Manchester legacy act INCA BABIES releases 'Spacewalk', previewing 'Ghost Mechanic Nine' LP

"Combine Brian Setzer's twang, the silver lining amidst Bauhaus' dark expanse and the post-punk fever fired up by Gang of Four, you'd end up with the sonic output of long-time deathrock supremos Inca Babies... a captivating blend of angularity and intensity with a driving rhythm" ~ The Spill Magazine

"From their emergence in 1982, they've sculpted a perpetual warped seduction... Their almost serpentine invention and dark musical incitements have continued to inspire and invigorate... truly one of the leading lights and template setting protagonists of British rock ‘n’ roll" ~ Ringmaster Review

"Thirty years down the line the Inca Babies' recordings are not just a collection of outstanding songs from independent music's golden age, but for those of us who were there, they remain pretty much a life statement; a declaration of intent" ~ Isolation Records


Manchester post-punk death-rock rockers Inca Babies are back with a new collection of darkly invigorating tunes on their ninth studio album 'Ghost Mechanic Nine'. Ahead of this, they present the lead track 'Spacewalk', a timeless Rockabilly groove that was inspired by Link Wray, Alan Vega and Brian Setzer, but set in a 50s going on 2020s Sci-Fi space opera. The single also comes with B-side 'Monster In The Deep'.

This album visits a similar place to where Inca Babies started in the 80s with their psychobilly trash rock. 'Spacewalk' sees the band reconnect with their roots, where The Gun Club and The Cramps met - it is in this intersection where Inca Babies found their most passionate and loyal following. This song is a calling card for the album, taking listeners back to a sound that is raw, spiky and reminiscent of their early days in the 80s.

Today, the band is made up of Harry Stafford (guitar, keys, vocals), Rob Haynes(drums, percussion), Jim Adama (bass) and Kevin G. Davy (trumpet). This will be their first release in three years, following their 2021 album ‘Swamp Street Soul’. Continuing their explosive exploration of goth, punk and death-rock jazz-blues, Inca Babies deliver an album that explores the essence of the 80s death-rock vibe, with a tribute to the strong riffing and cool, dead-pan delivery of the dark wave scene at the time. 

“This is a rockabilly Sci-fi song about the wonders of the Space age. From Stanley Kubrick’s 2001 to the mega cities of Blade Runner and the fact that when I was a kid, in the far-off future, 2024 was supposed to be a silver suited, hover car space age with pills instead of Pizza," says Harry Stafford.

"We were to have a completely automated world on the moon. Thank God this fulsome nonsense never happened so it’s time to reintroduce Rockabilly to the world’s consciousness instead.”

Recorded at 6Db Studios in Salford under Simon ‘Ding’ Archer (The Fall, PJ Harvey), this album was recorded and mixed by ‘Ding’ and Stafford over two years, with with 'Ding' also contributing serious sonic and dub flourishes. Marco Butcher mastered this record at his Boombox studio in North Carolina.

Originally comprised of Harry Stafford, Bill Marten, Mike Keeble and Pete Bogg, Inca Babies began in 1983 in the now-legendary deck-access flats of Hulme in Manchester. Intended as executive ‘cities in the sky’, they quickly became cockroach-infested slums inhabited by students, artists and druggies. They released their 1984 debut single 'Interior' on their Black Lagoon label with an unusual sound for Manchester, which was then associated with Joy Division, Buzzcocks, The Fall and The Smiths. With a nod to their influences, Writer CP Lee dubbed them "the Hulme Cramps" for their Gothabilly twang.

A vibrant part of Britain's early postpunk / goth /death rock scene, they amassed a steady following through touring and by releasing a further six singles and four albums over the next five years, all of which entered the UK Indie Charts. They also recorded four sessions for BBC's legendary John Peel show between 1984 and 1988 before calling it quits that year.

Since reforming in 2007, they've released three albums and toured extensively around Europe, Russia, North America, India and beyond. Renewed interest in the Incas was propelled by Cherry Red Records 'Best of’ compilation release ‘Inca Babies 1983-87: Plutonium’. After Bill Marten's death in 2008, the band decided to continue creating music, subsequently releasing their Death Blues Album Trilogy - 'Death Message Blues' (2010), 'Deep Dark Blue' (2012) and 'The Stereo Plan' (2014).

As of October 3, 'Spacewalk' will be available everywhere, including SpotifyApple Music and Bandcamp. On November 29, the ‘Ghost Mechanic Nine’ album will be released on vinyl and digitally, and can be pre-ordered via Bandcamp and the Louder Than War shop.

CREDITS
Written by Harry Stafford & Rob Haynes
Harry Stafford – vocals, guitars & keyboards
Rob Haynes - drums & percussion
Jim Adama – bass guitar
Kevin G Davy - trumpet, horns
Simon 'Ding' Archer - sonic and dub flourishes
Released by Black Lagoon Records
Catalogue no. BLRLP0060
Recorded, mixed & produced by Simon ‘Ding’ Archer & Harry Stafford
Recorded at 6Db in Salford under Simon ‘Ding’ Archer
Mastered by Marco Butcher at Boombox Studio (North Carolina, USA)
Artwork created by Harry Stafford
Live photos by Simona Masoni
Publicity by Shameless Promotion PR

Keep up with Inca Babies
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Sunburnkids Unveils Debut Album, Elephant in the Room

Sunburnkids, a 2005-born creative director and artist, releases their debut full-length album, Elephant in the Room, today. Alongside the album release you can watch the deeply personal music video for “Red Cheek Boys,” and anticipate the music video release for “Time,” set to drop in a few weeks. Collaborating closely with children for this project and known for making waves in the fashion world at a young age, Sunburnkids chose lyrics and music as their medium for expression, opting for clarity over abstraction in delivering the album’s message. (Clothing Brand: @chapterofchan)

The album’s title draws inspiration from the American idiom "the elephant in the room," symbolizing important issues that everyone acknowledges but often avoids discussing due to discomfort or fear. Sunburnkids shares, “This phrase deeply resonates with my life. I’ve carried the weight of childhood habits and unresolved traumas that, while invisible, have always felt like a colossal elephant in my heart. Every time I write, whether it’s a reflection of my life’s introduction, body, or conclusion, I’ve found myself unable to bring it to a close—unable to place that final period. In other words, I have yet to write the ending to my story.”

A pivotal moment during the album’s creation came when a young boy expressed to Sunburnkids’ that he listens to their music from morning till night, constantly reflecting on it. This encounter left Sunburnkids’ feeling both shocked and burdened by the weight of responsibility their music carries. From that moment on, despite receiving numerous opportunities, Sunburnkids spent a long time in quiet reflection—reading books, writing lyrics, and contemplating within the church whether they had the right to express themselves, and more importantly, what they should be expressing.

This album is not only their debut but also a deeply personal, self-taught project. Having learned everything on their own—from fashion to videography to music—Sunburnkids poured their unique tastes and modes of expression into this work. Each track tells a story that reflects real life, with involvement from children at church and even actors who helped bring the narratives to life. The music video for the title track, “Red Cheek Boys,” features Sunburnkids’ younger brother, authentically capturing his own past.

What makes this project even more special is that Sunburnkids didn’t create it alone—they crafted it together with children. They explained the lyrics and themes to the kids, organized art classes, and used the children’s drawings as the album covers. On September 30th, an album listening party and exhibition was held at “Layer Studio 7” in Yongsan, where the children's artwork will be displayed. Their voices are also interwoven into the album, giving listeners a deeper sense of how Sunburnkids’ views and values the children involved. “Sunburnkids tells them that they are both the authors and the protagonists of this album.”

