BLACKBRAID Launches Pre-Orders for 'Blackbraid III

Solo black metal project BLACKBRAID is now launching pre-sales for 'Blackbraid III,'  will be released on August 8, 2025 independently! Vinyl and cassette formats, as well as new merch designs, can now be pre-ordered via Blackbraid.US & Blackbraid.EU!

Blackbraid's new single "Wardrums at Dawn on the Day of my Death" is now streaming along with a music video at Black Metal Promotions! The video was created by Moshmallows and captures the haunting and primal nature of Blackbraid's live shows. Watch the clip below.

BLACKBRAID will also be embarking on a North American headliner later this year with support from Lamp of Murmuur and Dödsrit, with Gudsforladt replacing LoM as support for two Canadian dates. The trek will kick off on September 19 in San Diego, CA and will make its way around the U.S. + Canada until the final stop on October 11 in Los Angeles, CA. The full itinerary can be found below while tickets are available HERE.

In addition, BLACKBRAID has partnered with Fire in the Mountains Festival to curate a special pre-release event where festival attendees will get to hear 'Blackbraid III' ahead of its August 8 release date! During the event, there will also be a special live Q&A that will take place during the listening session with Metal Injection's Frank Godla.

Fire in the Mountains will take place in Montana from July 25-27, 2025 at the Red Eagle Campground on the Blackfeet Nation Reserve. BLACKBRAID joins an esteemed lineup of artists including Wardruna, Old Man's Child, Chelsea Wolfe, Converge, Blood Incantation, and more! Tickets are available HERE while the full lineup and all pertinent festival information can be found HERE.

Blackbraid is a solo indigenous black metal project from from the depths of the Adirondack wilderness creating music as raw and powerful as the mountains from whence it came… 

TICKETS

BLACKBRAID North American Tour w/ Lamp of Murmuur + Dödsrit,:

09/18: San Diego, CA @ Brick By Brick

09/19: Phoenix, AZ @ Last Exit Live

09/20: Albuquerque, NM @ Launchpad

09/22: Dallas, TX @ Trees

09/24: Atlanta, GA @ Masquerade (Purgatory)

09/25: Greensboro, NC @ Hangar 1819

09/26: Baltimore, MD @ Metro Gallery

09/27: Brooklyn, NY @ The Meadows

09/28: Albany, NY @ Empire Live

09/30: Boston, MA @ Middle East (Downstairs)

10/01: Montreal, QC @ Café Campus *

10/02: Toronto, ON @ Velvet Underground *

10/03: Lakewood, OH @ Mercury Music Lounge

10/04: Chicago, IL @ Reggies

10/05: St. Paul, MN @ The Turf Club

10/07: Denver, CO @ HQ

10/08: Salt Lake City, UT @ Urban Lounge

10/10: Oakland, CA @ Thee Stork Club

10/11: Los Angeles, CA @ 1720

*w/ Gudsforladt, no LoM

BLACKBRAID Upcoming Festivals:

07/27: Red Eagle Campground, MT @ Fire in the Mountains Fest

08/23: Eisfeld (DE) @ Wolfszeit Festival

12/19: Leipzig (DE) @ Black Hole Fest Germania III - Frost Edition

04/05/26: Munich (DE) @ Dark Easter Metal Meeting

Creator of Blackbraid: Sgah’gahsowáh

'Blackbraid III' Album Credits:

Composed & performed by Sgah'gahsowáh

Drums, recording, mixing & mastering by Neil Schneider 

Guitar solo in “God of Black Blood" performed by Randy Moore

“Fleshbound" originally composed by Lord Belial

Painting by Adam Burke

Illustration by Adrian Baxter

Visual development & graphic design by Wolf Mountain Productions 

Follow // Listen:

Bandcamp

Spotify

Apple Music

YouTube

Instagram

Shop/Pre-order:

Official Merch Store (USA)

Official Merch Store (EU) 

Blackbraid is an independent artist and is not contracted to or owned by any music label. 

DICTATORS’ KEITH ROTH DROPS NEW SINGLE “I’LL GET BY”

A veteran musician and song writer for more than 30 years, Keith Roth has recorded on over 50 records as well as producing, performing, touring and writing with many music icons. Since 2003, Keith Roth is currently the host of Ozzy’s Boneyard Ch 38, Hair Nation Ch 39 and has produced David Johansen’s Mansion of Fun for over 20 years. If that was not enough, he is the current lead singer and guitarist with The Dictators and Frankenstein 3000.

Roth released his first ever solo album The Law Of Diminished Returns on March 21st through Deko Entertainment and it immediately caught the attention of rock fans and critics alike. Now he is releasing “I’ll Get By” which was originally only available as a CD bonus track. The new video hosts cameos from 70’s rock legends Angel, former Blue Oyster Cult drummer Albert Bouchard, Mark “The Animal” Mendoza (Twisted Sister), famed rock photographer Mark Weiss and others. As Roth explains, “I had been looking for a reason to record this song for years. At the end of the laws sessions right before we tore down and packed up, I said wait, I'm not ready to go home, I have an idea, it was the perfect time with the perfect people”.

The Law Of Diminished Returns contains 11 songs and features guest appearances by former Blue Oyster Cult drummer Albert Bouchard, Monster Magnet drummer Bob Pantella, Angel guitarist Punky Meadows, and Dictators/Manowar guitarist Ross the Boss. It is available on CD w/Bonus Track and Limited-Edition Blue Vinyl.
 

Get your copy here: https://www.dekoentertainment.com/inthesquare/keith-roth

For more information, visit

www.dekoentertainment.com

Deko Entertainment–Art Has Value

AWAKEN I AM Release New Album 'The Only Way Out Is Through' via SBG Records ​   

Australian alternative rock band Awaken I Am has officially released their highly anticipated new album, The Only Way Out Is Through, today through SBG Records. Alongside the album, the band has also dropped their new single, “Somebody Else”, now available on all major streaming platforms.

 

Marking their first release under SBG Records, The Only Way Out Is Throughintroduces a bold new era for Awaken I Am — one filled with raw emotion, dynamic soundscapes, and a renewed sense of purpose. The band’s signature blend of atmospheric alt-rock and emotionally charged lyrics continues to evolve, offering fans their most introspective work to date.

 

The band states, "Somebody Else” came from a really raw place — it’s about realizing you’ve been holding onto someone who never really saw you, and the pain of letting go. It’s a song for anyone who’s felt like they were stuck in a cycle, chasing a love that was never really theirs. Writing this helped me process that, and I hope it can help someone else feel less alone."

 

With a growing global fanbase and a reputation for delivering heartfelt, immersive performances, Awaken I Am is gearing up for a big year ahead!

Stay tuned for updates and tour announcements by following Awaken I Am on social media and streaming platforms.

 

STREAM/BUY The Only Way Out Is Through

https://linktr.ee/awakeniam

Awaken I Am is an alternative rock band from Australia, fronted by producer and vocalist Jimmy Alexander.

 

The band’s journey has been marked by resilience and evolution. In 2018, as they wrapped their first U.S. tour, tragedy struck back home in Brisbane. Guitarist Connor Verner-Oakley, just 22, lost his life in a devastating incident involving an intentional reckless driver. In the wake of this unimaginable loss, Awaken I Am channeled their grief into creativity, diving into the writing and recording process. The resulting songs became a cathartic tribute to their fallen bandmate—honoring his memory while confronting the pain of his absence.

 

As the world faced lockdowns during the COVID-19 pandemic, the band continued forging ahead, writing what would become their most personal and powerful work to date. Produced by Jimmy Alexander (Rain City Drive), their full-length album, The Only Way Out Is Through, released today, June 27, 2025.

 

The band's sound, shaped by tragedy, growth, and perseverance, continues to evolve. Their recent singles have showcased this transformation—starting with “Relic,” followed by “Turn To Stone,” which earned a spot in SiriusXM Octane’s rotation in February. "Vacant" released on Friday, April 25th, offering yet another glimpse into the raw emotional landscape the band explores with every release.

 

Awaken I Am stands as a testament to turning pain into power, always moving forward—through loss, through change, and through sound.

For More Information Please Visit:

Official Website

Facebook

Instagram

TikTok

J.B.O. Make Fan Hearts Flutter With "Bussi"; Lyric Video For New Single Streaming

Summer, the season of love, has finally arrived! Comedy metal band J.B.O. doesn’t need to be asked twice to show their affection. Still riding high on the success of their beer-fuelled single "Ka-Fump!" and inspired by the start of the warm season, the quartet is back today, leaving plenty of... ahem... musical love bites with their new track "Bussi" (Southern German/Austrian slang for ‘Kiss’).
 
Introduced by a sweet accordion melody, the cozily seeming song starts on a romantic note before Vito, Hannes, Ralph and Wolfram pull out the big NDH guns and enter the second stage of their journey to their forthcoming album Haus Of The Rising Fun (January 9, 2026 via PERCEPTION - A Division of Reigning Phoenix Music). The single guides all friends of ‘true nonsense,’ who found their way out of the Franconian woods despite endlessly consuming "Ka-Fump!",straight into the next labyrinth, the world of Bavarian beer tents. Musically flirting with one of the most famous bands of all time, "Bussi" is nothing but an unrivalled minnesong which comes up with select mischievous quotes.
 
“‘Bussi’ is a pure love song and innocent as its title! That’s why we also wrote guiltless Bavarian lyrics although they’re not completely kosher... Well, Vito is a Bavarian-Franconian crossing anyway. Come on, don’t make a fuss!” add J.B.O.through rose-coloured glasses.
 
Watch the video below:
Stream "Bussi": https://jbo.rpm.link/bussiPR

About J.B.O.
 
Heavy guitars and German lyrics combined with Franconian sense for nonsense don’t work? Way off the mark! Since 1989, J.B.O. have multiply proven that they’re the real masters of comedy metal - over the course of 14 studio albums to be concrete. Additionally awarded with two gold records, the quartet are mostly known for covering hit songs by artists of different genres, giving them a unique twist through re-written lyrics with an extra portion of humour.
 
Their original tracks shouldn’t remain unnoticed nevertheless since they also popularise with not minor jocular lyrical content. Fan favourites such as Ein guter Tag zum Sterben" [‘A Good Day To Die’] are classics of the band’s repertoire and vital parts of each and every J.B.O. concert.
 
From die-hard old-school metalheads to families and kids and fans beyond the hard’n’heavy boundaries: Their wide range of musical inspiration has resulted in an equally varied amount of followers which sees J.B.O. unite all sorts of people under their multicoloured musical roof and especially in front of the stages, making them even more outstanding amidst the heavily crowded world of artists out there.
 
J.B.O. are:
Hannes “G. Laber” Holzmann | vocals, guitars
Veit “Vito C.” Kutzer | vocals, guitars
Ralph Bach | bass
Wolfram Kellner | drums
 
More on J.B.O.:
jbo.de | Facebook | Instagram | Threads | TikTok | Bluesky | Mastodon
YouTube | Spotify | Apple Music | jbo-fans.de

Pagan Folk Band FAUN Shares New Single "Lady Isobel" + Visualizer

The Pagan Folk band FAUN are excited to release their new single, "Lady Isobel,"taken from their upcoming album, 'Hex,' due out on September 5th. The new single comes alongside a visualizer, available below.

“Lady Isobel” is a deeply personal ballad from vocalist Oliver Satyr. Accompanied by lute (Liuto Forte) and vocals, Satyr uses poetic imagery to tell the story of an enchanting woman seemingly trapped in the tower of her own loneliness. Enriched with flutes and synthesizers, the song once again showcases FAUN’s ability to craft a unique musical world, one that transcends genre boundaries with weightless beauty.

Oliver Satyr comments on the single:

"'Lady Isobel' has its source in one of my poems, which I wrote about a dear friend of mine. The lute accompaniment was inspired by the guitar playing of, for example, Nick Drake and Bert Jansch. Together with great vocals, flute playing, synthesizers, and rhythms of my band colleagues, 'Lady Isobel' has become a wonderfully floating ballad that I am very proud of.“

Watch the Visualizer for "Lady Isobel"

After being signed to Universal Music from 2012 to 2019, where they achieved gold and platinum success, FAUN released their first album on their own label, Pagan Folk Records, in April 2022. Titled 'PAGAN,' the album was met with enthusiastic praise from both press and fans, debuting at number three on the German album charts through a partnership with distributor Believe/Soulfood. Looking ahead, the band has announced plans to return to their musical roots with mystical, archaic folk and enchanted ballads on their forthcoming album, 'Hex,' set for release on September 5, 2025.

FAUN’s twelfth studio album 'HEX' explores themes of female magic, pagan myths, and ancient rituals across a variety of cultures. The title draws from the German word "Hexe" (witch) and the Old High German “Hagazussa,” meaning “one who walks between worlds.” The album focuses on pre-Christian legends from the Celtic, Anglo-Saxon, Germanic, Norse, and Turkish traditions, featuring stories such as Merlin and Nimue, Viking sacrificial rites (“Blot”), and ancient spells like “Ylfa Spere.”

Blending medieval instruments (hurdy-gurdy, bagpipes, lute, harp) with modern beats, synthesizers, and diverse global influences, 'HEX' showcases FAUN’s signature fusion of ancient and contemporary music. Collaborations include Turkish singer Fatma Turgut, Swedish musicians Daniel Pettersson and Daniel Fredriksson, and a darkly atmospheric feature with Chelsea Wolfe.

Pre-Order 'HEX' HERE

FAUN previously announced their World HEX Tour 2025, a journey that will take them across the globe, including stops in the USA, Canada, Mexico, Brazil, Europe, and the UK. The band will also appear at some of the most prestigious festivals of 2025.

Tickets (and VIP-tickets) are available HERE. 

US & Canada

6/27 – Portland, OR @ Aladdin Theatre

6/28 – Seattle, WA @ Neptune Theatre

6/29 – Vancouver, BC (Canada) @ Hollywood Theatre

About FAUN:

FAUN are one of the world's leading bands for the fusion of medieval instruments with modern music and have released eleven studio albums since 2002. Their releases reached top positions in the German album charts (e.g.: ‘Pagan’ & ‘Midgard’ #3). They have also been nominated three times for the Echo, the biggest German music award, and have reached platinum status with their albums ‘Von den Elben’ and gold status with ‘Luna.’ FAUN have played more than 1000 concerts worldwide and excite the audience in cultural and seated venues as well as at music events, including folk and heavy metal festivals. With a variety of virtuously played medieval instruments, polyphonic vocals and archaic beats, FAUN are a live act that inspire thousands of listeners all over the world.

FAUN are:

Oliver Satyr: Vocals, Moraharpa

Laura Fella: Vocals

Adaya: Vocals, Bagpipe

Stephan Groth: Vocals, Hurdy-Gurdy

Niel Mitra: Synthesizer, Sampler, Keyboard, Beats

Alexander Schulz: Drums, Percussion

Mirjam Skal: Orchestration

SOL INVICTO Release 21 Minute Concept Single "Initium" ft Zach Hill

Sol Invicto have released "Initium ft. Zach Hill" - a 21-minute single that marks the starting point of a project that was never built to follow rules. Originally recorded in 2011 and shared only with the band’s private fan club community, this is the first time the track will be available publicly, in full, without edits or post-production polish. Listen HERE and watch the visualizer below.

The track was produced, composed, and mixed by Richie Londres, who built Sol Invicto to operate outside the machinery of conventional release cycles or studio expectations. His approach was, and still is. deliberately raw. Built from dense industrial textures, tribal percussion, and rhythmic structures borrowed from electronic music, "Initium" exists to communicate something that couldn’t be said another way.

 

Backing Londres are core members Stephen Carpenter (Deftones) on guitar and Eric Bobo (Cypress Hill) on percussion, with co-production and editing by AJ Cookson. The track was mastered by legendary UK drum & bass producer, Technical Itch.

 

Initium also features a rare, extended guest performance from Zach Hill, captured in a single early session. Known for his work with Hella, Death Grips, and Team Sleep, Hill brought a level of speed and volatility that reshaped the track’s energy from the ground up. His performance doesn’t settle. It pulls the piece forward without warning, fracturing the rhythm and rebuilding it in real time. Across 21 minutes, there’s no repetition—just movement.

 

The release is dedicated to Jack, a young boy whose story stayed with Londres long after the track was finished. Jack lived with high-sensory autism and physical disabilities. Music, sound, and even light were too much for him to process. His mother wrote to Londres years ago to share what happened when "Initium" was accidentally played during one of Jack’s dental appointments. He didn’t shut down. He didn’t cry. He tapped along and he smiled. It was the first time in his life he had done so. Jack connected deeply with Londres’ work and only his work. Nothing else broke through. Not even Deftones. Jack has since passed away. He was buried with a copy of Sol Invicto’s music.

“Jack’s mother’s testimony meant more to me than any Grammy or award ever could. In a cold and heartless industry that exploits and controls creativity, her message gave me a reason to carry on. As a non-conformist who has always rejected mainstream pressures, I realized I wasn’t making music for myself but for a higher calling—to create art that connects, heals, and transforms lives. This release of Initium is dedicated to Jack’s memory and his family, honoring the miraculous connection we shared and the purpose they inspired in my work.” 



"Initium" is for the outliers. The purists. The ones who hear music in shapes and shadows. It’s for Jack.

HIGHER POWER - surprise drop new record 'There's Love In This World If You Want It'

Soul-seeking alt hardcore quintet Higher Power are proud to announce that their third studio album, There's Love In This World If You Want It, has been surprise released digitally today via Nuclear Blast Records. The album will be released physically on September 19th and is now available for pre-order.

Vocalist Jimmy Wizard comments:
"This album is the natural progression of Higher Power sonically and as a band. This is our first time consciously self producing an album and I am, for once, genuinely excited to put something out that feels really authentic to us as individuals and where we are at as a band."

Stream There's Love In This World If You Want It and pre-order physical copies here: https://higherpower.bfan.link/love

Higher Power have also released a psychedelic video for new single 'All The Rage', watch it below:

Inner peace. That’s the aim for us all, isn’t it? Well, the truth is that it is always there waiting for you. You just need to work away a little bit to find it, digging deep and questioning yourself to get closer and closer to achieving that ultimate sense of personal zen. It may not always feel like the search is paying off, but there is always potential for that love, compassion and understanding of who you are to seep through. The journey may be challenging, but you’ll be glad that you took part in it in the end.

For Higher Power, that journey has seen them do things that, when they emerged onto the Yorkshire hardcore circuit in 2015, were never even on their radar. From their innocently frantic beginnings of emulating and celebrating legendary bands like Leeway and Merauder for a new generation, even playing their first two shows in the basement of the house owned by The Flexand at an early iteration of Outbreak Fest respectively, the ten years that have followed have seen them ride every ebb and flow that the music industry has to offer. From touring with everyone from Alexisonfire and Neck Deep to Knocked Loose and Angel Du$t to signing to Roadrunner Records for their sophomore full-length 27 Miles Underwater, they have achieved the sort of things that, up until recently, would never have been on the horizon of possibility for a hardcore band of their ilk. Yet, within experiencing the industry mechanics usually reserved for the highest echelons of rock royalty, they also realised they were drifting away from the things that made them want to do all of this in the first place.

The result of putting what feels right for them first is There’s Love In This World If You Want It, a record that encapsulates the Higher Power spirit in a way that only those whose hearts are truly entrenched in the band can produce. Peeling away layers of assumption and ideology placed upon them by others and focusing once more on the genre-splicing experimentation that inspired them to create together in the first place, they have produced nine songs that showcase exactly what they are made of in a screaming rainbow of colour.

