Caskets Release New Single + Video "Make Me A Martyr"

Yorkshire melodic metallers Caskets have today released their brand new single "Make Me A Martyr" via SharpTone Records.

Speaking of the new single, frontman Matt Flood says, "'Make Me A Martyr' refers to an exploration of self-destruction and emotional turmoil."

He continues, “‘Break me down, I'm nothing, I'm yours' shines on the raw vulnerability of letting yourself become so lost in someone else. 'You make me feel nothing, leave me to rot' is a nod to the numbness that comes from being so depressively and deeply trapped in a toxic connection. It's a cry for a real connection even if that means completely losing your own self-worth in the process of finding it."

Watch the "Make Me A Martyr" music video below:

There's an art to looking back — and an even greater one in knowing how to move forward. For Caskets, 2025 marks a new era built on reflection, resilience, and reinvention. After the breakout success of debut album Lost Souls — catapulting them across the U.S. and Europe with appearances at Download and Slam Dunk — the band took a deeper, more introspective turn with their followup, Reflections. Where the first album channeled frontman Matt Flood's influence personal struggles, Reflections offered a broader lens, weaving together the individual stories, tensions, and triumphs that shaped the band as a unit.

The often difficult second album became a vital step in Caskets' evolution — not only musically, with its blend of soaring hooks and ambient power, but also interpersonally, fostering the kind of creative collaboration that bands only reach through honesty and hard-earned growth.

Now in 2025, with over 350 million career streams to date, Caskets return stronger and more focused than ever. With new music on the horizon, the band continues to explore the space between melodic vulnerability and explosive catharsis, connecting deeply with a fanbase that grows with every release.

Stream "Make Me A Martyr"

Tallah Release Heaviest Song To Date - 'A Primeval Detachment'; Accompanying Music Video Out Now

One of modern metal’s most unpredictable forces, Tallah, have dropped their latest single,A primeval detachment,” from the forthcoming album Primeval: Obsession // Detachment, out September 5 via Earache Records. A sonic gut punch that heralds the start of the album’s second act, the track barrels into the darker depths of the record with no warning and absolutely no mercy.

The accompanying music video captures Tallah’s live insanity in all its sweat-drenched, limb-flailing glory. Shot in an underpass packed with fans, the video showcases the band in their natural habitat—raw, unhinged, and erupting with volatile energy like Mt. Vesuvius on steroids. At one point, frontman Justin Bonitz is seen hanging upside down from the ceiling mid-scream. Watch the video now below. The track will go live on streaming platforms from midnight, fans can pre-save it HERE.

Speaking on their latest single, Tallah share

“This is not only the heaviest entry on the record, but potentially the heaviest in our entire discography. It’s relentless, top to bottom. Acting as the opening track of Act 2, the intro to the song really sets the tone. The pretty string quartet from Act 1 is falling apart, and the album takes a much darker turn. The final breakdown of this track is going to be a highlight at live shows, guaranteed.”

Elaborating on the music video for “A primeval detachment”, Max Portnoy shares:

“Shooting this video affirmed one thing for me… We have the best fans. So many people rolled up to this random underpass on short notice. We had our friend pull up with a truck full of scaffolding, and we weren’t sure if the shoot would be shut down after 15 minutes of setting up, but our fans jumped in to help set up and tear down everything as fast as possible. Legitimately could not have done this video without them.”

In true Tallah fashion, the band has also launched The Primeval Game, a playable extension of the album’s concept designed in collaboration with Enzo Interactive. The immersive web-based experience drops players into the alien world that Primeval: Obsession // Detachment takes place in, and is updated monthly with new story content, song teasers, and hidden easter eggs. Play the game HERE. Speaking on the game, Justin Bonitz shares

“The ‘Primeval’ Game is a way to fully immerse yourself into this album. You get to interact with the world we’ve created and follow the story first hand. We’re updating the game every month, with new content that furthers the story, along with tons of album and song teasers and easter eggs scattered around. It’s a really fun and unique way of promoting an album that I’m surprised more bands aren’t doing.”

Primeval: Obsession // Detachment is Tallah’s third full-length—an uninhibited, ferocious concept record tracked entirely live with no click and no edits, just pure, unadulterated sonic chaos. Pre-order bundles are available now HERE Primeval: Obsession // Detachment arrives September 5th via Earache Records.

ABOUT TALLAH

Emerging from Pennsylvania in 2018, Tallah fuse the percussive force of second-generation drummer-turned-bassist Max Portnoy with the unpredictable dexterity of vocalist and viral phenom Justin Bonitz and the phenomenal guitarist duo of Derrick Schneider and Alex Snowden to form a sound that’s part brutalist nu-metal, part theatrical meltdown, and entirely their own. What began as a raw homage to the early-2000s metal they were raised on—Slipknot, Korn, Linkin Park—has since evolved into something far stranger and far more singular.

After making waves with their 2020 debut 'Matriphagy', a twisted concept album soaked in trauma and noise, the band were hailed by Knotfest as delivering “one of the best metal releases of the year” and by Metal Hammer as “leading the charge on the new wave of nu-metal.” The follow-up, 'The Generation Of Danger' (2022), saw them push their hybrid sound further into chaos—earning millions of streams, high-profile festival slots, and nominations at both the Heavy Music Awards and AIM Independent Music Awards.

But it’s on album three, 'Primeval: Obsession // Detachment' (out September 5, 2025 via Earache Records), that Tallah truly shatter what’s left of the mould. Decamping to Michigan to record the entire project live with longtime producer Josh Schroeder, the band abandoned edits, clicks, backing tracks, and rules. What remains is pure instinct—feral, volatile, and unrelentingly human.

Conceptually, the record unfolds across a sci-fi narrative that follows Ana, a nurse, and Sheelah, an assassin—two strangers manipulated by a shadowy force and driven to the edges of their morality. The mirrored structure, warped sonic callbacks, easter eggs and ambiguous lyrical layering reflect a story full of tests, dualities, and spiraling identity shifts.

To date, Tallah have clocked up 29.7 million Spotify streams and 6 million YouTube views.

TALLAH ARE

Vocals: Justin Bonitz

Guitar: Alex Snowden

Guitar: Derrick Schneider

Bass: Max Portnoy

Drums: Joel McDonald

DJ: DJ Navi

Jenna Paulette & Justin Boots Launch “Sunrise and Sunset Boots”

Jenna Paulette didn’t set out to create cowgirl music and apparel that’s both functional and appealing, however as she has juggled working on ranches and on tour, the cowgirl and songstress created where she saw the need.
 
With her new boot line in partnership with Justin Boots, Sunrise and Sunset Boots, launching today, just like her music, the boots are designed for cowgirls who work hard from sunup to sundown, and are meant to be worn everywhere from the ranch to the stage.
 
“It’s a dream come true to create this line with Justin,” Paulette shares. “It’s a cowboy boot, with a spur lip and durable sole, made for work but pretty enough to wear out on the town. The Sunrise And Sunset boot – excited to see them live up to their name!”
 
Crafted with honey roughout leather in Justin’s El Paso, Texas factory, the boots come in 11” and 17” heights, and are built for durability, style and function. Each pair features a spur ledge, pull holes and a traditional leather outsole, making them perfect for cowgirls who need boots as hardworking as they are. Boots are available at JustinBoots.com.
 
Paulette’s headlining Horseback Acoustic Tour will continue through the summer. The tour, which initially traversed her home region of Texas and Oklahoma, will make additional stops in Clinton, Wisconsin, Chicago, Illinois and Jacksonville, Illinois on June 18, 19 and 20, respectively.
 
At each tour stop, fans will have a chance to sign up and win a gift card valid for the purchase of one CowboyGirl shirt and pair of Justin boots, courtesy of Justin Boots and Ely Cattleman. Fans will sign up at the merch table and must be present to win. For more information and tickets, visit JennaPaulette.com.

Upcoming Shows:
May 25 // Ft Worth, TX // Cowtown Unplugged
May 27 // Nashville, TN // Grand Ole Opry House
June 18 // Clinton, WI // The Room at Boxcars*
June 19 // Chicago, IL // Carol’s Pub *
June 20 // Jacksonville, IL // Twisted Tree Music Hall *
Aug 8 // Manhattan, KS // Rock The Plains Festival
*Horseback Acoustic Tour date
 
About Jenna Paulette: 
A CMT Next Women of Country honoree and an Apple Music’s Country Riser, singer-songwriter Jenna Paulette — a cowgirl who came of age amid the gritty realities of ranch life — is part of Nashville’s growing wave of female artists who are rewriting the rules and charting their own paths. Paulette settled in Nashville in 2015, where she struck up a mentorship with Ashley Gorley – a veteran songwriter with 80+ No. 1 tunes under his belt – which ultimately led to her publishing deal with Sea Gayle Music in June 2021. Since collaborating with songwriters Will Bundy, Rhett Akins and Jessie Jo Dillion, as well as opening for Mason Ramsey, Parmalee, John Michael Montgomery, Clay Walker and most recently Aaron Watson, Paulette has landed brand partnerships with Justin Boots, Boot Barn, Ely Cattleman and Ranch Water.
 
