NYC Heavy Metal Icons PRONG Release Live Video for Classic "Snap Tour Fingers, Snap Your Neck"

Metal greats PRONG have released a live version of their classic track "Snap Your Fingers, Snap Your Neck" as a single and video. The song is taken from the upcoming live album Live And Uncleansed. 

Tommy Victor says, "This live version of 'Snap Your Fingers, Snap Your Neck"' is raw, high energy, and unpolished. If you want to get exposed to Prong or you want to get a taste of the explosive live show, this song is a must!"

WATCH THE VIDEO BELOW.
 

 Live And Uncleansed is out on March 6 and will be available on Steamhammer as CD Digi, LP, stream, and for digital download HERE.

PRONG LIVE IN 2026:
3/5 — Osnabrück, Germany — Hyde Park
3/6 — Cologne, Germany — Gebäude 9
3/7 — Sint-Niklaas, Belgium — De Tijdloze
3/8 — Deventer, Netherlands — Burgerweeshuis
3/9 — Leuven, Belgium — Het Depot
6/6 — Milwaukee, WI — The Rave/Eagles Club

Get tickets HERE.

idle threat Announce "you'll forget the sun" Out 5/8 + Share "evermind" Video —

Nashville quintet idle threat — Ernie Fabian [guitar, vocals], Zeke McKinney[bass, vocals], Justin Jones [drums], Nathan Moe [guitar], and Dylan Winstead [guitar] — have announced their new album you'll forget the sun, out May 8 via Tooth & Nail. Pre-order it here.

The band has shared the video for first single "evermind."

Watch it below.

 "'evermind' attempts to express the shock and grief that accompany losing a loved one far too young," the band says. "It asks deep questions that aren’t always met with answers on this earth."

The album features guest appearances from Haste the Day's Stephen Keech and Silent Planet's Garrett Russell on separate tracks, among others.

idle threat aim to dim the darkness and let the light in through the emotional and hopeful lyrics found in each song they meticulously craft. The Nashville rock band not only gives you the space to scream next to them; they also offer up hopeful hooks you can hum along to. The quintet writes the kinds of songs that recognize how tough life is, but still help you get through it with your body, mind, and spirit intact. 
 
As such, their second full-length album, you’ll forget the sun [Tooth & Nail], provides a reminder to keep going no matter what.

"There's a two-part meaning to you'll forget the sun," Fabian reveals. "On one hand, the days can be so dark that you forget the sun exists. On the other hand, when we step into the presence of God—whose glory is so radiant and bright—the sun will pale in comparison. We're pondering this dichotomy from a perspective informed by our faith and experiences. All of the hard things will eventually fade away, and we'll be left in the presence of light."
 
idle threat have uplifted listeners with a combination of cathartic energy and open-hearted honesty since 2016's Grown Tired EP. They deepened their connection with an ardent audience on blurred visions in 2021 highlighted by "no turning back," "driftwood" [feat. Cory Brandan of Norma Jean], and many others. They toured with everyone from Make Sure, Distend, Meadows, and Roy Sullivan to Norma Jean, Emery, Aaron Gillespie, and Watashi Wa, in addition to appearing at Furnace Fest twice. 
 
Throughout the spring of 2025, the musicians recorded you'll forget the sun in Nashville with Haste The Day frontman Stephen Keech behind the board as producer. In the studio, they made major creative leaps as a collective, honing their sound in the process.

VCTMS Release Video for New Single "devil's // speak" Feat. Fox Lake

VCTMS return with a dark, aggressive nu-metal x metalcore track fueled by revenge and emotional exploitation. Blending crushing riffs with raw intensity, the song confronts betrayal head-on, cutting out every memory until the past is dead. Hell is still in other people and the devil speaks in absolutes. 

To top it all off, they have teamed up with fellow metalcore rising star, Nathan Johnson of Fox Lake, for a truly in-your-face track. Stay tuned for more new music and announcements from VCTMS in 2026.

Listen to the new track here.

Watch the video below.

