Sumerian Records Announce 'American Psycho' Comic Series Soundtrack Out October 25

Sumerian Records have today announced the upcoming full release of the 'American Psycho' Comic Series Soundtrack as well as the hardback graphic novel out on Friday, October 25. The soundtrack is available for pre-order now at the link HERE, and vinyl will be available for purchase at the Sumerian Records Merch Store on release day.

In addition to today's announcement, charismatic chanteuse Diamante steps into the spotlight as part of the remarkable soundtrack lineup with her electrifying cover of the iconic Pat Benatar hit "Love Is A Battlefield". Stream the track HERE and watch the official video  below.

When asked about the cover, Diamante shared:

“Since I can remember, I have always been a huge fan of songs from the 80s, especially of the female powerhouse vocalists of that time. In particular, Pat Benatar has always been a hero of mine, and I love nothing more than a good challenge. So for me, recording this version of "Love Is a Battlefield" was a lifelong dream come true.”

Speaking about the soundtrack, President of Sumerian Comics, Nathan Yocum, also commented:

"We are beyond excited to present this soundtrack as a true celebration of music and storytelling, brought together by some of the most talented and dynamic artists in the industry today. This project is a testament to the power of collaboration, and we can’t wait for fans to experience how these songs complement the world of American Psycho in a bold and electrifying way. It’s more than just a soundtrack—it’s a journey into the dark and thrilling atmosphere that this series embodies."

The 'American Psycho' comic book series by Sumerian Comics is a bold reimagining of Patrick Bateman’s notorious saga. The five-issue series delves into a dual storyline format; one tracing the chilling exploits of Bateman, and the other introducing a contemporary narrative featuring Charlene Carruthers—a social media-savvy millennial whose descent into violence mirrors the chilling escalation of her predecessor. This innovative take reinterprets the iconic tale with a story written by Michael Calero (Quested), vivid artwork by Piotr Kowalski (The Witcher, Bloodborne, Sex) and striking colors by Brad Simpson (Kong of Skull Island, Stray Dogs, Blade Runner Origins).

Today's release joins previously released tracks from the likes of Gvllow featuring Mothica who breathed new life into Billy Idol's "Eyes Without A Face", Charlotte Sands who dropped a massive cover of AFI's smash-hit "Miss Murder", Royal & The Serpent who tackled Leadbelly classic "Where Did You Sleep Last Night", Carpenter Brut feat. Kristoffer Rygg who also released a cover of Billy Idol's "Eyes Without A Face", Ice Nine Kills feat. Reel Big Fish, who gave the Katrina and The Waves smash hit, "Walking On Sunshine" the ska punk treatment, Puscifer, who recorded a brand new, original single, "The Algorithm" for the comic book series, Unlike Pluto who covered Eurythmics "Sweet Dreams", Perturbator, who covered "Dangerous" by Depeche Mode and Ramsey, who covered Leadbelly's "Where Did You Sleep Last Night". Between them, the previously released tracks have racked up over 6.1 million streams with current sales for the comic book series topping 80,000 units.

Prior to today, Diamante announced her signing with Sumerian Records and dropped the single "All For The Glory" along with the Lucha Libre-inspired music video. Listen to the track HERE and watch the video HERE. Fans also have their chance to see her captivating live show on the Death Or Glory North American Tour with labelmates Palaye Royale, Weathers, and I See Stars, as well as on Shiprocked 2025 in January. For ticket information, please click here.

About Sumerian Comics

Sumerian is an American comic book and graphic novel publisher headed up by Behemoth Comics co-founders Nathan Yocum and Ryan Swanson, alongside Sumerian Records founder and film director Ash Avildsen. Sumerian’s titles are distributed worldwide by Diamond Comic Distributors to the comic market and Simon & Schuster to the book market. Sumerian averages over half a million physical comic books sold yearly.

About Diamante

With her iconic 80s glamour and undeniably powerful vocals, Diamante has become a beacon in today's music scene, seamlessly weaving the vibrant energy and bold aesthetics of the era while forging her own distinct identity with contemporary flair. She first turned heads with her debut album 'Coming In Hot' in 2018 soon after followed by her sophomore full-length 'American Dream' including her smash-hit reimagination of Goo Goo Dolls classic "Iris" featuring Ben Burnley (Breaking Benjamin), earning widespread acclaim and further propelling her into the spotlight. Diamante has toured alongside prominent acts such as Nita Strauss, Shinedown, The Pretty Reckless, Breaking Benjamin, and Three Days Grace while performing at major national festivals including Sonic Temple, Louder Than Life, and Welcome To Rockville. The alt-pop powerhouse has begun a new era after signing with her new label home Sumerian Records and the release of the irresistibly catchy "1987" and most recent banger, "All For The Glory". With her empowering anthems and rebellious spirit, the sky is the limit as Diamante continues to prove she is a force to reckon with, both in the studio and on stage.

Ocean Grove Drop "Last Dance" Video

A stirring and textural sonic wonderland, the brand new single "LAST DANCE" from Melbourne Oddworld collective Ocean Grove takes an emotive and compelling turn ahead of the release of their upcoming new album ODDWORLD, due out on November 22 via ODDWORLD Records in Australia and SharpTone Records for the rest of the world.

Watch the video below.

Following on from the nu-metal ferocity of earlier singles "F'LY AWAY" and "MY DISASTER," and the sleek yet propulsive melodics of "RAINDROP," "LAST DANCE" is a raw and riveting anthem, seamlessly balancing the vocal stylings of Dale Tanner and Twiggy Hunter alongside an emphatic performance from drummer and producer Sam Bassal.

"We knew this song was going to be a really important opportunity for storytelling," shares Tanner. "We felt the impact of how powerful the music was before any lyrics were written and this warranted an equally powerful motif. We all sat down in the bunkbeds of the farmhouse we had converted into a home studio, with a setting sun and determination to not leave the room until we had an arrangement of words proportionately epic. 'LAST DANCE' emerged as an apocalyptic symphony of sorts. It grapples with this idea of facing the death moment, whether that be of the planet or a loved one, and how we can be presented with one last opportunity for a loving embrace, and a conscious presence in that confronting reality. It's the anthem for any listener to find solace and deeper meaning in the inevitable impermanence of everything."

A collection of songs that captures the band's sonic roots as well as their fierce evolution over the years, ODDWORLD emerges instantly as the definitive Ocean Grove record; one that pays homage to the delectable diversity of 2017's The Rhapsody Tapes while also spanning their entire catalogue and steering into exciting uncharted territory. Produced by Ocean Grove's own Sam Bassal along with creative and performance contributions from studio members Luke Holmes and Running Touch, ODDWORLD is exactly as its title suggests: beautifully chaotic, sonically kaleidoscopic and wholeheartedly one-of-a-kind.

Ocean Grove are the enigma of the heavy music landscape, blending elements of nu metal, hardcore and alternative rock to create a sound that is uniquely their own i.e. Oddworld Music. An eclectic trio of misfits spawning from Melbourne, Australia, Ocean Grove recently announced their signing to SharpTone Records and the launch of their own label, and have risen to prominence in recent years with their dynamic and genre-defying approach to music. Wearing their DIY work ethic on their sleeve, the band have self-produced every release to date, including the upcoming 2024 studio album ODDWORLD.

From their 2017 debut album The Rhapsody Tapes, which debuted at #5 on the ARIA charts, through to their sophomore 2020 release Flip Phone Fantasy and 2022's Up In The Air Forever, both also landing in the ARIA Charts Top 10, Ocean Grove have cultivated resounding acclaim for their groundbreaking craftsmanship and bold experimentation. And since their inception, the group have captivated audiences with their high-energy performances, visually striking aesthetics and infectious melodies, earning them a devoted legion of followers around the globe. Their unforgettable live show has found them in hot demand with tours alongside Limp Bizkit, August Burns Red, Crossfaith, and Don Broco, and appearances at the likes of Download Festival Australia, Good Things Festival and UNIFY Gathering.

ODDWORLD — PRE-SAVE

ODDWORLD — PRE-ORDER

The Native Howl Unleash New Album 'Sons Of Destruction' via Sumerian Records

"Thrash Grass" pioneers The Native Howl have unleashed their new album 'Sons Of Destruction' which was produced by Jay Ruston (Anthrax, Steel Panther, Stone Sour) via Sumerian Records. In celebration of the release, the genre-blending quartet has dropped the official lyric video for "B.O.G.". Speaking about today's news, the band shares:

"'Sons of Destruction' is a collection of music addressing one of the most paradoxical elements of the human condition: the creation of one’s own demise. Looking at this concept through our Thrash Grass lenses, we truly are so grateful for the opportunity to share it with the world!"

After winning Season 1 of the hit TV series No Cover, the band has since released the titular album title track "Sons Of Destruction", "Can't Sleep", "Mercy" featuring Lzzy Hale, and most recently, their fresh reimagination of Johnny Cash's haunting "God's Gonna Cut You Down". Altogether, the tracks have amassed 1.2 million views on YouTube and over 564k streams on Spotify alone. 'Sons Of Destruction' is available now on all streaming platforms at the link here, and be sure to watch the "B.O.G." official lyric video in the thumbnail below.

Don't miss the band's electrifying live show across the US alongside Struggle Jennings and Huey Mack on the El Camino Tour. For tickets, please click here and stay tuned for more The Native Howl news coming soon.

The Native Howl Tour Dates:

Oct 20 - Columbia, MO @ The Blue Note

Oct 21 - Oklahoma City, OK @ Beer City Music Hall

Oct 23 - Denver, CO @ The Oriental Theater

Oct 24 - Casper, WY @ The Gaslight Social

Oct 27 - Fargo, ND @ Sanctuary Events Center

Oct 29 - Milwaukee, WI @ The Rave/Eagles Club

Oct 30 - Columbus, OH @ Skullys Music Diner

Nov 1 - Newport, KY @ MegaCorp Pavilion

Nov 2 - Flint, MI @ The Machine Shop

Nov 3 - Buffalo, NY @ Electric City

Nov 4 - Warrendale, PA @ Jergel's Rhythm Grille

Nov 6 - Virginia Beach, VA @ Elevation 27

Nov 7 - Greensboro, NC @ Hangar 1819

Nov 8 - Spartanburg, SC @ Ground Zero

Nov 9 - Charleston, SC @ Music Farm

Nov 10 - Jacksonville, NC @ Hooligans Music Hall

Nov 13 - Jacksonville, FL @ Underbelly

Nov 14 - Fort Myers, FL @ The Ranch Concert Hall & Saloon

Nov 16 - Athens, GA @ 40 Watt Club

The Native Howl is a genre-defying quartet hailing from Leonard, Michigan, USA. Their fast-tempo music they’ve coined as “Thrash Grass” combines the aggression and intensity of thrash metal with the precision and melodicism of bluegrass. The band was born from a musical experiment that defied all expectations by blending elements of folk, bluegrass, rock, and metal, resulting in a sound entirely their own. With a dash of outlaw spirit and a touch of the wilderness, their music transports listeners to a sonic landscape where the traditional meets the contemporary. From foot-stomping bluegrass jams to lightning-fast metal-esque banjo picking, their tracks are a musical thrill ride that keeps the listener guessing with each note. Their lyrics often explore the dark sides of the human condition, nature, and the trials of life, creating a deep and personal connection with their audience.

The Native Howl Is:

Alex Holycross - Guitar, Bouzouki, Lead Vocals

Jake Sawicki - Guitar, Banjo, Vocals

Mark Chandler - Bass, Vocals

Zach Bolling - Drums, Percussion

Liverpool duo THE WOOD unveil brooding 'Let It Loose' single with brawling video, the first taste of their debut album

"A potent swaggering track for the ages. With solid songwriting, catchy guitar riffs and sonic hooks, the duo present a winning lesson in sonic with an “instant classic”. With haunting vocals and true groove, they offer up an introspective, yet infectious proposition, showcasing a seamless blend of their influences – this is a precious listening experience" ~ The Spill Magazine

Liverpool-based duo The Wood present their debut single 'Let It Loose', the first taste of their 'Days'album, set for release on November 15 via Riverdream Records. Made of up Alex Evans(vocals, backing vocals, percussion) andSteve Powell(guitars, bass, backing vocals, keys, percussion), they bring rock solid grooves, creating melodies full of beauty, passion, pain and the power of real soul.

The accompanying video is a surreal experience, filmed and edited by Dylan Cox at the Pro Flex Gym in Liverpool and featuring boxer Jake Harrison, along with a host of other shady characters.

There's something of the night about this song and in a very special way, like when you find yourself on unsteady feet, down a back street in an unfamiliar city late at night. There's something coming from the underground, the source of all the best discoveries. Feel the pull and follow it. Sometimes in life, things get to you. Don’t let the world drag you down. Let it loose.

Evans and Powell met when Steve was recording Alex at his Ark Recording Studiosin Liverpool and was blown away by his voice. From their first songwriting session, they realised they were creating music that was difficult to categorise yet somehow sounded familiar. With Steve on guitar and bass, they enlisted several talented friends, including Jake Howden-Woodward (Nova Twins) on drums and Martin Smith and Simon James (The Coral, Shack) on brass.

As a producer, Steve Powell is an expert at unearthing sonic magic, having recorded many notable artists records, including Michael Head and The Strands, John Power, def.fo, The Stairs and Ella Guru He also produced and played guitar on the first Michael Head and the Red Elastic Band record 'Arturius Revisited' and number one indie album 'Adios Senor Pussycat'.

“’Let it Loose’ is a song about not giving in. The everyday pressures of situations, relationships, ambitions, life’s occasional curveballs, and eventual optimism and hope. The insistent bassline of the verse, then the release of the chorus, like the clouds parting to let the sun work its magic. “Letting your mind go, waiting for the fear to fall,” says Steve Powell.

Alex Evans adds, “To me, ‘Let it Loose’ is about the rise and fall of life. The pressures we feel to take the leap of faith and overcome our insecurities and fears. The tension throughout the verse and the eventual release of the chorus reflects the stress, relief and beauty life throws at us every day. It's a journey we must see for ourselves. Let your mind go, Let it Loose.”

On 'Let It Loose', a fanfare of Mariachi trumpets leads the descent, deep down into a netherworld of delicious groove, it's all low-lit, loose-limbed and highly infectious. The muscles in your neck give way, helpless to its demands. You can't help it. Let it Loose. Once you're in, you're greeted by Alex Evans with a voice capable of turning real pain into raw beauty, this song a fine example of how it's done. Imbued with a rare natural soul, he leaps effortlessly from brooding, troubled depth to full-throated gospel glory as he leans in close to that groove.

Steve Powell's chiming guitar lands chords on the sparse landscape, strolling around the melody with its hands in its pockets, and chopping through the breaks with blasts of brass and a chorus of glorious harmonies, deep, wide and tall. Powell is the other half of The Wood, here on extensive duties of co-writing, playing guitar and bass, recording and producing.

Together as The Wood, they create music of passion and pain, of glory and redemption. Songs where all the right decisions have been made, deliberate and slowly, without any external pressure, only the enriching pleasure of artistic collaboration.

'Let it Loose' is available everywhere online, including Bandcamp and Spotify. The full 'Days' album will be released on November 15.

SINGLE CREDITS
Written by Alex Evans and Steve Powell
Alex Evans - vocals, backing vocals, percussion
Steve Powell - guitars, bass, backing vocals, keys, percussion
Produced and recorded by Steve Powell at Ark Recording Studios, Liverpool
Mastered by Pete Maher
Jay Irving – drums
Martin Smith – trumpet
Simon James – sax
Charlie Griffiths – backing vocals
Clair Griffiths – backing vocals
Photography by Kevin Barrett
Single cover artwork photo by Dylan Cox
Album cover graphics design by Pascal Blua
'Let It Loose' video filmed & edited by Dylan Cox @DylanCoxMedia
Special thanks to the boxer Jake Harrison @JakeHarrison_Boxing
and to Pro Flex Gym, Liverpool
Publicity by Shameless Promotion PR


Keep up with The Wood
Single order | Facebook | Bandcamp | Twitter | Instagram | YouTube | Spotify | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

NYC indiepop artist JOE GENI radiates hope on third album 'Cities Built Upon Cities', produced by Charlie Nieland

"With plenty of passion, excellent songmanship and fantastic elements here of Talk Talk, Gotye, When In Rome, boygenius and even Luc Plamondon’s ‘Notre-Dame de Paris’, what’s not to like? A cinematic tapestry of sound and song, the music weaves a story of life's journey, mirroring the city's evolution and societal shifts" ~ The Spill Magazine

"Captivating lyrics, woven into a tapestry of cinematic orchestration, mirror the dynamic interplay of life's experiences, urban evolution, and societal shifts. Built with operatic grandeur, the song's richly orchestrated foundation provides a soaring platform for stunning vocals that capture the essence of our times" ~ Amplify Music Magazine


New York-based indie-pop artist Joe Geni presents his third album 'Cities Built Upon Cities', an 8-track offering that traces the transformation of Long Island City, the part of Queens that Geni calls home. Situated across the East River from Manhattan with its stunning skyline views and now booming with skyscrapers, this place is haunted by its industrial past and friends who have moved on. These recordings explore themes of change, impermanence and loss amidst the city's constant evolution.

This album was produced, mixed and mastered by Charlie Nieland, a well-respected Brooklyn-based sound engineer and producer, known for his work with Debbie Harry, Rufus Wainwright, Blondie, Dead Leaf Echo, Oh Halo and Scissors Sisters, in addition to scores, including the feature film 'The Safety of Objects' starring Glenn Close. Awarded a Gold record (UK) for his production of Blondie's 'Greatest Hits Sight & Sound', Nieland also achieved a Top-10 Billboard Dance Chart Position with Debbie Harry's 'Two Times Blue', a single that he co-wrote and produced.

"I live in Long Island City, where the land is in transformation. They’re throwing up high rises as fast as building permits can be distributed from City Hall. From a city of industry and warehouses and taxi depots, to a city of luxury towers and scaffolding, the infrastructure and facilities groaning under the weight of ten thousand new arrivals and then ten thousand more, and all this flat up against the undulating greenery of Gantry State Park weaving along the banks of the East River under the famous Pepsi Cola sign," says Joe Geni.

"I lived here in 2011, when it was a totally different city, flat and industrial and grey. One time I was walking along and I heard the rhythmic thump of a distant dance party, and then the sound was gone, and then it was back again. I couldn’t tell where it was coming from, and so I hunted all over the neighborhood trying to find it. Finally I realized it was on the roof of practically the only tall building for half a mile in any direction, and the reason it kept drifting in and out of earshot depended on where I was standing and whether or not I could hear it echoing off the brick walls and corrugated siding of the smaller buildings all around it. Nearly all of those buildings are gone now. So are most of my friends from that time. I’m back now. The city is changing. The people in it are changing. The environment around it is changing. The architecture is changing. Yesterday’s city has been buried under today’s which will soon be lost to tomorrow's… cities built upon cities."

In the lead-up to this album, Geni released the singles 'City of Energy', 'City Where The Sky Subsides' and the latest 'City of Light', reflecting on the power of human connection and resilience, the solace found in friendship and community, and the renewed hope that emerged as the world began to heal following Covid-related lockdowns.

Originally hailing from Evanston, Illinois, Geni has lived in NYC for most of his adult life (mostly in Long Island City), working various jobs around the United Nations. Making music that soundtracks the Anthropocene, Geni tries to capture what it’s like to search for home in a world that is constantly changing. Exploring the complex relationship between humanity and our environment, he channels these ideas and emotions into sound.

Since emerging on the music scene with his 2019 debut album 'After Wandering Empire', Geni released his 'Doggerland' album in 2021, both of which were also produced by Charlie Nieland. With a distinct, instantly recognizable voice (a blisteringly high tenor with a 3.5 octave range), he has a knack for communicating complex ideas through his lyrics, ruminating on themes related to international affairs, climate change, demography, transportation and urban infrastructure, but also the grand sweep of the human experience, including love, regret, modern art and even dinosaurs.

As of October 4, the 'Cities Built Upon Cities' album is available everywhere digitally, including Spotify, Apple Music and Bandcamp.

ALBUM CREDITS
Music written by Joe Geni
Lyrics and vocals by Joe Geni
All instruments by Joe Geni, except drums by Mikhail Sapozhnikov
Produced, mixed and mastered by Charlie Nieland 
UPC: 198500349573
Cover artwork by Joe Geni
Publicity by Shameless Promotion PR


Keep up with Joe Geni
Website | Bandcamp | Instagram | Twitter | Soundcloud | YouTube | Spotify | Apple Music| Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Soundcloud | Instagram | Link edIn | Email

Acres Announce "What It's Like to Feel Worthless" EP Out 10/25 + Share "Deadwieight"

UK band ACRES are pleased to announce their new EP, What It's Like to Feel Worthless, out October 25 via Tooth & Nail/Solid State Records. Pre-order it here.

Alongside the news of the five-song EP, the band has shared the visualizer for the single "Deadweight." Watch and listen below.

The song marks new territory for the band, as it stretched and flexed different creative muscles when crafting the track.

"When writing 'Deadweight,' we were really conscious keeping all the elements of what we're known for but also welcoming in the new sound," says singer Ben Lumber. "It's cathartic and anthemic. Lyrically, it's almost like a conversation between two people expressing how they feel about each other, and coming to terms with how they feel. It's the first time I've written this way."

Regarding the EP as a whole, Lumber states, "This EP is us trying new things and trying to express ourselves in a new way. We will forever try and change things up with every release but also keeping what our fans like about our band."

Following the success of 2019's Lonely World, a record that harnessed melody and melancholy, Acres found themselves playing the biggest shows of their career so far and achieving things they had only previously dreamt about. But when the world around them suddenly felt so uncertain, they had a choice to make of what they should do next. Instead of rushing out with something that they didn't fully believe, they locked themselves away and painstakingly created something that not only represented where they had been but also where they wanted to end up. The result was Burning Throne, a perfectly crafted account of what it means to stare into your own oblivion and learn about who you really are from it.

ACRES ARE:
Ben Lumber — Vocals 
Alex Freeman — Guitar
Ash Scott — Guitar 
Jack Rogers — Bass 
Konnor Walsh — Drums 

ARISING EMPIRE MEDIA ALERT: Vianova - Share Video For New Single

Founded in Berlin by brothers Felix and Paul Vogelgesang, metalcore act vianova emerged from their shared vision of creating authentic, emotionally-driven music when they relocated to the city in 2014. The lineup solidified in 2017 with the addition of vocalist Alexander Kerski. Between 2015 and 2019, they released a five-track EP and two singles, building their presence in the German live music scene while navigating lineup changes.

Now back with fresh music, vianova push their sound even further. This new chapter aims for a raw, fierce, and dynamic approach in both mixing and songwriting. Influences from genres outside metalcore — such as soul, jazz, R&B, and 80's synths — reflect their commitment to breaking genre boundaries. Accompanying this sonic evolution is a vibrant visual transformation, characterized by a focused and youthful energy that injects fun into a metalcore landscape often perceived as stagnant.

The first single from this new writing cycle, titled "Más Rápido," is an energetic and upbeat track that seamlessly blends the band's old and new styles. Lyrically, it explores themes of modern working culture and burnout, addressing the pressures of contemporary life. The track was mixed by their producer, Leon Schmidt, and mastered by renowned engineer Jens Bogren, providing a warm, dynamic edge to vianova's evolving sound. 

Watch the video below.

 Stream + download "Más Rápido" here.

During the 2020 pandemic, vianova reinvented their musical and visual identity, evolving their sound with the arrival of bassist Raoul Zillani. This new phase embraced a more technical, aggressive, and imaginative style, culminating in their EP Looking For... and the follow-up, ...A Way Out, released in 2023. These efforts garnered international attention and led to management by Lukas Magyar (Veil of Maya) in mid-2023. The band has since performed extensively across Germany, solidifying their position as a rising force in the metalcore genre.

VIANOVA ARE:
Alexander Kerski — Vocals
Felix Vogelsang — Guitar
Raoul Zillani — Bass
Paul Vogelsang — Drums

SYLOSIS - Drop Surprise New EP 'The Path' + Release Video For Title Track Feat. Debbie Gough Of Heriot

Powerhouse metal outfit SYLOSIS have surprise released their new EP The Path ahead of their upcoming co-headlining tour with FIT FOR AN AUTOPSY.

On the release of the The Path, Josh Middleton comments:

“When we were working on ASOTTC we amassed a lot of material. It was a very creative period and the songs that didn’t make it onto ASOTTC were by no means below standard - far from it! We’re extremely excited to share with you The Path EP. Some of our best material to date! We hope you enjoy it”

The band have also released a video for its title track featuring Debbie Gough of HERIOT, who will be joining the band as support across the UK and Europe.

On the EP's title track, Josh continues:

“The Path is about my love and obsession for heavy music. It’s all I need. It’s never been a phase or something I’ll grow out of. I’m immersed in this culture and more than anything, I am still a rabid fan! I think previously writing a song about this kind of thing would have been a no-go for me. Maybe it could be perceived as corny or ‘out of character’ compared to some of the band's previous lyrics but this feels like a very important song to me.”

Catch SYLOSIS across the globe this year including the band's first US tours in over ten years. Dates below.

FIT FOR AN AUTOPSY - US TOUR
W/ BODYSNATCHER, DISTANT, SYLOSIS, JUDICIARY

18.10.24 US, Worcester, MA - Palladium
19.10.24 US, New York, NY - Irving Plaza
20.10.24 US, Philadelphia, PA - Theatre Of Living Arts
22.10.24 US, Baltimore, MD - Baltimore Soundstage
23.10.24 US Charlotte, NC - The Underground
24.10.24 US, Atlanta, GA - The Masquerade (Heaven)
25.10.24 US, St Petersburg, FL - Jannus Live
26.10.24 US, West Palm Beach, FL - The Banyan Live
28.10.24 US, Houston, TX - House Of Blues
29.10.24 US, San Antonio, TX - Vibes Event Center
30.10.24 US, Dallas, TX - Granada Theater
01.11.24 US, Mesa, AZ - The Nile Theater
02.11.24 US, Santa Ana, CA - Observatory
04.11.24 US, Sacramento, CA - Ace Of Spades
05.11.24 US, Portland, OR - Roseland Theater
06.11.24 US, Seattle, WA - El Corazon
08.11.24 US, Salt Lake City, UT - The Complex
09.11.24 US, Denver, CO - Summit Music Hall
10.11.24 US, Wichita, KS - TempleLive At Wichita Scottish Rite Center
12.11.24 US, Minneapolis, MN - Varsity Theater
13.11.24 US, Chicago, IL - Metro Chicago
14.11.24 US, Detroit, MI - Saint Andrew's Hall
15.11.24 US, Cleveland, OH - House Of Blues
16.11.24 US, Mckees Rocks, PA - Roxian Theatre
17.11.24 US, New Haven, CT - Toad's Place

TRIVIUM + BULLET FOR MY VALENTINE - CO-HEADLINE US + CA TOUR
W/ AUGUST BURNS RED, SYLOSIS

30.03.25 CA, Vancouver, BC - PNE Forum
01.04.25 US, Seattle, WA - Paramount Theatre
03.04.25 US, San Francisco, CA - The Masonic
04.04.25 US, Wheatland, CA - Hard Rock Live
05.04.25 US, Reno, NV - Grand Theater
08.04.25 US, Denver, CO - Fillmore Auditorium
10.04.25 US, Las Vegas, NV - Pearl Theater
12.04.25 US, Phoenix, AZ - Arizona Financial Theatre
15.04.25 US, Dallas, TX - South Side Ballroom
16.04.25 US, San Antonio, TX - Boeing Center At Tech Port
17.04.25 US, Houston, TX - Bayou Music Center

2025 FESTIVAL DATES

18.06.25 DK Copenhagen - Copenhell

Tickets for all dates are available from sylosis.os.fan

New Song Alert - Like Moths To Flames "Soul Exchange"

THRESHOLD - Release Remixed Versions Of Classic Albums On CD & Limited Edition Vinyl + Lyric Video For 'Freaks'

THRESHOLD are excited to announce the release of newly remixed editions of their first four groundbreaking albums: Clone, Extinct Instinct, Wounded Land and Psychedelicatessen. The albums have been meticulously revisited by guitarist Karl Groom and keyboardist Richard West, bringing these early classics into the modern era with enhanced sonic clarity while preserving their original power and intricacy. These remixed versions are available on CD and limited edition vinyl, with exclusive transparent color variants for each album.

Get yours here: https://nblast.de/ThresholdRemixes

Limited-Edition Vinyl Releases:

Clone: Clear Orange 2LP

Extinct Instinct: Clear Yellow

Wounded Land: Transparent Green

Psychedelicatessen: Transparent Violet

To celebrate the re-release of Clone, the band has also dropped a brand-new lyric video for the track 'Freaks', featuring the remixed audio from the album.

Watch the lyric video for 'Freaks' Below:

The song holds a special place in THRESHOLD’s history as one of the first tracks written for Clone, and it marks a pivotal moment when Mac (Andrew "Mac" McDermott) joined the band.

Karl Groom on 'Freaks':

"‘Freaks’ was one of the first songs written for Clone and was a starting point for Mac joining Threshold. We’re looking forward to playing this on our upcoming tour."

Richard West added:

"It’s amazing to be releasing ‘Freaks’ as a single again over a quarter of a century after it first came out. It was the first song we released after Mac joined the band, and our 2024 remix makes it sound brand new all over again."

About the remixes:

Each album has been remixed from the original multitrack recordings, bringing new life to these iconic records from Threshold’s formative years. Speaking about the remixing process, Karl Groom shared: "There were obvious shortcomings in the sound of early albums with budget being limited at the time. We've brought the sonic quality up to modern standards while retaining the original performances. It’s great to look back at our formative years and the way you take chances in composition that experience would probably make you look at differently."

Richard West added:

"Nuclear Blast approached us about reissuing our back catalogue, and that gave us the perfect opportunity to go back to the original tapes and improve the quality of the mixes. It’s been really nostalgic going back and restoring them to how they were always supposed to sound."

These remixed albums represent a new chapter for fans both old and new, combining the raw creativity of THRESHOLD’s early work with a refined, modern production.

Karl Groom Reflects on the Evolution of THRESHOLD’s Sound: "Anything released before 'Dead Reckoning' feels like a different era completely. That is partly because Mac is unfortunately no longer with us, but also because founding members like Jon Jeary and Nick Midson had moved on, and the sound changed accordingly."

SOL INVICTO (Feat. Members of Deftones, Cypress Hill & Sikth) Announce Debut EP & Drop First Single

Underground metal visionaries Sol Invicto, the dynamic project formed by producer/guitarist Richie Londres, Stephen Carpenter (Deftones), and Eric Bobo (Cypress Hill), are thrilled to announce the release of their long-awaited debut EP, ‘Loosely Aware’, dropping November 8th, 2024. Accompanying the announcement is the release of their first official single, “The Obvious Play”, alongside an official lyric video. Fans can pre-save the EP HERE, stream the new track HERE and watch the visualizer below.

Speaking on the EP, the band shares,

“It’s been quite the journey to get this to the people, just a taste of what’s to come.”

After years of experimentation and anticipation, Sol Invicto is finally ready to reveal the first taste of what’s to come with single ’The Obvious Play”, featuring guest vocals from Sean Plague of Plague To Pyres (who are signed to Londres and Carpenter’s independent label Omyac Records). The EP marks the project's first official release following their extremely rare, private double album ‘Initium’ in 2017, a collection of demos and experimental tracks gathered over the years which was available only to members of their private club, Sol Invicto Comiti.

‘Loosely Aware’ showcases the band’s unique blend of furious riffs, razor-sharp lead guitar lines, industrial and electronic elements all infused with the percussive genius of Eric Bobo, drawing from the talents of Dan Foord (Sikth) on drums. The EP signals a bold new chapter for the band as they prepare to record a full-length metal album later this year. More on that coming soon. For now though, bask in the gloriously nasty, soul-crushingly heavy sounds of Sol Invicto’s “The Obvious Play” and get ready for ‘Loosely Aware’ to drop on November 8th.

About Sol Invicto

Sol Invicto is an underground metal powerhouse founded by producer/guitarist Richie Londres, alongside Stephen Carpenter of Deftones and Eric Bobo of Cypress Hill. Fusing heavy riffs, industrial beats, and Latin-infused percussion, the project has carved out its own unique space in the world of experimental metal.

The group initially blended Lo-Fi Industrial Drum & Bass with Carpenter’s crushing guitar work and Bobo’s dynamic percussion. As the sound evolved, Londres brought in Dan Foord from Sikth to take over on drums, pushing the band toward a more live, raw energy.

To date, Sol Invicto has released a single, exclusive double album titled Initium, a collection of demos and experimental tracks gathered over the years. Released in 2017 on limited edition signed vinyls, Initium remains a rare gem for members of the Sol Invicto Comiti and currently unavailable to the public.

After starting work on new music in 2018, the group’s plans were delayed, but 2024 will finally see the first official release from Sol Invicto—the 3-track EP titled ‘Loosely Aware’, featuring vocals from Sean Plague of Plague To Pyres, a Norwegian/British noisecore band signed to Carpenter and Londres’s label, Omyac Records.

'Loosely Aware’ is only the beginning for Sol Invicto. Waiting patiently to unleash their unique brand of heaviness into existence, they are now primed for global domination.

'Loosely Aware' is mixed by Adam “Nolly” Getgood (Periphery, Animals As Leaders). Mastered by Jaime Gomez Arellano (Ghost, Paradise Lost). Artwork by Kwonny.

Ray Hawthorne Announces New Album "Ray Hawthorne Sucks" & New Single "Body Count"!

Ray Hawthorne is back and louder than ever, delivering a heavy dose of sarcasm, rage, and brutal honesty with his upcoming album, "Ray Hawthorne Sucks" set for release on November 7th, 2024. Leading the charge is the ferocious new single, "Body Count", which puts Hawthorne's biting wit and raw energy front and center. Fans can pre-save the new album HERE. Fans can also purchase a limited run of exclusive vinyl HERE.

Renowned for his work in North Kingsley alongside Shavo Odadjian of System of a Down, his inaugural solo release "Heartbreak Feels Good in a Place Like This" had initially crowned him as the Heartbreak Hero. His upcoming album, "Ray Hawthorne Sucks"takes a hard left turn that channels frustration, irony, and self-deprecating humor into the signature Ray Hawthorne genre-blurring sound.

Speaking on today's single release, Ray Hawthorne shares:

"I have very little self control. Like almost none. I can get addicted to pretty much anything, and if it exists I’ve probably overdone it at some point. Whether something is generally considered good or bad for you, I will beat that shit into the ground until I just

can’t do it anymore. So “Body Count” is about just fucking running. Causing problems and running so far away from them that your avoidance becomes a new problem in itself. Sometimes I feel like my life is just a continuous loop of ignoring things until I find myself back at square one. But hey, it is what it is, I guess when you stop doing drugs you just find new ways to fuck up your life. Even if that new way is a consistent and ever increasing hunt for rare Ninja Turtles figures."

Lifting the curtain behind his upcoming album release, Ray continues:

"The last 9 months have been pretty fucking crazy for me. In a completely unexpected turn of events, people (for some reason) started giving a shit about the silly songs I record in my bathroom. This has been equal parts exciting and nerve-racking. Throughout the last 9 months I have panicked, blown out my voice a few times, injured myself during the LA marathon, celebrated my dog’s second birthday, and released a new song almost every week. I don’t know how or why, but that’s what I did. This album is a collection of some of my favorite songs throughout that process, and listening back to them all in one go is somewhat interesting to me. Hopefully it’s slightly interesting to you."

While his work in North Kingsley and his debut EP showcased a different persona, Hawthorne’s latest solo work breaks the mold, leaning into chaotic energy with the release of the no-holds-barred single "Body Count." Layered with pounding drums, distorted guitars, and his trademark emotive vocals, the track is an explosive anthem exploring the themes of self-criticism, guilt, and emotional vulnerability while grappling with feelings of helplessness and regret. "Body Count" doesn’t pull any punches—it's Hawthorne’s rallying cry for anyone who feels like they’re at the end of their rope.

"Ray Hawthorne Sucks" is a self-aware, tongue-in-cheek title, but it’s also a reflection of the album’s themes—self-doubt, frustration, and embracing the chaos. The project is a far cry from the more cinematic, heartfelt journey of his debut EP "Heartbreak Feels Good in a Place Like This". Instead, it plunges listeners into a gritty, unpredictable soundscape, blending post-punk, hardcore, and Hawthorne’s emo roots into a genre-defying mix that is as chaotic as it is cathartic.

Be sure to to stay tuned for more new music from Ray Hawthorne coming very soon.

ABOUT RAY HAWTHORNE

Ray Hawthorne is basically an emo Muppet. His life revolves around pop culture references, Ninja Turtles action figures, and his dog named Oliver. Oliver laid on Ray’s feet during the recording of every song on his forthcoming album “Ray Hawthorne

Sucks”. This was mostly a positive experience, but there’s a particular section during the song “Panic Mode” where Ray had to yell “HEY HEY HEY HEY” over and over again. This made Oliver very tense, and he thought he was being scolded. Ray felt really bad for confusing Oliver in such a way. After the recording was done treats were had by all, and all was well.

Klone Share New Track "Magnetic"

French art rock band Klone have shared "Magnetic," the latest single from their forthcoming full-length album, The Unseen, set for release on November 8 through Berlin's Pelagic Records. Pre-order it here.

A bold new journey through a singular yet contrasting soundscape, The Unseen is an immersive, dreamlike experience that pushes Klone's already sumptuous sound to new, magisterial heights and speaks to the significance of things that at first glance seem to lack it.

"Magnetic" is out now. Listen below.

Emotive and conceptual, Klone have once again broken new sonic ground and built further on their signature expansive sound. Since the release of Le Grand Voyagein 2019, Klone have risen to new heights across the globe, touring in Europe, USA, Australia, and Mexico alongside the likes of Devin Townsend, Leprous, Riverside, Pain of Salvation, Gojira, and blowing away festival crowds at Hellfest 2024, Prog Power USA, Midsummer Prog, and Cruise to the Edge. Coming off the back of their phenomenal album Meanwhile, which was released in 2023, The Unseen is a masterpiece of both performance and production that sees Klone wearing their years of experience proudly on their sleeves.

With every member and every instrument pushed to its expressive limit, The Unseen has a might and intensity to it that, whilst sometimes abrasive, simultaneously feels natural, coherent and unified as the band move from motif and melody as one; guided as ever by the unmistakable voice and vision of Yann Ligner.

"Magnetic," the third single taken from The Unseen, is a defiant and direct ode to love. The track's comparatively simple, yet undeniably effective structure sees the five-piece blend pounding drums and acoustic guitar warmth with soaring euphoric melodies and Ligner's powerful lyrics to reach a fist-pumping, pulse-racing crescendo.

With such an inimitable 25 years of music already behind them, it seems apt that The Unseen is also Klone's tenth full-length release. The album serves as a milestone that uses reflections on the past as a means of appreciating the beauty of the present, with the band employing their shared decades of creativity and collaboration to offer enlightening new perspectives on the here and now.

About "Magnetic," Yann Ligner says, "This track’s strength lies in its simplicity. Its simple structure gets straight to the point and offers a breath of fresh air. It is an honest, joyous and rebellious ode to love."

The Unseen will be released on November 8.

Manchester legacy act INCA BABIES releases 'Spacewalk', previewing 'Ghost Mechanic Nine' LP

"Combine Brian Setzer's twang, the silver lining amidst Bauhaus' dark expanse and the post-punk fever fired up by Gang of Four, you'd end up with the sonic output of long-time deathrock supremos Inca Babies... a captivating blend of angularity and intensity with a driving rhythm" ~ The Spill Magazine

"From their emergence in 1982, they've sculpted a perpetual warped seduction... Their almost serpentine invention and dark musical incitements have continued to inspire and invigorate... truly one of the leading lights and template setting protagonists of British rock ‘n’ roll" ~ Ringmaster Review

"Thirty years down the line the Inca Babies' recordings are not just a collection of outstanding songs from independent music's golden age, but for those of us who were there, they remain pretty much a life statement; a declaration of intent" ~ Isolation Records


Manchester post-punk death-rock rockers Inca Babies are back with a new collection of darkly invigorating tunes on their ninth studio album 'Ghost Mechanic Nine'. Ahead of this, they present the lead track 'Spacewalk', a timeless Rockabilly groove that was inspired by Link Wray, Alan Vega and Brian Setzer, but set in a 50s going on 2020s Sci-Fi space opera. The single also comes with B-side 'Monster In The Deep'.

This album visits a similar place to where Inca Babies started in the 80s with their psychobilly trash rock. 'Spacewalk' sees the band reconnect with their roots, where The Gun Club and The Cramps met - it is in this intersection where Inca Babies found their most passionate and loyal following. This song is a calling card for the album, taking listeners back to a sound that is raw, spiky and reminiscent of their early days in the 80s.

Today, the band is made up of Harry Stafford (guitar, keys, vocals), Rob Haynes(drums, percussion), Jim Adama (bass) and Kevin G. Davy (trumpet). This will be their first release in three years, following their 2021 album ‘Swamp Street Soul’. Continuing their explosive exploration of goth, punk and death-rock jazz-blues, Inca Babies deliver an album that explores the essence of the 80s death-rock vibe, with a tribute to the strong riffing and cool, dead-pan delivery of the dark wave scene at the time. 

“This is a rockabilly Sci-fi song about the wonders of the Space age. From Stanley Kubrick’s 2001 to the mega cities of Blade Runner and the fact that when I was a kid, in the far-off future, 2024 was supposed to be a silver suited, hover car space age with pills instead of Pizza," says Harry Stafford.

"We were to have a completely automated world on the moon. Thank God this fulsome nonsense never happened so it’s time to reintroduce Rockabilly to the world’s consciousness instead.”

Recorded at 6Db Studios in Salford under Simon ‘Ding’ Archer (The Fall, PJ Harvey), this album was recorded and mixed by ‘Ding’ and Stafford over two years, with with 'Ding' also contributing serious sonic and dub flourishes. Marco Butcher mastered this record at his Boombox studio in North Carolina.

Originally comprised of Harry Stafford, Bill Marten, Mike Keeble and Pete Bogg, Inca Babies began in 1983 in the now-legendary deck-access flats of Hulme in Manchester. Intended as executive ‘cities in the sky’, they quickly became cockroach-infested slums inhabited by students, artists and druggies. They released their 1984 debut single 'Interior' on their Black Lagoon label with an unusual sound for Manchester, which was then associated with Joy Division, Buzzcocks, The Fall and The Smiths. With a nod to their influences, Writer CP Lee dubbed them "the Hulme Cramps" for their Gothabilly twang.

A vibrant part of Britain's early postpunk / goth /death rock scene, they amassed a steady following through touring and by releasing a further six singles and four albums over the next five years, all of which entered the UK Indie Charts. They also recorded four sessions for BBC's legendary John Peel show between 1984 and 1988 before calling it quits that year.

Since reforming in 2007, they've released three albums and toured extensively around Europe, Russia, North America, India and beyond. Renewed interest in the Incas was propelled by Cherry Red Records 'Best of’ compilation release ‘Inca Babies 1983-87: Plutonium’. After Bill Marten's death in 2008, the band decided to continue creating music, subsequently releasing their Death Blues Album Trilogy - 'Death Message Blues' (2010), 'Deep Dark Blue' (2012) and 'The Stereo Plan' (2014).

As of October 3, 'Spacewalk' will be available everywhere, including Spotify, Apple Music and Bandcamp. On November 29, the ‘Ghost Mechanic Nine’ album will be released on vinyl and digitally, and can be pre-ordered via Bandcamp and the Louder Than War shop.

CREDITS
Written by Harry Stafford & Rob Haynes
Harry Stafford – vocals, guitars & keyboards
Rob Haynes - drums & percussion
Jim Adama – bass guitar
Kevin G Davy - trumpet, horns
Simon 'Ding' Archer - sonic and dub flourishes
Released by Black Lagoon Records
Catalogue no. BLRLP0060
Recorded, mixed & produced by Simon ‘Ding’ Archer & Harry Stafford
Recorded at 6Db in Salford under Simon ‘Ding’ Archer
Mastered by Marco Butcher at Boombox Studio (North Carolina, USA)
Artwork created by Harry Stafford
Live photos by Simona Masoni
Publicity by Shameless Promotion PR

Keep up with Inca Babies
Facebook | Bandcamp | Twitter | Instagram | Soundcoud | YouTube | Spotify | Apple Music | Booking contact | Press contact

Keep up with Shameless Promotion PR
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Sunburnkids Unveils Debut Album, Elephant in the Room

Sunburnkids, a 2005-born creative director and artist, releases their debut full-length album, Elephant in the Room, today. Alongside the album release you can watch the deeply personal music video for “Red Cheek Boys,” and anticipate the music video release for “Time,” set to drop in a few weeks. Collaborating closely with children for this project and known for making waves in the fashion world at a young age, Sunburnkids chose lyrics and music as their medium for expression, opting for clarity over abstraction in delivering the album’s message. (Clothing Brand: @chapterofchan)

The album’s title draws inspiration from the American idiom "the elephant in the room," symbolizing important issues that everyone acknowledges but often avoids discussing due to discomfort or fear. Sunburnkids shares, “This phrase deeply resonates with my life. I’ve carried the weight of childhood habits and unresolved traumas that, while invisible, have always felt like a colossal elephant in my heart. Every time I write, whether it’s a reflection of my life’s introduction, body, or conclusion, I’ve found myself unable to bring it to a close—unable to place that final period. In other words, I have yet to write the ending to my story.”

A pivotal moment during the album’s creation came when a young boy expressed to Sunburnkids’ that he listens to their music from morning till night, constantly reflecting on it. This encounter left Sunburnkids’ feeling both shocked and burdened by the weight of responsibility their music carries. From that moment on, despite receiving numerous opportunities, Sunburnkids spent a long time in quiet reflection—reading books, writing lyrics, and contemplating within the church whether they had the right to express themselves, and more importantly, what they should be expressing.

This album is not only their debut but also a deeply personal, self-taught project. Having learned everything on their own—from fashion to videography to music—Sunburnkids poured their unique tastes and modes of expression into this work. Each track tells a story that reflects real life, with involvement from children at church and even actors who helped bring the narratives to life. The music video for the title track, “Red Cheek Boys,” features Sunburnkids’ younger brother, authentically capturing his own past.

What makes this project even more special is that Sunburnkids didn’t create it alone—they crafted it together with children. They explained the lyrics and themes to the kids, organized art classes, and used the children’s drawings as the album covers. On September 30th, an album listening party and exhibition was held at “Layer Studio 7” in Yongsan, where the children's artwork will be displayed. Their voices are also interwoven into the album, giving listeners a deeper sense of how Sunburnkids’ views and values the children involved. “Sunburnkids tells them that they are both the authors and the protagonists of this album.”

