San Francisco's E.G. Phillips shares ‘I Am The One Who Ghosts’ featuring Barcelona songstress Mar Vilaseca

"A sultry and soothing jazzy offering, this goes down so smoothly. While addressing a real social media phenomenon that is rampant in our society (BTW, the lyrics are great), one cannot help but slip into some kind of regal period jazz fantasyland when listening to this" ~ The Spill Magazine

"A fabulous heartfelt confessional... A purveyor of the urban blues, Phillips offers an enthralling proposition in this beautifully wrought song" ~ Amplify Music Magazine

"A romancing of the senses with its noir lit contemplation and that almost boozy air to its fiery breath... a soulful engagement as off kilter and unique as it is warmly beguiling and emotively comforting" ~ Ringmaster Review
'
"E.G. Phillips channels dark singer-songwriters… Like a distant cousin of his forbearers Nick Cave, Tom Waits, and Leonard Cohen... It's always satisfying to discover something with such an old wise soul." ~ Real Gone


San Francisco-based artist
E.G. Phillips presents a sultry yet pensive offering in his new single ‘I Am The One Who Ghosts’ featuring Spanish artist Mar Vilaseca on vocals. This is the third taste of Phillips’ forthcoming 'Outlaw The Dead' EP, produced by Chris McGrew and mixed with the assistance of Billboard-charting producer Jaimeson Durr (Sammy Hagar, Joe Satriani, Hope Sandoval).

Recorded in Studio C of Hyde Street Studios in San Francisco (AKA 
Wally’s HydeOut) at the former Wally Heider Studios, this is the same space where such legendary artists as Herbie Hancock, Santana, Grateful Dead, Green Day and Dead Kennedys recorded some of their most legendary releases.

"When I started writing this one, I had in mind Walter White's infamous declaration "I am the one who knocks" in Breaking Bad. I thought this was an interesting, assertive approach from which to talk about the pattern of behavior we've come to describe as "ghosting". It seems like something people are more likely to accuse others of doing or be flippant about when they do it themselves. Along the way, the song became more confessional and, as is my want, cynical," explains E.G. Phillips.

The atmospheric instrumentation was born of that alchemy that develops between veteran musicians who have performed together many times and have created many records together, as is the case with Kevin Seal, Chris McGrew, and Christopher Fortier — who have been playing together in various bands since the mid 90s, including progressive punk band Griddle and psych rock outfit Seal Party. Fortier, in particular, is a tour-de-force here, providing some spectral David Glimor-esque riffs.

The vocals are by Barcelona native Mar Vilaseca, who's producer Chris McGrew first heard her when she was performing at the Black Cat jazz club in San Francisco. He thought she would be a good match for this track, which he felt needed some "sang'n" to complement its sparse sonic landscape and rightly so.

'I Am The One Who Ghosts' follows up the lead track '
It Ain't Good to Be in Love With You', a jazzy affair that showcases the Tom Waits meets Nick Cave-esque facets of his confessional songwriting, and latest single 'A Bridge Too Far (MacArthur Station)' featuring Grace Renaud on vocals.

A tech refugee originally from the Midwest, Phillips ultimately found greener grass on the West coast. Originally from Chicago suburbs, but having also lived in East Central Illinois and Minnesota, his musical journeys have grown more adventurous since relocating to the Bay Area at the turn of the century, especially since venturing out on the open mic scene in San Francisco -- finding a musical home of sorts at Bazaar Cafe.  

With the steadfast backing of his band
Ducks With Pants, Phillips blends lyric-driven compositions with his own special blend of whimsy and cinematic imagery, offering a wry take in dealing with the longings of the heart and the madness of existence.  

Vocalist, composer and multi-instrumentalist Mar Vilaseca was born in 1998, in Barcelona, Spain. Mar grew up in a musical environment and learned how to play and sing at a very young age. She was classically trained in piano and traditional harmony at the Conservatorio del Liceo. At 14, she started singing professionally in her father’s band, where she began her career in jazz and modern music. Mar moved to New York to study her Master of Music in Jazz Studies at The Juilliard School, with Professors Wynton Marsalis, Carla Cook, Elio Villafranca, Kenny Washington, and Donald Vega among others, graduating in 2022 with the Juilliard Career Advancement Fellowship Award.

As of September 6, 'I Am The One Who Ghosts' is available across fine music platforms, including
SpotifyApple Music and Bandcamp, where Phillips' back catalogue can also be explored. On November 2, Phillips will perform at The Utah Saloon in San Francisco to celebrate this release and, prior to that, at The Waypost in Portland on September 15.

CREDITS
E.G. Phillips — vocals
Christopher Fortier — guitars, electric bass
Kevin Seal — keys
Chris McGrew — percussion
Ethan Levitt — tenor sax
Recorded at Wally's HydeOut in Hyde Street Studio C, San Francisco
Recorded by Gary Hobish
Produced by Chris McGrew  
Mixed by Chris McGrew and Jaimeson Durr
Mastered by Gary Hobish, A. Hammer Mastering
Artwork by Mario M. Noche
All songs written by E.G. Phillips (ASCAP)
© 2023 Ducks With Pants Music


Keep up with E.G. Phillips
Website | Facebook | Bandcamp | Instagram | Twitter | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Mar Vilaseca
Website | Facebook | Instagram | YouTube | Soundcloud | Spotify

Keep up with Shameless Promotion PR
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Post Profit Share "Cancer Culture" Video — WATCH // Band Signs to SharpTone + Touring With Nothing More

Newly signed SHARPTONE RECORDS band POST PROFIT have shared the video for the new single "Cancer Culture." Watch it here.

The video features the Longview, Texas trio — Matt Jackson [vocals, guitar], Nick Hawner [guitar +vocals], and Zach Hicks [drums + vocals] — doing their best TV news broadcast impersonation while having free reign for a day at the Texas Museum of Broadcasting and Communications in nearby Kilgore, Texas.

The dynamic track highlights Post Profit's undeniably unique musical blend, encompassing all of their influences and proudly displaying where they are as a band sonically. It also touches upon an oft-controversial topic that remains close to their hearts.
 
"It's all about cancel culture," Matt reveals. "People watch you and wait for you to make the wrong step so they can cross you out. This song was born from our frustration with the feeling of being overlooked and pushed aside, and us trying to overcome that and stay determined in our path."
 
As for inking a deal with SharpTone Records, the band had the following to say: "We're beyond excited to announce that we have joined the SharpTone family! Their roster is stacked full of bands that we have looked up to for years such as Loathe, Holding Absence, Don Broco, and Boston Manor, just to name a few. We feel right at home with these amazing bands and the welcome we've received has felt more like a homecoming. We're looking forward to working closely with SharpTone on our upcoming releases, and ushering in a new era of rock music alongside the label's very talented and accomplished roster."

Post Profit will be hitting the road, opening for fellow Texans NOTHING MORE this September, with the first show this Friday, September 8 in Nashville. All dates are listed below. Tickets can be purchased here.
 
ABOUT POST PROFIT
Some would say Post Profit have been waiting for this moment since the cradle, with each member being introduced to musical instruments between the ages of 2 to 6. 

Zach and Matt forged a friendship as toddlers ever since their moms became best friends from church in Longview, TX. Nick would later learn of Matt's vocal prowess through the high school intercom. "Matt's father was the high school principal," explains Nick. "And he'd have Matt on there in the mornings singing about refraining from drugs and alcohol and striving for good school attendance." 

Over the next few years, the trio would really get to know each other from attending and performing at local shows. Nick and Zach especially hit it off and quickly became inseparable, spending much of their time listening to music, eager to put their own band together. Meanwhile, Matt was sinking his teeth into a Dallas based metalcore band called Far From Earth.
 
During early 2017, Matt started hosting open jams every Sunday at a smoky East Texas dive bar and one night asked Zach to join on drums. Zach dragged his new friend Nick along on guitar and the trio quickly formed a strong musical bond. They would soon start slipping originals into their covers sets and after months of unrelenting practices and bar jams they booked their first show at a Halloween party in Tyler, TX.
 
With the experience of countless gigs across the South, Post Profit soon gained a reputation for their commanding and impactful live performance, including powerful 2021 and 2022 performances at Welcome To Rockville in Daytona, FL. Rallying around influences such as Deftones, Incubus, Failure, and Quicksand, the band refined their original songs and sound into what would become their 2022 debut self-produced album When You Think It's Right It's Always Wrong.  The release garnered over a million cumulative streams independently, and the success of their single "Smother" grabbed the attention of SharpTone Records, eventually landing them a deal.
   
POST PROFIT ON TOUR:
WITH NOTHING MORE + DEAD POET SOCIETY:

9/8 — Nashville, TN — Marathon Music Works
9/9 — Little Rock, AR — The Hall 
9/11 — Oklahoma City, OK — Diamond Ballroom
9/12 — Wichita, KS — The Cotillion Ballroom 
9/14 — Dallas, TX — The Factory In Deep Ellum
9/15 — Houston, TX — House of Blues 
9/16 — San Antonio, TX — Aztec Theatre 
9/18 — Mobile, AL — Soul Kitchen Music Hall 
9/19 — Huntsville, AL — Mars Music Hall
9/20 — Knoxville, TN — The Mill & Mine
9/22 — Fort Lauderdale, FL — Revolution Live
9/23 — Lake Buena Vista, FL — House of Blues
9/25 — Charlotte, NC — The Fillmore Charlotte

Kraanuim Sign To Unique Leader Records, Announce New Album and Drop New Single "Braindead Skullf*cking"

One of Europe's most lauded brutal death metal exports, Kraanium, have announced their signing to new label home, Unique Leader Records. The announcement also comes with news of the band's new album, 'Scriptures of Vicennial Defilement' due out on November 3rd, 2023 and a brand new single and music video for track 'Braindead Skullf*cking'. Listen to the new track here, watch the new music video below and pre-order the album here.

Speaking on their recent announcement, Kraanium share

"We are stoked to have signed with Unique Leader Records for our 6th Full length record!!!

It is an honor for us to be part of a label/roster with so much amazing Brutal history in the music scene, and we could not be happier with the decision.

Our newest album is by far our most brutal to date, and we are so fucking excited to share this next chapter in the Kraanium journey with you all, this album is complex, catchy, groovy and above all 110% Pure Northern Slammage.

Get ready for ´´Scriptures of Vicennial Defilement´´ !!!!"

 

Unique Leader Records CEO, Jamie Graham adds

‘Kraanium have long been held as one of the absolute leading names in European Brutal Death Metal. Everything about this record is just brutally delicious, from the production, through to the artwork to the concept, it epitomises what the genre represents and we are over the moon to bring the Northern Slam Titans to our roster’.

ABOUT KRAANIUM

KRAANIUM was formed in 2001 and are one of the original pioneers of the slamming brutal death metal genre. Originally founded in the depths of hell in Norway, the band is now a multinational slam machine from all over Europe. 

Over the years they have released 5 full length studio albums, 3 split CDS with more releases in motion. Having toured all over Europe, USA, Russia, Asia as well as performing at many iconic festivals, they have built up a solid world wide fan base and will continue to spread the brutality of SLAM!

Since the passing of their dear brother Martin Funderud, (Former vocalist, 1978-2017), the band is dedicated to honor him as well as his passion for brutal music. Rest in Power.

Autarkh More Man Than Machine on "Strife"

Autarkh's debut already sounded like a message from the future. But the Dutch band push their vision to even further extremes on 'Emergent', which comes out on November 10. The new album is now available for pre-order HERE.   

Today, Autarkh are releasing the first single off 'Emergent'. Watch the intense video for "Strife"
below.  

'Emergent' still bristles with melodic dissonance, ambient droning and glitchy programmed beats. It's just that now, instead of looking for their reflection in the natural world, Autarkh journey inward in search of peace.  

"'Strife' shows how we took a different direction on 'Emergent': a more straightforward approach where specific atmospheres rather than the density and intensity of 'Form In Motion' are emphasized", says Nienhuis. "Guitarist David Luiten has done an outstanding job writing this track. The remarkable guitar theme – that we reused in the Autarkh III song "Lost In Sight" – captivated me instantly when I heard the original version (for a different project) in 2020, and led to this Autarkh version that we are delighted to share with you today!’’
    
"Strife" finds Autarkh locked in a battle with their inner demons. The song opens with drum pads that pound quietly, like trying to escape from your own personal prison. The mental anguish only escalates from there, spiked by a thousand megawatts of industrial-sized riffs. But the band doesn't lose hope. "My eternal summer is not so distant anymore", Nienhuis screams as if clawing toward a pinhole of light.    

Autarkh might be from the future. But they're still human after all.

Dutch contemporary metal adventurers Autarkh are back with their sophomore full-length album Emergent. Michel Nienhuis, founder of Autarkh and Dodecahedrom, teamed up again with guitarist/producer David Luiten (Inferum), bassist Desmond Kuijk (Dear Mother) and electronics wizard Tijnn Verbruggen to create the follow-up to their highly acclaimed debut album 'Form In Motion', released by Season Of Mist on 12 March 2021. Monica Kendrick (Chicago Reader, US) on the relevance of the group’s debut: 

"And I’ll call it now: given the time to flourish and sink into the ears of an audience, Autarkh will become highly influential on the next generation of extreme metal." 

'Emergent' is another testament to Autarkh’s imagination and creativity. It delivers increased versatility and contrast, and sees the band expand towards more uplifting and consonant territories. Form In Motion explored the boundaries of sonic extremes; on 'Emergent', Autarkh broadens its horizon and shows diversity and nuance while preserving its intense and razor-sharp edge.

With nine tracks, 'Emergent' is a sonic exploration of the inner universe where all things light and dark can be encountered. The listener is lured into an "Open Focus" (a meditative state of mind) in preparation for an inward journey along the physical energy centers. From the thumping synth basses of "Strife" and the menacing sludgy melancholy of "Duhkha", we move into the bewildering blasts of "Trek", where stellar harmonies will eventually burst through the oppressive atmosphere. The trip continues with the crushing downtempo groove that enforces "Refocus", as well as the mind-bending a capella interlude "Aperture" and the frivolous "Eye Of Horus" and "Countless Kaleidoscopes", to finally deliver all-encompassing enlightenment with Ka. 

Composers Nienhuis’s and Luiten’s statements and states of mind capture the same capriciousness and unease of 'Form In Motion', this time leaving a more open, diverse and radiant imprint. With exciting vocal harmonies, bold contrasts and a vivid imagination, Autarkh sheds a bright light on the inner self and exposes it to the world with intensity and conviction. That makes Emergent an evocative release with a multilayered yet crystal-clear production that promises a bright future for Autarkh.

Line-up:

Michel Nienhuis: vocals & guitars
David Luiten: vocals & guitars
Desmond Kuijk: bass
Tijnn Verbruggen: synths & beats

Recording Studio: David Luiten Studio, Monodisc Studio, Moonbear Music & Engineering
Mix/Master: David Luiten

Cover artwork: Arno Frericks

Pre-order: https://redirect.season-of-mist.com/AutarkhEmergent
Pre-save:https://orcd.co/autarkhemergentpresave

Booking:
info@autarkh.com

Formats:
CD Jewelcase
Digital
Vinyl in various colours

Links:
www.autarkh.com
www.facebook.com/autarkh
www.instagram.com/autarkhband
www.youtube.com/c/autarkh
www.autarkh.bandcamp.com

Dead Poet Society Share Double Single "Running in Circles" + "Hurt" — WATCH

Los Angeles quartet DEAD POET SOCIETY return with not one but two new tracks. Today, the band has shared the video for the new double single"Running in Circles" and "Hurt."

Watch the video
below

 "'Running in Circles' explores the paranoid voices inside our heads," the band shares. "It's about the struggle of being real with yourself — avoiding the 'fake.' Sometimes, it feels impossible to avoid. So it was written about not being true to yourself and the shame that follows."

As for "Hurt," the band explains, "There's not a lot in life that's more gut-wrenchingly frustrating than trying desperately for years to build a career and having little to show for it. From living on floors and friends' couches or out of your car, to working job after job just barely making ends meet to going on tour and coming back with less money than you had before. We wrote this song as a symbol of that nagging doubt and insecurity. The doubt that consumes you and that can be triggered by people or events in your life. But more often than not, again, it's the voice inside your head."
 

The new tracks are the first taste of music from the band since 2021. The band had released a deluxe edition of their critically acclaimed and head-turning debut album -!- (said as "The Exclamation Album."). The expanded version added six new tracks — a healthy selection of stripped down songs, live tracks, and a remix. Dead Poet Society accumulated over 72 million global streams, with nearly 32 million streams in the U.S. alone. The band also enjoyed two Top 15 singles at radio and key playlisting. They have also spent as much time as possible on the road — having toured with alt rock powerhouses Badflower, Biffy Clyro, Highly Suspect,and BRKN Love. The band has ultimately established itself as an intense live act not to be missed! 

Dead Poet Society will be touring with Nothing More this fall, as well as performing headline shows. All tour dates are below.

DEAD POET SOCIETY ON TOUR:
WITH NOTHING MORE + POST PROFIT:

9/8 — Nashville, TN — Marathon Music Works
9/9 — Little Rock, AR — The Hall
9/11 — Oklahoma City, OK — Diamond Ballroom
9/12 — Wichita, KS — The Cotillion Ballroom
9/14 — Dallas, TX — The Factory In Deep Ellum
9/15 — Houston, TX — House of Blues
9/16 — San Antonio, TX — Aztec Theatre
9/18 — Mobile, AL — Soul Kitchen Music Hall
9/19 — Huntsville, AL — Mars Music Hall
9/20 — Knoxville, TN — The Mill & Mine
9/22 — Fort Lauderdale, FL — Revolution Live
9/23 — Lake Buena Vista, FL — House of Blues
9/25 — Charlotte, NC — The Fillmore Charlotte
9/26 — Atlanta, GA — Hell at The Masquerade*
9/29 — Vienna, VA — Jammin Java*
9/30 — Lakewood, OH — Mahall's*
10/1 — Pittsburgh, PA — Stage AE*
10/3 — Chicago, IL — Subterranean*
10/4 — Lincoln, NE — 1867 Bar*
10/6 — Denver, CO — Globe Hall*
10/7 — Fort Collins, CO — The Coast*
10/9 — West Hollywood, CA — Troubadour*
*Headline Dates

PHOTO CREDIT: Chandler Moyer

DEAD POET SOCIETY ARE:

Jack Underkofler — Vocals/Guitar

Jack Collins — Guitar

Will Goodroad — Drums

Dylan Brenner — Bass 

ASINHELL unleash 'Desert Of Doom' single

For more than 20 years, vocalist/guitarist Michael Poulsen has been spearheading Danish rock and roll machine Volbeat, releasing eight full-lengths, selling millions of albums, and filling stadiums worldwide. Before fronting Volbeat, however, Poulsen formed death metal band Dominus, which recorded four fast, brutal albums in the mid '90s. When Poulsen was putting together songs for Volbeat's 2021 album, Servant Of The Mind, he wrote a bunch of death metal riffs and saved them on his phone. Then, when he was done with the Volbeat record, he reopened the rusty gates to Armageddon and started putting together songs for his new death metal band Asinhell, whose debut album Impii Hora (Latin for Ungodly Hour), is a tribute to Poulsen's favourite old-school groups.

Impii Hora will be released September 29th via Metal Blade. Pre-order it here.

Today, the band has shared new song "Desert Of Doom" and its official video. Watch it below.

"'Desert Of Doom' was inspired by Bolt Thrower, Death, Entombed, and Motörhead. Bang your head 'til it doesn't bang no more!," says Poulsen.

Poulsen has rekindled the death metal fire that fuelled his first band Dominus. He began jamming on riffs with long-time friend and neighbour, drummer Morten Toft Hansen (Raunchy). The two started playing in Morten's tiny garage: no mics, no P.A. — just a drum kit and a combo amp turned all the way up like they used when they were teenagers. Soon, the pair were completing a new song every time they got together. When it came time to add vocals, Poulsen turned to his good friend, who also happened to be one of his all-time favourite death metal growlers: Marc Grewe (Insidious Disease, ex-Morgoth).

"I had known Michael quite a long time and he always mentioned that we should do a death metal project one day, but I never took him too seriously because he was so busy with Volbeat," Grewe says. "Then he called for real and said, 'Yeah, I want to do it now. Are you up for it?' Immediately, I was like, 'Yes, of course!'"

With Asinhell fully formed, the three convened with Volbeat producer Jacob Hansen to produce, mix, and play bass on their debut album. When it was time to add lead guitar to the album, Michael looked no further than friend and The Arcane Order axeman Flemming C. Lund.

The album will be available in the following formats. Pre-order it here.

  • Jewel case CD

  • 180g Black Vinyl (Europe excl.)

  • Crimson Red Marbled Vinyl (Europe excl.)

  • White Vinyl (Europe excl., ltd. 1000)

  • Gold/Black Dust (EMP excl., ltd.300)

  • Clear w/ Red/White Splatter Vinyl (Europe Band store excl., ltd. 500)

  • Silver Vinyl (US excl.)

  • Silver w/ Red Splatter Vinyl (US. excl.)

  • Black & White Melt Vinyl (US excl.)

  • Red/Black Splatter Vinyl (US Band store excl., ltd. 500)

  • ASINHELL ARE:

     Michael Poulsen — Guitar

    Marc Grewe — Vocals

    Morten Toft Hansen — Drums 

    FIND ASINHELL ONLINE:

    https://asinhell.com/

GREEN LUNG RELEASE VIDEO FOR 'MAXINE (WITCH QUEEN)' THE SECOND SINGLE FROM 'THIS HEATHEN LAND'

Occult rock darlings GREEN LUNG have released a new video for 'Maxine (Witch Queen)', the second single from their hotly anticipated new record This Heathen Land, which will be released on November 3rd via Nuclear Blast Records.

Vocalist Tom Templar comments "We've celebrated British witchcraft in our lyrics since our first EP, and with this new single we wanted to celebrate the most iconic witch of the modern era - Maxine Sanders. The High Priestess at the heart of Alexandrian Witchcraft, Maxine is an unsung national treasure, and one of the first people to connect genuine witchcraft with rock 'n roll back in the early Seventies. 'Maxine (Witch Queen)' is a love song to Maxine from the perspective of a member of her coven, and melds pounding riffage with psyched-out combo organs and stacked, multi-layered vocal harmonies. We were honoured to have several members of Maxine's real life coven appear in the music video, and advise on the ritual elements. Ultimately, the song is intended as a celebration of Maxine Sanders, which we hope will introduce new initiates to her life’s work, and help her legend to live on."

Watch the video for 'Maxine (Witch Queen)' below.

Pre-order This Heathen Land on various formats now at: 
https://greenlung.bfan.link/thllp

This Heathen Land is the most complete manifestation of the band’s vision to date, fulfilling their long-held goal to, in the words of vocalist Tom Templar, “create the definitive soundtrack to the folk horror film in our heads.” On This Heathen Land, the band have forged a sound and identity that is entirely their own, while maintaining the Sabbathian heaviness and addictive songcraft which made their previous albums so beloved in the metal underground. From the cover art to the vinyl inserts and lyrical themes, This Heathen Land is a painstakingly-researched and executed heavy metal love letter to the folkloric landscape of the UK.

This Heathen Land was produced by Wayne Adams at Bear Bites Horse Studios and was mixed by Tom Dalgety (Opeth, Clutch, Ghost).

In case you missed it, check out the first single 'Mountain Throne' on all streaming platforms here: 
https://greenlung.bfan.link/mtsg

GREEN LUNG is
Tom Templar - Vocals
Scott Black - Guitar
Joseph Ghast - Bass
John Wright - Organ
Matt Wiseman - Drums

Introducing Hunter Oliveri! Singer Drops "Dumb" Video — WATCH

Hunter Oliveri doesn't profess to having it all figured out.
 
At just 17, the artist is still making sense of himself — who he is, what he stands for, where his life is going. He doesn't arrive as the next ready-made rock star action figure cast in plastic. There is an unquestionable realness about the way he makes sense of life through his music. But he exhibits a surety of mind beyond his years, to create music that connects and inspires, and that will stoke the growing fire of rock's recent renaissance. 
 
Spinefarm is pleased to announce that Hunter Oliveri has signed to the label's international roster. He has also shared the video for "
Dumb."
 
The clip instantly transports the viewer to a gloriously misspent youth, simply in search of the next feel good moment — be it the next blunt, the next swill of beer, or the next hang session with a friend or a crew. It also offers keen insight into Oliveri's sound and songwriting, not to mention his wild coif of curls!
 
Watch it below.

"Dumb" boasts a baggy, distorted riff weaving around an earworm melody and a singalong chorus that finds Oliveri chewing over how "I made a home in the chip on my shoulder / I know I could change / but I'd rather be dumb."
 
It's a fitting look into the heart of a young and hungry artist, who is looking to hold onto and suck the marrow out of his youth and the right here, right now.
 
"My mom wants me to get a job, two jobs, everything's expensive as fuck, I have friends making more on OnlyFans than college graduates/doctors, everything's dumb," Oliveri says. "So I tried to grab the feelings I have on the daily of: What is the point of doing what my parents want me to do when shit just feels dumb as fuck?”
 
He continues, "I bet a lot of kids could relate to having people tell you to go to college, find a steady career, have a family, and be a part of this fucked up system, when in reality, I just want to be a kid my entire life, chase girls, skate, smoke, hang with my friends, and make music. I hope the song connects with anyone who just wants to forget all their problems and live life without all the bullshit. Just rather be 'Dumb.'"

So what else do you need to know about Hunter Oliveri, whose previous single "Kids" was tipped by Pigeons + Planes? Plenty!
 
His songs channel the alternative and grunge blueprint of his musical heroes — like Chris Cornell and Soundgarden, Billy Corgan and the Smashing Pumpkins — imbued with the playful opaqueness of Kurt Cobain's lyricism and the easy slacker hooks of Weezer.
 
Like all of Oliveri's music, it speaks to the messiness of growing up. It sounds exactly like that, too. He simply writes what he knows.
 
There are songs about partying too hard and songs about loving too much; songs about last night's headrush highs and the morning-after's anxious comedown. There are songs for when you seek the comfort of relatability, and there are songs for when you want to simply say "fuck it all."
 
They are the product of the humble authenticity of someone who's grown up in a place no different to a million others the world over. Most have never heard of Paso Robles, CA, and might never again. There's sunshine, strip malls, and vineyards that outnumber venues ten to one, where the nearby underground music scene of San Luis Obispo a few miles down the road is more accessible than anything resembling the bright lights of L.A. two hours to the south or San Francisco up north. "It's a boring city, but we make the most of it," Oliveri shrugs. "We'll go skating, or hang out and smoke. And anyway, it's fun to go moshing in someone's basement."
 
It's no surprise, then, that Oliveri is used to creating more interesting scenes than those that existed outside his window. As a kid, he would do so in the stories he dreamt up in his bedroom. "I like writing stories about worlds I'd want to live in," he says, "which made my own world seem so much bigger."
 
Such creativity inevitably morphed into songwriting in his early teenage years — though music had long since embedded itself within him. "I was probably four years old when I first heard 'Smells Like Teen Spirit' around my parents’ house," he recalls of music's omnipresence in his life. "I never knew the name of the song but every time I heard it, I'd be like, shit, it's that song. It would give me this majestic feeling." He laughs that his mom holds a video recording of her son gamely plucking through a rendition of a Metallica song (it was the epic "One") at his Kindergarten graduation performance. His dad — an avid fan of Korn and Tool — meanwhile tells him that his parents met at Woodstock; not the peace-and-love of Woodstock '69, but, more aptly, the confusion-and-chaos of Woodstock '99.
 
A chance meeting at age 14 with a local producer's father while in a coffee shop with his grandpa was the first domino to fall in Oliveri's music story. The rest is a history still to be written. "I've been so incredibly lucky, but I've manifested this, too," he says. "I've always known writing music would be my life. I just had to make it happen. It was hard to find kids around my city that played instruments and wanted to be in a band, but I've been writing songs every day in my bedroom since I was maybe 13 years old. It takes me to a different place."
 
Those songs are anthems for those disassociated with the world on their doorstep, the soundtrack to growing up marooned inside a digital world that Oliveri speaks of with disdain as "rotting people’s brains."
 
"I want to bring people into my world through my music," he adds. "I want people to feel something when they listen to my music, and to relate to me, and for me to be a friend and an outlet for them."
 
And as for everything else?
 
Well, he'll figure it out as he goes.

TAPROOT RELEASE SINGLE “FAVOURITE SONG” FT. ELIAS SORIANO OF NONPOINT.

Michigan Hard Rock favorites TAPROOT have released their new single “Favourite Song”, the first official single from their upcoming album SC\SSRS, in stores 9/29. Featuring a guest appearance from NONPOINT vocalist Elias Soriano, the track hit digital outlets on September 1st, with a visualizer lyric video available below. Produced by guitarist/vocalist Stephen Richards at The Loft in Saline, MI, and mixed by Matt LaPlant (Nonpoint, Skindred), the album, fully written and recorded by Richards, will be the band’s first studio release since 2012’s The Episodes (Victory), available Sep 29th at retail and all digital outlets Worldwide via THC: Music/Seven Arts/Amplified Distribution.

“Favourite Song” goes to radio this week and has already started garnering attention from stations across the US, including spins on the nationally syndicated show HARD DRIVE with Lou Brutus. The track made its live debut on the WJJO stage at TASTE OF MADISON over the weekend, where Nonpoint vocalist Elias Soriano made a guest appearance on stage to perform the track live for the first time.

“Favourite Song” ft: Elias Soriano watch below.

SC\SSRS is available for pre-order now from taprootmerch.com.

TAPROOT will play BLUE RIDGE ROCK FESTIVAL in Alton, VA this weekend, followed by a series of sold out album release shows at the Machine Shop in Flint, MI, and an “Album Release Tour” with dates through the end of 2023 featuring special guests September Mourning, Eva Under Fire, Smile Empty Soul, Dead By Wednesday, I Set My Friends on Fire, and Heartsick on select dates. The upcoming shows will also showcase the return of original drummer Jarrod Montague, who rejoined the band earlier this year.

Tour Dates:

Sat 9/9 - Blue Ridge Rock Festival | Alton, VA

Fri 9/29 - The Machine Shop | Flint, MI - SOLD OUT w/ Heartsick | Lift the Medium

Sat 9/30 - The Machine Shop | Flint, MI - SOLD OUT w/ Eva Under Fire | See This Through | Never the Crash

Sun 10/1 - The Machine Shop | Flint, MI - SOLD OUT with Eva Under Fire | Heartsick

Fri 10/6 - Route 20 | Racine, WI - w/ Smile Empty Soul | Heartsick | Finding Ghosts
https://www.ticketweb.com/event/taproot-route-20-tickets/13144878?fbclid=IwAR1A9XiYXGJcYJzQ1XKPL1V0EaMhq1e7uv0QhzRY-QOqYgp0XEfiSwC3x6I

Sat 10/7 - The Forge | Joliet, IL- w/ Smile Empty Soul | Heartsick
https://www.ticketweb.com/event/taproot-the-forge-tickets/13047315

Fri 10/13 - EPIC Event Center | Green Bay, WI- w/ September Mourning | Heartsick
https://www.etix.com/ticket/p/7467383/taproot-green-bay-epic-event-center

Sat 10/14 - The Blue Note | Harrison, OH- w/ September Mourning | Lift the Medium, Xero Hour
https://www.cincyticket.com/eventperformances.asp?evt=6170

Fri 10/20 - The KING of CLUBS | Columbus, OH-w/ September Mourning | XFACTOR1 | Artifax
https://wl.seetickets.us/event/Taproot/538999?afflky=TheKingofClubs

Sat 10/21 - The Winchester Music Tavern | Lakewood, OH- w/ September Mourning | Brothers At Arms
https://bit.ly/TAPROOT_216

Thu 11/2 - The Vault - New Bedford, MA w/ Dead By Wednesday
https://www.ticketweb.com/event/taproot-vault-music-hall-and-pub-tickets/13292728

Fri 11/3 - Wally's | Hampton Beach, NH w/ Eva Under Fire/ Dead by Wednesday
https://www.ticketmaster.com/event/01005E7B0FDABC20

Sat 11/4 - The Gramercy Theatre | NYC, NY- w/ Eva Under Fire / Dead by Wednesday
https://www.ticketmaster.com/event/00005E7BE2474039

Fri 11/17 – Elevation | Grand Rapids, MI
https://www.etix.com/ticket/p/7187497/taproot-grand-rapids-the-intersection-elevation

Sat 11/18 - The Eclectic Room | Angola, IN
https://www.ticketweb.com/event/taproot-album-release-tour-the-eclectic-room-tickets/13087705

Fri 12/8 – Masonic Theatre – Steubenville, OH w/Theriaca
https://www.eventbrite.com/e/taproot-wtheriaca-tickets-700180768527?

Sat 12/9 - 101 WRIF - FM Detroit Presents: District 142 - Wynadotte, MI w/ I Set My Friends On Fire
https://www.ticketweb.com/event/taproot-vs-i-set-my-district-142-tickets/13348388?pl=District142

Limited VIP Experience Upgrades for all shows available at taprootmerch.com| taprootvip.com

TAPROOT also recently released Best of Besides, a 17-track collection of remastered demos and rarities, mastered by Richard Easterling (Tantric, Zen From Mars) that hit stores and digital May 5th.

Taproot formed in 1997 in Ann Arbor, Michigan, and went on to sign to Atlantic Records, releasing their Ulrich Wild (Static-X, Pantera, Mindless Self Indulgence) produced debut album GIFT in 2000, followed by extensive touring including appearances on Ozzfest 2000 and 2001, and tours with Deftones, Incubus, Papa Roach, Slipknot, Mudvayne, Disturbed, and Linkin Park.

The band's sophomore release Welcome, their first pairing with legendary producer Toby Wright (Alice in Chains, Metallica, Korn, Primus) which Rolling Stonecalled, “a self-preserving transition from new metal to art metal”, went on to sell over 500,000 copies and spawn the hit Rock singles “Poem”, which peaked at #5 on the Mainstream Rock charts, and “Mine”, helping propel Welcome to over 50 million digital streams. The band would continue heavy touring with Alien Ant Farm, Chevelle, joining Disturbed on the Music As A Weapon Tour, and Linkin Park. Vocalist Stephen Richards would also appear on the track “P5hng Me A*wy” on Linkin Park’s 2002 remix album REANIMATION.

2005 saw the release of Blue-Sky Research, also helmed by Wright, the band’s final release for Atlantic, which spawned the hit radio single “Calling”, co-written with FARvocalist Jonah Matranga, and saw the band collaborate with Billy Corgan (Smashing Pumpkins), Nick Hexum (311), and Stephen Carpenter (Deftones), with heavy touring again, with the likes of Chevelle, Staind, P.O.D., and Flyleaf.

Taproot released several more full-length studio albums, including 2008’s Our Long Road Home (Velvet Hammer), 2010’s Plead The Fifth (Victory),with the single “Fractured (Everything I Said was True” reaching the top 20 on the Active Rock Chart, and 2012’s The Episodes, while continuing to tour consistently through 2013, when the band went on an indefinite hiatus, returning only to play a sporadic handful of local Michigan shows, before reforming officially this year.

For More Information Please Visit:

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Officialtaproot.com

Taprootmerch.com

CARNATION Reveal the Rot on new single 'Metropolis'

Like so many of the best death metal bands, Carnation aren't shy about delivering capital punishment. "You will die in the darkness / Forfeit your life to progress", growls Simon Duson on "Metropolis", reaching all the way into the pit of his stomach.

"Metropolis" is punishing. The latest single off 'Cursed Mortality" will bludgeon your eardrums with grinding riffs and a blast beat that barrels full steam ahead, like a train with its brakes cut. But it also comes with a personal touch.

While the song gets its name from Fritz Lang's 1927 sci-fi classic, Duson is painfully familiar with the relentless pace of modern life, having had all the life sucked out of him by a previous job. 

"'Metropolis' reveals the corruption and filth concealed beneath the glitter and glamour of our world, echoing the dark undertones of our civilization's relentless advancement", says Carnation. "This song is a haunting reminder that often, what lies beneath the surface is far more enigmatic than meets the eye".

Watch the high-speed visualizer for "Metropolis"
Below

'Cursed Mortality' comes out on November 3. Pre-order the album
HERE. Pre-save it HERE

Faithful fans will undoubtedly find what they have come to love and expect of Carnation  on ‘Cursed Mortality’. However, they can also expect the unexpected, as the band venture further into previously unknown territories.

The artwork for 'Cursed Mortality' was masterfully crafted by the late Mariusz Lewandowski (†), who is renowned for his remarkable talent in creating majestic. dark. surrealist. masterpieces. Lewandowski's haunting visuals perfectly capture the essence of the album.

Carnation also collaborated with the revered Lord of the Logos, Christophe Szpajdel, who created a brand new logo that perfectly encapsulates the essence of ‘Cursed Mortality'. Known for his iconic designs and ability to bring forth the spirit of the music through typography, Szpajdel's contribution further solidifies the album's visual identity.

The second decade of Carnation begins now. Prepare for an intense journey concerning the exploration of fleeting mortality.

Photo by Gaëlle Spaas

For the last decade, CARNATION has been at the forefront of reviving old school death metal. There’s something to be said about the artfulness of taking something so primitive and walking that fine line between keeping its classic authenticity without sounding tired or dated. CARNATION has always teetered this line, injecting a fresh and contemporary approach without losing the genre’s time-honored traditions. However, the band’s third endeavor sees CARNATION erasing those boundaries entirely and abandoning any and all conventions as they traverse into daring new territory. ‘Cursed Mortality’ pulls the Belgian death dealers deeper into experimental new waters, taking risks as the band steps out of the shadows of its predecessors and comes into its own identity. 'Cursed Mortality's' statement is clear: This is no longer simply a revival; this is CARNATION’s rebirth.

“We still play death metal and we still identify as such” explains frontman Simon Duson. “But we know that this is also our second decade performing it. And while it is very important for us to stay true to the old-school style, we know we had to open things up a bit and reach out to those who might be interested in extreme metal, but aren’t that much into the old aspect of it. It also feels fresher to us because we’ve decided to change our visual approach, with a new logo, a new look on stage and so on. In a way, it really feels like the beginning of a new chapter for CARNATION.”

Album number three is much more than just a new chapter, but rather feels like a sequel to an already storied career, punctuated by press accolades, an impressive history of live performances, and a lauded discography consisting of several EPs, splits, and two critically acclaimed full-length albums.

With the debut of its first EP in 2015, CARNATION quickly garnered the attention of fans, media, and most notably of all, record label Season of Mist, who quickly noticed the band’s potential and picked them up without hesitation. Upon forming this union, the band dropped its first full-length, ‘Chapel of Abhorrance,’ in 2018. Angry Metal Guy astutely noted that the Belgians’ debut album was “one of the best death metal debuts of the year, and CARNATION have earned their place as one of the most promising new bands in the genre'' while Distorted Sound Magazine echoed these remarks, calling ‘Chapel of Abborhance’ “one of most brutalizing, well executed and, above all, fun, death metal releases of 2018'' in its 9/10 review of the album.

CARNATION’s momentum only seemed to pick up from there. The band kept busy on the road, performing a variety of tours with their death metal brethren in Deserted Fear, Schirenc Plays, Pungent Stench, and Pestilence, while headlining stages in Japan and Brazil. Upon conquering the live circuit and laying waste to audiences across three different continents, the band unleashed its 2020 opus, ‘Where Death Lies,’ which broke them out from the underground with the kind of seismic force that most bands can only dream of. If the critics liked ‘Chapel of Abhorrance,’ ‘Where Death Lies’ was the moment they fell in love, enamored by Carnation’s relentless brutality and crushing precision.

While touring had been halted that year, CARNATION never stagnated nor waivered. The band’s tenacity paid off with their sophomore effort being named among one of the best records of the year by The Pit, Chicago Music Guide, Pandemonium Metal, and many more, while the single “Iron Discipline'' was singled out by Loudwire as one of the best songs of 2020. Legacy outlet Kerrang! also took notice, ranking the band among the “50 Greatest Death Metal Bands Right Now,” cracking the top 20 picks.

While the Belgian slayers still stay true to their roots, they step outside of their comfort zone with more groove, melody, and progression, showcasing their versatility as musicians and clearly defining their own unique sound. ‘Cursed Mortality’ sounds darker, with passages of melancholic melodies that compliment the heaviness.

Most bands might feel anxious about making such dramatic changes, especially to incorporate clean vocals within such extreme music, CARNATION embraces the unknown and does not fall victim to fear or monotony. “As artists, it's something natural,” explains Verstrepen about why the band has shifted direction. “Doing the same thing over and over again doesn't inspire us. We love to create and we love to explore new paths. We knew some people wouldn't like clean vocals in death metal, but we don't want to think of that too much. We stand 100% behind our music and we really like what we did here. Some people will drop out, but there will definitely be others joining! As Lemmy would say, 'You win some, you lose some.'”

Indeed, a personal metamorphosis is always a risk, but one that historically has paid off. The first records of bands like Black Sabbath, Carcass, Death, or even Bathory sound nothing like the mid-late era offerings of those very same artists, and yet, those records that strayed off the beaten path are regarded as some of the most seminal albums in the history of metal. Playing it safe sounds easy, but it isn’t always a part of a legend’s origin story. And CARNATION isn’t here to play by the rules; the band is ready to take a leap of faith and redefine an era.

CARNATION Lineup:
Simon Duson: Vocals
Jonathan Verstrepen: Lead Guitar
Bert Vervoort: Rhythm Guitar
Yarne Heylen: Bass Guitar
Vincent Verstrepen: Drums


Recording studio: Project Zero Studio

Producer / Mixing engineer: Yarne Heylen

Mastering studio and engineer: Joel Wanasek

Biography: Katy Irizarry

Artwork: Mariusz Lewandowski

Logo: Christophe Szpajdel

Links:
https://www.carnationband.com/         
https://www.facebook.com/CarnationBE/          
https://www.instagram.com/carnationbandofficial/
https://www.youtube.com/c/CarnationOfficialBE
https://open.spotify.com/artist/7s6SmrbyQvp26jN5EbnU9u

Pre-save
: https://orcd.co/cursedmortalitypresave
Pre-order: https://redirect.season-of-mist.com/CarnationCM

Available Formats
:
CD digipak
Digital
12” vinyl in various colours
Merchandise

NYC Industrial Metal Outfit, BLACK SATELLITE, Announce US Tour Dates Supporting Cradle of Filth + DevilDriver, and Wednesday 13

New York industrial metal outfit BLACK SATELLITE are thrilled to share the stage with extreme metal legends CRADLE OF FILTH and groove metal leaders DEVILDRIVER on the second leg of the “Double Trouble Live” tour!

The follow up to the duo’s co-headlining run earlier this Spring, Double Trouble Live IIwill feature support from BLACK SATELLITE, along with Ill Nino and Savage Existence. The trek kicks off in Los Angeles, CA on October 4 and will conclude on October 29 in Riverside, CA.

Commenting on the upcoming tour, BLACK SATELLITE vocalist Larissa Vale says,

“We are beyond thrilled to hit the road on the Double Trouble tour with such legends. We’ll be playing our heaviest set yet and can’t wait to share it with everyone soon!”

Following the dates with Cradle of Filth and DevilDriver, BLACK SATELLITE will hop on the Fall tour for Wednesday 13, during which they will celebrate 21 years of Murderdolls! Rounding out the bill is support from Gemini Syndrome and Infected Rain.

On these upcoming shows, BLACK SATELLITE adds, “If you know us, you know we can’t stay off the road. We are super excited to be joining Wednesday 13 this fall, playing our favorite cities with such a killer lineup!”

Watch the Music Video for "Broken"

BLACK SATELLITE

Fall 2023 - US Tour Dates

 w/ Cradle of Filth, DevilDriver, and Ill Nino

10/4 - Los Angeles, CA @ The Belasco

10/5 - Tucson, AZ @ Encore

10/7 - San Antonio, TX @ Boeing Center at Tech Port

10/8 - Oklahoma City, OK @ The Criterion

10/10 - Fayetteville, AR @ JJ's Live

10/12 - Destin, FL @ Club LA

10/13 - Fort Myers, FL @ The Ranch

10/14 - Fort Lauderdale, FL @ The Culture Room

10/15 - Atlanta, GA @ Center Stage

10/17 - Charlotte, NC @ The Underground - Charlotte

10/18 - Asheville, NC @ Salvage Station

10/20 - Harrisburg, PA @ HMAC

10/21 - New York, NY @ Palladium Times Square

10/22 - Baltimore, MD @ Rams Head Live!

10/24 - Cincinnati, OH @ Bogarts

10/25 - Sauget, IL @ Pop's

10/26 - Wichita, KS @ Temple Live

10/27 - Lubbock, TX @ The Garden

10/29 - Riverside, CA @ Riverside Municipal Auditorium

w/ Wednesday 13, Gemini Syndrome, and Infected Rain

10/31 - Phoenix, AZ @ The Nile Theater

11/01 - Albuquerque, NM @ Launch Pad

11/03 - Dallas, TX @ Sundown at Granada

11/04 - Houston, TX @ Warehoue Live

11/05 - Austin, TX @ Come & Take It Live

11/07 - Lawrence, KS @ The Bottleneck

11/9 - Minneapolis, MN @ Skyway Theatre

11/10 - Madison, WI @ The Annex

11/11 - Joliet, IL @ The Forge

11/12 - Bloomington, IL @ Castle Theater

11/14 - Racine, WI @ Route 20 Outhouse

11/15 - Flint, MI @ Machine Shop

11/16 - Cleveland, OH @ The Foundry

11/17 - Pittsburgh, PA @ Crafthouse

11/18 - Lititz, PA @ Mickey's Black Box

11/19 - Clifton, NJ @ Dingbatz

11/22 - Spartanburg, SC @ Ground Zero

11/24 - Winston-Salem, NC @ Millenium

11/25 - Richmond, VA @ The Canal Club

11/26 - Leesburg, VA @ Tally Ho Theater

11/28 - Atlanta, GA @ Masquerade

11/30 - Knoxville, TN @ The Concourse

12/1 - Louisville, KY @ Headliners Music Hall

12/2 - Columbus, OH @ The Kings Of Clubs

12/3 - Indianapolis, IN @ Hi Fi Annex

12/5 - Des Moines, IA @ Lefty's Live Music

12/6 - Lincoln, NE @ Bourbon Theater

12/8 - Denver, CO @ The Oriental Theater

12/9 - Colorado Springs, CO @ Black Sheep

BIO:

NYC’s BLACK SATELLITE, comprised of Larissa Vale and Kyle Hawken, is creating waves in the rock scene with a sound that’s dark, edgy, and distinctly their own. Fusing industrial and metal influences, their music transcends conventional boundaries – solidifying their place in the genre. The band continues to break new ground through ceaseless hard work and nonstop touring, showcasing their dedication both on and off stage.

Shortly after launching their first single “Valkyrie” from their 2017 debut album ‘Endless’, BLACK SATELLITE garnered attention from press outlets like Billboard, Huffington Post, Revolver, Loudwire, Knotfest, and Alternative Press. The band was also named one of Alternative Press’ “12 Bands You Need to Know” in a print issue of the magazine.

BLACK SATELLITE subsequently released two cover songs paying tribute to Type O Negative, which charted on metal radio.

The band recently concluded writing and recording their sophomore record, ‘Aftermath’, mixed by veteran producer Ben Grosse (Marilyn Manson, Breaking Benjamin, Filter) with tracks produced by Kane Churko (Papa Roach, In This Moment). Their previous single, “Void”, was the first taste of the upcoming album and Knotfest commented on the track, “the first single offers a glimpse into the bold, stylishly dark sound that has made the duo of Larissa Vale and Kyle Hawken such a promising prospect.”

BLACK SATELLITE has since completed back-to-back tours as direct support for John 5, Fozzy, and Nita Strauss, with additional appearances at Metal In The Mountains Festand Blue Ridge Rock Fest. BLACK SATELLITE also toured supporting Cold and Sumo Cyco in Spring 2022, as well as Drowning Pool in Fall of 2022. The band joined the Double Trouble Live Tour with co-headliners Cradle of Filth + DevilDriver as direct support in March 2023. They will be continuing with the second leg of the tour in October 2023 directly followed by a massive Fall tour with Wednesday 13.

Satellite Citi Release New Video For "Anxious Hearts"

The Los Angeles-based hard rock duo, Satellite Citi, have today released their latest video to accompany their recent single, "Anxious Hearts". Fans can listen to the track HERE, and watch the brand new video below.

Speaking on today's single release, Anna Gevorkian (vocals/drums) shares:

"We had the honor of co-writing “Anxious Hearts” with some really incredible musicians, Taylor Carroll (Lit) and Arejay Hale (Halestorm). The concept of overcoming anxiety is really a universal one and lyrically we were able to come up with a message that we felt could resonate with so many different types of people. In a world where everyone is so divisive it feels necessary to write a song that cuts through all that."

Sharing insight as the director of the "Anxious Hearts" video, Rosie Geozalian continues:

"We wanted to imagine what the future of entertainment and filmmaking might be like. You already have the algorithm personalizing your feed. You have AR + VR experiences becoming more and more immersive. We imagined a future “cerebral reality” experience that would be tailored to each person’s fears and anxieties. You go to the theatre and the cerebral reality glasses allow you to watch your own fears as a film — imagine exposure therapy as entertainment."

With over 1.5 million streams on Spotify alone, it's no surprise that Satellite Citi have returned with another successful single. "Anxious Hearts" was not only co-written by Lit's Taylor Carroll and Halestorm's Arejay Hale, but also produced by Mike Plotnikoff (My Chemical Romance, Three Days Grace, Papa Roach). The band has more exciting news on the horizon, revolving around new music and even a comic book that will accompany their next body of work. Be sure to stay tuned for more Satellite Citi news coming soon.

WHAT THE PRESS ARE SAYING:

"Satellite Citi’s signature sound of ferocious melodies, energetic drums and clashing guitars, creates the perfect anthem for those determined to fight their demons.”

Huffington Post

"Satellite Citi resurrect the rock genre with a fresh and modern delivery."

New Noise Magazine

Southern California fans also have the chance to see Satellite Citi twice this fall! Fans can purchase tickets for the September 29th show in Palmdale HERE, and HERE for the band's show on October 27th.

Don't miss your chance to see the band live!

ABOUT SATELLITE CITI

Satellite Citi are a Los Angeles based Hard Rock band with front-woman Anna Gevorkian serving as both lead vocalist and drummer. While combining infectiously catchy vocals with thunderous drums, guitarist and backing vocalist, Shaunt Sulahian, provides powerful and distinctive guitar riffs that resurrect the hard rock genre with its originality. The band are joined by anonymous Spacewalkers on guitar, bass and keys for their live show. The distinct sound that Satellite Citi crafts with their unique blend of riff-filled modern rock and melody driven vocals is just as important as their message. The band combines social commentary with a deep appreciation for history and ancestry on their debut album "Fear Tactics". The record thematically also centers around the importance of mental health and represents the band’s own struggles of coping with fear and anxiety, that are even more permeated in today’s culture.

Satellite Citi

Anna Gevorkian - Vocals & Drums

Shaunt Sulahian - Guitar

Photo Credit - Michelle Shiers

Contemporary Alternative Rock Band, A Doll's House Release Debut Single "HEY WAIT" to all major platforms!

Contemporary alternative rock band A Doll's House will release their debut single on September 8th to all major platforms. The single is already being picked up at radio stations across the country.

"Hey, Wait", the first single from A Doll’s House debut album, Annum, is emblematic of the band’s “chill rock” sound. Produced by Brian Wheat, a contagious groove and honed harmonies tell of a woman who now “lives a life uphill” remembering when “there used to be somewhere to run.”

Annum is the debut album from A Doll’s House. Produced by Brian Wheat (co-founder of the American rock band Tesla), the album is perhaps best described as “chill rock.” Contagious grooves and melodies coupled with true musicianship and honed harmonies, Annum is a refreshing contemporary rock album with pop appeal. The title Annum (Latin for “year”) derives from the last four tracks of the album, which loosely chart the course of a year through the seasons, "Steps to Summer", "Witch’s Tree", 'Chimney', and "Wisteria'.

New music can come from anywhere...even four middle-aged guys. Meet A Doll’s House. A band that is old but new. In the late 80’s, Dav and Seth, two friends in L.A.,started writing songs together. They found Tony --the drummer--and A Doll’s House was born. For a few years, the band played all the L.A. clubs, The Whiskey, The Roxy, The Troubadour, etc. They built a bit of a following and they did well. But not well enough. Life took over and the party ended. They were barely 22 years old. Thirty years later, those same three guys were now in their 50s with established careers as a lawyer, a veterinarian and a TV producer. Married, kids, mortgages --the whole deal. Bucking the odds and embracing the well-worn adage “better late than never,” they got back to making music together. The gods smiled and they were met with two strokes of good luck. First, an L.A. vocalist, Dave Santos, found the original three guys and the four clicked virtually overnight. With a serious lead singer in place, the second bit of good fortune struck. Brian Wheat,a seasoned rocker and record producer, stumbled on A Doll’s House. Brian is perhaps best known as the bass player and co-founder of Tesla –a true American rock band that has charted multiple Top 40 hits, sold millions of albums world-wide and is still going strong. A Doll’s Housewanted to record a self-financed album at Brian’s J Street Studios. Brian heard the songs and decided to take charge of producing the album himself in every sense of the word, from arranging to recording, to mixing and mastering. The result is A Doll’s House first album: Annum. A ten-track album, literally thirty years in the making....Welcome to A Doll’s House world.

Pre-Save "Hey Wait"

https://lnk.to/adollshouse_heywaitsingle

For More Information Please Visit:

Official Website

Facebook

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GRAVEYARD - Release new single 'Breathe In, Breathe Out'

Swedish blues rock institution GRAVEYARD have released a new single titled 'Breathe In, Breathe Out', the second single from their upcoming album 6, that's set to be released on September 29th via Nuclear Blast Records.

The band comments “Our 2nd single from the upcoming album 6 is rolling in like a fresh breeze from the west coast for all of you to enjoy. We are happy and thrilled about it, hope you will feel the same”

Watch the video for 'Breathe In, Breathe Out'  below.

Pre-order the album and stream 'Breathe In, Breathe Out' now at: 
https://graveyard.bfan.link/breathe-in-breathe-out.ema

The album was recorded at Silence Studios and Don Pierre Studios and was produced by Don Ahlsterberg, who previously worked with the band on Graveyard (2007), Hisingen Blues (2011) and Lights Out (2012).

6 is easily identifiable as the most striking, original album of GRAVEYARD’s story so far. A gently lysergic blend of desolate guitars, simmering Hammond and lithe, nimble bass and drums, the Swedes demonstrate a lightness of touch that they have only hinted at in the past.

About GRAVEYARD

As enduring and authentic as an old school leather jacket, GRAVEYARD have long since mastered the art of rock’n’roll. Formed in 2006 in Gothenburg, Sweden, their shared passion for hard rock, psychedelia and the eternal bedrock of blues marked them out from the start. Led by vocalist/guitarist Joakim Nilsson, they opened their account with their now seminal self-titled Tee Pee Recordings debut in 2007, showcasing fiery chemistry and some wildly imaginative songwriting. Subsequently snapped up by the mighty Nuclear Blast Records, the band’s rise to prominence was swift and irresistible.
 
In 2008, guitarist Jonatan Ramm expanded the ranks, joining Nilsson, bassist Rikard Edlund and drummer Axel Sjöberg for the recording of second album Hisingen Blues. A critical smash that more than lived up to the hype, it established GRAVEYARD as rock’n’roll heavyweights. A thunderous, soul-stirring live band, with subtlety and swagger in equal amounts, they spent the next decade keeping fans of loose-limbed and earthy rock music in a near-constant state of rapture. From the rootsy clatter of 2012’s Lights Out to the magical, muscular grooves of 2018’s Peace (taking in the sepia-tinted folk doom of 2015’s Innocence & Decadence along the way), GRAVEYARD have made some of the most vital and vivid heavy rock of the 21st century.

GRAVEYARD is
Joakim Nilsson - vocals, guitar
Jonatan Ramm - vocals, guitar
Truls Mörck - vocals, bass
Oskar Bergenheim - drums

Trevor Rabin launches ‘Push’; second track taken from ‘Rio’, his first new solo vocal album in 34 years

Trevor Rabin, the South African guitarist, singer, multi-musician, writer and producer, recently announced ‘Rio’, his first solo album of vocal material in 34 years, set for release on October 6th, 2023 worldwide.

Today he is pleased to reveal the second single taken from the album, and you can now watch the video for ‘Push’ below.

Trevor comments: “For this song I was thinking of the horror of politics and politicians. Once Vinnie Calaiuta played drums on this, it inspired me to redo some of  the instrumentation. Vinnie‘s performance lifted this song beyond what I  imagined. I utilized the strings at the end of the track to start the ARW live shows.”

‘Rio’ will be available as a Ltd CD+Blu-ray Mediabook & Ltd Deluxe Gatefold Red 180g 2LP + Blu-ray (including 8-page LP-booklet and obi strip), both featuring bonus material, 5.1 surround sound & liner notes. Also available as Standard CD Jewelcase, Gatefold 180g 2LP+LP-booklet (with etching on side D), and as Digital Album.  The cover for the album was created by Trevor himself: “I dabble with digital art so I sent some images of mine to the label and was pleasantly surprised when they liked them.”.

Pre-order and stream the new single here:
https://trevorrabin.lnk.to/Rio

The Ltd CD+Blu-ray Mediabook & Ltd Deluxe Gatefold Red 180g 2LP + Blu-ray also features the following bonus tracks:
Spek & Polly
Fragile (Demo)
Georgia

Given that his previous vocal-led solo album, ‘Can’t Look Away’, was released in 1989 (2012’s ‘Jacaranda’ was all-instrumental), Rabin has kept us waiting for more than three decades for a follow-up. Trevor admits that there was pressure from all sides, including his own family, to have speeded up the process. However, the delay is excusable. Since leaving Yes following the ‘Talk’ album in 1994 and largely as a prequel to touring as part of ARW in 2016, the guitarist entered the time-consuming world of movie soundtracks. Not just any old movies, either. Trevor’s name appears as composer for such blockbusters as Con Air, Armageddon, Remember the Titans, Enemy Of The State, Deep Blue Sea, Glory Road, and Gone In 60 Seconds and both National Treasure movies, amongst many others. “Over the past ten years I was having ideas, concepts that I couldn’t implement due to my busy schedule,” he explains, adding: “To be honest, those years flew by in a flurry. I knew that this was the time, and once I found my momentum I worked on the album 24/7.”  The process proved a labour of love and as with his first and second solo records, ‘Trevor Rabin’ and ‘Face To Face’ (from 1977 and ’79 respectively), Rabin handled just about all of the instruments himself.

Stylistically, ‘Rio’– is tough to categorize. Besides guitar-driven rock-meets-pop, ‘Goodbye’ is Country & Western with an edgy drive, while ‘Tumbleweed’ begins in a burst of harmonies. No wonder its working title was ‘The Demographic Nightmare’.

“I wanted to get into many different areas,” Rabin states. “Of course there are ‘prog things’, but overall there are a lot of styles going on.”
As mentioned, Trevor plays the majority of the instruments on the record. However, on drums for a number of tracks is Lou Molino, while Trevor also contributes some drums and percussion. Vinnie Calaiuta provides drums on ‘Push’, and Rabin’s son Ryan Rabin helped out with some of the most important percussive arrangements. Along the way Trevor also drafted in a couple of friends, Dante Marchi and Liz Constantine, to sing back up on two songs.

TREVOR RABIN Online:
www.instagram.com/trevorrabin.official 
www.facebook.com/TrevorRabinMusic 
https://twitter.com/trevorrabin


INSIDEOUTMUSIC Online:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
 
www.facebook.com/InsideOutMusic
www.twitter.com/insideouteu 

1 1/2 years into the war, Jah Wobble and The Ukrainians' ‘Ukrainian National Anthem in Dub’ (feat. Jon Klein) grooves in relevance

Music icon Jah Wobble and legendary British folk-punk outfit The Ukrainians have released the 'Ukrainian National Anthem In Dub', a truly unique and inspired version of the war-torn country's hymn, flavoured with Wobble's trademark dub sound. This project grew out of the desire to raise funds, as well as support and awareness for refugees fleeing the continuing conflict in Ukraine.

Produced, recorded, arranged and mixed by original Public Image Ltd. bassist Jah Wobble and former Siouxsie and The Banshees’ guitarist
Jon Klein, the idea for the song emerged when Wobble’s bass tech suggested he do a collaboration with The Ukrainians, long-time purveyors of traditional Ukrainian music, heavily influenced by western post-punk.

The Ukrainians formed in 1990 following the success of the Wedding Present's 1989 Ukrainian John Peel Sessions (Ukrayinski Vystupy v Johna Peela), in which 3 of its members (Peter Solowka, Len Liggins and Roman Remeynes) took part. The first Western band to produce a video entirely in Eastern Europe in 1991, they've since released five studio albums, in addition to various live albums and EPs,

The band's current line-up is Len Liggins (lead vocal / violin), Peter Solowka(acoustic guitar / backing vocal), Paul Weatherhead (backing vocal / mandolin) and Stephen Tymruk (accordion).
 
Sales proceeds from the
‘Ukrainian National Anthem In Dub’ will be donated to two key charities that are aiding Ukrainian refugees forced to flee their homes. Namely, funds will go towards the Disasters Emergency Committee (DEC) Ukraine Humanitarian Appeal and the Association of Ukrainians in Great Britain (AUGB) Help Ukraine Emergency Appeal.
Order the single
https://ffm.to/jahwobbleukrainians
Bandcamp
https://jahwobbletheukrainians.bandcamp.com

Jah Wobble explains, “I was introduced to Len from the Ukrainians by Mark my bass tech. I was very keen to help in any way that I could.  So I enlisted the help of Jon Klein and Anthony Hopkins, who I run ‘Tuned in’ with. It’s a community music project based in the London Borough of Merton. We have built a recording studio there. Indeed, at the moment, Anthony is involved in the process of the settlement of Ukrainian refugees coming in to the borough. It was a lot of fun putting the track together. And well done to Len and the rest of the band for initiating this."
 
"We'd like to say a big thank you to Jah Wobble and Jon Klein for creating this fabulous track with us in order to raise much needed funds for Ukrainian refugees. Monies collected will buy provisions, medical aid and clothing for traumatised individuals and families whose situation is desperate beyond our understanding here in western Europe," says The Ukrainians' Len Liggins.

"It's important for us all to keep in mind too, that as reports of the invasion's progress slip down the priority list on the national news, a great deal of support will still be needed by these refugees on an ongoing basis. Please don't forget them just because you see less of them on your screens. Please continue to support them. The mass murders, cruel rapes and wanton destruction of Ukraine will continue while the TV cameras are pointing somewhere else."

‘Ukrainian National Anthem in Dub’ is available directly from the artists via
Bandcamp (the quickest way to ensure timely support to Ukraine) and can also be found on other platforms at https://ffm.to/jahwobbleukrainians.

LYRICS     
Ukraine's glory has not perished, nor her freedom gone  
Our strong people, once again, fate will smile upon  
All our enemies will soon disappear like dew in the sun  
Then, once more will we be free, in the land we call our own
Body and soul we will lay down for our freedom
And the world will know that we are people of the Kozak nation

CREDITS
Produced by Jah Wobble and Jon Klein
Mixed and arranged by Jon Klein
Jah Wobble - bass
Jon Klein - guitar, keys and programming
‘The Legendary’ Len Liggins - lead vocal, backing vocal, violin
Peter Solowka - acoustic guitar, backing vocal
Paul Weatherhead - backing vocal, mandolin
Stephen ‘Mr Steff’ Tymruk - accordion
Jah Wobble cover photo by Paul Cliff
Video by Jon Klein and Rebecca Walkley; editing by Jon Klein

Keep up Jah Wobble
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Keep up with The Ukrainians
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Darius Rucker Reveals "Fires Don't Start Themselves" Video with CMT Premiere, Following TODAY Citi Concert Series & ESPN College GameDay Appearances

Three-time GRAMMY Award-winning superstar Darius Rucker unveiled the official music video for his current single, “Fires Don’t Start Themselves,” with an exclusive CMT world premiere this morning across all platforms, including CMT, CMT Music, the CMT Equal Play channel on Pluto TV, CMT.com and Paramount billboards in Times Square. The cinematic video casts Rucker as a detective hot on the trail of a young couple whose passionate love is setting their town ablaze, both literally and figuratively. Watch HERE.
 
The song, praised by Billboard for Rucker’s “effective use of the impressive vocal control and power in his lower register,” is featured on his highly anticipated new album, 
Carolyn's Boy, set for Oct. 6 release and named for his late mother as an “homage to the greatest woman I’ve ever known.” Preorder HERE.
 
“It’s been six years… We had so much to write about, so I took my time, got with some great guys, got some great songs and I’m really excited for people to hear it,” Rucker shared from the “TODAY” Citi Concert Series stage on Friday, Sept. 1 as he offered a preview of the project with rousing performances of “Fires Don’t Start Themselves,” No. 1 hit “Beers And Sunshine” and recent release “Have A Good Time,” in addition to treating viewers to his Diamond-certified fan-favorite “Wagon Wheel,” one of the top five best-selling Country songs of all time.
 
From there, Rucker also made a stop in Charlotte over the weekend to cheer on his beloved USC Gamecocks as the guest picker on ESPN’s College GameDay, debuting his starring role on the show’s new theme song for the season, before performing the National Anthem and serving as an honorary captain for the USC vs. UNC coin toss. Fans across the country can celebrate the start of football season with year three of his Darius Rucker Collection by Fanatics line, with an expansion to select NCAA teams for the first time, in addition to new NFL offerings and the debut of a full line of MLB apparel.
 
Next, Rucker returns to the road on his Starting Fires Tour ahead of the album’s release next month, which will also be celebrated during the second year of his personally curated Riverfront Revival Music Festival set for Oct. 7-8 in his hometown of Charleston, S.C. In addition to Rucker himself, fans will be treated to performances by Turnpike Troubadours, Lainey Wilson, Band of Horses and more. Limited tickets remain at 
RiverfrontRevival.com.
 
For more information on all things Darius Rucker, visit 
DariusRucker.com and follow on social media @DariusRucker.

About Darius Rucker
Rucker first achieved multi-Platinum status in the music industry as lead singer and rhythm guitarist of the GRAMMY Award-winning band Hootie & the Blowfish, who have sold more than 25 million albums worldwide including their Double Diamond-certified (21x Platinum) debut Cracked Rear View, which remains among the top 10 best-selling studio albums of all time. Since releasing his first Country album in 2008, Rucker has earned a whole new legion of fans with four No. 1 albums on the Billboard Country chart, including RIAA Platinum-certified Learn to Live and True Believers,plus 10 No. 1 singles at Country radio and 11 Gold, Platinum or multi-Platinum certified hits. Rucker was inducted as a Grand Ole Opry member in 2012 and in 2014 he won his third career GRAMMY Award for Best Solo Country Performance with his Diamond-certified (11x Platinum) version of  “Wagon Wheel,” one of the top five best-selling Country songs of all time. He co-hosted the 54th annual CMA Awards in 2020 and topped the charts at Country radio once again with “Beers And Sunshine” in 2021. Rucker’s new single, “Fires Don’t Start Themselves” is available everywhere now with his forthcoming album, Carolyn’s Boy, set for Oct. 6 release as he performs the new music for fans this summer on his Starting Fires Tour.
 
As a lifelong philanthropist, Rucker co-chaired the capital campaign that generated $150 million to help build the new MUSC Shawn Jenkins Children's Hospital in his hometown of Charleston, S.C. and has raised over $3.6 million for St. Jude Children's Research Hospital through his annual Darius & Friends benefit concert and golf tournament. In addition, Rucker has advocated for over 200 charitable causes supporting public education and junior golf programs in South Carolina through the Hootie & the Blowfish Foundation and serves as a National Chair for the National Museum of African American Music in Nashville, Tenn. Rucker is also an avid sports fan, with his Darius Rucker Collection by Fanatics apparel line available at Fanatics.com, and he is part of the Music City Baseball investment group working to bring an MLB team to Tennessee in addition to serving as a partner at the MGC Sports & Entertainment agency.  

New Model Army Share Video for Orchestral Version Of "Winter"

New Model Army are about to release one of the defining albums of their long and respected career. Sinfonia, recorded with the Sinfonia Leipzig orchestra, is a masterpiece from a band who can somehow make it all look (and sound) easy.

"Winter (Orchestral Version)" is the second single taken from this magnum opus, and it is five minutes of sheer class from front to back. The arrangements, meticulously put together by Shir-Ran Yinon and conducted by Cornelius During, are a new benchmark of the tried-and-trusted "rock-band-meets-orrchestra" scenario, with none of the — and conversely moments of total musical abandonment and expression — obscured by what is essentially a 40-piece band.

Watch the video
below

Stream the song
here.

"Winter" is a powerful track musically and narratively, with Justin Sullivanimploring: "Bring me the snowfall, bring me the cold wind, bring me the winter."

It's a wish from the protagonist asking for a metaphorical escape from the hell that they find themselves in. However, the song offers a glimpse of hope by its end, with talk of redemption, reconciliation, and healing.

New Model Army are a band who have earned respect throughout their career for not only making less obvious choices than one might expect, but also daring to make music that reveals itself more with each listen.

With Sinfonia they have broken the barriers between band and orchestra in true New Model Army style, redefining that relationship and defying expectation. All songs have been arranged for orchestra by long-time friend and guest violinist Shir-Ran Yinon, who, in collaboration with the band, created something unique but staying true to New Model Army.

Sinfonia will become available as a Double-CD Hardcover Mediabook, Triple 180g-Vinyl Gatefold and Digital. All live album's first print CD and Vinyl LP Editions will include the full show on DVD.

A Strictly Limited earBOOK Edition with Double-CD, DVD, Blu-ray, 80- page book and an exclusive Bonus CD with eight songs from the band's "SO36" show in Berlin on July 17, 2022, as well as various bundles will become available via an exclusive direct to consumer web shop.

Pre-Order Sinfonia here.

FORMATS:
Ltd. 2CD+DVD Mediabook / Ltd. 3LP+DVD Gatefold / Digital

DVD
Full live show together with the Sinfonia Leipzig orchestra, filmed at Tempodrom, Berlin, Germany, on July 15, 2022

American alternative crooner Fred Abong (Throwing Muses, Belly) brings new offering - 'Shadows' from the 'Fear Pageant' LP

“Purity and honesty in his approach that gets more and more intense with each track... like you’re riding a wave of energy” ~ Higher Plain Music

“Thoughtful, minimalist. The ghost of Syd Barrett watches over everything... ‘another sonic leap forward” ~ Real Gone Rocks

“An almost painful intimacy to his words despite the oblique phrasing and imagery he conjures” ~ Isolation Records

“An ascent out of singer-songwriter folk territory into something bordering on punk and psychedelia” ~ Fatea Magazine

“Beautifully raw, uncluttered and quite cinematic... Melodically infectious and lyrically mysterious ~ Newport Naked


New Orleans-based alternative folk-rock artist
Fred Abong presents the single 'Shadows' from his latest 'Fear Pageant' album, recently released via Seattle label Disc Drive. This is Abong's seventh long-player to date.

Shadows, swans, and spooky trees. An aged romantic lip syncing poorly. Carnival organs, distorted steel drums, and cheesy synth piano. Dramatic black and white footage. Understated color splashes and expert frame dissolves. This video has it all.

Fred Abong got his musical start in the 1980’s on the Rhode Island hardcore punk scene. In the early 1990s, he played bass for Throwing Muses and then Belly. Putting music on hold for academic pursuits, he then earned a PhD in Humanities and taught at various universities for eight years before returning to music. Now back as a solo artist, Abong also plays bass in the Kristin Hersh Electric Trio.

A Filipino-American singer-songwriter, Abong's music has a raw and unpolished production aesthetic with an overall direct, though deceptively imaginative and oblique, presentation. Abong has also been a
practicing Vedic astrologer for the past 20 plus years.

"Shadows came into being in much the same way as all my songs do … via a set of strong images or vignettes that flood into my head in response to a piece of music I’ve written," says Fred Abong.

"I mentioned that the song makes me want to slow dance with my woman. This is exactly what I was seeing when I first laid down the arpeggiated chord progression that constitutes the beginning of the song … that and her lovely silhouette dappling every surface in the room. Those images gave way to Homeric scenes, something like Odysseus returning to Penelope after the Trojan War. A sense of triumph is the idea, though in this case not over armed conflict, but over a long and bloody war of the heart. Prayers of gratitude are in order."

Creating music that is a blend of “ragged Replacements and lyric-driven Bob Dylan” and “Elliott Smith with balls”, his songs are existentially and romantically focused, poetic, and slightly off-kilter. Detuned guitars, unconventional song structures, and a raw and unpolished production aesthetic characterize the overall sound. Fred’s hypnotic, sometimes gravelly voice adds to the effect.

"Shadows is kind of the sleeper track on Fear Pageant, if you ask me. Blatantly and unapologetically romantic, it feels to me like Kenny G meets Leonard Cohen. It borders on, but never crosses into, total cheesiness. At least, I don’t think it does. But you will have to be the judge of that. In any case, the song makes *me* want to slow dance with my lady … I hope you find yourself in a similar state when you hear it," says Fred Abong.

Abong earlier teased several tracks from the album, including
 'Father''My Way'and  'Fear Pageant'. This new record follows Abong's 'Yellowthroat' album, released in 2022 and recorded with Rob Ahlers (50FOOTWAVE, Kristin Hersh Electric Trio) and earlier albums 'Homeless', 'Pulsing' and 'OMOPH'.

The 'Fear Pageant' album is out now and available across fine music platforms, including
Bandcamp. The record is available on vinyl or as a digital download.

CREDITS
Music and lyrics by Fred Abong
All songs recorded, mixed and performed by Fred Abong
All instruments by Fred Abong
Mastered by Fred Thomas
Videos by Fred Abong
Publicity by 
Shameless Promotion PR

Keep up with Fred Abong
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BAY AREA THRASH LEGENDS, SADUS, TO RELEASE FIRST ALBUM IN 16 YEARS, THE SHADOW INSIDE, ON NOV 17TH

East Bay thrash metal legends SADUS will make their long-awaited return this fall for the release of their first album in 16 years, The Shadow Inside, on November 17th via Nuclear Blast Records. Reunited in 2017, the band spent the last several years writing the record at their own pace, impervious to outside trends and influences, and recently finished recording with Juan Urteaga (EXODUS, TESTAMENT, MACHINE HEAD) at Trident Studios.

Featuring ominous artwork by accomplished artist Travis Smith (FLESHGOD APOCALPYSE, OPETH), The Shadow Inside, is a contemporary thrash classic with colossal, groove-laden riffs at break-neck rhythm and blistering solos. It’s the record fans have been waiting desperately for and one of the year’s most crucial metal albums.

Commenting on the record’s impending release, founding vocalist/guitarist Darren Travis says:

“I am giddy with excitement for this album to be unleashed upon the world. With the help of the entire Nuclear Blast team, we will bestow a hugely anticipated release of The Shadow Inside!!   

THANK YOU for your interest in our little band for all these years. I hope you will find the same release of excitement that WE DO!! The love of METAL is the only reason for SADUS!! Thank you ALL for the undying SUPPORT!!!! Fucking SADUS!!”

SADUS unleashed the first single, ‘It’s The Sickness,’ late last year. Today, the band has unveiled the record’s next track, ‘Ride The Knife,’ which is available now for streaming and is accompanied by the lyric video below.

Stream ‘Ride The Knife’: https://bfan.link/rtnsadus

Pre-Order The Shadow Inside: https://bfan.link/tsisadus

‘Ride The Knife’ Lyric Video:

About SADUS:

It has been sixteen long years since the monstrous sound of SADUS last bestowed a new record upon the world, but the time has finally arrived. This November, Nuclear Blast Records proudly presents the triumphant return of the unconquerable SADUS with their sixth full-length studio album, titled The Shadow Inside.

Adorned with the compelling artwork of Travis Smith, the album cover depicts an all-consuming demon of the cosmos fiercely enveloping a tortured soul beneath, perfectly encapsulating the vision and duality that the songs on this record deliver. Founder and drummer Jon Allen shares his excitement about working with Travis once again, reminiscing about their collaboration on Elements of Anger. He points out that several tracks on the new album, such as ‘The Devil In Me’ and ‘The Shadow Inside,’ revolve around the idea of an internal entity constantly pushing us. At times, one might find themselves at the edge of reason, attributing their actions to the shadow within, an external force they blame for their choices. While not a concept album per-se, every song deals with life decisions and the importance of taking responsibility for one's actions to unlock the best life has to offer. The track ‘The Shadow Inside’ boasts a heavier and slower tone, with a touch of classic, gut-wrenching grind, creating a fitting climax to the album.

A formidable darkness flows through tracks like ‘Anarchy’. Evidently influenced by the tumultuous post-Covid times of mass hysteria, looting, and general loss of control, the melody reflects this chaotic environment. Allen describes the track as “more straightforward and in-your-face, hitting listeners right in the gut. ”Despite the intensity, SADUS manages to retain their signature death/thrash blend, staying true to their old-school roots. The aggression remains palpable, allowing their music to speak for itself with raw, unapologetic power.

‘Scorched and Burnt’ follows suit, with its steady beat and chaotic vocals seamlessly intertwining with blistering guitar work. The track gradually transitions into an impassioned melody, igniting a fiery explosion as the song nears its conclusion. Although inspired by the literal wildfires that plagued California during its creation, ‘Scorched and Burnt’ delves deeper into the idea that individuals often feel like someone or something is constantly out to get them. Yet, in the end, the song urges unity, recognizing that every action, even in chaos, ripples through the lives of others.

The process of creating The Shadow Inside was unhurried and unencumbered by unnecessary roadblocks. SADUS allowed their creativity to flow naturally, collecting riffs and writing together in person.The band took their time, nurturing and developing their musical ideas until they evolved into the powerful tracks we hear today. Allen emphasizes that their drama-free and family-oriented approach to making music is one of the reasons their sound speaks so powerfully to their fans. Collaborating with Juan Urteaga of Trident Studios added another layer of refinement to the album, as his expertise in death metal played a vital role in shaping its overall sound.

All that being said, SADUS is not a band that simply stands apart from the crowd for the sake of being different. They stand tall, unswayed by mass hysteria and media influences, choosing to make their own decisions and encourage others to do the same. In a world filled with disinformation and false flags, they emphasize the importance of being smart, using common sense, thinking for ourselves, and remaining aware of our surroundings.

As November approaches, the anticipation for The Shadow Inside is sure to grow. With their uncompromising vision, SADUS continues to stand as a beacon of authenticity and integrity within the heavy metal community, forever forging their path in the ever-evolving landscape of music.

Follow SADUS:

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https://www.youtube.com/@SADUS6666