS VEGAS, NV - The Usual Place
March 28  LOS ANGELES, CA - The Moroccan Lounge
March 29  PIONEERTOWN, CA - Red Dog Saloon
March 30  SAN FRANSCISCO, CA - Kilowatt
April 5  PORTLAND, Oregon - Star Theater
April 6  SEATTLE, WA - Seagaze Festival, Tractor Tavern Seattle


Keep up with Sun Atoms
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube | Soundcloud | Apple Music | Spotify | BandsInTown | SongKick | Booking contact | Press contact

Keep up with Little Cloud Records
Website | Facebook | Bandcamp | Twitter | Instagram | YouTube

Keep up with Shameless Promotion PR
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Whiskey Myers Victory Lane Awaits Each High Limit Racing Night for 2024 Sprint Car Season

Multi-Platinum chart-toppers Whiskey Myers have joined the soundtrack of the 2024 High Limit Racing season, with the genre-bending band signing on as the sponsor of Whiskey Myers Victory Lane. 
 
With the lyrics “Put me back in the saddle out on the road; The way I make a livin’ is the only way I know” epitomizing the spirit behind High Limit Racing, Whiskey Myers’ high-energy song “The Wolf” will be the official victory song played as the victor rolls into Whiskey Myers Victory Lane each race night. Check out the full version of the song on High Limit Racing’s Spotify Playlist (a “clean” version will be used in all FloRacing broadcasts and at-track). 

“We loved getting to know Rico Abreu with our partnership last season – seeing our name on his sprint car was something we never imagined when we started a band,” shared Whiskey Myers drummer Jeff Hogg. “With Rico joining High Limit Racing full time in 2024, we knew we wanted to follow his lead.”

In addition to the at-track and in-stream partnership, the Whiskey Myers Minute, a one-minute compilation of that week’s High Limit Racing highlights, will be posted to High Limit’s Instagram account following each race week with various Whiskey Myers songs being featured. 

“Not only does Whiskey Myers produce great music that fits the grassroots racing brand, the members of the band are also genuine race fans,” said Kendra Jacobs, Chief Marketing and Events Officer at High Limit Racing. “From support of our series to their partnership with Rico (Abreu), Whiskey Myers invests in sprint car racing and truly sees the value of the sports’ fan base and its growth potential.”
 
Whiskey Myers Victory Lane and “The Wolf” will be featured starting with the High Limit Racing season opener at East Bay Raceway Park on February 12 and 13. The 59-race nationwide season will conclude with a two-day finale at The Dirt Track at Texas Motor Speedway on October 11 and 12. Tickets for select events, including the season-opening “Battle at the Bay” are now available here. 
 
Like High Limit Racing, Whiskey Myers will tour the country this year playing dozens of concerts from coast-to-coast. The current tour schedule can be seen here, with more dates being added. To learn more about Whiskey Myers, visit www.whiskeymyers.com, follow @whiskeymyers on X (formerly Twitter), Facebook and Instagram and subscribe to their YouTube channel.
 
Make sure to follow @HighLimitRacing on X, Facebook, and Instagram to stay up-to-date with series information including news, event updates, ticketing information, and more.

For fans unable to attend the track, every High Limit Racing event will be streamed live on FloRacing, the series’ exclusive streaming partner. If you’re not a FloRacing subscriber, you can sign up today here. 

About Whiskey Myers 
Genre-bending band Whiskey Myers have played more than 2,500 live shows to ever-increasing crowd sizes since their emergence in 2007. In addition to headlining their own sold-out shows from coast to coast at iconic venues such as Red Rocks Amphitheatre and Ryman Auditorium, plus performing at marquee festivals Bonnaroo, Stagecoach, Download and more, the six-piece was also personally selected to open The Rolling Stones’ Chicago stadium show in 2019. Their latest self-produced album, Tornillo, available everywhere now via the band’s own Wiggy Thump Records, features the No. 17 most-played Americana song of 2022, “John Wayne,” and follows their fifth studio album, Whiskey Myers, which debuted at No. 1 on both the Country and Americana/Folk sales charts, at No. 2 on the Rock chart and No. 6 on the all-genre Billboard 200 chart (No. 3 among new releases). In total, Whiskey Myers have sold more than 2 million albums and amassed over 2.8 billion streams while earning six RIAA Gold & Platinum certifications as an independent band. Known for their high-energy live show and unique sound, the band praised by Esquire as “the real damn deal” has also earned sync success with features (and an on-screen appearance) in Paramount’s hit show “Yellowstone” as well as Netflix series “What/If,” Angelina Jolie film “Those Who Wish Me Dead” and CBS series “SEAL Team,” among several others. USA Today describes their sound as “a riff-heavy blend of Southern rock and gritty country that has earned comparisons to the Allman Brothers Band and Led Zeppelin,” with Rolling Stone noting “it’s the seminal combination of twang and crunchy rock & roll guitars that hits a perfect sweet spot.”

Photo Credit: Khris Poage

OCEANS - Release New Single 'Slaves To The Feed'!

OCEANS are back with their first new music of 2024! The German nu-metal band proudly presents their latest single 'Slaves To The Feed', which provides another strong message towards the importance of mental health and raising awareness on this topic. The new song sees OCEANS collaborate with Australian keyboardist MISSTIQ as well as Josh Collard from EARTH CALLER.
 
To coincide with the release of 'Slaves To The Feed', OCEANS are unleashing a second new single! 'Breed Consume Die' sees the Germans once again prove their musical versatility as they let their heavier side come to the fore. Josh Collard from EARTH CALLER is also featured on this song, which serves as a social wake-up call.

As if the release of two new singles wasn't enough, OCEANS have also delivered a brand new music video for their single 'Slaves To The Feed', which you can watch below.

Timo Rotten comments: 

"Social media makes us sick. It makes me sick, I'm fucking addicted to my smartphone. Even though it has made my life miserable to a certain extent, I still keep scrolling. And why is that? Because people tell me it's part of the business. We as a band are both part of the solution and part of the problem."

Stream the new singles here: https://oceans.bfan.link/slavesttfeed

Get your copy of  OCEANS' last album Hell Is Where The Heart Is here:
https://oceans.bfan.link/hell-is-where-the-heart-is

Watch the previously released visualizer video for 'Chop Suey' here:
https://youtu.be/hfv9crPEPS0

TOUR DATES

Just in time for the release of the two new singles, OCEANS are going on tour. As support for OUR MIRAGE, the nu-metallers will be playing several shows across Germany in February and March. In addition, OCEANS will play two more shows in April as special guests for ANCHORS AND HEARTS. 

Make sure to grab your tickets now: https://bnds.us/0ibwu7

About:

Ever since their inception, up and coming German outfit OCEANS have dropped jaws everywhere they went. With a unique sound that sits somewhere between nu-metal, progressive, post and death metal and putting mental health at the top of their agenda, the four piece quickly became a known constant in today’s metal landscape. OCEANS have become known for their inclination towards innovation and experimentation within their genre; covering songs by the likes of Alessia Cara and collaborating with prominent musicians such as MACHINE HEAD’s Robb Flynn and CALIBAN’s Andy Dörner amongst others. Having released two EPs in 2019, their debut album in 2020 and another EP in 2021, the band featuring visionary mastermind Timo Rotten can easily be described as one of Europe’s hardest and fastest working bands in the genre. Enter 2022 and OCEANS have already proved that they’re set to continue on their upwards trajectory with the release of their trilogy Hell Is Where The Heart Is - Part I: Love, it’s follow-up Hell Is Where The Heart Is - Part II: Longing and Hell Is Where The Heart Is - Part III: Clarity, which together form their second album Hell Is Where The Heart Is. 

OCEANS is:
Timo Rotten | vocals, guitar
Patrick Zarske | guitar
Thomas Winkelmann | bass
J.F. Grill | drums

More info:
www.oceansofficial.com
www.facebook.com/oceansofficialde
www.twitter.com/ocnsofficial
www.youtube.com/oceansofficial
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Listen to Royal Tusk's new song 'Hated'

Alberta rock trio Royal Tusk have released a new song 'Hated,' from their third full-length album, 'Altruistic,' due February 23, 2024.

Spending nearly a year writing throughout the pandemic, the trio eventually hunkered down in Alberta’s Audio Department recording studio where they self-produced Altruistic. In the midst of the process, Carriere wound up in the throes of a year-long battle to get healthy after suffering from a blood clot in his lung. He lost over 20lbs and could barely speak...

FIND OUT MORE ABOUT 'ALTRUISTIC' HERE

New Model Army Share "Language" Lyric Video — WATCH

NEW MODEL ARMY and earMUSIC are celebrating the worldwide chart success the band’s recent studio album Unbroken by releasing the lyric video for the song "Language." 

Watch it Below.

With their U.K. and European "Unbroken Tour" about to start, their most recent studio album reached top positions in the official album charts all around the world. Produced by Tchad Blake (Arctic Monkeys, Pearl Jam, The Black Keys, U2), it's a very New Model Army album, full of guitars but with the emphasis on the rhythmic power of bass and drums which characterizes all the band's work. With Unbroken, the band continues to push the boundaries of its signature sound, while staying true to its heart. 

"Not much hits me as genuine these days, but New Model Army hits it for me. Wonderfully recorded and produced by themselves, mixing this album felt like a gift. Here's hoping lots of people feel the same way about listening to it," says Blake.

GET UNBROKEN HERE.

FORMATS:
CD Hardcover Mediabook /Black LP Gatefold / Ltd. Red LP Gatefold / Digital

The Last Ten Seconds Of Life 'No Name Graves' Album Out Now + Release "Letalia Infernalis" Lyric Video (via Unique Leader Records)

The Last Ten Seconds Of Life have released their new album 'No Name Graves' (via Unique Leader Records). In celebration of their latest full-length, the band has shared the lyric video for "Letalia Infernalis". Leading up to release day, the band have shared "Of All Humanity, the Sum" and "Broken Glass Incantation". Stream 'No Name Graves' in its entirety here and watch the lyric video for "Letalia Infernalis" below.

The Last Ten Seconds Of Life Are:

Wyatt McLaughlin

Tyler Beam

Andrew Petway

Dylan Potts

Photo Credit - Jordan Price

EXHORDER RELEASES 2ND SINGLE, 'FOREVER AND BEYOND DESPAIR,' FROM UPCOMING RECORD

NOLA thrash and groove trailblazers EXHORDER will release their much anticipated 4th full-length record, Defectum Omnium, on March 8th with Nuclear Blast Records. Today, the band has revealed the record’s 2nd single, ‘Forever and Beyond Despair’; a ripping and gripping pit thrasher with massive riffs and blistering solos. You know, what EXHORDER are known for!

Commenting on the new song, vocalist/guitarist Kyle Thomas says:

“Our second single ‘Forever and Beyond Despair’ embraces many of the punk rock ingredients that we grew up on. Exhorder got its start on the punk rock scene of New Orleans, so it only made sense to dig back into this part of our roots. With aggressive angst and sarcastic themes, this song is absolutely a middle finger to the hypocrisies of the establishment.”

‘Forever and Beyond Despair’ Music Video

EXHORDER’s latest and greatest features 12 crushing tracks and ominous cover artwork by Travis Smith (Katatonia, Opeth), the album follows the band’s critically revered 2019 release Mourn The Southern Skies. The new single follows the band’s recent release of their metal anthem “Year of the Goat.”

Pre-order/Pre-save Defectum Omnium: https://exhorder.bfan.link/defectum-omnium

Stream ‘Forever and Beyond Despair’: https://exhorder.bfan.link/forever-and-beyond-despair

Following the release of Defectum Omnium in April, EXHORDER will kick off a US tour with Bay Area thrash legends VIO-LENCE, Virginian extreme metalheads DECEASED and LA death metal band MORTAL WOUND. The brutality starts April 5th in Cambridge, MA and will culminate April 13th in Chicago, IL.

Tickets are on sale now at the links below.

