The Veldt shares 'Morning, June and Yesterday' single from 'Spanikopita' EP, plus new video

The trailblazers known as The Veldt are back with their new single 'Morning, June and Yesterday', offering a sneak peek of their 'Spanikopita' EP. Rooted in the traditions that shaped the genre yet looking beyond them, "Morning June and Yesterday" embodies the spirit of dream pop and shoegaze as both reflection and forward motion—a journey further into the noise, the beauty and the unknown. The accompanying video is an homage to Vaughan Oliver, the legendary graphic designer whose visual style defined the aesthetic of the 4AD record label.

Here, The Veldt's guitars wander through a  contextual vortex of sound, tracing invisible paths between morning light and fading memories. They ebb and flow like currents carrying pieces of yesterday into the present, surrounding the listener in a haze of longing and wonder. The song asks not where we have been, but whether we can travel further—beyond memory, beyond certainty, and into whatever waits on the horizon... "but the ebb and flow of life is not distant but right here deep down in your soul".

One of the most notable first-wave shoegaze bands, formed in North Carolina in the 1980s by identical twins Daniel Chavis (vocals, guitar) and Danny Chavis (guitar), The Veldt have long occupied a distinctive space where shoegaze textures intersect with soul, gospel, and experimental rock. Drawing inspiration from artists as varied as Prince, Sun Ra and Pink Floyd, the band developed an approach that favors atmosphere, groove, and emotional nuance over rigid genre boundaries.

After relocating to New York City and expanding their lineup with bassist and programmer Hayato Nakao, the group deepened its sonic identity, incorporating layered production and electronic elements while maintaining a strong melodic core. Consistently prioritizing depth and mood, their recordings reward close listening and their live performances emphasize immersion.

Released as a tour-exclusive CD, 'Spanakopita' features new tracks and experimental demos that The Veldt curated especially for US and Canadian tour dates they just completed with post-punk legends The Chameleons, underscoring The Veldt'd enduring relevance, continued artistic momentum and expanding horizons.

The EP includes mixes by Carlos Bess, engineer for the Wu-Tang Clan production circle, along with Will Brooks (Dälek) and Jason Furlow (aka Nosaj) of New Kingdom, also known for his new project Wave Generators and his work with Morcheeba. Their involvement helped shape the project’s evolving fusion of post-punk atmosphere and DJ-culture experimentation—an approach developed through ongoing collaboration over the years working as a production team Illuminutty (a.k.a. VELDT).

"'Morning, June and Yesterday' stands as a powerful sonic mantra for the soul, effortlessly returning the listener to the core essence of a natural mystic; it is a truly hypnotic soundscape that resonates with depth, emotion, and intricate musical layers in every single way. feedback layered drone
in a beautiful way," says Daniel Chavis.

Danny Chavis adds, "Morning, June and Yesterday' dictates the art of Drone and it’s never ending quest for the artistic repetition of soundscapes in texture and visual sound patterns and form, cognitive dissonance of sound".

The EP's lead track 'Black Girl', released with a video by Rob Weiss and James Eakins, reinterprets themes from the 1972 film 'Black Girl', reflecting the determination of a young dancer striving toward excellence, despite the social limitations surrounding her. Inspired by that spirit of persistence and vision, the track channels a modern, dream-pop-inflected atmosphere reminiscent of A.R. Kane, while moving beyond strict genre labels like shoegaze to incorporate broader influences and sonic elements.

"Many of the recordings on 'Spanakopita' point toward the direction of our next body of work. Alongside newly created material, the release also draws from a deep archive of previously unreleased recordings from past years - part of a larger collection scheduled for release this September on Little Cloud Records and 5BC Records - as we continue expanding the sound shaped through these collaborations," says Daniel Chavis.

The Veldt's music career has been rich, gradually building a solid legacy. Pitchfork included The Veldt's album 'Afrodisiac', produced by the legendary Ray Shulman (The Sundays, Bjork, The Sugarcubes) in the top 50 shoegaze albums ever released, while Stereogum included ‘Until You’re Forever’ in the top 31 shoegaze tracks. Their recent'Illuminated 1989' album, produced by Cocteau Twins' Robin Guthrie, was also widely acclaimed with support on six continents.
 
Over the years, The Veldt has collaborated with TV On The Radio, Mos Def, Lady Miss Kier (Deee-Lite), A.R.Kane and toured or played with Brian Jonestown Massacre, The Pixies, Throwing Muses, Echo & The Bunnymen, Cocteau Twins, Manic Street Preachers, Phantogram, Modern English, The Jesus and Mary Chain, Oasis, Chuck D, Living Colour and Schooly D.

As of July 7, 'Morning, June and Yesterday' is available as a Bandcamp exclusive. The 'Spanakopita' CD itself can only be obtained at The Veldt live shows. 

CREDITS
Written, Recorded & Mixed by Illuminutty (Doityodamnself Prod)
Performed by Nakao Hayato, Danny Chavis & Daniel Chavis
'Evergreen' mixed by Dälek (Will Brooks)
'Dakini (Remix)' by Carlos Bess & Jason Furlow
Produced by Illuminutty (Doityodamnself Prod) aka VELDT
Mastered by James Populos (Populis Recording)
Artwork & Layout by Danny Chavis, Joe Nesbitt & Butterfly Soup Ltd.
'Black Girl' video by Rob Weiss & James Eakins
'Morning June Yesterday' video by Danny Chavis
Publicity by Shameless Promotion PR 
Copyright 5BC / Little Cloud 2026


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Joan As Police Woman strips down 'Real Life' for 'Real Life Evolution' album, marking 20 years of 'Real Life' via Reveal Records

Hot on the trail of her 'Real Life Evolution' album, released early this month by iconic NYC artist Joan As Police Woman via UK independent Reveal Records., she presents an intimate performance of the title track - the 'Real Life (Real Life Anniversary Sessions)'. This is the latest offering from this video series, recorded by Adam Sachs at The Owl Music Parlor in Brooklyn and filmed by Ehud Lazin. Also as part of the 20th year anniversary of her debut album 'Real Life', she earlier shared stripped-down trio-format versions of 'Eternal Flame', 'Flushed Chest', 'The Ride','Anyone' and 'I Defy'.

Joan Wasser, known as Joan As Police Woman since 2004, is a critically acclaimed musician and producer, and a sought-after collaborator, dubbed “the coolest woman in pop” (The Times) and “one of the 21st century’s best musicians” (The Economist). As a singer, songwriter and multi-instrumentalist, her music defies easy categorization, crafting her own sound that blends various genres.

Joan confesses, “I wrote this song to romance a man. We met once for 3 minutes and I had decided he was The One. Bear in mind, this is ages ago. Conveniently, we lived 6000 miles apart. We were pen pals. It felt like high romance. He was brilliant actually - perhaps too smart. He was intractable and of course that drove me mad. The song describes the walk to the post office with the love letter - in this case, the cassette recording - and imagines the moment it lands in his hands. I brazenly put his name in the song. Unsurprisingly it didn’t work out between us. But the song did."

Unveiled exactly 20 years from her debut's release, Joan As Police Woman has reimagined her 'Real Life' album with numerous guests. Through countless performances, these renditions are brought to life by the brilliance of the players who helped define their sound. The result is ten stunning tracks with varied flavours and collaborators.

“People ask me all the time: “Do you ever get tired of playing your old songs?” The answer is an unequivocal no. And if I ever did, I’d reinvent them until the joy came back — not as an act of revision, but of rediscovery. Songs live beyond their creators. Like us, they settle into themselves over time, finding their own equilibrium. That spirit is the pulse of this new album — ten reimagined versions of every song from the original 'Real Life'. Some transformations are subtle. Others are seismic. All of them were made with an entirely new cast of collaborators," says Joan Wasser.

"Among them are two extraordinary vocalists. The inimitable Iggy Pop — whose band I’ve had the privilege of touring with, playing keys and singing — recorded a stunning version of 'Save Me' while we were on the road in New Zealand. We had to work around the birds outside, who apparently had strong opinions about the session. Then there’s Krystle Warren, a true original and one of my favorite singers alive. Her voice is so deeply soulful that 'I Defy' feels like it thoroughly enjoyed easily slipping into its brand new groove."

Joan As Police Woman has released ten albums of original material, two cover albums, and an anthology. She has recorded and performed with hundreds of artists, including Afrobeat legend Tony Allen, Lou Reed, Anohni & The Johnsons, Meshell Ndegeocello, Rufus Wainwright, John Cale, David Byrne, Dave Okumu, Chris Dowd, Lau, Scissor Sisters, Sparklehorse, Beck, Laurie Anderson, Lloyd Cole, Afel Bocoum, Dave Gahan, Tanya Donelly, Damon Albarn and Gorillaz.

Joan adds, "From my current touring trio, Will Graefe brings his emotionally masterful guitar work and Jeremy Gustin his remarkable rhythmic sensibility to several tracks. Parker Kindred’s inventive drum creations were the spark behind others. Thomas Bartlett unlocked a new dimension of the title track — honoring its original feeling while casting it in a warmer, amber light — and added Rhodes bass throughout. This album gave me the chance to reunite, decades on, with upright bassist Tony Scherr, guitarist Oren Bloedow, and funk bassist Danny Blume — musicians whose artistry has only deepened with time. I’m so glad to share this with you. I’m Real Life. You’re Real Life. We’re Real Life.”

The 'Real Life Evolution' album is out now, available everywhere digitally and also on CD and Limited Edition exclusive red marble vinyl from Bandcamp. Later this year, Joan embarks on her Real Life 20th Anniversary Tour, performing the 'Real Life' album as a trio, plus singles from her catalogue, fan favourites, deep cuts and many surprises!  Tour tickets can be ordered at www.joanaspolicewoman.com/tour.