The album consists of 11 tracks, with Sunburnkids writing, composing, directing, producing, and overseeing the music videos entirely. When asked, "Why do you take on everything yourself?" Sunburnkids responded, "Because no one can truly understand my life as deeply as I do."

MORE INFO:
Based in Seoul Korea, Sunburnkids is an active singer-songwriter and visual director. They’ve worked on music video styling and visual direction for various artists, including the well-known artist Zior Park. Despite his young age, Sunburnkids made a significant impact in the fashion industry, serving as the creative director for their own clothing brand, Chan. With a deep understanding of color, they not only design their own clothes but also demonstrate exceptional skill in manipulating color to match their concepts. The free-spirited and imaginative visualizations in both their music and video art stimulate the viewer’s imagination.

Sunburnkids began self-teaching music, videography, and photo visuals as early as elementary school, and by 2023, they released their single, "1MIN," which showcased their unique artistic sensibility. This was followed by their EP CRY BOYS MIXTAPE, marking their debut as a musician. In October 2024, they officially released their first full-length album, Elephant in the Room. Despite only debuting last year, they’ve gained recognition from various magazines such as Marie Claire Korea, Dazed Korea, Esquire Korea, Hypebeast Korea, and many more. As a musician who combines styling and visual directing talents, Sunburnkids offers an original, boundary-breaking musical world to their audience, never constrained by convention.

SUNBURNKIDS ON SOCIALS:

INSTAGRAM | YOUTUBE | SPOTIFY

TURMION KÄTILÖT - RELEASE NEW SINGLE 'PULSSI'

TURMION KÄTILÖT release today their second single ‘Pulssi’ featuring Kasperi Heikkinen from BEAST IN BLACK. The single coincides with the publication of the band's first autobiography ‘En tahdo unohtaa koskaan’ (‘I never want to forget’). The new album RESET will be released on October 25th via Nuclear Blast Records.

MC Raaka Pee comments about 'Pulssi': You know you're living when you feel your pulse up to your gums. The song arrangement and lyrics were born in one evening without any pre-planning or notes. That night the moon burned my face. This time, the song was kept really simple. I wanted to include a riff that I would have been able to play as a 14-year-old. Sort of like Smoke On The Water for many youngsters at the time when they first tried playing the guitar. For me, that was the 90s and you can hear that kind of middle school riffing in Pulssi. Works damn well I think! Give it a try yourself!

He continues about Reset: "I would say that Reset is like a bastard son or daughter of previous records - with tasty new spices added to the whole thing. It has everything you could ever want from us and more. One of the special twists of this album is the vocal parts: the fierce screams are counterbalanced by a huge melodiousness - often at the same time."

Stream 'Pulssi' here: https://turmionkatilot.bfan.link/pulssi 
Watch the band's new video for 'Pulssi' below:
Pre-Save Reset here: https://turmionkatilot.bfan.link/reset

About TURMION KÄTILÖT:
TURMION KÄTILÖT, the Finnish-singing industrial and electronic metal band hailing from the barren wastelands of Savo, is rapidly becoming a new favorite among open-minded metal fans in the mid-2020s. The odds of their rise to prominence are nothing short of great. Known for their ecstatic and theatrical concerts, TURMION KÄTILÖT invites you to dive into their twisted world of "disco metal." The current lineup features singers MC Raaka Pee and Shag-U, guitarist Bobby Undertaker, bassist Master Bates, keyboardist RunQ, and drummer DQ. Since the early 2000s, this vivid sextet has been delivering a unique blend of electrifying heavy music, characterized by its peculiar, perverted, and catchy style. Their journey includes numerous sold-out concerts, gold and platinum records, and Emma nominations (Finland's equivalent to the Grammys).
 
TURMION KÄTILÖT's depraved disco ball has also shone beyond Finland. Many fans remember their legendary European tour with PAIN in 2011. In the 2020s, their fame continued to grow, highlighted by their selection as the opening band for NIGHTWISH's sold-out European arena tour in 2022. Now, TURMION KÄTILÖT is ready to unveil their latest creation: Reset. Founding member and main songwriter MC Raaka Pee explains, "Reset is simply the perfect name for our new studio album. For us, Reset is more about taking advantage of everything we've learned over two decades and then adding new nuances to our metallic disco vortex." With twenty years and ten studio albums behind them, Turmion Kätilöt continues to push their boundaries. "We have relentlessly raised our own bar with every record," says the band. "Reset is our best album to date, and we simply couldn't be more satisfied."
 
Reset features all the hallmarks of TURMION KÄTILÖT: twisted synths, underfoot grooves, pounding beats, and cryptic lyrics, all with a stronger musical vision than ever before. The album is described as a "bastard child" of their previous records, with new spices added. The vocal parts, a mix of fierce screams and melodiousness, add a special twist.
 
"We have gained more courage to explore drastic musical and lyrical angles," the band states. "Sometimes the lyrics and the musical mood seem to come from completely different worlds, but that's exactly what makes the whole thing fascinating. That's what Turmion Kätilöt is all about!"
Key tracks from the album include singles "Yksi jumalista," "Pulssi," and "Sinä 2.0," though the band emphasizes that the entire album is a varied entity. "If we had to decide now which new songs to perform at future shows, we would play the whole new album!"
 
The production of Reset benefits from the powerful sound engineered by keyboardist and producer RunQ in his brand-new studio. The album's sound palette ranges from completely organic to entirely electronic, creating a hugely powerful combination. Reset also offers an interesting opportunity to compare old and new TURMION KÄTILÖT with the song 'Schlachter,' a new German version of their classic 'Teurastaja.' Originally released on their debut album, this updated version features new arrangements and lyrics. While the band remains committed to singing in Finnish, they remain open to future possibilities. "In the future, we can sing in English, German, Swedish, or we may invent our own language. Let's see." MC Raaka Pee concludes with a confident smile, "Trust us, we know what we are doing. For this band, it took twenty years, but we finally know what we are doing. Now we are just going to enjoy the ride. So, if someone is interested in a wild ride on the twisted side, please reset and jump in!"       

STEVE HILL ANNOUNCES NEW SINGLE 'DEVIL'S HANDYMAN' FROM UPCOMING ALBUM HANGING ON A STRING

Produced at Studio 606 in Los Angeles last January, the second single from Steve Hill’s upcoming album The Devil's Handyman, is as dark and moody as can be. 

Recorded live off the floor by the man called by Germany’s Guitar Magazine "the most impressive one man band on the planet", it’s hard to believe that what you’re hearing is only one guy.

The song is about an all-too-common story in the world of rock and roll: addiction. The narrator is the dealer, talking to his clients, acting like a comforting friend at first and gradually taking control over his life. It starts with the line

« Hey there buddy, good to see you again »

and ends with

«  I’ll be there until you start to lose your soul and fall apart »

The Video was directed by Mat Lucas and shot at Studio 606. The shooting of the performance where Steve is playing guitar and drums is the actual recording of the take that was used on the album, done on the first day of recording, January 8, 2024.

It is one of Steve Hill’s best ever performance in over 25 years as a recording artist with 13 albums to his name. It features deep blues slide guitar over a  Zeppelinesque heavy groove and vocals that echo as much Howlin Wolf as James Hetfield.

The first single World Gone Insane has been available on all platforms since September 6 and the video can be seen below.

Pre-save: https://lnk.to/HillDevil

Physical & Merch preorder: https://bit.ly/3BhqJUa

Amazon sales link: https://bit.ly/4eHN37R

Linktree: https://linktr.ee/stevehillmusic

SOILWORK Release Video For New Single 'Spirit Of No Return'

Swedish melodic death metal legends SOILWORK are back with a brandnew single, 'Spirit of No Return,' along with a powerful and visually striking music video. The track marks a significant milestone in the band’s evolution, with longtime live guitarist Simon Johansson recently officially joining the ranks of the band.

