The Native Howl Drop New Single + Music Video "Mercy" featuring Lzzy Hale via Sumerian Records

Purveyors of their own distinctive, genre-blurring sound "Thrash Grass", The Native Howl has released their gritty new single and official music video for "Mercy" featuring Lzzy Hale of Halestorm (via Sumerian Records). With foreboding, foot-stomping rhythm, and the band's raw intensity paired with Lzzy's inimitable vocals, "Mercy" is bound to rattle listeners down to the bone. When asked about today's release, the band shared:

“‘Mercy’ was written as our original Thrash Grass anthem, and to have our vocal hero Lzzy Hale singing on it is nothing short of a dream come true!

‘Mercy’ subtly tells the story of infamous Boston gangster Whitey Bulger, and the dichotomy of dark and light between him and his disgraced politician brother William. While pulling from additional themes of organized religion and corruption, the music bed's growth in intensity throughout attempts to paint the process of all evil and wrong-doing slowly being brought to light.

Speaking about The Native Howl, Lzzy Hale also commented:

“I fell in love with Native Howl from the moment they walked on stage at the Troubadour. I could feel their energy before they even played the first note. For those few minutes of performance I was entertained in a way I haven’t felt in years. These boys are doing something special, unapologetically…and that is the magic. I was a judge on the show No Cover, but not when these boys played, I was, and forever will be a fan. The only thing sweeter than their incredible mash up of influence and top tier musicianship, is their big hearts. Good luck world…The Native Howl are about to set you on fire.”

The band previously released "Can't Sleep" and "Sons of Destruction" after winning Season 1 of the hit TV series No Cover and signing with Sumerian Records. Stream "Mercy" here and watch the incredible music video below.

North American fans have their opportunity to see The Native Howl bring their incendiary live show with Clutch and Blacktop Mojo beginning in late April. For ticket information please click here, and be sure to stay tuned for more news from The Native Howl coming very soon.

New World Samurai Tour 2024 Dates

April 26 - Richmond, VA @ The National

April 27 - Wilmington DE @ The Queen

April 29 - Bloomington, IL @ The Castle Theatre

May 1 - Colorado Springs, CO @ The Black Sheep

May 2 - Estes Park, CO @ The Stanley Hotel

May 3 - Estes Park, CO @ The Stanley Hotel

May 4 - Aspen, CO @ Belly Up Aspen

May 5 - Grand Junction, CO @ Mesa Theatre

May 7 - Lubbock, TX @ The Garden

May 9 - Pelham, TN @ The Caverns

May 10 - Columbia, SC @ The Senate

May 12 - Pensacola, FL @ Vinyl Music Hall

May 14 - Columbia MO @ The Blue Note

May 15 - Fayetteville, AR @ JJ’s Live

May 17 - Sioux City, IO @ Hard Rock Hotel and Casino

May 18 - Belvidere IL @ The Apollo Theatre 

May 19 - Toledo, OH @ Frankies

The Native Howl is a genre-defying quartet hailing from Leonard, Michigan, USA. Their fast-tempo music they’ve coined as “Thrash Grass” combines the aggression and intensity of thrash metal with the precision and melodicism of bluegrass. The band was born from a musical experiment that defied all expectations by blending elements of folk, bluegrass, rock, and metal, resulting in a sound entirely their own. With a dash of outlaw spirit and a touch of the wilderness, their music transports listeners to a sonic landscape where the traditional meets the contemporary. From foot-stomping bluegrass jams to lightning-fast metal-esque banjo picking, their tracks are a musical thrill ride that keeps the listener guessing with each note. Their lyrics often explore the dark sides of the human condition, nature, and the trials of life, creating a deep and personal connection with their audience.

The Native Howl Is:

Alex Holycross - Guitar, Bouzouki, Lead Vocals

Jake Sawicki - Guitar, Banjo, Vocals

Mark Chandler - Bass, Vocals

Zach Bolling - Drums, Percussion

FOLTERKAMMER Shares BTS Footage for the Making of "Leck Mich!" Music Video

Operatic black metal rising stars FOLTERKAMMER are now sharing a behind-the-scenes look at the making of the band's Rococo "Fight Club" style music video for the song "Leck Mich!" The video was once again directed by FOLTERKAMMER drummer Brendan McGowan and produced by Vile Luxe Studios. Watch the making of "Leck Mich!" below.

The original video is 18th century class against 21st century crass; a bloody journey into the Rococo underground and its lustful ringleader, vocalist and frontwoman Andromeda Anarchia. The clip can be found HERE.

The song is taken from the band's sophomore full-length, 'Weibermacht,' which is due on April 19, 2024 via Century Media Records!

'Weibermacht' serves as a counterpart to the band's 2020 debut, 'Die Lederpredigt.' The new record is another searing blend of modern black metal and classical music elements, lending to its Avant Garde sound. The music itself is elevated by frontwoman and vocalist Andromeda Anarchia's dynamic vocal work as she juxtaposes her classical training as an opera singer with her hellfire screams, summoning a maelstrom of ethereal chaos. Pre-orders are now live HERE.

In addition, FOLTERKAMMER has recently announced their first ever U.S. tour! The rising powerhouse will be embarking on an East Coast headliner with support from WITCHING, which kicks off on March 22 in Baltimore and will circle back to the band's hometown of Brooklyn, NY on March 30. The full itinerary can be found below!

GET TICKETS HERE

FOLTERKAMMER U.S. TOUR DATES (w/ WITCHING):

03/22: Baltimore, MD @ Metro Gallery

03/23: Richmond, VA @ Another Round

03/24: Columbus, OH @ The Summit

03/25: Chattanooga, TN @ Dark Roast

03/26: Nashville, TN @ The End

03/27: Indianapolis, IN @ Black Circle

03/28: Chicago, IL @ Cobra Lounge

03/29: Cleveland, OH @ No Class

03/30: Brooklyn, NY @ Kingsland

Founded in New York around 2018/2019, Folterkammer, or “Torture Chamber,” is the operatic black metal outfit that is redefining modern music. This ingenious band seamlessly fuses beauty with brutality. A combination of raw passion and technique contributes to the epic nature of Folterkammer’s dark art. Their work is both nostalgic and remarkably fresh. Yes, Folterkammer fuses various musical traditions and genres to craft an unparalleled experience.

Folterkammer is composed of Andromeda Anarchia on vocals, Zachary Ezrin on guitars, Darren Hanson on guitars, Laurent David on bass, and Brendan McGowan on drums. Both Anarchia, who hails from Switzerland, and David, who was born in Paris, divide their time between Europe and Brooklyn. Thus, even though the group can be described as international, Anarchia states: “It took New York to create Folterkammer.” Her project Andromeda Anarchia’s DARKMATTERS acted as the catalyst that brought her to the Big Apple, where she met Ezrin. Many metalheads already know that Anarchia has appeared as a guest on the three most recent albums by Ezrin’s brainchild Imperial Triumphant — a leading avant-garde band that marries extreme metal, jazz, classical components, etc. McGowan has also provided guest vocals for Imperial Triumphant, and Hanson lent his songwriting excellence to their 2012 instrumental track “Scaphism.”

Ezrin, McGowan, and Hanson have a wealth of shared history. These friends attended college together in California, where Hanson and Ezrin studied classical composition. Thus, much of Folterkammer’s orchestration is classically based. Hanson harbors a special love of Baroque music and knows precisely how to expertly wed it with his passion for black metal. Folterkammer was actually conceived when Ezrin proposed that Anarchia collaborate with him on some of Hanson’s material. Ezrin writes killer riffs and more for the band. McGowan was invited to join Folterkammer on Hanson’s wise suggestion. His drums are perhaps the heaviest element keeping one of Folterkammer’s limbs firmly anchored in traditional black metal. McGowan mines inspiration from different generations of acts: He names 1349 and old-school heroes like Blasphemy and Marduk. That said, black metal fans will also be pleased to hear the spirit of the second wave in the aggression of Folterkammer’s tremolo picking, for example.

The exceptionally skilled David, Folterkammer’s newest weapon, truly perfects the group with his golden touch on bass. Whereas the bass is not always as prominent as it could be in the content of many black metal groups, Folterkammer purposely allows David’s bass to shine through. Like his bandmates, David is an avid consumer of several forms of music, and thus creates delightfully eclectic art. He has received both classical and jazz training. This major talent has toured worldwide alongside musicians and bands such as Ibrahim Maalouf, Guillaume Perret & The Electric Epic, Yael Naim, and Shijin. David has done so both as a side man and as a band leader/producer. Anarchia and Ezrin already knew David before asking him to join Folterkammer. After all, David founded the “avant metal-jazz trio” Kilter of which Imperial Triumphant’s Kenny Grohowski is an essential part. 

Lineup:

Andromeda Anarchia - Vocals

Zachary Ezrin - Guitars

Brendan McGowan - Drums

Darren Hanson - Guitars

Laurent David - Bass

Guest Harpsichord: Steve Blanco on "Anno Domina"

Album Credits:

Producer: Zachary Ezrin

Recording: Kevin Antreassian at Backroom Studios in NJ

Additional Recording: Laurent David and Antoine Delecroix

Mixing: Colin Marston at Menegroth, The Thousand Caves, in NY

Mastering: Fred Kevorkian

Cover Art: Eliran Kantor

Album Layout: Brendan McGowan

Photography: Alex Krauss

Logo Design: Mister Kams

Bio: Jillian Drachman

Photos: Alex Krauss

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Insanity Alert Announce New Album

All too often, the world can feel so dark and heavy that everyone seems to have lost their collective minds. But one band are hell-bent on partying like there's no tomorrow.

Though they were formed out of the powdered slopes of Austria, Insanity Alert have a different style of shredding in mind. Their undying allegiance to '80s crossover thrash is only rivaled by their craving for a juicy moshburger and an ice-cold 666 pack.    

Today, Insanity Alert are announcing a new EP. Moshemian Thrashodyputs a fun, frothy and snot-nosed spin on four familiar classics, though the inspiration behind the lead single might surprise you.

Watch the video for "Beerless Fiesta" BELOW

Moshemian Thrashody comes out May 17 on Season of Mist.

Pre-order: https://shop.season-of-mist.com/list/insanity-alert-moshemian-thrashody

Pre-save: https://orcd.co/moshemianthrashodypresave

It makes sense that Insanity Alert parody Queen, Guns 'N' Roses and Iron Maiden on Moshemian Thrashody. After all, these speed freaks will go to comically absurd lengths when paying homage to the classics. So when the video for "Beerless Fiesta" opens with a faint but familiar waft of saxophone, it throws you for a loop, like an edible that your friends swore was just a regular old brownie.

Wait, are they about to rip on...George Michael?

"I'm never gonna drink again", Heavy Kevy screams in agony, as if wrapped around the toilet. If this band are so much as entertaining the idea of sobriety, then you know they're battling one hell of a hangover. But their new single only goes to show that Insanity Alert aren't hopping on the wagon anytime soon. When the thrash riffs start spilling forth like a frothy beer bong, that means it's time to jump in the mosh pit.

"Moshemian Thrashody rides the thin line between familiar and super awkward", says Insanity Alert. "It's like getting shitfaced with your favorite highschool teacher".

The video for "Beerless Fiesta" was produced, filmed and edited by Max "Mugs" Raggl in Innsbruck, Austria ( www.mugs.at ). 

The concept was created by Heavy Kevy and Insanity Alert.

Praise for Insanity Alert

"Maddening and powerful thrash from guys who understand the sound and culture" - Metal Injection

"Experts in crafting immense and blistering fun" - Distorted Sound

"Heavy, fast, old-school and right in your face" - Grimm Gent

"They make quite a noise...combining retro thrash with their own boozy brand of skateboarding-crossover thrash which hits at such a speed that by the time you've slapped the disc on you're already getting back off your arse to play it again" - Metal Forces

[Movie trailer voice] In a world that’s plagued by war, natural disasters and TikTok dance challenges, one band are hell-bent on partying like there’s no tomorrow. Sure, the hangovers might hit a little harder now that they’re four albums in. But on Moshemian Thrashody, Insanity Alert are still nothing but a good time.  

Ski parties visit Austria for its powdered slopes, but when Insanity Alert banded together from around Innsbruck in 2011, these adrenaline junkies had a different, more dangerous type of shredding in mind.  Their destructive appetite for ‘80s crossover thrash is only rivaled by an unquenchable thirst for ice-cold beer.  

While under the influence of older party monsters like Suicidal Tendencies and Municipal Waste, Insanity Alert roll their riffs with the same strand of humor as labelmates Cannabis Corpse. Their songs parody everyone from perennial punching bags like David Guetta and Milli Vanilli to sacred cows Iron Maiden.  

“We think of our renditions as tributes to the greatness of the original songs”, the band says. “Mixing their greatness with our blend of speed, fun, brutality and weirdness just feels right.   

On the strength of their demo tape alone, Insanity Alert sent skate punks and metalheads running into the pit. First Diagnosis was quickly confirmed by follow-up EP Second Opinion. Critics properly diagnosed their self-titled full-length as a much-needed dose of derangement, but the band has upped their prescription of snot-nosed speed and grinding d-beats with each release.  

Moshburger was served up in 2016 while Insanity Alert were on tour with Hatebreed, Madball, Terror and Power Trip. They then shared a 666-Pack with festivalgoers at Wacken Open Air. With names like Slapmaster Puke and The Inphiltrator, this band will go to comically absurd lengths just to jump into the circle pit with their fans -- so long as there’s a full fridge and good bud(s) waiting backstage. When Insanity Alert played the main stage at Hellfest in 2019, Dave of the Death could barely feel his fretting hand after taking one heck of a stage dive the night before.        

Moshemian Thrashody keeps the festivities going with new parodies of familiar classics like Guns N’ Roses and Iron Maiden. One might surprise you, though. Lead single “Beerless Fiesta” gives the crossover thrash treatment to (checks notes) George Michael? Insanity Alert aren’t going into mosh retirement anytime soon, though. The title track sees Queen’s theatrics and raises it with a clown car full of hijinks, including a Hauwitzer guitar solo that pops off like a bottle of champagne. Don Melanzani chugs down blast beats as the band joins in an acapella gang chant about “letting it snow” with Santa Claus that’s rowdier than a German beer hall.  

“These are some killer tunes that we threw in our drunken 420 blender”, says Heavy Kevy. “Moshemian Thrashody rides the thin line between familiar and super awkward – like seeing your old grandpa in the mosh pit or masturbating for the first time with your other hand”.  

After almost 15 years of bringing crossover thrash to party animals everywhere, Insanity Alert will still go anywhere the weed blows. 

Line-up
Heavy Kevy - ​Vocals
Don Melanzani - Drums
The Inphiltrator - Guitar
The Dave of Death - Guitar
Slapmaster Puke: Bass

Guest appearances
"Welcome to the Moshpit" - Hauwitzer (guitar solo)

Recording Studio
Subsound Station (Telfs, Austria)

Producer
Matthias Mayr

Mixing
Andy Reinhardt

Mastering
Andy Reinhardt

Cover art
James Callahan / Barf Comics

Pre-order: https://shop.season-of-mist.com/list/insanity-alert-moshemian-thrashody

Links
https://www.facebook.com/insanityalert
https://www.instagram.com/insanityalert/
https://www.youtube.com/channel/UCw79GR8zx8EsZ13DIwhye5g

Available formats
Digital Download
CD
10" Vinyl - Black
10" Vinyl - Colored (Translucent Turquoise)    

High On Fire release new music video

Iconic U.S. rock band, High on Fire , will release its new LP, ' Cometh the Storm ', on April 19 via MNRK Heavy. The GRAMMY Award-winning group, celebrating its 25th anniversary, recorded ' Cometh the Storm ' at GodCity Studio in Salem, Massachusetts with producer Kurt Ballou. The 11-song effort -- the band's ninth studio album -- marks the release of the first new High on Fire music since 2018's 'Electric Messiah' and the first to feature drummer  Coady Willis (Big Business, Murder City Devils), alongside bassist Jeff Matz , and guitarist/vocalist Matt Pike . ' Cometh the Storm ' boasts runic art and design by longtime High on Fire collaborator Arik Moonhawk Roper.

High on Fire releases a video for the new record's lead track, " Burning Down," captured live and on location at GodCity by Jason Zucco during the recording of " Cometh the Storm." Portions of the video footage feature direct takes of the record's recording sessions, including the fervent vocals of Matt Pike.

High on Fire - Cometh The Storm Color In Color Vinyl

PRE-ORDER

High on Fire - Cometh The Storm Compact Disc

PRE-ORDER

GET MORE HIGH ON FIRE HERE

New Jersey rockers Quiz Show previews 'Super Concrete' single from new EP

"Inescapable catchiness, rawness and youthful spunk – Quiz Show is extending an undeniably attractive invitation to superb punk-kilned indie rock" ~ The Spill Magazine

"Quiz Show is what pop music would have sounded like if punk had had a more significant and longer-lasting effect on modern music" ~ The Big Takeover

"A new sonic force to be reckoned with... That’s a bit unfair as Quiz Show, comprised of members of such luminaries as Shudder To Think, Guided By Voices and The Dambuilders, has been making music since 2017" ~ Second Scene Magazine

"Gloriously shambolic post punk/alt rock goodness" ~ The Ginger Quiff

"A sonic Trojan horse able to smuggle the forces of swagger, attitude, and outsiderness into the mainstream, hidden in a construct of melody and infectiousness" ~ Dancing About Architecture 

New Jersey-based indie rock trio Quiz Show presents their new 'Super Concrete' single. This is the first taste of their 'Flotsam' EP, which will be released via Montclair, NJ-based Magic Door Record Label.

Quiz Show is made up of Shudder To Think's Chris Matthews and bassist Jesse Krakow, together with drummer Joe Billy, who replaces the original drummer Kevin March (Guided By Voices, The Dambuilders).

Found floating or washed up by the sea, 'Flotsam' represents the shattered, lost stories of people’s lives. It’s easy to ignore, but perhaps there is value in treating flotsam as a mystery to solve, a story to tell, a lost connection between past and present waiting to be discovered.

Recorded and produced by award-winning producer Ray Ketchem (Guided By Voices, Luna, Versus, Elk City, Gramercy Arms) at his Magic Door Recording Studio, this EP was engineered by Ketchem with Brian Robbins (Blondie, Bring Me The Horizon, Papa Roach).

"Super Concrete was the name of the company my brother worked for before he passed. He was a different sort of person, mostly a source of the unexpected, and usually trouble. Many wrote him off as poorly adjusted – as flotsam – but that’s not even close. So, while he may have lived a nontraditional life working at Super Concrete, living in DC’s gay community, and making a home with his boyfriend, he created a life of beauty and purpose," says Chris Matthews.

"These songs are the first that the current Quiz Show lineup wrote together from scratch. We each added our instrumental work and vocals, but in the process discovered something new and unexpected– a whole that was far more than the sum of its parts. This EP offers three original songs that tell stories about living – both now and in the past. There is something melancholy about the record, but also a resonant chord of joy and perseverance."  

In 2023, the band released their 12-track eponymous debut album to wide acclaim - an electrifying collection that is full of protest, friendship and frustration.

As of March 5, 'Super Concrete' is available via Apple Music, Spotify and Bandcamp. The full 'Flotsam' EP will be released on March 29 and can be pre-ordered directly from the band.

CREDITS
Chris Matthews / guitars, vocals
Jesse Krakow / bass, backing vocals
Joe Billy III / drums, backing vocals
Produced by Ray Ketchem
Engineered by Brian Robbins and Ray Ketchem
Mixed and Mastered by Ray Ketchem
Recording at Magic Door Recording, Montclair NJ
Songs by Chris Matthews and Quiz Show
© 2024 Shake at the Thought (BMI)


Keep up with Quiz Show
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Rick Monroe & The Hitmen Premieres "Worth The Hurt" Music Video on Rock Rage Radio!

TLG/Virgin Music Group recording artists Rick Monroe & The Hitmen continue to gather momentum for their latest single "Worth The Hurt" (currently bubbling under at #52 on last week's SMR chart while maintaining its top-10 standing among the Most Adds of active/mainstream rock in secondary markets). To support its upward climb, the group is pleased to premiere the official music video TODAY exclusively through Rock Rage Radio.

Additionally, "Worth The Hurt" has been made available in Dolby Atmos, a new spacial audio technology that allows you to "hear music like you've never heard it before" and deliver the ULTIMATE listening experience for fans and audiophiles to enjoy.

"Even though it adds several steps to the mixing and mastering process, getting the track on Atmos was important to us," says Monroe."We wanted fans to know... just like the single says, that they are 'Worth The Hurt.' We aren't doing our work as a band if we aren't striving to provide the best quality music we can to our fans. That's our job," he says."Now, it's the fan's job to go out and give it a listen!"

Co-written by Monroe, Jared Weeks and Scott Wilson of Saving Abel, and multi-Grammy and multi-Dove award-winning producer and composer, Skidd Mills (Skillet, Third Day, Saliva, Katie Arminger), who also produced the track, "Worth The Hurt" is an angsty, uptempo banger that highlights the addictive qualities and unhealthy co-dependence of a love gone wrong.

"You guys are so talented, it's stupid."

▪Shawn Drover - Drummer (Megadeth)

"Great crossover song!"

▪Don Jamieson - Comedian ("That Metal Show")

"This was such a fun song to write, and I love that groove it delivers all the way through. It's a crossover for you for sure. I'm proud of it!"

- Jared Weeks (Saving Abel)

Stream / download "Worth The Hurt" at https://ffm.to/worththehurt

The single serves as a tantalizing preview of the exceptional content that awaits fans in the group's highly anticipated, full-length vinyl project, SIX GUN SOUL, scheduled for release on April 12. This album features previously acclaimed singles such as "World's Gone Crazy" and "God's Ear", the latter earning praise from discerning critics like Robert K. Oermann (Music Row) and respected musicians, including Shawn Drover (formerly of Megadeth).

About Rick Monroe & The Hitmen:

World-class entertainers Rick Monroe & The Hitmen have no desire to trace the trail of every trend. Instead, they serve up a “poly-jam-orous” recipe they call “Blue Jean Rock” --artistically organic and spiced with a heavy blend of their musical influences to reflect country sensibilities with a rock and roll beat. As a result, the group has built a solid legion of fans across the globe and recently surpassed over 4.3 MILLION logged views on YouTube and over one MILLION captured streams without the benefit of ever appearing on a core editorial playlist.

Monroe brings his music and a magnetic presence wherever he goes and is no stranger to the stage: he’s performed in 17 countries – and every U.S. state including Washington DC & Puerto Rico. The seven-time Jägermeister Country Brand Ambassador has toured with Queensrӱche, Lynyrd Skynyrd, Eric Church, Dierks Bentley, Lee Bice, Aaron Lewis, Eli Young Band, Pat Green, and Randy Houser, as well as has opened for Country Music Legends like Charlie Daniels Band, Dwight Yoakam, Travis Tritt, Patty Loveless and more. He has entertained the USO, AFE, U.S. troops in Vietnam, and former Soviet President, Mikhail Gorbachev. His brother called him “Elvis Gump” because of all the amazing people and places his career has led him.

For those unfamiliar with his music, Rick advises them to come to the show for a good time and to be ready for “just about anything.” “I love to play,” the singer notes. “And I want everyone to play along. I like to think of my shows as an interactive sport"--one that he will now play with the help of his permanent bandmates, Bobby Perkins (guitar), Alan Beeler (bass), and Jason Bohl (drums), also known as The Hitmen because "they kill it every single night!"

Rick enjoys sponsorships and endorsements with NOS/Full Throttle energy drink, Number Juan Tequila, Tony Chachare’s® Famous Creole Cuisine, Remington, GHS Strings, SE electronics, Roper Western Wear, Shubb Capos, Speakeasy Original, Westone Audio & Fishman Audio.

For More Information Please Visit:

Official Website

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The Iron Roses Announce Share "Soldier of Fortune" Video // Announce North America Tour

"The Iron Roses' self-titled album is more ambitious both musically and thematically than most artists choose (or even would be allowed) to go on a debut" — SPIN

"Don’t sleep on The Iron Roses self-titled album. It is a great fucking listen" — New Noise Magazine

“"..melodic punk perfection, lyrically challenging but musically letting loose. Each of the eleven tracks delivers a defiant manifesto that you can dance into the dark times to" — The Punk Site

Released on October 20, THE IRON ROSES smashed onto the punk scene with a self-titled album that set the political world ablaze. Perhaps said best in a review by SPIN, they have created a "collection of songs from people who have been around long enough to know how the world works, what they like about it and what they won't tolerate any longer."

Angst-filled, sure, but hopeful, THE IRON ROSES create music videos that invoke triumph and joy in a world where policies are forever changing. Filmed on their last show of their recent European tour and directed by Gideon Rothmann, the band presents their newest video for "Soldier of Fortune."

Nathan and Becky further explain, "It holds such an important message for so many who have felt betrayed by those they once looked up to. After the album's release, we found that this song empowered many voices who have felt unheard, and it has been an incredible challenge to those who look the other way instead of calling out problematic behavior."

If your musical curiosities have been peaked by this high-energy punk band who utilize love, brazen lyrics and elements of multiple genres to embrace change and inspire hope, then sample their other video offerings for tracks:  "Screaming For A Change," "Justify The Lies," and "Old Guard."

Never ones to settle, please join us in celebrating the second pressing of their self-titled record on two new vinyl variants, available now at this location. Time to get up and grab yourself a ticket to see these tracks live with some of the most impassioned musicians punk has to offer. 

PHOTO CREDIT:  Gideon Rothmann

The Iron Roses' upcoming Spring 2024 North American tour dates are below.

THE IRON ROSES ON TOUR:
4/12 – St Catherines, ON – Warehouse Council Hall * 
4/13 – Toronto, ON – The Concert Hall *
4/27 – Lancaster, PA – Launch 
5/01 – Vienna, VA – Jammin Java
5/02 – Brooklyn, NY – Kingsland * 
5/03 – Medford, MA – Deep Cuts *
5/04 – Providence, RI – Alchemy *
5/09  – Pittsburgh, PA – Mr. Roboto Project ^
5/10 – Toledo, OH – Ottawa Tavern ^
5/11 – Lansing, MI – Stoopfest ^
5/13 – Chicago, IL – Subterranean ^
5/14 – Lakewood, OH – The Foundry ^
5/15 – Rochester, NY – Montage Music Hall ^
5/16 – Stroudsburg, PA – Sherman Showcase ^
5/17 – Montreal, QC – Pouzza ^
5/24 – Las Vegas, NV – Downtown Grand Hotel & Casino
5/25 – Las Vegas, NV – Punk Rock Bowling
* With LOWEST OF THE LOW
^With HIT LIKE A GIRL  

THE IRON ROSES ARE:
Nathan Gray (They/Them) — Vocals
Becky Fontaine (She/Her) — Vocals
Philip "Eugenius" Smith (He/Him) — Guitar + Vocals
Pedro Aida (He/Him) — Guitar + Backing Vocals
Michael Espinosa (He/Him) — Bass + Backing Vocals
Steve Cerri (He/Him) — Drums

ABOUT THE IRON ROSES:
The Iron Roses are a passionate, unique, and beautiful group of people making music that we hope will change the world. Fueled by the injustices of our current times - their songs are the kind of protest anthems that only a group of seasoned musicians could make. Still angry, still driven, and still screaming — this is a band that will never give up the fight, alongside a label that has made it a priority to provide music that is as important as it is impressive, Iodine Recordings. Yes, we can discuss their pedigree, most notably their frontperson Nathan Gray (of Boysetsfire), and their relentless touring and political activism. But none of those things matter if the songs don’t connect with the listener. And this collection of songs are going to do just that. From the opening notes of the first song the cards are on the table. The objective is clear – The Iron Roses are putting to words and music all the thoughts you’ve had these last few dark years. With the worldwide political climate leaning further and further from the left. With rights for many being limited and destroyed. With no end in sight. We need bands like The Iron Roses giving us a soundtrack to fight. Songs to pour our anger and frustration into when we sing along - just as they did when they wrote and recorded them. The beauty of seeing these six individuals singing their truth is astounding. Watching them grow from strength to strength in the last few years it is unsurprising that this record is the outcome. They, and their songs, represent such power, love, and passion — something that we need more than ever in this world today.

Northlane Share "Afterimage" Video

Northlane have revealed their stunning new single "Afterimage" featuring Ian Kenny of Karnivool. "Afterimage" is the third piece of new music from the band’s forthcoming EP, Mirror's Edge, out April 12 (Independent).

Watch the visualizer below.

Northlane recently debuted "Afterimage" in the live realm during their huge Australian tour, which set the internet alight and left fans hanging to hear the studio version. A nod to their Node-era, Northlane have always pointed to Karnivool as one of their biggest influences; Ian Kenny’s vocals sit so naturally in "Afterimage" that the song feels written just for him. It makes sense given, according to guitarist Jon Deiley, touring with Karnivool in 2013 had such a profound impact on his songwriting.

"Touring with Karnivool changed my perspective on songwriting by showing me a solid groove is more interesting than some flashy technical bit. Writing a good groove means you can exploit it in different ways while still keeping it interesting over time," says Deiley. "Karnivool influenced Northlane by showing us that songwriting and nailing every transition live is more important than jumping around. We hopped on the 'Asymmetry' tour years ago and were still riding the success of 'Singularity' when we discovered pretty quickly some fans just want to stand and enjoy you playing the music perfectly. I think that's where our unhealthy hyper-critical evaluation of our performance came from!"

A pensive song about reflecting on the past whilst looking ahead to a better future, "Afterimage" arrives after previous singles "Miasma" and "Dante" and is the final preview before Mirror's Edge arrives on April 12.

Mirror's Edge was recorded with their old friend and revered producer Will Putney in August this year. Described by Jon Deiley (songwriter/guitarist) as "the greatest hits of Northlane sounds," the EP is a nostalgic journey through all the colors on their sonic palette, with bonus shades from special guests Winston McCall (Parkway Drive) and Ian Kenny (Karnivool/Birds of Tokyo) — two of the most influential artists in Northlane's history. Their former bass player, Brendon Padjasek, also stopped by the studio to lend his scream to one of the tracks. 

Penned just over a year after the release of their #1 award-winning album, Obsidian, the road to Mirror's Edge was a bumpy one. Instead of riding high from the success of the album, the simmering tension and communication breakdown between band members threatened to engulf Northlane at any moment. Northlane tackled their issues head-on at a writing retreat in Victoria's Yarra Valley, where they worked through their problems and unlocked new channels of creativity in the process that reflects through the EP. From the expansive prog of "Afterimage" to their signature bottom-heavy groove and viscous breakdown of "Kraft" and compulsive beat and electronic focus of "Dante," Mirror's Edge is full of Northlane's most vivid colours and textures. 

Thematically, the EP is about looking at yourself and reflecting on the past one final time before leaving it all behind to find hope in what lies beyond the mirror's edge. With the recurring theme of acceptance binding these songs together, frontman Marcus Bridge is hopeful that Mirror's Edge will be the coda on this part of his personal life, so much of which he has shared in the last couple of Northlane releases.

"It's like looking at your reflection, looking at the past and everything I've been thinking about, or caught up within the last little while," Bridge says. "There's not much positivity in these songs, but it is about acceptance. Hopefully, by putting these songs out, I can leave that stuff behind and I can kind of find a new direction and something to be positive about on the other side of this mirror's edge."

PHOTO CREDIT: Kane Hibberd

ABOUT NORTHLANE:
Northlane are a chart topping, award-winning metal band from Sydney, Australia. Through fearless evolution and unmatched innovation, Northlane have become vanguards of heavy music across the globe, entirely on their own terms. The band have released six acclaimed albums, including ARIA Chart #1 records Obsidian (2022) and Node (2015), alongside Singularity (2013), Mesmer (2017), and Alien (2019) which all debuted at #3. Northlane have also won three consecutive ARIA Awards for Best Hard Rock or Heavy Metal Album, as well as two AIR Awards for Best Independent Heavy Album.

WHILE SHE SLEEPS Announce New Album ‘SELF HELL’

As they approach the biggest headline show of their career to date at London’s legendaryAlexandra Palace, Sheffield quintet, WHILE SHE SLEEPS share their brand new single‘SELF HELL’, the title track to their long awaited sixth studio album, which will follow on March 15th, 2024.

Drawing upon a far wider palette of influences to create a sonic collage of each member’s musical passions, ‘SELF HELL’ feels like a second debut album from a band who have become such a vital force over the past decade. This incarnation of WHILE SHE SLEEPSis uncompromisingly unpredictable, the riffs are still granite heavy, but this album sees them drawing upon more diverse influences such as Aphex Twin, Gorillaz, Bicep, TheProdigy and Kendrick Lamar.

Those influences have seen a broader range of instruments incorporated on ‘SELF HELL’, especially with vintage synths such as the Korg MS-20 and the Behringer TD-3. Just as importantly was their attitude. WHILE SHE SLEEPS were all raised in mining villages around Sheffield and remembered how Britpop surrounded the environment during their youth, its working-class swagger informing the album’s defiant nothing-to-lose and everything-to-gain spirit.

Sean Long says,

“The name of the album is the foundation of how we view ourselves and the world. Everyone has a subjective experience like no other. Yet the constant that binds us IS the differences between us and the fact that we are all suffering in our own way. Don’t be too quick to judge and demonize, your time will come for redemption or damnification.

"We’ve been drawing inspiration from an array of misfit artists far from where you would usually pigeonhole WHILE SHE SLEEPS. Each member has brought in a different perspective of inspiration so far apart in genre that it has left us with a very odd and satisfying sonic. WHILE SHE SLEEPS will continue to keep the world guessing on what we will do next. Not only for the fans but this is a spiritual venture that we have to keep alive, moving, and constantly in flux. We do this by scaring ourselves with things we are not supposed to do. Every. Single. Day.”

The single ‘SELF HELL’ demonstrates the sonic leap-forward that WHILE SHE SLEEPS are taking with the album. It does seemingly everything all at once – huge riffs, thumping big beat grooves, a maelstrom of synth textures, melodic vocals contrasted with bloody-throated screams and swirling backing harmonies - all in a way that remains coherent while pushing their boundaries to a maximalist new level.

Watch the Music Video for "SELF HELL"

The album was produced by their long-term collaborator Carl Bown and the band’s guitarist, Sean Long. WHILE SHE SLEEPS - completed by Lawrence ‘Loz’ Taylor(vocals), Mat Welsh (guitar), Aaran Mckenzie (bass) and Adam Savage (drums) - recorded the album during sessions at Metropolis Studios in London, Treehouse Studio in Chesterfield, and their own Six Audio in Sheffield.

Pre-Order 'SELF HELL' HERE

Since debuting in 2012 with ‘This Is The Six’, WHILE SHE SLEEPS have gone from strength-to-strength, achieving a Top 10 breakthrough with "You Are We" as well as widespread critical acclaim for their most previous album, ‘Sleeps Society’.

They’ve consistently been a huge draw across European festivals, most memorably with an emotional return to the stage with 2021’s Download Pilot, a set that The Guardiandescribed “as undeniably Pilot’s finest hour – if not the finest in the entire Downloadlineage.” Fewer than 500 tickets remain available HERE for the landmark Alexandra Palace show. They will then play select gigs around Europe before hitting China, Japan, Taiwan and Thailand in December.

Extraordinary Berlin post-punk - CIRCOLO VIZIOSO presents violin-driven debut 'Verrückt' album

"From Sonic Youth, The Black Angels to Fugazi and Nirvana, this is a band who wears their inspirations on their sleeves, blending these in a fascinating way. Raw and visceral, Circolo Vizioso makes for a highly recommended listen, presenting groundbreaking music with a signature sound" ~ The Spill Magazine

"Hailstorm distortion... that great feel like it has its own time signature; speeding up and slowing down depending on their anger levels or the nervous urgency that bubbles to the surface. It sounds fresh and in the moment, in part due to it being written in a little over an hour" ~ Joyzine

"Cathartic, a taste of the actual sound of the grassroots music makers, a reminder of just how false the world we are offered through advertising, media, marketing, branding... A timely, sonic wake-up call" ~ Big Takeover Magazine


Kraut-inspired punk rock duo Circolo Vizioso presents their debut album 'Verrückt', an invigorating collection of tracks that channel a dystopian feeling of being stir crazy amidst an unjust society. Arriving four years after their 5-track 'Isolation' EP (2020), 'Verrückt' offers a powerful taste of high-intensity, lyric-driven post-punk, created mainly with electric violin, guitar and drums.

Hailing from Berlin, Circolo Vizioso is made up of Tony Scafidi (guitar, bass, drum, hi-hat, vocals) and Paul Geigerzaehler (violin, snare drum, vocals). The band plays abrasive, groovy punk music that is influenced, on the one hand, by the sound of 1990s New York, Chicago and Washington embodied in such bands as Fugazi, Blonde Redhead and Sonic Youth, and by the sound of early 80's and 90's Eastern German and Eastern European punk bands like Dezerter, Sandow and Schleimkeim on the other.

Earlier, the band presented the singles 'Walls', written in outrage over the Russian invasion in Ukraine, and 'Choppy', a high-octane song spawned from a bout of depression brought on by a failed love story.

"On 'Verrückt', we wanted to stretch the potential of the bass drum, the high hat, the snare and the tambourine to the utmost. As two people having to sing, play guitar and violin and drums at the same time makes it challenging to come up with refined and intricate drumming. But it does give us an interesting opportunity to exert a furious, instinctively ancestral and liberating beat on a few drums," says Tony Scafidi.

Paul Geigerzaehler adds, "We wanted to make an album that could express anger, frustration and disaffection against an unfair world and all the discomfort entwined therein. And we wanted to do it with direct and bare lyrics abrasive violin lines, fat distorted guitar solos and big fuzzy riffs. Yet we wanted people to let go of this batshit crazy world in a sort of self-exorcising dance, where one can go to sleep with the illusion of having sweat their demons off at least for the night."

Formed in March 2020 on a balcony in Friedrichshain, Berlin during the first Covid-19 lock-down, Circolo Vizioso was born as an attempt to keep art and music alive and to provide support to their neighbours during a time when no concerts were happening and no cinemas, museums or galleries were open. Circolo Vizioso is these artists' attempt to resist the isolation and the lack of social and human contact, as well as the hunger for music and art during this unusual time.
:
As of March 1, the full 'Verrückt' album is available via Bandcamp, and from other fine music platforms, including Apple Music and Spotify. Circolo Vizioso's Paul Geigerzaehler has also just released his solo album 'KAPUTT' as a Bandcamp exclusive.

CREDITS
Music and Lyrics by Paul Geigerzaehler and Tony Scafidi
Tony Scafidi - guitar, bass, drum, hi-hat, vocals
Paul Geigerzaehler - violin, snare drum, vocals
Audrey Quillons - backing vocals on 'Walls' and 'Verrückt'
Produced by Paul Geigerzaehler and Tony Scafidi
Sound Engineer - Smail Shock Production at B Studio in Berlin
Mixed and Mastered by Sacha Tilotta in Catania, Italy
Publicity by Shameless Promotion PR


Keep up with Circolo Vizioso
Facebook | Bandcamp | Instagram | Twitter | Soundcloud | YouTube | Apple Music | Spotify | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

JULIEN-K Announces INDIEGOGO Campaign for DRK|MODE Album!

After 5 wildly successful #1 Indiegogo campaigns that have made Julien-K one of the highest earning crowdfunding bands in the world, the band has returned for their most ambitious campaign yet: DRK|MODE - A PURELY ELECTRONIC DARK INDUSTRIAL CREATION.

The campaign text alone is an undeniable example showing that the band has become masters of the art of gamification and teasing of new material and huge product drops. The band has created a long running narrative that is completely authentic yet somehow borders on fantasy that fans seem to love.

Julien-K casually drops another bomb on fans with their now classic playful yet ominous tone:

Do synthesizers feel pain?

We want to find out.

Can we create a compelling album through acoustic exclusion and electronic torture?
Possibly.

JOIN US IN DRK|MODE.

https://www.indiegogo.com/projects/julien-k-drk-mode#/

After their critically acclaimed and commercially successful return to their Orgy-esque roots in HARMONIC DISRUPTOR, they slowly began the "answer" to that album. That answer is called TRAUMA ECHOES.

"We started creating sludgy, guitar heavy, emotional electro-rock as a path out of the JKHD universe - but we kept finding ourselves pulled to heavy a synthetic 4 on the floor heartbeat. That heartbeat cut a new path that lead us through a new doorway."

"This unexpected dichotomy in our approach confused us at first, but over time it became clear that that we were being led down the path to two separate works of art. Two disparate projects. Twin shadows walking alone in the same darkness."

"The divergent undersurface of TRAUMA ECHOES had to be free of our well known guitar heavy approach. It had to be pure electro. It was a challenge to speak this new language only using machines. Could we create a sound that was definitively JULIEN-K without our guitars? An entire album of it?? Would the fans that have had our backs for so many years support an idea like this?"

This was the beginning of DRK|MODE.

Ryan Shuck says of the bands new campaign “We really broke the mold and set records with our last campaigns, but at this point we’re extremely cautious with our expectations. Will this campaign be so surprisingly successful? We just don't know - it’s not a “new” concept anymore. All we can do is unleash our creativity and energy and do the BEST we possibly can to create a compelling and comprehensive world for our fans to participate in. So far, if we focus on that - we have succeeded every time. We have to have faith in our fans.”

Julien-K is an independent electro-rock band formed in Long Beach CA in 2008 by long time friends and collaborators Amir Derakh and Ryan Shuck (founding members of Orgy, Dead By Sunrise). Later joined by Anthony “Fu” Valcic in 2009, the band recorded it’s now classic debut album Death To Analog. Over the last 10 years, the band has released multiple albums and toured extensively, and has become one of the most successful crowd-funded bands in the world. Despite the band's dark & stylistic videos and Blade Runner-esque imagery, the band has focused on a totally “connected” independent and authentic fan-focused career path - often avoiding a more classic commercial approach.

For More Information Please visit:

Official Website

Facebook

Twitter

Instagram

YouTube

Benighted Release New Single Feat. Oli Peters from Archspire

On their upcoming new album, Benighted crawl through a house of horrors. Ekbom doesn't tread so much as it tramples the line between sanity and madness. After all, the title takes its name from a real-life syndrome that makes people believe their skin is infested with bugs.

Today, the brutal French death metal band are releasing the second single off Ekbom. "Nothing Left to Fear" features Oli Peters from their label mates Archspire. Peters adds a new dimension of vocal terror, twisting seamlessly with Benighted's terrifying speed. While inspired by truly horrifying tales of psychological suffering, at 402 BPM, this new single proves that when it comes to the realm of death metal, Benighted are fearless.

Listen to "Nothing Left to Fear":

Ekbom is out April 12 on Season of Mist.

Pre-order: https://redirect.season-of-mist.com/BenightedEkbom
Pre-save: https://orcd.co/benightedekbompresave

"'Nothing Left to Fear' features our brother and incredible vocalist Oli from Archspire", says Benighted. "This is the fastest track we've ever written. It starts off at 402 bpm! The combination of Julien and Oli's vocals makes it soooo brutal! We hope you like this new song and share it to the maximum. Enjoy!"

Benighted are hitting the road in April for the Hellfest Warm-up Tour. Along with their signature style of brutal death metal, the French band are bringing along the support of Ten56 for these 13 lucky shows. Rise of the North Star, Stinky & KAMIZOL K will also join them on select dates.

Photo by © Anthony Dubois

Dive into the darkest realms of the human psyche as BENIGHTED, the French purveyors of brutal death metal & grindcore, unleash their tenth full-length album Ekbom in April 2024. The madness that has defined their discography continues with this radical soundtrack to the twisted times we inhabit.

Born from French Death and Black metal bands DISHUMANIZED, DARKNESS FIRE, and OSGILIATH, Benighted emerged in 1998 with a mission to explore a more brutal, heavy, and modern form of musical expression. The impact of their first self-produced and self-titled full-length album in 2000 transformed Benighted from a side-project into a main act, quickly amassing a devoted fan base. Subsequent albums like Psychose (2002), Insane Cephalic Production (2004), Identisick(2006), and Icon (2007) further cemented their visceral, skull-breaking sound into extreme death metal history.

After a detour into the realms of Necrobreed in 2017, Benighted celebrated their 20th anniversary by capturing the live madness with Dogs Always Bite Harder Than Their Master in 2018.

With Obscene Repressed, they once again took sadistic pleasure in pushing the boundaries of brutality, delving into the disturbed mind of little Michael. His relentless battle against demons, fueled by unresolved oedipal issues with his mother, provided a grotesque tableau for Benighted's sonic butchery. Not content with merely slaughtering everything in their auditory path, Benighted crafted thematically explorative pieces, each turn in their music revealing new layers of horror and despair.

As the relentless journey continues, Benighted is set to unleash Ekbom in April 2024, an album that draws inspiration from the nightmarish 'Ekbom syndrome.' This rare neurological disorder, also known as Delusional Parasitosis, forms the thematic core of the upcoming release. A feeling of having a vile concoction of parasites, worms, and insects crawling under your skin is an apt description of what Benighted have to offer on this newest release. The auditory assault mirrors the repulsive sensations of the syndrome, a visceral and unsettling journey into the abyss of the human mind.

Madness reigns yet again, this time intertwining with the haunting echoes of Ekbom syndrome. Brace yourselves for another mind-shattering chapter in the Benighted saga as they continue to carve their niche in the putrid annals of extreme metal, leaving a trail of sonic disgust in their wake.

Line-up
Julien Truchan - Vocals
Emmanuel Dalle - Guitars
Pierre Arnoux - Bass
Kevin Paradis - Drums

Recording studio
Kohlekeller Studios, Germany (Powerwolf, Aborted, Crematory)

Producer, Sound, Mixing & Mastering engineer
Kristian Kohlmannslehner

Guest musicians
Oliver Peters (Archspire) on "Nothing Left to Fear"
Xavier Chevalier (Blockheads) on "Fame of the Grotesque"

Biography: Sébastien Gamez

Cover art: Grindesign (Rob Borbas)

Pre-save: https://orcd.co/benightedekbompresave

Pre-order: https://redirect.season-of-mist.com/BenightedEkbom

Links:
Official Website: https://www.benighted.fr/
Facebook: https://www.facebook.com/brutalbenighted
Instagram: https://www.instagram.com/benighted_band/
Bandcamp: https://benighted.bandcamp.com/music
SoundCloud: https://soundcloud.com/brutalbenighted
TikTok: https://www.tiktok.com/@benighted_band
Twitter: https://twitter.com/@_BENIGHTED
Spotify: https://open.spotify.com/artist/0dUwIwaPc6UukkCZTaaf7J
Apple Music: https://music.apple.com/us/artist/benighted/267088245
Tidal: https://tidal.com/browse/artist/3919180 

Booking Contact:
France: Rage Tour - philippe@ragetour.com
Worldwide: Redback Promotion - ronny@redback-promotion.com

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Crystal Clear
12" Coloured Vinyl Gatefold - Transparent Yellow & Black Marbled
12" Coloured Vinyl Gatefold - Golden
12" Liquid Vinyl Gatefold - Blood Red Liquid-Filled

FRAZI.ER NYC DEBUT [MUTUAL RYTM / EXHALE ]

As one of Scotland’s most prominent rising techno talents, Frazi.er is an artist who is definitively pioneering the latest generation of clubbing fanatics. His unique highly-sought-after brand of uncompromising, rave-oriented techno has been drawing the praises of all who have witnessed him in the flesh, and at his young age he has already played in over 30 countries across the globe. Releasing on EXHALE, Hydraulix, Sleaze Records and with new music forthcoming on career defining labels, his raw sound is picking up credibility and quick identity!

Frazi.er is no stranger to big projects having shared decks with the likes of Dax J, Amelie Lens, Kobosil, KlangKuenstler, Robert Hood, Speedy J, SHDW & Obscure Shape to name a few. Although some may only know him for his fast, energetic sounds, his versatility to adapt makes him stand out as an overall artist.

BUY TICKETS

📍 H0l0 

🚪 Doors open at 11:00 PM - 6:00 am
🎫  Tickets available from $19 Ticket tier selling out!

Toronto-based The Shadow Majlis debuts album 'The Departure'

"A powerful achievement... I believe that there are certain tracks and moments that act as portals into another dimension - I'm not being fanciful here!" ~ David J (Bauhaus, Love and Rockets)

"With Ali Jafri at the helm on vocals, guitars, bass, electric sitar, synths, programming, this debut offering from The Shadow Majlis is diverse and stunning, involving a dream-team – not only in terms of production, but also collaborators, ranging from true music legends of our generation and top-notch artists from around the world" ~ The Spill Magazine

Toronto-based artist The Shadow Majlis presents their debut album 'The Departure', 10 tracks that showcase genre-fluid excellence and a wealth of raw emotional experience, fusing elements of Eastern modes with post-punk and immerses listeners in an alternative neo-global style that transcends borders. Just as the album's title suggests, this is a departure from the norm, a journey into something other, where there are no limits. 

Revolving around Ali Jafri, whose reputation as a formidable and versatile multi-instrumentalist has led to involvement in various projects over the years. Whether as a member of David J's live band, playing rock-sitar for Pigface (or through his other projects ARIEL, The Gotham City Drugstore, Saintfield or his solo work), Ali Jafri has cultivated a multi-cultural artistic and musical vision. Now, he's bringing that vision further to fruition via The Shadow Majlis.

Produced and mixed by three-time Grammy Award winning producer David Bottrill (Peter Gabriel, Nusrat Fateh Ali Khan, Tool, David Sylvian, Mastodon, Smashing Pumpkins, Muse, Real World Studios), with Darren McGill engineering the album. Mastered by Noah Mintz, the cover art was created by Stephen Seto (Splintercage).

With Ali Jafri at the helm on vocals, guitars, bass, electric sitar, synths, programming, the debut album features the legendary David J (Bauhaus, Love & Rockets) on bass and drummer-percussionist Rakesh Tewari (Jaffa Road, The Special Interest Group). Adding colour and depth are various guest performers, including vocalist Olena Tsybulska (DakhaBrakha), guitarist Mark Gemini Thwaite (The Mission, Peter Murphy, MGT, Tricky, Gary Numan), cellist Anne Bourne (Loreena McKennitt, Jane Siberry), Tuvan throat singer Soriah, Ravi Naimpally (Niyaz, Constantinople) on tabla, Pankaj Mishra on sarangi, Selmanpak Ayduz on ney, Kerem Koktas on kemanche, and Sasha Singer-Wilson on backing vocals.

Blending alternative music with the rich, diverse instrumentation and rhythms of world music, The Shadow Majlis leaves a distinct imprint on the ever-evolving soundscape. Recorded in Toronto, LA, Portland, Istanbul, Kyiv and Iceland, this is truly an international affair, with languages such as Urdu, Farsi, Arabic, Icelandic and Ukrainian woven with English throughout this album.

The most poignant and powerful artistic output stems from tragedy, and The Shadow Majlis is no exception. Amid a deluge of personal upheaval, this album has been Jafri's means to address his grief over losing his seven-year-old son Oisín, who passed away in September 2022 after a nine-month battle with diffuse intrinsic pontine glioma (a highly aggressive form of brain cancer), the dissolution of his conjugal relationship, and a year-long state of temporary homelessness. Recovering from such devastation is no simple task, but The Shadow Majlis has offered Jafri medicine for his soul, while presenting us an alternative sonic reality in which we can all find solace and relief.

"With the inspiration of his son's passing, he told me he wanted to create something to honor Oisín as well as cathartically express his experience. It was not to be traditional but experimental, incorporating his industrial sensibility, but also with an international flavor... The emotion was all Ali, and with his raw lyrics and strong melodies over the top of dark and beautifully gut-wrenching tracks, we hope we have created something both passionate and heartfelt that can reach others either suffering loss or grief, or conversely experiencing elation or euphoria as we believe it can touch either," says David Bottrill.

Calling the album a powerful achievement, David J adds, "I believe that there are certain tracks and moments that act as portals into another dimension - I'm not being fanciful here!"

As of February 27, 'The Departure' album will be available exclusively from the artist via Bandcamp. That evening, Ali Jafri will be holding an album listening and viewing party at Ground Control in Toronto. Made possible through funding received from FACTOR, the album will be released on other platforms in early March and then in physical format this spring.

ALBUM CREDITS
Ali Jafri - vocals, guitars, bass VI, electric sitar, percussion, programming, synthesizers, electronics, solfeggio pipes
David Bottrill - backing vocals, electronics, synthesizers
David J (Bauhaus, Love and Rockets) - bass
Rakesh Tewari (Jaffa Road, The Special Interest Group) - drums, percussion
Olena Tsybulska (DakhaBrakha) - vocals
Mark Gemini Thwaite (Peter Murphy, Tricky, The Mission) - guitars
Anne Bourne (Loreena McKennit, Jane Siberry) - cello
Sasha Singer-Wilson - backing vocals
Soriah - Tuvan Throat Singing, Flute
Ravi Naimpally (Niyaz, Constantinople) - tabla
Pankaj Mishra - sarangi
Selmanpak Ayduz - ney
Kerem Koktas - kemancheh
Oisin Adams-Jafri - vocals, percussion, solfeggio pipes
Zayn Jafri - piano
Oscar Adams-Jafri - solfeggio pipes

All songs written by Ali Jafri and David Bottrill, except 'Elliðakot' (written by Ali Jafri) and 'The Departure (Kolyskova)' (written by Ali Jafri, David Bottrill and Olena Tsybulska)
Produced & Mixed by David Bottrill
Engineering by Darren McGill at Union Sound Company & David Bottrill at at Mainstatiion Music and Imagine Sound
Mastered by Noah Mintz at Lacquer Channel
Graphic Design & Illustration by Stephen Seto
Photography by Justin Minister @secondhand_daylight
For Oisín...

Keep up with The Shadow Majlis
Website | Bandcamp | Facebook | Instagram | Twitter | TikTok | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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Morgan Wallen Commemorates 'One Thing At A Time’s' 1 Year w/ “Abbey Road Sessions” Release

One year ago today, on 3/3/23, Morgan Wallen released One Thing At A Time, an album that went on to top the Billboard Top 200 chart for 18-non-consecutive weeks, tying Garth Brooks’ 1991 Ropin’ the Wind record with the most weeks at No. 1 for a Country album and becoming the most-streamed album of the year, all genres, on Spotify. To commemorate its one-year anniversary, Wallen surprised-released his Abbey Road Sessions this afternoon (3/3/24). Songs were recorded in London in the iconic Studio Two at the world-renowned Abbey Road Studios on December 5, 2023. Watch/listen HERE. 

“Playing the O2 in London last fall and getting to record at Abbey Road, where so much iconic music has been made, was legendary for me and my band. We will never forget it," shares Wallen of his trip overseas that included a sold-out show at the O2 for his first-time playing London. “I’m so excited to release these Abbey Road Sessions for my fans on the one-year anniversary of One Thing At A Time. They make all this possible.”
 
The digital series includes five live recordings from One Thing At A Time, an unreleased fan-favorite, “Lies Lies Lies,” and a never-before-recorded cover of Nothing But Thieves’ “Graveyard Whistling.”
 
With over 2.4 million ticket holders attending his current One Night At A Time World Tour, Wallen continues to prioritize his fans and his live show experience as the place to see and hear the Pollstar and Billboard Music Awards’ Top Country Tour winner. 
 
Visit MorganWallen.com for more information and full tour details. 

About Morgan Wallen
When 11-time 2023 Billboard Music Awards-winner and Top Male Artist Morgan Wallen released his third studio albumOne Thing At A Time in 2023, its instant success left The New York Times proclaiming Wallen as “one of the biggest stars in pop, period.” One Thing At A Time has remained atop the all-genre Billboard 200 chart for 18 non-consecutive weeks, tying Garth Brooks’ Ropin’ the Wind with the most weeks at No. 1 for a Country album, and was the most-streamed album of the year on Spotify. The album’s 6x-Platinum single “Last Night” reeled in over 1.5 billion streams globally, becoming the most-streamed song of any genre in the U.S. across Apple Music and Spotify, and the longest running No. 1 solo song in Hot 100 history (16 weeks total).
 
With 11 chart-toppers at Country radio, Wallen recently wrapped his 5 countries/3 continents 57-show One Night At A Time World Tour stadium tour. Playing to over 1 million fans in 2023, Wallen’s One Night At A Time World Tour was named Pollstar's Country Tour of the Year, surpassing attendance records in numerous stops; including Ohio Stadium, where Wallen became the largest weekend ever for the venue, shattering records previously held by George Strait and Taylor Swift. Resuming this April in Indianapolis, Indiana, the 2024 extension of One Night At A Time takes Wallen to 29 additional stadium-plays. Wallen donates $3 from every U.S. ticket sold to his Morgan Wallen Foundation.

Self Deception Share "Hysteria"

Get ready to delve into the dark and twisted world of social media with Self Deception's new single "Hysteria."

Watch the video below.

Following the success of their hit single "Matthew McConaughey," Self Deception are back with a vengeance.

This time, they're shining a spotlight on society's insatiable appetite for instant gratification and validation through social media. "Hysteria" confronts the obsession with fame and recognition in a world where authenticity often takes a backseat.
 
"During a tour at a hotel breakfast, we saw a couple loading up a massive breakfast. They took tons of pictures, making it look like they were about to feast like kings. Then only nibble on half-an-egg and left. That's when the idea for the song was born," says the band's Andreas Clark.
 
But that's not all.

Fans can look forward to even more from Self Deception, as they announce their upcoming album Destroy the Art, set to drop later this year.

With "HYSTERIA" as a taste of what's to come, listeners can expect an album that challenges conventions and pushes boundaries.

Self Deception are also set to appear at Louder Than Life + Aftershock festivals later this year.
 
Stay tuned for more updates.
 
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Supreme Unbeing releases new single "Spaceman" Aims to be first metal band to play in outer space

SUPREME UNBEING emerges as a five-member leviathan of metal, with the enigmatic Zac Red at the helm, weaving tales that serve humanity, flanked by his menacing quartet: D.Vine, D.Sciple, Unknown & Al Mytee. Together, they're set to cast a spectral spell over Earth’s denizens, armed with riffs that twist the mind and lyrics that whisper to the soul.

With their albums "Enter Reality" & "Enduring Physicality," they've forged a global legion of listeners, eclipsing 10 million streams. Their sonic saga has been lauded by titans of the rock press such as Revolver and Metal Hammer, stamped their mark in the annals of Sweden Rock Magazine, and seized the spotlight on Spotify's editorial playlists, heralding a new era of metal mastery.

In a groundbreaking fusion of music & space exploration, the band is set to captivate the world with their latest venture - the 'Spaceman Challenge'. Inspired by their electrifying cover of the iconic single ‘Spaceman’ releasing March 1st, 2024 (originally by Babylon Zoo), the band is igniting a global movement, bridging the gap between rock music & the final frontier – space.

Pre-listen to 'Spaceman' here: https://linktr.ee/supremeunbeingpr

The 'Spaceman Challenge' is more than a musical feat; it's a call to dreamers, adventurers, and music enthusiasts worldwide. The band's cover of "Spaceman" is not just a tribute to the 90s rock era, but a powerful anthem infused with modern metal influences, promising to energize and inspire a new generation of listeners.

With the challenge, Supreme Unbeing is not only aiming for the stars musically but literally. The band has boldly reached out to space entrepreneurs Elon Musk, Jeff Bezos, and Sir Richard Branson as well as to several national space agencies around the globe, urging them to join this revolutionary campaign. The trio, and the space agencies, are invited to make a pledge, but only if they dare, promising the band a trip aboard their space tourism crafts once the crafts are fit for space tourism travel and when the song reaches the astronomical milestone of 1 billion streams. Will any of our prominent space entrepreneurs, or national space agencies, take up the band on the dare?

"As we ignite the 'Spaceman Challenge,' it's impossible to ignore the cosmic ballet playing out above us. This new space race, orchestrated by giants like Musk, Bezos, and Branson, isn't just a leap towards the stars; it feels like a calculated escape, a secretive gambit with stakes higher than we can fathom. Are we spectators in an intergalactic narrative scripted by unseen hands, a narrative rife with undisclosed agendas and covert pacts made in the shadow of the moon? In this cosmic game of chess, it's paramount to discern the pawns from the kings, for in the vacuum of space, whispers don't echo—they resonate." Says Zac Red

But the journey doesn't end there. The 'Spaceman Challenge' extends its embrace to the public with an extraordinary pledge from the band. By participating in the challenge on www.spacemanchallenge.com, fans aren't just streaming a song; they're securing their entry into an unprecedented contest. Supreme Unbeing commits to transforming these streams into a tangible odyssey. With the royalties generated from 1 billion streams, the band vows to finance a ticket for one fortunate winner, purchasing their seat on the spacecraft out of their own pocket. This isn't just a chance to win a prize; it's an opportunity to be part of a historic moment, a life-altering journey to space financed by the harmonies of rock and the support of fans worldwide. As the song's streams ascend to stellar heights, so does the dream of space travel, now within reach of one lucky individual.

As the 'Spaceman Challenge' takes off, Supreme Unbeing invites listeners, dreamers, and media partners to join this historic campaign. By featuring 'Spaceman' on playlists, sharing the challenge, and covering this cosmic journey in the press, together, we can turn a musical masterpiece into a milestone for human achievement.

For a music experience that transcends boundaries and for a chance to be part of space history, join the 'Spaceman Challenge'. Let's stream, share, and soar into the new era of rock and space exploration.

Mixed & mastered by World-renown producer & engineer Lasse Lammert (Alestorm, Gloryhammer and countless more), the track will be available on Friday 1st March on Spotify, Apple Music, Deezer and all major streaming services.

Chicago rocker LEON FREAR releases debut 'Wild Rice' album, a survivor's tale of life-altering experiences and the aftermath

"Frear has a voice which somewhat recalls Marty Willson-Piper of The Church fame and his side project Nocturum... This is something for fans of Nick Cave and related"~ Side-Line Magazine

"Frear has a way of telling stories that draw you in, bringing to the surface a multitude of common points, memories and feelings that resonate with the listener... Leon Frear lives to tell a resounding tale through gifted songwriting and clever story-telling" ~ The Spill Magazine

"Track of the Day. The way he tells the story makes it seem like he and the listener are commiserating together... great story" ~ Chasing Destino

"With a unmistakeable voice deserving of becoming a regular fixture in the mind-memory of music lovers everywhere... catchy and contemplative, showcasing clever lyrics channeled through his smooth and deep timbre... an invested labor of love" ~ Rock n Roll Biz

"The combination of evocative lyrics and a dynamic musical backdrop creates an immersive experience, inviting listeners to delve into the complexities of love, longing, and self-discovery" ~ Skylight Webzine

Chicago-based rocker/ songwriter Leon Frear presents his debut album 'Wild Rice', a powerful 10-track offering that reflects a dramatic period in which he experienced a life-altering love affair, its implosion and aftermath, followed by a decade of reflection and changes.

His first release under this moniker, exemplified by focus track 'She Fed Me Water', this represents a new start for Frear since relocating from the south. Informed by his own experience, Frear's music speaks of love, lust, broken promises, miscommunication, and incinerated bridges.

This collection sees Frear playing every instrument and capturing every breath to tape during a recording process that took years to complete. A guitar-based post-punk / indie rock album at its core, 'Wild Rice' has a gentle soul - one could even call it “post-alternative”.

Earlier, Frear released the singles 'A Morning House' (about regret and hope), 'A Town Called Chapel' (a poison pen love letter to an historically musical time and place, ruined plans and lost relationships", and his first single 'Secret Second Moon' with a fantastic animated video by French artist Ronald Grandpey.

Laced with hints of sadness and regret, anger and remorse, the lyrics are tempered with sardonic wit that leaves the listener wondering if Frear doesn’t secretly savor feeling bad. If there’s an opportunity to mock an uncaring universe, this is an opportunity Frear doesn’t let go to waste.  

Dubbing his brand of post-alternative music “vocabulary rock”, Frear aims to shift the emphasis away from the man and towards the music and lyrics, while inviting the listener to commiserate together through this exploration of grief, depression and sadness.

"I try to put less emphasis on sticking to one type of music and more emphasis on crafting songs with strong lyrics. So I’m really just trying to write in a way that the music compliments the lyrical meaning. And I think that can make pinning down my musical style a little more difficult. Broadly speaking, I cut my teeth on the post-punk guitar records of the late 90’s and early aughts and I think those influences still come through in the way I write music," says Leon Frear.

"Musically, I grew up listening to a lot of punk and indie bands. And the biggest influences for me are people I can admire for the way they behave and the way they treat people. Vanessa from Pylon, punk icons like Roger Miller and Patti Smith. Or bands who have had honorable careers like Fugazi or REM. These are the artists who I strive the most to be like."

On March 1, the 'Wild Rice' album was released on vinyl and will be available digitally from fine music platforms, including Spotify, Apple Music and Bandcamp.

CREDITS
Music and lyrics written by Leon Frear
Recorded by Leon Frear in his Chicago home studio
Mastering by Adam Boose at Cauliflower Studios
Vocals and instruments performed by Leon, except
Faye Whitt - backup vocals on 'Murder of Crows'
Front cover collage by Faye Whitt
Ronald Grandpey - Director / animator for  'Secret Second Moon' video
Artist photos by Jeremy Glickstein

Keep up with Leon Frear
Bandcamp | Facebook | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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Jenna Paulette Releases Debut Single on Leo33, “Darlin’”

With the release of her debut album The Girl I Was last March, Lewisville, Texas native Jenna Paulette detailed her journey overcoming the heartbreak of a toxic relationship and rediscovering her identity – ultimately returning to the girl she was prior. Emerging stronger than ever, Paulette is now turning toward a chapter of redemption and newfound love with “Darlin,’” her first release on Leo33, available now.
 
Reflecting on her personal journey of healing, Paulette shares, “It’s easy when you’re young to meet someone who tells you things that aren’t true about yourself and to believe him until, slowly, he chips away at who you are. If that’s you, I hope this song provides comfort knowing you’re not alone, stirs the courage inside of you to walk away, and offers the reassurance that something better awaits you.” 
 
Written by Paulette alongside Jess Cayne and Matthew Morrisey, “Darlin’” juxtaposes the manipulation of a past relationship with the restored confidence that comes with true love.
 
        He calls me pretty
        And I believe him
        Tells me he loves me
        And God, I can feel it
        His prayer that was answered
        When I was your problem
        Yeah it’s really something
        The way I keep fallin’
        When he calls me darlin’
 
“Darlin’” offers the first taste of new music to come from Paulette on the heels of her record deal with Leo33, as she returns to the studio to prepare her sophomore record for 2024. Paulette’s musical journey has been defined by impactful storytelling, exemplified most recently in the official music video for “You Ain’t No Cowboy” which was released on World Mental Health Day. The video, inspired by the true story of her own cowboy, Ross, challenges mental health stigma in the agricultural community and has over 177,000 views.
 
Paulette’s debut album, The Girl I Was, was released in March 2023 and has amassed over 30M on-demand streams. She swiftly earned her critical acclaim including media coverage from People Magazine, Grammy.com, and more. Additionally, Paulette has been named an Apple Music Country Riser of the Month as well as one of CMT’s Next Women of Country.
 
Paulette is currently on the road with Aaron Watson as part of his The Armadillo Dance Hall Tour, and recently performed to a packed crowd at the Mercury Lounge in New York City. Additional upcoming shows include a performance of the National Anthem at The American Rodeo on March 9 and her return to the Grand Ole Opry on March 20. For more information, visit jennapaulette.com or follow @JennaPaulette on all social platforms.

Jenna Paulette Upcoming Performances:
March 9 // Arlington, TX // The American Rodeo Tailgate Party
March 9 // Arlington, TX // National Anthem at The American Rodeo
March 20 // Nashville, TN // Grand Ole Opry
March 22 // Katy, TX // Mo's Place*
April 11 // Lubbock, TX // Cook's Garage*
April 12 // Midland, TX // The Tailgate*
*Dates with Aaron Watson

About Jenna Paulette:
A CMT Next Women of Country in 2022 and Apple Music’s Country Riser of the Month for March 2023, singer-songwriter Jenna Paulette — a cowgirl who came of age amid the gritty realities of ranch life — is part of Nashville’s growing wave of female artists who are rewriting the rules and charting their own paths. Paulette settled in Nashville in 2015, where she struck up a mentorship with Ashley Gorley – a veteran songwriter with 60+ No. 1 tunes under his belt – which ultimately led to her publishing deal with Sea Gayle Music in June 2021. Since collaborating with songwriters Will Bundy, Rhett Akins and Jessie Jo Dillion, as well as opening for Mason Ramsey, Parmalee, John Michael Montgomery, Clay Walker and most recently Aaron Watson, Paulette has landed brand partnerships with Justin Boots, Boot Barn, Ely Cattleman and Ranch Water.
 
Her debut album The Girl I Was, is available now, showcasing Paulette’s finely calibrated blend of toughness and sensitivity in tracks like “Country In The Girl” and “Pretty Ugly.” Wearing her heart on her sleeve, Grammy.com remarked it as “transformative,” noting “fuses the sounds of Twain and Miranda Lambert, tackling mental health with the somber ‘You Ain't No Cowboy’ and waxing philosophical on ‘Country In The Girl.’ Paulette continued to spotlight her authentic western lifestyle, performing the national anthem at the National Finals Rodeo, making her Grand Ole Opry Debut and performing in multiple festivals including CMA Fest. As Paulette readies her sophomore album in 2024, she recently signed with independent label Leo33. For more information, visit www.jennapaulette.com.

Scotty McCreery Announces Fifth Studio Album 'Rise and Fall' for May 10

Triple Tigers recording artist Scotty McCreery announces his fifth studio album Rise and Fall, featuring 13 tracks that find him exploring themes of heartbreak, rowdy nights, nostalgia, faith, newfound joy, fatherhood, and enduring love, resulting in a project full of insightful storytelling that includes last night’s surprise release, “Slow Dance.” McCreery co-wrote 12 of the 13 songs on the album, which will be released digitally as well as on CD and vinyl. In addition, Amazon will release a limited edition, forest green vinyl version of the album.

• Pre-order/pre-save Rise and Fall HERE

• Pre-order autographed vinyl and CDs of Rise and Fall HERE

• Listen to “Slow Dance” Below.

“I know every artist says it, but this is truly my favorite album I’ve made so far,” shares McCreery. “I wanted to create an album that reflected the music I grew up on and wasn’t chasing trends. So, I brought several of my songwriting buddies to the mountains of North Carolina to sit down and write a full-on country album that told a story, start to finish, and spoke to my soul. We’ve been performing most of the album live on the road and the response from the audiences has been overwhelming. I can’t wait for everyone to hear Rise and Fall when it comes out May 10th.”
 
The North Carolina native knows all too well there’s a rhythm to life and a cycle of ups and downs. And right now, he’s on the upswing.
 
Now 30 years old and a seasoned country music veteran selling out concerts across the globe with five consecutive No. 1 hits under his belt, McCreery is also a dedicated husband and father, welcoming a son named Avery in 2022 whose impact on the singer is highlighted in several songs on the album. Recently, he even celebrated the milestone of all milestones for a guy who grew up on Randy Travis, Johnny Cash, Dolly Parton, and Ronnie Milsap; he was invited by his musical hero Garth Brooks to become the newest member of the iconic Grand Ole Opry. McCreery’s induction will take place on April 20 with another of his heroes, Josh Turner, officially welcoming him into the Opry family.
 
But folks like McCreery know it means more when you’ve seen the other side. For him, each highlight has come in contrast to a challenge – things like the loss of his first record deal and the year of naysaying uncertainty that followed before he built himself up again, brick by brick. As a result, Rise and Fall, produced by longtime collaborators Frank Rogers, Aaron Eshuis and Derek Wells, comes from an artist who knows to appreciate the ride – no matter where it leads.
 
“I feel like we’re on the rise now, but I’ve fallen pretty low as well,” McCreery admits. “I learned from every little part of that, and it helped me to know who I was as a person – let alone an artist. The rises and the falls helped craft these songs. They made this album what it is.”

With last night’s release of “Slow Dance,” written by McCreery with Brent Anderson, Derek George and Monty Criswell, McCreery looks for an exit to life in the fast lane, dropping everything to focus on what matters most. After teasing the song on social media a few months back, fans have consistently urged him to drop the track, as the romantic ballad can turn a kitchen floor into a ballroom with its ‘90s-country sway and deep, heart-melting vocal:
 
     Baby, you’re my slow dance
     To Whitley in the kitchen
     Taking my hand, and all of my attention
     Cheek to cheek across the floor
     When I need to shut the door
     On a world that’s always moving so fast
     Baby, you’re my slow dance
 
“I am not the greatest at doing social media, but my team encourages me to do it,” explains McCreery. “A few months back, I was waiting on some hibachi takeout and listening to the new tracks in my truck. I filmed a quick video of me singing along with ‘Slow Dance’ and posted it on my socials, picked up my takeout food, and went home to eat dinner with Gabi. I looked at my phone that evening and the song had blown up; it’s now my most watched TikTok video to date. Over the last few weeks, anytime I post a photo on social media, the response I get back is ‘that’s great…so when are you putting ‘Slow Dance’ out?’ I’m excited to finally put it out!!” 
 
“Slow Dance” is the fourth song released from the album, following lead single “Cab in a Solo” and tracks “Can’t Pass the Bar” and “Love Like This.”

Photo Credit: Jeff Ray

As the album’s lead single “Cab in a Solo” steadily climbs the charts (currently Top 12 on both Mediabase and Billboard), McCreery’s 2024 Cab in a Solo Tour continues tonight in Boston, MA at MGM Music Hall at Fenway with an additional stop in Syracuse, NY at the Landmark Theatre tomorrow, March 2. He will be joined by Anne Wilson as direct support along with Noah Hicks. The tour, produced by Live Nation, kicked off with three consecutive sold out shows and will continue to trek across the U.S. through mid-March.
 
Tickets for the Cab in a Solo Tour are on sale now at ScottyMcCreery.com.
 
Cab in a Solo Tour Dates:
3/1/2024          Boston             MA                  MGM Music Hall at Fenway
3/2/2024          Syracuse          NY                  Landmark Theatre
3/14/2024        Johnstown       PA                   1st Summit Arena
3/15/2024        Wallingford     CT                   Toyota Oakdale Theatre
3/16/2024        Schenectady    NY                  Proctors Theatre
 
McCreery recently launched a campaign with Tunespeak where fans can earn points to gain chances to win a variety of prizes. The ultimate prize winner will receive two tickets and airfare to this year’s ACM Awards in May. Other winners will receive merch packs, signed vinyl, and more. No purchase is necessary. Interested fans can enter the campaign and learn more information at http://tnspk.co/nqwrra.
 
About Scotty McCreery:
Scotty McCreery has been a household name for nearly half his life, ever since making history in 2011 as both the first country artist and the youngest male artist of any genre to debut his first studio album, the Platinum-certified Clear as Day, at No. 1 on the all-genre Billboard Top 200 Albums chart. With his forthcoming album Rise and Fall set for release May 10, featuring current single “Cab in a Solo” along with 12 additional tracks, McCreery explores classic themes of heartbreak, rowdy nights, nostalgia, faith, newfound joy, fatherhood, and enduring love, and through it all, felt comfortable being himself, resulting in a project full of electrified twang, rich baritone vocals and insightful storytelling. The 30-year-old has sold more than 4 million albums and achieved 5 consecutive No.1 hits: the RIAA Platinum-certified “Damn Strait,” the RIAA Gold certified “You Time,” the RIAA Gold certified “In Between,” the RIAA Platinum certified “This is It,” and the RIAA Triple Platinum certified ‘Five More Minutes.” The North Carolina native has earned one Triple Platinum, five Platinum and four Gold singles; one Platinum and two Gold albums; won the 10th season of “American Idol” in 2011 at age 17; was named the ACM New Artist of the Year in 2011; won the CMT Music Award for Breakthrough Video of the Year (“The Trouble with Girls”) in 2012; and BMI Awards for writing One of the Top 50 Country Songs of the Year five times (in 2015 for “See You Tonight,” in 2018 for “Five More Minutes,” in 2019 for “This is It,” in 2021 for “In Between,” and in 2022 for “You Time”). He was awarded Pandora Billionaire status in 2021 in recognition of his music achieving more than one billion streams on Pandora. His song “Five More Minutes” inspired two popular holiday movies which aired on the Hallmark Movies & Mysteries Network: “Five More Minutes” in 2021 and “Five More Minutes: Moments Like These” in 2022. He released his first book Go Big or Go Home: The Journey Toward the Dream in 2016. His most recent album is Same Truck: The Deluxe Album. This fall McCreery was inducted into the North Carolina Music Hall of Fame and was most recently invited to become a member of the Grand Ole Opry by Garth Brooks. The singer/songwriter married his high school sweetheart Gabi in 2018, and the couple had their first son Avery in October 2022. For more information, visit ScottyMcCreery.com.