The band shares more insight on their reinvigorated energy and collaboration on the new track, stating, "devil's/speak is one of the most energetic songs of the release — blending hip-hop elements, groove metal, and a catchy one liner that is sure to get people moshing. It caters to what fans have always loved about VCTMS: Relatable lyrics, a killer guest feature, and aggressive riffs. Nathan Johnson'a performance on the track gives it that 'all gas, no breaks' attitude that really shines from beginning to the end. devil's/speak is fun and an easily relatable song for those that are going through heartbreak and want to put that anger towards good use."

ABOUT VCTMS:
VCTMS — hellbent on groovy, chaotic, blistering and depressive noise — carry the banner of Illinois’ noisy, frenzied and manic take on alternative metal solely on their capable shoulders, coupled with an unshakable work ethic and unwavering dedication to their sprawling fanbase. 

From their first release, through cross-country tours and leviathan collaborations with the likes of Spite's Darius Tehrani, Emmure's Frankie Palmeri, and Paleface Swiss’ Marc Zelli, VCTMS have an immense discography consisting of five full-length records: Sickness Vol. 1 through their most recent LP, Vol. V: The Hurt Collection and an EP. With each release, VCTMS sound becomes more and more refined, but also more whimsical and effervescent, incorporating splashes of hip-hop, darkwave, industrial, post-hardcore and more to create something that defies simple genre classification—but remains, at its core, the same rapidly-cycling, depressive and devastating brand of metalcore that screams Chicago with a raw throat and swollen lungs. With lyrical content that oscillates from harshly introspective to immolating and homicidal, the band is as relatable as they come—which lends considerably to their overwhelming popularity on the road, touring alongside acts like Crystal Lake, Paleface Swiss, 156/Silence, Veil Of Maya, Cane Hill and more—just within the last few years. The band only continues to grow with each release.

VCTMS are experienced, crushingly heavy, startlingly innovative and, above all else, work in a way many of their peers can hardly fathom, making them a stand-out band where not just metalcore—but rather all of heavy music—is concerned. Welcome to the bad luck crew. It's bad luck season. 

Life of Agony Release Live Video for "Don't You (Forget About Me)" — A Darker Reimagining of Iconic "Breakfast Club" Hit

Brooklyn, NY's Metal Hall of Famers Life of Agony have released a powerful new live music video capturing their emotionally charged cover of "Don't You (Forget About Me)," the Simple Minds anthem made famous by its appearance in the 1985 John Hughes film The Breakfast Club.

Watch the video BELOW. 

See the exclusive premiere via SPIN here.

Filmed during the band's 30 Years of Ugly anniversary tour in Europe, the video captures Life of Agony at a defining moment in their career. While honoring the spirit of the original, the band delivers a distinctly Life of Agony–sounding interpretation — darker, heavier, and more emotionally weighty than the original recording, transforming the song into something raw, brooding, and deeply personal.

The video was filmed and directed by Leigh Brooks of Firebelly Films, a longtime visual collaborator who has also directed several Life of Agony music videos, as well as the band's acclaimed documentary The Sound of Scars. Brooks' immersive live-performance approach places viewers directly inside the venue, capturing the intense connection between band and crowd.

Audio for the performance was recorded, mixed, and mastered by Life of Agony guitarist Joey Zampella, delivering incredible clarity while preserving the grit and immediacy of the live experience.

"Even though our studio version of 'Don't You (Forget About Me)' appears on Ugly, we had never performed the song live until the 30 Years of Ugly anniversary tour," bassist Alan Robert shares. "Bringing it to the stage after all these years — and experiencing the live energy of the crowd — made the song one of the highlights of the set every night."

Originally released in 1985, "Don't You (Forget About Me)" defined a broken generation through The Breakfast Club, symbolizing youth, alienation, and connection — themes that have long aligned with Life of Agony's own body of work. This live rendition underscores the song’s enduring relevance while showcasing the band’s ability to fully claim and transform familiar material through their own uncompromising lens.

The live music video is available now across Life of Agony’s official platforms.

ABOUT LIFE OF AGONY:
For more than 30 years, Life of Agony have remained one of heavy music's most distinctive and emotionally resonant bands, revered for their vulnerability, authenticity, and genre-defying sound. Their landmark 1993 debut, River Runs Red, was named by Rolling Stone as one of the Greatest Metal Albums of All Time, cementing its legacy as a defining release of the era and an enduring influence on generations of artists across rock and metal.

Continuing to shape the landscape of heavy music decades into their career, Life of Agony was inducted into the Metal Hall of Fame in 2025, recognizing the band’s lasting cultural impact and contribution to the genre. Known for their powerful live performances and deeply personal songwriting, the band maintains a rare and deeply felt connection with audiences worldwide — one that has only strengthened over time.

Adam Ezra Group - NEW SINGLE - BIG LOVE

BIG LOVE OUT NOW !!!!

We felt like this was a good one to release on Valentine’s Day weekend...inspired by fatherhood and all the lessons I learn from my amazing little girls every day.  We hope you love it!!  Big Love is available on all streaming platforms!

We have now released 5 songs from our upcoming Revelate album, slated for full release on Saturday, June 20th.  We’ll be celebrating that night with our biggest concert ever at House of Blues in Boston!!  Have you grabbed your tickets yet?!?!?!?  Click HERE for info & tickets!

TOUR!

We’ve got a bunch of great shows coming up this spring leading up to the album release in Boston!  Warning: we’ve never experienced so many venues selling out exceptionally quickly, so this year especially, we encourage you to check out the tour page and plan ahead! 

This is so exciting… :)

ATAVISTIA Unleash New Single and Video "Mystic Tavern," Announce Upcoming Album Old Gods Awaken Out May 15th, 2026

TAVISTIA raise their horns and throw open the tavern doors with the release of “Mystic Tavern,” the first single from their forthcoming full length album Old Gods Awaken, set for release on May 15th, 2026 via Blood Blast Distribution.

“Mystic Tavern” showcases a bold and spirited side of the band. Centered around the concept of a never ending celebration, the track blends blistering blast beats, shifting time signatures, and an irresistibly folktouched bridge built to move crowds. It is epic, mischievous, and technically sharp in equal measure.

“Mystic Tavern” was the first song written for Old Gods Awaken and set the tone for the album’s direction. The record embraces shorter, catchier, and more straightforward songwriting while retaining the ferocity and progressive ambition that define ATAVISTIA’s identity. Folk metal textures weave seamlessly into blackened intensity, reflecting the band’s instinct driven approach to composition.

The single arrives alongside an official music video, bringing the song’s celebratory chaos to life and offering fans their first glimpse into the world of Old Gods Awaken.

Due out May 15th, 2026, Old Gods Awaken runs 43 minutes and 21 seconds and represents the uplifting first chapter of a two album concept. Incorporating Swedish and Finnish lyrics for the first time in the band’s catalog, the album draws from Nordic heritage and mythic atmosphere while delivering some of ATAVISTIA’s most memorable hooks to date. From tavern revelry to forest mysticism and epic progressive climaxes, the record marks a confident evolution in their sound.

With “Mystic Tavern” now unleashed, ATAVISTIA invite listeners to step inside, raise a horn, and prepare for the awakening.

ATAVISTIA lineup:

Mattias Sippola - Guitar, Vocals, Composition, Production
Max Sepulveda - Drums, Engineering
Elia Baghbaniyan - Guitar
Spencer Budworth - Bass, Vocals

About ATAVISTIA:

Formed in 2017 in Vancouver, Canada, ATAVISTIA takes their fans on a spellbinding journey though vast sonic landscapes of snow covered forests, desolate tundras, and permafrost-laden landscapes. Fans of WINTERSUN, ENSIFERUM, DIMMU BORGIR, and XANTHOCHROID will be enthralled by the elements of melodic death metal, black metal, and Scandinavian folk that is intricately woven together throughout their diverse soundscape.

