CARLY PEARCE EXTENDS LONGTERM PUBLISHING PARTNERSHIP WITH BMG

CMA, ACM and Grammy award-winning singer-songwriter Carly Pearce has extended her longtime publishing partnership with BMG in association with Altadena, the music company founded by Carly‘s late producer and collaborator, busbee and LEO33’s Daniel Lee. Celebrating a decade with her publishing home, Pearce continues to be “one of the most exciting voices in contemporary country music” with her “songwriting [that] is as sharp as ever” (Associated Press). 

Said Pearce, “BMG has been a part of my story from the very beginning of my career. They have supported me the whole way, and I couldn’t be happier to continue my journey with them!”

Chris Oglesby, BMG Nashville’s VP, Publishing, said, “Carly’s strength, determination and writing skills are as fierce as her work ethic. We are honored to continue this journey with her and Altadena.”

Connecting with audiences across the globe, the multi-Platinum Country star kickstarted her headlining hummingbird world tour this October in support of her latest album hummingbird, which marks Pearce’s debut as a co-producer and includes the Grammy-nominated “we don’t fight anymore” featuring Chris Stapleton and blazing current radio single “truck on fire.” Receiving stunning critical acclaim, The New York Times praised the “country star with a flair for good, old fashioned craftsmanship,” while the Tennessean boasts that “Carly Pearce's fourth studio album, hummingbird, presents her best and ‘most authentic’ self via integrity-driven hard work that feeds her soul.” 

Yesterday, Carly unveiled the fiery official music video for her rising single “truck on fire” that The New York Times hailed a “swinging country revenge song.” Watch the music video below, which transports the viewer to a small town and sees Carly live out a classic revenge fantasy, taking matters into her own hands by torching the beloved truck of a cheating ex. Directed by Carly’s longtime collaborator Alexa Campbell, “truck on fire” is Carly’s first official music video to be released since she won the CMT Award for Collaborative Video of the Year in April for her GRAMMY-nominated single “we don’t fight anymore” featuring Chris Stapleton.

On the heels of her four Number One singles at country radio, the Grand Ole Opry member shows no signs of slowing down and continues to resonate with her honest lyrics and timeless musicality.

Photo ID (L-R): Daniel Lee (Altadena), Mike Blong (Starstruck Entertainment), Camryn Clark (BMG), Patricia Wittmer (BMG), Pearce, Chris Oglesby (BMG), Jess Busbee (Altadena), Amy Scott (BMG), David Crow (Milom/Crow/Kelley/Beckett/Shehan PLC)

Photo Credit: Kevin Grace, BMG Nashville

ABOUT CARLY PEARCE:

Fiercely rooted in the classics, the girl who left her Kentucky home and high school at 16 to take a job at Dollywood has grown into a woman who embraces the genre’s forward progression. GRAMMY® Award-winning singer-songwriter Carly Pearce lit a fire with her debut album Every Little Thing and the PLATINUM-certified history-making title track, and she hasn’t slowed down since. With the praised release of her highly anticipated fourth album, hummingbird (June 7, Big Machine Records), Pearce continues to resonate with her honest lyrics and timeless musicality. The critically acclaimed album includes lead single “we don’t fight anymore” (featuring Chris Stapleton), which earned Pearce her second GRAMMY® nomination for Best Country Duo/Group Performance and fifth Top 5 Country Radio hit, as well as the blazing single “truck on fire” which Pearce debuted on The Tonight Show Starring Jimmy Fallon. Pearce is currently on her headlining hummingbird world tour where she’ll connect with fans across the globe following a run of 45 sold-out shows as direct support on Tim McGraw’s Standing Room Only Tour. Pearce, now a Grand Ole Opry and Kentucky Music Hall of Fame member, has come a long way from the pain she felt writing her critically acclaimed and commercially lauded third studio album 29 which includes Country Radio chart toppers “Never Wanted To Be That Girl” with Ashley McBryde and PLATINUM-certified “What He Didn’t Do.” For the PLATINUM-certified “Never Wanted To Be That Girl,” Pearce picked up her second consecutive ACM Music Event of the Year in 2022 and marked the third duet between two solo women to top Billboard’s Country Airplay chart. The song also took home the 2022 CMA Musical Event of the Year and won a GRAMMY® Award for Best Country Duo/Group Performance, marking Pearce’s first and making history as the first female pairing to win in the category. In addition, Pearce’s 3x PLATINUM-certified “I Hope You’re Happy Now" with Lee Brice won both the 2020 CMA Awards Musical Event and 2021 ACM Awards Music Event, plus ACM Single of the Year. In 2023, Pearce joined Blake Shelton’s BACK TO THE HONKY TONK TOUR and made her 100th performance at the Grand Ole Opry. For tour dates and more, visit CarlyPearce.com.


ABOUT BMG:

BMG is an integrated music publishing and recordings business and the world’s fourth-largest international music company. BMG’s distinctive pitch is a relentless focus on global service to its artist and songwriter clients, combining creative insight and support with the best in technology and analytics. BMG’s 20 offices across 13 core music markets represent over three million songs and recordings, including many of the most renowned and successful catalogs in popular music history. BMG is owned by international media, services and education company Bertelsmann, whose other content businesses include the entertainment company RTL Group and the trade book publisher Penguin Random House. With its integrated technology platform, artist-friendly culture, and commitment to help artists maximize their income, BMG aims to be the best company in music to do business with. www.bmg.com

Arcade Assembly feat. Elias Soriano and Cris Hodges Release Debut Single "Nothing's Real" ​   

Arcade Assembly, featuring Elias Soriano (Nonpoint) and Cris Hodges (Grey Daze), are thrilled to announce the release of their debut single, "Nothing's Real," through 361 Degrees Records. 

 

“Nothing’s Real” explores themes of existential doubt, personal fears, and the disorienting reality of living in a chaotic world. But it does so with a compelling mix of vulnerability and strength, with Soriano’s gravelly, commanding delivery and Hodges’ soaring, emotionally charged vocals creating a sonic landscape that’s both haunting and uplifting. It’s the kind of track that feels equally at home on a rock stage or echoing through the vast, pulsing arenas of a festival like EDC or Tomorrowland.

In a world where boundaries between genres blur and evolve, collaborations between rock’s powerhouses and rising stars often spark the next wave of musical innovation. Among these groundbreaking partnerships is the alliance between Elias Soriano, frontman of Nonpoint, and Cris Hodges, vocalist of Grey Daze and solo artist making waves in the pop, EDM, and rock arenas. Their recent collaboration is setting the stage for something electrifying, attracting attention from rock purists and the new generation of synth-driven, hybrid rock fans.

Elias Soriano has long been a staple in the rock world. With over two decades of hard-hitting anthems and unforgettable performances, his voice has become synonymous with intensity, resilience, and raw emotion. As the face of Nonpoint, Soriano's relentless energy and captivating lyrics have been the driving force behind a legacy of records that speak directly to themes of struggle, survival, and personal triumph. But Soriano isn’t confined to the past—he's pushing forward, exploring new sonic territories, and embracing the future of music in ways even his biggest fans might not expect.

 

Enter Cris Hodges, a versatile force emerging from the intersection of rock, pop, and EDM. As the touring vocalist for Grey Daze and a solo artist blending infectious melodies with raw emotional depth, Hodges brings a modern twist to the traditional rock sound. His ability to cross genres and captivate audiences across different musical landscapes has earned him critical acclaim, and it’s this adaptability that makes his collaboration with Soriano not just intriguing, but inevitable.


Their first release together, "Nothing’s Real," is more than just a track—it’s a statement. The song’s origin story reads like the start of a movement, a chance encounter between two artists with mutual respect for each other’s work. “I grew up listening to Nonpoint,” Hodges reflects, “and I always admired the fire Elias brought to his music. When we connected through a business venture, I had just written a song that needed that fire. It felt like it was meant for his voice."

 

Soriano didn’t hesitate. “Cris has this easygoing, yet driven energy. He brought me into the project, and when I heard the song, I was hooked. It’s got everything—emotional grit, a killer hook, and a beat that hits you hard. The chemistry was instant, and before we knew it, industry folks around us were buzzing, urging us to release it.”

 

There’s a buzz around the duo—one that’s growing louder with every listen. The blend of Soriano’s rock roots and Hodges’ genre-defying style has caught the attention of industry heavyweights and fans alike. Early reviews are glowing, with many already anticipating remixes in the EDM world, and whispers of future releases are met with eager anticipation. And while the duo remains humble about the future, the energy surrounding "Nothing's Real" suggests this is only the beginning of a creative partnership destined to shake things up.

The production team behind the track further cements its credibility. With contributions from Filter guitarist Zack Munowitz, Moonspell drummer Hugo Ribeiro, and EDM producer Kustom Mike Polk, "Nothing's Real" is a masterclass in blending rock’s raw power with the expansive, polished production typically found in pop and electronic music. To top it all off, the track was mixed by Chris Collier—whose work with Korn, Nonpoint, and other metal powerhouses speaks to his ability to elevate a song to its full potential.


Looking forward, Soriano and Hodges are determined to keep pushing the envelope. They’re not just working together—they’re building something bigger. As they assemble a collective of like-minded creatives, their vision for the future is clear: to create music that transcends genre limitations, bringing their unique blend of rock, EDM, and pop to stages and festivals across the globe. “We’re excited to collaborate with artists who want to step outside of their usual creative worlds,” Soriano says. “There are no rules here, and that’s what makes this so inspiring.”

 

As the world waits for what’s next, one thing is certain: Elias Soriano and Cris Hodges are not just a collaboration to watch—they are pioneers leading the charge in the evolution of modern rock music, where genre-defying sounds meet timeless energy and emotion.

For More Information:

 Arcade Assembly

Official Website

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YouTube

 

Cris Hodges

Instagram

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Elias Soriano

Instagram

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Swedish Dark Metal Trio THE VICE Unleashes Haunting New Video for 'Crossing Over'! ​    

Swedish Dark Metal trio THE VICE has unveiled a haunting new video for the track 'Crossing Over', taken from their latest album "Dead Canary Run" released in January 2024 via Noble Demon.


Directed by Jimmy Johansson, the video serves as a visual manifestation of the track's unsettling mood, amplifying the raw intensity and brooding atmosphere that define THE VICE's distinct sound.

THE VICE about the track: "Crossing Over immediately drags you out of your comfort zone with its eerie groove and the mean pumping bass. Together they convey a very unsettling mood leading up to the ferocious climax. That one last, violent moshpit on the deck of this sinking ship."

Building upon the foundations set by their previous work - a blend of filthy rock, blackened metal, gothic influences and death-ridden pop - the band's latest album "Dead Canary Run" takes listeners down a deranged path that THE VICE has masterfully crafted over the years.

With an eclectic mix of genres thriving like never before, the album promises to captivate fans with its raw energy and infectious melodies. While some elements may feel familiar, there are numerous new levels that THE VICE has reached with this new offering. "Dead Canary Run" serves as a testament to the band's growth since their recent full-length album "White Teeth Rebellion", showcasing their passion and determination, with their amps cranked up to 11.

"Dead Canary Run" is released via Noble Demon and available for purchase at THIS LOCATION

The Vice are:
Rickard - Vocals & Guitars 
Charlie - Bass 
Petter - Drums
Guest appearance by Joel Öhman (Piano)

For more info visit:
https://www.facebook.com/TheViceOfficial/  
https://www.instagram.com/theviceofficial/  
https://theviceonline.bandcamp.com/  
https://linktr.ee/nobledemon    

San Francisco's AURSJOEN offers haunting sonic alchemy on 'For Want Of'. William Faith-produced debut 'Strand' EP is out on November 15

San Francisco artist AURSJOEN presents the single 'For Want Of', the second taste of her debut 'Strand' EP (out November 15 via Stratis Capta Records), offering a glimpse into her versatility as a vocalist and musician while keeping with the ethereal cinematics found in her debut single 'Nytår'. Both of these haunted beauties are sensual and mystical, nodding to her Scandinavian ancestry. 

This reverie-infused music is lush, layered and sweepingly cinematic. Dark and light in equal measure, this dynamic slice of ethereal gothica complemented by a haunting video, created by filmmaker David Kruschke.

AURSJOEN is the project of Ria Aursjoen, who is vocalist and keyboardist for critically acclaimed post-punk outfit Octavian Winters, who released their debut EP 'The Line or Curve' in 2023, followed by their 2024 'Nebula / Velveteen' single with electronic-industrial legend Mark Pistel (Meat Beat Manifesto, Consolidated). A classically-trained singer and multi-instrumentalist, her musical past is steeped in genres ranging from Celtic and Nordic folk to darkwave and progressive metal.

Beginning from a delicate piano motif, 'For Want Of' builds to a symphonic crescendo. Vocal lines are layered as the song unfolds, reminiscent of how we can hold different and sometimes opposite thoughts at the same time in our heads. While this track showcases her ethereal sensibilities, it also makes clear the true scope of Ria Aursjoen’s voice. 

"'For Want Of' was written several years ago. I had just moved into an empty apartment with a baby, a toddler, a bag of clothes and a cooking pot. It was surreal -- one of the most difficult transitions in my life and I had layers of feelings that should have been irreconcilable, even though they existed together. On one hand, I felt empty desolation, and yet at the same time a fiery fullness that felt like a wild animal trying to break out of my heart. I tried to express these in the song as the contrast in vocal delivery as well as in the references to winter/ice and fire – references that show up as part of my lyrical lexicon in other songs as well. Instead of switching off from one to another, I layered them so that you hear them running together, to mirror how it felt internally," says Ria Aursjoen

"What I really love is to create music that is more than the sum of its parts, where the interplay (either harmonically or rhythmically) between different motifs gives birth to something extra, something “meta” that you can’t predict or engineer. I think those two states of feeling did that in my life too… a different self,  a new era was born for me out of that ice and fire."

AURSJOEN's debut 'Strand' EP was produced, recorded, mixed and mastered by William Faith (The Bellwether Syndicate, Faith and the Muse, Mephisto Waltz, Christian Death) at 13 Studio in Chicago, Aursjoen is joined by Octavian Winters bandmate Stephan Bryan Salit, who lends his creative flourish to the mix, contributing dynamic and atmospheric guitars on two songs. The performances and sweeping arrangements recall Faith’s work with Faith and the Muse, although Ria Aursjoen’s voice and composition are distinctly recognizable as something uniquely her own.

Ria Aursjoen shares, "Regarding the video, initially I had storyboarded another concept, and David Kruschke and I were working on the locations. But Octavian Winters went on tour, and I was unavailable to shoot the video until we were too close to the release date to make it work. The day after I got home from tour, David and I went out to the coast near San Francisco and shot the video as we felt it. This turned out to be a great decision because I was so exhausted from the tour and it was so hot (we filmed during the October heat wave) that I didn’t have the time or energy to overthink any of it -- and what we ended up capturing was a much more untethered performance that felt very true to myself."

As someone who has synesthesia, a rare neurodiverse condition in which senses overlap, Aursjoen experiences sound as visual structures, colours and textures. As a child, she wrote her musical ideas down in a unique system of notation she created, based around her visual perceptions of music.

Aside from music, Ria Aursjoen is a published writer and visual artist, having won two national art competitions by the age of eight and illustrated a children’s book. She creates much of Octavian Winters’ artwork and currently works with inks and parchment velum to create palimpsest-style art.
 
While the 'For Want Of' single will be officially released everywhere on October 21, it is available exclusively via Bandcamp this week. The 'Nytår' single can also be found there and the 'Strand' EP (out November 15) is also available for pre-order.

CREDITS
All songs written & performed by Ria Aursjoen
Arranged by Ria Aursjoen and William Faith
Guitars on 'Lilypad' & 'Apollo' by Stephan Bryan Salit
Produced, recorded, mixed & mastered by William Faith at 13 Studio in Chicago
Published by Airdaughter Music BMI
Released by Stratis Capta Records
Publicity by Shameless Promotion PR
'Nytår' video by David Kruschke
Cover artwork by Ria Aursjoen


Keep up with AURSJOEN
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Hillhaven Drop "Temple + Tomb" Video

HILLHAVEN have unleashed their sixth single "Temple & Tomb." Watch the video below

It follows the buzzy prior singles "Damned to Dream," "The God You Think You Are," "GAPS," "SYCOPHANTS," and "LIAR."

"'Temple & Tomb' is the chronicling of my own intrusive thoughts," says singer Chris Kelly. "Anxiety, depression, dysmorphia, the struggle for self-worth, pretty much all the bad shit makes an appearance here. It's angry and painful, but as a result, incredibly cathartic. The song was written and recorded in isolation, which really comes through on a visceral level, as I think most of us would attest that our worst thoughts often get louder when we're alone. Corny as it is to say, I very much hope people are able to connect to this song and find their own catharsis. If nothing else, it's confirmation that you're not alone."

The Hillhaven lineup is comprised of  the aforementioned Kelly (Alustrium, ex-Galactic Empire, and who is rumored to play for Babymetal's band) on vocals, as well as From Ashes to New's Maty Madiro on drums; Ricky Armellino on guitars; live From Ashes to New member Jimmy Bennett on guitars; and bassist Jaime GoWell.

There is even more to come from Hillhaven so watch this space..

NECKBREAKKER - Announce Debut Album 'Within The Viscera' + Release Video For 'Shackled To A Corpse'

Hotly tipped death metallers NECKBREAKKER have announced the details of their debut album, Within The Viscera, that's set for release on 6th December via Nuclear Blast Records.

Alongside the announcement, the band have released the video for their second ever single 'Shackled To A Corpse'.

In the wake of the announcement, the band comment: “We are thrilled to announce the release of our debut album 'Within The Viscera'. Throughout the creation of the record we were very aware that a band only gets one debut album, so we wanted to make one we could be proud of, and we succeeded. Releasing it through a legendary label like Nuclear Blast Records is a dream come true for us, and we can’t wait for you to experience it.”

Pre-order and pre-save Within The Viscera now at: https://neckbreakker.bfan.link/witv

NECKBREAKKER is
Christoffer Kofoed - Vocals
Joakim Kaspersen - Guitar
Johan Lundvig - Guitar
Sebastian Knoblauch - Bass
Anton 'Hajn' Bregendorf - Drums

Love Ghost x SKOLD release treacherous 'Ski Mask' single, second taste of debut album

"This sonic rollercoaster effortlessly transitions between heavy, driving riffs and melodic, catchy choruses. Loaded with raw energy, the grunge influence is palpable with industrial rhythms and gothic elements provide an invigorating counterpoint – an auditory adventure worth taking" ~ Spill Magazine


Alt-rock maverick Love Ghost and industrial legend Tim Skold (SKOLD, Shotgun Messiah, KMFDM, Marilyn Manson, Motionless in White) present 'Ski Mask', previewing their debut 'Love Ghost x SKOLD' album, out November 22 via iconic US label Metropolis Records

Mixing fire with brimstone, these two innovative artists have joined forces, forging the raw energy of grunge with the driving rhythms of industrial rock, embellished with gothic hues. But there is a darker understory here despite the song's pop sensibilities. Finnegan Bell shares, “'Ski Mask' has a more crestfallen vibe akin to what a broken society feels like. The song is influenced by how an over-medicated youth can find it hard to manage the ups and downs of life as an adult."

'Ski Mask' follows the latest single ‘Nightshade and Cocaine’, inspired by altered states of mind and witchcraft, and their 2023 debut offering 'Payback', which set the tone for the dark rock n’ roll soundscape of this album.
 
"This second single 'Ski Mask' explores a darker side of our creativity, touching on ups and downs not usually explored in such a catchy almost pop format," says Tim Skold.

Finnegan adds, “This is a song that takes you on an emotional journey whilst combining multiple genres and subjects. The lyrics deal with my personal relationship with pharmaceuticals and how I feel that my generation was over-medicated. It’s about altered brain chemistry and how it leads you to some very dark places which is why the song is told through the perspective of a heist. Hence the title 'Ski Mask'. These songs are literally musical storytelling."

Apart from releasing music under the SKOLD moniker and as half of the duo Not My God (with Nero Bellum), Swedish musician and record producer Tim Skold is perhaps best known for his work with KMFDM, Shotgun Messiah, Marilyn Manson, and Motionless in White.  In addition to being a full-fledged band member of Marilyn Manson for several world tours, Skold produced their #1 Billboard US charting album 'The Golden Age of Grotesque', cover versions of 'Tainted Love', 'Personal Jesus' and the controversial album 'Eat Me, Drink Me'. He later co-produced two Motionless in White albums. As SKOLD, he has released several albums and toured extensively with Front Line Assembly and Motionless in White, among others.

Love Ghost is an enigmatic Los Angeles-based indie rock band, known for their distinctive blend of grunge, alternative rock and post-punk, informed by the Seattle tradition as much as Soundcloud-era fearlessness. Founded by vocalist-guitarist Finnegan Bell, the band quickly garnered attention for their mature lyrics, a multitude of collaborations and raw, energetic sound. They have toured extensively all over the world and have earned plaudits from such publications as Rolling Stone, Alternative Press, American Songwriter and New Noise.

'Ski Mask' and 'Nightshade and Cocaine' are now available everywhere digitally, including Bandcamp, where the full 'Love Ghost x SKOLD' album can also be pre-ordered.

ALBUM CREDITS
All songs written and performed by Finnegan Seeker Bell & Tim Skold,
except for ‘Payback’ - Written by Finnegan Seeker Bell, Tim Skold & Daniel Matias Alcala
Produced by Tim Skold
Additional Production by Daniel Matias Alcala - tracks 03, 05, 11
Additional Production by Corin Batchler - all other tracks
Recorded at Seeker Studios (Glendale, CA) & The Una-Bomber Shack (Studio City, CA)
Mastered by Tim Skold
Intro features the voice of Jeff Daniel Phillips
Cover artwork by Tim Skold
Released by Metropolis Records
Artist photos by Jim Louvau 
Publicity by Shameless Promotion PR

VIDEO CREDITS
Directed by King Zabb
Drummer - Jon Siren
Bass Player - Tiffany Lowe
Sage - Erin Skold

Keep up with Love Ghost
Website | Facebook | Instagram | Twitter | YouTube | Spotify | Apple Music | Press contact

Keep up with SKOLD
Website | Bandcamp | Facebook | Instagram | Twitter | Spotify | Apple Music | Press contact

Keep up with Metropolis Records
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube

Keep up with Shameless Promotion PR
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Sumerian Records Announce 'American Psycho' Comic Series Soundtrack Out October 25

Sumerian Records have today announced the upcoming full release of the 'American Psycho' Comic Series Soundtrack as well as the hardback graphic novel out on Friday, October 25. The soundtrack is available for pre-order now at the link HERE, and vinyl will be available for purchase at the Sumerian Records Merch Store on release day.

In addition to today's announcement, charismatic chanteuse Diamante steps into the spotlight as part of the remarkable soundtrack lineup with her electrifying cover of the iconic Pat Benatar hit "Love Is A Battlefield". Stream the track HERE and watch the official video  below.

When asked about the cover, Diamante shared:

Since I can remember, I have always been a huge fan of songs from the 80s, especially of the female powerhouse vocalists of that time. In particular, Pat Benatar has always been a hero of mine, and I love nothing more than a good challenge. So for me, recording this version of "Love Is a Battlefield" was a lifelong dream come true.

