ONE WORLD (R)EVOLUTION Release New Album Reflections Of Resilience, Alongside Tracks "Complacency" & "Today Is The Day"

Reflections Of Resilience is the ferocious and empowering new full-length offering from ONE WORLD (R)EVOLUTION. The project, devised by songwriter and vocalist Astrum Lux Lucis, explores resilience, self-examination and personal transformation in the new album. Released via AstraLux Records, Reflections Of Resilience is accompanied by focus tracks "Complacency" & "Today Is The Day".

On "Complacency" Astrum shares, "We can become so consumed by what isn't happening, what we haven't accomplished or what we wish were different that we stop participating in the life that's already here."

"Today Is The Day" is about action. "I've spent enormous amounts of time living inside my own head—analyzing, questioning, second-guessing and wondering whether I should still be doing this at all", Astrum shares. "You can become so consumed with figuring out why you're not where you think you should be that you fail to notice something much more frightening:

Your actual life is happening while you're thinking about it.

Both songs recognize the same danger from slightly different perspectives. 'Today Is The Day' focuses on postponement—the endless belief that life will begin at some future moment.

'Complacency' looks at what happens when that postponement becomes a lifestyle."

Musically, ONE WORLD (R)EVOLUTION fuses alternative metal and modern hard rock with elements of metalcore delivered through heavy, contemporary production. Across Reflections Of Resilience, Astrum's melodic vocals meet moments of visceral aggression as ONE WORLD (R)EVOLUTION present a truly honest and vulnerable sonic offering.

Reflections Of Resilience was created through a collaboration between Astrum Lux Lucis and producer/songwriter Dusten "Dusty" Boles. Reflections Of Resilience was mixed by Dusten Boles and Frank Smith, with mastering also by Dusten Boles. Additionally, Dusten Boles provides guitars, bass, drums-programming, sound design to Reflections Of Resilience. The cover album artwork is created by Angelo Sanfilippo. 

ONE WORLD (R)EVOLUTION isn't built around rebellion simply for the sake of rebellion. Its larger philosophy is that meaningful change in the world begins with transformation within the individual.


ONE WORLD (R)EVOLUTION Online: 

Official Website: https://oneworldrevolution.us
Bandcamp: https://oneworldrevolution.bandcamp.com/
E-Shop: https://fans.oneworldrevolution.us/#section-NucDpVEORJ
Facebook: https://www.facebook.com/OneWorldRevolution
Instagram: https://www.instagram.com/oneworldrevolution_
Twitter/X: https://x.com/owrofficial
YouTube: https://www.youtube.com/@OneWorldRevolution
Twitch: https://www.twitch.tv/oneworldrevolution
Spotify: https://open.spotify.com/artist/1TQP9EWsbL7XxksqHdy1Ry?si=jjNc9uHyRo-OCAgLtVhU0g
Apple Music: https://music.apple.com/us/artist/one-world-r-evolution/376582415
TikTok: https://www.tiktok.com/@oneworldrevolution

SICKSENSE Announce North American Tour Dates, Kicking Off This November

Nu-metalcore quintet SICKSENSE are preparing to bring Funerals to live stages across North America beginning this November. With eight headline dates in the Midwest and Eastern Canada, SICKSENSE will also be appearing as support for MUSHROOMHEAD & FEAR FACTORY, HEAL THE HURT, PRIMER 55, 40 BELOW SUMMER and EYES SET TO KILL. The new EP Funerals is scheduled for release on September 25, 2026. 

Tour Dates:

NOV 05 — DAVENPORT, IA @ REDSTONE ROOM
[COMING SOON]
NOV 08 — TOLEDO, OH @ FRANKIE’S
NOV 09 — CHICAGO, IL @ THE WC SOCIAL CLUB
NOV 10 — SAUGET, IL @ POP’S ^
NOV 11 — NASHVILLE, TN @ THE BASEMENT EAST ^
NOV 12 — GREENVILLE, SC @ THE RADIO ROOM +
NOV 13 — RALEIGH, NC @ CHAPEL OF BONES #
NOV 15 — RICHMOND, VA @ THE CANAL CLUB #
NOV 17 — HAMDEN, CT @ SPACE BALLROOM #
NOV 18 — QUEBEC CITY, QC @ L’ANTI BAR & SPECTACLES
NOV 19 — MONTREAL, QC @ PIRANHA BAR
NOV 20 — OTTAWA, ON @ DOMINION TAVERN
NOV 21 — MILLERSVILLE, PA @ PHANTOM POWER ~#
NOV 22 — LAKEWOOD, OH @ THE FOUNDRY
NOV 24 — LINCOLN, NE @ BOURBON THEATRE
DEC 03 — LUBBOCK, TX @ JAKE’S BACKROOM *
DEC 04 — AUSTIN, TX @ COME AND TAKE IT LIVE *
DEC 05 — HOUSTON, TX @ SCOUT BAR *
DEC 06 — DALLAS, TX @ THREE LINKS DEEP ELLUM *
DEC 08 — DENVER, CO @ HQ *
DEC 11 — SEATTLE, WA @ EL CORAZON *
DEC 12 — PORTLAND, OR @ HAWTHORNE THEATRE *
DEC 13 — BOISE, ID @ SHRINE SOCIAL CLUB *
DEC 15 — LAS VEGAS, NV @ GREY WITCH *
DEC 16 — WEST HOLLYWOOD, CA @ WHISKY A GO GO *
DEC 17 — ANAHEIM, CA @ HOUSE OF BLUES (THE PARISH) *
DEC 18 — TUCSON, AZ @ THE ROCK *
DEC 19 — PHOENIX, AZ @ CRESCENT BALLROOM *

SUPPORTING:
^ MUSHROOMHEAD & FEAR FACTORY
+ HEAL THE HURT
# PRIMER 55
~ 40 BELOW SUMMER
* EYES SET TO KILL

Purchase tickets HERE: https://sicksense.com/pages/tour-dates

With the unveiling of each compelling release, SICKSENSE step further into their evolving sound. The merging of powerful dynamics, vocal styles, and emotive narratives that hold a mirror to our modern life produce an authoritative and immersive sonic impact. 

Pre-Order Funerals: http://funerals.sicksense.com/

SICKSENSE is:

  • Vicky Psarakis — vocals, lyrics, keys

  • Robby J. Fonts — vocals, lyrics

  • Jackson Snowden — guitars

  • Richard Regier — bass, violin

  • Sam Neumann — drums

Connect with SICKSENSE:

BAD WOLVES HONOR DOLLY PARTON + RELEASE "JOLENE" COVER IN HER MEMORY

Dolly Parton was planning to contribute her signature vocals to Bad Wolves' heavy metal cover of "Jolene" before her sudden passing this week. On Monday, August 31, the band releases their version of the song in her memory, with proceeds going to Dolly Parton's Imagination Library.

"Our singer is a big fan of Dolly and had posted a bunch of videos of her covering 'Jolene.' So, we decided to make a rock cover version for our next album," says Bad Wolves founder, drummer, and songwriter John Boecklin. "On hearing our version, our label CEO Dan Waite sent the finished record to Dolly's manager, Danny Nozell, with a request for Dolly to guest feature on our version. We heard back that Danny had played the track to Dolly, and that Dolly loved our version, and that Dolly was going to go into the studio and add her vocals very soon. We then sent over the stems for Dolly's studio engineers to work with. Like everyone, we were devastated by last week's news of Dolly's passing."

Danny Nozell, Dolly Parton's longtime manager, confirmed that she had been eager to record her vocals for the track before her passing, while explicitly clearing up recent online misinformation surrounding the tribute, stating. "Dolly was a champion of artists pushing musical boundaries. She listened to the Bad Wolves arrangement of 'Jolene' weeks ago, gave it her full blessing, and was incredibly excited to collaborate on it. Releasing this track on Monday as a tribute—with proceeds directly supporting her beloved Imagination Library—is exactly what Dolly and her team wanted."

"Jolene" is available now via Better Noise Music. Listen Below:

Don Burton, manager and husband of the late Dolores O’Riordan (The Cranberries), offered his perspective on the band's integrity. 

"When Dolores died, prior to recording with Bad Wolves on Zombie, Better Noise Music’s Allen Kovac and Dan Waite reached out say that with our blessing they would like to continue with their plans to release 'Zombie,' but wanted to donate the proceeds to Dolores' children. 

"As a parent, I was touched, and also very surprised when the label and band were true to their word and presented our kids (aged 12, 16, 20, 27 at the time) with hundreds of thousands of dollars. A very gracious gesture, which helped with their college costs, and we will always remember the band's kindness in honouring their pledge and Dolores' memory. 

"The similarities here with Dolly Parton loving Bad Wolves version of Jolene, and sadly passing before recording, is tragic, but once again the Bad Wolves have agreed to donate their proceeds to the Dolly Parton Imagination Library, and based on the 'Zombie' track record, this could provide a lot of books for young children around the world."

Boecklin continued: "We will honor Dolly's incredible legacy by donating proceeds from 'Jolene' to Dolly Parton's Imagination Library. We know that we can contribute to Dolly's vision of giving access to books and improving literacy."

ABOUT BAD WOLVES:
BAD WOLVES continue to break all of the rules, merging mind-numbing riffs and rhythms with massive, stadium-size melodies. This uncanny fusion of finesse and fire has quietly cemented the Nashville-based band as a multi-platinum powerhouse. Founded by John Boecklin in 2018, the quartet show sno signs of stopping or slowing down, either. Thus far, they have garnered a 3x-Platinum single and two Gold singles in addition to scoring 6 No. 1 entries at radio and gathering billions of streams. Beyond acclaim from Billboard, Outburn, Loudwire, and more, the group has stood out as a presence versatile enough to collaborate with either Daughtry or Ice Nine Kills. Beyond touring with Papa Roach, Volbeat, Hollywood Undead, and more, they have sold out successive headline tours. Welcoming KILLBOY on the microphone in 2026, they blow the hinges off on their next era with the new single "Paint It Red" — with much more to come.

PAUL LAINE Shares New Single “Don’t Let Me Go Tonite”

Today, the renowned Canadian singer PAUL LAINE shares his new single and official video, “Don’t Let Me Go Tonite," taken from the upcoming new studio album, 'The Long Road Back,' out on September 25, 2026, via Frontiers Music Srl.

LAINE commented:

“I’m excited to share the release of my next single, 'Don’t Let Me Go Tonite.' This song is another chapter in the soundtrack of my life - a look back at love, loss, memories, and all those moments when you can’t help but wonder what could’ve been. I hope this one finds a place with you the way it found a place with me. See y’all out on the road in 2027! ❤️🎶”

Watch the Official Video for "Don't Let Me Go Tonite" Below:

A masterclass in melodic rock, PAUL LAINE’s new album delivers soaring hooks, heartfelt ballads, and arena-ready anthems that traverse the full spectrum of the genre. From the driving energy of “Love Me Or Leave Me” to the intimate vulnerability of “Someday” (co-written with Andrew Oye), every track is meticulously crafted, showcasing LAINE’s signature vocal power and melodic sensibility. “Don’t Let Me Go Tonite” comes alive with a striking video that complements its infectious energy.

 

LAINE states:

“Ever since I released my first solo album, I've wondered when I'd finally have the chance to make a follow-up. Life - and music - have a way of taking you places you never expect. Looking back, every chapter of my career has led me down a different road, and each one has shaped me as both a songwriter and a person.”

 

“I've been incredibly fortunate to make records with Danger Danger, Darkhorse, The Defiants, Shugaazer, and Jetset Junkies. Every one of those experiences taught me something and gave me memories I'll always carry with me. But somewhere in the back of my mind, I always knew the road would eventually lead me home - to where it all started. Just a kid with a guitar, trying to make sense of love, life, loss, hope, and everything in between through songs,” he added.

 

"‘The Long Road Back’ is exactly that. It's a musical journey back to my roots, but it's also a reflection of every mile I've travelled to get here. Every song carries a piece of the life I've lived, the people I've met, and the lessons I've learned along the way. In many ways, this record feels like coming full circle. After all these years, I'm grateful to finally share this chapter with everyone who's been waiting for it. I hope these songs find a place in your story, just as they've become part of mine,” LAINE concluded.

 

Joining LAINE in the studio are longtime collaborators Bruno Ravel (his bandmate in The Defiants and also in Danger Danger - bass, producer), Scotty “Hooch” Taylor (drums), and Andrew Oye (lead guitar), with production handled by LAINE and Ravel. The album features standout singles like “Love Me Or Leave Me,” the video-driven “Don’t Let Me Go Tonite,”and the heartfelt “Someday.”

 

Musically, the record touches every corner of melodic rock. Yet, the songs sound like they’re coming from the classic era when Bon Jovi dominated the airwaves - both in LAINE’s soaring vocals and in the anthemic, hook-laden songwriting. This is an album for fans who crave big choruses, passionate performances, and the kind of timeless melodic rock that only PAUL LAINE can deliver.

Pre-Order 'The Long Road Back' HERE

Line Up:

Paul Laine

Bruno Ravel

Scotty “Hooch” Taylor

Andrew Oye

DOKKEN, SLAUGHTER, AND WARRANT, ALL LIVE, ALL THE HITS, ALL ON REMASTERED 180G COLORED VINYL WITH LIMITED AUTOGRAPHED BUNDLES

Three legendary bands. Three unforgettable live albums. One epic collection.

Deko Entertainment proudly presents The Trifecta of '80s Hard Rock Live, featuring classic live performances from Dokken, Slaughter, and Warrant, all newly remastered and available on stunning 180g colored vinyl.

Formed in Los Angeles in 1978, Dokken became one of hard rock's defining acts with Billboard Hot 100 hits including "Alone Again," "In My Dreams," and "Burning Like a Flame." The band has sold more than 10 million albums worldwide and remains one of the most influential names in melodic hard rock.

Slaughter, formed in Las Vegas in 1988, exploded onto the scene with their platinum debut Stick It To Ya. The album produced three Billboard Hot 100 singles, including "Fly To The Angels" (#19), "Up All Night" (#27), and "Spend My Life" (#39), helping establish the band as one of the era's premier hard rock acts.

Formed in Hollywood, California, in 1984, Warrant achieved worldwide success with more than 10 million albums sold. Their double-platinum debut Dirty Rotten Filthy Stinking Rich featured the smash hit "Heaven," which climbed to No. 2 on the Billboard Hot 100, while subsequent releases cemented the band's place in rock history.

First up is Dokken’s Live From The Sun, available as a double LP housed in a deluxe gatefold jacket on blue vinyl, with limited bundles (100 copies only) signed by Reb Beach. Recorded on November 4, 1999, at the Sun Theatre in Anaheim, California during the Erase The Slate tour, the album captures the band delivering classics including "Alone Again," "In My Dreams," and more. As guitarist Reb Beach recalls: "That was a great time in my life and I had so much fun on that tour. I was a big Dokken fan and I was so thrilled to play those classic songs every night. Luckily, I had a good show. There is a super long solo in the song 'Too High To Fly' that was totally improvised every night, and I just lucked out that it was a good one, haha! That album rocks, for sure!"

