NEW YORK THIS WEEK!
Friday, June 6, 2025
City Winery
New York, NY
6pm Doors I 7:30pm Showtime
Friday, June 6, 2025
City Winery
New York, NY
6pm Doors I 7:30pm Showtime
Fresh on the crushing heels of their ninth album Gospel of Bone, today, Funeral are returning with a new companion EP. The Funereal displays all the markings that made this band pioneers of funeral doom: glacial riffs, poisoned harmonies, slow-burning solos and deep, pained growls. At its cold heart lies “Gamalt ljós”, a towering 18-minute centerpiece that digs deep into the psychological toll of emotional entrapment.
The Funereal EP comes out today and is available on all digital platforms.
Stream: https://funeral.fanlink.tv/TheFunerealEP
Listen to “Gamalt ljós” below:
“Gamalt ljós” is one of the most introspective and heavy songs in Funeral’s decades-long career. Sung entirely in Faroese, the song translates in English as “Old Light,” a poetic reference to the fading glow of past hopes and unreachable absolutes. As its triptych structure unfolds, the emotional intensity escalates, navigating Kantian philosophy, spiritual longing, violent imagery and personal grief. "Rópi á gamalt ljós" (“I cry for old light”) emerges as its aching refrain.
The Funereal EP also includes an acoustic reinterpretation of “Når Kisten Senkes,” a standout track from Gospel of Bones. Stripped of the original’s orchestral weight, this new version lays bare the song’s stark mourning and lyrical gravitas. The result is a subdued yet devastating lamentation—an intimate reflection on death, grief, and finality, rendered in delicate acoustics and hushed despair.
Since the album was completed, the now septet has welcomed for the first time ever a full-time violin player “to perform live most of the strings you can hear on our albums as soon as we’ll be able to go back on stage.” In the meantime, Anders confesses the next album is more or less “finished. ‘Praesentialis’ could have been released earlier if we hadn’t to face all those COVID-related problems. We couldn’t meet in person, let alone rehearse or even just take promo pictures… But now we have a new label, a new line-up and a totally renewed sense of energy so why stop there? FUNERAL started thirty years ago be truth be told, it’s never been stronger. So, doom on!”
Recording Lineup:
Jon Aldara
Anders Eek
Morten Søbyskogen
Ingvild Anett Strønen Johannessen / Sareeta
Anders Langberg
Production Credits:
Recorded at Strand Studio, Stabbek, Norway.
Produced, mixed & mastered by Marius Strand at Strand Studio.
Guest Musicians:
Jon Aldara – Vocals
Stian Kråbøl - Classical Guitars
Cover Art:
Tristan D.
Stream: https://funeral.fanlink.tv/TheFunerealEP
Follow Funeral:
Facebook: https://www.facebook.com/funeralnorway/
Instagram: https://instagram.com/funeralnorway
YouTube: https://www.youtube.com/@DirgeofMourning
Bandcamp: https://funeraldoom.bandcamp.com/
Spotify: https://open.spotify.com/artist/0q3guqlmd8oVaz5v2Fqy3q
Apple Music: https://music.apple.com/artist/funeral/208973684
Deezer: https://www.deezer.com/artist/194130
TIDAL: https://tidal.com/browse/artist/23777
George A. Romero’s 'DAY OF THE DEAD,' the apocalyptic final chapter of the ultimate zombie trilogy, returns to theatres & drive-ins for its 40th Anniversary! Since the film was first released in July 1985 and rolled out nationwide over the following months, it will be celebrating this seminal anniversary with shows across the country starting July 1, 2025, and running through October, 31st 2025 - HALLOWEEN! Find a screening near you at DAY40TH.com
The official trailer for the theatrical re-release can now be found via Bloody Disgusting or below.
Whole generations of horror lovers had never had the pleasure of viewing Romero’s zombie classics on the big screen, but in November 2021, Red Band Releasing started helping book the original DAWN OF THE DEAD into venues across U.S. and Canada, eventually getting it shown in both 2-D and 3-D on over 500 screens!
Now, in 2025, Red Band is thrilled for the opportunity to help fellow George A. Romero fans celebrate the 40th Anniversary of the original 'DAY OF THE DEAD' by seeing it as the legendary director intended - ON THE BIG SCREEN!
To find a screening near you check Red Band Releasing’s Blog at DAY40TH.COM for a list of dates and theatres that will be updated every few days starting in mid-June.
In addition, Red Band Releasing will be in attendance at the Living Dead Weekend at the Monroeville Mall starting Friday and will have the new 'DAY OF THE DEAD' and all the 'DAWN OF THE DEAD' posters available for purchase. The posters can be seen below:
If you don’t see a nearby screening listed at the site, we urge you to contact your local independent theatres or drive-ins and tell them you want to see 'DAY OF THE DEAD' on the big screen for it’s 40th anniversary by contacting us at RedBandReleasing@gmail.com for booking info. This grass-root campaigning for shows actually works! Last year we booked over 20 of the 100+ theatres spurred on by horror fans contacting their local venues!
DO NOT MISS this rare chance to experience the shocks of THE DARKEST DAY OF HORROR THE WORLD HAS EVER KNOWN - ON THE BIG SCREEN!
When first released in 1985, many horror fans weren’t ready for the bleaker, more nihilistic and grisly horrors of DAY, particularly not after the lighter, at times comedic, action/adventure of its predecessor DAWN OF THE DEAD. Some fans didn’t understands or appreciate the change of direction, but there were several who saw what George was doing under the surface, and over the years it has been re-watched, re-experienced and re-evaluated to the point where DAY OF THE DEAD is now seen by many as one of the greatest horror movies ever made!
Today, the new thrash metal supergroup NEFARIOUS — featuring Katon De Pena, Rick Hunolt, Doug Piercy, Tom Gears, and Will "Beastman" Carroll — is excited to release their new single, "Master Plan." This is the second track from their upcoming debut album, 'Addicted To Power,' out July 18, 2025. "Master Plan" is accompanied by a music video, available below.
With razor-sharp riffs, venomous vocals, and a relentless pace, "Master Plan" delivers a blistering attack on corruption and control. The accompanying video is a chaotic visual assault that mirrors the intensity of the track—raw, aggressive, and unapologetically thrash.
Vocalist Katon De Pena comments:
"Sonic sensory overload of epic proportions, HEAVY enough to CRUSH A TANK. Execution Of The Plan - The 'Master Plan'..!!!"
Drummer Will Carroll adds:
"A song with as much groove as heaviness. With the rhythm section locking in, the guitars are free to rip as they do. All while a commanding vocal presence is laid on top."
Watch the Music Video for "Master Plan" below:
NEFARIOUS recently announced the release of their debut album 'Addicted To Power' due out July 18th via Relentless "Metal" Records with a Collector Vinyl available through Hectic/Bleeding Priest Records.
Doug Piercy exclaims:
"Let’s get ready to rage!
"We are really stoked to finally be able to release this stuff and discuss it. It’s been under wraps for a while. More insane videos and shows are coming soon! We hope everybody enjoys this release as much as we had fun creating it, for you all!
"Cheers!"
Together, NEFARIOUS crafts a sound that is both fierce and refined — a perfect balance of aggression and musicianship that speaks to the true spirit of heavy metal.
With their explosive live performances and immersive new material on the horizon, metal fans worldwide should prepare for an unstoppable force.
This is unpretentious thrash metal.
This is NEFARIOUS!
NEFARIOUS will be playing a hometown album release show on
July 19th at DNA Lounge in San Francisco!
About NEFARIOUS:
From the heart of San Francisco’s legendary metal scene rises NEFARIOUS—a supergroup forged in the fires of thrash, ready to carve a new chapter in heavy metal history.
At the helm is Katon W. De Pena, the iconic voice of Hirax, whose searing intensity and magnetic stage presence have long commanded crowds. On guitars, the twin-axe assault is nothing short of historic: Rick Hunolt (Diehumane, formerly Exodus) and Doug Piercy(Heathen, Anvil Chorus, Blind Illusion) deliver a relentless barrage of razor-sharp riffs and molten solos—honoring the legacy of thrash while pushing its boundaries into new territory.
Holding down the low end with massive groove and crushing weight is Tom Gears (Blind Illusion, Ancient Mariner), providing the sonic anchor on bass for the band’s explosive sound. Behind the kit, Will "Beastman" Carroll (Death Angel) unleashes a thunderous, precision-driven assault that hits with surgical brutality.
About NEFARIOUS, Rick Hunolt comments:
"I'm so honored to be with this amazing group of dudes about to release some old-school thrash on you mofos, it's long overdue and I'm confident you guys will love it as much as we do you our metal brothers and sisters deserve it, see you on the road, let's fuckin go!!!"
Katon De Pena adds:
"We're not a band. We are a Gang ready to Crush Skulls and Make Eardrums Bleed ... Necks will be sore ...!!"
NEFARIOUS are:
Katon W. De Pena - Vocals
Rick Hunolt - Guitar
Doug Piercy - Guitar
Tom Gears - Bass
Will "Beastman" Carroll - Drums
CHANGELING, the progressive death metal project led by fretless guitar luminary Tom "Fountainhead" Geldschläger, are unveiling a stunning stop motion animation video for “World? What World?”. The song is one of the many highlights from the band’s critically acclaimed, self-titled debut album.
Bridging chaotic intensity with theatrical grandeur, “World? What World?” captures a pivotal moment in the album’s psychedelic journey. Repressed fears and horrors of the subconscious are confronted amidst a thunderous Wagnerian brass ensemble, a gospel choir that recalls Dark Side of the Moon, the whirlwind drums of Mike Heller (Malignancy, Raven, ex-Fear Factory) and a guest guitar solo from legendary axeman Andy LaRocque.
Watch the music video for “World? What World?” below:
Changeling is out now via Season of Mist.
Order & Stream
https://orcd.co/changelingchangeling
The video for “World? What World?” was created using stop motion animation, bringing the song’s nightmarish vision to life.
Following the success of Changeling’s self-titled debut, the Dolby Atmos mix of the album will arrive this week. Mixed with immersive spatial depth and precision, this version offers a fully enveloping listening experience. It places listeners directly inside the intricate orchestral arrangements, swirling fretless guitars and psychedelic soundscapes. Engineered by Tom himself and Atmos-mixing veteran Eric Horstmann, the Atmos release brings a new dimension to this genre-defying work.
The Dolby Atmos version was released May 30th.
In a significant development in early 2024, Fountainhead, now branded under the name CHANGELING for his new project and album, signed with the label Season of Mist. This venture marks a new chapter in Tom’s career, amplifying his visionary approach to music. Accompanied by an all-star band featuring members from Fear Factory, Alkaloid, and Virvum, the project CHANGELING showcases a 60-minute concept album that takes all aspects of Tom’s artistry to new heights.
The album, sharing its name with the project, blends progressive metal, death metal, jazz/fusion, and world music, enriched with complex orchestrations by a 50-piece ensemble of guest musicians. It includes the eagerly anticipated “Part 2” to his renowned composition “Weltseele,” an orchestral metal epic from Obscura’s billboard-chart-entering “Akroasis” album, which broadly introduced Fountainhead to the metal community in 2016.
Core Lineup:
Tom Fountainhead (ex-Obscura, Amogh Symphony, Belphegor, Defeated Sanity) - Fretted & fretless electric & acoustic guitars, oud, keyboards, composition and arrangements.
Mike Heller (ex-Fear Factory, Malignancy, Raven) - Drums.
Arran McSporran (Vipassi, Virvum) - Fretless bass.
Morean (Alkaloid, Dark Fortress) - Lead vocals & lyrics.
Guest Musicians:
Bill Hudson (Trans-siberian Orchestra, Doro, I am Morbid) - Guest guitar solo
Jason Gobel (ex-Cynic, ex-Monstrosity)- Guest guitar solo
Andy Laroque (ex-Death, King Diamond) - Guest guitar solo
Yatziv Caspi (ex-Orphaned Land) - Tabla, hangdrum, dabouka, riq & shakers
Ally Storch (Subway To Sally)- Violins, viola & cello
James Dorton (The Faceless, NeObliviscaris, Black Crown Initate) - Spoken words
Alexander Kerski (Vianova)- Backing & harmony vocals
Matthias Alexander Preisinger - Piano and glockenspiel, violins & viola
Martin Matiasovic - Horns & Wagnerian Tube
Jan Ferdinand - Vibraphone & marimba
Chris Rützel - Flutes
Ivar Ludvig Nitzler - Cello
Shiho Murano - Tuba
Juliane Erding - Wagnerian tube & horn
Eduard Cortez - Wagnerian tube & horn
Tillmann Schulz - Wagnerian tube & horn
Ava Bonam - Female vocals
Moran Magal - Piano
Cydney McQuillan-Grace, Lauren Gill, Shannon Bedford, Sara Robalo; Tenor and Bari - Ben Francis, John Schaffer, Alice Williams, Cyd McQuillan-Grace; Alto - Lauren Gill, Sara Robalo; Tenor and Bass - James Schouten & John Schaffer - Choir vocals
Krassimir Jossifov - Trumpet
Brandt Attema - Trombones & bass trombones
Kristian Petkov - Bassoon
Stefan Prost - Church organ
Seonghyeon Park - Clarinet
Arnfried Falk - Oboe
Rouven Haliti - Upright bass
Dalai Cellai - Cello
Recording Studio:
FountainheadHQ, Hellersounds, Saforill, Klanghafen, Landesmusikakademie Berlin, Musikhochschule Carl-Maria-Von-Weber, Muziek Studio Beeld, Sonictrain.
Production Credits:
Produced & Engineered by Tom Fountainhead.
Mixed by Tom Fountainhead at FountainheadHQ.
Mastered by Leon Schmidt at his home studio & FountainheadHQ.
Cover Art:
Aaron Pinto (Gutslit) / KidSquidy
Photography:
Alexander Kerski / Comicsans_ultra
Stream & Order: https://orcd.co/changelingchangeling
Follow Fountainhead & Changeling:
Website: http://www.thefountainhead.de
Facebook: http://facebook.com/tomfountainheadgeldschlaeger
Instagram: https://www.instagram.com/changeling.official
Bandcamp: https://changelingofficial.bandcamp.com/
YouTube: http://www.youtube.com/fountainheadtv
Apple Music: https://music.apple.com/artist/changeling/294821510
Spotify: https://open.spotify.com/artist/4MbRUvwQcEBzryOhWMHkvV
Swiss Goth / Horror / Shock Metal band DARKFLOW have released their highly anticipated new album Imminent End, out now!
Produced, recorded, mixed, and mastered by Andy LaRocque (legendary guitarist of King Diamond) at Sonic Train Studio in Sweden, Imminent End is a concept album that takes listeners through a dark and chaotic vision of the world’s collapse. LaRocque not only helmed the production but also contributes a blistering guest solo on the epic track “The Last Symphony.” Brian Bendahan did the orchestration of all the songs.
The album Imminent End explores themes of divine judgment, human depravity, and cosmic destruction. DARKFLOW crafts a world where each track reveals a different path to ruin—tsunamis, wars, existential despair—culminating in a battle between heaven’s wrath and hell’s vengeance.
“This album is about the world’s end, each track a vision of how everything falls apart. I embody Sean Horror, returning from hell to destroy the Earth before God can. It’s a race for apocalypse. ‘Press The Button’ finds Sean forcing a powerful man to unleash nuclear chaos. And the final song, ‘Whistles From The Sky,’ is my laughter as I’ve outdone God—winning the destruction of mankind and ushering in the end of all civilization.”
With Imminent End, DARKFLOW cement their place as masters of sonic horror, blending goth, shock metal, and theatrical narrative into a terrifying and unforgettable experience.
Imminent End can be heard here:
https://music.suricatemusic.com/imminentend
WATCH DarkFlow - "Press The Button" Video Below:
Harajuku-core trailblazers HANABIE. are bringing the heat on their new single "Spicy Queen" and the official music video (via Sony Music Japan). Taking inspiration from experiences on their recent US co-headlining tour with Kim Dracula, today's release is in celebration of the band's 10-year anniversary and is a counterpart to the fan-favorite track "We love sweets". When asked about "Spicy Queen", vocalist Yukina commented:
"The song 'WE LOVE SWEETS,' which we released in 2021, has become a gateway track for listeners to discover our music. It’s a very meaningful track for us. As time has passed and we have matured, we thought, “Let’s make a spicy version of the song!” during our tour. Inspired by the famous “Nashville Hot Chicken”, we decided to create this new rendition that features a spicy and stimulating musical progression. It also has an addictive quality that will make you want to ‘eat’ (listen to) the track on repeat!"
Guitarist and vocalist Matsuri said:
"This song was born during our U.S. tour from the sudden thought, "Let’s create a track that marks our 10th anniversary year.” It’s also the first track we crafted collaboratively as a band through constant discussions and was incredibly fun to make!! We included plenty of moments for our fans to shout along with us, designing the track with the vision that all the parts will come together during a live performance. So, we hope you listen to it a lot and come join us at our live shows!"
Bassist Hettsu also added:
"To celebrate our 10th anniversary year, we created this song that captures the essence of HANABIE.! It’s a track where everyone can shout together during the chorus and has parts that pay homage to our past songs. We feel it encapsulates the 10 years of HANABIE.! Listen to it a lot and let’s sing this track together at our live shows!"
HANABIE. drummer Chika shared:
"This song was created through discussions among us during our U.S. tour and marks the milestone for the band’s 10th anniversary year! My favorite drum phrase is in the second verse, where the rhythm alternates every measure between on-beat and off-beat! Aside from the drums, I also love Matsuri’s vocal slides at the beginning of the second verse! I hope everyone will shout along with us during the chorus when we perform at live shows."
Prior to today, the quartet released the official music video for "Tasty Survivor", the featured ending theme song for the anime series 'Momentarily Lily', available for streaming now on Crunchyroll, after releasing their latest EP 'Bucchigiri Tokyo'. Stream "Spicy Queen" here, watch the official music video, and be sure to stay tuned for more exciting HANABIE. news coming soon.
ABOUT HANABIE.:
HANABIE. is a Tokyo-based all-girl rock band that has been making waves since 2015, when YUKINA, MATSURI, and HETTSU came together for a high school club activity. With the addition of CHIKA in May 2023, the band has evolved into a force to be reckoned with. Don’t be fooled by their cute, girlish image—their sound is a hard-hitting blend of powerful shouts, heavy riffs, and unique Japanese flair, capturing fans at home and abroad. Their hit single “Pardon Me, I Have To Go Now” has amassed over 9.4 million views on YouTube and 5.1 million views on TikTok.
In December 2024, HANABIE. released their latest EP, Bucchigiri Tokyo, further showcasing their dynamic range and signature style.
2023 marked the beginning of their overseas ventures, and in August 2024, they made history as the first Japanese women to perform on the main stage at Lollapalooza in Chicago, USA. With a rapidly growing international following, HANABIE. is actively expanding their presence and making a bold statement on the global stage.
HANABIE. is:
After THE NARRATOR announced their signing to Nuclear Blast Records a couple of weeks ago, the band releases its brand new song 'Unbind Me'.
'Unbind Me', which was mastered by Ted Jensen, captures THE NARRATOR at their fiercest, with an unrelentingly heavy composition, encompassed within anthemic melodies, proving that once again that THE NARRATOR is a must-have on every playlist.
Stream 'Unbind Me':
https://thenarrator.bfan.link/unbindme
Watch the music video for 'Unbind Me' below:
THE NARRATOR commented:
"Unbind Me marks a fresh chapter for us – with our new partners and a strong team by our side. The video, brought to life by the amazing Daniel Prieß, captures all the energy we put into this song. We can’t wait to play it live on our upcoming shows this summer and fall.“
About THE NARRATOR:
THE NARRATOR were founded in 2017 in the Ruhr area and have been captivating audiences with their energetic songwriting and electrifying live performances from the very beginning. After successful tours and festival appearances, THE NARRATOR steadily made a name for themselves in the German metalcore scene.
In September 2024, THE NARRATOR released their highly anticipated debut album Lore – 10 tracks that speak volumes, boasting an impressive 6.5 million streams on Spotify. Their latest single, 'Unbind Me', mastered by Ted Jensen (STERLING SOUND – BRING ME THE HORIZON, GREEN DAY, KORN, and many more), and accompanied by a striking music video directed by Daniel Prieß, proves once again that THE NARRATOR is a must-have on every playlist. One thing is certain: the best is yet to come!
Credit: Fragilegold_Leah W
Johnny O'Neil has released the music video for the newest single, “When Janie Moved Into Town,” from his third album, “Brand New Day.” The video was recently premiered on BraveWords.com and is now available for the public to watch. Johnny's previous video for "My Mona" was selected by five film festivals around the world.
You can watch the video below:
You can stream and purchase Brand New Day at: http://johnnyoneil.hearnow.com/
The song tells the familiar tale of a young boy completely smitten with his new neighbor, “Janie,” who also captures the imagination of every other boy on the block. Yet, “Janie” is a young femme fatale far more worldly than their wildest dreams. This is the first video to feature Johnny all by himself.
Johnny had this to say about the making of the video, “My fabulous videographers, Brianna and Kurt Jorgensen, suggested that we film this one with just me. At first I thought that seemed a bit odd, but then they showed me a couple of videos that they produced for the late, great Joey Molland of ‘Badfinger,’ featuring Joey just by himself. That was enough to convince me to give it a shot out of curiosity, if nothing else. As luck would have it, Kurt found an old, abandoned barn in Henderson, Minnesota, which we later discovered was yards away from a scene Prince shot for the movie, ‘Purple Rain.’ The serendipity continued in abundance when a freight train came roaring by unexpectedly right during a take of the tune. The other scene was filmed outside of an iconic Twin Cities dive, ‘Ted’s Bar.’ My Audi TT makes a cameo appearance, as well.”
O’Neil’s third solo effort, Brand New Day, covers broad musical territory, taking elements from the past and adding a decidedly modern twist, combining guitar-driven hard rock and R&B with hooky choruses that get stuck in your head for days. Recruiting the talents of John Funk on lead guitar, Benny Craig on bass, and Joachim Baecker on drums, as well as engineer/co-producer Brian Bart – O’Neil’s former bandmate in Dare Force – O’Neil and his full band spent months writing and rehearsing before hunkering down to record with Bart at Winterland Studios in Minneapolis, as well as the legendary Pachyderm Studios in Cannon Falls, Minn., where Nirvana famously recorded In Utero.
Band Members:
JOHNNY O’NEIL: All Lead and Harmony Vocals, Guitars
JOHN FUNK: Guitars
BENNY CRAIG: Bass
JOACHIM BAECKER: Drums and Percussion
WEBSITE AND SOCIAL MEDIA:
Website: http://www.JohnnyONeil.com
FB: http://www.Facebook.com/JohnnyONeilOfficial
Instagram: http://www.Instagram.com/Johnny_ONeilOfficial
Bandcamp: https://johnnyoneil.bandcamp.com/releases
YouTube: https://youtube.com/JohnnyONeilOfficial
Twitter: https://twitter.com/JohnnyONeil16
Bioscope is the highly anticipated collaborative project from guitar maestro Steve Rothery (Marillion) and electronic composer Thorsten Quaeschning (Tangerine Dream).
Their debut album Gentō, out August 22nd 2025 on earMUSIC, offers a deeply atmospheric journey where two distinct musical worlds converge. The album features an extraordinary performance by Elbow’s drummer Alex Reeves, whose rhythmic finesse and musical intuition bring depth and subtle momentum to the entire album.
The project began in early 2020 and gradually developed through focused five-day sessions in Berlin and at Rothery’s home studio in Southwest England. Each of the five instrumental tracks draws inspiration from man's endearing fascination with the moving image. From soaring guitar themes that recall the best of progressive rock to sequencer-driven passages rooted in Berlin School electronica, the music unfolds like a film without images – immersive, dreamlike, and full of detail. Each track reflects a shared sensibility shaped by decades of musical exploration.
Gentō will become available in retail stores as a CD+Blu-ray Digipak, including the full album in High-Res, Dolby Atmos as well as Dolby 5.1 Surround Mix, and Heavyweight Black 2LP Gatefold.
Pre-order the album Gentō HERE
The first track, “Kaleidoscope,” taken from the album, is out today and offers an exciting first glimpse into the intriguing fusion of Steve Rothery’s unmistakable melodic guitar work and Thorsten Quaeschning’s mastery of the analog electronic world. It’s a perfect blend between progressive rock and ambient music.
Stream the single “Kaleidoscope” Below
Bioscope are Steve Rothery, founding member and guitarist of Marillion, whose melodic playing helped define the sound of modern progressive rock and led to millions of records sold and Thorsten Quaeschning, musical director of Tangerine Dream, credited on over 80 releases and internationally known for his work on film and game soundtracks, real-time composition, and electronic music innovation.
Together, they bring decades of musical experience to a project that feels both intimate and expansive. Rothery’s guitar lines speak with emotional clarity, while Quaeschning’s detailed sound design shapes the music’s internal architecture.
Their collaboration is not just a fusion of styles, but a thoughtful dialogue between two established musical identities – a true “bioscope” in the sense of offering a view of life through music.
The name Bioscope comes from the Greek bios (life) and skopeein (to look). Before cinema, it meant “a view or survey of life” – a fitting metaphor for a project that turns musical experience into shared perception.
Revered British metal act SHRAPNEL have released their brand new track "Kingmaker," an earth-shattering and expansive display of modern metal. The new single is accompanied by a music video, available to view below.
SHRAPNEL comments on the new single:
"We're wrapping the writing for a new record and have a busy summer playing our biggest shows whilst getting back over to mainland Europe. Now is the perfect time to unleash ‘Kingmaker’ - we hope to see as many of you as possible belting this out with us on the road!"
Watch the Music Video for "Kingmaker" Below:
“Kingmaker” follows the release of their latest album, ‘In Gravity’ (2024), which received glowing reviews from the likes of Metal Hammer, Kerrang! and Distorted Sound. ‘In Gravity’signifies a profound rebirth and heralds a fresh era for SHRAPNEL. Drawing from their rich tapestry of experience and diverse influences, the album showcases the band's peak in songwriting excellence. From intricate and intense compositions to Gojira-inspired powerful heaviness and a newfound touch of contemporary melodic sophistication, SHRAPNEL skillfully navigates through uncharted musical territories, pushing boundaries and defying traditional genres.
About SHRAPNEL:
Established in 2009, SHRAPNEL has relentlessly pursued a path of musical devastation. Having shared stages with iconic bands like Exodus, Sepultura, Death Angel, Suicidal Tendencies, Wolf, Gama Bomb, and gracing the Bloodstock Festival stage three times, the band's reputation precedes them. Their upcoming performance at the Barbeuk Metal Festival in France further solidifies their place in the metal scene. From the incendiary underground EP ‘No Saviours’ to the critically acclaimed 2020 album ‘Palace For The Insane,’ SHRAPNEL's evolution has been nothing short of meteoric, with a relentless drive that shows no signs of waning.
French metal alchemists TSS (formerly The Sunday Sadness) have steadily built their reputation in the global metal scene, thanks to their innovative blend of emo, metalcore, alternative rock, and synthwave. They've recently added elements of phonk and neo-metal to their sonic blend. The band was founded in 2016 by Kirby, who sought to combine his emo and metalcore roots into a fresh new sound. He quickly solidified the TSS lineup with John on guitar and vocals andHugo on drums.
TSS will release their new album END OF TIME, out June 27 via Fearless. Pre-order it here.
They team up with labelmates Windwaker for "Would you be my therapy? (Redux)" Watch the video below.
TSS are known for seamlessly sewing elements of emo, metalcore, alternative rock, synthwave, and more into their signature style. The single "Would you be my therapy? (Redux)" (Feat. Windwaker) boasts a pulsating groove that runs through the entirety of the song and just won't quit. It's also quite possibly the sexiest metalcore track you've ever heard.
The band gave it a twist because it's such a game changer in their history and because they wanted to partner with a band with whom they align on many levels!
"Would you be my therapy? will always be a very special song to us," TSS states. "It is the one song that defined our new musical direction, which is now a blend of neo-metal, phonk, emo-core, and industrial music. It's also the first song that really got attention not only from the public but also from our label, Fearless Records. It is then an honor for us to give it a second life through this collaboration with Windwaker, which we consider one of the most innovative band in our label's roster right now. "
ABOUT TSS:
TSS's origin story can be traced back to December 2017, with "The Wrong Way," their firstsingle release. In May 2018, they released "Lost In The Crowd," a track that set the stage for their first live performance, which found them opening for Asking Alexandria in Paris. This show established TSS as an up and coming force in the French music scene.
Their 2018 single "Someone," a blend of synthwave and retrowave, was a turning point that showcased John as a second lead vocalist. This shift was followed by their self-titled debut EP in May 2019, led by the single "Damn I Hate It," which fans loved, thanks to its fusion of funk, synthwave, and emo elements. The band's growing popularity was further confirmed with a sold-out release show in Paris.
As the band evolved, they started to introduce French lyrics into their songs, leading to the release of "YAYAYA" in September 2019. Their originality attracted the attention of independent label PlayTwo, resulting in the creation of the album REGRETS in collaboration with Warner Music and TV broadcaster TF1. In September 2021, the band rebranded to TSS, marking the occasion with the release of the single "1996," which garnered significant attention in France.
February 2023 saw TSS embrace a more aggressive style with "Tes Pleurs," a modern metalcore track inspired by Bring Me The Horizon and Poppy. This new direction broadened their audience while maintaining their unique gothic/K-pop aesthetic. The band's experimental spirit led to the August 2023 release of "Fantasize," a viral hit that fused alternative rock, J-rock, phonk, and metal, earning millions of streams on Spotify.
The momentum continued with "Would You Be My Therapy?" in December 2023, a track that topped iTunes rock charts and caught the attention of many labels. In September 2024, having signed a deal with Fearless Records.
TSS's journey, characterized by constant innovation and genre-blending, has positioned them as a rising force in the modern metal scene, with a growing fanbase across diverse musical communities.
In a powerful fusion of Irish mythology and unbridled metal ferocity, HORRENDA’s 2020 album Díoltas is set to conquer the U.S. with its upcoming physical release. The Dublin-based extreme metal band, known for their intense blending of black and death metal with atmospheric elements, first captured the attention of the underground metal scene with their explosive live performances and innovative sound.
Formed in 2015 by Darragh "Outis" O'Connor, HORRENDA quickly evolved from a solo project into a six-member ensemble that channels raw black metal, death metal, and a unique infusion of Irish folklore. Their live shows, notorious for their chaotic energy and punk-hardcore influences, have earned them a dedicated following and a regular spot at Ireland’s largest metal festival, Siege of Limerick.
Díoltas, translating to "Revenge" in Irish, is HORRENDA’s most ambitious work to date. The album weaves a dark tapestry of themes ranging from ancient vengeance to the modern decay of Ireland, explored through the lens of Irish history and mythology.
The opening track, "Balor", named after the Irish mythological giant and god of destruction, sets a foreboding tone, driven by aggressive guitar riffs and relentless drumming. Following up, "Dian" blends haunting melodic undertones with the ferocity of raw black metal, reflecting the intensity suggested by its name, which means "tough" or "intense" in Irish.
One of the highlights, "AxeWound", draws influence from the Swedish melodic death metal band AT THE GATES, while the title track "Díoltas" serves as the album's centerpiece, taking listeners on a harrowing descent into the Irish underworld with its expansive soundscape.
Collaboration takes center stage in "Craven X Horrenda", which sees HORRENDA team up with Irish darksynth-industrial act CRAVEN for a track that fuses black metal with eerie, synthetic textures, creating a standout moment on the album. Another key track, "Doom Tranquility", ironically named, is one of the band’s most aggressive offerings, exploring the paradox of seeking peace amidst chaos.
The album concludes with "Sluagh", referring to the spirits of the unforgiven dead in Irish folklore. It’s a deeply personal track for the band, encapsulating the album’s themes of vengeance, existential struggle, and the supernatural core of Ireland.
The release of Díoltas in physical format in the U.S. is a testament to their growing influence and ambition. With this release, HORRENDA is not just exporting their music but also their dark, intense vision of metal that has been honed on the stages of Ireland and the UK. This release is more than just an album; it’s an invitation to experience the depth and intensity of HORRENDA’s world, a world where folklore meets ferocity in a raw, musical onslaught.
Collaboration takes center stage in "Craven X Horrenda", which sees HORRENDA team up with Irish darksynth-industrial act CRAVEN for a track that fuses black metal with eerie, synthetic textures, creating a standout moment on the album. Another key track, "Doom Tranquility", ironically named, is one of the band’s most aggressive offerings, exploring the paradox of seeking peace amidst chaos.
The album concludes with "Sluagh", referring to the spirits of the unforgiven dead in Irish folklore. It’s a deeply personal track for the band, encapsulating the album’s themes of vengeance, existential struggle, and the supernatural core of Ireland.
The release of Díoltas in physical format in the U.S. is a testament to their growing influence and ambition. With this release, HORRENDA is not just exporting their music but also their dark, intense vision of metal that has been honed on the stages of Ireland and the UK. This release is more than just an album; it’s an invitation to experience the depth and intensity of HORRENDA’s world, a world where folklore meets ferocity in a raw, musical onslaught.
Connect with HORRENDA:
Official Website: https://horrendaofficial.com/
Bandcamp: https://horrenda.bandcamp.com/album/think-on-your-sins
Facebook: https://www.facebook.com/HorrendaOfficial
Instagram: https://www.instagram.com/horrendaofficial/
Twitter/X: https://x.com/HorrendaEire
YouTube: https://www.youtube.com/@HorrendaOfficial
Spotify: https://open.spotify.com/artist/396IN8R4fgqAlSJB9UHiOU?si=dcJ5NUH3ReGjv5yolDOsiA
Apple Music: https://music.apple.com/us/artist/horrenda/1139929047
GORGATRON and CASKET ROBBERY are thrilled to announce The Northern Destruction Tour starting on July 24th. The tour will be hitting multiple cities across the US and Canada. GORGATRON will reunite with their friends CASKET ROBBERY, and are excited to introduce audiences to Midwest up-and-comers FRONTAL ASSAULT! The tour will see the bands appearing at several renowned festivals, including Loud As Hell Fest in Drumheller Alberta CA, Four Winds Fest in Sioux Falls SD, and culminating at Iowa Underground Fest in Cedar Rapids Iowa. Tickets are available HERE.
“We’ll be thrashin, bashin and blastin throughout North America with the best from the Midwest Metal scene. We toured with CASKET ROBBERY last year and have been looking forward to hitting the road with one of the hardest working bands we know! Killer band and great people! Then we have the Iowa Trashers FRONTAL ASSAULT, super excited to have them open the show and sonically kick everyone’s ass! You’ll become an instant fan!!! Check the dates and get to a show!”
-GORGATRON
“We can’t wait to hit the road with our friends in GORGATRON and FRONTAL ASSAULT! Our last tour with GORGATRON was a huge success, and this one will no doubt be pummeling. We’ll be unleashing a brand new set list with unreleased songs from our next album. It’s gonna be a great time and we’re looking forward to hitting Canada for the first time.”
-CASKET ROBBERY
“We are stoked to be hitting the road with our good friends in GORGATRON and CASKET ROBBERY! This will be our first time in Canada and out west, we have been working hard to curate the perfect set list to share with all of the new ears that will hear us for the first time!”
-FRONTAL ASSAULT
The full list of tour dates is as follows:
7/24 Minneapolis, MN @ Zhora Darling
7/25 Milwaukee, WI @ X Ray Arcade
7/26 Menomonie, WI @ Zymurgy Brewing
7/27 West Chicago, IL @ WC Social Club
7/28 Toronto, ON @ The Cave
7/30 Thunder Bay, ON @ Black Pirates Pub
7/31 Winnipeg, MB @ Sidestage
8/1 Saskatoon, SK @ Black Cat Tavern
8/2 Drumheller, AB @ Loud As Hell Fest
8/4 Missoula, MT @ The Show Room at the ZACC
8/5 Salt Lake City, UT @ Aces High Saloon
8/6 Denver, CO @ HQ
8/7 Rapid City, SD @ Abys
8/8 Sioux Falls, SD @ Downtown Sioux Falls @ Four Winds Music and Art Fest
8/9 Cedar Rapids, IA @ Iowa Metal Underground Fest
Performing to just 2,000 fans in an intimate set with tickets claimed in less than a minute upon entry, Morgan Wallen’s I’m The Problem album release show at The Roundhouse in London on May 28 rounded out a historic week that saw Wallen attain his first U.K. No. 1 debut on the Official Charts.
Playing center-stage in a stripped-back set with his guitar – which Holler remarked as "spellbinding," while Entertainment Focus opined the superstar is “at the top of his game” – Wallen’s 19-song setlist included 12 songs hailing from I’m The Problem, kicking off with the title track, which recently became his 18th No. 1 at Country radio. From there, Wallen delved into live debuts of story song “20 Cigarettes,” the Billboard-dubbed “confessional” “Eyes Are Closed” and his reigning Billboard Hot 100 No. 1, “What I Want.”
Performing an early release from the album, “Superman,” Wallen shared the heartfelt story behind the song he penned for his son: “I’ve been trying pretty much ever since he was born to write a song that was good enough to dedicate to him. I probably wrote 30 songs that weren’t good enough, so we scratched them. Right before we were getting ready to turn in this record, we started writing this song. Usually once we write a song, I’ll get Charlie to send me the demo so I can listen to it on my way home. He sent this to me…The very first time I heard it back after writing it, I just broke down and was crying. And that’s the first time I had done that writing a song for my little boy. I figured if it touched me that way, hopefully it would touch a lot of you guys the same way.”
Sprinkled throughout the set were multi-platinum hits from his previous two albums, Dangerous: The Double Album and One Thing At A Time, including Platinum-certified “Cowgirls;” 2x-Platinum “Sand In My Boots,” 4x-Platinum “Cover Me Up;” 6x-Platinum “More Than My Hometown;” and 9x-Platinum “Whiskey Glasses.” Wallen concluded the night with his 7x-Platinum, 16 week Billboard Hot 100 No. 1, “Last Night.”
Taking in the magnitude of his growing international fanbase, Wallen thanked his fans, stating “We've been trying to make a connection with you guys, and this is by no means a measure of all successes, but I think it says a lot; whenever I dropped One Thing At A Time, it debuted at No. 40 over here. I just dropped I'm the Problem, and thanks to you guys, it debuted at No. 1. I really appreciate every single one of y'all. I thank you for making me feel welcome in your country, and for having the same kind of love for country music and just music in general. It means a lot to me to be able to say what I just said.”
I’m The Problem debuted last week at No. 1 across seven countries. In the U.S., Wallen broke his own record for most simultaneous entries in Billboard Hot 100 history, with 37 songs charting at once. He also currently occupies the No. 1, 2 and 3 slots simultaneously with his duet with Tate McRae “What I Want,” “Just In Case,” and the title track “I’m The Problem,” respectively – becoming the first country artist ever to do so.
Wallen’s coinciding 2025 I’m The Problem Tour kicks off June 20 at NRG Stadium in Houston, Texas. The 20-show run will include stops in Seattle, Washington; Foxborough, Massachusetts; Toronto, Ontario and more. With a second stop added in Madison, Wisconsin, Wallen’s appearances will mark the first time an artist has played two consecutive nights at Camp Randall Stadium.
A rotating lineup of guests including Brooks & Dunn, Miranda Lambert, Thomas Rhett and Koe Wetzel join in direct support with Gavin Adcock, Corey Kent, Ella Langley and Anne Wilson as first-of-three across select dates. Coupled with May’s Sand In My Boots Festival and a special one-night-only album release celebration show at Roundhouse in London in May, these 22 shows are the only place to see the superstar in 2025.
Photo Credit: David Lehr
Morgan Wallen 2025 I’m The Problem Tour Dates:
June 20 // NRG Stadium // Houston, TX w/ Corey Kent and Koe Wetzel
June 21 // NRG Stadium // Houston, TX w/ Corey Kent and Koe Wetzel
June 28 // Camp Randall Stadium // Madison, WI w/ Ella Langley and Miranda Lambert
June 29 // Camp Randall Stadium // Madison, WI w/ Ella Langley and Miranda Lambert
July 11 // Hard Rock Stadium // Miami Gardens, FL w/ Gavin Adcock and Miranda Lambert
July 12 // Hard Rock Stadium // Miami Gardens, FL w/ Gavin Adcock and Brooks & Dunn
July 18 // State Farm Stadium // Glendale, AZ w/ Ella Langley and Miranda Lambert
July 19 // State Farm Stadium // Glendale, AZ w/ Ella Langley and Brooks & Dunn
July 25 // Lumen Field // Seattle, WA w/ Anne Wilson and Miranda Lambert
July 26 // Lumen Field // Seattle, WA w/ Anne Wilson and Brooks & Dunn
Aug 1 // Levi’s Stadium // Santa Clara, CA w/ Anne Wilson and Miranda Lambert
Aug 2 // Levi’s Stadium // Santa Clara, CA w/ Anne Wilson and Brooks & Dunn
Aug 15 // Huntington Bank Field // Cleveland, OH w/ Ella Langley and Miranda Lambert
Aug 16 // Huntington Bank Field // Cleveland, OH w/ Ella Langley and Thomas Rhett
Aug 22 // Gillette Stadium // Foxborough, MA w/ Corey Kent and Miranda Lambert
Aug 23 // Gillette Stadium // Foxborough, MA w/ Corey Kent and Miranda Lambert
Sep 4 // Rogers Centre // Toronto, ON w/ Gavin Adcock and Miranda Lambert
Sep 5 // Rogers Centre // Toronto, ON w/ Gavin Adcock and Brooks & Dunn
Sep 12 // Commonwealth Stadium // Edmonton, AB w/ Ella Langley and Miranda Lambert
Sep 13 // Commonwealth Stadium // Edmonton, AB w/ Ella Langley and Brooks & Dunn
About Morgan Wallen:
Morgan Wallen sets the pace in, and beyond, country music – with Billboard calling him “the biggest country star in the world” and The New York Times doubling down, declaring he’s “one of the biggest stars in pop, period.” With 18 No. 1 singles at Country radio, 19 Billboard Music Awards to-date, more than 170 weeks spent atop Billboard’s Top Country Albums chart (the most in country music history), the highest selling country tour under his belt and more, Wallen has propelled country music to a global level in less than five years. As Las Vegas Review Journal puts it: “Wallen’s appeal is remarkable as it is fueled by his ability to connect to a crowd.”
With Dangerous: The Double Album, Wallen solidified his place as country music’s “dominant superstar,” with the project recently being named Billboard’s No. 1 Album of the 21st Century. One Thing At A Time’s groundbreaking success saw Wallen’s crossover appeal reach a global scale, as he topped the Australian ARIA charts for the first time, along with a host of other accolades. With three No. 1’s already hailing from his fourth studio album, I’m The Problem, available now via Big Loud / Mercury, Wallen digs even deeper, uncovering a side that’s both more vulnerable and more resolute than ever before.
As Wallen prepares a refreshed setlist for his 20-stadium-show I’m the Problem Tour, kicking off on June 20 in Houston, Texas, he also highlighted some of his favorite artists by bringing the personally-curated, multi-genre Sand In My Boots Music Festival to Gulf Shores, Alabama in May.
Wallen continues to donate a portion of every ticket sold to his Morgan Wallen Foundation — which supports youth music and athletic programs and gives communities access to essentials in times of crisis. More at MorganWallen.com.
We filmed it with five cameras and grabbed audio straight from the board, so it looks and sounds legit. Huge shoutout to the amazing crew who made this all happen.
If you were there, you’ll probably spot yourself singing along (or at least nodding enthusiastically). If you weren’t, no worries.
This is your chance to catch the vibe from your couch.
Thanks for being part of our story,
As they put the finishing touches on their seventh full-length album, GRAILKNIGHTS have already unveiled its first chapter with the release of their new single, "Necronomicon." Hailing from Grailham City, these superhero-themed metallers take on none other than Cthulhu; a monstrous, kraken-like entity. The single’s title is likely to resonate with many, as it draws inspiration from H.P. Lovecraft’s infamous book of the same name.
"Necronomicon" opens with an eerie echo, as if calling from beyond, before GRAILKNIGHTS plunge headfirst into the ocean’s depths with a singular mission: to stop the resurrection of the ancient beast whose return could spell the end of the world. Armed with thunderous drums, a blazing intergalactic guitar solo, and a rallying chorus forged to summon the bravest of metalheads, the band wage an epic battle to outwit Cthulhu in the sunken city of R’lyeh once and for all.
The GRAILKNIGHTS add: “Valiant Battlechoir, with ‘Necronomicon,’ we continue a journey we started on our 'Knightfall' album in 2018. We’ve always been fascinated by the world of H.P. Lovecraft - the atmosphere, the mystery, the sense of something vast and unknowable just beneath the surface. This song is our way of diving back into that universe. It’s also a spiritual follow-up to our earlier track ‘Cthulhu.’ This time we wanted to explore a different corner of that mythos though - something darker, more haunting, and a bit more epic in sound. Producing and recording ‘Necronomicon’ along with talented Sascha Paeth was intense and creatively rewarding. We focused on capturing that eerie, otherworldly mood that Lovecraft’s stories are known for, while staying true to our heroic and uplifting sound. We’re proud of how it turned out, and we’re excited to finally share it with you!”
"Necronomicon" was recorded at GateStudio (Wolfsburg, Germany) under the watchful eyes of Sascha Paeth (AVANTASIA, KAMELOT, RHAPSODY OF FIRE etc.). Its live premiere already took place during the group’s Grailfest, where Battlechoir members from all around the world came together at MusikZentrum Hanover on May 2 and 3. Fortunately, GRAILKNIGHTS fan don’t have to wait too long until their return as their 2025 “Battle Of Metal” co-headline tour with ALL FOR METAL will kick off at the very same venue on October 16. Containing 21 shows in total, the journey will lead both band’s way across 8 European countries.
About GRAILKNIGHTS
If it’s on their 2004 debut album Across The Galaxy” its follow-ups Return To Castle Grailskul and Alliance or their tales of the past 15 years ( Calling The Choir, Knightfall & Muscle Bound For Glory), GRAILKNIGHTS’ goal has remained the same - the Holy Grail must be returned to Grailham City! Their mission also led their flight path to stages around the globe, which they boldly dominated as headlining act and shared with acts such as SABATON, FEUERSCHWANZ, BROTHERS OF METAL and TWILIGHT FORCE among others, always supported by their brave fan base aka the Battlechoir.
During the years, some of these equally brave musicians have also lent their additional vocal support to the Hanover, Germany based squad: Tracks like "Turbo Boost [feat. FEUERSCHWANZ]" but especially "Pumping Iron Power," which was graced by SABATON’s Joakim Brodén, crafted additional intergalactic bondings between the band and metalheads worldwide, and saw GRAILKNIGHTS’ success numbers go through the roof with "Pumping Iron Power" heading for 15 million Spotify streams only.
Highly experienced in both studio and live battles, the superheroic metal group have faced and overcome several evil powers over time, and now they are set to oppose Dr. Skull in full length once again with their 7th adventure, followed by yet another journey across Europe. Joining forces with label family members ALL FOR METAL in autumn 2025, the “Battle Of Metal” can actually only end in another victory against all evil.
GRAILKNIGHTS are:
Sir Optimus Prime | vocals
Sovereign Storm | guitars, vocals
Count Cranium | guitars, vocals
Duncan MacLoud | bass, vocals
Lord Drumcules | drums
More on GRAILKNIGHTS:
grailknights.de | Facebook | Instagram | TikTok | X | YouTube | Spotify | Apple Music
Emerging from the vibrant underbelly of Atlanta's heavy music scene, LOW BEFORE THE BREEZE is set to release their much-anticipated album, A Hole Beneath The Home We Shared, on May 30, 2025, through Terminus Hate City. This release marks a bold evolution in the band’s sound, weaving the personal turmoils of its members into a dense fabric of screamo, black metal, and harsh noise influences.
From the raw emotional screams to the intricate guitar work, the album serves as a sonic narrative of vocalist and guitarist Andrew Spann’s harrowing experiences—from his failed marriage and his father’s illness to a tumultuous brush with physical abuse—all viewed through the lens of religious guilt. The album is a journey through dark and aggressive territories, yet it is deeply personal and introspectively crafted.
The recording process at Sobek Sound under the expert hands of engineer Conner Ray and mixer Simon Small at Tunnel of Reverb captures the band’s raw live energy while refining their sound into a polished yet aggressive album. Mastering by Erol Ulug at Bright Light Studios ensures that the depth and complexity of the sound are preserved, giving listeners a visceral listening experience.
Special guest appearances enrich the narrative and sonic depth of the album. Tim Jones from STARVED OF LIGHT and LEAFBLOWER lends his voice to "Same Joke Twice," adding a layer of angst and introspection, while Maurice White of APOSTLE and LADYBIRD features on "Cadaver Synod," contributing to the track’s brooding intensity. Sasha Schilbrack-Cole of MALEVICH not only contributes vocals on "Permission to Rest" but also provides the haunting album cover artwork, encapsulating the emotional and tumultuous themes of the album.
Tracks like "Night Wept" and "Cadaver Synod" are marked as focus tracks for their compelling storytelling and intricate musical compositions. "Night Wept" deals with an intense personal moment of public humiliation and private despair, while "Cadaver Synod" explores the death of relationships and old selves, making them standout pieces that showcase the band’s growth and the thematic gravity of the album.
The album will be available in various formats including vinyl, cassette, and digital, appealing to collectors and digital listeners alike. As LOW BEFORE THE BREEZE continues to push the boundaries of their genre, A Hole Beneath The Home We Sharedstands as a testament to their artistic growth and personal resilience.
For fans of heavy, introspective music, this album promises not just songs, but stories—each track a chapter, each lyric a line of survival. Dive into the depths of LOW BEFORE THE BREEZE’s new album and experience the tumultuous, cathartic journey of A Hole Beneath The Home We Shared.
About LOW BEFORE THE BREEZE:
Founded in 2021 in the eclectic music hub of Atlanta, Georgia, LOW BEFORE THE BREEZE quickly emerged as a force within the heavy music scene, known for their intense live performances and deeply introspective lyrics. Comprising vocalist and guitarist Andrew Spann, drummer Jonathan Balsamo, bassist Dennis Maganda, and guitarist Jonathan Kemp, the band synthesizes elements of screamo, black metal, and harsh noise to create a sound that is both aggressive and emotionally resonant.
LOW BEFORE THE BREEZE's journey began with the vision of Spann and Balsamo, who sought to explore the darker, more personal aspects of human experience through music. The addition of Kemp and Maganda in subsequent years brought new dimensions to the band's sound, enhancing their sonic landscape and deepening their lyrical exploration.
The band's music reflects a blend of personal trauma and societal critique, woven into compositions that challenge the boundaries of genre. Their lyrics often delve into themes of loss, betrayal, and the struggle for identity within the confines of societal expectations and personal turmoil. This thematic depth is matched by a musical intensity that captures the chaos and catharsis of confronting one's darkest moments.
With a discography that includes a demo and two EP's that have garnered attention both locally and internationally,, LOW BEFORE THE BREEZE has established themselves as a unique voice in the world of heavy music. Their commitment to authenticity and emotional rawness makes their performances compelling not just musically but as profound emotional experiences for their audience.
As they release their latest album, A Hole Beneath The Home We Shared, LOW BEFORE THE BREEZE continues to push the limits of their art, offering listeners a stark, unflinching look at the complexities of the human condition. Their music is a journey through the landscapes of pain and redemption, a narrative arc that resonates with anyone who has faced their own inner turmoil and come through transformed.
LOW BEFORE THE BREEZE is:
Andrew Spann - Vocals, Guitar, Electronics
Jonathan Balsamo - Drums, Percussion
Dennis Maganda - Bass
Jonathan Kemp - Guitar, Backing Vocals
Connect with LOW BEFORE THE BREEZE:
Bandcamp: lowbeforethebreeze.bandcamp.com
Facebook: facebook.com/LowBeforetheBreeze
Instagram: instagram.com/lowbeforethebreeze
Twitter/X: x.com/LowBefore
Apple Music: music.apple.com/gb/artist/low-before-the-breeze/1604008979
TikTok: tiktok.com/@lowbeforethebreeze
The dynamic rock band Swim the Current is excited to announce the release of their latest single, "Storylines", via TLG|ZOID, distributed by Virgin Music Group. This incredible new track was co-produced by George Pond and David Caplinger.
STREAM "Storylines"
The band's vocalist, Marcos Leal states, "The song defines everything Swim The Current is and the message we carry, a little bit of Texas country mixed with our heavy metal roots, and a FUCK YOU attitude that won’t lay down for anyone, get on board and enjoy the ride! It’s the echo in the tale you tried to bury , rising soft but sharp through the silence. A thorn in the story you spun in gold , blooming louder each time lied .”
Bringing together an all-star lineup of rock talents, including vocalist Marcos Leal(formerly of Ill Niño), bassist George Pond (Disciples of Verity), guitarist Greg Antine, drummer Chris Moore (George Lynch, Ultraphonix, Rock of Ages), and lead guitarist Joe Gareri, takes the band's sound to new heights.
WATCH the Official Lyric Video Directed by Tom Flynn for "Storylines" Below:
Having played in numerous bands throughout the years, Guitarist Greg Antine came to a point in his career where he wanted to branch out and write songs that had more depth and were inspired by his personal life experiences. Having worked with Bassist George Pond for several years in previous projects including, Disciples Of Verity, Greg expressed his concept for Swim The Current to George in hopes of collaborating with him on this new music venture. The two began to flesh out ideas in George’s home studio and realized quickly that they were on to something special, but still needed something more to see their ideas through to complete their concepts. Greg was introduced to Joe Gareri, Guitar/Keyboards, by George during the Disciples Of Verity debut album recording sessions which Joe is also featured on as a guest artist. The three of them immediately hit it off and worked extremely well together. Greg and George realized that Joe’s cinematic writing style would be a perfect match for their concepts and Joe was then brought in as a full time member. After two songs were completed and demo’d in George’s studio utilizing programmed drums, it was suggested by their friend Allyson Song River Jaynes, that they reach out to her friend, drummer Chris Moore of Ultraphonix, Rock Of Ages, to see if he would be interested in working with the project. Upon hearing the strength of songwriting and musicianship of the band, Chris was all in and signed on as the fourth full time member of STC and now the band, from an instrument’s perspective, was complete.
The final missing piece for STC was a lead vocalist who could capture the sound they envisioned for their music. After working in the studio with a few different vocalists, George ultimately reached out to his friend Marcos Leal, of legendary international touring band Ill Nino. Marcos loved the music of STC as well as having the freedom and creativity of writing lyrics for the project. After recording their first song together with Marcos, "We Are Not The Same", everyone new that this lineup was something special and Swim The Current was now complete! The release of "We Are Not The Same" took off instantly, and amassed thousands of streams, YouTube views and followers through a total organic DIY social media campaign.
Swim The Current’s sound is influenced and reminiscent of many of their favorite artists including, Deftones, Faith No More, Sevendust, POD, and Stabbing Westward. They continue to write new music and look forward to sharing their future releases with the world!
The Pagan folk band FAUN is excited to release their new single, "Lament," a track that delves into darker emotional territory. With "Lament," FAUN taps into the mournful power of myth, ritual, and grief, reimagining an old pre-Christian mourning song from northern England. The single is accompanied by a new music video, available below.
The band has extended the original song with additional verses, transforming it into an epic and emotional dirge enriched with choirs, drums, and traditional instruments.
On the new single, FAUN comments:
"With a choir of four singers from FAUN, a hurdy-gurdy, flute, key fiddle and lure (Celtic long trumpet), we dedicated this song to our friend and sound engineer, Jürgen Schneider, who tragically passed away in 2023, after more than 10 years of traveling and concerts together."
Watch the Music Video for "Lament"
FAUN previously announced their World HEX Tour 2025, a journey that will take them across the globe, including stops in the USA, Canada, Mexico, Brazil, Europe, and the UK. The band will also appear at some of the most prestigious festivals of 2025.
Tickets (and VIP-tickets) are available HERE.
US & Canada
6/13 – Austin, TX @ Come And Take It Live
6/14 – Dallas, TX @ Granada Theatre
6/16 – Lawrence, KS @ Granada Theatre
6/18 – Denver, CO @ Summit Music Hall
6/20 – Albuquerque, NM @ Sunshine Theatre
6/21 – Tucson, AZ @ 191 Toole
6/22 – Los Angeles, CA @ The Fonda
6/23 – San Diego, CA @ House of Blues
6/25 – San Francisco, CA @ Great American Music Hall
6/27 – Portland, OR @ Aladdin Theatre
6/28 – Seattle, WA @ Neptune Theatre
6/29 – Vancouver, BC (Canada) @ Hollywood Theatre
FAUN are:
Oliver Satyr: Vocals, Moraharpa
Laura Fella: Vocals
Adaya: Vocals, Bagpipe
Stephan Groth: Vocals, Hurdy-Gurdy
Niel Mitra: Synthesizer, Sampler, Keyboard, Beats
Alexander Schulz: Drums, Percussion
Mirjam Skal: Orchestration