Speaking about the soundtrack, President of Sumerian Comics, Nathan Yocum, also commented:

"We are beyond excited to present this soundtrack as a true celebration of music and storytelling, brought together by some of the most talented and dynamic artists in the industry today. This project is a testament to the power of collaboration, and we can’t wait for fans to experience how these songs complement the world of American Psycho in a bold and electrifying way. It’s more than just a soundtrack—it’s a journey into the dark and thrilling atmosphere that this series embodies."

The 'American Psycho' comic book series by Sumerian Comics is a bold reimagining of Patrick Bateman’s notorious saga. The five-issue series delves into a dual storyline format; one tracing the chilling exploits of Bateman, and the other introducing a contemporary narrative featuring Charlene Carruthers—a social media-savvy millennial whose descent into violence mirrors the chilling escalation of her predecessor. This innovative take reinterprets the iconic tale with a story written by Michael Calero (Quested), vivid artwork by Piotr Kowalski (The Witcher, Bloodborne, Sex) and striking colors by Brad Simpson (Kong of Skull Island, Stray Dogs, Blade Runner Origins).

Today's release joins previously released tracks from the likes of Gvllow featuring Mothica who breathed new life into Billy Idol's "Eyes Without A Face", Charlotte Sands who dropped a massive cover of AFI's smash-hit "Miss Murder"Royal & The Serpent who tackled Leadbelly classic "Where Did You Sleep Last Night", Carpenter Brut feat. Kristoffer Rygg who also released a cover of Billy Idol's "Eyes Without A Face", Ice Nine Kills feat. Reel Big Fish, who gave the Katrina and The Waves smash hit, "Walking On Sunshine" the ska punk treatment, Puscifer, who recorded a brand new, original single, "The Algorithm" for the comic book series, Unlike Pluto who covered Eurythmics "Sweet Dreams", Perturbator, who covered "Dangerous" by Depeche Mode and Ramsey, who covered Leadbelly's "Where Did You Sleep Last Night". Between them, the previously released tracks have racked up over 6.1 million streams with current sales for the comic book series topping 80,000 units.

Prior to today, Diamante announced her signing with Sumerian Records and dropped the single "All For The Glory" along with the Lucha Libre-inspired music video. Listen to the track HERE and watch the video HERE. Fans also have their chance to see her captivating live show on the Death Or Glory North American Tour with labelmates Palaye Royale, Weathers, and I See Stars, as well as on Shiprocked 2025 in January. For ticket information, please click here.

About Sumerian Comics

Sumerian is an American comic book and graphic novel publisher headed up by Behemoth Comics co-founders Nathan Yocum and Ryan Swanson, alongside Sumerian Records founder and film director Ash Avildsen. Sumerian’s titles are distributed worldwide by Diamond Comic Distributors to the comic market and Simon & Schuster to the book market. Sumerian averages over half a million physical comic books sold yearly.

About Diamante

With her iconic 80s glamour and undeniably powerful vocals, Diamante has become a beacon in today's music scene, seamlessly weaving the vibrant energy and bold aesthetics of the era while forging her own distinct identity with contemporary flair. She first turned heads with her debut album 'Coming In Hot' in 2018 soon after followed by her sophomore full-length 'American Dream' including her smash-hit reimagination of Goo Goo Dolls classic "Iris" featuring Ben Burnley (Breaking Benjamin), earning widespread acclaim and further propelling her into the spotlight. Diamante has toured alongside prominent acts such as Nita StraussShinedownThe Pretty RecklessBreaking Benjamin, and Three Days Grace while performing at major national festivals including Sonic TempleLouder Than Life, and Welcome To Rockville. The alt-pop powerhouse has begun a new era after signing with her new label home Sumerian Records and the release of the irresistibly catchy "1987" and most recent banger, "All For The Glory". With her empowering anthems and rebellious spirit, the sky is the limit as Diamante continues to prove she is a force to reckon with, both in the studio and on stage.

Ocean Grove Drop "Last Dance" Video

A stirring and textural sonic wonderland, the brand new single "LAST DANCE" from Melbourne Oddworld collective Ocean Grove takes an emotive and compelling turn ahead of the release of their upcoming new album ODDWORLD, due out on November 22 via ODDWORLD Records in Australia and SharpTone Records for the rest of the world.

Watch the video below.

Following on from the nu-metal ferocity of earlier singles "F'LY AWAY" and "MY DISASTER," and the sleek yet propulsive melodics of "RAINDROP," "LAST DANCE" is a raw and riveting anthem, seamlessly balancing the vocal stylings of Dale Tanner and Twiggy Hunter alongside an emphatic performance from drummer and producer Sam Bassal.

"We knew this song was going to be a really important opportunity for storytelling," shares Tanner. "We felt the impact of how powerful the music was before any lyrics were written and this warranted an equally powerful motif. We all sat down in the bunkbeds of the farmhouse we had converted into a home studio, with a setting sun and determination to not leave the room until we had an arrangement of words proportionately epic. 'LAST DANCE' emerged as an apocalyptic symphony of sorts. It grapples with this idea of facing the death moment, whether that be of the planet or a loved one, and how we can be presented with one last opportunity for a loving embrace, and a conscious presence in that confronting reality. It's the anthem for any listener to find solace and deeper meaning in the inevitable impermanence of everything."

A collection of songs that captures the band's sonic roots as well as their fierce evolution over the years, ODDWORLD emerges instantly as the definitive Ocean Grove record; one that pays homage to the delectable diversity of 2017's The Rhapsody Tapes while also spanning their entire catalogue and steering into exciting uncharted territory. Produced by Ocean Grove's own Sam Bassal along with creative and performance contributions from studio members Luke Holmes and Running Touch, ODDWORLD is exactly as its title suggests: beautifully chaotic, sonically kaleidoscopic and wholeheartedly one-of-a-kind.

Ocean Grove are the enigma of the heavy music landscape, blending elements of nu metal, hardcore and alternative rock to create a sound that is uniquely their own i.e. Oddworld Music. An eclectic trio of misfits spawning from Melbourne, Australia, Ocean Grove recently announced their signing to SharpTone Records and the launch of their own label, and have risen to prominence in recent years with their dynamic and genre-defying approach to music. Wearing their DIY work ethic on their sleeve, the band have self-produced every release to date, including the upcoming 2024 studio album ODDWORLD.

From their 2017 debut album The Rhapsody Tapes, which debuted at #5 on the ARIA charts, through to their sophomore 2020 release Flip Phone Fantasy and 2022's Up In The Air Forever, both also landing in the ARIA Charts Top 10, Ocean Grove have cultivated resounding acclaim for their groundbreaking craftsmanship and bold experimentation. And since their inception, the group have captivated audiences with their high-energy performances, visually striking aesthetics and infectious melodies, earning them a devoted legion of followers around the globe. Their unforgettable live show has found them in hot demand with tours alongside Limp Bizkit, August Burns Red, Crossfaith, and Don Broco, and appearances at the likes of Download Festival Australia, Good Things Festival and UNIFY Gathering.

ODDWORLD — PRE-SAVE

ODDWORLD — PRE-ORDER

The Native Howl Unleash New Album 'Sons Of Destruction' via Sumerian Records

"Thrash Grass" pioneers The Native Howl have unleashed their new album 'Sons Of Destruction' which was produced by Jay Ruston (Anthrax, Steel Panther, Stone Sour) via Sumerian Records. In celebration of the release, the genre-blending quartet has dropped the official lyric video for "B.O.G.". Speaking about today's news, the band shares:

"'Sons of Destruction' is a collection of music addressing one of the most paradoxical elements of the human condition: the creation of one’s own demise. Looking at this concept through our Thrash Grass lenses, we truly are so grateful for the opportunity to share it with the world!"