The album consists of 11 tracks, with Sunburnkids writing, composing, directing, producing, and overseeing the music videos entirely. When asked, "Why do you take on everything yourself?" Sunburnkids responded, "Because no one can truly understand my life as deeply as I do."

MORE INFO:
Based in Seoul Korea, Sunburnkids is an active singer-songwriter and visual director. They’ve worked on music video styling and visual direction for various artists, including the well-known artist Zior Park. Despite his young age, Sunburnkids made a significant impact in the fashion industry, serving as the creative director for their own clothing brand, Chan. With a deep understanding of color, they not only design their own clothes but also demonstrate exceptional skill in manipulating color to match their concepts. The free-spirited and imaginative visualizations in both their music and video art stimulate the viewer’s imagination.

Sunburnkids began self-teaching music, videography, and photo visuals as early as elementary school, and by 2023, they released their single, "1MIN," which showcased their unique artistic sensibility. This was followed by their EP CRY BOYS MIXTAPE, marking their debut as a musician. In October 2024, they officially released their first full-length album, Elephant in the Room. Despite only debuting last year, they’ve gained recognition from various magazines such as Marie Claire Korea, Dazed Korea, Esquire Korea, Hypebeast Korea, and many more. As a musician who combines styling and visual directing talents, Sunburnkids offers an original, boundary-breaking musical world to their audience, never constrained by convention.

SUNBURNKIDS ON SOCIALS:

INSTAGRAM | YOUTUBE | SPOTIFY

TURMION KÄTILÖT - RELEASE NEW SINGLE 'PULSSI'

TURMION KÄTILÖT release today their second single ‘Pulssi’ featuring Kasperi Heikkinen from BEAST IN BLACK. The single coincides with the publication of the band's first autobiography ‘En tahdo unohtaa koskaan’ (‘I never want to forget’). The new album RESET will be released on October 25th via Nuclear Blast Records.

MC Raaka Pee comments about 'Pulssi': You know you're living when you feel your pulse up to your gums. The song arrangement and lyrics were born in one evening without any pre-planning or notes. That night the moon burned my face. This time, the song was kept really simple. I wanted to include a riff that I would have been able to play as a 14-year-old. Sort of like Smoke On The Water for many youngsters at the time when they first tried playing the guitar. For me, that was the 90s and you can hear that kind of middle school riffing in Pulssi. Works damn well I think! Give it a try yourself!

He continues about Reset: "I would say that Reset is like a bastard son or daughter of previous records - with tasty new spices added to the whole thing. It has everything you could ever want from us and more. One of the special twists of this album is the vocal parts: the fierce screams are counterbalanced by a huge melodiousness - often at the same time."

Stream 'Pulssi' here: https://turmionkatilot.bfan.link/pulssi 
Watch the band's new video for 'Pulssi' below:
Pre-Save Reset here: https://turmionkatilot.bfan.link/reset

About TURMION KÄTILÖT:
TURMION KÄTILÖT, the Finnish-singing industrial and electronic metal band hailing from the barren wastelands of Savo, is rapidly becoming a new favorite among open-minded metal fans in the mid-2020s. The odds of their rise to prominence are nothing short of great. Known for their ecstatic and theatrical concerts, TURMION KÄTILÖT invites you to dive into their twisted world of "disco metal." The current lineup features singers MC Raaka Pee and Shag-U, guitarist Bobby Undertaker, bassist Master Bates, keyboardist RunQ, and drummer DQ. Since the early 2000s, this vivid sextet has been delivering a unique blend of electrifying heavy music, characterized by its peculiar, perverted, and catchy style. Their journey includes numerous sold-out concerts, gold and platinum records, and Emma nominations (Finland's equivalent to the Grammys).
 
TURMION KÄTILÖT's depraved disco ball has also shone beyond Finland. Many fans remember their legendary European tour with PAIN in 2011. In the 2020s, their fame continued to grow, highlighted by their selection as the opening band for NIGHTWISH's sold-out European arena tour in 2022. Now, TURMION KÄTILÖT is ready to unveil their latest creation: Reset. Founding member and main songwriter MC Raaka Pee explains, "Reset is simply the perfect name for our new studio album. For us, Reset is more about taking advantage of everything we've learned over two decades and then adding new nuances to our metallic disco vortex." With twenty years and ten studio albums behind them, Turmion Kätilöt continues to push their boundaries. "We have relentlessly raised our own bar with every record," says the band. "Reset is our best album to date, and we simply couldn't be more satisfied."
 
Reset features all the hallmarks of TURMION KÄTILÖT: twisted synths, underfoot grooves, pounding beats, and cryptic lyrics, all with a stronger musical vision than ever before. The album is described as a "bastard child" of their previous records, with new spices added. The vocal parts, a mix of fierce screams and melodiousness, add a special twist.
 
"We have gained more courage to explore drastic musical and lyrical angles," the band states. "Sometimes the lyrics and the musical mood seem to come from completely different worlds, but that's exactly what makes the whole thing fascinating. That's what Turmion Kätilöt is all about!"
Key tracks from the album include singles "Yksi jumalista," "Pulssi," and "Sinä 2.0," though the band emphasizes that the entire album is a varied entity. "If we had to decide now which new songs to perform at future shows, we would play the whole new album!
"
 
The production of Reset benefits from the powerful sound engineered by keyboardist and producer RunQ in his brand-new studio. The album's sound palette ranges from completely organic to entirely electronic, creating a hugely powerful combination. Reset also offers an interesting opportunity to compare old and new TURMION KÄTILÖT with the song 'Schlachter,' a new German version of their classic 'Teurastaja.' Originally released on their debut album, this updated version features new arrangements and lyrics. While the band remains committed to singing in Finnish, they remain open to future possibilities. "In the future, we can sing in English, German, Swedish, or we may invent our own language. Let's see." MC Raaka Pee concludes with a confident smile, "Trust us, we know what we are doing. For this band, it took twenty years, but we finally know what we are doing. Now we are just going to enjoy the ride. So, if someone is interested in a wild ride on the twisted side, please reset and jump in!"       

STEVE HILL ANNOUNCES NEW SINGLE 'DEVIL'S HANDYMAN' FROM UPCOMING ALBUM HANGING ON A STRING

Produced at Studio 606 in Los Angeles last January, the second single from Steve Hill’s upcoming album The Devil's Handyman, is as dark and moody as can be. 

Recorded live off the floor by the man called by Germany’s Guitar Magazine "the most impressive one man band on the planet", it’s hard to believe that what you’re hearing is only one guy.

The song is about an all-too-common story in the world of rock and roll: addiction. The narrator is the dealer, talking to his clients, acting like a comforting friend at first and gradually taking control over his life. It starts with the line

« Hey there buddy, good to see you again »

and ends with

«  I’ll be there until you start to lose your soul and fall apart »

The Video was directed by Mat Lucas and shot at Studio 606. The shooting of the performance where Steve is playing guitar and drums is the actual recording of the take that was used on the album, done on the first day of recording, January 8, 2024.

It is one of Steve Hill’s best ever performance in over 25 years as a recording artist with 13 albums to his name. It features deep blues slide guitar over a  Zeppelinesque heavy groove and vocals that echo as much Howlin Wolf as James Hetfield.

The first single World Gone Insane has been available on all platforms since September 6 and the video can be seen below.

Pre-save: https://lnk.to/HillDevil

Physical & Merch preorder: https://bit.ly/3BhqJUa

Amazon sales link: https://bit.ly/4eHN37R

Linktree: https://linktr.ee/stevehillmusic

SOILWORK Release Video For New Single 'Spirit Of No Return'

Swedish melodic death metal legends SOILWORK are back with a brandnew single, 'Spirit of No Return,' along with a powerful and visually striking music video. The track marks a significant milestone in the band’s evolution, with longtime live guitarist Simon Johansson recently officially joining the ranks of the band.

'Spirit of No Return' showcases SOILWORK’s signature blend of frenzied intensity, soaring melodies, epic arrangements, and a touch of progressive complexity - traits that have cemented their reputation over the last decades. Johansson’s contribution to the song’s writing channels the band's essence while bringing fresh energy to their unmistakable sound.

The video is equally captivating, featuring a stunning sequence where the iconic SOILWORKsymbol is reforged, representing the band’s resurgence and renewed strength. This visual narrative perfectly complements the song’s theme of perseverance and transformation.

Frontman Björn “Speed” Strid comments on the song: 'Spirit Of No Return' is a fierce reminder of the past, but also an introduction of the new SOILWORK era, where we’ve taken the thrashier early days and dressed it in a new heavier suit. Lyrics are dealing with the urge of belonging and fitting in - and how it in the end can be disastrous as you abandon your true self.”

CHECK OUT THE VIDEO FOR 'SPIRIT OF NO RETURN' BELOW:
LISTEN TO 'SPIRIT OF NO RETURN': https://soilwork.bfan.link/spirit-of-no-return

SOILWORK is:
Björn "Speed" Strid - vocals
Simon Johansson - guitars
Sven Karlsson - keyboards
Sylvain Coudret - guitars
Bastian Thusgaard - drums
Rasmus Ehrnborn - bass

SOILWORK
www.facebook.com/soilwork  
www.instagram.com/soilwork  
www.twitter.com/soilwork
www.soilwork.org 
www.nuclearblast.de/soilwork 

Keep of Kalessin Sign with Season of Mist

Norway is known for pioneering a legendary branch of extreme metal, but no band embodies the scene's epic resolve quite like Keep of Kalessin

This band has always possessed fantastic foresight. After all, they are named after one of Ursula K. Le Guin's arch-dragons. Their original lineup did split after two albums of dark, fast and war-faring black metal, but over the past two decades, founding member Arnt Obsidian has brought Keep of Kalessin into the national spotlight. While he and his colossal crew have toured with the likes of Satyricon, Behemoth and Dimmu Borgir, they've carved their own legacy by forging a different path.  

With seven albums and three EPs under their hilt, Keep of Kalessin brandish an epic arsenal of extreme metal. The band's mastery at welding blackened melodies and scouring death metal riffs with magical keys and misty synthesizers has rewarded them handsomely. They've scored two Spellemannprisen nominations and scaled to the top of Norway's album charts. To further test their mettle, they became the first Norwegian metal band to compete for a spot in the Eurovision Song Contest.

Today, Keep of Kalessin are cracking open the next chapter of their long and prosperous journey. The band have signed with Season of Mist, who will release their next two albums and reissue some of the defining moments from their extensive back catalogue.

"We are very proud and excited to announce that we have signed with Season of Mist", Arnt Obsidian says on behalf of his bandmates Robin Isaksen and Wanja Gröger. "I have known Michael for more than 20 years. He has always been passionate about the music and very supportive of his signings. Back in 1999, Keep of Kalessin played three shows in Norway with Bloodthorn, who were signed to Season of Mist at the time. Michael traveled all the way up from France just to see them.

"Our paths have crossed many times since that tour. I've watched Michael build one of the strongest metal labels in the world. His staff shares in his extreme passion. What they've accomplished is an amazing feat.

"Keep of Kalessin has always been the underdog, the loner, the different kid. We're a unique band and cannot be put into a certain category. It's been difficult finding a home where our potential can be nurtured and harnessed to its full potential. But after talking with Michael and seeing how we fit with Season of Mist's roster, I'm confident that we've now found a label that understands and can truly support us while we take the band to the next level. You can be sure that Keep of Kalessin will return with the best Epic Extreme Metal we've ever done in 2025!"  

This year, Keep of Kalessin signed with Season of Mist, who will release the band's next album in 2025, along with reissues from their back catalogue. 


Booking agents
The Flaming Arts

www.theflamingarts.eu 

info@theflamingarts.eu


Follow Keep of Kalessin
Official Website: https://www.keepofkalessin.com
Facebook: https://www.facebook.com/keepofkalessin/
Instagram: https://www.instagram.com/keepofkalessin
Bandcamp: https://keepofkalessin.bandcamp.com/
Youtube: https://www.youtube.com/@KeepOfKalessinOfficial

Follow Season Of Mist:
Online: http://www.season-of-mist.com
Facebook: http://www.facebook.com/seasonofmistofficial
Instagram: https://www.instagram.com/seasonofmistofficial
Twitter: https://twitter.com/SeasonofMist

Lineup 
Arnt Obsidian - Guitars, Vocals
Robin Isaksen - Bass

Wanja Gröger - Drums

EKOH Announces New Album "Pressure" + Shares "Throne" Feat. Skydxddy

From the purveyor of some of the best, most impassioned hip-hop and metal collaborations out there, EKOH is aiming to give his fans what they’re looking for this October: a full album. Due on October 29, EKOH will be releasing Pressure, an LP that will encapsulate the very things that have catapulted this young MC to the top of the Octane charts with every single. Pre-order it here.

Packed into each of the 15 tracks are elements of his coined genre, "heart hop," high-energy songs that highlight what makes the melding of rap and anthemic vocals so very special. 

For fans of lyricism that cuts through the monotony with truthful, honest depictions of the world, Pressure will be a treasure trove of frenzied songs, including "THRONE," which is EKOH’s latest collab with internet-favorite, Skydxddy. Listen below.

On "Throne," EKOH offers, "This is our rap and rock crossover about overcoming your personal demons and all of the people who doubted you to end up back on your throne." 

A dedication to triumph over defeat and paying homage to your own perseverance, Pressure, EKOH describes, "was the weight I carried through every moment of making this album. It wasn't just creative pressure — it was the pressure to hold everything together in my life, to meet expectations, to stay strong in my sobriety. That feeling consumed everything — my stress, my fear, even my joy. Every song is a release, a way to finally breathe again under all that weight. I don't know if pressure always creates diamonds, but it gave me the most raw, vulnerable, and boundary-pushing music I've ever made."

An MC with a business man's acumen, EKOH's crowd-pleasing hit "Freeverse 3" spawned a sponsorship and perhaps one of the biggest collabs of his career, a fully EKOH customized Vans shoe — check out EKOH's skate shoe here

Not a stranger to bringing crowds a set they didn't expect, Pressure is fueled by robust musicians including Buddy Nielsen from Senses Fail and the power-hitting, world renowned rapper, Tech N9ne.

Catch the show that has kicks flying through the air as EKOH travels across the U.S., including a few festival stops and venues across the states. Never one to disappoint, keep your eyes on this Vegas native who has his pulse on the genres that move bodies and bang heads — more coming your way soon!

On "Throne," EKOH offers, "This is our rap and rock crossover about overcoming your personal demons and all of the people who doubted you to end up back on your throne." 

A dedication to triumph over defeat and paying homage to your own perseverance, Pressure, EKOH describes, "was the weight I carried through every moment of making this album. It wasn't just creative pressure — it was the pressure to hold everything together in my life, to meet expectations, to stay strong in my sobriety. That feeling consumed everything — my stress, my fear, even my joy. Every song is a release, a way to finally breathe again under all that weight. I don't know if pressure always creates diamonds, but it gave me the most raw, vulnerable, and boundary-pushing music I've ever made."

An MC with a business man's acumen, EKOH's crowd-pleasing hit "Freeverse 3" spawned a sponsorship and perhaps one of the biggest collabs of his career, a fully EKOH customized Vans shoe — check out EKOH's skate shoe here

Not a stranger to bringing crowds a set they didn't expect, Pressure is fueled by robust musicians including Buddy Nielsen from Senses Fail and the power-hitting, world renowned rapper, Tech N9ne.

Catch the show that has kicks flying through the air as EKOH travels across the U.S., including a few festival stops and venues across the states. Never one to disappoint, keep your eyes on this Vegas native who has his pulse on the genres that move bodies and bang heads — more coming your way soon!

Caliban Share Video for New Single "Echoes"

After the "I Was A Happy Kid Once" release, CALIBAN are digging even deeper with their new single, "Echoes," which is available on all digital platforms. Listen here.

"'Echoes' is a reflection of the chaos that comes with fighting your inner demons," the band comments. "We wanted to capture that feeling of being trapped in your own mind, where every struggle seems endless, like you're caught in a loop. This song is about losing control but also the desperate fight to break free from the lies and darkness within."

While the message of the song is reflective and serious, CALIBAN decided to have a much more light-hearted approach to the video that echoes recent live shows. It was the first featuring Iain Duncan on bass and vocals.

Check below for the video that was edited by Video Edit & FX: Nils Lesser/Vaultroom Productions.

CALIBAN ARE (L-R IN PHOTO ABOVE):
Iain Duncan — Bass + Vocals
Patrick Grün — Drums
Andreas Dörner — Vocals
Marc Görtz — Guitar
Denis Schmidt — Guitar

Pete International Airport presents 'Out Past The Razor Wire (HYM Post-Industrial Remix)' from November EP

Portland-based Pete International Airport presents the single 'Out Past The Razor Wire (HYM Post-Industrial Remix)', created by Holy Youth Movement, a long-term PIA collaborator. This racy adrenaline-filled track is the second taste of Pete International Airport's new 'Sea of Eyes' EP, set for release in November via cult label Little Cloud Records,

Influenced by the energy of rave culture, this is a sonic whirlwind of excitement for listeners, which would have fit perfectly in such iconic soundtracks as 'Hackers' or 'Snatch' with its motorik groove and dynamic energy.

Pete International Airport revolves around Peter G. Holmström of The Dandy Warhols and Sun Atoms, whose sonic vision takes us on a meticulously crafted psychedelic journey into the dark heart of electronic rock. Named after a Dandies song, this project nails the elusive aesthetic of unexpected yet inviting sound art. PIA's quest to build immersive soundscapes that are also timeless songs is successful, in part, due to Holmström’s uncanny ability to curate and his penchant for dropping collaborators into challenging creative spaces—both virtual and actual—then letting them duke it out.

The 'Sea of Eyes' EP consists of five tracks that are rooted in PIA's third album 'It Felt Like The End of the World', released in late 2023 - all five of them co-authored with and featuring vocals by Alexander Hackett. They earlier introduced 'Sea of Eyes' featuring vocals by Alexander Hackett of Montreal dream-gaze outfit Pang Attack. The intriguing shadow-dance video was directed by Francesca Bonci.

The 'Sea of Eyes' EP was mixed by Jeremy Sherrer at Spooky Electric Co. (Modest Mouse, The Shins, The Dandy Warhols) and mastered by Dave Coley at Elysian Mastering. Most tracks were recorded at Holmström’s Air Traffic Control studio in Portland, but drums were recorded at The Trench Studios by The Dandy Warhols' sound engineer Gregg Williams..

"I really wanted to showcase Alexander Hackett’s vocal and lyrical contributions to my record so, using the excuse of a video for 'Sea of Eyes' to release an EP of remixes seemed like a good idea.  Of course lots of remixes don’t use the vocals…anyway…I got to work with Andy Bell (Ride) and Tom Smith (Holy Youth Movement) as well as long time collaborator Daniel Sparks (omniscuro) to put it together," says Holmström.

"I first heard Pang Attack when SUUNS shared a track on their socials.  At first I was disappointed because it didn’t sound like SUUNS (I was obsessing on them hard) but, for some reason, I kept listening. There was something there that I connected with. Alex’s lyrics and melodic choices were perfect and I had to find out if he was interested in working with me. 'Sea Of Eyes' is the second song that Alex and I collaborated on. His lyrics perfectly capture the vibe of the world at that time".

The 'Sea of Eyes' EP is a logical progression (and continuation) of 'It Felt Like The End of the World' and the 'Tic Tac' 7" single, which jointly boast the cream of the neo-psychedelic crop, including Slowdive's Rachel GoswellThe Brian Jonestown Massacre's Anton Newcombe, Dion Lunadon (A Place To Bury Strangers, The D4), Cheap Trick's Tom Petersson, Lisa Elle of Dark Horses, and members of Sun Atoms, Guiding Light and Hopewell.

As of October 1, 'Out Past The Razor Wire (HYM Post-Industrial Remix)' will be be available exclusively via Bandcamp, where the EP is available for pre-order (digitally and on limited edition cassette). The album 'It Felt Like The End of the World' can also be found there, available digitally, on CD and vinyl as a Deluxe double-album with gatefold sleeve. The 'Tic Tac' single with Rachel Goswell and it's 7" vinyl version are available both via Pete International Airport and The Dandy Warhols.  

SINGLE CREDITS
Music written by Peter G. Holmström
Remix and additional production by Tom Smith (Holy Youth Movement)
Original track vocals and lyrics by Alexander Hackett (Pang Attack)
Instruments performed by Peter G. Holmström, except:
Alexander Hackett - Vocals
Paulie Pulvirenti - Toms, Octabans
Daniel Sparks - Drum Programming, Synths
Jeremy Sherrer - Synth, Drum programming
Produced by Jeremy Sherrer and Peter G. Holmström
All tracks recorded primarily at Air Traffic Control, Portland
All drums recorded at The Trench Studios by Gregg Williams
Vocals & additional instruments recorded in Montreal, LA & NYC
Additional production & mixing by Jeremy Sherre at Spooky Electric Co. (Austin, Florida & Spokane)
Mastered by Dave Coley at Elysian Mastering
Album art by Francesca Bonci
Publicity by Shauna McLarnon at Shameless Promotion PR
'Sea of Eyes' video directed by Francesca Bonci
Filmed by June Kang and Lê Thùy-Dương
Guest appearance - June Kang

Keep up with Pete International Airport 
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Riotous Indignation Releases New Single "Indoctrinate" with Music Video 

With only 12-weeks passing since their last single "Wheel of Misfortune" premiered on Decibel Magazines website, Riotous Indignation has just released another single.

The new single, titled Indoctrinate, sets its lyrical focus on how the divisive, manipulative, and corrupt nature of Americas failing political class has a deliberate and negative effect on the country’s citizenry.

“With a pending U.S. presidential election coming in the next few weeks, I wanted to get this single out because I feel that it will touch a lot of people who are completely disgusted by what is currently happening in our government, but who may not be willing to discuss these things publicly. For those people, I hope they can find their voice in this song.” – states Mike Repel, the bands frontman and lyricist.

 

Musically the track has some strong elements and a catchy melody that make it memorable yet haunting at the same time. It also contains two guitar solos, the first featuring Scare Crow (Berator, Never We See) who also contributed solos to the band’s prior releases Lords of War, and The End.

 

Scare Crow stated that:

“This new song touches on how a lack of moral compass can affect people in power. Newer generations are being born and raised with a sense of underlying slavery to the government and other components of our society which seem to inhibit free speech and also seem to be controlling our every move. With crushing riffs and cunning lyrics, this new release takes you through a depth of how we as a society must break free from what destroys our true will.”

 

The second solo in this song is hammered out by Repel, who is also the song’s composer and producer.

Founded by Bob Clayton and Mike Repel in 2015, the band released their debut, The Violentus Musicae EP, in early 2016. The EP was recorded and produced by Repel, and was mixed at Dexter Labs Studio in Milford CT. by Nick Bellmore and was Mastered by Chris “Zeuss” Harris.

 

Since the release of The Violentus Musicae EP in May of 2016, they have obtained positive press coverage and have confirmed airplay on over 50 internet radio stations, some terrestrial radio, and podcasts. This also includes a twenty-two week charting run for their song "Secret Societies"on Radio Naklo’s Czadlista & Czadlista Post Scriptum Radio Show in Poland.

 

In January of 2017 they released their music video for "The End" and also became a semi-finalist in the 2017 Hollywood Film festival for their work in creating the video.

In 2017 the band has increased visibility with ongoing promotions in mainland China. Their music was included in a music festival playlist, and was the focus of a syndicated column about heavy music on QQ Music.

 

Their music has been featured on several recently released compilations, including: The Making a Scene 2017 compilation by Whatever68 Radio and PP Promo Records, El Bunker Del Metal’s The Force of Annihilationcompilation out of Argentina, and also The Metal Music GlobAllianceCompilation out of Slovakia.

 

They have also been featured on the 2018 Imperative Music Global MetalCompilation Vol. 15 with Destruction, Hammerfall, Cradle of Filth, Death, and many other bands. This compilation, based out of Brazil, is a DVD/with Audio and Video contributions from each band. It was distributed internationally through Imperatives label and media partners in several countries.

 

Previously unreleased music has been coming out in the form of singles, all which have been receiving terrestrial and internet radio play. This includes "Lords of War" (Nov. 2021), which debuted at #24 on the NACC Charts, and Wheel of Misfortune (2024), which as previously stated, premeired on Decibel Magazines website.

 

Riotous Indignation is:

Mike Repel: Vocals, Guitars, Bass

Bob Clayton: Drums

For More Information Please Visit:

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BEHEMOTH - Release Live Video For 'The Thousand Plagues I Witness'

Polish extreme metal giants, the mighty BEHEMOTH, will release their monumental anniversary concert XXX Years Ov Blasphemy from 2021 on October 25th, 2024 as 3CD + BluRay, 3LP and Digital Album.

The career-spanning show, held at and filmed on three different locations, has a total running time of 90 minutes, divided into three different acts, and features fan favourites as well as a few selected deep cuts that BEHEMOTH had rarely played live before.

As a second preview you can now watch the live video for the song 'The Thousand Plagues I Witness' which originally appeared on their 1998 full length, Pandemonic Incantations.

PRE-ORDER / PRE-SAVE XXX YEARS OV BLASPHEMY:
https://behemoth.bfan.link/xxx-years-ov-blasphemy

LISTEN TO 'THE THOUSAND PLAGUES I WITNESS':
https://behemoth.bfan.link/the-thousand-plagues-i-witness

WATCH THE VIDEO FOR 'THE THOUSAND PLAGUES I WITNESS' BELOW.

ABOUT BEHEMOTH:

In the annals of metal there is no band more synonymous with an unswerving commitment to the single-minded defiance of expectation than BEHEMOTH. Over the course of their remarkable 33-year career, these Polish hellraisers – spearheaded by Adam Darski, aka Nergal – are more than just the architects of their country’s legendary extreme metal scene. Over the course of over three decades and twelve albums, Nergal’s singular vision has forged BEHEMOTH into something far more than a mere black metal band. Beyond any confines of genre, they have grown to become nothing less than the personification of rebellion, individuality and unflinching self-expression informed by a literate worldview and worldliness that’s resulted in a locking of horns with everything from the mainstream press to the Polish Catholic church – most notably manifesting in Nergal’s trial for blasphemy in 2010 that only served to expose the deep-seated hypocrisies that his music seeks to challenge.

LUNA KILLS Sign With SharpTone Records + Shares Video For New Single "slay ur enemies"

 LUNA KILLS, the rising alt-metal powerhouse from Finland, is thrilled to announce their signing to SharpTone Records.

"We are beyond excited to announce our signing with SharpTone Records! Their dedication to supporting artists' individuality, in both sound and style, is something we truly vibe with," the band states. "We can't wait to get started on this new chapter for LUNA KILLS together!"

To mark the occasion, the band has unleashed their blistering new single "slay ur enemies," a track that dives deep into the raw emotions of a panic attack. With raw and authentic lyricism, paired with their signature heavy sound, LUNA KILLS are proving their ability to blend dark, personal experiences with explosive, aggressive energy. The single was mixed and mastered by Jeff Dunne (Make Them Suffer, Knocked Loose, Ice Nine Kills, Disturbed).

"'slay ur enemies' describes an inner dialogue and feelings during a panic attack," lead vocalist Lotta Ruutiainen shares. "Mostly, the lyrics depict the hopelessness of those emotions, but also the will to fight and endure and survive this absolute nightmare. The song actually pretty much wrote itself right before we hit the studio. We listened to the demo in the middle of the night, thinking either we had all collectively lost our sanity, or the song was a f*cking banger."

Watch the video below.

ABOUT LUNA KILLS:
LUNA KILLS are, without a doubt, one of the most refreshing modern metal act in the scene, combining alternative and nu-metal vibes with electronics inspired by game soundtracks. Their frontwoman Lotta, with her jazz singing background and incredible fry scream vocals, brings the audience to their knees — unless they are speeding around in moshpits, as often witnessed in their fiery live shows. Even as newcomers, LUNA KILLS have already opened the door to their beloved gaming world as their music is featured in the hit mobile app Beatstar. The band, first formed in 2019, has now taken their first steps on European stages, gained the attention of multiple rock radios in their native Finland and are moving forward towards their first full-length album with SharpTone Records.

LUNA KILLS ARE:
Lotta Ruutiainen — Vocals
Samuli Paasineva — Guitar
Jimi Kinnunen — Drums
Lassi Peltonen — Bass

TRASHCAN SINATRAS' JOHN DOUGLAS releases 'Still or Sparkling?' EP & headlines US tour

Celebrated songsmith John Douglas, co-founder and guitarist of beloved Scottish music icons Trashcan Sinatras, presents his new 4-track 'Still Or Sparkling EP', released via Reveal Records,
along with a video for the title track 'Still Or Sparkling?'.

A slight move away from his acoustic debut album while maintaining a natural live-take approach, the new EP involves some stellar musicians, including Eddi Reader (of Fairground Attraction fame and a solo artist in her own right), Boo Hewerdine (The Bible), Kevin Mcguire and Alan Kelly - all also part of Reader's band.

Musically, the arrangement nods its head to Roger Miller’s finger-clicking, double bass driven 'King Of The Road' with added soft husky harmonies from John’s partner, Eddi Reader. Lyrically, the song evokes the early days of any relationship…. the getting to know each other phase, flirtatious and light. The song also name checks the unlikely trio of Shirley Collins, Annie Briggs and Michelangelo 

"This is a new song of new love… the fresh, early days. Inspired by a late night date with my future wife, spent listening to folk records, eating figs and getting to know each other,”  says John Douglas.

Starting October 1, Douglas also embarks on the 'Lost in North America Tour - Part One'. This first American headlining tour offers an intimate snapshot of Douglas' talent, charisma and depth. He is joined for West coast and Midwest dates by Lily Vakili of Vakili Band, and for East Coast dates by award-winning singer-songwriter Lauren Calve.

There are two dates on this tour involving special guest appearances by fellow Trashcans Frank Reader and Paul Livingston - both of them appear in Seattle, with Reader also joining Douglas in LA.

In 2023, John Douglas released his eponymous debut album via Reveal Records, recorded with renowned producer Mark Freegard (New Model Army, Lush, The Breeders, Del Amitri, Marillion). Other highlights of the year include a UK headlining tour, UK Top-40 charting of Trashcan Sinatras' reissued album 'Cake' (33 years since debuting), and a Trashcan Sinatras documentary, produced by award-winning journalist Ken Sweeney, featuring Douglas performing beloved Trashcans' songs.

Douglas recently marked the 20th anniversary of the milestone Trashcan Sinatras album 'Weightlifting' with a live rendition of 'Weightlifting'. Earlier, he shared the moonlit video for 'Oranges & Apples', preceded by 'I Just Want To Go Home', 'Lost', 'I'm Not The Fella', 'Always' and 'Leave Me Alone'.

As of September 27, the 'Still or Sparkling?' single will be available from fine online platforms. Until the EP's official release date of November 8, the full EP is available exclusively via Bandcamp. This EP will be available on CD during Douglas' North America tour, which kicks off in Los Angeles. His debut album will also be offered on CD and on vinyl here for the first time, as well as Douglas' mini-book 'Rambling - How I got here to your town on my own', featuring superb photos by Stephanie Gibson.

CREDITS
John Douglas - Lead Vocals, Acoustic Guitar & Finger Clicks
Eddi Reader - Backing Vocals
Alan Kelly - Accordion
Kevin McGuire - Double Bass
All footage filmed by Stephanie Gibson upstairs in Cathkin, South Lanarkshire and upstairs at The Doublet Bar, Kelvinbridge (Glasgow, Scotland)
Video edited by John Douglas.
John Douglas photos by Stephanie Gibson
Trashcan Sinatras photo by Chris Williams
Publicity by Shameless Promotion PR

TOUR DATES
October 1   LOS ANGELES - Hotel Cafe  *
(Special guest appearance by Trashcan Sinatras' Frank Reader)
October 2   SAN FRANCISCO - The Lost Church  *
October 4   PORTLAND - Mission Theater  *
October 5   SEATTLE - Ballard Homestead, Fremont Abbey  *
(Special guest appearance by Trashcan Sinatras' Frank Reader & Paul Livingston)
October 7   SALT LAKE CITY - The Beehive  *
October 8    DENVER - Mercury Cafe, Jungle Room  *
October 10  KANSAS CITY - Knuckleheads  *
October 11   MINNEAPOLIS - Icehouse MPLS  *
October 12   CHICAGO - GMan Tavern **
October 15   TORONTO - The Monarch  **
October 16   CLEVELAND - Beachland Tavern  **
October 17   COLUMBUS - Natalie's Grandview  **
October 19   BOSTON - City Winery Boston  **
October 20   NEW YORK - Cafe Wha?  **
October 21   PHILADELPHIA - City Winery Loft  **

* with Lily Vakili of Vakili Band
** with Lauren Calve



Keep up with John Douglas 
Bandcamp | Twitter | Instagram | Facebook | YouTube | Spotify | Apple Music | Songkick| BandsInTown | Press contact

Keep up with Reveal Records
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud  

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Eli Young Band Honor Those Who Put “Home in Hometown” in New Release & Tour

It’s widely known how award-winning Eli Young Band formed while together in Denton, Texas attending college at University of North Texas, however their journey over the next 20+ years would lead them everywhere, seldomly seeing home in between. With notions of longing ever present in their writing, it’s no surprise as they find their center as releasing music for the first time in three years independently with both home, and those who make it so, at the core. Listen to “Home In Hometown,” below.
 
A true-to-experience ballad of life on the road, and heart-on-their-sleeve marker of what they've learned in their years away from those they love most. With ringing guitars capturing a sense of anticipation, a steady rhythmic heartbeat and a euphoric singalong chorus, the band unpack what "home" really means.
 
"When you find the love of your life you’ll follow them anywhere,” shares band lead vocalist and guitarist Mike Eli who penned the song alongside Ryan Tyndell and Jeff Hyde (Eric Church’s “Springsteen” and Keith Urban’s “We Were”). “My wife, Kacey, and I started as a long distance relationship and it was tough to keep it together. When I wrote this I was digging deep into our Texas roots. I wanted to write something that felt like Pat Green or Jack Ingram would cut. And when you travel like we do, a lot of times you're thinking about coming home and being with your family -- but, it's almost like if they meet you on the road, anywhere can be home. It just feels right. I wanted to capture that."
 
The Jimmy Robbins and Eric Arjes produced track is the first release of more than 140 songs the band has written over the last few years and signifies a new chapter and a new tour.
 
Looking ahead to the upcoming 25th anniversary of the band's founding, the four members of the Eli Young Band have retaken the reins of their sound and songwriting, reestablishing the go-your-own-way spirit behind their multi-Platinum hits.

Returning to their independent roots -- but also the bold creative edge that launched them from the Texas live circuit into the country mainstream, and in many ways returning to their old stomping grounds -- it's an era driven by experience and a million miles of wisdom, but delivered by a band of brothers still very much in their musical prime.
 
"We started this thing when we were like 20 [years old], and it's been such a crazy road and such a longer road than any of us could have conceptualized at the time,” bassist Jon Jones shares. “I think right now feels a little full circle, in a really nice way."
 
"Now, we kind of get to step back into our Texas shoes. I definitely think that this new stuff finds me as a songwriter reaching deep into my personal past and our past as a band,” Eli adds. “We're remembering where the magic was -- all those songs we wanted to record for our Level record, that felt way too edgy for Country Radio at the time.”
 
Returning to that grassroots rawness, geared for their acclaimed live show has the band reinvigorated.
 
"We’ve written 143 songs and it’s just the beginning of our next chapter. Going back to Panhandle House where we recorded Level, that record started everything for us. Going back there feels like we get to remind ourselves why we started making the kind of music we make,” Eli says in closing. “When this music comes out, I think fans will know it is 100% coming from us."

Celebrated by The Associated Press as “a smart, relevant antidote” to overdone clichés in Country music, EYB has charted 14 singles on Billboard, including four No. 1 hits with Billboard‘s No. 1 Country Song of the Year and ACM Award for Song of the Year, “Crazy Girl,” “Even If It Breaks Your Heart,” 2x Platinum “Love Ain’t” and Platinum “Drunk Last Night.” Additionally, the band has earned multiple GRAMMY, CMA, CMT, ACA and Teen Choice Award nominations.
 
With new tour dates just announced (below), follow along on social media with @EliYoungBand.

Eli Young Band Home in Hometown Tour Dates are as follows:
Oct 4, 2024       The Clarion at Brazosport College in Lake Jackson, TX
Oct 5, 2024       Floore's Country Store in Helotes, TX   
Oct 6, 2024       Stars of Texas Music Festival in Ennis, TX        
Oct 11, 2024     Sunrise Theatre in Fort Pierce, FL
Oct 12, 2024     Ford Football Concert Series in Macon, GA       
Oct 17, 2024     Washington Parish Fair in Franklinton, LA        
Oct 18, 2024     Times Square in Wichita Falls, TX        
Oct 19, 2024     Las Palmas Race Park in Mission, TX   
Oct 25, 2024     Haute Spot in Cedar Park, TX   
Nov 1, 2024      The Refinery in Charleston, SC 
Nov 2, 2024      Neighborhood Theatre in Charlotte, NC
Nov 3, 2024      Jefferson Theatre in Charlottesville, VA
Nov 14, 2024    Wild Greg's Saloon in Pensacola, FL     
Nov 15, 2024    The Stockyard in Holiday, FL   
Nov 16, 2024    Wild Greg's Saloon in Lakeland, FL
Dec 5, 2024       Wally’s in Hampton Beach, NH
Dec 6, 2024       Off The Rails in Worcester, MA
Dec 14, 2024    The Post OG in Orange Grove, TX
Dec 20, 2024     Rosa Hart Theatre in Lake Charles, LA
Dec 21, 2024    Billy Bob’s Texas in Fort Worth, TX

My Epic to Release "Loriella: The Film" EP Featuring Live Renditions of Album Tracks

My Epic — Aaron Stone [guitar, vocals], Tanner Morita [guitar], and Nate Washburn [guitar, bass] — are releasing an EP featuring live recordings of songs off  their new album Loriella, which arrived earlier this year via Tooth & Nail Records, along with a YouTube live performance video called Loriella: The Film. Watch and listen below.

"Whether fans get a chance to see us on this record cycle or not, we were excited to bring Loriella to life in a slightly more grounded way and showcase all the energy, heart, joy that went into it," the band says. "Fully conceived and produced by the band, Loriella: The Film uses visually heightened performances to bring the maximalist production of Loriella into the real world. Loriella: The Film is what happens when the artistic intention of a music video is brought to the energy of a live show."

ABOUT MY EPIC:
My Epic tune into this moment of reawakening on their fourth full-length offering and Tooth & Nail Records debut Loriella. Balancing waves of warm distorted fuzz with lush melodies and cinematic production, the group make the kind of music that rouses the senses and might just encourage you to open your eyes, mind, and heart a little wider.
 
"The record is about having lived long enough to lose your innocence and still being able to find joy, hope, peace, and faith," explains Aaron. "I can be a critical person, but there's a difference between being critical and cynical. I understand why people end up choosing cynicism, because sometimes it can seem like the best way to make sense of all the data in the world–but I think cynicism is death. It's part of my aim to fight cynicism at every turn. The album is about discovery and re-engaging life with purpose on new terms of your own."
 
Throughout the past two decades, the band have quietly, yet consistently engaged a devout fanbase with a simultaneously anthemic and intricate approach to alternative rock. They've progressed across the likes of I Am Undone [2008], Yet [2010], and Behold [2013]. The latter notably catapulted onto the Billboard Heatseekers Albums Chart. Generating millions of streams, their catalog expanded with fan favorite EPs such as Viscera [2016], Ultraviolet [2018], and Violence [2019]—which HM Magazine hailed as "a blend of indie-alternative enchantments.Meanwhile, Cory Brandan of Norma Jean lent his voice to "White Noises.” During 2020, the band signed to Tooth & Nail, turning the page on another chapter as they set their sights on their first full-length since 2013. In between, life happened as band members became dads and moved around personally and professionally. 
 
For the first time, Nate assumed the role of primary producer, and Loriella materialized over the course of two years in three different studios. Along the way, they nodded to early inspirations such as The Smashing Pumpkins, Foo Fighters, and Third Eye Blind. 

rosecoloredworld share "all we had" Video — WATCH // Touring This Fall

 Los Angeles pop punk/emo/alt rock duo rosecoloredworld, newly signed to Velocity Records, have shared the video for the new single "all we had." Watch it below

RCW will announce news regarding more new music soon, so stay tuned. But for now, indulge in "all we had." Also, the band is now receiving airplay at SiriusXM's Faction Punk, so there's even more chances to listen to the band.

"We wrote 'all we had' on an acoustic guitar one afternoon in about 20 minutes," rosecoloredworld say. "It's an honest realization about how fast time goes if you're not present. The lyrics originally started as a journal entry that quickly poured out in a song. Writing it was a way to cope with learning how to be happy where you currently are while still desiring more."

RCW recently supported The Dangerous Summer’s national U.S. tour, opened west coast dates for The Juliana Theory, and opened for Sum 41, NOAHFINNCE, Hail The Sun, and more this year.

They will tour with Not My Weekend this fall. All dates are below. Get tickets and more information here.

rosecoloredworld combine catchy melodies with honest, self-reflective, and narrative-driven lyrics. The band was formed by two artists, Rae and Addison, who met in Hollywood through a mutual friend. Their music has been described as a safe place where people from all walks of life can feel accepted, seen, and celebrated for being exactly who they are. By creating this community, it gives anyone permission to live with a sense of freedom and create their own rosecoloredworld.

ROSECOLOREDWORLD ON TOUR:
WITH NOT MY WEEKEND:

11/8 — Anaheim, CA — Chain Reaction
11/10 — Phoenix, AZ — The Underground
11/12 — Colorado Springs, CO — Vultures
11/14 — Columbia, MO — Rose Music Hall
11/15 — Chicago, IL — Subterranean Downstairs
11/16 — Detroit, MI — The Sanctuary
11/17 — Columbus, OH — Ace of Cups
11/18 — Nashville, TN — The End
11/20 — Atlanta, GA — Aisle 5
11/22 — San Antonio, TX — Vibes Underground
11/23 — Austin, TX — Empire Control Room
11/24 — Fort Worth, TX — Tulips (Scaled)

ASINHELL, Featuring Volbeat's Michael Poulsen, Share "Impii Hora" Video

For more than 20 years, vocalist/guitarist Michael Poulsen has been spearheading Danish rock and roll machine Volbeat, releasing eight full-lengths, selling millions of albums, and filling stadiums worldwide. Before fronting Volbeat, however, Poulsen formed death metal band Dominus, which recorded four fast, brutal albums in the mid '90s.

When Poulsen was putting together songs for Volbeat's 2021 album, Servant of the Mind, he wrote a bunch of death metal riffs and saved them on his phone. Then, when he was done with the Volbeat record, he reopened the rusty gates to Armageddon and started putting together songs for his new death metal band Asinhell, whose debut album Impii Hora (Latin for "Ungodly Hour"), is a tribute to Poulsen's favorite old-school groups. 

 Impii Hora was originally released September 29, 2023 via Metal Blade. Get it here.

Today, the band has shared the video for the title track. Watch it below.

The video comes on the one-year anniversary of the album release. The footage was shot in Berlin during the band's recent European tour.

"It means 'Ungodly Hour' in Latin and the song is about all these evil, vile, and terrible acts that get committed in this Ungodly Hour," shares Poulsen about the title. "It's definitely an anti-religion song. Basically, we are not churchgoers, but on the other hand, I totally respect people who believe in something. But religion, to me, is the oppression that comes with being a part of the church. That's the oppressive thing, not the belief in some high, holy spirit. To me, the anti-religion stuff is more about what people have done to believers — trying to manipulate people to follow them, which is an autocratic kind of thing."

It follows last spring's video for "Pyromantic Scryer." Watch it here.

Poulsen has rekindled the death metal fire that fueled his first band Dominus. He began jamming on riffs with longtime friend and neighbor, drummer Morten Toft Hansen (Raunchy). The two started playing in Morten's tiny garage: no mics, no P.A. — just a drum kit and a combo amp turned all the way up like they used when they were teenagers. Soon, the pair were completing a new song every time they got together. When it came time to add vocals, Poulsen turned to his good friend, who also happened to be one of his all-time favorite death metal growlers: Marc Grewe (Insidious Disease, ex-Morgoth).

"I had known Michael quite a long time and he always mentioned that we should do a death metal project one day, but I never took him too seriously because he was so busy with Volbeat," Grewe says. "Then he called for real and said, 'Yeah, I want to do it now. Are you up for it?' Immediately, I was like, 'Yes, of course!'"

With Asinhell fully formed, the three convened with Volbeat producer Jacob Hansen to produce, mix, and play bass on their debut album. When it was time to add lead guitar to the album, Michael looked no further than friend and The Arcane Order axeman Flemming C. Lund. 

ASINHELL ARE:
 Michael Poulsen — Guitar
Marc Grewe — Vocals
Morten Toft Hansen — Drums 

A New Dawn: The Reveal Unveil New Record "Hieroglyphics" - Out Now!

Genre-defying power trio, The Reveal, have officially unleashed their transcendent sophomore record "Hieroglyphics", an immersive concept album that draws inspiration from spirituality, ancient religions, and the exploration of diverse cultures. This brand new album sees an ambitious fusion of The Reveal's trademark psychedelic rock with diverse elements ranging from funk-heavy grooves to punk-rock grit. Fans can listen to "Hieroglyphics" HERE.

Alongside the release of their latest eclectic record, The Reveal have also shared a mind-bending new video for "My Chariot", furthering the band's new experimental era. Fans can watch the brand new video Below.

Lifting the curtain on their highly-anticipated release, frontman Brother Dusty shares:

"This album represents a whole eye-opening chapter of the band's journey working with pros to get to a higher level. The themes of the music tribute many ancient mysteries - drawing attention to Egyptian mythology, spiritual awakening, secret societies, aliens and other dimensions. We wrapped it up in a mask of party time dance themes and commercial production to create a Trojan horse to get us through the gates of our next step as a band."

With "Hieroglyphics" out in the world, The Reveal continue to redefine the boundaries of rock, all while preserving their signature psychedelic edge. By blending the sounds of cultures from across the globe, the trio masterfully craft a captivating narrative centered around the rebirth of The Reveal, diving deep into themes of transformation, identity, and the complexities of the human experience.

A standout act in the Nashville music scene, The Reveal have cemented their status as trailblazers by breaking free from traditional genre constraints and exploring fresh, avant-garde musical elements. Their fearless experimentation and willingness to defy expectations have set them apart, forging a new distinct identity that challenges the norm and reshapes the contemporary rock landscape.

Stay tuned for more The Reveal news coming soon.

ABOUT THE REVEAL

Emerging from the vibrant heart of Nashville, The Reveal is a raging power trio that seamlessly blends funky blues riffs, metal, and a punk/rap attitude into a psychedelic fusion. As fans venture into the desert, the band are poised to make a bold statement with their upcoming concept album, “Hieroglyphics”, set for release on September 30th.

At the helm is Brother Dusty, whose commanding rock vocals and potent funk bass, aptly named Thunder Dragon, anchor the band’s signature sound. Joined by lifelong friend and lead guitarist, Josh Norfleet, whose soulful melodies channel the band’s global influences into a blend that they’ve been shaping since their childhood in the cornfields of Kokomo, IN. Drummer Ian Fleming rounds out the trio, as he infuses a late '90s/early '00s punk rock energy into the dynamic. With their undeniable chemistry, The Reveal are undergoing a rebirth, emerging stronger than ever as a true powerhouse.

DD VERNI (OVERKILL, THE CADILLAC BAND) AND HIS WIFE, LISA VERNI (THE DEEPTIME NETWORK, DANCINGWITHTHEPAIN.ORG) LAUNCH THE ‘SAYIN I LOVE YOU’ MOVEMENT

DD Verni is a multi-genre songwriter and international performing musician. He is the founding member of Overkill, The Cadillac Band (big band/swing), The Bronx Casket Co. Collection and Musical, and solo Verni Projects (Barricade and Dreadful Company).

Lisa Verni is a psychotherapist, Deeptime consultant, and creator of dancingwithepain.org. She serves on the faculty of The Deeptime Network’s Leadership Program which educates people to the wisdom, wonder, and creative energy of Earth and Cosmos.

Lisa states, “The Sayin’ I Love You Movement” is an example of Deeptime Emergence. The song speaks to what so many people feel and reminds us that we all belong. Because we all come from the 14-billion-year flow of the Universe, we possess immense generative power. We are active creators in our evolutionary story. Through simple expressions of love, we unleash the infinite potential available to chart a brighter way forward.”

DD continues, “For me, making music is the simplest and purest way to connect with others.”

Listen to the song here: http://push.fm/ps/sily

In creating the video for “Sayin’ I Love You”, DD and Lisa invited their communities to share images of how they express love. Together, they offer a Love Song for our times.

View video below.

Please join the Verni's in this evolutionary movement by sharing your expressions of love with the world, and by contributing to The Sayin’ I Love You Deeptime Leadership Scholarship Fund.

Donate here: https://givebutter.com/2War0e

For more information, visit
https://dtnetwork.org/
www.Dancingwiththepain.org
www.ddcadillacband.com
www.dekoentertainment.com
Deko Entertainment–Art Has Value

VUKOVI Announce New Album "MY GOD HAS GOT A GUN" + Share Video "GUNGHO"

In the mist-shrouded hills of Scotland, where legends whisper through ancient stones, there emerged a band as enigmatic as the land itself: VUKOVI.

On January 24, VUKOVI will unleash their latest creation, MY GOD HAS GOT A GUN, via SharpTone Records, a provocative title that hints at the explosive content within. The album, produced by the legendary Machine at the fabled The Machine Shop Recording Studio in Austin, is the result of several intense weeks spent in the heart of Texas, where the band channelled the heat, the dust, and the raw, untamed energy of the landscape into their music. The album's artwork, a haunting and vivid creation, was painted by the band's Janine herself.

To usher in this new era, VUKOVI have bestowed upon the world their latest single "GUNGHO" and it's accompanying visuals.

Watch the video for "GUNGHO" Below.

When asked for comment on the dawn of this imminent new age, Janine offers, simply: "A new chapter of sound is about to unfold. These songs will speak to places we've all been, but few have heard."

Pre-order and pre-save MY GOD HAS GOT A GUN now here.

MY GOD HAS GOT A GUN is available in the following formats:
-Red, Black and White Splatter LP (Limited to 500 – Exclusively on the Band’s Store)
-Black & White Half & Half LP (Limited to 500 – Exclusively at Sharptone US)
-Black LP (Available via artist stores, label store and EU retail)
-Jewelcase CD (Available via artist stores, label store and worldwide retail)

ABOUT VUKOVI:
As the world waited with bated breath for new material, VUKOVI embarked on their first co-headlining tour across the United States with brethren Calva Louise, supported metal titans Babymetal across the UK, and conquered a number of major music festivals such as Welcome To Rockville, Sonic Temple, Download Festival, Rock For People, and Graspop (to name a few). How they found the time to crisscross the globe, leaving a trail of electrified audiences in their wake, remains a mystery.
 
Some say that when VUKOVI takes the stage, the air hums with a strange electricity, and time itself seems to bend, as if the band is channelling something otherworldly.
 
We asked the band for comment, but were offered no answers, only more questions. 
 
Their songs tell stories that are both intensely personal and universally relatable, exploring themes of mental health, love, and the human condition with a sharp edge. Yet, beneath the surface, there's always an undercurrent of something darker, a sense that the music is a portal to a world just beyond the veil of our reality.
 
As VUKOVI continue to carve their path through the rock landscape, one thing is certain: they are a band unlike any other, a force of nature that refuses to be tamed or fully understood. They invite us to join them on their journey, to explore the uncharted territories of sound and emotion, but they do so on their terms. In the end, perhaps it's the mystery that makes VUKOVI so compelling — a reminder that in a world where everything seems knowable, there are still secrets worth keeping

VUKOVI ARE:
Janine Shilstone — Vocals
Hamish Reilly — Guitars