bødyWash. Share "baTTle" — LISTEN

bødyWash are a nu metal x alternative metal band from Nashville, Tennessee, featuring Jacob "Mogli" Horenburg on vocals; David Abbott on drums; Nick Conroy on guitar; and Luke Shoemaker on bass. The band exists to make heavy music feel massive again.

Today, they share their new single "baTTle." Listen here.

Watch the video Below:

"Coming off our surprise performance at Holy Smoke, we're pushing bødyWash into an even more aggressive place. We linked with Stema on our new track and brought a new layer of chaos and energy to this record, and the visual carries that same intensity. This release feels like another step toward what we’re building for 2027," says Mogli.

bødyWash write songs built around pressure, self-examination, and the process of pulling yourself back together. The music is aggressive, melodic, and emotionally exposed, with a focus on weight, atmosphere, and hooks that stay with people. Every part of the band’s sound is designed to feel immediate, from the guitars and drums to the vocals and visual identity.

That clarity has translated into rapid growth across streaming and social platforms. Through performance-driven content and a strong connection with new listeners, bødyWash has built momentum without relying on nostalgia or imitation. The band is part of a wider return to heavy music, but its focus is on where the genre can go next. 

The long-term goal is simple: build a modern heavy band with cultural reach. bødyWash is making music for people carrying tension they do not know how to name, and for anyone trying to turn pain, anger, and isolation into something they can survive.

Rising Singer/Songwriter Kinsley Unveils Debut EP Learn To Live

Long before she began writing songs, MCA artist and Sony Music Nashville writer Kinsley turned to poetry as a way to process her feelings, experiences and the world around her. That love found its way into songwriting, where she discovered a place to tell stories with the honesty and emotion that have become central to her artistry. The 22-year-old singer/songwriter unveils her debut EP Learn To Live, available now via MCA.
 
“I hope people hear these songs and feel like they can find a piece of their own story in them,” shares Kinsley. “I’ve been in places where I didn’t have the words for what I was feeling, and music gave me somewhere to put all of that. I want to make music that gives people a place to feel seen, understood and a little less alone, the same way music has done that for me.”
 
Written with David DeVaul and Jack Hummel, Kinsley sets the tone for the project with “Pieces of Me,” a deeply personal introduction to her songwriting and the questions of identity that run through the project, set against an increasingly expansive production.
 
On “Someone Prayed For Me” and “Waiting Room,” she delves into darker territory, pulling from personal experiences and the stories of those around her to examine moments of struggle, uncertainty and the search for something to hold onto.
 
Featuring critically-acclaimed songstress Caitlyn Smith, who also serves as a co-writer on the track, “Cold July” reflects on the aftermath of a relationship that unraveled in spite of promises that seemed certain.
 
“Collaborating with Caitlyn Smith challenged me,” Kinsley reveals. “She pushed me both vocally and lyrically, and I am forever grateful and honored to have her on this song. She truly brings this track to life.”
 
“Whiplash” taps into Kinsley’s lifelong love of rock music, while title track “Learn To Live (Louder)” closes out the project. As the first original song she posted, "Learn To Live” resonated with people both online and at writers rounds, marking the beginning of the path that led to this collection and one of the first milestones in her evolution as an artist.

About Kinsley
MCA singer-songwriter Kinsley creates music rooted in honesty, healing, and human connection. With her debut six-song EP Learn To Live, available now, the 22-year-old blends vivid storytelling, poetic lyricism, and raw, soulful vocals to establish herself as a songwriter with a clear voice and perspective. Having grown up across California, Texas and Tennessee, the Nashville-based artist writes the kinds of songs that make listeners feel seen and understood. An “old soul” with a lifelong passion for poetry and songwriting, Kinsley approaches music as both emotional refuge and personal expression — creating deeply human songs that live at the intersection of vulnerability and healing. Online at officialkinsleymusic.com.

Photo Credit: Hannah Gray Hall

Gavin Adcock Releases “Bad Off”: His Last Single Before THE DAY I HANG IT UP Arrives Oct. 2

Georgia native Gavin Adcock has been steadily releasing songs for eight weeks leading into the release of his third studio album, The Day I Hang It Up, due Oct. 2. Now, with just one week remaining until the album is here, the man American Songwriter called “a modern-day outlaw” is releasing his final taste of the project today. Listen to “Bad Off” Below.
 
Written by Adcock, Jack Rauton, Joybeth Taylor and Colton Venner, “Bad Off” depicts the downward spiral following a breakup, and the bad decisions that go along with it.
 
Life was going my way, now I’m seein’ sideways
And every move I make is wrong
Livin’ out a Waylon song
Guess I’m doin’ one thing right
Yeah I’m Bad Off, up to no good tonight
 
Adcock recently invited fans to vote on which city they wanted to see host his album release shows. The overwhelming response led the singer to choose two cities: Studio at The Bomb Factory in Dallas, TX on Oct. 5 and The Eastern in Atlanta, GA on Oct. 8. To celebrate the title of the 18th track on the album, “18,” tickets cost just $18 and can be purchased HERE for Dallas and HERE for Atlanta, respectively. 
 
With Music Row Magazine celebrating his “rowdy, high-octane performance,” it’s a reputation he’s bringing to fans across the country on his 30-city The Day I Hang It Up Tour. The trek features a rotating lineup of special guests, including Pecos & The Rooftops, Corey Kent, Tyler Nance, Jake Worthington, The Creekers, Braxton Keith and Mack Geiger.
 
A proven must-see live performer, Adcock has sold out venues coast to coast across multiple headline tours, including the Monster Energy Outbreak Tour Presents: Gavin Adcock, Actin’ Up Again (Again) Tour and Need To Tour. Most recently, he joined Morgan Wallen for select dates on both legs of Wallen’s 2025 and 2026 tours, earning explosive responses from audiences nationwide.
 
To purchase tour tickets or to pre-order limited edition vinyl, visit GavinAdcockMusic.com. 

The Day I Hang It Up Tour 2026                                       
Oct 15 || Macon, Ga. || Atrium Health Amphitheater > %                 
Oct 16 || Birmingham, Ala. || Coca-Cola Amphitheater > %
Oct 17 || Little Rock, Ark. || First Security Amphitheater > %          
Oct 22 || Fishers, Ind. || Fishers Event Center $ ^ 
Oct 23 || Knoxville, Tenn. || Knoxville Civic Coliseum $ ^
Oct 24 || Cary, N.C. || Koka Booth Amphitheatre $ ^ 
Oct 29 || Charlotte, N.C. || Bojangles Coliseum > % 
Oct 30 ||Savannah, Ga. || Enmarket Arena > % 
Oct 31 || Estero, Fla. || Hertz Arena > %
 
Nov 6 || Boston, Mass. || MGM Music Hall at Fenway > %
Nov 7 || Reading, Penn. || Santander Arena > %
Nov 13 || Detroit, Mich. || Masonic Temple Theatre > %
Nov 14 || Grand Rapids, Mich. || Van Andel Arena > %
 
Dec 10 || Las Vegas, Nev. || The Theater at Virgin Hotels !
 
Opener denotations:
$: Pecos & The Rooftops
^: Tyler Nance
%: The Creekers
>: Braxton Keith
!: Mack Geiger

Kaitlin Butts Asks "What More Could You Want" Ahead of 'Hello, Honk Tonk' (10/30)

Tulsa-born singer/songwriter Kaitlin Butts turns inward with “What More Could You Want,” the latest offering from her upcoming fourth studio album, Hello, Honky Tonk, arriving October 30 via Republic Records. A Broadway-ready piano ballad, the song is an autobiographical sketch of a performer looking at herself in the mirror and asking how much more she has to give. 

Listen to “What More Could You Want”  Below and pre-save Hello, Honky Tonk HERE. 

Where other songs from Hello, Honky Tonk revel in the colorful characters, nightlife and theatrical spectacle of the honky tonk, “What More Could You Want” pulls back the curtain to reveal the person at the center of it all. The result is an intimate meditation on the complicated relationship between performing, seeking approval and wondering whether what you give is ever enough.

“That song feels exactly word for word what I feel like every day,” says Butts. “This tug and pull of loving this and craving this and loving to be on stage, loving every creative moment but also being stressed out wondering, ‘Do you like me? Do I need to be shinier? Do you want more?’”

Written from the perspective of someone who has spent years entertaining others while constantly questioning what they see when the lights go down, “What More Could You Want” offers one of the most exposed moments on Hello, Honky Tonk. The song’s restrained piano and unhurried pace leave plenty of room for Butts’ words to land, trading the larger-than-life spectacle of the honky tonk for a private moment of self-reflection.

Also available today, the music video for “What More Could You Want” directed by Chris Beyrooty. Continuing to find inspiration in the vaudeville vignettes of movie musical Chicago and Disney World’s beloved Country Bear Musical Jamboree, the clip brings the album’s cover to life giving Butts her own Teddi Barra moment.

It was during a recent trip to see the original Jamboree before it was updated, a favorite of hers as a kid, that inspiration struck. “When Teddi Barra came down from the ceiling on her swing, my mom and I just looked at each other and I was like, ‘That is me,’" she says of the cowboy-hatted, feather-boa sporting brown bear who inspired the album’s cover.  

While Butts fantasizes about the lives of those who come to her virtual honky tonk, she hopes that fans walk out of it not just knowing her better, but themselves as well.

“All these songs are very deeply personal to me, and I relate to them word for word,” she says. “But my intention is never just to be relatable. I hope people find their own lives within the whole thing.”

Named one of Rolling Stone’s most anticipated albums for 2026, Hello, Honky Tonk is a love letter to the honky tonks and nightlife that have shaped Butts while becoming a huge part of her life on the road. Recorded in Nashville with producer Tofer Brown (Carter Faith, Willow Avalon, Little Big Town), the album brings to life a bar like no other, populated by a cast of characters listeners might recognize from the dance floor, behind the bar or from the corner booth.

The album’s theatrical world was inspired in part by the vaudeville vignettes of Chicago and Disney World’s Country Bear Musical Jamboree. Butts, who began performing in musical theatre as a child, envisioned the album as a place where all of these characters could coexist.

“The thought behind the concept was how in Chicago, the character Roxie Hart is dreaming up what her show would look like and all the people in it,” says Butts. “I picture all of this happening at Skinny Dennis here in Nashville. These are all the different people in the room. There's the bar fight that's happening. There's the bad girl that just got off work. There's me being the entertainer. There are so many people that really love the night life. It’s a connector for people.”

“What More Could You Want” follows Butts’ recent releases “I Wanna Be Bad” and “Never Really Mine.” Together, the songs offer glimpses of the wide-ranging characters, emotions and musical theatricality that await when listeners say Hello, Honky Tonk on Oct. 30. 

The album continues the momentum of Butts’ critically acclaimed Roadrunner! in 2024, a bold reimagining inspired by Rodgers and Hammerstein’s Oklahoma! that landed on numerous year-end best-of lists.

The new project marks Butts’ first full-length release since signing with Republic Records in October 2025 and follows The Yeehaw Sessions, her fan-favorite EP featuring genre-bending takes on songs including Chappell Roan’s “Red Wine Supernova,” Jimmy Eat World’s “The Middle,” The Chicks’ “Sin Wagon” and Don Williams’ “Tulsa Time,” alongside her viral anthem “You Ain’t Gotta Die (To Be Dead To Me),” which has amassed more than 157 million TikTok views and 67 million global streams.

Butts continues to expand her creative footprint both onstage and behind the camera. Earlier this year, she joined Willow Avalon on “Hypothetically Speaking” and its official video, starred in Ella Langley’s music video for the award-winning hit “Choosin’ Texas,” co-directed and wrote the treatment for Flatland Cavalry’s “Unglued” and joined The Band Perry on the reimagining of their hit “You Lie (Forever Version).”

She has also joined Lainey Wilson on her Whirlwind Tour and Ella Langley on The Dandelion Tour, headlined her own sold-out overseas tour with the European Cowgirl Experience and was featured in the Country Music Hall of Fame’s American Currents exhibition for the second consecutive year. She was also nominated for a 2026 MusicRow Award for Breakthrough Artist of the Year and was named to both the 2025 Opry NextStage class and the CMT Next Women of Country class.

For the latest news, music and tour dates, visit kaitlinbutts.com and follow @kaitlinbutts on Instagram and Facebookand @kaitlinbuttsmusic on TikTok.

Clutch Announce New Album 'Wasted Lands'; Share Music Video For Title Track

Maryland rock institution Clutch have announced their fourteenth studio album, Wasted Lands, set for release on January 22, 2027 via the band’s own Weathermaker Music. An extensive variety of pre-order bundles are available now HERE. The announcement arrives alongside the release of its raucously groovy, riff-driven title track, “Wasted Lands,” and accompanying official music video, available to stream HERE and watch below.

Written and recorded at their longtime Frederick, Maryland base, the Doom Saloon, Wasted Lands reunites Clutchwith producer Machine for the first time since 2015’s Psychic Warfare. The sheer velocity of their creative collaboration can be felt from the first note of the record and is expertly displayed on today’s release title track, “Wasted Lands”. Neil Fallon’s lyrical knack of conjuring characters from a handful of strange, sharply observed details and dropping them into Clutch songs with their own vibrant and storied mythologies has long been a defining characteristic of the Clutch canon. On “Wasted Lands,” he conjures a creature so malign that H.P. Lovecraft and Stephen King are invoked only to make clear that even they could not dream it up. Rumor casts it as a government experiment, a heavenly angel or an omen preparing the ground for the end of days. Nobody knows for certain. The locals call it Neil Patrick Fallon. Sharing some thoughts on today’s release, Neil Fallon says 

"The inspiration for the lyrics in Wasted Lands came about when it was brought to my attention that someone had been dragging my name on FaceBook (weird, right?). Apparently, I had reneged on a free t-shirt and dinner. I think it was a prize in a pay to play contest. Not to overstate the obvious, but it was a load of horse hockey. Many people tried to explain to this person that it was not me and that they had been hustled. But they simply would not believe it. So I thought, screw it, no half-measures. You want a monster? Let’s give you one."

Beneath Fallon’s lyrical story-craft, Jean-Paul Gaster, Dan Maines and Tim Sult lock into a classic-Clutch, riff-driven groove featuring a very intentional and strategically placed bass-drum hit from Gaster. One he knew would make the live crowd go wild. He shares

“There’s a part where Neil says, ‘Vegetable, mineral, man, or beast.’ And I put a bass drum on, ‘man or beast,’ and Machine thought that was kind of weird. He was like, ‘Man, you’re covering up the vocal!’ And I said, ‘No, that bass drum is gonna make the crowd go nuts, I guarantee it.’ And it does, because there’s nothing more exciting than having a big bass drum slam through a PA, and Neil singing a vocal on top of it. I mean, I get goosebumps from that, you know?”

Across Wasted Lands, Clutch keep their riff-heavy foundations intact while making room for a sharper melodic streak. Tracks including “Colorado Fuel and Iron,” “Stage Fright” and “Loaf and Jug” build their considerable weight around chord progressions as much as individual riffs. “Beware the Fever” brings banjo onto a Clutch record for the first time, using a rough demo played by Fallon and recorded by Gaster during a writing session. Despite several attempts to re-record the performance, nothing quite came close so the original recording is what went on the record. 

Fallon’s lyrics open in the rubble of the Georgia Guidestones on “The Drifter Returns” and close beneath an exploding star on “The Message is Clear.” The route between them runs through Colorado’s Highway 50, abandoned company towns, corporate appetites, creature-feature horror and deep space. 

Speaking on the announcement of their fourteenth studio album, Clutch share 

“Exploded monuments, haunted coal towns, robber barons, time cops, a chestburster, fifteen tons of antimatter and a creature called Neil Patrick Fallon. Wasted Lands came from one clear intention: write a great rock record that will make fans go nuts when they hear these songs live, while leaving enough space in the creative process to follow the unexpected turns that keep Clutch exciting to us and our fans after thirty-five years together.”