'Spirit of No Return' showcases SOILWORK’s signature blend of frenzied intensity, soaring melodies, epic arrangements, and a touch of progressive complexity - traits that have cemented their reputation over the last decades. Johansson’s contribution to the song’s writing channels the band's essence while bringing fresh energy to their unmistakable sound.

The video is equally captivating, featuring a stunning sequence where the iconic SOILWORKsymbol is reforged, representing the band’s resurgence and renewed strength. This visual narrative perfectly complements the song’s theme of perseverance and transformation.

Frontman Björn “Speed” Strid comments on the song: “ 'Spirit Of No Return' is a fierce reminder of the past, but also an introduction of the new SOILWORK era, where we’ve taken the thrashier early days and dressed it in a new heavier suit. Lyrics are dealing with the urge of belonging and fitting in - and how it in the end can be disastrous as you abandon your true self.”

CHECK OUT THE VIDEO FOR 'SPIRIT OF NO RETURN' BELOW:
LISTEN TO 'SPIRIT OF NO RETURN': https://soilwork.bfan.link/spirit-of-no-return

SOILWORK is:
Björn "Speed" Strid - vocals
Simon Johansson - guitars
Sven Karlsson - keyboards
Sylvain Coudret - guitars
Bastian Thusgaard - drums
Rasmus Ehrnborn - bass

SOILWORK
www.facebook.com/soilwork  
www.instagram.com/soilwork  
www.twitter.com/soilwork
www.soilwork.org 
www.nuclearblast.de/soilwork 

Keep of Kalessin Sign with Season of Mist

Norway is known for pioneering a legendary branch of extreme metal, but no band embodies the scene's epic resolve quite like Keep of Kalessin. 

This band has always possessed fantastic foresight. After all, they are named after one of Ursula K. Le Guin's arch-dragons. Their original lineup did split after two albums of dark, fast and war-faring black metal, but over the past two decades, founding member Arnt Obsidian has brought Keep of Kalessin into the national spotlight. While he and his colossal crew have toured with the likes of Satyricon, Behemoth and Dimmu Borgir, they've carved their own legacy by forging a different path.  

With seven albums and three EPs under their hilt, Keep of Kalessin brandish an epic arsenal of extreme metal. The band's mastery at welding blackened melodies and scouring death metal riffs with magical keys and misty synthesizers has rewarded them handsomely. They've scored two Spellemannprisen nominations and scaled to the top of Norway's album charts. To further test their mettle, they became the first Norwegian metal band to compete for a spot in the Eurovision Song Contest.

Today, Keep of Kalessin are cracking open the next chapter of their long and prosperous journey. The band have signed with Season of Mist, who will release their next two albums and reissue some of the defining moments from their extensive back catalogue.

"We are very proud and excited to announce that we have signed with Season of Mist", Arnt Obsidian says on behalf of his bandmates Robin Isaksen and Wanja Gröger. "I have known Michael for more than 20 years. He has always been passionate about the music and very supportive of his signings. Back in 1999, Keep of Kalessin played three shows in Norway with Bloodthorn, who were signed to Season of Mist at the time. Michael traveled all the way up from France just to see them.

"Our paths have crossed many times since that tour. I've watched Michael build one of the strongest metal labels in the world. His staff shares in his extreme passion. What they've accomplished is an amazing feat.

"Keep of Kalessin has always been the underdog, the loner, the different kid. We're a unique band and cannot be put into a certain category. It's been difficult finding a home where our potential can be nurtured and harnessed to its full potential. But after talking with Michael and seeing how we fit with Season of Mist's roster, I'm confident that we've now found a label that understands and can truly support us while we take the band to the next level. You can be sure that Keep of Kalessin will return with the best Epic Extreme Metal we've ever done in 2025!"  

This year, Keep of Kalessin signed with Season of Mist, who will release the band's next album in 2025, along with reissues from their back catalogue. 

Booking agents
The Flaming Arts

www.theflamingarts.eu 

info@theflamingarts.eu


Follow Keep of Kalessin
Official Website: https://www.keepofkalessin.com
Facebook: https://www.facebook.com/keepofkalessin/
Instagram: https://www.instagram.com/keepofkalessin
Bandcamp: https://keepofkalessin.bandcamp.com/
Youtube: https://www.youtube.com/@KeepOfKalessinOfficial

Follow Season Of Mist:
Online: http://www.season-of-mist.com
Facebook: http://www.facebook.com/seasonofmistofficial
Instagram: https://www.instagram.com/seasonofmistofficial
Twitter: https://twitter.com/SeasonofMist

Lineup 
Arnt Obsidian - Guitars, Vocals
Robin Isaksen - Bass

Wanja Gröger - Drums

EKOH Announces New Album "Pressure" + Shares "Throne" Feat. Skydxddy

From the purveyor of some of the best, most impassioned hip-hop and metal collaborations out there, EKOH is aiming to give his fans what they’re looking for this October: a full album. Due on October 29, EKOH will be releasing Pressure, an LP that will encapsulate the very things that have catapulted this young MC to the top of the Octane charts with every single. Pre-order it here.

Packed into each of the 15 tracks are elements of his coined genre, "heart hop," high-energy songs that highlight what makes the melding of rap and anthemic vocals so very special. 

For fans of lyricism that cuts through the monotony with truthful, honest depictions of the world, Pressure will be a treasure trove of frenzied songs, including "THRONE," which is EKOH’s latest collab with internet-favorite, Skydxddy. Listen below.

On "Throne," EKOH offers, "This is our rap and rock crossover about overcoming your personal demons and all of the people who doubted you to end up back on your throne." 

A dedication to triumph over defeat and paying homage to your own perseverance, Pressure, EKOH describes, "was the weight I carried through every moment of making this album. It wasn't just creative pressure — it was the pressure to hold everything together in my life, to meet expectations, to stay strong in my sobriety. That feeling consumed everything — my stress, my fear, even my joy. Every song is a release, a way to finally breathe again under all that weight. I don't know if pressure always creates diamonds, but it gave me the most raw, vulnerable, and boundary-pushing music I've ever made."

An MC with a business man's acumen, EKOH's crowd-pleasing hit "Freeverse 3" spawned a sponsorship and perhaps one of the biggest collabs of his career, a fully EKOH customized Vans shoe — check out EKOH's skate shoe here. 

Not a stranger to bringing crowds a set they didn't expect, Pressure is fueled by robust musicians including Buddy Nielsen from Senses Fail and the power-hitting, world renowned rapper, Tech N9ne.

Catch the show that has kicks flying through the air as EKOH travels across the U.S., including a few festival stops and venues across the states. Never one to disappoint, keep your eyes on this Vegas native who has his pulse on the genres that move bodies and bang heads — more coming your way soon!

On "Throne," EKOH offers, "This is our rap and rock crossover about overcoming your personal demons and all of the people who doubted you to end up back on your throne." 

A dedication to triumph over defeat and paying homage to your own perseverance, Pressure, EKOH describes, "was the weight I carried through every moment of making this album. It wasn't just creative pressure — it was the pressure to hold everything together in my life, to meet expectations, to stay strong in my sobriety. That feeling consumed everything — my stress, my fear, even my joy. Every song is a release, a way to finally breathe again under all that weight. I don't know if pressure always creates diamonds, but it gave me the most raw, vulnerable, and boundary-pushing music I've ever made."

An MC with a business man's acumen, EKOH's crowd-pleasing hit "Freeverse 3" spawned a sponsorship and perhaps one of the biggest collabs of his career, a fully EKOH customized Vans shoe — check out EKOH's skate shoe here. 

Not a stranger to bringing crowds a set they didn't expect, Pressure is fueled by robust musicians including Buddy Nielsen from Senses Fail and the power-hitting, world renowned rapper, Tech N9ne.

Catch the show that has kicks flying through the air as EKOH travels across the U.S., including a few festival stops and venues across the states. Never one to disappoint, keep your eyes on this Vegas native who has his pulse on the genres that move bodies and bang heads — more coming your way soon!