BLEED FROM WITHIN | Release New Single 'The Will to Resist' Taken From 'Shrine Deluxe Edition' Out November 10th

Having completed a hugely successful debut American tour earlier this year with August Burns Red and The Devil Wears Prada, Bleed From Within are now currently in the midst of a colossal summer tour, taking in both headline shows, some performances with Heaven Shall Burn and festival appearances at the likes of Brutal Assault (Czech Republic), Summer Breeze (Germany) and Alcatraz (Belgium). This run is due to be topped off by a 13-date tour supporting Trivium across the UK and a visit to the USA for Blue Ridge Rock Fest.

To mark this energetic period of live shows, Bleed From Within have today released a new single titled 'The Will To Resist', taken from their Shrine Deluxe Edition which will be released on November 10th 2023.

Their stunning latest studio album Shrine
was released in the summer of 2022, marking the band's most groundbreaking work to date and staking out Bleed From Within's bold intent. The Scottish 5-piece claiming their position as the most exciting prospect in modern metal.

Ali Richardson stated,
"It's been an amazing year for us since the release of Shrine! As the touring schedule started to fill up, we truly began to appreciate the effect the album was having on our career so we put this idea in motion of releasing a Deluxe Edition for our fans. The 3 new songs that can be found here were very nearly a part of the initial release. They're all very different in their composition and many arguments were had whilst settling on our final tracklisting. "The Will To Resist" takes the lead single here as a band favorite. I'm sure its intensity will resonate with our audience. You can visit our website to pre-order your copy of the limited edition vinyl and check out the merchandise we've put together alongside it. Thanks for the support!"

Watch 'The Will To Resist' visualizer below.
Stream 'The Will To Resist' + check out the Shrine Deluxe Edition here: 
https://bleedfromwithin.bfan.link/the-will-to-resist.ema  

Catch them live ,Sep 10 - Virginia, Blue Ridge Rock Fest

Bleed From Within released their stunning studio album Shrine in June 2022. It was the most fiercely anticipated record of their career, and their most groundbreaking work to date. 

More from Shrine:
'Temple Of Lunacy' visualizer: 
https://youtu.be/dB4arT5XN_Y
Flesh And Stone' official music video: 
https://youtu.be/NF6tw5XQFSM
'Stand Down' official music video: 
https://youtu.be/kJDMOvGYVqE
'Levitate' official music video: 
https://youtu.be/BGKS3mW2XPM
'I Am Damnation' official music video: 
https://youtu.be/swF5fiPdONo

Shrine was recorded at Real World Studios and at Bleed From Within's HQ, UK. The record was self-produced. Mixing was handled by Adam 'Nolly' Getgood and Sebastian Sendon, with engineering handled by Adam 'Nolly' Getgood and Bleed From Within. The Shrine artwork was created by David Provan, with layout by Simon Atkinson.

Bleed From Within have been to hell and back, but they are no strangers to enduring hardship. When a global pandemic threatened to shut down their plans, the Glaswegians collectively raised five middle fingers and pressed on. It’s no surprise that this unstoppable riff machine continues to crush forward at such a frantic pace – there's no putting the breaks on the heaviest band to ever emerge from Scotland.

The band’s reputation as one of the most formidable forces in modern metal has earned them tour slots with Megadeth, Lamb Of God, Testament and Heaven Shall Burn, to name just a few. 2021 saw them dominate the UK live scene; selling out their largest ever headline tour in November, capturing hearts on Bullet For My Valentine’s arena tour, slay a Lamb Of God livestream support slot, alongside (literally) blazing performances atDownload Festival and Bloodstock Festival.

Shrine has taken the most graft to put together of any record in their catalog, challenging their self-perception on both personal and technical levels - the culmination of two years of hard work that embodies their artistic might. Armed with the learnings of evolving their sound over the last decade without ever losing sight of their DIY roots, this is Bleed From Within at their very best. There’s no denying the band’s inevitable next steps are world domination, with Shrine a turning point moment.

Bleed From Within are:
Scott Kennedy - Vocals
Craig Gowans - Guitar
Steven Jones - Guitar
David Provan - Bass
Ali Richardson - Drums 

SABATON - Introducing “Heroes Of The Great War”

Following the successful launch of the Weapons Of The Modern Age EP on September 30, 2022, SABATON are excited to announce that Heroes Of The Great War, their second EP of the Echoes Of The Great War EP trilogy, is now available and features a never-heard-before track entitled 'The First Soldier'.

The brand new Heroes Of The Great War EP focuses on some of the boldest, most courageous heroes of World War I. For SABATON, these are people whose stories need to be told and whose narratives truly resonate with the band on a personal level.                        

Remarking on the concept of the new EP, Pär Sundstrom says: “Those involved in conflict and war push themselves beyond their limits, both physically and psychologically, and often achieve extraordinary things. They have no choice but to be brave and have no option but to do everything they can to protect what they are fighting for. Humans are programmed for survival, and some of these heroes’ tales that we write about are jaw-dropping. This EP is our tribute to them and our way of ensuring that these stories are not forgotten and get the recognition they deserve.”

Referring to the new track, 'The First Soldier', Pär adds: “We are really excited to be releasing a new song with this EP and we are eager to see how people respond to the incredible story behind it. The song is about Albert Severin Roche, a World War I hero who believed he was destined for great things. And despite the doubts of his peers and the odds being stacked against him, he achieved the unbelievable.”

Albert Severin Roche was born in France and his father was a farmer. Roche signed up for the French Army at the age of 18. To his very core, he knew he was destined for great things, but standing only 1.58 meters tall, he wasn’t what the army was looking for, and he was rejected. Despite this, he eventually managed to enlist and was assigned to the 30thBattalion of Chasseurs. To begin with, Albert was not a model recruit and his fellow recruits and officers did not respect him. A fighter at heart with a fire for war burning inside him, he proved them all wrong. He was assigned to the 27th Battalion of Chasseurs Alpins (known by the Germans as “Blue Devil”) and became known as The First Soldier of France for his heroism and his successful missions.

By the end of WW1, Albert had been wounded 9 times and had captured over 1,180 prisoners.

Joakim Broden says: “It’s amazing to hear these World War I stories about how individuals who are often doubted and looked down on end up becoming some of the most celebrated and respected heroes in military history. The story of 'The First Soldier' is a lesson to never judge a book by its cover. People are capable of incredible things, and Albert Severin Roche’s determination and heroism are admirable. We hope people feel the same way we felt when we first heard his story.”

Stream it now: https://music.sabaton.net/HeroesOfTheGreatWar

SABATONreleased an animated video for'The First Soldier'in cooperation with French history influencer Nota Bene. You can watch it below.

With each EP in the Echoes Of The Great War trilogy, SABATON are releasing an exclusive digipak in limited numbers. They often sell out immediately, so if you want one for your collection, be quick!
Keep an eye out for the final EP of the Echoes Of The Great War trilogy.

Stories From The Western Front
The third EP in the series, Stories From The Western Front, features songs about some of the most gripping tales from one of World War I’s main theatres of war. These stories, some of which are unimaginable in this day and age, depict the chaos, danger, and instability soldiers faced on the daily, who were fighting in the name of their countries.
The three new EP releases will be available on all major digital music services.

About the Echoes Of The Great War EP trilogy 
The stories of World War I have always fascinated SABATON - two studio albums dedicated to this conflict are the proof. Originating from their all-consuming passion for history and heroism, the band has launched an EP trilogy entitled Echoes Of The Great War featuring new songs specifically about World War I, coupled with topically related catalog music.

SABATON intend to present this music to their fans in a different way: With this WWI collection, you will be able to familiarise yourself with these incredible war stories, while simultaneously quenching your thirst for metal.

About SABATON
SABATON climbed the international charts with their album The War To End All Wars, securing #1 positions in Germany, Austria, Sweden, Poland, Hungary, and Finland. Having achieved the top position for the second time in Germany, Sweden, and Finland, the album peaked at #1 in Poland, Hungary, and Austria for the first time in the band’s career. This and additional outstanding results in other territories have made The War To End All Wars SABATON’S most successful album so far.

SABATON is a five-piece heavy metal band from Falun, Sweden. Since the band's formation in 1999, SABATON has achieved quadruple Platinum sales and performed colossal concerts in over fifty countries.
SABATON, signed to the world's biggest heavy metal label, Nuclear Blast Records, has played at major European festivals and throughout North America and Eastern Europe.
As you might guess... There's no end in sight for this unstoppable war machine anytime soon!

Watch the band's latest videos here:
'Race To The Sea':  
https://www.youtube.com/watch?v=UueFKWt6a1s
'The Unkillable Soldier':  
https://www.youtube.com/watch?v=b4vj_WB5w_k
'Soldier Of Heaven': 
https://www.youtube.com/watch?v=LYI3eegIJlI
'Christmas Truce': 
https://www.youtube.com/watch?v=HPdHkHslFIU

---

More info:
www.sabaton.net
www.facebook.com/sabaton
www.instagram.com/sabatonofficial
www.nuclearblast.de/sabaton
www.twitter.com/sabaton
www.youtube.com/c/Sabaton

San Francisco singer-songwriter E.G. Phillips presents new single 'A Bridge Too Far (MacArthur Station)'

"A fabulous heartfelt confessional... A purveyor of the urban blues, Phillips offers an enthralling proposition in this beautifully wrought song" ~ Amplify Music Magazine

"A romancing of the senses with its noir lit contemplation and that almost boozy air to its fiery breath... a soulful engagement as off kilter and unique as it is warmly beguiling and emotively comforting" ~ Ringmaster Review
'
"E.G. Phillips channels dark singer-songwriters… Like a distant cousin of his forbearers Nick Cave, Tom Waits, and Leonard Cohen... It's always satisfying to discover something with such an old wise soul." ~ Real Gone


San Francisco-based artist
E.G. Phillips presents his new single 'A Bridge Too Far (MacArthur Station)' featuring Grace Renaud on vocals. This previews his forthcoming 'Outlaw The Dead' EP, mixed and produced by Chris McGrew and Billboard-charting producer Jaimeson Durr (Sammy Hagar, Joe Satriani, Hope Sandoval).

Although the underlying backing track is a gentle bossa nova, there’s an undercurrent of tension and despair from the David Gilmour-esque riffs of an electric guitar and vocals that pierce through the darkness of the night as we are privy to a tormented inner dialogue.

The setting is a light rail station in the East Bay, where connections are made and missed and our protagonist is left stranded for an indeterminate nocturnal duration. With a refrain that directly quotes the title drop to a movie about WWII, a sense of conflict is unmistakable.

Last month, Phillips released the single 'It Ain't Good to Be in Love With You', a jazzy affair that showcases the Tom Waits meets Nick Cave-esque facets of his confessional songwriting.

This EP was recorded in Studio C of Hyde Street Studios in San Francisco (AKA 
Wally’s HydeOut) at the former Wally Heider Studios, the same space where such legendary artists as Herbie Hancock, Santana, Grateful Dead, Green Day and Dead Kennedys recorded some of their most legendary releases.

"The East Bay train station in which this song is set is one where I've been stuck many times -- at night when you are alone in the dark, it can be a time for quiet reflection, or in this case a tumultuous inner dialogue, one rooted in conflict, as implied by the allusions to the WWII movie of the same name," explains E.G. Phillips.

A tech refugee originally from the Midwest, Phillips ultimately found greener grass on the West coast. Originally from Chicago suburbs, but having also lived in East Central Illinois and Minnesota, his musical journeys have grown more adventurous since relocating to the Bay Area at the turn of the century, especially since venturing out on the open mic scene in San Francisco -- finding a musical home of sorts at Bazaar Cafe.  

With the steadfast backing of his band
Ducks With Pants, Phillips blends lyric-driven compositions with his own special blend of whimsy and cinematic imagery, offering a wry take in dealing with the longings of the heart and the madness of existence.  

Grace Renaud is a vocal coach and minister of music. Currently music director at St. Paul's Lutheran Church and a pianist / cantor at Grace Cathedral, she also previously served as interim music director of the Queer Chorus of San Francisco, in addition to directing Soul Shine, a jazz combo accompanied by a choir of 25+ volunteers and professionals.  

As of August 9, 'A Bridge Too Far (MacArthur Station)' is available across fine music platforms, including
SpotifyApple Music and Bandcamp, where Phillips' back catalogue can also be explored. On August 6, Phillips performed at Bazaar Cafe in San Francisco to celebrate this release

CREDITS
E.G. Phillips — vocals
Christopher Fortier — guitars, electric bass
Kevin Seal — keys
Chris McGrew — percussion
Ethan Levitt — tenor sax
Recorded at Wally's HydeOut in Hyde Street Studio C, San Francisco
Recorded by Gary Hobish
Produced by Chris McGrew  
Mixed by Chris McGrew and Jaimeson Durr
Mastered by Gary Hobish, A. Hammer Mastering
Artwork by Mario M. Noche
All songs written by E.G. Phillips (ASCAP)
© 2023 Ducks With Pants Music


Keep up with E.G. Phillips
Website | Facebook | Bandcamp | Instagram | Twitter | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | Soundcloud | LinkedIn | Email

DORO - Releases New Single ´Living After Midnight´ Feat. Rob Halford

DORO Pesch stands as one of the greatest success stories in rock history.

In 1983, 19-year-old Dorothee Pesch from Düsseldorf set out to conquer the rock world. Today, 40 years later, with over 10 million studio albums sold and countless awards under her belt, DORO has been the undisputed Queen of Metal for decades. With over 3,500 concerts played in more than 60 countries around the world, she has earned herself an outstandingly powerful and enthusiastic fan base!

For this great 40th anniversary, the Metal Queen also invites you to two mega concerts: on August 2nd for a huge headline show at Wacken and on October 28th for her anniversary show in her former hometown Düsseldorf, as well as other worldwide festivals. Let's celebrate with her, our true Metal Queen!

DORO´s new masterpiece - Conqueress - Forever Strong and Proud - will be released worldwide on October 27th via Nuclear Blast.

For this special anniversary album, celebrating her 40th year in music, it would be unthinkable not to have some guests of honour involved. So, the Metal God himself, Rob Halford of JUDAS PRIEST personally did DORO the honour of recording the immortal JUDAS PRIEST classic 'Living After Midnight' as a duet with her.

Rob Halford is one of DORO's all-time favourite vocalists, so this moment finally fulfils a dream that Doro has had since her very first tour with Judas Priest in 1986.

DORO and Rob Halford have breathed new life into this timeless classic, paying tribute to the roots of heavy metal.

DORO comments: "Judas Priest and Rob Halford have always been one of my biggest inspirations and continue to be my heroes. It was so great working with Rob. 'Living After Midnight' has always been one of my favourite songs and I'm so proud of our duet!"

Stream the song on all platforms: 
https://doro.bfan.link/living-after-midnight
Watch the lyric video below.
Pre-save the album here:  
https://doro.bfan.link/conqueress

Conqueress - Forever Strong and Proud will be released with 14 brand new songs and 5 bonus tracks and comes in the following formats:

Jewel case

2CD Digibook with 36p booklet (including bonus tracks)

2LP in gatefold with 2 inserts | Splatter white/black

2LP in gatefold with 2 inserts | Marbled white/blue 

2LP in gatefold with 2 inserts | Red transparent

2LP in gatefold with 2 inserts | Picture

Box Set 2LP in gatefold with 2 inserts (incl bonus tracks) + 2CD Digibook with 36p booklet (including bonus tracks) + Pendant + Numbered & Signed Certificate + Poster + Patch + Pick

Derek Sherinian and Simon Phillips to release Live album on August 25

SHERINIAN/PHILLIPS is the musical alliance of Derek Sherinian and Simon Phillips, whose parallel reputations in virtuosic sonic inventions combine on the backdrop of instrumental genre fusion. Though the two had written and recorded together in the past, commitments to other projects had kept them busy in their own circles for a time. Upon their reunion for the recording of 2020’s The Phoenix, the duo has been going strong with consistent new releases ever since. Now, they are pleased to announce the release of SHERINIAN/PHILLIPS LIVE, which exhibits the pair uniting once again for a collaborative effort, documenting a special concert recorded at The Grape in Ventura, California on August 29th, 2022. The set is due out on August 25th, 2023 on InsideOutMusic.

Joining Sherinian/Phillips are fellow creatives Ron ‘Bumblefoot’ Thal on guitar and Ric Fierabracci on bass to round out the lineup of the evening. Several tracks from the latest studio album offering, Vortex, made their way into the set, such as the title track “Vortex”, “Seven Seas”, and “Aurora Australis” (the original recording of which featured Bumblefoot), alongside other instrumentals.

Today, they share another track from their upcoming album SHERINIAN/PHILLIPS – LIVE which was recorded at
The Grape (Ventura, CA) on August 29th, 2022.  Check the following link to listen to “Inertia (Live 2022):

SHERINIAN/PHILLIPS LIVE has every note - planned or jammed - captured like lightning in a bottle, taking listeners to the moment these sounds sparked from their instruments. The live performance sits naturally in a rock context, while reminiscent of jazz fusion concert structures, with room for each musician to stand out in a solo space, each carrying and trading unique melodies along the way.

Derek Sherinian: “After 20 years of making albums together, it was a great pleasure bringing this music to life with Simon for the first time.”

The album will be available in the following formats:
Black Vinyl | Ltd. CD Digipak | CD Jewelcase (North America)

Pre-Order is available via this LINK:  
https://dereksherinian.lnk.to/SherinianPhillips-Live

Line-Up:
Derek Sherinian (keys/synth)
Simon Phillips (drums)
Ron ‘Bumblefoot’ Thal (guitar)
Ric Fierabracci (bass)


Sherinian’s background as a composer and keyboardist extends well beyond his familiar Dream Theater run, with a notable solo career creating a landscape for contributions from an array of acclaimed musicians, alongside performance credits with the likes of Alice Cooper, Black Country Communion, Billy Idol, Whitesnake, Kiss, Black Label Society, and Sons of Apollo (doubling on production credits), among others.

Phillips has equally rooted himself as a well-respected drummer and composer in the rock, metal, and jazz worlds, with credits ranging from Toto, Judas Priest, Jeff Beck, The Who, Whitesnake, and Joe Satriani, to a discography in jazz fusion with Protocol, movie soundtracks, and beyond.

The diverse range of this pair’s individual talents collectively emerges through each work they craft together; Sherinian and Phillips continue to evolve their joint musical endeavors in new directions.



DEREK SHERINIAN online:
https://www.facebook.com/Derek-Sherinian-Official-361589234010473/ 
https://twitter.com/DerekSherinian
https://www.instagram.com/dereksherinianofficial/

SIMON PHILLIPS online:
https://www.simon-phillips.com/  
https://www.facebook.com/SimonPhillipsMusic/
https://www.instagram.com/simonphillipsofficial/ 

INSIDEOUTMUSIC ONLINE:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
www.facebook.com/InsideOutMusic
www.twitter.com/insideouteu

Twin Temple Announce Forthcoming New Album 'God Is Dead' Out Friday October 13

Twin Temple fans, rejoice! Today, the band has made their triumphant return in announcing their highly-anticipated sophomore album 'God Is Dead', set for release on the wickedest of days, Friday, October 13. In celebration of the unholy announcement, the high priest and priestess of Satanic Doo-Wop has released a new track from the forthcoming full-length, "Burn Your Bible". Speaking about 'God Is Dead', Twin Temple shares:

"Despite relentless death threats and moralizing, our allegiance to Satan and the golden oldies remains unwavering. 'God Is Dead' is our most blasphemous, horny and painstakingly period-correct work to date. Saturated with the blood of babies, and forged in the ashes of burning churches, we spared no one in the making of this album. See you in Hell!"

'God Is Dead' will also be available in "Pink Palace" (baby pink) and "Broken Church Glass" (Coke bottle green) vinyl formats, both available at the link here. Pre-order the album here and stream "Burn Your Bible" here.

After bewitching attendees at this year's San Diego Comic Convention for their signing debut, Twin Temple will soon be enthralling audiences across the US alongside Danzig, Behemoth, and Midnight starting this month. The band will also be making a special guest appearance in direct support of Tiger Army with T.S.O.L. opening at the Hollywood Palladium in late October. Click here for ticket information, and be sure to stay tuned for more Twin Temple news as the band prepares to unleash their latest infernal masterpiece on the world.

Upcoming Tour Dates With Danzig, Behemoth + Midnight

August 25 - Las Vegas, NV @ The Theater at Virgin Hotels

August 26 - Norco, CA @ SilverLakes

August 27 - Mesa, AZ @ Mesa Amphitheatre

August 28 - Albuquerque, NM @ Revel Entertainment Center*

August 31 - Oklahoma City, OK @ The Criterion*

September 1 - Irving, TX @ The Pavilion At Toyota Music Factory

September 2 - San Antonio, TX @ Tech Port Center

September 3 - Houston, TX @ White Oak Music Hall

September 6 - Atlanta, GA @ Coca-Cola Roxy

September 8 - Sayreville, NJ @ Starland Ballroom*

September 9 - Atlantic City, NJ @ Ovation Hall

September 10 - Reading, PA @ Reverb*

September 11 - Boston, MA @ MGM Music Hall at Fenway

September 13 - Cleveland, OH @ Euclid Masonic Temple

September 14 - Detroit, MI @ Masonic Temple Theatre

September 15 - Pittsburgh, PA @ Stage AE^

September 16 - Newport, KY @ MegaCorp Pavilion

September 17 - Chicago, IL @ Byline Bank Aragon Ballroom

September 19 - St. Louis, MO @ The Hawthorn^

September 20 - Kansas City, MO @ The Truman^

September 21 - Minneapolis, MN @ The Fillmore Minneapolis^

September 23 - Englewood, CO @ Gothic Theatre^

* With Behemoth and Midnight only

^ With Behemoth and Imperial Triumphant only

With Tiger Army + T.S.O.L.

October 27 - Los Angeles, CA @ Hollywood Palladium

GRAVEYARD Announce New Album "6" + Release Video For First single "Twice"

Swedish hard rock band GRAVEYARD have revealed details of their new album “6,” that's set to be released on September 29th via Nuclear Blast Records. Alongside the announcement, the band have also released the video for first single “Twice,” their first new music in five years. “6” is easily identifiable as the most striking, original album of GRAVEYARD’s story so far. A gently lysergic blend of desolate guitars, simmering Hammond and lithe, nimble bass and drums, the Swedes demonstrate a lightness of touch that they have only hinted at in the past.

The band comments, "Finally it’s here, ready to be harvested and enjoyed like the forbidden fruit in your backyard. We are very, very happy being able to share album number 6 with you all very soon. Peace out.”

Watch the video for first single “Twice” below-

Pre-order the album and stream “Twice” now at: 
https://graveyard.bfan.link/6-album.ema

The album was recorded at Silence Studios and Don Pierre Studios and was produced byDon Ahlsterberg, who previously worked with the band on “Graveyard” (2007), “Hisingen Blues” (2011) and “Lights Out” (2012).

About GRAVEYARD:

As enduring and authentic as an old school leather jacket, GRAVEYARD have long since mastered the art of rock’n’roll. Formed in 2006 in Gothenburg, Sweden, their shared passion for hard rock, psychedelia and the eternal bedrock of blues marked them out from the start. Led by vocalist/guitarist Joakim Nilsson, they opened their account with their now seminal self-titled Tee Pee Recordings debut in 2007, showcasing fiery chemistry and some wildly imaginative songwriting. Subsequently snapped up by the mighty Nuclear Blast Records, the band’s rise to prominence was swift and irresistible.
 
In 2008, guitarist Jonatan Ramm expanded the ranks, joining Nilsson, bassist Rikard Edlund and drummer Axel Sjöberg for the recording of second album Hisingen Blues. A critical smash that more than lived up to the hype, it established GRAVEYARD as rock’n’roll heavyweights. A thunderous, soul-stirring live band, with subtlety and swagger in equal amounts, they spent the next decade keeping fans of loose-limbed and earthy rock music in a near-constant state of rapture. From the rootsy clatter of 2012’s Lights Out to the magical, muscular grooves of 2018’s Peace (taking in the sepia-tinted folk doom of 2015’s Innocence & Decadence along the way), GRAVEYARD have made some of the most vital and vivid heavy rock of the 21st century.

GRAVEYARD is
Joakim Nilsson - vocals, guitar
Jonatan Ramm - vocals, guitar
Truls Mörck - vocals, bass
Oskar Bergenheim - drums

Follow GRAVEYARD:

https://www.facebook.com/graveyardofficial/

https://twitter.com/graveyard

https://www.instagram.com/graveyardmusic/

Sleep Theory Announce "Paper Hearts" EP + Share "Gone or Staying"

Sleep Theory — vocalist Cullen Moore, guitarist Daniel Pruitt bassistPaolo Vergara, and drummer Ben Pruitt — announced their signing to Epitaph Records earlier this summer. Today, the band has announced that it will release the Paper Hearts EP on September 29 via the label. Pre-order it here.

The band has also shared "Gone or Staying." Watch it
below.

''Gone or Staying' is the breaking point in a relationship that is built on emotions and broken promises. It is the stuggle between wanting things to work and the need to move on," the band explains.

The numbers don't lie. 

Sleep Theory's recent single "Numb"  — follows the band's debut single "Another Way," which arrived in January 2023 and amassed 500k views on TikTok within 36 hours of release. Together, the two tracks have generated over 16 million streams and each shot to No. 1 on SiriusXM's Octane Chart, sitting in the top slot for three weeks a piece. The reaction was intense, and as such, the band was also selected for SiriusXM/Pandora's Artist Accelerator Program and will be a part of their Next Wave Concert Series in September. This all happened in the span of six months.

 But what seemed like an overnight success (or an "industry plant" playing to the algorithm, as some trolls theorized) has actually been years in the making.

Since retiring from the U..S Army several years ago, Moore has dedicated his life to carving his own path in the music industry. Officially starting Sleep Theory in 2019, the current incarnation of his musical journey began as a studio project to fuse his love of hard rock, funk, and R&B.

Now a four-piece band, which came to be on the back of a chance meeting via Facebook Marketplace, Sleep Theory have achieved a pair of No. 1 singles, played their first run of shows to massive crowds, and signed to Epitaph Records. Combining metalcore-like breakdowns with bluesy grooves and a pop sensibility made for modern radio, "Numb" has landed at No. 31 on the Active Rock chart.

Sleep Theory just wrapped up a tour with Shinedown, which happened to be their first tour ever, and that they will be supporting Set It Off later this month.

SLEEP THEORY ON TOUR:
WITH SET IT OFF:
8/25 — Oklahoma City, OK — Diamond Ballroom 
8/26 — Dallas, TX — The Echo Lounge & Music Hall 
8/28 — Tucson, AZ — Rialto Theatre 
8/30 — San Diego, CA — House Of Blues 

WITH I PREVAIL + BADFLOWER:
9/21— Columbus, OH — Kemba Live!

HEADLINE:
 9/28 — Las Vegas, NV — Hard Rock Cafe/G2 Rock Gathering

Carnation Break the Formula on New Single "Replicant"

CARNATION haven't stopped bringing back old-school death metal. The Belgian band still honor the genre's storied traditions on their upcoming album 'Cursed Mortality'. Just listen to new single "Replicant", which crashes downhill with the impending crunch of a boulder in a booby-trapped dungeon. 

But Carnation aren't slaves to the past, either. "Replicant" wasn't inspired by another gory slasher flick. It takes cues from the sci-fi classic 'Blade Runner'. Even though Simon Duson makes mince meat of the movie's most quotable line with his stench-spewing death growl, his cleans wring fresh anguish out of the gloomy melodic leads. 'Cursed Mortality' isn't just a revival. It's a rebirth.

Watch the medieval, headbanging video for "Replica" below.

         
Here's what Duson had to say about Carnation's new single: "What would you do if you came to realize that you were programmed to live for only four years? Would you accept the outcome, or try to figure out a way to extend your lifespan? Replicant is a song about dealing with the finiteness of our existence. The song was inspired by Roy Batty, a character from the movie Blade Runner. His tale perfectly embodies the message we want to portray with this track. Musically, it's quite diverse and different compared to most of the music we have created until now. We hope this will be a welcome surprise for new and old fans alike."

'Cursed Mortality' comes out November 3rd. The album is now available for pre-order
HERE. Pre-save it HERE.

The surreal cover art for 'Cursed Mortality' was created by the late, great Mariusz Lewandowski, whose dark and surreal vision perfectly captures the feel of this album. Lord of the Logos' Christophe Szpajdel created a brand new logo and symbol to reflect this new era of Carnation.  

For the last decade, CARNATION has been at the forefront of reviving old school death metal. There’s something to be said about the artfulness of taking something so primitive and walking that fine line between keeping its classic authenticity without sounding tired or dated. Carnation has always teetered this line, injecting a fresh and contemporary approach without losing the genre’s time-honored traditions. However, the band’s third endeavor sees Carnation erasing those boundaries entirely and abandoning any and all conventions as they traverse into daring new territory. ‘Cursed Mortality’ pulls the Belgian death dealers deeper into experimental new waters, taking risks as the band steps out of the shadows of its predecessors and comes into its own identity. 'Cursed Mortality's' statement is clear: This is no longer simply a revival; this is Carnation’s rebirth.

“We still play death metal and we still identify as such” explains frontman Simon Duson. “But we know that this is also our second decade performing it. And while it is very important for us to stay true to the old-school style, we know we had to open things up a bit and reach out to those who might be interested in extreme metal, but aren’t that much into the old aspect of it. It also feels fresher to us because we’ve decided to change our visual approach, with a new logo, a new look on stage and so on. In a way, it really feels like the beginning of a new chapter for Carnation.”

Album number three is much more than just a new chapter, but rather feels like a sequel to an already storied career, punctuated by press accolades, an impressive history of live performances, and a lauded discography consisting of several EPs, splits, and two critically acclaimed full-length albums.

With the debut of its first EP in 2015, Carnation quickly garnered the attention of fans, media, and most notably of all, record label Season of Mist, who quickly noticed the band’s potential and picked them up without hesitation. Upon forming this union, the band dropped its first full-length, ‘Chapel of Abhorrance,’ in 2018. Angry Metal Guy astutely noted that the Belgians’ debut album was “one of the best death metal debuts of the year, and Carnation have earned their place as one of the most promising new bands in the genre'' while Distorted Sound Magazine echoed these remarks, calling ‘Chapel of Abborhance’ “one of most brutalizing, well executed and, above all, fun, death metal releases of 2018'' in its 9/10 review of the album.

Carnation’s momentum only seemed to pick up from there. The band kept busy on the road, performing a variety of tours with their death metal brethren in Deserted Fear, Schirenc Plays, Pungent Stench, and Pestilence, while headlining stages in Japan and Brazil. Upon conquering the live circuit and laying waste to audiences across three different continents, the band unleashed its 2020 opus, ‘Where Death Lies,’ which broke them out from the underground with the kind of seismic force that most bands can only dream of. If the critics liked ‘Chapel of Abhorrance,’ ‘Where Death Lies’ was the moment they fell in love, enamored by Carnation’s relentless brutality and crushing precision.

While touring had been halted that year, Carnation never stagnated nor waivered. The band’s tenacity paid off with their sophomore effort being named among one of the best records of the year by The Pit, Chicago Music Guide, Pandemonium Metal, and many more, while the single “Iron Discipline'' was singled out by Loudwire as one of the best songs of 2020. Legacy outlet Kerrang! also took notice, ranking the band among the “50 Greatest Death Metal Bands Right Now,” cracking the top 20 picks.

While the Belgian slayers still stay true to their roots, they step outside of their comfort zone with more groove, melody, and progression, showcasing their versatility as musicians and clearly defining their own unique sound. ‘Cursed Mortality’ sounds darker, with passages of melancholic melodies that compliment the heaviness.

Most bands might feel anxious about making such dramatic changes, especially to incorporate clean vocals within such extreme music, Carnation embraces the unknown and does not fall victim to fear or monotony. “As artists, it's something natural,” explains Verstrepen about why the band has shifted direction. “Doing the same thing over and over again doesn't inspire us. We love to create and we love to explore new paths. We knew some people wouldn't like clean vocals in death metal, but we don't want to think of that too much. We stand 100% behind our music and we really like what we did here. Some people will drop out, but there will definitely be others joining! As Lemmy would say, 'You win some, you lose some.'”

Indeed, a personal metamorphosis is always a risk, but one that historically has paid off. The first records of bands like Black Sabbath, Carcass, Death, or even Bathory sound nothing like the mid-late era offerings of those very same artists, and yet, those records that strayed off the beaten path are regarded as some of the most seminal albums in the history of metal. Playing it safe sounds easy, but it isn’t always a part of a legend’s origin story. And Carnation isn’t here to play by the rules; the band is ready to take a leap of faith and redefine an era.

Lineup:
Simon Duson: Vocals
Jonathan Verstrepen: Lead Guitar
Bert Vervoort: Rhythm Guitar
Yarne Heylen: Bass Guitar
Vincent Verstrepen: Drums


Recording studio: Project Zero Studio

Producer / Mixing engineer: Yarne Heylen

Mastering studio and engineer: Joel Wanasek

Biography: Katy Irizarry

Links:
https://www.carnationband.com/         
https://www.facebook.com/CarnationBE/          
https://www.instagram.com/carnationbandofficial/
https://www.youtube.com/c/CarnationOfficialBE
https://open.spotify.com/artist/7s6SmrbyQvp26jN5EbnU9u

Pre-save:
https://orcd.co/cursedmortalitypresave
Pre-order: 
https://redirect.season-of-mist.com/CarnationCM

Available Formats:
CD digipak
Digital
12” vinyl in various colours
Merchandise

Southampton indie power pop artist Mike Gale releases 'Grumble Pie' single, previewing landmark album

"‘Summer, Be Gone’ actually feels like a warm zephyr floating through an open window on a balmy summer’s day... like water bouncing off silk... a most wonderful and unique chorus which goes against the pop-norm by being a ghostly shimmer of reverb and wistfulness" ~ Joyzine

"Adorned with easy grace, this is triumphal folk-pop at its finest... like something Tame Impala and The Beach Boys might have performed together under the heavy influence of Paul Simon" ~ The Spill Magazine

"Equal parts charming and entertaining. A presentation of Gale's unique mind and it's abilities as a wonderfully adept melody making machine" ~ Headstuff

"A beautifully articulated songbook throughout. Swimmingly brilliant in it's indie slacker charm" ~ Monolith Cocktail


British indie pop artist
Mike Gale has released his new single 'Grumble Pie', the second taste of world / folk-inspired indie pop from his forthcoming album 'Thanks for Always Waving' (out September 8). This comes on the trail of 'Summer Be Gone', an atypical summer anthem, for which the accompanying video was filmed in Suzhou, China by Matt Wallwork, featuring the artist Kimvi

Gale may not be a household name, but his music is universal, positively-vibed lo-fi bedroom pop. Generating catchy melodies and harmonies despite dubbing himself "a prolific, lo-fi recluse", this will be his 20th album in 20 years. Initially writing and performing under the Co-Pilgrim and Black Nielson monikers, this is the twelfth album released under his own name.

"I've been listening to a lot of Tall Dwarfs music and their use of rhythm and space. I really love those guys and I think ‘Grumble Pie’ owes a lot to them. I found the really cool, driving percussion sample first and built the song up from there. I suppose that, lyrically, it's about trying to focus on the things you have, rather than don't have. Seems like something that should be easy to do," says Mike Gale.

“I remember Grumble Pie being that song that happens with most albums I've done, where you get a feel for the direction the album is going to go. I felt like I had a handle on the rest of the recording after this one. I also left my mistake in the guitar solo bit to remind myself never to do solos.”

While a multi-instrumentalist, playing all the instruments heard on this album, Gale considers himself to be primarily a guitarist. Singing for as long as he can remember, he formally began playing a the guitar and writing his own music around 20, citing The Lemonheads as a big influence in those early years.

Born in Southampton and raised there for some years, Mike Gale spent a good chunk of his childhood in North Devon and some of his formative years in Oxford, New York and Melbourne before returning home to settle on his beloved south coast of England.

With Gale taking melodic and percussive cues from influences such as Tall Dwarfs, Pavement and The Clean, 'Thanks for Always Waving' is ultimately one of his most pop-orientated albums to date, filled with mellow bongo beats and gentle washes of wavey organs.

Mike Gale explains, "I'm naturally introverted and have never enjoyed being onstage in front of people, so performing live was always my least favourite part of making music. Now I'm solo I feel no pressure to perform live at all, maybe one day but for now I'm happy. Recording by myself at home seemed to open a flood of songs and creativity. I think the lack of any expectations just helped me make music for the pure enjoyment of it."

As of August 8, 'Summer Be Gone' will be available from fine digital platforms, including 
Spotify, Apple Music and Bandcamp, where the full album (out September 8) is also available for pre-order.

CREDITS
Written and performed by Mike Gale
Produced, recorded and mixed by Mike Gale
Mastered by
Todd Tobias (Guided By Voices, Circus Devils)
Single cover photo by Akira Deng
Video filmed by Matt Wallwork in Suzhou, China
Actress featuring Kimvi

Keep up with Mike Gale
Facebook | Bandcamp | Instagram | Twitter | Soundcloud | YouTube | Apple Music | Spotify | Press contact

Keep up with Shameless Promotion PR
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EXMORTUS Shreds On Classical Cover "Storm Of Strings"

Southern Californian melodic death shredders EXMORTUS have revealed the final single, "Storm Of Strings," ahead of the highly anticipated release of their 6th studio album, "Necrophony," that's out August 25th from Nuclear Blast Records. On their latest song, EXMORTUS puts their signature shred into a cover of legendary new age artist Yanni’s song “The Storm,” which was based off of the great Baroque composer Antonio Vivaldi’s concertos “The Four Seasons.”

Commenting on the single, guitarist/vocalist Conan says: 
"We've been meaning to cover this piece for a long time and now it feels right for Necrophony. Honoring two artists at once, we give you a heavy metal shred version of Yanni's arrangement of Vivaldi's Summer Concerto. Enjoy the groove, enjoy the passion!"

Pre-order "Necrophony":  https://exmortus.bfan.link/necrophony.a01

Stream "Storm Of Strings": https://exmortus.bfan.link/storm-of-strings

“STORM OF STRINGS” MUSIC VIDEO:

In celebration of “Necrophony’s” debut, EXMORTUS will invade Alhambra, California’s iconic metal roadhouse Grill ‘Em All for an album release party on Friday, August 25th.

EXMORTUS Tour Dates:

Sept 17 - Anaheim, CA - Metal Injection Festival @ House of Blues

Nov 18 - Los Angeles, CA - 1720 (w/Vio-Lence, Bonded By Blood)

About EXMORTUS:


Los Angeles-based neo-classical extreme metal mavens Exmortus return on new album, "Necrophony." Four years in the making, the group’s sixth album offers nothing but savage rebirth and fierce renewal. "Necrophony" marks a significant turning point—one foretold by the Legions of the "Undead" EP in 2019—for the Angelenos. Not only have they emerged from the throes of the pandemic stronger, faster and crazier, they’ve signed on to global metal powerhouse Nuclear Blast. The passion and fury of lead-off single “Oathbreaker” is merely the tip of Exmortus’ darkest tower. Follow-on singles like the powerful “Mind of Metal” and “Storm of Strings,” a whistle-stop, no-joke cover of Greek-American composer Yanni interpreting Vivaldi’s “The Four Seasons,” add greatly to Exmortus’ masterly oeuvre.
 
Exmortus was founded in 2002. The group issued a bevy of well-received demos and EPs that culminated in debut In Hatred’s Flame in 2008. Since then, Gonzalez—now flanked by specialists Phillip Nuñez (bass), Chase Becker (guitars, Warbringer), and Adrian Aguilar (drums, Vio-lence)—has gone on to release four more fan-favorite full-lengths. Exmortus have toured with Amon Amarth, Obituary, Death Angel, and more, playing gigs in North America and Europe. The group’s highlights have also included a stint with thrash legends Exodus at industry lighthouse event NAMM and a coveted spot on the 70000 Tons of Metal cruise. "Necrophony," a portmanteau of “necro” and “phony” (or “dead sounds”), is Exmortus bigger, badder and wickedly restless.
 
Written from a fresh slate, Necrophony’s origins can be traced to preludes “Masquerade,” “Overture,” and the intro to “Children of the Night.” Once Exmortus had the feel down, they settled on expanding on the motifs by forging Viennese sophistication with metal might. Careful observers will hear Exmortus’ clever use of the album’s musical theme throughout its 12-song range. That includes “Darkest of Knights” and the aforementioned “Children of the Night,” as well as Necrophony’s shorter bursts of bravado in “Oathbreaker” and “Beyond the Grave.” The most important attributes were, however, vibe and Exmortus’ careful crafting of their next-gen sonic fingerprint.
 
Whereas previous albums up through 2018’s "The Sound of Steel" have been predicated on heroic fantasy/sword & sorcery, "Necrophony" turns a decidedly darker page. Exmortus have gone from a "Conan the Barbarian" and "Gladiator" aesthetic to something blacker, more nefarious as illustrated by the eeriest and evilest Lovecraftian and Tolkien-esque tales. There’s even a classic horror thing happening. This is, of course, a reflection of our immediate world, and the darkness that’s engulfing everything in it.
 
Exmortus invited Renaissance man Zack Ohren (Fallujah, Immolation) to return as engineer, producer, mixer and mastering ace on "Necrophony." Certainly, the team that had cemented the group’s three previous albums into the annals of metaldom was going to work yet again. With Ohren at the helm, Exmortus holed up in Sharkbite Studios in Oakland, CA. "Necrophony" was fast-tracked in just under two weeks. The result is a clap of virtuosic metal sure to leave fans battered, bloodied, and hungry for more violent opulence.
 
With “Oathbreaker,” “Mind of Metal” and “Storm of Strings” ringing darkened ears Exmortus’ paroxysmal ascent to extreme metal’s upper echelons is guaranteed with "Necrophony." Bow in reverence to the high-flying, six-stringed dynasts now.

Follow EXMORTUS:
www.exmortusmusic.com
www.facebook.com/exmortusofficial
www.instagram.com/exmortus_official

CAVO Releases New EP "Covers Vol. 1" + Video for "Don't Dream It's Over"

CAVO released their new Covers Vol. 1 EP to all major platforms via TLG/INgrooves today, August 4, 2023.

In celebration of Covers Vol. 1, the band released a new music video for the song "Don't Dream It's Over."

When asked about "Don’t Dream It’s Over", Chris Hobbs says, "I’ve always loved this song! I remember hearing it in one the opening scenes of Stephen Kings The Stand tv series as kid and being captivated. It’s beautiful sounding yet haunting and sad at the same time. I’ve always had it in my head to cover it. Not to change it up or do a different take of it. Wanted to keep to the feel I fell in love with all those years ago."

WATCH "Don't Dream It's Over"

The creative force of Rock/Alternative from St. Louis is still creating and releasing new music. Humble beginnings to major label success to where they are now seems like a whirlwind but a lot of bands find themselves in these spaces. Bassist Brian Smith says “We are still a band releasing music we want to release and we hope people dig what we are doing”. Drummer Andy Herrin adds, “Every EP or record we do won’t be like one previously released and we have a lot of music to share and create." “The great thing about the four of us in Cavo is that we’ve always been fully committed to this band,” explains bassist Brian Smith. “Even if we haven’t been in a spotlight for a bit and we have other projects going on, our bond is as tight as ever, and we’ve never stopped releasing music. We love writing together, playing together and just being together as friends, and that’s why we’ve been able to keep going together as long as we have.”

Cavo has teamed up with independent distributor TLG/INgrooves to expose all of these new crafted songs to a broader global audience. The band has released several songs from the first of 6 planned EPs, 3 original and 3 cover EPs. The first original EP is titled The Shakes with songs “Not Over You”, "Dizzy" and the self-titled track “The Shakes” being released on September 1st and “Synchronicity II”and “Drive” from the bands CAVO Covers vol.1. to be released on August 4th. Casey states “We are almost finished with our second original EP and after that we start work on the second covers EP." "It’s just a really cool creative thing we have here and we are really excited to share what we are doing with everyone,” adds Chris.

It's safe to say the CAVO boys are simply writing and recording new material and plan to release tons of new music in 2023 and for unforeseeable future!

For More Information Please Visit:

Official Website

Facebook

Instagram

Twitter

YouTube

US-Swedish indie dream-rock duo I Am a Rocketship releases 'La Cruella' album

"‘Gravity’ is a gently warm song that defies its title by floating on thermal currents, achieving buoyancy through gently pulsing bass lines, splashes of piano and the subtle breeze of Kippner’s elegantly soft vocals... This is a lesson in the underrated art of restraint" ~ Joyzine

"‘Do You Feel Good’ is laden with a swaggering attitude and a thunderous delivery augmented by a raking guitar riff... melodies and thunder similar to Shirley Manson and Garbage. The sound is epic and dramatic with an euphoric, anthemic chorus and a delicious taste of wry cynicism" ~
Backseat Mafia


Atlanta indie pop duo
I Am a Rocketship presents their new 'La Cruella' album, their sixth major release, comprised of ten tracks. In keeping with the band's style, while also exploring new sounds - these compositions are about uncertainty, fear and dreams. Rooted in solid melodies, here the duo mixes warm vocals, loud guitars, and cool electronic beats to explore that place where rock and trip-hop never quite met.

I Am a Rocketship is made up of multi-instrumentalist Eric Weissinger and Swedish artist L E Kippner. Before meeting, Weissinger was a bassist and guitarist backing up various artists and opening for the likes of The Wedding Present, Jamesand The Black Crowes. Upon meeting Kippner (who is a cellist, scientist, radio DJ and vocalist for Swedish synth-pop duo Neobox), the two formed Hitchcock Blondes in Ohio and then I Am a Rocketship upon relocating to Atlanta.

"These songs are about undertainty, fear and dreams. These may be the last songs we make that could be identified as "rock", as we've increasingly fallen in love with longer songs that don't really follow any real blueprint," says L E Kippner.

"We tried a different way of writing songs for this album, and it turned out that every song had a story. Since our musical style has changed a bit with this album, the way that the lyrics tell those stories has changed as well. These songs don't spell out what is happening but are about feelings. We hope people will find something to recognize, maybe feel that one of the song speaks to them."

Eric Weissinger adds, "We just let go on this album, and often said "well, this is going to kill any reputation we had".  It's very pure, for want of a better term. We just wrote what we felt."  

Earlier, the duo released  'Do You Feel Good' featuring Kellii Scott (best known as drummer for the legendary band Failure and for his work with Veruca Salt, Dr. Dre, Pink, Enemy and Christina Aguilera), and 'Gravity', a breezy pop number that Weissinger says is "an end-of-summer song. Kind of groovy but a little melancholy", offering a more bare-bones sound than the band's usual atmospheric-heavy style.

I Am a Rocketship's 2016 debut album 
'Mission Control' was followed by the 'Mind Grafitti' (2019) and 'Ghost Stories' (2020) albums, 2020's 'oRAnGE' EP and their latest long-player 'Lies and Legends' (2021).

On August 4, the 'La Cruella' album will be available across all fine music platforms, including
SpotifyApple Music and Bandcamp.

CREDITS
Written and performed by Eric Weissinger and L E Kippner
Drums by Kellii Scott on 'Do You Feel Good'
© 2023 My Long Wknd, LLC
except 'Heaven Tonight' written by Rick Nielsen & Tom Petersson © Adult Music, Screen Gems-EMI Music Inc.
Recorded at The Barry Patch by Eric Weissinger
Video by Eric Weissinger


Keep up with I Am a Rocketship
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | Soundcloud | LinkedIn | Email

Occult-Pop Artist, Coyote Eyes, releases "Gasoline"

The song "Gasoline" explores the disconnect between fantasy and reality in today’s relationships, and especially how that’s been dictated and  exacerbated by social media. The lyrics explore a lot  of opposition - fire and ice, gasoline and kerosine - and chronicle what happens to someone who’s pursued as this fantasy ideal (lady in white lives in your mind) and then ultimately dropped or discarded when she becomes too human (leave me I’m rust, flesh, and bone).  But it’s also a victorious song - Coyote Eyes likes to think that in this story the guy stays stuck in the screen and the woman has her own phoenix rising moment, and you can definitely hear the determination in the lyrics as well. There’s definitely anger and vengeance in there but also determination.

MORE INFO:

Coyote Eyes is the dark pop alter ego of New York bred Jo Eubanks, a multidisciplinary artist based in Los Angeles. Known for lush soundscapes, haunting vocals, and eerie piano melodies, the music of Coyote Eyes is, like her, equally tragic and seductive. Coyote Eyes began training to be a classical singer in early childhood, and by 16 she was already capturing label attention for her distinctive, emotionally charged voice which held “the pain of a 30 year old woman inside a child’s body”. After years of wrestling to harness creative authenticity in a time when nice girls sang nice songs,   the three time southern debutante shocked both industry and audiences alike when she reemerged as Coyote Eyes in 2018, a powerful and mysterious persona unafraid of delving into the far corners of the human experience.   In traditional lore, the coyote is the one creature which cannot be categorized; it is an enigma, a dichotomy, a living riddle. As such, Coyote Eyes emerged from her fascination with duality in all its forms, which she explores both sonically and thematically. She performs regularly in both New York City and LA at Rockwood Music Hall, Mercury Lounge, The McKittrick Hotel, Viper Room, and with Breaking Sound and Hunnypot Live.  Coyote Eyes is also one half of cinematic grunge duo Lithium x Lace and occult pop duo WTCH, both with 5-time Grammy nom CJ-O (formerly Molly Cherryholmes).

CONNECT WITH COYOTE EYES:

INSTAGRAM | SPOTIFY | YOUTUBE | WEBSITE

True Crime Duo SKYND Share "Robert Hansen" Video — WATCH

Industrial-tinged and true crime-inspired electronic duo SKYND is the dark creative outlet and the alter ego of its lead singer, Skynd, and producer and multi-instrumentalist Father. They are known for taking inspiration from inexplicable and brutal criminal cases and the mystery surrounding unsolved deaths, and transforming them into songs to remind us of the darkness within the human psyche, while taking great care to avoid any glorification. Small clusters of songs have been released as EPs, titled in numbered chapters.

Today, SKYND begin Chapter V, with the release of new track "Robert Hansen" and its official video.

Watch the video

Skynd muses, "I was surprised not many people talk about Robert Hansen, the 'Butcher Baker.' I personally consider him one of the most evil serial killers in American history. He not only had a high victim count; he literally hunted his victims in the woods like wild animals sometimes. I can’t think of any other serial killer who’s done that to the extent that Hansen did. That's why I had an urge to write about it. The hunting, the run, run, run seemed logical to use because the mental image I had while writing the song with Father, was a young girl running barefoot though the forest."

The official video was directed once again by noted film maker PR Brown, who comments, "Robert Hansen was a particularly twisted monster. For the video, we explored an uncomfortable space through the lens of watching a baker at work. His violence was too brutal to show or frankly glorify, so we expressed through yeast and powder. We filmed the forest while it was snowing and it was not lost on any of us just how cold his victims must have been. Alaska must have been a thousand times worse, surviving only on adrenaline as the women were set loose like game. Skynd delivered a haunting portrayal as the voice in their head. This video and the whole process stands out to me as one of the more difficult to shoot but maybe one of the most rewarding in terms of the finished piece. Run, run, run."

ABOUT SKYND:
We all conceal something behind the earthly façade we show to the world. Maybe it's an unspoken fetish. Perhaps it's a covetous urge. Or it could just be the kind of darkness we acknowledge in passing —but don't dare reference out loud. SKYND peel back those layers and uncover what lurks beneath in all of its painful glory. The industrialized gothic electronic duo — Skynd [lead vocals] and "Father" [producer, multi-instrumentalist] —exorcize beauty by bloodletting as they mine some of history’s most baffling, bizarre, and brutal crimes across their EPs.

RED REIGN AND DEKO ENTERTAINMENT TEAM UP FOR THE RELEASE OF FORTHCOMING ALBUM "DON’T LOOK BACK" OUT ON OCTOBER 27

Richmond, VA-based rockers Red Reign take 80’s influences and steer them in a more contemporary direction – bridging the sounds of yesterday and today. The band is comprised of members singer/guitarist Carlton “Bubba” McMichael, guitarist Stevie Shred, bassist Larry Moore, and drummer Sammy Lee. Red Reign has worked with Grammy Award-nominated multi-platinum producer
David Ivory (Halestorm) on both its releases: 2021’s self-titled EP and 2023’s forthcoming full-length Don’t Look Back.

Don’t Look Back, the ten-track LP is bolstered by such standout tracks as “Don’t Look Back”- highlighted by a guest appearance from guitarist George Lynch--“Here I Am,” and “No Peace, No Love.” As the band explains, “Don’t Look Back” is the favorite track as it does feature George Lynch. “It is all the ingredients for a great song: raw, heavy and melodic. It’s a song about reminiscing in the past, which were not great memories. After the reflection, this person decides to not look back any longer and one day decides to move forward with living their best life and making new, positive memories.” They continue, “Having George Lynch on a song is a dream come true. We met George through a mutual friend (Neeley from the ‘Classic Metal Show’). We asked George to guest star on a track and he agreed.”

Listen to the title track here:
ADA.lnk.to/RedReignDLB

Having already shared the stage with the likes of Dokken, Extreme, Jackyl, Lita Ford, and Tesla, Red Reign looks forward to spreading the word further with live shows in support of Don’t Look Back. The band is thrilled to join the Deko Entertainment family as Sammy Lee asserts, “We are very excited to have teamed up with Deko Entertainment for our new studio album Don’t’ Look Back. Bruce, Charlie, and the Deko team have been wonderful to work with and share our vision for promoting the new album globally.” Deko Entertainment president, Bruce Pucciarello, agrees, “With our energy bill at Deko totally paid, we are dialing up the power…Red Reign.  High voltage!”

When asked the following questions about their future this is how the guys responded. What can fans expect from seeing the band live?

“Playing live shows is the most important factor of Red Reign. We are a live band before anything else. The energy we feed to the crowd makes every performance exciting and more unique than the last. After the show, we go out and connect with our fans which makes each show special in its own right.”

Tour plans?

“Our first goal is to get the new album released. Once that is completed, we will be focusing on touring and looking to play as many cities as we can.” Don’t Look Back will be available on CD and limited-edition vinyl."

Preorder your copy now and get a limited-edition bundle while supplies last:
https://bit.ly/red-reign-merch

Bundle Includes:
- (1) Red Reign - Don't Look Back CD or LP
- (1) Red Reign - Coozie
- (1) Red Reign - Sticker
- (1) Red Reign - T-Shirt

For more information, visit www.facebook.com/RedReignBand/
Deko Entertainment–Art Has Value 
www.dekoentertainment.com 

Inca Babies' Harry Stafford and trash blues guitarist Marco Butcher take us on a 'Walk Among The Spectres', previewing new album

"Unapologetically weaving their way through varied genres, Stafford and Butcher’s bluesy story-based music is raw around the edges, while sucking you willingly inside – a sonic diamond in the rough, so to speak" ~ The Spill Magazine

"The symmetry between the two artists is remarkable... refreshing, meshing the grit of blues with an urban thematic. This is dirty but agreeable... Goes down smooth like a good shot of bourbon" ~ Big Takeover Magazine


Manchester underground music icon
Harry Stafford (Inca Babies) and US-based trash blues guitarist Marco Butcher present 'Walk Among The Spectres', the loaded first shot from their forthcoming album 'We Are The Perilous Men', coming this autumn via Black Lagoon Records.

'Walk Among the Spectres' is a cool piece of walking blues, with percussive Hammond organ and Marco Butcher’s laconic backbeat. The song is about an old friend who is fondly remembered and, in the video, our hero travels across town to put an electric piano-keyboard on his grave, discovering his own fragile mortality along the way.

Directed by Harry Stafford with cinematography by J.P. Conway, this video was filmed in the expansive Southern Cemetery in Didsbury South Manchester, which dates back to 1700 and was used throughout the Victorian era. Now a public park, people are invited to wander among the tombstones... to literally Walk among the Spectres.

Following the resounding triumph of their
 'Bone Architecture' album in 2021, the duo present the second chapter of this exploration, upholding their lockdown-inspired tradition of sending ideas back and forth between North Carolina and Manchester. Creating this album unconsciously - perhaps even telepathically - their musical connection has ignited this album with an infectious energy and spirit.

Based in North Carolina, Brazil-raised trash blues guitarist Marco Butcher (Jam Messengers, Jesus and the Groupies) provides a solid backbeat, jumping with a frenetic rhythm. This foundation ranges from a mess of blues to a stumbling electro beat with Dwayne Eddie funeral guitar. His forages into dance and Hip hop see him mess with the rhythmic DNA, often inspiring the creation of a new dance shuffle at will.

“I have discovered that I spend a lot of my time knowing what I don’t want to sound like. My musical education began with punk and then, when I came to University in Manchester in the early 80s, I found myself submerged into the strange beat infused darkness of the Big city post punk music scene (Joy Division, ACR, The Fall) and I had to form the Inca Babies to make sense of it all," says Harry Stafford.  

"Now 40 years later, while I have never forgotten that seismic guidance, my interests, and influence stretch so far, I need someone like Marco to constantly surprise me.”

On August 2, 'Walk Among The Spectres' will be available from fine music platforms, including
SpotifyApple Music and Bandcamp. The full album 'We Are The Perilous Men' will be released on September 8 and will be available on black vinyl, as well as digitally.

CREDITS
Harry Stafford - vocals, piano, organ, wah wah guitar, jazz flute, synth
Marco Butcher - drums, percussion, guitars, sequencers, bass, keyboards
Tex Napalm - Drones and loops
Produced and Mastered by Marco Butcher at Boombox Studio
Catalogue no. BLRLP0057
Video directed by Harry Stafford
Cinematography by J.P. Conway


Keep up with Harry Stafford
Facebook | Bandcamp | Twitter | Instagram | Soundcloud | YouTube | Vimeo | Spotify | Apple Music | Booking contact | Press contact

Keep up with Marco Butcher
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California-based postpunk outfit Octavian Winters present 'Undertow' single, previewing debut EP

"The track feels like it was recorded in a studio deep beneath the earth, drawing power from subterranean caves and bubbling magma. There’s tectonic thunder in the pounding drums and rumbling bass... Such power, strong and true, a voice that scales the wall of sound beneath her with ease" ~ Joyzine


San Francisco post-punk outfit
Octavian Winters presents their new single 'Undertow', a dark propulsive offering underlining an aspect of separation from the world and the darkness that comes out of it - a sort of ominous current capable of pulling someone away from all hope. The accompanying video was directed, filmed, edited and  produced by Jay Adams with design by Eric Olson and Steve Devaney.

Born into the ghostly isolation of San Francisco in 2022, Octavian Winters is Stephan Salit (guitar), Randy Gzebb (drums), Jay Denton (bass) and Ria Aursjoen (vocals, keyboards), who together weave their visceral and ethereal sound into a texture all its own – of stories once told but half-remembered, under a dusk of shadows and stars, in an abandoned city under the winter moon.

Drawing from darkwave and post-punk traditions, Octavian Winters dives into the ethereal, their layered music counterpointing edged grooves alongside lush synth textures and soaring vocal harmonies.

'Undertow' is the second single from the quartet's debut EP 'The Line of Curve', recorded in San Francisco at OW Studio and 
Room 5 Recording by Mark Pistel (Meat Beat Manifesto, Consolidated). Produced by Octavian Winters and William Faith (The Bellwether Syndicate, Faith and the Muse, Christian Death, The March Violets), whose credits include Jarboe, Clan of Xymox, Bootblacks and Autumn, the EP was mixed and mastered by Faith at 13 Studio in Chicago.

'Undertow' is loosely inspired by Hans Christian Andersen’s classic tale of the little matchgirl, standing outside a window on a winter’s night, separated from all sustenance and warmth. Ignored by everyone around, and unable to sustain herself after lighting all her matches for warmth, she freezes to death in the snow.

“Could you join me here, could you find a way to melt the bones of the night?” Aursjoen sings, referencing the theme of isolation again, and the yearning for connection that will never come. “I think we have seen this dark ‘undertow’ overcome so many people in different and tragic ways during quarantine,” says Ria Aursjoen.

Octavian Winters' story begins in late 2021 thanks to a jam session that spawned from unfinished business. Gzebb and Salit, former bandmates in Thrill of The Pull, had met to discuss a film/television publishing deal for Thrill’s catalog (a four-year licensing deal has since been finalized with Expressive Artists). A subsequent jam session produced several motifs, inspiring them to meet several times over the next weeks to explore.

Gzebb invited Aursjoen, who he had met earlier via another project, to a session and the musical chemistry was immediately evident. Gzebb brought in bassist Jay Denton to round out the line up. Randy Gzebb notes, "This gave us the chance to really focus on composition and fully flesh out the song ideas”.

Octavian Winters debuted with the single
'Ondine', a song that draws from a mythical tragedy of love for a sea nymph, and the search ever after for her after she returns to the sea. The music itself transports the listener to a mythical world of sea elementals and an almost courtly love,

Each member of Octavian Winters brings their own rich musical tapestry to the collective and have shared the stage with many iconic acts over the years, including Nine Inch Nails, Killing Joke, Lords of the New Church, Savage Republic, Christian Death, The Frozen Autumn, Everything Goes Cold and Black Tape for a Blue Girl.

Ria (Amenti) Aursjoen, who has synesthesia and has nurtured generational musical seeds planted by her opera diva grandmother Lillian, has recorded and performed in the UK and US in genres ranging from Celtic folk to progressive metal and darkwave. She left her graduate work in theoretical physics to pursue music, touring as a Celtic harpist and vocalist for several years before making her home in San Francisco.

Drummer Randy Gzebb relocated to California from Canada, immersing himself in the San Francisco and Los Angeles music scenes in various projects. He was a member of '80s gothic rock band
Love Club, who were signed by Sandy Pearlman (The Clash and The Dictators), released on MCA Records, and produced by Bill Buchanan (Fields Of The Nephilim, Red Lorry Yellow Lorry, The Leather Nun).

Stephan Salit, who considers performing live his sacred space, has recorded and performed with a wide variety of groups including Specimen. Approaching each song as a canvas that calls for colour and depth, he views his playing as painting with sound.

Bay Area native Jay Denton, who spent some time on the road with Jack Kerouac, has had a diverse career performing classical and contemporary composers, and playing for various jazz and rock bands, including extensively with the house band at San Francisco’s famous Condor strip club. Jay has toured in London, Japan and across the United States.

As of August 2, 'Undertow' will be available from find music platforms, including
Apple MusicSpotify and Bandcamp. 'The Line or Curve' EP will be released on October 13 via Stratis Capta Records.

CREDITS 
Music written by Octavian Winters
Lyrics by Ria Aursjoen
Ria Aursjoen - Vocals / Keyboards
Stephan Salit - Guitars
Randy Gzebb - Drums
Jay Denton - Bass
Recorded at OW studios San Francisco, CA
Vocals recorded by Mark Pistel, Room 5 Recording, San Francisco, CA
Mixed and mastered by William Faith at 13 Studio, Chicago, IL
Produced by Octavian Winters and William Faith
Artist photos by Dina Marie Robinson
Jay Adams - Video director, cinematographer, editor producer
Eric Olson - Design
Steve Devaney - Design at Uroboros Choke
Concept, storyboard, set and costume design by Ria Aursjoen
Featuring
Cathenge art installation by David Normal


Keep up with Octavian Winters
Website | Bandcamp | Facebook | Instagram | Twitter | Tiktok | YouTube | Spotify | Apple Music | Press contact

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Armored Dawn Surprises with New Single, “Brand New Way”! Check Out DEBUT Single & Music Video for "S.O.S," Off of Upcoming Album, 'Brand New Way'!

Brazilian band ARMORED DAWN released their newest single "Brand New Way", the title track for their forthcoming fourth album, which will be released in the second half of 2023. Different from the heavy theme of the last singles, “S.O.S.” and “Tides”, “Brand New Way” brings a more optimistic view of life, of how we shouldn't let ourselves be overwhelmed by defeats or by those who want to bring us down, as there is always a new beginning and a new path to follow.

As with the previous singles, "Brand New Way" was mixed by CHRIS LORD ALGE(MUSE, GREEN DAY, NICKELBACK) and mastered by TED JENSEN (BRING ME THE HORIZON, EVANESCENCE, METALLICA), and again shows a great evolution in the band's sound. The music brings the characteristic identity that marks ARMORED DAWN's sound, expands horizons and surprises those who still don't know the band's music.

As is Armored Dawn's tradition, the new single also features a super-produced music video, directed by Rafael Agostino, also the band's keyboardist. The current lineup features Eduardo Parras (vocals), Tiago de Moura, and Timo Kaarkoski(guitars), Heros Trench (bass), Rafael Agostino (keyboards) and Chris Oliveira(drums).

Purchase / Stream "Brand New Way" Online!

Click to Buy / Stream "Tides" Online

Purchase / Stream "S.O.S" Online

Armored Dawn emerged in 2014 and became relevant in the Brazilian metal scene. After all, they played tours and shows alongside great bands like Saxon, Megadeth, Scorpions, Whitesnake, Europe, Hammerfall, Rhapsody, Fates Warning, Sabaton and Tarja.

The first two albums Power of Warrior (2016) and Barbarians in Black (2018), were produced by great names like Tommy Hansen (Helloween, Jorn), Bruno Agra (We Are Harlot) and Kato Khandwala (The Pretty Reckless, Papa Roach).
The third album, Viking Zombie, was produced, mixed and mastered by Rodrigo Oliveira and Heros Trench, the latter a veteran producer with over 200 bands under his belt and a Latin Grammy.

Featuring a sophisticated and versatile metal, the band collects great works in videos, such as “Sail Away”, which had a cinematic production, as well as “Beware of the Dragon”, shown in all movie theaters in Brazil during the trailers for the movie Aquaman, in 2018. “Ragnarok” and “Animal Uncaged” (recorded at the Rockfest festival, at Allianz Parque, São Paulo, when they played for around 37,000 people) add up to millions of views on YouTube.

During the pandemic, they released the single “Stronger Together”, which was very well accepted by the public.

Then, already preparing the ground for the forthcoming fourth album, “Brand New Way”, they released the singles “S.O.S.” which featured an amazing music video, and the heavy and melancholy “Tides”.

Recorded at Dharma Studios, mixed by Chris Lord Alge (Muse, Green Day, Nickelback) and mastered by Ted Jensen (Bring Me The Horizon, Evanescence, Metallica), the album will be released later this year.

Follow ARMORED DAWN Online

GREEN LUNG Announce New Album "This Heathen Land

The UKs finest purveyors of occult rock, GREEN LUNG, have revealed the details of their highly-anticipated third album “This Heathen Land,” that will be released on the November 3rd via Nuclear Blast Records. Alongside the announcement comes the first taste of the record, in the form of single “Mountain Throne,” a conflux of pyrotechnic guitar work and thrilling hooks.

Vocalist Tom Templar comments "We couldn't be more excited to share This Heathen Land with the world. This album is the culmination of five years of work as a band; an odyssey into the weird and wonderful world of British folklore that melds together our myriad influences - classic rock, doom, NWOBHM, horror film soundtracks, the BBC Radiophonic Workshop - and fashions something out of them that is utterly our own. 'Mountain Throne' was the first song we wrote for the album, and feels like a natural bridge from the old Green Lung to the new. We've always been inspired by the story of the Pendle Witches, and such an iconic subject required an epic rallying cry of a song - we hope that we've done these folk heroes justice!"

Pre-order “This Heathen Land” on various formats now at: 
https://greenlung.bfan.link/thllp

Stream “Mountain Throne” on all platforms now at: 
https://greenlung.bfan.link/mtsg

“This Heathen Land” is the most complete manifestation of the band’s vision to date, fulfilling their long-held goal to, in the words of vocalist Tom Templar, “create the definitive soundtrack to the folk horror film in our heads.” On “This Heathen Land,” the band have forged a sound and identity that is entirely their own, while maintaining the Sabbathian heaviness and addictive songcraft which made their previous albums so beloved in the metal underground. From the cover art to the vinyl inserts and lyrical themes, “This Heathen Land” is a painstakingly-researched and executed heavy metal love letter to the folkloric landscape of the UK.

”This Heathen Land” was produced by Wayne Adams at Bear Bites Horse Studios and was mixed by Tom Dalgety (Opeth, Clutch, Ghost).

GREEN LUNG is
Tom Templar - Vocals
Scott Black - Guitar
Joseph Ghast - Bass
John Wright - Organ
Matt Wiseman - Drums

Follow GREEN LUNG:

https://greenlung.co.uk/

https://www.facebook.com/greenlungband/

https://twitter.com/greenlungband

https://www.instagram.com/greenlungband/

https://www.youtube.com/@greenlungband