Kenny Chesney Takes You to "Silver Sands Marina" in Video Out Today

In a world of singles and tracks, it’s easy to forget the power of a song that delivers not just the smallest details, but the emotional tidal waves that exist long after a moment has faded. For Kenny Chesney, who announced his 21st album and second teaser with the title track to Silver Sands Marina, the sweeping midtempo so completely painted the place and sensations, there was only one thing to do: make a video.
 
“When you hear the song, it’s so perfectly drawn, you almost can’t believe it’s real,” the man Wall Street Journal called “The King of the Road” says. “But, of course, it is a real place – located on Lake Winnipesaukee – where generations of families and friends have tied up their boats, checked in, enjoyed the water and being together. You can feel all the happiness and fun people have had there the moment you step on the property.”
 
Ablaze with curiosity, Chesney wanted to see what inspired the song’s ability to hold such subtly indelible feelings. Realizing it was a family owned business, the 2025 Country Music Hall of Fame inductee decided to – almost in keeping with the song’s off-season storyline – check-in, and create a video that instills hyper-local, off-the-beaten-path places with an innocence and charm that transcends the bigger, slicker reality of today’s escapes.
 
Filming on a grey day shortly after recording the title track of his Sept. 25 release, Chesney is seen in single performance pieces around the pier, the motel and marina’s property. Filming outside the traditional tourist seasons, the Silver Sands Marina delivers that anticipatory tension that it isn’t abandoned, but waiting on something – and Chesney’s to-the-camera vocals and guitar-playing suggest a witness to all that has happened there.

“Like the song, there’s a sense this place can’t be real,” Chesney says. “When you pull up, it’s even more wonderful than the pictures. You can feel people’s lives have played out here; kids who’ve met, grown up together, occasionally gotten married and brought their kids there; fishing trips and reunions. And, as my song suggests, the occasionally unexpected encounter where you meet someone who sees you for all that you are – even if it’s only for a moment.”
 
Working with longtime collaborator Shaun Silva, Chesney fashions a clip that surrenders expectations for a full immersion in the moment. Those downstrokes on his acoustic guitar an extension of the passion; his vocals transporting himself – and the viewer – to a memory that retains all of its vibrance. Whether an empty pool waiting for summer, knotty pine wood and tired pink paint, or lake water rippling, the clip offers a real-world escape from the mundane.
 
So taken with the setting, Chesney and photographer Allister Ann documented the day turning to night. Whether portraits of the East Tennessee songwriter/superstar or almost portraits of the setting itself, the photographs delivered a different feel for the stadium-sized headliner. They also suggest the emotional depth beneath the album’s feel-good moments and simple wisdom.
 
Built around a memory that will last a lifetime, the song and video suggest escape is as much a state of mind as it is the rainy afternoon, 20-dollar blinds, pink painted walls, wet sand, bicycles propped up, a sky that’s red, orange and blue and a mug stolen as a talisman of the encounter.
 
Like “Carry On,” which closed out the entire country radio reporting panel in its first week, “Silver Sands Marina” provides a new way of looking at something pretty common. But in that truth that exists right where you are, there’s also the freedom of knowing magic has a way of arriving in unlikely places.
 
“When the song came in, it took me some place,” Chesney marvels. “But it also said a lot of things about where we can find real fulfillment. For me, the more I listened, the more I knew I had to see this place… And once I did, I knew I had to show it to all the people like me, who dream of freedom and escape, but who also know showing up is the spark that makes it happen.”

Miranda Lambert's CRISCO Arrives 10/2; "Till The Going's Gone" Available 6/26

Miranda Lambert has spent more than two decades building one of the most celebrated catalogs in country music by trusting her instincts. On her forthcoming album, Crisco, arriving October 2 via MCA, she does exactly that once again. From dance floors and dive bars to desert highways and kitchen-table conversations, Crisco celebrates the many worlds that have always existed within country music.
 
Produced by Lambert together with Jesse Frasure, Crisco is a vibrant, free-spirited collection that embraces every side of the artist fans have come to love: the storyteller, the wanderer, the romantic, the troublemaker, the traditionalist and the dreamer. Across 12 tracks, Lambert explores heartbreak and hope, highways and honky-tonks, rhinestones and reflection, creating a record that feels both timeless and refreshingly alive. Pre-order / pre-save HERE.
 
“I've always loved every corner of country music,” Lambert shares. “The heartbreak songs, the honky-tonk songs, the songs that make you think and the songs that make you dance. Making this record reminded me that those things don’t have to be separated. We followed the songs wherever they wanted to go, trusted our instincts and ended up with something that feels really fun and really honest to who I am.”
 
That spirit runs throughout Crisco. The album’s previously released title track nods to the long-shared connection between country music and the dance floor, while songs like “Whiskey Business,” “Cuttin’ Onions,” “Cowgirl Curtsy” and “Two Things Can Be True” showcase Lambert’s signature blend of wit, vulnerability and hard-earned wisdom.
 
Elsewhere, “Till The Going’s Gone” – arriving tomorrow, June 26, as a further preview of the album to come – captures the restless quest for freedom that has long defined her songwriting, while “To Everything” embraces uncertainty and adventure, “Sunset Marquis” drifts toward escapism and possibility and “Right Where We Left It” reflects on nostalgia and second chances.
 
From the mythic cowgirl energy of “Snakeskin Boots” to the timeless devotion of the Chris Stapleton duet “A Song To Sing” and Lambert’s take on Jim Croce’s “I’ll Have To Say I Love You In A Song,” the album finds her honoring country music’s past while remaining open to wherever curiosity and inspiration might lead.
 
Written alongside a trusted circle of longtime collaborators including Natalie Hemby, Ashley Monroe, Waylon Payne, Aaron Raitiere, Josh Osborne and more, Crisco remains rooted in the storytelling and songwriting tradition that has defined Lambert’s career. The result is an album that serves not to redefine country music but to widen its lens, showcasing an artist reconnecting with and embracing the full spectrum of sounds, stories and influences that have always existed within it.
 
CDs & vinyls, including signed options, are available to pre-order now via MCA.com and MirandaLambert.com.

About Miranda Lambert
Critically acclaimed groundbreaker/songwriter/superstar Miranda Lambert has defined her multifaceted career as an artist, entertainer, entrepreneur, advocate and businesswoman with an unflinching quest for excellence, honesty and conviction. GRAMMY-nominated single “A Song To Sing” with Chris Stapleton arrived recently as the biggest streaming debut of her career, with Rolling Stone praising its “dreamy disco groove and lovestruck devotion.” Her 10th solo studio album, 2024’s GRAMMY-nominated Postcards from Texas, continued her unbroken streak of 10 consecutive Top 10s on the Top Country Albums chart. The most-awarded artist in Academy of Country Music history, including their top honor for Entertainer of the Year, she has also won three GRAMMYs and 14 Country Music Association Awards. A TIME100 honoree and perennial best-of-the-year list maker at the New York Times, TIME, Rolling Stone, Billboard, Stereogum, People and more, NPR has called her “the most riveting country star of her generation.”

Lambert has taken those standards to become a label co-founder, teaming with longtime collaborator Jon Randall to launch their own imprint, Big Loud Texas, in partnership with Big Loud Records. She is also a New York Times bestselling author and the first female restaurateur on Lower Broadway with her Tex-Mex cantina Casa Rosa, while also expanding her creative reach with her Wanda June Home collection as well as Idyllwind, her western clothing, accessories and footwear brand at Boot Barn. Her passion for animals inspired the creation of MuttNation Foundation, a 501c3 nonprofit which has raised over $13 million since inception to promote shelter pet adoption, support rescue organizations nationwide, advance spay & neuter and help shelters recover from natural disaster.
 
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KOE WETZEL TAKES THE NIGHT CHAMPION ANOTHER ROUND WITH FIVE NEW SONGS ARRIVING THIS FRIDAY, JUNE 26

Just two weeks after releasing The Night Champion, Koe Wetzel is giving fans five additional songs this Friday. Rather than making them wait months for additional music, Wetzel is rewarding listeners now with another batch of songs born from one of the most prolific creative periods of his career. If The Night Champion was the first round, these are what keep the party going long after last call.
 
“Anyone who’s followed me for a while knows I’m not very good at calling it a night,” Wetzel shares slyly. “With how much love the fans have been showing this album already – and knowing we had these additional songs we believe in just as much – we figured we’d go ahead and turn ’em loose while the night’s still young.”
 
The five-song expansion – which Wetzel first shared with loyal fans via Community messaging – features “Magnet,” “Bad Decisions,” “Ronnie Ray,” “Rolling & Smoking” and “Meet You There,” each offering another glimpse into the creative chapter that produced The Night Champion. Written and recorded alongside the album's original 11 tracks, the songs further showcase the fearless songwriting, hard-earned perspective and genre-bending approach that have earned Wetzel widespread critical acclaim.
 
“Koe Wetzel is making music you think no one makes anymore,” proclaims VICE of the project praised by the Los Angeles Times as “brawny yet soulful.” “Wetzel’s dynamic vocal is commanding…his melancholy, aching vocal giving the razor-sharp lyrics a convincing sense of hard-won weariness” adds Billboard of The New Yorker’s “hell-raising country rocker who conquered country radio,” with Rolling Stone declaring The Night Champion “a record that’s poised to really put Wetzel, the ultimate if-you-know-you-know artist, over the top.”
 
With a collaboration with Corey Kent (“Rocky Mountain Low”) sitting in the Top 10 and climbing, and his single “Hurts Like You” already charting, fans will have the chance to experience so much new music live when The Night Champion World Tour launches its U.S. and Canadian leg on July 8. Shane Smith & The Saints, Ole 60, Wyatt Flores, Corey Kent, Wade Bowen, Bayker Blankenship, Kolby Cooper and Logan Jahnke join as support in varying combinations.
 
For more information and to purchase tickets to all upcoming shows, visit KoeWetzelMusic.com. Follow on TikTok@Koe_Wetzel and on Instagram and Facebook @KoeWetzelMusic.

About Koe Wetzel
Roughneck, rule-breaking, red-dirt rocking, Koe Wetzel forged a harder kind of country that drew on grunge, rock and Texas’s outlaw sound. Starting as a kid in a beat-up van, he rose to regional then national prominence with Rolling Stone declaring him “the ultimate if-you-know-you-know artist.” Headlining arena tours even before signing with Columbia, his raw, unabashed music that prompted the cover headline on touring bible Pollstar “Red Dirt Renegade Smashes Confines and Rocks the F out!” found even greater success in the mainstream. 4x Platinum hit “High Road,” his debut Country radio single, spent five weeks at No. 1 and became the most played record of 2025. The Night Champion, his wildly anticipated new project out now, amplifies all the pieces of Wetzel’s musical attack to deliver an album that takes 2025’s American Music Awards Favorite Rock Album and Favorite Country Song nominee to deeper places.
 
Exhaustively touring the U.S., Europe and Australia, Wetzel built a global audience, amassing over 6 billion worldwide audio streams en route to 15 RIAA certifications. Having appeared on “The Late Show with Stephen Colbert,” “This Past Weekend with Theo Von,” covers of USA Today, the LA TimesPollstarBillboard and more, he kicked off 2026 playing to over 70,000 fans at the storied Houston Rodeo. His 50+ date The Night Champion World Tour sees the fever pitch growing for the Pittsburg, Texan who’s tough, tender, ready to shoot out the lights, but also willing to reckon with where he comes from.
 
For more information, visit KoeWetzelMusic.com. Follow on TikTok @Koe_Wetzel and on Instagram and Facebook@KoeWetzelMusic. 

Jenna Paulette Expands 'Back In The Saddle Tour' with 16 Additional Dates

After marking her return to touring in January 2026 with her Back In The Saddle Tour, Leo33 rising country artist Jenna Paulette is expanding her run with 16 new dates added through Fall 2026.
 
“I am so excited to continue this tour this year and for the band and I to perform at some bucket list Honky Tonks,” an enthusiastic Paulette shares. “I love getting to meet so many people that also love country music and hearing which songs of mine they relate to most and making sure we work them into the set. There’s something so special about this time musically and when we’re playing live for you all, and I can’t wait to see you at a show.” 
 
Kicking off on June 26 at Coupland Dancehall in Coupland, Texas, the tour includes stops at the legendary Grand Ole Opry, Gruene Hall, Schoepf’s BBQ and more. 
 
The Back In The Saddle Tour was aptly named to mark Paulette’s return to the road, after spending 2025 navigating the ropes as a new mom. “At the end of 2025, I finally felt like I was finding my footing again after becoming a mom and getting through the first year of parenthood,” Paulette shared earlier this year. “A lot of last year was spent figuring out how to get back in the saddle in every area of my life. I can’t wait to be on the road again and a lot more in 2026.”
 
After releasing her 20-track Horseback (Deluxe) album earlier this year, Paulette continues to tease new music, most recently releasing “High Noon,” which she debuted live at “The Academy of Country Music Presents: Whiskey Jam Welcome Party” in May in Las Vegas ahead of the 61st ACM Awards. 
 
“High Noon” arrived on the heels of Paulette earning her first No. 1 at Texas radio with “Steady” – which she credits her husband, Ross, for inspiring. Together, when she’s not on tour, they ranch in south west Texas. 
 
To learn more, visit JennaPaulette.com and follow Paulette on social media @JennaPaulette across social platforms. 

Back In The Saddle Tour Dates:
June 26 // Coupland, Texas // Coupland Dancehall w/ Hayden Baker
July 10 // Lebanon, Ohio // Bicentennial Park
July 11 // Woodland Park, Colo. // America’s Mountain Festival
July 17 // Belton, Texas // Schoepf's BBQ w/ Sammy Arriaga
July 25 // Alpine, Texas // Viva Big Bend Pachanga
July 29 // Nashville, Tenn. // Grand Ole Opry 
Aug 1 // Covington, Ga. // GA FFA Camp
Aug 8 // Meeker, Colo. // High Country Social
Aug 13 // San Angelo, Texas // House of FiFi Du Bois
Aug 14 // Tyler, Texas // Rick's On the Square
Aug 15 // New Caney, Texas // Bull Sallas Park Showdown w/ Sundance Head & Jason Cassidy
Aug 23 // Denton, Texas // North Texas Fair & Rodeo
Aug 28 // New Braunfels, Texas // Gruene Hall w/ Jesse Raub Jr.
Aug 29 // Plano, Texas // Love & War in Texas
Oct 1 // Mt Pleasant, Texas // Titus County Fair
Nov 21 // Pittsburg, Kan. // Kansas Crossing Casino

About Jenna Paulette:
A CMT Next Women of Country honoree and an Apple Music’s Country Riser, singer-songwriter Jenna Paulette – a cowgirl who came of age amid the gritty realities of ranch life – is part of Nashville’s growing wave of female artists who are rewriting the rules and charting their own paths. Paulette settled in Nashville in 2015, where she struck up a mentorship with Ashley Gorley – a veteran songwriter with 80+ No. 1 tunes under his belt – which ultimately led to her publishing deal with Sea Gayle Music in June 2021. Since collaborating with songwriters Will Bundy, Rhett Akins, and Jessie Jo Dillion, as well as opening for Mason Ramsey, Parmalee, John Michael Montgomery, Clay Walker, and most recently Aaron Watson, Paulette has landed brand partnerships with Justin Boots, Boot Barn, Ely Cattleman and Ranch Water.
 
With the arrival of her debut album The Girl I Was in 2023, Grammy.com remarked the project as “transformative,” noting it “fuses the sounds of [Shania] Twain and Miranda Lambert, tackling mental health with the somber ‘You Ain’t No Cowboy’ and waxing philosophical on ‘Country In The Girl.’” She continued to spotlight her authentic Western lifestyle with the launch of her Cowboygirl line with Ely Cattleman and her Sunrise and Sunset boot line with Boot Barn. Paulette signed with independent label Leo33 in 2024. Her 20-track Horseback (Deluxe) album is available now. For more information, visit www.jennapaulette.com.

Kenny Chesney Announces SILVER SANDS MARINA, 21st Album, Sept. 25

When Kenny Chesney made the decision to follow his heart instead of doing business as it’s always been done, he knew there’d be work, opportunities he didn’t see coming and the ability to color outside the lines. Aligning with HEY NOW Records, the high-impact songwriter/superstar found himself inspired in new ways – and digging even deeper into his already legendary commitment to creativity.
 
With “Carry On,” HEY NOW’s debut single, being the first independent single and only the third ever to lock out the country radio reporting panel in its first week, quickly evolving into the Song of Summer, Chesney dug in, made revisions, added songs and is ready to deliver Silver Sands Marina for a September 25 release date. The new album epitomizes everything that the only country artist in the Top 10 of POLLSTAR’s Most Popular Touring Acts of the Millennium embodies: positive vibes, good humor, long drives, moments and memories that will last a lifetime, jettisoning what pulls you down and a sense of how sweet life truly is.
 
Having just kicked off his second residency at Sphere in Las Vegas, Chesney celebrates by announcing his 21st album: Silver Sands Marina. The Buddy Cannon/Kenny Chesney-produced project arrives September 25. Pre-order / pre-save HERE.
 
With a history of finding great songs as an album is finished, “Silver Sands Marina” delivered a gateway to a project that’s definitive Chesney. Mining some of Nashville’s greatest songwriters, including Tony Lane, Matraca Berg, Shane McAnally and Brett James, emerging powerhouses Jessie Jo Dillon, Tenille Townes and Adam Wright and guests Colbie Caillat, Lily Meola and Megan Moroney, the eight-time Entertainer of the Year and 2025 Country Music Hall of Fame inductee has created something personal, reflective, empowering and euphoric in places.
 
“I love everything about music, but especially how it makes you feel,” Chesney explains. “It can crack open a tough moment, lift you up, blow you up and make you laugh harder than anything. When I started thinking about all the things music can be, a few songs came in – and Silver Springs Marina, as it now exists, took shape. Some great players, guests who really fit the songs, but especially some places I’ve never gone.”
 
Using TalkShopLive to kick-off Heart Life Music, his double No. 1 New York Times best-selling book, Chesney returns to the platform on July 15 to dig into the process, what he hopes people take from the album, and what he’s learned about music’s power to bring people together and transform even the toughest moments. Autographed copies of Silver Sands Marina are exclusively available on TalkShopLive. Tune in HERE.
 
“Silver Sands Marina” drops today as the second taste of Chesney’s upcoming music. Containing both a place and a vibrant connection, it’s a burning moment forever frozen in time. With even more evocative, visceral songs ahead, Silver Sands Marina delivers what Chesney does best.

HANNAH HARPER SIGNS WITH WME FOR REPRESENTATION

Hannah Harper, American Idol’s Season 24 champion, signs with WME for global representation.

At just 9 years old, Harper embarked on her musical journey with her family’s bluegrass gospel group, The Harper Family. This musical heritage passed down through generations and set the stage for Harper’s profound passion for songwriting and music ministry. The Missouri native later became a worship leader at a local church. Now a solo act, the 19 Recordings/Atlantic Records artist combines years of performing experience with her uniquely personal insights that reflect her faith, family and motherhood journey. 
 
“It’s a blessing to work alongside people who share the same goal: creating great music, serving others well and pointing people to Jesus along the way. I immediately connected with Morgan Kenney’s vision, heart and the way she champions the people she serves,” shared Harper. “I’m honored to be represented by WME and excited to see what doors this partnership may open. Grateful is an understatement.”
 
"I have tremendous admiration for Hannah. Her authenticity is rooted in her unwavering faith and strong family values. She possesses a rare combination of artistry, character and star power that resonates both on and off the stage,” said WME’s Kenney. “We are honored to welcome her to WME and look forward to helping build the next chapter of her already remarkable journey."
 
Harper’s Idol audition song, “String Cheese,” connected deeply with audiences, generating more than 120 million on demand views, leaving Carrie Underwood to opine her voice “just makes everything sound just beautiful and tender and like a lullabye.” The original song showcases her heartfelt story as a 25-year-old mother of three facing post-partum depression while tackling motherhood day-to-day.
 
Following her American Idol win, the singer-songwriter hits the road supporting Brad Paisley’s Live 2026 Tour and Lauren Alaina’s The Stages Tour on select dates this fall.

Balancing musical aspirations with the joys and challenges of raising a young family, Harper remains committed to authenticity and excellence in her craft.

Represented by WME agents Alex Sera, Carlile Willett and Kenney, for more information on Harper and upcoming tour dates, please visit www.hannahharpermusic.com

L-R: Alex Sera (WME), Hannah Harper, Morgan Kenney (WME) and Carlile Willett (WME)
Photo Courtesy of WME

IAN MUNSICK PREVIEWS THE MOUNTAIN GOAT WITH EXCLUSIVE INDUSTRY LISTENING EVENT

Wyoming native Ian Munsick previewed his fourth studio album, The Mountain Goat, on Wednesday (June 17) at The Estelle in Nashville, Tennessee to an intimate audience of industry professionals. The Mountain Goat is Munsick’s first project via WEST TO THE REST RECORDS / Triple Tigers Records and arrives August 21. Pre-save HERE.
 
Munsick co-produced the album alongside Jeremy Spillman and Mike Robinson, and also played an extensive role in the instrumentation heard on the record. In total, Munsick is credited with playing nine different instruments: acoustic guitar, electric guitar, bass guitar, mandolin, banjo, harmonica, piano, bouzouki and kazoo, as well as lending background vocals and programming.
 
Additionally, five D2C fan packs are available to pre-order on his online store, including an exclusive autographed zoetrope vinyl. Pre-order HERE.

About Ian Munsick:
As one of modern country’s few Rocky Mountain artists – and the only one to merge its timeless traditions with an electrifying roots-pop edge – Wyoming native Ian Munsick lives in the wild places few singer-songwriters go. Yet with his fourth album, The Mountain Goat, he climbs farther out on his creative ledge than ever. Marking his first independent album on WEST TO THE REST RECORDS / Triple Tigers Records, Munsick remains as sure footed as his project’s fearless namesake, thriving in the isolation of a Western-flavored modern country frontier. Racking up over one billion career streams with previous albums Coyote CryWhite Buffalo, and Eagle Feather, Munsick has produced one RIAA-Platinum duet “Long Live Cowgirls” (with Cody Johnson) – No. 1 on SiriusXM’s The Highway Hot 30 Countdown – plus two Gold-certified hits: “Long Haul” and “Horses Are Faster.” Spotify, CMT, and the Grand Ole Opry were among those to recognize Munsick’s vision, and concertgoers across the globe have found a Western authenticity that can’t be faked. Munsick made history in 2025, becoming the first Wyoming-born artist to headline Cheyenne Frontier Days – the iconic rodeo known as the “Daddy of ‘Em All” – and with The Mountain Goat, his quest to bring Western mystique to modern fans continues. Fusing genuine tradition with cutting-edge sonics, 15 tracks feature an “earthy” new organic undercurrent, with the multi-instrumental master more connected to his acoustic roots – and more protective of his territory.

Brantley Gilbert Releases Title Track and “GOOD OL’ BOYS” from SINS OF THE FATHER, Arriving 7/24

Multi-Platinum trailblazer Brantley Gilbert delivers two new songs from his eighth studio album SINS OF THE FATHER, set for release July 24 via BBR Music Group/BMG Nashville: title track “SINS OF THE FATHER” and “GOOD OL’ BOYS,” available now.
 
“SINS OF THE FATHER” was born from Gilbert’s honest concern about how his actions would impact the next generation. It emerged as the “most country song on the album,” imparts Gilbert, with his unvarnished vocal joined by a twangy, drop-tuned acoustic guitar:

Meanwhile, explosive “GOOD OL’ BOYS” is tailor made for Gilbert’s six-piece juggernaut of a touring band, which has shared tours with Five Finger Death Punch and Nickelback. “That song goes harder than probably anything I’ve ever written,” he admits.
 
No stranger to pushing country’s evolutionary curve, SINS OF THE FATHER goes beyond sonic innovation, to confront the ugly truth. Fusing heartfelt country values with explosive energy and barbed-wire R&B swagger, he describes the project as a deeply personal playlist, once again ready to meet fans where they are.
 
“As long as there’s a box in country music, I know where I belong,” the Georgia-born hitmaker says. “And that’s right on the outside of it. All of my albums are a chapter of my life and this one’s no different. I don’t have skeletons in the closet – my shit’s out in the open. So if there’s any piece of my story that could help somebody, I’m cheating them if I keep it to myself.”
 
The moments here are often heavy – both emotionally and in guitar-driven sonic power, exemplified by today’s releases. Co-produced with rock-schooled collaborator Brock Berryhill (Twenty One Pilots, Kane Brown), SINS OF THE FATHER marks some of the hardest-hitting work of Gilbert’s career, yet the diesel-fueled two-lane trap he helped pioneer is never far away. Bottomless distortion and pounding drums join melodic, gravel-road grooves, while the bare bones of country soul turn painful realities into three-chords-and-the-truth.
 
Currently climbing the charts at Country radio, Gilbert recently premiered the official music video for lead single “GOOD DAMN” and released the deeply personal “F****D ME UP,” with MusicRow praising, “his gripping, broken vocal on this ballad grabs ahold and doesn’t let go…it’s a powerful thing.”
 
Along with today’s release, Gilbert also launches his latest merch collection featuring youth sizes, marking his first-ever merch drop to include children’s sizing. The collection includes four t-shirt and two hoodie designs. To view and purchase the collection, visit BrantleyGilbert.com.
 
In addition to readying his new album, Gilbert’s already had an exceptionally busy year, helping set a Guinness World Record for the oldest person to crowd surf, as Pauline Kana (known online as “Gangster Granny”), completed the feat during his set in Bellville, Texas on May 2. Earlier this year, Gilbert served as the Grand Marshal for Round 13 of the Monster Energy SMX World Championships at Nissan Stadium in Nashville.
 
He also launched Real American Beer Zero after becoming an investor and equity partner of Real American Beer (RAB). RAB Zero is the company’s first non-alcoholic beer with $1 per case sold of RAB Zero going to the USO in addition to ongoing donations tied directly to sales, supporting active-duty service members and their families.
 
The Real American Tour continues this Saturday, with headlining and festival dates through the fall on sale now. For tour dates and additional information, visit BrantleyGilbert.com.

Kenny Chesney Kicks Off 2nd Sphere Residency Intimacy, Old Favorites, Good Vibes & A Whole Lotta Joy

Kenny Chesney vowed his second residency at Vegas’ Sphere would make a shift, leaning into the venue’s ability to consume fans – and from the moment the East Tennessee songwriter/superstar hit the stage with “Here And Now,” he delivered. Beyond the fresh visuals, set changes and 29 songs, there was a momentum to the show that swept No Shoes Nation up for a night that took them places, brought emotions and memories to the surface and dancing to every level of Sphere’s four-tiered, 366-foot vertical leveled venue.
 
Without missing a beat, Chesney rolled into “Livin’ In Fast Forward,” “Young,” “Beer In Mexico,” “Keg In The Closet” and “Til It’s Gone.” Beyond the momentum, there was a sense of how much of Chesney’s music had consumed the lives of the sold-out almost 17,000 fans who’d journeyed from across the country. If not a sacred space, the fans found plenty to cheer for – and sing along with – over the course of a night that included the Jamaica-friendly “Everybody Wants To Go To Heaven,” followed by a whirling “Guitars, Tiki Bars (& A Whole Lotta Love)” that went double, then double-double time at the end.
 
“Sphere lets you really consider the tempos, lets you take liberties and risks,” Chesney said of his bold set choices after the show, “and it creates an intimacy that lets you really pull people to you. You can do things here you can’t anywhere else.”
 
Whether that meant a slow-burning erotic take on “Come Over,” matched with moody black and white reimagining of deep desire, “Noise,” which created a vortex of all the emotionally and visually charged things that overload us, swirling to a black hole at the top before dissolving into a quiet tableau, or the surging “All The Pretty Girls,” delivered in an aquarium of neon mermaids, the moods were plenty, the audience was primed and hung on every moment and emotion. Even “Carry On,” Chesney’s history-making new single, brought the joy-of-living to life on a stage that seemed to place the crowd at a perfect tropical beach music festival.
 
“Sphere lets me take people back home with ‘I Go Back,’ to piers that don’t exist for ‘Til It’s Gone,’ flying through downtown Los Angeles for ‘Settin’ The World on Fire,’ inside a pinball machine with ‘Big Star’ and some of my favorite places in ‘When I See This Bar,’” Chesney offered after the show. “You can take them, give them even more of what the song is…”
 
Making “When I See This Bar” even more was the surprise appearance of good friend and fellow superstar Eric Church, who ambled onstage in signature sunglasses, bringing a cool vibe. Sharing the moment – and several moments the pair had shared, including Church’s last-minute filling in for a sick artist at Chesney’s Country Music Hall of Fame induction, the pair delivered a reflective moment homaging their roots. Asking his friend if he’d like to do a couple, Chesney turned fan, joining the crowd for the choruses of Church’s “Drink In My Hand,” then laughing and sharing about forgotten lyrics during Church’s blanking, then starting over celebratory “Springsteen.”
 
For the fans, some of whom had been derailed by weather and technical problems out of Boston, traveling all night through New York, Los Angeles and anywhere there was a connection, the passion was set on stun. Even the intimate “Knowing You” was met with massive cheers, while the set closing “Out Last Night” rippled with both the promise and the zest of all the fun one can have when chasing a good time.
 
After almost 90 seconds of cheers, Chesney returned for a three-song encore that nailed every groove, phase and reality of his career. Kicking into the multi-rhythmic, double chorused “American Kids,” the capacity crowd practically levitated with euphoric self-identification, then melted into the yearning look back “Anything But Mine.”
 
With the audience clearly wrung out, Chesney offered an early career classic wrapped in chamois-feeling warmth to send the first show’s crowd into the night. Dropping into the memories, he brought “Don’t Happen Twice” to a high simmer, waved, signed and reminded the crowd – as Las Vegas Review-Journal wrote on Friday – of one of his most intoxicating superpowers: “he’d learned how to infuse his songs with real life, these people and their stories.”
 
“To me, these songs I sing aren’t just mine, they’re all of ours,” Chesney offered during his post-show wind-down. “If we can sing them true, play deep and just surrender to what they say, we can connect on a whole other level here. It was a lot of feelings, a lot of years, but man, did we feel it, and the love, and all the passion people bring.
 
“Whether it was Eric and his family coming all the way across the country to be part of kick-off, the people down front singing every word – or the people near the top holding up their phones with flames burning, I could feel it all, and whatta feeling.”

Photo Credit: Allister Ann

Blake Pendergrass Named NSAI's 'Songwriter of the Year' Ahead of 9th Annual Awards

Preparations for the 9th annual Nashville Songwriter Awards are underway, and The Nashville Songwriters Association International (NSAI) alongside presenting partner City National Bank are thrilled to reveal that No. 1 hit songwriter Blake Pendergrass will be honored at the September 22 Ryman Auditorium celebration. 
 
Pendergrass has earned the honor of NSAI’s 2026 'Songwriter of the Year,' an award given to the Nashville-associated songwriter who achieved the most charting success on the Billboard Airplay chart in the Christian, Country, Mainstream Top 40 and/or Rock genres during the eligible period (May 1, 2025- April 30, 2026). Pendergrass's career has skyrocketed, having earned his first No. 1 in July of 2025 for “Just In Case” (Morgan Wallen) quickly followed by three additional No. 1s within the year, he topped the MusicRow Magazine Top Songwriter Chart for the first time on March 2, 2026, and received his first CMA Triple Play Award on April 13, 2026. Songwriter of the Year is another well-deserved honor recognizing Pendergrass’s immense and ever-growing success. 
 
The night will include performances and stories to recognize his achievement, and he will be honored alongside previously announced honorees Riley Green (Songwriter-Artist of the Year Award), Vince Gill (Kris Kristofferson Lifetime Achievement Award) and Paul Williams (NSAI President’s Keystone Award). Additional award recipients that will be revealed night-of include the 'Song of the Year' winner(s) and the songwriters for each of the '10 Songs I Wish I'd Written' awards.

On Wednesday, July 15, the first round of performers participating in the event will be revealed, and tickets for the ceremony will go on sale on Friday, July 17 at 10:00 a.m. CT at www.ryman.com
 
In addition to the previously mentioned awards, the night will also recognize the 2026 Legendary Song award, honoring a song that is deemed legendary above all others and which has stood the test of time in the designated timeframe. The eligibility period for this year’s award was 1969-1985 and the NSAI Board of Directors carefully selected 10 impactful songs from that time for the pro membership to anonymously vote on to determine the top legendary song.
 
The event is produced each year by the Nashville Songwriters Association International, the world’s largest not-for-profit songwriters trade organization dedicated to protecting the rights of and serving aspiring and professional songwriters in all genres of music. Follow @nsaiofficial / #songwriterawards on Facebook, X, and Instagram to stay up-to-date on all announcements and news.
 
Thank you to our event sponsors: City National Bank, Loeb & Loeb, General Motors, Recording Industry Association of America, Nashville Convention & Visitors Corp, Jack Daniel's, Recording Academy Songwriters & Composers Wing, SoundExchange, Tennessee Association of Broadcasters, The Mechanical Licensing Collective. 

For more information, please visit nashvillesongwriters.com.

IAN MUNSICK AND SCHAEFER OUTFITTER PARTNER FOR CAPSULE COLLABORATION COLLECTION, LAUNCHING AUGUST 18, 2026

Wyoming native Ian Munsick has spent over a decade building his unique brand of country music around his Western lifestyle; from his sky-high voice and his love of the fiddle, to his bolo tie and brightly colored Western shirts. Now, after years of thrifting the vintage shirts he adorns on stage each night, Munsick is partnering with Schaefer Outfitter for the brand’s first-ever capsule collaboration collection, launching August 18, 2026.
 
Munsick describes the process of curating his own line as one that has been years in the making, saying, “Caroline and I have always wanted to make our own shirt line, but there was always one big obstacle in our way. They just don't make ‘em like they used to. After years of meeting with different brands and companies about potential collaborations, we just couldn't get the quality of material that met our very high expectations. Until we met with Schaefer Outfitter.”
 
Founded in Jackson Hole, Wyoming, Schaefer Outfitter has spent four decades providing western wear to working cowboys and ranchers. Their collection with Munsick will include custom pearl snap shirts, outerwear, hats and graphic tees designed collaboratively between Munsick and the Schaefer team. Fans can enter to win a signed piece of the collection HERE.
 
“Located in the heart of Texas but originating in Wyoming, Schaefer puts quality and functionality over everything,” Munsick adds. “With roots dating back to the 1980’s, their product continues to stand the test of time. Caroline and I knew that with their mission and material, and our branding flair and vision, the ideal western shirt line would be born. And finally, that line will be all yours.”
 
“Given our shared Wyoming roots, Ian's authentic style, and his commitment to quality and excellence for his fans and customers, it had to be Ian Munsick as our first full capsule collaboration ever,” remarks Jason Smith, President & CEO of Schaefer Outfitter. “Ian is electric, and his personality and creativity are interwoven throughout this entire collection from Schaefer Outfitter.”
 
The collaboration was born from hands-on involvement with both Ian and Caroline Munsick providing design inspiration, artwork direction, fabric details, naming inspiration and more. With the line expected to drop around the arrival of Munsick’s fourth studio album, The Mountain Goat, songs off the project including “Geronimo” draw inspiration in multiple pieces.
 
“This partnership was struck to be more than a one-off merch drop - it’s a true collaboration with a lot of runway ahead of it, and what makes it exciting goes way beyond apparel,” shares Noah Solomon, VP of Marketing at Schaefer Outfitter. “There was already so much overlap in our circles that working together felt like such a natural fit. Ian has a huge season ahead, and there’s real momentum around everything he’s doing right now. We’re looking forward to showing up alongside that energy in an organic way that brings both our audiences together.”

Photo Credit: Ben Christensen

The news comes on the heels of Munsick announcing his first full-length project released via WEST TO THE REST RECORDS / Triple Tigers Records – which he co-produced with Jeremy Spillman and Mike Robinson – The Mountain Goat, due on August 21, 2026. Pre-save HERE.
 
Along with co-producing the album, Munsick also played an extensive role in the instrumentation heard on the record. In total, Munsick is credited with playing nine different instruments: acoustic guitar, electric guitar, bass guitar, mandolin, banjo, harmonica, piano, bouzouki and kazoo, as well as lending background vocals and programming.
 
As his single “Love Is Blind” continues to climb the charts at Country radio, Munsick released his latest song, “World War III,” off the 15-track album last Friday, June 12. Additionally, five D2C fan packs are available to pre-order on his online store, including an exclusive autographed zoetrope vinyl. Pre-order HERE.

IAN MUNSICK EMBRACES ROLE AS FAMILY PROTECTOR ON “WORLD WAR III,” OUT NOW

As Ian Munsick prepares to release his fourth studio album, The Mountain Goaton August 21, the Wyoming native is sharing his latest taste of the project with new release, “World War III,” available now. Listen Below.
 
A naturally gifted entertainer with an entrepreneurial mindset, Munsick has taken on many roles throughout his career – independent musician, songwriter, businessman – but his greatest source of pride comes from his family. With the release of “World War III,” written by Munsick, Mike Robinson and Jeremy Spillman, Munsick muses over the lengths we’ll go to in order to protect those we love. 
 
“If there's anything worth fighting for, it's family,” shares Munsick. “I'm a peaceful man and would do just about anything to keep it that way. This song is a little different from what I've produced in the past but that's what excites me as a creator. I wrote this song as an anthem to anyone who would do anything to keep peace but would also die for the ones they love. In my mind, that's exactly what makes country music and the people who love it so special. I ain't looking for trouble but if it finds me, you can bet your ass that it's gonna be World War III.”
 
Munsick’s family expanded in 2025, as he and wife Caroline welcomed daughter Roan Autumn Munsick in September. Shortly before Roan’s birth, the Munsicks bought a small ranch near the Wyoming/Montana border. The combination of emotions that came from becoming a girl dad and returning to the place that serves as his greatest source of creativity provided ample inspiration for the creation of The Mountain Goat. 
 
“It’s just about 180 acres of prairie grass by the Big Horn Mountains – a peaceful spot where we can escape the craziness of Nashville,” Munsick explains. “My music is very inspired by the outdoors and the people that work the land, so it’s a great spot to reconnect and remember what my family and I have is real. What the Earth has for us is real. Tapping into those emotions is key.”
 
Munsick’s first full-length project released via WEST TO THE REST RECORDS / Triple Tigers Records – which he co-produced with Spillman and Robinson – The Mountain Goat arrives on August 21, 2026. Additionally, five D2C fan packs are available to pre-order on his online store, including an exclusive autographed zoetrope vinyl. Pre-order HERE.
 
Along with co-producing the album, Munsick also played an extensive role in the instrumentation heard on the record. In total, Munsick is credited with playing nine different instruments: acoustic guitar, electric guitar, bass guitar, mandolin, banjo, harmonica, piano, bouzouki and kazoo, as well as lending background vocals and programming.
 
Munsick promises to deliver fans a memorable tour of the west with a series of shows during album release week. As part of “The Road to The Mountain Goat,” Munsick recently announced his official album release show will be held at Deer Valley Snow Park Outdoor Amphitheater in Park City, Utah on August 22 as part of the Deer Valley Concert Series. The Road to The Mountain Goat also includes stops in Nevada, Colorado, New Mexico, Texas and South Dakota.

The Road to The Mountain Goat Shows:
Aug 21 || Minden, NV || TJ's Corral Outdoor
Aug 22 || Park City, UT || Deer Valley Snow Park Outdoor Amphitheater *Album Release Show
Aug 25 || Morrison, CO || Red Rocks Amphitheatre
Aug 28 || Pueblo, CO || Colorado State Fair
Sept 11 || San Angelo, TX || Black Buck Amphitheater 
Sept 12 || Albuquerque, NM | New Mexico State Fair
Sept 18 || Deadwood, SD || Deadwood Jam
 
About Ian Munsick:
As one of modern country’s few Rocky Mountain artists – and the only one to merge its timeless traditions with an electrifying roots-pop edge – Wyoming native Ian Munsick lives in the wild places few singer-songwriters go. Yet with his fourth album, The Mountain Goat, he climbs farther out on his creative ledge than ever. Marking his first independent album on WEST TO THE REST RECORDS / Triple Tigers Records, Munsick remains as sure footed as his project’s fearless namesake, thriving in the isolation of a Western-flavored modern country frontier. Racking up over one billion career streams with previous albums Coyote CryWhite Buffalo, and Eagle Feather, Munsick has produced one RIAA-Platinum duet “Long Live Cowgirls” (with Cody Johnson) – No. 1 on SiriusXM’s The Highway Hot 30 Countdown – plus two Gold-certified hits: “Long Haul” and “Horses Are Faster.” Spotify, CMT, and the Grand Ole Opry were among those to recognize Munsick’s vision, and concertgoers across the globe have found a Western authenticity that can’t be faked. Munsick made history in 2025, becoming the first Wyoming-born artist to headline Cheyenne Frontier Days – the iconic rodeo known as the “Daddy of ‘Em All” – and with The Mountain Goat, his quest to bring Western mystique to modern fans continues. Fusing genuine tradition with cutting-edge sonics, 15 tracks feature an “earthy” new organic undercurrent, with the multi-instrumental master more connected to his acoustic roots – and more protective of his territory.

KOE WETZEL IS THE NIGHT CHAMPION SIXTH STUDIO ALBUM OUT NOW

For a man who's spent the last decade turning chaos into career momentum, embracing the excess and emerging with a clearer view of himself on the other side, The Night Champion arriving via Columbia Records today, June 12, essentializes all of it. The heavy, hard rock songs, the high plains drifts that sail on currents of desolation, regret and frustration and those ballads you’d never expect from someone as hard-charging as Koe Wetzel. Listen Below
 
“I feel like right now I’m the best version of myself I’ve ever been,” Wetzel marvels. “I survived the night side of me. I’m coming out of it a champion. That’s the essence of this record.”
 
Still, as “Sinner” sears the slow burn opener of The Night Champion, it’s obvious he’s lost none of the edge or the ballast that made him a roughneck favorite long before the torrent of success surged. Through a conversation with the Almighty, God has no trouble telling the singer, “you’re probably gonna do it again.
 
For all its rough edges, The Night Champion may be Wetzel's most reflective work to date. Whether the bring-on-the-jagged-pain “Hurts Like You,” the seductively obsessive “Magnet,” the lust-driven, reality-check “When I’m Gone” or the hushed requiem for a can’t quit/can’t stay love “I’ll Lock Up,” Wetzel delivers the raw twitch of how it feels across the 11-song project produced by Gabe Simon (9 Lives, Noah Kahan, Lana Del Rey). Beneath the calloused flesh and concrete-seeming heart, there’s a vulnerability slowly emerging as he evolves.
 
“It’s kind of where I am now: an edgy roughness to all of the songs that doesn’t give a f*ck, but there’s a tenderness to it, too. Whatever happens, I’m man enough to deal, but the focus and headspace have shifted; I’ve grown up and become okay with looking back.”
 
That romantic fatality infuses “Dollar and a Bottle,” the muscular meander written with alt-outlaw Nikki Lane, showcasing his signature wanting more while sideswiping the happily ever after with random excess. Factor in additional female collaborators Amy Allen, Carrie K and Steph Jones, as well as vocalist Maggie Antone, and Wetzel may forge a man’s man’s world, but it’s tempered by how women see it. Through the slight dissonance and darkness split by a harmonica and the low-to-the-ground vocal of “Nowhere Fast,” the swerve of living hard is pulled back from the edge with a catalog of the bad deeds and what might be a better end.
 
Whether you were there from the independent jump or got on board during last year’s “High Road” radio rush, The Night Champion is built to offer complexity as it brings his disparate audiences together. It echoes on the muscular “Time Goes On,” weighing what was, what could’ve been and what’s happened since they were kids against an onerous musical tableau, or in the hungers that drive us and the illusions people who love us cling to on the pulverizing truth-tell “The Man.”
 
“I’m not torn between the worlds,” the intense Pittsburg, Texan explains. “This, though, is where all the fans meet. Sitting here now, it’s all happened so fast, it’s kind of a blur, but bringing everyone together, no matter when they got here, this is that moment.”
 