With the arrival of her debut album The Girl I Was in 2023, Grammy.com remarked the project as “transformative,” noting it “fuses the sounds of Twain and Miranda Lambert, tackling mental health with the somber ‘You Ain't No Cowboy’ and waxing philosophical on ‘Country In The Girl.’” She continued to spotlight her authentic western lifestyle last year, performing the national anthem at the National Finals Rodeo, making her Grand Ole Opry Debut and performing in multiple festivals including CMA Fest. Paulette recently signed with independent label Leo33. Paulette’s sophomore album, Horseback, is available everywhere now. For more information, visit www.jennapaulette.com.

One Night Only: Morgan Wallen to Celebrate I’M THE PROBLEM on 28 May at London’s Roundhouse

Morgan Wallen returns to London following his record breaking 2024 Hyde Park headlining set for an intimate show at the Roundhouse. The one-night-only show is Wallen’s only show outside of North America for 2025 and will take place at Camden’s Roundhouse on Wednesday 28th May, celebrating the release of his latest album I’m The Problem
 
The only way for fans to gain access to the exclusive ticket sale is to pre-order I’m The Problem in any format from the Morgan Wallen UK store before 10am BST on Tuesday 13 May 2025.
 
Featuring collaborations with pop superstars Post Malone and Tate McRae, plus close friends Eric Church, ERNEST and HARDY, I’m The Problem arrives 16 May 2025. Pre-save HERE.
 
The album opens with the title track, “I’m The Problem,” a cutting double-edged confession that reveals the complexities of a relationship at its lowest point. It concludes with “I’m A Little Crazy,” a quiet, self-reflective song that looks inward while examining the world outside. Between all of that, Wallen displays his ability to reach listeners on a granular level. 
 
While Wallen co-wrote 22 of the tracks on the album, he tapped into 49 songwriters, curating a tracklist that’s both deeply personal and resonant, while viewing life events through a different lens than he’s used in the past.
 
“A lot of the concepts and things we said were a little more difficult with this album,” Wallen says of the writing and refining process. “We were trying to dig deep on things and trying to find new angles. And I feel like we did that. I feel like there's a lot of stuff that I haven't said in this record, which I'm really, really proud of.” 
 
Wallen recently became the first artist ever to have two albums spend over 100 weeks in the top 10 of the Billboard 200 chart. With each album, Wallen has refined his music, but with this one, Wallen digs even deeper, providing a glimpse into his life that feels more intimate, more grounded and closer to his core.
 
The project sparked Wallen’s 2025 U.S. I’m The Problem Tour. Kicking off June 20 at NRG Stadium in Houston, Texas, Wallen’s 20-show run will include stops in Seattle, Washington; Foxborough, Massachusetts; Toronto, Ontario and more. With a second stop recently added in Madison, Wisconsin, Wallen’s appearances will mark the first time an artist has played two consecutive nights at Camp Randall Stadium.
 
A rotating lineup of guests including Brooks & Dunn, Miranda Lambert, Thomas Rhett and Koe Wetzel join in direct support with Gavin Adcock, Corey Kent, Ella Langley and Anne Wilson as first-of-three across select dates. Coupled with Wallen’s Sand In My Boots Festival and a special one-night-only album release celebration show on 28 May 2025 at Roundhouse in London, these 22 shows are the only place to see the superstar in 2025. 

Morgan Wallen 2025 I’m The Problem Tour Dates:
June 20 // NRG Stadium // Houston, TX w/ Corey Kent and Koe Wetzel
June 21 // NRG Stadium // Houston, TX w/ Corey Kent and Koe Wetzel
June 28 // Camp Randall Stadium // Madison, WI w/ Ella Langley and Miranda Lambert
June 29 // Camp Randall Stadium // Madison, WI w/ Ella Langley and Miranda Lambert
July 11 // Hard Rock Stadium // Miami Gardens, FL w/ Gavin Adcock and Miranda Lambert
July 12 // Hard Rock Stadium // Miami Gardens, FL w/ Gavin Adcock and Brooks & Dunn
July 18 // State Farm Stadium // Glendale, AZ w/ Ella Langley and Miranda Lambert
July 19 // State Farm Stadium // Glendale, AZ w/ Ella Langley and Brooks & Dunn
July 25 // Lumen Field // Seattle, WA w/ Anne Wilson and Miranda Lambert
July 26 // Lumen Field // Seattle, WA w/ Anne Wilson and Brooks & Dunn
Aug 1 // Levi’s Stadium // Santa Clara, CA w/ Anne Wilson and Miranda Lambert
Aug 2 // Levi’s Stadium // Santa Clara, CA w/ Anne Wilson and Brooks & Dunn
Aug 15 // Huntington Bank Field // Cleveland, OH w/ Ella Langley and Miranda Lambert
Aug 16 // Huntington Bank Field // Cleveland, OH w/ Ella Langley and Thomas Rhett
Aug 22 // Gillette Stadium // Foxborough, MA w/ Corey Kent and Miranda Lambert
Aug 23 // Gillette Stadium // Foxborough, MA w/ Corey Kent and Miranda Lambert
Sep 4 // Rogers Centre // Toronto, ON w/ Gavin Adcock and Miranda Lambert
Sep 5 // Rogers Centre // Toronto, ON w/ Gavin Adcock and Brooks & Dunn
Sep 12 // Commonwealth Stadium // Edmonton, AB w/ Ella Langley and Miranda Lambert
Sep 13 // Commonwealth Stadium // Edmonton, AB w/ Ella Langley and Brooks & Dunn
 
About Morgan Wallen
Morgan Wallen sets the pace in, and beyond, country music – with Billboard calling him “the biggest country star in the world” and The New York Times doubling down, declaring he’s “one of the biggest stars in pop, period.” With 18 No. 1 singles at Country radio, 19 Billboard Music Awards to-date, more than 170 weeks spent atop Billboard’s Top Country Albums chart (the most in country music history), the highest selling country tour under his belt and moreWallen has propelled country music to a global level in less than five years. As Las Vegas Review Journal puts it: “Wallen’s appeal is remarkable as it is fueled by his ability to connect to a crowd.” 
 
With Dangerous: The Double Album, Wallen solidified his place as the “dominant country superstar,” with the project recently being named Billboard’s No. 1 Album of the 21st Century. One Thing At A Time’s groundbreaking success saw Wallen’s crossover appeal reach a global scale, as he topped the Australian ARIA charts for the first time, along with a host of other accolades. With three No. 1’s already hailing from his forthcoming album release I’m The Problem, due May 16 via Big Loud / Mercury, Wallen digs even deeper, uncovering a side that’s both more vulnerable and more resolute than ever before.
 
As Wallen prepares a refreshed setlist for his 20-stadium-show I’m the Problem Tour, kicking off on June 20 in Houston, Texas, he’s also highlighting some of his favorite artists by bringing the personally-curated, multi-genre Sand In My Boots Music Festival to Gulf Shores, Alabama, this May, which sold out in less than two hours.
 
Wallen continues to donate a portion of every ticket sold to his Morgan Wallen Foundation — which supports youth music and athletic programs and gives communities access to essentials in times of crisis. More at MorganWallen.com.

Reveal Records shares invigorating 'Laugh So Loud' single by Maximo Park's Duncan Lloyd, heralding new album

English songwriter-guitarist Duncan Lloyd presents his invigorating single 'Laugh So Loud', the first taste from his new 'Unwound' album, forthcoming via Reveal Records.

Featuring a guest appearance by Joe Boyer (Cloud Nothings, Autopolitan) and accompanied by an adrenaline-rush of a video, this song is about self-doubt and passing things off as being fine.

A critically acclaimed solo artist, Lloyd is the primary musician behind internationally renowned art-rockers Maximo Park and also a member and co-writer (with Sarah Suri) in the indie band Nano Kino. Through a career spanning over two decades, Duncan Lloyd is a Mercury Music Prize nominee, has won an NME award, had A-listed singles at BBC Radio 1 and BBC 6 Music (including lyric of the year), and has seen success with worldwide platinum and gold selling records. His songs have featured on eight hit albums with Maximo Park, consistently charting in the Top 10 U.K.

"I wanted to hear something urgent yet melodic. Lyrically, it is about doubt. There is a lot of pretending things are fine and hiding from the reality of the world outside or not discussing the real problems publically for fear of reprisal, so itʼs a reaction to the sedentary state of mind," says Duncan Lloyd.  

"In public, all your secrets go to sleep etc. I lent my guitar to a friend and found it plugged into an old VOX amp one morning at the rehearsal room, the amp sounded so good that the song materialised as I played through it. It has a certain spirit akin to the early 90’s, heavy then it drops with a vocal on the bridge reminiscent of Midwest bands from a similar period. Featuring Joe Boyer (ex- Cloud Nothings / Autopolitan) on the other guitar."

Duncan Lloyd's new 12-track album 'Unwound' is the first studio album of new material that Lloyd is releasing via Reveal Records, his previous albums having been released by Warp Records and also independently. With cover artwork derived from Lloyd’s own paintings, this record weaves a unique musical maze of free and varied personal expression, deep and transient, spare, intense and urgent with a balance of grit, beauty and melody.

Partly recorded by Julie McLarnon (The Vaselines, Lankum, King Creosote, Jeffrey Lewis, Brigid Mae Power) at Analogue Catalogue Studios in Ireland and by Lloyd himself at his studio in Newcastle Upon Tyne, this album also features contributions by Maximo Park keyboardist Jemma Freese and drummer Tom English.

Writing, recording (and painting) under his own name over the last decade, the Derby-born songwriter received an enthusiastic message from UK indie label/manager Tom Rose of Reveal Records in 2019, suggesting a future collaboration on his solo works (Rose had been listening to Lloyd's 2019 album 'Outside Notion' whilst on tour with now label-mate Joan As Police Woman). Requesting Duncan sent everything he'd recorded to date in whatever form, reissues of Lloyd’s early solo albums followed. The colossal 31-track selected works collection 'Green Grows Devotion' came out in 2022, followed by 'Fun City', a trilogy of three EPs recorded in succession throughout 2024.

While 'Unwound' is very much an album with Duncan Lloyd stepping front and centre, his career is dotted with collaboration with various musicians and producers, including Paul Epworth (Bloc Party, Glass Animals, Rihanna), Gil Norton (The Pixies, Echo & The Bunnymen), Nick Launay (Nick Cave, The Yeah Yeah Yeahs), Ben Allen (Gnarls Barclay, Deerhunter), Rudimental, Dave Okumu, Batida and as part of Africa Express with legendary Afrobeat drummer Tony Allen.

As of May 6, 'Laugh So Loud' is available from fine digital music platforms, including Apple Music, Spotify and Bandcamp. The full 'Unwound' album will be released everywhere on July 11th.

CREDITS
Music & lyrics written by Duncan Lloyd (Reveal Publishing)
Duncan Lloyd - vocals, guitars, bass, piano, synth & drum machine
Tom English - drums, percussion (all tracks except 8, 11 & 12)
Andrew Mills - bass & synth (tracks 4 & 5)
Jemma Freese - backing vocals (track 2)
Joe Boyer - guitar & noise (tracks 2 & 7)
Recorded & Mixed by Duncan Lloyd (except 4 & 5) at The Dagda Rooms
Tracks 4 & 5 recorded & mixed by Julie McLarnon at Analogue Catalogue
Guitars on tracks 2 & 7 recorded by Joe Boyer in Cleveland, Ohio
Produced by Duncan Lloyd
Mastered by Carl Saff at Saff Mastering, Chicago
Released by Reveal Records
Barcode 0726529875607    
Catalogue no. REVEAL204
Cover art and layout by Duncan Lloyd
'Laugh So Loud' video directed & edited by JTW
Super-8 footage by Freya Frenesi
Photography by Yuka JTW

Keep up with Duncan Lloyd
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Apple Music | Spotify | Press contact

Keep up with Reveal Records
Website | Bandcamp | Facebook Twitter | Instagram | Soundcloud Press contact

Keep up with Shameless Promotion PR
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GRUESOME Shares Title Track from Upcoming Album "Silent Echoes"

GRUESOME returns with 'Silent Echoes,' a ferocious Death Metal onslaught fueled by progressive, razor-sharp musicianship, out June 6, 2025, via Relapse Records. 'Silent Echoes' marks the band’s first new full-length recording in 7 years!

 

Today, GRUESOME is proud to share the title track from 'Silent Echoes,' which is now available via Relapse Records.

 

GRUESOME comment on the new single:

“This tune should give you a good sense of what we’re doing in this new era of the band - it’s melodic, musical, heavy, and dynamic, while still keeping the DEATH in Death Metal at the heart of things. It’s a journey both forward and inward, and I hope you enjoy the ride!”

Celebrating over a decade as the finest purveyors of old-school Death Metal inspired by the legendary Chuck Schuldiner and the many iterations of Death, the new album sees GRUESOME transition away from the no-frills riff-fests heard on their 'Savage Land' and 'Twisted Prayers' LPs, and shift towards a more musically advanced, nuanced form of extremity. 'Silent Echoes' is the quartet's true “put up or shut-up” moment for one simple reason: It was written and recorded in the spirit of Death’s 1991 progressive death metal masterpiece, 'Human.' 

Stream / Listen to "Silent Echoes" Below

The prolonged gestation period between GRUESOME albums was the combination of several factors, yet none more significant than the untimely and unexpected passing of Cynic and Human-era Death drummer Sean Reinert in 2020. Reinert, the best friend and mentor of GRUESOME drummer Gus Rios, was originally slated to produce the album. Instead, Rios, alongside vocalist/guitarist Matt Harvey, lead guitarist Daniel Gonzalez, and bassist Robin Mazen, turned 'Silent Echoes' into a tribute to Reinert, whose influence and presence on 'Silent Echoes' is everywhere.

'Silent Echoes' is GRUESOME’s transmutation into the complex, jazz-influenced fields plouwed on 'Human.' As Harvey states, “there’s less winking at the audience on this one,” which is true: The overtly intentional homages found on the band’s previous two albums have been replaced with fluid, agile drum work from Rios, as well as spiraling, multi-faceted guitar riffing from Harvey and Gonzalez, the latter responsible for the album’s prog-infused leads.

Jarrett Pritchard once again handled the production of 'Silent Echoes.' A veteran of two previous GRUESOME studio albums (and dozens of other respected extreme metal acts), Pritchard’s engineering and technical expertise played a crucial role in enabling 'Silent Echoes' to recapture the feel of early 1990s death metal recorded at Tampa’s famed Morrisound Recording. Not only did Pritchard lean on the advice of Death producer Scott Burns, but Rios also used the same snare drum that Reinert did on Cynic’s 'Focus.' 

At a time when the thirst for all things Chuck Schuldiner remains unquenchable, leave it to four accomplished, true, well-intentioned death metal veterans to help continue the man’s legacy.

Pre-Order 'Silent Echoes' HERE

GRUESOME are:

Daniel Gonzalez- Guitar

Matt Harvey - Guitar/Vocals

Robin Mazen - Bass

Gus Rios - Drums

Mawiza Announce New Album ÜL

Like a smoke signal, over the past decade, Mawiza have risen as a guiding force for indigenous metal. By incorporating native instruments, shamanic chanting and tribal rhythms into their contemporary influences, the band represent both the ancestral and modern sides of Mapuche culture. Their fresh yet timeless take on groove metal has won  them a Chilean Grammy along with the respect of scene elders like Mercyful Fate, Mastodon, Slipknot and Joe Duplantier from Gojira, who's featured on their upcoming new album.

Today, Mawiza are officially announcing their third full-length ÜL by releasing a stunning video for the album's lead single and opening track. "Wingkawnoam" marches to an industrial beat, but this band of modern-day warriors are guided by the dreams of their indigenous land.   

"ÜL means 'chant'", Mawiza says. "The album represents the voice of the land, the origin of feeling, the first call to connect with emotions. It is the part of the spirit that, for a few seconds, becomes one with the wind. It's a force we can hear, resonate, communicate with and return to". 
 
Watch the video for "Wingkawnoam” - Below:

ÜL comes out July 18 on Season of Mist.

Pre-order & Pre-save
https://orcd.co/mawizaul

Mawiza would like to thank our Mapuche community Ngillatuwe Maipu for welcoming them during the video shoot for "Wingkawnoam". Their guidance was essential. 

The video for "Wingkawnoam" was directed by  Andrés Hetzler (@andreshetzler).

"I have been working with Mawiza for several years," Andrés says. "It's always an honor to continue our collaboration. Their message deserves a strong and powerful visual. 

"For this video, the band wanted to bring the history of the Mapuche people to a new audience. It shows how important political decisions were resolved in Mapuche culture through a game of palin.

"I proposed to integrate the band around the bonfire of a ruka, as a symbol for oral storytelling, as this is where Mapuche people gather to remember their history".  

Additional production credits
Producer/Art Director - Unai García
Cinematography - Soledad Gatica
1AC - Alejandro Courbis
2AC/Gaffer - Simón Jorquera
Focus Puller - Josefina Berenguela
1st Assistant Director - Carlos Elgueta
Production Assistant - Beatriz Cañas
Photography by Samantha D. Silva & Kata Ulloa
Makeup/Styling by Polvimkp

Ñizol Palife - Ricardo Herrera, Kurra
Patiru - Rodrigo Rojas
Kona - Pablo Ramírez

Pu Palife
Gómez Ricardo Herrera
Esteban Nahuelcheo
Héctor Olivares
Mathias Ferreyra
Fabían Flores
Marcos Soto
Diego Díaz Tell
Vicente Díaz Tell
Pedro Parra

Lineup
Awka - Lead vocals & rhythm guitar
Karü - Lead guitar & backing vocals
Zewü - Bass & backing vocals
Txalkan - Drums & percussion

Guest musicians
Fabiola Hidalgo (Liquen) contributes vocals to "Wingkawnoam", "Pinhza Ñi pewma", "Ngulutu" and "Mamüll reke"

Joe Duplantier (Gojira) contributes vocals to "Ti Inan Paw-Pawkan"

Recording Studio
Estudio del Sur in Chile

Producer
Pancho Arenas

Sound & Mixing Engineer
Pancho Arenas

Mastering Studio
West West Side Music

Mastering Engineer
Alan Douches

Cover Art
Kata Ulloa
 

Booking information
 Europe: juan@thatmusicagency.com
 Rest of the World: unai@cowboymusic.agency

 Pre-order & Pre-save
https://orcd.co/mawizaul
 
Follow Mawiza

Bandcamp: https://mawizakvlt.bandcamp.com
Instagram:  https://www.instagram.com/mawizakvlt
Facebook:  https://www.facebook.com/mawizakvlt
TikTok:  https://www.tiktok.com/@mawizakvlt
Spotify:  https://open.spotify.com/artist/4oJP24bXA2fbdVmNGNmCtt
YouTube: https://www.youtube.com/@mawizakvlt
Apple: https://music.apple.com/us/artist/mawiza/1653435953

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Online: http://www.season-of-mist.com
Facebook: http://www.facebook.com/seasonofmistofficial
Instagram: https://www.instagram.com/seasonofmistofficial
Twitter: https://twitter.com/SeasonofMist

Hiroe Share Video for "Dancing at the End of the World" Video From "Wield" Out June 20

Hiroe, the new darlings of the American post-rock underground, have released the second single "Dancing at the End of the World" from their debut album, Wield, out June 20 via Pelagic Records.

Stream "Dancing at the End of the World" here.

Watch the video below

 Pre-order Wield here

Both powerfully melodic and heavy, Wield shows the Philadelphia-based quintet mastering its craft of creating compelling melodies that sound larger than life.

On "Dancing at the End of the World," the band comments, "Though seemingly contrasting, 'dancing' and 'the end of the world' are brought together to symbolize our shared human capacity to transform pain and vulnerability into something profound and meaningful when facing overwhelming adversity. 'Dancing at the End of the World' represents an act of defiant optimism to find hope in the face of hopelessness. It's a conscious choice to find light in darkness, and to not to be consumed by despair, even when all hope seems lost, even when it feels like the end of the world."

2022 saw Hiroe burst onto the scene with an explosive debut EP full of soaring anthems and sublime soundscapes. Combining the sonic expansiveness of Deftones with the dynamic heaviness of bands like Isis and Caspian, Hiroe immediately already figured out how to make the most majestic sounding post-rock early in their career. 

"Our first release, Wrought, was a statement of creation," explains principal songwriter and guitarist Eric Kusanagi.
 
For the recording of WieldJill Paslier moved from bass to guitars, with Brian Kong (guitars), Jon Seiler (bass) and Dan Sagherian (drums) joining to complete the lineup. Produced once more by Mario Quintero (Spotlights), Wield capitalizes on everything the band learned in the creation of its predecessor, adding to it a new focus on textural intricacies and compositional detail.
 
"We wanted to show a larger range of musical themes on this record," continues Kusanagi. "You'll hear us dive into some synth work, some piano work, some really interesting effects that Mario helped us dial up." 

As a result, Wield packs in a huge range of details, which reveal themselves over repeated listens. 
 
Nevertheless, Wield is still an affair of instant gratification for fans of guitar driven post-rock. From the soaring leads of "Tides" to the epic finale of "I've Been Waiting For You All My Life," Hiroe show they've upped their game in every department, but especially that which tugs at your heartstrings.

Wield presents the brave new future we all need in these confusing times. A new American frontier on which we can build our wildest dreams and our most daring ambitions.

HIROE ON TOUR:
6/6 — Baltimore, MD — Monument City Brewing
6/7 — Washington, DC —The Pocket
6/13 — Brooklyn, NY — Gold Sounds
6/14 — Boston, MA — Deep Cuts
6/20 — Harrisburg, PA — JB Lovedraft’s
6/21 — Lancaster, PA  — The Upside
6/27 — Philadelphia, PA — Kung Fu Necktie
6/28 — Pittsburgh, PA — Ormsby's
7/23 — Indianapolis, IN — Black Circle (Post-Fest Pre-Show)

GAUPA - Release Video For New Single 'Ten Of Twelve' + Announce New Mini-Album "FYR"

Acclaimed progressive stoner rock powerhouse GAUPA have released a video for their brand new single, 'Ten Of Twelve', which serves as another appetizer for the group's upcoming 4-track mini-album FYR, due out digitally on July 4th via Nuclear Blast Records and Magnetic Eye Records, who will handle the physical release. FYR includes the band's previous single, 'Heavy Lord', which was unveiled in December 2024 and met with high praise, while Vinyl and CD editions also feature the physical-formats-only track 'Sömnen / Febersvan (Live at Monkey Moon Studios, 2023)'.

Since the release of their self-titled EP in 2018, Sweden’s GAUPA - which translates as ‘lynx’ in English - have continued to pave new ground within the stoner and psychedelic scene, building their own unique cosmos defined by enchanting lyrical surrealism and mind-altering sound.

In 2020, their debut album Feberdröm pushed them into the international spotlight with its outstanding blend of progressive metal, doom, stoner and folk, steered by the entrancing vocal of frontwoman Emma Näslund. Just one year later, they found their label home at Nuclear Blast Records.

Following the arrival of 2022’s Myriad, with the track 'Exoskeleton' reaching over a million streams on Spotify (the EP’s Febersvan now has over 4 million), GAUPA went on to deliver countless unforgettable performances with appearances at festivals including Sweden Rock, Hellfest, Wacken, Mystic and Desertfest, as well as on tours with  heavyweights such as Uncle Acid And The Deadbeats, Blood Ceremony and Graveyard.

Now, they’ve reached a turning point in their journey. After former co- guitarist Daniel Nygren left in 2024 to focus on family life, GAUPA found themselves at a standstill, having to relearn how to orchestrate the band without one of its core members. In the summer, they began writing their first full offering in three years, a four-track mini album titled FYR, a play on words with multiple translations meaning “lighthouse”, “to set something on fire” as well as the number “four” in Swedish.

The four-track mini album marks GAUPA’s fourth release, as well as the start of their next chapter as a four-piece band. However, despite their newly slimmed-down line-up, FYR is anything but slight; with the help of new mixing engineer Karl Daniel Lidén, it serves as their heaviest material to date. Recorded in the autumn of 2024 in Svenska Grammofonstudion, Göteborg and Estethuset studios, Falun, FYR is a genre-bending journey through enthralling psychedelia, groove-laden stoner rock and heavy prog metal.

Showcasing more of Näslund’s playfully perplexing and surreal lyricism, FYR loosely explores the concept of time, “what is real, what is not, and what is a dream”, additionally inspired by science fiction novels, nature and animals.

Later this year, Gaupa will continue to cement themselves as live extraordinaires, playing festivals such as Stoomfest in the UK, Krach Am Bach in Germany and Motocultor in France.

Listen to GAUPA's brand new single 'Ten Of Twelve' below!

LISTEN TO THE SINGLE 'TEN OF TWELVE':
https://gaupa.bfan.link/ten-of-twelve

PRE-ORDER/PRE-SAVE THE NEW MINI ALBUM FYR:
https://gaupa.bfan.link/fyr

WATCH THE MUSIC VIDEO FOR 'TEN OF TWELVE' BELOW;

WARRANT’S 1995 RELEASE ULTRAPHOBIC IS CELEBRATING ITS 30TH ANNIVERSARY AND WILL BE AVAILABLE FOR THE FIRST TIME ON 180G VINYL

Warrant was formed in 1984 in Hollywood, Los Angeles, California, and experienced success from 1989 to 1996 with five albums reaching international sales of over 10 million. The band first came into the national spotlight with their double platinum debut album Dirty Rotten Filthy Stinking Rich (1989) and one of its singles, "Heaven", which reached No. 2 on the Billboard Hot 100. The band's success continued in the early 1990s with the double platinum album Cherry Pie(1990), which provided the hit song of the same name.

In 1992, Warrant released their third album, the critically acclaimed Dog Eat Dog. The record achieved only moderate commercial success compared with the first two albums but still sold over 500,000 copies reaching Gold status and charting at No. 25 on the US Billboard charts. The band's fourth album Ultraphobic produced by a returning Beau Hill (Alice Cooper, Ratt, etc…) was released in March 1995 and, featured the singles "Family Picnic", "Followed" and the ballad "Stronger Now".

Watch “Family Picnic” Below:

Now to celebrate the 30th Anniversary of Ultraphobic it has been remastered and will be released on vinyl for the first time, along with an accompanying CD. The vinyl will be 180g available in both Orange Swirl and Black. There will be a limited amount of CD/LP bundles with a signed print by original members Erik Turner and Jerry Dixon while supplies last.

Pre-order Ultraphobic on CD and LP: https://www.dekoentertainment.com/reissues/warrant

For more information, visit

www.dekoentertainment.com

Deko Entertainment–Art Has Value

GREYWIND Releases Vengeful Condemnation of Toxic Friendships With New Single ‘I.K.A.M.F.’ + Music Video

Today, Irish brother-sister duo GREYWIND continue their bold new era with the release of their explosive new single, “I.K.A.M.F.” Following their storming return with “Acid Rain” a few weeks ago, this latest track channels pure rage and catharsis into a furious emo anthem that refuses to hold back. The new track is accompanied by a music video, available to view below.

Steph O’Sullivan shares:

“This song is about finally getting rid of people who I thought were ‘friends.’ It’s our revenge song. People who I thought were my friends in the past were never supportive of me being in a band and it always made me feel like I was crazy for wanting to live my dreams. There’s been too many times where I’ve kept friendships just because I felt like I had to or I was too scared to stand up for myself, but this song is the complete release of all of that built up hurt and rage. I know when they hear it they’ll know it’s about them, which makes me love the song even more.”

Watch the Music Video for "I.K.A.M.F."

“Acid Rain” found success on the Kerrang! Chart and has been spun on BBC Radio 1’s Rock Show and more. Its cinematic music video (Quentin Tarant-emo, anyone?!) has racked up over 60,000 views in just a few weeks. GREYWIND’s new material is tailor-made for festival stages—and good thing, because they’re headed to Slam Dunk Festival this very month. They’ve also announced a clutch of headline dates around the festival. See below for full details, and get ready to enter their universe and sing (or emote) along.

Inspired by great emo pop originators like Jimmy Eat World, Fall Out Boy and My Chemical Romance, GREYWIND are on a mission to bring the genre into the future with an insatiable energy and armed with a never-ending supply of hooks. The duo’s flair for the dramatic and knack for an earworm melody is seeing them build their own musical world, which they welcome you to be part of.

GREYWIND Live:

May 21, 2025 – Nottingham, Bodega (Headline)

May 22, 2025 – Birmingham, The Flapper (Headline)

May 24, 2025 – Hatfield, Slam Dunk Festival (South) @ Hatfield Park

May 25, 2025 – Leeds, Slam Dunk Festival (North) @ Temple Newsam

May 26, 2025 – Bristol, The Louisiana (Headline)

Buy Tickets HERE

DIRKSCHNEIDER & THE OLD GANG Release New Single "Time To Listen"

With “It Takes Six To Rock!” - the core message of their enthusiastically received latest single- still echoing in everyone’s heads, DIRKSCHNEIDER & THE OLD GANG strike again. Only one month after "It Takes Two To Tango," they’ve shortened the wait for their upcoming album Babylon, set for release in October 2025 on Reigning Phoenix Music (RPM). The second new track, "Time To Listen," cranks up the anticipation even more and delivers another high-energy preview of what fans can look forward to.

 

The band describes the song as follows: “‘Time To Listen’ is an up-tempo song that once again shines with DATOG’s typically diversified lead vocals. A soaring guitar riff paves the way for a powerful Udo performance, accompanied by Peter’s harmony vocals and continues with Manuela’s sustained two-part vocals. The chorus, with its convincing power casts a spell over everyone. Here also, Mathias’ guitar solo is a marvel of ingenuity that ignores all convention and whips through the musical realms in an unconventional manner. The compact and powerful ending is just as uncompromising as the beginning of the song.”

 

With "Time To Listen," DATOG once again highlight their unique identity and their commitment to making bold musical statements - energetic, authentic, and with a signature sound that’s instantly recognisable.

 

It’s time to listen - and time to rock!
 

Watch the music video Below:

Stream "Time To Listen": https://datog.rpm.link/timetolistenPR

About DATOG

DIRKSCHNEIDER & THE OLD GANG (DATOG) was originally launched in 2020 as a one-off charity project, but quickly developed a momentum of its own and formed into a band consisting of Udo Dirkschneider (vocals; ACCEPT/U.D.O./DIRKSCHNEIDER), Peter Baltes (bass, vocals; ACCEPT/U.D.O./DIRKSCHNEIDER), Stefan Kaufmann (guitar; ACCEPT/U.D.O.), Mathias “Don” Dieth (guitar; SINNER/U.D.O.), Sven Dirkschneider (drums; U.D.O./DIRKSCHNEIDER) and Manuela “Ella” Bibert (vocals). Between 2020 and 2021 their first three singles attracted a lot of attention, whereupon the band wrote more songs and recorded their debut album. With a unique vocal concept of three voices, powerful riffs and stylistic complexity, DATOG combine classic heavy metal with a modern, powerful production.

 

DATOG are:

Udo Dirkschneider | lead vocals

Peter Baltes | bass, lead & backing vocals

Manuela “Ella” Bibert | lead & backing vocals, key instruments

Stefan Kaufmann | guitars, backing vocals

Mathias “Don” Dieth | guitars, backing vocals

Sven Dirkschneider | drums, backing vocals

Eric Church's 'Evangeline vs. The Machine' Earns Resounding Critical Acclaim

With his bold new project Evangeline vs. The Machine out now, Eric Church is once again drawing widespread praise from critics and fans alike for challenging conventions and standing firm in his commitment to artistry. Anchored by the 10-time GRAMMY nominee’s uncompromising vision and genre-defying songwriting, the album is being hailed as one of the most powerful statements of his singular career:

Alongside the release, Church also premiered the official music video for current single “Hands of Time,” already climbing the Top 30 at country radio after arriving with a personal-best 135 first-week stations. The official music video served as an introduction to a series of illustrated companion videos for each song on the album, offering an added element to the artistic mission statement of the project.
 
Church will also bring Evangeline vs. The Machine to the ACM Awards live on Prime Video this Thursday, May 8 at 8 p.m. ET, before bringing the next chapter of his critically acclaimed live show to fans in arenas coast to coast with his Free the Machine Tour. Tickets to most shows are available to the general public beginning this Friday, May 9 at 10 a.m. local time (with the Philadelphia date on sale May 16).
 
For more information, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and Instagram@ericchurchmusic.

“TEXAS” SIZED No. 1 FOR COUNTRY SUPERSTAR BLAKE SHELTON

Country music superstar Blake Shelton has often said that all he ever wanted was to sing country music, have his songs on the radio, and maybe—just maybe—have a No. 1 hit. He achieved that dream with his 2001 debut single “Austin.” This week, he does it again for the 30th time in his career with Texas,” the lead single from his forthcoming album For Recreational Use Only, out Friday, May 9. The song also enjoyed eight weeks at No. 1 in the U.K. and a two-week run at No. 1 in Canada. 

“It’s been a few years since I’ve had a solo No. 1 single, and I’m super fired up about this one,” said Shelton. “I had no idea if ‘Texas’ would be a number one song, but the first time I heard it, I knew that it was something different and it sounded like nothing else I'd ever done before.”

Produced by Shelton’s longtime collaborator Scott Hendricks, Texas was written by Johnny Clawson, Kyle Sturrock, Josh Dorr, and Lalo Guzman. The track marks the first No. 1 single for Clawson, Sturrock, and Dorr, and the second for Guzman.

“I'm excited for these songwriters,” Shelton continued. “I know it's some of these guys' first number one song, and anytime you have a situation where someone's getting their big break and you can be a little tiny part of it, it makes it extra special.”

Shelton joins a small country club of artists who have 30 or more No. 1 country singles, including Country Music Hall of Famers George Strait, Alabama, Kenny Chesney, and Ronnie Milsap (based on R&R plus Mediabase statistics kept since 1973). The milestone has him reflecting on the road that brought him here. “‘Texas’ marks my 30th number one as an artist. Thirty is a lot of anything, and to have 30 number one songs is unbelievable, and I’m really trying to take it all in,” he said. “I have to thank the fans and the industry for their support throughout these years.”

“I’ve always been a nerd for stats and things like that in country music,” he added. “I’m always looking up artists’ stats, whether it’s Ronnie Milsap or Alabama or George Strait or Reba, and just to see how many albums they've sold or how many number-one songs they’ve had, and because of that, the idea of me having 30 number one singles, it blows my mind. I can’t even wrap my head around it because I know how long it takes to get there and how hard it is, and how blessed and lucky you have to be to get here.”

Also arriving this week is For Recreational Use Only, Shelton’s first studio album in four years and his debut onBBR Music Group/BMG Nashville. The 12-track collection spans the full spectrum of life—grit, heart, swagger, and soul—showcasing Shelton’s unmistakable voice, vivid storytelling, and emotion-rich performances.

With this release, Shelton reinforces his place as a cornerstone of modern country. For Recreational Use Only is a personal yet universally resonant body of work that celebrates love, endurance, and staying true to your roots.

Photo Credit: Robby Klein

About Blake Shelton:
With 30 No. 1 singles, 52 million singles and 13 million albums sold and nearly 11 billion global streams, Blake Shelton has received numerous awards, including six ACMs, three AMAs, ten CMAs, 11 CMTs and six People’s Choice, among many others. His debut BBR Music Group/BMG Nashville album, For Recreational Use Only, will  drop May 9. The 12-track album, his first in nearly four years, features his No. 1 Wheelhouse Records single “Texas,” the poignant “Let Him In Anyway,” the red-dirt “Stay Country or Die Tryin’” and includes appearances by Gwen Stefani, John Anderson and Craig Morgan. 

Shelton kickstarted the year with his Live In Las Vegas Residency at The Colosseum at Caesars Palace. He just wrapped his Friends & Heroes Tour, which featured Craig Morgan, Deana Carter, Trace Adkins and Emily Ann Roberts, and will play a variety of festivals this summer  The Grand Ole Opry member also remains focused on his Ole Red partnership with Ryman Hospitality, with locations currently in Tishomingo, Nashville, Gatlinburg, Orlando, and most recently, Las Vegas, with a stand-alone venue complete with a roof-top stage and bar on the Las Vegas strip.

KEEP UP WITH BLAKE SHELTON

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X | FACEBOOK

Alexis Rosenberg Named Head Of External Relations For WME Nashville

WME announces today that Alexis Rosenberg has been appointed to the newly created role of Sr. Director, External Relations in the agency’s Nashville office. In this position, Rosenberg will work closely with the agency’s Corporate Communications and Marketing teams and serve as a key ambassador between the Nashville office and the broader Nashville business community, the music industry, sports ventures and WME’s additional offices worldwide. She will report to WME Senior Partners and Nashville Co-Heads Becky Gardenhire, Joey Lee and Jay Williams. 

In her role, Rosenberg will focus on corporate partnerships and sponsorship opportunities, industry relations and initiatives and cultivating key strategic relationships to champion the Nashville team and its clients across all platforms. Rosenberg will also collaborate closely with WME’s corporate team to align Nashville initiatives with global agency efforts, while providing support across important talent and industry relationships.

“It is an honor to join WME and work with this powerhouse team and organization,” Rosenberg shares. “I’m excited to build on WME’s strong foundation—supporting our clients with intention, deepening community and industry relationships, and helping the agency grow in thoughtful, impactful ways.”

“Alexis brings to WME a unique blend of experience, strong relationships and a deep background in the sports world and large-scale events,” said WME’s Jay Williams. “Her expertise and passion will help us strengthen our artists’ ties across industries and further elevate our presence in Nashville and beyond. We’re thrilled to welcome her into this role and excited for the impact she will make.”

Prior to joining WME, Rosenberg spent thirteen years in professional sports, including a decade with the NBA’s Orlando Magic, where she oversaw premium client relations. Most recently, she served in a leadership role with Major League Soccer’s Nashville Soccer Club, playing an instrumental role in the opening of GEODIS Park, the largest soccer-specific stadium in the United States.

A graduate of James Madison University, Rosenberg will be based in Nashville.

Photo Credit: Nick Bastoky

About WME
WME is the world’s preeminent talent agency.  With over 125 years of experience, WME enables artists, athletes and brands to grow their businesses, leverage the full potential of their intellectual property and bring projects to life that define the cultural landscape. WME’s expertise spans books, comedy, digital media, fashion, film, food, licensing, music, sports, television, theater and more.  Headquartered in Beverly Hills, WME’s office locations include Australia, Chicago, China, London, Miami, Nashville and New York. WME is part of WME Group, a global network of businesses that represent the world’s leading talent, intellectual property and brands. For more information, please visit www.wmeagency.com

Miranda Lambert Joins "American Idol" for “Kerosene” Performance & Top 10 Mentorship

Ahead of performing on this week’s Academy of Country Music Awards, where she holds the title of winningest artist in ACM history, country music superstar Miranda Lambert lit up the “American Idol” stage during tonight’s Top 10 episode. In addition to serving as a guest mentor, Lambert delivered a fiery performance in celebration of the 20th anniversary of her breakthrough hit “Kerosene.” Watch Below.
 
Lambert brought her signature authenticity and sharp musical instincts to “Idol” rehearsals this week, offering guidance and encouragement to each of the 10 remaining hopefuls. Her appearance gave viewers a firsthand look echoing her latest endeavor as co-founder of Big Loud Texas, a label imprint aimed at supporting and developing rising talent. With her passion for nurturing artists on full display, Lambert’s mentorship marked a powerful moment in this season’s competition.
 
As she performed her iconic single “Kerosene,” Lambert also celebrated a personal milestone – the 20th anniversary of that breakthrough album, now available on vinyl for the first time ever. The high-octane performance reminded audiences why she remains celebrated by NPR as the “backbone of contemporary country music” two decades into her storied career.
 
That record kicked off a run of 10 consecutive Top 10 albums, with the latest, Postcards from Texas (featuring current single “Run”), available everywhere now. The three-time GRAMMY Award-winner next performs on this week’s ACM Awards, airing live on Prime Video at 8 p.m. ET on Thursday, May 8. Lambert is also set to join Morgan Wallen for several stadium dates of the upcoming I’m The Problem Tour, while headlining sets at festivals and one-off dates this summer including Country Stampede, Lakefront Music Fest, Field & Stream Music Fest and more.

About Miranda Lambert
Critically acclaimed groundbreaker/songwriter/superstar Miranda Lambert has defined her multi-faceted career as an artist, entertainer, entrepreneur, advocate and businesswoman with an unflinching quest for excellence, honesty and conviction. Her 10th solo studio album, Postcards from Texas, available everywhere now via Republic Records, continued her unbroken streak of 10 consecutive Top 10s on the Top Country Albums chart. The most-awarded artist in Academy of Country Music history, including their top honor for Entertainer of the Year, she has also won three GRAMMYs and 14 Country Music Association Awards. A TIME100 honoree and perennial best-of-the-year list maker at the New York TimesTIMERolling Stone, Billboard, Stereogum, People and more, NPR has called her “the most riveting country star of her generation.”
 
A multi-dimensional superstar, she’s earned seven No. 1 solo albums, 10 No. 1 hit radio singles, more than 80 prestigious awards and countless RIAA certifications; conquered Las Vegas with her twice-extended Velvet Rodeo residency; blurred genres with Leon Bridges, the B-52s, Loretta Lynn, Enrique Iglesias, Sheryl Crow and Elle King; and delivered her LGBTQ+ inclusive anthem Y’all Means All” for Netflix’s “Queer Eye.” She’s taken those standards to become a New York Times bestselling author and the first female restaurateur on Lower Broadway with her Tex-Mex cantina Casa Rosa, while also expanding her creative reach with her Wanda June Home collection exclusive to Walmart and her Idyllwind clothing and boot line at Boot Barn. Her passion for rescue animals inspired the creation of her MuttNation Foundation, which has raised over $10 million since inception to promote adoption, support shelters across the country, advance spay & neuter and assist with the transport of animals during times of natural disaster.
 
MirandaLambert.com | Facebook | Twitter/X | Instagram | TikTok | YouTube

Maddox Batson’s FIRST DANCE Extends with Deluxe, THE AFTER PARTY, Out Now

Maddox Batson’s 10-song First Dance (The After Party) is officially available and includes three new songs: “I Need A Truck,” “Somewhere South” and “2 Feet.” Listen HERE via Prosper Entertainment / Warner Records.
 
“Last week at Stagecoach, Jelly Roll gave me some great advice. He said, ‘the next time you walk on stage, just walk slow and take it all in,’” shares the 15-year-old burgeoning country singer/songwriter/performer. “It’s been a whirlwind, and I’m so grateful to all the fans who take the time to listen to these songs, learn all the words and share them. Hearing you sing them back when they aren’t even out yet is beyond incredible, and I promise you, I am taking it all in with y’all!”
 
The deluxe EP follows Batson’s announcement of the I Need A Truck Tour, which kicks off on September 7 in Richmond, Virginia and features 29 dates across the United States.
 
“This tour is going to be so sick,” Batson continues. “We’re already dreaming up production design and ways to make it really special. Can’t wait to see you all again!” 
 
The music video for “I Need A Truck” was filmed earlier this year in California and is set for release today at 3 pm ET, directed by Jake The Shooter. It’s the latest release and written by Batson with Ashley Gorley, Hunter Phelps and David Garcia, who also produced the track, that is already a fan-favorite. 
 
The Alabama raised, Nashville born teen blends country and pop with heartfelt vocals, which is why Forbes declared that “it’s not only his lyrics and relatable subject matter that’s captured the hearts of young fans, it’s his engaging, high-energy personality that shines through every live performance, music video, and interaction with everyone he meets.” 
 
After making his Grand Ole Opry debut in March and appearing at Stagecoach Music Festival in April, Batson will join Lainey Wilson's Whirlwind Tour for select dates in September and October including Bridgestone Arena in Nashville. 

Dates and venues for Maddox Batson’s I Need A Truck Tour:
September 7 – Richmond, Virginia @ The National 
September 14 – Oxford, MS @ The Lyric
September 17 – Orlando, FL @ House of Blues
September 19 – Jacksonville, FL @ Ponte Vedra Concert Hall
September 20 – LaGrange, GA @ Sweetland Amphitheater
September 21 – Myrtle Beach, SC @ House of Blues
September 23 – Columbia, SC @ The Senate
September 24 – Greenville, NC @ State Theatre
September 26 – Greensboro, NC @ Piedmont Hall
September 27 – Charlotte, NC @ The Fillmore Charlotte
September 28 – Norfolk, VA @ The NorVa
September 30 – Lexington, KY @ Manchester Music Hall
October 1 – Knoxville, TN @ The Mill & Mine
October 4 – Fayetteville, AR @ JJ's Live
October 5 – Oklahoma City, OK @ Tower Theater
October 7 – Kansas City, MO @ The Truman
October 9 – Milwaukee, WI @ The Rave
October 10 – Des Moines, IA @ Wooly's
October 12 – Omaha, NE @ SteelHouse
October 14 – Grand Rapids, MI @ Elevation
October 21 – Pittsburgh, PA @ Stage AE
October 22 – Philadelphia, PA @ Brooklyn Bowl
October 24 – Huntington, NY @ The Paramount
October 25 – Wallingford, CT @ The Dome at Oakdale
October 26 – Boston, MA @ House of Blues
October 28 – Sayreville, NJ @ Starland Ballroom
October 29 – Silver Spring, MD @ The Fillmore Silver Spring
November 1 – Brandon, MS @ City Hall Live
November 2 – Birmingham, AL @ Avondale Brewing Company
 
Previously Announced 2025 Shows:
May 18 || New York, NY || Irving Plaza (rescheduled)*      
June 28 || Fairfield, CA || Vineyard Jam 2025
July 20 || Valparaiso, IN || Porter County Fair
Aug 10 || West Chester Township, OH || Voices of America Country Music Fest
Sept 11 || Baton Rouge, LA || Raising Cane’s River Center^
Sept 12 || Baton Rouge, LA || Raising Cane’s River Center^
Sept 13 || Bossier City, LA || Brookshire Grocery Arena^
Oct 2 || Nashville, TN || Bridgestone Arena^
Oct 16 || St. Louis, MO || Hollywood Casino Amphitheatre^
Oct 17 || Rosemont, IL || Allstate Arena^
Oct 18 || Saint Paul, MN || Xcel Energy Center^
*SOLD OUT

About Maddox Batson:
Maddox Batson navigates the world with wisdom and wit far beyond his 15 years. After the Nashville-born, Alabama-based songwriter began gaining notoriety covering songs from Zach Bryan, Red Clay Strays, and more, he started to write his own songs. Thanks to early singles like “Tears In The River” and “I Wanna Know,” Batson quickly showed that he wasn’t only a star at covering country hits, but an excellent writer of his own home-cooked cuts – a practice he saw first-hand as a co-writer on Lana Del Rey and Quavo’s smash hit collaboration, “Tough.”
 
With the arrival of his latest singles, “Girl In Green” and “I Need A Truck” off his May 2 deluxe EP and his EP  First Dance (The After Party), Batson is ready to show the world what he can create, all while embarking on sold-out live shows across the country and making debut appearances at Stagecoach and the Grand Ole Opry. Life is moving fast for the multi-instrumentalist (piano, guitar & mandolin), who has fully embraced his next- up status in country-pop music. More at MaddoxBatson.com

"Savage New Times" by INCITE

Phoenix-based groovers and thrashers INCITE present their most ferocious incarnation in the forthcoming full length, Savage New Times set for release on August 15, 2025, via Reigning Phoenix Music. A powerhouse of modern thrash metal, Savage New Times encapsulates the pure nature of INCITE instilled with their unyielding drive and years of dedication to honing their sound. 

Ever since the beginning, INCITE have been fiercely devoted to crafting their distinctive sound, and making their mark. Since 2009's debut, The Slaughter, each subsequent release demonstrated the band's unceasing efforts as each offering sought to push their own personal creative boundaries ever further. Beyond the studio walls, the live stage is at the heart of INCITE. Ruthless touring schedules have seen the band sharing stages with the likes of DEVILDRIVER and SIX FEET UNDER, and attaining sets before crowds at festivals such as Bloodstock and Heaven and Hell. Their journey has taken INCITE tread across continents - far reaches around the globe from audiences in Russia and Australia, to festivals in South America. 

The band's line-up is a testament to their success. Band founder and frontman Richie Cavalera, as the stepson of metal legend Max Cavalera, brought not just a legendary name, but a fresh, raw edge to his vocals that quickly became key to the band's signature sound. Members Lennon Lopez on drums and EL on bass have been instrumental in shaping the band's rhythmic backbone for over a decade. Now, in this next chapter, new guitarist Layne Richardson brings a dynamic and fresh input to both the creative process and live stage. 

A formidable sonic force in the thrash metal scene, INCITE's fierce and unforgiving music not only continues to prevail but is elevated through their growth. INCITE will stop at nothing in striving to attain their most powerful version of themselves, and in Savage New Times they present a truly impressive and visceral sound. From the monumental pace of the album's aggressive opener "Lies" and the intense energizing rhythms of "Just a Rat" to the brutal groove driven "No Mercy No Forgiveness" and dark bloodthirsty title track, Savage New Times is a captivating display of power.

About INCITE:
Founded in Phoenix, Arizona, in 2004 by frontman Richie Cavalera, INCITE blends groove and thrash metal with a raw, relentless edge. With Lennon Lopez on drums and EL on bass, the band has honed its unyielding sound across multiple albums, evolving with each release. Their punishing intensity is amplified by producer Steve Evetts (THE DILLINGER ESCAPE PLAN, HATEBREED and mixer Arthur Rizk (SOULFLY, MUNICIPAL WASTE), while striking artwork by Marcelo Vasco (SLAYER, KERRY KING) captures their ferocity. Known for their relentless touring, Incite has conquered stages worldwide, sharing bills with DEVILDRIVER and SIX FEET UNDER, and proving their grit—like driving 500 miles through a blizzard to make a show. The addition of guitarist Layne Richardson has injected fresh energy, elevating both their live performances and songwriting. With sheer determination and raw talent, Incite has carved out a place in modern thrash, dominating every stage with their unbreakable, unforgiving sound.

INCITE is: 
Vocals - Richie Cavalera
Guitar - Layne Richardson 
Bass - EL
Drums - Lennon Lopez

Credits:
Recorded with producer Steve Evetts at Bell House Studios
Mixed by Arthur Rizk 
Artwork by Marcelo Vasco 

LEGENDARY ROCKERS TESLA RETURNING TO HOUSE OF BLUES LAS VEGAS OCTOBER 17 – 25, 2025 ​  

Tickets for TESLA: The Las Vegas Residency go on sale Friday, May 9 at 10 a.m. PT

 

Legendary rockers TESLA are returning to House of Blues Las Vegas inside Mandalay Bay Resort and Casino later this year. Performances of TESLA: The Las Vegas Residency will take place on October 17, 18, 22, 24 and 25, 2025, and are scheduled to begin at 8:30 p.m.

 

During this exclusive five-day run of shows, TESLA will touch all sides of their unique discography including the heavier edge of electric songs like “Modern Day Cowboy,” “Hang Tough” and “Edison’s Medicine,” as well as their acoustic driven songs such as “Signs” and “Love Song” (two Top 10 Billboard charting hits). Die-hard fans from all over the world are headed to Las Vegas to witness TESLA, America’s blue collar rock band, during this special limited-time engagement. And TESLA is ready to rock and show fans an unforgettable time.

 

Tickets for TESLA: The Las Vegas Residency at House of Blues Las Vegas go on sale to the public starting Friday, May 9 at 10 a.m. PT. Tickets are available by visiting HouseofBlues.com/LasVegas, MandalayBay.com, Ticketmaster.com or by calling 702-632-7600.

 

Fan pre-sale tickets will be available beginning Wednesday, May 7 at 10 a.m. PT. Citi is the official card of Tesla at House of Blues Las Vegas. Citi cardmembers will have access to pre-sale tickets beginning Tuesday, May 6 at 10 a.m. PT through Thursday, May 8 at 10 p.m. PT through the Citi Entertainment program. For complete presale details visit www.citientertainment.com.

 

House of Blues, Live Nation and Ticketmaster customers will receive access to a pre-sale starting Thursday, May 8 at 10 a.m. PT. All pre-sales will end Thursday, May 8 at 10 p.m. PT.

About TESLA

That they are still roaring and soaring should be no surprise. That’s just how they are built. TESLA may have been born in the mid-80s, but their bluesy, soulful sound is strongly embedded in the roots of organic, authentic, 1970s rock and roll. The same roots that produced bands like Bad Company, Grand Funk Railroad, AC/DC, Lynyrd Skynyrd, Led Zeppelin and Aerosmith.

 

The ground started shaking in Sacramento, CA, in 1984; gold country that would soon be producing some platinum. They started out as City Kidd, until a suggested name change to TESLA, honoring the eccentric inventor Nikola Tesla who pioneered all things electrical. Their 1986 platinum debut album, Mechanical Resonance, included Top 40 hits “Modern Day Cowboy” and “Little Suzi.” 1989’s double-platinum The Great Radio Controversy included hits “Heaven’s Trail (No Way Out)” and “Love Song”. Suddenly, TESLA, who had been touring with bands such as Def Leppard and David Lee Roth, earned headlining status. In 1990, TESLA helped reshape the face of modern rock music by stripping down to the Five Man Acoustical Jam, an informal collection of their biggest hits peppered with rock and roll classics by the Beatles, Stones, and others. This album produced their biggest hit single to date, a cover of Five Man Electrical Band’s “Signs.” Other 90s albums from Tesla include platinum selling Psychotic Supper and Bust a Nut.  The band continues to record and release new material including 9 new albums since 2000. Most recently, they debuted the single “All About Love,” featured on their All About Love EP—now available as a special edition collector's 12" vinyl. They also celebrated two highly successful Record Store Day events since their last residency, with both volumes of their limited-edition double LPs, Real 2 Reel Vol. 1 and Vol. 2, completely selling out. Both are cover song studio albums that pay homage to classic rock tunes from the late 1960s and early 1970s. TESLA brings their unique touch to these iconic tracks, recorded using analog tape and vintage equipment, with a dedication to preserving the raw, authentic sound of the era. The albums showcase the band's exceptional talent, captured in a live in studio setting, without the use of pro tools or an automated mixing console.

 

TESLA’s legacy is alive and well as they continue to record and sellout venues all over the world. As comfortable, rugged, and dependable as your favorite pair of boots, they endure. TESLA is a celebration of the greatest spirits of rock and roll.

 

About House of Blues

Founded in 1992, the 11 House of Blues are located throughout the United States and form the country’s pre-eminent group of intimate music venues. Each features state-of-the-art sound and lighting technology in one-of-a-kind custom designed environments aimed to bring fans as close as possible to the artists. Every location’s restaurant and bar is adorned with signature original folk-art – part of the world’s largest collection – combined with the House of Blues legendary hospitality and tantalizing cuisine.

 

Tickets for the "Keepin' It Real" Tour 2025 are available for purchase at

https://teslatheband.com/tour/

Tesla Tour Dates 2025

 

Jun 1 @ Indian Ranch in Webster, MA

Jun 4 @ Waterville Opera House in Waterville, ME SOLD OUT

Jun 6 @ Hampton Beach Casino in Hampton, NH SOLD OUT

Jun 7 @ @ Hampton Beach Casino Ballroom in Hampton Beach, NH SOLD OUT

Jun 19 @ Summerfest 2025 in Milwaukee, WI

Jun 20 @ Silver Creek Event Center in New Buffalo, MI

Jun 22 @ Devon Lakeshore Amphitheater in Decatur, IL

Jun 27 @ Talking Stick resort in Scottsdale, AZ

Jun 28 @ Route 66 Casino / Legends Theater in Albuquerque, NM

Jul 2 @ Alameda County Fairgrounds in Pleasanton, CA

Jul 4 @ Casino Del Sol in Tucson, AZ

Jul 12 @ Northern Lights Casino, Walker, MN

Jul 18 @ California State Fair in Sacramento, CA

Aug 1 @ Stir Concert Cove-Harrah's Council Bluffs Casino & Hotel in Council Bluffs, IA

Aug 2 @ Mission Ballroom in Denver, CO

Aug 4 @ Full Throttle Saloon in Sturgis, SD

Aug 28 @ Duquoin State Fairgrounds in Du Quoin, IL

Aug 30 @ Prairie Knights Casino & Resort in Fort Yates, ND

Oct 17  @ House of Blues in Las Vegas, NV

Oct 18   @ House of Blues in Las Vegas, NV

Oct 22   @ House of Blues in Las Vegas, NV

Oct 24   @ House of Blues in Las Vegas, NV

Oct 25   @ House of Blues in Las Vegas, NV

Nov 7 @ The Sands 2025 in Playa Del Carmen in Cancun, MX

 

TESLA:
Vocals: Jeff Keith
Guitar: Frank Hannon
Bass: Brian Wheat
Guitar: Dave Rude
Drums: Steve Brown

 

For More Information Please Visit:

Official Website

Spotify

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HORRENDA Releases Single "Nun's Tears" Ahead Of Think On Your Sins Release Next Week

Irish blackened extreme metal force HORRENDA has released their searing new single "Nun’s Tears", the final harbinger of chaos before the arrival of their anticipated full-length album, Think On Your Sins, out May 9th via Fiadh Productions.

A tortured invocation drenched in religious decay, "Nun’s Tears" distills the band’s signature blend of raw black metal filth, death-laced fury, and nihilistic punk vitriol into a track that feels like a cathedral set ablaze. Shrieking guitars scrape against walls of blast beats, while Arron "Nomad" O'Shaughnessy channels anguish and blasphemy in equal measure,  a vocal performance equal parts exorcism and execution.

Frontman Darragh "Outis" O'Connor states, “"Nun’s Tears” is dark, raw, and unapologetic ballad, one of our heaviest tracks to date. The video plunges into Gustave Doré’s haunting vision of Dante’s nine circles of Hell, as Horrenda and Roman poet Virgil guide you through corrupt institutions, crises of faith, and the blackened depths of human nature."

With Think On Your Sins, HORRENDA doesn’t merely perform extreme metal, they embody it. The album is a fevered meditation on the sins of empire, religious trauma, and the scorched ruins of national identity. Expect no redemption. Only wrath.
 

About HORRENDA:

HORRENDA is an experimental blackened extreme metal band from Dublin, Ireland, formed in 2015 by Darragh “Outis” O'Connor. Known for their complex compositions and thematic depth, HORRENDA combines elements of black, death, and ambient metal to explore the darker aspects of human history and psychology. With a growing following and a reputation for explosive live performances, HORRENDA is poised to become a significant force in the global metal scene.

HORRENDA is: 

  • Darragh "Outis" O'Connor – Guitars, Studio Backing Vocals

  • Arron "Nomad" O'Shaughnessy – Lead Vocals

  • Keith "Donn" Smith – Bass

  • Mark "Morrdok" O'Brien – Guitars

  • Cormac "Desolatus" Jordan – Guitars

  • Matthew "Dearg" McKenna – Drums
     

Connect with HORRENDA: