VK LYNNE Releases New Single "There is Nothing" feat. Joel Hoekstra and Marco Pastorino

VK Lynne, renowned for her work with stOrk and The Spider Accomplice, releases the third single from her new solo record , The Spider Queen, today, March 22, 2024. This latest release, "There is Nothing," written by VK Lynne delves deep into the realm of hard rock, featuring the legendary Joel Hoekstra (Whitesnake, TSO, Cher) on lead guitar and Marco Pastorino (Serenity, Temperance) on guest vocals. The single is a hard rock lament on the feelings of futility when trying to find hope in current society.

The single was co -written and produced by Cody Johnstone and mastered by Maor Appelbaum.

Accompanying the release is the official music video that can be seen below.

WATCH VK Lynne- "There is Nothing" (Feat. Marco Pastorino & Joel Hoekstra):

The LA- based singer/songwriter/frontwoman brings her plethora of eclectic musical experiences together on The Spider Queen. In the 2000’s she churned out 3 full-length blues rock records The Key of V, Black Halo, and Whiskey or Water. After the release of the latter, Lynne spent from 2010-2023 developing, writing, and singing with symphonic metal project Vita Nova, writing and singing for prog metal juggernaut stOrk, and finally, forming, writing, and performing with symphonic rock duo The Spider Accomplice.

The diverse genres of these endeavors come together on The Spider Queen to create a sound that she has dubbed ‘blues metal.’

In 2023, she toured North America and Eastern Europe with the The Spider Accomplice, supporting symphonic metal act Visions of Atlantis and rock/glam metal duo Hoekstra Gibbs, respectively. The latter tour introduced Lynne, Hoekstra, and Pastorino, and laid the groundwork for this current collaboration.

The Spider Queen is being released, one track per month with its accompanying video, the entire year of 2024.

For More Information Please Visit:

Official Website

Spotify

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Alt-Pop Star Dela Kay Drops Sizzling New Single "Nasty"

Alt-Pop sensation Dela Kay has once again captivated audiences with the release of her latest single, "Nasty." Co-written by Dela Kay herself, the track is a bold departure from her previous works, showcasing a daring

and uninhibited side of the artist. Dela Kay reveals, "I got together with friends and co-writers, Ryan and Cas (Jordan A Casty), and I wanted to write a song that was different from all my other songs. I wanted to express another side of myself I don't really share with my fans. Something that felt very 'in your face' and almost a fantasy type of song, showcasing what I feel is my alter ego, allowing myself to be blunt, sexy and just have a bit more fun."

True to her vision, "Nasty" incorporates a diverse range of musical elements, including pop, trap moments, and rock, all while maintaining an alternative sound at its core. Dela Kay's exploration of her wild side is evident throughout the track, as she fearlessly embraces themes of sexuality and empowerment. Reflecting on the creative process behind the single, Dela Kay shares, "We started messing with this guitar riff I had saved in my voice memos, and soon after playing it over and over the melody and phrase 'nasty' came through. From there, we ran with the idea and had a lot of fun with it."

Despite initial reservations, Dela Kay ultimately decided to share "Nasty" with the world, driven by the overwhelmingly positive feedback she received. The song serves as a reminder to listeners to embrace their sexuality unapologetically and to revel in their own desires. "It's about not being afraid to own your sexuality, no matter how you identify, and not being afraid to demand what you want and feel sexy," says Dela Kay. "We all are secretly a little bit of a freak, so why not have fun with it. Being nasty is hot." With its infectious energy and empowering message, "Nasty" is poised to become a standout addition to Dela Kay's repertoire, solidifying her status as a trailblazing force in the alt-pop scene.

MORE INFO:
Dela Kay, who hails from the vibrant music scene of Nashville, TN, draws inspiration from artists such as The Maine, Maggie Lindemann, Paramore, and Avril Lavigne. “Nasty” follows the success of her previous singles, "IDWTAY" and "Let You Down," which have amassed over 210K streams and secured a spot on Shazam's Best New Music Apple Playlist. Dela Kay, who identifies as a songwriter first and foremost, believes that this phase of her career is her most authentic to date. With a commitment to releasing a series of singles throughout the rest of this year, she is determined to leave a lasting impression and make her mark on the music industry with her unique voice and perspective.

In 2014, her electro-pop style began to emerge through a collaboration with Grammy-winning singer/songwriter and producer, Femke Weidema; which eventually led to her first electro-pop/European-infused single release, “9 out of 10,” as Dela Kay in 2016. Named by Earmilk as an artist who was gifted “with a rich, distinctive vocal style” for her 2018 release of “Make You Mine,” Dela Kay went on to continue releasing singles and garnering hundreds of thousands of streams. In 2019 Dela Kay released “All My Love” through Sony Music,

which ended up charting 49 on the top 150 global artist charts for Digital Radio Tracker as well as in the top ten for the Top Independent Charts. The release of “Think About You” shortly followed, which ended up becoming Dela’s highest-streamed song to date with almost 800k streams and counting. After a brief hiatus, Dela Kay marked her return by debuting a new, more alternative sound in 2021 with the release of “The Worst Part,” via Wonderland Magazine.

Encouraged by the positive feedback, Dela Kay delved deeper into this new sound with the release of "Old News," a collaboration with Ryan Dulude and Rikki Jo Randall. Closing out 2022, Dela Kay touched hearts with "Daughter," a poignant song dedicated to her father. This track marked a departure from her usual upbeat style, embracing a more folk-driven alternative sound, rich in vulnerability and cinematic storytelling. With the release of “Let You Down” in 2023, Dela Kay began her new journey with a wave of fresh content continuing throughout 2024. Looking ahead, Dela Kay plans to embark on a West Coast tour in the spring and summer, bringing her music and unique brand of storytelling to audiences far and wide.

DELA KAY ON SOCIALS:

INSTAGRAM | TIKTOK | SPOTIFY | YOUTUBE | TWITTER | FACEBOOK

NEW MUSIC - Zac Brown Band -Listen to "Tie Up" + Watch the Lyric Video

Jordyn Shellhart x Donovan Woods “Search My Name” Out Now

Warner Music Nashville singer/songwriter Jordyn Shellhart is continuing to share her own brand of conversational country with latest release, “Search My Name” featuring Donovan Woods. Listen to “Search My Name” HERE. Watch the lyric video Below.  
 
“Donovan Woods is a dear friend and one of my favorite artists in the world,” Shellhart shares. “When he sent me an early version of the idea for this song, I simply fell in love with it. Social media makes everyone insane, and as it turns out Donovan and I are included in that insanity, so this is a song about that.
 
“Getting to write and sing a song with Donovan, 10-out-of-10 would highly recommend.”

The airy and uptempo track was written by Shellhart, Ava Suppelsa, Robyn Dell-Unto and Donovan Woods and produced by Cameron Jaymes. The song finds Shellhart and Woods examining what the early blushes of a crush look like in the social media age and the self-doubt we can feel based on our online presence.

The new music follows Shellhart’s recent release “A Nice Thing to Do” featuring Charlie Worsham with Billboard opining the duo possessed “relaxed vocal styles, which bubble atop clean, graceful pop-country production.” These new collaborations come on the heels of a breakout 2023 for the Wyoming native who was named a member of 2024’s CMT Listen Up Class following the release of her cozy Christmas EP, Cross-Legged By The Fireplace, and debut album, Primrose, which garnered critical acclaim on multiple year-end best of lists.
 
“‘Ethereal country-pop’ is the best way to describe the debut album from Jordyn Shellhart, who writes with vulnerability and potent detail on Primrose,” lauded Stereogum, naming the 12-track project one of the “Best Country Albums of 2023,” while noting it’s “a perfect album for those who dreamt of an acoustic twangier version of Midnights.”
 
“A collection that offers immense career promise,” boasted Billboard upon its release, with Country Now declaring it “a work of pure artistry that will take listeners on a unique musical journey,” while Nashville Lifestyles observes Shellhart “jumps the line of intriguing new songsmiths with her debut…evocative in style and voice.” 
  
Known for her emotive storytelling and soulful melodies, look for more new music to be released this year. For the latest news and upcoming tour dates visit, jordynshellhart.com and follow along @JordynShellhart on Facebook, Instagram, X and TikTok. 

About Jordyn Shellhart:
Like a coming-of-age novel chronicling the heroine's passage from childhood to womanhood, singer/songwriter Jordyn Shellhart's 12-track Primrose ventures from joyful to introspective, providing intimate yet vivid glimpses into the Wyoming-native's most formative moments and milestones. Although her first full album for Warner Music Nashville, its refinement and sophistication stems from more than a decade as a signed writer, earning cuts by Little Big Town, Kelsea Ballerini, Cody Johnson and Don Williams. Whether asking "Who Are You Mad At," crooning over not the loss of a lover but of their mother in "Tell Your Mother I'm Fine" or the retrospective "Maybe Someday You'll Have A Daughter," Shellhart's Primrose is the first chapter in what is sure to be a storied career. 

Kenny Chesney's BORN Is Here; 15 Songs, "Sunday TODAY" & A Lotta No Shoes Nation

Four years... songs camps... good friends... crazy great musicians... new collaborators... writing songs to distill life, making music for all the reasons. Kenny Chesney didn’t see it coming, didn’t set out to make an album. Instead, he’s spent the time since the world shut down playing music with friends, scraping bits of life into lyrics and melodies, listening to songs he loved and recording when the moment struck with longtime collaborator Buddy Cannon. After all that, BORN is born.
 
“I can’t call it a process, because we never set out to make a record, just explore songs and moments for the sake of music,” Chesney offers. “All of sudden, time had passed and somehow we had all these songs that looked like different pieces of who I – and just about everyone in No Shoes Nation, too – am.
 
“It wasn’t a master plan. There was no theme we’re singing about that holds it together. But if you listen to all 15 songs, you’ll get the high energy fun, chasing adventures, don’t let people get you down piece and you’ll get the more reflective thinking about someone who’s died, the person you know you shouldn’t call emotions that have always been in the music, too.”
 
Whether the rush of “Just To Say We Did,” the chasing adventure “One More Sunset,” the sweeping drama of “One Lonely Island,” or the naughty no-strings delight of “Guilty Pleasure,” as well as the driving “Long Gone” and chilled philosophizing of “This Too Shall Pass,” BORN offers a bunch of feel good to make a crazy world feel better. On the other end of the spectrum, Chesney gets contemplative with “Come Here, Go Away,” the passage of time healer “The Way I Love You Now,” the pensive female freedom of “Top Down” and the album closing toast to those who’ve passed away “Wherever You Are Tonight.”
 
“Making music to make music, suddenly there’s room for a few road trip songs like ‘One More Sunset’ or ‘Just To Say We Did,’ songs that sound like me and my buddies growing up,” says the eight-time Entertainer of the Year. “And you don’t worry as much about having a few songs that are more introspective, or looking at the tough spots of letting go like ‘Thinkin’ Bout’ and ‘Come Here, Go Away,’ which everyone’s lived through.
 
“When you listen to ‘Born,’ there’s a whole lot of truth about living, life, the big questions and what we’re all trying to experience. That banjo out front really throws you into the song, which feels great. I love a lyric that throws out all the options, but it never actually tells you what to do. Here it comes down to one existential truth, no matter who you are or what you’re chasing: ‘one thing’s for certain, we’ve all been living since the day we were born.’”
 
After all these months, No Shoes Nation can finally unpack all the moods and moments that make BORN Chesney’s most far-reaching album to date. With “Take Her Home” cresting the Top 10, three layers of rehearsals under way for the Sun Goes Down 2024 Tour and Chesney on “Sunday TODAY with Willie Geist” this weekend, the time has arrived for new music to set the tone for another summer of tailgates and stadiums for No Shoes Nation.

Photo Credit: Allister Ann

FLAT BLACK Drop "NOTHING TO SOME" Feat. Corey Taylor — WATCH

Guitarist Jason Hook introduced his new band FLAT BLACK last year. 

The former Five Finger Death Punch guitarist teamed up with a trio of young and talented musicians and signed with Fearless Records for its debut album, the details of which are TBA. The album, produced by Hook and Chris Collier (Korn), was recorded at both Hook's home studio and The Hideout. 

Today, the band has shared a fierce and fiery new single with "NOTHING TO SOME," featuring a vocal cameo from Slipknot's Corey Taylor.

Watch the lyric video and listen to the song below. 

"NOTHING TO SOME" is a rager that is destined to land on year-end "best of" lists and in repeat rotation in your preferred music listening service. Bolstered by anthemic riffs, battering ram percussion, and full on rhythmic thrust, Taylor's vicious vocals sound as though he gargled with razor blades and battery acid before spewing his parts, and it's a beautiful thing. All of that, combined with a classic metallic influence that is threaded through the song, makes "Nothing to Some" a seriously definitive moment for Flat Black.

"'NOTHING TO SOME' features the brutal and unapologetic Corey Taylor," Hook says. "This guy is a bottomless pit of creativity and delivered a vocal that perfectly matched what I wanted for this track. The guitar solo is unique on the album in the way that I let it rip with no rhythm guitars underneath. Now that I'm in a one-guitar band, I could strip it down and let it be as raw as Corey is on the vocal track. I remember hammering out live takes with Rob pounding away next to me. It was inspiring."

ABOUT FLAT BLACK:
"I feel like FLAT BLACK is a secret I've been keeping for three years," Hook says. "It's finally time to unleash this band on the world. I'm grateful to Sully from Godsmack for giving us the chance to get out on the road and play for such an amazing group of fans."

Despite having reached a commercial summit with his prior band, thanks to multiple platinum certifications, sold-out arena shows, and a string of No. 1 singles, Hook remains as hungry for musical blood and thunder as the day he first picked up a guitar at the age of six. He is eager to not only replicate but to surpass his past successes with his new band.  

Having left his prior band in February 2020, which was right before COVID-19 put the entire world on pause, Hook wanted to assume creative control and let his musical free spirit soar in a project that was truly his. He opted to gamble on himself. With great risk comes great reward and the decision to form FLAT BLACK clearly worked out in his favor.

"As a musician, I crave freedom and I wasn't ready to stop creating," Hook shares.

"Life is short," he continues. "We all want to feel satisfied and happy with what we are trying to accomplish in life." 

 The pandemic shutdown allowed him the opportunity to assemble the right musicians and carefully craft their debut album. FLAT BLACK are armed with an arsenal of riffs that'll rattle your teeth loose from your gums, stadium-sized hooks, arena-ready anthems, and choruses that are guaranteed to touch a nerve. All of those factors combined make FLAT BLACK poised for success.

The origin stories of the rest of the players are indicative of a lifelong love of music and plenty of road-worn experience. The desire to play courses through their veins and propels them forward, which is why they all meshed so well with Hook.

Singer Wes Horton was introduced to music at age 13, thanks to his sister and Guitar Hero. He honed his vocal chops by playing in local bands and making online videos. Various music industry friends and acquaintances would become the connective tissue between himself and Hook. Horton knew he wanted to be a frontman, and FLAT BLACK afforded him that opportunity. Wes loves the fact that his bandmates prioritize songcraft — and that allows him to be the singer he has always wanted to be. 

Bassist Nick Diltz, who was born and raised in Los Angeles, is the son of a legendary rock music photographer who brought him to concerts during his formative years. He recalls being inspired by watching a VHS video of U2 performing at legendary venue Red Rocks. Seeing fans clamoring for a piece of Bono in the footage is a vision that never left his head. This first exposure to the power of a true rock icon solidified Nick's destiny as a live performer.

Drummer Rob Pierce hails from Nashville, aka Music City. His dad was a race car driver and his grandfather was a pastor. He grew up racing go karts and at first, wanted to follow in his dad's footsteps until he joined the fourth grade band and was bitten by the music bug. He chose the snare drum over the saxophone and from that moment on, music was the only thing that mattered. Rob got his first drum kit at age 11, which he set up in his dad's car shop. He learned to play his instrument next to 1,000 horsepower engines, which influences his highly energetic style to this day.The chemistry between the players in FLAT BLACK is palpable. And while FLAT BLACK's songs are built to take up real estate in the brains of fans for weeks at a time, the true nature of the band's material is meant to be experienced live. FLAT BLACK are now ready to hit the road and bring these brutal bangers to the masses live and in the flesh.

FLAT BLACK ARE:
Jason Hook — Guitar
Wes Horton — Vocals
Rob Pierce — Drums
Nicholas Diltz — Bass

KUARANTINE (Feat. Chris Jericho) Drop "Gone Girl Gone Bad" KISS Kover

BAND'S MISSION IS TO SPOTLIGHT HIDDEN GEMS FROM NON-MAKEUP KISS KATALOG!

KUARANTINE, featuring Chris Jericho on vocals, have dropped their cover of "Good Girl Gone Bad," a classic, hidden gem from the KISS songbook.

 Listen Below.

The song is available on Madison Records via The Orchard. It was the No. 1 Most Added track on the SMR Rock Chart as well as the Most Added song on the Mediabase Active Rock Activator Panel.

"The mission of Kuarantine has always been to pull the forgotten gems from the non-makeup, '80s KISS catalog, give them a modern polish, and unleash them on current mainstream rock radio, so they can get the respect they deserve," Jericho explains about the mission of this project. 

He continues, "With that mindset, we feel we've hit another home run with the 1987-released, underrated Gene Simmons classic 'Good Girl Gone Bad.' It's got more hooks than a tackle box, with a great chorus and brain-melting solos. This song is the perfect springtime tune to crank in your car and rock out with your unmentionables out! And with two Top 20 singles in our repertoire, we're stoked to get to the Top 10 and beyond. It's time to get KRAZY with KUARANTINE!"

The band also has a trio of shows confirmed for July. All dates are below.

KUARANTINE's lineup includes Joe McGinness (guitar) ; PJ Farley (bass); Kent Slucher (drums); and YouTube sensation Charlie Parra del Riego (guitar).
 
At 12 million strong on social media, there is nothing Chris Jericho can't do. He is easily one of the biggest entertainers of the modern era, cross-pollinating the rock, wrestling, and broadcast realms. Jericho has rocked the world for decades with his band, the 150 million streams (and counting) Fozzy. The band recently performed for over 80,000 rabid fans at an AEW event held at Wembley Stadium, along with a successful, sold-out UK tour.   He's a main attraction for AEW Wrestling, watched by millions of viewers on TBS each week. His over-the-top, rock star persona is one of the most beloved in the history of the sport. He is also a best-selling author, a film producer, and actor. 

He also launched the Chris Jericho Rock N Wrestling Rager at Sea cruise experience. The sixth voyage, "Six On The Beach!," sets sail to Puerta Plata, Dominican Republic, on January 31 through February 4 of 2025 and will sell out.

Jericho also hosts the incredibly popular and influential Talk Is Jericho podcast. It's a top-rated SiriusXM show and has collected over 220 million downloads while clocking 1,000 episodes.
 
KUARANTOUR LIVE 2024:
7/5 — Chesterfield, MI — Diesel Lounge 
7/6 —  Franklin, OH — JD Legends
7/7 — Warrendale, PA —  Jergels

Brodequin Streaming New Album

For a band that's so closely associated with The Dark Ages, Brodequin sure carried the torch for underground metal during the early 2000s. Brothers Jamie and Mike Bailey carved their names into the rusty annals of death metal lore on just the brute strength of their debut. But after feasting amidst a festival of death, gluttons for punishment were left spinning in agony when the band disappeared without a bloody trace. 

Now, at long last, aural masochists don't have to wait and bleed for more merciless methods of execution. The Bailey brothers are back with a new drummer and the first new Brodequin album in 20 years.   

Harbinger of Woe comes out this Friday, March 22. But you can receive its full beating today by submitting to  Season of Mist's YouTube channel. 

Listen to Harbinger of Woe Below

Pre-order:https://shop.season-of-mist.com/list/brodequin-harbinger-of-woe

Pre-save: https://orcd.co/harbingerofwoepresave

Harbinger of Woe is classic Brodequin. The opening song pauses for a beat or two just to relish the cries from its captive audience. Otherwise, the album never relents in bludgeoning you with brutal death metal. There is nothing gentle about "The Fall of the Leaf", which whips by harsh enough to tear flesh from bone.  

Like all of Brodequin's harrowed discography, Harbinger of Woe finds inspiration in the most torturous inventions known to man. "Suffocation in Ash" leads us inside an ancient Persian torture chamber, where new drummer Brennan Shackelford mercilessly buries the sorriest of sinners under a fine hail of blast beats and pinging cymbals. 

But Brodequin brandish fresh instruments of torture on Harbinger of Woe. The vocals are still as dank and guttural as a dungeon, but Jamie mixes in ghostly screams that fade like blood splatter. And while Mike's palm-muted riffs still churn like severed limbs through a meat grinder, lead single "Of Pillars and Trees" branches out into tendrils of reverb that slowly tighten like a noose. 

As torturous as it sounds, Harbinger of Woe isn't inhumane. With a breakdown that drops with the decisive force of a guillotine, the title track cracks open the  tormented psychology of a clinically trained executioner. "He is despised and rejected / feared by most members of society", Jamie gurgles as if bound and gagged by his own microphone. 

"This album is a journey into a lost period of history where brutality and beauty coexist", he says. "Beauty, in the arts that were created, but also the beautiful brutality that was needed to engineer deadly devices like the brodequin”.  

Look away if you must, but amongst true sickos, Harbinger of Woe is bound to be regarded as a truly vile work of art.       

Early praise for Harbinger of Woe

" Like the sonic version of some chemical weapon banned by international law...it's non-stop, it's unrelenting, and it's brutal as fuck - Metal Sucks 

"Absolutely crushing...equal parts driving death metal and slamming brutality" - Metal Injection

"Raw and guttural as ever" - Decibel

"Without a doubt, this is easily Brodequin's best album to date, and quite possibly the best brutal death metal album you will hear all year" - Metal Epidemic 

"Fans have an expectation of what they will get from this band and it's safe to say that this record is a kick right in the face" - The Razors Edge

After signing with Season of Mist in 2022, Brodequin re-issued their entire discography on LP and CD.

"Relentless, barbaric intensity" - John Gallagher (Dying Fetus), who named Instruments of Torture one of the most brutal albums ever.  

"Kicks in like a sledgehammer" - Metal Rage raved over Methods of Execution

"A merciless massacre" - Power Metal praised Festival of Death. 

Order: https://redirect.season-of-mist.com/BrodequinReisssues

Stream:
https://orcd.co/brodequin-methods
https://orcd.co/brodequin-festival
https://orcd.co/brodequin-torture

The Middle Ages might’ve brought the world out of The Dark Ages. But for every compass or printing press, those enlightened thinkers were also responsible for inventing the most torturous devices in human history. None were more brutal than the brodequin. Not only did the French use this instrument to cripple their victims, but to squeeze their legs to the point where bone marrow would spill out of their wounds.    

You could say the same about Brodequin. The band come with their own long and sordid history. Brothers Jamie and Mike Bailey have been playing brutal death metal since 1998. Putting his history degree to good use, Jamie’s lyrics are inspired by real historical events, staying true to death metal’s core thematic pillars of dismemberment, torture, abuse and murder. But their artwork broke from genre’s generic splatter illustrations by digging into intricate period woodcuts and beautifully grotesque oil paintings. 

“There simply was no point in history that was more brutal than the medieval period,” says Jamie. “At the same time that such barbarity was deployed, there was also an explosion in fine art, architecture and music. It all comes to feed our identity as a band”.   

Brodequin’s first album catapulted them far beyond their kingdom of Knoxville. “This band has stuck out in the underground with relentless, barbaric intensity”, says Dying Fetus’ vocalist and guitarist John Gallagher, who named Instruments of Torture one of the most brutal death metal albums ever. Festival of Death put another flesh-tearing arrow in their quiver (“Some of the fastest, most brutalizing death metal ever recorded” - Sputnik Music). But after sieging festival stages across Europe with Methods of Execution, the band had to be put on ice.  

“We had a series of deaths in our family”, Jamie explains. “Mike and I knew we had to step away until we had the time and were at a place mentally to give Brodequin the attention it deserved.”  

Now, after 20 years of peaceful silence, Brodequin have returned with fresh instruments of torture. The Brothers Bailey are back with a new drummer, a new label and their long-awaited fourth album.

“Brodequin had been away for so long that I was stunned by the level of interest from fans and record labels”, Jamie says. "Before playing Hellfest, the band was approached backstage by a metalhead rocking a Brodequin t-shirt who happened to work for Season of Mist. Soon enough, they were hitting it off with Michael Berberian. The rest, as they say, is history. 

“We all hung out for hours”, recalls Jamie. “The extraordinary level of enthusiasm shown toward our music made Season of Mist the obvious choice”. 

As has been the case with this band for their entire career, Harbinger of Woe lives up to its name. Lead single “Of Pillars and Trees” is classic Brodequin. Mike’s distorted guitar chords churn like limbs through a meat grinder. The way Brennan Shackelford pings, blasts and flays his snare through “Suffocation in Ash” with the all encompassing speed of a sandstorm. Jamie’s growls are so phlegmy, so rotted, that to drag them out from whatever dark bowel movement spawned them would make an executioner sick to their stomach. And yet — somewhere deep inside all that carnage hides a terrifying beauty. The title track leaves you deaf, dumb and blind, begging on your knees in the face of a punishing, almighty riff.    

“This album is a journey into this lost period of history where brutality and beauty coexist. Beauty, in the arts that were created, but also the beautiful brutality that was needed to engineer deadly devices like the brodequin”.  

With Harbinger of Woe, Brodequin reclaim their throne as the most brutal band in all of death metal.

Line up:
Jamie Bailey: Bass/Vocals
Mike Bailey: Guitar
Brennan Shackelford: Drums

Recording
Drums recorded at Brennan's Drum Room in Dallas, Texas.

Guitar, bass and vocals recorded at Navarre 24 in Harriman, Tennessee

Producer and sound engineer
Mike Bailey

Mastering studio and engineer
Brad Boatwright

Mixing studio and engineer
Josh Welshman

Artwork
Original artwork done by Jose de Brito.
Additional elements by Jamie Bailey.

Pre-order: https://shop.season-of-mist.com/list/brodequin-harbinger-of-woe

Pre-save: https://orcd.co/harbingerofwoepresave

Links:
www.brodequinofficial.com
www.facebook.com/brodequinTN
www.brodequin.bandcamp.com
www.instagram.com/brodequintn


Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Golden
12" Coloured Vinyl Gatefold - Transparent Red
12" Coloured Vinyl Gatefold - Transparent Yellow w/ Red Splatters

Sylvaine Streaming New EP

"A true labor of love, an exploration of Norwegian heritage and of self-discovery and her work is truly nothing short of inspirational" - Chicago Music Guide 

"Elegant, sublime, pure artistry...its impact can be felt for miles away" - Metal Temple

"This may be music that recalls Sylvaine's Nordic forbears, but it's also music for all of us, wherever we hail from, tugging at primal memories we can't fully comprehend" - Sentinel Daily

On her new EP, Sylvaine calls out from the deepest and darkest depths of emotion, only to reverberate with the ethereal power of her voice. 

Eg Er Framand comes out this Friday, March 22. But you can listen to all six songs today on Season of Mist's YouTube channel.

Listen below.

Sylvaine has grown into a guiding light for ambient post-metal, but her second EP traces back to her earliest roots.  

Kathrine Shepard grew up in Norway, amidst the contrasts between nature and urbanity, on the outskirts of downtown Oslo. While studying music, dance and drama in high school, she performed several times at the Kampen Church. This 19th century relic is where Kathrine recorded most of Eg Er Framand, which includes interpretations of traditional Norwegian folk songs, along with three of her own original songs to the cannon.

When Sylvaine first heard the title track, it hit her like no other song had before. Since then, she's shared "Eg Er Framand" with rapturous audiences everywhere, but this EP is the first time she's captured its magic on record. Each note is held with soft restraint, as if cupped into the palm of her hand, like an offering. Close your eyes and envision her reaching through the trees, into the shadows, as her feet slowly lift off the ground. 

To this day, “Dagsens Augo Sloknar” still has mysterious origins, but the lyrics were written in 1891 by Elias Blix, a professor-turned-politician who also wrote hymns. Staying true to the original’s delicate, reverent melody, Sylvaine sings in a breathy, elongated whisper that’s haunting and soothing, like a shadow. But while it opens with just a steady hum of organ, her rendition ends by pulling you into a trance.

Eg Er Framand intimately explores the transient nature of humanity against a steady, familiar backdrop of Scandinavian landscapes. Ascend with Sylvaine into a land before time that feels both ancient and renewed.

Since Eg Er Framand was announced, Kathrine has been revealing its overarching narrative piece by piece. With the album's arrival on YouTube, she's now giving us its final chapter so that we can read the whole story from start to finish.

A beating heart so pure
Who wished to feel once more
As her eyes slowly opened to the world

She lifted her head
And at once beheld
A light in front of her

A path to take
The choice to make
To lead her on her way

A story about to begin
Of a soul ignited again
On a road to turn loose dismay

This guiding light
So strong and bright
Called out for her to follow

For this life
Could lead to strife
If her core she did not shadow

In heavy rags draped
With a spirit that ached
She started moving forward

As she stumbled thru
A dance of hope grew
The motion to leave her untethered

She reached out for the light
Yet darkness did not fight
To be unbroken, the two should marry

For truths she desired to meet
In this she happiness could seek
Releasing the clasp of woe and worry

This world may seem cold
And peace it might not hold
Yet so much beauty she encountered

But only for a moment in time
Does one get to experience this life
Accepting this gift, she no longer suffered

Sylvaine is embarking on her first-ever solo tour this summer. She'll be performing songs from Eg Er Framand on stages across Europe with her new Season of Mist labelmate Eivør.

"I'm so very excited to be heading out on my first-ever solo tour supporting none other than the wonderfully talented Eivør!", Kathrine says. "I'm honored to be sharing the stage with her and her musicians, and can't wait to showcase my music in a different format. It will be an intimate, emotionally heavy ride. October can't come soon enough!" 

Get tickets at: eivor.com

In preparation for their tour together, Eivør and Sylvaine put together a playlist of their favorite songs. Get in the mood with some of the choice cuts off Nova and the soundtracks to The Last Kingdom and God of War Ragnarök.

Stream:https://open.spotify.com/playlist/7k4ImSEttiL9O6gOQ1tmrn

Kathrine Shepard, the visionary artist behind the evocative musical project SYLVAINE, weaves an intricate tapestry of emotions through the language of music. A transcendental bridge between worlds, a mesmerizing duality that encapsulates the beautiful and the harsh, light and darkness, serenity and chaos, and the delicate balance between the external world and the inner sanctum of the soul. It is a symphony that harmonizes the human experience with its spiritual origins – a resonance of something beyond the tangible.

Sylvaine’s compositions are a visceral journey through the vast spectrum of emotions that the complexities of the human experience have to offer. They encapsulate the inherent struggle of being an entity in this world, yet not entirely of it. Kathrine’s music serves as a conduit for her innermost feelings, a cathartic expression of the eternal longing that resides within the very core of her melodies.

Akin to a fairytale spun from the threads of Norwegian folklore, a narrative that resonates with the spirits of ancient woods and the whispers of long forgotten creatures. With every ethereal note and haunting melody, she conjures images of untamed forests, of misty clearings inhabited by mystical beings. In this artistry, there is an undeniable sense of transcendence, where listeners are transported beyond the confines of the ordinary into a dreamscape where reality and fantasy converge. A profound sense of wonder and allure creates a unique musical alchemy – with a touch of enchantment that lingers long after the music has ceased.

With four albums and one split-EP released to date, Sylvaine’s ethereal soundscapes have been taken to stages across Europe, North America and South America, leaving audiences mesmerized by the transcendent power of the band’s live performances. Two of these albums have been nominated for the Norwegian Grammy Awards Spellemannprisen in the category of metal. The ability to transport listeners to otherworldly realm through her music is a manifestation of the artistry & profound impact the band can bring.

As Sylvaine prepares to unveil her upcoming EP, Eg Er Framand, she embarks on a deeply introspective and serene journey through the rich tapestry of Norwegian heritage and tradition. Folk tales of old are brought to life in this new chapter of her musical odyssey, offering a glimpse into the depths of her creative spirit and an exploration of the roots that anchor her artistry. A reflection of myths is embraced through exquisite sonic realms.

Line-up
Sylvaine - Vocals, Church Organ, Guitars, Synthesizers & Percussion

Recording Studio
Kampen Kirke

Sound Engineer
Sylvaine

Mixing Engineer
Magnus Lindberg (Magnus Lindberg Productions/VRTKL Audio/Redmount Studio)

Mastering Engineer
Karl Daniel Lidén

Biography:Sébastien Gamez

Cover art & Photography:Helena Aguilar Mayans

Layout & Graphic Design: Dehn Sora

Pre-save:
https://orcd.co/egerframand

Pre-order:
https://shop.season-of-mist.com/list/sylvaine-eg-er-framand 

Links:
Official Website: https://www.sylvainemusic.com/
Apple Music: https://music.apple.com/us/artist/sylvaine/455094955
Bandcamp: https://sylvainemusic.bandcamp.com/music
Facebook: https://www.facebook.com/sylvainemusic
Instagram: https://www.instagram.com/sylvainemusic/
Spotify: https://open.spotify.com/artist/5C9ocrDvsfSz8qcxG70QEe
Twitter (X): https://twitter.com/SylvaineMusic
Youtube: https://www.youtube.com/channel/UCYoMxOgKpnqGrj-impj1wDQ
Last.FM: https://www.last.fm/music/Sylvaine

Booking Contact:
Alexander Obert - alexander@doomstarbookings.com

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Coke Bottle Green

Alt/Pop/Synthwave Artist, Arena, Releases New Single "What's Your Damage?"

Rochester, NY's Alt/Pop/Synthwave sensation, Arena, has just dropped a new single titled "What's Your Damage?" Now available across all major platforms, this track encapsulates a journey through introspection and realization.

Frontman Joey Arena shares insights into the song's inspiration, offering a poignant reflection on the aftermath of a breakup. "What's your damage?" he asks, delving into the complexities of understanding his former partner's behavior. In a moment of clarity, he recognizes that the issues at hand aren't solely his burden to bear, but rather stem from the unresolved damage within her. The desire to mend and make things right lingers, yet the cycle of turmoil persists.

"I think more than anything it was about reflecting on a breakup and realizing that it’s not you, it’s her. Like “what’s your damage” is asking her what her problem is? What damage was done to her that she treated you so badly? All you wanna do is fix it for her, make it right, etc and all she does is continue to create problems or have issues."

WATCH ARENA - “What’s Your Damage?” Official Video Below

After picking up his first guitar at the age of 10, Joey Arena knew there was no “Plan B,” music is his purpose. Making friends with the road at the age of 17 and living one night at a time, the stages grew bigger as did the fans along the way. Arena grew up in a city of arts, Rochester, NY. The home to household names such as Lou Gramm and Steve Gadd; a geographical foundation in which he’d build a music career.

For More Information Please Visit:

Arena

Facebook

Instagram

Twitter

BandCamp

YouTube

VLTIMAS Streaming New Album

The members of VLTIMAS are all legends in their own right. David Vincent blessed the sick for Morbid Angel. Rune Eriksen made grand declarations of war as Mayhem's blasphemous axe man. No one is more vile than Flo Mounier, who's been drumming for Cryptopsy since their earliest exhumations of the underground. But on their second album together, VLTIMAS are mightier than ever.      

EPIC comes out this Friday, March 15. But you can listen to the whole album today on Season of Mist's YouTube channel in partnership with Decibel magazine. 

Listen to EPIC: https://redirect.season-of-mist.com/vltimas-epic-premiere

Pre-order: https://redirect.season-of-mist.com/VLTIMASEPIC

Pre-save: https://orcd.co/vltimasepic

VLTIMAS have so much history under their bullet belts that some gatekeepers may have wondered if there were any new realms for them to conquer. After all, their first album was voted album of the year by BangerTV.

And yet - their new album boldy declares that these devils aren't content with merely living among the lords of chaos. Though written amongst the many comforts of Vincent's Texas ranch (long walks, plenty of booze) EPIC is dark, extreme and unrelenting. Everyone gets to flex their muscles. Rune rips off fiery riffs from all angles on blistering lead single "Miserere". Though it starts off as a slow burn, Flo blazes through "Scorcher" with blast beats that are so wickedly precise they belong in a museum. David's growl could still summon underground hordes to the alter of madness, but "Invictus" rolls out a new style of death metal vocals.

"I'll not be blinded and I'll never be for sale", he sings with a grizzled battle cry.

But EPIC amounts to a heck of a lot more than just the sum of VLTIMAS' devilish talents. It's a testament to everything these underground heroes have stood for the past 30 years: crushing speed, surgical precession, strength in one's own convictions.

Early Praise for EPIC

"VLTIMAS could hardly fail, given the pedigree of everyone involved, but this suggests that Vincent, Eriksen and Mounier are not leaving anything to chance. EPIC live up to its name and then some" - Blabbermouth (8/10)

"An album that is so varied that it could be heard a dozen times yet not be completely comprehended...it is sure to stand as one of the most original studio outings of the year" - Sonic Perspectives(8.9/10)

"A smooth and dynamic ride...you almost feel like you're listening to the soundtrack to a dark, theatrical play. It has that epic-ness to it, pun intended" - A&P Reacts

"Evil D has blessed us again with the fruits of one of his more recent ventures....a very solid sophomore effort for VLTIMAS" - Metal Injection (8/10)

"EPIC lives up to its title, treading the line between imperious grandeur and ridiculous pomposity" - Metal Hammer (4/5)

"A mix of black and death metal among other influences, EPIC represents a major victory for VLTIMAS' expanding team" - Metal Insider

"Any time you have a chorus with 'Die, Die, Die' - come on - that is classic" - Teeth of Divine

Extreme metal powerhouse VLTIMAS (pronounced 'uhl-tuh-mas') assault metaldom once more with their highly-anticipated sophomore album, EPIC, through Season of Mist. Featuring Norwegian guitarist Rune "Blasphemer" Eriksen (ex-Mayhem, RUÏM), American vocalist David Vincent (ex-Morbid Angel), and Canadian drummer Flo Mounier (Cryptopsy), the multinational quintet, rounded out by Dutch bassist Ype TVS (ex-Dodecahedron) and Portuguese guitarist João Duarte (Corpus Christii), continue to venture down their path. Moored by strength and integrity, VLTIMAS fortified their signature with wicked invention, as applauded by Decibel Magazine, BangerTV, Louder, and many others, on their debut, Something Wicked Marches In (2019). Singles "Miserere," "Scorcher," and "Invictus" showcase a band of musicians at the top of their game, united in their pursuit of oneness.

"We wrote every bit of EPIC together at my ranch in Dime Box, Texas," offers Vincent. "The writing sessions were as organic as they could be. There were times when, at the end of the night, Rune would take his guitar and play something ridiculous. Flo would play something even more ridiculous on top of it. I'd say to the guys, 'I need to capture this.' So, the magic [of VLTIMAS] is being in the same room together, discussing, playing, and recording music and everything else we're doing together. We have unbelievable camaraderie."
 

While the members of VLTIMAS are not atavists, their preferred creative methods are time-tested and battle-hardened. Technology has its place, but the group thrive when they're together, not separated by the world. Eriksen, renowned as a riff innovator, is more effective when he's got a highly capable sideman like Vincent or Mounier, whose drumming in Cryptopsy and his celebrated instructional Extreme Metal Drumming 101 DVD has proven to be a no-limits player, by his side. Whether it's the moody, angular attack of "Miserere," the wicked groove of "Mephisto Manifesto," or the dark fury of "Nature's Fangs," the chemistry and enterprise of VLTIMAS is undeniable.

"The main goal [of VLTIMAS] is to be real," Eriksen reveals. "To channel the very moment, to let true inspiration out. I don't believe I ever set myself a goal on what an album should or needs to sound like before I or we write it because that means I have to compromise during the process. For EPIC, we focused on more direct songs, trimming the fat, as opposed to Something Wicked Marches In, which had a progressive and 'playful' flair."

VLTIMAS was a profane concept—a constellation of riffs against a modest frame—when formed by Eriksen in 2015. After departing Mayhem in 2008 and putting his gothic doom outfit Ava Inferi to rest in 2013, the Norwegian's fingers still itched with infernal fury. VLTIMAS was his vent, and when Mounier and Vincent joined, he finally had the cadre of professionals to make it a reality. Together, they devised complementary schemes and themes rooted in rightness. In a world gone mad, VLTIMAS had a vision. On Something Wicked Marches In, they commanded attention with metaphors about the apocalypse, the ancient goddess Lilith, and truth. Lyrically, EPICspears into the very nucleus of strength through Vincent's brio of double entendre and clever wordsmithing. The songs are designed to be heard, read, and interpreted—there are no shortcuts.

"Everything we're doing and messaging is about strength and honor," says Vincent. "These are the fundamentals that I incorporate into my life, which I believe in. I want to share with others, hoping they'll incorporate strength and honor into their lives. I wouldn't say I like spelling lyrics out. I use a lot of double meanings on purpose because I want to inspire the listener to think. I'm not a short attention span guy, and I don't appreciate it. EPIC is holistic and meant to be experienced that way."

EPIC was recorded by producer Jaime Gomez Arellano (Paradise Lost, Grave Miasma) with engineer Jonathan Mazzeo (First Fragment, Sickening) at Arda Recorders in Porto, Portugal. VLTIMAS tracked the album throughout May 2023. Arellano also handled the mix and master. Like everything the band does, the main goal was to be honest. The maxim of no sample replacement or re-amping—EPICwas captured on outboard gear—was adhered to and enjoyed by the team. The result is a sonic expression that sounds like nothing else. From the crushing title track to the epic musicality of closer "Spoils of War," EPIC is an absolute beast.

"Stress, long walks, too much alcohol, yet very focused once in the recording mode," Eriksen says of the sessions. "We booked a month, but somehow, that flew by instantly. We worked up until the very end. I even added a few solos at my local Soundscape Studio in Almada, Portugal. Art unfolds, and once you think you are done, there's always another idea popping up."

VLTIMAS brought Italian artist Daniele Valeriani (Mayhem, Unanimated) to visualize EPIC. The aesthetic, as illuminated by music and message, was iconic boldness. The three-eagle head crest with three different crowns, accompanied by transfigured symbols of the Passion and the "impossible triangle," projects effortlessly. In EPIC, the group will dominate. There's no escape from "Miserere," "Mephisto Manifesto," "Scorcher," and "Invictus." Together, they thrust, by resolve and inventiveness, VLTIMAS into the uppermost echelons of extreme metal.

"[EPIC is] old meets contemporary, a symbiosis of all the great things we love about extreme metal," offers Eriksen. "All combined into one album."

"I want to be as emotional and honest [with VLTIMAS]," Vincent adds. "I want to tell stories; I want to have the themes that appeal to me; I want to have some messaging that someone can take away, in this case, strength. EPIC is strength."

Lineup
David Vincent - Vocals
Rune Blasphemer Eriksen - Guitars
Flo Mounier - Drums
Ype TVS - Bass
João Duarte - Guitars

Recording studio
ARDA Recorders

Producer
Jamie Gomez Arellano

Sound engineer
Jonathan Mazzeo

Mixing and mastering engineer
Jaime Gomez Arellano

Mixing and mastering studio 
Arda Recorders, Orgone Studio

Cover art
Daniele Valeriani

Additional artwork and layout
Adrien Bousson

Biography
Chris Dick

Pre-save: https://orcd.co/vltimasepic

Pre-order: https://redirect.season-of-mist.com/VLTIMASEPIC

Links:
Apple Music: https://music.apple.com/us/artist/vltimas/1445457453
Bandcamp: https://vltimas.bandcamp.com/
Facebook: https://www.facebook.com/vltimas/
Instagram: https://www.instagram.com/vltimas/
Spotify: https://open.spotify.com/artist/0kz64zyv2xtkdhboztpdwa
Twitter: https://www.twitter.com/vltimas?lang=en

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Skull Gold
12" Coloured Vinyl Gatefold - Dracula
12" Picture Vinyl

NIKITAA DROPS EMPOWERING ANTHEM “GODLESS” A Defiant Ode to Liberation

R&B Pop Singer-Songwriter, Nikitaa, unveils their latest single "Godless," a compelling anthem of liberation and self-worth. Co-written by Nikitaa, "Godless" captures the journey from vulnerability to empowerment, resonating with those who have broken free from toxic relationships. Produced, mixed, and mastered by Nikitaa themself, "Godless" stays true to its theme

of defiance, incorporating choral and orchestral elements to create a powerful pop ballad. With raw honesty, the track celebrates the courage to walk away from manipulation and reclaim personal power.

Nikitaa, an LA-based artist born and raised in India, infuses their music with ethereal Pop/R&B influences and their South Asian heritage, creating what they call Goddess Pop - music that emphasizes the fluidity of gender and emotional expression. As a genderfluid demisexual person, who predominantly uses they/them pronouns, Nikitaa is always emphasizing the importance of representation and inclusivity in the music industry. With almost 6 million YouTube views/Spotify streams combined, Nikitaa’s music has captured the attention of listeners instantly. Their third single “Majesty'' landed placement on NMF playlists across the world, and their singles through 2020 were released during lockdown with self-directed and produced videos that soared on Spotify and YouTube.

Looking ahead, 2024 promises to be a groundbreaking year for Nikitaa, with an EP on the horizon that is sure to captivate listeners. Inspired by artists like Beyonce for her knack for genre bending, fluidity in style and vocal prowess, and Jon Bellion for his overall songwriting; Nikitaa continues to push boundaries, blending genres and incorporating Indian and Middle Eastern instrumentation into their music.

MORE INFO:
Throughout 2023, Nikitaa explored themes of vulnerability and strength in singles like “Scheming,” “On My Own,” “Peter Pan,” “Throne,” “Daddy Era,” and “Truman Show,” receiving recognition from Rolling Stone India, Radio One India, and Ones To Watch playlist Now Watching. Additionally, Nikitaa's keen ear and exceptional lyricism have led to brand placements with Splice’s Pride Month and South Asian Heritage Month campaigns.

Nikitaa’s work as a songwriter extends beyond their own projects, with credits on tracks for artists such as Trophy Boy (Nightmare, T.O.F.U, & Trophy Boy), Srushti Tawde (Breakfast Over Bae), RIKA (Grown Up), Aastha Gill, Munawar Faruqi, and Robica.

NIKITAA ON SOCIALS:

INSTAGRAM | YOUTUBE | SPOTIFY | WEBSITE | TWITTER | TIKTOK | FACEBOOK

SINGER, SONGWRITER AND ACTRESS, MAYA J, UNLEASHES SASSY NEW POP TRACK “PRINCESS” ON HER BIRTHDAY

Maya J, the dynamic artist known for her prowess in acting, songwriting, and musical composition, has unveiled her newest musical masterpiece, "Princess." Released on her birthday, this sassy mid-tempo

Pop-R&B-trap fusion is poised to captivate audiences worldwide with its infectious beats and empowering lyrics. Fans and critics alike have already heralded "Princess" as a "Certified Pop Banger," perfectly suited for those embracing their confident era, and some even say it’s 100% HBCU-ready for the field and band.

Presented by Glitter Rain Entertainment, Maya J's RIAA-member record label that she has been operating since 2014, "Princess" marks another milestone in her musical journey. As both the creator and performer, Maya J infuses the track with her trademark style, seamlessly blending pop sensibilities with elements of R&B and trap. "Princess" boasts Maya J's signature violin tricks woven throughout the recording, showcasing her multifaceted talent. Notably, the strings and violin showcased in the song are performed live by Maya J herself, offering listeners a rare glimpse into her instrumental prowess.

Describing her vision of a princess, Maya J shares, "A graceful, poised, & classy young lady. Charitable and/or accomplished. Amiable. Defends and protects herself as well as others; her kindness shall not be taken for weakness." Through her music, Maya J not only entertains but also imparts valuable insights on strength, grace, and self-assurance. The release of "Princess" follows the success of Maya J's previous single, "Chills," which quickly garnered acclaim and landed a spot on Apple Music's Best New Music Playlist. With each release, Maya J continues to push the boundaries of her artistry, blending her background as a violinist with her lifelong passion for music to create truly harmonious compositions.

MORE INFO:
Maya Jenkins has consistently demonstrated her commitment to excellence in her craft, both in music and acting. A product of a New York/Los Angeles acting conservatory and training at renowned LA actor studios, Maya J's dedication to her artistry is evident in every project she undertakes. Her musical journey began with the debut single "Symptoms of You" in 2016, followed by a series of successful releases. Maya J's artistic achievements include the well-received "Come Find Me" and "Like You," with the latter showcasing her skills not only as a songwriter but also as a director and co-producer of the accompanying music video. Maya J's creative contributions extend beyond her solo career; her song "Tell Me" was selected for the season 2 promotional trailer of ABC Family’s hit series, “Famous in Love” in 2018.

CONNECT WITH MAYA J:

INSTAGRAM | SPOTIFY | YOUTUBE | WEBSITE | TWITTER | FACEBOOK

"Wherever You Are Tonight" is Kenny's 4th + Final Grat Track

Having made the decision BORN, his first new album in over four years, would be a project that would offer a complete sense of who he is and what his music is made of, Kenny Chesney wanted his final grat track to be something that reached beyond the here and now to embrace those people who’ve left us. “Wherever You Are Tonight,” a piano-grounded ballad, is a philosophical consideration of where people go after they pass, but also suggests that while we can’t see them, it doesn’t mean they’ve actually left us.
 
“The thing about this song that struck me,” Chesney said, “is that idea people we love never truly leave us. We can’t see them, or know where they go after they pass on, but everything we shared remains... who we are because of them, that doesn’t change. But this song suggests that beyond the grief, the pain and the memories, wherever the people we love are, they’re not so far away.
 
“There’s a line in the lyric: ‘You’re not gone, just out of sight/ You’re here with me, wherever you are tonight...’ And that might be, since we don’t know what happens next. Maybe you can be in two places at once; you can be in heaven and on my right shoulder. Who’s to say? But for all the people who’ve passed on, I love the idea that they’re still here.”
 
Written by GRAMMY-winner Mike Reid, best known for Bonnie Raitt’s “I Can’t Make You Love Me” and three-time Songwriter of the Year Gary Burr, both in the Nashville Songwriters Hall of Fame, “Wherever You Are Tonight” is a song not of sadness, but also celebration. Mining Chesney’s at times ruminating on life deep dive song sense, the four minute song is delivered as a late night conversation that reflects on the power of life-changing friendships.
 
After two verses of piano, strings drift in like mist and an electric guitar cuts through. But the star of this heartfelt song is Chesney’s warm, slightly porous tenor; strong enough to shoulder the emotions, but also vulnerable and hopeful enough to hold a space for what requires faith.
 
As BORN’s May 22 release draws closer, the eight-time Entertainer of the Year and only country artist in Billboard’s Top 10 Touring Artists of the Last 25 Years for the last 15 years wants to provide a complete picture for what No Shoes Nation can expect. Already cited as one of spring’s most anticipated albums in any genre by Esquire and one of Holler’s “Country Albums to Look Forward To,” Nashville Lifestyles offers BORN “continues his reign as master of the bigger picture... themes of gratitude, nostalgia, optimism, and resilience, the album celebrates the wild act of just living.”
 
“There’s so much on BORN,” Chesney explains. “And I know some people like different pieces of the music for different reason. It was important to me for people to have a sense of everything that’s here, so while five songs early feels like an awful lot, I think it’s a pretty good sense of what these 15 songs taken as a whole represent. I can’t wait for No Shoes Nation to show me what their favorites are.”
 
With the Sun Goes Down 2024 Tour kicking off at Tampa’s Raymond James Stadium on April 20, the BORN tour edition is also available for pre-order through a link provided to ticket buyers and premium fan club members. Containing three live tracks, it adds the pulse of No Shoes Nation to a collection of songs designed to offer a look at shrugging off the things that pull you down and celebrating the euphoria of being in the moment with people you connect with.

SACRAMENTO’S SIMON SAYS ANNOUNCE SPRING HEADLINING RUN, DIGITAL REISSUE OF ‘PERFECT EXAMPLE’

Reunited Sacramento Emocore/Nu-Metal pioneers Simon Says have announced they will hit the road this Spring for a string of dates, the band’s first in over 20 years, kicking off with a hometown Sacramento reunion show at Goldfield Roseville on 3/22. Simon Says will hit the Whisky-A-Go-Go in West Hollywood on 4/4, before a string of cross country dates in May, supported by LA rock act Oceans On Other Planets.

3/22 | Roseville, CA | Goldfield - Roseville

4/4 | West Hollywood, CA | Whisky A Go-Go

5/5 | Des Moines, IA | Lefty’s*

5/7 | Joliet, IL | The Forge*

5/8 | Pittsburgh, PA | Crafthouse*

5/10 | Lakewood, OH | The Winchester Music Tavern*

5/11 | Hanover, PA | Rock On The Hill Music Festival*

(w/ Jimmie’s Chicken Shack)

5/12 | Toledo, OH | Ottawa Tavern*

8/10 | Three Forks, MT | Rockin' The Rivers (w/ Stone Temple Pilots, Hoobastank)

(* w/ Oceans on Other Planets)

Simon Says has also announced the digital release of their breakthrough independent release Perfect Example, remastered by Richard Easterling (Taproot)which will be available on digital outlets for the first time on Friday, April 5th via THC: Music.

The band announced in September they had reunited with their original lineup - Vocalist Matt Franks, Guitarist Zac Diebels, Bassist Mike Arrieta, and drummer Mike Johnston, for the first time in over 20 years, and are working on material for a new studio album to be released in 2024 via THC: Music/Amplified Distribution.

Additionally, the band’s 2 major label releases Jump Start and Shut Your Breathhave both been made available on all digital and streaming platforms for the first time.

Simon Says formed in the buzzing Sacramento scene of the early 90s, among the ranks of contemporaries like Far, Papa Roach, Will Haven etc, and released their first demo EP in 1994, followed by two independent LPS, the cassette only Little Boy, and the follow-up Perfect Example, which would sell more than 5000 copies, and define the sound that would see the band signed to Hollywood Records a short time later. In 1999 Simon Says released their major label debut Jump Start, which yielded the hit modern rock singles “Life Jacket”, and “Slider”, which both charted in the Top 40 on the Billboard Mainstream Rock charts.

The band would go on to release their darker and heavier fan favorite sophomore LP Shut Your Breath in 2001, which spawned the single “Blister (Nothing)”, which again found its way onto the Billboard Mainstream Rock chart, and saw the band touring Worldwide performing alongside Creed, Staind, Filter, Limp Bizkit, Foo Fighters, Blink 182, Deftones, Monster Magnet, Rollins Band, Kid Rock, Type O Negative, and many more, before disbanding in 2001.

Franks, Diebels, and Arrieta, with drummer Dave Marich, formed the short-lived Key To Arson, which released the independent LP Light ‘Em Up, before disbanding in 2004.

Despite the 20+-year hiatus, the members of Simon Says have stayed active, not veering far from their musical roots, with guitarist Zac Diebels producing music in his Sacramento studio, and dabbling in his project Automatic Static with Simon Says vocalist Franks, who also plays bass in progressive Sacramento band SAGES, with Far drummer Chris Robyn. Bassist Mike Arrieta had a brief stint in Cleanse, while drummer Mike Johnston found a niche as one of the top internet drum instructors with mikeslessons.com, spawning the celebrated Youtube drum instruction page “mikeslessons” with over 230k followers.

Says vocalist Franks, “It really happened by accident. We got back together and got in a room to even discuss this stuff, because of the huge amount of fan interest in the first two records, which, at the time, were not even available digitally. So, we got together to discuss that, and try to figure out how to reconnect with our former label, Hollywood, and find a path to release for those records, which really sparked a renewed interest and friendship for all of us, after getting in the same room after so long.”

He adds, “As so much time had passed, you realize hurt feelings from 20 years ago don’t really matter anymore, and I think we all have kind of a renewed appreciation and respect for each other, and the ability for us to even be able to play music together. We’re just thankful there are so many fans still pulling for us, and looking forward to whatever new experiences this next chapter will bring, for us, and the fans.”

Visit Simon Says on the web at simonsaysus.com, or at facebook at facebook.com/simonfnsays.

MARKO HIETALA & TARJA TURUNEN Release Video For Duet Single ´Left On Mars´

Experience the celestial harmonies of two iconic voices as Marko Hietala and Tarja Turunen unite in a mesmerizing duet like never before!

Embark on a journey through space and time with ´Left On Mars´,  a captivating single and accompanying video that transcends boundaries of genre and imagination. Inspired by a tale of love and longing, this ethereal ballad combines Marko's emotive lyrics and powerful riffs with Tarja's hauntingly beautiful vocals, creating a symphony that resonates deep within the soul.

Marko Hietala about the song: “A love song to my wife which ends up uniting two old friends. Even if the song itself sucked, I would be pleased about the result!”

Check out the video for ´Left On Mars´ Below.
Listen to the song on all platforms: https://markohietala.bfan.link/left-on-mars

Marko´s guitarist and album producer Tuomas Wäinölä remembers hearing the song for the first time at Marko's place in Kuopio:

” It was a strong one immediately. I think Marko had the idea of it being a duet too, straight from the beginning. After that, it was just a matter of grinding and demoing it well.
The fun part was taking the song to Switzerland on a USB drive, like proper agents! We had this secret meeting when we had a Pratteln Outdoor gig with Tarja, both playing our own sets.
And yeah, it was great to see them together on stage and finally singing the same tune again!”
 

From the initial spark of inspiration to the final note, every moment of ´Left On Mars´ exudes passion and creativity. Marko's evocative storytelling sets the stage for Tarja's enchanting performance, forming a cosmic connection that transports listeners to a world beyond imagination.

Photo credit: Eva Cuenca

AENIMUS - RELEASE TRACK VIDEO FOR 'PHOENIX RISE';

Bay Area natives AENIMUS have released trailblazing progressive death metal since 2011. Today, the band offer fans a farewell in the form of a track video for the single'Phoenix Rise'.

Seth Stone comments, "To my fans, friends and family… With over a decade of moments shared together and infinite memories that will live with me forever, I have made the difficult decision to put Aenimus on an indefinite hiatus. Thank you all, for the support and love over the years, in making many of my dreams come true. 

"Thank you to all the amazing musicians who performed and wrote these magical songs with me. Never, did I fathom I would perform and write music alongside some of the best and most humble musicians that I now consider family. I could not have accomplished any of this without a single one of you. 

"Thank you to Nuclear Blast Records, Continental Touring, and everyone else within the music industry who guided Aenimus and gave us opportunities of a lifetime. 

"With that, I give you all one last song, 'Phoenix Rise' a farewell to celebrate the time we spent together and a song to inspire hope to whoever needs it. 

"Thank you, Brian Gosling(guitars/production), Cody Pulliam(drums), and John Flynn(bass) for sharing your amazing talents and writing 'Phoenix Rise' with me.“

Check out the track video created by Brian Gosling for 'Phoenix Rise', Below.

Stream 'Phoenix Rise' on all platforms now at: https://aenimus.bfan.link/phoenix-rise

'Phoenix Rise' was written by vocalist Seth Stone, guitarist Brian Gosling, bassist John Flynn, and drummer Cody Pulliam. The single was recorded, mixed, and mastered by Brian Gosling at Grimzee Studios.

"Dreamcatcher" is a concept album that draws inspiration from horror novels and movies, such as "It", "The Shining", "Hannibal Lecter", and "The Dead Zone". The album was recorded by the band while mixing and mastering were handled by Jamie King (BTBAM, THE CONTORTIONIST), and features guest appearances from Mike Semesky(INTERVALS, THE HAARP MACHINE), Jamie Hanks (I DECLARE WAR), Brian James(ex-FALLUJAH) Sims Cashion and Leonardo Guzman.

"Dreamcatcher":
'Before The Eons' OFFICIAL MUSIC VIDEO:
https://www.youtube.com/watch?v=ob-qUFQkbFc
'The Dark Triad' OFFICIAL TRACK STREAM:
https://www.youtube.com/watch?v=RYklEWMLN3M
'Eternal [feat. Sims Cashion]' OFFICIAL LYRIC VIDEO:
https://www.youtube.com/watch?v=1ILEiHOGiSo
'Between Iron And Silver' OFFICIAL VIDEO:
 https://www.youtube.com/watch?v=gJ9bodhcZWw

More information:
https://www.facebook.com/Aenimus/
https://www.instagram.com/aenimusofficial/
https://twitter.com/aenimusofficial
https://www.youtube.com/@Aenimusofficial

True Crime Duo SKYND Share "Heaven's Gate" Video

THE TRACK, REFERENCING THE NOTORIOUS CULT, CONCLUDES CHAPTER V

Industrial-tinged and true crime-inspired electronic duo SKYND is the dark creative outlet and the alter ego of its lead singer, Skynd, and producer and multi-instrumentalist Father. They are known for taking inspiration from inexplicable and brutal criminal cases and the mystery surrounding unsolved deaths, and transforming them into songs to remind us of the darkness within the human psyche, while taking great care to avoid any glorification.

Small clusters of songs have been released as EPs, titled in numbered chapters.

Today, SKYND conclude Chapter V with the release of "Heaven's Gate."

Watch the video below. Listen via your platform of choice here.

Heaven's Gate was a religious group, commonly regarded as a cult, that formed in 1974, and is most well known for one of the world's largest mass suicides of its members in March 1997. Learn more here.

Skynd ponders, "What personality and psychological factors are at play in people who readily submit their lives and wills to cult leaders such as Jim Jones and Marshall Applewhite? How can they not see these people are barking mad? The madness of the cult leader is usually not apparent when the person first joins."

Skynd continues, "This is the second case I have written about a cult. Two cults that cannot be compared with each other and yet they have some (or a lot of) parallels. As incredible and bizarre as Heaven's Gate seems, there are still cults today that brainwash their followers. The whole concept of cults fascinates me because it's always the same thing. Usually, the takeover of your freedom, your thoughts, etc. is a very gradual process. And the taking away of a little piece of your freedom or identity is not seen as a big deal. It's just a small sacrifice for a good cause. The trouble is... those small sacrifices add up until they’re a huge pile of sacrifices. But by then you're so indoctrinated into the group that it really doesn't matter to you that much. You've bought into the group's message and mission. The group is your 'family' now. It’s their influence that drives you rather than your own inner voice of reason."

Skynd finishes, "Marshall Applewhite and Bonnie Nettles (known as Do and Ti) were able to appeal to members by reaching out to people disillusioned with society and religious spaces. Heaven's Gate first ran into a major problem in 1985, one that confronts many 'prophetic' religious leaders, cult or otherwise. When Ti passed away in 1985 due to liver cancer, her body did not ascend per Heaven's Gate's theology. So, Do had to adapt his teachings to this observable contradiction of the cult's beliefs. I personally blame Marshall for continuing anyway, even though he knew it was a total lie."

Long-time collaborator and accomplished film maker PR Brown, who directed the song's official video comments, "Creating the video for 'Heaven's Gate' posed a unique challenge. How do we show the horror of 39 people who died because a man convinced them that they would all transform into eternal alien beings? We wanted to reveal Marshall Applewhite as an ominous religious figure. Then, as the video progresses, we wanted to show that it was all just a grift from a mentally unstable man. Skynd masterfully narrates us through the multiple layers, like peeling back layers of an onion, to get us to the ultimate truth."

SKYND are currently lining up festival appearances for 2024, with slots already confirmed at Graspop, With Full Force, Tons Of Rock, and Motorcultor. For a full list of SKYND performances, visit here.

ABOUT SKYND:
We all conceal something behind the earthly façade we show to the world. Maybe it's an unspoken fetish. Perhaps it's a covetous urge. Or it could just be the kind of darkness we acknowledge in passing —but don't dare reference out loud. SKYND peel back those layers and uncover what lurks beneath in all of its painful glory. The industrialized gothic electronic duo — Skynd [lead vocals] and "Father" [producer, multi-instrumentalist] — exorcize beauty by bloodletting as they mine some of history’s most baffling, bizarre, and brutal crimes across their EPs.

SKYND released Chapter I in 2018, which included Korn's Jonathan Davis as a special guest on "Gary Heidnik." Chapter II followed in 2019. Chapter III comprised "Chris Watts," "Michelle Carter," and "Columbine," the latter featuring a guest spot from noted hip-hop artist Bill $aber. Chapter IV focussed on "Armin Meiwes," "John Wayne Gacy," and "Edmund Kemper."