Next is Slaughter's Eternal Live, featuring performances recorded during late-1997 shows in Mexico City and Las Vegas. Available for the first time ever on vinyl, this LP comes packaged in a beautiful gatefold jacket on orange vinyl, with limited bundles (100 copies only) signed by Mark Slaughter and Dana Strum. One of the most significant aspects of Eternal Live is that it serves as a tribute to original guitarist Tim Kelly, who tragically lost his life in an automobile accident in 1998. These recordings capture some of Kelly's final performances with the band and feature fan favorites including "Fly To The Angels" and "Up All Night."

Rounding out the collection is Warrant's Live 86-97, making its vinyl debut as a double LP, with limited bundles (100 copies only) signed by Erik Turner and Jerry Dixon. Recorded at Harpos Concert Theatre in Detroit, Michigan, on November 22, 1996, during the tour supporting Belly To Belly, the album delivers electrifying performances of hits including "Heaven," "Cherry Pie," "Down Boys," and more. Original guitarist Erik Turner comments: "Warrant Live 86-97 captures the energy, attitude and good times that we are known for. These recordings are a snapshot of Warrant doing what we've always loved most, playing live. Crank it up!"

All three titles have been newly remastered for vinyl and pressed on audiophile-quality 180g colored vinyl, giving fans the opportunity to experience these classic live performances with enhanced sound and collectible packaging.

Dokken – Live From The Sun, Slaughter – Eternal Live, and Warrant – Live 86-97 are available now for pre-order from Deko Entertainment: https://www.dekoentertainment.com/specials

JOAN OF ARC MUSIC SIGNS ANNA RAE TO MANAGEMENT

Joan of Arc Music announces the signing of Anna Rae to management. A native of Charlotte, NC, Rae began her music career starring as Young Elsa in Disney’s “Frozen” on Broadway at 12 years old. At 16, she moved to Nashville and found her home in the songwriting community. She releases her debut song, “Run Cinderella,” that she co-wrote with Stephanie Chapman and Emily Landis.  LISTEN Below and learn more about Rae at www.annaraeofficial.com.

“Anna is one of the purest and most timeless vocalists of her generation,” explains Cindy Mabe, Founder and CEO of Joan of Arc Music. “She’s a storyteller and songwriter with depth beyond her age, and she’s instantly relatable. We are so proud to help grow her career and introduce her to wider audiences.”

“Cindy Mabe and the Joan of Arc Music team are true advocates of country music,” shares Rae. “They are entirely dedicated to the heart and stories of artists and believe in building careers with intention and longevity - caring for both the art and the soul behind it. I feel incredibly grateful to be supported in a way that gives me the freedom to evolve and take risks. I couldn’t be more excited about everything we’re building together!”

Splitting her time between Charlotte and Nashville, Rae has spent the last few years honing her songwriting.  She recently made her Bluebird Café debut and hosted a prestigious Tin Pan South writer's round at the legendary Station Inn alongside award-winning songwriters Matraca Berg, Emily Landis and Stephanie Chapman. Matraca plays harmonica on “Run Cinderella” while Chapman and Landis can be heard on background vocals. “Run Cinderella” is the first release from Rae’s deeply personal project that chronicles her transformative coming-of-age journey over the past three years.

Joan of Arc Music is a comprehensive 360 entertainment company founded by music industry visionary Cindy Mabe, dedicated to preserving the legacy of country music while championing its future through artist development, label services, publishing, management, TV/film production, and philanthropic impact. Operating through four integrated pillars—Joan of Arc Entertainment, Joan of Arc Studio Works, Joan of Arc Ventures, and Joan of Arc Music Preservation Foundation—the company preserves the roots of American storytelling while fostering a culture where creativity is driven by purpose, craft and truth. Mabe brings decades of proven success developing country music's biggest stars, including Carrie Underwood, Chris Stapleton, Luke Bryan and Brad Paisley, among others. Joan of Arc Music has secured a strategic distribution partnership with Warner Records Nashville and is headquartered in Nashville, Tennessee. For more information, visit www.joanofarcmusic.com.

L to R: Joan of Arc Music Founder and CEO Cindy Mabe and Anna Rae | Photo Credit: Adrienne Kelley 

STORMRULER Sign Worldwide Deal With Distortion Music Group (DMG) - Powered by Reigning Phoenix Music, Release Single "Dark Age Of Deception"

US black metal duo STORMRULER have signed a worldwide deal with Distortion Music Group (DMG) - Powered by Reigning Phoenix Music. Alongside the announcement, STORMRULER present the new track, "Dark Age Of Deception."

STORMRULER comment on the single release "Dark Age Of Deception", 
"We chose this song to be at the forefront of the Imperial resurgence for a few reasons. First and foremost it’s a sonic battery draped in frozen and melancholic themes, the sort of soaring leads and blackened assault one has come to expect from a refined and matured STORMRULER. It also provides a peak into one of many legends told within the Realm of Aurelia, a world soon to be explored by many…"

"Dark Age Of Deception" is a standalone single marking STORMRULER’s introduction to DMG. Separate from the narrative of the upcoming album, the track delivers the band’s signature blend of melodic black metal, relentless aggression and sweeping atmosphere. Built on blistering riffs, rapid fire drumming and commanding melodies, it serves as a direct and uncompromising first statement from the band’s new chapter.

About STORMRULER:

Born out of St. Louis, MO, the ferocious black metal duo STORMRULER is comprised of guitarist and vocalist Jason Asberry and drummer Jesse Schobel. Captivated by fantasy realms, the band's imagery and sonic design draw from this theme entwined with historical elements. 

The debut album Under The Burning Eclipse emerged in 2021, released via Napalm Records. This full-length was followed in quick succession by the sophomore offering, Sacred Rites & Black Magick, also via Napalm Records in 2022. 

With "Dark Age Of Deception," STORMRULER rise through the all encompassing gloom with obliterating force. Plunging into a dark and immersive shroud of atmospheric layers and commanding intensity, "Dark Age Of Deception" signifies the band's new chapter has commenced. 


STORMRULER Is:
Jesse Schobel
Jason Asberry

STORMRULER Online: 
Facebook
Instagram
Spotify 
Apple Music

DEFINITIVE ANTHOLOGY FROM POWER POP PIONEERS THE NERVES OUT OCTOBER 23 ON THIRD MAN RECORDS

Third Man Records is proud to announce the definitive anthology from groundbreaking power pop pioneers The Nerves. Released in commemoration of the 50th anniversary of the Los Angeles-based trio’s self-titled 1976 EP and only official release of their all-too-brief lifespan, The Nerves – Best Collection gathers 66 glorious minutes of studio, live, and demo recordings, compiled in close association with surviving members Paul Collins and Peter Case along with the late Jack Lee’s daughter Cynthia.

Unlike previous anthologies that often relied on secondary copies or rips from vinyl and CDs, Third Man located The Nerves’ original source recordings, now newly mastered or remastered by Warren Defever at Third Man Mastering in Detroit, especially for this release. As a result, The Nerves – Best Collection features the definitive versions of these tracks as they were originally intended, many of which have not been heard since the day they were recorded. Highlights include Case’s chiming classic “When You Find Out” – later reimagined by Case with The Plimsouls and covered by such artists as Graham Coxon and Peter Bjorn and John – premiering today at all DSPs and streaming services alongside an official music video featuring rare archival footage streaming now on YouTube. The Nerves – Best Collection arrives digitally via TMR and on CD and limited-edition 2xLP colored vinyl, both with exclusive new liner notes by Peter Case, on Friday, October 23. Pre-orders/pre-saves are available now.

​

PRE-ORDER THE NERVES "BEST COLLECTION"

Shy, Low Share Video For "Purity Spiral"

PURITY SPIRAL OUT OCTOBER 16 VIA PELAGIC RECORDS  — PRE-ORDER

From Richmond, Virginia, SHY, LOW have a reputation as one of the most compelling voices within the modern instrumental underground. Their music speaks to fans of post-rock's emotional grandeur and post-metal's crushing intensity alike, while simultaneously appealing to listeners drawn to experimental, atmospheric, and cinematic forms of heavy music. The band's ability to merge these seemingly disparate qualities has resulted in a body of work that is immediately recognizable and continually evolving.