After winning Season 1 of the hit TV series No Cover, the band has since released the titular album title track "Sons Of Destruction", "Can't Sleep", "Mercy" featuring Lzzy Hale, and most recently, their fresh reimagination of Johnny Cash's haunting "God's Gonna Cut You Down". Altogether, the tracks have amassed 1.2 million views on YouTube and over 564k streams on Spotify alone. 'Sons Of Destruction' is available now on all streaming platforms at the link here, and be sure to watch the "B.O.G." official lyric video in the thumbnail below.

Don't miss the band's electrifying live show across the US alongside Struggle Jennings and Huey Mack on the El Camino Tour. For tickets, please click here and stay tuned for more The Native Howl news coming soon.

The Native Howl Tour Dates:

Oct 20 - Columbia, MO @ The Blue Note

Oct 21 - Oklahoma City, OK @ Beer City Music Hall

Oct 23 - Denver, CO @ The Oriental Theater

Oct 24 - Casper, WY @ The Gaslight Social

Oct 27 - Fargo, ND @ Sanctuary Events Center

Oct 29 - Milwaukee, WI @ The Rave/Eagles Club

Oct 30 - Columbus, OH @ Skullys Music Diner

Nov 1 - Newport, KY @ MegaCorp Pavilion

Nov 2 - Flint, MI @ The Machine Shop

Nov 3 - Buffalo, NY @ Electric City

Nov 4 - Warrendale, PA @ Jergel's Rhythm Grille

Nov 6 - Virginia Beach, VA @ Elevation 27

Nov 7 - Greensboro, NC @ Hangar 1819

Nov 8 - Spartanburg, SC @ Ground Zero

Nov 9 - Charleston, SC @ Music Farm

Nov 10 - Jacksonville, NC @ Hooligans Music Hall

Nov 13 - Jacksonville, FL @ Underbelly

Nov 14 - Fort Myers, FL @ The Ranch Concert Hall & Saloon

Nov 16 - Athens, GA @ 40 Watt Club

The Native Howl is a genre-defying quartet hailing from Leonard, Michigan, USA. Their fast-tempo music they’ve coined as “Thrash Grass” combines the aggression and intensity of thrash metal with the precision and melodicism of bluegrass. The band was born from a musical experiment that defied all expectations by blending elements of folk, bluegrass, rock, and metal, resulting in a sound entirely their own. With a dash of outlaw spirit and a touch of the wilderness, their music transports listeners to a sonic landscape where the traditional meets the contemporary. From foot-stomping bluegrass jams to lightning-fast metal-esque banjo picking, their tracks are a musical thrill ride that keeps the listener guessing with each note. Their lyrics often explore the dark sides of the human condition, nature, and the trials of life, creating a deep and personal connection with their audience.

The Native Howl Is:

Alex Holycross - Guitar, Bouzouki, Lead Vocals

Jake Sawicki - Guitar, Banjo, Vocals

Mark Chandler - Bass, Vocals

Zach Bolling - Drums, Percussion

Liverpool duo THE WOOD unveil brooding 'Let It Loose' single with brawling video, the first taste of their debut album

"A potent swaggering track for the ages. With solid songwriting, catchy guitar riffs and sonic hooks, the duo present a winning lesson in sonic with an “instant classic”. With haunting vocals and true groove, they offer up an introspective, yet infectious proposition, showcasing a seamless blend of their influences – this is a precious listening experience" ~ The Spill Magazine

Liverpool-based duo The Wood present their debut single 'Let It Loose', the first taste of their 'Days'album, set for release on November 15 via Riverdream Records. Made of up Alex Evans(vocals, backing vocals, percussion) andSteve Powell(guitars, bass, backing vocals, keys, percussion), they bring rock solid grooves, creating melodies full of beauty, passion, pain and the power of real soul.

The accompanying video is a surreal experience, filmed and edited by Dylan Cox at the Pro Flex Gym in Liverpool and featuring boxer Jake Harrison, along with a host of other shady characters.

There's something of the night about this song and in a very special way, like when you find yourself on unsteady feet, down a back street in an unfamiliar city late at night. There's something coming from the underground, the source of all the best discoveries. Feel the pull and follow it. Sometimes in life, things get to you. Don’t let the world drag you down. Let it loose.

Evans and Powell met when Steve was recording Alex at his Ark Recording Studiosin Liverpool and was blown away by his voice. From their first songwriting session, they realised they were creating music that was difficult to categorise yet somehow sounded familiar. With Steve on guitar and bass, they enlisted several talented friends, including Jake Howden-Woodward (Nova Twins) on drums and Martin Smith and Simon James (The Coral, Shack) on brass.

As a producer, Steve Powell is an expert at unearthing sonic magic, having recorded many notable artists records, including Michael Head and The Strands, John Power, def.fo, The Stairs and Ella Guru He also produced and played guitar on the first Michael Head and the Red Elastic Band record 'Arturius Revisited' and number one indie album 'Adios Senor Pussycat'.

“’Let it Loose’ is a song about not giving in. The everyday pressures of situations, relationships, ambitions, life’s occasional curveballs, and eventual optimism and hope. The insistent bassline of the verse, then the release of the chorus, like the clouds parting to let the sun work its magic. “Letting your mind go, waiting for the fear to fall,” says Steve Powell.

Alex Evans adds, “To me, ‘Let it Loose’ is about the rise and fall of life. The pressures we feel to take the leap of faith and overcome our insecurities and fears. The tension throughout the verse and the eventual release of the chorus reflects the stress, relief and beauty life throws at us every day. It's a journey we must see for ourselves. Let your mind go, Let it Loose.”

On 'Let It Loose', a fanfare of Mariachi trumpets leads the descent, deep down into a netherworld of delicious groove, it's all low-lit, loose-limbed and highly infectious. The muscles in your neck give way, helpless to its demands. You can't help it. Let it Loose. Once you're in, you're greeted by Alex Evans with a voice capable of turning real pain into raw beauty, this song a fine example of how it's done. Imbued with a rare natural soul, he leaps effortlessly from brooding, troubled depth to full-throated gospel glory as he leans in close to that groove.

Steve Powell's chiming guitar lands chords on the sparse landscape, strolling around the melody with its hands in its pockets, and chopping through the breaks with blasts of brass and a chorus of glorious harmonies, deep, wide and tall. Powell is the other half of The Wood, here on extensive duties of co-writing, playing guitar and bass, recording and producing.

Together as The Wood, they create music of passion and pain, of glory and redemption. Songs where all the right decisions have been made, deliberate and slowly, without any external pressure, only the enriching pleasure of artistic collaboration.

'Let it Loose' is available everywhere online, including Bandcamp and Spotify. The full 'Days' album will be released on November 15.

SINGLE CREDITS
Written by Alex Evans and Steve Powell
Alex Evans - vocals, backing vocals, percussion
Steve Powell - guitars, bass, backing vocals, keys, percussion
Produced and recorded by Steve Powell at Ark Recording Studios, Liverpool
Mastered by Pete Maher
Jay Irving – drums
Martin Smith – trumpet
Simon James – sax
Charlie Griffiths – backing vocals
Clair Griffiths – backing vocals
Photography by Kevin Barrett
Single cover artwork photo by Dylan Cox
Album cover graphics design by Pascal Blua
'Let It Loose' video filmed & edited by Dylan Cox @DylanCoxMedia
Special thanks to the boxer Jake Harrison @JakeHarrison_Boxing
and to Pro Flex Gym, Liverpool
Publicity by Shameless Promotion PR


Keep up with The Wood
Single order | Facebook | Bandcamp | Twitter | Instagram | YouTube | Spotify | Press contact

Keep up with Shameless Promotion PR
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NYC indiepop artist JOE GENI radiates hope on third album 'Cities Built Upon Cities', produced by Charlie Nieland

"With plenty of passion, excellent songmanship and fantastic elements here of Talk Talk, Gotye, When In Rome, boygenius and even Luc Plamondon’s ‘Notre-Dame de Paris’, what’s not to like? A cinematic tapestry of sound and song, the music weaves a story of life's journey, mirroring the city's evolution and societal shifts" ~ The Spill Magazine

"Captivating lyrics, woven into a tapestry of cinematic orchestration, mirror the dynamic interplay of life's experiences, urban evolution, and societal shifts. Built with operatic grandeur, the song's richly orchestrated foundation provides a soaring platform for stunning vocals that capture the essence of our times" ~ Amplify Music Magazine


New York-based indie-pop artist Joe Geni presents his third album 'Cities Built Upon Cities', an 8-track offering that traces the transformation of Long Island City, the part of Queens that Geni calls home. Situated across the East River from Manhattan with its stunning skyline views and now booming with skyscrapers, this place is haunted by its industrial past and friends who have moved on. These recordings explore themes of change, impermanence and loss amidst the city's constant evolution.

This album was produced, mixed and mastered by Charlie Nieland, a well-respected Brooklyn-based sound engineer and producer, known for his work with Debbie Harry, Rufus Wainwright, Blondie, Dead Leaf Echo, Oh Halo and Scissors Sisters, in addition to scores, including the feature film 'The Safety of Objects' starring Glenn Close. Awarded a Gold record (UK) for his production of Blondie's 'Greatest Hits Sight & Sound', Nieland also achieved a Top-10 Billboard Dance Chart Position with Debbie Harry's 'Two Times Blue', a single that he co-wrote and produced.

"I live in Long Island City, where the land is in transformation. They’re throwing up high rises as fast as building permits can be distributed from City Hall. From a city of industry and warehouses and taxi depots, to a city of luxury towers and scaffolding, the infrastructure and facilities groaning under the weight of ten thousand new arrivals and then ten thousand more, and all this flat up against the undulating greenery of Gantry State Park weaving along the banks of the East River under the famous Pepsi Cola sign," says Joe Geni.

"I lived here in 2011, when it was a totally different city, flat and industrial and grey. One time I was walking along and I heard the rhythmic thump of a distant dance party, and then the sound was gone, and then it was back again. I couldn’t tell where it was coming from, and so I hunted all over the neighborhood trying to find it. Finally I realized it was on the roof of practically the only tall building for half a mile in any direction, and the reason it kept drifting in and out of earshot depended on where I was standing and whether or not I could hear it echoing off the brick walls and corrugated siding of the smaller buildings all around it. Nearly all of those buildings are gone now. So are most of my friends from that time. I’m back now. The city is changing. The people in it are changing. The environment around it is changing. The architecture is changing. Yesterday’s city has been buried under today’s which will soon be lost to tomorrow's… cities built upon cities."

In the lead-up to this album, Geni released the singles 'City of Energy', 'City Where The Sky Subsides' and the latest 'City of Light', reflecting on the power of human connection and resilience, the solace found in friendship and community, and the renewed hope that emerged as the world began to heal following Covid-related lockdowns.

Originally hailing from Evanston, Illinois, Geni has lived in NYC for most of his adult life (mostly in Long Island City), working various jobs around the United Nations. Making music that soundtracks the Anthropocene, Geni tries to capture what it’s like to search for home in a world that is constantly changing. Exploring the complex relationship between humanity and our environment, he channels these ideas and emotions into sound.

Since emerging on the music scene with his 2019 debut album 'After Wandering Empire', Geni released his 'Doggerland' album in 2021, both of which were also produced by Charlie Nieland. With a distinct, instantly recognizable voice (a blisteringly high tenor with a 3.5 octave range), he has a knack for communicating complex ideas through his lyrics, ruminating on themes related to international affairs, climate change, demography, transportation and urban infrastructure, but also the grand sweep of the human experience, including love, regret, modern art and even dinosaurs.

As of October 4, the 'Cities Built Upon Cities' album is available everywhere digitally, including Spotify, Apple Music and Bandcamp.

ALBUM CREDITS
Music written by Joe Geni
Lyrics and vocals by Joe Geni
All instruments by Joe Geni, except drums by Mikhail Sapozhnikov
Produced, mixed and mastered by Charlie Nieland 
UPC: 198500349573
Cover artwork by Joe Geni
Publicity by Shameless Promotion PR


Keep up with Joe Geni
Website | Bandcamp | Instagram | Twitter | Soundcloud | YouTube | Spotify | Apple Music| Press contact

Keep up with Shameless Promotion PR
Website Facebook | Twitter |  Soundcloud | Instagram | Link edIn | Email

Acres Announce "What It's Like to Feel Worthless" EP Out 10/25 + Share "Deadwieight"

UK band ACRES are pleased to announce their new EP, What It's Like to Feel Worthless, out October 25 via Tooth & Nail/Solid State Records. Pre-order it here.

Alongside the news of the five-song EP, the band has shared the visualizer for the single "Deadweight." Watch and listen below.

The song marks new territory for the band, as it stretched and flexed different creative muscles when crafting the track.

"When writing 'Deadweight,' we were really conscious keeping all the elements of what we're known for but also welcoming in the new sound," says singer Ben Lumber. "It's cathartic and anthemic. Lyrically, it's almost like a conversation between two people expressing how they feel about each other, and coming to terms with how they feel. It's the first time I've written this way."

Regarding the EP as a whole, Lumber states, "This EP is us trying new things and trying to express ourselves in a new way. We will forever try and change things up with every release but also keeping what our fans like about our band."

Following the success of 2019's Lonely World, a record that harnessed melody and melancholy, Acres found themselves playing the biggest shows of their career so far and achieving things they had only previously dreamt about. But when the world around them suddenly felt so uncertain, they had a choice to make of what they should do next. Instead of rushing out with something that they didn't fully believe, they locked themselves away and painstakingly created something that not only represented where they had been but also where they wanted to end up. The result was Burning Throne, a perfectly crafted account of what it means to stare into your own oblivion and learn about who you really are from it.

ACRES ARE:
Ben Lumber — Vocals 
Alex Freeman — Guitar
Ash Scott — Guitar 
Jack Rogers — Bass 
Konnor Walsh — Drums 

ARISING EMPIRE MEDIA ALERT: Vianova - Share Video For New Single

Founded in Berlin by brothers Felix and Paul Vogelgesang, metalcore act vianova emerged from their shared vision of creating authentic, emotionally-driven music when they relocated to the city in 2014. The lineup solidified in 2017 with the addition of vocalist Alexander Kerski. Between 2015 and 2019, they released a five-track EP and two singles, building their presence in the German live music scene while navigating lineup changes.

Now back with fresh music, vianova push their sound even further. This new chapter aims for a raw, fierce, and dynamic approach in both mixing and songwriting. Influences from genres outside metalcore — such as soul, jazz, R&B, and 80's synths — reflect their commitment to breaking genre boundaries. Accompanying this sonic evolution is a vibrant visual transformation, characterized by a focused and youthful energy that injects fun into a metalcore landscape often perceived as stagnant.

The first single from this new writing cycle, titled "Más Rápido," is an energetic and upbeat track that seamlessly blends the band's old and new styles. Lyrically, it explores themes of modern working culture and burnout, addressing the pressures of contemporary life. The track was mixed by their producer, Leon Schmidt, and mastered by renowned engineer Jens Bogren, providing a warm, dynamic edge to vianova's evolving sound. 

Watch the video below.

 Stream + download "Más Rápido" here.

During the 2020 pandemic, vianova reinvented their musical and visual identity, evolving their sound with the arrival of bassist Raoul Zillani. This new phase embraced a more technical, aggressive, and imaginative style, culminating in their EP Looking For... and the follow-up, ...A Way Out, released in 2023. These efforts garnered international attention and led to management by Lukas Magyar (Veil of Maya) in mid-2023. The band has since performed extensively across Germany, solidifying their position as a rising force in the metalcore genre.

VIANOVA ARE:
Alexander Kerski — Vocals
Felix Vogelsang — Guitar
Raoul Zillani — Bass
Paul Vogelsang — Drums

SYLOSIS - Drop Surprise New EP 'The Path' + Release Video For Title Track Feat. Debbie Gough Of Heriot

Powerhouse metal outfit SYLOSIS have surprise released their new EP The Path ahead of their upcoming co-headlining tour with FIT FOR AN AUTOPSY.

On the release of the The Path, Josh Middleton comments:

“When we were working on ASOTTC we amassed a lot of material. It was a very creative period and the songs that didn’t make it onto ASOTTC were by no means below standard - far from it! We’re extremely excited to share with you The Path EP. Some of our best material to date! We hope you enjoy it”

The band have also released a video for its title track featuring Debbie Gough of HERIOT, who will be joining the band as support across the UK and Europe.

On the EP's title track, Josh continues:

“The Path is about my love and obsession for heavy music. It’s all I need. It’s never been a phase or something I’ll grow out of. I’m immersed in this culture and more than anything, I am still a rabid fan! I think previously writing a song about this kind of thing would have been a no-go for me. Maybe it could be perceived as corny or ‘out of character’ compared to some of the band's previous lyrics but this feels like a very important song to me.”

Catch SYLOSIS across the globe this year including the band's first US tours in over ten years. Dates below.

FIT FOR AN AUTOPSY - US TOUR
W/ BODYSNATCHER, DISTANT, SYLOSIS, JUDICIARY

18.10.24 US, Worcester, MA - Palladium
19.10.24 US, New York, NY - Irving Plaza
20.10.24 US, Philadelphia, PA - Theatre Of Living Arts
22.10.24 US, Baltimore, MD - Baltimore Soundstage
23.10.24 US Charlotte, NC - The Underground
24.10.24 US, Atlanta, GA - The Masquerade (Heaven)
25.10.24 US, St Petersburg, FL - Jannus Live
26.10.24 US, West Palm Beach, FL - The Banyan Live
28.10.24 US, Houston, TX - House Of Blues
29.10.24 US, San Antonio, TX - Vibes Event Center
30.10.24 US, Dallas, TX - Granada Theater
01.11.24 US, Mesa, AZ - The Nile Theater
02.11.24 US, Santa Ana, CA - Observatory
04.11.24 US, Sacramento, CA - Ace Of Spades
05.11.24 US, Portland, OR - Roseland Theater
06.11.24 US, Seattle, WA - El Corazon
08.11.24 US, Salt Lake City, UT - The Complex
09.11.24 US, Denver, CO - Summit Music Hall
10.11.24 US, Wichita, KS - TempleLive At Wichita Scottish Rite Center
12.11.24 US, Minneapolis, MN - Varsity Theater
13.11.24 US, Chicago, IL - Metro Chicago
14.11.24 US, Detroit, MI - Saint Andrew's Hall
15.11.24 US, Cleveland, OH - House Of Blues
16.11.24 US, Mckees Rocks, PA - Roxian Theatre
17.11.24 US, New Haven, CT - Toad's Place

TRIVIUM + BULLET FOR MY VALENTINE - CO-HEADLINE US + CA TOUR
W/ AUGUST BURNS RED, SYLOSIS


30.03.25 CA, Vancouver, BC - PNE Forum
01.04.25 US, Seattle, WA - Paramount Theatre
03.04.25 US, San Francisco, CA - The Masonic
04.04.25 US, Wheatland, CA - Hard Rock Live
05.04.25 US, Reno, NV - Grand Theater
08.04.25 US, Denver, CO - Fillmore Auditorium
10.04.25 US, Las Vegas, NV - Pearl Theater
12.04.25 US, Phoenix, AZ - Arizona Financial Theatre
15.04.25 US, Dallas, TX - South Side Ballroom
16.04.25 US, San Antonio, TX - Boeing Center At Tech Port
17.04.25 US, Houston, TX - Bayou Music Center

2025 FESTIVAL DATES

18.06.25 DK Copenhagen - Copenhell

Tickets for all dates are available from sylosis.os.fan

THRESHOLD - Release Remixed Versions Of Classic Albums On CD & Limited Edition Vinyl + Lyric Video For 'Freaks'

THRESHOLD are excited to announce the release of newly remixed editions of their first four groundbreaking albums: CloneExtinct InstinctWounded Land and Psychedelicatessen. The albums have been meticulously revisited by guitarist Karl Groom and keyboardist Richard West, bringing these early classics into the modern era with enhanced sonic clarity while preserving their original power and intricacy. These remixed versions are available on CD and limited edition vinyl, with exclusive transparent color variants for each album.

Get yours here: https://nblast.de/ThresholdRemixes

Limited-Edition Vinyl Releases:

Clone: Clear Orange 2LP

Extinct Instinct: Clear Yellow

Wounded Land: Transparent Green

Psychedelicatessen: Transparent Violet

To celebrate the re-release of Clone, the band has also dropped a brand-new lyric video for the track 'Freaks', featuring the remixed audio from the album.

Watch the lyric video for 'Freaks' Below:

The song holds a special place in THRESHOLD’s history as one of the first tracks written for Clone, and it marks a pivotal moment when Mac (Andrew "Mac" McDermott) joined the band.

Karl Groom on 'Freaks':

"‘Freaks’ was one of the first songs written for Clone and was a starting point for Mac joining Threshold. We’re looking forward to playing this on our upcoming tour."

Richard West added:

"It’s amazing to be releasing ‘Freaks’ as a single again over a quarter of a century after it first came out. It was the first song we released after Mac joined the band, and our 2024 remix makes it sound brand new all over again."

About the remixes:

Each album has been remixed from the original multitrack recordings, bringing new life to these iconic records from Threshold’s formative years. Speaking about the remixing process, Karl Groom shared: "There were obvious shortcomings in the sound of early albums with budget being limited at the time. We've brought the sonic quality up to modern standards while retaining the original performances. It’s great to look back at our formative years and the way you take chances in composition that experience would probably make you look at differently."

Richard West added:

"Nuclear Blast approached us about reissuing our back catalogue, and that gave us the perfect opportunity to go back to the original tapes and improve the quality of the mixes. It’s been really nostalgic going back and restoring them to how they were always supposed to sound."

These remixed albums represent a new chapter for fans both old and new, combining the raw creativity of THRESHOLD’s early work with a refined, modern production.

Karl Groom Reflects on the Evolution of THRESHOLD’s Sound: "Anything released before 'Dead Reckoning' feels like a different era completely. That is partly because Mac is unfortunately no longer with us, but also because founding members like Jon Jeary and Nick Midson had moved on, and the sound changed accordingly."

SOL INVICTO (Feat. Members of Deftones, Cypress Hill & Sikth) Announce Debut EP & Drop First Single

Underground metal visionaries Sol Invicto, the dynamic project formed by producer/guitarist Richie Londres, Stephen Carpenter (Deftones), and Eric Bobo (Cypress Hill), are thrilled to announce the release of their long-awaited debut EP, Loosely Aware’, dropping November 8th, 2024. Accompanying the announcement is the release of their first official single, “The Obvious Play”, alongside an official lyric video. Fans can pre-save the EP HERE, stream the new track HERE and watch the visualizer below.

Speaking on the EP, the band shares,

“It’s been quite the journey to get this to the people, just a taste of what’s to come.”

After years of experimentation and anticipation, Sol Invicto is finally ready to reveal the first taste of what’s to come with single ’The Obvious Play, featuring guest vocals from Sean Plague of Plague To Pyres (who are signed to Londres and Carpenter’s independent label Omyac Records). The EP marks the project's first official release following their extremely rare, private double album ‘Initium’ in 2017, a collection of demos and experimental tracks gathered over the years which was available only to members of their private club, Sol Invicto Comiti.

Loosely Aware showcases the band’s unique blend of furious riffs, razor-sharp lead guitar lines, industrial and electronic elements all infused with the percussive genius of Eric Bobo, drawing from the talents of Dan Foord (Sikth) on drums. The EP signals a bold new chapter for the band as they prepare to record a full-length metal album later this year. More on that coming soon. For now though, bask in the gloriously nasty, soul-crushingly heavy sounds of Sol Invicto’s “The Obvious Play” and get ready for ‘Loosely Aware’ to drop on November 8th.

About Sol Invicto

Sol Invicto is an underground metal powerhouse founded by producer/guitarist Richie Londres, alongside Stephen Carpenter of Deftones and Eric Bobo of Cypress Hill. Fusing heavy riffs, industrial beats, and Latin-infused percussion, the project has carved out its own unique space in the world of experimental metal.

 

The group initially blended Lo-Fi Industrial Drum & Bass with Carpenter’s crushing guitar work and Bobo’s dynamic percussion. As the sound evolved, Londres brought in Dan Foord from Sikth to take over on drums, pushing the band toward a more live, raw energy.

  

To date, Sol Invicto has released a single, exclusive double album titled Initium, a collection of demos and experimental tracks gathered over the years. Released in 2017 on limited edition signed vinyls, Initium remains a rare gem for members of the Sol Invicto Comiti and currently unavailable to the public.

After starting work on new music in 2018, the group’s plans were delayed, but 2024 will finally see the first official release from Sol Invicto—the 3-track EP titled ‘Loosely Aware’, featuring vocals from Sean Plague of Plague To Pyres, a Norwegian/British noisecore band signed to Carpenter and Londres’s label, Omyac Records.

 

'Loosely Aware’ is only the beginning for Sol Invicto. Waiting patiently to unleash their unique brand of heaviness into existence, they are now primed for global domination.

'Loosely Aware' is mixed by Adam “Nolly” Getgood (Periphery, Animals As Leaders). Mastered by Jaime Gomez Arellano (Ghost, Paradise Lost). Artwork by Kwonny.

Ray Hawthorne Announces New Album "Ray Hawthorne Sucks" & New Single "Body Count"!

Ray Hawthorne is back and louder than ever, delivering a heavy dose of sarcasm, rage, and brutal honesty with his upcoming album, "Ray Hawthorne Sucks" set for release on November 7th, 2024. Leading the charge is the ferocious new single, "Body Count", which puts Hawthorne's biting wit and raw energy front and center. Fans can pre-save the new album HERE. Fans can also purchase a limited run of exclusive vinyl HERE.

Renowned for his work in North Kingsley alongside Shavo Odadjian of System of a Down, his inaugural solo release "Heartbreak Feels Good in a Place Like This" had initially crowned him as the Heartbreak Hero. His upcoming album, "Ray Hawthorne Sucks"takes a hard left turn that channels frustration, irony, and self-deprecating humor into the signature Ray Hawthorne genre-blurring sound.

Speaking on today's single release, Ray Hawthorne shares:

"I have very little self control. Like almost none. I can get addicted to pretty much anything, and if it exists I’ve probably overdone it at some point. Whether something is generally considered good or bad for you, I will beat that shit into the ground until I just

can’t do it anymore. So “Body Count” is about just fucking running. Causing problems and running so far away from them that your avoidance becomes a new problem in itself. Sometimes I feel like my life is just a continuous loop of ignoring things until I find myself back at square one. But hey, it is what it is, I guess when you stop doing drugs you just find new ways to fuck up your life. Even if that new way is a consistent and ever increasing hunt for rare Ninja Turtles figures."

Lifting the curtain behind his upcoming album release, Ray continues:

"The last 9 months have been pretty fucking crazy for me. In a completely unexpected turn of events, people (for some reason) started giving a shit about the silly songs I record in my bathroom. This has been equal parts exciting and nerve-racking. Throughout the last 9 months I have panicked, blown out my voice a few times, injured myself during the LA marathon, celebrated my dog’s second birthday, and released a new song almost every week. I don’t know how or why, but that’s what I did. This album is a collection of some of my favorite songs throughout that process, and listening back to them all in one go is somewhat interesting to me. Hopefully it’s slightly interesting to you."

While his work in North Kingsley and his debut EP showcased a different persona, Hawthorne’s latest solo work breaks the mold, leaning into chaotic energy with the release of the no-holds-barred single "Body Count." Layered with pounding drums, distorted guitars, and his trademark emotive vocals, the track is an explosive anthem exploring the themes of self-criticism, guilt, and emotional vulnerability while grappling with feelings of helplessness and regret. "Body Count" doesn’t pull any punches—it's Hawthorne’s rallying cry for anyone who feels like they’re at the end of their rope.

"Ray Hawthorne Sucks" is a self-aware, tongue-in-cheek title, but it’s also a reflection of the album’s themes—self-doubt, frustration, and embracing the chaos. The project is a far cry from the more cinematic, heartfelt journey of his debut EP "Heartbreak Feels Good in a Place Like This". Instead, it plunges listeners into a gritty, unpredictable soundscape, blending post-punk, hardcore, and Hawthorne’s emo roots into a genre-defying mix that is as chaotic as it is cathartic.

Be sure to to stay tuned for more new music from Ray Hawthorne coming very soon.

ABOUT RAY HAWTHORNE

Ray Hawthorne is basically an emo Muppet. His life revolves around pop culture references, Ninja Turtles action figures, and his dog named Oliver. Oliver laid on Ray’s feet during the recording of every song on his forthcoming album “Ray Hawthorne

Sucks”. This was mostly a positive experience, but there’s a particular section during the song “Panic Mode” where Ray had to yell “HEY HEY HEY HEY” over and over again. This made Oliver very tense, and he thought he was being scolded. Ray felt really bad for confusing Oliver in such a way. After the recording was done treats were had by all, and all was well.

Klone Share New Track "Magnetic"

French art rock band Klone have shared "Magnetic," the latest single from their forthcoming full-length album, The Unseen, set for release on November 8 through Berlin's Pelagic Records. Pre-order it here.

A bold new journey through a singular yet contrasting soundscape, The Unseen is an immersive, dreamlike experience that pushes Klone's already sumptuous sound to new, magisterial heights and speaks to the significance of things that at first glance seem to lack it.

"Magnetic" is out now. Listen below.

Emotive and conceptual, Klone have once again broken new sonic ground and built further on their signature expansive sound. Since the release of Le Grand Voyagein 2019, Klone have risen to new heights across the globe, touring in Europe, USA, Australia, and Mexico alongside the likes of Devin Townsend, Leprous, Riverside, Pain of Salvation, Gojira, and blowing away festival crowds at Hellfest 2024, Prog Power USA, Midsummer Prog, and Cruise to the Edge. Coming off the back of their phenomenal album Meanwhile, which was released in 2023, The Unseen is a masterpiece of both performance and production that sees Klone wearing their years of experience proudly on their sleeves.

With every member and every instrument pushed to its expressive limit, The Unseen has a might and intensity to it that, whilst sometimes abrasive, simultaneously feels natural, coherent and unified as the band move from motif and melody as one; guided as ever by the unmistakable voice and vision of Yann Ligner.

"Magnetic," the third single taken from The Unseen, is a defiant and direct ode to love. The track's comparatively simple, yet undeniably effective structure sees the five-piece blend pounding drums and acoustic guitar warmth with soaring euphoric melodies and Ligner's powerful lyrics to reach a fist-pumping, pulse-racing crescendo.

With such an inimitable 25 years of music already behind them, it seems apt that The Unseen is also Klone's tenth full-length release. The album serves as a milestone that uses reflections on the past as a means of appreciating the beauty of the present, with the band employing their shared decades of creativity and collaboration to offer enlightening new perspectives on the here and now.

About "Magnetic," Yann Ligner says, "This track’s strength lies in its simplicity. Its simple structure gets straight to the point and offers a breath of fresh air. It is an honest, joyous and rebellious ode to love."

The Unseen will be released on November 8.