EXHORDER US Tour Dates:

April 5 - Cambridge, MA - Middle East (Tickets)

April 6 - Brooklyn, NY - Monarch (Tickets)

April 7 - Philadelphia, PA - Underground Arts (Tickets)

April 8 - Baltimore, MD - The Ottobar (Tickets)

April 10 - Cleveland, OH - The Winchester (Tickets)

April 11 - Cincinnati, OH - Legends (Tickets)

April 12 - Detroit, MI - Sanctuary (Tickets)

April 13 - Chicago, IL - Reggies (Tickets)

About EXHORDER:

Formed in 1986, EXHORDER’s journey has proven exciting, yet tumultuous. After a twenty-seven-year absence following their final Roadrunner Records release in 1992, EXHORDER re-entered the game with an album considered by many to be a contender for the "Best Comeback Album" category. The band released Mourn the Southern Skies in October of 2019 through Nuclear Blast Records. Fraught with euphoric peaks and crippling valleys throughout its existence, lineup changes, and the 2020-2021 pandemic, EXHORDER has since clawed back through the muck to prepare yet another album to add to the discography. In the spring of 2024, EXHORDER presents yet again via Nuclear Blast their fourth full-length recording, Defectum Omnium,  the Latin phrase for "The Failure of All". Singer Kyle Thomas wryly explains that the album title is representative of the current state of affairs that the world is in. "The world is a dumpster fire, and we are all complicit.", he explains. "People have been talking about, ‘...viruses killing us off, blah-blah, blah...', when in actuality WE are the virus to the Earth. Mother Nature is simply trying to shake off the fleas, and her ‘viruses’ are the antibodies combating US. Earth will survive, and we will join the dinosaurs, wooly mammoths, and saber-toothed tigers soon enough in her history."
 
Produced by EXHORDER and mixed by Jens Bogren, Defectum Omnium puts a foot back into the roots of the band's inception. The scales have tipped favorably towards the presence of punk and thrash more so than on Mourn the Southern Skies. Tracks like ‘Wrath of Prophecies’, ‘Forever and Beyond Despair’, and ‘Sedition’ are what EXHORDER comes by most honestly when referring to their beginnings. There is also a strong presence of doom influence, as always. ‘The Tale of Unsound Minds’ and the haunting ‘Defectum Omnium/Stolen Hope’ will raise utter despair from the depths of your soul. The thick New Orleans grooves EXHORDER has been known for beating out since day one are still undeniable, and they stand out in tracks like ‘Year of the Goat’, ‘Under the Gaslight’, and ‘Three Stages of Truth/Lacing the Well’. 

One trait about Defectum Omnium that deserves to be pointed out is that it is more of a journey and experience than just a regurgitated selection of songs on autopilot. With peaks and valleys much like a roller coaster ride, one listener described the album as having "...a little something for everyone.". As EXHORDER has always been hard to classify by one genre, the album is loaded with heaviness, aggression, speed, and venom. It also has an equal presence of mystery, melody, and harmony, and vacillates between darkness and light. Themes that dart back and forth between surviving oppression, despair, revolution, and brittle hope take you through the band's madness by way of the musical path that they have forged. With touring plans underway in support of Defectum Omnium, EXHORDER finds itself poised to finally achieve the brass ring potential that has always seemed to be just out of their reach.

Follow EXHORDER:

https://www.exhorder.com/

https://www.facebook.com/exhorderofficial

https://www.instagram.com/exhorderofficial/

https://www.youtube.com/@ExhorderOfficial

https://www.tiktok.com/@exhorder_official

New York City Hard Rock Group Wildstreet Release New Single "Sick To Death" + Official Music Video

Following the success of III (2021), New York City hard rock group Wildstreet has released their new single "Sick To Death" along with the music video to all major platforms. The single was written with Once Around guitarist/producer Wrath Starzand features drummer Dave Abbruzzese (Pearl Jam), and Sebastian James Hadtrath (Once Around) on vocals.

Wildstreet began in 2006 and released their self-titled debut album on Retrospect Records in 2009. The band spent the next 4 years touring nonstop and performing at US festivals including: Rocklahoma (5 consecutive years), SXSW & M3 Rock Festival. Wildstreet rocked alongside Black Veil Brides, Vains of Jenna, The Bouncing Souls, The Last Vegas, Twisted Sister, Michael Monroe, Crashdiet, Diemonds, Kix, LA Guns and more. The band won the Best Buy/Ernie Ball Battle of the Bands for Rockstar Energy’s Uproar Festival, and opened for Avenged Sevenfold, Sevendust and Three Days Grace in Camden, NJ.

In 2011, the band released Wildstreet II..Faster..Louder! to widespread critical acclaim. They made an appearance on “The Jimmy Fallon Show” and their songs were licensed to TV shows on E!, MTV, VH1, Oxygen, TBS and in a THQ video game. Later that year, the band released the official music video for “Poison Kiss,”which included a cameo by Don Jameson of “The Metal Show.” Wildstreet now had the attention of rock fans worldwide. In 2012, the band released the single “Easy Does It,” and it’s official music video. The video went viral on YouTube. Wildstreet has well-over 6 million views and nearly 10k subscribers on that platform.

"Sick To Death" can be streamed here:

https://linktr.ee/wildstreet

WATCH Wildstreet - "Sick To Death"

BELOW

​After taking a 2 1/2 year break off and dodging rumors of a band breakup, Wildstreet exploded back onto the NYC scene in 2016, headlining Gramercy Theatre with new lineup. In early 2017, the band rocked NYC with Faster Pussycat, The Biters and headed to Rocklahoma for the 6th time.​ In 2017 Wildstreetreleased "Raise Hell" the first single of their highly anticipated full length album, III. Over the next four years, the band released 6 singles and 4 music videos. The band signed with Golden Robot Records in 2020,

Wildstreet III was released on June 25, 2021 with the music video for their epic single "Mother". Since this massive release, the album has over 2.5 million streams on Spotify. Spending most of the year on tour in the USA, the band also were among the first to bring live music back to post-pandemic Europe, and played for rock fans in Switzerland and France for the first time. They concluded year releasing their cover of The 69eyes "Mrs.Sleazy."

In 2022, Wildstreet released 4 new singles "One Tattoo," "Born To Be (RLK)", "Won’t Be Apart" and "Say Goodbye" ft Todd Long (Ghosts Of Sunset). They rocked for the 2nd time at Rockfest in Cadott, Wisconsin and at Rocklahoma for the 7th time. They toured throughout the USA all year and did their first tour in Mexico!

Wildstreet have toured 16 countries since 2020 while working on their latest EP. The EP features a number of guests including Dave Abruzzese (Pearl Jam), Erik Eldenius (Billy Idol), Steeve Estatof (The Voice France) and more. The release date of the upcoming EP is set for April, 19 2024 and the band will also release the music video for "The Road", which is the final single of IV.

