Jagwar Twin Brings Wonka-Inspired Anthem “Bad Feeling (Oompa Loompa)” To Life

Deemed by many as the unofficial anthem of the "Wonka" soundtrack, Jagwar Twin has officially entered the new year with a lyric video for the massive hit, "Bad Feeling (Oompa Loompa)". Weaving together candy-coated harmonies and whimsical instrumentals, the track epitomizes Jagwar Twin's distinctive musical prowess that effortlessly balances nostalgia and fresh innovation. Fans can watch the brand-new lyric video below.

With over 40 million views across TikTok and 8 million streams in less than a month, Jagwar Twin's latest electrifying single has taken the digital music scene by storm, achieving remarkable success on TikTok and playlists alike. The track's infectious beats and catchy lyrics have sparked various viral trends on TikTok, where users from around the globe have embraced the song with over 150K user-created videos using the track, securing Jagwar Twin a spot on TikTok's Viral 50 Chart. Simultaneously, "Bad Feeling (Oompa Loompa)" has found its place on influential playlists across streaming platforms, including the coveted covers of not only Spotify’s The New Alt and Limelight, but Amazon Music's DV8. This dual triumph highlights Jagwar Twin's innate ability to connect with diverse audiences and solidifies the track as a dynamic force in the contemporary music landscape.

Coinciding with the release of Paul King's "Wonka", “Bad Feeling (Oompa Loompa)” features an interpolation of “Oompa Loompa", marking a rare approval from the original film's composers. Delving into the world of Willy Wonka, Jagwar Twin brings a new life and twist to the classic "Oompa Loompa" chorus, while also modernizing it. Co-written by Sean Van Vleet (All Time Low, PVRIS) and Ryan Daly (Dove Cameron, John Legend), "Bad Feeling (Oompa Loompa)", exemplifies the magic of modern visionaries reimagining the timeless charm of musical classics.

Previously speaking on the release, Jagwar Twin shares:

"Every one of us holds a golden ticket in our hand, but our ability to receive the keys to the kingdom relies on our ability to trust ourselves and to tell the truth. "Bad Feeling" is a chocolate covered reminder to trust your gut."

"Bad Feeling (Oompa Loompa)" is similar in style to his previous release, “Good Time (1:08)”, which peaked Top 20 at Mexico radio, and stand out track “Happy Face.” With an impressive 425+ million catalog streams and 2.5 million monthly listeners on Spotify, Jagwar Twin stands out as a dynamic force challenging the status quo of the alternative music scene. His genre-defying artistry has captivated audiences through the seamless blend of rhythmic accordion hooks, melodic children’s choirs, and gritty breakbeats, accompanied by profoundly introspective, almost cryptic lyrics.

Jagwar Twin's previous album, 33, channeled the magnetic showmanship of Ziggy Stardust-era David Bowie and Bad-era Michael Jackson, all while unapologetically embracing authenticity and vulnerability. Fueled by chart-toppers like "It's Your Time," "I Like To Party," "Down To You," and "Happy Face," Jagwar Twin serves as a powerful catalyst. His innovative style urges listeners to embrace their true selves, recognize their self-worth, and place trust in their individuality. 

ABOUT JAGWAR TWIN

Emerging out of the suburbs of Orange County, Jagwar Twin creates worlds steeped in lore with his own genre of alternative rock: accordion hooks, children’s choirs, and gritty breakbeats paired with deeply thoughtful, almost hieroglyphic lyrics. Jagwar Twin’s music explores light and dark, good and evil, and the war within himself and each of his cult-like followers.

Photo Credit - Ryan Fleming

GATES TO HELL | SIGN TO NUCLEAR BLAST + RELEASE MUSIC VIDEO FOR NEW SINGLE 'RESURRECTED'

Since its inception, Louisville's GATES TO HELL has fused the finest elements from both metal and hardcore, highlighting fast metal riffs with heavy hardcore and deathcore breakdowns written in a manner unexplored within the Kentucky music scene. The last year saw the band playing nearly 150 shows in 11 different countries supporting the likes of DYING FETUS, THE BLACK DAHLIA MURDER, THE ACACIA STRAIN, DESPISED ICON, SANGUISUGABOGG, BODYSNATCHER, KRUELTY, and DYING WISH on various tours across the US, Canada and Europe. 

Continuing this momentum with no sign of slowing down, the band is ushering in 2024 with a new home at Nuclear Blast Records, a pummeling new single, and heading on the road with labelmates MACHINE HEAD and FEAR FACTORY.

GATES TO HELL's guitarist Seth Lewis states, “I was a kid who loved metal from a very young age and I was constantly buying CDs of my favorite bands. Over time, I saw how many of those bands' CDs had the Nuclear Blast logo on the back. It’s a very unreal feeling to be working with them now with Gates to Hell. Very excited for what the future holds.”

Nuclear Blast American Label Manager & A&R Tommy Jones comments, "After a tip-off from my buddy Scott Lee, I first entered the Gates to Hell at the Milwaukee Metal Fest on May 28th, 2023. Straight from the rip seeing the band live, I was way into their style of Brutal Death Metal laced with hardcore energy. I could envision them being part of the new breed at Nuclear Blast. Fast forward after some hang sessions on the Jersey shore, and up at the New England Metal Fest, we officially sealed the deal in October on Friday the 13th. Fitting AF! I am stoked 'as hell' to welcome the Gates to the worldwide Nuclear Blast family! Let’s gooo!!”

The band's newest offering comes in the single, fittingly entitled 'Resurrected'. The song is a perfect example of their hybrid sound mixing modern death metal with the hardcore spirit. The song was engineered and mixed by Andy Nelson at Bricktop Studios while mastering was completed by Brad Boatwright at Audioseige Mastering.

 “Our new track ‘Resurrected’ just dropped through Nuclear Blast" comments Seth Lewis. "It’s my favorite Gates to Hell song released to date. After touring and practicing as much as we have the last couple of years, we’ve all really meshed together so much better as musicians. Trying to stick to our roots of the death metal/hardcore sound our music has always had, but being more collaborative and creative with some elements.” 

Watch the music video directed by Errick Easterday for 'Resurrected', below.

Stream 'Resurrected' on all platforms now at: 
https://gth.bfan.link/resurrected

GATES TO HELL is hitting the road with Bay Area icons and label mates, MACHINE HEAD for their 'Slaughter The Martøur Nørth America 2024'' with FEAR FACTORY and ORBIT CULTURE. The trek will begin in San Francisco on January 19th and will head across the Pacific Northwest followed by eight shows in Canada. Other stops include Chicago, Orlando, and Houston before concluding in Los Angeles on February 24th at The Bellwether.

Confirmed dates for GATES TO HELL opening the 'Slaughter The Martøur Nørth America 2024’ with headliners MACHINE HEAD and direct support FEAR FACTORY as well as ORBIT CULTURE are:

01.19.2024 US   San Francisco, CA - The Warfield
01.21.2024 US   Portland, OR - Roseland Theater
01.22.2024 US   Seattle, WA - Showbox
01.23.2024 CA   Vancouver, BC - Commodore
01.25.2024 CA   Edmonton, AB - Midway Music Hall
01.26.2024 CA   Calgary, AB - Grey Eagle Casino
01.27.2024 CA   Saskatoon, SK - Coors Event Centre
01.28.2024 CA   Winnipeg, MB - Burton Cumming Theatre
01.30.2024 US   Minneapolis, MN - Skyway Theatre
01.31.2024 US   Chicago, IL - Concord Music Hall
02.01.2024 US   Pittsburgh, PA - Roxian Theatre
02.02.2024 US   Northfield, OH - MGM Northfield Park
02.03.2024 US   Detroit, MI - St. Andrews
02.05.2024 CA   Toronto, ON - The Opera House
02.06.2024 CA   Montreal, QC - M'Telus
02.07.2024 CA   Quebec City, QC - Theatre Capitole
02.08.2024 US   Boston, MA - Paradise Rock Club
02.09.2024 US   Bethlehem, PA - Wind Creek Event Center
02.10.2024 US   New York, NY - Palladium Times Square
02.12.2024 US   Silver Spring, MD - The Fillmore Silver Spring
02.14.2024 US   Atlanta, GA - Masquerade (Heaven)
02.15.2024 US   Orlando, FL - House Of Blues
02.17.2024 US   Austin, TX - Emo's
02.18.2024 US   San Antonio, TX - Aztec
02.19.2024 US   Houston, TX - House Of Blues
02.21.2024 US   Englewood, CO - Gothic Theatre
02.22.2024 US   Albuquerque, NM - Sunshine Theater
02.23.2024 US   Mesa, AZ - Nile Theater
02.24.2024 US   Los Angeles, CA - The Bellwether

GATES TO HELL is:
Ryan Storey | Vocals
Eli Hanson | Guitar
Seth Lewis | Guitar
Dustin Cantrell | Bass
Trey Garris | Drums

More Information:
www.instagram.com/gatestohell502
www.facebook.com/gatestohell502
www.twitter.com/gates2hell502
www.tiktok.com/@gatestohell502
www.youtube.com/@gatestohell502

Ponte Del Diavolo Prove Twice as Deadly on New Single

It's fitting that Ponte Del Diavolo are named after the "Bridge of the Devil". The Italian band weld doom and black metal into a towering force that's as cruel and unforgiving as the infamously steep road that medieval peasants had to cross on the way to their home country.

With the announcement of their very first album, Ponte Del Diavolo cast a delightfully gloomy shadow over the holiday season. Today, they're letting the bad times roll into the new year by unveiling their second single.

Watch the spellbinding video for "Covenant" below.


Fire Blades From The Tomb is out February 16, 2024.

Pre-order: https://redirect.season-of-mist.com/PonteFireBlades
Pre-save: https://orcd.co/firebladesfromthetombpresave

"Covenant" swears off the conventional wisdom that sometimes less is more. After all, what's better than a dark and doomy bass line? How about two dark and doomy bass lines that swarm like a sky full of thunderclouds.

"Covenant is a hymn to nature, a pact with the elements, a reconciliation with death" Ponte Del Diavolo says. "The video is a tribute to Turin, which we believe encapsulates all this in its magical and often decadent romanticism. It's the song that has more 'forays' than the other tracks on the album. Theremin, synthesizers and clarinet (played by Lucynine, Andrea L'Abbate and Vittorio Sabelli respectively) can be heard between dark wave-inspired and typically doom parts. It is the first song born during the composition sessions and its refrain contains the lyrics that gave the album its title."

Having two bassists is what gives Ponte Del Diavolo such an earthshaking foundation, though the hammering drum fills and sludgy riffs could send even the blackest of hearts to their grave. But "Covenant" adds some more gothic flourishes to their dance with death. Laid to rest by an ominous foghorn of thermin, the song ends with a spooky, spine-chilling whistle of synth.

"Surrender to the tomb", Erba Del Diavolo beckons with  unflappable cool. Resistance is futile. Come join Ponte Del Diavolo on the dark side of the Italian arts.

PONTE DEL DIAVOLO bridges the gap between two separate worlds.

The Italian band proposes a Doom / Black metal sound with old-school roots, adding a modern and outside the box background. The female voice - with strong dark wave influences - is the lyric corpus of this strongly esoteric project. The solid presence of two bassists creates the massive foundation for the rhythmic guitar, everything marked by a raw and dynamic drumming.

Mystery of Mystery / Secret Live Session marked the quintet’s debut EP. It was recorded live and without editing at Dracma Studio with the producer L’Ossario in their home base of Turin in March 2020. "I" was released on the web by Iopan Records. It was soon followed by their second single, "The Wickedest Woman In the World".

At the end of 2021,
PONTE DEL DIAVOLO recorded their second EP, Sancta Menstruis at Deepest Sea Studio in Turin with Danilo Battocchio. The first single,  "The Unborn", arrived in February 2022.

The band's third EP, Ave Scintilla!, was also recorded in Turin. This time around, they reconvened at Dracma Studio with L'Ossario.

Now that they've signed with Season of Mist,
PONTE DEL DIAVOLO are ready to release their debut album. Fire Blades From the Tomb  forges classic, cultish doom metal with modern bents of post-punk. Lead single and opening track “Demone” is whipped along by a boiled black bass line and dark-wave induced vocals.

Prepare to cross over into the Italian dark arts.

Line-up
Elena Camusso (as Erba Del Diavolo) - Vocals
Alessio Caruso (as Krhura) - Bass
Andrea l'Abbate (as Kratom) - Bass
Stefano Franchina (as Segale Cornuta) - Drums
Rocco Scuzzarella (as Nerium) - Guitars

Guest Musicians
Andrea l'Abbate - Synth on 'Covenant'.
Lucynine - Theremin on 'Covenant'.
Vittorio Sabelli - Clarinet on 'Covenant', 'Red as the sex of She who lives in death' & 'Nocturnal veil'.
Davide Straccione - Vocals on 'The weeping song'.

Recording Studio
Deepest Sea Studio

Producer & Sound Engineer
Danilo Battocchio

Mixing & Mastering Studio / Engineer
Lunatech Sounds / Dimitris Douvras

Cover Art
Laura Nardelli

Pre-save: https://orcd.co/firebladesfromthetombpresave​​​​

Pre-order: https://redirect.season-of-mist.com/PonteFireBlades

Links:
Apple Music:
https://music.apple.com/us/artist/ponte-del-diavolo/1639072320
Bandcamp:
https://pontedeldiavolo666.bandcamp.com/
Facebook:
https://www.facebook.com/PontedelDiavolo/
Instagram:
https://www.instagram.com/pontedeldiavoloband/
Spotify:
https://open.spotify.com/artist/4mAfr0B2wgIFbVBUAv9btD
Youtube:
https://www.youtube.com/@pontedeldiavolo3847

Management & Booking Contact:
pontedeldiavoloofficial@gmail.com
Enrico Giannone:
enrico@kickagency.com

Available Formats:
Digital Download
Deluxe CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Gold & Black Marbled

Photo by © Cristina Ferrero

SUICIDAL ANGELS - RELEASE NEW SONG 'PURIFIED BY FIRE'

Today greek thrashers SUICIDAL ANGELS release their brand new track 'Purified By Fire', which is part of their highly anticipated new album Profane PrayerProfane Prayer will be released on March 1st, 2024 via Nuclear Blast Records. SUICIDAL ANGELS also announced a European tour, which starts in March 2024. All tour dates are listed below.

Singer Nick comments about the new song 'Purified By Fire': "Against all good and evil, forged into the flames, the second single of our upcoming album, pure thrash, straight in your face, purified by fire! Let’s start this fuckin' moshpit!”

He adds about the new album Profane Prayer: "The time has come! Finally, almost after 4 years, the 8th studio album of Suicidal Angels is true and ready to unleash itself into the market, bringing you some new tunes to satisfy the needs and the appetites of the toughest audience! March 1st of 2024, this beast will be out, in digital and physical form on all of Nuclear Blast’s channels. We have returned and it will be killer!!!”

Pre-order the new album Profane Prayer here: 
https://suicidalangels.bfan.link/profane-prayer.ema
Watch the video for 'Purified By Fire' below.
Stream 'Purified By Fire' here: 
https://suicidalangels.bfan.link/purified-by-fire.ema

About SUICIDAL ANGELS:

A new generation of thrash metal youngsters has risen from the ashes of a club of titans like SLAYER, EXODUS, KREATOR, and many more. Greek ambassadors supreme SUICIDAL ANGELS are one of the most jaw-dropping representatives of the injection of new blood. At the dawning of Spring, this four-piece of these energetic thrashers will release their eight studio album Profane Prayer four years after their previous attack Years Of Aggression. It marks their return to the Nuclear Blast family. ‘It feels like homecoming’ confirms composer Nick Melissourgos (vocals, guitars) who started the band in 2001 when he was 16 years old.

SUICIDAL ANGELS went through a step by step development since their humble start in 2001. Not earlier than in 2007, they entered the studio to record their striking debut album Eternal Domination which caused a stir in the Hellenic scene. They were invited by Sakis Tolis of ROTTING CHRIST to do their first EU tour. This was only the beginning of a long era of growing popularity. Another milestone was supporting KREATOR, resulting in a long time friendship with Mille Petrozza. In 2010 SUICIDAL ANGELS even opened up for the Big thrash 4 in Athens at Sonisphere and at the beginning of 2014 they finally did their first independent headline tour through Europe. Every two years new albums were coming out to support on the road. In the meantime they conquered Asia, South America and Europe and there is more to come.

SUICIDAL ANGELS are:
Nick Melissourgos | vocals, rhythm guitars
Gus Drax | guitars (lead)
Angelos Lelikakis | bass
Orfeas Tzortzopoulos | drums

Dayseeker Drop "Dreamstate" Video

Southern California's DAYSEEKER have shared the video for the intensely intimate song "Dreamstate" from 2022's Dark Sun.

Watch it
below.

The vehicular video features performance footage and a mechanic who may be living in a dreamstate of her own.


"'Dreamstate' is about vivid dreams I had of my father after he passed," shares singer Rory Rodriguez. "There were truly times it felt as if we were communicating with one another, but I'd wake to reality and it would deeply affect my ability to cope."

Dayseeker will also embark on a headline tour this spring. The tour kicks off April 19 in Tampa and runs through May 25 in San Diego. All dates are below, including spring festival appearances, such as Rockfest, Earthday Birthday, and more.

Polaris, Rain City Drive, Avoid, and Ayron Jones are set to appear at select dates on the bill, as well.

Get tickets
here

DAYSEEKER ON TOUR:
WITH POLARIS, RAIN CITY DRIVE, AVOID, + AYRON JONES:

4/19 — Tampa, FL — Amalie Arena (98 ROCKFEST) %
4/20 — Orlando, FL — Central Florida Fairgrounds (Earthday Birthday) %
4/22 — Columbia, SC — The Senate &@
4/23 — Norfolk, VA — The NorVa &@
4/25 — Newark, NJ — Prudential Center (WDHA’s Rock The Rock Fest) %
4/26 — Baltimore, MD — CFG Bank Arena (98 Rock Spring Thing) %
4/27 — Las Vegas, NV — Sick New World %
4/29 — Buffalo, NY — Buffalo Riverworks *+@
4/30 — Ft. Wayne, IN — Piere’s Entertainment Center *+@
5/1 — Grand Rapids, MI — The Intersection *+@
5/3 — Milwaukee, WI — Fiserv Forum (Hog Fest) %
5/4 — Saint Paul, MN — Xcel Energy Center (93X Twin City Takeover) %
5/5 — Des Moines, IA — Val Air Ballroom *+@
5/7 — Sauget, IL — Pop’s *+@
5/8 — Chattanooga, TN — The Signal *+@
5/10 — New Orleans, LA — House of Blues @
5/11 — Birmingham, AL — Iron City *+@
5/12 — Little Rock, AR — Little Rock Music Hall *+@
5/14 — Kansas City, MO — Uptown Theater *+@
5/15 — Oklahoma City, OK — Town Theatre *+@
5/16 — Omaha, NE — The Admiral *@
5/18 — Louisville, KY — Mercury Ballroom +@
5/19 — Bloomington, IL — Castle Theater *+@
5/22 — Albuquerque, NM — Sunshine Theater *+@
5/23 — Tucson, AZ — Rialto Theatre *+@
5/24 — Las Vegas, NV — Brooklyn Bowl *+@
5/25 — San Diego, CA — Soma *+@
%Dayseeker only
*Polaris
+Rain City Drive
&Ayron Jones
@Avoid 

Dayseeker are a quiet killer. The band has steadily built a buzz over the past several years — and they have reached a tipping point. Dayseeker built themselves into a scene standout with 2019's Sleeptalk, which was hailed by Alternative Press as  "a warm and welcome release to higher ground" and as "much needed fresh air into the post-hardcore scene." The album has gone on to accumulate over 125 million streams, and it positioned the band as a formidable force — and one that is primed to take its next big leap. In 2021, the band dropped a deluxe version of Sleeptalk, featuring four reimagined versions of album tracks, which offered fans a fresh and unique take on songs they already love. It also demonstrated the depth and breadth of the band's creative vision, scope, and possibilities. However, Dark Sun catapulted the band beyond the scene's stratosphere. The album is out now via Spinefarm and is at 80 millions streams.

Ryman Auditorium Announces 30th Year of "Bluegrass Nights at the Ryman," Kicking off 6/13

Springer Mountain Farms “Bluegrass Nights at the Ryman” returns to Nashville’s historic Ryman Auditorium for its 30th year starting Thursday, June 13, and will continue on Thursday nights through July 25. The series kicks off with Del McCoury Band, followed by Steep Canyon Rangers with Lindsay Lou, The Earls of Leicester, Della Mae with Rob Ickes & Trey Hensley and Dailey & Vincent, leading up to the final night with a performance from Country Music Hall of Fame Member and 14-time GRAMMY Award-winner Ricky Skaggs
 
Season passes include all six shows and are on sale now for both renewing and new passholders. Single tickets go on sale Friday, Feb. 23. For more information and to purchase tickets, visit 
ryman.com/bluegrass. All shows begin at 7:30 p.m. CT and will be preceded by a 6 p.m. CT pre-show “Pickin’ on the Plaza” event sponsored by Springer Mountain Farms and Farm Bureau Health Plans on the Ryman’s PNC Plaza, featuring live music from local bluegrass artists and bands presented by WSM Radio.

“Bluegrass Nights at the Ryman” was first introduced in 1994, after the Ryman underwent renovation and reopened its doors after sitting vacant for nearly two decades after the Grand Ole Opry relocated to its new home. The first of what would become its annual series featured Bill Monroe and Alison Krauss. Now 30 years later, the Ryman continues to celebrate bluegrass music’s contribution to music history with artists and fans alike. The venue honors Monroe’s legacy with a life-size statue on site, unveiled in 2017. Learn more about Monroe and the Ryman’s Bluegrass legacy 
HERE

Springer Mountain Farms Bluegrass Nights at the Ryman 2024 Lineup:
June 13 – The Del McCoury Band
June 20 – Steep Canyon Rangers with Lindsay Lou
June 27 – The Earls of Leicester
July 11 – Della Mae with Rob Ickes & Trey Hensley
July 18 – Dailey & Vincent
July 25 – Ricky Skaggs & Kentucky Thunder
  
About Ryman Auditorium:
A National Historic Landmark, Ryman Auditorium was built by Captain Thomas G. Ryman in 1892 as the Union Gospel Tabernacle. A 14-time winner of the prestigious Pollstar Theatre of the Year award, the historic venue is well-known as the Mother Church of Country Music and is the most famous former home of the Grand Ole Opry (1943-1974). The Ryman’s thriving concert schedule hosts more than 200 shows annually, and the venue is open for daytime tours year-round. The Ryman has also been featured in numerous film and television projects, including Coal Miner’s Daughter, The Johnny Cash Show, American Idol, Nashville and more. Ryman Auditorium is owned by Ryman Hospitality Properties, Inc. (NYSE: RHP), a Nashville-based REIT that also owns and operates the Grand Ole Opry, WSM Radio and Ole Red. For more information, visit 
ryman.com.  

Ithaca, NY-based artist Rose Alaimo releases high energy 'Power Lines' single on the power of human connection 'A Place To Go When You Need To Hide' album is out now

Alaimo sweeps through indiepop dreamery to sophisticated balladry to pulsating and superb rock, in her own sonic diary of life over the past few years. Stunning, sobering and inspiring" ~ The Spill Magazine

"Sonic highs and lulling lows, fierceness and serenity, self-doubt and enlightenment, challenging questions and unexpected answers... lush folk and considered Americana are punctuated with more driven rock urges, where the immediacy of pop music is subsumed under ambient dreamscapes" ~ Big Takeover Magazine


American indie pop-rock artist
Rose Alaimo presents 'Power Lines', a song about how we as humans are all inter-connected to one other like never before. This is the second single from her new album 'A Place To Go When You Need To Hide', following the more grounding lead track 'Stars', which is about finding an unexpected moment of stillness in the midst of a crazy world.

This is the third full-length album from the Ithaca, NY-based artist. Honest, hopeful and emotive, Alaimo takes on her internal struggles as she finds her way through darkness to exercise her own will-power, freedom of choice and self-empowerment.  

A veterinarian and vegetable farmer in her day-to-day life, this record exposes a whole other side of Alaimo as she finds her way through darkness to exercise her own will-power, freedom of choice and self-empowerment.  

"The song ‘Power Lines’ is about the connections that exist between us, whether we are aware of them or not. One thing that was highlighted during Covid was how unbelievably interconnected we are. How fast the virus spread across the world was astounding, and in the middle of everyone debating mask and vaccination mandates and people becoming increasingly stressed and angry and there being more and more division between everyone, a tree was blown over on my property, taking the power lines down in front of my house. I walked outside and, after the shock of seeing this healthy tree ripped up by the roots by a strong wind, I noticed the lines that were down,” says Rose Alaimo.

“I saw how they were connected to my house, and how the main lines also connected to my neighbor's house, and how those same lines connected every single house on the street. I never stopped to notice how physically connected all of these houses were by these power lines and how what happened to my house affected everyone else around me. It struck me as an interesting analogy to how we as humans are also all more connected to each other and to the world around us than we might initially assume. These connections may not be visible but they are definitely there. We can spread viruses to each other and we can spread anger and fear, but if we are mindful of this interconnectedness, we can also choose to spread GOOD things: kindness and understanding and peace.”

Rose Alaimo writes, sings, performs, programs, records and co-produces her own music. Additional production and mastering was provided by Jamie Hill (Nada Surf, Zola Jesus, House of Pain), at Department of Energy Management in Tacoma, WA.  She released her more acoustic debut album 'The Importance of Centers' in 2019, followed by the gritty and anthemic 'Grow' in 2021.  

The emotional range of this album mirrors the intense highs and lows of life, from soft and dreamy lullabies, where we remember loved-ones who are no longer with us (
'Stars'), to anthemic, thrashy songs protesting Russia's war on Ukraine and unethical and dangerous world leaders ('Resist The Force'). On 'The Devil That You Know', she explores the challenge of letting go of familiar toxic patterns due to the fear of making changes in a world that feels increasingly unstable  wrapping up with 'Here I Am', a grounding and hopeful reprise medley reminding us of the stillness and peace that we can find, even in times of trouble.

'A Place To Go When You Need To Hide' is out now and available via fine music platforms, including 
Bandcamp, Spotify and Apple Music.

CREDITS
Music, lyrics & arrangement by Rose Alaimo
Rose Alaimo - vocals, electric and acoustic guitars, bass, fretless bass, banjo, mandolin, theremini, percussion, MIDI and electronic instruments, & drum programming
Produced & mixed by Rose Alaimo in Ithaca, NY
Additional production & mastering by Jamie Hill at
Department of Energy Management, Tacoma, WA
Artist photos by
Kate Catalano-Collins
Publicity by
Shameless Promotion PR

Keep up with Rose Alaimo
Website | Bandcamp | Facebook | Instagram | YouTube | Twitter | Mastodon | Spotify| Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram LinkedIn Email

Annie Bosko Brings "Neon Baby" to "Jimmy Kimmel Live!"

Following the release of her debut EP via Stone Country Records, Annie Bosko brought her Billboard-dubbed “superb” and “sinewy R&B-country come-on” “Neon Baby” to “Jimmy Kimmel Live!” last night, January 8. Watch her performance below.
 
“Annie Bosko embraces her femininity and generates an unapologetic delivery of ’90s-inspired country songs,”
Country Now praises of the singer/songwriter, calling her self-titled project “further proof that Bosko is a force to be reckoned with in this industry,” while Entertainment Focus observes the EP “promises a nostalgic journey anchored in the organic twang of the ’90s golden era.”
 
“I don’t think I’ve been able to capture it all this well before,” Bosko admits. “There’s a beauty of getting to a place where you stop trying to please people or chase what you think is cool, and just do what’s in your heart. It’s about creating what you feel the world needs right now, and for me, I miss those songs that made me move to Nashville.
 
“The thing that excites me about this new music is I feel rejuvenated. I’m done being afraid to show my country roots. And I’m doing it with a modern twist.”
 
“Boots On” reignites the line-dancing energy and all-out fun of the ‘90s, while fiddle rockers like “Honky Tonk Highway” tribute the women bold enough to chase their dreams – wherever they lead – and the tongue-in-cheek “He Gone,” written by Lainey Wilson, Terri Jo Box and Trent Tomlinson, continues country’s long history of fun (but undeniably intelligent) wordplay.
 
Hope can be found in album opener “Sometimes I Forget,” as the tried-and-true artist delivers a “much needed” message of gratitude. With spirit-lifting lyrics and a sonic swell of warm country rock, it’s an acknowledgment of the little things we take for granted – those small blessings that make us “us.” For Bosko, finally being able to see those little things has let her become the country artist she was always meant to be.
 
Following her performance on “Jimmy Kimmel Live!,” Bosko will celebrate the release of the collection at Los Angeles’ famed Troubadour on Wednesday, Jan. 10, with tickets available for purchase 
HERE.

About Annie Bosko
With a voice that beams like a ray of California sunshine, Stone Country Records/Brown Sellers Brown singer-songwriter Annie Bosko pairs a sound anchored deep in the organic twang of ‘90s country with simple songs told from the heart, preaching equal parts healing and honky-tonk hope. A student of legendary crooners like Patsy Cline with added inspiration from Shania Twain, George Strait, Dwight Yoakam, The Beatles and more, the Golden State native broke out in 2014 with the SiriusXM/CMT hit “Crooked Halo,” bucking the bro-country trend for a traditionally flavored anthem that has now amassed more than 3 million streams. She went on to write songs recorded by Willie Nelson and Jessica Simpson, tour alongside Tim McGraw, Dierks Bentley and Blake Shelton, sell out the famed Troubadour and perform on the Grand Ole Opry and at Ryman Auditorium – the fabled Mother Church of Country Music – while also becoming an in-demand studio vocalist and earning the title Artist to Watch from Rolling Stone Country. After a series of standout collaborations with country icons Vince Gill, Dwight Yoakam and Raul Malo, she is now embracing her true nature for a creative rejuvenation. Working with producers Derek George and Mickey Jack Cones, a new batch of music pairs unapologetic twang, clever wordplay, and deep compassion with her long standing downhome-diva vocal, capturing the full range of a timeless American art in its purest form. In 2023, Bosko released the powerful-yet-tender ballad “Dandelions” in memory of the victims of Nashville’s Covenant School shooting – a track written alongside Danny Myrick which has now become a beacon of community remembrance and faith. Lost in grief and capturing the reverberating shock of that day’s unfathomable loss, the track has been embraced by the Covenant School families themselves, with all proceeds from being donated for their benefit through ACM Lifting Lives. Her five-song EP Annie Bosko is available now, featuring sharp-yet-simple, pure-country songs written or co-written with hit makers like Jeffrey Steele, Bridgette Tatum and more, all aimed at uplifting, inspiring or just singing along with women and country-music lovers everywhere.

Photo Credit: Ford Fairchild

BILLY MORRISON to Release Solo Album on April 19th via TLG/VIRGIN MUSIC GROUP

BILLY MORRISON is set to release his third solo album ‘THE MORRISON PROJECT' on April 19, 2024 via TLG/VIRGIN MUSIC GROUP. The album’s first single “Drowning” is out February 23, along with the official music video.

Pre-order “Drowning” HERE

The 12 song album will feature guest performances by Ozzy Osbourne, Billy Idol, DMC, Al Jourgensen, Steve Vai, Steve Stevens, Linda Perry, Tommy Clufetos, JOHN5, and more.

The British guitarist, singer, and songwriter is primarily known as Billy Idol’s rhythm guitar player for the past 15 years alongside lead guitarist Steve Stevens, and for his previous role as bassist in The Cult.

THE MORRISON PROJECT was produced by Billy Morrison, mixed by Barry Pointer, and mastered by Dave Donnelly. The songs on the album were recorded in Los Angeles at various studios and were written by Billy Morrison in collaboration with his guests.

"I wanted to find a very specific kind of partnership for this record deal. One that honored the artist and the music and didn't restrict the creative vision behind the record that I had made. With Dennis Sanders and The Label Group, I found that partnership and more. They have embraced the multi-genre styles on the record, allowed me complete creative control, and have the ability to make sure this record is out there in all formats and on all platforms. I'm grateful to be a part of their stable,"says Billy Morrison.

"I couldn't think of a better way to the start the year than to make it official and announce the signing of Billy Morrison to The Label Group,"says Dennis Sanders of The Label Group. He continues, "While the guest artists on Billy's record are very impressive, it's the songwriting that sold me. We feel blessed here at TLG to have the opportunity to bring this music to the world."

Virgin Music Group shares in the excitement, looking forward to working together on the release of this brilliant record and singles.

Photo credit: @JaneStuartPhotos

About The Label Group

The Label Group (TLG), a label under the distribution of Virgin Music Group, boasts a proven track record of releasing music from both fan-favorites and critically acclaimed artists. In an innovative move, TLG has forged a strategic alliance with dCommunity, signaling a forward-thinking approach to the evolving landscape of the music industry. This partnership places TLG at the forefront of integrating artist-focused initiatives and fan engagement within the dynamic realms of the metaverse and blockchain technology. This collaboration not only aligns with modern trends but also ensures TLG's position as a trailblazer in harnessing the potential of Web 3.0 for the music industry.

For More Information Please Visit:

Facebook

Instagram

Twitter

https://www.tlgent.com/

dCommunity.io

ACE FREHLEY ANNOUNCES NEW SOLO ALBUM '10,000 VOLTS' FIRST SINGLE AND TITLE TRACK OUT NOW!

Grammy-nominated R&RHOF inductee and guitar legend ACE FREHLEY announces the release of his new studio album, 10,000 Volts, due out on February 23, 2024. Produced by Ace and Steve Brown (Trixter), the 11-track 10,000 Volts sees Ace perform electrifying, hard-hitting, riff-heavy rock'n' roll.  

Today, he releases the first single and title track. Written and produced by Ace and Steve Brown, the title track kicks off with a surging riff, and Ace's swaggering delivery takes hold and never lets go. It culminates on the chantable chorus, “She hit me like 10,000 volts, when I saw her face,” giving way to a fret-burning guitar solo.

The accompanying visual for the track "10,000 Volts" was directed by Alex Kouvatsos from Black Wolf Imaging and shows Ace and his band performing the powerful, riff-heavy track live.  Watch below:

PRE-ORDER '10,000 VOLTS' TODAY!

Rock ‘n’ roll and heavy metal simply wouldn’t sound, look, or feel the same without Ace Frehley. Among hundreds of accolades, The Rock and Roll Hall of Fame® inducted him in 2014 as a Co-founder and the original lead guitarist of Kiss. Guitar World named him in the Top 15 of its “100 Greatest Heavy Metal Guitarists of All Time” and plugged the lead from “Shock Me” on the “50 Greatest Guitar Solos of All Time.” Magnifying the imprint of his catalog as a solo artist, Foo Fighters cut a fan favorite cover of “Ozone,” and he even jammed out “New York Groove” alongside The Roots on NBC’s The Tonight Show Starring Jimmy Fallon. The late Dimebag Darrell of Pantera proudly sported a tattoo of Frehley on his chest, while Tom Morello of Rage Against The Machine celebrated him on X/Twitter as “My first guitar hero.”

10,000 Volts upholds an incredible legacy for Frehley, spanning 50-plus years in the limelight. Back in 1988, he delivered his solo debut, Ace Frehley. It reached platinum status and exploded as “the highest-selling of the four Kiss solo albums in the Soundscan era.” Pitchfork even retrospectively rated it a rare “8.5” score. During 1978, he dropped Frehley’s Comet. Following Anomaly in 2009, he went on to make history once again. His 2014 Space Invader LP captured #9 on the Billboard 200 and emerged as “The only solo album by a past or current Kiss member to reach the Top 10 on the chart.” 2016’s Origins Vol. 1, bowed at #1 on the Billboard Top Hard Rock Albums Chart and in the Top 5 of the Billboard Top Rock Albums Chart. He notably maintained his momentum with Spaceman [2018]. 

STREAM '10,000 VOLTS' HERE

MERRIMACK Delve to Enigmatic Depths on "Dead and Distant Clamors"

Merrimack are unraveling another piece of Of Grace and Gravity. Today, the renowned French black metal band are releasing their new album's cosmic, eerie second single.

Listen to "Dead and Distant Clamors" below.

"Dead and Distant Clamors" dives into an existential abyss. The lyrics not only confront the powers that shape this world, but also our eternal struggle against great beyond.

"Who proclaims, who decides, who announces the end of orations?" vocalist Vestal protests. "Captive of forms that vitrify again this side of reality".

This battle against the inevitable is waged against a Merrimack's signature backdrop of relentless, dissonant, atmospheric black metal. "Dead and Distant Clamors" unfolds like a dark cosmic ballet, stirring emotions that range from despair to defiance.         

Of Grace and Gravity comes out March 8, 2024 on Season of Mist.

Pre-order:
https://redirect.season-of-mist.com/MerrimackGraceGravity

Here's what Merrimack have to say about the release of Dead and Distant Clamors:

"This song pays tribute to old-school black metal, embracing its desperate atmosphere and incorporating haunting, slow sections reminiscent of a depressive waltz", says Merrimack. "Guitars engage in a conversation around a hypnotic crescendo, while the vocals articulate the inevitable possibilities of decay. Expect nothing less than a pure homage to the essence of darkness".

MERRIMACK are back with their new album 'Of Grace and Gravity'. Their third release for Season of Mist arrives after the re-print of their long sold-out debut 'Ashes of Purification', which followed the sizeable impact that their last album, 'Omegaphilia', had on the Black Metal Scene.

Merrimack can be categorised as extreme traditionalists that are driven by a burning desire to hone their skills and striving to bring their art to perfection. The band was founded by guitarist Perversifier a.k.a. Amfortas in 1994 with a clear vision to keep the black metal flame burning as an act of aesthetic terrorism – as adamantly based in the underground as opposed to any attempts to co-opt, commercialise or turn the style into a self-parody. Introduced by a number of demo recordings (‘Prologue’ – 1995, ‘Act 1’ – 1995, ‘Horns Defeat Thorns’ – 2001) and split releases (with Hirilorn in 1998 and Sargeist in 2002), the French gained respect in the scene by remaining true to their words.

Although Merrimack decided to reach out to a larger audience with the release of their first full-length ‘Ashes of Purification’, the Parisians did not sever their roots with the underground at any time. With the following albums, ‘Of Entropy and Life Denial’ (2006) and ‘Grey Rigorism’ (2009), Merrimack closed ranks with the most influential, active, and authentic acts of the French black metal scene. Their classic combination of harsh sound with epic structures appealed to critics and fans alike and put the band on their celebrated first US tour with MARDUK and NACHTMYSTIUM in 2009.

After recording ‘The Acausal Mass’ (2012) in the legendary Necromorbus Studio (WATAIN, DESTRÖYER 666) again, Merrimack embarked on a European tour with Norwegian icons MAYHEM and accepted invitations to prestigious festivals such as Hellfest in their native France, Germany’s Party-San Open Air and Summer Breeze as well as Montreal’s Messe des Morts in Canada. With their previous album, ‘Omegaphilia’, Merrimack were breathing fresh life into an exhausted genre. While ignoring epithets such as progressive, post-, and avant-garde, the French focused on razor-sharp songwriting, captivating melodies, and close to perfect arrangements.

The ensemble now presents their latest album 'Of Grace and Gravity', an aural journey where grotesque assemblies of roosters and goats languish at the foot of heavens. Wallowing guitars and hypnotized passages of blasting drums collide with gravity-bound atoms in oblivious occlusion. Merrimack, in their enigmatic mastery, expose the futility of belief in occult ministries and slashes at the mask of the sky. The listener, questioned in their faith of the shadows and occult idols. Dare believe in the sulfurous whispers echoing through this blackened masterpiece.

Line-up
Perversifier - Guitars
A.K. - Guitars
Blastum - Drums
Vestal - Vocals
Daethorn - Bass

Recording Studio
Studio Sainte Marthe, Paris, France       

Sound, Mixing & Mastering Engineer
Francis Caste

Artwork Artist
Belial Necroarts - Front cover
Opposition Artworks - Inner illustrations
Adrien Bousson - Layout

Pre-order: https://redirect.season-of-mist.com/MerrimackGraceGravity

Links:
Bandcamp:
https://merrimack.bandcamp.com/
Facebook:
https://www.facebook.com/merrimackofficial
Instagram:
https://www.instagram.com/merrimack666/
Deezer:
https://www.deezer.com/en/artist/99176
Spotify:
https://open.spotify.com/artist/3XWKabUW6Y9pm9vyNGlrhV
Tidal:
https://tidal.com/browse/artist/3642745
Apple Music:
https://music.apple.com/us/artist/merrimack/41660594
Amazon:
https://www.amazon.com/music/player/artists/B000QKG2N8

Booking Contact:
merrimack@satanslegions.com

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Transparent Clear
12" Coloured Vinyl Gatefold - White
12" Coloured Vinyl Gatefold - Transparent w/ Black Splatters

Photo by Vagus Nox

VITRIOL to Embark on CHAOS AND CARNAGE 2024 Tour

Death metal battalion VITRIOL will be embarking on the Chaos and Carnage 2024 tour this spring in support of Cattle Decapitation, Carnifex, Rivers of Nihil, Humanity's Last Breath, and Zenith Passage along with Face Yourself. The epic death metal trek will kick off on April 30 in Mesa, AZ and will conclude nearly a month later on May 26 in Las Vegas. Tickets will go on sale Friday, January 12 at 10:00 A.M. local time while VIP upgrades will launch on Friday, January 19, at 10:00 A.M. PST. Tickets and upgrade options will be made available at THIS LOCATION.

VITRIOL will be supporting its upcoming sophomore record, 'Suffer & Become,' which is due on January 26, 2024 via Century Media Records! The band has recently released another explosive new single, "Shame and Its Afterbirth," which can be found along with a guitar and bass play-through at THIS LOCATION.

Pre-orders are now live for 'Suffer & Become' HERE. The album will be available digitally as well as in Standard CD Jewelcase, Ltd. Deep Blood Red LP (All ex-US Retail), Orange Crush LP (All US Retail), and Red / Yellow / Black Transp. Splatter LP (Band Exclusive).

Chaos and Carnage 2024 Tour Dates:

04/30: Mesa, AZ @ Nile Theater 

05/02: Austin, TX @ Come and Take It Live 

05/03: Dallas, TX @ Granada Theater 

05/04: San Antonio, TX @ Vibes Event Center 

05/06: Tampa, FL @ The Orpheum

05/08: Nashville, TN @ Brooklyn Bowl 

05/10: Brooklyn, NY @ The Brooklyn Monarch 

05/11: Reading, PA @ Reverb 

05/12: Worcester, MA @ The Palladium

05/14: Liverpool, NY @ Sharkey’s Event Center

05/15: New Kensington, PA @ Preserving Underground

05/16: Columbus, OH @ King of Clubs

05/17: Pontiac, MI @ The Crofoot

05/18: West Chicago, IL @ WC Social Club

05/20: Englewood, CO @ The Gothic Theatre 

05/23: Berkeley, CA @ The UC Theatre 

05/24: Los Angeles, CA @ The Belasco

05/25: Anaheim, CA @ House of Blues 

05/26: Las Vegas, NV @ House of Blues

For Portland, Oregon's VITRIOL, nothing comes easy. Nothing. The title of their second Century Media album, 'Suffer & Become,' says it all. "The title really sums it up," says guitarist and vocalist Kyle Rasmussen. "I pushed things to a point while making this album where it almost became untenable. Things that were supposed to be done in weeks took months. It wasn't easy, but I think it was suffering well spent."

At the core of 'Suffer & Become' lies a profound sense of extremity and unease. This very essence defines Vitriol as the vanguard in death metal's evolutionary path—a sonic landscape characterized by its profound darkness, density, and the infusion of nanotechnological precision interwoven with intense, seething emotions. Not easy listening in the slightest. Since forming in 2013, Rasmussen and longtime co-conspirator, bassist, and co-vocalist Adam Roethlisberger have worked with a single-minded vision: to push the genre to its breaking point and invent a new uncompromising paradigm in the process. VITRIOL is a masterclass in pain – and that's just their jumping-off point.

Recounting VITRIOL's initial journey into the outer fringes of extremity, Rasmussen is characteristically thoughtful. "I was starving for something that didn't pull any punches," says Kyle of VITRIOL's caustic mission statement, which detonated into the realm of extreme metal with 2013's 'Antichrist' demo. "Death metal was important to me because it speaks to an aggression, a frustration that I had when I was younger. It wasn't just a sonic connection but an emotional connection, which made music almost a means to an end. What I saw happening in extreme metal at the time was almost a removal of emotion in favor of musicality, that fire, that piss and vinegar spirit. Basically, I wanted something that wanted me dead."

With 2017's 'Pain Will Define Their Death' EP, VITRIOL took its spot as one of the underground's most uncompromising exponents, leading them to join forces with Century Media. The resultant album, 2019's "To Bathe from the Throat of Cowardice," was nothing short of a crucial next step for the band and the genre itself. Decibel Magazine said, "Vitriol leave no doubt they are one of the best the genre has to offer, with shades of Nile, Hate Eternal, and Anaal Nathrakh frequently peeking through." Hitting the road that year, at first in Europe with Nile and then in the US with Cattle Decapitation and Atheist, and then Vader before the onset of Covid, VITRIOL was quick to establish themselves as much of an uncompromising force onstage as they are on record.

"Doing 'Black Seeds of Vengeance' alongside Karl Sanders [of Nile] onstage in Europe on our very first tour was nothing short of a 'pinch me' moment," Kyle recounts from VITRIOL's early touring days. "More recently, we were touring with Morbid Angel, and Steve Tucker, who is my favorite Morbid Angel vocalist, came out of his dressing room in a VITRIOL t-shirt and exclaimed that we were one of his favorite new bands! That blew my mind as a fan, first and foremost – a total 'Holy Fuck!' moment." 

'Suffer & Become' is nothing short of a benchmark for VITRIOL (rounded out by guitarist Daniel Martinez and Matt Kilner). It's as dense and blackened as anything to erupt from Rasmussen's vision of sonic disorder. From the onset of the opening track, "Shame and Its Afterbirth," there's a new sense of openness, grandeur, and occasional beauty in VITRIOL's aural arsenal. "I wanted to have an album that had a stark duality to it," says Kyle. "Very high highs and very low lows. We're very familiar with the lows but not so much with the triumphant highs. I wanted the album to have more of a sense of optimism to it, both lyrically and musically. I wanted the album to convey a sense of optimism that probably gets lost in the black maelstrom that is the first album." 

Produced by Rasmussen and mixed by Dave Otero (Archspire, Cattle Decapitation), 'Suffer &

Become' isn't merely the sound of VITRIOL upping the ante in death metal's musical arms race; it is also the sound of salvation for its driving force. "Living in the world of that first album was very difficult for me," says Rasmussen. "It's not a nice place. It was very intentionally imbalanced in the same way a horror film is imbalanced. I wanted a healthier world for me to live in, and I believe I achieved that."

Not that the writing and recording of 'Suffer & Become' was anything short of soul-rending. Rasmussen labored over the creation of the album in the studio, on tour in hotel rooms, to the point of painstaking obsessiveness. Kyle is straightforward about the grueling record-making process and its personal impact. "The record feels a bit like a Jungian Dante's Inferno," he states. "Plumbing the circles of my personal, psychological, and spiritual hell and then purposely refocusing it so it's not the unhinged, dark catharsis of the first album. This record is a lot more vulnerable."

Songs like "Weaponized Loss" or "The Flowers of Sadism" are what Kyle describes as a "dark baptism" in comparison to the absolute darkness of "To Bathe…". The sound of VITRIOL remains as joyless and dark as ever, but with a glimmer of hope. VITRIOL has taken its trauma-put-to-sound approach to the next level and discovered a new sense of beauty in the blackness. 'Suffer & Become' is death metal with a bloody, beating heart.

Line-Up:

Kyle Rasmussen - Guitars and Vocals

Adam Roethlisberger - Bass and Vocals

Matt Kilner - Drums

Daniel Martinez - Guitars

Producer // Mixing // Mastering:

Dave Otero

Album artwork:

Dylan Humphries

Photo Credit:

Peter Beste

Bio:

Mike Gitter

Physical Formats:

Standard CD Jewelcase

Ltd. Deep Blood Red LP (All ex-US Retail)

Orange Crush LP (All US Retail)

Red / Yellow / Black Transp. Splatter LP (Band Exclusive) 

The Union Underground and SOiL Announce the 'Back To The 2000's Tour' this March with Special Guests Ra and Flaw

The “Back To The 2000’s Tour” features the return of Texas heavy weights The Union Underground, along with Chicago based SOIL and very special guests RAand Flaw. The tour launches in March 2024 and will feature each band playing exclusive material from their most popular albums that were released in the early 2000’s.

The Union Underground will perform selections from the hit debut An Education In Rebellion. SOiL will perform songs from their sophomore breakthrough album Scars. RA will play material from the album From One, and Flaw will perform songs from their debut album Through The Eyes.

The premise of this tour is to bring fans back to the days when festivals like Ozzfestgave new bands a chance to break through to the masses when the Nu Metal scene was thriving. Each band on the tour not only had massive hit songs at the time, but had also toured together and joined forces to create a massive heavy music scene.

According to The Union Underground frontman Bryan Scott: “ I’m looking forward to re-introducing the world to 'An Education In Rebellion', which in my clearly biased opinion, is a fantastic, timeless album! The continued love and support from Union Underground fans over the years has been overwhelming, and that devotion is exactly what has inspired the new music on the forthcoming album. Make no mistake, this is not a nostalgia tour. It’s the launch of a new chapter for the band and an opportunity for new generations of music lovers to discover us. And our longtime friends in SOiL are the perfect partners in crime for the experience! We will perform “AEIR” in its entirety, Across The Nation and a couple of unreleased songs from the new album. Let’s Get It On!”

SOiL bassist Tim King remarks: “Bryan Scott and I came up with this idea quite some time ago. I’m so happy we were able to bring all these bands together for what is sure to be a great re-introduction to this genre of music. The first tour SOiL did on the “Scars” album was with The Union Underground in 2001. Here we are over 20 years later doing it again. It just proves that great bands can last the test of time”

The “Back To The 2000’s Tour” kicks off March 1 in San Antonio, TX and circles through the Midwest and East Coast to end on March 23 in Joliet, IL.

03.01 SAN ANTONIO, TX @ THE ROCKBOX

03.02 HOUSTON, TX @ SCOUT BAR

03.03 DALLAS, TX @ TREES

03.06 FORT WAYNE, IN @ PIERE'S

03.07 BATTLE CREEK, MI @ THE MUSIC FACTORY

03.08 FLINT, MI @ THE MACHINE SHOP

03.09 HARRISON, OH @ THE BLUE NOTE

03.10 COLUMBUS. OH @ THE KING OF CLUBS

03.13 CLIFTON, NJ @ DINGBATZ

03.14 HERMON, ME @ MORGAN HILL EVENT CENTER

03.15 NEW BEDFORD, MA @ THE VAULT MUSIC HALL

03.16 READING, PA @ REVERB

03.17 LEESBURG, VA @ TALLY HO THEATER

03.19 LAKEWOOD, OH @ THE WINCHESTER

03.20 HOBART, IN @ HOBART ART THEATER

03.21 BLOOMINGTON. IL @ THE CASTLE THEATER

03.22 RINGLE, WI @ Q AND Z EXPO CENTER

03.23 JOLIET, IL @ THE FORGE

Bailee Madison to Release Debut Song, "Kinda Fun," 1/12 on Red Van Records

Already known for her numerous acting and musical roles, multi-talented artist Bailee Madison is set to release her debut song, “Kinda Fun,” on January 12.  The metaphorical track is her first music release with Jonas Group Entertainment’s Red Van Records. Pre-save/pre-add the song here.
 
Collaborating with her boyfriend, Blake Richardson (frontman of the British-Pop Trio New Hope Club), “Kinda Fun” marks Madison’s musical aspirations taking center stage. 
 
“Exploring music has been a dream of mine for as long as I can remember,” said Madison. “Blake and I were hanging out one night, and he started strumming his guitar (as he usually does), and ‘Kinda Fun’ just came together in an evening. The lyrics reflect all I was able to experience as a child in the industry and with an excitement about where I am now personally as I enter my mid-20s. 
 
Most of the lyrics are metaphors about growing up, being proud of what’s been accomplished, not letting opinions cloud my decisions, and giving myself not just permission but the liberation to live and create freely.”
 
In addition to co-writing the song, Madison provided background vocals and played Cello on the track. Producing and playing multiple instruments on the song is co-writer, Blake Richardson.
 
Madison, who recently signed with Jonas Group Publishing as a writer, also inked a deal with Jonas Group Entertainment’s Red Van Records, and “Kinda Fun” marks her first release for the label. “I am so excited to begin my music journey officially and have it be with the team at Red Van Records and Jonas Group Publishing,” said Madison.
 
“I feel incredibly inspired and encouraged to tell stories from my heart. The experience, knowledge and love from this team is priceless, and I can’t think of a better partnership to embark on this incredibly fulfilling next chapter.”
 
Of her joining Red Van Records, Jonas Group Entertainments CEO Phil Guerini said, “Bailee is a uniquely blessed artist who can act, sing, write, dance, and defines captivating in everything she does. Her music is infectious, honest, and fun, and we are thrilled to have her join the Red Van Records family.”
 
Jonas Group Publishing President Leslie DiPiero added, “Bailee is a multi-faceted mega talent. Her songwriting is filled with her soulfulness and magnetic personality. Signing her to Jonas Group Publishing is the perfect way to start the New Year!”
 
As an in-demand actress, Madison is currently starring in the globally renowned franchise and critically recognized reboot Pretty Little Liars: Original Sin. She first gained acclaim in the film Bridge To Terabithia and the physiological war drama Brothers. She’s continued to garner many notable roles, such as Just Go With It, The Strangers: Prey at Night, the fantasy film North Pole, Wizards of Waverly Place, Good Witch, and more. With the 2021 Netflix musical hit A Week Away, she has seamlessly immersed herself into the world of music, a passion that has always been in her heart to pursue. 
 
Beyond the spotlight, Madison is a passionate advocate for charitable causes; she supports Alex's Lemonade Stand Foundation and champions Michelle Obama's Better Make Room campaign, demonstrating a commitment to making a positive impact.

ABOUT RED VAN RECORDS:
Under the Jonas Group Entertainment umbrella, Red Van Records was formed in 2023 by JGE founder Kevin Jonas, Sr. Under the leadership of Jonas and Chief Executive Officer Phil Guerini, the label is home to critically acclaimed singer-songwriter Levi Hummon as well as multi-faceted entertainer Bailee Madison. Headquartered on Nashville’s famed Music Row, Dan Pearson’s Lakeside Entertainment Group provides label services for Red Van Records. With more than twenty years of both independent and major label experience, the Lakeside team has broken a wide range of artists across multiple formats and platforms. 
 
ABOUT JONAS GROUP PUBLISHING:
Established in 2020, Jonas Group Publishing (JGP) is a division of Jonas Group Entertainment (JGE), founded by Kevin Jonas, Sr. in 2005 and helmed by CEO Phil Guerini.  Under the leadership of President Leslie DiPiero, JGP is home to a burgeoning consortium of groundbreaking songwriters, including Terri Jo Box, Franklin Jonas, and Bailee Madison.  Headquartered on famed Music Row, JGP continues to grow its footprint through new signings, catalog acquisitions, recordings, and sync placements. 

Watch Escuela Grind's new video for "Meat Magnet”

New England extreme metal powerhouse, Escuela Grind, will release the new EP, 'DDEEAATHHMMEETTAALL', this Friday, January 12, 2024.

 

Recorded with Will Killingsworth, mixed by the GRAMMY-winning Kurt Ballou (High on Fire), and mastered by Nick Townsend (Cheap Trick, Dr. Dre), the EP houses four new songs including the lead cut, "Ball and Chain", and "Meat Magnet", featuring a guest appearance by Napalm Death vocalist Barney Greenway.

Today, Escuela Grind releases a video for "Meat Magnet", directed by Michael Jari Davidson (Alice In Chains). The unsettling cut features a vox-off between the aforementioned Greenway and Escuela Grind vocalist Katerina Economou interspliced with exhilarating live footage of the band tearing it down. 

Escuela Grind's 'DDEEAATHHMMEETTAALL' EP is the crown jewel in a themed trilogy of releases, including the duo of 2020 EPs 'PPOOWWEERRVVIIOOLLEENNCCEE' and 'GGRRIINNDDCCOORREE', which saw the band espousing its unique takes on the respective underground music sub-genres. 'DDEEAATHHMMEETTAALL' delivers the first new Escuela Grind music since the release of last year's celebrated full-length LP, 'Memory Theater', hailed by The New York Times as ''an opus of extremity", "witheringly intense yet righteously life-affirming" by SPIN, "the heaviest Escuela Grind have ever sounded" by Decibel, and both "a masterclass in punishing, invigorating grindcore" and "a fascinatingly intellectual take on the genre" by Revolver.

 

'DDEEAATHHMMEETTAALL' is the third installment of our EP series where we dive into the genres that most influence this band," offers Economou. "Finishing this trilogy has been years in the works. We are so excited to release these songs as they are perhaps the best reflection of our live performance. The stage has honed these hectic songs to perfection. Originally we were going to have three songs on this EP, but we wanted to create another track that had a huge buildup. This eventually developed into this brutal song, "Ball and Chain", that marks the point in our live shows where we have a wall of death every night. Lyrically, it references death metal tropes of murder and revenge, but with a decidedly feminine angle."   

Escuela Grind - DDEEAATTHHMMEETTAALL Glow In The Dark Vinyl EP

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Escuela Grind Memory Theater - Hot Pink Splatter Vinyl LP

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Thursday to Release "War All The Time Live" on Vinyl + Touring This Winter

THURDSAY + VELOCITY RECORDS TO RELEASE RE-PRESS OF CLASSIC ALBUM WAR ALL THE TIME LIVE

BAND TOURING THIS WINTER WITH RIVAL SCHOOLS

Beloved New Jersey post-hardcore icons Thursday and Velocity Recordshave announced the pre-orders for the upcoming vinyl re-press of the band's classic, 2003-released album War All The Time Live via the label's webstore.

Pre-orders for multiple color vinyl variants in extremely limited quantities, as well as a limited edition CD version of the album, are available
here.

Initially released on vinyl and digital formats on June 30, 2022, War All The Time Live has been out-of-print and unavailable on vinyl since it first dropped. This "can't-miss" live celebration of the War All Time album is available to hear on all streaming platforms
here. Go ahead and listen, and be transported to front and center at a Thursday gig. 

Thursday are on the road and touring this winter with Rival Schools and Many Eyes. All dates are below. The winter trek finds the band performing War All the Time in full.

THURSDAY ON TOUR:
WITH RIVAL SCHOOLS + MANY EYES:

1/25 — Buffalo, NY — Town Ballroom
1/26 — Detroit, MI — The Majestic Theatre
1/27 — Columbus, OH — Newport Music Hall
1/28 — McKees Rocks, PA — Roxian Theatre
1/30 — Chicago, IL — Concord Music Hall
1/31 — Minneapolis, MN — First Avenue
2/1 — Omaha, NE — Slowdown
2/2 — Denver, CO — Summit Music Hall
2/3 — Salt Lake City, UT — The Depot
2/5 — Seattle, WA — The Crocodile
2/6 — Portland, OR — Roseland Theater
2/8 — Sacramento, CA — Ace Of Spades
2/9 — San Francisco, CA — August Hall
2/10 — Santa Ana, CA — Observatory OC
2/11 — Mesa, AZ — The Nile Theater
2/13 — Austin, TX — Mohawk
2/15 — Jacksonville, FL — Jack Rabbits
2/16 — Fort Lauderdale, FL — Revolution Live
2/17 — Orlando, FL — The Beacham
2/18 — Atlanta, GA — The Masquerade
2/20 — Philadelphia, PA — Theatre Of Living Arts
2/21 — Boston, MA — Paradise Rock Club
2/22 — Baltimore, MD — Baltimore Soundstage
2/23 — Virginia Beach, VA — Elevation 27
2/24 — New York, NY — Irving Plaza

War All the Time arrived in September 2003. It was described as "sensitive as a teardrop, but hitting with the impact of a two-by-four across the jaw" by Entertainment Weekly and "as intense enough to resonate outside their corner of the underground" by Rolling Stone. Elsewhere, Blender highlighted how the band and album "combine emo's nervous-breakdown emotionalism and hardcore punk's aggression." The album is equally beloved by the band's diehard legion of fans and is considered a benchmark of the '00s.

Dead Poet Society Share "My Condition" + Announce L.A. Album Release Show + Spring Tour

  NEW ALBUM FISSION ARRIVES JANUARY 26 VIA SPINEFARM

BAND ANNOUNCES SPECIAL L.A. RECORD RELEASE SHOW SET FOR JANUARY 24 AT PICO UNION PROJECT

NORTH AMERICAN HEADLINE TOUR SET FOR SPRING, FEATURING APPEARANCES AT SHAKY KNEES, WELCOME TO ROCKVILLE, + SONIC TEMPLE

Los Angeles quartet DEAD POET SOCIETY will drop their second albumFISSION on January 26 via Spinefarm. Pre-order it
here.

Today, the band has shared "My Condition." Listen
here.

Commenting on the track, frontman Jack Underkofler says, "This song took years to write and it’s one of our favorites. It's about knowing that nothing matters, so might as well go for what brings you fulfillment and do what you want."

DPS have also announced details of an exclusive and intimate record release show. Rock Night Out presents Dead Poet Society: The FISSION Album Release Experience, sponsored by Spinefarm Records, is set for January 24 in Los Angeles at Pico Union Project. Stay tuned to the band's social properties for more information on this special show.

Additionally, The FISSION Tour is set for this spring, including appearances at festivals such as Shaky Knees, Welcome to Rockville, and Sonic Temple. Tickets go on sale on Friday, January 12 at 10am local time. All dates are below. Get tickets
here.

In the meantime, fans can find themselves transported to a DPS show by watching video comprised of live performance footage for "How Could I Love You?" Watch it
here. The footage is culled from the band's recent performances at Blueberry Hill in St. Louis and at the Subterranean in Chicago.

DEAD POET SOCIETY ON TOUR:
4/14 — Vancouver, CA — The Pearl
4/16 — Seattle, WA — El Corazon
4/17 — Spokane, WA — District Bar
4/18 — Boise, ID — Olympic
4/20 — Colorado Springs, CO — Black Sheep
4/23 — Omaha, NE — Waiting Room
4/24 — St. Louis, MO — Delmar
4/26 — Minneapolis, MN — 7th St Entry
4/27 — Milwaukee, WI — Rave
4/28 — Chicago, IL — Bottom Lounge
4/30 — Grand Rapids, MI — Stache
5/1 — Detroit, MI — Loving Touch
5/2 — Toronto, ON — Velvet Underground
5/4 — Atlanta, GA — Shaky Knees*
5/6 — Boston, MA — Sinclair
5/7 — Philadelphia, PA — Foundry
5/9 — Asbury Park, NJ — Wonder Bar
5/10 — Washington, DC — Union
5/12 — Daytona Beach, FL — Welcome to Rockville*
5/14 — Asheville, NC — Grey Eagle
5/15 — Nashville, TN — Basement East
5/17 — Johnson City, TN — Capone's
5/18 — Pittsburgh, PA — Thunderbird
5/19 — Columbus, OH — Sonic Temple*
5/21 — Little Rock, AR — Rev Room
5/22 — Oklahoma City, OK — Beer City
5/24 — Dallas, TX — House of Blues
5/25 — Houston, TX — House of Blues
5/26 — Austin, TX — Parish
5/28 — Tucson, AZ — Club Congress
5/29 — Phoenix, AZ — Crescent
5/30 — Los Angeles, CA — Troubadour
6/1 — Santa Ana, CA — Constellation Room
*Festival Appearance 


 Dead Poet Society accumulated over 100 million global streams, with nearly 50 million streams in the U.S. alone. The band also enjoyed two Top 15 singles at radio and key playlisting. They have also spent as much time as possible on the road — having toured with alt rock powerhouses Badflower, Biffy Clyro, Highly Suspect,and BRKN Love. The band has ultimately established itself as an intense live act not to be missed! 
 

DEAD POET SOCIETY ARE:

Jack Underkofler — Vocals/Guitar

Jack Collins — Guitar

Will Goodroad — Drums

Dylan Brenner — Bass 

EXOCRINE Are Locked and Loaded on New Single

EXOCRINE have been pumping out rapid-fire tech-death since 2015. But the French metal mercenaries truly unleash the full scope of their unrelenting arsenal on the third single off Legend.

Watch the deadly video for "Eidolon" below.

Legend comes out January 26, 2024.

Pre-order:
https://redirect.season-of-mist.com/Exocrine-Legend
Pre-save:
https://orcd.co/exocrinelegendpresave

In ancient literature, "Eidolon" appear as ghostly doppelgängers. Exocrine go hunting for these demons during the bloody and bullet-filled video for their new single. Strapped with precision blast beats, the band rattle off laser-guided riffs and a bass that grooves with flattening force of a tank.

But this song isn't just balls-to-the-wall adrenaline. On the heels of Jordy Besse's commanding bark, the rhythm section spreads out into doomy, dread-soaked ambience.

"Brace yourselves for the sonic onslaught of Exocrine's latest masterpiece – the music video for our track 'Eidolon'," says lead guitarist Sylvain Octor Perez. "Proudly blending melodic intricacies with brutal force, this song is a testament to the band's unique fusion of melody and brutality.

"It's a sneak peek into our upcoming album", Perez continues, "a perfect marriage of technical prowess and breakneck speed. Exocrine is unleashing a sonic storm that will leave you craving more. Stay tuned for the imminent release of our album, a true embodiment of technical excellence and speed. Get ready to be blown away!"

Born from the depths of Bordeaux, France, EXOCRINE is a technical death metal juggernaut, a force that has redefined the very essence of the genre. Founded by the guitar-virtuoso Sylvain Octor-Perez, alongside the formidable talents of Nicolas La Rosa and Jordy Besse, this trio embarked on their relentless journey in 2013, marking the inception of a musical saga that would leave an indelible mark on the world of extreme music.

Exocrine's debut album, 'Unreal Existence,' unleashed in 2015, was nothing short of a revelation. It showcased the band's audacious creativity, instantly distinguishing them within the technical death metal scene. With labyrinthine compositions, ferocious riffs, and relentless drumming, Exocrine's music delved into uncharted territories of sonic complexity.

In the years that followed, Exocrine solidified their signature sound, with albums such as 'Ascension' in 2017 and 'Molten Giant' in 2018, upon the latter release, Théo Gendron joined as a new member – forming the current-standing quartet of musicians. These releases cemented their reputation as pioneers of the genre, pushing the boundaries of what technical death metal could achieve. The band's compositions are like sonic mazes, constantly evolving, keeping listeners captivated at every twist and turn.

Their 2022 release, 'The Hybrid Suns,' was yet another testament to their musical prowess. It demonstrated their unyielding commitment to pushing the envelope and exploring new realms of technical complexity.

Now, as the anticipation reaches a fever pitch, Exocrine is poised to release their next full-length opus, 'Legend.' This forthcoming masterpiece promises to be an epic chapter in their already storied career, destined to secure their place as legends within the hallowed halls of technical death metal.

Exocrine are architects of sonic transcendence, explorers of the uncharted, and pioneers of the unimaginable. With each release, they redefine the limits of technical death metal, and 'Legend' is poised to be their most audacious and groundbreaking endeavor yet, a true testament to their status as legends in the making.

Line-up:
Sylvain Octor Perez: Lead Guitars
Nicolas La Rosa: Guitars
Jordy Besse: Bass, Vocals
Theo Gendron: Drums

Recording Studio:
Triceraprod Studio

Sound, mixing & Mastering Engineer:
Sylvain Octor Perez

Biography:
Sébastien J. Gamez

Cover art:
Armaada Art

Pre-save:
https://orcd.co/exocrinelegendpresave
Pre-order:
https://redirect.season-of-mist.com/Exocrine-Legend

Links:
Facebook:
https://www.facebook.com/Exocrine/
Instagram:
https://www.instagram.com/exocrine_official/
Twitter:
https://twitter.com/Exocrine_band
Spotify:
https://open.spotify.com/artist/0JmFaHWcs3bFMtNzJnDFKw
Deezer:
https://www.deezer.com/us/artist/9621858
Apple Music:
https://music.apple.com/us/artist/exocrine/1391841323

Available Formats:
Digital Download
CD Digipak
12" Black Vinyl Gatefold
12" Clear Translucent - Coloured Vinyl Gatefold
12" Aqua Deep - Coloured Vinyl Gatefold

Photo credit: ©Exocrine

Tigirlily Gold Release New Single “I Tried A Ring On,” Impacting Radio On 1/22

Monument Records’ powerhouse duo Tigirlily Gold released their debut EP Blonde last summer, establishing sisters Krista and Kendra Slaubaugh’s prowess as entertainers with rowdy and empowering songs inspired by the years they spent performing in bars on Nashville’s Lower Broadway. Building on the success of the project’s top 40 track “Shoot Tequila,” which received more than 40 million streams to-date, the duo today unveils a new side to their songwriting, with their emotional new single, “I Tried A Ring On.” 
 
“I Tried A Ring On,” written by Kendra and Krista, alongside Pete Good and Josh Jenkins, and produced by Pete Good, was inspired by their real-life heartbreak. Adding depth to their evolving story, “I Tried A Ring On” conveys a heartfelt tale of love’s illusion and the sobering aftermath of shattered expectations. 
 
“We were noticing how many of the breakup songs in country music talk about how hard it is to get over someone, but another extremely hard part of heartbreak that not a lot of people talk about is the gut wrenching feeling of having to start over again when you truly thought you had forever with someone,” Tigirlily Gold shares. “‘I Tried A Ring On’ tells that side of the story, and we are excited for people to discover this whole other side of who we are as writers and as artists.”
 
The song is available across streaming platforms now and will impact country radio as the duo’s next single on Jan. 22. Listen 
below.
 
With a message that is sure to resonate with anyone who has felt the heartbreak of love’s false starts and showcases the duo's versatility through their compelling songwriting and knack for storytelling, “I Tried A Ring On” is another taste of new music to come. Bringing the girl power energy back to country music, stay tuned for more from Tigirlily Gold throughout 2024. For the latest information visit, tigirlily.com  and follow along on Twitter, Instagram and Facebook @tigirlily and on TikTok @TigirlilyGold.
 
About Tigirlily Gold:
Sister duo Tigirlily Gold has been playing music together since they could walk, and officially formed their band in high school. Growing up, they crisscrossed the mid-west, growing a fierce fan base and selling out amphitheaters across their home-state of North Dakota. After moving to Nashville, they landed a weekly residence at Dierks Bentley’s Whiskey Row on Nashville’s famed lower Broadway. Playing four-hour sets, three to four nights a week, the sisters developed a performance style that’s not only captivating and fun but shows just how much entertaining is in their blood. After releasing their original song “Somebody Does,” in 2021, the track topped the iTunes chart and Tigirlily Gold was signed to Monument Records. They released their self-titled, debut EP in July 2021, working with multi-Grammy Award Winner Shane McAnally, and hit the road with artists like Walker Hayes and Ashley McBryde. Now, the powerhouse duo has embarked on a new musical chapter with their EP, Blonde –a deeply personal project that includes tales of love and loss alongside powerful anthems and songs of female empowerment. Their debut single at country radio, “Shoot Tequila,” reached the Top 40 and found viral success with millions of views across social media, and millions of streams across platforms. Their much anticipated follow up single “I Tried A Ring On” will hit airwaves at the top of 2024. After making their Grand Ole Opry debut and performing to a national audience on the “TODAY Show,” Tigirlily Gold is Ready to bring girl grou

Randall King Grapples w/ Regret in “Coulda Been Love,” Out Now Ahead of 1/26/24 Album

Randall King’s 18-track sophomore album Into The Neon – due Jan. 26 via Warner Music Nashville – takes listeners inside one man’s story of finding love and losing it, with songs made for slow dancing under the starry night sky or two-stepping at a local honky tonk. With the latest taste of new music off the upcoming project, “Coulda Been Love,” out today, King grapples with regret over the girl that got away and love that could have been.
 
Listen to “Coulda Been Love” 
below and pre-order Into The Neon HERE.
 

“Heartbreak and Honkytonk. Turn up the dial and pour ya a drink, you're gonna need one,” remarks King. Written by Jake Worthington, Kim Penz and Roger Springer, “Coulda Been Love” is an up-tempo toe-tapper, as the narrator retrospectively ponders his decision to turn down a dance with a girl and realizes perhaps it could have led to more.
 
        What was I thinkin’ sayin’ I don’t dance girl
        Let her walk away and it coulda been love
        Bet you right now she’d be lightin’ up my world 
        What was I thinkin’ it coulda been love
 
Co-produced by King alongside Jared Conrad, Into The Neon incorporates a unique blend of the influences from icons and modern masters alike who have inspired King’s sound; inclusive of the timeless ‘80s country twang of George Strait and Keith Whitley, and the blood pumping, Y2K-era rhythms of Dierks Bentley and Gary Allan. 
 
Inspired by the countless nights spent strumming his guitar under the expansive skies in the plains of West Texas where he grew up – and by his current road warrior diet which finds him revitalizing Country’s neo-traditional sound under the neon signs of nearly 150 honky tonks he performs in across the country each year – King ushers people Into The Neon on Jan. 26, 2024. 
 
It’s a place where rowdy roughnecking, romantic tenderness and breathtaking emotion are all welcome; an ode to nature and the humble establishments that have nurtured country music’s blue collar roots since its foundation. It’s these very places that have nurtured King’s love for music and wide open spaces, too.
 
For more information and to follow along with updates, visit 
RandallKingMusic.com or follow @RandallKingBand across all social platforms.

About Randall King: 
A West Texas native and self-described “old soul," Warner Music Nashville's Randall King has never wavered in his honky-tonk allegiance – in fact, he’s worn it like a badge of honor, growing with pride into a leading voice for today’s traditional country. Amassing over 290 Million streams with singles like “You In A Honky Tonk,” “Hey Cowgirl” and “Mirror, Mirror,” he’s kept the twang alive in country’s mainstream while also earning acclaim through deeply personal EPs like 2020’s Leanna, and his 2022 major label album debut, Shot Glass – which landed on both Whiskey Riff’s Top 40 Country Albums of 2022 and Billboard’s All Genre 50 Best Albums of 2022 (So Far). Schooled on icons like Keith Whitley, George Strait, Alan Jackson and John Anderson, but inspired by modern masters like Dierks Bentley and Gary Allan, King first built an independent, grass-roots following on the strength of his electrifying live shows – each one a harrowing mix of rowdy roughnecking, romantic tenderness and breathtaking emotion – never asking for permission to explore his creative vision. He has since gone on to headline all across the U.S., the U.K. and Europe, where he continues to play nearly 150 shows a year and hone his craft where it matters most. Named a Country Artist to Watch by everyone from Pandora and Country Now to Music Mayhem Magazine, his sophomore major label album Into the Neon takes that craft to the next level on January 26, as King’s neo-traditional roots meet the blood-pumping rhythms and sharp, arena-sized grooves of Y2K-era country and beyond. Co-produced by King and Jared Conrad, and featuring 18 tracks, punchy sounds exist side-by-side with timeless swagger, further blurring the line between yesteryear and today – even as King renews his forever-country vows.