Out NOW - WARHOG - The Dystopian Chronicles Vol. III

WARHOG’s The Dystopian Chronicles, Vol. 3 marks the climactic conclusion to the band’s ambitious trilogy: a sweeping, furious, and often uncomfortably honest exploration of humanity in decline. Born out of the grim tension of a future that feels all too familiar, the Chronicles series has traced our fall through the lens of dystopian storytelling, with each chapter revealing a different facet of our collective unraveling. With Vol. 3, WARHOG delivers their most aggressive and thematically pointed material yet.

Opening track “Unleash the Beast” explodes out of the gate with relentless energy and a venomous perspective on modern society. It’s a track that lives up to its name, channeling the chaos of 24-hour news cycles, corrupt leadership, and the cyclical violence we allow ourselves to repeat. "Kings and clowns trade thrones and lies" isn’t just a lyric—it’s WARHOG’s indictment of the spectacle of power, and the deliberate unleashing of our worst instincts on one another in exchange for profit and control. It’s anthemic, it’s pissed off, and it sets the tone for everything that follows.

“Future Shock” dives even deeper into the psychic fallout of this collapse. Told from the perspective of someone waking up in a broken world, disoriented and surrounded by decay, the track is laced with experimental guitar synth textures and warped vocal effects that push WARHOG’s sonic boundaries. The lyrics ask the question no one wants to answer: how did we let things get this bad? “Beyond the neon lights, the filth is left to spread,” they sing, a grim reminder that the glittering surface of our society is paper-thin. The song feels like a descent, both sonic and spiritual, into a place where identity, value, and purpose have eroded.

Then comes “Hollow,” a slow-burning track that strips away metaphor in favor of something raw and direct. Inspired by the murder of George Floyd, the song addresses the systemic failures of leadership and justice with clarity and sorrow. It mourns a world where those who are supposed to protect instead destroy, and where human worth is too often defined by politics, prejudice, and apathy. “Cast aside by broken men who hide away / Numb to all the pain of those who pay their way.” WARHOG steps away from their usual aggression here to deliver something more haunting, more contemplative, but no less powerful.

The final full song on the EP, “Stewards of a Broken World,” ties together all the trilogy’s themes. Originally written for another project, it quickly found a home here as the band realized it was the perfect finale. The song explores the looming environmental collapse with a sense of exhausted urgency. WARHOG isn’t interested in preaching, they're chronicling. “The harvest of a dying garden, compelled to finish what we’ve started” is less a warning than an observation: we know exactly what we’re doing, and we’re doing it anyway. Musically, it’s both epic and mournful, a fitting end to a trilogy that has always been about confronting our self-inflicted doom head-on.

But Vol. 3 doesn’t fade out quietly. Instead, it ends with something unexpected: “Signal_pulse27103_28_057_undefined_anomaly,” a mysterious transmission from deep space. It’s part outro, part interlude, part teaser for what’s coming next. The band discovered that the combined runtime of Chronicles and their debut album Call of the Voyager differed by just 17 seconds—and decided to even it out with this cryptic, atmospheric piece. It hints at WARHOG’s next chapter, an upcoming release titled Ethereal Journey, already in production. Something sleeping will awaken.

The Dystopian Chronicles, Vol. 3 is heavy. It’s melodic. It’s bruised and furious and strangely hopeful in its refusal to turn away. It’s WARHOG at their most focused and musically fearless. If you’ve followed the journey from Vol. 1 through Vol. 2, this third chapter doesn’t just complete the story—it elevates it. And if you’re new to the world WARHOG has built, there’s no better time to dive in.

WARHOG is: 

  • Scott Beetley – Vocals, Guitar

  • Eric Kendall – Guitar

  • Justin Hopper – Bass

  • Robert Powers – Drums

 
Connect with WARHOG:

Knosis Unleash"Tanebi" Ahead of Debut Album "Genknosis" Out 8/1

Japanese metal juggernaut KNOSIS, the visionary project led by acclaimed multi-instrumentalist and vocalist Ryo Kinoshita, return with a blistering new single "TANEBI."

 It's the latest offering from their forthcoming debut full-length album, GENKNOSIS, arriving August 1 via SharpTone Records.

Following the release of the pulverizing singles "FUHAI" (featuring Yukina of Hanabie), "SHINMON," and the emotionally raw "DOKUNUMA," "TANEBI" (translated as "Seed Fire") continues to build the firestorm around GENKNOSIS. Combining razor-sharp riffs, thunderous rhythms, and Kinoshita's signature blend of guttural intensity and haunting melody, the track captures KNOSIS at their most urgent and dynamic.

With each new release, KNOSIS are solidifying their place as one of the most compelling and forward-thinking voices in modern heavy music. GENKNOSIS promises a genre-defying exploration of spiritual tension, emotional collapse, and the will to rise.

Watch the "TANEBI" visualizer

Sound Fury Magazine Unveils Vol. 1 Featuring Lords of Acid Vocalist Carla Harvey on the Cover

Introducing SOUND FURY MAGAZINE

Founder Evan J. Thomas (TAG Publicity,

Bad Ass Radio Network) is the creative mind behind this magazine, a print-and-digital revolution for the underground, the unfiltered, and the unapologetically bold. With its first-ever issue dropping today, Sound Fury Magazine isn't here to whisper. It's here to detonate the silence, amplify the misfits, and throw gasoline on the fire of a scene that refuses to die.

At the intersection of heavy music, underground culture, radical art, and truth-telling journalism, Sound Fury Magazine is more than just a magazine — it's a manifesto for those who live in distortion, speak in lyrics, and breathe rebellion.

VOL. 1 Summer 2025 features an interview with Carla Harvey, the new "Acid Queen" and vocalist of Lords Of Acid. The magazine also features vivid photographer from incredible photographers, concert reviews, album reviews, opinion pieces, top 5 lists and new releases! The bands Shinedown, Ministry, DED, Misfire and more are featured in the first issue.

Sound Fury Magazine, the newest and loudest voice in rock, metal and beyond! From the newest anthems to the latest underground sounds, we bring you the most exciting stories, in-depth reviews, exclusive interviews, and everything in between.

Look for new issues out every

3 months (each change of season).

TIAN QIYI releases stunning sophomore album 'Songs For Workers' feat. JAH WOBBLE

After much anticipation, Liverpool-London music outfit Tian Qiyi has released their sophomore album 'Songs For Workers' via Pagoda Records, which features the legendary Jah Wobble on bass. Over its 10 tracks, they take us on a fascinating ethno-psychedelic musical journey, bridging generations and cultures, blending deep dub grooves with Eastern traditions.

Tian Qiyi is more than just a band, bringing together brothers John Tian Qi Wardle and Charlie Tian Yi Wardle with their father, Jah Wobble (John Wardle). Their unique sound reflects their rich family heritage, blending their father's pioneering work in post-punk and dub with the Chinese cultural influences of their mother, Zilan Liao.

In the lead-up to this album's release, Tian Qiyi shared the stellar singles 'Watch The Sunrise', 'Mongolian Dub' and 'Dharma', each offering a captivating blend of Eastern psychedelic melodies and Charlie's ethereal vocals, underpinned by a hypnotic fusion rhythm and beautiful percussion. As groovy as it is addictive, the trio serve up a truly grounding experience.

"'Songs For Workers' is an album where we have moved away from influences and inspiration, instead embracing instinct and familiarity. Our background played a crucial role, from the traditional Chinese music we learned with our grandad and mum, to the improvisational, instinctive playing we developed from performing and recording with our dad," says John Tian Qi Wardle.

Building on their acclaimed 2024 debut album 'Red Mist', with standout singles 'Incantation' and 'Red Mist',Tian Qiyi continues to forge a sound that blends dub, post-punk, and experimental production with rich influences from Traditional Chinese, Mongolian, and Irish music.

With support from Gideon Coe, Mark Riley and Stuart Maconie on BBC 6 Music, and from John Kennedy on Radio X London, 'Songs For Workers' presents limitless musical experiences that honour their diverse influences while crafting something uniquely their own, further exploring the intersection of traditional Asian and Celtic soundscapes with contemporary dub production techniques.

With John Tian Qi on drums and percussion, Charlie Wardle’s unique vocal style is to the fore. His incredible musical dexterity on traditional Chinese and Mongolian instruments imbues their music with a funky and, at times, psychedelic quality. While Jah Wobble plays bass on most tracks, John Tian Qi contributes bass on 'Luoyang' and 'Siege' and synth / Moog bass on 'Watch The Sunrise'.

'Songs For Workers' not only highlights their growing creative independence and production skills, but also marks a bold step forward in their cross-cultural, multi-generational musical journey. Rooted in heritage and driven by experimentation, their sound is shaped by the magnetic tension between ancient tradition and dub futurism, East and West, land and spirit—a musical space that is uniquely their own.


Drawing inspiration from Miles Davis's groundbreaking electric period and the experimental spirit of Krautrock, the band creates expansive, boundary-pushing soundscapes that defy easy categorization. Jah Wobble's involvement adds a deep, distinctive dub foundation to the family's cross-cultural vision, while the brothers' mastery of traditional Chinese instruments reflects their maternal heritage.

The duo's name carries deep personal significance, combining elements of the brothers' middle names: "Tian," shared by both siblings, paired with "Qi" (meaning "together") and "Yi" (meaning "one"). This linguistic fusion mirrors their musical approach, where disparate elements unite to create something entirely new—much like their parents' union of Eastern and Western cultural traditions.

'Songs for Workers' is out now, available from fine digital platforms, including Apple Music, Spotify and Bandcamp.  A handful of festival shows will be happening this summer in support of this album.

CREDITS

Composed by John Tian Qi Wardle, Charlie Tian Yi Wardle, Jah Wobble

Charlie Tian Yi Wardle - Morin Khuur, Er Hu, Ghijik & vocals John Tian Qi Wardle - drum kit, percussion, Yang Qin, synth bass, keys & synthsJah Wobble - bass on 'At the Beginning', 'Mongolian Dub', 'Dharma', 'Dharma AMBIENT' & 'Songs For Workers'
Mike McGoldrick - pipes and flute on 'At the Beginning', 'Dharma' & 'Dharma AMBIENT.'
Martin Chung - guitar on 'Songs For Workers' singleProduced by Tian Qiyi (Charlie Tian Yi Wardle and John Tian Qi Wardle).
Recorded at Pagoda Studio, Airtight Studios, and Pressure Drop.
Engineering by John Tian Qi Wardle with Seadna McPhail (on 'At the Beginning', 'Mongolian Dub', 'Dharma' & 'Dharma AMBIENT')and with Will Farley (on 'Songs For Workers')
Mixed by John Tian Qi Wardle, with additional mixing by Charlie Tian Yi Wardle & Jah Wobble on 'At the Beginning', 'Dharma' & 'Dharma AMBIENT'Special thanks to Sean Leonard, Pagoda Arts, Will Farley, and Antony Walsh at Pressure Drop
Published by Domino Publishing / 30 Hertz
Publicity by Shameless Promotion PR

Keep up with Tian Qiyi
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Keep up Jah Wobble
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FIGHT FROM WITHIN Release New Single "Collapse" via TLG|ZOID, On 'Fight The Dinosaur Tour' Now! ​  

Upstate New York’s rising metalcore unit Fight From Within released their new single "Collapse" through TLG|ZOID, distributed by Virgin Music Group. The single is from their forthcoming album Talk is Cheap.

STREAM "Collapse"

https://tlgent.ffm.to/ffw-collapse

 

"We tend to run ourselves ragged in life," says the band about the single. "Eventually it catches up with us.This song was written with these ideas in mind. The collapse of everything around us when life becomes too much. It’s inevitable, but how we deal with it defines us." 

 

The band is currently direct support on the Fight The Dinosaur Tour, featuring Hunt the Dinosaur, Fight From Within, and Resistor. The tour kicked off June 13th and runs through July 13th, delivering a full month of crushing performances.

 

"We are extremely excited to be supporting Hunt The Dinosaur with our homies in Resistor. We get to revisit some of the best places we’ve played, and have new places to see. We have some incredible local support for the entire tour, and look forward to seeing all of our fans and friends!" says the band.

 

Founded in early 2021, Fight From Within has built a name through their crushing blend of metalcore, hardcore, and beatdown, drawing on influences from genre giants like Bury Your Dead, Polaris, Evergreen Terrace, Emmure, Invent/Animate, Every Time I Die, and Attila. They use these different influences to create their own unique aggressive sound.

In 2022, the band entered the studio with Pablo Viveros of Chelsea Grin, working on what would become their debut full-length album, set to drop later this year through TLG|ZOID, distributed through Virgin Music Group. Their momentum continues to grow—having kicked off 2025 with a standout performance at Sonic Temple, marking their fourth major festival appearance in just three years.

 

Catch them live this summer—Fight From Within is ready to make 2025 their year. Check out Fight From Within HERE!

Fight The Dinosaur Tour Dates:

 

June 27 The Red Rocker, Shippensburg, PA *Resistor

 

 

June 28 Rec Room, Buffalo, NY *Resistor *Heartsick

 

 

June 29 Koto Upstairs, Lowell, MA *Resistor

 

 

July 1 Alchemy, Providence, RI *Resistor

 

 

July 2 Morsberger's Tavern, Catonsville, MD *Resistor

 

 

July 3 Super Rad Arcade Bar, Lynchburg, VA *Resistor

 

 

July 5 Hoots Beer Co., Winston-Salem, NC

 

 

July 6 Ground Zero, Spartanburg, SC

 

 

July 9 Madison Live!, Covington, KY

 

 

July 10 Wrong Side 812, Jeffersonville, IN

 

 

July 11 The Vinyl Lounge, Nashville, TN

 

 

July 12 529, Atlanta, GA

 

 

July 13 Friends On The Hill, Warner-Robins, GA

INCITE Releases Relenteless New Single "Lies"

Just ahead of their upcoming stint on the Summer Slaughter tour, INCITE have released their blistering new single "Lies." The song is from their highly anticipated upcoming album Savage New Times which is out on August 15th via Reigning Phoenix Music. The song's speed mixed with groove is a perfect example of what fans can expect from the upcoming album and shows why the band is widely considered to be rising stars in the genre.

Frontman Richie Cavalera comments "We didn’t hold back on the intensity with "Lies'. The message demanded that energy. Every riff, every word speaks to those moments when you realize someone’s true colors. It’s a song with purpose, written for anyone who’s dealt with deception."

Watch the video for "Lies" Below.

Pre-order Savage New Times HERE: https://incite.rpm.link/savagenewtimesPR

"Summer Slaughter" 2025 tour dates with HATEBREED, FUGITIVE, MALEVOLENCE, GRIDIRON, ESCUELA GRIND and INCITE:

July 12 - Oklahoma City, OK - Diamond Ballroom (buy tickets)
July 13 - Dallas, TX - The Bomb Factory (buy tickets)
July 15 - Indianapolis, IN - Egyptian Room at Old National Centre (buy tickets)
July 16 - Pittsburgh, PA - Stage AE (buy tickets)
July 17 - Huntington, NY - The Paramount (buy tickets)

"Summer Slaughter" 2025 tour dates with HATEBREED, FUGITIVE, MALEVOLENCE, GRIDIRON, SNUFFED ON SIGHT and INCITE:

July 19 - Sayreville, NJ - Starland Ballroom (buy tickets)
July 20 - Philadelphia, PA - Franklin Music Hall (buy tickets)
July 22 - Charleston, SC - Charleston Music Hall (buy tickets)
July 23 - Charlotte, NC - The Fillmore Charlotte (buy tickets)

"Summer Slaughter" 2025 tour dates with BLEEDING THROUGH, MALEVOLENCE, GRIDIRON, SNUFFED ON SIGHT and INCITE:

July 25 - Rochester, NY - Water Street Music Hall (buy tickets)
July 26 - Detroit, MI - Harpos (buy tickets)
July 27 - Milwaukee, WI - The Rave (buy tickets)
July 28 - Grand Rapids, MI - The Intersection (buy tickets)

About INCITE:

Founded in Phoenix, Arizona, in 2004 by frontman Richie Cavalera, INCITE blends groove and thrash metal with a raw, relentless edge. With Lennon Lopez on drums and EL on bass, the band has honed its unyielding sound across multiple albums, evolving with each release. Their punishing intensity is amplified by producer Steve Evetts (THE DILLINGER ESCAPE PLAN, HATEBREED and mixer Arthur Rizk (Soulfly, Municipal Waste), while striking artwork by Marcelo Vasco (Slayer, Kerry King) captures their ferocity. Known for their relentless touring, Incite has conquered stages worldwide, sharing bills with DEVILDRIVER and SIX FEET UNDER, and proving their grit—like driving 500 miles through a blizzard to make a show. The addition of guitarist Layne Richardson has injected fresh energy, elevating both their live performances and songwriting. With sheer determination and raw talent, Incite has carved out a place in modern thrash, dominating every stage with their unbreakable, unforgiving sound.

ACM Lifting Lives® Music Camp Celebrates The Transformative Power of Music

ACM Lifting Lives®, the philanthropic partner of the Academy of Country Music®, recently hosted the 16th Annual ACM Lifting Lives® Music Camp, held in collaboration with Vanderbilt Kennedy Center. The week-long residential program is designed for musically talented individuals with Williams syndrome, offering enriching musical experiences while also contributing to ongoing research on the rare genetic condition. 
 
Throughout the week, campers were immersed in the Country music community. From songwriting sessions and studio visits with some of Nashville’s most acclaimed musicians and up-and-coming talent, participants experienced what it’s like to live and work as an artist in Nashville.
 
“ACM Lifting Lives Music Camp is a tangible reminder of how unifying, inspiring, and meaningful music is,” shares Taylor Wolf, Director, ACM Lifting Lives®. “The campers’ song ‘Our Best Year Yet’ was written in homage to Opry100, and also speaks to the universal feelings of love, singing together, friendship, and how music makes us feel. Thank you to all the artists, venues, partners and supportive teams that made this week possible. We hope you, too, felt the energy and celebration of our best year yet.” 
 
The camp is fully funded by ACM Lifting Lives®, in addition to providing scholarships to several campers. These efforts directly support the Vanderbilt Kennedy Center’s commitment to enhancing the quality of life for individuals with developmental disabilities and their families through research, education and community outreach.
 
Twenty seven campers with Williams syndrome from across the U.S. and Canada came together to take part in a customized lineup of activities, starting with the writing of an original song with some of Nashville’s top songwriters, and culminating with a live performance of the song on the Grand Ole Opry stage in front of a packed Opry House audience. Artists who joined the campers throughout the week include Roman Alexander, Priscilla Block, Tyler Braden, Ross Copperman, Jackson Dean, Dalton Dover, JT Harding, Bryce Leatherwood, Parmalee, Emily Ann Roberts, and Lauren Watkins.
 
The week began as campers teamed up with Ross Copperman (marking his 12th year participating in the camp), Dalton Dover and JT Harding to co-write “Our Best Year Yet” inspired by Opry’s 100th Anniversary. Later in the week, they joined Lauren Watkins to bring the song to life, recording their original song at Ocean Way Studios before culminating in a standing-ovation performance on the Grand Ole Opry stage alongside Jackson Dean.
 
In addition to their creative sessions, campers got an inside look at the Nashville music industry through exclusive experiences as Bryce Leatherwood welcomed them to the legendary Bluebird Cafe for a special performance and Q&A, while Parmalee met them at Gold Pacific Studio to share some studio 101 and record vocals on existing tracks. Emily Ann Roberts joined the campers at Seacrest Studios at Vanderbilt Children’s Hospital, where they stepped into the role of radio DJs, asking Roberts curated questions and sharing their voices over the hospital’s internal airwaves.
 
While the week was filled with musical discovery and learning, it was also packed with opportunities for boisterous fun. Tyler Braden surprised campers for lively karaoke at Riley Green’s Duck Blind, and Roman Alexander and Priscilla Block both joined the group for a high-energy outing to Topgolf, adding to a week already full of connection and lasting memories.

Courtesy of ACM Lifting Lives®/Terry Wyatt)

About Williams syndrome
Williams syndrome is a genetic condition that is present at birth and can affect anyone. It is characterized by strong verbal communication skills, highly social personalities, and a deep affinity for music. Many campers may also experience cardiovascular disease, developmental delays, and learning disabilities. For more information, please visit www.ACMLiftingLives.org.
 
About ACM Lifting Lives®
ACM Lifting Lives® is the philanthropic partner of the Academy of Country Music dedicated to improving lives through the power of music. We harness the strength of the Country Music community to provide aid in times of need, with a focus on health-related initiatives. With generous donations and the support of artists and fans, ACM Lifting Lives has funded national music therapy programs serving various mental and physical health organizations. Recipients include patients at children’s hospitals and other healthcare facilities, recovering veterans, people with Williams syndrome, and individuals with mental illness. For more information, please visit www.ACMLiftingLives.org.

Morgan Wallen Releases New Amazon Music Original Cover, "Graveyard Whistling [Amazon Music Original]"

Amazon Music announced and released the digital track by 19-time Billboard Music Award winner Morgan Wallen, “Graveyard Whistling [Amazon Music Original],” a reimagined version of the 2014 song by English rock band, Nothing But Thieves.
 
Wallen showcases his vocal versatility and emotional depth, while capturing the track through a country lens. The song trades the original’s alt-rock sound for a more introspective, acoustic-driven atmosphere. While staying true to the heartfelt lyrics, Wallen infuses them with the raw sincerity and soul of modern country storytelling.

Listen to “Graveyard Whistling [Amazon Music Original]” exclusively on Amazon Music here.
 
Amazon Music will also release the track as an exclusive, limited edition 7” later this year. Available on September 19 the release features new, original artwork and features “Dark Til Daylight” as the b-side to the track. Fans in the U.S. can pre-order the exclusive 7” now only in the Amazon Music app here.
 
Wallen’s Amazon Music Original arrives on the heels of the release of his most recent album, I’m The Problem, with overwhelming fan response leading to a fifth week at No. 1 on Billboard's Top 200. With the release, Wallen broke the record for most streamed country record in its first day on Amazon Music. 

About Morgan Wallen:
Morgan Wallen sets the pace in, and beyond, country music – with Billboard calling him “one of the biggest stars in the music world right now” and The New Yorker adding “[he’s] popular on a scale that seems to circumvent genre entirely.” With 18 No. 1 singles at Country radio, 19 Billboard Music Awards to-date, more than 190 weeks spent atop Billboard’s Top Country Albums chart (the most in country music history), the highest selling country tour under his belt and more, Wallen has propelled country music to a global level in less than five years. 
 
Wallen’s fourth studio album, I’m The Problem, available now via Big Loud / Mercury, debuted at No. 1 globally across seven countries; while his preceding albums – Dangerous: The Double Album and One Thing At A Time – have remained in the top 10 of the Billboard 200 chart for more than 100 weeks each, making him the first artist ever to achieve that feat. I’m The Problem – which Hits Daily Double observes is “a 37-song cycle of self-reckoning” – has already yielded three No. 1’s at Country radio, including the title track, which has remained at No. 1 for eight weeks. Wallen also broke his own record for the most simultaneous entries in Billboard Hot 100 History, with 37 songs charting on release week.
 
Wallen’s 20-stadium-show 2025 I’m the Problem Tour kicked off on June 20 in Houston, Texas. Coupled with his personally-curated, multi-genre Sand In My Boots Music Festival in Gulf Shores, Alabama and album release show at The Roundhouse in London in May, these 22 shows are the only place to see the superstar this year.
 
Wallen continues to donate a portion of every ticket sold to his Morgan Wallen Foundation — which supports youth music and athletic programs and gives communities access to essentials in times of crisis. More at MorganWallen.com.
 
About Amazon Music:
Amazon Music is an immersive audio entertainment service that connects fans, artists, and creators through music, podcasts, and culture. Amazon Music brings fans closer to what they love, with curated and personalized playlists, artist livestreams, artist merch, and Amazon Exclusive podcasts. Prime members get access to over 100 million songs in shuffle mode, All-Access playlists, plus the largest catalog of top ad-free podcasts, included with their membership. Customers can subscribe to Amazon Music Unlimited for full, on-demand access to 100 million songs in HD, a growing catalog of Ultra HD and Spatial audio, and one audiobook a month from the world’s largest selection of audiobooks from Audible. Anyone can listen to Amazon Music by downloading the free Amazon Music app, or wherever they listen to music including Alexa-enabled devices. Learn more at amazon.com/music.

Annie Bosko Unleashes Rousing Anthem "Country Girls! (Who Runs the World)"

Rising singer/songwriter and powerhouse performer Annie Bosko releases her rousing anthem “Country Girls! (Who Runs the World),” available now via Stone Country Records. Celebrating the grit and grace of women who do it all, the new track blends honky-tonk swagger with girl-power pride. Listen below.

“It’s no secret that being a woman in country music means working twice as hard with half the time,” shares Bosko. “There’s constant pressure – around age, appearance and how you present yourself. Guys can show up in a ball cap and jeans, but it doesn’t work that way for us. Female artists have always made up a smaller slice of the country music marketplace. But when they break through, they break through big.
 
“Growing up, Shania Twain lit my world on fire. She made me feel powerful – like I could be bold, feminine, sexy, smart, fiery and fun all at once,” she adds. “That’s what I hope this song does: sparks that fire and makes women feel fearless and ready to take on the world.”
 
“Country Girls! (Who Runs the World)” arrives with an original line dance, brought to life earlier this month in a surprise flash mob at CMA Fest, where Bosko joined forces with a group of line dancers from Nashville Dance Fest at the Ariat storefront in downtown Nashville. Watch the flash mob HERE and watch a tutorial for the original line dance HERE.
 
Written by Bosko alongside David “Messy” Mescon and Bridgette Tatum, who also co-produced the track, the new release opens with blazing harmonica followed by a catchy call-and-response chorus, as the song nods to the everyday hustle of country women:

Today’s release follows “God Winks,” a tribute to faith and divine timing during moments of uncertainty. The California native brought the song to RFD-TV’s “On the Record” and Fox 11’s “Good Day LA” in Los Angeles, as she continues to build momentum towards her debut LP later this year.
 
Bosko is set to perform at Country Summer Music Festival in Santa Rosa, California this Sunday, June 29 and the North Dakota State Fair on July 20 before heading to Headwaters Country Jam on July 25.
 
For more information, visit AnnieBosko.com or follow along on Instagram, TikTok, X @AnnieBosko and Facebook.com/AnnieBoskoMusic.

Singer/Songwriter Adam Mac Unveils "Southern Spectacle" — A Bold Country Anthem For Pride Month

Rising queer country artist Adam Mac released his highly anticipated new song “Southern Spectacle” , Friday, June 27. The fiery new track arrives due to popular demand after a wave of momentum during Pride Month when Mac shared a clip of the song across his socials. Unafraid to sparkle in the spotlight — or speak his truth, Mac continues to capture hearts with his unapologetic Southern flair, raw truth and glitter-soaked twang. Listen to “Southern Spectacle” Below. 

“This song is about embracing the parts of yourself you may have felt you needed to hide,” says Mac. “It’s my love letter to the kid growing up in small-town Kentucky who never saw himself reflected in country music. It’s about owning who you are — spectacle and all — in a world that sometimes tries to dim your rhinestones shine. Working on this new music, I’ve never felt more aligned with my voice, my roots and my purpose. I hope it encourages everyone to celebrate their own spectacle.”

Written by Mac with HALLIE, Gigi Rich and Sonia Leigh, the track is a celebration of self-expression in the face of Southern tradition. “Southern Spectacle” blends Mac’s soulful country roots with a fearless, genre-blurring sound that signals a new era for the artist hailed by People as “Country music’s very own Elton John” for his genre-bending style and dazzling live performances.” 

Hailing from Russellville, KY, Mac has been pushing the boundaries of country music from the beginning. Rooted in the gospel and '90s country sounds of his youth, he has carved a space all his own with a fresh fusion of southern soul, disco flair, and fearless storytelling. “Southern Spectacle” builds on that sound — a high-octane declaration of authenticity that celebrates queer joy and personal freedom in the face of tradition.

The anthem follows the success of Mac’s previous release “Dust Off Your Boots,” which sparked a nationwide line dancing trend and held the No. 1 spot on CMT’s 12 Pack Countdown for six consecutive weeks. Before that, his breakout anthem “Disco Cowboy” reigned at No. 1 for four weeks and premiered exclusively on CMT.

As a visible queer voice in country music today, Mac’s journey has not been without challenges. When he was scheduled to headline the Logan County Tobacco and Heritage Festival in his conservative hometown, backlash from local pastors sparked national headlines. His strength in the face of hate drew support from fans, hometown friends and celebrities alike — including Maren Morris, Kelsea Ballerini and Brandy Clark — and led to a guest appearance on Morris’ Lunatics Tour in Chicago.

With his magnetic presence and rich storytelling, Mac continues to carve out space for queer voices in the country format showing that there’s room for every kind of story. “Southern Spectacle” is the first taste of new music with a new album planned for this year. Mac will give Music City fans a taste of tracks from the forthcoming LP with a show at The Eighth Room on July 11 at 8 pm. Tickets are $20 and available now at adammacmusic.com. For the latest news and updates follow along on Instagram, TikTok and Facebook @adammacmusic and online at adammacmusic.com.

About Adam Mac:
Adam Mac is bringing a new voice to country music—one that’s bold, inclusive, and impossible to ignore. Blending country roots with disco and funk, Mac has drawn comparisons to Elton John and earned viral success with songs like “Disco Cowboy” and “Dust Off Your Boots”—the latter featured in Fortnite and fueled by a TikTok dance trend. Backed by press from Billboard, Entertainment Weekly, GLAAD, and more, plus stages like CMA Fest and the ACM “Country For Y’all” showcase, Adam’s star is on the rise—and his next album promises to raise the bar even higher.

BLAKE SHELTON PREMIERES “STAY COUNTRY OR DIE TRYIN’” MUSIC VIDEO VIA CMT AND TIMES SQUARE BILLBOARD

Country superstar Blake Shelton premieres the music video for his new single, “Stay Country or Die Tryin’,” via CMT. The video debuted with a special airing on the Times Square Paramount Billboard in New York City.  Watch the new video Below.

Directed by Shelton’s longtime collaborators Adam Rothlein and Jennifer Ansell of Tiny Terror Productions, the cinematic video uses cutting-edge AI effects to portray the birth, life, and death of a family home across seven generations, offering a moving tribute to legacy, land, and country life. The featured home isn’t just a place—it’s a legacy built from values that don’t fade. As each generation takes over, they carry on the promise of living simply and holding fast to what really matters - a powerful reminder that staying country isn’t just about where you live, but how you live. 

The single, released on BBR Music Group/BMG Nashville’s Wheelhouse Records, follows Shelton’s 30th career No. 1 hit, “Texas,” and is already climbing the charts. Written by Drew Parker, Graham Barham, Sam Ellis, and Beau Bailey, “Stay Country or Die Tryin’” is a gritty, high-octane anthem celebrating rural resilience and small-town pride.

“When I heard ‘Stay Country or Die Tryin’,’ it took me back to the first time I heard ‘Ol’ Red’ or ‘God’s Country,’” says Shelton. “It’s full of energy and packed with those sayings and moments that feel like home to me. I love singing this one live—it’s a blast.”

The song appears on Shelton’s new album, For Recreational Use Only, and was recently performed during his headlining set at Nissan Stadium for CMA Fest 2025. That performance aired during “CMA Fest presented by SoFi,” a three-hour primetime special hosted by Cody Johnson and Ashley McBryde, on Thursday, June 26 and is streaming today on Hulu. Available everywhere now, listen to the new album HERE.

KEEP UP WITH BLAKE SHELTON

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Photo Credit: Robby Klein

Third Man Books is proud to announce the publication of Jack White Collected Lyrics and Selected Writing Volume 1

Third Man Books is proud to announce the publication of Jack White Collected Lyrics and Selected Writing Volume 1 by Jack White and edited by Ben Blackwell. The upcoming collection compiles lyrics from White’s solo recordings thus far, alongside his acclaimed work with The Raconteurs, The Dead Weather, and other collaborations.  

PRE-ORDER