Their new album Purity Spiral, will be released on October 16th, 2026 via Pelagic Records. Today they unveil the second single (and title track), "Purity Spiral."

Watch the video below. Stream the track here.

About the track, the band explains "'Purity Spiral' is an exploration of the feedback loop of technological dependency, and the effect it has on our relationships with others and ourselves. The more we worship the golden idolatry of growth, the further from our humanity we seem to stray. Self-isolation is a contagion destroying the bonds between us all.” 

With the album Purity Spiral, SHY, LOW continue their trajectory of artistic expansion and their fascination with movement, tension, and transformation, embracing a sound that is meticulously crafted and noticeably heavier; with devastating results. Building vast emotional landscapes through dynamic contrasts, layered textures, and patient, cinematic evolution, SHY, LOW use immersive repetition and tectonic weight to build tension through evolving patterns. While often associated with post-rock and post-metal, their music reaches beyond the familiar boundaries of either genre, drawing equally from cinematic atmosphere, crushing heaviness, ambient minimalism, and the emotional sweep of modern instrumental composition.

Luminous melodies, driving heaviness, layered textures, and carefully controlled tension allows Purity Spiral to move effortlessly between fragile moments of introspection and towering passages of intensity. Whether constructing intricate layers of harmony or driving songs toward explosive climaxes, there is a deep understanding of pacing, atmosphere, and the power of restraint. Momentum is at the heart of this album, through intricate rhythmic detail, and explosive bursts of energy, drums become the anchor and catalyst, supporting the band's expansive arrangements while pushing them toward moments of cathartic release. 

What distinguishes SHY, LOW is their ability to balance enormity with restraint. Their music unfolds patiently, allowing tension to accumulate through layers of texture, melody, and dynamics. Moments of delicate clarity often coexist with overwhelming weight, creating a sense of organic motion. At the core of the band's sound lies an acute understanding of contrast. From shimmering, expansive passages to towering walls of distortion, the rhythm section provides both propulsion and atmosphere, becoming integral narrative voices that shape the emotion. 

There is a disciplined sense of purpose in their writing, an understanding that every note serves a larger arc. SHY, LOW thrives in the space between introspection and catharsis, where subtle details become as impactful as the heaviest climaxes, and listeners are taken on a journey that is as visceral as it is profound. 

SHY, LOW ARE:
Dylan Partridge — Drums
Gregg Peterson — Guitar
Drew Storcks — Bass
Zak Bryant — Guitar
Kai Zamora — Guitar 

PAIN’s “I Don’t Give A Fukk” Is Three Minutes of Total Disillusionment

Swedish industrial metal force PAIN returns with the explosive new single “I Don’t Give A Fukk.”

Compact, confrontational and built around a brutally direct refrain, “I Don’t Give A Fukk” transforms the confusion and hostility of the modern world into three minutes of mechanized defiance. Grinding guitars, a relentless electronic pulse and Peter Tägtgren’s unmistakable vocals drive the track toward a chorus created to be shouted back at full volume.

The lyrics offer an unfiltered snapshot of a society consumed by political theater, distrust, manipulation and competing versions of reality. Provocative conspiracy imagery collides with accusations of hypocrisy and manufactured division, capturing the feeling of being surrounded by noise while no longer knowing whom or what to believe.

Rather than offering easy answers, “I Don’t Give A Fukk” delivers a release: a blunt refusal to participate in the madness.

Peter Tägtgren comments: “I’m really curious to see how people react, and I’m stoked about the new single. As most of you know, I always try not to repeat myself, and this time I’m sure people will be wondering, ‘What the hell is going on?’ Sebastian and I wrote the song together, and lyrically I’m throwing my view of the world and of the last ten years right in your face. Hold on tight and get ready to smile.”

Co-written by Peter and his son, PAIN drummer Sebastian Tägtgren, the single continues the pair’s growing creative partnership while taking the project into another unexpected corner of its sound.

For nearly three decades, PAIN has operated without boundaries, welding heavy metal, industrial electronics, infectious melodies, dark humor and Tägtgren’s singular worldview into music that is as immediate as it is unpredictable. Following the release of PAIN’s ninth studio album, I Am, “I Don’t Give A Fukk” strips that formula down to its most direct elements: a crushing groove, a provocative message and a hook that refuses to leave quietly.

The world may be on fire, but PAIN is turning up the volume.

“I Don’t Give A Fukk” is available here: pain.rpm.link/idontgivePR

Across nine studio albums, PAIN has built a catalog that refuses to separate heaviness from accessibility. “End of the Line,” “Shut Your Mouth,” “Same Old Song,” “Zombie Slam,” “Follow Me,” “Dirty Woman,” “Coming Home,” “Party in My Head” and “Go With The Flow” may come from different eras and approach the PAIN formula from different angles, but they share the same instinct: make it heavy, make it memorable and never become predictable.

That same instinct carries into the next chapter with “I Don't Give A Fukk,” written by Peter and Sebastian Tägtgren. Musically direct and lyrically confrontational, the song takes aim at the anger, manipulation, division, distrust and information overload that Tägtgren sees in the world around him. It is deliberately provocative, irreverent and difficult to mistake for anything other than PAIN.

That unpredictability is ultimately the point.

PAIN started because Peter Tägtgren needed somewhere to put the ideas that did not fit anywhere else. Nearly thirty years later, that freedom is still the project's greatest strength. Industrial metal, electronic music, rock, pop, death metal attitude, melancholy, sarcasm and outright absurdity can all exist in the same universe because PAIN has never treated genre as a boundary.

The sound changes. The songs change. The world around them certainly changes.

PAIN keeps moving.

PAIN is:

Peter Tägtgren: vocals, guitar
Sebastian Tägtgren: drums
Jonathan Olsson: bass
Sebastian Svalland: guitar

Connect with PAIN:

Kenny Chesney's Goldfish Starts Swimming, "Today Show," "ET," WSJ Are ALL In

Take a band built on individual award winners, add custom old time Western suits, glorious locations, high spirits, and the kind of old school country wordplay that suggests Willie Nelson, Roger Miller or Shel Silverstein, you get the video for “Goldfish,” the next grat track from Kenny Chesney’s eagerly anticipated Silver Sands Marina. When buzz about the technicolor, high whimsy clip started making the rounds, it wasn’t long until inquiries were made.
 
With Silver Sands Marina scheduled to drop Sept. 25, a select few outlets got to participate in today’s launch. Beyond CBS’ “Sunday Morning” re-airing Chesney’s profile from Key West, it was featured on NBC’s “TODAY,” “Entertainment Tonight,” and the Wall Street Journal’s brand new “My Two Sentences,” created to be short truth blasts to inspire heading into the weekend.
 
“Music’s power is that it’s positive energy and joy when you most need it,” the East Tennessee songwriter-superstar shared with the storied business publication. “Songs can change everything.”
 
“You listen to ‘Goldfish,’ where the guy wants to be all these animals based on their key attribute,” Chesney explains, “and it could almost be a children’s song. The melody is so happy, it bounces along and picks you up with it. But when you get to the chorus and you realize he’s cried a fishbowl of tears, ‘drunk as a skunk, trying to get over you,’ it’s so clever, smart and spinning the pain into a whole other commodity, who wouldn’t love this song?”


Written by double GRAMMY winner Tia Sillers, two-time Juno Award winner Tenille Townes and ACM/CMA Award winner Gordie Sampson, Chesney used lavish Hawaiian steel guitar to set a mood for a song that evokes a different era. Then he headed straight to Maui with Rosie & The Revival to romp through the Rodeo General Store, Mama’s Fish House and along Ku’au Bay.
 