Each chapter continues SKYND's exploration of the darkest and most disturbing parts of the human psyche, following their belief that "those who cannot remember the past are condemned to repeat it." Chapter V began in August 2023 with "Robert Hansen" and continued with "Bianca Devins," named more unusually for the victim. "Heaven's Gate" is their latest release and concludes this chapter.

To date, SKYND's music has racked up 30.5 million streams on their Spotify channel alone, their official YouTube channel has amassed over 45 million views.

Morgan Wallen Commemorates 'One Thing At A Time’s' 1 Year w/ “Abbey Road Sessions” Release

One year ago today, on 3/3/23, Morgan Wallen released One Thing At A Time, an album that went on to top the Billboard Top 200 chart for 18-non-consecutive weeks, tying Garth Brooks’ 1991 Ropin’ the Wind record with the most weeks at No. 1 for a Country album and becoming the most-streamed album of the year, all genres, on Spotify. To commemorate its one-year anniversary, Wallen surprised-released his Abbey Road Sessions this afternoon (3/3/24). Songs were recorded in London in the iconic Studio Two at the world-renowned Abbey Road Studios on December 5, 2023. Watch/listen HERE. 

“Playing the O2 in London last fall and getting to record at Abbey Road, where so much iconic music has been made, was legendary for me and my band. We will never forget it," shares Wallen of his trip overseas that included a sold-out show at the O2 for his first-time playing London. “I’m so excited to release these Abbey Road Sessions for my fans on the one-year anniversary of One Thing At A Time. They make all this possible.”
 
The digital series includes five live recordings from One Thing At A Time, an unreleased fan-favorite, “Lies Lies Lies,” and a never-before-recorded cover of Nothing But Thieves’ “Graveyard Whistling.”
 
With over 2.4 million ticket holders attending his current One Night At A Time World Tour, Wallen continues to prioritize his fans and his live show experience as the place to see and hear the Pollstar and Billboard Music Awards’ Top Country Tour winner. 
 
Visit MorganWallen.com for more information and full tour details. 

About Morgan Wallen
When 11-time 2023 Billboard Music Awards-winner and Top Male Artist Morgan Wallen released his third studio albumOne Thing At A Time in 2023, its instant success left The New York Times proclaiming Wallen as “one of the biggest stars in pop, period.” One Thing At A Time has remained atop the all-genre Billboard 200 chart for 18 non-consecutive weeks, tying Garth Brooks’ Ropin’ the Wind with the most weeks at No. 1 for a Country album, and was the most-streamed album of the year on Spotify. The album’s 6x-Platinum single “Last Night” reeled in over 1.5 billion streams globally, becoming the most-streamed song of any genre in the U.S. across Apple Music and Spotify, and the longest running No. 1 solo song in Hot 100 history (16 weeks total).
 
With 11 chart-toppers at Country radio, Wallen recently wrapped his 5 countries/3 continents 57-show One Night At A Time World Tour stadium tour. Playing to over 1 million fans in 2023, Wallen’s One Night At A Time World Tour was named Pollstar's Country Tour of the Year, surpassing attendance records in numerous stops; including Ohio Stadium, where Wallen became the largest weekend ever for the venue, shattering records previously held by George Strait and Taylor Swift. Resuming this April in Indianapolis, Indiana, the 2024 extension of One Night At A Time takes Wallen to 29 additional stadium-plays. Wallen donates $3 from every U.S. ticket sold to his Morgan Wallen Foundation.

Kurt Deimer Releases New Single "Dance" on March 1, 2024; Announces Headline Tour Dates, Featuring Shows Alongside Tesla!

Kurt Deimer's newest single, "Dance," released , March 1, 2024, is a testament to resilience and the ability to find inspiration in challenging circumstances. The single is a precursor to his highly anticipated debut album, And So It Begins.., slated for release later this year.

Kurt comments, "I boarded a Southwest flight in January of 2022. It was a last minute flight, and I was crammed against a window for a 4 plus hours. I convinced myself to endure this flight I was gonna to write a killer song."

He continues, “'Dance' is about life. It has its ups and downs. Life can be quiet and serene. Then it can be turbulent and stormy. It can create a war within your mind, heart and soul. We all have to teach ourselves to dance through the good and bad in life. Enjoy life. Embrace life, escape negativity before it consumes us. Writing this song helped me escape a bad situation on this flight. I did not let the circumstances consume me. I wrote 'Dance' to get me through it."

Kurt's resilience in converting a challenging situation into a creative triumph exemplifies the transformative power of music. "Dance" is a reminder to cherish life's moments and embrace positivity.

In support of the single, Kurt has announced the much-anticipated tour dates set to take center stage in 2024. The tour promises an electrifying musical experience, with Deimer's solo headline performances and special appearances alongside the legendary band, Tesla.

The tour announcement follows Deimer's recent successful single release "Doom," which captivated audiences worldwide with its innovative sound and soul-stirring lyrics. Renowned for his dynamic stage presence and ability to infuse passion into every performance, Kurt Deimer is set to raise the bar yet again with this upcoming tour.

Stay tuned for further updates and announcements regarding ticket sales, additional tour dates, and exclusive behind-the-scenes content by following Kurt Deimer'sofficial social media channels.

In a world that seems to be spiraling out of control, Kurt Deimer is a man with a very clear mission: Work Hard, Rock Hard, Play hard and Spread positivity. In fact, his mantra could be summed up: “Take the high road, do the right thing, encourage others.” It sounds like a tall order these days in a world full of warring factions. And it’s an unusual mission for a singer/songwriter vocalist whose music could be described as hard rock, even heavy metal – genres that are not always synonymous with positivity.

Deimer, for his part, describes his work as good old fashioned rock and roll. “And it’s as good a vehicle as any for spreading good vibes” he says. “I’m here to encourage others to treat people with respect, dignity and kindness,” he says. “I’ve been through a lot of things in my life and I try to share that with others and be a beacon of hope for my listeners.”

That positivity and perseverance has paid off for the native of Cincinnati, Ohio. He’s not only launched a movie franchise, Hellbilly Hollow, by filming and starring in a feature length horror film of the same name. He’s also recorded more than two dozen songs with legendary producer Chris Lord-Alge (Green Day, James Brown and the Rolling Stones), his management team includes Brian Wheat, manager of TESLA who discovered him while opening for TESLA.

Chris Lord-Alge says he was drawn to Kurt’s originality as an artist. “I saw something completely different in Kurt, and that was the lure for me. He isn’t a typical rock or country artist – I love hearing him talk and narrating a story, and I was drawn to taking those stories and helping turn them into music. He’s a personality, he’s someone you want to talk to.”

Things have not always been positive in Deimer’s world. At age 20, as a young rock vocalist, he found himself in the grips of drug addiction. He later discovered he was using substances to medicate an underlying anxiety condition. At that young age, he quit drugs, got help for his anxiety and never looked back.

He eventually started buying and selling rental properties and used that money to start the first of several successful companies he owns. Despite making his mark in the business world, Deimer didn’t feel ready to settle down and “join the country club and play golf all day” – so at an age when most people start thinking about slowing down, he started to speed up.

Inspired by the artists that helped shape him – Boston, Lynyrd Skynyrd, Bob Marley and AC/DC, to name just a few – he started writing song lyrics.

Inspired by his love of movies and acting roles in films including the 2018 ‘Halloween’ remake – where his character was killed by Michael Myers – and John Travolta’s ‘Trading Paint,’ he started hashing out a movie concept that became his eventual Hellbilly Hollow feature film and franchise.

Deimer has supported Geoff Tate on an expansive cross-country tour that highlighted material from his debut EP, that came out on November 19, 2021, which includes a duet with Tate and a trilogy of music videos directed by Scottish filmmaker Paul Boyd [Sting, Deadmau5, The Cult] that spotlight Deimer’s cinematic vision and charismatic presence. Along with many other supporting shows including TESLA, Drowning Pool and Yngwie Malmsteen all this within the first two years of touring.

For Deimer, the inspiration is to make the world a better place one song at a time, singing about the ills of the 21st century and offering solutions instead of excuses. “When people listen to my music, I want to help them decompress and feel better after a brutal day. That’s what music always did for me, and that’s what we need more of today.”

Kurt Deimer Tour Dates:

3-01 Paramount Arts Center in Ashland, KY with Tesla
3-02 Blue Gate PAC in Shipshewana, IN with Tesla
3-04 Hard Rock Cafe in Pittsburgh, PA
3-05 America Music Theatre in Lancaster, PA with Tesla
3-06 Sound Board in Detroit, MI with Tesla
3-07 WC Social Club in Chicago, IL
3-08 Epic Event Ctr in Green Bay, WI with Tesla
3-12 Ryman Auditorium in Nashville, TN with Tesla
3-13 DPAC in Durham, NC with Tesla
3-15 Zen West in Baltimore, MD
3-16 MGM NORTHFIELD in Northfield, OH with Tesla
3-17 The Blue Note in Harrison, OH with Texas Hippie Coalition
3-22 Cosmic Eye Brewing in Lincoln, NE
3-23 Bigs Bar in Sioux Falls, SD
3-24 The Marquee in Sioux City, IA
5-29 Pikes Peak Center in Colorado Springs, CO with Tesla
5-31 HOB in Dallas, TX with Tesla
6-04 ACL Live in Austin, TX with Tesla
6-05 The Aztec Theatre in San Antonio, TX with Tesla
6-07 HOB in Houston, TX with Tesla
6-08 The Fillmore in New Orleans, LA with Tesla
6-11 Mission Ballroom in Denver, CO with Tesla

For More Information Please Visit:

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