CREDITS
All songs written by Joan Wasser
Published by Fists of Fury (BMI / Domino Publishing),
except “I Defy” written by Joan Wasser & Anohni (Rebis Music (ASCAP))
Produced by Joan Wasser except “I Defy”, “We Don’t Own It” and “Feed The Light” produced by Joan Wasser & Parker Kindred
Mixed by Patrick Dillett at Reservoir Studios
Mastered by Chris Gehringer at Sterling Sound
Joan Wasser  - vocals, piano, Wurlitzer, strings
Krystle Warren - vocals
Will Graefe - acoustic guitar
Oren Bloedow - electric guitar
Danny Blume - electric bass
Parker Kindred - drums
Krystal Warren - vocals on 'I Defy'
Iggy Pop - vocals on 'Save Me'
Album package concept & design by Judi Rosen
(p) & (c) 2026 Sweet Police LLC under exclusive licence to Reveal Records
Publicity by Shameless Promotion PR

REAL LIFE ANNIVERSARY TOUR 2026
NOV 5  London, UK - Union Chapel
NOV 6  London, UK - Union Chapel
NOV 7  Manchester, UK - RNCM (Royal Northern College of Music)
NOV 9   Glasgow, UK - Oran Mor
NOV 11  Brugge, Belgium - Cactus Club
NOV 12  Amsterdam, Netherlands - Zonnehuis (sold out)
NOV 13  Hamburg, Germany - Mojo Club
NOV 15  Aarhus, Denmark - Train
NOV 16  Copenhagen, Denmark - DR Concert Hall
NOV 18  Budapest, Hungary - House of Music Hungary
NOV 20  Roma, Italy - Angelo Mai
NOV 22  Berlin, Germany - Haus des Rundfunks & Großer Sendesaal



Keep up with Joan As Police Woman
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Deathcore Act SARCOMA Present New Explosive Single "En Llamas"

"En Llamas", which translates to "on fire, or in flames" is an explosion of aggression. The latest single to land from Ecuador's extreme metal act SARCOMA, it is a brutal and ferocious offering designed for the mosh pit. "En Llamas" arrives ahead of SARCOMA's forthcoming album that is set to release later in 2026. 

SARCOMA comment on "En Llamas":
"From its inception, when there were just a couple of riffs, we immediately got the feeling that this one was meant to be about violence and perfect for frantic moshpits. Lyrics refer to exhaustion, laceration and the burning sensation of a deadly circle pit.

It's all about avoiding being crushed by this deadly vortex while the band keeps feeding it with a fiery beat.

The same overlaying theme of proving oneself is also subtly present, this time in the live show scenario."


Musically, "En Llamas" is a hybrid of Latin and extreme metal styles. The track is powered by beats drawing from Latin and modern death metal, with blackened death metal riffs and a Latin / metallic hardcore chorus. Over the course of the song's arrangement, there is a further sonic shift and the track ends with a progressive breakdown and an apocalyptic mood. 

Obliterating rhythms establish the untamable power of "En Llamas" in the first moments of the track. Eerie dissonance returns throughout the track's arrangement enhancing a dark tension and sense of unease. Contrasting intense speed with a slow and unrelenting pace, "En Llamas" demonstrates SARCOMA's extreme nature over multiple forms. 

Hidden ahead of the first chorus is the subtle audio sample, “welcome to hell”. A brief line of dialogue from Pinhead to one of his victims, it was taken from one of the Hellraiser movies. This continues SARCOMA's theme of utilizing audio samples to enhance the themes of their music. 

"En Llamas" was produced by Juan Pablo Flores and recorded at Valley of the Death recording studio. The single was mixed and mastered by Juan Pablo Rivas. 

About SARCOMA:
SARCOMA is the first Spanish-language deathcore band in the world. Formed in Quito, Ecuador, in 2006, the quartet launched their debut EP Silenciosa Tortura independently that same year. 2016 brought a hiatus until seven years later, in 2023, original members Santiago Romero and Juan Pablo Flores returned to write new music, now joined by Andrés Jaramo (drums) and Andrés Éguez (bass). 

During SARCOMA's first incarnation, following the first EP, the band released the debut, self-titled full-length album in 2008 with the Esclavitud del Siglo XXI EP arriving in 2013. The band embarked on a heavy national and international touring schedule in neighboring countries. 

SARCOMA's unmistakable style, technical precision, and impressive live performances led them to be considered, by the media and the public alike, as the undisputed "fathers of deathcore" in South America. In early-mid noughties, the band's unique mix of hardcore and death metal elements was something unheard of in the country at the time.

The band's sound draws influence from the likes of DECAPITATED, DYING FETUS, KNOCKED LOOSE, SEPULTURA, DESPISED ICON, GOJIRA, with the addition of progressive elements and a thematic focus on their life experiences and environment of Latin America.

2023 saw the band return with renewed vigor and intent unleashing the EP Mesak, the live releases Al Rojo Vivo and En Vivo En Quito in 2024, and "Divino Poder" single in 2025, all via Valley of the Death. SARCOMA wasted no time returning to the live stage in 2023 venturing on the Mesak Ecuador National Tour, along with performances at Mechanimal Fest and Quitofest. 

SARCOMA Is: 
Santiago Romero (Vocals)
Juan Pablo Flores (Guitar / Vocals)
Andrés Jaramo (Drums)
Andrés Éguez (Bass)

Connect With SARCOMA:
Bandcamp: https://sarcomaec.bandcamp.com/music
Facebook: https://www.facebook.com/sarcomaecuador
Instagram: https://www.Instagram.com/sarcomaecuador

YouTube: https://www.youtube.com/@SARCOMAEC
Spotify: https://open.spotify.com/artist/3w5oB1ujWelLK4xPXR4fEZ?si=vj-DZzOZS2e0HkUHjUrpjw
Apple Music: https://music.apple.com/ca/artist/sarcoma/1655035683
Twitter/X: https://x.com/sarcomaec 
TikTok: https://www.tiktok.com/@sarcoma.ec

KILMARA Release Live Video For "Liberticide" + Join TUNGSTEN And INDUCTION On ANTHEMS OF STEEL TOUR 2026

Spanish melodic heavy/power metal force KILMARA have released a brand-new live music video for their anthemic track "Liberticide", taken from their latest studio album Journey To The Sun, released via ROAR in early 2025. Capturing the band's electrifying stage presence and infectious energy, the new clip offers fans another powerful glimpse of KILMARA's acclaimed live performances.

Watch the live video for "Liberticide" Below:

The release arrives shortly after KILMARA were announced as special guests on the upcoming ANTHEMS OF STEEL TOUR 2026, joining INDUCTION and TUNGSTEN. The tour marks another significant milestone in the band's steadily rising international career, further cementing KILMARA's reputation as one of the most promising new forces in the European melodic heavy power metal scene, as well as one of Spain's most exciting metal exports.

With renewed energy and determination, KILMARA are ready to bring their high-voltage sound to every stage of the tour, delivering thrilling performances and unforgettable nights at the following dates:

ANTHEMS OF STEEL TOUR 2026
with TUNGSTEN & INDUCTION

07.10.26 – DE – Herford @ Kulturwerk
08.10.26 – DE – München @ Backstage
09.10.26 – DE – Leipzig @ Hellraiser
10.10.26 – DE – Passau @ Zauberberg
11.10.26 – DE – Karlsruhe @ Die Stadtmitte
12.10.26 – CH – Aarburg @ Musigburg
13.10.26 – AT – Salzburg @ Rockhouse
14.10.26 – DE – Mörlenbach @ Live Music Hall
15.10.26 – DE – Hamburg @ Bahnhof Pauli
16.10.26 – DE – Lingen @ Alter Schlachthof
17.10.26 – DE – Solingen @ Laut und Hart Festival
18.10.26 – DE – Selb @ Rockclub Bayern

Tickets: http://tiny.cc/anthemsofsteel 

Following the remarkable evolution introduced on Across The Realm Of Time, Journey To The Sun seen KILMARA entering an exciting new era. The Barcelona-based band delivers their most ambitious and fully realized work to date: a concept album celebrating unity, determination and the relentless pursuit of truth and freedom.

Blending soaring melodies, virtuoso guitar work and modern heaviness with nostalgic late-'80s arcade aesthetics and atmospheric retrowave elements, Journey To The Sun offers a cinematic listening experience while sounding more powerful and contemporary than ever before. Mixed and mastered by acclaimed producer Seeb Levermann (Orden Ogan, Angus McSix, Rhapsody Of Fire, Riot V), the album also features a special guest appearance by legendary former Lost Horizon vocalist Daniel Heiman on the standout track "Take Me Back."

Kilmara is:
Daniel Ponce – Vocals
John Portillo – Guitars
Carles Salse – Guitars & Synths
Dídac Plà – Bass
Néil Gómez – Drums


Kilmara online:
Facebook: https://www.facebook.com/kilmaraofficial/
Instagram: https://www.instagram.com/kilmara_official
X: https://twitter.com/KILMARA_DFTW
YouTube: https://www.youtube.com/user/kilmaraofficial

German Rock Force VELVET RUSH Officially Signs with Frontiers Music Srl

Frontiers Music Srl is pleased to announce the signing of Germany's rising rock force VELVET RUSH. To celebrate the announcement, the band has released their new single and accompanying video, “Nature Of The Beast,” available below.

 

Singer Sandra Lian comments:

'Nature Of The Beast' is about the constant search for a secret formula. People watch, analyze and question every move, trying to figure out what makes someone succeed. In today’s world, it’s easier than ever to judge, comment and criticize from behind a screen, but not everyone is willing to put in the work.”

 

She continues, “The song reflects my belief that there is no magic recipe. It’s about self-belief, resilience, determination and having the confidence to trust your own path, even when others doubt it. The things that truly make a difference can’t be copied; they have to come from deep within. That’s the 'Nature Of The Beast.'

 

About signing to Frontiers, Lian adds:

“I’m also very excited to be joining the label Frontiers Music Srl and starting this new chapter together. From the beginning, I felt a genuine connection with the team and their vision. Frontiers has such a strong legacy in rock music, and I’m grateful for the opportunity to be part of it. I’m looking forward to sharing this journey and the music that’s still to come.”

 

Watch the Official Video for “Nature Of The Beast”

Hailing from Hamburg, Germany, VELVET RUSH are breathing new life into modern rock with a sound rooted in blues-infused hard rock, '70s attitude, and contemporary energy. Fronted by the charismatic Sandra Lian, whose powerful and untamed vocals sit at the heart of the band's identity, VELVET RUSH combine authenticity, groove, and raw emotion into a sound that feels both timeless and fresh.

Alongside guitarist James Moncur, bassist Tim Black, and drummer Daniel Rothe, Lianleads a band whose electrifying chemistry has quickly earned them a reputation as one of the most compelling live acts on the European rock circuit.

The band recorded their music at Hamburg's renowned Chameleon Studios with acclaimed producer Eike Freese (Deep Purple, Simple Minds, Slash, Status Quo), crafting a sound packed with driving guitars, memorable hooks, and undeniable energy.

 

Their debut single, “Euphonia,” immediately attracted international attention, earning Classic Rock Magazine UK's “Best Rock Song of the Week” accolade in October 2024. Momentum continued with the release of their debut album ‘Trail Of Gold’ in September 2025, which received widespread acclaim and was highlighted as a “Tip of the Month” and “Tip of the Year” by leading rock publications including Classic Rock, Rocks, and Rock Hard.

 

Onstage, VELVET RUSH have continued their rapid ascent, sharing stages with Jerry Cantrell, touring Europe alongside The Vintage Caravan, and appearing at major festivals including Rockharz. The band's calendar for 2026 includes appearances at Wacken Open Air, Maid of Stone Festival, Riverside Festival, and Osteguna Rock Vital Fest, alongside a coveted support slot on Rose Tattoo's final European tour. Please find the full list of dates below.

Stream / Listen to "Nature Of The Beast" HERE

VELVET RUSH Live:

Supporting Rose Tattoo

July 21 - Tilburg, Netherlands @ O13

July 22 - Leiden, Netherlands @ Nobel

July 24 - Leipzig, Germany @ Parkbühne

July 26 - Osnabrück, Germany @ Hyde Park

August 1 - Oslo, Norway @ Rockefeller

August 4 - Bochum, Germany @ Zeche

August 5 - Frankfurt, Germany @ Batschkapp

August 6 - Pratteln, Switzerland @ Z7 Summer Nights

August 7 - Cologne, Germany @ Live Music Hall

August 11 - Kaiserslautern, Germany @ Kammgarn

August 12 - Munich, Germany @ Backstage Werk

August 14 - Graz, Austria @ PPC

August 15 - Budapest, Hungary @ Barba Negra

August 16 - Kraków, Poland @ Kwadrat

August 18 - Berlin, Germany @ Astra

August 19 - Braunschweig, Germany @ Westand

August 20 - Hamburg, Germany @ Markthalle

Festivals

June 26 - Butjadingen, Germany @ Rock on Isens

June 27 - Burglengenfeld, Germany @ Steinbrucharena Open Air

July 3 - Wieslet, Germany @ Datscha OA

July 5 - Oldenburg, Germany @ Burning Pants Festival

July 11 - Nideggen, Germany @ Tollrock

July 18 - Jüterbog, Germany @ Motorcycle Jamboree

July 19 - Maidstone, England @ Maid of Stone

July 29 - Wacken, Germany @ Wacken Open Air

August 13 - Eisfeld, Germany @ Woodstock Forever

August - Mönchberg, Germany @ Rock im Bad (date TBA)

August 22 - Obrigheim/Pfalz, Germany @ Rock im Hinterland

August 23 - Aarburg, Switzerland @ Riverside Festival

September 5 - Brüggen Alst, Germany @ Bongert OA

September 11 - Marienmünster, Germany @ Rock n Revel

December 18 - Hamburg, Germany @ Lordfest

With a second studio album coming soon, VELVET RUSH are only just getting started. Armed with grit, passion, and undeniable attitude, the band are poised to become one of the defining new voices in modern hard rock.

VELVET RUSH are:

Sandra Lian

Tim Black 

James Moncur

Daniel Rothe

MAD MAX Announce New Studio Album Stories Of Destiny & Premiere First Video Single "Silver"

German melodic hard rock veterans MAD MAX have announced the release of their brand-new studio album, Stories Of Destiny, set for release on September 4, 2026 via ROAR - A Division Of Reigning Phoenix Music. Celebrating an impressive 45 years of the band's legacy, the new record bridges past and present while opening an exciting new chapter in MAD MAX history.

Pre-orders are available now: https://madmax.rpm.link/storiesPR

Packed with powerful guitar-driven anthems, memorable melodies and timeless hard rock spirit, Stories Of Destiny combines newly recorded material, long-awaited hidden gems and collaborations with some of the most respected names in the rock and metal world. The album also introduces UK vocalist Alan Clark while welcoming original MAD MAX singer Andreas Baesler as a special guest for his first MAD MAX appearance in 45 years, creating a direct link between the band's earliest days and its present.

About the new single "Silver", guitarist and band mastermind Jürgen Breforth comments: "'Silver' is the first single from our upcoming brand-new MAD MAX studio album Stories of Destiny. Following the international success of the MAD MAX comic, the very first comic book by a German band in Latin America, the video continues this world with a story full of mystery, adventure and emotion.

The song was originally written in 2001 for the debut album of Michael Schenker Group singer Gary Barden, and it was a huge honor to co-write it with Andreas Broon, known for his work with The Sisters of Mercy, Doro Pesch and many other artists.

I always felt that 'Silver' had the potential to be a major hit single, but the original album faced many obstacles back then. Now I am more than proud to finally present the MAD MAX version, with a slightly heavier guitar edge while still keeping its British melodic touch through our new lead singer Alan Clark from the UK."

Stream "Silver": https://madmax.rpm.link/silverPR

Watch the video below:

Founded in Münster, Germany in 1981 by guitarist, songwriter and bandleader Jürgen Breforth, MAD MAX have remained one of Europe's most enduring melodic hard rock and heavy metal acts for more than four decades. Renowned for their unmistakable guitar-driven sound, strong melodies and classic hard rock attitude, the band have built a loyal international following through countless albums, tours and festival appearances.

Reflecting on an extraordinary career while embracing the future, Stories Of Destiny is built around songs Breforth had the honor to co-write with acclaimed musicians including Sascha Gerstner (Helloween), David Readman (Pink Cream 69), Andreas Broon (The Sisters Of Mercy) and Michael Voss, known from his work with Michael Schenker. Reimagined and newly recorded in unmistakable MAD MAX fashion, the album captures both the band's musical roots and their continued evolution. 

Further highlights include two previously unreleased MAD MAX songs from 1991, "Til' The End Of Time" and "Weapons Of Love", alongside a newly recorded version of "Piece Of Candy", based on the very first guitar riff Breforth ever wrote for the band in 1981. Performed as a duet between Alan Clark and Andreas Baesler, the track symbolizes the connection between MAD MAX's past and present. The Spanish version, "Dulces Falsos", marks the band's first-ever song with Spanish lyrics and pays tribute to their growing fanbase across Latin America.

The visual world of Stories Of Destiny also connects to the MAD MAX comic, created by Mexican comic artist Maestro Arturo Said. The comic tells the story of the band from its founding days in 1981 through the 1980s and up to MAD MAX’s first shows in Colombia in 2023, making the album both a musical and visual celebration of the band’s legacy.

Artist Line-Up:
Alan Clark - Vocals
Andreas Baesler - Vocals On "Dulces Falsos" & Duet Vocals On "Piece Of Candy"
Jürgen Breforth - Guitar
Dethy Borchardt - Guitar
Fabian Watermann - Bass
Axel Kruse - Drums

Connect with MAD MAX:
Facebook | https://www.facebook.com/madmax.legacy.band 
Instagram | https://www.instagram.com/madmaxgermanycom 
YouTube | https://www.youtube.com/@MADMAXLEGACY 
Website | https://madmax-germany.com 

Symphonic Metal Legends KAMELOT Unveil Triumphant New Single "Ashen World"

Recently, international symphonic metal legends KAMELOT announced their haunting new album Dark Asylum, arriving August 28 via Napalm Records. They give fans their first peek into the twisting hallways of RavenHill Asylum with "Ashen World," a triumphant, cinematic, and epic anthem.

From its very first note, "Ashen World" launches with unmistakable KAMELOT grandeur, propelled by founding guitarist Thomas Youngblood's expressive lead work, soaring orchestration, and the rich symphonic arrangements that have become the band's hallmark. The track embodies everything fans have come to love about KAMELOT; cinematic darkness, unforgettable melodies, and a towering anthemic chorus, while introducing fresh textures and unexpected twists that expand the band's sonic landscape.

With countless dynamic shifts, vocalist Tommy Karevik showcases the full breadth of his remarkable range, effortlessly moving from intimate, haunting passages to his signature soaring power. Adding another layer of atmosphere, Decessus frontwoman and reigning Miss Chile Ignacia Fernández makes an ethereal vocal appearance that intertwines beautifully with the song's haunting mood, as "Ashen World" tells the story of a world descending into darkness while never losing sight of hope, resilience, and redemption.

Thomas Youngblood on "Ashen World":
"Ashen World" captures that moment of standing at the crossroads between darkness and hope, where the journey forward begins. It's classic KAMELOT at its core, while opening new doors into the world of Dark Asylum."

Tommy Karevik on "Ashen World":
"It's a deep dive into the topography of the human mind, exploring its valleys, peaks, and the void in between. It's about breaking free from the limiting beliefs that hold us captive and creating a new reality that allow us to expand and realize our full potential."

Pre-Order Your Copy Of Dark Asylum NOW.

Watch the "Ashen World" video below.

Set within a shadowed Neo Victorian-era world, Dark Asylum invites listeners beyond the gates of RavenHill Asylum — an imposing institution once built as a grand cathedral, now repurposed into a place where science, faith, and madness uneasily coexist.

KAMELOT pushes further into cinematic and atmospheric territory on Dark Asylum, diving deeper into theatrical darkness while preserving the signature hooks that define their sound. Candlelight trembles along towering arches and cold stone corridors as you are greeted familiar spectres: Avantasia mastermind Tobias Sammet, Eluveitie's Lea-Sophie Fischer, Visions of Atlantis' Clémentine Delauney, Decessus frontwoman and current reigning Miss World Chile champion Ignacia Fernández, Rannveig Sif Sigurðardóttir and Sólveig Sara Leupold, and Billy King! Identity fractures, reality bends, and control slips into unseen hands, guiding its central figure through a descent into psychological darkness that ultimately leads toward transformation… and perhaps sanctuary. From the cinematic sweep of "Ashen World" to the introspective depth of "Sanctuary," and the layered mystique of "Ivy, My Dear," Dark Asylum unfolds as a fully immersive journey, blending orchestral grandeur, haunting melodies, and theatrical storytelling into one cohesive vision.

Will you find sanctuary?

Or will you wander its halls for eternity?

Always committed to bringing their worlds beyond the studio, KAMELOT will take RavenHill Asylum on the road this fall with the immersive Dark Asylum World Tour, spanning North America and Europe. Once you step inside RavenHill… there is no turning back.

KAMELOT’s Dark Asylum World Tour:
North America Pt. 1:
With Visions of Atlantis + Frozen Crown:

8/28 — Orlando, FL — Hard Rock Live
8/29 — Atlanta, GA — The Masquerade (Heaven)
8/31 — Dallas, TX — The Studio at the Factory
9/2 — Phoenix, AZ — The Van Buren
9/3 — Las Vegas, NV — House of Blues
9/4 — Anaheim, CA — House of Blues
9/5 — San Francisco, CA — The Fillmore
9/7 — Vancouver, BC — Vogue Theatre
9/8 — Seattle, WA — Neptune
9/10 — Salt Lake City, UT — Rockwell at The Complex
9/11 — Denver, CO — Summit Music Hall
9/12 — Kansas City, MO — The Truman
9/14 — Minneapolis, MN — First Avenue
9/15 — Milwaukee, WI — The Rave
9/17 — St. Charles, IL — The Arcada Theatre
9/18 — Cleveland, OH — Globe Iron
9/19 — Toronto, ON — Phoenix Concert Theatre
9/20 — Montreal, QC — MTELUS
9/22 — Quebec City, QC — Theatre Capitole
9/24 — Glenside, PA — Keswick Theatre
9/25 — Worcester, MA — The Palladium
9/26 — New York, NY — Palladium Times Square
9/27 — Silver Spring, MD — The Fillmore Silver Spring

All Tickets and VIP links for North America are here.

KAMFEST DARK ASYLUM
10/30 — Tilburg, NL — O13 (KAMFEST)
10/31 — Tilburg, NL — O13 (KAMFEST)

EUROPE PT. 1
With Exit Eden + Temperance:

11/1 — London, UK — O2 Shepherd’s Bush Empire
11/3 — Manchester, UK — O2 Ritz Manchester
11/5 — Oberhausen, DE — Turbinenhalle
11/6 — Pratteln, CH — Z7 Konzertfabrik
11/7 — Lyon, FR — La Rayonne
11/8 — Stuttgart, DE — LKA
11/10 — Krakow, PL — Klub Studio
11/11 — Warsaw, PL — Progresja
11/13 — Zagreb, HR — Boogaloo
11/14 — Budapest, HU — Barba Negra Red Stage
11/15 — Belgrade, RS — Hangar
11/17 — Trezzo sull'Adda, IT — Live Club
11/18 — Padova, IT — Hall
11/20 — Toulouse, FR — Metronum
11/21 — Barcelona, ES — Razzmatazz 1
11/22 — Madrid, ES — Sala La Riviera

All tickets and VIP Links for Europe are here.

More tour dates are coming in 2027.

KAMELOT ARE:
Tommy Karevik — Vocals
Thomas Youngblood — Guitars
Oliver Palotai — Keyboards
Sean Tibbetts — Bass Guitar
Alex Landenburg — Drums

DISTANT Announce New Album "Into Despair" + Drop Video for New Single

DISTANT announce their new album Into Despair, and with it, they drop the video for the new single, "All Will Be (N)One" (Feat. Ricky Myers of Suffocation).

"'All Will Be (N)One'" is a bleak, atmospheric track that explores humanity's fear of death and the inevitability of time' collapse," says the band about the song. "Blending crushing riffs with relentless rhythms, the song builds a sense of slow-burning dread before erupting into moments of raw confrontation. Lyrically, it shifts the perspective from resistance to acceptance. The feature from Ricky Myers of Suffocation adds an extra layer of intensity and authority, reinforcing the trac'’s central message: That everything fades, and all will be (n)one."

"All Will Be (N)One" single taken from the upcoming album, Into Despair, which will be released on November 6.

Into Despair is DISTANT's most personal and emotional work to date, exploring real-life struggles, loss, and the shared grief that connects humanity. The album dives deep into the darker corners of the human experience while finding solace in collective understanding. DISTANT elaborate: "Driven by raw honesty and pure emotion, Into Despair is an album born from personal battles and lived experiences. Every song carries pieces of each member's own journey, with moments of pain, reflection, and resilience woven into a deeply intimate body of work. More than just a collection of songs, Into Despair is a cathartic expression of vulnerability and a reminder that even in our darkest moments, grief is something we all share. It stands as the band's most heartfelt and authentic statement yet, transforming personal suffering into something universally resonant."

Check out the punishing video for "All Will Be (N)One" (Feat. Ricky Myers of Suffocation) BELOW.

Pre-order Into Despair HERE.

DISTANT are keeping things busy and their grim, ultra-heavy deathcore on the road. After already touring Europe with Sylosis, they just finished another U.S. run including several shows with In Flames and Thrown. Come January of 2027, you can catch them on the "New World Killer EU/UK 2027" tour with Spite, Emmure, and Mauled.

DISTANT LIVE 2027:
01/23 — Antwerp, BE — Zappa
01/24 — Paris, FR — La Machine du Moulin Rouge
01/26 — London, UK — Electric Brixton
01/27 — Glasgow, UK — Garage
01/28 — Manchester, UK — O2 Ritz
01/29 — Leeds, UK — Stylus
01/30 — Bristol, UK — Electric Bristol
02/01 — Tilburg, NL — 013
02/02 — Hamburg, DE — Gruenspan
02/03 — Hannover, DE — Capitol
02/04 — Leipzig, DE — Felsenkeller
02/05 — Berlin, DE — Columbia Theater
02/06 — Warsaw, PL — Proxima
02/08 — Prague, CZ — Lucerna Music Bar
02/09 — Budapest, HU — Dürer Kert
02/10 — Vienna, AT — Flex
02/11 — Munich, DE — Backstage
02/12 — Milan, IT — Slaughter Club
02/13 — Zürich, CH — Dynamo
02/14 — Cologne, DE — Essigfabrik

Purchase tickets HERE

DISTANT have become one of the prominent faces of European Deathcore. Melding together brutal death metal, slam, noise and beatdown with a hyper-dissonant orchestra of impending doom, they've come eons since their origins as metalcore obsessed friends in Rotterdam and Bratislava.

Future Palace Drop "Tidal Waves" Video

Germany's FUTURE PALACE will unleash their forthcoming fourth album RESURGENCE on July 31 via Century Media. Pre-order it here

The album is a powerful exploration of isolation, inner conflict, and the struggle to rebuild oneself. Blending post-hardcore intensity with cinematic electronics, soaring melodies, and crushing breakdowns, the Berlin trio dives deep into themes of depression, doubt, and emotional transformation.

Ultimately, Resurgence captures the fragile moment where despair slowly turns into strength — and is proof of the redemptive power of music.

Today, the band shares the video for new single "Tidal Wave," which is Future Palace's version of a rock ballad.

Watch it Below:

Singer Maria Lessing weighs in, saying the song was a watershed moment for her, as she was able to capture the feeling of deep emotional satisfaction that comes from the bond between sisters and how the role of being a big sister has impacted her.

She says, "This is probably the most important song I have ever written. It was extremely hard for me to write and I have failed to write a good song about this very important topic over and over again these past years. To sum it up: This song is about true love and how it feels. It can be very hard to recognize true love, but I personally found it in the role of being a big sister. Being someone who protects, cares, and always finds the time and patience to be there.

"I tried, and still try, my best to keep my younger sister from the pain that I had to go through. Even though we already went through a lot of pain together in our lifes, but it made our bond only stronger. I feel like no one will ever truly understand you like a close sibling does."

"This one started with a request by [drummer] Johannes [Früchtenicht] when he said he wanted a certain kind of ballad," further explains guitarist Manuel Kohlert. "Challenge accepted. The instrumental was actually very easy to write and came naturally. Compared to the rest of the album this track is by far the softest, yet it builds up to a big, still heavy chorus followed by a dreamy acoustic bridge. All in all, this is our rock ballad."

Future Palace will spend the bulk of 2026 touring, with festival appearances and a fall tour on deck. All dates are below, including a return to the U.S. to appear at the Louder Than Life Festival in Louisville in September.

FUTURE PALACE ON TOUR:
FESTIVALS + SPECIALS:

7/29–8/1 — Wacken, Germany — Wacken Open Air
8/6 — Dortmund, Germany — Junkyard (w/ The Ghost Inside)
8/7 — Villena, Spain — Leyendas del Rock
8/8 — Cercoux, France — Festival 666
8/12–8/15 — Dinkelsbühl, Germany — Summer Breeze
8/13–8/15 — Sulingen, Germany — Reload Festival
8/16 — Cudrefin, Switzerland — Rock The Lakes
9/20 — Louisville, KY — Louder Than Life
 
DEEP BLUE TOUR 2026:

9/29—Warsaw, Poland—Hydrozagadka =
10/1—Helsinki, Finland—Tavastia = #
10/2—Jyväskylä, Finland—Lutakko = #
10/4—Gothenburg, Sweden—Pustervik = #
10/5—Oslo, Norway—John Dee = #
10/6—Copenhagen, Denmark—Pumpehuset = #
10/8—Hamburg, Germany—Markthalle = #
10/9—Amsterdam, Netherlands—Melkweg = #
10/10—Cologne, Germany—E-Werk = #
10/11—Sint-Niklaas, Belgium—De Casino = #
10/13—Stuttgart, Germany—Im Wizemann = #
10/14—Frankfurt, Germany—Batschkapp = #
10/16—Hanover, Germany—Faust = #
10/17—Berlin, Germany—Festsaal Kreuzberg = #
11/2—Essen, Germany—Zeche Carl €
11/4—London, England—The Garage # %
11/5—Manchester, England—Academy 3 # %
11/6—Glasgow, Scotland—Slay # %
11/7—Leeds, England—Key Club # %
11/9—Paris, France—Backstage by the Mill = #
11/10—Lyon, France—Marché Gare = #
11/12—Milan, Italy—Legend Club = #
11/13—Zurich, Switzerland—Dynamo = #
11/14—Budapest, Hungary—Barba Negra = #
11/16—Vienna, Austria—Arena = #
11/18—Prague, Czech Republic—Rock Café = #
11/19—Munich, Germany—Backstage Werk = #
11/20—Nuremberg, Germany—Z-Bau = #
11/21—Leipzig, Germany—Täubchenthal = #

= Special Guest: As Everything Unfolds (no UK)
# Support: Luna Kills
% Support: Defences (UK only)
€ Support: VINTA (Essen only)

FUTURE PALACE ARE:
Maria Lessing — Vocals
Manuel Kohlert — Guitar
Johannes Früchtenicht — Drums

DED Release Deluxe Edition of "RESENT" Today + Share "Denouncer"

DED  — Joe Cotela (vocals); Alex Adamcik (guitar); Kyle Koelsch (bass); and Matt Reinhard (drums) — are pleased to release the deluxe version of their September 2025-released album RESENT via UNFD.

Get it here.

RESENT: Deluxe Edition will feature unreleased tracks and demos, adding 11 new tracks to the original 12-track album and offering fans a deeper look into the creative sessions that ultimately shaped RESENT.

Today, they share "DENOUNCER," which premiered at SiriusXM's Octane. 

Listen Below:

The RESENT Deluxe edition expands on the band's third studio album with five additional songs, including the previously released single "Weapon" and the aforementioned "DENOUNCER." It also features three tracks that were strong contenders for the original album but ultimately didn't make the final tracklist, along with six demos ranging from raw early ideas to near-finished recordings.

"We thought it would be cool to put everything out there and give people a look behind the curtain," says frontman Joe Cotela. "These songs and demos were all part of the creative process behind RESENT, and we wanted fans to hear the full picture of what we were working on during that era."

Speaking about "DENOUNCER," Cotela explains, "I've always loved this song. I wanted it on the record, but I think it ended up feeling a little left-of-center compared to the rest of the album. It's not necessarily a strange song, but it has a different energy and perspective that made it stand apart from the other tracks. Looking back, that may be exactly what makes it interesting.

"At its core, the song is about finding your own spiritual power and refusing to hand that power over to people who want to use fear, guilt, or authority to control others. A lot of the inspiration came from seeing evangelists, institutions, politicians, and religious figures use faith as a tool for influence rather than a path to connection. The song isn't about attacking pure religion or telling people what to believe. It's about questioning anyone who claims to speak on behalf of something greater or weaponizing that for gain while using that position to manipulate others.

"For me, spirituality, faith, love, energy, life, death, the essence of being alive—those are deeply personal experiences. No other human being can define my relationship with the universe, with the creator, or with whatever connects us all. I believe people should be encouraged to look deep within themselves, ask questions, and find their own path rather than externally and faithfully following someone else's version of truth. Ultimately, 'DENOUNCER' is a reminder that we should question everything we think we know—not from a place of cynicism, but from a place of curiosity, growth, and personal freedom. Well, maybe a little cynicism."

Overall, the deluxe is a "must-listen" for fans.

DED will hit the road this July on a headline tour with support from Dropout Kings and VRSTY. All dates are below.


DED ON TOUR:
WITH DROPOUT KINGS + VRSTY:

7/11 — Phoenix, AZ — The Rebel Lounge
7/13 — Lubbock, TX — Jake's
7/14 — Oklahoma City, OK — 89th Street
7/15 — Lawrence, KS — The Bottleneck
7/17 — Mansfield, OH — Inkcarceration Festival*
7/18 — Cadott, WI — Rock Fest
7/19 — Minneapolis, MN — Studio B
7/20 — Joliet, IL — The Forge
7/21 — Des Moines, IA — XBkx Live
7/22 — Iowa City, IA — Wildwood
7/23 — Madison, WI — The Annex
7/24 — Westland, MI — The Token Lounge
7/25 — Rochester, NY — Montage Music Hall
7/26 — Pittsburgh, PA — The Crafthouse
7/28 — Clifton, NJ — Dingbatz
7/29 — Boston, MA — Brighton Music Hall
7/30 — Reading, PA — Reverb
8/1 — Lansing, MI — Rock Lansing
8/3 — Sauget, IL — Pop’s Venue
8/4 — Wichita, KS — WAVE
8/6 — Colorado Springs, CO — The Black Sheep
8/7 — Denver, CO — HQ
8/8 — Grand Junction, CO — Mesa Theater
*Festival Date

CARMINE APPICE Celebrates America’s 250th Anniversary by Releasing the Song UNITED STATES. Recorded with the Late Rick Derringer

he song UNITED STATES was recorded 5 years ago when Rick Derringer asked me to put drums on it. It sat for 5 years.Then last week I asked his wife Jenda to send me the song to listen to. I remember really liking the song. After hearing it I gave it to Pat Regan to remaster.

Then I asked Dom Esposito if he can put a video together quick to get it out for our country’s 250th anniversary celebration. So we are celebrating Rick Derringer who passed away last year also.

Jenda and I decided to make a video together to celebrate Rick and the 250 years of our country.

God Bless America

-Carmine Appice of Cactus

Carmine Appice and Cactus recently released a new video for the track “Back Door Man”, taken from the new Cactus album “Temple Of Blues II” out now on Cleopatra Records. The track and video feature the amazing talents of Eric Gales and Billy Sheehan, alongside Carmine Appice.

Temple Of Blues II CD/vinyl:

https://cleorecs.com/search?q=cactus+temple+of+blues+ii

Temple Of Blues II digital:

https://orcd.co/cactus_templeofbluesii

Carmine Appice shared his thoughts on on the song and video “Back Door Man” — “Back Door Man” is an old blues classic. This version originally appeared on Howlin’ Wolf’s The Howlin’ Wolf Album (often referred to as his “Electric Album”).

This time, I wanted to make a real blues album for Temple of Blues 2Temple of Blues 1was made up entirely of Cactus songs. I’ve always loved the Howlin’ Wolf album, which also gave Cactus our biggest song, “Evil.” We ended up recording seven songs from that album, and I always thought “Back Door Man” was one of the strongest tracks.


Links to Website and All Socials
CactusRocks.Net
www.facebook.com/cactusrocks/

ARISING EMPIRE MEDIA ALERT: Venues Drop New Release Becoming

VENUES return with "Becoming," an empowering modern metalcore anthem that transforms pain into strength, self-doubt into confidence and personal growth into pure sonic force. Following the emotional depth of Solace and the band's critically acclaimed latest album Transience, the Stuttgart outfit delivers one of its boldest and most uplifting statements to date.

Driven by punchy riffs, explosive rhythms, and a polished, modern production, "Becoming" balances raw intensity with soaring melody. Crushing screams embody the fight against insecurity and the weight of outside expectations, while the anthemic clean vocals erupt into a triumphant declaration of self-worth. Every breakdown and chorus reinforces the song's central message: True strength begins the moment you stop living for others and start believing in yourself.

Inspired by lyrics that tear down "social boundaries" and replace self-doubt with self-acceptance, "Becoming" follows the journey of someone breaking free from toxic influences, refusing to be defined by the past and finally embracing their own value. What begins as a battle against inner demons culminates in an unapologetic celebration of identity, ending with the powerful reminder that everyone deserves to see themselves as the miracle they truly are.

Since signing with Arising Empire, VENUES have established themselves as one of Germany's most compelling modern metalcore acts. Their 2018 debut album Aspire was named Kerrang! Album of the Week, while subsequent releases have continued to showcase the band's fearless evolution through the unmistakable interplay of Lela Gruber's soaring melodies and Robin Baumann's visceral screams. With "Becoming," VENUES once again prove why they remain one of the genre's most dynamic and emotionally resonant forces, seamlessly combining crushing heaviness, irresistible hooks and an empowering message that lingers long after the final note.

VENUES LIVE:
08/03 — Munich, DE — Free + Easy Festival
08/28 — Hilgertshausen-Tandern, DE — Hot Rock Festival 2026
09/04 — Obererbach, DE — Pell-Mell Festival 2026

REVEAL COLLABORATIVE TRACK 'SPIRIT HELPER' FEAT. KEVIN KICKING WOMAN ELDER OF THE BLACKFEET NATION

Today, Norwegian progressive trailblazers Enslaved are honoured to reveal 'Spirit Helper', a unique and deeply powerful collaboration with Kevin Kicking Woman, an Elder of the Blackfeet Nation.

'Spirit Helper' has arisen partly from a relationship with Fire In The Mountains, which takes place each year within the Blackfeet Nation, MontanaEnslaved will be returning to the festival later this month to perform. Ivar Bjørnson from Enslaved and Kevin Kicking Woman explain the concept behind 'Spirit Helper' and the lengthy process behind it.

Listen to 'Spirit Helper' here: https://enslaved.bfan.link/spirit-helper
Watch the video for 'Spirit Helper' Below:

The 'Spirit Helper' artwork was created by Nicholas Rink, who explains the meaning and symbolism behind it:

"I see the light blue wave at the bottom as a representation of the ocean between us, but also the background vibration of existence connecting us all and giving birth to existence, life, and of course the song itself.

The red line I imagine connecting us across the globe, representing our shared humanity and brother/sisterhood - the living breathing life in us all. The yellow spiral represents the song moving amongst all of these things.

The "Stars" were part of Ivar's original conception and I see them come to represent the power and source of the song. The black circle with the lightning bolt represents Kevin's singing and the spiritual power it carries, and the rainbow of triangles is representative of the musicians.

I wanted to include them symbolically and thought the traditional "triangle man" was a cool way. It took me a bit to decide how I wanted to use it but eventually it came to me to pay homage to Dark side of the Moon by Pink Floyd and included the rainbow colors in a unique way.

All of this is on an old map of Norway that my grandma had saved out of an old National Geographic magazine. I like using maps because LAND is so important in shaping us, our humanity, and how we express ourselves." 

Enslaved live in 2026

23-26 Jul 26    US - Montana, Blackfeet Nation @ Fire In The Mountains
18 Sep 26        NO - Sortland @ Sortland Jazzfestival 2026
31 Oct 26         NO - Oslo @ Oslo Spektrum w/ Dimmu Borgir & Satyricon

Tickets available here: Tour - Enslaved

Never faltering, Norway’s iconic Enslaved continue to exist as one of the most original and dependable components in our scene's indestructible backbone. Possessing the reputation as one of the most riveting live acts around, they never fail to offer us talent of the highest calibre, always doing justice to their signature black/progressive sound. Enslaved was formed in 1991 by Ivar Bjørnson and Grutle Kjellson, releasing their first demo Yggdrasill in the summer of 1992, their legendary mini-album Hordanes Land coming out in 1993, and with their debut full-length Vikingligr Veldi arriving in the spring of 1994.

Enslaved are a band in stellar form - a band at its most existentialist and self-conscious, proud Bergeners bearing the torch of their hometown’s extraordinary musical history. Their most recent material shows Enslaved at their most unleashed and thought-through - a lethal combination unfurling a potential that’s easily rekindling the furor of their early works while dancing gracefully through their most ambitious, most haunting and most musical tunes yet. A contradiction? Life itself is a contradiction. And yet we all live to prove it wrong.

Enslaved are:
Ivar Bjørnson | guitars 
Grutle Kjellson | vocals
Arve 'Ice Dale' Isdal | guitar
Håkon Vinje | keyboards, clean vocals
Iver Sandøy | drums

Website | Bandcamp | Facebook | Instagram | Twitter | Spotify | YouTube | Apple Music

Sleep Theory Release "(E)motional (S)upport (C)are (P)ackage" EP + Cover Taylor Swift's "Cruel Summer"

SLEEP THEORY — vocalist Cullen Moore, guitarist Daniel Pruitt, bassist Paolo Vergara, and drummer Ben Pruitt — are continuing their string of unexpected yet perfectly executed pop covers.

The band is thrilled to announce the surprise release of its new covers EP, (E)motional (S)upport (C)are (P)ackage, today via Epitaph. Listen and download here.

Alongside the news, Sleep Theory have also dropped a just-in-time-for-the-holiday video for their take on Taylor Swift's "Cruel Summer." Watch it below

It's truly Sleep Theory — and Taylor Swift — like you've never heard them before.

"Cruel Summer" follows Sleep Theory's studio covers of NSYNC's "Bye Bye Bye," which is a staple of their live shows, as well as their version of Paramore's "My Heart." 

With catalog streams at 875 million to date on the back of one album and one EP,  Sleep Theory are coming off their third No. 1 at Rock Radio, a Best New Rock Artist win at the iHeart Radio Awards, a sold-out debut European headline tour, and two sold-out North American headline runs. They issued their debut album, Afterglow, produced by David Cowell and mixed by Zakk Cervini (Bring Me The Horizon, Bad Omens, Architects), last spring. 

Upcoming Sleep Theory tour dates and live appearances are below.

SLEEP THEORY ON TOUR: 
U.S. TOUR DATES:
7/18 — Mansfield, OH — Inkcarceration@
7/19 — Tinley Park, IL — Summer of '99 & Beyond Festival@
7/28— Kansas City, MO— The Truman (SOLD OUT) *
7/30— Green Bay, WI— EPIC Event Center*
7/31— Dubuque, IA— Dubuque County Fair Association*
8/1— Omaha, NE— The Admiral Theater*
8/2— Springfield, MO— The Regency Live*
8/21— Montreal, QC— Warped Tour Montreal@
8/22— El Reno, OK— Lucky Star Amphitheater— Rock 100.5FM Kattfest@
9/12-13— Mexico City, MX— Warped Tour Mexico City@
9/20— Louisville, KY— Louder Than Life Festival@
10/4— Sacramento, CA— Aftershock Festival@
10/17— Nashville, TN— Ceremony Festival@
10/24 — Fort Worth, TX — Sick New World@
*Headline Date
@Festival

Nonpoint Announces 11th Studio Album The Last Word Arriving September 18, 2026 Releases Music Video for “Is It”

Nonpoint have officially announced their highly anticipated 11th studio album, The Last Word, arriving September 18, 2026, through 361 Degrees Records. Alongside the announcement, the band has released the official music video for their powerful new single, "Is It," now available below.

 

Fans will be able to secure the album beginning July 2, 2026, when the official pre-save and pre-order campaign launches across all major digital platforms and participating retailers. 

 

Pre-Save here: https://found.ee/nonpoint

Pre-Order Exclusive Limited Edition CD/Vinyl Bundles here:

https://nonpoint.com/

 

Already making an impact at Active Rock radio, "Is It" was the #1 Most Added track when it came out and has quickly climbed into the Top 50 on the Mediabase Active Rock chart.

Music Video Director of Photography and Editor: Drew Johnston.

Elias explains the concept behind the song "Is It."

 

“‘Is It’ is that internal conflict where you question getting too involved? Did I push too hard? Did I ask too much? It’s that feeling of wondering if doing what you thought was right actually meant hurting the people around you.”

 

The album itself represents far more than another release in the band's celebrated catalog.

 

"In a world that sometimes wants to put a timestamp on creativity, The Last Wordis our way of saying we're just getting started. We're pushing back against expectation and pushing forward into our own next chapter."

 

The album artwork carries an equally powerful message. Soriano describes the symbolic pencil featured on the cover as a reflection of both longevity and perseverance.

 

"This album cover tells a piece of our story. After years of making music, we feel more aligned than ever—musically, visually, and creatively. We’re writing some of the strongest material of our career, our live shows are as powerful as they’ve ever been, and the band feels focused and energized. The pencil on the cover represents what it’s like to be handed one last tool and expected to fit everything you have left to say into it. Not because the ideas are gone, but because longevity often comes with assumptions and limits. The Last Word isn’t about accepting an ending. It’s about challenging that narrative. If this is the pencil we’re being handed, we’re going to use it—and make sure the words written with it still matter."

 

Coinciding with the album announcement, Nonpoint has also revealed "The Even More Outta Control Tour," kicking off July 25, 2026. Renowned for their explosive live performances, the band will be performing brand-new material from The Last Word alongside the fan favorites that have become staples of their live set. The tour offers audiences an early look at what promises to be one of the band's most dynamic records to date.

 

For more than two decades, Nonpoint has remained one of hard rock's most resilient and respected acts, earning millions of streams, multiple charting singles, and a fiercely loyal global fanbase through relentless touring and uncompromising musicianship. The Last Word finds the band firing on all cylinders, proving they have no intention of slowing down.

Further underscoring the band's momentum, Nonpoint has also joined the roster of artists endorsed by Heavys, the world's first audio company engineered specifically for rock and heavy music fans. Designed for listeners who treat music as identity—not background noise—Heavys produces premium headphones, earbuds, and audio gear. 

 

Discount code: NONPOINT40 for 40% off their headphones and shells package. https://bit.ly/nonpoint-heavys

 

The Last Word arrives worldwide on September 18, 2026 via 361 Degrees Records. The official music video for "Is It" is streaming now, with the album's pre-save and pre-order campaign launching July 2, 2026. Fans can also catch Nonpoint on "The Even More Outta Control Tour," beginning July 25, 2026, as the band ushers in an exciting new chapter.

Tickets and VIP packages are available at

https://nonpoint.com/pages/tour-dates

Painful. Powerful. Unforgettable. Don’t miss your chance to be part of it!

 

Nonpoint US Tour Dates

 

Dorothy, Nonpoint, Vrsty

7/23 Menahga, MN

 

Nonpoint, Spineshank, Hed Pe

7/25 Davenport, IA Capitol Theater 

7/26 Minneapolis, MN  Cabooze 

 

Nonpoint Only 

7/28 Des Moines, IA Woolys 

 

Nonpoint, Soil, Spineshank, Hed Pe

7/29 Indianapolis, IN Vogue Theater

7/31 District 142 Wyandotte, Mi

 

Nonpoint, Powerman 5K, Soil and more 

8/1 Rock Lansing, Lansing, MI

 

Nonpoint, Soil, Spineshank, Hed Pe

8/2 The Winchester Lakewood, OH

8/4 Sherman Theater Stroudsburg, PA

8/6 Wallys Hampton Beach, NH

8/7 Empire Live Albany, NY

 

Nonpoint, Spineshank, Hed Pe

8/8 Waynesboro, VA The Foundry

8/9 Harrison, OH The Blue Note 

8/11 Lexington, KY Manchester Music Hall

8/12 Sauget, IL Pops

 

Nonpoint only 

8/14 Ringle, WI Q&Z Expo Center 

 

Nonpoint, Spineshank, Hed Pe

8/15 Milwaukee, WI The Rave 

8/16 Kansas City, MO RecordBar 

8/15 Milwaukee, WI The Rave II

8/16 Kansas City, MO RecordBar 

 

Nonpoint Only 

8/18 Colorado Springs, CO Black Sheep

 

Nonpoint, Spineshank, Hed Pe

8/20 Boise ID Shrine Social Club

8/21 Spokane, WA Knitting Factory 

8/22 Seattle, WA EL Corazón 

8/23 Portland, OR Hawthorne Theater

8/24 Roseville, CA Goldfield Trading Post

 

Nonpoint, Spineshank 

8/26 San Jose, CA The Ritz

 

Nonpoint, Spineshank, Hed Pe

8/28 Pomona, CA Glasshouse 

8/29 Las Vegas 24 Oxford

8/30 Mesa, AZ The Nile 

9/1 Lubbock, TX Jake’s 

9/3 Austin, TX Come & Take It Live 

9/4 Dallas TX Trees


Nonpoint is:
Elias Soriano (Lead Vocals)
Robb Rivera (Drums)
Rasheed Thomas (Guitar /Backing Vocals)
Adam Woloszyn (Bass)
Jason Zeilstra (Lead Guitar)

For More Information Please visit:

NONPOINT

Official Website

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361 Degrees Records

Australian Hard Rockers AIRBOURNE Release New Single "Kid In A Candy Store"

Today, AIRBOURNE proudly releases their latest single, “Kid In A Candy Store,” taken from their upcoming self-titled album set for release on August 28th via Spinefarm. The new track is produced by Brian Howes (who helmed 2013’s ‘Black Dog Barking’), engineered by Mike Fraser (who worked on 2010’s ‘No Guts. No Glory’ & 2016’s ‘Breakin’ Outta Hell’), mixed by Zakk Cervini (BMTH, Architects, Evanescence) and mastered by the legendary Ted Jensen.

Available since spring 2025, the do-or-die anthem "Gutsy" sent up the flare, signaling that a new album and a fresh chapter for the band were on the horizon. "Christmas Bonus"followed in November, with "Alive After Death (Last Plane Out)" arriving soon after, both the song and its accompanying video serving as spectacular flag-bearers for the 12-track album to come. Now comes "Kid In A Candy Store," cut from the same battle-jacket cloth, a classic rite-of-passage anthem in the tradition of songs like AC/DC's "Whole Lotta Rosie."

Stream / Listen to "Kid In A Candy Store" HERE

When AIRBOURNE – brothers Joel and Ryan O'Keeffe (vocals/guitar and drums, respectively), bassist Justin Street, and guitarist Brett Tyrrell – entered Music Farm Studioin southeastern Australia to record their new album, they effectively drew a line in the Byron Bay sand. The mission was clear: to create not only the greatest body of work in the AIRBOURNE canon ("Real blockbuster sh*t!," to echo their own words), but to scale the highest possible peak – shirtless, naturally, in true AIRBOURNE style – in the name of hard rock; to break new ground, defend the territory won by the heroes who came before them, and strengthen and celebrate the sacred bond with rock fans around the world.

In short, go forth and GET GUTSY!

Ryan shares:

“We said, this is it, let’s make the oracle. And if we’re going to do it, no corner can be cut. Because if you cut a corner, you’re not going to pull it off."

 

He continues, “This record distils everything we stand for into one place. Everything we love. It’s the best album we could possibly have made.”

 

“It’s a rocket that we’ve been building and building, and we’ve filled it with this fuel and we’re ready to light it up and let it go,” exclaims Joel. “Everything we are as a band, our heart and soul, is in this record.”

Made on home soil in the face of tropical storms, dangerous, potentially lethal wild-life and temperamental vintage gear, ‘Airbourne’ is the album, the statement recording, that only one band could have created; for proud sons of Warrnambool, Joel and Ryan, it was all about setting a high bar, then raising it higher, with Bryan Adams and studio maestro ‘Mutt’ Langeadding their multi-platinum songwriting skills to a couple of the tracks.

 

‘Airbourne’Made with passion. Made in Australia. The Great Barrier Riff.

Pre-Order 'Airbourne' HERE

AIRBOURNE Live:

July 2 - Belfort, France @ Eurockéennes

July 3 - Ballenstedt, Germany @ Rockharz Open Air

July 4 - Vienna, Austria @ Donauinselfest

July 7 - Villafranca di Verona, Italy @ Castello Scaligero

July 10 - Weert, Netherlands @ Bospop

July 11 - Knebworth, UK @ Eddfest

July 16 - Saint-Julien-en-Genevois, France @ Guitare En Scene

July 17 - Ambert, France @ World Festival Ambert

July 20 - Carcassonne, France @ Festival De Carcassonne

July 22 - Solothurn, Switzerland @ Kulturfabrik Kofmehl

July 23 - Liège, Belgium @ OM Concerts

July 25 - Sondershausen, Germany @ Bobfest

July 28 - Zagreb, Croatia @ Boogaloo

July 30 - Râșnov, Romania @ Rockstadt Extreme Fest

August 1 - Wacken, Germany @ Wacken Open Air

August 4 - Bratislava, Slovakia @ Tipos Arena

August 7 - Chemnitz, Germany @ Wasserschloss Klaffenbach

August 8 - Poznań, Poland @ Rockowizna Festival

August 10 - Prague, Czech Republic @ Forum Karlín

August 12 - Dinkelsbühl, Germany @ Summer Breeze

August 14 - Sulingen, Germany @ Reload Festival

August 16 - Carhaix-Plouguer, France @ Motocultor Festival

August 18 - Pamplona, Spain @ Navarra Arena

August 20 - Valencia, Spain @ Roig Arena

August 22 - Château-Gontier, France @ V And B Festival

August 26 - Kraków, Poland @ Klub Studio

August 29 - Tallinn, Estonia @ Helitehas

August 31 - Helsinki, Finland @ Allas Sea Pool

September 3 - Stockholm, Sweden @ Tivoli Gröna Lund

September 5 - Oslo, Norway @ High Voltage Live

TEMPERANCE Announce New Album "Arcani" Out 10/16

Italian symphonic power metallers TEMPERANCE reshuffle the pack with their seventh album, Arcani, coming October 16 via Napalm Records. Structured around the divinatory practice of Tarot, each of the new songs follows a different card of the Major Arcana deck. Pouring their passion into 13 spellbinding songs with even catchier symphonic melodies than before, TEMPERANCE's bright future takes shape on Arcani.

Along with the announcement, TEMPERANCE release the first single from the upcoming album. "The Devil: Sin, Sin, Sin" showcases dramatic instrumentation. Focusing on the sinister Devil card, the fifteenth trump of the Major Arcana, it features a dark undertone, in which the catchy chorus and the full vocal power of the melodic metal masters' multiple singers truly shine.

Marco Pastorino about "The Devil: Sin, Sin, Sin":
"We've decided to begin our journey into the world of Arcani with a brand-new metal anthem for our upcoming setlists. 'Sin, Sin, Sin' embodies The Devil card, opening the gates to the world of Tarot within the context of TEMPERANCE. Are you ready to fall into sin?"

Their first trump comes in the shape of "The Fool." Just like the card has uniqueness in Tarot through being unnumbered or assigned 0, Arcani's opening song takes a special role through the lack of a subtitle. Paving the way for the album, TEMPERANCE have their trademark grand sound take shape in uplifting melodies and powerful duet vocals. For "The Magician: Into the Fire," male vocals take the lead, the blazing anthem further unfolding the potential of the magical record. The emotive mid-tempo track "Death: Right Before We Die," introduced by gentle keyboard melodies and fleshed out by impressively high notes, draws from a personal experience the band members shared. "The Tower: Lean Into Fear" takes the form of a hard rock song — an entirely new facet in TEMPERANCE's musical universe. Its Tarot paragon being a symbol of chaos and catastrophe as well as liberation, it is the perfect song for Kristin Starkey to show her roaring versatility. "The Devil: Sin, Sin, Sin" picks up on its predecessor’s dark undertone, using it for a dramatic composition with an incomparably rousing chorus in which the Italian masters of modern melodic metal truly shine. Following, the quintet unveils a quasi-self-titled track with "Temperance: Forgiveness."

TEMPERANCE turn the virtue card into a well-balanced, encouraging song, claiming, "Another day is coming," before presenting theirs with the triumphant "The Chariot: Alla Ricerca dell’America" (Engl. "in search of America"), which adds both Italian lyrics, and a Swedish line honoring Starkey's chosen home, as well as more operatic singing to Arcani. The collectively catchy "Justice: Balance" portrays a similarly victorious sentiment, before the hopeful "The Star: Surrender Control" has TEMPERANCE move back to contrasting their vocalists. Introduced by electronic melodies, "Wheel of Fortune: Come and Call Me" comes in fast and forceful — fierce change once again matching the symbolism behind the eponymous card. Much calmer, "The Moon: The Man of Moonlight" harmonizes hidden danger through enticing instrumentation and strong vocals, before the intense "The Hanged Man: Petrichor" turns from acoustic guitars to heavy extraordinaire, from metal to opera, pulling together the numerous different styles the five-piece is capable of executing without the "pitture infamante's sacrifice. "The World," much like "The Fool," stands out in its title, but also as a song itself: The closing track is an acoustic guitar track with predominantly female vocals, mirroring the Major Arcana's final card in its feeling of success. With it, TEMPERANCE wrap up Arcani with a special feeling of overarching finality while still looking ahead.

TEMPERANCE LIVE 2026:
KAMFEST

10/31 — Tilburg, NL — O13 (KAMELOT, Blackbriar, EXIT EDEN, TEMPERANCE)

Supporting KAMELOT’s Dark Asylum World Tour, Europe Pt. 1 w/ EXIT EDEN

11/01 — London, UK — O2 Shepherd's Bush Empire
11/03 — Manchester, UK — O2 Ritz Manchester
11/05 — Oberhausen, DE — Turbinenhalle
11/06 — Pratteln, CH — Z7 Konzertfabrik
11/07 — Lyon, FR — La Rayonne
11/08 — Stuttgart, DE — LKA
11/10 — Krakow, PL — Klub Studio
11/11 — Warsaw, PL — Progresja
11/13 — Zagreb, HR — Boogaloo
11/14 — Budapest, HU — Barba Negra Red Stage
11/15 — Belgrade, RS — Hangar
11/17 — Trezzo sull'Adda, IT — Live Club
11/18 — Padova, IT — Hall
11/20 — Toulouse, FR — Metronum
11/21 — Barcelona, ES — Razzmatazz 1
11/22 — Madrid, ES — Sala La Riviera

TEMPERANCE ARE:
Kristin Starkey — Vocals
Michele Guaitoli — Vocals/Piano
Marco Pastorino — Guitars/Vocals
Luca Negro — Bass Guitar/Vocals
Marco Sacchetto — Drums

SUNSWARM Present New Single "Sour ///", A Visceral Rejection Of Deception And Complicity

Southampton, UK, based industrial post-metal act SUNSWARM present a thematic and stylistic shift in the new single release, "Sour ///". Where previous releases explored the systemic erosion of self-worth, "Sour ///" turns its gaze outward. It is a raw, unsparing response to the lies, performance and rot at the heart of the societal and political structures we live in.

Built around a distorted breakbeat and rhythmic breakdowns, "Sour ///" marks a subtle but significant shift in SUNSWARM's sound. The industrial and post-metal architecture remains intact — crushing, textured, unrelenting — but the technical, rhythmic propulsion cuts through the density with surgical momentum. Deception, predatory behaviour and the hollow weight of broken trust are dissected and discarded. The verdict is simple: "shut your mouth".

On "Sour ///", SUNSWARM share:
"Your choice tastes, to me, sour. It's about the lies people tell — the ones dressed up as strength that are really just weakness in disguise. The eyes give it away every time. They swarm like sharks. This song is about seeing through it, rejecting it, and refusing to swallow it."

"Sour ///" opens with Sludge guitars over a restless, grinding breakbeat establishing an unease that feels both human and mechanical. Vocals arrive with unusual directness, words stripped back to their bluntest form. "Flies in the sunshine. Lies from your mouth." As the track builds, the full weight of SUNSWARM's sonic architecture descends — metallic, relentless, dystopian. The chorus lands like a verdict: "So you can shut your mouth. Yeah, you can shut your mouth."

Throughout their tracks SUNSWARM construct harsh soundscapes utilizing metallic textures, intense rhythms, and black-metal inspired vocal performances. Dystopian and brutalist is the nature of the atmosphere the music evokes. SUNSWARM do not offer escape, but rather explore the darkness in full force through their compositions. 

SUNSWARM's "Sour ///" was produced, mixed and mastered by Wayne Adams and recorded at Bear Bites Horse, London.

About SUNSWARM:

SUNSWARM is led by vocalist and bassist Rich Lee-Davis and vocalist and guitarist Neil Sutton, joined by additional contributors who extend the band’s sonic and visual reach. Together they construct an immersive environment where sound, light, and texture collide. Their creative world is defined by sensory overload, stark monochrome imagery, disorienting strobe work, and the feeling of being enclosed within an atmosphere that is both vast and hostile. Everything they create is intended to overwhelm, to blur the line between performance and encounter.

From their earliest ideas, SUNSWARM have operated from a place of complete self-definition, shaping a language of heaviness that goes beyond impact or aggression. They approach weight and intensity as emotional terrain, a landscape shaped by pressure, absence, and the darker edges of lived experience. 

Emerging from UK South Coast underground scene, SUNSWARM draw influence from the brutal desolation of GODFLESH, the spiritual intensity of AMENRA, the sonic extremity of THE BODY, and the cosmic dread of ORANSSI PAZUZU. Their sound merges industrial noise, post-metal density, and extreme vocal expression into something immersive and deeply physical.

SUNSWARM is: 

Rich Lee-Davis - vocals, bass
Neil Sutton - vocals, guitar
Additional contributors (live and studio) - to be announced

Connect with SUNSWARM:

Website: https://sunswarm.bandcamp.com/
Bandcamp: https://sunswarm.bandcamp.com/
Facebook: https://www.facebook.com/sunswarmband
Instagram: https://www.instagram.com/sunswarmband/
YouTube: https://www.youtube.com/@SUNSWARM

NYC art-rock mavericks ECCE SHNAK present vivacious single 'Eddie, Legalistic Homeslice'

NYC art-rockers Ecce Shnak present 'Eddie, Legalistic Homeslice', the second single from their full-length album “Dandy Variances", anticipated later this year via Records, Man Records. Recorded and produced by Jeff Lucci, this single was mixed by Grammy award-winning producer Mario McNulty (David Bowie, Prince, Nine Inch Nails, Julian Lennon),

Formed in the mid-noughties and forged in NYC's experimental scene, Ecce Shnak (pronounced Eh-kay sh-knock) is made up of David Roush (composer, bassist and baritone vocalist), Bella Komodromos (vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn (drums). 

"Like 'Larry, Sleepover Friend' from our 2019 'Joke Oso' EP, our new song is a garage-rock homage to a beloved friend of mine. Like 'Larry', 'Eddie' explores big themes in great friendships: their gnarly ambivalences, their absurd misunderstandings, their inside-jokes, and their contradictory mix of irreverence with utmost care," says David Roush.

'Eddie' reaches its lyrical denouement with what is said to be the “oldest prayer of friendship,” and also sounds like a throwaway Rivers Cuomo line: “I pray you don’t be a rat in a rat-suit! Pray you don’t be a rat in a rat-costume!”

"We are also overjoyed to feature two great friends as the co-stars of the music video, the preposterously funny and talented comedic duo Syd and Olivia! I was lucky to have met these two pugnaciously podcasting, thoughtfully Thespian, joke-slinging YouTube yokels on a fantastic journey to the Greek island of Crete two years ago, and the rest was thirst’ory," says David Roush.

Vocalist Bella Komodromos adds, "They absolutely kicked butt at their roles (as Eddie and Davey respectively) in this Wes-Anderson-hued buddy-comedy music video, directed and produced by DJay Brawner, famed for his work with Foo Fighters, Sum41, Panic! At The Disco, Ed Sheeran, Melanie Martinez and Lupe Fiasco. It is our ardent hope that all fans of Ecce Shnak and Syd and Olivia alike can shart out with their hearts out to this badass collaboration!"

Apart from directing and editing the new video with Brooks Jones, Beth Narducci and David Roush, Brawner also worked on the video for the album's lead track 'Vincent', an homage to superb music videos of yesteryear - for Meshuggah’s “Bleed” and 311's “Down”. Here, operatic trills collide with frantic rock energy in a high-decibel takedown ofa formulaic antagonist through the power of one's own voice.

With a reputation for astounding performances, Ecce Shnak's music a volatile yet meticulously crafted ecosystem, where technical precision meets inspired mayhem. Their 2025 'Shadows Grow Fangs' EP was recorded and produced by Jeff Lucci, mixed by Nicholas Vernhes (Animal Collective, Deerhunter, Wild Nothing, War on Drugs) and mastered by Grammy award-winning engineer Joe LaPorta (David Bowie, The Weeknd, Foo Fighters, Vampire Weekend).

Ecce Shnak recently wrapped up their UK tour with EMF, not long after Ecce Shnak featured on EMF's stellar track 'LGBTQ+ Lover' with both Davey and Bella contributing vocals. The accompanying video was filmed during their joint West coast tour in 2025 tour, along with Spacehog. EMF and Ecce Shnak once again hit the East coast and Midwest together this past spring,

As of July 1st, 'Eddie, Legalistic Homeslice'isavailable from digital music platforms, includingSpotifyApple Music and Bandcamp.  Ecce Shnak performs next on July 12th at New York's Cassette, along with DHÄRÄ, Jawaun Neal and Backflips. Starting at 7:30pm, this is a 21+ event. 

CREDITS

Music written / composed by David Roush
David Roush - vocals/bass
Isabella Komodromos - vocals

Gannon Ferrell - guitar
Chris Krasnow - guitar
Henry Vaughn - drums

Recorded and produced by Jeff Lucci
Mixed by Mario McNulty
Video directed & edited by DJay Brawner, Brooks Jones, Beth Narducci, & David Roush

Starring Syd and Olivia
Single released by Records, Man Records
A&R: Beth Narducci for You + Me Entertainment
Publicity by Shauna McLarnon for Shameless Promotion PR

Ecce Shnak photos by Hannah Mesquitta


Keep up with Ecce Shnak
Facebook | Bandcamp | Instagram | Twitter | YouTube | TikTok | Spotify | Apple Music | YouTube Music | BandsInTown | Booking | Press contact

Keep up with Shameless Promotion PR
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Dominum Release Upcoming Album's Title Track "Night is Calling" | Album Out Friday!

Nearing the release of their third album, Night Is Calling, rising modern metal stars DOMINUM are sharing the title track as another single. "Night Is Calling" combines thunderous riffs, cinematic atmosphere, and another massive sing-along hook to pull listeners into the captivating world of Dr. Dead. The dark yet uplifting track features a powerful guest appearance from Marina La Torracaof Battle Beast, giving DOMINUM's whizkid catalog another highlight. Theatrics, horror aesthetics, and arena-ready choruses make for another brilliant release.

With their sophomore studio album, The Dead Don't Die (2024), DOMINUM, led by mastermind and singer Felix Heldt — better known as Dr. Dead — stormed into the top 10 of the German charts. Together with his zombies, Tommy Kemp(guitars), Patient 0 (bass), and Victor Hilltop (drums) — DOMINUM have already taken this undead spectacle to major stages across Europe. Touring alongside icons such as Bruce Dickinson, Avantasia, Battle Beast, and Peyton Parrish, the band has proven its strength both at major festivals and during their own headline shows.

Night is Calling releases this Friday, July 3rd, via Napalm Records. DOMINUM are playing album release show at Rockharz Festival and in Wacken.

Dr. Dead comments on "Night is Calling":
"I can do what I want. But I cannot want what I want. The story of my life. Night is calling. Always. It creeps in softly at first, like a whisper you almost don't notice. Then it wraps itself around your thoughts — pulling, tempting, seducing. A darkness that feels familiar, that feels like home… and yet, it corrodes.
I try to resist. I try to fight. I always do. But every shadow, every quiet hour, every lonely moment… it reminds me that I am never truly free. Night is calling. And I answer, again and again."


Watch the official music video for "Night is Calling" Below:

DOMINUM open the next chapter of their dark, theatrical universe with their new full-length Night Is Calling. With their bombastic sound and outstanding stage presence, the band continues its rapid ascent on the international metal scene, without losing sight of its strengths: theatrical, melodic, and uncompromising modern metal — driven by the dark charisma of Dr. Dead and his zombies. One thing is certain: The Living Dead Squad continues to grow.
 
Night Is Calling is now available for pre-order, with selected formats including the bonus album Live at Wacken 2025.
 
Dr. Dead on Night is Calling:
"They grow up so fast." – Ugh. It makes me sick. And now I feel it myself: My zombies have grown up. Our creation… has grown up too. But unlike the pitiful rest, we don't mourn our childhood. No. We revel in who we are. Being a child, being an adult — what does that even mean? — the world lies at our feet, and we can do whatever we damn well please. Believe me from firsthand experience: An army of zombies makes everything a hell of a lot easier… and way more fun with every bit of trouble getting the punch it deserves. We have the power to reshape our world. And oh, we do. 'Night is Calling' — This is our outlet. Stronger melodies, heavier riffs, sharper, unflinching lyrics — honesty as our deadliest weapon. We are who we are. And you… you're in this whether you like it or not. The undead are on the march, more relentless than ever. Join us – immediately, willingly… or a little later when we come to your neighborhood. Either way… we'll be seeing you — Dr. Dead."

Get your copy of Night is Calling NOW.

Produced by Felix Heldt and mixed by renowned producer Jacob Hansen, Night is Calling expands the band's sonic universe with even heavier riffs, bigger choruses and cinematic drama. The explosive opener "The Circus Is In Town" throws listeners straight into DOMINUM's twisted carnival, while infectious anthems such as "Doctor Doctor" and "Dark Melodies" deliver massive hooks destined to echo across festival crowds. The powerful title track "Night is Calling" (Feat. Battle Beast) further highlights the band's growing presence on the international metal stage.

DOMINUM LIVE:
7/3 — Wacken — Landgasthof Wacken
7/4 — Hamburg — Ballroom Hamburg Kaperfahrt (SOLD OUT!)

NIGHT IS CALLING TOUR:
WITH THE NIGHT FRIGHT ORCHESTRA:

11/24 — Paris, France — La Machine du Moulin Rouge
11/25 — Frankfurt, Germany — Batschkapp
11/27 — Hamburg, Germany — Grosse Freiheit 36
11/28 — Leipzig, Germany — Hellraiser
12/1 — Budapest, Hungary — Barba Negra
12/2 — Vienna, Austria — Szene
12/4 — Pratteln, Switzerland — Z7
12/5 — Saarbrücken, Germany — Garage
12/6 — Sint-Niklaas, Belgium — De Casino
12/8 — Manchester, UK — O2 Ritz
12/9 — Bristol, UK — Bristol Electric
12/10 — London, UK — Electric Brixton
12/12 — Oberhausen, Germany — Turbinenhalle
12/13 — Utrecht, Netherlands — Tivoli Vredenburg
12/15 — Berlin, Germany — SO36
12/16 — Hanover, Germany — Capitol
12/18 — Stuttgart, Germany — LKA Longhorn
12/19 — Munich, Germany — Backstage
12/20 — Nuremberg, Germany — Hirsch

FESTIVALS:
5/22–5/23 — Cornaux, Switzerland — Corn’Rock Festival
6/5–6/7 — Pilsen, Czech Republic — Metalfest Open Air
7/1–7/4 — Ballenstedt, Germany — Rock Harz Festival
7/3–7/6 — Knislinge, Sweden — Time To Rock
7/13–7/15 — Sulingen, Germany — Reload Festival
7/24–7/25 — Bissingen, Germany — Wisdom Tooth Festival
8/23 — Sankt Goarshausen, Germany — Loreley Freilichtbühne (w/ Judas Priest, Thundermother)

… more to be announced

DOMINUM ARE:
Dr. Dead — Vocals
Patient 0 — Bass
Victor Hilltop — Drums
Tommy Kemp — Guitars