CARLY PEARCE TO RELEASE FIFTH STUDIO ALBUM

Today, GRAMMY, CMA and ACM-Award winning country star Carly Pearce announces her highly anticipated fifth studio album, Honest Woman, will arrive August 28 via BBR Music Group/BMG Nashville. Pre-order, pre-add, and pre-save the album HERE , including new track “She Don’t” which dropped today alongside the album announcement. Available now on all platforms, the song further highlights Carly’s witty lyricism and love of storytelling with her traditional country sensibilities for a sure-to-be fan favorite. Watch the visualizer Below;

Co-produced by Pearce with longtime collaborator Ben West, Honest Woman sees Pearce embrace every aspect of who she was, is, and will become through narrative-driven lyrics and a sonic return to form. Including features with Riley Green, Dan Tyminski and Molly Tuttle, the album leans into her bluegrass roots and focuses on authentic country craftsmanship. Honest Woman is an ‘honest’ portrayal of life’s journey delivered by a woman who understands that it’s the fullness of time that defines you.

"When I started making Honest Woman, I found myself rediscovering who I am and why I wanted to be a country music singer in the first place,” says Pearce. “This album takes me back to the beginning of my story, where the sounds of classic country and bluegrass music shaped who I am. I’m so proud of this body of work, and I truly feel like it’s my best yet.”

Anticipation was at an all-time high during CMA Fest as the phrase “Honest Woman” was seen in various places around Nashville – from her “Carly’s Closet” charity pop-up that raised $20,000 for the CMA Foundation, to the sidewalks outside her CMA Artist of the Day panel moderated by Hillary Scott of Lady A and performances at Nissan Stadium, Billboard Live at Category 10, SiriusXM’s Music Row Happy Hour and Spotify House – leading Pearce’s fans to speculate if Honest Womanwas the title of her forthcoming album.

In addition to today’s release, “She Don’t,” Pearce’s forthcoming album will include current single and “blockbuster duet” (Billboard) with Riley Green, “If I Don’t Leave I’m Gonna Stay,” along with the “delightfully snarky & sassy” (Music Row) “You Can Have Him,” “honest anthem” (Rolling Stone) “Church Girl” and the “unfiltered, introspective” (Billboard) “Dream Come True.” As Pearce is readying Honest Woman, each track continues to define “the tone for her most vulnerable era yet” (The Tennessean).

To support the album, Pearce will be performing special two-night residencies across North America. Kicking off September 10 with two nights in Detroit, Pearce will bring her “Honest Woman: Up Close” live shows presented by Conundrum Wines to intimate venues in Chicago, Minneapolis, Los Angeles, Toronto and Boston before concluding with two nights in New York City. Belle Frantz will join Pearce as support.

Tickets will be available starting Tuesday, June 23 at 12pm local time with the Official Carly Pearce Fan Club presale, where members can redeem their code for tickets to the tour. To sign up for the fan club, fans can visit fanclub.carlypearce.com. General tickets will be available for purchase beginning Friday, June 26 at 10am local time.

CARLY PEARCE - “HONEST WOMAN: UP CLOSE” ROUTING
Thursday, September 10 – Detroit, MI – Saint Andrew’s Hall*
Friday, September 11 – Detroit, MI – Saint Andrew’s Hall*
Wednesday, September 16 – Chicago, IL – Joe’s on Weed*
Thursday, September 17 – Chicago, IL – Joe’s on Weed*
Friday, September 18 – Minneapolis, MN – Fine Line*
Saturday, September 19 – Minneapolis, MN – Fine Line*
Sunday, September 27 – Los Angeles, CA – The Troubadour*
Tuesday, September 29 – Los Angeles, CA – GRAMMY Museum
Thursday, October 15 – Toronto, ON – Toronto Opera House*
Friday, October 16 – Toronto, ON – Toronto Opera House*
Sunday, October 18 – Boston, MA – The Sinclair*
Monday, October 19 – Boston, MA – The Sinclair*
Wednesday, October 21 – New York, NY – Gramercy Theatre*
Thursday, October 22  – New York, NY – Gramercy Theatre*

*With support from Belle Frantz

Wailin Storms Stoke Fresh Dread on Howling New Single “Dead End”

Recipients of high praise from NPR, The Needle Drop, Brooklyn Vegan, Decibel and Metal Hammer, Wailin Storms have caught fire since migrating to North Carolina in 2014. Now, the Durham natives are fanning the flames even higher with their upcoming fifth album and first for Season of Mist. On The Arsonist, the band deliver a fiery baptism of Southern gothic rock.

Today, Wailin Storms are premiering a suspenseful music video for the third and final advanced single from The Arsonist with Treble. With the ghost of David Lynch riding passenger seat, “Dead End” takes a harrowing post-punk turn.

‘Dead End’ is about seeing yourself after you die”, Wailin Storms vocalist and guitarist Justin Storms says. “It’s the first song on The Arsonist and one of the first that was written for the album. It flowed out of me while I was messing around with my Strymon El Capistan guitar pedal. It sets the tone by jolting you straight into a fever dream that’s filled with cryptic messages from beyond.

Watch the music video for “Dead End” Below:

The Arsonist comes out July 10, 2026 on Season of Mist

Pre-order & Pre-save

https://orcd.co/wailinstormsthearsonist

Wailin Storms are igniting the stage this summer with a headline U.S. tour. The band will perform “Dead End” and other songs off The Arsonist for the first time, along with crowd favorites from across their critically-acclaimed discography.

Wailin Storms 2026 The Arsonist U.S. Tour

July 17 - Durham, NC @ Stanczyk’s [Album Release Show] [TICKETS]

July 29 - Johnson City, TN @ The Hideaway [TICKETS]

July 30 - Atlanta, GA @ Star Bar [TICKETS]

July 31 - Knoxville, TN @ The Pilot Light [TICKETS]

August 1 - Cincinnati, OH @ Motr [TICKETS]

August 2 - Youngstown, OH @ Westside Bowl [TICKETS]

August 3 - Columbus, OH @ Dirty Dungarees [TICKETS]

August 4 - Pittsburgh, PA @ The Government Center [TICKETS]

August 5 - Baltimore, MD @ Metro Gallery [TICKETS]

August 6 - Brooklyn, NY @ The Gutter [TICKETS]

August 7 - New Hope, PA @ John and Peter’s [TICKETS]

August 8 - Richmond, VA @ Cobra Cabana [TICKETS]

While shrouded by a doomy and dreamy atmosphere, The Arsonist is inflamed by real life anxieties. Taking inspiration from René Magritte, the album’s cover art, which is heavily shadowed except for a tiny house gone up in flames, was painted by Storms himself. “These songs are steeped in the trials and tribulations of everyday life”, he says. The title track is slowly engulfed by love’s eternal flame. “Like the wind controls the sea”, he croons over the gentle sway of his guitar. “You always had a hold on me”. The thunderous climax surges with such feverish intensity that it threatens to send the night of passion up in smoke.  

Amidst the wreckage of The Arsonist, Wailin Storms do find a semblance of peace. “It’s All Dark Now Where Your Eyes Used to Be” ends the album with a ghostly flicker of gothic romance. “I know a place where we can sit and grow old”, Storms offers with grim assurance. A piano tolls like death’s bell as he glimpses up at a church that resembles a skull. “There’s a sliver of hope in coming to terms with death”, he concludes. “Life is temporary and that's where its beauty lies”.  

On The Arsonist, Wailin Storms deliver a fiery baptism of Southern gothic rock.

Lineup
Justin Storms - Lead vocals, rhythm guitar
Ben Melton - Lead guitar, backup vocals, Rhodes organ, piano
Steve Stanczyk - Bass
Mark Oates - Drums

Recording credits
Recorded at Earth Analog in May 2025

Production Credits
Produced and engineered by Matt Talbott
Mixed by Mike Lust at Phantom Manor ("Dead End", "Heart of Mine", "You Never Answered", "The Arsonist", "Never Rest", "The Wind", It's All Dark Now Where Your Eyes Used to Be"
Mixed by Dave Downham at Gradwell House ("Saved", "Patient Night")
Mastered by Dave Downham at Gradwell House

All lyrics written by Justin Storms

Cover art
Justin Storms

Layout and design
Steve Stanczyk

Pre-order & Pre-save

https://orcd.co/wailinstormsthearsonist

Available Formats

Digital Download

CD Digipack

12” Vinyl Gatefold (Black)

12” Vinyl Gatefold (Color)


Follow Wailin Storms
Spotify: https://open.spotify.com/artist/2e1J5JQpROgSuT7RcsUbZ2
Apple Music: https://music.apple.com/us/artist/wailin-storms/451185826
Bandcamp: https://wailinstorms.bandcamp.com
YouTube: https://www.youtube.com/@wailinstorms7
Facebook: https://www.facebook.com/wailinstorms/
Instagram: https://www.instagram.com/wailinstorms/?hl=en

GREEN LUNG - reveal new track/video 'Necropolitan Line'

Albion's masters of folklore, riffs and legends return with another slab of tomb-shaking, crypt-kicking occult rock. Green Lung have revealed their latest track, 'Necropolitan Line', a Motorhead-meets-Deep Purple subterranean rampage across London's infamous Necropolis Railway.

'Necropolitan Line' is taken from Green Lung's forthcoming new record, Necropolitandue out on Friday September 11th 2026. A monumental portrait of the power of nature over the dreams and dominion of humankind, Necropolitan is also a grand celebration of the occult lore and heavy music scene of the band’s birthplace, the city of London.

Green Lung stated:
"Is there a more fitting subject for a Green Lung song than the Necropolis Railway, a real-life train line that carried corpses and mourners across London in the late 19th Century? Mix in some inspiration from 1972's London Underground-set shocker Death Line, a madcap neoclassical organ/guitar duel that evokes Richie Blackmore and Jon Lord at their finger blistering best, and a record Lung BPM of 180, and you have the second single from our fourth album. We can't wait to play this one live for the first time at the Acid Bath show in Manchester on Thursday. Mind the doors!"

The video, directed by Tracy Mathewson and featuring animation from Joseph Brett, is a tribute to the early 70s German TV show Beat Club, which featured Lung antecedents such as Sabbath, Purple and Lucifer's Friend. Featuring an introduction from longtime roadie Metal Joe, we enter the band's own warped version of the show, titled Crypt Club. Will future episodes follow? Only time will tell...

Pre-order Necropolitan here: https://greenlung.bfan.link/necropolitan
Stream ‘Necropolitan Line’ here: https://greenlung.bfan.link/necropolitan-line
Watch the video for ‘Necropolitan Line’ Below:

On the week that Necropolitan is released, Green Lung will be visiting some selected record stores to sign vinyl and CDs, plus fans will have the chance for a photo op with their very own Goatwizard. Head to greenlung.co.uk for more details! And keep your eyes peeled for more events as we get closer to release…

Friday 11-Sep       London, UK Rough Trade East (1pm BST)
Saturday 12-Sep   Manchester, UK HMV Manchester (5pm BST)
Sunday 13-Sep     Birmingham, UK HMV Vault (2pm BST)
Monday 14-Sep     Bristol, UK Rough Trade Bristol (1pm BST)

Later this year, Green Lung will be embarking on their European Dance to the Grave Tour MMXXVI. Special guests will be High On Fire with support from Gnome. The tour poster was designed by the band's frequent collaborator, Richard Wells.

GREEN LUNG
DANCE TO THE GRAVE TOUR MMXXVI

w/ High On Fire & Gnome

03-Dec   BE  Antwerp @ Trix
04-Dec   DE  Frankfurt am Main @ Batschkapp
05-Dec   DE  Munich @ Backstage
07-Dec   AT  Vienna @ Arena
08-Dec   DE  Leipzig @ Anker
10-Dec   DE  Hamburg @ Große Freiheit 36
11-Dec   DE  Berlin @ Astra Kulturhaus
12-Dec   DE  Cologne @ Carlswerk Victoria
13-Dec   NL  Tilburg @ O13
14-Dec   FR  Paris @ Bataclan
16-Dec   UK  London @ The Roundhouse
17-Dec   UK  Bristol @ Bristol Electric
18-Dec   UK  Manchester @ Manchester Academy
19-Dec   IE  Dublin @ The Academy
20-Dec   UK  Glasgow @ SWG3 Galvanizers

For more information and tickets head to: https://www.greenlung.co.uk/

You can also catch Green Lung this weekend on June 25th at Manchester Academy, with Acid Bath and Conan.

25 June - UK  Manchester, Manchester Academy *supporting Acid Bath 

A cult band in every sense of the word, Green Lung emerged from London’s heavy rock scene with self-released debut EP Free the Witch (2018).

Drawing on a host of peculiarly British musical influences, from doomy hard rock to pastoral prog and psych to the Hammer Horror theatrics of the NWOBHM, the band have swiftly risen to the forefront of the UK metal scene.

Lyrically celebrating the folklore, myths and legends of Britain, they conjure the wild and witchy spirit of their forebears for a new generation.

Green Lung have released three critically acclaimed albums, Woodland Rites (2019), Black Harvest (2021) and This Heathen Land (2023). They have toured internationally with Clutch, Opeth and Unto Others, and performed on festival stages from Roadburn to Download. Their latest album This Heathen Land landed at #1 on the UK’s Official Rock and Metal Album Chart.

"This is heavy metal how it should be done" The Guardian

WEBSITE | FACEBOOK | INSTAGRAM | YOUTUBE | TIKTOK | SPOTIFY
 APPLE MUSIC | BANDCAMP

Dogma Unleash Cinematic New Single - My Matricidal

Following a breakout year that saw DOGMA sell out every European headlining show, complete its largest Latin American tour to date, and continue its rapid international ascent, the band returns today with “My Matricidal,” the highly anticipated new single and music video. 

"My Matricidal" is a theatrical collision of aggressive guitars, ritualistic percussion, haunting cinematic soundscape, soaring vocal performances, and a relentless series of sonic blows that steadily escalate toward a towering climax. The result is a dark, emotionally charged composition that expands the band's signature blend of hard rock, metal, and provocative storytelling.

Accompanying the single is an ambitious new music video that expands the narrative introduced in “Fate Unblinds,” revealing another key piece of the puzzle while raising new questions about everything that came before.

Regarding the new release, Lilith comments, "The themes explored in ‘My Matricidal’ are not really about betrayal. They are about recognition. There comes a moment in every person's life when something they believed, trusted, or accepted can no longer withstand reality. Most people spend their energy focusing on the deception itself, but I think the more important question is what happens after the truth becomes impossible to ignore. Some people retreat into anger or denial. Others choose to learn from it and move forward with greater clarity. That moment of choice has always fascinated me because it ultimately shapes the direction of a person's life. The truth reveals itself in time. What you do with it is your responsibility. You shape your fate."

The release arrives at a pivotal moment in DOGMA's continued growth. During the first half of 2026, the band completed its largest European and Latin American touring cycle to date, performing for thousands of fans across both continents. Every European headlining show sold out, including appearances in London, Manchester, Wolverhampton, Bristol, Eindhoven, Hamburg, and Munich.

The momentum continues this summer as DOGMA returns to Europe for appearances at major festivals including Copenhell, Basinfire, Tuska, Rockharz, Rock Imperium, and Resurrection Fest, alongside a special headlining performance in Istanbul.

With the release of “My Matricidal,” DOGMA maintains a single position: The truth reveals itself in time.

Upcoming festival dates:

Jun 29: Istanbul, Türkiye · Blind
Jul 2: Ballenstedt, Germany - Rockharz Festival
Jul 4: Viveiro, Spain · Resurrection Fest
Jul 5: Cartagena, Spain · El Batel Park

Follow Dogma:

Instagram
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Facebook
YouTube

IAN MUNSICK PREVIEWS THE MOUNTAIN GOAT WITH EXCLUSIVE INDUSTRY LISTENING EVENT

Wyoming native Ian Munsick previewed his fourth studio album, The Mountain Goat, on Wednesday (June 17) at The Estelle in Nashville, Tennessee to an intimate audience of industry professionals. The Mountain Goat is Munsick’s first project via WEST TO THE REST RECORDS / Triple Tigers Records and arrives August 21. Pre-save HERE.
 
Munsick co-produced the album alongside Jeremy Spillman and Mike Robinson, and also played an extensive role in the instrumentation heard on the record. In total, Munsick is credited with playing nine different instruments: acoustic guitar, electric guitar, bass guitar, mandolin, banjo, harmonica, piano, bouzouki and kazoo, as well as lending background vocals and programming.
 
Additionally, five D2C fan packs are available to pre-order on his online store, including an exclusive autographed zoetrope vinyl. Pre-order HERE.

About Ian Munsick:
As one of modern country’s few Rocky Mountain artists – and the only one to merge its timeless traditions with an electrifying roots-pop edge – Wyoming native Ian Munsick lives in the wild places few singer-songwriters go. Yet with his fourth album, The Mountain Goat, he climbs farther out on his creative ledge than ever. Marking his first independent album on WEST TO THE REST RECORDS / Triple Tigers Records, Munsick remains as sure footed as his project’s fearless namesake, thriving in the isolation of a Western-flavored modern country frontier. Racking up over one billion career streams with previous albums Coyote CryWhite Buffalo, and Eagle Feather, Munsick has produced one RIAA-Platinum duet “Long Live Cowgirls” (with Cody Johnson) – No. 1 on SiriusXM’s The Highway Hot 30 Countdown – plus two Gold-certified hits: “Long Haul” and “Horses Are Faster.” Spotify, CMT, and the Grand Ole Opry were among those to recognize Munsick’s vision, and concertgoers across the globe have found a Western authenticity that can’t be faked. Munsick made history in 2025, becoming the first Wyoming-born artist to headline Cheyenne Frontier Days – the iconic rodeo known as the “Daddy of ‘Em All” – and with The Mountain Goat, his quest to bring Western mystique to modern fans continues. Fusing genuine tradition with cutting-edge sonics, 15 tracks feature an “earthy” new organic undercurrent, with the multi-instrumental master more connected to his acoustic roots – and more protective of his territory.

Brantley Gilbert Releases Title Track and “GOOD OL’ BOYS” from SINS OF THE FATHER, Arriving 7/24

Multi-Platinum trailblazer Brantley Gilbert delivers two new songs from his eighth studio album SINS OF THE FATHER, set for release July 24 via BBR Music Group/BMG Nashville: title track “SINS OF THE FATHER” and “GOOD OL’ BOYS,” available now.
 
“SINS OF THE FATHER” was born from Gilbert’s honest concern about how his actions would impact the next generation. It emerged as the “most country song on the album,” imparts Gilbert, with his unvarnished vocal joined by a twangy, drop-tuned acoustic guitar:

Meanwhile, explosive “GOOD OL’ BOYS” is tailor made for Gilbert’s six-piece juggernaut of a touring band, which has shared tours with Five Finger Death Punch and Nickelback. “That song goes harder than probably anything I’ve ever written,” he admits.
 
No stranger to pushing country’s evolutionary curve, SINS OF THE FATHER goes beyond sonic innovation, to confront the ugly truth. Fusing heartfelt country values with explosive energy and barbed-wire R&B swagger, he describes the project as a deeply personal playlist, once again ready to meet fans where they are.
 
“As long as there’s a box in country music, I know where I belong,” the Georgia-born hitmaker says. “And that’s right on the outside of it. All of my albums are a chapter of my life and this one’s no different. I don’t have skeletons in the closet – my shit’s out in the open. So if there’s any piece of my story that could help somebody, I’m cheating them if I keep it to myself.”
 
The moments here are often heavy – both emotionally and in guitar-driven sonic power, exemplified by today’s releases. Co-produced with rock-schooled collaborator Brock Berryhill (Twenty One Pilots, Kane Brown), SINS OF THE FATHER marks some of the hardest-hitting work of Gilbert’s career, yet the diesel-fueled two-lane trap he helped pioneer is never far away. Bottomless distortion and pounding drums join melodic, gravel-road grooves, while the bare bones of country soul turn painful realities into three-chords-and-the-truth.
 
Currently climbing the charts at Country radio, Gilbert recently premiered the official music video for lead single “GOOD DAMN” and released the deeply personal “F****D ME UP,” with MusicRow praising, “his gripping, broken vocal on this ballad grabs ahold and doesn’t let go…it’s a powerful thing.”
 
Along with today’s release, Gilbert also launches his latest merch collection featuring youth sizes, marking his first-ever merch drop to include children’s sizing. The collection includes four t-shirt and two hoodie designs. To view and purchase the collection, visit BrantleyGilbert.com.
 
In addition to readying his new album, Gilbert’s already had an exceptionally busy year, helping set a Guinness World Record for the oldest person to crowd surf, as Pauline Kana (known online as “Gangster Granny”), completed the feat during his set in Bellville, Texas on May 2. Earlier this year, Gilbert served as the Grand Marshal for Round 13 of the Monster Energy SMX World Championships at Nissan Stadium in Nashville.
 
He also launched Real American Beer Zero after becoming an investor and equity partner of Real American Beer (RAB). RAB Zero is the company’s first non-alcoholic beer with $1 per case sold of RAB Zero going to the USO in addition to ongoing donations tied directly to sales, supporting active-duty service members and their families.
 
The Real American Tour continues this Saturday, with headlining and festival dates through the fall on sale now. For tour dates and additional information, visit BrantleyGilbert.com.

Kenny Chesney Kicks Off 2nd Sphere Residency Intimacy, Old Favorites, Good Vibes & A Whole Lotta Joy

Kenny Chesney vowed his second residency at Vegas’ Sphere would make a shift, leaning into the venue’s ability to consume fans – and from the moment the East Tennessee songwriter/superstar hit the stage with “Here And Now,” he delivered. Beyond the fresh visuals, set changes and 29 songs, there was a momentum to the show that swept No Shoes Nation up for a night that took them places, brought emotions and memories to the surface and dancing to every level of Sphere’s four-tiered, 366-foot vertical leveled venue.
 
Without missing a beat, Chesney rolled into “Livin’ In Fast Forward,” “Young,” “Beer In Mexico,” “Keg In The Closet” and “Til It’s Gone.” Beyond the momentum, there was a sense of how much of Chesney’s music had consumed the lives of the sold-out almost 17,000 fans who’d journeyed from across the country. If not a sacred space, the fans found plenty to cheer for – and sing along with – over the course of a night that included the Jamaica-friendly “Everybody Wants To Go To Heaven,” followed by a whirling “Guitars, Tiki Bars (& A Whole Lotta Love)” that went double, then double-double time at the end.
 
“Sphere lets you really consider the tempos, lets you take liberties and risks,” Chesney said of his bold set choices after the show, “and it creates an intimacy that lets you really pull people to you. You can do things here you can’t anywhere else.”
 
Whether that meant a slow-burning erotic take on “Come Over,” matched with moody black and white reimagining of deep desire, “Noise,” which created a vortex of all the emotionally and visually charged things that overload us, swirling to a black hole at the top before dissolving into a quiet tableau, or the surging “All The Pretty Girls,” delivered in an aquarium of neon mermaids, the moods were plenty, the audience was primed and hung on every moment and emotion. Even “Carry On,” Chesney’s history-making new single, brought the joy-of-living to life on a stage that seemed to place the crowd at a perfect tropical beach music festival.
 
“Sphere lets me take people back home with ‘I Go Back,’ to piers that don’t exist for ‘Til It’s Gone,’ flying through downtown Los Angeles for ‘Settin’ The World on Fire,’ inside a pinball machine with ‘Big Star’ and some of my favorite places in ‘When I See This Bar,’” Chesney offered after the show. “You can take them, give them even more of what the song is…”
 
Making “When I See This Bar” even more was the surprise appearance of good friend and fellow superstar Eric Church, who ambled onstage in signature sunglasses, bringing a cool vibe. Sharing the moment – and several moments the pair had shared, including Church’s last-minute filling in for a sick artist at Chesney’s Country Music Hall of Fame induction, the pair delivered a reflective moment homaging their roots. Asking his friend if he’d like to do a couple, Chesney turned fan, joining the crowd for the choruses of Church’s “Drink In My Hand,” then laughing and sharing about forgotten lyrics during Church’s blanking, then starting over celebratory “Springsteen.”
 
For the fans, some of whom had been derailed by weather and technical problems out of Boston, traveling all night through New York, Los Angeles and anywhere there was a connection, the passion was set on stun. Even the intimate “Knowing You” was met with massive cheers, while the set closing “Out Last Night” rippled with both the promise and the zest of all the fun one can have when chasing a good time.
 
After almost 90 seconds of cheers, Chesney returned for a three-song encore that nailed every groove, phase and reality of his career. Kicking into the multi-rhythmic, double chorused “American Kids,” the capacity crowd practically levitated with euphoric self-identification, then melted into the yearning look back “Anything But Mine.”
 
With the audience clearly wrung out, Chesney offered an early career classic wrapped in chamois-feeling warmth to send the first show’s crowd into the night. Dropping into the memories, he brought “Don’t Happen Twice” to a high simmer, waved, signed and reminded the crowd – as Las Vegas Review-Journal wrote on Friday – of one of his most intoxicating superpowers: “he’d learned how to infuse his songs with real life, these people and their stories.”
 
“To me, these songs I sing aren’t just mine, they’re all of ours,” Chesney offered during his post-show wind-down. “If we can sing them true, play deep and just surrender to what they say, we can connect on a whole other level here. It was a lot of feelings, a lot of years, but man, did we feel it, and the love, and all the passion people bring.
 
“Whether it was Eric and his family coming all the way across the country to be part of kick-off, the people down front singing every word – or the people near the top holding up their phones with flames burning, I could feel it all, and whatta feeling.”

Photo Credit: Allister Ann

SKILLET ANNOUNCE NEW SINGLE "SCREAM" + FALL 2026 HEADLINE TOUR

23x-platinum rock band SKILLET have announced their explosive new single, "Scream," arriving July 10, alongside the launch of their upcoming "Comatose: 20 Years, Still Screaming Tour," a major fall headline run produced by Live Nation.

The new track serves as the first taste of a new era of music from the band, with additional releases expected later this year. Fans can pre-save "Scream" HERE

The announcement follows a monumental start to the year for SKILLET. Their 6x-platinum anthem "Monster" recently surpassed 4 billion global streams, earned a place in Spotify's Billions Club, and solidified its status as one of the most-streamed rock songs of all time. The achievement is particularly historic as "Monster" remains the only song by a Christian artist to surpass 1 billion streams on Spotify. The milestone arrives on the heels of the band's completely sold-out European headline tour, which moved more than 90,000 tickets across 23 cities, bringing SKILLET in front of the largest international audiences of their career.

For the new music, the band returned to familiar ground. "We went back to Memphis and worked with a producer who knew the band before we'd made our first record," says frontmanJohn Cooper. "Life has taken some great turns, but it's also taken some painful turns. Now we're here, and we still have more of a story to tell. The music kept getting heavier, and I said, 'We've got to go all-in.'"

They certainly did with "Scream." Clean electric guitar slips into the undertow of crushing distortion as Cooper delivers a catchy and cathartic chorus:"I wanna scream. I wanna break something beautiful."Ominous keys ring out, the beat snaps, and he wonders, "Will I ever be enough?" before a palm-muted bridge unleashes one final burst of emotion punctuated by glitchy electronics.

"I don't think I'm the only one who's noticing the volatility of the world and how social media is a cesspool where people are constantly yelling at each other," Cooper explains. "It's not helping anyone's mental health. In this landscape, it's easy to feel like nothing matters. "Scream" is about wanting your life to matter when the world feels chaotic and overwhelming."

TICKETS:
Tickets will be available starting via a Skillet Artist Presale and Spotify Presale, details below. Additional presales will run ahead of the general onsale which starts Friday, June 26 at 1:00pm local time at LiveNation.com. For tickets, tour dates, and more information, you can also visit Skillet.com.

Spotify Reserved: Skillet's Reserved by Spotify tickets may be available to eligible US Spotify Premium subscribers through Ticketmaster. Eligible fans will be notified by Spotify via email and app notification, and will have the opportunity to purchase up to two tickets before the general on-sale.

SKILLET ON TOUR:
09/30—Schenectady, NY—Proctors Theatre
10/02—Philadelphia, PA—The Fillmore
10/03—Montclair, NJ—The Wellmont Theater
10/04—Huntington, NY—The Paramount
10/07—Boston, MA—MGM Music Hall at Fenway
10/08—Silver Spring, MD—The Fillmore Silver Spring
10/10—Grand Rapids, MI—GLC Live at 20 Monroe
10/11—Detroit, MI—The Fillmore
10/12—Pittsburgh, PA—Citizens Live at The Wylie
10/14—St. Louis, MO—The Pageant
10/16—Minneapolis, MN—Uptown Theater
10/17—Milwaukee, WI—Landmark Credit Union Live
10/18—Omaha, NE—Steelhouse Omaha
10/20—Kansas City, MO—The Midland Theatre
10/22—Denver, CO—Fillmore Auditorium
10/23—Salt Lake City, UT—The Union Event Center
10/26—Airway Heights, WA—Pend Oreille Pavilion at Northern Quest
10/27—Seattle, WA—Moore Theatre
10/30—Wheatland, CA—Hard Rock Live Sacramento
10/31—Inglewood, CA—YouTube Theater
11/01—Phoenix, AZ—The Van Buren
11/05—Dallas, TX—House of Blues
11/06—San Antonio, TX—The Aztec Theatre
11/10—Orlando, FL—House of Blues

GLORYHAMMER Announce New Album!

The enemies of Dundee tremble as exalted power metal heroes GLORYHAMMER announce their long-awaited fifth album, Space 1993: Wrath of Kor-Virliath! Due for release on October 16, via Napalm Records, the album is a direct sequel to 2015's Space 1992: Rise of the Chaos Wizards, continuing the epic saga of the McFife dynasty. Space 1993: Wrath of Kor-Virliath follows Angus McFife V, the Crown Prince of Fife last seen in 2022's single "Fly Away," as he ventures into a perilous journey across spacetime that will lead him to the distant future of 1993, where his destiny lies.

Across 11 tracks, the band of heroes draws upon a more diverse range of influences than ever before, without ever compromising on the hook-driven, memorable songwriting that they are known for. From classic power metal to thrash, high energy synth rock to vast, sweeping orchestral soundscapes and more. Produced by the band themselves and mixed by Jacob Hansen (Volbeat, Amaranthe), this is GLORYHAMMER as you've never heard them before.

GLORYHAMMER about the new album: "Mighty warriors, rejoice! The almighty GLORYHAMMER return triumphantly with a new chapter in the long and tumultuous history of the Intergalactic Empire of Fife. Multidimensional wormholes, abandoned space stations, and EPIC BATTLES await at the final frontier of Space 1993. FOR THE ETERNAL GLORY OF DUNDEE!"


Pre-Order Your Copy of Space 1993: Wrath of Kor-Virliath NOW, available in various limited formats:

GLORYHAMMER LIVE 2026:
FESTIVALS:
07/12 — Mogilovo, BG — Midalidare Rock
08/22— Malung, SE — Brothers Of Metal Open Air

ALBUM RELEASE TOUR:
WITH MAJESTICA + ARION

10/16 — Toulouse, FR — Interference
10/17— Villava, ES — Sala Totem Aretoa
10/18 — Madrid, ES — Sala But
10/20 — Barcelona, ES — Razzmatazz 2
10/21 — Lyon, FR — Rayonne
10/23 — Stuttgart, DE — LKA Longhorn
10/24 — Hamburg, DE — Docks
10/25 — Utrecht, NL — Tivoli Vredenburg
10/26 — Copenhagen, DK — Amager Bio
10/28 — Helsinki, FI — Tavastia
10/30 — Stockholm, SE — Fryshuset
10/31 — Gothenburg, SE — Pustervik
11/01 — Oslo, NO — Rockefeller
11/03 — Berlin, DE — Festsaal Kreuzberg
11/04 — Warsaw, PL — Proxima
11/05 — Ostrava, CZ — Club Garage
11/06 — Hanover, DE — Capitol
11/07 — Oberhausen, DE — Turbinenhalle 2
11/08 — Saarbrücken, DE — Garage
11/10 — Vienna, AT — Arena
11/11 — Nuremberg, DE — Hirsch
11/12 — Frankfurt, DE — Batschkapp
11/13 — Munich, DE — Backstage
11/14 — Leipzig, DE — Hellraiser
11/15 — Pratteln, CH — Z7
11/17 — Paris, FR — Machine du Moulin Rouge
11/18 — Antwerp, BE — Trix
11/20 — London, UK — Islington Assembly Hall
11/21 — Manchester, UK — Academy 2
11/22 — Glasgow, UK — Garage

THE ETERNAL Release Video For New Single "Existing To Expire"

Australian/Finnish dark progressive gothic metal collective THE ETERNAL have unveiled a brand-new video for their latest single, "Existing To Expire." The song is the second track to be released from the band's highly anticipated eighth full-length studio album, Obscured Horizons, which will be released worldwide on September 18 via Reigning Phoenix Music.

Following the acclaimed first single, "Lament For The Hollow," "Existing To Expire" offers another powerful glimpse into what is shaping up to be THE ETERNAL's most immersive and definitive work to date. Expanding on the emotional weight, cinematic scope and haunting atmosphere that have become hallmarks of the band's sound, the new single further reveals the depth and ambition of Obscured Horizons.

The album is available for pre-order starting today: https://theeternal.rpm.link/horizonsPR

About the new single, Mark Kelson reveals:
"Existing to Expire explores that moment where you confront the weight of your own disillusionment—when truth and illusion blur to the point that you feel stripped of clarity and left in the dirt. For me, it’s about reclaiming agency after that collapse. There’s a strong sense of breaking free from passivity, which speaks to an internal turning point, a refusal to simply exist in a state of decay. In that sense, ‘existing to expire’ isn’t just about mortality, it’s about recognising a cycle of stagnation and choosing to rise from it, even when identity itself feels like it’s dissolving.”

Stream "Existing To Expire": https://theeternal.rpm.link/existingPR

Watch the new video Below:

Following the widespread acclaim of their 2024 full-length Skinwalker and the evocative companion EP Celestial, THE ETERNAL return with Obscured Horizons, an album that stands as both culmination and evolution. 

Where Skinwalker was hailed for its emotional weight, cinematic scope and seamless fusion of melancholic atmosphere with crushing heaviness, and Celestial further expanded the band's sonic palette with its introspective depth and dynamic intensity, Obscured Horizons pushes even further into uncharted territory. The album refines THE ETERNAL's signature blend of doom-laden textures, progressive sophistication and haunting melodic resonance, while embracing a broader, more expansive sound that feels both intimate and monumental.

At its core, Obscured Horizons is an exploration of disillusionment, fractured identity and the struggle to reclaim clarity in a world saturated with distortion. The album moves through states of emotional collapse, liminal transition and existential unrest, confronting deception, both external and internal, before emerging into renewal and self-awareness. Rather than surrendering to decay, Obscured Horizons charts a defiant ascent, refusing numbness, rejecting illusion and ultimately reclaiming light from the shadows that threaten to eclipse it.

With Mark Kelson (vocals/guitars) and Richie Poate (guitars) in Melbourne, alongside Niclas Etelävuori (bass; ex-Amorphis/Flat Earth) and Jan Rechberger (drums; Amorphis) in Helsinki, THE ETERNAL remain a truly international collaboration, unified across continents yet bound by a singular artistic vision.

Their sound continues to resonate with listeners drawn to the emotional gravity of dark metal while carving a path distinctly their own. As they enter a new creative chapter with their gaze fixed firmly on the unseen, Obscured Horizons represents a bold statement from a band continuing to evolve while remaining true to its artistic identity.

THE ETERNAL Australian Live Dates, with AMORPHIS:
September 23, 2026 The Croxton Bandroom, Thornbury, VIC
September 24, 2026 The Triffid, Newstead, QLD
September 25, 2026 Liberty Hall, Moore Park, NSW
September 26, 2026 The Basement, Belconnen, ACT

 

THE ETERNAL is:
Mark Kelson / Guitar & Vocals
Richie Poate / Guitar
Niclas Etelävuori / Bass
Jan Rechberger / Drums & Percussion
 

More on THE ETERNAL:
Facebook | https://www.facebook.com/TheEternal
 Instagram | https://www.instagram.com/theeternalofficial/
 X | https://www.twitter.com/theeternalband
 TikTok | https://www.tiktok.com/@theeternalofficial
 YouTube | https://www.youtube.com/channel/UC4vJAnrZbwUesT_FlY03mdw

Pretty Pity Chase The Rush On Addictive New Single "IDK (idk)"!

Sun-soaked pop rock chameleons, Pretty Pity, return today with their latest single, "IDK (idk)", a high-energy, emotionally charged anthem that explodes into a chorus built for thousands to scream back. With a sound that continues to blur the lines between pop, punk, and metal, "IDK (idk)" showcases the band's ability to make the messy and magnetic feel like one and the same. Listen to "IDK (idk)" BELOW.

Blending punchy pop-rock hooks with a darker undercurrent of tension and vulnerability, Pretty Pitydive headfirst through the chaos of craving connection while resisting anything real. Fueled by gritty guitars and an undeniable melodic pull, "IDK (idk)" leans into late-night decisions, blurred boundaries, and the addictive cycle of wanting more without knowing why.

In the midst of a breakout year for the band, vocalist Tani Jade shares:

"Our new single, IDK (idk), is an anthem for those who fear commitment and only find comfort in validation from others. I wrote these lyrics about being in a self destructive phase where instant gratification takes over; getting lost in the moment and craving the feeling of being wanted by everyone around you, yet fearing they’ll change their minds if they dug any deeper.

This summer we'll be playing the biggest shows of our career and our first major festival, Summerfest in Milwaukee on July 2nd. We’re so excited to share the stage with bands like All Time Low, Kenny Hoopla, and Girlfriends at the event, it’s truly a dream come true. 

We’re kicking off our run to Summerfest by joining the Summer School Tour w/ Honey Revenge, Winona Fighter, and South Arcade at House Of Blues in Orlando on June 26th. We also just announced dates around the festival AND we’ll be out supporting Royale Lynn in August! We are beyond grateful for the growing fanbase that has pushed us to grow as artists and set higher goals with every tour and release."

Quickly becoming a name to know, Pretty Pity has been turning heads with a sound that borrows from metal, punk, and classic rock all while landing as an unbelievably catchy pop record. Hot off the heels of their addition to Orlando's Summer School date alongside Honey Revenge and South Arcade, Pretty Pity's Road 2 Summerfest will also lead them into a direct support slot with Royale Lynn in August. For a band on the rise, Pretty Pity has certainly put together one hell of a summer.

Stay tuned for more news from Pretty Pity very soon.

ROAD 2 SUMMERFEST

June 26 - Orlando, FL - Summer School Fest

June 29 - Charlotte, NC - Snug Harbor

June 30 - Columbus, OH - Rumba Cafe

July 1 - Chicago, IL - Subterranean

July 2 - Milwaukee, WI - Summerfest

July 5 - Nashville, TN - East Room

THE ROYALE PAIN IN THE ASS TOUR

August 14 - Lynchburg, VA - Super Rad Arcade Bar

August 15 - Raleigh, NC - Kings

August 16 - Gainesville, FL - Heartwood Soundstage

August 18 - Winter Park, FL - Conduit

August 19 - Tampa, FL - The Orpheum

August 21 - Mobile, AL - Soul Kitchen

August 22 - Little Rock, AR - Sticky Fingerz Chicken Shack

August 23 - Oklahoma City, OK - Resonant Head

August 25 - Houston, TX - The Secret Group

August 26 - Dallas, TX - TX Tea Room

August 27 - San Antonio, TX - Paper Tiger

PRETTY PITY

Tani Jade

David Kislik

Billy DeGuzman

Alex Gonzalez

Hernando Torrealbo

BEHEMOTH UNLEASH NEW SINGLE & VIDEO 'I, SCVLPTOR'

Polish extreme metal legends, BEHEMOTH, unleash 'I, Scvlptor', the first single from their new studio release, I, Scvlptor. The music video was produced by the acclaimed Polish production collective Grupa 13, while the cover artwork and design were created by long-time Behemoth collaborator Bartek Rogalewicz /LODGE.BLACK.
 
Listen to 'I, Scvlptor' digitally via Nuclear Blast: 
https://behemoth.bfan.link/i-scvlptor

Pre-order the physical release of I, Scvlptor:

Massacre Records: 
www.iscvlptor.com

Behemoth Webstore: 
https://behemoth-store.com/en-ea/collections/i-scvlptor

Watch the music video for 'I, Scvlptor' Below:

Nergal commented on the new single:
 
“'I, Scvlptor' is a new Behemoth song rooted in the tradition of monumental tracks like 'O Father O Satan O Sun!', 'Lucifer' or 'Nieboga Czarny Xiądz', while at the same time opening a new chapter. It carries that epic weight but also takes an unexpected turn that makes it feel fresh and different from the previous pieces. Lyrically, it is a metaphor for the endless process of shaping oneself - an uneven struggle with matter and personal limitations. The paradox is that from the moment we are born we are already destined to die, so perhaps it is not about victory itself, but about the constant act of sculpting who we are”.
 
'I, Scvlptor', which will be out 04 September 2026, is an exclusive release featuring eight previously unreleased songs - seven new studio recordings and one live track. It is an autonomous body of work that bridges the band's foundational past with their present creative fire. The release features brand-new studio material embodying the full force of Behemoth's live energy and intensity. Two tracks - 'Rise of the Blackstorm of Evil' (from The Return of the Northern Moon, 1992) and 'In Thy Pandemaeternum' (from Pandemonic Incantations, 1998) - are newly re-recorded versions of early Behemoth material, reshaped with modern sonics while preserving their original spirit; a tribute to the bands who had a huge influence on Behemoth - 'In League With Satan' (originally by Venom, feat. Shagrath of Dimmu Borgir) and 'The Return of Darkness and Evil' (originally by Bathory, feat. Sakis Tolis of Rotting Christ). Available on CD, LP, MC and Limited-Edition Box Set through Massacre Records worldwide and digitally via Nuclear Blast Records.

Nergal commented:
 
We’re fucking excited about the release of I, Scvlptor. Even though it’s not a regular studio album and is, in fact, more of a compilation, the mere fact that it contains songs nobody has ever heard before makes it a significant release for us. What’s more, some of these tracks are likely a little different from what we offered on our last album, The Shit Ov God. That’s why we see I,Scvlptor as an important record — a connecting piece, a bridge between where we are now and whatever may come next in the distant future.

In October 2026, two of the most influential forces in extreme metal join together for a monumental tour: Behemoth and Dimmu Borgir will embark on the “In League with Satan” co-headline tour (with special guests, Dark Funeral), storming across Europe and the UK. Details below:  


IN LEAGUE WITH SATAN TOUR 2026
BEHEMOTH + DIMMU BORGIR

09 Oct – Zurich, Switzerland – Halle 622
10 Oct – Zwickau, Germany – Sparkassen-Arena Zwickau
11 Oct – Esch-sur-Alzette, Luxembourg – Rockhal
13 Oct – Milan, Italy – Alcatraz
14 Oct – Munich, Germany – Zenith
16 Oct – Paris, France – Zenith
18 Oct – Den Bosch, Netherlands – Mainstage
20 Oct – Cologne, Germany – Palladium
22 Oct – Hamburg, Germany – Inselpark Arena
23 Oct – Berlin, Germany – Columbiahalle
24 Oct – Brno, Czech Republic – Hala Vodova
25 Oct – Katowice, Poland - Spodek [JUST ANNOUNCED]
27 Oct – Helsinki, Finland – Ice Hall
29 Oct – Stockholm, Sweden – B-K
30 Oct – Copenhagen, Denmark – K.B. Hallen

TICKETS: https://www.behemoth.pl/

Black Metal Kings DARK FUNERAL Announce New Live Album 'A Beast To Praise' Set for Release on August 21st via Century Media

The Swedish kings of black metal, DARK FUNERAL, proudly announce their long-awaited new live album, 'A Beast To Praise,' set for worldwide release via Century Media on August 21, 2026.

Recorded at Fållan in Stockholm in 2022, 'A Beast To Praise' captures DARK FUNERAL's devastating live performance in support of their acclaimed album 'We Are The Apocalypse.'Spanning 13 tracks and nearly 70 minutes, the release showcases the band's relentless stage presence while celebrating an album that entered the charts across Europe upon it's 2022 release, including #6 in Germany, #13 in Finland, #28 in Switzerland, #29 in Austria, and #31 in Sweden.

The first preview of the upcoming live release arrives today in the form of the single and live video for "The Arrival Of Satan's Empire," which can be viewed below.

Watch the Live Video for "The Arrival of Satan's Empire" Below:

DARK FUNERAL’s Lord Ahriman comments on ‘A Beast To Praise’:

‘A Beast To Praise’ (Live at Fållan, Stockholm) captures a very important moment in the history of DARK FUNERAL — not only the live release ritual for ‘We Are The Apocalypse,’but also our return to the stage after years of silence during the pandemic. That night at Fållan was intense in every possible way. The energy in the room, the fire, the audience and the atmosphere all came together into something far beyond an ordinary concert. This release is the immortal document of that night. With the release of this live album and the upcoming European touring cycle in the fall of 2026, we now close the chapter surrounding ‘We Are The Apocalypse.’ At the same time, we are already deeply focused on the next era of DARK FUNERAL and hard at work creating new material for what will become our next studio album, planned for release in 2027. And as one chapter closes, a new one is already taking shape — bigger, darker and more epic than ever before...”

Pre-Order 'A Beast To Praise' HERE

DARK FUNERAL will next embark on the massive “In League With Satan” tour across Europe together with Behemoth and Dimmu Borgir in October. All upcoming tour dates currently announced can be found below.

DARK FUNERAL Live:

August 6-9 - Schlotheim, Germany @ Party.San Open Air

August 28-30 - Câmpulung, Romania @ Posada Rock

August 28-30 - Požega, Serbia @ Hellhammer Festival

"In League With Satan" – European Tour

w/ Behemoth & Dimmu Borgir

October 9 - Zurich, Switzerland @ Halle 622

October 10 - Zwickau, Germany @ Sparkassen-Arena Zwickau

October 11 - Esch sur Alzette, Luxembourg @ Rockhal

October 13 - Milan, Italy @ Alcatraz

October 14 - Munich, Germany @ Zenith

October 16 - Paris, France @ Zenith

October 18 - Den Bosch, The Netherlands @ Mainstage

October 20 - Cologne, Germany @ Palladium

October 22 - Hamburg, Germany @ Inselpark Arena

October 23 - Berlin, Germany @ Columbiahalle

October 24 - Brno, Czech Republic @ Hala Vodova

October 27 - Helsinki, Finland @ Ice Hall

October 29 - Stockholm, Sweden @ Hovet

October 30 - Copenhagen, Denmark @ K.B. Hallen

More info and tickets can be found HERE

Stay alert for more news on DARK FUNERAL and 'A Beast To Praise' coming up soon…

DARK FUNERAL are:

Lord Ahriman – Guitars 

Chaq Mol – Guitars 

Heljarmadr – Vocals

Adra-Melek – Bass

Jalomaah – Drums 

SAVE US to Release "Death To Something" on 10/16; Band Shares Video for Title Track

Transcontinental trio SAVE US Miguel Owls [vocals], Chris Biddiscombe[guitar], and Benji Havercroft [drums] — will release their new album Death To Something on October 16 via Solid State Records. Pre-order the album, produced by Landon Tewershere.

The band shares the video for the title track. Watch it Below.

"'Death To Something' was the last song we wrote with Landon, and it ended up giving the record its name. Lyrically, it was inspired by my newborn son," says Owls. "The message is simple but powerful: Sometimes there has to be a death to your old life in order to build a better one for the people you love. On this track, I dive into the struggles and hardships of my past, and how I had to finally cut the ties that kept weighing me down. It's raw, personal, and honestly one of the most meaningful songs I've ever written."

The origin story of SAVE us and how the globally-based band came together is quite simple. Back in 2023, Owls was regularly posting covers on social media and quietly cultivating a following online. Hailing from the Central Valley of California, he never expected to find his future bandmates in his DMs. Bristol, UK-based Biddiscombe stumbled upon one of the vocalist's Architects covers and sent a message on TikTok. Clicking right away, they commenced creating music (despite over 5,000 miles between them). Due to a factory day job from 1pm-9:30pm, Owls typically woke up at 5am in order to write with Chris and Benji before work. Prior to meeting in-person, the trio had remotely recorded a few tracks. Eventually, the singer crossed the pond to shoot the visual for "Distance" from their LUCID EP. Reacting with listeners, the track clocked north of 2.6 million Spotify streams. The group maintained their momentum with 2024's EXIST EP. A year later, they inked a deal with Solid State and decamped to Michigan where they recorded with sought-after producer and The Plot In You mastermind Landon Tewers.

Ultimately, the band's name reflects their shared experience.

"Chris and Benji were both ready to stop doing music," Owls reveals. "I was in the same boat. We were all on the edge of letting our dreams go. Out of nowhere, we found each other, went all the way in together, and the band genuinely saved us. We're always dabbling in emotion, so our goal is to reach you on a human level."


Mission accomplished on Death To Something, which in all actuality, brought the band members back to life.

Catch SAVE US on tour with Saosin this fall. All dates are below.

SAVE US ON TOUR:
WITH SAOSIN:

10/23 — Anaheim, CA — House of Blues Anaheim
10/24 — Tempe, AZ — Marquee Theatre
10/25 — Albuquerque, NM — Sunshine Theater
10/27 — San Antonio, TX — Vibes Event Center
10/28 — Dallas, TX — House of Blues Dallas
10/29 — Houston, TX — House of Blues Houston
10/30 — New Orleans, LA — House of Blues New Orleans
10/31 — Pensacola, FL — Vinyl Music Hall
11/1 — Orlando, FL — House of Blues Restaurant & Bar
11/3 — Nashville, TN — Brooklyn Bowl Nashville
11/4 — Raleigh, NC — The Ritz
11/6 — Sayreville, NJ — Starland Ballroom
11/7 — New York, NY — Webster Hall
11/8 — Worcester, MA — Palladium
11/10 — Philadelphia, PA — Brooklyn Bowl Philadelphia
11/11 — Baltimore, MD — Nevermore Hall
11/13 — Buffalo, NY — Town Ballroom
11/14 — Detroit, MI — The Majestic Theatre
11/15 — Chicago, IL — House of Blues Chicago
11/17 — Milwaukee, WI — The Rave / Eagles Club
11/18 — Minneapolis, MN — The Fillmore Minneapolis
11/20 — Denver, CO — Summit Music Hall
11/21 — Salt Lake City, UT — The Complex
11/22 — Boise, ID — Knitting Factory
11/24 — Seattle, WA — Showbox SoDo
11/25 — Portland, OR — Roseland Theater
11/27 — Los Angeles, CA — The Novo
11/28 — San Diego, CA — SOMA

Iconic Hard Rockers NIGHT RANGER Unveil Newly Remastered Single "(You Can Still) Rock in America (2026)" + Visualizer

Today, hard rock legends NIGHT RANGER are proud to unveil their newly remastered version of their 1983 single, "(You Can Still) Rock in America (2026)," taken from their upcoming‘Best Of’ album, set for release on August 28th via Frontiers Music Srl. The new single arrives alongside an official video, available below.

'Best Of' features newly remixed & remastered versions of classic hits spanning NIGHT RANGER’s illustrious career, alongside some standout tracks from the band’s more recent releases. The album will be released on both CD and Vinyl. The double LP is available in 3 different colors: black, gold, & orange splatter.

"The new 'Best Of' is a celebration of not only our classic hits but also what we’ve created over the last 20 years. And we’re just gonna keep cranking it cause we’re having too much fun to stop! So enjoy the ride and see ya on the road!” Jack Blades

Watch the Visualizer for "(You Can Still) Rock in America (2026)" Below:

Few bands have defined the sound of American melodic rock quite like NIGHT RANGER. From the soaring anthem of “Sister Christian” to the thunderous riffs of “Don’t Tell Me You Love Me," and fan favorites like “You Can Still) Rock in America” this album’s ‘Best Of’ collection captures the very essence of their decades-long career — now refreshed for 2026.

Featuring the classic hits alongside standout tracks from their more recent albums, this compilation spans the full spectrum of NIGHT RANGER’s signature sound: anthemic choruses, blazing guitar solos, and unforgettable melodies. Highlights include the power-pop perfection of “(You Can Still) Rock in America,” the heartfelt balladry of “When You Close Your Eyes,” and the cinematic sweep of “Four in the Morning.”

But the ‘Best Of’ is not just a look back. It also celebrates the band’s creative output over the last 20 years, spotlighting tracks like “Time of Our Lives,” “High Road,” “No Time to Lose,” “Somehow Someway,” and “Truth,” proving that NIGHT RANGER’s energy, songwriting, and musicianship have only grown stronger with time. These songs show that the band continues to innovate while staying true to the melodic rock roots that made them legendary.

The band — Jack Blades (bass and vocals), Kelly Keagy (drums and vocals), Brad Gillis(guitars), Eric Levy (keyboards), and Keri Kelli (guitars) — delivers every track with the energy and precision that have kept NIGHT RANGER at the forefront of rock for more than four decades.

This ‘Best Of” album also features two bonus tracks that make this collection of songs truly special: a fresh take on “Wasted Time” recorded live off the floor at Sweetwater Studios, also accompanied by an exclusive music video, and a festive live performance of “Feliz Navidad” that showcases the band’s playful side.

Perfectly timed ahead of their summer 2026 tour, this ‘Best Of’ album serves as both a definitive introduction for new fans and a must-have collection for longtime followers. Whether revisiting the classics or discovering the new 2026 remasters, NIGHT RANGER’s ‘Best Of’ is a celebration of enduring melodies, electrifying performances, and the unforgettable spirit of one of rock’s most iconic bands.

Pre-Order ‘Best Of’ HERE

NIGHT RANGER Live:

 

6/19/2026 – Reno, NV @ Silver Legacy Grande Exposition Hall

6/20/2026 – Wheatland, CA @ Hard Rock Live Sacramento

7/2/2026 – Dickinson, ND @ Legacy Square

7/11/2026 – Fort Morgan, CO @ Bobstock Music Festival

7/12/2026 – La Vista, NE @ The Astro Amphitheater

7/14/2026 – Mentor, OH @ Mentor Civic Amphitheater

7/17/2026 Fond Du Lac County Fair

7/18/2026 – St. Louis, MO @ Hollywood Casino

7/24/2026 – Mahnomen, MN @ Shooting Star Casino

7/25/2026 – Bay City, MI @ Veterans Memorial Park

7/26/2026 – Detroit, MI @ Sound Board inside Motorcity Casino Hotel

8/8/2026 – Lincoln City, IN @ Lincoln State Park Amphitheatre

8/14/2026 – Louisville, KY @ The Louisville Palace

8/15/2026 – Gibson City, IL @ Gibson City Summer Bash

9/4/2026 – Du Quoin, IL @ Du Quoin State Fair

9/6/2026 – Essex Junction, VT @ Champlain Valley Expo

11/13/2026 – Las Vegas, NV @ Kiss Kruise Landlocked in Vegas 2026

11/14/2026 Las Vegas, NV @ Kiss Kruise Landlocked in Vegas 2026

11/15/2026 – Las Vegas, NV @ Kiss Kruise Landlocked in Vegas 2026

2/27/2027 – New Orleans, LA @ The 80s Cruise

2/28/2027 – New Orleans, LA @ The 80s Cruise

3/1/2027 – New Orleans, LA @ The 80s Cruise

3/2/2027 – New Orleans, LA @ The 80s Cruise

NIGHT RANGER are:

Jack Blades: lead vocals, bass guitar

Brad Gillis: lead guitars

Kelly Keagy: lead vocals, drums

Keri Kelly: lead guitars

Eric Levy: keyboards

Sleep Theory Share Video for Their Cover of *NSYNC's "Bye Bye Bye," A Staple of Their Live Shows

Rare is the band that can go No. 1 at Rock Radio and turn around and cover *NSYNC and make it their own.

But SLEEP THEORY — vocalist Cullen Moore, guitarist Daniel Pruitt, bassistPaolo Vergara, and drummer Ben Pruitt — are hardly any other rock band!

With catalog streams at 875 million to date on the back of one album and one EP, Sleep Theory are here to stay... all the while crooning "Bye Bye Bye."

The breakout four-piece has today dropped the video for its flawlessly executed cover of *NSYNC's beloved, '00s pop classic "Bye Bye Bye."

Watch it Below:

Sleep Theory's version is a fan favorite and a staple of the band's live set. Their re-imagining always has heads nodding and bodies dancing at their shows — ultimately, their take on "Bye Bye Bye" is a sharp showcase for a band with a knack for turning something instantly familiar into something fresh. It proves that big hooks and alt-rock muscle can and do coexist. Sleep Theory have continually defied the boundaries of rock and metal by incorporating R&B and pop chops into their original songs and with their choice of covers.

Sleep Theory are coming off their third No. 1 at Rock Radio, a Best New Rock Artist win at the iHeart Radio Awards, a sold-out debut European headline tour, and two sold-out North American headline runs after issuing their debut album, Afterglow, produced by David Cowell and mixed by Zakk Cervini (Bring Me The Horizon, Bad Omens, Architects), last spring. 

Upcoming Sleep Theory tour dates and live appearances are below.

SLEEP THEORY ON TOUR: 
EUROPEAN SUMMER FESITVALS:
6/18 — Dessel, BE — Graspop Metal Meeting
6/19 — Landgraaf, NL — Pinkpop
6/22 — Barcelona, Spain — Razzmatazz 2
6/26 — Münster, DE — Vainstream Rockfest
6/27 — Leipzig, DE — Impericon Festival

U.S. TOUR DATES:
7/18 — Mansfield, OH — Inkcarceration@
7/19 — Tinley Park, IL — Summer of '99 & Beyond Festival@
7/28— Kansas City, MO— The Truman (SOLD OUT) *
7/30— Green Bay, WI— EPIC Event Center*
7/31— Dubuque, IA— Dubuque County Fair Association*
8/1— Omaha, NE— The Admiral Theater*
8/2— Springfield, MO— The Regency Live*
8/21— Montreal, QC— Warped Tour Montreal@
8/22— El Reno, OK— Lucky Star Amphitheater— Rock 100.5FM Kattfest@
9/12-13— Mexico City, MX— Warped Tour Mexico City@
9/20— Louisville, KY— Louder Than Life Festival@
10/4— Sacramento, CA— Aftershock Festival@
10/17— Nashville, TN— Ceremony Festival@
10/24 — Fort Worth, TX — Sick New World@
*Headline Date
@Festival

Motionless In White Share Video for "R.I.P." (Feat. Skylar Grey)

Platinum-selling, Scranton, PA powerhouse MOTIONLESS IN WHITE will release their new album DECADES  July 17 via Roadrunner Records. Pre-order it here.

Today, the band shares thew new song "R.I.P." (Feat. Skylar Grey).

Watch the video Below

The video was directed by Jensen Noen, who also lensed the "Werewolf" and "Sign Of Life" videos.

The track evokes the power of a lover's lament inscribed on a headstone. Piano twinkles through the haze of funereal synths, where the dual male-femal vocals entwine on an epic chorus boosted by soaring harmonies. It's everything you want, love, and expect from Motioneless In White.

"Skylar's voice brought it to another level that I never could have achieved on my own," says singer Chris Motionless. "I really love the lyrics for this song. Even though I wrote it through a romantic lens, I love that it can be applied to any moment in your life when you've had a falling out with someone you deeply care about, whether that's a best friend, family member, or romantic partner."

He continues, "The song really hones in on the deafening silence that follows after you've said hurtful things to one another that you wish you could take back. It's meant to capture the tension that exists in that quiet space of separation. You want to apologize and make things right, but you don't know how. You want to tell them you love them more than anything and can't live without them, but there's a lot of pain on both sides that has to be confronted first. All the while, you're left with the crippling uncertainty of whether the relationship can ever recover and move forward, or if it's destined to be laid to rest and gone forever."

Motionless In White have also announced the second leg of The Sweat and Blood TourDayseeker will serve as direct support. The Devil Wears Prada and Dark Divine will also appear. This leg fittingly kicks off the night before Halloween in Worcester and runs through November 20 in Pittsburgh. 

All tickets are available here.

MOTIONLESS IN WHITE ON TOUR:
WITH LORNA SHORE, FIT FOR A KING, + STATIC DRESS:
SUMMER 2026:

7/14 — Bridgeport, CT — Hartford HealthCare Amphitheater
7/16 — Gilford, NH — BankNH Pavilion
7/18 — Bristow, VA — Jiffy Lube Live
7/19 — Mansfield, OH — Inkcarceration*
7/21 — Charlotte, NC — Truliant Amphitheater
7/22 — Alpharetta, GA — Ameris Bank Amphitheater
7/24 — Irving, TX — The Pavilion at Toyota Music Factory
7/25 — Houston, TX — The Cynthia Woods Mitchell Pavilion
7/26 — Austin, TX — Germania Insurance Amphitheater
7/28 — Albuquerque, NM — First Financial Credit Union Amphitheater
7/29 — Phoenix, AZ — Talking Stick Resort Amphitheatre
7/31 — Los Angeles, CA — The Kia Forum
8/1 — Wheatland, CA — Toyota Amphitheatre
8/4 — Portland, OR — Theater of the Clouds
8/5 — Auburn, WA — White River Amphitheatre
8/7 — Sandy, UT — Beddy’s Plaza at America First Field
8/9 — Morrison, CO — Red Rocks Amphitheatre
8/11 — Oklahoma City, OK — Zoo Amphitheatre
8/12 — Rogers, AR — Walmart AMP
8/14 — Indianapolis, IN — Everwise Amphitheater at White River State Park
8/15 — Sterling Heights, MI — Michigan Lottery Amphitheatre
*Festival

WITH DAYSEEKER, THE DEVIL WEARS PRADA, + DARK DIVINE:
FALL 2026:
10/30 — Worcester, MA — DCU Center
10/31 — Philadelphia, PA — Xfinity Mobile Arena
11/3 — Raleigh, NC — Lenovo Center
11/4 — Savannah, GA — VyStar Pavilion
11/5 — Orlando, FL — Kia Center
11/7 — Nashville, TN — The Truth
11/8 — Peoria, IL — Peoria Civic Center Arena
11/10 — Minneapolis, MN — Target Center
11/11 — Omaha, NE — CHI Health Center
11/13 — Milwaukee, WI — Fiserv Forum
11/15 — Albany, NY — MVP Arena
11/18 — Portland, ME — Cross Insurance Arena
11/19 — Newark, NJ — Prudential Center
11/20 — Pittsburgh, PA — PPG Paints Arena

Decades features several high-profile and eclectic guest appearances. In addition to Taylor, Sklyar Grey, and Dark Divine's Anthony Martinez also feature on the album. The band recorded Decades in Upstate New York and Los Angeles with co-producers Drew Fulk and Justin "JD" deBlieck and ultimately incorporated their past, present, and future sounds into one cohesive sound. This is Motionless at their very best.

"We were never afraid to take risks," observes Chris. "This band has not only lasted two decades, but we've also outlasted all of the obstacles we've faced. We're still grinding. No matter how far we expand the universe that is Motionless In White, we're going to preserve the heart, soul, and roots of where we came from. We are never going to abandon heartfelt, emotional, and heavy songs. We are never going to abandon what mattered to us the most when we started. We're finding new ways to emphasize those stories with exciting sounds and looks, but the vision is the same. It's always been this grand, dramatic, and theatrical entity. I'm proud we haven't gotten comfortable."

He finishes, "Decades is definitely heavier than some of our past albums. Our current world bred more aggressive energy, anger, and resistance."

WEDNESDAY 13 Unveils Video fo New Single "Look What The Bats Dragged In" (Un-Alive from Pol'and'Rock 2025)

Today, dread rock superstar WEDNESDAY 13 gives us the first taste of his forthcoming triumphant live album, Un-Alive from Pol'and'Rock 2025 out September 25 via Napalm Records. Kicking things off with a particularly raucous live rendition of the Transylvania 90210 classic, "Look What The Bats Dragged In," they sound as incendiary as ever. The roaring crowds are inescapable, as Weds and co. barrel through this high octane ripper with devilish delight. 

WEDNESDAY comments  "Look What The Bats Dragged In":
"Oh my God, look at what the bats dragged in. There's no better way to start a WEDNESDAY 13 show than with this graveyard banger. The Poison parody title is still admired to this day. 'Look What The Bats Dragged In' was the first track from the first WEDNESDAY 13 album, it's fast, furious, and never fails to get the audience in a frenzy. This track sets the pace for the whole live album."

Check Out The Official Music Video for "Look What The Bats Dragged In" Below:

Pre-Order Your Copy of Un-Alive from Pol'and'Rock 2025 HERE.

WEDNESDAY 13 will be touring extensively this summer and fall, first hitting the UK for both the Bloodstock and Firevolt festivals, amongst some local dates. Afterwards, the band returns to North America for the Shocktober Blood tour, joined by Dead on Sunday and Above Snakes, before traveling back across the pond to Europe for the Cursed Blessings co-headliner with The Birthday Massacre. See below for a complete list of dates.

WEDNESDAY 13 ON TOUR:

7/11 — Glendale, AZ — Mad Monster Party 2026

CRUEL SUMMER UK 2026:
8/6 — Southend-on-Sea, UK — Chinnery's
8/7 — Derby, UK — Bloodstock Festival
8/8 — Stockport, UK — Firevolt Festival
8/9 — Newport, UK — Corn Exchange

SHOCKTOBER BLOOR TOUR:
w/ Dead On A Sunday*
* = Dead On A Sunday Not Appearing

9/23 — San Jose, CA — The Ritz*
9/25 — Seattle, WA — El Corazon
9/26 — Portland, OR — Dante’s
9/27 — Boise, ID — Shrine Social Club
9/28 — Salt Lake City, UT — Urban Lounge
9/30 — Las Vegas, NV — Backstage Bar
10/1 — Anaheim, CA — Parish @ House of Blues
10/2 — Pomona, CA — Glass House
10/3 — Fresno, CA — Sanctuary
10/4 — Los Angeles, CA — Teragram Ballroom*
10/5 — Mesa, AZ — Rosetta Room*
10/6 — Albuquerque, NM — Sunshine Theater
10/8 — Lincoln, NE — Bourbon Theater
10/9 — McHenry, IL — The Vixen*
10/10 — Flint, MI — Machine Shop*
10/11 — Lakewood, OH — Mercury Music Lounge*
10/13 — Hamden, CT — Space Ballroom
10/14 — Lowell, MA — Taffeta Music Hall
10/15 — Harrisburg, PA — Capitol City Music Hall
10/16 — Syracuse, NY — The Song & Dance
10/17 — Bensalem, PA — Broken Goblet
10/18 — Clifton, NJ — Dingbatz
10/20 — Leesburg, VA — Tally Ho
10/22 — Raleigh, NC — Chapel of Bones
10/23 — Richmond, VA — Canal Club
10/24 — Columbus, OH — The Kings of Clubs
10/26 — Nashville, TN — Basement East
10/27 — Sauget, IL — Pop’s Nightclub
10/28 — Lawrence, KS — The Bottleneck
10/30 — Colorado Springs, CO — Black Sheep
10/31 — Denver, CO — Marquis Theater*

CURSED BLESSINGS EUROPEAN TOUR:
Co-headliner with The Birthday Massacre
Direct Support from Killus
* = WEDNESDAY 13 Only

11/23 — Prague, CZ — Futurum Prague
11/24 — Leipzig, DE — Conne Island *
11/25 — Cologne, DE — Volta
11/26 — Liège, BE — Reflektor
11/28 — Paris, FR — Chavaux
11/29 — Rotterdam, NL — Baroeg
11/30 — Bochum, DE — Matrix *

12/1 — Hamburg, DE — Knust *
12/2 — Berlin, DE — Lido *
12/4 — Dresden, DE — Beatpol
12/5 — Budapest, HU — Dürer Kert
12/7 — Zurich, CH — Dynamo Saal
12/8 — Munich, DE — Backstage
12/9 — Mannheim, DE — MS Connexion Complex

Hardcore Punk Criminal Enterprise U.S. BASTARDS (Ex-GWAR) Unleash Cover of Judas Priest's "Heading Out to the Highway" + Visualizer

Today, U.S. BASTARDS, spearheaded by Brent Purgason (ex-GWAR), proudly unleash their latest single, a cover of Judas Priest's classic "Heading Out to the Highway," taken from their upcoming new album, 'Negligent Discharge,' due out this Friday, June 19th. The new track arrives alongside a visualizer, available below.

On the new track, Brent shares:

"We are a punk rock band at our core and we wanted to rock one of our favorite songs, by none other than Judas Priest, to show we could do more than simple fast tunes. The song meaning holds true for anyone feeling stuck and dealing with the frustrations of road life while also embracing the adventure and journey that comes with it. Plus, if Rob Halford can listen to it and text me a thumbs up emoji I can die a happy man."

Check Out the Visualizer for "Heading Out to the Highway" Below:

In a world full of pleasantries and kiss-assing, U.S. BASTARDS are neither. A four-piece hardcore punk criminal enterprise from Virginia, the band has re-formed after a chance meeting in county lockup. Brent and Robby knew the four members didn’t land in the same cell for no reason. It was fate calling them back to life on the road; back to sleepless trips, dungeon whips, gas station speed, and canned meat. Doug agreed fate was calling them back to teach the masses what a truly bad time could be. … and Brendan just happened to be in the room.

“I’ve been doing so much hard time lately, it's time to be hard on the road.”Brent

“...[two middle fingers]...”Doug

Ran-when-parked, the outlaws took straight to the van to get the message out. After a ten-year hiatus, they have agreed to utilize their newfound freedom from the state to write harder, catchier, faster, harder-er, hell-raising songs glorifying their exploits and shine a light on the gatekeeping tendencies in the music scene that has never accepted them.

When the rest of the world goes quiet, the BASTARDS get loud and angry, blazing across the country with a wall of cranked Marshall stacks. This is the way punk rock should be: loud, unapologetic, pandering to no one, and having no qualms with being the bad guy.

Stream / Listen to "Heading Out to the Highway" HERE

U.S. BASTARDS new album ‘Negligent Discharge’ is set for release June 19th featuring bonus track covers of Judas Priest and Motorhead songs. 13 tracks of hard and fast music that kicks the door off its hinges. Best to listen with a shotgun in one and a 40oz duct taped to the other, these are anthems for the outcasts among the outcasts. Skip work! Give your neighbors kid a cig! This is full throttle, no brakes, speed-rocking crime metal. Full stacks and gun racks packed, these delinquents are coming to your town. Clutch your pearls! U.S. BASTARDS are back.

Pre-Order 'Negligent Discharge' HERE

U.S. BASTARDS Live:

8/14 - Richmond, VA @ Richmond Music Hall w/ X-Cops & Belushi Speed Ball

U.S. BASTARDS are:

Brent Purgason - Guitar & Vocals

Doug Fines - Guitar

Brendan Artz - Bass

Robby Scarce - Drums

Insomnium Release Video for "Shadowlife" From Upcoming Album

"Shadowlife" marks the compelling first glimpse of Finnish melodic death metal visionaries INSOMNIUM's forthcoming album, out in October. Refusing to dwell in familiar territory or rely on well-worn formulas, the band continues to push its sound into new emotional and sonic dimensions — expanding its palette while remaining unmistakably true to its essence. On "Shadowlife," crushing weight meets delicate vulnerability, and darkness and light are woven together in a seamless interplay — a concept brought to life through the visionary artistry of Travis Smith.

Vocalist/bassit Niilo Sevänen says "As a story, 'Shadowlife' can be seen as a thematic gateway to the entire record — an elegy not only for a lost beloved, but also for the fading belief that anything beautiful can remain untouched by time. It is a realization that love, youth, summer, and warmth cannot be preserved forever. Thus, we are left suspended between longing and acceptance, lingering in the liminal spaces of sleep, shadow, and night."

Guitarist and clean vocalist Markus Vanhala adds, "'Shadowlife' opens the dreamy next chapter of INSOMNIUM with a certain self-aware catchiness. I set out to write an obvious hit — perhaps even a so-called 'banger' — to kick things off, but don't worry: The deeper cuts will follow. Album No. 10 is truly a defining milestone for us, so we wanted to honor our history while also introducing some new nuances. Living on the edge."

Check out the video by Coldstore Productions offering a captivating first glimpse into the Netherworlds HERE.

The band has also unveiled an extensive touring schedule—with even more announcements still to come:

INSOMNIUM LIVE:
7/3–7/4 — Colombier-Saugnieu, FR — Plane'R Fest
7/24 — Tampere, FI — Kaaos Festival
7/31 — Râșnov, RO — Rockstadt Extreme Fest
8/5–8/8 — Jaroměř, CZ — Brutal Assault
8/29 — Savonlinna, FI — Olavinlinna (with Amorphis)

SUPPORT: KAUNIS KUOLEMATON:
10/16 — Helsinki, FI — Kulttuuritalo
10/17 — Lahti, FI — Möysä
10/23 — Seinäjoki, FI — Rytmikorjaamo
10/24 — Tampere, FI — Tavara-Asema
10/30 — Joensuu, FI — Kerubi
10/31 — Jyväskylä, FI — Lutakko
11/6 — Kuopio, FI — Circus Live
11/7 — Kotka, FI — Satama Areena

WITH AMORPHIS + UNTO OTHERS:
1/22 — Hamburg, DE — Große Freiheit 36
1/23 — Leipzig, DE — Haus Auensee
1/24 — Berlin, DE — Huxleys Neue Welt
1/25 — Warsaw, PL — Progresja
1/27 — Budapest, HU — Barba Negra
1/28 — Vienna, AT — Arena
1/29 — Munich, DE — Backstage
1/30 — Wiesbaden, DE — Schlachthof
1/31 — Antwerp, BE — Trix
2/2 — Manchester, UK — O2 Ritz
2/3 — London, UK — O2 Forum Kentish Town
2/5 — Stuttgart, DE — Wagenhallen
2/6 — Pratteln, CH — Z7 Konzertfabrik
2/7 — Padova, IT — Hall
2/9 — Barcelona, ES — Sala Apolo
2/10 — Madrid, ES — Sala La Riviera
2/12 — Paris, FR — Élysée Montmartre
2/13 — Oberhausen, DE — Turbinenhalle 2
2/14 — Tilburg, NL — O13

Ever since emerging from the mist-laden town of Joensuu in Karelia, INSOMNIUM have served as a guiding light for those drawn to the shadows. Now, for the tenth time, they lift the curtain on a new chapter — an album steeped in Finnish melancholy, where haunting melodies intertwine with the unrelenting force of ferocious melodic death metal.