This or Sam Harris of X Ambassadors’ deeply personal “Circus,” the album’s sole outside cut delivered with an emphasis on syncopation and the details. “Sam’s the older cousin who shows up with a really good bottle of whiskey at the picnic and turns you onto some great band or record. He’s just that guy, and he never pitches anything. But when I heard this – that idea of ‘you can’t know what you’re getting into when you sign on’ – I called him and asked if I could cut it.”
 
What Koe Wetzel knows now could fill a library, but he’s still pushing forward. The more he learns, the deeper he wants to dive. “Surrounded” is captured and shook down by memories, while the acoustic “When I Was” owns the damage. More than capturing the wild catting, red dirt piece of mind, there’s that sense that behind wild eyes, there’s much going on.
 
“In a lot of ways, it’s closing a chapter, and opening another one for what’s to come for the next 10, 12 years,” Wetzel says, taking it all in. “Here we go.”
 
As The Night Champion arrives today, Wetzel is taking the new music worldwide on his 50+ date The Night Champion World Tour. Physical variants including CDs plus camo picture disc, moon picture disc and gold vinyls are also available exclusively via KoeWetzelMusic.com while supplies last, with orders shipping summer 2026.

About Koe Wetzel
Roughneck, rule-breaking, red-dirt rocking, Koe Wetzel forged a harder kind of country that drew on grunge, rock and Texas’s outlaw sound. Starting as a kid in a beat-up van, he rose to regional then national prominence with Rolling Stone declaring him “the ultimate if-you-know-you-know artist.” Headlining arena tours even before signing with Columbia, his raw, unabashed music that prompted the cover headline on touring bible Pollstar “Red Dirt Renegade Smashes Confines and Rocks the F out!” found even greater success in the mainstream. 4x Platinum hit “High Road,” his debut Country radio single, spent five weeks at No. 1 and became the most played record of 2025. The Night Champion, his wildly anticipated new project out now, amplifies all the pieces of Wetzel’s musical attack to deliver an album that takes 2025’s American Music Awards Favorite Rock Album and Favorite Country Song nominee to deeper places.
 
Exhaustively touring the U.S., Europe and Australia, Wetzel built a global audience, amassing over 6 billion worldwide audio streams en route to 15 RIAA certifications. Having appeared on “The Late Show with Stephen Colbert,” “This Past Weekend with Theo Von,” covers of USA Today, the LA TimesPollstarBillboard and more, he kicked off 2026 playing to over 70,000 fans at the storied Houston Rodeo. His 50+ date The Night Champion World Tour sees the fever pitch growing for the Pittsburg, Texan who’s tough, tender, ready to shoot out the lights, but also willing to reckon with where he comes from.
 
For more information, visit KoeWetzelMusic.com. Follow on TikTok @Koe_Wetzel and on Instagram and Facebook @KoeWetzelMusic.

WME WRAPS CMA MUSIC FEST WEEK WITH CHART-TOPPERS, ICONS AND RISING STARS

WME wrapped a monumental week in Nashville as a leading force behind CMA Fest 2026, with clients dominating the lineup from intimate stages to the stadium spotlight. Country music’s biggest week was packed with unforgettable performances, milestone moments and signature WME events that showcased the agency’s broad roster of country superstars, rising talent and genre-shaping legends. Leading the way again this year with the most acts booked over the week, WME represented more than 80 artists throughout the festival.
 
Now in its 53rd year, CMA Fest continues to unite the Country music community, drawing nearly 100,000 attendees daily for four days of nonstop music, connection and celebration. What began in 1972 as Fan Fair® has become the longest-running Country Music festival in the world – anchored by once-in-a-lifetime collaborations, surprise performances and the undeniable energy of Music City.
 
WME kicked off the week with its annual Losers Live concert series at Losers Bar & Grill in Midtown on June 1 and 2. Spanning two nights, the event featured a dynamic mix of artists including Braxton Keith, Jon Pardi, Rhett Akins, Colby Lee Swift, Myles Morgan, Spencer Hatcher, The Kruse Brothers, Timmy McKeever, Trey Pendley, Tyler Booth and more. Drawing packed crowds each night, the showcase reinforced WME’s deep influence across all tiers of country music.
 
On June 2, Becky Gardenhire, WME Nashville Co-Head and Senior Partner, received the CMA Touring Awards' Talent Agent of the Year Award. WME Nashville Co-Heads Gardenhire, Jay Williams and Joey Lee and Senior Partner of Country Music Aaron Tannenbaum, were recognized at Billboard’s 2026 Country Power Players event on June 3, honoring the executives leading the genre forward alongside WME clients Miranda Lambert (Icon of the Year), Tucker Wetmore (Rising Star Award) and The Red Clay Strays (Groundbreaker Award).
 
On Thursday, June 4, viral artist Vincent Mason took the Chevy Riverfront Stage and Nissan Platform Stage while ACM New Male Artist of the Year winner and Billboard Hot 100 star Tucker Wetmore performed hits at the Nissan Stadium Main Stage. 
 
Friday featured breakout newcomers Mack Geiger and Myles Morgan, in addition to fan favorites Laci Kaye Booth and Dasha, before Nissan Stadium evening performances by WME’s Maggie Antone and The Red Clay Strays. 
 
Braxton Keith, Kaitlin Butts, Maddox Batson, Waka Flocka Flame and more energized daytime stages on Saturday before the Nissan Stadium crowd was treated to high-energy performances from Butts, Jordan Davis, Lainey Wilson and Zach Top.
 
Sunday’s lineup brought a powerful close, with Maggie Antone returning for a daytime stage performance and Laci Kaye Booth and Luke Bryan closing the weekend at Nissan Stadium.
 
Back by popular demand, the WME VIP Hospitality Lounge at Chief’s on Broadway served as a central gathering place for clients, their teams and industry leaders throughout CMA Fest. Open June 4–6, the hospitality suite provided a dedicated space for networking, collaboration and connection while welcoming artists, industry partners and friends throughout the week.
 
From debut performances to stadium anthems, WME and its clients once again left a lasting mark on CMA Fest – underscoring the agency’s continued leadership in shaping the future of the genre.

Photo Credit: Jonathan Plarr

HEY NOW Records Adds Three Key Business + Consumer-Facing Execs: Danny Bess, Rachel Brown & Troy Scott

With HEY NOW Records delivering unprecedented response to their first single, President and Co-Founder Kris Lamb announces key business and commerce hires for the streamlined independent label designed to super-serve singularly talented artists in ways that match their individual needs.

“As the label expands its reach, it’s critical to have systems in place to support the work being done by the various teams,” Lamb says. “To be able to engage executive talent that includes Danny Bess and Rachel Brown on the business side, and Troy Scott for commerce and consumer products, we’re going to be able to move twice as fast, knowing our needs will be supported by a strong foundation.”

Senior Vice President Danny Bess returns to a label from his independent DFB Consulting, where he provided tactical insight for several corporations. A veteran of major labels, he spent seven years as Chief Financial Officer at Warner Music Nashville and 25 years as the Vice President of Finance at Universal Music Group Nashville. A Vanderbilt graduate with an MBA from Tulane’s A.B. Freeman School of Business, he began his career at RCA Records/BMG. 

Manager of Operations Rachel Brown has an extensive background in project management, marketing and merchandising, having spent several years at Aroluxe Marketing where her strength was integrating cross-functional campaigns for a variety of clients. With a Pepperdine MBA, her skills were honed in the fashion space, supporting product strategy and merchandising initiatives for Kendra Scott jewelry. Her expertise in business strategy and brand growth will be deployed to dial in the label’s growth.

“Danny and Rachel both understand the practical business piece of how we get our artists from music created to music consumed,” Lamb explains. “Bess’s knowledge base reflects earned experience, as well as creating a business strategy that gives our staff real support when they are making it happen. Rachel bridges the creativity-execution sectors with not just passion, but an analytic sense that allows us to be tactical and effective.”

Vice President of Commerce & Consumer Products Troy Scott has a quarter century of experience across labels, radio and social media platforms. Starting across the Washington, D.C., Philadelphia and Boston markets managing operations and marketing campaigns for BMG artists including P!nk, Dave Matthews Band, Backstreet Boys, TLC, *NSYNC, Outkast, Martina McBride and Maroon 5, he moved to Universal Music Group in New York as Sales Account Director, securing major brand campaigns for Mary J. Blige, Fall Out Boy, Ne-Yo and Trisha Yearwood. Moving into media, Scott took the role of Sales Manager at Alpha Media in Richmond, Va., overseeing 300+ local and national accounts across a three-station cluster. He then returned to the label side, joining Universal Music Group Nashville in 2014 as Director of Commercial Development, ultimately rising to Senior Director of E-Commerce & Retail. His direct-to-consumer strategies and campaigns for Carrie Underwood, Chris Stapleton, Kacey Musgraves, Sam Hunt, Reba, Luke Bryan and Little Big Town achieved significantly impactful growth in consumer engagement.

“Troy approaches each artist and situation to understand how the pieces connect,” Lamb says. “Over the years, his style’s never been ‘This is how we do it,’ but ‘What is the best way to expose this music and get people to engage?’ Given what we’re hoping to do, the diversity of acts he’s worked with and venues he’s worked in makes him someone who can meet HEY NOW’s roster where they are and super-deliver.”

After locking out the entire reporting country radio panel with Kenny Chesney’s “Carry On” in its first week, only the third time in chart history and first time an independent label has managed the feat, HEY NOW Records is building a future based on artist-first delivery from the moment the music is delivered until long after a project has run its cycle. Focused on what makes music matter to people, the business and consumer-facing functions are as integral to what’s being built as the promo team that continues to create momentum in the traditional means of exposure.

“To me, this isn’t just about how it’s been done,” Lamb offers. “It’s also about how else can we do this? If you can create a structure where trusting the process includes honoring all the ways people find, consume and commit songs to their lives and feed that passion, it doesn’t matter how we shape the process – only finding a path that takes us to where the people who need this music can be found.”

About HEY NOW Records
HEY NOW is an independent record label founded by Clint Higham, Kenny Chesney, John Esposito and Kris Lamb. With an artist forward focus, the boutique label stresses individuality, development and creating a bridge between people seeking music that reflects their lives and artists seeking to connect from the inside out. Based in Nashville, HEY NOW deploys a team across all disciplines, including a promotion staff who work from passion and super serve the hand selected roster at radio, a streaming and digital marketing team focused on driving discovery and audience growth across platforms, and A&R executives who operate from their strengths and bring a diverse spectrum of musical influence. www.heynowrecords.com

IAN MUNSICK ANNOUNCES 4TH STUDIO ALBUM, THE MOUNTAIN GOAT, ARRIVING AUGUST 21, 2026

As one of modern country’s few Rocky Mountain artists – and the only one to merge its timeless traditions with an electrifying roots-pop edge – Wyoming native Ian Munsick has taken his music to the wild places few singer-songwriters go. With the announcement of his impending fourth studio album, The Mountain Goat, to fans during his fan club party at CMA Fest on Saturday (June 6), Munsick promises to continue doing just that. 
 
Munsick’s first full-length project released via WEST TO THE REST RECORDS / Triple Tigers Records – which he co-produced with Jeremy Spillman and Mike Robinson – The Mountain Goat arrives on August 21, 2026. Pre-save HERE
 
Along with co-producing the album, Munsick also played an extensive role in the instrumentation heard on the record. In total, Munsick is credited with playing nine different instruments: acoustic guitar, electric guitar, bass guitar, mandolin, banjo, harmonica, piano, bouzouki and kazoo, as well as lending background vocals and programming.
 
Reflecting on the creative process, Munsick shares, “‘Way up high in isolation, where most men dare not go…’ Since the very start of my musical journey I've always aspired to be an innovator. My voice has always been different so naturally, my music should be a little different too. When we started making this album, the relationship between my voice and the musical production was always at the forefront of the creative process. You'll hear modern sounds rooted in folky textures, soaked with steel guitar and, of course, plenty of fiddle. Melodies that will, hopefully, haunt you till the end of your days and lyrics that will take you to the place that inspires me most; the west. 
 
“These songs are dedicated to the land and the folks that live with it, not on it,” he adds. “Lord knows we need more of those in country music today. This album will take you horseback through pastures, prairies, up to the foothills, past the timberline and up to the summit... The Mountain Goat is waiting for you.”
 
As his single “Love Is Blind” continues to climb the charts at Country radio, Munsick will release his next song, “World War III,” off the 15-track album this Friday. Additionally, five D2C fan packs are available to pre-order on his online store, including an exclusive autographed zoetrope vinyl. Pre-order HERE.
 
Munsick promises to deliver fans a memorable tour of the west with a series of shows during album release week. As part of “The Road to The Mountain Goat,” Munsick just announced his official album release show will be held at Deer Valley Snow Park Outdoor Amphitheater in Park City, Utah on August 22 as part of the Deer Valley Concert Series. 
 
“Some of my favorite shows I've ever played have been in Mountain Time. Home of the Rockies and some of my most die hard fans, I couldn't think of a better place to host my album release show than the gorgeous Deer Valley Amphitheater in Park City,” Munsick beams. “Utah ALWAYS shows up and sings every word to every song and come August 22nd, you'll have 15 more songs to sing along to. 
 
“The Road to The Mountain Goat includes stops in Nevada, Colorado (including the legendary Red Rocks Amphitheater), New Mexico, Texas, South Dakota and, of course, Utah,” he adds. “If you've ever seen me and Rocky Mountain Fever live, you know these will be more than just shows.. they'll be experiences. Don't miss us on The Road to The Mountain Goat.”
 
Munsick is also partnering with The Landmark Hotel & Casino to open the Ian Munsick Cowboy Bar & Western Grill in August in Deadwood, S.D on September 18. Built between 1894-1920, The Landmark is Deadwood’s largest historic structure at approximately 35,000 square feet. The Ian Munsick Cowboy Bar & Western Grill will reside within over 2,600 square feet of the footprint. The venue will promote and celebrate country and western music with old school country bar decor, along with two performance stages, one indoors and one outdoors.

The Road to The Mountain Goat Shows:
Aug 21 || Minden, NV || TJ's Corral Outdoor
Aug 22 || Park City, UT || Deer Valley Snow Park Outdoor Amphitheater
Aug 25 || Morrison, CO || Red Rocks Amphitheatre
Aug 28 || Pueblo, CO || Colorado State Fair
Sept 11 || San Angelo, TX || Black Buck Amphitheater 
Sept 12 || Albuquerque, NM | New Mexico State Fair
Sept 18 || Deadwood, SD || Deadwood Jam
 
About Ian Munsick:
As one of modern country’s few Rocky Mountain artists – and the only one to merge its timeless traditions with an electrifying roots-pop edge – Wyoming native Ian Munsick lives in the wild places few singer-songwriters go. Yet with his fourth album, The Mountain Goat, he climbs farther out on his creative ledge than ever. Marking his first independent album on WEST TO THE REST RECORDS / Triple Tigers Records, Munsick remains as sure footed as his project’s fearless namesake, thriving in the isolation of a Western-flavored modern country frontier. Racking up over one billion career streams with previous albums Coyote CryWhite Buffalo, and Eagle Feather, Munsick has produced one RIAA-Platinum duet “Long Live Cowgirls” (with Cody Johnson) – No. 1 on SiriusXM’s The Highway Hot 30 Countdown – plus two Gold-certified hits: “Long Haul” and “Horses Are Faster.” Spotify, CMT, and the Grand Ole Opry were among those to recognize Munsick’s vision, and concertgoers across the globe have found a Western authenticity that can’t be faked. Munsick made history in 2025, becoming the first Wyoming-born artist to headline Cheyenne Frontier Days – the iconic rodeo known as the “Daddy of ‘Em All” – and with The Mountain Goat, his quest to bring Western mystique to modern fans continues. Fusing genuine tradition with cutting-edge sonics, 15 tracks feature an “earthy” new organic undercurrent, with the multi-instrumental master more connected to his acoustic roots – and more protective of his territory.

WHOOPS! He’s Done It Again -- Kenny Chesney Finds Three New Songs, Records + Mixes

It’s not done until it’s out. At least not if you’re Kenny Chesney, who’s always found and recorded songs and singles after albums have been turned in. Relentlessly pursuing the absolute best songs, plugged into old guard, right now and next wave music people across genres, he’s always seeking songs that say something new, dig a little deeper, offer a different take or musical spin – not for a project he’s trying to finish, but the sake of the music.
 
“Nothing fires me up like a great song,” Chesney allows. “Maybe it’s the way I came up at Acuff Rose with Dean Dillon, Buddy Brock, Whitey Shafer and Tony Lane, always writing something that’d catch your ear… Or maybe it goes all the way back to church, WIVK on the radio as a little kid, the Cas Walker local TV show in the morning getting ready for school and all the music me and my friends listened to, but I got addicted to how music made me feel real young; and it’s the one thing I can’t quit no matter how much discipline I’ve got.”
 
With an album done, three songs hit Chesney’s radar, and kept tumbling. What they said, how they hit him in the heart… the East Tennessee songwriter/superstar started playing with the sequence, swapping things in, taking things out, trying to figure out how to add them in. Laughing he admits, “It’s a little bit like putting a puzzle together: you know the best possible thing is there, you just have to figure it out. It’s been kind of fun, kind of crazymaking, but it reminds me the power of an actual album, you know? Ten, twelve songs that hold together, not as a concept, but more as a vibe rather than just a flood of songs.”
 
With “Carry On” making history as the first independent and only third song in history to close out the country radio panel in its first week, the man Billboard called “The Country Artist of the 21st Century” wants to make sure his first album on HEY NOW Records matches the energy and heart his team is putting into it. “Carry On”’s message also reminds him the power of music to speak to how people live, and the way music can empower people to live their best lives.
 
Co-producing with longtime collaborator and Nashville Songwriter Hall of Famer Buddy Cannon, the idea of creating something that holds together sits in a very sweet spot. “I’m trying to find the sequence and make some decisions, but those three songs make this a whole other project. Shane McAnally and I had a conversation – just like ‘Noise’ – and a great song came out of it; someone sent me a song that my friends Brett James and Tony Lane had written that says it all about life… and I’ve got one that’s about a place, but it’s also a state of mind and a state of being that’s really special. Are they singles? I don’t know, but they’re great, that’s what matters.”
 
Keeping with that spirit of creativity, Chesney guests on his longtime friend Rick Rubin’s podcast “Tetragrammaton” this week. Debuting June 10, he and the legendary rock/rap producer (Run-D.M.C., Red Hot Chili Peppers, Tom Petty, Public Enemy, Slayer, Rage Against the Machine) explore the myriad ways creativity manifests, knowing how to find one’s actual truth instead of chasing trends and honoring the people and places who share your life experience.
 
“We’ve been trying to do this since before we released Heart Life Music,” Chesney laughs, “We are both so busy, we finally got it done. But, just like always, talking to Rick about music inspires me – and makes me want to push what’s possible.”
 

Hunter Flynn Signs with WME for Representation

Kentucky-born singer-songwriter Hunter Flynn has signed with WME for global representation. Carving his own lane with a genre-defying Appalachian Soul Music sound, Flynn blends folk, country, soul and rock into raw, reflective songs inspired by the landscapes and stories of his youth. His powerful vocals and stripped-down arrangements have quickly built a growing audience online and on the road.

Over the last two years, Flynn has played nearly 200 shows across the United States and Europe, steadily building a grassroots following through relentless touring and raw, emotionally charged performances. In 2025, he was named Artist in Residence at the Kentucky Music Hall of Fame, a rare honor recognizing both his artistic integrity and cultural impact, and most recently Big Machine Records / Nashville Harbor Records & Entertainment announced his signing in partnership with Appalachian Soul Music. Flynn released “Wasted Day” on May 22 and will release “Robbing A Bank” on June 26. Pre-save the track HERE.

“Hunter is the kind of artist you feel immediately. There’s a real depth and honesty to what he creates, and audiences are connecting with it in a powerful way. Between the growth we’re seeing and the foundation he’s built on the road, he’s just getting started,” said WME’s Lance Roberts and Geoff Turner. 

“I’ve spent the last few years building this one show at a time,” said Flynn. “To now have a team like WME behind me feels incredibly meaningful. I’m proud of where I come from, proud of the music we’re making, and excited for what’s ahead.”

With new music on the horizon, Flynn’s momentum continues to accelerate online as well, generating more than 8 million on-demand views across platforms in recent months alone. 

For more information, please visit https://hunterflynn.com/

About Hunter Flynn:
Hunter Flynn is a native to the Bluegrass state, born and raised in Pulaski County, Kentucky. Flynn’s first public performance came in early 2022. Since then, the 28 year old singer/songwriter has gained national recognition as one of Appalachia’s most promising young artists. In an area that has no shortage of talent, it is Flynn’s unique perspective and gut punching vocal delivery that leaves the listener with no doubt as to whether or not he has lived the stories he is telling. Flynn has now shared stages with the likes of Zach Top, Megan Moroney, Josh Meloy and more. The sky is the limit for this young artist who refers to his style of music as “Appalachian Soul.” 

Guitars, Tiki Bars Meets Very Vibe @ Kenny Chesney's SPHERE 26 Residency

When Kenny Chesney became the first solo headliner and first country artist to headline the groundbreaking Sphere, he knew he wanted to make it a full immersion experience for the people who love his music. Beyond a sensory immersive performance that featured surprise guests ranging from Grace Potter and Megan Moroney to David Lee Murphy and Mac McAnally, songs that are never or rarely played live and production that delivered a whole new way to look at his music, Chesney curated Guitars, Tiki Bars and a Whole Lotta Love at the Venetian where fans could see artifacts and visuals from key moments in the Country Music Hall of Famer’s career, hit the merch superstore with several vintage designs, see some special No Shoes Radio programming and enjoy a cold grown-up beverage or soft drink.
 
It was so popular, the lines started an hour or two before opening and the fire marshal might’ve checked in a time or two. As Chesney marveled, “Who knew people would come to look at that stuff, or load up on t-shirts? But it made me feel incredible knowing that No Shoes Nation actually cared about that. When it was time to go back, I wanted to figure out how to make it something different, but deliver the same kind of fun.”
 
Guitars, Tiki Bars and a Whole Lotta Love is making a big – and better located – move to the top of the Venetian’s walking bridge to Sphere. From Wednesday through Sunday, once Kenny kicks off, the area will be open from 10 a.m. to 4 p.m. on non-show days and 11 a.m. to 8 p.m. on show days. The space will feature multiple bars, No Shoes Radio set-up, dedicated merch shop, photo ops and high-top tables to pause and take it all in.
 
For the VIP package holders, Very Vibe is your very special take on Guitars, Tiki Bars and a Whole Lotta Love. Not only is it a dedicated space to check in, cocktail up, enjoy activations and have your own merch mall, it offers both a Chesney island feel and a more streamlined experience picking up your credentials, getting questions answered and starting your weekend.
 
Even better, when the show’s over and you want to keep rolling, Guitars, Tiki Bars and a Whole Lotta Love will be opening up for after-hours cocktailing for anyone who’s not ready to go home. “Out Last Night”? “When the Sun Goes Down”? No problem, as you’re heading out on the walkway, make a turn and you’re right back in the heart of No Shoes Nation.
 
“What could be better than hanging out after the show with all the rest of the people who just shared that experience?” Chesney marveled. “In a world where the community drifts apart after the concert, this seemed like a great way to let people hang out, talk about life, love, the lack thereof – or some song they couldn’t believe we played.
 
“Sometimes the show is just getting you started, so now I can help people keep the party rocking… keep them in the zone and let everybody really maximize their time in Vegas. To me, Sphere has been a whole other way to do this thing we all love. Who knows? Getting together at Guitars, Tiki Bars and a Whole Lotta Love may spark a whole other thing to do around our shows.”
 
For more information, visit KennyChesney.Vibee.com.

Kenny Chesney Live at Sphere Las Vegas
June 19, 2026
June 20, 2026
June 24, 2026
June 26, 2026
June 27, 2026
July 1, 2026
July 8, 2026
July 10, 2026
July 11, 2026

JOAN OF ARC STUDIOWORKS ANNOUNCES FIRST TELEVISION PROJECT WITH ALAN JACKSON

Joan of Arc StudioWorks has announced its inaugural television project co-producing with EverWonder Studios: Alan Jackson: The Last Show. Executive produced by Cindy Mabe, Dawn Gates and Harper Grae.  The primetime television event will be directed by Grammy-nominated and Emmy Award-winning Sam Wrench (Taylor Swift: The Eras Tour, Hannah Montana 20th Anniversary Special) and will air on NBC.

The special will celebrate the country music icon's extraordinary career and his final concert performance. Filmed at Jackson's sold-out "Last Call: One More for the Road – The Finale," presented by Edward Jones and Silverbelly Whiskey at Nashville's Nissan Stadium, the special will capture a once-in-a-generation farewell from one of country music's most beloved and influential artists.
 
Featuring an unforgettable night of music and heartfelt moments, the telecast will honor Jackson's enduring legacy and profound impact on generations of fans and musicians alike as he takes the stage one final time. The special will spotlight Jackson's remarkable catalog of hits spanning more than three decades, including the songs that helped define modern country music and cemented his place as one of the genre's all-time greatest performers.
Alan Jackson: The Last Show will air later this year on NBC and stream the following day on Peacock.
 
"Alan Jackson represents the heart and soul of country music,” shares Cindy Mabe, Founder and CEO of Joan of Arc Music. “We are honored to capture this historic moment in his career. Partnering with EverWonder Studios and having Sam Wrench direct this special ensures that Alan's final show will be presented with the artistry and reverence it deserves. This project perfectly embodies Joan of Arc Music’s mission to preserve country music's legacy while creating compelling content for new audiences."
 
“Alan Jackson is one of the most iconic and defining artists in country music history, and his final show deserves to be captured with the same care and craft he has brought to every performance of his career,” added Micheal Antinoro, President and Founding Partner of EverWonder Studios. “We are so proud to partner with Joan of Arc StudioWorks and collaborate with Sam Wrench to capture and honor a historic moment like this.”
 
“I’m incredibly excited and honored to capture such a seminal concert for country music royalty,” said Director Sam Wrench. “The scale of the stadium show is matched only by Alan’s impact on American music and it’s going to be quite the evening.  I can’t wait to bring it to the screen alongside Joan of Arc StudioWorks and EverWonder for more fans around the world to enjoy.” 
 
Joan of Arc StudioWorks is one of Joan of Arc Music's four integrated pillars, alongside Joan of Arc Entertainment, Joan of Arc Ventures, and Joan of Arc Music Preservation Foundation. Joan of Arc StudioWorks focuses on multi-platform content creation, including television and film production, audio content, and digital monetization strategies. Joan of Arc Music plans to announce additional partnerships, ventures and label and management signings in the coming weeks.