WARHOG’s The Dystopian Chronicles, Vol. 3 marks the climactic conclusion to the band’s ambitious trilogy: a sweeping, furious, and often uncomfortably honest exploration of humanity in decline. Born out of the grim tension of a future that feels all too familiar, the Chronicles series has traced our fall through the lens of dystopian storytelling, with each chapter revealing a different facet of our collective unraveling. With Vol. 3, WARHOG delivers their most aggressive and thematically pointed material yet.
Opening track “Unleash the Beast” explodes out of the gate with relentless energy and a venomous perspective on modern society. It’s a track that lives up to its name, channeling the chaos of 24-hour news cycles, corrupt leadership, and the cyclical violence we allow ourselves to repeat. "Kings and clowns trade thrones and lies" isn’t just a lyric—it’s WARHOG’s indictment of the spectacle of power, and the deliberate unleashing of our worst instincts on one another in exchange for profit and control. It’s anthemic, it’s pissed off, and it sets the tone for everything that follows.
“Future Shock” dives even deeper into the psychic fallout of this collapse. Told from the perspective of someone waking up in a broken world, disoriented and surrounded by decay, the track is laced with experimental guitar synth textures and warped vocal effects that push WARHOG’s sonic boundaries. The lyrics ask the question no one wants to answer: how did we let things get this bad? “Beyond the neon lights, the filth is left to spread,” they sing, a grim reminder that the glittering surface of our society is paper-thin. The song feels like a descent, both sonic and spiritual, into a place where identity, value, and purpose have eroded.
Then comes “Hollow,” a slow-burning track that strips away metaphor in favor of something raw and direct. Inspired by the murder of George Floyd, the song addresses the systemic failures of leadership and justice with clarity and sorrow. It mourns a world where those who are supposed to protect instead destroy, and where human worth is too often defined by politics, prejudice, and apathy. “Cast aside by broken men who hide away / Numb to all the pain of those who pay their way.” WARHOG steps away from their usual aggression here to deliver something more haunting, more contemplative, but no less powerful.
The final full song on the EP, “Stewards of a Broken World,” ties together all the trilogy’s themes. Originally written for another project, it quickly found a home here as the band realized it was the perfect finale. The song explores the looming environmental collapse with a sense of exhausted urgency. WARHOG isn’t interested in preaching, they're chronicling. “The harvest of a dying garden, compelled to finish what we’ve started” is less a warning than an observation: we know exactly what we’re doing, and we’re doing it anyway. Musically, it’s both epic and mournful, a fitting end to a trilogy that has always been about confronting our self-inflicted doom head-on.
But Vol. 3 doesn’t fade out quietly. Instead, it ends with something unexpected: “Signal_pulse27103_28_057_undefined_anomaly,” a mysterious transmission from deep space. It’s part outro, part interlude, part teaser for what’s coming next. The band discovered that the combined runtime of Chronicles and their debut album Call of the Voyager differed by just 17 seconds—and decided to even it out with this cryptic, atmospheric piece. It hints at WARHOG’s next chapter, an upcoming release titled Ethereal Journey, already in production. Something sleeping will awaken.
The Dystopian Chronicles, Vol. 3 is heavy. It’s melodic. It’s bruised and furious and strangely hopeful in its refusal to turn away. It’s WARHOG at their most focused and musically fearless. If you’ve followed the journey from Vol. 1 through Vol. 2, this third chapter doesn’t just complete the story—it elevates it. And if you’re new to the world WARHOG has built, there’s no better time to dive in.
WARHOG is:
Scott Beetley – Vocals, Guitar
Eric Kendall – Guitar
Justin Hopper – Bass
Robert Powers – Drums
Connect with WARHOG: