From Fall to Spring Share New Single

From Fall to Spring have released a special rendition of the Backstreet Boys hit "Incomplete." The song was originally created for the ESC 2025 preliminary round and combines the band's signature metalcore elements with emotional melodies and powerful vocals.

In addition to their festival appearances all over Europe like Nova Rock, Barcelona Rock Fest, Resurrection Fest, Taubertal Festival, and many more, From Fall Spring will embark on their first international headline tour across Europe and the UK in October 2025. The tour kicks off on October 22 in Bochum, Germany, and includes stops in cities such as Cologne, Hannover, Hamburg, Eindhoven, London, and Manchester. Tickets for several shows are already sold out, highlighting the band's growing popularity.
 

With their unique interpretation of "Incomplete," From Fall to Spring once again showcase their talent for blending creativity with raw emotion.

More info about their festival dates and headline Europe and UK tour here. 

Annisokay Share New Single

German metalcore powerhouse Annisokay have returned with their brand-new single "Inner Sanctum," a hard-hitting track that showcases the band's signature blend of crushing heaviness and melodic intensity. The song is taken from their new EP Abyss Pt. II, set for release on April 11 via Arising Empire. Watch the video below.

"Inner Sanctum" dives deep into themes of inner struggle and resilience, delivering powerful vocals, atmospheric soundscapes, and intense breakdowns. Fans can expect Abyss Pt. II to push the boundaries of Annisokay's sound even further, cementing their status as a driving force in the modern metalcore scene.
 

In October, Annisokay will embark on their Abyss Pt. II European Tour, bringing their explosive live show to stages across the continent. The band is also set to perform at some of Europe's biggest festivals, including Wacken, Greenfield Festival, Reload Festival, and Summer Breeze, promising unforgettable performances that fans won't want to miss.
 

Mark your calendars for April 11 and prepare to embrace the abyss — both on record and live on stage!

More info about the Abyss Pt. II European tour dates and festival dates here. 

PRE-ORDER "ABYSS PT. II"

Iodine to Release Bloodhorse's Long-Awaited Sophomore Album "A Malign Star" + Band Shares Title Track

Iodine Recordings is pleased to announce it will release A Malign Star, the long-awaited sophomore LP from Boston's Bloodhorse. The vinyl arrives on May 30. Pre-order it here. 

The record was produced by Alex Garcia-Rivera at Mystic Valley Studios (Vundabar, American Nightmare, 108) and is the long-awaited follow-up to 2009's critically acclaimed Horizoner album, which was released by Translation Loss.

The band is a who's who, featuring members of iconic Massachusetts bands American Nightmare, The Red Chord, and All Pigs Must Die.

A Malign Star is a reckoning — a raw, relentless journey through doubt, defiance, and the eerie spaces in between. From crushing riffs that pay tribute to self-destruction to compositions steeped in imperial dread, each track carves out its own space in the chaos. There's a biting critique of pettiness and alienation, an eerie drift through half-waking nightmares, and a full-throttle push to the brink of speed and control. If you like it fast, dark, and just a little self-aware of its own doom, then you're in the right place.

The band has also shared the title track. Listen below.

"The title is cribbed from a quote from Robespierre describing Paris as being held under a malign star. The idea for this song was to capture a sense of majestic, imperial foreboding," the band says.

Bloodhorse plan to tour in support of the record, as well!

BLOODHORSE ARE:
Alex Garcia-Rivera — Drums
Matt Woods — Bass + Vocals

New PHIL X & THE DRILLS Album 'POW! Right In The Kisser' Out NOW via Frontiers Music Srl

PHIL X & THE DRILLS are proud to unleash their latest album, 'POW! Right In The Kisser' to the world! Alongside the release, out via Frontiers Music Srl, the band is sharing the hot fresh track, "Broken Arrow." A new visualizer for the single is below.

About the "Broken Arrow," PHIL X comments:

"I'm really excited for our fans to witness the growth of the DRILLS. Songs like 'Broken Arrow' add a dimension to my songwriting and my voice. I wrote that song after hearing of Chris Cornell's passing which sparked deep thoughts about challenges and dealing with options. There's a lot of depth on 'POW! Right in the Kisser' and I can't wait for the world to hear it."

About the new album, he adds:

"'POW! Right in the Kisser' was a good ten years in the making. 'Battleship' was tracked in 2014. I just kept writing, and we'd record and then kept the whole 'different drummer on every song' thing going. It became a very special collection of songs & vibes. It's very exciting for me to share something like that with the world." 

Watch the Music Video for "Broken Arrow"

The journey of PHIL X & THE DRILLS is one of relentless passion and perseverance. From their early days stirring up the Hollywood rock scene in 2003, to their breakout EP 'Kick Your Ass in 17 Minutes' (2009), the band has always kept fans hooked with their high-energy sound and jaw-dropping performances. As PHIL X became a YouTube sensation through his work demoing vintage guitars for Fretted Americana, the band’s visibility skyrocketed, eventually evolving into the powerhouse known as PHIL X & THE DRILLS.

Over the years, the band has worked with an incredible roster of guest drummers, including Josh Freese (Sting, Foo Fighters), Abe Laboriel Jr. (Paul McCartney), and Taylor Hawkins (Foo Fighters), among others. Their most recent release, 'Stupid Good Lookings Vol. 1', showcased the band’s knack for pushing boundaries and delivering unforgettable rock tracks.

In 2024, PHIL X & THE DRILLS hit a new career milestone, opening for Mötley Crüe at Summerfest in Springfield, IL, where their performance left 10,000 fans and industry professionals in awe. Now, with 'POW! Right in the Kisser', they’re set to take the next big step in their musical journey.

Order 'POW! Right In The Kisser' HERE

PHIL X & THE DRILLS:

Phil X - Lead Vocals & Guitars

Daniel Spree - Bass & Background Vocals

Brent Fitz - Drums & Background Vocals

Swedish Supergroup W.E.T. Release New Album ‘Apex’ Out Now Via Frontiers Music Srl

International powerhouse rock group W.E.T. is pleased to release their highly anticipated new studio album, 'Apex,' via Frontiers Music Srl. The focus track, “What Are We Fighting For,” is accompanied by a visualizer, available below.

Vocalist Jeff Scott Soto commented on the focus track:

“What I love about this song and even about the evolvement of W.E.T. is utilizing the fact that we have two lead singers in the band, and this can be exploited as many of my favorite bands in the 70’s - like Queen, Styx, Journey, and Eagles did, adding layers to the songs. On this track, Erik and I trade off on lead vocals for this defining song with a sound that has the true W.E.T. stamp to it."



Watch the Visualizer for "What Are We Fighting For"

The acronym W.E.T. comes from the members’ association with other bands, Robert Säll & Andreas Passmark from Work of Art, Erik Mårtensson & Magnus Henriksson from Eclipse and Jeff Scott Soto from Talisman. And now, for the first time ever, the T is emphasized as Talisman drummer Jamie Borger has joined forces with the band’s original core members.

W.E.T. truly epitomizes what melodic rock has become in the new decade. The key element at the foundation of W.E.T. has always been to create a modern melodic hard rock sound that will drive the genre into the future. Combining powerhouse rhythms and top-notch production (courtesy of Erik Martensson), the music is equally classic and contemporary. 

Although a side project to the members’ original bands, over the course of the band’s existence, W.E.T. have reconvened regularly over the last 15 years to produce four studio albums and a live record.

Starting with a genre-defining self-titled debut, Robert Säll (the “W” from Work of Art), Erik Mårtensson (the “E” from Eclipse), and Jeff Scott Soto (the “T” from Talisman) accepted the daunting task to give that debut a follow-up, 'Rise Up'. After that stellar follow-up, their third opus, 'Earthrage', cemented a legacy of music which will stand the test of time.'Retransmission', their latest album, is nothing else than an absolute milestone, which is well in keeping with the tradition established by the three amazing records that have preceded this one.

Erik Mårtensson says:

“It’s always a challenge to find that sweet spot in our calendars when we are all available, not to mention the fact that Jeff lives in California and the rest of us in Sweden. But I also believe that adds to our ambition once we are able to gather. We are all aware that we don’t get too many shots at this, so when we do we gotta make it count.”

'Apex', the fifth studio album of the melodic supergroup, is a bold statement in the band's confidence that they have delivered their best work to date. Eleven tracks full of big choruses and hooky melodies, all served on a platter of smooth heaviness.

Order 'Apex' HERE

W.E.T. are:

Jeff Scott Soto - Vocals

Erik Mårtensson – Vocals, Guitars, Keyboards

Robert Säll – Guitars, Keyboards

Magnus Henriksson – Guitars

Andreas Passmark - Bass

Jamie Borger – Drums

Melodic Hard Rockers ALLIANCE Release New Album ‘Before Our Eyes’ Out Now Via Frontiers Music Srl

Melodic hard rockers ALLIANCE are pleased to announce the release of their highly anticipated new studio album 'Before Our Eyes,' out now via Frontiers Music Srl. To celebrate the release of the album, the band has released the focus track, "Too Many People," accompanied by a visualizer available to view below.

About the new track, Robert Berry stated:

“Ah… The world is filled with people’s opinions, but their solutions are unobtainable. The underlying meaning of 'Too Many People' is, serve with care, not words, the circle you can touch.”

Guitarist Gary Pihl added:

“To me, this song is about contrasts. I wanted my guitar solo in the middle to use sounds that were very different. The first part of the solo is a clean, clear sound. For the second half, I plugged my guitar into a 1960s Fuzztone device. Just like the one Keith Richards used on 'Satisfaction'. You could say, one was pretty and one was ugly. That’s what I was going for!”

Watch the Visualizer for “Too Many People”

Renowned melodic hard rock band ALLIANCE, with a nearly thirty-year collaboration, and six highly regarded studio albums, return with their new release, “Before Our Eyes”, their first on the Frontiers label and the first in several years following “Bond Of Union” (1996), “Alliance” (1997), “Missing Piece” (1999), “Destination Known” (2007), “Road To Heaven” (2008) and “Fire And Grace” (2018). 

For the new album, the core of the band remains the same with guitarist Gary Pihl (Boston), drummer Mr. David Lauser (Sammy Hagar) and bassist Robert Berry (3, GTR). After Sammy Hagar stopped his solo career to join Van Halen, his drummer David Lauser and guitarist Gary Pihl still longed for the allusive missing pieces for a new project outside of their main gigs.

Early in 1993, Robert Berry received a call from Lauser. They reached out to keyboardist Alan (Fitz) Fitzgerald (ex-Night Ranger) and gathered at Hagar's studio in Mill Valley to work through songs from their demos. According to a witness, “There was an immediate connection. Everybody in the room could feel it. The vibe was powerful and inspiring”. They immediately recognized the common thread that would feed their creativity.

A signature style was beginning to emerge, and the band was bonding even though they were spread geographically throughout the country, with Pihl in Boston, Fitz based in Texas, Lauserin Southern California, and Berry in the heart of Silicon Valley. 

Over the years and up to today, ALLIANCE continues to solidify and bolster its long-distance collaborations. Though the scheduling remains challenging, their passion and commitment remain energized. Their musical benchmark, perhaps a product of their high-profile roles outside of ALLIANCE, has always been pushed to the highest standard. And it’s clear that they always strive to surpass their previous release. Thus, they have earned a loyal, patient, and growing fan base over the years that is sure to enjoy and embrace the new album “Before Our Eyes.”

The band states about the album:

“We are excited to have a new label and to be working with the team at Frontiers. With 5 albums released over the last 30 years we are feeling even more creative and energized by the possibilities that lie ahead. We are looking forward to reaching a wider audience and are already hard at work on album 7.”

Order 'Before Our Eyes' HERE

ALLIANCE are:

Robert Berry - Bass, Vocals

David Lauser - Drums

Gary Pihl - Guitars

M THE MYTH UNVEILS NYMPHONIC – A BOLD, TRANSCENDENT EP EXPLORING SEXUAL LIBERATION, SELF-DISCOVERY, AND PRIMAL ENERGY

Electro-pop innovator, M the Myth, has officially released their groundbreaking EP, Nymphonic. This collection of six tracks is more than music—it is a statement, a reclamation, and an exploration of desire, expression, and transformation. Nymphonic is the message. It is sexual liberation, physical release, and the unshackling of the body—of being in your skin and reveling in that freedom. The title itself merges two concepts: nympho, a word often used to shame female sexual desire, and phonic, meaning “of sound.” Nymphonic reclaims the

narrative, embodying a primal, boundless energy that pulses through us when we stop resisting who we are.

Each composition within Nymphonic is tied to the ancient forces—earth, air, water, fire, and metal—forces that sustain life, allowing us to create and destroy. The record is a personal narrative of struggle, self-destruction, healing, and ultimate rebirth. Through music, M the Myth has found balance, self-fulfillment, and fearless self-love. The EP features six tracks: “Chew the Wire,” “Forever Falling,” “Pin-up Boy,” “Whiplash,” “Love Nymphonic,” and “Crumble.” Three previously released singles are joined by the three new tracks: “Forever Falling,” “Love Nymphonic,” and “Crumble.”

A bass-heavy, electro-pop experience that oscillates between tension and release, “Forever Falling” feels like freefalling through space. The track samples Sumitra Nanjundun’s 1995 track “Destiny,” layering past and present into a dialogue between fear and freedom. "What if the fall wasn’t something to resist? What if the fall was the flight?" says M the Myth. "This song is about surrender, about letting go of control and embracing the unknown." Produced alongside Niño Neon, “Forever Falling” embodies the expansive sonic landscapes that define Nymphonic—gritty, immersive, and emotionally raw.

Built on a driving house groove and euphoric synth textures, “Love Nymphonic” is the heartbeat of the EP. The track’s infectious energy mirrors the thrill and chaos of unfiltered desire. "This song is about claiming your desires without hesitation or fear—this primal expression of sexual liberation and uninhibited selfhood," M the Myth explains. "It is the essence of this album: electric, ecstatic, and fully alive."

The slow-burning, cinematic closer to the EP, “Crumble” blends retro-futuristic R&B with indie electro-pop. Minimalist verses give way to explosive, synth-driven choruses, symbolizing the collapse of false identities and the rebirth of something real. "It’s about falling apart so you can build something true," says M the Myth. "This track exists in that space between struggle and revelation. In the end, maybe we were never falling—we were being reborn."

The release of Nymphonic aligns with a powerful celestial event: a total lunar eclipse, also known as a Blood Moon. Historically a symbol of reckoning and transformation, the Blood Moon perfectly mirrors the themes of the album—breaking chains, embracing truth, and setting fire to the past to make way for rebirth. "This album isn’t about quiet revelations. It’s about setting fire to what cages us," says M the Myth. "To release Nymphonic under a Blood Moon is to send it into the world as a spell, a charge for freedom."

MORE INFO:

M the Myth is an innovative electro-pop artist dedicated to community leadership and advancing LGBTQIA+ issues. As a co-founder of Blonde Records and Artist Management, M the Myth is committed to expanding opportunities for female-identifying and LGBTQIA+ artists, fostering a more inclusive music industry. Their work has been recognized for its "unabashed hookability," with Music Connection Magazine praising their catchy, impactful songwriting. M’s music video for "Let’s Get Drunk Anyway" captured widespread attention, landing on the front page of LGBTQ Music Charts in 2019.

A passionate advocate for the arts and social change, M the Myth is a graduate of the Clinton Global Initiative University (CGIU). Their non-profit, The Wavy Awards, gained special recognition at CGIU’s annual meeting, leading to a partnership with Chelsea Clinton and the Clinton Foundation. M the Myth’s academic achievements are equally impressive, with a Master of Music in Music Production and a Master of Arts in Songwriting from Berklee College of Music, complemented by their training at the Los Angeles-based production school Icon Collective.

With a unique sound that blends electro-pop with deeply personal, socially conscious themes, M the Myth continues to break boundaries and inspire audiences with their artistry and activism. With a background in music production and songwriting from Berklee College of Music, and a history of accolades including the Stanford Alumni Artist Grant, a performance on Amazon Music's Twitch channel, and their single “Speed of Life” being featured on Billboard’s Queer Necessities playlist in February of 2020, M the Myth is paving the way for a new era of music that challenges norms and inspires listeners to live authentically.

Spencer Charnas Unveils PRETTY EVIL; Launch Collection in Collaboration With Ice Nine Kills

Spencer Charnas, horror icon, creative mastermind and frontman of theatrical, horror-themed metal powerhouse Ice Nine Kills, today announces the launch of Pretty Evil—a sinister new brand that redefines high-performance personal care and cosmetics for those who live for the limelight... or the moonlight. The brand makes its debut with a killer first collection inspired by the theatrical flair and horror-fused ethos of Ice Nine Kills. Watch 'Pretty Evil: Chapter 1' Below.

Developed with elite chemists in the USA, Pretty Evil is warpaint for the wicked. Designed to hold up under stage lights, sweaty mosh pits, or moonlit murder sprees, the debut collection includes make-up and haircare products that promise durability, intensity, and cruelty-free confidence.

Speaking on today's announcement and the launch of his exciting new venture, Spencer Charnas shares

“The passion and care we put into Ice Nine Kills is reflected back in the unwavering support from our beloved Psychos. We’ve launched Pretty Evil with careful strangulation consideration. I consulted with high-end industry pros, undertaking a meticulous dismemberment process to ensure this is built to last. Would I be caught dead in Pretty Evil? Absolutely. And so should you.”

The debut collection from Pretty Evil includes:

DIE-LINER – Define and accentuate eyes. Die-Liner in RAVEN is a rich, high-pigment black eyeliner designed to make a statement. This unisex eyeliner delivers intense, long-lasting color that won’t fade - a versatile product everything from a natural look or while performing.

LIQUID LIPSTICK – Full-pigment liquid lipstick for those that aren’t afraid to stand out. Formulated to last all day, this unisex formula delivers bold, saturated color that lasts through every adventure or performance. Goes on as a smooth liquid, dries to a comfortable, matte finish.

WELCOME TO HORRORWOOD EYESHADOW PALETTE –Create limitless looks with this universal eyeshadow palette designed to break beauty rules. WELCOME TO HORRORWOOD contains 15 versatile shades to create looks from wearable natural, smoky to vibrant eye-catching styles. Featuring high-pigment matte and shimmer shades.

DEVIL’S ‘DO – GRIM GRIP –You’re going to have to give the Devil his ‘Do with this high hold, high shine pomade. Its hybrid formula has the instant flexible forming of a wax, with the perfectly set look of a gel. Having a scent profile reminiscent of secluded woods by the sea, you’re sure to raise more than just some eyebrows. The firm hold will keep you looking sharp through even the most violent of nights.

Each product has been rigorously tested and field-proven ensuring it meets the high standards of performers and fans alike. Pretty Evil is here to prove that beauty is indeed in the eye of the beheader. Get yours before it's gone from prettyevil.co

About Pretty Evil

Pretty Evil is a collection of high-performance essentials in haircare, cosmetics, and skincare, designed to withstand the spotlight's glare or the spine-tingling thrill of the unknown. More than just another “collab,” Pretty Evil is developed with top industry formulators in the USA, meticulously tested, and built to last. Every Pretty Evil product is vegan, cruelty-free, and designed to keep up with you long after the sun sets. Look good and feel Pretty Evil.

About Spencer Charnas

Spencer Charnas is the creative architect and frontman of Ice Nine Kills and one of modern metal’s most visionary and recognizable figures. A lifelong horror obsessive and pop culture alchemist, Charnas has transformed Ice Nine Kills into a multi-dimensional empire where music, cinema, and theatrical storytelling collide.

Under his leadership, the band’s horror-themed concept albums The Silver Scream and The Silver Scream 2: Welcome to Horrorwood redefined the genre—earning Top 20 Billboard chart placements, global streaming success, and cult-like fan devotion. As a songwriter, performer, and strategist, Charnas has elevated Ice Nine Kills beyond the stage, launching the Silver Scream Convention, immersive fan clubs, graphic novels, and now the Pretty Evil cosmetics line.

Known for collaborations with horror icons like Ari Lehman and Tony Todd, and for bringing theatricality back to live performance, Charnashas become a mainstay in both the metal and horror communities. Whether fronting the band on tour with Metallica or creating blood-soaked beauty campaigns, he continues to push the boundaries of what a modern frontman can be.

About Ice Nine Kills

Ice Nine Kills craft passionate and precise anthems that fuse metalcore, melody, and punk with immersive, horror-inspired storytelling. Led by creative mastermind Spencer Charnas, the band has built a sprawling universe of music, film, literature, and live performance that has captivated a global fanbase of “Psychos.”

The Billboard-charting albums The Silver Scream and The Silver Scream 2: Welcome to Horrorwood paid tribute to icons like Freddy Krueger, Michael Myers, and Patrick Bateman—earning the band a Top 20 debut on the Billboard 200 and over 1 billion career streams. Their cinematic music videos, graphic novels, true crime mockumentaries, and immersive live shows have redefined what it means to be a heavy band in the modern era.

From touring stadiums with Metallica to headlining their own sold-out shows, Ice Nine Kills have become one of the most popular and formidable forces in modern music. With over 2 million monthly Spotify listeners, 210 million YouTube views, and their own Silver Scream Convention, Ice Nine Kills continue to construct a horror-meets-metal empire that’s as ambitious as it is blood-soaked.

Their most recent release, "A Work Of Art" was a match made in hell as the band collaborated with the insanely popular Terrifier movie franchise to craft the official song for Terrifier 3. The track and extended cut music video featuring the franchise's very own illustrious slasher, Art The Clown gave the band their biggest one-day streams ever and helped secure a #1 spot at the box office for the movie. The band will be hitting the road in May for their 'Silver Scream-A-Thon' tour where they will play The Silver Scream and The Silver Scream 2: Welcome To Horrorwood on consecutive nights in multiple cities across the US as well as continuing to play further stadium dates with Metallica on their M72 World Stadium tour. For tickets and more information click HERE.

Austin downtempo artist Claude9 debuts chilled 'Chords of Love' album, plus video for title track

Austin-based electronic artist Claude9 (a.k.a. Claude McCan) presents his debut album 'Chords of Love', released via indie imprint New Human Music, as well as a new chilled video for the title track, produced by Manny Dojo. This album offers a unique and largely relaxing sound, with light fractals of Enigma, Jean-Michel Jarre, Boards of Canada, Tangerine Dream, Air and Kruder & Dorfmeister.  Two tracks also feature the unmistakable talent of Jorja Chalmers (Roxy Music, Bryan Ferry, Italians Do It Better), whose saxophone brings intensity and emotional resonance.

Ahead of this release, Claude9 shared the singles 'Clouds So Low', a soulful track with chilled feel-good vibes, tastefully blends Eno-esque ambient music and downtempo trip-hop, and 'The Shadow', a slice of futuristic wonderment that showcases this relaxing nine-track record.

Weaving together ambient and downtempo electronica, 'Chords of Love' offers a seamless listening experience with six extended tracks and three shorter interlude pieces that flow effortlessly into one another, creating the feeling of one continuous work. This diverse sonic palette brings in everything from cicada field recordings to lush pads, drones, and a mix of real and synthesized vocals.

With the simple yet profound mantra of “Slow down, relax, and listen”, this is a gateway to a relaxed and healing journey. At the same time, it doesn’t shy away from moments of tension or layers of social commentary, adding depth to its soothing exterior.

“This album was inspired by a Brian Eno documentary that explored his collaborations with the German ambient artists Cluster. A specific sequence about two albums they worked on together caught my attention, so I bought one and was amazed by its sound—so distinct from Eno’s solo work. The biggest takeaway for me was the idea of giving myself complete freedom in terms of sound, arrangements, and genres, allowing the creative process to unfold without limits. Shortly after I started working on the album, the COVID lockdown hit, which gave me the rare luxury of time to fully immerse myself in experimentation,” explains Claude 9.

“My studio is something of a mad scientist’s playground, and I was able to make the most of that, diving deep into sounds and textures I hadn’t previously explored. I set out to create music that felt fresh and original—something not heard before—but still accessible and engaging to listen to. I think I achieved that balance. The lyrics are sparse, carrying themes of human unity that I wanted to convey. “Chords of Love” and “The Shadow” are both love songs, but their focus differs: the former is universal, while the latter is more personal. The Black Lives Matter movement protests happened the summer I was creating this album, inspiring the closing track “Enough is Enough,” a reflection on those events and my experience in Austin.”

Imbued with dreamy, rhythmic energy, the ‘Chords of Love’ album blends ambient and downtempo electronica, offering with six extended tracks and three shorter interlude pieces, creating the feeling of one continuous work that makes use of cicada field recordings, lush pads, drones, and a mix of real and synthesized vocals.

Claude McCan has been involved in the Austin music scene for several decades, both as a live performer and recording artist. As a keyboard player and singer, he has worked with Reggae acts Pressure, the Killer Bees, and Raggamassive, cutting his teeth to become a sought-after keyboard player. From there, he joined forces with hiphop-funk act Afrofreque, Supercreeps and Hail Marley.

Emerging in the late 90s as one of Austin's first electronic producers, Claude was involved in several well-received House music collaborations in the early 2000s. His background as a live musician brought authenticity to the dub and funk elements in his electronic compositions and, more recently, to his
collaboration with Noëlle Hampton (the Belle Sounds) and Ken Christensen (East Coast Boogiemen) in synth pop band XANIMAL.

As a producer at Claude9 Studios, Claude continues to produce and record internationally recognized music in the House and Downtempo genres, while still pushing limits and being an influential member of the ever changing Austin music community.

As of March 28, the 'Chords of Love' album is available from fine music platforms, including Apple Music, Spotify and Bandcamp. 

ALBUM CREDITS
Claude9 - Keyboards, real and synthesized vocals, melodica, harmonica
Jorja Chalmers - saxophone on tracks 1 and 9
Recorded at Claude9 Studios (Austin, TX)
Initial session for track 4 at ESH INSTITUTE, Lockhart Tx.
Production assistance by Alec ESH
Mixed and mastered by Charles “Chicky” Reeves at Sublime
Studios London, UK
Album cover design by Fumihito Sugawara / Fumanstudios
Released by New Human Music
Distributed by Xelon Distribution
Publicity by Shameless Promotion PR
Video production by Manny Dojo


Keep up with Claude9
Website | Bandcamp | Facebook | Studio | Instagram | YouTube | Soundcloud | Apple Music | Spotify | Press contact

Keep up with New Human Music
Website | Bandcamp | Facebook | Instagram | Soundcloud

Keep up with Shameless Promotion PR
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Invent Animate 🤝 Silent Planet | BLOOM IN HEAVEN - OUT NOW

OF LIMBO Share Homage To Van Halen With "Finish What Ya Started"

OF LIMBO are sharing a fun new homage to Van Halen with their acoustic version of the classic “Finish What Ya Started”.  It’s the 2nd release from the California band off their upcoming “Unplugged” album, which will be released this summer.

Recorded at the band’s home studio in Long Beach, their self-produced rendition is a tongue-in-cheek remake that adheres to the original, while making it a bluesy, sexy and hell raising version that is the trademark sound that OF LIMBO has become known for. 

The band’s Jake Davies says “Jason Klein (formerly of Butcher Babies), our “Unplugged” bassist, brought us this one and we knew we had to do it. Van Hagar at their best! It’s a true “hound-dog” masterpiece.  We would never try to improve on their perfection. But we did take a couple liberties with the song here and there!”

The “Finish What Ya Started” video was directed by Brandon Vancour and filmed at OF LIMBO’s home studio in Long Beach. Jake explains “We just wanted to have fun and recreate the classic Van Halen video. We played around a little bit to make it a version our fans have come to expect. Other than that, we just followed their lead and hit up a couple babes (Internet sensations Heather Leather and Lindsey Ferrari) to dress up like rocker cowgirls while we danced around and sang along. There might have been some tequila involved…”

The band is ramping up their live shows to celebrate on release day for the song.  More dates are currently being booked to support the album release.

Live Shows

Friday, March 28th @ Alex’s Bar - Long Beach, CA

Friday, April 18th @ 4th Street Vine - Long Beach, CA  (Acoustic)
        Saturday, May 3rd @ The 3 Clubs – Hollywood, CA (Full band/Electric)

About OF LIMBO:

Brothers Jake and Luke Davies were raised in Melbourne, Australia – but relocated to Long Beach, CA to further their music career in the states. The band pride themselves on making every show a party with their unique take on Heavy Rock N’ Roll. Kevin Martin of Candlebox says "OF LIMBO is the last dangerous Rock N’ Roll band you f*&^rs will ever see live". OF LIMBO play 100+ shows per year, and have toured nationally with Wolfmother, Hinder, Candlebox, Buckcherry, Joyous Wolf, and Blue Oyster Cult, among others.  Their high-energy performances create an electric atmosphere that is infectious, making it impossible not to have fun.

OF LIMBO released “Joke’s On You” in early 2025, as a follow-up to 2024’s “Estrada”.  They saw their profile raised significantly with “California Demon” in 2023, which saw the song placed on all major DSP platforms on multiple Hard Rock & Metal playlists, and widespread press acclaim including Loudwire, HEAVY, BraveWords, The PRP, Substream, Medium, Ramzine, Rock N’ Load, and more.  2022’s “Let’s Go” also received adds on multiple playlists on Spotify, Apple Music, Amazon Music, and Pandora. The “Let’s Go” video made several Top 10 lists for Video Of The Year.  Previously released songs include ‘Happened Again’, ‘Nothing But Now’ ; ‘Nicotine’; and ‘Fight For Your Right’ (Beastie Boys cover).

Official Website

https://www.oflimbo.com/

For More Information, Contact:
Ed Bunker – NPM PR and Marketing
Ed@NPMPRandMarketing.com

Nate Vickers Drops Brand New Track "Parasite"!

Alt rock's breakout act to watch, Nate Vickers, returns with a gripping new single, "Parasite" out now via Oxide Records. With "Parasite," Vickers dives deep to explore the darker, more vulnerable side of his signature sound. Watch the new video for "Parasite", directed by Nate, below.

Digging into the heart of "Parasite," Nate Vickers shares:

"“Parasite” is a reflection of a period in my life where I lost sight of who I was as an artist. I found myself surrounded by influences that clouded my judgment and led me away from my instincts, leaving me in a place of deep self-doubt. For a while, I wasn’t creating from a place that felt genuine. This song marks a turning point—a moment of clarity and reclamation. Writing it was part of the process of reconnecting with myself and finding the courage to trust my own voice again."

Fueled by raw emotion and unapologetic honesty, "Parasite" explores the toxic undercurrents of relationships, delivered through gut-punch lyricism paired with soaring hooks. Channeling the push and pull of toxicity and self-discovery, this track features Vickers blending gritty guitars with pain and the pursuit of healing.

Inspired by iconic bands such as Linkin Park, Incubus, and Nirvana, Nate Vickers has crafted a sound that is unmistakably his own, earning him 2 million followers across social media and praise from Sirius XM's Octane. Further fueling Vickers' rise, his previous single, "A Little Too Late", racked up an impressive 1 million streams on Pandora and more than half a million on Spotify.

Be sure to stay tuned for more Nate Vickers news coming soon.

ABOUT NATE VICKERS

Introducing Nate Vickers: the enigmatic force behind the electrifying sounds captivating social media feeds worldwide. Based in Houston, this rock/pop virtuoso has mastered the art of leaving audiences spellbound, all while shrouded in an aura of mystery that leaves followers craving more.

With a whisper of his name echoing through the digital landscape, Nate Vickers commands attention like a siren's call. His journey to stardom is paved with viral covers on TikTok and Instagram, where his raw talent and magnetic presence have garnered an awe-inspiring following of a staggering 1.4m followers on TikTok and 452k on Instagram.

But Nate is more than just a musical maverick; he's a connoisseur of the digital realm, immersing himself in the thrilling landscapes of FPS games like Warzone, Apex Legends, and the timeless RPG gem, Runescape. From the tender age of youth, Nate's passion for gaming has been a steadfast companion, shaping his creative journey and imbuing his artistry with a dynamic edge.

Yet, his interests don't end there. Nate's eclectic spirit finds solace in the realms of fashion, art, skateboarding, and drawing, where his boundless creativity grows. Each brushstroke, each riff, each daring fashion choice speaks volumes of a soul unbound by convention, a spirit dancing on the precipice of discovery.

To know Nate Vickers is to embark on a journey shrouded in intrigue, where every note, every post, every shared moment unveils a new layer of his enigmatic persona.

Black Sabbath members Tony Iommi, Geezer Butler, and Bill Ward talk exclusively to Rock Candy Mag for a 50th anniversary celebration of the ‘Sabotage’ album.

Black Sabbath guitarist Tony Iommi, bassist Geezer Butler, and drummer Bill Ward have opened up to Rock Candy for the magazine’s latest expansive cover story marking 50 years since the release of the band’s seminal sixth studio album,‘Sabotage’, in 1975.

The three musicians recall the stresses and strains of going though litigation with their former manager, while at the same time trying to create new music that was designed to push the boundaries of what the Birmingham group had previously deemed possible.

“We were obviously immensely p*ssed off because we had hardly anything to show for five years of constantly touring, writing, and recording,” Butler explained to Rock Candy Mag editor Howard Johnson. “It was difficult dividing time between creating music and time spent in lawyers’ offices, with QCs, and in law courts. But with our backs against the wall I think some of the songs on ‘Sabotage’ were the angriest that we’d ever written.”

“It wasn’t easy, because as it turned out the court case happened smack bang in the middle of recording ‘Sabotage’,” says Iommi. “One minute you’d be worrying about whether a riff was right for a song, the next you’d be sat in court.”

Yet despite such immense outside stresses, Sabbath were absolutely determined to forge ahead on their musical journey.

“We were in an experimental phase at the time,” says Butler.“We’d introduced different instruments on the [previous] ‘Sabbath Bloody Sabbath’ album, and once again were looking for new directions. Synths were relatively new at that time, so we had a go at introducing them on some songs. It was fun playing around.”

With their backs against the wall, Sabbath dug deep to produce some of the most exciting rock music of the ’70s – or any other decade. 

“‘Hole In The Sky’ and ‘Symptom Of The Universe’ are two of my all-time favourite Black Sabbath songs,” confirms Geezer. “I still love playing them, and they really come alive when we perform them live.”

“I was really, really happy with the writing,” says Bill Ward. “I think we were expanding, allowing ourselves to expand. We’d come a really long way from the song ‘Black Sabbath’, as great as that song is. I thought the richness of what we were doing on ‘Sabotage’ was brilliant.”

You can read the exclusive Black Sabbath ‘Sabotage’ story in issue 49 of Rock Candy Mag, together with in-depth stories and interviews with Billy Squier, Angel, Machine Head, Don Airey, L.A. Guns, Jethro Tull, and more. For more details visit www.rockcandymag.com.

ABOUT ROCK CANDY MAG
Rock Candy Mag is a 100-page, full-colour bi-monthly rock mag, created in the UK. It covers the sights, sounds and smells from the greatest era in hard rock music, the ’70s and ’80s. The brainchild of: respected UK rock journalists Derek Oliver, Howard Johnson and Malcolm Dome – all frontline writers for the legendary Kerrang! magazine in the golden era.

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GEMINI SYNDROME RELEASES NEW SINGLE “CAROUSEL” – A SONIC RECKONING WITH THE CYCLES OF SELF-DESTRUCTION AND TRANSFORMATION

In the ever-turning wheel of existence, where past, present, and future blur into a singular, cyclical motion, Gemini Syndrome unveils their latest offering, “Carousel”—a haunting meditation on the cycles we trap ourselves in and the courage it takes to break free.

"I am my own worst enemy."

A confession. A revelation. A truth buried beneath layers of pretense. We sabotage ourselves in the shadows, hiding behind the illusion of control. The turmoil within is relentless, unseen yet omnipresent. “Carousel” rips the mask away, exposing this eternal conflict—the conscious self at war with the unconscious. The driver and the passenger. The master and the captive.

"We can often be our own worst enemies," says drummer Brian Steele Medina. "There’s this illusion of control, like we’re holding the reins, but sometimes we don’t realize we’re just along for the ride. ‘Carousel’ captures that duality—the war between who we are and who we want to be."

To break the cycle requires an act of will—but true will is more than defiance; it is surrender. The courage to let go of the illusions that bind us. How can we evolve if we refuse to release the weight of our past? How can we ascend if we remain tethered to a wheel that never stops spinning?

"How can we become better than our present selves, when we live our lives like we’re on a carousel?"

The question lingers like an incantation, a challenge to all who dare to listen. “Carousel” is not just a song—it is a rite of passage, a moment of reckoning for those willing to look into the mirror and confront the storm behind their own eyes.

"At some point, you have to face the mirror," vocalist 

Aaron Nordstrom adds. "The song is about that reckoning—when you finally admit that you’re the architect of your own suffering. But acknowledgment is the first step to change."

With towering riffs, hypnotic rhythms, and a chorus that lingers like a whispered truth, “Carousel” embodies the struggle between stagnation and self-awareness.

This is the journey of Origin: From Nothingness to Everything—the transmutation of the self through trial and tribulation. The endless fight to wake up, break free, and become more than the sum of our past mistakes.

The ride is not over. But the choice is yours: remain in endless repetition, or shatter the cycle and step beyond.

As Gemini Syndrome continues their journey of musical and philosophical alchemy, “Carousel” stands as a call to arms for those willing to step off the loop and forge a new path.

GEMINI SYNDROME

Aaron Nordstrom | Messanger

Brian Steele Medina | Drums + Programming

Meegs Rascón | Guitars

AP Paveri | Bass

4 festivals & 3 headline shows: Japanese band coldrain is bound for “SUMMER in GERMANY 2025”!

There has been no slowing down for coldrain. After announcing their signing with Century Media Records on March 18, the Japanese band released their latest single, "INCOMPLETE," which was met with great excitement. Fans and new listeners alike won’t need to wait too long until they can experience the new music live: The quintet just announced their full festival and concert lineup for “SUMMER IN GERMANY 2025.”

In August, the band will be electrifying four festival stages alongside three additional headline shows in Düsseldorf, Jena, and Aschaffenburg. Audiences can expect a show and energy not to be missed.

 “INCOMPLETE,” which is the band’s first release for this year, also now boasts its own official music video. Innovative, powerful, and brimming with the band’s signature edge, the quintet infuses "INCOMPLETE" with an energetic narrative, bringing the song to life through its captivating visuals.

Watch the Video for "INCOMPLETE"

About coldrain:

Formed in 2007 in Nagoya, Japan, and with a total of seven studio albums under their belt, coldrain is certainly not a new name in the scene. While releasing music in English, the quintet is known for blending melodic singing with heavy instrumentals and screaming, finding the perfect balance between genres. Through touring with international names such as Bullet for My Valentine and Papa Roach, coldrain has built an international audience over the years.

coldrain are:

Masato – Vocals 

Y.K.C - Guitar 

Sugi - Guitar 

RxYxO - Bass Guitar 

Katsuma - Drums

TSS Announce New Album "END OF TIME" + Share "Something In the Way" Video

FEARLESS RECORDS welcomed French metal alchemists TSS (formerly The Sunday Sadness) to the label's global roster in 2024. 

TSS have steadily built its reputation thanks to its innovative blend of emo, metalcore, alternative rock, and synthwave. They've recently added elements of phonk and neo-metal to their sonic blend. The band was founded in 2016 by Kirby, who sought to combine his emo and metalcore roots into a fresh new sound. The band quickly solidified its lineup with John on guitar and vocals and Hugo on drums.

Today, they announce the forthcoming release of new album END OF TIME, out June 27 via Fearless. Pre-order it here.

The band has also shared the video for new single "Something in the way."

With this album and track, TSS are about to put themselves firmly on the international musical map. The song is sung in both English and the band's native tongue, adding an extra layer of sonic thrills. The song's universal appeal also lies in the alternately sung and screamed vocals, thick riffs, monster breakdowns, and liberal use of synths, which add more girth and heft to the track. Stick around for the utterly explosive ending. It will knock the wind out of you with its ferocity.
 

"'Something in the way' tells the story of a protagonist who witnesses the fall of a loved one into the darkness of depression, with no means of remedy," states the band. "The track starts with a drum 'n' bass theme and gets heavier and heavier, ending with the most violent breakdown the band has ever written — a perfect way to illustrate the torment of the soul the band wanted to portray. The band likes to end their live performance with this track, as its tempo and progression allow for jumping, dancing, headbanging but also crazy wall-of-deaths."

Mission accomplished.

ABOUT TSS:
TSS's origin story can be traced back to December 2017, with "The Wrong Way," their firstsingle release. In May 2018, they released "Lost In The Crowd," a track that set the stage for their first live performance, which found them opening for Asking Alexandria in Paris. This show established TSS as an up and coming force in the French music scene.

Their 2018 single "Someone," a blend of synthwave and retrowave, was a turning point that showcased John as a second lead vocalist. This shift was followed by their self-titled debut EP in May 2019, led by the single "Damn I Hate It," which fans loved, thanks to its fusion of funk, synthwave, and emo elements. The band's growing popularity was further confirmed with a sold-out release show in Paris.

As the band evolved, they started to introduce French lyrics into their songs, leading to the release of "YAYAYA" in September 2019. Their originality attracted the attention of independent label PlayTwo, resulting in the creation of the album REGRETS in collaboration with Warner Music and TV broadcaster TF1. In September 2021, the band rebranded to TSS, marking the occasion with the release of the single "1996," which garnered significant attention in France.

February 2023 saw TSS embrace a more aggressive style with "Tes Pleurs," a modern metalcore track inspired by Bring Me The Horizon and Poppy. This new direction broadened their audience while maintaining their unique gothic/K-pop aesthetic. The band's experimental spirit led to the August 2023 release of "Fantasize," a viral hit that fused alternative rock, J-rock, phonk, and metal, earning millions of streams on Spotify.

The momentum continued with "Would You Be My Therapy?" in December 2023, a track that topped iTunes rock charts and caught the attention of many labels. In September 2024, having signed a deal with Fearless Records.

TSS's journey, characterized by constant innovation and genre-blending, has positioned them as a rising force in the modern metal scene, with a growing fanbase across diverse musical communities.       

Rising Country Sensation Maddox Batson Makes Grand Ole Opry Debut

Hailed as “one of the most exciting new voices in Country music” by Holler, breakout country artist Maddox Batson made his Grand Ole Opry debut on Wednesday, March 26, performing two songs from his recently released EP First Dance.
 
In between performing “I Don’t Like You Anymore” and “It Was You,” Batson shared, “Performing here at the Opry tonight means more to me than anything. I want to give a shout out to all my family here tonight. I can’t stop smiling. You’re making dreams come true for me!”
 
Chatting with Opry announcer Charlie Mattos on stage, Batson was asked, “How cool did it feel to be in that circle?”
 
“Walking out on this stage, the circle, is something I’ve wanted to do my entire life. I know I haven’t lived a long time, but…,” he shared smiling, with laughter from the audience. “Growing up in the country music space, growing up knowing the prestige of the Grand Ole Opry and actually coming out here to play it means the world to me. It’s the coolest thing ever.”
 
First Dance, available now via Prosper Entertainment/Warner Records, finds the multi-instrumental singer-songwriter captivating audiences with his heartfelt storytelling and signature sound. Listen HERE.
 
Talking about First Dance from the Opry stage, he shared, “I’ve never been more proud of a body of music. A year ago, I released my first song ‘Tears in the River.’ And then a year and six days later, I got to release my debut EP. I’m so proud of it and glad the fans are liking it so far.”
 
The EP arrives after standout “I Don’t Like You Anymore,” surpassing 1 million Spotify streams and 3.2 million YouTube views on its accompanying music video. It follows in the wake of the buzzing “X’s,” which has already amassed over 6 million Spotify streams in addition to 11 million YouTube views on the music video.
 
First Dance features seven tracks with the same youthful magnetism, including highlights like the single “Girl In Green.” Showcasing his stunning signature style, Batson paints a cinematic picture on the catchy chorus, “Tell me, have you seen the girl in green? Felt like a movie, yes it could’ve been a dream.” The music video for “Girl In Green” is available now - watch HERE.

Photo Credit: Chris Hollo/Grand Ole Opry

Talking about First Dance from the Opry stage, he shared, “I’ve never been more proud of a body of music. A year ago, I released my first song ‘Tears in the River.’ And then a year and six days later, I got to release my debut EP. I’m so proud of it and glad the fans are liking it so far.”
 
The EP arrives after standout “I Don’t Like You Anymore,” surpassing 1 million Spotify streams and 3.2 million YouTube views on its accompanying music video. It follows in the wake of the buzzing “X’s,” which has already amassed over 6 million Spotify streams in addition to 11 million YouTube views on the music video.
 
First Dance features seven tracks with the same youthful magnetism, including highlights like the single “Girl In Green.” Showcasing his stunning signature style, Batson paints a cinematic picture on the catchy chorus, “Tell me, have you seen the girl in green? Felt like a movie, yes it could’ve been a dream.” The music video for “Girl In Green” is available now - watch HERE.
 
This spring, Batson will hit the road once again with headlining tour dates in New York City, Dallas, Chicago and more, along with a performance at Stagecoach Music Festival in Indio, CA. Following high demand, Batson upgraded venues across the country with limited tickets remaining. This fall, he’s set to join one of country’s biggest stars, supporting Lainey Wilson’s Whirlwind Tour.

Tour Routing:
March 28 || Columbus, OH || The Bluestone*
March 29 || Louisville, KY || Mercury Ballroom*
March 30 || Indianapolis, IN || Egyptian Room*
April 4 || Rosemont, IL || Joe’s Live*
April 5 || Rootstown, OH || Dusty Armadillo*
April 6 || New York, NY || Irving Plaza*
April 9 || Savannah, GA || Victory North*
April 10 || Charleston, SC || Charleston Music Hall*
April 11 || Raleigh, NC || Lincoln Theatre*
April 13 || Huntsville, AL || Mars Music Hall*
April 17 || Dallas, TX || House of Blues*
April 18 || Houston, TX || White Oak Music Hall - Downstairs *
April 19 || Austin, TX || Emo’s Austin *
April 22 || Denver, CO || Summit
April 24 || Phoenix, AZ || Crescent Ballroom*
April 26 || Indio, CA || Stagecoach Music Festival                
June 28 || Fairfield, CA || Vineyard Jam 2025
July 20 || Valparaiso, IN || Porter County Fair
Aug 10 || West Chester Township, OH || Voices of America Country Music Fest
Sept 11 || Baton Rouge, LA || Raising Cane’s River Center^
Sept 12 || Baton Rouge, LA || Raising Cane’s River Center^
Sept 13 || Bossier City, LA || Brookshire Grocery Arena^
Oct 2 || Nashville, TN || Bridgestone Arena^
Oct 16 || St. Louis, MO || Hollywood Casio Amphitheatre^
Oct 17 || Rosemont, IL || Allstate Arena^
Oct 18 || Saint Paul, MN || Xcel Energy Center^
 
*SOLD OUT
^Lainey Wilson Support Dates
 
About Maddox Batson:
Maddox Batson navigates the world with wisdom and wit far beyond his 15 years. After the Nashville-born, Alabama-based songwriter began gaining notoriety covering songs from Zach Bryan, Red Clay Strays, and more, he started to write his own songs. Thanks to early singles like “Tears In The River” and “I Wanna Know,” Batson quickly showed that he wasn’t only a star at covering country hits, but an excellent writer of his own home-cooked cuts – a practice he saw first-hand as a co-writer on Lana Del Rey and Quavo’s smash hit collaboration, “Tough.”
 
With the arrival of his latest single, “Girl In Green” and his EP First Dance, Batson is ready to show the world what he can create all while preparing for sold-out live shows across the country, his debut appearance at Stagecoach Music Festival and more new music. Life is moving fast for the multi-instrumentalist (piano, guitar & mandolin) who has fully embraced his next-up in country-pop music.  “It can be overwhelming, this life, but I’ve got a lot of good people surrounding me,” he explains. “I’m still just a kid, though, and I’m happy about that.” More at MaddoxBatson.com. 
 
STAY TUNED WITH MADDOX BATSON
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Christian Hayes Releases “Through It All” + Lyric Video Out Now

Ever since Capitol Records recording artist Christian Hayes’ love for songwriting was born in a journal his grandpa gifted him at age seven, music has been an avenue for him to navigate complex emotions associated with growing up and the heartaches that come with it. The release of his latest song, “Through It All,” is no exception, as Hayes toggles with learning to move on from a relationship alone.
 
Listen to “Through It All” HERE and watch the “Through It All” lyric video BELOW.
 
“I wrote ‘Through It All’ in celebration of all the times I made it through things without the people who promised they’d be there for me,” reflects Hayes. “It’s a song about realizing you’re strong enough - and you are enough… It’s something I hope you can find strength in as well.”
 
Written by Hayes and Jonah Kagen, and produced by Kagen, the emotional ballad conveys the anguish of a relationship ending with a person who was expected to be around to help weather life’s storms. 

Prior to “Through It All,” Hayes released his debut EP, Last I Love You, in September 2024. Last I Love You casts a wide net, introducing Hayes’ genre-bending style by fusing Americana and folk, while bouncing between campfire ballads, cinematic soundscapes and raw, rowdy barn-burners. At the center of that sound is Hayes himself: a wise-beyond-his-years musician who knows he can't move forward without taking a look at his past. 
 
Genuine and articulate, Hayes comes from a long line of storytellers that includes his Grandpa Jack – a poet by profession. Born and raised in the foothills of Appalachia, Hayes began playing guitar at age eight. After high school, he enlisted in the U.S. Navy Reserve and attended the University of Alabama.
 
Hayes made his Grand Ole Opry debut on February 1, performing two songs: the unreleased "Home Sweet Home" and viral hit, "LILY." This Summer, Hayes will make his CMA Fest debut with a performance on the Hard Rock Stage.
 
Upcoming 2025 Tour Dates:
March 28 // Tin Pan South Songwriters Festival // Nashville, TN
April 18 // Boot Barn Hall // Gainesville, GA
June 5 // CMA Fest // Nashville, TN
June 6 // Downtown Historic McKinney Square // McKinney, TX
June 26 // Jackalope Jamboree 2025 // Pendleton, OR
Sept. 11 // Born & Raised 2025 // Pryor, OK

About Christian Hayes:
Raised in the Appalachian foothills of northern Georgia, Christian Hayes grew up surrounded by southern storytelling. His grandfather —a poet by profession —encouraged him to begin writing in a journal at 7 years old, sparking a habit that would eventually take Hayes to Nashville. A veteran of the US Navy Reserve, Hayes began applying the discipline of his military training to his work as a songwriter, amassing more than 900 original songs by his mid-twenties. Five of those songs appear on Last I Love You, his debut for Capitol Records available now. Produced by Lukas Bracewell and steeped in Hayes' unique version of American roots music, Last I Love You features the viral hit "LILY" (which racked up more than 3 million streams before the EP's official release), the anthemic "Black Gold," and a mix of effortless melodies, cinematic folk and rowdy, barn-burning Americana. Earlier this year Hayes made his debuts on both the Grand Ole Opry and Bluebird stages. More at Christianhayesmusic.com.

Eric Church Brings 'Evangeline vs. The Machine Live' to Nashville's The Pinnacle May 23 & 24

Widely renowned for his singular concerts, with Forbes remarking that he “frequently looks to shake up just how fans experience live music,” Eric Church once again offers a unique live experience with an exclusive pair of shows set for May 23 and 24 at Nashville’s newest live music venue, The Pinnacle, in celebration of the release of his highly anticipated May 2 album, Evangeline vs. The Machine. Pre-order/pre-save the album HERE.
 
Tickets to Evangeline vs. The Machine Live go on sale to premium Church Choir members Monday, March 31 at 10 a.m. CT. Become a premium Church Choir member here.
 
The one-off shows will see Church perform the new album in sequence for the first time, while also treating fans to a number of compelling performances of his most iconic hits. A self-proclaimed “album artist,” Church has always championed the power of cohesive storytelling, and Evangeline vs. The Machine is no exception. “An album is a snapshot in time that lasts for all time,” Church shares of the creative approach behind the highly-anticipated new project. “I believe in that time-tested tradition of making records that live and breathe as one piece of art – I think it’s important.”
 
“I’ve always let creativity be the muse. It’s been a compass for me,” he adds. “The people that I look up to in my career and the kind of musicians I gravitate to never did what I thought they were going to do next – and I love them for it. I never want our fans to get an album and go, ‘Oh, that’s like Chief or that’s like this.’ Painstakingly, I lose sleep at night to try to make sure that whatever we do creatively, they go, ‘Wow, that's not what I thought.’ I think that's my job as an artist.”
 
Lead single “Hands Of Time” is already impressing, having set a new personal record en route to becoming most added at Country radio this week with 135 first-week stations and earning immediate praise from fans and critics alike. Stereogum lauded the “juicy, fired-up Southern rocker about living in a world that increasingly makes no sense to you;” Rolling Stone celebrated the “nostalgic jukebox, full of allusions to songs and artists that were essential to Church’s career: Bob Seger and ‘Hollywood Nights,’ Tom Petty and ‘Even the Losers,’ AC/DC’s ‘Back in Black,’ and Willie and Waylon’s ‘Luckenbach, Texas,’ among them;” and Billboard honored the way “the song builds into a punchy, rock-fueled anthem as Church sings of turning to simple pleasures – particularly music – to fend off the impact of the passing decades.”
 
Among the other songs featured on the forthcoming Jay Joyce-produced album is “Darkest Hour,” released ahead of the project to support relief efforts following the devastation caused by Hurricane Helene in September 2024, with all of Church’s publishing royalties donated to provide ongoing funds in support of a more resilient future for his home state of North Carolina. “That song had the chance to change things—it already has,” Church reflects. “The greatest concert I’ve ever played was the Concert for Carolina – that’s the greatest thing I’ve been involved with. This song played a big part of that night and is a rallying cry for the people there that still need a lot of help. As a person who writes and performs a song, seeing it truly impact people’s lives is the greatest thing you can hope to accomplish.”
 
Also included is “Johnny,” a soul-stirring reinterpretation inspired by “The Devil Went Down to Georgia” and the Covenant School tragedy, which Church has previewed in limited settings at both his Chief’s To Beat The Devil residency and the recent Country Radio Seminar, leaving audiences in awe. “About a year ago, we had a shooting here in Nashville at the Covenant School,” he explained when introducing the song during CRS. “Where my kids go to school, my two boys, is about a mile from that school. I will tell you something, the hardest thing I’ve ever done in my life – parent or otherwise – is dropping them off at that school the day after the shooting and watching them walk inside. I sat in the parking lot for a long time, and as fate would have it, as I was pulling out, Charlie Daniels was playing, ‘The Devil Went Down to Georgia.’ I remember thinking, man, we could use Johnny right now, because the Devil’s not in Georgia, he’s everywhere. I went home and wrote ‘Johnny’.”
 
For more information, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and Instagram@ericchurchmusic.

About Eric Church
A seven-time ACM Award winner, four-time CMA Award winner (including the 2020 award for Entertainer of the Year) and 10-time GRAMMY nominee – including three nods for Best Country Album, Eric Church has amassed a passionate fan base around his critically acclaimed catalog of music. Church’s October 2024 release, “Darkest Hour,” saw the superstar signing over all of his publishing royalties to the people of North Carolina to provide immediate relief following the devastation of Hurricane Helene while also providing ongoing funds to support a more resilient future for his home state. The song is featured alongside current single “Hands Of Time” on his forthcoming album, Evangeline vs. The Machine arriving May 2, marking his first new music since 2021’s Heart & Soul triple album (“Stick That In Your Country Song,” “Hell Of A View”). That project followed prior releases including RIAA Gold-certified Desperate Man (“Some Of It,” “Desperate Man”); Platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”); Double-Platinum certified The Outsiders (“Like a Wrecking Ball,” “Talladega”); and 4x Platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 32 Gold, Platinum and multi-Platinum certified songs. Church is also a minority owner of the Charlotte Hornets, a co-owner of the iconic Field & Stream brand, has his own SiriusXM music channel, “Eric Church Outsiders Radio,” his own liquor offering, Whiskey JYPSI, and recently opened Chief’s, a six-story venue on Nashville’s famed lower Broadway.

THE MAN-EATING TREE Unleash New Single "Ruins Of Insanity"! ​

On April 11, 2025, Finnish atmospheric metallers THE MAN-EATING TREE will release their brand new studio offering, "Night Verses", via Noble Demon. The pre-sale is available at https://music.nobledemon.com/verses 

With "Night Verses", THE MAN-EATING TREE returns with renewed energy and a desire to push the boundaries of their sound. With a lineup featuring former and current members of legendary bands such as Ghost Brigade, Poisonblack, Mors Subita, Entwine, and more, the band is poised to deliver their most powerful and dynamic album yet.

Following the previously-released, first appetizer "Seer", and second single "To The Sinking", today, THE MAN-EATING TREE has premiered another glimpse into the soon to be released album. Listen to "Ruins Of Insanity" Below.

Vocalist Manne Ikonen (ex-Ghost Brigade) tells us about the song:
"'Ruins of Insanity' tells a horrifying story about a couple struggling with a severe addiction and acquisitiveness in a dystopic world of chaos and misery, mind taken over by blinding lunacy so strong that reality and common sense is no longer in hand."

Founding member Janne Markus adds:

"Melancholy, own, common, hated, ashamed, loved, desired. The disintegration of two people's world and its reflection in everything around them. Leaving only emptiness. As a song this is the most straight-forward, catchy, melodic, not as heavy as the other songs on the album."

THE MAN-EATING TREE are:
Manne Ikonen - vocals (ex-Ghost Brigade)
Janne Markus - guitar, vocals (Ex-Poisonblack, ex-The Abbey)
Sakke Paavola - guitar
Aksu Hanttu - drums (Ex-Entwine, Tuoni, S-Tool)
Mika "June" Junttila - bass (Mors Subita)

For More Information Please Visit:

 https://themaneatingtree.fi/
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