ANGELS ON THE BATTLEFIELD Release Powerful New Single And Video "Beauty in a Body Bag"

ANGELS ON THE BATTLEFIELD battle stigma with new single and music video, "Beauty in a Body Bag." Led by JD McGibney, the L.A. based instrumental symphonic progressive metal band present a heavy and melodic offering in this track.

ANGELS ON THE BATTLEFIELD explain the concept behind "Beauty in a Body Bag": “This song was written to capture the dark and tormenting struggle that is so strongly associated with Borderline Personality Disorder. People with BPD often describe it as feeling like having an endless black hole of emptiness living inside of them, leaving them with an unstable and shifting self identity. As a result, BPD can be chaotic and terrifying.

'Beauty in a Body Bag' was written to give this darkness form, and allow those who are struggling to face that darkness head on in order to learn how to overcome it.”

"Beauty in a Body Bag" was a song that was originally written for JD McGibney’s old Long Island band and was subsequently rearranged for ANGELS ON THE BATTLEFIELD. Instrumentally, the arrangement is more straightforward by design in order to highlight the band's melodic capabilities.

"Beauty in a Body Bag" was produced by ANGELS ON THE BATTLEFIELD. The track was recorded at Counter Communications and engineered, mixed and mastered by Chris Wirsig. Produced by ANGELS ON THE BATTLEFIELD, the music video was directed and edited by Tom Flynn. 

About ANGELS ON THE BATTLEFIELD:

Based out of Los Angeles, CA, ANGELS ON THE BATTLEFIELD began as a side project for guitarist JD McGibney (ex-VOODOO KUNGFU) before augmenting to a full line-up in 2021. Alongside McGibney, the instrumental symphonic progressive metal band is now comprised of Jason Klein on bass (ex-BUTCHER BABIES), Eddie Trager on drums (ex-NEKROGOBLIKON) and Chris Wirsig on keyboards (award winning TV and film composer).

The ethos of the band is to empower listeners through music, to assist individuals who are fighting on their own battlefields and to help them find courage. ANGELS ON THE BATTLEFIELD strive to improve awareness of and discourse around mental illness through the power of heavy metal. The band made their live debut at the 2022 "This Is My Brave" mental health fundraiser, where the band helped to raise around $30,000 to donate to local Los Angeles mental health charities.

2024 saw ANGELS ON THE BATTLEFIELD open for Taiwanese folk metal artist NiNi at her debut USA headline show in November of 2024. In the following year, the quartet embarked on their debut headline West Coast tour across October/November of 2025.

In 2025, ANGELS ON THE BATTLEFIELD's 2024 single release "Modern Prometheus" was long listed in the 2025 GRAMMY Awards in three categories: Best Metal Performance, Best Instrumental Composition and Best Arrangement - Instrumental or A Capella. Additionally, "Modern Prometheus" was nominated in the Hollywood Independent Music Awards in 2025.

More recently the band unveiled their haunting interpretation of "Phantom of the Opera" featuring guitarist Eli Santana (IGNITE, ex-HUNTRESS, ex-HOLY GRAIL), and showcased their untamable power in their cover of "Poison" featuring ANTHEA. 

ANGELS ON THE BATTLEFIELD is:

JD McGibney - Guitar
Jason Klein - Bass
Chris Wirsig - Keyboard/Orchestration
Eddie Trager - Drums
 

Connect with ANGELS ON THE BATTLEFIELD:

Official Website: https://onthewingsofdragons.com/ 
Facebook: https://www.facebook.com/AngelsOnTheBattlefieldBand/ 
Instagram: https://www.instagram.com/angels_on_the_battlefield/ 
Twitter/X: https://twitter.com/aotb_band :
YouTube: https://www.youtube.com/@angelsonthebattlefield 
Spotify: https://open.spotify.com/artist/6vQV1dRMKNBHCRku2IsPMU?si=RoaUH-SuTCq5nRsPMrgpEg 
Apple Music: https://music.apple.com/us/artist/angels-on-the-battlefield/1441558520 
TikTok: https://www.tiktok.com/@aotbband

Suicide Silence Share Video for Title Track of New Album "Graceless" Out 11/20

Deathcore didn't invent itself.

The crushing combination of classic death metal ferocity with hardcore-punk spirit was created in garages and grimy venues. It was celebrated on message boards, in comment sections, and in sweaty, anarchic spaces where hardcore kids and death metal obsessives gathered. As the burgeoning sub-genre formed, teenage metalheads dared one another to get heavier. SUICIDE SILENCE made their logo synonymous with the most volatile and definitive stomp of the postmodern sound. Since their first rumblings in California's Inland Empire in the early 21st Century, the band's fusion of sonic violence, punk confrontation, and unapologetic nü-metal bounce put a fresh face on extreme metal.
 
They are thrilled to share "Graceless," the title track from their upcoming album, which is set for release on November 20.

The band comments, "This is the title track off our new record. It's a short 'n' sweet crusher that gives you a taste of what this record is all about. Check out our podcast where we go in detail about the song, video and album."

Watch the ferocious video, which captures the essence of what put deathcore on the map in the early 2000s, below.

Be sure to check out the accompanying podcast, which offers in-depth background information on "Graceless," here.

First pre-orders are available here.

SUICIDE SILENCE remain stubbornly communal. They have always written best with bodies in a room, amps cranked, and friendly arguments evolving into arrangements. That collective instinct gives Graceless its strange comfort amid the chaos. It is vicious, ugly, physical, immediate, and fully inhabited by a band that survived every argument about what it was supposed to be.

As Garza puts it, the goal was to "just get out of the way and serve that band logo. When we choose to do that, great things follow. We're back to doing it exactly as we did it when we were kids: Just playing heavy shit and doing it from the heart."

"Deathcore" was once a word thrown at them as a limit. Today, it's a flag planted in the dirt. 24 years after their first noise from SoCal, SUICIDE SILENCE stand in rare company: Survivors who never mistook endurance for safety, craftsmen more than capable of making instinct sound like impact. Graceless is the circle closing, hard, with newly sharpened teeth, hungry for future conquest.
 
First on their agenda is the North American "Reminders of Hell" headlining tour, featuring support from Emmure, AngelMaker, and Synestia.

SUICIDE SILENCE ON TOUR:
WITH EMMURE, ANGELMAKER, + SYNESTIA:

11/06 — Riverside, CA — Riverside Municipal Auditorium
11/07 — Mesa, AZ — The Nile Theater
11/09 — Houston, TX — Warehouse Live Midtown
11/10 — Dallas, TX — South Side Music Hall
11/11 — San Antonio, TX — The Rock Box
11/13 — Atlanta, GA — The Masquerade
11/15 — Greenville, SC — Radio Room
11/17 — Greensboro, NC — The Pyrle
11/18 — Baltimore, MD — Baltimore Soundstage
11/20 — Philadelphia, PA — Theatre of The Living Arts
11/21 — Worcester, MA — Palladium
11/22 — Brooklyn, NY — The Brooklyn Monarch
11/24 — Montréal, Canada — Club Soda
11/25 — Toronto, Canada — The Concert Hall
11/27 — New Kensington, PA — Preserving
11/28 — Cleveland, OH — Globe Iron
11/29 — Detroit, MI — Saint Andrew's Hall
12/01 — Chicago, IL — House of Blues Chicago
12/02 — Maplewood, MN — Myth Live
12/04 — Denver, CO — Summit Music Hall
12/05 — Salt Lake City, UT — The Complex
12/06 — Boise, ID — Treefort Music Hall
12/08 — Seattle, WA — The Showbox
12/09 — Portland, OR — Hawthorne Theatre
12/10 — Sacramento, CA — Ace Of Spades
12/11 — Reno, NV — Cargo Concert Hall
12/12 — San Jose, CA — The Ritz
12/13 — Los Angeles, CA — 1720™

SUICIDE SILENCE (L-R):
Chris Garza — Guitar
Mark Heylmun — Guitar
Eddie Hermida — Vocals
Dan Kenny — Bass
Ernie Iniguez — Drums

Postpunk-Shoegaze stalwarts A SHORELINE DREAM reflects on two rich decades on ‘20’, announcing 'Waiting' album

Twenty years since their debut album ‘Avoiding the Consequences’, Colorado postpunk-shoegaze outfit A Shoreline Dream mark the milestone with '20', a dark and deeply introspective single that looks back on the distance traveled while questioning what remains ahead. It also previews their new album ‘Waiting’, released via Latenight Weeknight Records. 

With brooding lyrics, '20' turns the anniversary into something far more personal than a celebration. This is a head-on confrontation with time, uncertainty, sacrifice, and the weight of devoting so much of one's life to music.  Hitting it hard and merging genres into one loaded number, this blast of "melodispych cave-of-the-well sound", as it has been called, is an appropriate way to celebrate the nearly 120 tracks the band has released to date - cavernous offers rooted in waves and inner-eye soundscapes.

Formed in 2005 and based in Barnum, Colorado,A Shoreline Dream is aduo of multi-instrumentalist and vocalist Ryan Policky and guitaristErik Jeffries. For just over two decades, Policky and Jeffries have built a catalog approaching 120 released tracks while developing a sound rooted in shoegaze, psychedelia, post-punk, and expansive guitar-driven experimentation.

“The track '20' just somehow came together so fluid and was just all my favorite sounds combined into one memory of our sound. Paying homage to our original vibes from way back when. I love goth. Love darkwave. Love huge walls of any genres sound, and this was trying to hit them all at once. Why not do something big at such a crazy place to be in this music career of ASD," says frontman Ryan Policky.

This single arrives on the heels of ‘Legacy’, which similarly reflects on the time, choices, and sacrifices behind one of Colorado’s longest-running independent music projects. A sludging, bass pumping song that reflects thoughts agout all that has been sacrificed - so many of the normal everyday life milestones achieves in the band's sometimes tragic, yet rewarding, legacy.

As they near this 20th anniversary, A Shoreline Dream look at that history from a deeply personal perspective. Years spent writing, recording, producing, and refining A Shoreline Dream's music have often meant choosing the demands of the creative process over many of the conventional milestones of everyday life. The song considers what remains when so much of a life has been devoted to making music, and whether the work itself ultimately becomes the legacy.

The release comes during one of the band's most prolific periods. Rather than treating 2026 as a year of reflection, A Shoreline Dream committed to releasing singles every month, while developing new material towards ‘Waiting’, the band's second full-length album of 2026, which will include nine tracks.

Their current creative roll follows a significant period of collaboration with Ride frontman Mark Gardener. Through A Shoreline Dream's partnership with Shameless Promotion PR, Policky and Gardener connected for a series of recordings that resulted in five co-produced and performed songs, the most recent of these appearing on the album ‘To Where They Have Gone’, released in February.

That relationship is part of A Shoreline Dream's love affair with the UK music community. The band has worked extensively with Ulrich Schnauss and has also collaborated with members of Engineers, Chapterhouse, Rocket Girl Records, and mastering engineer Mark Kramer (Urge Overkill, Bongwater, Shimmy Records).

“2026 has been the year of true sonic inspiration, and the first time I’ve found myself in a constant music writing mode. After working with Mark Gardener, my mind has been humming melodies to me daily," says Ryan Policky.

That renewed creative momentum has also been shaped by the world outside the studio. The response has been to make music that provides an alternative to that noise: music that is melodic, heavy, expansive, and immersive.

“It’s been a brutal human climate, and the distractions are so overwhelming in the media / toxic social media world. I’m f’ing over it. I just want explosive and melodic tunes to distract from this insane world, and these songs are exactly that. The tales of dealing with a world in chaos I hope resonate with all those out there looking for new musical vibes and explosive soundscapes. We have come back to the original feeling of A Shoreline Dream," says Ryan Policky.

ASD's 'Waiting' album arrives not as a retrospective statement, but as a marker of where they stand now. With Policky and Jeffries having maintained their creative partnership through changing musical landscapes and an evolving industry, 'Waiting' is their response to reaching the 20-year milestone by a band looking back without standing still. While ‘Legacy’ and '20' acknowledge an event-filled journey, ‘Waiting’ points firmly toward what comes next.

As of September 11, '20' is available from digital music platforms, including Spotify, Apple Music and Bandcamp, where 'Legacy' can also be found. The ‘Waiting’ album will be released on October 16th.

CREDITS
Written & produced by Ryan Policky
Recorded, mixed & mastered by Ryan Policky
Distributed by The Orchard
Copyright Latenight Weeknight Records, LLC
Cover art and photography by Ryan Policky
Publicity by Shauna McLarnon for Shameless Promotion PR

Keep up with A Shoreline Dream
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | YouTube | Spotify| Apple Music | Press contact

Keep up with Latenight Weeknight Records
Website | Facebook | YouTube

Keep up with Shameless Promotion PR
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MIRANDA LAMBERT SCORES SEVEN CMA NOMINATIONS ARTIST ** PRODUCER ** SONGWRITER

Miranda Lambert, the Texas-born songwriting force and high-impact performer, received seven nominations for “The 60th Annual CMA Awards,” making her the second-most nominated artist for 2026 and increasing her tally as the most-nominated female artist of all time with 70 career nods. Beyond making history with her record-breaking 19th Female Vocalist of the Year nomination, she received a pair of Musical Event nominations for the double GRAMMY nominated “A Song To Sing” with Chris Stapleton and the recently released “Horses and Divorces” with Kacey Musgraves.
 
“When they told me it was the record, I was a little emotional,” Lambert admits. “Having always challenged myself to reach further, write or find better songs – to really make music that spoke to other women where they were, but anyone wherever, however they were living their life and needed a song to sing – it hit me both how long I’ve been doing this and how many great songs I’ve been blessed to be a part of. It’s the greatest honor to know this music hits people in the heart.”
 
Beyond her own music, Lambert’s role as co-writer and co-producer for Ella Langley yielded not only 2026’s biggest song in any genre, “Choosin’ Texas,” but it helped Langley become this year’s most-nominated artist overall. Lambert shares nominations in the Album category for Dandelion and Single for both “Choosin’ Texas” and “Be Her” with Langley and fellow producer Ben West. Lambert also receives a Song of the Year nomination for co-writing “Choosin’ Texas” with Langley, Luke Dick and Joybeth Taylor.

“I still have a hard time believing that the thing I started doing because I loved it became my career,” marveled Lambert following this morning’s announcement. “After all these years, getting to have firsts – to step into something new, help another artist bring their vision to life and discover something I haven’t done before – keeps it exciting and inspiring for me. These nominations are special because they remind me there are still ways to be inspired and help create something I’m proud of with people I believe in.”
 
Having started singing in bars as a 16-year-old in braids, Lambert built her swagger-forward country on songwriter-driven legends including Willie Nelson, Waylon Jennings and David Allan Coe, while absorbing the detailed emotional storytelling of John Prine, Guy Clark and Emmylou Harris. The most-awarded woman in CMA history, Lambert forged a style that merged honest Texas bar-room aesthetics with a sensitivity to hard places that gave her headlong bravado real meaning.
 
Having won two Album of the Year Awards – 2010 for Revolution and 2014 for Platinum, as well as Song and Single of the Year among plenty, keeping her focus on the music has driven the woman who created the Pistol Annies with friends Ashley Monroe and Angaleena Presley, recorded myriad duets with everyone from Loretta Lynn and Sheryl Crow, Keith Urban, Carrie Underwood to Prine, Dierks Bentley, Little Big Town, as well as Don Henley and Mick Jagger, then started Big Loud Texas with friend Jon Randall to establish a label for Texas artists to protect their roots and establish careers that would sustain them.
 
And with all that, she’s just finished Crisco, inspired by the disco-meets-country boom that defined a slice of Texas country in the ‘70s and ‘80s. The eagerly anticipated Oct. 2 release, which features the Stapleton duet plus “Sunset Marquis,” the theme from the documentary “If These Walls Could Rock” about the legendary hotel, was one of The New York Times’ “34 Albums and Shows We’re Looking Forward to This Fall” selections. Lead critic Jon Pareles praised the album, “which leans toward the retro and the countrypolitan, complete with string arrangements, for a knowingly nostalgic sound and attitude.”
 
The 60th annual CMA Awards will broadcast live from Nashville’s Bridgestone Arena Wednesday, Nov. 18 at 8 p.m. ET on ABC, Disney+ and next day on Hulu.
 
For more information, visit MirandaLambert.com and pre-order / pre-save the album HERE.

ERIC CHURCH REFLECTS ON THE MILES THAT MADE HIM IN NEW SONG “ON THE ROAD” OUT NOW

11-time GRAMMY nominee Eric Church has spent the better part of two decades turning the road into both a stage and a source of inspiration. Today, he releases new song “On The Road” via MCA, looking back at the iconic venues he’s played, the legends he’s shared the stage with and the moments that have shaped a life driven by a musical dream – all while proving the man Esquire dubbed “one of the most singular working artists in any genre” still has plenty of miles ahead. Listen BELOW.
 
Written by Church and produced by longtime collaborator Jay Joyce, “On The Road” traces the winding path of Church’s career through the memories that stay with him: playing to 50,000 people beneath the Northern Lights, taking the stage at Colorado’s iconic Red Rocks and sharing the stage with artists who helped define the music he came to make, including Kris Kristofferson, Willie Nelson and George Strait.
 
But the road has also carried moments no artist could ever anticipate. In one of the song’s most poignant lines, Church reflects on the Route 91 Harvest Festival tragedy as he sings, “I’ve seen the devil stop a show in Vegas / I’ve seen those angels get their forever wings.” Set alongside memories of career-defining stages and once-in-a-lifetime moments, the lines acknowledge the full weight of a life spent on the road.
 
As an artist who has become a North Star for a generation of musicians coming up behind him, Church turns that idea inward. The people and places that shaped him are now part of the path he’s paved for those following in his footsteps, and “On The Road” considers what it means to spend a life moving forward, knowing that someday the road will belong to someone else.
 
“Lookin’ back you think it’d seem so long, this winding path that I’ve been rollin’ on,” Church sings, before arriving at the song’s ultimate realization: one day he’ll be “just a name on a wall, and some other cowboy will hear the call.”
 
“There’s something about a life on the road where the miles start to blur together, yet the people and the moments never do,” shared Church. “Those are the things you carry with you. You realize how much of who you are was shaped somewhere between one town and the next, and maybe that’s why you never really stop wondering what’s waiting down the road.”
 
From the artists who inspired him to the artists now following his path, “On The Road” captures the continuing cycle of a life in music: the stages changing hands, the songs carrying stories forward and the next generation finding its own reason to answer the call.
 
For more information, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and on Instagram@ericchurchmusic. 

Fire Action Share "Midnight Avenue" Video — WATCH

With the current album Until The Heat Dies released in 2024, Finnish Heavy rocker FIRE ACTION deliver now a brand new version of their anthemic album finale "Midnight Avenue."

Watch the video below.

"Midnight Avenue" is showcasing the band's entire arsenal. The level of energy here is phenomenal, the upbeat nature too, the Finnish heavy rockers ending their debut full-length effort very much on a high, and with the most sing a long-able chorus to boot!

Guitarist Juri Vuortama reveals that the song is about a scary real-life incident that happened to him in Paris one night, saying, "I came across the filming location of one of my favorite movies, Roman Polanski's The Ninth Gate, on Île Saint-Louis alongside the Seine river, and wanted to have a photo taken of me standing on the same stairs where one weird scene in that film took place. Three photos were taken, but only in the middle one, someone or something is sitting behind me. It's a really scary figure, and to this day I have not found out what it was. That's the 'Evil rendez-vouz' in the song."

Get Out Alive Release "Saint of the Dark" EP Today // Share Title Track — LISTEN

Get Out Alive have released the new EP, Saint of the Dark, today via The Artery Foundation. Get it here.

The artist has also shared the title track, as well. Listen below.

"'Saint of the Dark' revolves around mental health and exploring faith to navigate," Get Out Alive says. "The name is inspired by Carl Jung's shadow theory. To be a 'Saint of the Dark' requires enough virtue to embrace the dark, rather than run from it. It also requires accepting the risk of upsetting others in the pursuit of truth. It's not an archetype for everyone. Experience beautiful vulnerable moments clashing with confusion, desperation, and even some anger. This EP is a spiritual awakening loaded with melodic vocals and alternative metal atmosphere.” 

As for the EP's accompanying title track, GOA says, "'Saint of the Dark' is about the tug of war between virtue and pleasure. The desperate feeling of slipping away from the light, trying to hold on with all you have. Sonically, this song leans into being the ballad of the EP, but don't expect a lack of intensity."

Get Out Alive is the brain trust of Chas Huff, a solo alternative metal artist originally from the southwest suburbs of Chicago, Illinois, who later relocated to Palm Coast, Florida. His musical journey began in high school, producing on a borrowed computer before stepping into the local scene as a performer. Over the years, he played in multiple bands, including a punk band which shared stages with acts like Puddle of Mudd, and later a group that opened for artists such as Fame on Fire, collaborated with notable features, and secured a distribution deal. He further expanded his reach through an international project earning another distribution deal and working alongside recognized collaborators.

After years of band experiences and setbacks, Chas shifted his focus toward his solo project, Get Out Alive, creating a fully independent outlet for his artistic vision. Self-produced and developed alongside collaborator Zack Baker (Rain City Drive), his sound blends heavy riffs, immersive atmosphere, melodic vocals, and emotionally driven, hook-focused songwriting. Outside collaborations and industry opportunities ultimately reinforced his decision to invest fully in his solo path.

Born out of isolation and personal struggle, Chas uses Get Out Alive as more than just music, it serves as a self-help-driven creative expression rooted in growth, faith, and introspection. Influenced by psychology and philosophy, his work explores the balance between light and dark while embracing raw honesty. Through his music, he aims to turn pain into purpose, offering listeners both emotional release and a sense of hope, grounded in the belief that to truly get out alive, you must face the truth.

The Young Fables -CMA AWARD gratitude and NORTHEAST tour!

The last time we dropped into your inbox, we had some pretty incredible news to share: The Young Fables had made it onto the second ballot for CMA Vocal Duo of the Year.

Well, we didn’t make the final cut this time around, but we want you to know just how honored we were to have been recognized at that level, especially in a year when we didn’t even release a record.

And more than anything, we want to say thank you.

So many of you shared the news, cheered us on, sent messages, and made us feel like we had already won something just by getting that far. We felt every bit of that support, and we are incredibly grateful.

But here’s the thing…Next year, we ARE releasing a record. And in fact, we’re bringing some of the songs from that record to the Northeast starting RIGHT NOW!

We just moved into our new home, put our feet up for only a few days, and now we’re back out on the road again for that good long Northeast run. At least it’ll give us something to miss while we’re gone loving on all of you folks. ❤️

We are SO excited to share the new music we’ve been working on. That’s what makes these kinds of tours the best. There’s something really special about getting to play these songs for you while they’re still brand new to the world, before the record is even out.

We’d love to see you out and about! Here’s where we’ll be:

September 11–13 • Annapolis Songwriter's Festival • Annapolis, MD
September 16 • Gouldsboro Train Station • Gouldsboro, PA
September 17 • The Spire Center • Plymouth, MA
September 19 • Borrowed House Concerts HC • Atkinson, NH
September 20 • The Leblanc House HC • West Newbury, MA
September 22 • The Morrison House HC • Ogdensburg, NY
September 23 • BCA Campfire Concerts • Bear Creek Village, PA
September 24 • The LOFT • Monkton, MD
September 26 • Private House Concert HC • Berlin, MD
September 27 • The Amherst House HC • Columbia, MD

TICKETS

And hey, what a great time to invite a friend to a show.

Sharing new music with someone is one of the ultimate ways to bond, so if you happen to know anyone who has recently moved, fallen in love, had their heart broken, or, by golly, is just feeling themselves with some serious main character vibes… we’ll be speaking directly to them this time around.

Grab a friend, grab your tickets, and come hang with us.

We hope to see you out there on the road!

GREEN LUNG - Release New Studio Album "Necropolitan" & Visualizer For 'Dance To The Grave'

The long-awaited fourth album from Green Lung is finally upon us. The masters of occult riff-craft have officially released Necropolitan, which is out now via Nuclear Blast Records. A huge step forward in songwriting and vision, Necropolitan is the album Green Lung have been threatening to make since their inception.

As well as a portrait of the triumph and power of death and nature over the dreams and dominion of humankind, Necropolitan is a grand celebration of the folklore, occult and heavy music scene of the band’s birthplace, the city of London. The album title derives from the seven garden cemeteries (necropoli) circling the city, all built in the Victorian era.

Green Lung stated: 
"As the summer dies, the shadows start to move… Necropolitan is finally here. Thanks to everyone who has preordered, supported or spread the word about this album over the past few months – we are eternally grateful, and can’t wait for you to finally hear it. To celebrate the release, we commissioned Joseph Brett at Jackdaw Films to animate Richard Wells’s art and create our own danse macabre. Dance to the grave!’"

Today, the band have also revealed a visualiser for 'Dance to the Grave', the record's first track. The song delivers a memento mori to the current alliance between far-right politics and tech in the face of the climate crisis, with giant, swinging riffs and a chant-along mid-section. 

Order Necropolitan here: 
https://greenlung.bfan.link/necropolitan

Watch the video for ‘Dance To The Grave’ below: 

On the week that Necropolitan is released, Green Lung will be visiting some selected record stores to sign vinyl and CDs, plus fans will have the chance for a photo op with their very own Goatwizard. Head to greenlung.co.uk for more details! And keep your eyes peeled for more events as we get closer to release…

Friday 11-Sep       London, UK Rough Trade East (1pm BST)
Saturday 12-Sep   Manchester, UK HMV Manchester (5pm BST)
Sunday 13-Sep     Birmingham, UK HMV Vault (2pm BST)
Monday 14-Sep     Bristol, UK Rough Trade Bristol (1pm BST)

Later this year, Green Lung will be embarking on their European Dance to the Grave Tour MMXXVI. Special guests will be High On Fire with support from Gnome. The tour poster was designed by the band's frequent collaborator, Richard Wells.

GREEN LUNG
DANCE TO THE GRAVE TOUR MMXXVI
w/ High On Fire & Gnome

03-Dec   BE  Antwerp @ Trix
04-Dec   DE  Frankfurt am Main @ Batschkapp
05-Dec   DE  Munich @ Backstage
07-Dec   AT  Vienna @ Arena
08-Dec   DE  Leipzig @ Anker
10-Dec   DE  Hamburg @ Große Freiheit 36
11-Dec   DE  Berlin @ Astra Kulturhaus
12-Dec   DE  Cologne @ Carlswerk Victoria
13-Dec   NL  Tilburg @ O13
14-Dec   FR  Paris @ Bataclan
16-Dec   UK  London @ The Roundhouse
17-Dec   UK  Bristol @ Bristol Electric *SOLD OUT*
18-Dec   UK  Manchester @ Manchester Academy
19-Dec   IE  Dublin @ The Academy
20-Dec   UK  Glasgow @ SWG3 Galvanizers

For more information and tickets head to: https://www.greenlung.co.uk/

With producer Tom Dalgety (Opeth, Ghost) at the helm, this time handling everything from recording to mixing, the band decamped to Rockfield Studios in January 2026, following in the muddy footprints of some of their key inspirations, from Black Sabbath to Queen to Judas Priest. Sonically, they were set on capturing their megalithic live sound more accurately than ever - stripping back their usual dense, multilayered arrangements to their rawest, leanest form and recording much of the album live to capture their Sabbathian heaviness, frenzied Hammonds and haunting Mellotrons as faithfully as possible.

The result is an album that combines the soaring hookiness of This Heathen Land with an uncompromising rawness and heaviness, and takes the band’s distinctive brand of sonic storytelling to macabre new heights.  

If, a year after Black Sabbath’s Back to the Beginning show and the death of Ozzy Osbourne, you had any doubts about the future of traditional British metal, Necropolitan will lay them to rest. Here is a band taking the torch from the heavy metal godfathers and running with it, bursting with all the musicianship and storytelling flair that has kept the genre’s flame burning for a half-century, and using it to temper a lyrical and sonic world that is entirely their own. 
 

A cult band in every sense of the word, Green Lung emerged from London’s heavy rock scene with self-released debut EP Free the Witch (2018).

Drawing on a host of peculiarly British musical influences, from doomy hard rock to pastoral prog and psych to the Hammer Horror theatrics of the NWOBHM, the band have swiftly risen to the forefront of the UK metal scene.

Lyrically celebrating the folklore, myths and legends of Britain, they conjure the wild and witchy spirit of their forebears for a new generation.

Green Lung have released three critically acclaimed albums, Woodland Rites (2019), Black Harvest (2021) and This Heathen Land (2023). They have toured internationally with Clutch, Opeth and Unto Others, and performed on festival stages from Roadburn to Download. Their latest album This Heathen Land landed at #1 on the UK’s Official Rock and Metal Album Chart.

Progressive Duo CEPHEIDAE VARIABLE Explore Restraint And Internal Pressure In The New Single, "The Waiting Storm"

In "The Waiting Storm," CEPHEIDAE VARIABLE present an immersive sonic offering representing internal turmoil between patience and appeasing a restless mind. The track lands ahead of their forthcoming album Primordial Reverie Ascendant, out January 8, 2027.

"The song centers on restraint and internal pressure," CEPHEIDAE VARIABLE explain. "This is heard in lines like 'I sit and lie in wait, a tempest ruminating'. As the track progresses, the 'beast' and 'storm' imagery point to something growing beneath the surface. An increasing urgency that can no longer be ignored. What begins as patience shifts toward inevitability.

Outside of the narrative, the lyrics also reflect periods of creative stagnation. Lulls in momentum where progress feels stalled. That tension between inactivity and pressure mirrors the track’s central themes."

Musically, "The Waiting Storm" contains the duo's most straightforward arrangement on Primordial Reverie Ascendant's track list. The song's catchy riffs convey a darker mood throughout the verses accompanied with fierce harsh screams. "The Waiting Storm" emerges into a soaring chorus with memorable lead vocal melody lines. 

Primordial Reverie Ascendant was produced, mixed and mastered by Ryan Koepke at Chromatic Variable Soundworks. The album cover artwork was created by Alex Eckman-Lawn (Original Artwork), with the Ascendant version and single artworks by Ryan Koepke.

About CEPHEIDAE VARIABLE:

CEPHEIDAE VARIABLE began in 2024 by British Columbia-based multi-instrumentalist Ryan Koepke as an instrumental project. Musically, Koepke seeks to produce grand soundscapes through carefully constructed layers of instrumental textures and tones. A key component of CEPHEIDAE VARIABLE is chaos and unpredictability. Emotive storytelling is interwoven through each track's arrangement. 

Following the release of the instrumental album, Primordial Reverie, in 2025, Chad Bernatchez (VOIDCHASER) joined CEPHEIDAE VARIABLE which led to a progression in creative direction to now incorporate clean and harsh vocals. With input from Bernatchez, the new release delves further into CEPHEIDAE VARIABLE's fictional realms bringing a new way of understanding the concepts first glimpsed in Primordial Reverie. 


CEPHEIDAE VARIABLE Is:

Ryan Koepke (Guitar/Bass)
Chad Bernatchez (Vocals/Lyrics)


Connect With CEPHEIDAE VARIABLE:

Official Website: https://cepheidaevariable.com
Bandcamp: https://cepheidaevariable.bandcamp.com
Facebook: https://www.facebook.com/cepheidaevariable
Instagram: https://www.instagram.com/cepheidaevariable_official
YouTube: https://www.youtube.com/@CepheidaeVariable
Spotify: https://open.spotify.com/artist/0DFZHr1N4hUKjmV1mccmdV
Apple Music: https://music.apple.com/us/artist/cepheidae-variable/1835047629
TikTok: https://www.tiktok.com/@cepheidaevariable

Then Comes Silence share 'Remaker Redeemer', second taste of 'Requiem Ballroom' album

Stockholm post-punk trio Then Comes Silence presents 'Remaker Redeemer', the second single from their forthcoming 'Requiem Ballroom' album, due in November via Metropolis Records. The music video, filmed by Damon Zurawski of Future Legends Films, captures the song perfectly, descending into the space between death and rebirth, where the final journey into darkness becomes a passage toward transformation, renewal and the possibility of another world.

Then Comes Silence has also just launched their European tour, which runs throughout September and October, bringing them to venues and like-minded music lovers in Belgium, the Netherlands, Germany, France, Italy and Czech Republic, before returning home to Sweden for the final show on this leg.

A tightly focused trio since 2022, Then Comes Silence was formed in 2012 by vocalist-bassist Alex Svenson in 2012. Drummer Jonas Fransson and guitarist Hugo Zombie, round out the band in its most direct, powerful and uncompromising form. One of the leading names on today’s goth, post-punk and darkwave scene, they are driven by a fascination with horror, the occult and the raw intensity of underground music, having forged a distinctive sound and a devoted international following.

The 'Requiem Ballroom' album itself is divided into two parts: 'Ballroom' was mixed by Jon Bordon (Nicole Sabouné, Melody Club, The Exploding Boy) and the 'Requiem' half was mixed by Tom van Heesch (Rammstein, Apocalyptica, Backyard Babies). Svante Forsbäck / Chartmakers (Rammstein, Amaranthe, Ville Valo, The Rasmus, Apocalyptica) assumed mastering duties.

"'Remaker Redeemer' introduces the second part of the album 'Requiem Ballroom'. It’s about new life, and being reborn with the old sins washed away. A kind of cleansing, a fresh start, and the feeling of beginning again. The choice of instruments and sound on this track is a way to explore something different this time," says Alex Svenson.

"Death is generally regarded, across many cultures, as the final blackout where nothing follows. Yet in another sense, death can also serve as a metaphor for change and transformation. To take the next step, change is inevitable."

Then Comes Silence earlier released 'Judgement Day', a driving anthem that embraces failure, reckless choices and the thrill of living without regrets, embracing a final celebration before the inevitable reckoning. The vivid behind-the-scenes documentary by Marzipan Moonlight offers a glimpse into the video's creation and the thriving spirit of Stockholm's goth community.

With the German post-punk scene their second home, Then Comes Silence has toured relentlessly for years. Continually expanding their geographic reach, they have cemented their reputation as one of the scene’s hardest working bands. With several releases through Metropolis Records, they have further strengthening their international presence. Their impending eighth album follows ‘Trickery’ (2024) and'Hunger' (2022), jointly released by Metropolis and Nexilis Records / Schubert Music.

With dark atmospheres, driving rhythms, razor-sharp hooks and explosive performances, Then Comes Silence continue to push forward. They have earned their place at the forefront of the modern gothic rock and post-punk movement, proving themselves to be a vital contemporary live acts with frequent touring across North America, Latin America and Europe.

Then Comes Silence have shared the stage with acts such as The Fields of the Nephilim, Clan of Xymox, The Chameleons, A Place To Bury Strangers, Pink Turns Blue and The Bellwether Syndicate, while appearing at many of Europe’s premier alternative festivals, including M’era Luna, Wave-Gotik-Treffen, Amphi Festival, Castle Party, Tomorrow’s Ghosts Festival and W-Festival.

On September 11, 'Remaker Redeemer' is out everywhere, including Apple Music, Spotify and Bandcamp, where their latest 'Trickery' album is available on vinyl and CD. The 'Requiem Ballroom" album will be released on November 20. Concert tickets can be obtained at https://linktr.ee/tcsontour

ALBUM CREDITS
Lyrics & Music written by Alex Svenson
Alex Svenson - vocals, bass and synthezisers
Jonas Fransson - drums
Hugo Zombie - guitars
Johan Lange (Agent Side Grinder) - synthesizer on Track 12
Produced by Alex Svenson
Recorded by Jörgen Wall and Tom van Heesch
'Ballroom' half mixed by Jon Bordon (Nicole Sabouné, Melody Club, The Exploding Boy)
'Requiem' half mixed by Tom van Heesch (Rammstein, Backyard Babies, Apocalyptica)
Mastered by Svante Forsbäck
Cover artwork by D.K. Griftegaard & Jonas Fransson
Released by Metropolis Records
Videos by Damon Zurawski at Future Legends Films
Mascots: Bengii, Lord of All Possible Pain and Mischief, El Pseudo & Johnny Nattsjö as Nebelmeer
Dancers: Jeff, Marisa, Mathias, Friðr, Grimm, Moa, Niklas & Elisabeth
Publicity by Shameless Promotion PR

LIVE DATES
SEP. 11 -  Glain, Belgium @ Deux Ours
SEP. 12 - Rotterdam-Albrandswaard, Netherlands @ Baroeg Open Air 2026
SEP. 13 -  Rennes, France @ Brewklyn
SEP. 14 -  Paris, France @ Le Chinois
SEP. 15 -  Rezé, France @ Cold Crash
SEP. 16 -  Lyon, France @ Rock N'Eat
SEP. 17 -  Marseille, France @ Le Molotov
SEP. 18 -  Torino, Italy @ Ziggy Club
SEP. 19 -  Castelfranco Veneto, Italy @ Sale Improve
SEP. 20 -  Hlavní Město Praha, Czechia @ Subzero
OCT. 24 -  Stockholm, Sweden @ Kollektivet Livet


Keep up with Then Comes Silence
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Keep up with Metropolis Records
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube

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HIGH PARASITE - Featuring Aaron Stainthorpe of My Dying Bride - Launches New Single "The Screams That Come" + Visualizer

Today, HIGH PARASITE, the UK outfit fronted by Aaron Stainthorpe of My Dying Bride and more recently Towards The Sinister, proudly release a new stand-alone single, “The Screams That Come,” out now via Spinefarm alongside a visualizer.

Produced by Paradise Lost’s Gregor Mackintosh and mixed by Lawrence Mackrory (Meshuggah, Katatonia, etc.), the track aligns with HIGH PARASITE’s mainstage performance at London Metalfest 2026; the band will appear at the Electric Ballroom in Camden on a bill headlined by Swedish Doom legends Candlemass.

HIGH PARASITE will also be visiting Raven Records in Camden, a short walk from the Ballroom, for a signing session at 7.30pm.

HIGH PARASITE shares:

“We’ve coined the term ‘Death Pop’ to define our music; we definitely have a strong affinity with all things gothic and dark, but at the same time we’re collectively drawn to strong hooks and melodies, to choruses that stick in the mind. I guess we walk a shadowy, sometimes twisted path between those two worlds; you can hear it on ‘The Screams That Come,’ and even more on the second album. It’s like the vampire’s smile: seemingly welcoming, at least at a distance, but boy, those teeth are razor sharp!”

Watch the Visualizer for "The Screams That Come" Below:

Since releasing ‘Forever We Burn,’ their debut album, in September 2024, the five-piece have spent a lot of time out on the road in both the UK & Europe, guesting on major tours (Cradle Of Filth, Paradise Lost), appearing at festivals (Bloodstock, Rockstadt, Brutal Assault, Eindhoven Metal Meeting, Furiosfest and many more) and headlining shows of their own.

A Halloween headliner has recently been confirmed for October 31st at the Albany Arcade inHalifax; which is likely to be the last HIGH PARASITE live show of 2026.

In between touring, the band has spent time in the studio working on album number two, scheduled for release early next year. More details and music soon.

HIGH PARASITE are:

Vocals - Aaron Stainthorpe

Bass - Tombs

Rhythm guitar - Sam Hill

Lead guitar - Jonny Hunter

Drums - Dan Brown

Fearless Welcomes German Metalcore Force Our Promise to the Roster + Band Shares "Spite" Video

Fearless Records is thrilled to welcome German metalcore force OUR PROMISE to the label's global roster. 

They have shared "SPITE," their debut single for the label.

Watch the video below. 

"Spite" deals with the realization that staying quiet and keeping the peace often comes at your own expense. The track moves from the quiet memories of giving in to a powerful outburst of self-determination. It's an honest, cathartic release for anyone who's tired of putting themselves second.

Vocalist Rafael Andronic states, "I wrote this song when I finally got tired of choking back my own voice just to keep the peace. For years, I let people cross my boundaries, storing every unspoken 'no' inside until my own mind felt like an archive of quiet defeat. This track is the exact moment of realization. That archive catches fire and those synaptic chains of spite take over to turn years of suppressed anger into pure fuel. It's about the moment you realize you've been fed scraps and called it love. I hope anyone who feels trapped in their own silence listens to this, feels that spark, and finds the courage to tear down the expectations holding them back."

What started as a group of friends in Germany in late 2020 has turned into a true underdog story. Built entirely from the ground up through sheer hustle and relentless optimism, the band’s journey from local up-and-comers to an international touring act is grounded in gratitude, grit, and a deeply authentic connection to the people who believed in them first. That grassroots momentum has taken them across 18 countries in the EU and UK, turning packed rooms on their debut headline tour and major festival stages like Wacken Open Air, Summer Breeze, and Impericon into milestones shared with a fiercely loyal global community.

Now, staying true to the grind that got them here, Our Promise are taking their biggest leap forward.  The band packed its bags and flew to Los Angeles to record their first Fearless tracks alongside producer Curt Martin (Catch Your Breath, Rain City Drive).

"Spite" closes the book on their chapter as a fully independent band, marking their official signing to Fearless Records and proving that big dreams backed by real work can take you all the way.

OUR PROMISE ARE:
Rafael Andronic — Vocals
Viktor Schulz — Vocals
Daniel Jäger — Guitar
Kevin Kübler — Guitar
Pascal Egner — Bass
Thiemo Schnurr — Drums

Denitia's Fourth Studio Album 'Texas Angel' Arrives 2/5/27; Title Track Available Now

Acclaimed singer, songwriter Denitia announces her fourth studio album, Texas Angel, arriving Feb. 5, 2027, marking her first release in partnership with Thirty Tigers for distribution. The album’s title track, “Texas Angel,” is available today, offering the first taste of new music from the forthcoming project and introducing a deeply personal collection of songs about love, belonging, family and the search for peace.

PRE-SAVE TEXAS ANGEL HERE AND LISTEN TO “TEXAS ANGEL” BELOW

Produced by Brad Allen Williams (Brittany Howard, Brandy), Texas Angel finds the country music songstress looking inward, reflecting on the pursuit of happiness and the desire to find a place and a feeling that can truly be called home. The album finds her walking through the highs and lows of love, success and self-discovery while looking beyond herself for wisdom from the generations who came before her.

“This record is me reflecting on the experiences of looking for peace and happiness in love, success and chasing that feeling of belonging,” says Denitia. “In these songs I’m walking my way through the ups and downs and ultimately taking a good long moment to look for answers in the people that came before me. Finding solace in simplicity. Trying to figure out if I can glean some wisdom from my ancestors, living and beyond.”

The title track, “Texas Angel,” captures one of the album’s central themes: the realization that loving someone does not always mean you can save them. The song explores the emotional exhaustion that comes from continually trying to fix the person you love and the moment when self-preservation means finally letting go.

“This one is the age-old tale of being convinced you can fix the one you love,” Denitia explains. “All their problems and shortcomings are there for you to pick up after. And there comes a time when you just can’t swoop in and save the day anymore. Your angel wings are all worn out.”

With Texas Angel, Denitia enters a new chapter, bringing hard-earned perspective to a collection that explores the complexities of love, identity, resilience and finding where you belong. The forthcoming album continues her evolution as an artist while placing emotional honesty and deeply personal storytelling at its center.

There were her relatives who worked in the industrial plants and the corporate offices of the oil refineries in greater Houston where the singer-songwriter grew up. Then there were the musicians that those relatives loved and introduced her to, creating an artistic lineage of similarly hardy stock. That included folks like Dolly Parton, George Strait and Loretta Lynn, who combined hustle with creativity and inspired Denitia to express herself.

With Texas Angel she isn’t just standing on the shoulders of these giants, she is actively reaching back down and patting those shoulders in gratitude, tipping her musical cap by building something that is distinctly her own but pays tribute to those efforts and influences.

That concept, of honoring her forebears while telling her own story, began taking shape during a songwriting session following her first appearance at the Grand Ole Opry in 2024.

“Getting invited to play the Opry was momentous for me because my grandmother, my great-grandmother, they all listened to WSM and now there was somebody in our family who was on that stage,” shares Denitia. “It was this mixture of feeling like, ‘Wow, I just want to be a part of the fabric and the lineage of country music’ and realizing my positioning in my family. And then also just the idea of standing in one's own power.”

Given its roots, it is no surprise then that Texas Angel is an unadulterated country affair, its 14 tracks suffused with warm acoustic instrumentation, wistful steel guitars and Denitia’s inviting vocals, toggling between tender vulnerability and fiery flintiness as she exorcises romantic and professional demons of the past, embraces the quotidian pleasures of the present and explores the freedom of an unwritten future.

“I feel like I'd been circling it with my last two records,” she says of the album’s traditional sound. “I kept getting closer and closer and I thought, all right, enough. I'm going to go directly for it. I want to make a classic country record that is inspired by the people that I love in this genre — Dolly Parton, Randy Travis, Glen Campbell, Loretta Lynn, George Strait.”

For more information, visit Denitia.com. Follow on Instagram | TikTok | YouTube | Facebook

About Denitia:
Denitia is a critically acclaimed singer-songwriter from the Houston area whose beguiling voice and eloquent wordplay has been steadily bringing her recognition over the last decade and multiple projects including 2024's Sunset Drive.
 
Denitia has been embraced in Nashville where she has made multiple appearances on the Grand Ole Opry and been named one of CMT’s 2024 Next Women of Country and an artist to watch by the Nashville Scene. She was also a featured vocalist in Dolly Parton’s Threads: My Songs in Symphony.
 
Her forthcoming album Texas Angel, produced by Brad Allen Williams (Brittany Howard, Brandy), finds Denitia digging into her musical and familial roots to produce an album of classic country with a contemporary edge.

MADDOX BATSON TO HOST MADDOX & FRIENDS BENEFIT CONCERT AT TENNESSEE’S WHITE HOUSE PUMPKIN PATCH ON OCT. 10

Two-time Billboard 21 Under 21 artist Maddox Batson will host Maddox & Friends on Oct. 10 at White House Pumpkin Patch. Benefiting the Tim Tebow Foundation (TTF), festivities will begin at 6 p.m. followed by Batson’s signature performance. Supported by Ducks Unlimited with on-site activation, general admission tickets are available for purchase HERE and limited meet and greets are available for purchase HERE.
 
In addition to Batson’s musical performance, general admission tickets offer admission to the White House Pumpkin Patch grounds and attractions: an 8-acre cornmaze, 2-acres of flower fields, hayrides, a corn cannon and pit, gem mining and various games. 
 
“My team and I are honored to support the Tim Tebow Foundation and return to White House Pumpkin Patch. The foundation exists to serve the world’s MVPs – most vulnerable people – through faith and service, and I strive to do the same,” shared Batson. “Our first benefit at the pumpkin patch was a success in 2024, and we’re excited to kick off the fall season with an evening of live music and festivities. Hope to see y’all there!”
 
The Tim Tebow Foundation exists to bring faith, hope and love to those needing a brighter day in their darkest hour of need. Founded in 2010 by two-time national champion, Heisman Trophy winner and seven-time New York Times bestselling author Tim Tebow, the foundation has served some of the world’s most vulnerable people across more than 120 countries and counting. Its mission is fulfilled daily through outreach focused on anti-human trafficking and child exploitation, orphan care and prevention, profound medical needs and special needs ministry.
 
The Maddox Batson & Friends benefit show debuted in 2024 with a Batson-shaped corn maze, plus hay rides, farm animals and games in support of the Juvenile Diabetes Research Foundation.
 
Please visit maddoxbatson.com or thewhitehousepumpkinpatch.com for more information on the 2026 event.
 
White House Pumpkin Patch:
8601 Cross Plains Rd
White House, TN 37188

About Maddox Batson:
Rising country-pop artist Maddox Batson makes a name for himself this year as the only 16-year-old on a headlining international, world tour. The Nashville-based songwriter first gained attention for his covers of popular songs before showcasing his own songwriting talent with singles like “I Wanna Know” and “Tears In The River,” in addition to a co-write on “Tough” recorded by Lana Del Rey and Quavo. Batson’s First Dance (The After Party) deluxe EP released in 2025 to support his sold-out I Need A Truck Tour with singles “Coincidence,” “Girl In Green” and “No More” sang back to him by crowds night-after-night. 

In 2026, Batson’s Live Worldwide Tour spanned North America and Europe, with additional support dates on Tucker Wetmore’s The Brunette World Tour. Most recently, the Billboard 21 Under 21 artist released “Fallin’ Easy” and made his acting debut in the Nate Bargatze and Mandy Moore film The Breadwinner. For more information, please visit maddoxbatson.com. 
 
About Tim Tebow Foundation:
The Tim Tebow Foundation (TTF) exists to bring faith, hope and love to those needing a brighter day in their darkest hour of need. Since inception in 2010, the foundation has served some of the world’s Most Vulnerable People across more than 120 countries and counting. This mission is fulfilled daily through outreach focused on Anti-Human Trafficking and Child Exploitation, Orphan Care and Prevention, Profound Medical Needs, and Special Needs Ministry. To learn more about the Tim Tebow Foundation, visit www.timtebowfoundation.org.

COREY KENT ANNOUNCES 2027 HEARTLAND ROCK AND ROLL TOUR

Multi-Platinum Sony Music Nashville recording artist Corey Kent is taking his forthcoming album  Heartland Rock and Roll on the road, announcing his 2027 Heartland Rock and Roll Tour, a 20+ date cross-country trek kicking off Jan. 22 at Billy Bob’s Texas in Fort Worth, TX. The tour will make stops in Houston, Detroit, Columbus, Atlanta, Pittsburgh, Boston and more before culminating April 30 with Kent’s headline debut at Nashville’s famed Ryman Auditorium. Additional dates will be announced soon. Tyler Nance and Jacob Hackworth will join Kent as support throughout the tour. Tickets on sale Friday, Sept. 11 at 10 am local at coreykentofficial.com.

The tour announcement comes as Kent readies his third major-label album, Heartland Rock and Roll, which captures the Oklahoma native’s signature blend of country, rock and soul while putting a name to the sound he has spent his career building.

“This year I’ve played all over the world and opened up for some of my favorite artists,” shared Kent. “But now it feels like it’s time for a headline tour right here in the heartland…the Heartland Rock and Roll Tour! I’ve reimagined everything on this tour making this show unlike anything we’ve ever done. I hand picked some of my favorite venues in the country and it’s almost time! Tickets go on sale this Friday.”

Produced primarily by Austin Goodloe, with additional production from Jon Randall and Chris Farren, Heartland Rock and Roll spans 16 tracks that blend golden-hour nostalgia, rugged honesty and the peace that comes with staying true to yourself. The project features previously released tracks including “Everyday Life,” “Rocky Mountain Low” featuring Koe Wetzel, “Wannabe,” “Cigarette Burns,” “Rather Be Here” featuring Jason Aldean and current single “Empty Words,” which is Top 40 and climbing at country radio.

“Heartland Rock and Roll is my third major label album, and it’s really the first time I’ve been able to finally name the sound I’ve been working towards my entire career,” said Kent. “The lyrics span from nostalgia, to honest regrets and gratitude for the simple things I value most in life. From top to bottom, this is me. Every artist wants to leave their mark in music... a way to say, ‘I was here and I did it my way.’ This feels like mine. This is heartland rock and roll.”

Infusing Oklahoma roots with the untamed energy of a rebel rocker, Kent has built his career on doing things his own way. From dancehalls and dive bars in Bixby, Oklahoma, to earning two No. 1 singles at country radio, more than 1 billion career streams and multiple RIAA certifications, Kent’s rise has been steady, hard-earned and fueled by conviction.

“I’ve been fighting my differences for so long, but now it’s like, ‘Let’s just use those,’” Kent explains. “I’m not trying to be anybody else. Bigger fades, ‘better’ lasts.”

The forthcoming tour will bring Kent’s evolving sound to intimate theaters, clubs and legendary venues across the country, including a hometown-adjacent Texas kickoff at Billy Bob’s Texas and stops at Houston’s House of Blues, Atlanta’s Buckhead Theatre, Pittsburgh’s Stage AE and Boston’s House of Blues before the tour’s final night at the Ryman Auditorium.

To date, Kent has earned Platinum certification for “Something’s Gonna Kill Me,” Gold certification for “This Heart” and Triple-Platinum certification for his No. 1 breakthrough hit “Wild As Her.” Rolling Stone has praised the Oklahoman native for giving “the region’s signature sound a shot of mainstream sensibility,” while CMT and the Opry NextStage program have recognized him as an artist to watch. He has toured alongside Morgan Wallen, Jason Aldean, Parker McCollum, Jon Pardi and Koe Wetzel.

COREY KENT’S 2027 HEARTLAND ROCK AND ROLL TOUR
*Jan. 22 – Billy Bob’s Texas – Main Stage – Fort Worth, TX
*Jan. 23 – House of Blues – Houston, TX
*Jan. 28 – Majestic Theatre – Detroit, MI
*Jan. 29 – The Bluestone – Columbus, OH
*Jan. 30 – Dusty Armadillo – Rootstown, OH
*Feb. 4 – Wooly’s – Des Moines, IA
*Feb. 5 – Varsity Theater – Minneapolis, MN
*Feb. 6 – Bourbon Theatre – Lincoln, NE
*Feb. 18 – Buckhead Theatre – Atlanta, GA
*Feb. 19 – The Foundry – Greenville, SC
*Feb. 20 – Charleston Music Hall – Charleston, SC
*Feb. 25 – The Signal – Chattanooga, TN
*Feb. 26 – Coyote Joe’s – Charlotte, NC
*Feb. 27 – The Senate – Columbia, SC
*Mar. 11 – Stage AE – Pittsburgh, PA
*Mar. 12 – The Fillmore Silver Spring – Silver Spring, MD
*Mar. 13 – The Paramount – Huntington, NY
^Mar. 18 – Toad’s Place – New Haven, CT
^Mar. 19 – Aura – Portland, ME
^Mar. 20 – House of Blues – Boston, MA
*Apr. 30 – Ryman Auditorium – Nashville, TN
*Tyler Nance
^Jacob Hackworth
For the latest news and information about Corey Kent, visit coreykentofficial.com.

ERIC CHURCH REFLECTS ON A LIFE “ON THE ROAD” New Music Arrives This Thursday, September 10

11-time GRAMMY nominee Eric Church has spent the better part of two decades turning the road into both a stage and a source of inspiration. With new song “On The Road” arriving this Thursday, Sept. 10 via MCA, he looks back at the iconic venues he’s played, the legends he’s shared the stage with and the moments that have shaped a life driven by a musical dream – all while proving the man Esquire dubbed “one of the most singular working artists in any genre” still has plenty of miles ahead. Pre-order/pre-save “On The Road” HERE.
 
Written by Church and produced by longtime collaborator Jay Joyce, “On The Road” traces the winding path of Church’s career through the memories that stay with him: from playing to crowds beneath the Northern Lights to sharing the stage with artists who helped define the music he came to make. 
 
For an artist who has become a North Star for a generation of musicians coming up behind him, Church turns that idea inward. Rather than looking at his career from the outside, “On The Road” considers what it means to spend a life moving forward, knowing that someday the road will belong to someone else.
 
“Lookin’ back you think it’d seem so long, this winding path that I’ve been rollin’ on,” Church sings, before arriving at the song’s most poignant realization: one day he’ll be “just a name on a wall, and some other cowboy will hear the call.”
 
“There’s something about a life on the road where the miles start to blur together, yet the people and the moments never do,” reflects Church. “Those are the things you carry with you. You realize how much of who you are was shaped somewhere between one town and the next, and maybe that’s why you never really stop wondering what’s waiting down the road.”

In keeping with his longstanding commitment to the Church Choir, Church is giving all premium members an early listen to the song starting NOW in the Eric Church app and at EricChurch.com. Register HERE.
 
For more information, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and on Instagram@ericchurchmusic.

About Eric Church
A seven-time ACM Award winner, four-time CMA Award winner (including 2020’s Entertainer of the Year), TIME100Philanthropy 2025 honoree and 11-time GRAMMY nominee – including four nods for Best Country Album, Eric Church has built a passionate fan base through his critically acclaimed catalog of music. Church’s 2024 release, “Darkest Hour,” saw the superstar signing over all of his publishing royalties to the people of North Carolina to provide immediate relief following the devastation of Hurricane Helene, while also providing ongoing funds to support a more resilient future for his home state. The song is featured on his latest album, Evangeline vs. The Machine, marking his first new music since 2021’s Heart & Soul triple album (“Stick That In Your Country Song,” “Hell Of A View”). That project followed prior releases including RIAA Gold-certified Desperate Man (“Some Of It,” “Desperate Man”), Platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”), Double-Platinum certified The Outsiders (“Like a Wrecking Ball,” “Talladega”) and 4x Platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 32 Gold, Platinum and multi-Platinum certified songs. Church is also a minority owner of the Charlotte Hornets, a co-owner of the iconic Field & Stream brand, and has his own SiriusXM music channel, “Eric Church Outsiders Radio,” his own liquor offering, Whiskey JYPSI, and his own six-story venue on Nashville’s famed lower Broadway, Chief’s. 

Stoned Jesus Get Theatrical on Proggy New Single “Jackal”

With their forthcoming album trilogy, the heavy progressive trailblazers in Stoned Jesus are reaching a new creative peak. After topping best of 2025 lists with its scorching opener, Songs to Sun, this year, frontman Igor Sydorenko and his bandmates are cycling into the darkest, most daring and deeply moving territory of their career with Songs to Moon.

Today, Stoned Jesus are thrilled to release the album’s mini prog opera as the second advanced single from Songs to Moon. While hounded by grim hopes for the future, the wily “Jackal” will leave progressive rockers of all stripes pleasantly surprised.

“‘Jackal’ is Stoned Jesus at our most theatrical. Even though the time signature is 4/4 through and through, it’s the proggiest song on Songs to Moon”, Sydorenko says before adding. “Bonus challenge for all the true prog nerds. See if you can find the early Marillion line that I quoted word for word”.

Watch the video for “Jackal” below:

Songs to Moon comes out October 16, 2026 on Season of Mist.

Pre-order

https://orcd.co/stonedjesussongstomoon

Pre-save on Spotify

https://open.spotify.com/prerelease/3eaQK0xSDe91fH92dLiMel?utm_source=copy-link

The Songs trilogy spans the many phases of Stoned Jesus. While an existential shroud hung over Songs to Sun, Songs to Moon plunges the band into a dark night of the soul. Like the bogeyman, “Jackal” stalks through a house of horrors. “In the darkness of the future past”, Sydorenko whispers over drums that rattle like Alice in Chains on Jar of Flies. “Hear me walking over skulls and dust”. Behind each locked door lies a disturbing scene that one expects to find when reading Aldous Huxley or George Orwell.

“Lyrically, the question that ‘Jackal’ poses is pretty much on the nose”, says Sydorenko. “When you sell your soul for comfort, what kind of future do you get in return?”.

But even though Songs to Moon is their most melancholic album, Stoned Jesus can’t be confined to just one shade of blue. As shadows often do, “Jackal” shifts its shape in the blink of an eye. “Go to sleep”, Sydorenko commands before kicking down the doors with the album’s heaviest - and funkiest - blues riff. The facts of the matter are grim (“No money, no future, no reason to fight”), but the song’s epic symphonic coda builds a clear case that for Stoned Jesus,  both the present and future are blazingly bright.  

The video for “Jackal” was created by Phobia Artworks.

Catch Stoned Jesus this fall as they debut Songs to Moon on European stages.

Stoned Jesus 2026 European Festival Dates

October 30 - Vallet, France @ WeStill Fest [TICKETS]

Following in the steps of Led Zeppelin III, Opeth’s Damnation or Alice In Chain’s Jar of Flies, during its final lap, Songs to Moon strips down to acoustic guitar and Sydorenko’s hushed vocals. “And when the sun goes down / It brightens up my mood”. As the dreamy desperation of “Window In My Room” fades beneath the stark reminder of closer “One More Empty Day”, Stoned Jesus return to earth weary but wise beyond their years and ready to explore the next frontier.  

Recording Lineup
Igor Sydorenko - Vocals, Guitar, Bass, Keyboards
Andrew Rodin - Bass, Backing Vocals
Yurii Ciel - Drums, Backing Vocals

Live Lineup

Igor Sydorenko - Vocals, Guitar

Andrew Rodin - Bass, Backing Vocals

Ihor Biriuchenko - Drums, Percussion
   
Production Credits
Producer - Igor Sydorenko
Sound Engineer - Andy Rosczyk

Mixing and Mastering Engineer - Karl Daniel Lidén

Recording Studio

Goblin Sound Studio in Cologne, Germany

Mixing and Mastering Studio

Studio Tri-Lamb, Sweden

Cover Art
Vadym "Karaska" Karasiov


Follow Stoned Jesus
Linktree: https://linktr.ee/stonedjesusband
Apple Music: https://music.apple.com/artist/stoned-jesus/396799004
Spotify: https://open.spotify.com/artist/23lyMLxYNPS15hpVvFNptR
Instagram: instagram.com/stonedjesusband
Facebook: http://facebook.com/stonedjesusband
Twitter: twitter.com/stonedjesusband
TikTok: https://www.tiktok.com/@stonedjesusband
YouTube: youtube.com/c/StonedJesus
Bandcamp: stonedjesus.bandcamp.com

Canadian Modern Metal Band OSYRON Release "Higher" With Video, Announce Pre-Sale

Canadian modern metal band OSYRON present an electrifying offering in their new single release, "Higher." Alongside the atmospheric track, the Canadians have launched their pre-sale for the forthcoming, self-titled, full length album. Osyron is scheduled for release on November 27, 2026, via Distortion Music Group (DMG) - Powered by Reigning Phoenix Music.

Of the DMG signing, the band also comments: 

"We're absolutely thrilled to be joining the Distortion Music Group family for this next chapter of Osyron. After more than a decade of building this band, releasing four somewhat okay albums, playing shows across North America and Europe, developing our sound, and even having a Polish guy in the band, finding the right label for this record was extremely important to us."

"DMG's passion for heavy music, their international reach, and the connections they have throughout the metal community make them the perfect partner for what we want to accomplish with this album."

"This album represents a huge step forward for us, and we couldn’t be more excited to have the babes at Distortion Music Group right there beside us as we enter this new era."

Maurizio Iacono, General Manager of DMG, commented, "We are proud to introduce Osyron to the DMG family. The band is one of Canada’s best-kept secrets that will finally get the chance to shine on a world stage; We are happy to have them on board as they continue their journey through the progressive power metal world!”

Emerging out of an immersive atmospheric haze, "Higher" erupts into life with a ferocious brutality manifested through thunderous guitar rhythms and discordant harmonies. The track's chorus soars with melodic intensity, while the heavy power remains relentlessly impactful. Through compelling vocal melodies to monstrous harsh, OSYRON demonstrate their prowess for balancing a sonic attack and ethereal soundscapes. 

Pre-sale: https://osyron.rpm.link/osyron

Stream "Higher" here: https://osyron.rpm.link/higherPR

In summer 2024, the band returned to Europe for a six-date run, bookended by major festival appearances where they shared the stage with JUDAS PRIEST, BRUCE DICKINSON, AVANTASIA, and ACCEPT at Masters of Rock in Czechia.

OSYRON are now preparing to enter their next chapter with their upcoming self-titled fifth album.

Built around the themes of overcoming adversity, defining one’s purpose and finding one’s TELOS, the record focuses on emerging victorious through struggle and perseverance. It represents everything the band has fought for, everything they have learned, and everything they are becoming.

While staying true to the foundation of their sound, the release pushes every element further, delivering an intense and emotionally charged experience that captures exactly who OSYRON are as a band right now.

OSYRON Is:
Reed Alton (Vocals)
Krzysztof Stalmach (Guitar)
Bobby Harley (Guitar)
Tyler Corbett (Bass)
Cody Anstey (Drums)


Connect With OSYRON:
Official Website:https://www.osyron.com
Bandcamp:https://osyron.bandcamp.com
Facebook:https://www.facebook.com/osyron
Instagram:https://www.instagram.com/osyronband
YouTube:https://www.youtube.com/osyron
Spotify:https://open.spotify.com/artist/5bBK2zUbVtvkvbtVBjchFB
Apple Music:https://music.apple.com/us/artist/osyron/656776171

HOKKA - Release Anthemic New Single "Vampire" Feat. Samy Elbanna & Jussi 69

Finnish rock outfit HOKKA has joined forces with some of the scene's most prominent faces for their latest anthem, ‘Vampire.’ Marking a powerful meeting of two generations of Finnish rock talent, the track features Samy Elbanna (Lost Society) delivering insane guitar solos and riffs that completely carry the song and vocals, alongside thunderous rhythms from legendary The 69 Eyes drummer, Jussi 69.

‘Vampire’ delivers an adrenaline-fueled, modern, and punishingly catchy sound. The high-octane single is accompanied by a spectacular music video that visually captures the track's explosive energy.

Check out the video for 'Vampire' Below:

Listen to 'Vampire':
https://hokka.bfan.link/vampire

Joel Hokka comments:
”What a privilege to share this track with my dearest friends & brothers. Samy, Jussi, Jimi & Pauli know how much this kind of stuff means to me after everything that I’ve gone through lately. Vampire is 100% pure rock’n’roll joyride. I hope this will be the official Halloween 2026 soundtrack for many of you.”

Jussi 69 adds:
”I love doing collabs with friends.I really like Hokka’s stuff and this time when I heard the title of the track I said i’m in! With Samy Elbanna I have a long history playing with him in the Local Band, project started by me and my brother, late great Alexi Laiho. It’s been wild to watch Samy’s incredible talent and growth to one of the best shredders right now and he definitely gave his trademark to the song which is unreal!
Hope you dig the track as much i do!”

Samy Elbanna says:
”When there was talk about jumping on a track with Finland’s finest who just so happened to also be my great friends and brothers, I was already in - and once I heard the track I knew this would be insanely fun to do. A big riff, a massive chorus and a chance to shred louder than ever; what’s not to love. The OG Helsinki vampire and the new generation are coming for you!”

LOST SOCIETY & HOKKA -CO HEADLINE EU / UK- tour 2027

MISERIA IS A STATE OF MIND 2027

13.02. Hamburg, DE - Betty
14.02. Dordrecht, NL - Bibelot
16.02. London, UK - The Dome
18.02. Köln, DE - Club Volta
19.02. Paris, FR - Backstage
21.02. Frankfurt, DE - Nachtleben
22.02. Munich, DE - Backstage
23.02. Vienna, AT - Flex Cafe
25.02. Berlin, DE - Hole44