For More Information Please Visit:

Official Website

Facebook

Twitter

YouTube

Instagram

Spotify

MY DYING BRIDE | announce new album 'A Mortal Binding' + release single/video 'Thornwyck Hymn'

THE TWISTED WATERS THEY CALL OUT MY NAME
I WILL SWIM WITH THEM BUT THEY'RE NOT TO BLAME

British death-doom legends, My Dying Bride, are proud to announce their 15th studio album, A Mortal Binding, set to be released on 19th April via Nuclear Blast Records. Today's news is accompanied by the release of tempestuous, heart-wrenching new single 'Thornwyck Hymn'. The track comes with a stunning video directed by Daniel Gray, depicting a maritime story of unfolding desire and tragedy.

My Dying Bride's Aaron Stainthorpe commented,

“Set upon the rugged coast of Yorkshire, Thornwyck village has spent an eternity being haunted by the chill waters that wash it’s shore – and the hidden folk who dwell in the salty depths.
Woe betide anyone who fares into the briny sea, or even steels to close to it’s edge for they may never set foot back on mother earth”

You can pre-order A Mortal Binding here: https://mydyingbride.bfan.link/a-mortal-binding
Listen to 'Thornwyck Hymn' here: https://mydyingbride.bfan.link/thornwyck-hymn
Watch the 'Thornwyck Hymn' video below.

A Mortal Binding, the much-anticipated follow-up to The Ghost of Orion (2020) finds the Yorkshire-based quintet delighting in anxiety, loss, and toil to resplendent effect. From the raw distress of 'Her Dominion' and twisted horror of 'Thornwyck Hymn' to the funerary violins of the 11-minute monolith 'The Apocalyptist' and the classic-feeling 'The 2nd of Three Bells', A Mortal Binding is pinnacle My Dying Bride. If Songs of Darkness, Words of Light (2004) elevated the band to new heights and A Map of All Our Failures(2012) expanded upon the group’s mid-tens grandeur, then A Mortal Binding stages My Dying Bride’s next exultant phase of elegiac misery.

A Mortal Binding formats:

• CD jewelcase

• Vinyl 2LP gatefold - green

• Vinyl 2LP gatefold - red w/ black smoke

• Vinyl 2LP gatefold - clear w/ black smoke

My Dying Bride hired The Ghost of Orion studio wizard Mark Mynett to produce, mix, and master A Mortal Binding. The group holed up at Mynett’s Mynetaur Productions(Paradise Lost, Rotting Christ) in Manchester, UK, where they tracked the album consecutively from July to September 2023.

For over three decades, My Dying Bride from West Yorkshire have been the voice of the hopeless and broken, combining haunting sounds with crushing misery and melancholy. With their signature sound they've shaped the doom metal scene like barely any other act and integrated both soft violin melodies and violent death metal growls into their music, whilst always staying strictly loyal to themselves. And since the early Nineties, the band's masterminds and founding members Andrew Craighan and Aaron Stainthorpe forged beautiful grief into studio albums with songs of epic length. As My Dying Bride edge past their 33rd year, they’re aging gracefully, remaining as vital and heart-wrenching as ever. The flower withers once more on My Dying Bride’s upcoming new record A Mortal Binding, due out on 19th April 2024.

My Dying Bride are:
Aaron Stainthorpe | vocals
Andrew Craighan | guitars 
Lena Abé | bass
Shaun MacGowan | keyboards / violin
Neil Blanchett | guitars 
Dan Mullins | drums

Capstan Announce New Album "The Mosaic" + Share "Misery Scene" Video

Florida five-piece CAPSTAN — Anthony DeMario [vocals], Joe Mabry [guitar], Harrison Bormann [guitar], Andrew "Boz" Bozymowski [bass, vocals], and Scott Fisher [drums] — are pleased to announce their new album The Mosaic, out May 24 via Fearless Records. Pre-order it here. 

Today, the band has shared the video for "Misery Scene." Watch it below.

Here, the band mixes dreamy choruses with buzzy, dramatic guitars, and cinematic sonic flourishes. The song will fill the room with its majestic melodies and singalongs. Misery never sounded quite so good. If Queen were a post-hardcore band, they would have made a song like "Misery Scene."

"'Misery Scene' is the beginning of a change of lyrical direction for Capstan; ever introspective, the lyrics address the writer's previous inability to break their cycle of self-destructive choices, as well as the toxic and ubiquitous admiration of poor mental health in artists. It is a song about making a conscious shift from the glorification of being unhappy for the perceived sake of art, to the desire to make a more positive impact on others' lives," says Mabry.

To make a mosaic, tiny pieces interlock as a larger picture. In similar fashion, distinct elements coalesce as one in Capstan. The band mixes metallic precision with pit-splitting hardcore grooves and the kind of hooks you can't shake. Since 2015, Capstan have progressed with each subsequent move. Following Seasonal Depression [2015] and In The Wake of Our Discord [2018], they made waves with their full-length debut, Restless Heart, Keep Running, in 2019. They toured with the likes of Trash Boat, Doll Skin, Silverstein, and many more. After amassing tens of millions of streams and earning acclaim from the likes of KERRANG! and New Noise, the group paint a definitive body of work on their aptly titled third full-length offering, The Mosaic.

CAPSTAN ON TOUR:
WITH HOLDING ABSENCE, CASEY, + ACRES:
2/11 — Montreal, QC — Le Studio TD
2/13 — Baltimore, MD — Baltimore Soundstage
2/14 — New York (NYC), NY — Gramercy Theater
2/16 — Philadelphia, PA — The Foundry
2/17 — Worcester, MA — The Palladium

Kill The Lights Drop "Sleep With The Devil" Video

SOPHOMORE ALBUM DEATH MELODIES ARRIVES MARCH 8 VIA FEARLESS RECORDS

 Kill The Lights, which features former members of Bullet for My Valentine, Throw the Fight, Threat Signal, and Still Remains, have announced their sophomore album Death Melodies. It will be released on March 8 via Fearless Records. Pre-order it here. 

Today, the band has shared the video for the new single "Sleep With the Devil." Watch it below. 

Singer James Clark says, "'Sleep With the Devil,' lyrically, deals with the struggle of addiction and the daily fight to stay sober. Every day you wake up, you are in a constant battle, with the inner voices and demons that tell you that you are not good enough, and you should give up. Simply looking at yourself in the mirror is a reminder of how you've let yourself, your family, and friends down. It's a constant negative cycle that fuels your desire to mask the pain and disappointment by abusing yourself."

Certain bonds cross any and all borders and boundaries. Kill The Lights harbor this kind of connection between them. Even though you’ve got Michael "Moose" Thomas [drums] and Jason "Jay" James [bass] in Bridgend, Wales, James Clark [vocals] in Minneapolis, MN, Jordan Whelan [guitar] in Grand Rapids, MI, and Travis Montgomery [guitar] in Dallas, TX, the musicians lock into an impenetrable groove that eclipses physical distance. The band is especially adept at fusing classic, galloping guitar riffing with modern metal conventions, like alternately sung and screamed vocals and breakdowns that will incite pits to erupt. 

Of course, the musicians boast an incredible pedigree. Moose co-founded multi-platinum international heavyweights Bullet For My Valentine, while Jay also played in the band. James fronted Throw The Fight, and Jordan and Travis handled guitar duties for Still Remains and Threat Signal, respectively. Upon forming Kill The Lights, they uncovered uncontainable chemistry, releasing their debut LP The Sinner in the midst of the global COVID-19 pandemic. Among many highlights, "The Faceless" posted up 2 million-plus Spotify streams and counting followed by "Through The Night" and "Shed My Skin," which each crossed the 1 million mark. Metal Hammer rated it 4-out-of-5 stars and proclaimed "Kill The Lights nail the groove and the glory." After piling up millions of streams and earning acclaim from the likes of KERRANG!and New Noise, a sense of unwavering unity drives their second full-length offering, Death Melodies.

Gwen Stefani & Blake Shelton Team Up For Dynamic New Single, "Purple Irises"

Today, global superstar Gwen Stefani reunites with fellow music icon and frequent collaborator, Blake Shelton, for the dynamic new single "Purple Irises." Introspective and nostalgic, the enduring anthem explores how time tests — and often strengthens — the bonds we share. “Purple Irises” was produced by award-winning producer Scott Hendricks and recorded in Nashville, TN at Smoakstack Studios. "Purple Irises" comes just days before Stefani brings her unique magic to Super Bowl weekend with a performance at the Super Bowl LVIII TikTok Tailgate before the big matchup between the San Francisco 49ers and the Kansas City Chiefs on Feb. 11 in Las Vegas. Shelton will join Stefani at Super Bowl LVIII TikTok Tailgate for a debut performance of “Purple Irises.”

“Purple Irises" is available now at all digital retailers via Warner Music Nashville / Interscope Records. Listen Below.

“Purple Irises is a song that comes from the idea that when you plant something you are planting hope and watching love grow,” says Stefani. “Weathering all the different seasons of growth. We are in this together, we planted the seeds together and we are growing together.”

Stefani’s iconic catalog is filled with insight and vulnerability, but she raises the bar here by capturing time-tested love with unfiltered affection and raw honesty. It doesn't hurt that she has palpable creative chemistry with real-life partner Shelton. They have previously shared the mic on the platinum hits "Nobody But You" and "Happy Anywhere," both of which topped Billboard’s Hot Country Songs chart. 

"We love this song so much,” said Shelton. "It’s a song Gwen wrote with a couple of friends of hers, and I fell in love with it the first time I heard it. She knew there was something different about it and asked me to come in and sing with her. My longtime producer, Scott Hendricks, produced it, and Gwen’s been wanting to work with him for a long time now, and it’s turned into this really cool and different song that can live anywhere."

Throughout her career, Stefani’s versatility — as showcased on recent offerings such as 2023’s "True Babe" and the Saweetie-featured "Slow Clap" — has been a large part of her staying power and perennial appeal. Those songs followed "Let Me Reintroduce Myself," which reached No. 1 on the iTunes chart. 

A three-time GRAMMY® Award winner, Stefani has achieved global success as a performer, songwriter, and frontwoman of No Doubt, and a multi-platinum solo artist, among other accomplishments. To date, she’s sold more than 60 million units worldwide. Her 2015 solo album, This Is What the Truth Feels Like, debuted at No. 1 on the Billboard 200. She also previously spent seven seasons as a coach on the Emmy®-winning NBC series The Voice.
 

Gwen Stefani & Black Shelton -- "Purple Irises"
 

Connect with Gwen Stefani:
Website | Instagram | Twitter | Facebook | TikTok | YouTube

Connect with Blake Shelton:
Website | Instagram | Twitter | Facebook | TikTok | YouTube

Dark Folk Artist Kati Rán Signs to Svart Records, Announces New Album

Dutch artist and Nordic folk pioneer Kati Rán is now pleased to reveal that she has signed with Svart Records, where she will be debuting her brand new full-length, 'SÁLA,' on May 24, 2024! For a glimpse of what's to come, Kati Rán is now sharing a short docu-clip about the record, which can be seen below.

Kati Rán elaborates: ”For me, signing to Svart Records was the most natural next step. Collaborating and releasing my music with Svart’s long-standing expertise in bringing out amazing artists and vinyl for true music connoisseurs, I’m grateful to be able to bring my audience a beautiful, elevated experience to enjoy my new Nordic Dark folk album SÁLA.

Together with Jaani Peuhu (Swallow the Sun, IANAI, Lord of the Lost, Hallatar) and Christopher Juul (Heilung), my new album has been tenuously crafted and produced and is curated by my many years of writing, researching, and traveling the Northern landscapes, taking on board with me incredible artists, sounds, and musicians to breathe the Nordic soul into the heart of this album. 

"I’m looking forward to opening the floodgates to SÁLA with the release of the first single and opening track “STONE PILLARS” on the 23rd of February. It embraces our most vulnerable side, questions our mind, and attempts to resurrect or reposition ourselves through spinning with the Fates. It dips right into the heart of things."

Svart Records is delighted to expand its international artist roster with the signing of established dark Nordic folk artist Kati Rán and to release her second full-length album 'SÁLA.' Special vinyl editions in gold, transparent smoke, and black as well as digipack CDs are available for pre-order HERE.

'SÁLA' features an impressive lineup of diverse musicians who lent their talents to the record, including Gaahl, Napalm Death's Mitch Harris, members of Heilung, Sígur Rós, and many others!

