CLOAK Add Solo Dates to Tour with Uada and Ghost Bath

Summer is winding down, but CLOAK are still burning hot and fast.

Atlanta's most scintillating black metal band set the netherworld on fire earlier this year when they released 'Black Flame Eternal'. The Austin Chroniclecrowned their third album one of the best albums of 2023 leading up to the band's set at Oblivion Access Festival. Visit your local newsstand and prepare to see these dark lords looming large on the latest cover of New Noise.     

Other bands are taking notice, too. Cloak are joining Uada and Ghostbath this fall on a slashing, spine-tingling tour of the US.

Today, Cloak are adding five solo shows that will bookend this tour. They'll start by riding ahead through Tennessee, Oklahoma and Kansas, before hitching on with Uada and Ghostbath in Colorado. After they've slaughtered the stage together, Cloak will carry the black flame into the Southwest for two brutally fiery nights in Arizona and Texas.  

'Black Flame Eternal' is available on vinyl, CD and as a digital download through the Season of Mist store.

Added Solo Dates
08/27: Memphis, TN @ Growlers [TICKETS]
08/28: Oklahoma City, OK @ 89th Street [TICKETS]
08/29: Lawrence, KS @ Bottleneck [TICKETS]
10/02: Tucson, AZ @ The Rock [TICKETS]
10/04: Dallas, TX @ Reno's [TICKETS]
 
Dates w/ Uada and Ghost Bath
08/30 Denver, CO @ Roxy Theater [TICKETS]
08/31 Salt Lake City, UT @ Urban Lounge [TICKETS]
09/01 Boise, ID @ Shredder [TICKETS]
09/02 Portland, OR @ Crystal Ballroom [TICKETS]
09/03 Vancouver, BC @ Rickshaw [TICKETS]
09/05 Calgary, AB @ Dickens [TICKETS]
09/06 Edmonton, AM @Starlite Room [TICKETS]
09/07 Saskatoon, SK @ Coors Event Center [TICKETS]
09/08 Winnipeg, MB @ The Good Will [TICKETS]
09/09 Minneapolis, MN @ Skyway Theatre [TICKETS]
09/10 Milwaukee, WI @ X-Ray [TICKETS]
09/11 Columbus, OH @ Ace of Cups [TICKETS]
09/12 Pittsburgh, PA @ Preserving Underground [TICKETS]
09/13 Toronto, ON @ Lee's Palace [TICKETS]
09/14 Ottawa, ON @ Brass Monkey [TICKETS]
09/15 Quebec City, QC @ La Source De La Martiniere [TICKETS]
09/16 Montreal, QC @ Petit Campus [TICKETS]
09/17 Brooklyn, NY @ Meadows [TICKETS]
09/18 Philadelphia, PA @ Milkboy [TICKETS]
09/19 Baltimore, MD @ Metro Gallery [TICKETS]
09/20 Raleigh, NC @ The Pour House [TICKETS]
09/21 Atlanta, GA @ Masquerade [TICKETS]
09/22 New Orleans, LA @ Gasa Gasa [TICKETS]
09/23 Houston, TX @ Secret Room [TICKETS]
09/25 Austin, TX @ Come and Take It Live [TICKETS]
09/26 El Paso, TX @ Rockhouse [TICKETS]
09/27 Albuquerque, NM @ El Rey [TICKETS]
09/28 Phoenix, AZ @ Pub Rock Live [TICKETS]
09/29 Las Vegas, NV @ Dive Bar [TICKETS]
09/30 San Diego, CA @ Brick By Brick [TICKETS]
10/01 North Hollywood, CA @ Knitting Factory [TICKETS]

“The individual has always had to struggle to keep from being overwhelmed by the tribe. If you try it, you will be lonely often, and sometimes frightened. But no price is too high to pay for the privilege of owning yourself.” - Rudyard Kipling

In an era that is designed to beat down and weaken the individual, Black Flame Eternal is an album that represents strength, empowerment, and total opposition. With mounting pressure to engage in modern societal tribalism, Cloak invokes a spiritual rebellion that exists beyond good and evil with album number three. 

“All of our albums are created with a spiritual focus, dealing with how we see life, death, and everything in between. I think the earlier records dealt more with the mysteries that surrounded delving deeper into the world of dark spirituality, whereas the new material has taken what we’ve learned and used it to move forward with force,” says Cloak frontman Scott Taysom of the record’s underlying philosophy. “Black Flame Eternal is a statement of spiritual empowerment in every sense. For the first time we want people to grasp on to this sentiment, instead of keeping it completely personal within our world of Cloak. The themes and the sheer power can be felt much more within the songs that this album contains."

“Our goal is complete spiritual liberation, which is where true power and freedom exists,” he adds. “We’ve reached a point in history where people are forced to pick a side or to join a team, so to speak. Cloak stands in complete opposition to this. We aim to be a giant middle finger in the face of the empty modern world.”

While Cloak might rage against societal conventions, the Atlanta quartet embraces the rebellious and time-tested traditions of heavy metal. Whether it be the conjuring the chaotic spirit of Swedish black metal purveyors Watain and Dissection, summoning the deep, dark and sensual groove of Danzig, or evoking the raw speed and raucous energy of Motörhead, the influence of metal’s founding fathers is deep within Cloak’s DNA. Cloak’s charm, however, does not merely lie within its romanticism of the past, but rather is the way each of these genres has shaped Cloak’s own personal identity. And with Black Flame Eternal, the record sees Cloak continue to strengthen its own unique established sound.

Cloak recognizes the importance of a band’s third record, with Taysom explaining, “These influences will always be important to us, as they are some of the best and most important bands of our time. On the other hand, what is so special about getting to the third record of our career is that inspiration starts to move inwards. We had enough experience and material at this point to really know what we do best and how we can utilize these skills in the best way possible. If you look at some of the most iconic bands, their third albums were massive steps towards greatness. So to us, we feel our third record will be a very important one in our time as a band.”

The Atlantan’s evolution is evident in the fury displayed on Black Flame Eternal,which flawlessly compliments the grandiose melodic atmosphere. “This was a conscious effort. Early on before the album even started, I knew it was going to be a much more aggressive and powerful album. I wanted to take a step away from certain sounds and add a bit of brutality back in. The overall vibe matches who we are much more, so it was only fitting to move towards this sound. It almost feels like we are going back to our roots as people in certain ways,” explains Taysom.

Black Flame Eternal follows up sophomore effort The Burning Dawn, which was released in November 2019, with hell unleashing its fury on the globe just a few short months later. As plans to tour the new album around the world came to a screeching halt, the band did not stagger or falter, and instead used this gift of time to write. When reflecting upon the lost years and its impact, Taysom seemingly embraces the situation with little regrets, “Considering Cloak is a sacred space for us, these exterior things did not have as much of an impact as one might think. But it was impossible to ignore some of what was going on throughout these tumultuous years. It’s bound to affect people’s personal lives and the way the mind works during these interesting times. One thing that it did greatly affect was the fact that we could not promote The Burning Dawn properly after the one U.S. tour we did with 1349. We feel this hurt the record, but there was nothing we could do. We were one of the earliest out of the gate after venues started to open back up, and we’ve been continuing to tour in promotion of that album all the way up until now.”

Cloak utilized every minute of this time to focus on fully realizing its vision for Black Flame Eternal. “The initial stage of the writing process started in January of 2020, and lasted all the way until May 2021. It was the longest spanning album process for us so far, with many long days, nights, and weeks trying to piece the songs together the best we could.” While the record did not come together swiftly or easily, the care and attention put into its creation is evident in its powerful composition.

Making up for lost time, these road warriors have already embarked on several high profile North American tours since the autumn of 2021, commanding audiences in every major city with their chaos magick. Each performance merges the spirit of black metal with the backbone of rock ‘n’ roll as the band consistently delivers a blistering set from start to finish. Taysom describes Cloak’s live approach as “a mixture of ethereal atmosphere and total abrasive chaos. The mixture of these two opposing energies is where Cloak lies; the meeting of high and low. To us, this is where the most interesting moments happen, both emotionally and physically.”

With no borders or boundaries, Cloak is ready to embark on this new chapter as the leader of its own pack. The band bows to no one, forging its own path as one of the governing metal forces of this decade as ‘Black Flame Eternal’ promises to scorch the earth and leave its hallowed mark.

Lineup:
Scott Taysom - vocals/guitar
Max Brigham – guitar
Billy C. Robinson – bass
Sean Bruneau - drums

Links:
http://www.facebook.com/cloakofficial
https://www.instagram.com/cloak_atlanta/
https://cloakatlanta.bandcamp.com/

Recording Studio: The Green House 

Mixing: Cameron Webb

Mastering: Audiosiege

Cover Art: Jordan Barlow

Order: https://redirect.season-of-mist.com/Clk-bfe

Available formats
Digital download
CD Digipak
Vinyl Gatefold (Black)
Vinyl Gatefold (Gold)
Vinyl Gatefold (Black Marble)

Germany's PARA LIA offers practical lessons on new 'C'est La Vie' single, previewing 'In Clash With The Zeitgeist' album

“J Mascis style guitar works alongside sharply defined songwriting, with elements of The Cure in their late 80s pomp” ~ Clash Magazine

"The embers of Arcade Fire and The Mission with a more pop bent... Listen on repeat to invigorate your day" ~ Big Takeover Magazine

"Superior in their own-right without reinventing the wheels of the past" ~ Skope Magazine

"Captivates immediately and guides you through the theatric, robust vocals"~ Imperfect Fifth


Alternative rock / post-punk duo Para Lia are on a delightfully relentless roll, bringing us one sampling of sonic goodness after another ahead of  their new album 'In Clash With The Zeitgeist' (out August 25 via the Berlin label About Us Records). They now present the single 'C'est La Vie'.

Para Lia is multi-instrumentalist René Methner and vocalist Cindy Methner, who ignore the zeitgeist of this day to create music that is far from mainstream. This album sees them blend their love for late 80’s and early 90’s indie rock with psychedelic, garage rock, 60’s influences, and early prog rock elements.

"The garage rock of the mid 60’s, which I love, was the inspiration for writing this fast-paced track. The song has the easy structure a garage song needs and a text with a simple message too. Psychalovic with an extra dose of energy!" says René Methner.

"I wanted to make a video which also references the 60’s. And so with a background of dazzling colors in a psychedelic atmosphere (base is a video shot right into the Greek summer sun) the black silhouettes of us perform throughout the video.

Cindy Methner adds, "The video also shows the kind of Metamorphosis that is happening now in the Para Lia cosm – the growth of the band's format as a duo to a sextet.  This is the first time that all 6 musicians of the band are seen together in a video."

Earlier, the duo released the single 'Yellow Rose', a melodic dream-rock composition reflecting reverence of life, and the driving lead single 'Sunchild' with its positive energy.

The duo debuted with the 'Soap Bubble Dreams' album in 2019, followed by 'Gone With The Flow', involving artists from the USA, Canada and the UK, not to mention a collaborative interactive art exhibition with painter Louis Renzoni.

Mastered by Thommy Hein (Die Ärzte, Nina Hagen, Udo Lindenberg) at Tonstudios Berlin and self-recorded and produced at their home studio in Cottbus, Germany, 'In Clash With The Zeitgeist' sees Para Lia grow on yet another level with the band expanding from two members to six with an eye towards upcoming live performances.

As of August 3, 'C'est La Vie' is available digitally across fine music platforms, including Apple Music, Spotify and Bandcamp. On August 25, 'In Clash With The Zeitgeist' will be released on vinyl and digitally.

ALBUM CREDITS
René Methner - guitars, bass guitar, keys, drum programming, vocals
Cindy Methner - vocals
Fady Haddad - synth on 'Yellow Rose‘  
Christian Georgi - e-piano on 'Yellow Rose‘ and 'Sunchild (Reprise)'
Andreas Jäpel - vocals on 'Mr. Perry'
Lyrics and music by René Methner
Recorded and produced by Para Lia
Mixed by Para Lia and Thommy Hein
Mastered by Thommy Hein at The Thommy Hein Tonstudios Berlin
Cover artwork by: Georgia Moschogianni
P&C 2023 Para Lia under exclusive license to About Us Records GmbH
Videos by René Methner


Keep up with Para Lia 
Facebook | Bandcamp | Instagram | Twitter | YouTube | TikTok | Soundcloud | Apple Music | Spotify | Press contact

Keep up with Shameless Promotion PR
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LENNE Releases New Music Video for Single "Plastic"

LENNE released the official music video for single "Plastic"! The single is from their debut EP A Sympathetic Antipathy released through Imagen Records. The video was directed by Steven Nathan of Art in the Chaos Productions.

“'Plastic' was actually our 1st official tune we did down in Atlanta. This was before we really knew what we were gonna do & even before our current band line up. We went with “Letting You Down” as our 1st single because it was just more radio friendly. But this is really our backbone. We like mashing sounds and genres up. We just spent some time recording new tracks to follow up our debut EP with our official band. Can’t wait to share it with everyone. Meanwhile, we appreciate everyone who checks our video out for 'Plastic' off our #EP #ASympatheticAntipathy.” says Leonard Cerzosie Jr.

A Sympathetic Antipathy can be streamed/downloaded at:

https://ffm.to/qb95ekb

Back in the early 2000's, Leonard Cerzosie Jr. started a band with his brother called The Infinite Staircase that did very well as an independent band. the band worked with artists like Earl Slick from David Bowie's band, Candlebox, Sevendust, and even Zakk Wylde. In 2009, they scored a slot on tour with Black Label Society, Sevendust, and Dope that sealed a lot of friendships they still have to this day.

"In 2010, the love of my life passed away suddenly. Pill overdose. It was a devastating time. She was only 27. Morgan Rose and I wrote and recorded the EP, No Amends that was a dedication to my love" says Leonard Cerzosie Jr.

He continues, "Over the years, I've had my hand in multiple projects. I formed "Le Projet" around 2013 that featured members of Candlebox, Sevendust, and The Infinite Staircase. I also joined the Baltimore band "The Mayan Factor" a few years ago and have toured with them in Mexico City and the states. During all this, my mother was diagnosed with ALS. One day- after performing a friend insisted on introducing me to someone. He was confident we needed to meet. That was the day I met Jim Taylor. We did get along immediately and have since been composing all sorts of music together."

"When my mother passed away, Morgan got very involved with what was going on with me and my dad. He invited us out to his place in Atlanta multiple times. We started recording songs with Corey Lowery that would ultimately become 'LeNNe'. We spent much time digging deep for the right lyrics and tones. There were multiple artists involved over the course of a few years, but the official line up is me and Jim led by Morgan," he adds.

A Sympathetic Antipathy is the culmination of a few years of musical collaboration. The project was produced & co-written by Morgan Rose along with Leonard Cerzosie Jr., Corey Lowery,and Jim Taylor. In its various stages of recording, engineering talents include Jose Urquiza, James "Fluff" Harley, and Mike Ferretti. The initial inspiration for the EP was the passing of Lenny's mother after years of battling ALS. Tracks like "Miracle" were written about that struggle. Rose & Cerzosie have a history of writing & recording together and included a remastered version of a song they wrote with The Infinite Staircase in 2013 called "No Amends". Other musicians featured on the EP include Chris Caffrey of Trans-Siberian Orchestra and Justin Taylor of Alborn.

The current band line up consists of heavy hitting, Maryland musicians Mike Slaski, Rob Landon, and Stephen Hybdzinski; alongside Jim Taylor from PA and Cerzosie from NY.

"This was originally supposed to just be a session in Atlanta with Morgan & Corey. The plan was to do a song in honor of my mom. We ended up having such cool, sometimes borderline morbid chemistry. Funny fact? The original song that started this whole thing didn't even make the EP. We went along this darker, heavier path while still maintaining all the melodies we initially created," says Leonard Cerzosie Jr.

For More Information Please Visit:

LENNE

Facebook

Twitter

IMAGEN RECORDS

Official Website

Facebook

GLENN HUGHES TO PERFORM CLASSIC HITS FROM THE 50TH ANNIVERSARY OF DEEP PURPLE’S LEGENDARY “BURN” ALBUM ON UPCOMING TOUR

GLENN HUGHES TO PERFORM CLASSIC HITS FROM THE 50TH ANNIVERSARY OF
DEEP PURPLE’S LEGENDARY “BURN” ALBUM

CO-HEADLINE U.S. TOUR WITH YNGWIE MALMSTEEN ANNOUNCED

 
Glenn Hughes, the former bassist, and singer of Deep Purple, known to millions as the ‘Voice of Rock’, Rock and Roll Hall of Fame inductee, and the front man for rock super group Black Country Communion, is pleased to announce an evening celebrating music from BURN and other classic hits from Deep Purple’s rich back catalog – during a tour that will mostly see him co-headlining with guitar great Yngwie Malmsteen. 
 
Billed as “Glenn Hughes Performs The 50th Anniversary of Deep Purple’s BURN Live”, Hughes will perform classic hits from the legendary album, and the addition of Deep Purple MKIII and MKIV songs. 
 
Glenn’s band will feature Soren Andersen (guitar), Ash Sheehan (drums) and Ed Roth (keyboards).

'It was 50 years ago, in the summer of 1973, that the BURN album by Deep Purple was written at Clearwell castle in Gloucestershire UK,” reminisces Hughes. “It was recorded in October in Montreux, Switzerland.”
 
Continues Hughes, “We all became one in this centuries old castle in the UK countryside, it felt like Deep were a new band, with David (Coverdale) and I as new members, we couldn’t wait to start working on new song. The atmosphere was electric, in such amazing surroundings.”
 
“All the songs on Burn were written in the crypt/dungeon, underneath the great hall. We worked on a new song every day, and we were in the flow. Musically we would play, and work out ideas, and David and I would come up with vocal melodies that would later have lyrics. I remember it like it was yesterday.”
                             
“As you could imagine, Ritchie Blackmore was in full prankster mode, Jon had warned me, and he rigged my room one night with a speaker that was hidden, and had ghostly voices delivered to my bedside.”
 
“The title track was the last song to be written. We came back from the pub, and went down into the crypt, and magic happened.”
 
Concludes Hughes, “It’s time to celebrate BURN, and I’m really looking forward to seeing you!”

GLENN HUGHES PERFORMS CLASSIC HITS FROM THE 50TH ANNIVERSARY OF DEEP PURPLE’S LEGENDARY “BURN” ALBUM AUGUST/SEPTEMBER 2023 US TOUR WITH YNGWIE MALMSTEEN (unless otherwise noted):
 
08.16.23      LANDIS THEATER                              VINELAND, NJ*** (GLENN HUGHES ONLY)
08.18.23      STRAND THEATER                             HUDSON FALLS, NY
08.19.23      THE CHANCE                                      POUGHKEEPSIE, NY
08.22.23      THE PALLADIUM TIMES SQUARE    NEW YORK, NEW YORK
08.23.23      THE PARAMOUNT                              HUNTINGTON, NY
08.25.23      THE KING OF CLUBS                         COLUMBUS, OH
08.26.23      ARCADA THEATER                            ST. CHARLES, IL
08.28.23      GRANADA THEATER                         DALLAS, TX***(GLENN HUGHES ONLY)
08.30.23      HOUSE OF BLUES                             NEW ORLEANS, LA
09.01.23      HOUSE OF BLUES                             HOUSTON, TX
09.02.23      TOBIN CENTER                                  SAN ANTONIO, TX
09.04.23      MARQUEE                                           TEMPE, AZ
09.06.23      HOUSE OF BLUES                             SAN DIEGO, CA
09.08.23      SABAN THEATER                                BEVERLY HILLS, CA
09.09.23      PERFORMING ARTS CENTER           OXNARD, CA
09.11.23      HOUSE OF BLUES                              ANAHEIM, CA
09.13.23      ORIENTAL THEATER                          DENVER, CO
09.15.23      EMERALD THEATER                          MT. CLEMENS, MI
09.16.23      BLUE NOTE                                         HARRISON, OH***(GLENN HUGHES ONLY)
09.19.23      THE PALLADIUM                                 WORCESTER, MA
09.20.23      JERGELS                                             WARRENDALE, PA***(GLENN HUGHES ONLY)
09.22.23      PARKER PLAYHOUSE                        FT. LAUDERDALE, FL
09.23.23      CAPITOL THEATER                            CLEARWATER, FL

DEEP PURPLE – THE STORY BEHIND “BURN”
Burn is the eighth studio album by the English rock band Deep Purple, written and recorded in 1973, and released in February 1974, the album was the first to feature then-unknown David Coverdale on vocals and Glenn Hughes, from Trapeze, on bass and vocals.

The album was recorded in Montreux, Switzerland, in November 1973, with the Rolling Stones Mobile Studio. With the addition of David Coverdale and Glenn Hughes, Purple's hard rock sound became more boogie-oriented, incorporating elements of soul and funk, which would become much more prominent on the follow-up album, Stormbringer.

Burn hit #3 on the UK Albums Chart, #9 on the US Billboard 200, and #1 in Austria, Denmark, Germany and Norway.

In 2004 Burn was remastered and released with bonus tracks. Coronarias Redig was recorded during the Burn recording sessions, used only as a B-side for the Might Just Take Your Life single in 1974. It appears as a bonus track (in remixed form) on the anniversary edition re-release. The 2004 remix version of Burn was later used in Guitar Hero: Warriors of Rock.

In 2005 an unauthorized documentary about the album was produced as part of "The Ultimate Critical Review" series. It featured brand new interview with the original Deep Purple Mk III bassist and vocalist Glenn Hughes.

Lead single Might Just Take Your Life, released 4 March, was Deep Purple's first UK single in two years.

The phenomenal title track started things off at full throttle, actually challenging the seminal Highway Star for the honor of best opener to any Deep Purple album, while showcasing the always impressive drumming of Ian Paice. The fantastic slow-boiling blues of Mistreated's greatness qualifies it for the highest echelons of hard rock achievement, and therefore ranks as an essential item in the discography of any self-respecting music fan.


GLENN HUGHES – BIOGRAPHY

Glenn Hughes is an inductee into the Rock and Roll Hall of Fame as part of the MK 3 line up of Deep Purple.  He spent the formative years of his career as the beloved bassist and vocalist of the group and performed on the classic albums Burn (1974), Stormbringer (1974) and Come Taste The Band (1975).

The vocalist/bass guitarist/songwriter is a true original. No other rock musician has carved such a distinctive style blending the finest elements of hard rock, soul and funk. Stevie Wonder once called Hughes his favorite white singer.  The first important band Hughes was a member of that achieved notable success was Trapeze.

In 1973, Hughes joined Deep Purple. The trailblazing hard-rock legends had just weathered the departure of vocalist Ian Gillan and bass guitarist Roger Glover, but guitarist Ritchie Blackmore, keyboardist Jon Lord and drummer Ian Paice continued with the addition of Hughes and David Coverdale.

Since 1992, Hughes has toured extensively in Europe, Japan, and South America in support of solo albums.  He’s recorded four studio albums with the multi-award-winning supergroup Black Country Communion featuring guitarist Joe Bonamassa, keyboardist Derek Sherinian (Dream Theater) and drummer Jason Bonham, son of the late Led Zeppelin legend John Bonham.

In 2016 he released his critically acclaimed solo album Resonate featuring the rock radio hit “Heavy”, and in 2017 he released Black Country Communion’s fourth studio album “BCCIV” to ecstatic reviews.

In 2019, Glenn joined the Dead Daises as their lead singer and bass guitarist, recorded two albums, Holy Ground (2021) and Radiance (2022) and toured the world.

 

FOR MORE INFORMATION VISIT: 
https://www.glennhughes.com/
https://www.facebook.com/glennhughesonline
https://twitter.com/glenn_hughes
https://www.instagram.com/GlennHughesOnline/
 

Blacktoothed Share "Novocaine" Video

Blacktoothed have shared the video for their newest single "Novocaine," exploring the well-known sensation of being either over-or-under-challenged, leaving one in a perpetual state of discomfort. Notably, guitarist Matti showcases her vocal prowess, adding another layer of talent before the song concludes with a powerful and unexpected climax.

Watch the video below. Stream the song here.

"We've always embraced the freedom of not confining ourselves to a single genre," says the band. "Some might label it as a reflection of the heavy music scene's zeitgeist, but we believe that blending various elements together creates a truly distinctive song. 'NOVOCAINE' embodies everything we love, from captivating melodies to powerful riffs and infectious beats. And let's not forget the explosive and remarkably heavy ending, which pushes our tuning to uncharted territories. It's even experimental for our own standards. Nonetheless, we're eager to share this musical adventure with the world!"

The band’s latest album JULI was created in collaboration with the producing team of Sawdust Recordings (Christoph Wieczorek + Julian Breucker) and shows that Blacktoothed have narrowed their sound and found their musical style. 

Stream or download JULI here.

In the past few years, Blacktoothed have gained a lot of live experience, having shared stages with well known bands like Acres, Annisokay, Bad Omens, Hands Like Houses, Polaris, Thundermother, and many more, as well as through other live highlights, including opening up the IMPERICON FESTIVAL and many other open air concerts.

BLACKTOOTHED ARE:
Hendrik | Vocals
Mathilde | Guitar
David | Drums

Fused By Defiance Release Official Music Video for ““Will Of A Warrior"!

LA Based, 5 piece band FUSED BY DEFIANCE has released the official music video for their new single, "Will Of A Warrior." With the music video directed by: Vicente Cordero of Industrialism Films, "Will Of A Warrior" was produced by the band themselves and mixed / mastered by Joshua Wickman.

"The warrior within is the only path to survival. No one is coming to save you." - FUSED BY DEFIANCE

The unadulterated ball of defiant energy known as Fused by Defiance (FxD), blends heavy riff driven rock, metal, and rap with social conscious lyrics. This dominant force continues to rise in popularity due to their memorable songs and highly energetic live performances.

Since their inception in 2012, these Los Angeles natives always leave an unforgettable impression on their audiences which allows them to open alongside national acts such as Nonpoint, Soulfly, The Offspring, Sum 41, Puddle of Mudd, Crazytown, Fear Factory, Eyes Set To Kill, Buckcherry, P.O.D., Alien Ant Farm, and Blue Oyster Cult. The band also has experience playing festival stages at Vans Warped Tour and 95.5fm KLOS Sabroso Fest.
With the intention of social progress, this fearless five-piece has a reputation for defying the status quo in such an electric way that listeners are inspired to open their minds. This especially rings true in their newest EP Manifest. FxD defines Manifest as the surreal, and often ethereal, experience of turning your dreams into reality. Only by recognizing and taking responsibility for life’s obstacles can one redirect and refocus to achieve their dream. FxD wishes to continue to inspire their listeners to adjust, grow, and push forward until their dreams come to fruition.

Taj: Vocals
Kevin Cordero: Lead Guitar
Arnold “Hedge” Quezada: Rhythm Guitar
Jon Sigala: Bass Guitar
Ted Kelliher: Drums

Horizon Theory Blast Off with "Astronomer"

MOUNT PLEASANT, MICHIGAN - HORIZON THEORY release their new single/video - "ASTRONOMER" Listen Here. Loneliness, Addiction, and Struggles come forth in the latest release from Horizon Theory, "Astronomer". Bringing a heartfelt portrayal of the loneliness that one can experience even in a crowded world. The song delves deep into the emotions that come with multiple life struggles we might experience from day to day.

The strength Horizon Theory brings through the voice of their music resonates with their audience - a sensational force comes in the dynamic work of their songwriting, and monster arena hard rock/metal delivery.

"Astronomer" is from the upcoming album Radio Silence

"Astronomer" is metaphorical, the loneliness you can feel even on earth with billions of other people and constantly looking for something more in life. Relationship issues, financial struggles, drug addiction, can lead to an extreme feeling of loneliness and depression. With this song we wanted to express these feelings that so many have." - Horizon Theory

Producer: Chris Black 

Recorded at Straight Jacket Studios 

Mixed by Chris Dawson 

Mastered by Maor Appelbaum 

Video by Akuro Productions  

PURCHASE "ASTRONOMER"

ABOUT:

Horizon Theory is a group of musicians that have joined together to create a soundscape for the future they envision. All of the which have cut their teeth in current or former bands and learned through the years what it takes to create a sound that will evoke emotion in listeners. Horizon Theory has the ability to take you on an emotional roller coaster while maintaining a hard rock sound with metal elements. Meaningful riffs, groove-oriented bass, tasteful and tribal drum beats, and soaring vocals lead the path to a fresh yet familiar sound that will be a staple of this band for years to come.

BAND MEMBERS:

Chris Black - Guitars

Luen Murr - Bass

Josh Harrington - Vocals

Jeff Hafer - Drums

CONNECT:

Facebook:

https://www.facebook.com/profile.php?id=100087913909620

Instagram:

https://www.instagram.com/horizontheoryofficial

Spotify:

https://open.spotify.com/artist/1nF8UnskBjnih2ynC0INum?si=ZOm5JryiTLS4prRWYVHDig

Spotify Single "Astronomer":

https://open.spotify.com/track/5V4Ag5x76cJIyxt78Nf85J?si=5ce7b7cdc1104465

YouTube Channel:

https://m.youtube.com/@horizontheory

YouTube Single "Astronomer":

https://youtu.be/iGf0JH8Fcos

TikTok: 

https://www.tiktok.com/@horizon_theory_music

Merch: 

https://horizon-theory.myshopify.com/collections/frontpage

Purchase "Astronomer":

https://ffm.to/astronomer

BEYOND THE BLACK - Release New Single 'Call My Name' + Announce 'Dancing In The Dark' Tour 2024

After the release of their very successful self-titled album Beyond The Black, which was released in January 2023 the band now share the brand new single 'Call My Name' with their fans. Beside that BEYOND THE BLACK also announce their Dancing In The Darktour for 2024.

Jennifer Haben comments: 
"With 'Call My Name' we wanted to create a song with whom you cannot help but bang your head real hard. It's organic, honest, and in your face. Inspired by the story of Stephen Kings The Dark Tower we've formed a symbiosis of its elements and our own to tell a whole new tale about yearning, persistence, and these wounds of human life that feel as if they will never heal completely."

Stream here the new song 'Call My Name': https://beyondtheblack.bfan.link/callmyname
Watch the video for 'Call My Name' below.

Order the album Beyond the Black here: https://beyondtheblack.bfan.link/beyond-the-black

German Symphonic Metal ascending stars BEYOND THE BLACK can already look back across a stratospherically successful career, despite their youthful years. Upon release, their 2015 debut album hit like a bomb in their home country. Songs Of Love And Death besieged the German Top 15 for weeks, which led to the band being awarded the Metal Hammer Award for “Best Debut” in 2015. Its successor Lost In Forever (2016) entered the German charts at #4 and paved the way for a huge tour throughout Germany and across countries like the UK, Russia, and Japan. Since the band’s live debut in 2014, they have played some of the world’s biggest Metal festivals like Wacken Open Air (several times) and have toured as support to heavyweights such as AEROSMITH, KORN, SCORPIONS, SAXON, and WITHIN TEMPTATION. During the campaign for their third record Heart Of the Hurricane (2018), BEYOND THE BLACK landed their first-ever European headline tour, which took them across 10 countries, with most dates selling out.

Before they’d even finished the Heart Of the Hurricane touring cycle, BEYOND THE BLACK had already gone back to the studio to write and record album number four. The result was Horizons, released in June 2020, which entered the German album charts at #3 (CH #6, AT #16, BE #53) marking the band’s most successful album release to date.

Now, two years later, BEYOND THE BLACK are back to launch a new chapter. Following the release of recently highly acclaimed tracks 'Reincarnation', 'Is There Anybody Out There', 'Winter Is Coming' and 'Dancing In The Dark', the band release their new, fifth studio album – the self-titled Beyond the Black on January 13th, 2023!

Return to Dust Release "The Black Road" EP & Drop New Video For "Losing Faith"

The Los Angeles-based grunge trio, Return to Dust, have today released their debut EP, "The Black Road" via Jim Kaufman Productions. Fans can listen the new release HERE.

The band are celebrating their recent TikTok success and the EP release with a brand new video for their latest single "Losing Faith". Fans can watch the brand new video, directed by Matt Akana, below.

After racking up over 2 million TikTok views within a weekend, see HERE, the band's fan base has skyrocketed. The TIkTok featuring the band's single, "Belly Up" swiftly impacted the band's trajectory - 500K+ streams, 70K Spotify Monthly Listeners, and you can now catch over 70,000 fans across all socials waiting for their next glimpse of Return to Dust.

Speaking on today's single release, co-vocalist Matty Joseph shares:

"Losing Faith is the dance track on the record. Given the obvious doom and gloom we thought the EP needed a pick-me-up sonically. It’s mostly about our ostracism from family as we got older and moved into the mostly lonely young-adulthood life."

Regarding their debut EP release, Matty continues:

"This EP encompasses a hugely dark era for the band; Anywhere from family death, friends turning their backs, and general doom given numerous instances of calamity and doubt. We hope this translates to people as the debut invitation into our world."

Return to Dust, who are heavily inspired by the legendary Alice In Chains, have already cultivated a reputation in the local Los Angeles music scene before the release of their debut EP, "The Black Road" produced by none other than Jim Kaufman (Everclear, Danny Worsnop, Night Riots, Helmet). With their remarkable cinematic approach, the rock trio are on track for an unforgettable year of touring and new music. Be sure to stay tuned for more Return to Dust news coming soon.

WHAT THE PRESS ARE SAYING:

"The band throws a new twist on 90s-sounding riffs bringing the listener back in time. The groovy guitar with dark themes in the lyrics holds over every song on the EP."

Keynote Music Collective

“Black Road” is a killer track. Everything hits hard. The vocals are fierce yet remain melodic. The guitars ring with fire while the monstrous bass line is brazenly defiant. In addition, it was produced by the illustrious Jim Kaufman (Anti-Flag/Helmet). “Black Road” is the perfect vehicle for Return to Dust to showcase their remarkable cinematic approach. This is a band with a stupendous future."

My Amp Music

"Meet Return to Dust, a heavy rock band with songs reminiscent of the grunge era with a modern twist."

Music Scene Media

Return to Dust have taken over listeners' Spotify Release Radar's and Discover Weekly's, all ahead of the release of their debut EP. The band have also been featured on Loudwire's Weekly Wire and Spotify's All New Rock, and independent playlists such as Prelude Press' "Music That Doesn't Suck", CHARM Music Magazine's "New Music Friday", NAS 101's "New Artist Spotlight", Get Rocked's "Best New Music", and more.

Southern California fans also have the chance to see Return to Dust at their upcoming EP Release Show, taking place at the legendary Viper Room on Wednesday, August 2nd.

Support comes from Seattle alt-rock stars Alex Vile, and closing sets from grunge/goth rock quartet Urns & Argyles and Oswald - the Los Angeles based band fronted by Anwar Hadid. Return to Dust will be headlining the night, with an unforgettable set at 8:30PM sharp.

Fans can purchase tickets in advance HERE.

Don't miss your chance to celebrate with the band for their EP Release Show, and finally hear the new songs live!

ABOUT RETURN TO DUST

Los Angeles based alternative/grunge rock trio Return to Dust (Matty Joseph, Graham Stanush, Sebastian Gonzalez) has already scripted a karmic saga that traverses decades, pays homage to the past, and plants its roots firmly in the future. Listening within their sonic universe is like time-traveling to the halcyon days of the '90s grunge era. Their sound, influenced by heavyweights of the time, reverberates with the echoes of Deftones, Alice In Chains, and the soul of Nirvana — but, their brilliance doesn't stop there. The band draws inspiration from a diverse palette, blending in bits from bands like The Cure, Metallica, and Cage The Elephant, molding them into their own unique musical tapestry. 

Return to Dust breathes life into a sound that feels both genuine and tailor-made to encapsulate the essence of a bygone era, leaving fans awash in nostalgia. Yet, it's not merely a mimicry of the past; instead, it's a fusion of the old and the new — an alchemy that conjures a sound distinctly their own. At the core are alluring bass lines (Stanush), gritty guitar riffs (Gonzalez, Joseph) and dual lead vocals (Joseph, Stanush) that harmonize and intertwine, weaving an ethereal soundscape that resonates with raw emotion and unyielding energy. It's a moody concoction that pays homage to an iconic era while fearlessly exploring uncharted territories. Return to Dust beckons audiences into their world, where the past and present converge, igniting a fervor that keeps the flames of grunge alive. 

Return to Dust found its meteoric rise propelled by a chance encounter with none other than the illustrious producer Jim Kaufman (Helmet, Everclear, Night Riots). Under Kaufman's mentorship, the band's raw talent began to soar. During the darkest days of the pandemic, when the world stood still, Return to Dust seized the opportunity to channel their collective energy into crafting something profound. The result was their debut EP, a mesmerizing creation titled ‘The Black Road.’ It was a labor of love and dedication that not only transcended the barriers of personal growth, but also etched the band's name into the future of rock.

Return to Dust

Matty Joseph - Vocals & Guitar

Graham Stanush - Vocals & Bass

Sebastian Gonzalez - Guitar

INTERLOPER - RELEASE NEW SINGLE ''SANCTUM'

Progressive heavy metal vehicle, ​INTERLOPER is proud to reveal their newest offering in the form of the single, 'Sanctum'. 

The 6-minute banger is a mix of the band's more technical elements and its very melodic guitar approach. 'Sanctum' is a glimpse into a new era of INTERLOPER.

Andrew Virrueta comments, "We present to you our newest song, 'Sanctum'! We’re extremely excited about having this song finally out. It is a step in a heavier direction, as well as a more progressive direction. We hope you love it! Thanks so much for sticking around with our ever-evolving music. We are always trying to push the boundaries with what is conventional, and we feel this song really showcases the full spectrum of what we are capable of. “

Stream 'Sanctum' here: https://interloper.bfan.link/sanctum-sgl.a01

Check out the 'Sanctum' guitar playthrough below.

INTERLOPER released their debut, full-length album SEARCH PARTY on June 11, 2021 via Nuclear Blast Records.

The deep cohesiveness of INTERLOPER’s writing process for SEARCH PARTY allowed for a creative project with no real boundaries or restrictions. The album was produced by the band and Joey Virrueta. Drums were recorded at Big Bad Sound LA by Jack Ruley and Zach Fisher, with the mixing and mastering completed once more by Andrew’s brother Joey Virrueta. The album artwork was created by Caelan Stokkermans.

Order your copy of Search Party in the format of your choice here: https://interloper.bfan.link/search-party.a01

INTERLOPER is:
Miles Dimitri Baker ​| Guitar
Tadpole Jones ​| Drums 
Andrew Virrueta |​ Vocals, Guitar

SiM Drops New Single + Visualizer "DO THE DANCE" Taken From Forthcoming Album 'PLAYDEAD' Out On September 27 (via UNFD)

Genre-blending Japanese metal, punk, and reggae powerhouse SiM has today dropped their new single "DO THE DANCE" alongside the accompanying visualizer. The track is taken from their upcoming new album 'PLAYDEAD', out on September 27 (via UNFD).

Prior to today, SiM released their track "RED" which is also the theme song for the new season of the Netflix anime series 'Kengan Ashura' which has clocked up over 232,000 streams on Spotify alone and counting. Watch the visualizer for "DO THE DANCE" below, stream the track here, and pre-order 'PLAYDEAD' here.

Stateside SiM fans will soon have their chance to see the band hit the stage on the Jackpot Juicer North American Tour (with Dance Gavin Dance, Rain City Drive, and Within Destruction). The quartet will also be performing at Louder Than Life Festival and Swanfest later this fall. Tickets are going fast, so be sure to get yours now at the link here and stay tuned for more SiM news coming soon.

Jackpot Juicer North American Tour Dates

August 24 || Tempe, AZ || The Marquee Theatre (VERY LOW TICKETS)

August 25 || Las Vegas, NV || Brooklyn Bowl (LOW TICKETS)

August 26 || Los Angeles, CA || Shrine Auditorium & Expo Hall (LOW TICKETS)

August 29 || Seattle, WA || Showbox SODO (LOW TICKETS)

August 30 || Portland, OR || Roseland Theater (LOW TICKETS)

September 1 || Garden City, ID || Revolution Concert House

September 2 || Salt Lake City, UT || The Union Event Center

September 3 || Denver, CO || Mission Ballroom

September 5 || Austin, TX || ACL Live At The Moody Theater (LOW TICKETS)

September 6 || Oklahoma City, OK || The Criterion

September 8 || Houston, TX || White Oak Music Hall

September 9 || Dallas, TX || The Factory in Deep Ellum

September 10 || Birmingham, AL || Iron City (LOW TICKETS)

September 12 || Fort Lauderdale, FL || Revolution Live at the Backyard (LOW TICKETS)

September 13 || Orlando, FL || Hard Rock Live (LOW TICKETS)

September 15 || Nashville, TN || Wildhorse Saloon (LOW TICKETS)

September 16 || Atlanta, GA || Coca-Cola Roxy

September 18 || Raleigh, NC || The Ritz (LOW TICKETS)

September 19 || Silver Spring, MD || The Fillmore (LOW TICKETS)

September 21 || Chicago, IL || Radius

September 23 || Milwaukee, WI || The Rave II

September 25 || Cleveland, OH || Agora Theatre

September 27 || Boston, MA || MGM Music Hall at Fenway

September 29 || New York, NY || The Rooftop at Pier 17 (LOW TICKETS)

September 30 || Asbury Park, NJ || Stone Pony Summer Stage

SWANFEST 2023

October 1 || Philadelphia, PA || Mann Center (LOW TICKETS)

FALL FESTIVAL DATES

September 22 || Louisville, KY || Louder Than Life

SLAUGHTER TO PREVAIL Unleash Savage New Single & Live Music video; "Viking"

Russian deathcore warriors, SLAUGHTER TO PREVAIL have dropped their skull-crushing new single "Viking" today alongside a raucous live music video filmed during their recent US headlining tour. Click HERE to listen to the hard-hitting track and watch the chaos unfold below. 

Drawing inspiration from the captivating music of Wardruna and the grandeur of legendary movies, ‘Viking’ features lyrics in both Russian and English, giving the song a unique depth that transcends language barriers. SLAUGHTER TO PREVAIL unleashed the track on their recent US tour and the response from fans was nothing short of awe-inspiring! On the inspiration behind the new bruiser of a track, frontman Alex Terrible Shares

“"Viking" is a powerful ode to the spirit of the ancient warriors, infused with our signature metal energy and a touch of folklore that will transport you to a realm of ancient legends and battle cries. Now, we are thrilled to bring this experience from the stage to your speakers.”

The track was premiered yesterday on SiriusXM Liquid Metal, airing every hour throughout the day and giving listeners a first taste ahead of the track’s official release. Raiding ears and claiming lives, "Viking" proves SLAUGHTER TO PREVAIL remain the unstoppable conquerors of modern deathcore. Prepare for battle and be ready for more news soon...

About Slaughter To Prevail

Slaughter To Prevail released their debut EP, 'Chapters Of Misery' in 2016 and followed with their debut full-length album, 'Misery Sermon' in 2017. They released stand alone singles "Agony" and "Demolisher" in 2019 and 2020 respectively, followed by their second full-length, Kostolom, released in 2021 to huge critical acclaim with Revolver describing the album as "one bloody deathcore barrage after another" when including it on their 25 Best Albums Of 2021 list and Metal Injection stating that "Kostolom proves that Slaughter to Prevail can get hooky without getting wimpy". Kostolom spawned massive hit singles "Baba Yaga" and "Zavali Ebalo".

They released anti-war anthem '1984' in August of 2022 to oppose Russia's war on Ukraine. The video for which has racked up 2.3 million views.

The band are one of the most popular and heavily featured bands within the YouTube 'reacts' community, on account of vocalist Alex Terrible's insane vocal abilities and his own YouTube channel which has over 1.03 million subscribers.

To date, the band have clocked up an impressive 971.1 million cross-platform streams.

Expect more from Slaughter To Prevail soon.

Slaughter To Prevail Are

Alex Terrible - Vocals

Jack Simmons - Guitar

Mikhail Petrov - Bass

Dmitry Mamedov - Guitar

Evgeny Novikov - Drums

Find Slaughter To Prevail Online:

SlaughterToPrevail.com

S.O.R.M - Swedish Hard Rockers Release Second Single from Upcoming Debut Album; "Under My Skin" to be Released August 25 on Noble Demon!

August 25 will see the release of Under My Skin, the highly anticipated debut full-length record by Swedish hard rock trio S.O.R.M, which will be coming out via Noble Demon.
With the release of the track "Crazy", today, the band has released the second single from the upcoming album. Watch the new video here, which is a continuation of the story line of the previously released track "Demon Child" (https://youtu.be/nhIEnKEEUtM):

S.O.R.M comments:
"Crazy is a part 2 of our single 'Demon Child' (2019). And the whole story is how your past can impact on your life in the future and that there’s a story behind every person's behavior and also, if you just take time to listen when your friend our partner need to talk, you can help that person by just lending them your ear. 'Hear their story before you judge'."

Get the song on all digital platforms HERE

Hailing from Lidköping, Sweden, and known for their unique blend of contemporary and traditional hard rock and heavy metal, S.O.R.M already drew attention in 2020 with their outstanding EP Hellraiser, which introduced the band to the world with the hook-laden and well received lead single "Gypsy Queen". Under My Skin finally follows as the band's debut, featuring catchy melodies, memorable singalongs and the spirit of something that is more than just music. With tracks like "I Die For My Rock 'n' Roll" (feat. DEE SNIDER guitarist Nick Petrino), the brand new single "Crazy", the title track "Under My Skin" and more, the Swedish trio raises the bar again in S.O.R.M style and delivers a debut that should not be missed in 2023!

Under My Skin will be coming out on August 25 via Noble Demon and is available for pre-order at THIS LOCATION

S.O.R.M are:
Micke Holm
Johan Östman
Robin Wernebratt

S.O.R.M online:

Official Website

Facebook

Instagram

Find NOBLE DEMON online:

Official Website

Facebook

BandCamp

Twitter

YouTube

TikTok

Spotify

ELVIE SHANE IS RELENTLESSLY “JONESIN’” IN NEW SONG OUT TODAY

BBR Music Group/Wheelhouse Records singer/songwriter Elvie Shane, champion of the next blue-collar generation with “backwoods growl and heartland rock sound” (Billboard), drops the soulful anthem “Jonesin’,” available to listen here. With chills-evoking vocals and a driving bassline, the track finds Shane with a hell too hot and a heaven too high, unsatisfied by a life spent stagnant in the same rhythm. Written by Shane, Oscar Charles, Ryan Tyndall and Jeremy Spillman and produced by Oscar Charles, “Jonesin’” bears the passion of those born to chase the fire, those who burn for taking life by the scruff of its neck.

“”Jonesin’” is all about our vices and failures in the pursuit of satisfaction and happiness,” said Shane. “ It came with the realization that you could have everything you’ve ever dreamed of and still be left feeling empty at times. That’s just life. But that void can be a beautiful thing when used as fuel. It can piss you off enough to quit the bad habits or fire you up enough to chase the seemingly unattainable.”

“Jonesin’" follows up Shane’s recently released tracks “Baptized” and “Forgotten Man,” where “Baptized” shows how he “steps outside the bounds of traditional country music to explore his gospel side” as his “raw grit propels through the lyrics” (Country Now). “Forgotten Man” received critical praise from Rolling Stone, citing how he "expertly sums up what it means to be blue-collar in the 21st century in this defiant, angry country single that would do Merle Haggard proud.”

Shane has kept busy this summer on the road, with headline shows and appearances at CMA Fest, Country Fest and more, as well as joining select dates with The Cadillac Three. He’s set to perform in Watertown, SD tonight, and Saturday in Wayne, NE as well as other select dates this fall opening for Kameron Marlowe. He also has stops in Rock Springs, WY, Salt Lake City, UT, Denver, CO and Colorado Springs, CO next week. 

Photo Credit: David McClister

ABOUT ELVIE SHANE: 
As a native of small-town Kentucky who’s influences range from Dwight Yoakam and Steve Earle to classic rock, Gospel, R&B and hip hop, Wheelhouse Records’ Elvie Shane has emerged as a country star with his heart on his sleeve – and as a champion of those with their name on a patch. Breaking out with the Platinum certified Number One single, “My Boy,” the singer/songwriter first took a stand for family values that go far beyond bloodlines, setting himself apart with a deeply felt 2020 tribute to step-parents and their unconditional love. Hailed by critics from Billboard and Rolling Stone to the Nashville Scene and beyond, the track helped launch Shane’s album BACKSLIDER onto multiple Best Of lists, winning over fans with its gritty yet gracious fusion of heartland rock, modern country and stand-for-something purpose. With over 372 million career streams and counting, that fusion often presents itself onstage as a mix of rebellious energy, indelible imagery and working-class pride, and it has made Shane a favorite all across the globe. Pairing his headlining MY KINDA TROUBLE TOUR in 2021 with high-profile opening slots for Darius Rucker, Jason Aldean, Toby Keith, Brothers Osborne, Brooks & Dunn and Lady A, among others, plus country’s biggest festivals and a 2023 tour across the heart of Europe, he capped it all with a nomination for Best New Country Artist at the 2023 iHeartRadio Music Awards, and is now laying the groundwork for a new chapter. Following inclusion on the star studded Stoned Cold Country tribute to The Rolling Stones 60th anniversary (submitting a special version of “Sympathy for the Devil”), Shane's new tracks include “Jonesin’,” “Baptized” and “Forgotten Man” out now. Rolling Stone praises “Forgotten Man” as it “expertly sums up what it means to be blue-collar in the 21st century in this defiant, angry country single that would do Merle Haggard proud." An anthem for those chasing the American dream with calloused hands and a weary, but still-believing heart, it’s another example of Shane’s deep-feeling take on country, as a new blue-collar generation arrives.

KEEP UP WITH ELVIE SHANE
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | TWITTER 

TILL THE DIRT Annihilates With New Single "Starring Role"

After their volcanic introduction last month, extreme metal band TILL THE DIRT return with their followup single “Starring Role.” The catastrophic track is found on the band’s Scott Burns produced, debut record, “Outside The Spiral,” due out August 25th via Nuclear Blast Records.

Influential death metal legend, ATHEIST vocalist and TILL THE DIRT mastermind Kelly Shaefer comments on the new song:

“‘Starring Role’ is the first track on the album. It’s a song that ranks among my favorites on the record, and also a favorite of producer Scott Burns. It's a straight up ripper! It encompasses all of the unique hybrid qualities of this whole album. Lyrically it is a song about the oddness of dreams and the role we sometimes do not seem to play, or understand as we awake from them. This is a perfect banger for cranking loud, and driving at high speeds!”

Stream “Starring Role”: https://tillthedirt.bfan.link/starring-role

Recently signed to Nuclear Blast, Shaefer and crew made an explosive debut last month with their lead single and title track “Outside The Spiral,” which features TESTAMENT bassist Steve Di Giorgio. Watch the lyric video below.

Pre-Order “Outside The Spiral”: https://tillthedirt.bfan.link/outside-the-spiral-A

About TILL THE DIRT:

Kelly Shaefer is doing it again. With his new band TILL THE DIRT and their debut album “Outside The Spiral,” the legendary Floridian death metal revolutionary is set to inject a much-needed dose of fresh blood into this aging, saturated and self-referential thing that the style has morphed into over the decades. 
 
Everything in the genre of death metal basically rests on two pillars: extreme musical force and insane technicality – or in short, variations of more of the same that satisfies die-hard followers of this scene, but offers a rather limited artistic range. Now, Kelly and his co-conspirators in and around TILL THE DIRT have put all the fun back into extreme music by deliberately straying from the very formula that the Floridian guitarist unleashed onto the world as one of its leading proponents. One of the privileges of being a living legend is the freedom to do whatever you like without the need to prove anything to anybody. And this is exactly what happens on “Outside The Spiral.” Never shy in denying his death metal roots, Shaefer takes the liberty to amalgamate any musical influence into his songs as long as they fit. Don’t be surprised to find grunge, black metal, jazz, rock, dark wave, a dash of classic pop, and many other stylistic colors fused into tracks that range from relaxed malice to vitriolic face-ripping. 

A fly on the wall would have witnessed Kelly frantically composing night after night, only putting his guitar down to contact friends around the globe and sending them demos looking for feedback to either affirm his gut - feeling that his new material was going into interesting places or to put a stop to this fountain of creativity. Yet, one by one his friends were at least as excited about those tracks as the composer. A new metal juggernaut had started to roll and there was no stopping. Kelly recruited enlisted young musicians full of raw energy and passion to the cause of TILL THE DIRT and most importantly one of his first listeners offered his invaluable services: Scott Burns (ATHEIST, DEATH, OBITUARY, CANNIBAL CORPSE, CYNIC, MALEVOLENT CREATION, SUFFOCATION). 

"When Kelly sent me some demos, I was at first reluctant to listen to them,” reveals Scott Burns. "I thought I had kind of heard it all by now and I did not want to want to disappoint an old friend. When I finally gave the tracks a chance, it felt like being hit by an electric shock: These tracks were fresh, exciting, and fun – just like in the old days. Those demos blew me away. I was immediately hooked to the point where I really wanted to be involved. I really thought that I had stopped producing death metal for good, but here we are now!" 
 
The pieces of this puzzle started to fall into place and while the guitarist kept chucking out killer tracks at neck-breaking speed, the producer started to add structure to the process by drawing from decades of experience. "I could not believe my luck that Scott Burns is throwing the full force of his amazing talent and status behind TILL THE DIRT, " enthuses Kelly. "He obviously did not expect to be hijacked and put back on the producer's chair, but I am glad to say that it did not take much convincing. I am extremely happy about this privilege: The mighty Scott Burns is back to bang your heads!"
 
With “Outside The Spiral,” TILL THE DIRT take you on a surprise-filled tour de force that will redefine the extreme metal genre in at least as many ways as ATHEIST did more than 30 years ago. Don't take our word for it, trust your ears!
 

Line up:

Kelly Shaefer | Vocals
Jerry Witunsky| Guitars
Ian Waye | Guitars
Yoav Ruiz Feingold| Bass
Dylan Marks| Drums

Follow TILL THE DIRT:

Facebook / Instagram / Youtube / TikTok

CYNIC Add Dates to 'Focus' Anniversary Tour

CYNIC just wrapped up a special co-headlining tour of North America. Paul Masvidal and his band of cosmically gifted players celebrated the 30th anniversary of their debut album with help from their in-state buddies and fellow progressive music icons Atheist. So it's no surprise to hear they put on a stellar show.

Loud Flash applauded Cynic's intricate, headless guitar riffs at Vancouver's Rickshaw Theatre. Meanwhile, at the Teragram Ballroom in LA, Metal Insidercomplimented the ethereal edginess between the clean and growled vocals.And Digital Beat assured that the custom mood lighting and tranquil but expressive playing made the band's set at the Canal Club in Richmond "nothing short of amazing".

But Cynic aren't done commemorating the 30th anniversary of their debut album. The ReFocus/Remembrance tour is headed deep into the American South with five dates across Georgia, Louisiana and Florida, which is where the band first formed back in the late '80s. They'll be playing all of "Focus" and paying tribute to late drummer Sean Reinert and bassist Sean Malone.  

Dates
09/01 Miami, FL @ Gramps
09/02 Orlando, FL @ Conduit
09/05 New Orleans, LA @ Southport Hall
09/06 Atlanta, GA @ Prog Power
09/08 Tampa, FL @ The Orpheum  

Get tickets HERE.

Attainment

Cynic’s continual state of development has met its share of challenges over the years, hurdles that threatened to dismantle the entity’s forward surge. Yet through hurricanes, breakups, and assorted acrimony both personal and existential, it remains inspired to create.

Their name is synonymous with what it means to be truly progressive in music. Cynic’s top-tier performance acumen and cerebral/spiritual/yogic themes finds them inhabiting a corner of the musical spectrum all their own. Their Venn diagram shows intersections with death metal, prog rock, thrash metal, experimental, new age, jazz fusion, and a myriad of other sonic expressions.

Debut album, Focus (1993), is a certified classic. Although that era ended with transformation into the short-lived Portal, and then a further splinter toward Aeon Spoke, Cynic’s reunion-era has found them embraced in a way that proves how ahead of the times they were in the ‘90s. Through monuments such as the Traced in Air (2008) and Kindly Bent to Free Us (2014) albums, the Carbon-Based Anatomy and Re-Traced EPs, and a surprising rebirth with the “Humanoid” single of 2018, the Cynic legacy remains untarnished. Yet early in the creation cycle for their fourth full-length album, they experienced horrible events that tested the entity’s resolve.

Ascension

The year 2020 will go down in history as a tremendously difficult time for the global human population. For the Cynic family, the struggle was not restricted to a pandemic. It was two utterly senseless losses that threw the band’s immediate concerns into the background: the premature deaths of drummer Sean Reinert in January, at age 48, and bassist Sean Malone in December, at age 50, were shocking and unthinkable.

Reinert, a founding Cynic member since formation in 1988, was highly influential to a multitude of young drummers. His work on 1993’s Focus and Death’s watershed 1991 album, Human, found him sculpting extreme technical metal with a jazz fusion-inspired approach. Now taken for granted, that approach to the instrument and the genre was undoubtedly pioneered in large part by Reinert. Though parting with Cynic in 2015, his imprint on Cynic is inescapable.

The death of Sean Malone dealt another horrible layer of tragedy to Cynic’s 2020. In his many years with the band, Malone’s virtuoso playing meshed intuitively with Reinert’s. Together they formed a nucleus of kinetic, highly capable rhythmic dexterity that fueled Cynic’s celestial aims.

One of these deaths would have seemed unimaginable by itself. Both of them, in the same year, nearly broke surviving member Paul Masvidal. But the seeds of a fourth Cynic full- length existed long before the deaths, and the guitarist, through a haze of grief and disbelief, pushed forward. “I wanted to make this record right after Kindly Bent to Free Us,” says Masvidal. “I was raring to go, hyper-creative, in this total flow state. And then it all imploded.”

Parts of songs were in the gestation process as early as 2014. Masvidal says that Reinert and Malone heard elements of what ended up on the fourth album. Slowly, methodically, and with much careful deliberation, Masvidal eventually completed an album titled Ascension Codes, to honor the memory of his fallen band mates. And while the album honors the lives and contributions of Reinert and Malone, it also pushes Cynic forward for its own sake and through its own will to live. The album, paradoxically, acts as both swan song and rebirth. It is, throughout its 49 minutes, a vivid and highly cosmic journey into the very core of every impulse this band has ever explored.

Offering

As of 2021, the future of Cynic is unclear. Does Ascension Codes mark their final phase of growth? Surely the music finds them laying out a most ambitious trail of spiritual sonic travel, but to call any Cynic album “ambitious” is redundant. They are, by their very nature, an ambitious band. Yet Ascension Codes is a remarkably far-reaching work. Its nine main songs are infused with explosions of color and energy, and throughout these compositions are embedded the “codes”: “Mu-54*,” “A’-va432,” “Ha-144” and so on.

Though clearly an album best listened to in its entirety without distraction, for full impact, there are definitive Cynic songs here that stand strong on their own. “Mythical Serpents” is imbued with propellant adventure, exciting peaks and valleys that tug at the heart while its mathematical sequences challenge the head in a dizzying push/pull dynamic. It’s that quintessential Cynic approach of kaleidoscopic intensity and mannered discipline.

“Diamond Light Body” brings the album to a crashing close – heavy and celestial, with some melodic sequences that feel like new territory for Cynic. An incredibly dense song with inhuman patterns from Lynch, the song’s beautiful urgency and final moments push the album outward into the heavens: “I won't feed the fear / I’ll choose a different timeline / Ascend / All is flux, nothing stands still / Ascend.”

The expanded Cynic collective maintains focus on Masvidal’s vision, each human element adding to the compelling overall result. Truly, if this is to be the final artistic stroke by Cynic, then they have landed in a place of mastery. The stories told by Focus, Traced in Air, and Kindly Bent to Free Us are now completed with Ascension Codes.

Ascension Codes is perhaps the most ethereal sounding Cynic album to date, but also skews heavier than previous album Kindly Bent to Free Us. The expanded lineup is surely responsible for the album’s far-reaching scope.

After Sean Reinert’s exit from Cynic in 2015, Masvidal and Malone recruited drummer Matt Lynch. Found through a tip from Between the Buried and Me’s Dan Briggs, Lynch proved to be a perfect addition to the band. As Masvidal notes, Lynch’s “hybrid modern style is like a fusion of drum and bass electronic music influences combined with modern jazz/prog approaches. Lynch is a true original in that he's a fully realized drummer constructing his parts as carefully as any other compositional element always is on a Cynic record. Every single accent and note coming from him is birthed from a precise and inspired place.” We hear this throughout Ascension Codes, pushing the music along with finesse, adding shape and texture in ways only the most sensitive drummers can do.

But how to replace Sean Malone on bass? Masvidal’s answer: don’t even try. The lines of bass notes heard throughout Ascension Codes are performed on bass synthesizer by keyboardist Dave Mackay. A British pianist, writer, producer and Moog/vintage synth enthusiast, Mackay has toured with everyone from Art Garfunkel to Plini (the latter providing the initial introduction between Mackay and Masvidal). Based in Los Angeles and London, Mackay’s work is sensitive to Malone’s touch, while also adding a throbbing intensity that offers Cynic new low-end possibilities. “He's got a vast jazz harmonic vocabulary,” notes Masvidal, “which is what's needed in the context of Cynic's music, especially for bass lines. I knew that I could never replace Malone. Anyone I would find would be expected to play like him, and that's not fair to another musician. And things were too fresh for me with the loss of Malone, so I had to go somewhere new. With Mackay, I heard his groovy left-hand approach, and how musical he was across the board having played with a variety of musicians and styles. I realized he would bring something fresh to the table, and he provided a space for me to start again with a completely different instrument and forgo any traditional ideas I had about what Cynic bass lines should sound like.

Ultimately Mackay delivered above and beyond, with a real awareness of a bass player's role in a progressive trio context. First, by holding down the harmony and being “in the pocket,” while also creating an independent and dynamic voice within that space. Mackay has a rare combination of skills and the vibe he locked into with Lynch with sounds like a rhythm section from the future. Plus, his Moog synth tone offers a low-end depth that’s never been heard in our recordings.” On December 5, 2019, Dave Mackay shared the stage with Paul Masvidal for a performance of the guitarist’s solo material. On bass that evening was Sean Malone. After the gig, Malone told Masvidal, “We should bring Mackay in for the new record.”

Michael Berberian, president and founder of Season of Mist Records remained close to Masvidal throughout the 2020 losses of his bandmates. Michael states “I have, by now, released close to one thousand albums. None have been more dramatic, none have even been more difficult than this one. I can’t listen to Ascension Codes without goosebumps, a mixed feeling of pride – because it’s a musical milestone, but it also contains a lingering layer of sadness. I hear Paul’s pain on this record. I can feel it, I can touch it. But it’s transcended. ‘Art is to console those who are broken by life,’ said Van Gogh. Here is a demonstration of that.”

Ascension Codes was mixed and co-produced by Warren Riker, who worked with Aeon Spoke, Cynic in the Traced in Air era, and mixed Paul Masvidal’s solo acoustic trilogy. “Riker’s a wizard who gets inside the music and commits. He expands boundaries as a mixer, always finding new ways to push the sonic envelope,” says Masvidal.

Keeping things in the family, Martina Hoffmann’s original painting entitled ‘The Landing’ graces Cynic's new album Ascension Codes with breathtaking scope and presence. The visionary work inspired by Martina's time walking the beaches of Brittany, France after the death of her longtime partner, the artist Robert Venosa (whose artwork adorns all Cynic releases between 1993 and 2018) followed by the loss of her mother, the subject of the piece features the arrival of a great mothership made of light and flesh, not machine but an organic entity that has brought hope and infinite possibilities. Masvidal says of Hoffmann, “Martina’s art has always held a special place in my heart, and I'm deeply grateful for her love and support. When I first contacted Venosa as a teenager, it was Martina who encouraged him to lend his work to the band, because she heard something in our music. She is like the divine mother in this Cynic/ Venosa lineage," Masvidal says. "Her spirit and multidimensional talents are truly a gift to this world. I feel that she is one of the great artistic voices of our age."

The struggle to attain ascension is as important as ascension itself. And after much searching, Cynic have again achieved oneness with the numinous. At a time of possible exit for the entity, Ascension Codes is Cynic reaching a previously-unknown state of enlightenment.

Credits and Lineup:

With Masvidal, Lynch and Mackay at the core, Cynic utilized a variety of other artists to help achieve their vision for Ascension Codes, some of the key players include:

DARK (Roopam Garg) performs as “code worker” on the album, providing harmonic, harp-like guitar textures. DARK also known for his other works with “The Surrealist” is an experimental, ambient artist, pushing the avant-garde guitar envelope using extended techniques and consciousness inspired soundscapes.

Max Phelps contributes “holographic-reptilian-voices” on multiple tracks. Phelps toured with Cynic in the Carbon-Based Anatomy and Kindly Bent to Free Useras, and his own progressive metal band, Exist, have released music on Prosthetic Records. Phelps also took part in Death tribute band, Death to All.

Plini guest solos on “The Winged Ones.” Plini is an an Australian guitarist and composer, producing heart-fueled, progressive instrumental rock. He opened shows for Cynic in Japan, which happened to be their final live performances as a trio with Reinert/Malone.

Additional contributors:

Anrita Melchizedek is a renowned priestess, healer, galactic ambassador, among other pursuits, and provides vocals to the opening and closing code interludes (“Mu-54*” and “Ec-ka72”). Amy Correia and Joshua Leon vocalize light language and phrases on various code interludes. Amy appeared on Traced in Air and 2011’s Carbon-Based Anatomy EP,and plays with Masvidal in the Onward with Love (OwL) project. Michael Devin plays crystal bowls on some of the code interludes. Devin is also a bassist and has played with the Jason Bonham Led Zeppelin Evening, George Lynch, and Whitesnake. Ezekiel Kaplan contributed a vocal harmony to the final track “Diamond Light Body.”

Links:
https://www.facebook.com/CynicPaulMasvidal
https://www.instagram.com/cynic_official
https://cyniconline.bandcamp.com/
https://twitter.com/CynicOnline
https://www.youtube.com/user/cynicdocumentary
https://cynic.travelling-merchant.com
https://www.indiemerch.com/cynic/

Live Lineup:
Paul Masvidal – Vocals and Guitars
Max Phelps (Exist, Death to All) – Guitars and Vocals
Brandon Giffin (The Faceless, The Zenith Passage) – Bass
Matt Lynch (Nova Collective, Intronaut) – Drums & Percussion
Zeke Kaplan - Keyboards

Recording Lineup:
Paul Masvidal – Guitars, Vocals, Lyrics
Dave Mackay - Bass Synthesizer, Keyboards
Matt Lynch - Drumscapes

Guest Musicians:
Guitar Codes ^ Artifacts: Dark
Voice Code Activations: Anrita Melchizedek
Reptilian Collective: Max Phelps
TWO Soloscape: Plini
Crystal Bowl Attunements: Michael Devin
Light Language Teachers: Amy Correia ^ Joshua Leon
DLB MetaTerrestrial: Ezekial Kaplan

Mastering Studio & Engineer: Andrew Mendelson of Georgetown Masters (Nashville, TN, USA)

Mixing: Warren Riker

Production: Paul Masvidal & Warren Riker

Cover Art:
The Landing ^ Triptych ^ Martina Hoffmann

Biography: Jeff Wagner

Shop: https://redirect.season-of-mist.com/Cynic

Polaris Share "Nightmare" Video

NEW ALBUM FATALISM OUT SEPTEMBER 1 VIA SHARPTONE RECORDS

Sydney melodic metalcore outfit Polaris return today armed with a ferocious new single and video "Nightmare."  

Watch the video below.

"Nightmare" is taken from the group's impending new album Fatalism, due out on September 1 via Resist Records in Australia and SharpTone Recordsfor the rest of the world. Pre-order it here.

Featuring an equally ominous music video capturing the track's dystopian themes, "Nightmare" also pays tribute to the recent devastating loss in the Polaris family.

As drummer and lyricist Daniel Furnari explains, "We created this video with our friend Ben Wrigley, AKA Third Eye Visuals, who found some amazing locations and imagery to help us convey the track when paired with his brilliant editing skills. This was the second of three music videos we filmed with [late guitarist] Ryan [Siew] earlier this year. It has been a challenging and very emotional task to complete these videos in light of what has happened, but after careful discussion with his family, we collectively felt that we wanted to share with the world the final things that Ryan created with us. We will proudly cherish the memories of him contained in this footage, and hope you will too."

Following the release of Fatalism's first single, "Inhumane," the origins of "Nightmare" trace back to the album's infancy, penned in 2022 during a week-long writing session in the Blue Mountains.

'Nightmare' is a reflection on the constant state of fear that the world at large seems to have lived in for much of the past couple of years — the feeling of waking up every day into a dystopia of uncertainty and anxiety where nothing really feels safe anymore," shares Furnari. "The more I thought about it, the more I arrived at the conclusion that maybe this fear was the biggest thing we all had in common during a time of such great division — that our collective dread was our greatest unifier. That concept then really helped to shape the thematic direction of the rest of the record.

He continues, "This was the second song that was written for the album and it started with that chorus melody, chords and lyrics, which I brought to the guys to build a song around. We fleshed it out on our first writing trip to the mountains and it developed into a very riff-heavy song, with the guitar being passed back and forth a lot between Rick and Ryan and all of us weighing in, so I think we all had an early attachment to it for that reason."

Fear: humanity's great divider, but also its most potent unifier. It’s this very notion that lies at the beating core of Polaris’s third album Fatalism; a record shaped by the sense of despair and dystopia that engulfed the world over the past few years, and the overwhelming accompanying sensation that we were powerless to change course.

Polaris have already firmly established their place as a fixture in the Australian heavy landscape via their first two albums, the ARIA-nominated The Death Of Me and 2017's The Mortal Coil, which debuted in the Australian Top 10. They have been awarded a laundry list of accolades, album of the year mentions in end of year lists, sold-out countless headline tours of Australia, and have toured across the globe. Not to mention performing at Download Festival, Unify Gathering in Australia, headlining Knight & Day Festival, and most recently performing the 2022 Good Things Festival headlined by Bring Me The Horizon.

Heart Of A Coward Announce New Album "This Place Only Brings Death" + Share Video For "Devour Me"

HEART OF A COWARD ANNOUNCE NEW ALBUM THIS PLACE ONLY BRINGS DEATH OUT SEPTEMBER 22 VIA ARISING EMPIRE

British heavyweights Heart Of A Coward have announced their  new album This Place Only Brings Death, set for release on September 22 via Arising Empire.

"This Place Only Brings Death is a self-reflective, heavy, and aggressive album that explores the harsh realities of modern society," says vocalist Kaan Tasan.

Pre-orders for This Place Only Brings Death will be available as CD, limited colored vinyl, together with unique merch options at the Arising Empire Store, band's shop, and many other online retailers. Pre-save/order This Place Only Brings Death here.

To herald this official start for their upcoming album, the band has shared "Devour Me." Watch the video below.

"'Devour Me' is written about tearing into open wounds to try and find answers, but only ending up exactly where you were before. The familiar feeling of being torn apart, getting nowhere and then being discarded," Tasan explains.

Heart of a Coward's newest album takes a bold, accessible turn, drawing heavily from metalcore influences as opposed to their previous leanings towards the progressive.

The album contemplates the inevitable theme of everything coming to an end, a sobering reality.
 
Heart Of A Coward released their debut album, Hope and Hindrance, in 2012, which received critical acclaim and helped establish the band's sound and style. They have since released several other albums — including Severance (2013), Deliverance (2015), and The Disconnect (2019).

HEART OF A COWARD ARE:
Kaan Tasan — Vocals
Carl Ayers — Guitar + Vocals
Dan Thornton — Guitar
Vishal "V" Khetia — Bass
Christopher "Noddy" Mansbridge — Drums

New Model Army To Release Live Album With Symphony "Sinfonia"

NEW MODEL ARMY TO RELEASE LIVE ALBUM WITH SYMPHONY SINFONIA OUT SEPTEMBER 15 VIA EARMUSIC

New Model Army are a band who continue to truly exist and thrive outside of any singular genre. Throughout their long and storied career, they have never taken the easy or safe choice, becoming notorious for shunning fame, and instead with each successive album pushing the boundaries of creativity.

It is the same principled, music-first approach that led to one of this year’s essential albums – Sinfonia. Recorded at Tempodrom, Berlin on July 15th, 2022, New Model Army and Sinfonia Leipzig, a full-scale orchestra, conducted by Cornelius During, may seem to some like an obvious evolution, however, in true New Model Army style they have broken down the barriers between band and orchestra in a new and exciting fashion. On Sinfonia, the band has redefined that relationship and defied expectation in a way that only they know how.

The show starts with a fully orchestral "Overture," but from the opening notes of "Devil's Bargain" to the closing of "Wonderful Way To Go," it is a complete journey across the time and space of a band who have always created vital, visceral music. The band and orchestra absorb each other alike and elevate the songs in both power and sensitivity.

All songs have been arranged for orchestra by long-time friend and guest violinist Shir-Ran Yinon, with whom New Model Army collaborated previously. However, this time they went above and beyond to create something unique, yet distinctly New Model Army.

Justin Sullivan states: "There have been many examples of rock bands playing with orchestras but not many good ones. We felt that the most important thing was that it must not sound or appear like a band with an added orchestra but had to be a unified 40-piece band."

Shir-Ran Yinon continues: "It felt like a big responsibility. When the band and I started working on this project, we immediately agreed that it should not turn into 'Justin Sullivan with orchestral accompaniment,' but must remain New Model Army. We all thought we had a unique opportunity to create something different and saw the orchestra as an integral and crucial part of it. The connection between the band, the conductor and the orchestra worked brilliantly."

The result is an album that subverts expectation of a previously well- trodden path between rock bands and orchestras. New Model Army's music lends itself perfectly to this new, fresh interpretation without losing its identity. Experimentation without compromise is the hallmark of New Model Army, and one of the primary reasons they are continually revered.

Dean White shares, "My enduring memory of it all was the spirit it was played with, one of camaraderie, willingness and joy and I think that comes through in the performance."

Michael Dean states, "What an experience this was! For me, the feeling of playing with such a massive sound was unbelievable. I remember in rehearsals, even before we started playing with the orchestra, just listening from the balcony I was absolutely blown away."

Ceri Monger: "The Sinfonia concert and the rehearsal days leading up to it were like going on a really cool, intense and adventurous holiday, a really special experience that was over before you knew it."

Cornelius During offers, "Music connects people. This has been known for a long time. For me personally, however, it has rarely been more noticeable than during the days we spent together with New Model Army and the Sinfonia Leipzig. There was an incredible atmosphere from the very first moment. The desire to push each other and to really put something special together" (...) "I look back on an unforgettable concert evening at the Tempodrom in Berlin - full of enthusiasm, passion and joy of playing."

Sinfonia will become available as a Double-CD Hardcover Mediabook, Triple 180g-Vinyl Gatefold and Digital. All live album’s first print CD and Vinyl LP Editions will include the full show on DVD.

A Strictly Limited earBOOK Edition with Double-CD, DVD, Blu-ray, 80- page book and an exclusive Bonus CD with 8 songs from the band’s “SO36” show in Berlin on July 17th, 2022, as well as various bundles will become available via an exclusive direct to consumer web shop.

Pre-Order Sinfonia here.

FORMATS:
Ltd. 2CD+DVD Mediabook / Ltd. 3LP+DVD Gatefold / Digital

DVD
Full live show together with the Sinfonia Leipzig orchestra, filmed at Tempodrom, Berlin, Germany, on July 15th, 2022

Claudio Simonetti's Goblin Adds New Dates to 'Demons' North American Tour, Includes Special "Metropol" Show in NYC

Claudio Simonetti's Goblin is returning to the states this autumn and is now revealing additional performances in four new cities! The collective will be performing the score to the chilling and grotesque 1985 horror flick, Demons, as well as a comprehensive "best of" set. The full itinerary and tickets can be found HERE.

Among the updated itinerary, which includes Glendale, CA (Alex Theatre), New Orleans, LA (The Broadside), Little Rock, AR (The Hall), Claudio Simonetti's Goblin invites fans to attend a very special screening in New York City at City Winery. The iconic venue will transform for one night only into Metropol, the same mysterious and possessed theatre from 'Demons!' The once-in-a-lifetime event will take place on October 1, just in time to kick off the month of Halloween! Tickets for the NYC event will go on sale tomorrow. July 28, @ 10:00 A.M. EDT.

Composer Claudio Simonetti has written and recorded some of the most influential soundtracks in horror, including Dawn of the Dead, Deep Red, Suspiria, Tenebrae, and countless others, with his seminal work still informing the genre to this day. Simonetti and his collective will perform the haunting and tense score to Demons. The film was produced by master of horror Dario Argento (Suspiria, Tenebrae, etc.) and was directed by Lamberto Bava, son of iconic cinematographer Mario Bava. Enter the screening with caution and don't touch any props, lest the demons possess you...

In 2022, Simonetti's Goblin celebrated the 45th Anniversary of Dario Argento's iconic picture, Suspiria with this modern progressive update to the iconic soundtrack. Suspiria - Prog Rock Version is available HERE.

In addition to standard admission tickets, there is a VIP Sound Check Party / Meet & Greet Add-On option available to ticket holders for certain shows as indicated on the ticketing page HERE. The VIP Add-On by itself does NOT serve as a ticket for entry. The package includes a private soundcheck party, a meet and greet and a VIP laminate as well as first access to merchandise and front of the line access where applicable. Tickets are limited per show. You will receive an email three days before the show with instructions and times for the meet and greet.

North American Tour Dates:

09/26:Franklin, IN @ Artcraft Theatre [TICKETS // VIP ADD ON]

09/27: Lexington, KY @ Lexington Opera House [TICKETS // VIP ADD ON]

09/29: Ashland, VA @ Ashland Theatre [TICKETS // VIP ADD ON]

09/30: Philadelphia, PA @ Union Transfer [TICKETS // VIP ADD-ON]

10/01: New York, NY @ Metropol (City Winery) (Tix on sale July 28 @ 10:00 A.M. EDT) **JUST ADDED**

10/02: Washington, DC @ Howard Theatre [TICKETS // VIP ADD ON]

10/03: Somerville, MA @ Somerville Theatre [TICKETS // VIP ADD ON]

10/04: Montreal, QC @ La Tulipe [TICKETS] *

10/05: Ottawa, ON @ Mayfair Theatre [TICKETS]*

10/06: Niagara Falls, NY @ Rapids Theatre [TICKETS // VIP ADD ON]

10/07: Erie, PA @ Eerie Horror Festival @ Warner Theatre [TICKETS] ^

10/08: Pittsburgh, PA @ Carnegie Music Hall [TICKETS // VIP ADD ON]

10/11: Grand Rapids, MI @ Wealthy Theatre [TICKETS // VIP ADD ON]

10/12: Cleveland, OH @ Capitol Theatre [TICKETS // VIP ADD ON]

11/03: Detroit, MI @ Redford Theatre [TICKETS // VIP ADD ON]

10/15: Chicago, IL @ Copernicus Center [TICKETS // VIP ADD ON]

10/16: St Paul, MN @ Fitzgerald Theatre [TICKETS // VIP ADD ON]

10/17: Lawrence, KS @ Liberty Hall [TICKETS // VIP ADD ON]

10/18: Denver, CO @ Paramount Theatre [TICKETS // VIP ADD ON]

10/22: Seattle, WA @ El Corazon [TICKETS // VIP ADD ON]

10/23: Vancouver, BC @ Rio Theatre [TICKETS]

10/24: Portland, OR @ Hollywood Theatre [TICKETS // VIP ADD ON]

10/25: Portland, OR @ Hollywood Theatre [TICKETS // VIP ADD ON]

10/26: Sacramento, CA @ Colonial Theatre [TICKETS // VIP ADD ON]

10/27: San Francisco, CA @ Castro Theatre [TICKETS // VIP ADD ON]

10/28: Glendale, CA @ Alex Theatre (Tix on sale July 28 @ 10:00 A.M. PDT) **JUST ADDED**

10/29: San Diego, CA @ Music Box [TICKETS // VIP ADD ON]

11/01: Houston, TX @ Heights Theatre [TICKETS // VIP ADD ON]

11/02: Dallas, TX @ Texas Theatre [TICKETS // VIP ADD ON]

11/03: San Antonio, TX @ Aztec Theatre [TICKETS // VIP ADD ON]

11/04: New Orleans, LA @ Broadside Theatre [TICKETS // VIP ADD ON] **JUST ADDED**

11/05: Little Rock, AR @ The Hall [TICKETS // VIP ADD ON] **JUST ADDED**

11/06: St Louis, MO @ Red Flag [TICKETS // VIP ADD ON]

* performing Suspiria

^ performing "Best of" set only

"[Simonetti's] electronic score proved to be the perfect counterpoint to the rock songs, often oozing with menace and certainly adding to the fear factor... And, as usual with Simonetti, it makes for a great listen outside the film." - Horror Cult Films

"Simonetti acting as a solo composer here rather than as part of Goblin replicates this in his pulsating electronic score... It’s got a sense of stalking malevolence about it right up there with the film itself and is horror music personified." - Ave Noctum

"...a fascinating snapshot of a composer in transition, moving from a band setting to a solo career, expanding his range and creating some of the most stirring music of his career. We treasure Demons for withstanding the test of time, but the real gem here is Simonetti." - Popshifter

"Argento’s eye for filmmaking was still razor-sharp in those days; combined with the like-father-like-son style of Bava and a nightmarish synth score from Goblin’s Claudio Simonetti the film had all the necessary elements to satisfy horror fans. And truly, it’s a blast from start to finish with little time wasted." - Dread Central

"This soundtrack perfectly captures the growing tension created by the film as the main characters are transformed into demons, leading the way with the electro metal of Killing, the percussively cruel Demon, and the now classic cult hit Demon. 30 years later the music still shines with timeless quality thanks to the eclectic talent of composer Claudio Simonetti." - Rustblade

Lineup:

Claudio Simonetti: Keyboards

Daniele Amador: Guitar

Cecilia Nappo: Bass

Federico Maragoni: Drums

Links:

Official Goblin Website

Facebook

Spotify

Apple Music

YouTube

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