STARACE Announce Debut Album With New Single "When The Light Has Gone"

Brazil’s genre-blurring rock trio StarAce are proud to announce their debut full-length album Real due out this fall, with the release of their electrifying new single “When The Light Has Gone.” Listen to the new track HERE and watch the accompanying lyric video below.

Following the anthemic hope of debut single My America, StarAce shift into darker, swaggering territory with “When The Light Has Gone,” a hypnotic shuffle that channels heartbreak through a haze of syncopated, seductive elegance. Described by the band as “an outrage with class,” the track fuses the unruly spirit of early rockabilly and gypsy jazz with their signature rock ’n’ roll roots. In singer/guitarist Julio’s words “Imagine Post Pop Depression-era Iggy Pop jamming with Django Reinhardt in a smoky backroom bar.”

Driven by theatrical swing, jagged edges, and vivid storytelling, When The Light Has Gone” tells the story of love lost—and the strange, lucid clarity that follows. It’s a song about letting go, without losing the joy of what once was. With its bruised glamour and rhythmic pulse, the single sets the tone for a record that’s as emotionally complex as it is sonically adventurous.

Raised in São Paulo, Brazil, and shaped by a household soundtracked by everything from The Beatles and Zeppelin to Metallica and Muddy Waters, brothers Julio, Luiz, and Thomaz Starace make music built on contrast: light and dark, melody and muscle, joy and survival. Their debut album, produced by David Frangioni (Aerosmith, KISS, Ringo Starr), dives deep into that duality—balancing fun and fire with depth and soul.

With each track, the brothers showcase a different side of their collective identity:

  • Julio Starace (vocals/guitar): The band’s emotional compass and principal songwriter, channeling Dylan-esque storytelling with a modern bite.

  • Luiz Starace (bass): The groove anchor, blending McCartney-like melodicism with rhythmic precision.

  • Thomaz Starace (drums): A powerhouse percussionist and producer whose dynamic approach fuses Bonham grit with Brazilian flair.

StarAce aren’t here to save the world—they’re here to give fans the soundtrack to save themselves. Their music is both an escape and a reckoning. It’s rock ‘n’ roll that remembers its roots, but isn’t afraid to wander off into darker alleys, swing a little harder, and come back swinging.

Their debut album, Real is set to arrive this fall, with more music and live dates to follow. For StarAce, this is just the beginning.

ABOUT STARACE

StarAce is more than just a band—it’s a brotherhood of sound and spirit. Hailing from São Paulo, Brazil, brothers Julio, Luiz, and Thomaz Starace have spent years refining their craft, creating a distinct fusion of classic rock, blues, and American roots music with a modern edge. Raised in a household filled with music, their early exposure shaped their passion for storytelling and musicianship. After experimenting under various names like Ferrorama and Ted Marengos, they ultimately returned to StarAce, a name that embodies both their family heritage and artistic evolution.

With influences spanning a who's who of rock 'n' roll legends such as Led Zeppelin, Bob Dylan, The Rolling Stones, and Muddy Waters, StarAce’s music is a blend of raw energy, intricate vocal melodies, and heartfelt lyricism. Their sound bridges past and present, layering soulful guitar riffs, grooving bass lines, and dynamic drum beats with emotionally driven storytelling. Their upcoming debut album, produced by David Frangioni (Aerosmith, KISS, Ringo Starr), captures this fusion of classic and contemporary, delivering a collection of hard-hitting anthems and soul-stirring ballads that showcase their depth as musicians.

Each member brings a unique essence to the band’s chemistry—Julio leads with his powerful vocals and intricate guitar work, drawing from the greats like Neil Young and Jimmy Page. Luiz anchors the rhythm section, blending Paul McCartney’s melodic sensibilities with Geddy Lee’s technical prowess, while Thomaz commands the drums with precision, balancing raw energy and a refined flare with a producer’s ear for sonic excellence.

With their roots deeply embedded in classic rock and their vision set on the future, StarAce is ready to carve their own path and bring timeless rock ‘n’ roll into a new era. They're not here to save the world, they're here to bring people together and provide fans with the soundtrack to their own salvation. After years of refining their vision and sound, their long-awaited debut album, Real, is a bold, genre-spanning statement from a band ready to leave their mark on the world.

CHICAGO METALCORE FORCE OUTFOXER REVEALS DARKLY TRANSCENDENT NEW SINGLE “ALETHEIA NYX”

Rising metalcore phenoms OUTFOXER are poised to awaken the underground with their most ambitious release yet: “ALETHEIA NYX” — a visceral exploration of truth, darkness, and the chaos that binds them. Drawing from Greek myth and modern existentialism, this new single is not just a song—it’s a reckoning.

“ALETHEIA NYX” is named after the Greek goddess of truth, Aletheia, whose mother is Nyx, the goddess of night. The song is about the nature of deception in a more visual representation, often repeating the line "truth in the night." The idea being, if you keep someone in the dark and tell them what is in front of or around them, they have no choice but to believe you because they can't actually see it themselves, serving as a metaphor for the act of obscuring or masking the truth for deceptive purposes

Band Bio:

OUTFOXER is a fast-paced metalcore band from Chicago, IL, known for fusing blistering aggression with relentless energy and a sharp lyrical edge. Formed by guitarist and songwriter Frankie Ciccarelli and vocalist/lyricist

Matt Matigian, the band draws from a wide swath of heavy music traditions to create something both punishing and precise.

Ciccarelli channels the chaotic intensity of bands like Every Time I Die, Norma Jean, Comeback Kid, and Converge, crafting riffs and rhythms that twist and surge with raw urgency. Meanwhile, Matigian brings a darker, visceral presence to the mic, rooted in the nu-metal melodicism and power of Mudvayne, All That Remains, and Chevelle. The result is a sound that’s as smart as it is savage—equal parts calculated mayhem and emotional catharsis.

Since their formation, Outfoxer has released the "The Next Testament" EP and the full-length "Gospel Snakes", both of which earned them a devoted following in the underground heavy scene. They’ve since dropped a standalone single and are currently building anticipation for their sophomore LP, "The Murder of Ares", with its second single on the horizon.



OUTFOXER isn’t just another metalcore band—they’re a relentless force that blends speed, fury, and depth into something distinctly their own.

Gridiron Release "Poetry From Pain"

Gridiron will bring Poetry From Pain to fans and venues all summer long. All upcoming confirmed dates, including Summer Slaughter, are below.

Gridiron, which originally formed as a pandemic project and have since grown into a full-fledged entity, features members of Never Ending Game, Simulakra, and Scarab, and connects the Philadelphia, Delaware, and Michigan areas.

Pushing every boundary to a breaking point, Gridiron will go to any extreme and then some. They follow quite possibly the most unpredictable playbook in the game. The band might flood the zone with a corpsepaint-smearing death metal barrage only to double back around for a victory lap narrated by blinged-out and braggadocios bars. Their hybridization of metal, hardcore, and hip-hop wouldn’t be out of place at either OZZfest 1997 or Rolling Loud 2027.

It's why the quintet have bulldozed their own path as a phenomenon with millions of streams and acclaim from Stereogum, Brooklyn Vegan, NO ECHO, and more.

Gridiron were born out of a series of COVID-era marathon Call of Duty sessions, which led to writing and recording together. Their musical pedigree spoke for itself with Will also in Never Ending Game, Xavier in Simulakra, and Tyler and Lennon in Scarab. Given their individual experiences, the guys instantly locked into a creative groove. Following the Loyalty At All Costs EP [2020] and Worldwide Brotherhood EP [2021], they dropped their first full-length, No Good At Goodbyes [2022]. Along the way, they also shared stages with everyone from Missing Link to Trapped Under Ice and have plenty of upcoming touring planned for 2025.

And now, Poetry From Pain is here and it slays.

“Poetry from pain is about team work, brotherhood, never settling for less than your best, always raising the bar, and finding ways to express what you’re feeling inside.”

GRIDIRON — Matthew Karll, vocals; Will Kaelin, guitar and vocals; Xavier Wilson, guitar; Lennon Livesay, bass; and Tyler Mullen, drums — are proud to release their new album Poetry From Pain today, May 30, via Blue Grape Music. Get it here

Stereogum fave for their "incendiary mosh riffs, the band has shared a dope, football-themed visualizer for the title track. Get off the bench and watch and listen here.

Groove? Check. Bounce? Check. Swagger? Check. Mosh? Check. Gridiron tick off ALL the boxes.

"Poetry From Pain is about teamwork, brotherhood, never settling for less than your best, always raising the bar, and finding ways to express what you're feeling inside," states Karll.

GRIDIRON ON TOUR:
5/31-6/1 — Detroit, MI — Tied Down Detroit
6/7 — Philadelphia, PA — GRIDSTOCK at Warehouse on Watts
6/21 — Rutherford, NJ — The Black Box at the Williams Center

SUMMER SLAUGHTER 2025:
WITH HATEBREED, FUGITIVE, MALEVOLENCE, ESCUELA GRIND, + INCITE:
7/8 — St Petersburg, FL — Jannus Landing
7/9 — Atlanta, GA  —The Eastern
7/10 — Baton Rouge, LA — Mid City Ballroom*
7/11 —  San Antonio, TX — Vibes
7/12 — Oklahoma City, OK — Diamond Ballroom
7/13 — Dallas, TX — Bomb Factory
7/14 — Memphis, TN — Growlers*
7/15 — Indianapolis, IN — Egyptian Room
7/16 — Pittsburgh, PA — Stage AE
7/17 — Huntington, NY — The Paramount
7/18 — Troy, NY —  No Fun*
*Gridiron Headline Show 

WITH HATEBREED, FUGITIVE, MALEVOLENCE, SNUFFED ON SIGHT, + INCITE:
7/18 — Springfield, MA — MassMutual Center 
7/19 —  Sayreville, NJ —  Starland Ballroom
7/20 — Philadelphia, PA — Franklin Music Hall
7/22 —  Charleston, SC — Music Hall
7/23 — Charlotte, NC — The Fillmore
 
WITH HATEBREED, BLEEDING THROUGH, MALEVOLENCE, SNUFFED ON SIGHT, + INCITE:
7/25 —  Rochester, NY — Water Street Music Hall
7/26 — Detroit, MI — Harpo;
7/27 — Milwaukee, WI  — The Rave
7/28 — Grand Rapids, MI — Intersection

Seattle's AUDIOGUST releases 'Here We Go Again' album, including superb hometown anthem

Seattle-based artist AudioGust presents his album 'Here We Go Again', comprising 14 deeply personal and universally relatable tracks. An ode to the highs and lows of creativity, this album includes some of his most popular singles, along with new material. Blending raw energy with introspective storytelling, the album explores the unpredictable nature of inspiration—both the exhilarating moments when it strikes and the emptiness when it fades.

AudioGust is songwriter, producer, and multi-instrumentalist Chris Evans, whose journey started as a guitarist and bassist in various 1980s bands. After a decades-long detour in the software industry, he has returned to his true passion - writing and recording in his own studio, releasing dozens of songs and collaborating with artists worldwide. Crafting memorable melodies and thought-provoking lyrics, underscored by upbeat rhythms and arrangements, AudioGust creates music that speaks to the disenchanted and dreamers alike through sonic explorations of the modern human condition.

Highlight track ‘Seattle’ is a love letter penned to the Emerald City, told through the eyes of a traveler who spends too much time on the road. Longing to return home, he clings to the memory of a fleeting connection made on his latest trip, hoping to bring that person back to experience everything he loves about his city. More than just a personal story, 'Seattle' is somewhat a theme song for the city itself.

“The theme of 'Here We Go Again' is the unpredictable nature of inspiration—both the euphoria of experiencing it and the despair when it disappears. The album is split into songs that explore the extremes of inspiration and songs that have come to me while living through those extremes. Structurally, the album follows a pattern: odd-numbered tracks tell stories about the many ways artists interact with inspiration, while even-numbered tracks are either songs that arrived in those flashes of creativity or, like Unspoken, took months of struggle to bring to life,” says Chris Evans.

Here, Evans presents a menu of hooky anthems for disenchanted optimists. With a sound vortex imbued with 90’s to 2000’s alternative rock, his guitar-driven music brings in a strong, driving rhythm section, big choruses and even bigger bridge sections. Offering a deep dive into the creative process, this record features six brand-new songs as well as fan-favorite singles, including 'Tomorrow is Mine', a finalist in the 2024 USA Songwriting Contest.

'Here We Go Again' sets the stage with the artist jolting awake at 3AM with a song forming in his head, struggling to capture it before it fades. 'Bubble in Your Champagne' is that very song. 'Unspoken' explores the frustration of knowing when to hold back words, even if they’re true—mirroring the battle to express thoughts in music when inspiration is nowhere to be found. 'I Like Falling Down' introduces a disillusioned character who clings to his depression as part of his self-identity, with his story taking a turn in 'Bright Yellow', inspired to create music that may help others and ends up saving himself.
 
'Whole Heart' follows a band from their earliest days to success, while the frontman wonders when true inspiration strike again to once again feel that fleeting, electrifying moment of creation.  'Award Show' delves into the darker side of creative success, exposing the paralyzing grip of imposter syndrome. 'Dead to Me' is written from the muse’s point of view, expressing frustration at being ignored by someone she’s trying to inspire. 'How You Been?', co-written with Celine Dion and Eminem collaborator Liz Rodrigues, explores the story of someone who left music behind to pursue a stable career, but ultimately understands he can no longer run from what truly makes him feel alive.

'Tomorrow is Mine' paints a striking picture of resilience through the eyes of a young girl trapped in a war zone, losing faith that today will bring change, but daring to believe that maybe tomorrow will bring a better future. 'Never Gonna Let You Go' is a ska-infused tune about a character who plays against someone who is trying to manipulate him. 'Something to Remember' is a tongue-in-cheek look at folks who feel they’ve never done anything truly memorable. The album closes on a deeply personal note with 'Keep Holding On', Evans' reflection on losing his father, grappling with how to move forward without someone who had always been a source of support and creative encouragement.  

As of May 30, the 'Here We Go Again' album is available from fine music platforms, including Spotify, Apple Music and Bandcamp.

ALBUM CREDITS
All songs written by Chris Evans
except 'How You Been?' written by Chris Evans & Liz Rodrigues
Recorded, mixed & mastered by AudioGust on Whidbey Island
Performed by AudioGust
Liliana Tani - vocals on 'Dead to Me'
Leslie Irish Evans - announcer's voice on 'Award Show'  
Cover artwork by Chris Evans
Publicity by Shameless Promotion PR

Keep up with AudioGust
Website | Bandcamp | Facebook | Instagram | Threads | Twitter | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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DUSTIN LYNCH DROPS CHILL SUMMER JAM "EASY TO LOVE"

Dustin Lynch ain’t “Easy To Love.” Flipping the title of his brand-new single in an unexpected way, the MULTI-PLATINUM star is the first to admit he’s stubborn, restless, and tough to pin down when it comes to matters of the heart. Listen to the chill summer jam here.

Written by Lynch with Ben Johnson, Jon Robert Hall, Hunter Phelps, and Zach Crowell, the autobiographical narrative speaks to Lynch’s life on the run as he confesses that he’s always been good at going alone – but is still looking for more: “I’m still thinkin’ maybe one day I’ll find her / They always say when you know, you know / If I know me, she’ll be my next right turn / But I’ll take a left just to see where it goes.” 


Equal parts vulnerable and vibey, easygoing production by Crowell wraps warm guitars and sunlit grooves around Lynch’s self-aware lyrics and no worries charm. “Easy To Love” marks the anticipated follow-up to Lynch’s 10th #1 “Chevrolet (feat. Jelly Roll).”


The adjoining music video further speaks to the track’s blue-skied optimism as a visual love letter to Key West. Filmed under director Jack Owens, the Florida footage captures Lynch ready for every opportunity that comes his way.

Throwing his see-and-be-seen pool parties for the last decade, he will next host DUSTIN LYNCH POOL SITUATION: NASHVILLE 2025, presented by Hey Dude. Returning for the third year at the rooftop pool of Margaritaville Hotel Nashville, the 18+ event is set for June 6 during CMA Fest weekend. Admittance is FREE on a first-come, first-served basis – but Lynch’s Stay Country Club members will get exclusive early access. Fans can join the Stay Country Club now.


Keeping the party going on June 7, Lynch will offer Nashville a taste of his Club Set – from his 2025 WYNN NIGHTLIFE LAS VEGAS RESIDENCY – when he hosts the DUSTIN LYNCH NIGHTLIFE PARTY at Barstool Nashville. Admittance for the 21+ event is FREE on a first-come, first-served basis. For a VIP table, text 615.606.2889.

Marking Wynn Nightlife’s first-ever country music artist residency in Las Vegas, Lynch’s 2025 WYNN NIGHTLIFE LAS VEGAS RESIDENCY boasts a live performance Daytime Pool Situation at Encore Beach Club and a Club Setat XS Nightclub through August. With a July 4 appearance on deck, find full details to all upcoming Lynch shows (including his co-headlining TWO FOR THE ROAD TOUR with Scotty McCreery) here.

KEEP UP WITH DUSTIN LYNCH
WEBSITE
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Alt-Pop Artist Dela Kay Drops “Between The Lines”

Alt-pop singer-songwriter, Dela Kay, has officially released her latest single, “Between The Lines,” today—a soul-searching, guitar-laced track that marks a bold new chapter in her sonic evolution. “It talks about how unusual and confusing peace can feel,” says Dela Kay. “Reading ‘between the lines’ to self-soothe can sometimes turn into self-destruction. But in my case, my

overthinking ended up being a strong intuition. The line between the two isn’t always easy to see.”

Originally written in July 2024 at collaborator Nick Cozine’s East Nashville home, “Between The Lines” explores the psychological push and pull of vulnerability, intuition, and self-sabotage in relationships. “It’s definitely a vibe I haven’t done before,” Dela Kay shares. “It’s moodier, built around vibey guitar lines, and it might actually be the first song I’ve released with a guitar solo—which is dope!”

Co-written by Dela Kay, Rikki Jo Randall, and Nick Cozine, produced by Stefano Pigliapoco and Nick Cozine, and mixed and mastered by Pigliapoco; “Between The Lines” dives into the tension between emotional safety and perceived threat—highlighting the anxiety that can creep in even during moments of calm.

Dela Kay also partnered with Working Holiday, a Nashville-based creative team known for their recent work with Medium Build, to design the single’s visuals and artwork. “They’re incredibly talented creatives, and I’m so happy I got to work with them on this song.”

With “Between The Lines,” Dela Kay invites fans into a new emotional and sonic space, blending atmospheric textures with raw honesty. “A note to my fans: always listen to your gut,” she adds. “When things go quiet and anxiety settles—what does your heart tell you? That’s the truth.”

MORE INFO:
Dela Kay
, who hails from the vibrant music scene of Nashville, TN, draws inspiration from artists such as The Maine, Maggie Lindemann, Paramore, and Avril Lavigne. With previous releases that have amassed over 2M streams collectively, and secured spots on Shazam's Best New Music Apple Playlist; Dela Kay believes that the past year of her career has been her most authentic to date. With a commitment to continue releasing singles throughout the rest of this year, she is determined to leave a lasting impression and make her mark on the music industry with her unique voice and perspective.

At the start of Dela Kay’s career in 2014, her electro-pop style began to emerge through a collaboration with Grammy-winning singer/songwriter and producer, Femke Weidema; which eventually led to her first electro-pop/European-infused single release, “9 out of 10.” Named by Earmilk as an artist who was gifted “with a rich, distinctive vocal style” for her release of “Make You Mine,” Dela Kay went on to continue releasing singles and garnering hundreds of thousands of streams. In 2019 Dela Kay released “All My Love” through Sony Music, which ended up charting 49 on the top 150 global artist charts for Digital Radio Tracker as well as in the top ten for the Top Independent Charts. After a brief hiatus, Dela Kay marked her return by debuting a new, more alternative sound in 2021 with the release of “The Worst Part,” via Wonderland Magazine, and has been releasing this style of music ever since.

Impureza Honor Fallen Warriors with Brutal Flamenco

IMPUREZA are not stopping their Hispanic metal conquest anytime soon. Today, the band are releasing “La Orden del Yelmo Negro” as the second single off their upcoming Reconquista-themed third album Alcázares.

With “La Orden del Yelmo Negro”, Impureza pay homage to a sacred brotherhood of warrior monks with their signature offering of brutal flamenco death metal. Steeped in mysticism, sacrifice and unwavering devotion, the song crusades across the desert in search of the Holy Land during a time of war that spanned more than seven centuries of Iberian history.  

Watch the lyric video for “La Orden del Yelmo Negro” below:

Alcázares comes out July 11, 2025.

Pre-order & Pre-save

https://orcd.co/impurezaalcazares

Amidst the desert heat of “La Orden del Yelmo Negro”, Impureza ignite in a blaze of riffs, flamenco flourishes and blast-beat fury. Orchestral arrangements, fretless bass and guttural vocals bring to life a vision both ancient and transcendent. Like all of Alcázares, the song’s lyrics are entirely in Spanish, invoking a vivid world where myth and martyrdom intertwine.

IMPUREZA is a Spanish metal band formed in 2004 by guitarist Lionel Cano Muñoz from Orléans. Their music is distinguished by a unique fusion of extreme metal and Spanish sounds inspired by Andalusian culture and flamenco, creating an atypical style known as Hispanic Metal. Impureza remains an innovative project in the international metal scene, making it a pioneer of the genre.

The entire concept of the band revolves around the voluptuousness of Latin atmospheres, the ferocity of metal, and Spanish culture and history, explored through a fictional and esoteric aspect. Their compositions feature both clean and guttural vocals sung in the language of Cervantes, flamenco guitar, acoustic fretless bass, extreme metal, and orchestral arrangements that evoke the colors of Spain. The very essence of their music lies in the duality between two seemingly opposed musical genres, which, through clever composition, give birth to a new and avant-garde style. Their fiery music is literally the union of traditional Hispanic folklore and extreme metal. These metal warriors brandish their Iberian sounds as weapons with pride. This ingenious alliance is matched only by the singular and unprecedented creative originality of its founder Lionel Cano Muñoz and his compañero Esteban Martín, both of Spanish nationality. Impureza’s conquistadors draw inspiration from their strong identity, which defines the band's very essence. Impureza's members are also influenced by many Spanish artists such as flamenco guitarist Paco de Lucía and gypsy singer Camarón de la Isla, as well as bands like Behemoth, Morbid Angel, Krisiun, and Fleshgod Apocalypse, among others.

Let the conquistadors of Impureza lead you into their realm and immerse you in Spanish culture with a groundbreaking musical concept — the one and only fierce guardians of Hispanic Metal!

SOMOS IMPUREZA!

Line-up:
Esteban Martín – All Vocals
Lionel Cano Muñoz – Rhythm, Lead & Spanish Guitars
Florian Saillard – Fretless Bass
Guilhem Auge – Drums

VADER - New EP 'Humanihility' Out Today

Humanihility, the brand new EP by Polish death metal veterans VADER has been unleashed upon the world today. Please scroll down to purchase your physical copy or to stream the release in full!

Five years after the much-lauded 12th studio album Solitude In Madness, VADER return with 3 brand-new tracks once again produced by Scott Atkins at Grindstone Studio, UK. Featuring excellent artwork by Marcelo Vasco (Slayer, Testament, Dark Funeral), this EP marks the first recording as a quintet with guitarist Mauser returning to the group and new drummer Michael alongside vocalist/guitarist Peter, bassist Hal and and another long-time member of the band - guitarist Spider.

Humanihility offers scorching new songs that prove to be vicious, thrash-laden anthems perfectly blending old-school thrash with VADER's unique straight-forward fury and neckbreaking tempos. Each of the songs was created by a different band member, giving them a more personal style.

The only physical edition will be a  limited 12'' (red vinyl, 700 copies).

VADER formed back in 1983 and besides releasing classics such as The Ultimate Incantation, De Profundis, Litany (which has its 25th anniversary in 2025) and many more, are the longest active extreme metal band to ever emerge from Europe!

PURCHASE OR STREAM HUMANIHILITY:
https://vader.bfan.link/humanihility

ABOVE SNAKES Returns With Explosive NEW Single “FORSAKEN”

“FORSAKEN” sits in the tension between holding on and letting go. It’s about loving something that’s slipping through your fingers knowing it might break you, but not ready to walk away. Dark, raw, and restless, "FORSAKEN" captures the weight of memory, the fear of change, and the fight to not lose yourself in the process.

The wait is over. Hard rock renegades

ABOVE SNAKES are back with a vengeance, unleashing their most anthemic and emotionally charged single to date: “FORSAKEN.”

Done playing by the rules and surrounded by snakes and fakes, Boston’s ABOVE SNAKES launched in the heart of the 2020 pandemic with one mission: torch the playbook and carve their own path. Since then, they’ve toured with Drowning Pool, From Ashes to New, Adelitas Way and Saliva, while earning repeated Premieres on SiriusXM Octane and adds on Music Choice. With over 7 million global streams, all produced and mixed by Kile Odell (Papa Roach, Citizen Soldier) ABOVE SNAKES has also landed editorial support from Spotify, Apple Music, and Pandora.

THE HAUNTED Launches Official Music Video for "Death to the Crown," New Album Out TODAY

Swedish thrash pioneers and purveyors THE HAUNTED are now releasing their tenth studio album, 'Songs of Last Resort,' today, May 30, 2025 via longtime partners Century Media Records. To celebrate, the band is now unleashing another scorching new music video for the song "Death to the Crown," which can be found below.

THE HAUNTED guitarist Ola Englund comments about the new single “'Death to the Crown’ is one of those songs that just came out of pure frustration. It’s about that feeling when you’re watching politicians or leaders treat real people like pawns in some kind of game. It’s not about any one person or country – it’s about the bigger pattern. Power going to people’s heads, egos growing out of control, and the rest of us left dealing with the mess. It’s heavy. It’s aggressive. It’s THE HAUNTED.”.

With music recorded by Oscar Nilsson at Studio Bohus, main vocals recorded by Björn Strid at The Cellar Studio, 'Songs of Last Resort' was then mixed and mastered by Jens Bogren at Fascination Street Studios (Kreator, Arch Enemy, Sepultura, etc). Artwork was once again provided by longtime visual collaborator Andreas “Diaz” Pettersson. Pre-orders are now live HERE.

Lineup:

Ola Englund – rhythm & lead guitar

Jonas Björler – bass, backing vocals

Marco Aro – lead vocals 

Adrian Erlandsson – drums 

Jensen – rhythm guitar

Cover Artwork:  Andreas “Diaz” Pettersson

Music recorded by Oscar Nilsson at Studio Bohus

Main vocals recorded by Björn Strid at The Cellar Studio

Mixed and mastered by Jens Bogren at Fascination Street Studios 

'Songs of Last Resort' will be available as Ltd. CD Mediabook & Poster (Incl. the bonus track “Feeding the Furnace” (02:32)), as Standard CD Jewelcase, as Digital Album and as 180g. LP & Poster in the following variants: 

- Black LP & Poster (Unlimited)

- Ltd. transp. red LP & Poster (500x copies, available from www.cmdistro.de & various other retailers)

- Ltd. transp. petrol green LP & Poster (300x copies, available from various retailers in Europe)

Follow/Stream:

OFFICIAL WEBSITE

FACEBOOK

INSTAGRAM

YOUTUBE

WEBSTORE

IRON SAVIOR To Release Final Part Of “Reforged” Double Album Series, “Machine World,” on August 22, 2025

IRON SAVIOR are one of the dinosaurs in the scene as well as pioneers of the traditional power metal genre and can proudly look back at almost 30 years of history. Founded by Piet Sielck (guitars, vocals) in 1996, the Hamburg, Germany based band quickly established themselves with their energising mix of power metal and sci-fi driven lyrics. Especially fantasy inspired metalheads have always been in love with IRON SAVIOR’s early works which are built on a story about a spaceship carrying the band’s name and their popularity is unbroken. Iron Savior [ 1997], Unification and Interlude [both 1999], Dark Assault [2001], Condition Red [2002] and Battering Ram [2004] were bestsellers - until they ran out of stock.

In order to meet the demand, IRON SAVIOR -- now consisting of Sielck, guitarist Joachim Küstner and a rhythm section powered by Patrick Klose (drums) and latest member Patrick Opitz (bass) -- didn’t only re-record the material from their Noise Records years (1997-2004), they even added an additional doze of enthusiasm to the original songs. Part 1 and 2 of these session have been received enormously well from fans, that’s why the group are even prouder to announce the release of the concluding third part of their legacy worshipping Reforged series today.

Due out on August 22, 2025, Reforged - Machine World features reinterpreted songs as well as a cover version of JUDAS PRIEST’s "Starbreaker," skillfully bridging to IRON SAVIOR’s old tradition of frequently paying tribute to the ‘metal gods.’ The new 2CD/LP marks the quartet’s debut release at their new label home PERCEPTION, the promising new division of Reigning Phoenix Music, where they (re-)unite with other well-known acts such as DANKO JONES, GRAILKNIGHTS, J.B.O., and SERIOUS BLACK among others. The 16 included tracks were recorded and produced at Powerhouse Studio Hamburg by frontman Sielck, who additionally took care of mixing, mastering and artwork/layout of the album.

Band leader Piet Sielck comments: “After collaborating with Nils Wasko and Jochen Richert [managing director] at AFM Records, I didn’t have to think twice when it came to deciding about a new partner. Continuing success, chart entries and three satisfied parties - band, fans and label - are more than enough reasons to follow the two of them to PERCEPTION and the Reigning Phoenix Music family. Onwards to at least 15 more years of this fruitful union!”

Label strategist Wasko adds: “We’re really thankful for IRON SAVIOR’s trust, and we’re equally happy to continue working with Piet and his fellow men at PERCEPTION. Having a collaborative long-term plan, IRON SAVIOR are only warming up, and we’re extremely confident to reach new extragalactic spheres together, with their final 'Reforged' chapter blasting off on the journey to their next original studio album. Power and melodic metal maniacs, go aboard!”

Pre-order/pre-save Reforged - Machine World: https://ironsavior.rpm.link/machineworldPR

Today’s announcement is supported by the first appetizer of the ‘upgraded’ album, "Eye Of The World [2025 Version]," which can originally be found on IRON SAVIOR’s 2001 effort, Dark Assault.

“I was just never happy with this song. Somehow it didn't really take off. But the new version is an absolute hit and is now even being released as the first single,” comments Sielck.

Convince yourselves and stream it here: https://ironsavior.rpm.link/eyePR

IRON SAVIOR are:
Piet Sielck | vocals, guitars
Joachim Küstner | guitars
Patrick Opitz | bass
Patrick Klose | drums
 
More on IRON SAVIOR:
iron-savior.com | Facebook | YouTube | Spotify | Apple Music

UK Metal Trio URNE Release New Single “Harken The Waves” — A Nine Minute-Plus Epic Ft. Troy Sanders of Mastodon

Beloved by tastemakers and the underground alike, the London-based metal trio URNE has today released a nine-minute-plus undulating epic, “Harken The Waves,” featuring guest vocals from Mastodon’s Troy Sanders. On the track, Sanders and URNE frontman Joe Nally’s voices blend into a powerful duet that crests and crashes like the song itself. The new single comes alongside a music video, available to view below.

Frontman Joe Nally comments on the new single:

“We feel this is one of the best songs we’ve ever written. On top of that, we were lucky enough to have Grammy-winning metal icon Troy Sanders, from the legendary Mastodon, lend his vocal talents. We’ve grown up listening to Troy and watching Troy live, so having someone like him not only appear, but take on such a significant role in the song, elevating it to another level, means a lot.”

Watch the Music Video for "Harken The Waves" Below:

“Harken The Waves” follows URNE’s recently released double A-side: "Throes Of Grief"plus a spectacular cover of Black Sabbath’s “I.”

 

Watch the Lyric Video for "Throes Of Grief" HERE

Listen / Stream to "I" HERE

Over the course of two studio albums plus a touring schedule taking in key festival appearances, including Download in the UK, URNE continually redefine the world of epic arena metal, showing that heavy music can also be laden with atmosphere and intent.

 

URNE embark on a headline run across Germany and France this September, in addition to a newly announced headline performance at London’s Camden Assembly. Then, in December, URNE join Orange Goblin as part of the latter’s UK farewell tour.

 

See the full list of dates below.

URNE Live:

URNE Headline Tour Dates

Sep 13 - London, UK @ Camden Assembly

Sep 15 - Wiesbaden, DE @ Kesselhaus

Sep 16 - Berlin, DE @ Cassiopeia

Sep 19 - Paris, FR @ La Maroquinerie

Sep 20 - Lille, FR @ Le Grand Mix

Sep 22 - Toulouse, FR @ Le Rex

Sep 23 - Lyon, FR @ Transbordeur Club

 

Tour Dates In Support of Orange Goblin

Dec 10 - Glasgow @ The Garage

Dec 11 - Dublin @ Button Factory

Dec 12 - Wolverhampton @ KK Steel Mills

Dec 13 - Manchester @ Academy 2

Dec 14 - Bristol @ SWX

Dec 16 - Southampton @ The 1865

Dec 17 - London @ Kentish Town

URNE will also appear at several festivals this summer including Hellfest (France) and Rock For People (Czech Republic).

URNE are:

Joe Nally - Vocals/Bass 

Angus Neyra - Lead Guitar 

James Cook - Drums 

Fit for a King Announce New Album "Lonely God" + Share Video for Title Track

FIT FOR A KING  — Ryan Kirby, vocals; Bobby Lynge, guitar; Daniel Gailey, guitar; Trey Celaya, drums; and Ryan "Tuck" O'Leary — bass/vocals — are thrilled to announce their new album and eighth overall, titled Lonely God. It was recorded in Los Angeles with producer Daniel Braunstein [Spiritbox]. 

Lonely God will arrive on August 1 via Solid State Records. Pre-order it here

The band, which just wrapped up a sold-out North American tour with Killswitch Engage, Kublai Khan TX, and Frozen Soul, are dropping the video for the title track today, as well. Watch it below

It boasts ALL the sonic hallmarks FFAK fans have come to know and love — gnarly riffs, guttural growls, deep grooves, and a slightly industrial crunch that takes things to the next level, every single time. 

"In general, 'Lonely God' relates to the pursuit of power," shares Kirby about the track. "They're trading companionship, relationships, and love for power and money. You may have all of the power and be a 'God,' but it's a lonely spot because the world despises you."

Further expanding on the album itself, Kirby shares, "Lonely God is the result of us writing with no agendas. We didn't care about which song could be viral, or if we needed radio tracks, etc. We just wrote what we wanted, for the first time, in a really long time." 

He finishes, "All five of us have our fingerprints on this album. We found a way to balance our voices. We've always been genuine with the lyrics, and that's the case again. There’s so much heart behind all of the instrumentation too. There’s definitely a lot of growth because our bond is tighter than ever."

Fit For A King harness the power of their brotherhood in order to push forward. The music contains traces of the members' personal and collective experiences grafted onto an ever-evolving sonic palette of metalcore unpredictability, alternative melody, and deathcore brutality laced with electronic alchemy. As trends came and went in the background of the last decade, the quintet has weathered trials and tribulations as well as enduring the chaos of a world constantly influx. However, their bond stretches back to 2011 when Fit For A King unleashed their independent debut Descendants. They continually progressed with Creation/Destruction [2013], Slave to Nothing [2014], Deathgrip [2016], and The Path [2020]. Meanwhile, 2022's The Hell We Create marked their fifth Top 3 debut on the Billboard Top Christian Albums Chart and third straight Top 15 debut on the Top Album Sales Chart. Outburn applauded how, "With The Hell We Create, Fit For A King takes on a new depth," and KERRANG! assured, "It hits hard in all the right places." They've impressively garnered just shy of half-a-billion streams fueled by staples like "When Everything  Means Nothing," "The Price of Agony," "Breaking the Mirror," and more. Along the way, they also collaborated with the likes of August Burns Red, The Plot In You, The Ghost Inside, and We Came As Romans in addition to packing houses on tour. In 2025, you can hear their strength and camaraderie loud and clear on their eighth full-length offering, Lonely God [Solid State Records].

Pennsylvania alt-pop artist Celeste Corsano presents haunting & passionate 'Nightbird' single

Pennsylvania-based artist Celeste Corsano presents her new single 'Nightbird', the dark side of the ying-yang, following her recently-released debut single 'Sunlight Gazing'. An innovative singer-songwriter, Corsano is the latest artist to be added to the growing roster of the blossoming Montclair, NJ-based indie label Magic Door Record Label. 

Corsano's music blends poetic lyricism with adventurous arrangements, unexpected rhythms and a distinct emotional range -- from ethereal and moody to playful and bold. With a natural use of mixed meters and layered vocal timbres, her fearless approach to storytelling conveys a deeper truth.

"I live in a rural area. There's nights when I can't sleep, thinking about my living dreams, desires and worries...the noise and chaos of my circumstances and feelings crowd my mind. When that happens, I lie in bed and look out my window and see the shadows of trees, lightning bugs flash, and sometimes hear the cry of a fisher cat... so eerie and wild. I hear the call of an owl, or see a bird that's been disturbed from its perch and fly to another spot. The sights and sounds become part of a message to me.... a nightbird...calling to me," says Celeste Corsano.

For the past year, Corsano has been working with renowned producer Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna, Crash Harmony) at Magic Door Recording Studio, who produced, recorded, mixed and mastered this release, as well as several recordings to follow. 

With Ketchem also on drums, this single also features fantastically notable guitarist James Mastro (The Bongos, Mott the Hoople, Ian Hunter, Patti Smith, John Cale) and keyboardist-bass player David Nagler of Nova Social (who has also played with Joan Baez, Aaron Neville, Rosanne Cash, Andrew Bird, Steve Earleand Yo La Tengo).

"I came to Ray Ketchem with iPhone recordings of my keyboard, voice, lyrics and a dream.... and for the next few months I traveled 1 1/2 hours one way to have one of the best times and learning experiences of my life. Ray was the producer, drummer and engineer for my songs, He created the fundamental groundwork and direction for Nightbird with his distinctive drum riff," says Celeste Corsano.

"Besides my demo, the drums were a catalyst and inspiration for guitarist James Mastro and synth player-bassist David Nagler to create the full tapestry, against which I could express myself vocally when it came time to record my tracks. I remember feeling so elated and on a musical high watching and listening to Mastro record the tracks for 'Nightbird'. Those hours are unforgettable. He was a part of the music, his entire body and expression connected to his guitar, rippling like water to its sounds. The guitar work expresses the lyrics so perfectly. It was very moving to watch."

She adds, "David Nagler selected the coolest sounds and added so much to the attitude of this song. When the bass first comes into the song it sends chills. Working with Ray, James and David was such an inspiration. All three of them are so down to earth, personable and into the music. They are all legendary in the music realm and I'm so fortunate to have worked with them."

Raised on a steady diet of lyric-driven artists, Corsano then discovered the pulse of the new wave and punk scenes. Quite active in NYC’s live music scene in her youth, she also wrote poetry, studied art and absorbed sound at a granular level. Initially performing Celtic and Bluegrass music in the tri-state area, she ultimately evolved as a solo artist, writing her own material.

Coming from a deeply musical family, Celeste draws constant inspiration from her brothers - Latin roots musician Tony Corsano and avant-garde percussionist Chris Corsano (Björk, Kim Gordon, Thurston Moore). She also honed her ear during countless studio recording sessions attended with her ex-husband Brad Morrison, producer and founder of Absolute A-Go-Go Records, known for working with such notable artists as Phish, the Figgs and Spiral Jetty.

As of May 27, 'Nightbird' is available from fine online music platforms, including Bandcamp, where 'Sunlight Gazing' can also be found. Additional releases are expected to follow throughout 2025. 

CREDITS
Written by Celeste Corsano
Produced by Ray Ketchem
Celeste Corsano - vocals and piano
James Mastro - guitars
David Nagler - bass and synths
Ray Ketchem - drums
Cover artwork by Chris Corsano
Released by Magic Door Record Label
Recorded, mixed & mastered by Ray Ketchem at Magic Door, Montclair NJ
Publicity by Shameless Promotion PR


Keep up with Celeste Corsano
Facebook | Bandcamp | Instagram | YouTube | Spotify | Apple Music | Press contact

Keep up with Magic Door Record Label
BandcampFacebook | Instagram  | Soundcloud | YouTube | Magi c Door Studio | Press contact

Keep up with Shameless Promotion PR
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The Archives Nashville Returns for Second Annual Artist Closet Sale at CMA Fest

The Archives Nashville, a premium digital archiving and storage company specializing in musicians’ wardrobes, will host the second annual Artist Closet Sale during this year’s CMA Fest, running June 5-8 and providing fans an exclusive opportunity to shop their favorite artists’ closets. A portion of the proceeds will support the CMA Foundation’s mission to provide students with access to high-quality music education and equip educators with the resources needed to sustain thriving programs.
 
The Artist Closet Sale will be held at Fan Fair X, located in Nashville’s Music City Center, from 10:00 a.m. to 5:30 p.m. daily, with this year’s activation occupying double the space of last year’s Closet Sale which raised over $30,000 for the CMA Foundation. Fans will have the chance to browse and purchase wardrobe items from a star-studded lineup including Lauren Akins, Dierks Bentley, Jordan Davis, ERNEST, Riley Green, Tyler Hubbard, Wynonna Judd, Miranda Lambert, Ella Langley, Little Big Town, Ashley McBryde, Megan Moroney, Thomas Rhett, Jelly Roll, Alana Springsteen and Bailey Zimmerman.
 
“We are excited to bring this unique shopping experience back to CMA Fest and support the CMA Foundation’s incredible work,” shares The Archives founder and longtime celebrity stylist Tiffany Gifford. “Fans will again have the chance to own a piece of their favorite artists’ wardrobe while contributing to a cause that nurtures the next generation of musicians and educators.”
 
With the vast wardrobe that musicians acquire over the years, Gifford realized there were no viable wardrobe archiving solutions, so she created The Archives to help clients not only store their wardrobe safely and securely, but to offer a digital solution to keep all things organized, searchable and accessible to her clients and their respective teams. The Archives functions by taking inventory and digital photos of the desired wardrobe to be archived, giving teams the option to store pieces in their facilities or integrate their system into current storage locations. RFID tracking technology programmed into each piece allows for tracking movement of each garment with the online inventory showing all pieces and their location while allowing movement as needed. 
 
Clients are able to see specific movement of wardrobe between closets to take current inventory in case of loss or damage; ensure proper storage of all garments and accessories to preserve valuable and noteworthy pieces; quickly search and filter wardrobe from garment attributes, events worn, and style details; more easily curate garment displays for museums and private companies or personal showings; and monetize select pieces by making them available for rent through the platform.
 
For more information, please visit TheArchivesNashville.com and follow on Instagram @thearchivesnashville.

Larry Fleet Releases the Groove-Filled "Like You Used To"

Country hitmaker Larry Fleet is back with a brand-new single and even more chances for fans to catch him live. The blues-tinged “Like You Used To” finds Fleet searching for answers on a fading love that once burned with passion. Listen Below.

Co-written by Fleet with Jamie Moore and Ernest K., the mid-tempo groove leans into warm country soul as Fleet reflects on the little things that once made love feel electric – and how to bring that spark back.

“We’ve all been in that relationship where the fire cools off a bit, and you start looking back, wondering where the spark went,” said Fleet. “That’s what ‘Like You Used To’ is about – but it’s got a groove, and I think a lot of folks will connect with this.”

“Like You Used To” follows Fleet’s “Hard Work & Holy Water” and his recent release “A Lotta Women,” a heartfelt tribute to the kind of steady love that holds it all together – both of which showcase the blue-collar ethos and emotional honesty that define his sound.

And fans will have even more chances to hear these tracks live, as Fleet expands his Hard Work & Holy Water Tour with 25 new U.S. dates running through the end of 2025.

Fleet will first take his soulful mix of country, R&B and Southern rock overseas, kicking off the international leg of the tour in Glasgow, Scotland on August 20, followed by shows across the U.K., Belgium and the Netherlands.

Returning stateside, Fleet heads right to the heartland on September 11 in Shipshewana, Indiana, launching a coast-to-coast trek from Georgia to California, with dates extending through December 12 in Las Vegas. On most nights, fans will enjoy a double shot of Fleet – opening with an acoustic set before returning with his full band for the main show. Rising duo The Kruse Brothers will join select West Coast dates.

Fleet’s recent run of sold-out shows and expanding global footprint underscores a breakout chapter in the making. As Billboard praises, he’s an artist who “delves into blues, rock and retro-country with ease,” and with every new release, he proves there’s no substitute for the real thing.

For more information, visit LarryFleet.com.

See Larry Fleet Live:
Aug. 20, 2025 || Glasgow, UK || SWG3
Aug. 22, 2025 || Camden, UK || Electric Ballroom
Aug. 23, 2025 || Bottesford, UK || The Long Road Festival
Aug. 26, 2025 || Belfast, UK || Limelight 1
Aug. 28, 2025 || Dublin, Ire. || The Academy, Middle Abbey Street
Aug. 30, 2025 || Den Haag, Netherlands || Once In A Blue Moon Festival
Sept. 11, 2025 || Shipshewana, IN, USA || Blue Gate Performing Arts Center
Sept. 12, 2025 || Des Moines, IA, USA || Val Air Ballroom
Sept. 13, 2025 || Burnsville, MN, USA || Buck Hill Ski & Snowboard Area
Sept. 25, 2025 || Bloomington, IL, USA || The Castle Theatre
Sept. 26, 2025 || Wisconsin Dells, WI, USA || Crystal Grand Music Theatre
Oct. 2, 2025 || High Point, NC, USA || Cohab Space
Oct. 3, 2025 || Gainesville, GA, USA || Boot Barn Hall - Gainesville
Oct. 4, 2025 || Douglas, GA, USA || Martin Centre
Oct. 5, 2025 || Winnsboro, SC, USA || Field & Stream Music Fest
Oct. 16, 2025 || Saginaw, MI, USA || Red Room at DOW Event Center
Oct. 17, 2025 || Cleveland, OH, USA || House of Blues
Oct. 18, 2025 || Buffalo, NY, USA || Town Ballroom
Oct. 23, 2025 || Cedar Park, TX, USA || The Haute Spot
Oct. 24, 2025 || Houston, TX, USA || House of Blues
Oct. 25, 2025 || San Antonio, TX, USA || Stable Hall
Nov. 6, 2025 || Sioux City, IA, USA || Hard Rock Hotel & Casino Sioux City - Anthem
Nov. 7, 2025 || Sioux Falls, SD, USA || The District
Nov. 8, 2025 || Hays, KS, USA || Fox Theatre
Dec. 4, 2025 || Phoenix, AZ, USA || The Van Buren*
Dec. 5, 2025 || San Diego, CA, USA || House of Blues San Diego*
Dec. 6, 2025 || Sacramento, CA, USA || Ace of Spades*
Dec. 10, 2025 || Anaheim, CA, USA || House of Blue*
Dec. 11, 2025 || Bakersfield, CA, USA || The Historic Bakersfield Fox Theater*
Dec. 12, 2025 || Las Vegas, NV, USA || Golden Nugget
*with special guests The Kruse Brothers

About Larry Fleet:
Tennessee-born troubadour Larry Fleet grew up on a stack of records spanning Merle Haggard, Otis Redding, Willie Nelson and Marvin Gaye. A thoughtful songwriter with a knack for a one-liner, an ear for a sturdy hook, and a powerhouse voice that strikes like a match, Fleet was working blue-collar jobs to make ends meet long before landing his recording contract with Big Loud Records. Seven years later and again working as an independent artist, the devout family man is turning heads among fans and critics as a songwriter (“Man Made A Bar” recorded by Morgan Wallen featuring Eric Church) alongside his own music, 2021’s tribute to the music that raised him, Stack of Records, his aptly titled 2019 debut, Workin’ Hard, 2023's Earned It, featuring the single “Things I Take For Granted,” and his first latest, 2025’s independently-released “A Lotta Women.” Saving Country Music puts it simply: “If you're looking for the future of traditional country music, then look no further.” 

CONNECT WITH LARRY FLEET
WEBSITE | FACEBOOK | X | INSTAGRAM | TIKTOK | YOUTUBE

Kenny Chesney Delivers Blazing Show & Megan Moroney 4 Song Surprise

When Kenny Chesney, recently named Billboard’s No. 1 Country Artist of the 21st Century, pledged that his first ever residency would have surprises, moments no one saw coming and a whole lotta love, he wasn’t kidding. Having kicked off his first set of dates with duet partners and shared award-winners Kelsea Ballerini and Grace Potter, the East Tennessee songwriter/superstar kept the female energy high by welcoming good friend and Sun Goes Down Tour mate Megan Moroney to Sphere Vegas for a high chemistry, big love collaboration.
 
Beyond debuting Moroney’s postcards from No Shoes Nation “You Had To Be There,” which captures her journey from cheap seats to stadium opener, Moroney played her Top 5 smash “Am I Okay?,” which she performed with Chesney’s blazing hot band at Gillette Stadium. The pair reprised their romping “All The Pretty Girls,” plus Moroney’s return-to-the-set-list fave “She Thinks My Tractor’s Sexy.”
 
“No one has more fun onstage than Megan Moroney,” Chesney enthused after the pair’s high velocity duets. “She doesn’t just radiate joy up there, she makes everybody want to experience the amount of fun she is clearly having. Even I want to – and don’t always – maintain that level of feeling good. She just brings it.”
 
Pro Football Hall of Famer Emmitt Smith and uber-manager Shep Gordon (Alice Cooper, Teddy Pendergrass, Ann Murray) were spotted in a decidedly animated crowd. As Chesney noted after the show, “For a Wednesday night crowd, it sure felt like Saturday night! Maybe it was Megan… Maybe we’re really getting the hang of Sphere… Or else it was just meant to be… No matter why, it was an incredible night in No Shoes Nation.”
 
With USA Today headlining their rave review, “Kenny Chesney delivers vibrant, visually arresting feast at Sphere Las Vegas,” they deemed the show “a technicolor wonder” and wrote, “It’s as much a concert as a sonic and visual roller-coaster ride pairing one of the most acclaimed stars of country with the evolving technological wizardry of the Sphere.” With ABC News calling this 15-show residency, “historic” and Parade opining, “Country legend leaves fans speechless during ‘absolutely unreal’ show,” Chesney is creating a show that expands what country music can contain – and delivers on all the songs that contain people’s lives.
 
The only country artist to be in Billboard’s Top 10 Touring Acts of the Last 25 Years for the last 15 years, Chesney joins a select group of icons and Rock & Roll Hall of Fame inductees U2, (Grateful) Dead & Company and the Eagles, plus Phish, to play the 17,600-seat spherical venue that deploys next-generation technologies to create an absolutely immersive experience.
 
“I knew this was going to be incredible when I said, ‘Yes,’ when they asked me to do this, but I had no idea how awesome the experience could actually be. More than all the visuals, the dialed in sound, though, it’s getting to share this stage with a lot of people I love, including everyone in No Shoes Nation, who came to Vegas to be part of this unbelievable moment.”
 
Limited tickets remain for the Sphere residency at KennyChesney.com with packages available via Vibee, the official VIP Concert & Hotel Package partner for Kenny Chesney’s Live at Sphere residency, at KennyChesney.Vibee.com. All Vibee packages offer guests a choice of premium tickets including Sandbar (general admission floor) or reserved seating, a collectable laminate and lanyard, access to the No Shoes Island VIP Pool Party, exclusive Kenny Chesney curated gift bag and early access to the Guitars, Tiki Bars and a Whole Lotta Love experience on show days for crowd-free shopping on exclusive merch items, and access to a dedicated shopping lane during public hours. Vibee Hotel Packages include a two-night stay at The Venetian Resort Las Vegas (The Venetian or The Palazzo) or Virgin Hotels Las Vegas. 
 
Kenny Chesney Live at Sphere Las Vegas is presented by Blue Chair Bay® Rum.

Photo Credit: Alive Coverage

Kenny Chesney Live at Sphere Las Vegas LIMITED TICKETS REMAIN
Friday, May 30
Saturday, May 31
Wednesday, June 4
Friday, June 6
Saturday, June 7
Wednesday, June 11
Friday, June 13
Saturday, June 14

CULTURA TRES Feat. SEPULTURA's PAULO XISTO PINTO JR. and JUANES Unite on “Cien” ​  

“CIEN” releases worldwide on May 29, 2025, via ONErpm. For fans of fearless metal, Latin fusion, and socially conscious art—this is a must-listen.

 

Stream "CIEN": https://music.culturatres.com/cien

 

CULTURA TRES, the South American metal powerhouse led by Sepultura’s Paulo XistoPinto Jr., joins forces with Latin music icon JUANES on a daring new collaboration: “Cien,” set for release May 29, 2025, through ONErpm.

 

A seismic blend of thrash, grunge, and Colombian folklore, “Cien” evokes the spirit of ‘90s metal while honoring the rich musical traditions of Latin America. The track is as sonically heavy as it is emotionally evocative—rooted in themes of environmental loss, particularly the deforestation of the Amazon rainforest.

 

Not a surprising topic, considering these Colombian, Brazilian and Venezuelan musicians, are all from countries with the rainforest in their backyard.

 

“It’s a pleasure to share a song with Juanes, not only a legend of Latin music, but also a true heavy metal fan,” says Paulo Xisto.

 

“Man! It’s been a pleasure to make this song with you. Since my teenage years, metal has been a part of my essence, and having the opportunity to record the solo and sing has been amazing,” says JUANES.

A Cross-Cultural Creative Journey

 

The collaboration unfolded over six months, beginning with CULTURA TRES sendingJUANES a batch of punk-infused riffs. When JUANES returned with haunting, psychedelic guitar additions, the song’s energy shifted entirely—prompting a complete rewrite of the original material. This creative back-and-forth resulted in a track that balances dark melodies with abrasive power.

 

“JUANES is an incredible metal guitarist—when we first heard his solo on ‘Cien,’ it blew us away,” says frontman Alejandro Montoya.

 

Originally drafted in English, the lyrics only truly resonated when the band followed Paulo’s suggestion to switch to Spanish. The change added a deeper sense of authenticity and emotional weight. The contrasting vocal styles—JUANES’ melancholic chants and Alejandro’s screaming vocals—reflect the song’s central tensions: beauty versus destruction, tradition versus progress.

 

“Blending metal and Latin music in one of our native languages (Spanish), helps showcase the power and potential of South American metal!” says Paulo.

 

Metal Meets Legacy: How It All Came Together

 

What may surprise casual fans is that JUANES—known worldwide for his Latin pop-rock hits—started his career in a metal band (Ekhymosis, 1988). His admiration for Sepultura and deep respect for Paulo’s legacy created a natural bridge for this collaboration. After one of JUANES’ shows in Amsterdam, Paulo and Alejandro were invited backstage, where they had a chance to check out JUANES’ newly released signature Fender guitar. Mutual admiration, shared roots, and even common crew members eventually led to exchanging riffs and ideas and “Cien” was born.

 

“Once a metalhead, always a metalhead,” says Paulo.

About CULTURA TRES

With members from Colombia, Brazil, and Venezuela, CULTURA TRES is a genre-defying metal act known for blending sludge, thrash, and traditional South American sounds. Their 2023 album Camino de Brujos (Universal Music) solidified their reputation across Europe, Japan, and Latin America as a truly innovative force in heavy music.

 

About JUANES

A global ambassador for Latin music, JUANES has earned 25 Latin Grammys, 4 Grammy Awards, and international acclaim for his signature fusion of rock, pop, and Latin folk. Beyond his music, he is a dedicated activist through his Fundación Mi Sangre, championing peace and social justice in Colombia and beyond.

 

 

For More Information Please Visit:

Official Website

Facebook

Instagram

X

YouTube

UFO ‘NO PLACE TO RUN’ SCHEDULED TO RELEASE ON DELUXE, EXPANDED, REMASTERED AND REISSUED DOUBLE CD AND TRIPLE VINYL

Chrysalis Records are proud to present UFO’s classic 1980 album ‘No Place To Run’, newly remastered from the original production tapes transfers at AIR Mastering and reissued on stunning 3LP tri-fold sleeve 180gm vinyl and 2CD Digipak formats on August 15th, 2025.

‘No Place To Run’ was the eighth studio album by UFO and the first with Paul Chapman on guitar, following the departure of Michael Schenker. It was produced by legendary Beatles producer George Martin and recorded at his newly launched AIR Studios in Montserrat in the Caribbean, a stark difference from the bands’ usual surroundings.

Reflecting on the album forty five years later Phil Mogg said: “The thing that sticks in my mind from recording ‘No Place To Run’ was the complete miss match with UFO / George Martin (who was a lovely chap) and nothing summed it up more than when George would say to Geoff (sound engineer): ‘Well Geoff, it’s six o’clock, time for a G&T out on the veranda.’ How very civilized!”
  
The reissue includes a new and previously unreleased mix of ‘Live at The Marquee, London, November 16th 1980’, mixed by revered engineer Brian Kehew from the original multi-track tapes, giving a powerfully fresh sound. Only three tracks have ever been officially released before (‘Lettin’ Go’, ‘Mystery Train’ and ‘No Place to Run’). The other eleven tracks from this legendary show have not been available until now. The set will take fans right back to the electric atmosphere of the Marquee, with a band at the very top of their game.

Brian Kehew said:
“Paul Chapman’s guitar sound here is really superb, a thick and singing B.C.Rich-into-Marshall tone… No Place To Run is certainly a special time for the band, the peak of their public acceptance. With the music world shifting into new wave and synth-pop around them, they stayed true to their roots and delivered yet another classic album.” (quote taken from liner notes)

Both formats feature new liner notes by Michael Hann featuring interviews with front-man vocalist Phil Mogg and drummer Andy Parker.

UFO ‘No Place To Run’ (2025 Remaster – Deluxe Edition) is released on double CD and 3LP on August 15th, 2025 on Chrysalis Records. Order link: https://UFO.lnk.to/NPT

‘Young Blood’ (Single Version) - 2025 Remaster will be released on DSPs as a single on May 29th, 2025
https://UFO.lnk.to/YBL

CROP Announces New Album S.S.R.I, New Single "Alone" Out Today

Lexington, KY’s heaviest export, CROP, has announced the release of their highly anticipated sophomore album S.S.R.I, due out August 22, 2025 via Third House Communications. Alongside the announcement, the band has dropped the album’s first single, “Alone”—a soul-crushing breakup song that cuts deeper than heartbreak and settles into the kind of emotional void that never really closes.

“Alone” is a brutal meditation on what it means to lose someone twice—once in the relationship, and again in the realization that their presence offered no real solace. 

Backed by thunderous guitars, unrelenting drums, and vocals that walk the line between raw power and quiet devastation, “Alone” captures the emotional core of S.S.R.I—an album steeped in grief, clarity, and the jagged edge of survival. Recorded, mixed, and mastered by Jason Groves, S.S.R.I builds on the massive sound CROP introduced with their self-titled 2021 debut, and dives even further into the chaos of identity, loss, and mental disintegration.

The seven-track record features emotionally heavy tracks like “Formaldehyde,” “10-56,” and “Break,” and pairs crushing riffs with deeply introspective lyrics, reflecting the band’s evolution from local underground staple to national force.

Known for their blistering live shows and rising reputation in the doom and heavy grunge scenes, CROP has performed at Maryland Doom Fest, RPM Fest, and shared stages with WEEDEATER, CONAN, REZN, BONGZILLA and more. With S.S.R.I, the band delivers not just an album, but a fully immersive psychological and sonic experience.

About CROP:

Formed in 2020 in Lexington, KY, CROP is a four-piece heavy band steeped in the grit of 90s grunge and sharpened by the weight of modern doom. Their sound is both relentless and reflective—massive walls of distortion colliding with lyrics that cut deep. With Marc Phillips on vocals, Zach Hunter on guitar, Braun Dabney on bass, and Andrew Beauvier on drums, CROP crafts songs that explore grief, isolation, existential dread, and the fight to stay human in an increasingly fractured world.

Their debut album CROP (2021) introduced audiences to their brutal honesty and raw sonic identity. With their follow-up S.S.R.I (2025, Third House Communications), the band has expanded both emotionally and sonically, delivering a record that is as vulnerable as it is heavy. Known for cathartic live performances and a growing presence on the underground festival circuit, CROP has shared stages with heavyweights like WEEDEATER, CONAN, and BONGZILLA, while earning praise from outlets like LEO Weekly and Riff Zealot.

For CROP, the music is a confrontation—a refusal to look away from the darkest corners of life, and an insistence that even pain deserves to be heard at full volume.

CROP is:

  • Marc Phillips – Vocals

  • Zach Hunter – Guitar

  • Braun Dabney – Bass

  • Andrew Beauvier – Drums

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