Kati Rán is known for her collaborative audio work for Netflix’s tv series 'VIKINGS: VALHALLA,' films and work for videogames, her stage appearances with Wardruna, Myrkur and Gaahls Wyrd to name a few, and her previous releases of the successful album; and Nordic dark folk tracks “Blodbylgje” and Icelandic track “Unnr | Mindbeach”; that run millions of streams and gathered a tightly knit Nordic Folk music loving audience around her.

If the most profound treasures are often the most deeply buried, the journey to uncover them is vital process of discovery. Five years after the 15-minute single “Blodbylgje” signaled the birth of a new, more primordial, and immersive vision after the dissolution of her band L.E.A.F., Nordic dark folk artist Kati Rán has expanded on its oceanic theme for her long-awaited full-length album, 'SÁLA.' Embarking on a far-reaching musical and personal travelogue, it’s a reawakening of both the feminine narratives submerged and fragmented within Norse mythology, and the enduring, healing powers held within.

Named after the Old Norse word for ‘soul’ and ‘sea’, 'SÁLA' is an act of "soul retrieval," the shamanic art of trauma recovery, be it illness, death, heartbreak or loss, and the reintegration of a splintered self. Across its 13, wide-ranging, elegantly unfolding tracks, the album is an embodiment of different feminine voices and perspectives – from the Norse nine daughters of the sea, or ‘billow maidens’, through various historical and fictional figures to the late-night voices we hear in our most liminal states – all with tales to tell, riddles to solve, challenges to be accepted and guidance to offer. It’s a multiplicity that, like the ocean itself, belongs to a vast, restless dynamic: a matrix of mysteries, unfathomable depths and ever-shifting currents, accumulating into an elemental, regenerative source of power.

Recorded in a barn in Húsafell, Iceland – home to glacier ice caves and a rare lava stone marimba rediscovered for the track “Stone Pillars” – as well as Finland, Norway and at home in Kati’s native Netherlands, 'SÁLA' is as much chronicle of Kati’s own perspective-shifting recording process as it as a pilgrimage through different viewpoints and internal states. That itinerate urge is also reflected in the use of different languages, ranging across Norwegian, Old Norse, Icelandic, and, for the first time, English, her combination of ancient texts, historical reimagining’s and unguarded personal reflection backed up by deep research into the most resonant recesses of Nordic lore.

Spun throughout every thread of 'SÁLA' is a sense of communion - with the power of stories to offer moral guidance and the thrill of the unknown; with the element of water, recreated across the album both in field recordings and the agelessly organic nature of the music itself; with the archetypes whose qualities we are called upon to embody at our most critical moments; and with the internal hidden realms forever whispering at us from the far edges of our consciousness.

Appropriately, it’s a collaborative venture too. As well as working closely together with Finnish producer Jaani Peuhu, there are contributions from across the musical spectrum, including extreme metal vocalist extraordinaire Gaahl, the Icelandic female choir Umbra Ensemble, renowned Norwegian jazz musician Karl Seglem, Björk and Brian Eno contrabassist Borgar Magnason, members of pagan folk acts Völuspá, Gealdýr, Heilung and Theodor Bastard and even Napalm Death’s Mitch Harris on vocals.

For all the many sources 'SÁLA' draws from, the result is a singular, intimately transformative rite of passage, and a retuning of the heart to the reverent continuity of the sacred. It will take you from the opening title track’s chest-pounding rhythmic pulse emerging from a traditional Norwegian bukkehorn (recorded by Karl Seglem), a galloping horse-rider and Kati’s glacial, velveteen chant, through “Kólga’s” recounting of female persecution through the ages borne on the most gossamer-light yet unbreakable of timbres and “Stone Pillar’s” gently percolating, deep wells of abandonment and incantations to recovery. 'SÁLA' closes with the track “Sátta” - Old Norse for ‘peace’ and ‘reconciliation’ – ending the album as it began with the bukkehorn, as it weaves rich drones and experience-stamped poems and prayers, Kati’s vocals the most sensitively tuned of emotional barometers. An album made in dedication, and in thrall to, its own sense of destiny, 'SÁLA'” is, as all quests must ultimately be, a homecoming.

Lineup:

Kati Rán

Special Guests:

Gaahl (Gaahl, Wyrd, Wardruna)

Mitch Harris (Napalm Death)

Jaani Peuhu (Swallow the Sun, IANAI, Lord of the Lost, Hallatar)

Karl Seglem (Norwegian jazz and folk legend)

Borgar Magnason (Björk, Sígur Rós, Brian Eno)

Gealdýr

Emilie Lorentzen (Heilung)

Nicholas Schipper (Heilung)

Yana Veva (Theodor Basterd)

Umbra (Icelandic female choir)

Sól Geirsdóttir, Varg Saastad (Völuspá band)

Marianne Heikkinen, Salla Marja (Saruru,´bunny girl metal´)

Páll Guðmunsson (Hilmar Örn Hilmarsson, Steindór Anderssen, Sígur Rós)

Production: Jaani Peuhu, Kati Rán, Christopher Juul

Mastering: Jaime Gomez Arrelano

Cover Art: Photographer Arne Beck, Illustrator Halfdan Skrifa, Graphic design Jari

Laurén, Charlotte Boer, Deluxe Box Edition with cover painting by Marzena Ablewska-Lech

Bio: Jonathan Selzer

Links:

Official Website

Bandcamp

E-Shop

Facebook

Instagram

TikTok

Twitter/X

YouTube

Pre-Save // Stream

Onceweresixty 'Don’t Get Stuck' - a deep tease of the Euro-rockers' new album 'Loco Sunset Boulevard / Ghetto Blast Noise Machine'

Call it college rock, call it slacker rock, call it 90s rock. Whatever you call it, indie rock trio Onceweresixty are gearing up to release their new album 'Loco Sunset Boulevard / Ghetto Blast Noise Machine'. Paving the way with the lead single 'Don't Get Stuck', they are also offering a lyrics video.  Gentle yet vibrant, while mellow and seductive, here they offer a mercurial soundscape.

This 8-track offering - structured in two parts as a double EP - will be released on CD and vinyl by Uglydog Records, together with Beautiful Losers and PrettyOK Records. Here they pay homage the sonic ghosts of such artists as Belle & Sebastian, Pavement, Morphine, Low, Herman Dune, Silver Jews and The Velvet Underground,.

Onceweresixty was founded by Marco Lorenzoni (guitars, vocals and keyboards) and Luca Sella (drums, guitar and vocals), who began collaborating in 2001 via their old band MR60. The band is rounded out by Enrico Grando (keyboards and saxophone), who joined the band shortly after their 2021 release 'The Flood', a concept album about the consciousness of the insignificance of humans against the force of nature, and a society bent on self-destruction.

Over the past three years, this double EP took form at Villa Albrizzi Marini, a magical place in the Venice countryside hills en route to the Alps. Onceweresixty set up their studio on this 1400-villa property, owned by the Armenian Church. Marco Lorenzoni explains, "The Villa - an ongoing project of urban regeneration via art activism - is absolutely inspiring and amazing, and we’re glad to be part of it. Onceweresixty and our own label Uglydog Records have always been at the forefront of promoting the arts, supporting artists and creating social connections. This is our little Warhol Factory in the countryside."

Describing their own music as "weird psych folk pop", Onceweresixty draws their roots back to an ancient tale about the ghost of a beatnik biker living in a broken toy keyboard. "Sometimes he takes control of our minds and makes us play strange weird songs," says Lorenzoni, who continues to tell the tale of the band's origin.

“Immediately upon entering Texas from Las Vegas, drunk on tequila, we lost our way, the desert all around us and not a drop of water. Desperate, we recited a few passages from the Bible by heart, inventing what we didn't remember. It was at that moment that MR60 came to our rescue. He hosted us on his ranch, quenched our thirst and gave us bags of top quality tobacco. There we found everything we needed: out of tune guitars, out of tune tuners, Paleolithic barrel organs, a Stradivarius and a buffalo skull... We never left…  

"Well actually, we did leave," Lorenzoni admits. "somehow adult life took us one by one into everyday office routines and familiar responsibilities with bills to pay and so on."
 
Relaunched as Onceweresixty in 2018 after a 10-year hiatus, the band began conquering new musical territory. Their indie dream of the early 2000s ultimately gave way to colder and leaner sounds, better reflecting the current times. Luca Sella explains, "If MR60 used to compare the north-eastern Italy cultural desert to the Texan desert landscapes, today that desert is a post-apocalyptic land populated by brain-eating zombies. Anger and ignorance are everywhere. Everything is lost. Or maybe not”
 
'Don't Get Stuck' is out now, available everywhere digitally, including Spotify, Apple Music and Bandcamp. The double EP 'Loco Sunset Boulevard / Ghetto Blast Noise Machine' will be released on March 22. It can be ordered directly from the artist via Bandcamp.

CREDITS
Music written by M.Lorenzoni, L. Sella, E. Grando
Lyrics written by M. Lorenzoni
Marco Lorenzoni - guitars, vocals & keyboards
Luca Sella - drums, guitar & vocals
Enrico Grando - keyboards, vocals & saxophone
Recorded and produced by Onceweresixty at VAMpires! Room  
Mixed by Mauro Martinuz at Bottega Sonora
Mastered by Federico Pelle at Basement Studio
Cover artwork by Freddy Mason
Studio photos of Onceweresixty by Ilaria Baggio
Live photos of Onceweresixty by Veronica Bassani and Freddy Mason
This record is dedicated to Loco, who was known to be a good dog, and Enrico Pese, who was known to be a good guy
 

Keep up with Onceweresixty
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SNEAKER PIMPS' IAN PICKERING / THE NOISE WHO RUNS present short film, complementing 'Come and Join The Beautiful' Army' EP

"Ian Pickering is among the most relevant songwriters of this generation, with topical subject matter, sharp lyricism, a relatable attitude and music that is addictive as F*&@. The same spunk as the progenitors of punk and orderly chaos of early post-punk" ~ The Spill Magazine

"A brooding electronic swirl that ably captures the feeling of floating in space. Dark matter courses through the veins of ‘Mars Attached’... could be the lament of a proxy Major Tom, far from home and reflecting on the life he left light-years behind"~ Joyzine

"Beguiling... anthemic yet accessible, gothic, grand and graceful, delicately dance-driven and dark, coiled and ornate, slow and seductive" ~ Big Takeover Magazine

"Poetic brutality... the anthemic grace and stature of something by The Sisters of Mercy: it has an Arctic chill through which a lyrical, passionate heat radiates" ~ Backseat Mafia

"Ethereal electronic intimation. Light and dark entangle... true splendour and prowess" ~ Ringmaster Review

UK-France duo The Noise Who Runs presents a short film, showcasing their new five-song EP ‘Come and Join the Beautiful Army’, which also includes the bonus instrumental track ‘Goalmouth Interlude’. Just shy of 20 minutes, the film was spawned from uncertainty over what the second and third singles would be after the opening track 'One Scratch Each'. Ultimately, the idea to create a film for the EP as a whole, rather than just individual songs, seemed a more interesting challenge.

The Noise Who Runs revolves around songwriter Ian Pickering (of Sneaker Pimps and Front Line Assembly). Native to Hartlepool in the north-east of England, Pickering co-authored such Sneaker Pimps hits as 'Spin Spin Sugar', '6 Underground' and 'Tesko Suicide'. In 2019, he launched this project with Brazilian-French guitarist Felipe Goes, three years after relocating to Lille, France.  

This dark, brooding and sometimes disquieting collection straddles the line between hope and despair, defeat and optimism. These contradictions are embodied in the more full-on electronic approach with a stripped, more keyboard-oriented sound largely absent of any overt electric guitars, and the almost casual, nursery rhyme abstract cynicism of the lyrics.

“There are themes and ideas running through all the songs and the film reinforces and highlights those. There are various images that are repeated or linked across the whole thing, sometimes as quite literal broad strokes to fit the lyrics and sometimes more abstract juxtapositions as well as more off the wall, poetic references,” says Ian Pickering.

This audio-visual element complements TNWR's music with certain repeating visuals - swirling vortexes, tunnels, marching boots, protests, water, fire and ice - giving strong cohesion to the EP's themes and raising the finished product comfortably beyond visualiser into art film territory.

Mixed and mastered by Colin C at The Cell Studio, this album follows their debut album ‘Preteretrospective’, released in April 2023 to rave reviews and airplay in more than 40 countries. Earlier, The Noise Who Runs released the singles 'One Scratch Each', 'Mars Attached' and ‘Tune Out, Turn Off, Drop In’.
 
Lyrics, arguably, are Pickering’s greatest strength and certainly the songs on ‘Come and Join the Beautiful Army’ only add to his reputation. Here we have genuine poetry; insightful, disarming, original and unique.

“This EP is a call for solidarity in a world constantly being sown with division and discord. So far, the start of the 21st Century seems remarkably like repeating the mistakes of the early 20th Century. In the First World War, all that flag-waving, jingoistic sense of and pride in nationality across Europe, the othering of governments and nations all engaged in the same exploitation of other continents, resulted in the most obscene and needless carnage and it feels today as if nothing has changed, save that rather than conscript us all and send us to France and Belgium for the slaughter, the big push would appear to be starving us to death in our own homes while we work all the hours of the day for a monthly wage that barely covers the cost of living," says Ian Pickering.
 
“The beautiful army would be the people who reject the pathetic culture wars of populists, who proceed with compassion and empathy rather than instantly resort to knee-jerk outrage and sincerely believe that the some kind of optimistic future can still be salvaged from the slow motion chaos of the inevitable car crash in which we are currently forced to be passengers.”

'Come and Join The Beautiful Army' is out now, available from fine music platforms, including Spotify, Apple Music and Bandcamp.

CREDITS
All songs written by Ian Pickering
Recorded and produced by The Noise Who Runs
Felipe Goes - guitars, pianos, keyboards
Ian Pickering - vocals, keyboards, pianos, beats
Mixing, mastering and additional production by Colin C. at The Cell Studio 
Publicity by Shameless Promotion PR
Artist photos by Élodie Duhoo
Original front cover illustration ‘The Marching Boots’ by Alex Armitage


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NEW ALBUM! Cold Years announce 'A Different Life'

MNRK UK and Cold Years are excited to announce the Friday, April 26 release of 'A Different Life,' the rising Scottish rock quartet’s brand new full-length album. 

Recorded at The Barber Shop Studios in New Jersey by producer Brett Romnes (Anxious, Hot Mulligan, Boston Manor, The Movielife), A Different Life follows Paradise, the band’s 2020 politically-charged look at life in their hometown of Aberdeen, and 2022’s soaring & musically daring follow-up, Goodbye To Misery.

Packed with songs that are both intensely personal and universally relatable, A Different Life is led by “ Roll With It ,” a scorching, socially-charged punk rock anthem with an infectious chorus that feels like it's been bubbling in your veins forever. "Life is not an easy thing to contend with,” frontman Ross Gordon declares. “Between long hours of working your ass off, trying to see family and friends and having the occasional self-destructive streak, sometimes it’s natural to want more. This song is about wanting more from your life — the person you once were is gone." 

STREAM "ROLL WITH IT"

There are some albums that immediately transcend time and space, regardless of genre, while simultaneously capturing the very moment out of which they were born. It’s an incredibly difficult balance to get right, but with their third full-length, Aberdeen’s Cold Years have done just that. Because from the moment A Different Life blasts off with the pounding beat of opener “Over” — a riotous punk anthem about removing a toxic person from your life — this album manages to make sense of a world that’s lost most of it. Simultaneously, it also feels like the record you’ve been waiting for to fill the void in your life for your entire life. You can feel it in these songs. That’s something the band — Ross Gordon (vocals/guitar), Finlay Urquhart (guitar), Louis Craighead (bass) and new drummer Jimmy Taylor — noticed as well.

“This is the first time I’ve ever come out of a studio able to listen to the tracks, where, and I say this 100% with conviction, we went in and did everything we wanted to do and more,” says Gordon. “I’ve never done that. I’ve always come out feeling like we could have done something better or different. But this album changed the game for all of us as a band. We didn’t just do twelve tracks that sound the same. We tried to make things a little different. That happened naturally, and it’s the most musical experience I’ve ever had. I definitely feel a confidence with this record that I didn’t feel on the others.” 

Cold Years - A Different Life CD

PRE-ORDER

MORE COLD YEARS INFO HERE

ARISING EMPIRE ALERT: Thrown Share New Video

Swedish heavy weight thrown, who've amassed 7 million streams worldwide, return with their brand new track 'backfire.'

'backfire' hits back hard, flipping the script on haters and standing tall against the unwarranted shade and obsession thrown its way.

Watch the video below.

Last year, thrown released their debut EP EXTENDED PAIN, which has been sitting on Spotify's Top 200 Global Metal Chart for almost a year, amassing over 36 million streams across its five songs. They've grown to nearly 1 million listeners with their explosive tracks, thrown took the stage by storm touring with Knocked Loose, Fit For A King, Emmure. Counterparts, and other massive artists through the U.S. and Europe.

THROWN ON TOUR:
5/10 — Destin, FL — Club La
5/11 — Atlanta, GA — Masquerade
5/12 — Nashville, TN —Eastside Bowl
5/14 — Charleston, SC — Music Farm
5/15 — Charlotte, NC — The Underground
5/16 — Baltimore, MD —Sound Stage
5/17 — Pittsburgh, PA — Preserving
5/19 — Harrisburg, PA — HMAC
5/20 — New York, NY — Irving Plaza
5/22 — Boston, MA — Paradise Rock Club
5/24 — Grad Rapids, MI — Elevation
5/25 — Chicago, IL — House Of Blues
5/26 — Minneapolis, MN — Varsity Theater
5/28 — Des Moines, IA — Wooly's
5/29 — St. Louis, MO — Red Flag
5/30 — Lawrence, KS — The Granada
5/31 — Denver, CO — Summit
6/1 — Salt Lake City, UT — The Complex
6/3 — Portland, OR — Hawthorne Theater
6/4 — Seattle, WA — The Crocodile
6/6 — Sacramento, CA — Ace Of Spades
6/7 — Pomona, CA — The Glasshouse
6/8 — San Diego, CA — House Of Blues
6/9 — Mesa, AZ — Nile Theater
6/11 — Dallas, TX — House Of Blues
6/12 — San Antonio, TX — Vibes Event Center
6/13 — Houston, TX — White Oak Music Hall
6/14 — Oklahoma City, OK — Beer City Music Hall
6/15 — Little Rock, AR — The Hall
6/16 — New Orleans, LA — House Of Blues