Wasted Lands will be released worldwide on January 22, 2027 via Weathermaker Music. To pre-order the album and see all music and apparel products available in the US and additional territories, go to clutchmerch.com

US fans will have the opportunity to experience some of the new material from Wasted Lands for the first time when the band head out on their 16-date US headline tour next month with support from Slomosa and Blood Vulture. The run begins October 16 at The Fillmore Charlotte and closes November 7 at The NorVa in Norfolk, taking Clutchthrough the South, Midwest and Northeast ahead of the album’s January release. Tickets are available from clutchmerch.com

Download Tour Art HERE

CLUTCH US TOUR 2026

WITH SLOMOSA AND BLOOD VULTURE

Fri, Oct 16 | Charlotte, NC | The Fillmore Charlotte

Sat, Oct 17 | North Myrtle Beach, SC | House of Blues

Sun, Oct 18 | Jacksonville, FL | FIVE

Tue, Oct 20 | Tampa, FL | The Ritz Ybor

Thu, Oct 22 | New Orleans, LA | House of Blues

Fri, Oct 23 | Robinsonville, MS | Bluesville at Horseshoe Tunica

Sun, Oct 25 | Fayetteville, AR | Ozark Music Hall

Tue, Oct 27 | West Des Moines, IA | Val Air Ballroom

Wed, Oct 28 | Green Bay, WI | EPIC Event Center *Date changed

Fri, Oct 30 | East Moline, IL | The Rust Belt

Sat, Oct 31 | Cincinnati, OH | The Andrew J Brady Music Center

Sun, Nov 1 | Fort Wayne, IN | The Clyde Theatre

Tue, Nov 3 | South Burlington, VT | Higher Ground

Thu, Nov 5 | Hampton Beach, NH | Hampton Beach Casino Ballroom

Fri, Nov 6 | Wilkes-Barre, PA | F.M. Kirby Center for the Performing Arts

Sat, Nov 7 | Norfolk, VA | The NorVa

CLUTCH WASTED LANDS AUSTRALIA TOUR 2027

With Special Guests Corrosion of Conformity

Sat, Jan 23 | Perth | Metropolis Fremantle

Mon, Jan 25 | Brisbane | Eatons Hill Hotel

Wed, Jan 27 | Sydney | Enmore Theatre

Fri, Jan 29 | Melbourne | Forum Theatre

Sat, Jan 30 | Adelaide | Froth & Fury Festival

SICKSENSE Release New EP Funerals, Alongside Official Music Video For "Seller's Remorse"

Reinvigorated and reinvented, modern metal act SICKSENSE return with the new EP release Funerals. Comprised of a ferocious collection of tracks that demonstrate a fresh sonic direction, SICKSENSE present a nu-metalcore dynamic with hints of melodic prog and djent. Alongside the arrive of Funeralsis a new official music video for the aggressive and unapologetic "Seller's Remorse."
 

"'Seller's Remorse' calls out hypocritical backstabbers." The band explain.

"Without giving away any spoilers, we had a fun day of laughs out in the sun filming the music video for this one!

The lyrics take a dig at the ones who are too lazy to build up anything meaningful themselves. So they decide to tear down harder working people instead, as a cope for their own shortcomings.

Sicksense is never shy to tell it like it is through sarcasm and blunt honesty."

 


Order Funerals HERE: http://funerals.sicksense.com/

Watch "Seller's Remorse" Below:

Nu-metalcore quintet SICKSENSE are preparing to bring Funerals to live stages across North America beginning this November. With eight headline dates in the Midwest and Eastern Canada, SICKSENSE will also be appearing as support for MUSHROOMHEAD & FEAR FACTORY, HEAL THE HURT, PRIMER 55, 40 BELOW SUMMER and EYES SET TO KILL. 

Tour Dates:

NOV 05 — DAVENPORT, IA @ REDSTONE ROOM
[COMING SOON]
NOV 08 — TOLEDO, OH @ FRANKIE’S
NOV 09 — CHICAGO, IL @ THE WC SOCIAL CLUB
NOV 10 — SAUGET, IL @ POP’S ^
NOV 11 — NASHVILLE, TN @ THE BASEMENT EAST ^
NOV 12 — GREENVILLE, SC @ THE RADIO ROOM +
NOV 13 — RALEIGH, NC @ CHAPEL OF BONES #
NOV 15 — RICHMOND, VA @ THE CANAL CLUB #
NOV 17 — HAMDEN, CT @ SPACE BALLROOM #
NOV 18 — QUEBEC CITY, QC @ L’ANTI BAR & SPECTACLES
NOV 19 — MONTREAL, QC @ PIRANHA BAR
NOV 20 — OTTAWA, ON @ DOMINION TAVERN
NOV 21 — MILLERSVILLE, PA @ PHANTOM POWER ~#
NOV 22 — LAKEWOOD, OH @ THE FOUNDRY
NOV 24 — LINCOLN, NE @ BOURBON THEATRE
DEC 03 — LUBBOCK, TX @ JAKE’S BACKROOM *
DEC 04 — AUSTIN, TX @ COME AND TAKE IT LIVE *
DEC 05 — HOUSTON, TX @ SCOUT BAR *
DEC 06 — DALLAS, TX @ THREE LINKS DEEP ELLUM *
DEC 08 — DENVER, CO @ HQ *
DEC 11 — SEATTLE, WA @ EL CORAZON *
DEC 12 — PORTLAND, OR @ HAWTHORNE THEATRE *
DEC 13 — BOISE, ID @ SHRINE SOCIAL CLUB *
DEC 15 — LAS VEGAS, NV @ GREY WITCH *
DEC 16 — WEST HOLLYWOOD, CA @ WHISKY A GO GO *
DEC 17 — ANAHEIM, CA @ HOUSE OF BLUES (THE PARISH) *
DEC 18 — TUCSON, AZ @ THE ROCK *
DEC 19 — PHOENIX, AZ @ CRESCENT BALLROOM *

SUPPORTING:
^ MUSHROOMHEAD & FEAR FACTORY
+ HEAL THE HURT
# PRIMER 55
~ 40 BELOW SUMMER
* EYES SET TO KILL

Purchase tickets HERE: https://sicksense.com/pages/tour-dates

At their core, SICKSENSE represent resilience, individuality, and fearless self-expression. Whether through brutally honest lyrics, high-energy live performances, or their hands-on approach to every aspect of the band’s creative vision, SICKSENSE continue to prove that heavy music has no boundaries when authenticity leads the way.

SICKSENSE is:

  • Vicky Psarakis — vocals, lyrics, keys

  • Robby J. Fonts — vocals, lyrics

  • Jackson Snowden — guitars

  • Richard Regier — bass, violin

  • Sam Neumann — drums

Connect with SICKSENSE:

ALICE COOPER & DICK WAGNER'S LONG-LOST CONCEPT ALBUM FINALLY COMES TO LIFE AS MARYANN COTTON'S CHESTER ROSE, ARRIVING OCTOBER 30th THROUGH DEKO ENTERTAINMENT

A remarkable chapter in rock history is finally being completed. Conceived years ago by Alice Cooper and his longtime collaborator Dick Wagner, Chester Rose was envisioned as a theatrical concept album in the spirit of Welcome to My Nightmare, a dark, cinematic production intended for both album and television.

From the beginning, Cooper and Wagner imagined the project being brought to life by a younger artist with the right voice, charisma, and theatrical presence. That artist became Maryann Cotton, who was discovered by Wagner and taken under his wing before being introduced to Cooper. Cotton later relocated from Copenhagen, Denmark, to Los Angeles to work directly on the album and its evolving concept.

Written by Alice Cooper, Dick Wagner, and Maryann Cotton, Chester Rose tells the story of a rock star turned serial killer whose twisted descent into lust, romance, obsession, and murder unfolds across twelve captivating tracks. The album takes listeners on a dramatic journey, beginning with explosive hard rock energy before evolving into darker and more sophisticated storytelling reminiscent of Lou Reed, Peter Gabriel, and classic Alice Cooper.

The first single, "Thief of Hearts," is available now. "“Thief of Hearts” was one of the first songs Dick Wagner and Alice Cooper had written for the concept, and one of the very first songs Dick ever played for me.

Throughout this entire project, I’ve tried to stay respectful and true to the core of the original concept Dick created, while at the same time expanding on it and ultimately turning it into Maryann Cotton’s world. With “Thief of Hearts” in particular, I wanted to stay as true as possible to Alice’s original vocal lines and phrasing from the original version that was presented to me. It was important to me to preserve the DNA of what Dick and Alice created while still making the song my own.

I remember hearing the song for the first time and being completely blown away. As a lifelong Alice Cooper fan, it immediately took me back to somewhere between 1975 and 1977. It had that unmistakable Cooper/Wagner trademark, feel and attitude. You could hear exactly where it came from.",
says Maryann Cotton.

Watch "Thief of Hearts" (featuring Dick Wagner and Tommy Henriksen, Below:

Although extensive pre-production work was completed and multiple versions of the project were developed, the album was never fully recorded or released. Tragically, Dick Wagner passed away shortly before the project was scheduled to enter the studio.

Determined to fulfill the vision he had shared with Cooper and Wagner, Cotton revisited the project two years ago. He reopened the original Pro Tools sessions, painstakingly restoring Wagner's guitar riffs and solos while carefully cleaning, editing, and mixing the material to preserve its original spirit. Longtime collaborator Steve Hunter became an integral part of the process, contributing throughout the completion of the album.

Adding to the project's significance, Tommy Henriksen of Hollywood Vampires contributed both rhythm and lead guitar performances. Much of the album features the legendary guitar partnership of Steve Hunter and Dick Wagner, making Chester Rose the final recording in rock history to feature performances from both musicians together. The result is a powerful and timeless hard rock album that bridges generations while preserving the creative vision of two of rock's most celebrated collaborators.

Pre-Order Chester Rose on CD, LP, and Limited Signed Bundles:
https://www.dekoentertainment.com/maryann-cotton

OPUS Announces New Solo Acoustic-Rock Single + Video “Slip Away” Ahead of Full-Length Album Purging the Demons

Dead By Wednesday, Zetro, Ellefson, Earth & Gang Green drummer unveils deeply personal solo project rooted in raw performance, heartbreak, family, and authenticity

 

OPUS, the powerhouse drummer known for his work with Dead By Wednesday, Zetro, Ellefson, Earth and Gang Green, releases his new solo acoustic-rock single “Slip Away” today across all major streaming platforms. The accompanying official music video, directed by Sal DelGreco, is also available now.

 

“Slip Away” offers the first taste of OPUS’ forthcoming full-length solo album, Purging the Demons, arriving November 6, 2026.

 

 A deeply personal collection born from one of the most difficult periods of OPUS’ life, Purging the Demons explores loss, love, heartbreak, anger, stress, and the challenge of maintaining family connections through separation. Rather than hiding behind polished production or studio perfection, OPUS embraces the rawness of the performances and the emotions that inspired them.

 

“In a world obsessed with perfection, Purging the Demons is my reminder that truth lives in the cracks," says OPUS.

 

The album represents a deliberate return to an old-school approach to recording. OPUS wrote, recorded, and performed 99% of the instruments on the record, with the songs captured without vocal tuning, quantizing, or drum replacements. The imperfections are part of the point leaving the human element intact and allowing the performances to speak for themselves.

 

Purging the Demons was written over the course of approximately a year and a half during a long, dark, and challenging period in OPUS’ personal life. The resulting songs transform those experiences into an honest and unfiltered musical statement.

 

All songs on Purging the Demons were mixed by Max Scialdone, who worked with OPUS throughout the project to preserve the raw character and emotion of the recordings while bringing the album to its final form.

 

At a time when music is increasingly shaped by digital processing, algorithms, filters, and artificial perfection, Purging the Demons takes the opposite approach. It is a record about being human, messy, emotional, imperfect, and real.

 

With “Slip Away,” OPUS opens the door to a solo album that isn't about hiding the cracks. It's about embracing them.

 

 STREAM “Slip Away” here: https://orcd.co/opus_slip-away

 

Album Pre-save: https://orcd.co/opus_purging-the-demons

 

WATCH the Official Music Video for "Slip Away" Below:

For more information please visit:

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YouTube

Scary Kids Scaring Kids Welcome Albert Schweizer as Official Lead Vocalist Colton "Coba" Westerman on Bass & Vocals Unveil New Video "Something In The Water"

After more than three and a half years with Albert Schweizer helming the band on lead vocals, Scary Kids Scaring Kids is proud to announce Albert as the band’s official lead vocalist, marking the first time in more than a decade that Scary Kids Scaring Kids has moved forward with a permanent vocalist.

Albert will front the band both live and on all future releases, beginning with the band’s new single, “Something in the Water,” out now, and their forthcoming record, "RISE".

For the past several years, Scary Kids Scaring Kids embraced collaboration with different vocalists while continuing to create new music. Releases including "Out of Light" and "Maps Written in Water" remain an important part of the band’s story and evolution. This next chapter isn't about erasing or recreating any era of Scary Kids Scaring Kids. It represents a unified lineup, a shared creative identity, and a clear direction for where the band goes next.

“We never wanted to force this. Albert has been a huge part of this band for years, on and off stage. This feels less like making a change and more like acknowledging what’s been true to us for a long time now,” said Pouyan Afkary and Chad Crawford in a joint statement.

The band is also proud to announce that Colton “Coba” Westerman has officially joined Scary Kids Scaring Kids as a full member on bass and vocals.

Both Albert and Coba have been heavily involved in shaping this next chapter beyond their roles as performers, contributing to the songwriting, arrangements, and overall creative direction of the new material. As permanent members of Scary Kids Scaring Kids, they aren't simply stepping into existing roles. They're helping define what the band becomes moving forward.

Today’s announcement coincides with the release of “Something in the Water,” the first single from the band’s upcoming record, "RISE", and the first release to fully represent this lineup. The band describes the new material as its heaviest work to date, while retaining the emotion and dynamics that have long been central to Scary Kids Scaring Kids.

For longtime fans, "RISE" isn't an attempt to replace the band's history. It's a continuation of it. For listeners discovering Scary Kids Scaring Kids today, the band wants the new music to stand on its own without requiring twenty years of history to understand what Scary Kids Scaring Kids is now or where it's going.

Joining the band on "RISE" and as touring members are Josh Kikta on guitar and Kash Jaeger on drums.

For the first time in more than a decade, Scary Kids Scaring Kids has a permanent voice for its future.

This is Scary Kids Scaring Kids.

Be sure to stay tuned for more Scary Kids Scaring Kids news coming very soon.

Photo Credit - Heidi Crawford

Now comes RISE.

The forthcoming record introduces a newly unified Scary Kids Scaring Kids at its heaviest and with a renewed sense of creative purpose. After more than three and a half years fronting the band live, Albert Schweizer becomes its official lead vocalist onstage and on record, while Colton “Coba” Westerman joins as an official member on bass and vocals. They join founding members Chad Crawford on guitar and Pouyan Afkary on keys and keytar.Touring members Josh Kikta on guitar and Kash Jaeger on drums also joined the writing sessions for RISE and contribute both to the new record and the band’s live lineup.

For a band built on relationships as much as musicianship, that evolution matters. Scary Kids has always depended on chemistry, trust, and a shared creative instinct that extends beyond simply filling a role.

RISE is the first Scary Kids record created with this lineup and identity at its core.

It is also among the heaviest music the band has ever made.

Rather than attempting to recreate a particular era, Scary Kids is drawing from the same creative instinct that shaped its earliest work: pushing melody, aggression, atmosphere and dynamics until the music feels both unmistakably Scary Kids and entirely of the moment.

RISE represents the most complete expression yet of what Scary Kids Scaring Kids has become: a newly unified band with renewed chemistry, a clear sense of purpose, and some of the heaviest music of its career.



This is Scary Kids Scaring Kids.

PAUL LAINE Releases New Album 'The Long Road Back' — Out Now via Frontiers Music Srl

Today, renowned Canadian singer PAUL LAINE proudly releases his new studio album, ‘The Long Road Back,’ out now via Frontiers Music Srl. To celebrate, the new track “Someday,” along with an official video, is available now.

 

Laine comments:

“With the music video for ‘Someday,’ the producer and I wanted to create something that celebrates the many beautiful forms of love that connect us as human beings. From the unconditional love we share with family and friends, to the bond we have with our animals, and the simple acts of kindness, compassion, and connection we show one another every day, the video is a reminder that love is all around us. In a world that can sometimes feel divided, ‘Someday’ is my small contribution to the idea that love, in all its forms, is what ultimately brings us together.”

Watch the Official Video for "Someday" Below

A masterclass in melodic rock, PAUL LAINE’s new album delivers soaring hooks, heartfelt ballads, and arena-ready anthems that traverse the full spectrum of the genre. From the driving energy of “Love Me Or Leave Me” to the intimate vulnerability of “Someday” (co-written with Andrew Oye), every track is meticulously crafted, showcasing LAINE’s signature vocal power and melodic sensibility. “Don’t Let Me Go Tonite” comes alive with a striking video that complements its infectious energy.

 

LAINE states:

 

“Ever since I released my first solo album, I've wondered when I'd finally have the chance to make a follow-up. Life - and music - have a way of taking you places you never expect. Looking back, every chapter of my career has led me down a different road, and each one has shaped me as both a songwriter and a person.”

 

“I've been incredibly fortunate to make records with Danger Danger, Darkhorse, The Defiants, Shugaazer, and Jetset Junkies. Every one of those experiences taught me something and gave me memories I'll always carry with me. But somewhere in the back of my mind, I always knew the road would eventually lead me home - to where it all started. Just a kid with a guitar, trying to make sense of love, life, loss, hope, and everything in between through songs,” he added.

 

"‘The Long Road Back’ is exactly that. It's a musical journey back to my roots, but it's also a reflection of every mile I've travelled to get here. Every song carries a piece of the life I've lived, the people I've met, and the lessons I've learned along the way. In many ways, this record feels like coming full circle. After all these years, I'm grateful to finally share this chapter with everyone who's been waiting for it. I hope these songs find a place in your story, just as they've become part of mine,” LAINE concluded.

 

Joining LAINE in the studio are longtime collaborators Bruno Ravel (his bandmate in The Defiants and also in Danger Danger - bass, producer), Scotty “Hooch” Taylor (drums), and Andrew Oye (lead guitar), with production handled by LAINE and Ravel. The album features standout singles like “Love Me Or Leave Me,” the video-driven “Don’t Let Me Go Tonite,” and the heartfelt “Someday.”

 

Musically, the record touches every corner of melodic rock. Yet, the songs sound like they’re coming from the classic era when Bon Jovi dominated the airwaves - both in LAINE’s soaring vocals and in the anthemic, hook-laden songwriting. This is an album for fans who crave big choruses, passionate performances, and the kind of timeless melodic rock that only PAUL LAINE can deliver.

Order 'The Long Road Back' HERE

Line Up:

Paul Laine

Bruno Ravel

Scotty “Hooch” Taylor

Andrew Oye

Save Us Share "Last of Me" Video — WATCH

Transcontinental trio SAVE US — Miguel Owls [vocals], Chris Biddiscombe[guitar], and Benji Havercroft [drums] — will release their new album Death To Something on October 16 via Solid State Records. Pre-order the album, produced by Landon Tewers, here.

They have shared the video for "Last of Me." Watch it below. 

It's a lush, vocal-forward track that cycles masterfully through a course of quiet-loud dynamics. Strap yourself in; this one's an emotional thrill ride that will connect with fans of Deftones, Loathe, and Dayseeker.

"'Last of Me' was an emotional challenge for me," explains Owls. "I had so much I wanted to say, but I really pushed to keep it clear and honest without feeling wordy or cheesy. It's about finally breaking free from a toxic relationship and recognizing the grip it had on you for so long. There’s a lot of weight behind that realization, but also a sense of release. I truly hope this song helps people find the strength to let go, move forward, and start healing."

The origin story of SAVE US and how the globally-based band came together is quite simple. Back in 2023, Owls was regularly posting covers on social media and quietly cultivating a following online. Hailing from the Central Valley of California, he never expected to find his future bandmates in his DMs. Bristol, UK-based Biddiscombe stumbled upon one of the vocalist's Architects covers and sent a message on TikTok. Clicking right away, they commenced creating music (despite over 5,000 miles between them). Due to a factory day job from 1pm-9:30pm, Owls typically woke up at 5am in order to write with Chris and Benji before work. Prior to meeting in-person, the trio had remotely recorded a few tracks. Eventually, the singer crossed the pond to shoot the visual for "Distance" from their LUCID EP. Reacting with listeners, the track clocked north of 2.6 million Spotify streams. The group maintained their momentum with 2024's EXIST EP. A year later, they inked a deal with Solid State and decamped to Michigan where they recorded with sought-after producer and The Plot In You mastermind Landon Tewers.

Ultimately, the band's name reflects their shared experience.

"Chris and Benji were both ready to stop doing music," Owls reveals. "I was in the same boat. We were all on the edge of letting our dreams go. Out of nowhere, we found each other, went all the way in together, and the band genuinely saved us. We're always dabbling in emotion, so our goal is to reach you on a human level."


Mission accomplished on Death To Something, which in all actuality, brought the band members back to life.

All upcoming SAVE US Fall 2026 tour dates are below.

SAVE US ON TOUR:
WITH SAOSIN:

10/23 — Anaheim, CA — House of Blues Anaheim
10/24 — Tempe, AZ — Marquee Theatre
10/25 — Albuquerque, NM — Sunshine Theater
10/27 — San Antonio, TX — Vibes Event Center
10/28 — Dallas, TX — House of Blues Dallas
10/29 — Houston, TX — House of Blues Houston
10/30 — New Orleans, LA — House of Blues New Orleans
10/31 — Pensacola, FL — Vinyl Music Hall
11/1 — Orlando, FL — House of Blues Restaurant & Bar
11/3 — Nashville, TN — Brooklyn Bowl Nashville
11/4 — Raleigh, NC — The Ritz
11/6 — Sayreville, NJ — Starland Ballroom
11/7 — New York, NY — Webster Hall
11/8 — Worcester, MA — Palladium
11/10 — Philadelphia, PA — Brooklyn Bowl Philadelphia
11/11 — Baltimore, MD — Nevermore Hall
11/13 — Buffalo, NY — Town Ballroom
11/14 — Detroit, MI — The Majestic Theatre
11/15 — Chicago, IL — House of Blues Chicago
11/17 — Milwaukee, WI — The Rave / Eagles Club
11/18 — Minneapolis, MN — The Fillmore Minneapolis
11/20 — Denver, CO — Summit Music Hall
11/21 — Salt Lake City, UT — The Complex
11/22 — Boise, ID — Knitting Factory
11/24 — Seattle, WA — Showbox SoDo
11/25 — Portland, OR — Roseland Theater
11/27 — Los Angeles, CA — The Novo
11/28 — San Diego, CA — SOMA

Corey Kent's Highly Anticipated HEARTLAND ROCK AND ROLL Available Now

Multi-Platinum Sony Music Nashville recording artist Corey Kent releases his highly anticipated third major-label album, Heartland Rock and Roll, available everywhere today. The 16-track collection, which Entertainment Focus noted “doesn’t just feel like another release; it feels like a statement of identity,” captures the Oklahoma native’s signature blend of country, rock and soul while putting a name to the sound he has spent his career building. Listen to Heartland Rock and Roll  Below. 

Originally slated as a 15-track album, Heartland Rock and Roll grew at the last minute with the addition of the sultry “Don’t Stop Now,” written by Kent with Austin Goodloe, Lydia Vaughan and Joybeth Taylor. After Kent teased the song for fans, the response was immediate, convincing him the track needed to make the final album.

“My new song ‘Don’t Stop Now’ has gotta be the sexiest song I’ve ever written,” shares Kent. “It’s a new lane for me but I had so much fun writing and recording this one because it has so much soul and vibe to it. It almost feels like a Continuum-era John Mayer song, if John Mayer had a Southern accent. Early on I was influenced a lot by soul and R&B music and it’s been really fun to explore how I can incorporate that in my own sound.”

The song finds Kent exploring a more sensual side of his songwriting, painting an intimate scene, “We’re already halfway down the hall / Knocked a couple pictures off the wall,” before building into its soulful chorus:

Produced primarily by Austin Goodloe, with additional production from Jon Randall and Chris Farren, Heartland Rock and Roll spans 16 tracks that blend golden-hour nostalgia, rugged honesty, hard-earned perspective and the peace that comes with staying true to yourself. The album features previously released tracks including “Everyday Life,” “Rocky Mountain Low” featuring Koe Wetzel which Billboard called “an unyielding, rock-fueled anthem,” “Wannabe,” “Cigarette Burns,” “Rather Be Here” featuring Jason Aldean and current single “Empty Words,” which is Top 25 and climbing at country radio, logging almost 5 million streams per week.

“Heartland Rock and Roll is my third major label album, and it’s really the first time I’ve been able to finally name the sound I’ve been working towards my entire career,” said Kent. “The lyrics span from nostalgia, to honest regrets and gratitude for the simple things I value most in life. From top to bottom, this is me. Every artist wants to leave their mark in music... a way to say, ‘I was here and I did it my way.’ This feels like mine. This is heartland rock and roll.”

The album’s release follows a year of momentum for Kent, who has continued to build his profile on stages across the country while preparing for his biggest headline tour to date. Earlier this month, Kent announced his 2027 Heartland Rock and Roll Tour, a 20+ date cross-country trek kicking off Jan. 22 at Billy Bob’s Texas in Fort Worth and making stops in Houston, Detroit, Columbus, Atlanta, Pittsburgh, Boston and more before culminating April 30 with Kent’s headline debut at Nashville’s famed Ryman Auditorium. Tyler Nance and Jacob Hackworth will join as support throughout the tour. Tickets are available at coreykentofficial.com.

“This year I’ve played all over the world and opened up for some of my favorite artists,” shared Kent. “But now it feels like it’s time for a headline tour right here in the heartland…the Heartland Rock and Roll Tour! I’ve reimagined everything on this tour making this show unlike anything we’ve ever done. I hand picked some of my favorite venues in the country and it’s almost time!”

Infusing Oklahoma roots with the untamed energy of a rebel rocker, Kent has built his career on doing things his own way. From dancehalls and dive bars in Bixby, Oklahoma, to earning two No. 1 singles at country radio, more than 1 billion career streams and multiple RIAA certifications, Kent’s rise has been steady, hard-earned and fueled by conviction.

“I’ve been fighting my differences for so long, but now it’s like, ‘Let’s just use those,’” Kent explains. “I’m not trying to be anybody else. Bigger fades, ‘better’ lasts.”

To date, Kent has earned Platinum certification for “Something’s Gonna Kill Me,” Gold certification for “This Heart” and Triple-Platinum certification for his No. 1 breakthrough hit “Wild As Her.” Rolling Stone has praised the Oklahoman native for giving “the region’s signature sound a shot of mainstream sensibility,” while CMT and the Opry NextStage program have recognized him as an artist to watch. He has toured alongside Morgan Wallen, Jason Aldean, Parker McCollum, Jon Pardi and Koe Wetzel.

COREY KENT’S 2027 HEARTLAND ROCK AND ROLL TOUR

*Jan. 22 – Billy Bob’s Texas – Main Stage – Fort Worth, TX
*Jan. 23 – House of Blues – Houston, TX
*Jan. 28 – Majestic Theatre – Detroit, MI
*Jan. 29 – The Bluestone – Columbus, OH
*Jan. 30 – Dusty Armadillo – Rootstown, OH
*Feb. 4 – Wooly’s – Des Moines, IA
*Feb. 5 – Varsity Theater – Minneapolis, MN
*Feb. 6 – Bourbon Theatre – Lincoln, NE
*Feb. 18 – Buckhead Theatre – Atlanta, GA
*Feb. 19 – The Foundry – Greenville, SC
*Feb. 20 – Charleston Music Hall – Charleston, SC
*Feb. 25 – The Signal – Chattanooga, TN
*Feb. 26 – Coyote Joe’s – Charlotte, NC
*Feb. 27 – The Senate – Columbia, SC
*Mar. 11 – Stage AE – Pittsburgh, PA
*Mar. 12 – The Fillmore Silver Spring – Silver Spring, MD
*Mar. 13 – The Paramount – Huntington, NY
^Mar. 18 – Toad’s Place – New Haven, CT
^Mar. 19 – Aura – Portland, ME
^Mar. 20 – House of Blues – Boston, MA
*Apr. 30 – Ryman Auditorium – Nashville, TN
*Tyler Nance
^Jacob Hackworth

For the latest news and information about Corey Kent, visit coreykentofficial.com.

CHAYCE BECKHAM RELEASES NEW EP OLD FASHIONED

Chayce Beckham releases his new EP, Old Fashioned, today. The five-song project contains the previously released songs, “Dirt Floor” and “Take Me Home” and three more original tracks co-written by Beckham and produced by Bart Butler. Fans can listen below.

“When I set out to start writing for this project I really wanted to keep it as raw and real as I possibly could,” says Beckham. “My love for the sound of country music from the 70’s still just lights me up and my goal was to approach these songs with that in mind but with a freshness that still plays into what is happening today. I write from a place of truth and from moments I have either lived or witnessed. I love where we landed on these songs and I am grateful to play them on stage each night.”   

Beckham is on tour this fall. Buy tickets HERE.


10/3 Glendale, AZ
10/8  West Dundee, IL
10/9 Paxton, IL
10/10 Petersburg, IN
10/16 Birmingham, AL
10/17 Kennesaw, GA
10/22 Greensboro, NC
10/23 Newberry, SC
11/6 Denver, CO
11/7 Colorado Springs, CO
11/19 Fort Worth, TX
11/20 Buda, TX
11/21 Coupland, TX
12/5 Rootstown, OH

Photo Credit: Nate Griffin

About Chayce Beckham:
Rising country star Chayce Beckham won American Idol singing his own songs and was the first to win singing an original song. Beckham is continuing to write his own music and chart his own path as a country artist, scoring his first #1 at country radio with the platinum hit single “23.” A California native schooled on tough times and a mix of country, rock, hip hop and beyond, the fiery songwriter with his own creative compass started a habit of heart-on-his-sleeve lyricism after a hard season of life left him feeling empty. Yet, his warm rough rasp and steadfast drive charmed the nation on Idol's 19th season. With more than 1.2 billion global on-demand streams and counting, the bluesy and brutally honest anthem “23” debuted at #1 on both iTunes All Genre and Country singles charts, and led to his first album, Bad for Me. Earning next-big-thing and artist to watch predictions from the Grand Ole Opry, CMT, Amazon Music, MusicRow and more,  Beckham is touring and sharing new music including the previously released “Dirt Floor,” a neo western sounding summer love song, and “Take Me Home” in addition to “Ain’t Lying To Myself,” all of which are out now on his new EP Old Fashioned.

SILVER SANDS MARINA ARRIVES With A Gone-In-Seconds Surprise Pinnacle Show Tonight Broadcast LIVE on No Shoes Radio at 8:30 PM Eastern

So much about Silver Sands Marina has been unorthodox. Starting with the time spent making it, the re-recording and recasting of “Carry On,” the landmark debut single, and three late tracks that inspired an 11-cut project in an age of more-is-more. For the East Tennessee songwriter-superstar, Silver Sands Marinabecame an album, not just of his great, often genre-defining songs, but a collection that holds together at the heart.
 
Today, with a sold-out-in-seconds surprise Pinnacle Show to celebrate, Silver Sands Marina arrives.
 
Again co-produced with legendary Buddy Cannon, the project delivers a sense of arrival, places and the smallest moments that define a life. Whether recognizing one’s reason on the opening “Burn My Boat,” the vulnerable spark knowing it’s over of “It Just Got Weird,” featuring Megan Moroney, the joyous heartbreak of “Goldfish” with Hawaiian alternative singer-songwriter Lily Meola or the swagger-forward homage to smalltown gossip “Talkin’ Dirt,” Chesney creates a core sample of what engaging with the world truly is.
 
“Having had the time to cut so many really great songs, but also listen to them, think about how they fit together,” Chesney offers, “the songs were also able to talk to each other. They showed me, Buddy, some of the people near me what they wanted to say in a larger way… And when ‘Silver Sands Marina’ captured that one perfect moment two share together with no distractions, everything fell into place.
 
“That’s the thing about music: the more you listen, the more it will tell you about life. Whether it’s how to get through it, laugh it off, make it more or recognize what’s so rare and special, it’s all there if you’ll slow down and listen. When we did, well, you can hear it in these 11 songs.”
 
With “CBS Mornings” anchor Gayle King raving, “[it] evokes memories, perfectly paints a special place and really celebrates life, the Associated Press writing, “He's one of the most consistent giants in country music for a reason. Kenny Chesney will release his 21st studio album –  you read that correctly –  today, titled ‘Silver Sands Marina.’ It's full-throated stadium country, with big hooks and bigger heart. You know, like all the great Chesney records,” and Billboard citing the album, “placing a premium on top-shelf songwriting that balances lyrical wit and emotional resonance… Linking each of the songs is Chesney’s warm, conversational vocal approach that makes each song feel even more lived-in and credible,” the early response is strong.

Even stronger is the gone-in-seconds response to tonight’s pop-up show at the Pinnacle, which will be broadcast live on No Shoes Radio (SiriusXM 59) at 8:30 p.m. ET. The immediacy and sense of community around Silver Sands Marina has really touched the 2025 Country Music Hall of Fame inductee. Drawing on a lifetime of songwriters, living, learning and laughter, Chesney’s first release for HEY NOW Records has manifested not just a history-making single that offers the philosophical compass, “if it feels good do it, if it doesn’t then don’t…,” its second single proffers a powerful perspective-shifter from jagged ending to owning all the thrills, euphoria and awesome that makes love great via “Remember Me That Way.”
 
“No Shoes Nation has always been a passionate, all-in kind of place. They work hard, play hard, love hard – and music moves through all of it. We’ve got songs here that are very fun, real, and honest; but they’re also things they’re not expecting, because I know I’d never heard songs like some of these before, either.
 
“That’s why we wanted to go play them live, and not wait for Tampa. Everyone in the band agreed, this is music that needs people to come fully alive, so I’m fired up to be playing Pinnacle tonight – and for anyone who couldn’t get tickets, you can be there with us on No Shoes Radio. We all – Buddy, me, so many of us – make this music for everyone else to enjoy – and today finally the circle of Silver Sands Marina is complete.”
 