“When a song has this much fun to every aspect of it, you want to capture the spirit for everyone to see,” Chesney explains. “The band and I had more fun than we can possibly share, whether it was walking on the beach like the Monkees, bringing that giant cardboard cut-out of Flat (Kenny) Greenberg, looking at the night sky, talking about life or just laughing at nothing… That’s the kind of joy I want people to take from this song, whether they’re dating, hating or just fine thank you.”
 
Add in hula girls, breaking waves, and a straight-to-camera delivery, this is the leader of No Shoes Nation at his freest and most exuberant. Having created some iconic videos – “American Kids,” “When The Sun Goes Down,” “Noise,” “Young” and even “Silver Sands Marina” – both the Shaun Silva-directed “Goldfish” and new track deliver on everything that has made Chesney not just stadium-sized for over two decades, but an artist who represents finding the positivity in every possible situation – even if it’s spinning the circumstances into a philosophical take that makes you smile.
 
Pre-order, pre-save/pre-add Silver Sands Marina HERE.

Purchase the signed vinyl, CDs and limited vinyl picture discs, or watch Chesney’s first in-depth conversation about Silver Sands Marina on TalkShopLive HERE.

A SHORELINE DREAM's new single 'Legacy' marks 20 years of music, sacrifice & roads traveled

Twenty years after forming, A Shoreline Dream enters its anniversary year with ‘Legacy’, the new single released via Latenight Weeknight Records, which finds the band reflecting on the time, choices, and sacrifices behind one of Colorado’s longest-running independent music projects.

A sludging, bass pumping song that explodes with a huge chorus of cascading guitars and vocals that match that reflection, its shoegaze chant reflects on all the time that has passed. Here, "Legacy, your legacy instead of it" lyrically reflecting the thoughts that which has been sacrificed - so many of the normal everyday life milestones - to instead fine tune the nearly 120 tracks the band has now released throughout their history. A tragic yet rewarding legacy to leave behind.

Formed in 2005 and based in Barnum, Colorado, A Shoreline Dream is a duo of multi-instrumentalist and vocalist Ryan Policky and guitarist Erik Jeffries. For just over two decades, Policky and Jeffries have built a catalog approaching 120 released tracks while developing a sound rooted in shoegaze, psychedelia, post-punk, and expansive guitar-driven experimentation.

Approaching the 20th anniversary of their debut album ‘Avoiding the Consequences’,they look at that history from a deeply personal perspective. Years spent writing, recording, producing, and refining A Shoreline Dream's music have often meant choosing the demands of the creative process over many of the conventional milestones of everyday life. The song considers what remains when so much of a life has been devoted to making music, and whether the work itself ultimately becomes the legacy.

The release comes during one of the band's most prolific periods. Rather than treating 2026 as a year of reflection, A Shoreline Dream committed to releasing singles every month, while developing new material towards ‘Waiting’, the band's second full-length album of 2026, which will include nine tracks.

Their current creative roll follows a significant period of collaboration with Ride frontman Mark Gardener. Through A Shoreline Dream's partnership with Shameless Promotion PR, Policky and Gardener connected for a series of recordings that resulted in five co-produced and performed songs, the most recent of these appearing on the album ‘To Where They Have Gone’, released in February.

That relationship is part of A Shoreline Dream's love affair with the UK music community. The band has worked extensively with Ulrich Schnauss and has also collaborated with members of Engineers, Chapterhouse, Rocket Girl Records, and mastering engineer Mark Kramer (Urge Overkill, Bongwater, Shimmy Records).

“2026 has been the year of true sonic inspiration, and the first time I’ve found myself in a constant music writing mode. After working with Mark Gardener, my mind has been humming melodies to me daily," says Ryan Policky.

That renewed creative momentum has also been shaped by the world outside the studio. The response has been to make music that provides an alternative to that noise: music that is melodic, heavy, expansive, and immersive.

“It’s been a brutal human climate, and the distractions are so overwhelming in the media / toxic social media world. I’m f’ing over it. I just want explosive and melodic tunes to distract from this insane world, and these songs are exactly that," says Ryan Policky.

“The tales of dealing with a world in chaos I hope resonate with all those out there looking for new musical vibes and explosive soundscapes. We have come back to the original feeling of A Shoreline Dream creating melodipsych shoegaze to celebrate this massively long journey.”

‘Legacy’ arrives not as a retrospective statement, but as a marker of where A Shoreline Dream stands now. Policky and Jeffries have maintained their creative partnership through changing musical landscapes and an evolving industry. Their response to reaching the 20-year milestone has been to keep creating at an increasingly intense pace.

The result is a band looking back without standing still. ‘Legacy’ acknowledges the cost of the journey while ‘Waiting’ and the continuing 2026 release campaign point firmly toward what comes next.

'Legacy'is now available from digital music platforms, including Spotify, Apple Music and Bandcamp.The band's second album of 2026, ‘Waiting’, will be released on October 16th.

CREDITS

Written & produced by Ryan Policky
Recorded, mixed & mastered by Ryan Policky
Distributed by The Orchard
Copyright Latenight Weeknight Records, LLC
Cover art and photography by Ryan Policky
Publicity by Shauna McLarnon for Shameless Promotion PR


Keep up with A Shoreline Dream
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | YouTube | Spotify| Apple Music | Press contact

Keep up with Latenight Weeknight Records
Website | Facebook | YouTube

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads | Soundcloud | Link edIn | Email

THE SYSTEM IS ONLINE: FEAR FACTORY UNLEASHES MACHINE-DRIVEN NEW SINGLE "ROBOTICIST"

For more than three decades, industrial metal pioneers FEAR FACTORY have explored the friction between man and machine, tracing the rise of artificial intelligence and humanity's loss of control over its own creations.

The band launches a bold new era with 'Roboticist.' The latest single, which premiered on Sirius XM Liquid Metal, marks the recording debut of the band's current lineup featuring vocalist Milo Silvestro, drummer Pete Webber, and bassist Tony Campos. Blending crushing mechanical aggression with a haunting, melodic hook, the track explores a dystopian reality where flesh fails and only consciousness endures.

Produced, engineered, mixed, and mastered by Damien Rainaud, the single arrives alongside a cinematic music video directed by Vincente Cordero and produced by Arion Csihar. System activated: the next chapter of FEAR FACTORY has officially begun.

FEAR FACTORY guitarist Dino Cazares  comments, "The future isn’t coming. It’s already here, ‘Roboticist’ is the next evolution of Fear Factory. Man, Machine and the war for what comes next. I can’t wait for everyone to hear the beginning of a new era of Fear Factory."

Stream 'Roboticist' here: https://fearfactory.bfan.link/roboticist

WATCH: 'Roboticist' music video Below:

Death is no longer the end, it is the next evolution. The machine no longer needs humanity; it inherits the future. 

Stand by, critical intel on the upcoming album is imminent. In the meantime, prepare for the live assault. Experience FEAR FACTORY as they tear across Europe and the US on the Cybernetic Domination Tour.

FEAR FACTORY live

European Dates
CYBERNETIC DOMINATION TOUR
With HATE, CRYSTAL LAKE,  THE NOCTURNAL AFFAIR

08.30 PO Krakow @ Kwadrat
08.31 PO Warsaw @ Palladium
09.02 LT Vilnius @ Loftas
09.03 LV Riga @ Palladium
09.04 EE Tallinn @ Helitehas
09.05 FI Helsinki @ Apollo
09.06 FI Turku @ Logomo
09.09 DK Copenhagen @ Vega
09.11 BE Ghent @ Vooruit
09.12 NL Rotterdam @ Baroeg Open Air
09.13 NL Nijmegen @ Doornroosje
09.15 DE Köln @ Live Music Hall
09.16 DE Hamburg @ Markthalle
09.17 DE Berlin @ Huxleys
09.18 DE Munich @ Kesselhaus
09.19 LU Esch-sur-Alzette @ Rockhal
09.20 DE Karlsruhe @ Substage
09.21 AT Vienna @ Simm City
09.23 HU Budapest @ Barba Negra
09.24 HR Zagreb @ Boogaloo
09.26 IT Rome @ Orion
09.27 IT Milan @ Metalitalia.com Festival
09.29 FR Paris @ Le Trabendo
10.01 UK Manchester @ O2 Ritz
10.02 UK Nottingham @ Rock City
10.03 UK Buckley @ Tivoli
10.05 IE Dublin @ Academy
10.06 UK Belfast @ Limelight
10.07 UK Glasgow @ SWG3
10.08 UK Bristol @ Prospect
10.09 UK Southampton @1865
10.10 UK London @ O2 Forum Kentish Town

US Dates

Soul Of a New War Machine Tour
With Co-headliners MUSHROOMHEAD

10.13  New Haven, CT @ Toad's Place
10.14  Portland, ME @ Aura
10.15  Hampton Beach, NH @ Wally's
10.16  Harrisburg, PA @ Capitol City Music Hall
10.17  Stroudsburg, PA @ Sherman Theater
10.18  Leesburg, VA @ Tally Ho
10.20  Glenside, PA @ Keswick Theater
10.21  Pittsburgh, PA @ Preserving Underground
10.22  Harrison, OH @ The Blue Note
10.23  St. Charles, IL @ Arcada Theater
10.24  Green Bay, WI @ Epic Events Center
10.25  Belvidere, IL @ Apollo Theater
10.27  Hobart, IN @ The Art Theatre
10.28  Cadillac, MI @ Venue Event Center
10.29  Flint, MI @ Machine Shop
10.31  Cleveland, OH @ Agora Theater
11.01  Indianapolis, IN @ Vogue Theater
11.03  Lexington, KY @ Manchester Music Hall
11.05  Houston, TX @ Scout Bar
11.06  Austin, TX @ Come And Take It Live
11.07  Corpus Christi, TX @ Brewster Ice House
11.08  Dallas, TX @ AM/FM
11.10  Sauget, IL @ Pop's
11.11  Nashville, TN @ Basement East


CYBERNETIC DOMINATION TOUR
With DARKEST HOUR and BROTALITY

11.13  Wichita, KS @ Wave
11.14  Denver, CO @ Oriental Theater
11.15  Colorado Springs, CO @ Black Sheep
11.17  Billings, MT @ Pub Station
11.18  Great Falls, MT @ The Newberry
11.20  Seattle, WA @ El Corazon
11.21  Portland, OR @ Hawthorne Theatre
11.22  Boise, ID @ Shrine Social Club
11.24  Fresno, CA @ Strummers
11.25  San Diego, CA @ House Of Blues
11.27  Pomona, CA @ The Glasshouse
11.28  Los Angeles, CA @ Whiskey
11.29  Los Angeles, CA @ Whiskey

Tickets for all dates are on sale at Fearfactory.com

Omen//Skye Release New Single + Lyric Video "Vanquish" via Arson Theory

Maryland-based metalcore band Omen//Skye have released their new single and lyric video, “Vanquish,” available via Arson Theory. The track is the latest single from the band’s most recent EP, The Thoughts That Haunt Us, and is available on all major streaming platforms. 

 

Produced by Drew Licurgo and Six:Eight Audio, “Vanquish” is an emotionally charged track centered on one of life’s darkest battles: finding the strength to keep going when everything feels lost.

 

The composition for “Vanquish” was largely written by former guitarist Brian Baugus, with chorus lyrics composed by Josh Grzywacz. Vocalist Nick Troisi developed the verse lyrics and overall concept, drawing directly from his own battle with addiction.

 

At its core, “Vanquish” is about reaching the lowest point imaginable and making the conscious decision to persevere. The song explores the struggle against addiction, depression, and suicidal thoughts while ultimately delivering a message of resilience and choosing life.

 

Troisi shares, “I was down and out, I thought that this was the end. But I picked myself up and started fighting again. It's a conscious choice between life and death, and when it comes for you... DON'T. GIVE. IN.”

 

Blending cinematic atmosphere, crushing riffs, and emotionally charged melodic hooks, Omen//Skye continue to establish themselves as one of the Mid-Atlantic's most promising heavy acts. Built on the foundation of explosive live performances, the band seamlessly merges the intensity of classic metalcore with the innovation of the genre's modern wave, forging a sound that is both familiar and unmistakably their own.

 

With its crushing instrumentation and deeply personal message, “Vanquish” captures the moment when surrender and survival stand on opposite sides of a decision. Rather than romanticizing the darkness, Omen//Skye confront it head-on, transforming personal struggle into an anthem for anyone fighting to find their way back.

 

“Vanquish” is available now on all major streaming platforms via Arson Theory.

 

STREAM "Vanquish" HERE

WATCH "Vanquish" (Official Lyric Video) Below:

As Omen//Skye continue building momentum, they have become known for delivering high-energy performances that leave a lasting impression. Their growing catalog of releases and relentless drive have earned them support slots alongside artists including If Not For Me, Tallah, Resistor, Yosemite In Black, Waking the Cadaver, The Wise Man's Fear, and Softspoken, positioning the band for continued expansion onto the national touring circuit.

 

UPCOMING TOUR DATES:

9/13 - Supporting ENOX @ Metro Gallery in Baltimore, MD

 

OMEN//SKYE:

Nick Troisi - Lead Vocals

Joshua Grzywacz - Vocals / Rhythm Guitar

Dillon Thatcher - Drums

Dominic Buie - Bass

Introducing Kenny Baquol - Lead Guitar

 

 For More Information Please Visit:

Instagram

Facebook

TikTok

YouTube

LIGATURE MARKS Release New Single And Video, "Weapons"

LIGATURE MARKS presents a brutal new offering in "Weapons." The single release unveils their darker side as it deviates away from the band's typical sound to incorporate elements of deathcore and industrial. "Weapons" provides a first glimpse at LIGATURE MARKS' forthcoming sophomore full-length album which sees the band pushing the boundaries of their sound.

On "Weapons" vocalist Ben Charles shares: "We wanted to make something that felt dangerous, something that was truly evil, from the song itself to the visuals. This one isn't meant to feel like a warm hug, it's meant to make you feel uneasy".

Dissonance bleeds through the track, connecting the sinews of the bloodthirsty verses and anthemic choruses, marking a triumphant debut from Brad Leadham (keyboards, samples). The accompanying music video draws inspiration from the band's passion for the horror genre. Guitarist / Director Karl Whinnery: "I told the band, think serial killer's crawlspace, with a dash of Sicario thrown in."

"Weapons" was recorded at Falcon Recording Studio with producer and mixing engineer Gabe Johnston. The track was mastered by Troy Glessner. Cover artwork is by Benjamin Charles. 

About LIGATURE MARKS:

Based out of Portland, Oregon, LIGATURE MARKS formed in 2017 and released their debut album, Set Oceans On Fire, independently in the same year. This notable first instalment led to fast-earned popularity in the Pacific Northwest, and subsequently landed LIGATURE MARKS as direct support for bands such as GOJIRA, FEAR FACTORY, SOULFLY, UNEARTH and SKINLAB.

Consisting of a veritable supergroup of Portland’s biggest bands (VINTERSEA, SYX, INFLICT, PROVEN) vocalist Ben Charles, guitarists Karl and Josh Whinnery, bassist Glen Thonis, and drummer Chris Meskill, LIGATURE MARKS has been building a fierce reputation on the live stage. With the recent addition of keyboardist Brad Leadham, they are gearing towards their sophomore studio album. 