Kicking off the Silver Sands Marina anticipation with his appearance on the “TODAY” Citi Concert Series and a lively turn on “The View,” Chesney has been across all media for the last week. E Street Radio, Howard Stern’s Howard 100 and ESPN, as well as yesterday’s lively sitdown with “CBS Mornings” anchor Gayle King all culminate with tonight’s NBC “Nightly News” and their “Great Americans” profile.

JOHN MORGAN ADDS FALL TOUR DATES AND RELEASES NEW SONG "CRY BABY"

Six time #1 hitmaker John Morgan is releasing his newest track, “Cry Baby.” The raw lovesong is written by John Morgan, Lydia Vaughn, Kurt Allison, and Tully Kennedy and produced by John Morgan and Brent Anderson. Listen to “Cry Baby” Below.

The country star is also adding fall dates to his touring schedule as his latest single “Kid Myself” is eyeing the top of the country airplay charts. After wrapping Brantley Gilbert’s Real American Tour, Morgan is adding ten headlining shows beginning November 12 in Myrtle Beach, SC and ending on December 5 in Starkville, MS. Tickets are on sale now and fans can buy tickets HERE. 

On his self-aware new song "Cry Baby," John Morgan turns the mirror on himself. He owns up to the moments he's let his temper get the better of him — and the guilt that follows when he sees the hurt he's caused reflected in someone he loves. It's a vulnerable, grown kind of love song, less about grand romantic gestures and more about the harder work of accountability, growth, and trying to be better for the person who's stuck by him. With his signature blend of grit and sincerity, Morgan delivers a heartfelt plea that balances toughness with tenderness — proof that real strength is admitting when you're wrong.  

Morgan is spending this fall touring, not only on Brantley Gilbert’s Real American Tour, but headlining his own dates with support from Erin Kinsey and Chris Ryan. Tickets are currently on sale HERE.

9/25 Uncasville, CT                Mohegan Sun Arena*
9/26 Verona, NY                     Turning Stone Resort Casino*
10/1 Huber Heights, OH         Rose Music Center at The Heights*
10/2 Rockford, IL                    BMO Center*
10/8 Savannah, GA                VyStar Pavilion
10/9 Roanoke Rapids, NC      Carolina Crossroads Amphitheatre*
10/15 Youngstown, OH           Covelli Center*
10/16 Cincinnati, OH               PNC Pavilion*
10/17 Toledo, OH                    Huntington Center*
11/5 Macon, GA                       Atrium Health Amphitheater*
11/6 Biloxi, MS                        Mississippi Coast Coliseum*
11/7 Corinth, MS                     Crossroads Arena*
11/12 Myrtle Beach, SC          The Boathouse
11/13 Wilmington, NC             Bowstring
11/14 Isle of Palms, SC          The Windjammer
11/15 Jacksonville, FL             Greater Jacksonville Agricultural Fair^
11/19 Nashville, TN                 Odies
11/20 Charlotte, NC                 Amos’ Southend
11/21 Winston-Salem, NC       The Ramkat
12/3 Chattanooga, TN             Barrelhouse Ballroom
12/4 Birmingham, AL               WorkPlay Soundstage
12/5 Starkville, MS                  Rick’s Cafe

* Brantley Gilbert's “Real American Tour” Date

^ Support for LoCash

KEEP UP WITH JOHN MORGAN
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK


About John Morgan
: 

GRAMMY-nominated and 6x #1 hitmaker, John Morgan delivers country music with a blue-collar edge rooted in the only life he knows. Raised in Sylva, North Carolina — a small town in the Great Smoky Mountains — he grew up playing bluegrass festivals in his family band. Now a “Music City songwriting star” (Tennessean) and “in-demand songcrafter” (Billboard), John has written 16 songs for Jason Aldean alone — including Aldean’s #1 hits “How Far Does A Goodbye Go,” “Trouble With A Heartbreak,” “Whiskey Drink,” “Don’t Tell On Me” and the GRAMMY®-nominated “If I Didn’t Love You” with Carrie Underwood. His songs have also been recorded by Jon Pardi, Dustin Lynch and Thomas Rhett. After years behind the scenes, John’s breakout moment came with his debut single “Friends Like That (feat. Jason Aldean),” which shot to #1 at country radio — earning him his fourth #1 as a songwriter and first as an artist. Morgan’s songwriting also earned him the coveted CMA Triple Play Award. The momentum continues with his debut album Carolina Blue, out now. A blend of raw storytelling and small-town soul, the project features the rising single “Kid Myself,” currently climbing the charts. Having already played the Grand Ole Opry and toured with Jason Aldean, Kane Brown, Riley Green, ERNEST, Nate Smith and more, John is heading out on Brantley Gilbert's “Real American Tour” this fall where he will sing his hits and preview new music like his latest releases “Once in a Mile" and "Cry Baby." John has a track record that proves that he’s not just one of Nashville’s most sought-after songwriters - he’s one of its next big stars.

REPENTANCE Release Tribute Video to Shaun Glass;"Fade Into Silence" Out Now! ​   

Chicago -based metal act REPENTANCE has released a deeply personal tribute to the band’s founding member Shaun Glass with a brand-new video for "Fade Into Silence". The track, which is featured on the band’s upcoming third studio album "Retaliate", is out now and you can watch it below:

 

Shaun Glass, the founding member and driving force behind REPENTANCE, passed away unexpectedly on July 1, 2026. Following his tragic death, the band decided to postpone the release of "Retaliate" from its originally scheduled summer release to November 27, out of respect for their brother, friend, and bandmate. 

Vocalist Adam Gilley comments: "We decided that 'Fade Into Silence' would be the next single from the record because we wanted to dedicate this release to Shaun Glass. Of all the songs on the record, 'Fade Into Silence' just felt like the perfect song to honor him - especially because it was a song that Shaun himself wrote.

His unexpected passing has left a major hole in our hearts and in this band. Shaun wasn’t just a bandmate or a friend; he was our brother. He was the one who created this band and helped give it its identity, and he was deeply loved by everyone of us. It’s difficult to put into words what his loss means to us, and things will never quite be the same without him.

This song now carries a meaning we never expected it to have. Every note is a reminder of Shaun, his creativity, his passion, and everything he gave to this band. We’re proud to dedicate 'Fade Into Silence' to our brother and friend, Shaun Glass. His music, his influence, and his memory will always be a part of us. Rest easy, Shaun. This one is for you."

Shaun Glass spent more than four decades shaping the Chicago metal scene and was a driving force behind influential bands including Terminal Death, Sindrome, Broken Hope, SOiL, Dirge Within, The Bloodline, and, most recently, REPENTANCE. Throughout his career, he shared stages with some of the biggest names in metal and left behind a lasting musical legacy that continues to resonate with fans around the world.

Formed in 2018, REPENTANCE have built their sound around crushing groove metal, technical precision and uncompromising intensity. Following their debut album God For A Day (2020), the band signed with Noble Demon and released the EP Volume I - Reborn(2021), introducing vocalist Adam Gilley to the fold. Their sophomore album The Process of Human Demise (2023) further established their modern take on groove metal and thrash.

Now, "Retaliate" will arrive on November 27, 2026, via Noble Demon. Produced by Alex Lackner at Accelerated Sound and mixed by Ari Mihalopoulos at Inner Light Studio, the album marks another chapter in the band's story - one that will now forever be connected to the legacy of its founder.

 

"Fade Into Silence" is more than just a new single. It is a final musical tribute to Shaun Glass, carrying his creativity and spirit forward through the band he created.

If you want to support Shaun's family, in order to cover hospital bills for his last weeks on life support and to give stability to his son Maddux’s future, a Crowdfunding campaign has been launched here:https://www.gofundme.com/f/a-life-in-metal-a-future-for-his-son-shaun-glass 


"Retaliate" is available for pre-save at THIS LOCATION.

REPENTANCE are:
Adam Gilley – Vocals

Shaun Glass – Guitar

Eric Burns – Guitar

Eric Karol – Bass

Brandon White – Drums

 

For More Information Please Visit:

Official Website

Facebook

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https://linktr.ee/nobledemon

CARMERIA Present New Single “Unto The Dawn” With Official Music Video, Ahead Of Forthcoming Album Ex Cathedra

“Unto the Dawn” is the second single to arrive from CARMERIA's forthcoming third studio album Ex Cathedra, scheduled for independent release on October 30, 2026. The Australian symphonic metal and gothic rock band present an anthem of support in “Unto the Dawn,” inspired through their own experiences of providing care to loved ones and the positive impact CARMERIA's music has had onto their growing online community. 

Continuing the Gothic grandeur established in the first single “Caelira,” “Unto the Dawn” is an enthralling melodic offering that carries somber moments and uplifting elements. The track is infused with a message of hope and comfort in the face of the shadows, "We cannot take another person’s suffering away, but we can help ease the burden through love and support."

“Unto the Dawn” was written and arranged by CARMERIA singer/songwriter/producer Jordan von Grae. The song is about providing support for a loved one. Acknowledging that often we do not have the means to alleviate another's pain, “Unto the Dawn” instead focuses on the importance of being present and supportive in dark times. 

“Unto the Dawn” draws on personal experiences of offering love and support to a friend in a period of turmoil, and serves as a love letter to fans and listeners who have expressed to CARMERIA that their music has aided them with comfort in times of difficulty. 

The comfort and companionship of CARMERIA's music is revealed through their Patreon community, The Carmunity, a number of whom participated as extras in the video for “Unto the Dawn.” With some members travelling over 1,000km to be at the shoot, this release embodies the power of music. 

The official music videos for “Unto the Dawn” and their previous single “Caelira” were designed and developed by Jordan von Grae, produced by Jordan von Grae and Mishka Bobrov, and directed, filmed and edited by Greg Oroth. Filmed at VAMP by Lisa McGuigan in the Hunter Valley region of NSW, the accompanying music videos form part of the broader visual identity surrounding Ex Cathedra, which sees CARMERIA embracing a Gothic and vampiric masquerade aesthetic through glittering masks, lavish garments and sweeping cloaks.

Ex Cathedra was mixed by Jordan von Grae and mastered by Miro Mastering. The album and single covers were designed by Jordan von Grae, illustrated by Hassane and coordinated by Mishka Bobrov. Album photography was completed by Matt Bartolo.

In 2026, CARMERIA return with their third full-length album, Ex Cathedra, a record that expands the band’s established symphonic and gothic foundations with a stronger melodic rock influence. Centred on the idea that suffering is an unavoidable part of life but despair is not, the album represents a further evolution in CARMERIA’s songwriting, production and visual identity while remaining rooted in the qualities that have defined the band from the beginning: melody, storytelling, independence and connection.

CARMERIA is:

Jordan von Grae — Vocals
Jerry Zahija — Guitars
Mishka Bobrov — Keytar
Emma Louise Nagy — Bass

Connect with CARMERIA:

Facebook: https://www.facebook.com/CarmeriaMusic
Instagram: https://www.instagram.com/carmeria
X: https://x.com/carmeria
YouTube: https://www.youtube.com/c/CARMERIA
Twitch: https://www.twitch.tv/carmeria
TikTok: https://www.tiktok.com/@CarmeriaMusic
Patreon: https://www.patreon.com/cw/carmeria

EXCITER RECORDS ANNOUNCES TWO 50TH ANNIVERSARY EDITIONS OF JUDAS PRIEST’S SAD WINGS OF DESTINY

Released in 1976, Sad Wings of Destiny was the moment Judas Priest found its true identity. Where Rocka Rolla offered promise, Sad Wings delivered purpose. 

Fronted by Rob Halford (voc), Glenn Tipton (gtr), KK Downing (gtr), Ian Hill (bass) and Alan Moore (drums), Sad Wings of Destiny was a bold, dark, and ambitious statement that would help define heavy metal and featured future metal classics such as ‘Victim of Changes’ and ‘The Ripper’—songs that Judas Priest performed live during their 2026 FAITHKEEPERS Summer Tour.  

Now in the 50th anniversary year of its original release, Judas Priest’s Sad Wings of Destiny is being celebrated with two distinct editions of the album: Original 1976 Masters and the newly announced Remixed & Remastered. These two new versions restore the band’s intended track listing, beginning with the atmospheric “Prelude" and presenting the songs in the sequence Judas Priest originally envisioned for the album.

The ‘Remixed & Remastered’ is available for streaming worldwide on October 2, 2026—with CD and vinyl available starting November 27, with early access through the Exciter Records webstore on November 6.

PHYSICAL RELEASE DATES

Original 1976 Masters

Vinyl and CD available starting October 9
Early access through Exciter Records on October 2
Pre-save for streaming HERE

The 50th anniversary kicked off over the summer with a limited CD edition of the “Original 1976 Masters” made available exclusively to fans attending Judas Priest’s 2026 Faithkeepers Summer European Tour. The celebration continues with the release of these two definitive editions.

Legendary Hard Rock Icons STRYPER Release New Album 'Throne of Thorns' — Out Now via Frontiers Music Srl

Today, legendary Christian metal pioneers STRYPER proudly release their 18th studio album, ‘Throne Of Thorns,’ out now via Frontiers Music Srl. Decades into their journey, STRYPER continues to reaffirm their status as one of the most influential and enduring bands in classic metal, seamlessly blending their signature message with a sound that remains as powerful and relevant as ever.

Celebrating the release, the band also unveil their new single, "Shadowbreaker," alongside an official visualizer, available below.

On the new track, Michael Sweet comments:

“'Shadowbreaker' is a full throttle banger and a great way to end the album. It represents our heavier side perfectly, and where we’re at as a band in 2026.”

Watch the Visualizer for "Shadowbreaker"

‘Throne of Thorns’ showcases the band at the height of their creative powers, delivering a masterclass in songwriting and musicianship. The album is packed with grand, meticulously crafted arrangements, where thunderous rhythms, soaring guitar harmonies, and anthemic choruses come together in a style that is unmistakably STRYPER. Each track is infused with both intensity and melody, capturing the essence of classic metal while pushing their sound forward with renewed energy and purpose.

At the forefront stands the unmistakable voice of Michael Sweet, whose passionate, powerful, and instantly recognizable delivery continues to define the band’s identity. His vocal performance on ‘Throne of Thorns’ is nothing short of extraordinary, effortlessly moving between soaring highs and emotive depth, adding a timeless quality to every song.

Perry Richardson says:

"The best music doesn't come from comfort. It comes from living, struggling, growing, and refusing to quit. I hope these songs find you exactly when you need them."

With ‘Throne Of Thorns,’ STRYPER not only honors their legacy but expands upon it, offering an album that will resonate with longtime fans and newcomers alike. It’s a bold, inspired statement from a band that refuses to stand still—proof that true metal greatness only grows stronger with time.

Guitarist Oz Fox concludes:

"I’m really happy with the final outcome of this record and of the heart that went into it. Michael continues to pour everything he has into the music and the message; Robertbrings the power and energy that has always been the pulse of STRYPER; Perry’s musicianship, vocal talents, and dedication are second to none, and I’m grateful to be on this journey with all of them."

Order 'Throne of Thorns' HERE

Four decades and counting, STRYPER shows no signs of slowing down. The band will be back on the road starting this fall with a full U.S. For a full list of dates, see below.

STRYPER Live:

Sept 29th - Derry, NH @ Tupelo Music Hall

Sept 30th - Wantagh, NY @ Mulcahy’s Pub and Concert Hall

Oct 1st - Newton, NJ @ The Newton Theatre

Oct 3rd - Harrisburg, PA @ XL Live

Oct 4th - Warrendale, PA @ Jergel’s Rhythm Grille

Oct 6th - Marion, IL @ Marion Cultural and Civic Center

October 8th - McHenry, IL @ The Vixen

Oct 9th - Wisconsin Dells, WI @ Crystal Grand Music Theatre

Oct 10th - Green Bay, WI @ EPIC Event Center

Oct 12th - St. Louis, MO @ The Hawthorn

Oct 13th - Cincinnati, OH @ Bogart’s

Oct 15th - Nashville, TN @ The Cannery Mainstage

Oct 16th - Newton, NC @ Newton Performing Arts Center

Oct 17th - Kingsport, TN @ MeadowView Conference Resort & Convention Center

Oct 19th - Jacksonville, FL @ FIVE

Oct 20th - Orlando, FL @ House of Blues

Oct 22nd - Atlanta, GA @ Center Stage

Oct 23rd - Liberty, SC @ Pickens County PAC

Oct 24th - Hopewell, VA @ Beacon Theatre

Oct 25th - Stroudsburg, PA @ Sherman Theater

Dec 5th - San Juan, PR @ Coca-Cola Music Hall

STRYPER are:

Michael Sweet - Lead Vocals/Lead & Rhythm Guitar

Robert Sweet - Drums & Percussion

Oz Fox - Vocals/Lead and Rhythm Guitar

Perry Richardson - Vocals/Bass