Growing beyond the realms of metalcore, LIGATURE MARKS continue to expand their sonic palette. Setting ablaze not only the sea but the land, the band balance melody and viciousness through anthemic tracks as they carve out their unique sound in the modern metal landscape.


LIGATURE MARKS Is:
Ben Charles - vocals
Karl Whinnery - guitar
Josh Whinnery - guitar
Glen Thonis - bass
Brad Leadham - Keyboards, samples
Chris Meskill - drums

We Came As Romans Unveil "red smoke ○ " Feat. HEAVENSGATE

We Came As Romans have released "red smoke ○," a reimagined version of the track from their 2025 album ALL IS BEAUTIFUL… BECAUSE WE'RE DOOMED, this time featuring HEAVENSGATE.

Watch the visualiser for the new single Below and find the song on streaming platforms HERE

 

CIRCULARITY will present four brand new songs alongside six rewritten versions of tracks from All Is Beautiful… Because We're Doomed, each reworked in partnership with artists the band has shared stages with across years of touring — including Dayseeker, Bury Tomorrow, Currents, After The Burial, Headwreck, HEAVENSGATE, and Ladrones.

 

Of the project, We Came As Romans shared:

"ALL IS BEAUTIFUL… BECAUSE WE'RE DOOMED: CIRCULARITY is the culmination of this cycle for WCAR. We are happy to have been able to sit in a place of deep collaboration with so many artists we have toured with over the years & build strong friendships with. The new songs represent a new era for the band as we continue to write & carve out what is next."

 

Head to circularity.wcar.band to guess which band is on which song & unlock a clip of each when guessed correctly. 

ABOUT WE CAME AS ROMANS

We Came As Romans continue to progress and evolve at lightspeed, maintaining a place at the forefront of heavy music and culture. Never content to follow, they seamlessly alchemize crushing groove-driven catharsis, spacey electronics, and arena-size singalongs into a sound that refuses to sit still, effortlessly moving between metal, alternative, metalcore, and rock.

The Michigan-born five-piece - Dave Stephens, Joshua Moore, Lou Cotton, Andy Glass, and David Puckett - first broke through with Tracing Back Roots (2013), which cracked the Billboard 200 Top 10 and hit #1 on both the Independent Albums and Top Hard Rock Albums charts. Their self-titled 2015 album followed, debuting at #11 on the Billboard 200, cementing their status as modern metalcore royalty.

Following the tragic loss of original vocalist Kyle Pavone in 2018, the band has continued to honor his legacy with their 2022 album, Darkbloom, their highest-praised record to date. Kerrang! awarded it 4 out of 5 stars, calling it "a carrier for a knot of emotion, and a tribute to their friend." It featured career-defining tracks like "Black Hole" (ft. Caleb Shomo), now over 102 million Spotify streams, and "Daggers" (ft. Zero 9:36), which surpassed 32 million streams. Media outlets including Loudwire and Consequence praised the album for its emotional range, sonic heft, and unapologetic vulnerability.

With the release of their 2025 album, ALL IS BEAUTIFUL...BECAUSE WE'RE DOOMED, the band entered their most ambitious chapter yet, now further punctuated by forthcoming release ALL IS BEAUTIFUL...BECAUSE WE'RE DOOMED: CIRCULARITY. Scarred, sharpened, and more fearless than ever, We Came As Romans continue to prove why they have remained one of the most dominant and consistent forces in heavy music.

We Came As Romans Are



Dave Stephens - Vocals

Joshua Moore - Guitar

Lou Cotton - Guitar

Andy Glass - Bass

David Puckett - Drums

Ray Hawthorne Announces New Record + Screams Through Tough Love On New Single!

Pop punk's most lovable liability, Ray Hawthorne, returns today with the announcement of his new record, "Ray Hawthorne Can't Be Trusted" (set for release on October 15) alongside a heart-on-sleeve anthem, "Tough As Nails", about inheritance, masculinity, and the messy ways love gets passed down. Pre-save the upcoming record, "Ray Hawthorne Can't Be Trusted", HERE.

As a grounding moment on "Ray Hawthorne Can't Be Trusted", "Tough As Nails" confronts the space between being taught to be tough and learning that vulnerability can be a strength in its own right. Through a heavy, but heartfelt tribute to the person who raised him, Ray Hawthorne reflects on the strength, sacrifice, and complicated love that shaped him.

Where "Ray Hawthorne Sucks" was earnest and "Ray Hawthorne Isn't Real" was chaotic, "Ray Hawthorne Can't Be Trusted" continues a catalog that treats humor, self-awareness, and self-destruction as adjacent concepts. As a whole, Ray Hawthorne leans into emotional whiplash and damage control on his earlier records, while "Ray Hawthorne Can't Be Trusted" (produced by Pete Zen) is aimed at the part of the cycle where the damage has already become too familiar.

Digging into the heart behind "Tough As Nails", Ray Hawthorne proves he is capable of emotional availability.

As he gears up to release "Ray Hawthorne Can't Be Trusted", Ray Hawthorne is once again sharing how a few bad decisions, too much self-awareness, and an inability to leave well enough alone somehow became a full-length record:

"If you or someone you know has been personally effected by the lyrics of Ray Hawthorne Can’t Be Trusted, don’t @ me. This is the first of my albums that was made intentionally. Prior to this I would release a lot of singles, see what people liked the best, then try to retroactively fit the top performers and some unreleased material into a functional album with coherent themes. NOT THIS TIME MOTHERFUCKERS. THIS IS 13 TRACKS OF UNADULTERATED RAGE MEANT TO RIP YOUR HEART OUT WITH NO REGARD FOR YOUR PERSONAL SAFETY. (I read that in the voice of a monster truck rally commercial by the way.) But on a serious note, it was fun getting together with Pete and really thinking through the album as a whole. How it should ebb and flow, where we should push heavier or pull back, things like that. So I hope that level of cohesion is more present than my previous albums when you listen through the record.”

Renowned for his work in North Kingsley, the acclaimed project alongside Shavo Odadjian of System of a Down, Hawthorne initially captured hearts as the Heartbreak Hero with his inaugural solo release "Heartbreak Feels Good in a Place Like This". Building on his solo work, his debut record "Ray Hawthorne Sucks" further cemented his status as a bold new voice in pop punk, quickly amassing a devoted following and over 20 million streams across all streaming platforms for his magnetic charm and razor-sharp wit.

Blending heartbreak, sarcasm, and just the right amount of emotional stability, Ray Hawthorne leads with a messy kind of hope, turning emotional freefall into something you can scream along to. Where debut album and his firstborn, "Ray Hawthorne Sucks", leaned into an earnest DIY vulnerability, his previous record, "Ray Hawthorne Isn't Real", took a turn and tapped into the restless defiance of a secondborn. The 15 tracks helped embrace the chaos, laugh at the pain, and maybe, just maybe, allow us all to find a little redemption along the way.

Starting from the very real possibility that Ray Hawthorne is just a guy screaming into the ether (and somehow making it sound catchy), his catalog has become a refuge for anyone who's ever felt too loud, too sensitive, or too much. Loud, petty, and deeply cathartic, Ray Hawthorne is proudly one of the most unapologetically honest voices modern pop-punk.

Be sure to stay tuned for more Ray Hawthorne news coming very soon.

ABOUT RAY HAWTHORNE

Do you remember that episode of Degrassi where Ashley really wants Craig to tell her he loves her, but Craig gets all panicked and can’t tell her that he does? It causes so much drama in their relationship. She begins to question her feelings for him and because of that, he becomes seemingly unsure of his feelings for her. So, in an effort to quell the bad vibes, Craig writes a song that includes lyrics IMPLICITLY AND EXPLICITLY stating that he loves her. (Total banger by the way, the only song of his I like better is the one he sings at the battle of the bands after the two inevitably break up, it’s also about Ashley. I believe it’s called ‘What I Know’) Anyway, Craig was only able to admit he loved Ashley in song form, but you as the viewer are left wondering ‘Does he really love her, or was this just his solution to end the drama?’ Or, ’Is this truly the only way he can express himself because he’s kind of nervous about speaking his true feelings outside of the structured environment of a song?’. I tend to believe it’s a mixture of both. So what I’m trying to say is, this collection of songs is kind of like that. I always feel like I have so much to say but often feel a bit too vulnerable when discussing my actual feelings. So for the majority of my life, I’ve just written them into songs instead. These songs can be quite vulnerable even if they seem silly at times. So now you’re left to wonder... am I telling the truth or just trying to get rid of Ashley’s bad vibes?

TURMION KÄTILÖT - UNLEASH FEROCIOUS SECOND SINGLE ‘LUNASTAKAA’

Following the massive wave of anticipation sparked by their recent album announcement and the chaotic first track "Raivotarjonta," Finnish industrial metal pioneers TURMION KÄTILÖT are doubling down. Today, the band strikes again with 'Lunastakaa,' the fiercely energetic second single from their upcoming twelfth studio album, Resodance, arriving globally on October 23, 2026, via Nuclear Blast Records.

Known for blending heavy industrial metal, pulsing electronic music, and wicked dark humor into a genre completely their own, the band continues to push creative boundaries with 'Lunastakaa.' The high-octane track arrives with an epic, visually striking music video that reflects the band's trademark theatrical intensity and unmatched ability to turn extreme metal into a relentless dancefloor party.

Watch the video for 'Lunastakaa' below:

Listen to 'Lunastakaa': https://turmionkatilot.bfan.link/lunastakaa

Pre-order Resodance: https://turmionkatilot.bfan.link/resodance

Composer of the song, RunQ, comments:
"Various demos have usually ended up waiting for the right moment to be released. When I was doing this, I immediately felt that this might not end up on the waiting list, at least not for a very long time ;) "

Shag-U adds:
“I often write songs by looking in the mirror, but with ‘Lunastakaa’, the mirror became a window. The lyrics grew out of news stories about the abuse of power and exploitation, and questions about how deeply a person can be broken and whether there can ever be justice or compensation for what has happened. I love the contrast between the song’s upbeat, energetic feel and the way the lyrics twist that world into something grotesque – that’s one of the things I love most about Turmion Kätilöt. Later, someone also found a more self-ironic interpretation in the lyrics: artists turning themselves into commodities in exchange for money, visibility or approval. That fits this world frighteningly well, too.”

The Ultimate Live Spectacle: Colossal Disco

The strategic release of Resodance serves as the perfect fuel for the band's most massive headlining milestone to date. On October 24, 2026—just one day after the full record drops—TURMION KÄTILÖT will host their monumental "Colossal Disco" event at the legendary Helsinki Ice Hall (Helsingin jäähalli).

Several thousand fans are set to pack the arena, ready to bring the ice-ring to a definitive boil.

Live Dates:
07.08. FI  Koria - Koria Roll
14.08. FI  Mikkeli - Dinosaurock
15.08. FI  Tampere - SaariHelvetti
21.08. FI  Joensuu - Unholy Summer Fest
24.10. FI  Helsinki - Jäähalli, Colossal Disco
07.11. FI  Lahti - XXl Mössö

Line up:
MC Raaka Pee - vocals
Master Bates - bass
Run-Q - keyboard
DQ - drums
Shag-U - vocals
Bobby Undertaker - guitar

social media:
Instagram: https://www.instagram.com/turmion_katilot_official
Tiktok: https://www.tiktok.com/@turmion_katilot
Facebook: https://www.facebook.com/turmionkatilot/
Youtube: https://www.youtube.com/channel/UCQtMLgHI32rJZO4ph6YMpbw 

APRIL WINE TO JOIN TRIUMPH FOR 2026 NORTH AMERICAN TOUR

Two legendary Canadian rock bands will hit the road together this fall, with April Wine opening all 16 announced dates on Triumph’s Rock & Roll Machine Reloaded Tour – Leg 2. The North American run will take April Wine across the United States from November 17 through December 12, 2026, with the band opening all announced shows.

The tour will bring two of Canada’s most celebrated rock bands to cities where they have built legions of fans throughout their careers, including Grand Rapids, Cincinnati, Baltimore, Pittsburgh, Cleveland, Las Vegas, Seattle, Los Angeles and San Diego.

Tickets are now on sale for all shows. For tour dates and tickets, visit aprilwine.ca. 

Fans attending the upcoming dates can expect April Wine to deliver the classic songs that have made the band a fixture of North American rock radio for more than five decades, including “Just Between You and Me,” “Sign of the Gypsy Queen,” “Roller,” “I Like To Rock,” “Say Hello,” “Oowatanite,” “Enough Is Enough,” “Rock N Roll Is A Vicious Game” and many more.

And reviews about the previous leg of the tour have been stellar, including the Sleaze Roxx saying, " For me, April Wine‘s set turned out to be a real revelation to find out that I know and like April Wine‘s songs so much." Also, Metal Planet Music adding, "By the time April Wine closed with 'Roller,' the crowd was fully activated. As they took their final bows, they gave the crowd a thumbs-up and said, 'This building sounds incredible tonight'!"

TRIUMPH – THE ROCK & ROLL MACHINE RELOADED TOUR LEG 2 2026 NORTH AMERICAN TOUR DATES WITH SPECIAL GUEST APRIL WINE

November 17 – Grand Rapids, MI | Van Andel Arena
November 18 – Cincinnati, OH | Heritage Bank Center
November 21 – Baltimore, MD | CFG Bank Arena
November 22 – Pittsburgh, PA | Petersen Events Center
November 24 – Green Bay, WI | Resch Center
November 25 – Cleveland, OH | Rocket Arena
November 27 – Fishers, IN | Fishers Event Center
November 28 – Springfield, MO | Great Southern Bank Arena
November 30 – Albuquerque, NM | Rio Rancho Events Center
December 1 – Las Vegas, NV | Fontainebleau Las Vegas
December 2 – Reno, NV | Grand Theatre at The Grand Sierra Resort
December 5 – Portland, OR | Theater of the Clouds
December 6 – Seattle, WA | WAMU Theater
December 8 – Oakland, CA | Oakland Arena
December 10 – Los Angeles, CA | The Kia Forum
December 12 – San Diego, CA | Viejas Arena
 

FOR MORE INFORMATION, TOUR DATES & TICKETS, VISIT:
aprilwine.ca

Hollow Pact Unleash New Single "Witchking" And Official Music Video via Sumerian Records

Rising hard rock outfit Hollow Pact have today unleashed their latest rager "Witchking" and the official music video. Prior to today, the band dropped "Tear", their first release via their new label home, Sumerian Records. When asked about the inspiration behind "Witchking", the band commented:

"'Witchking' represents that moment when you are watching somebody collect an unwarranted sympathy after they were the cause of another persons suffering and pain. Its about the frustration it feels to witness their dishonest feelings on display as they allow themselves to fall into the hands of a story that no one knows the other side of."

Hollow Pact will be hitting the road this Saturday, August 29 with Royale Lynn, and again starting Thursday, November 19 supporting Of Mice & Men. Stream "Witchking" at the link here, and watch the official music video below.

Tour Dates with Royale Lynn:

8/29 Albuquerque, NM

8/30 Phoeinix, AZ

9/3 Henderson NV

9/5 Denver, CO 

Tour Dates with Of Mice & Men:

11/19 Santa Ana, CA @ The Observatory 

11/20 San Diego, CA @ House of Blues 

11/21 Sacramento, CA @ Ace of Spades