Taking inspiration from the majestic natural landscapes of their homeland, earthly seasons, and ancient Norse culture, ATAVISTIA’s grandiose sound matches these lyrical themes in an impressive symphony of destruction. Their debut EP, One With The Sun (2017) introduced their unique blend of beauty and ferocity, which they followed up with a stormy full-length in 2020 through The Winter Way. The next two releases, the full-length Cosmic Warfare (2023) and the EP Inane Duncam (2024), saw the band spreading their wings and exploring a wider variety of influences. Through it all, ATAVISTIA balances graceful melodies with a brutal rhythmic cacophony, swirling elegance and fury together like a ferocious northern blizzard.

On stage, ATAVISTIA is a force of nature, like waves crashing against a rocky shore. Their music washes over audiences worldwide, leaving them gasping for more long after the last note has faded. They have toured Europe twice alongside notable acts such as SKÁLMÖLD, METSATÖLL, and SEVEN SPIRES, and have opened locally for MOONSPELL, ELEINE, and OCEANS OF SLUMBER. ATAVISTIA has firmly established its presence in a niche among a wide swath of metal genres.

Are you ready to lose yourself in the juxtaposition of lush and arid, the dichotomy of hope and despair, and welcome the inevitable and beautiful end?

CELESTIAL DEATH Release New Single “Death of an Empire”

Atlanta, Georgia blackened death metal band CELESTIAL DEATH have released their new single, “Death of an Empire.” The track marks a defining step forward for the band and solidifies their identity within the modern extreme metal underground. 

“Death of an Empire” delivers a fierce combination of tremolo-picked triplet arpeggios, relentless blast beats, and groove-driven black metal melody. The song opens with waltz-like tremolo phrasing before erupting into rapid-fire percussion and layered death metal riffing. From its first moments through its closing passages, the track moves with cinematic intensity and calculated aggression, showcasing the band’s fully realized sound.

Lyrically, “Death of an Empire” explores the collapse of powerful systems through the perspective of a lone survivor walking through the ruins of a devastated city. The imagery is vivid and confrontational, focusing on urban decay, environmental destruction, and the consequences of unchecked power. Opening lines such as, “The ruins of this city speak to me, in a language only I can understand,” set the tone for a narrative steeped in post-apocalyptic reflection.

The single addresses themes of ecological strain, corporate manipulation, warfare, and societal division. Jessup emphasizes collective responsibility and awareness, urging listeners to consider the long-term consequences of exploitation and polarization. The track functions as both a reflection and a warning.

About CELESTIAL DEATH:

Rising from the Atlanta metal underground, CELESTIAL DEATH was forged in 2023 by guitarist and vocalist Forrest Jessup and drummer Matthew Carmichael. The band began under the name IMPERII with a different lineup but underwent a rebirth when Matt took over on drums. This marked a turning point where Forrest decided to rename, rebrand, and reimagine the project as CELESTIAL DEATH, channeling a darker and more atmospheric vision. Soon after, guitarist Jason Schwartzwalder joined the fold, bringing with him years of experience from acts such as MOTHER’S TOMB, KHAOTIKA, and BRUTALITY. The band rounded off their lineup with the addition of new bassist Robbie Marsh in early 2026. 

CELESTIAL DEATH craft a sound that merges the bleak ferocity of black metal with a melodic and cinematic atmosphere. Drawing influence from bands like WOLVES IN THE THRONE ROOM, CATTLE DECAPITATIONS, FALLUJAH, and SKELETONWITCH, the group shapes a sonic landscape that is at once suffocatingly heavy and hauntingly vast. The music is raw in execution yet deliberate in its storytelling, each track serving as a descent into themes of cosmic horror, existential collapse, and apocalyptic rebirth.

The band’s debut single “Anti-Preacher,” released December 13, 2024, marked the first official offering under the CELESTIAL DEATH name. It set the tone for the project’s sound, combining blackened chaos with melodic undertones, and hinted at the larger creative arc the band continues to develop. Their most recent single “Aeons,” written during Forrest’s most turbulent years, explore Lovecraftian imagery and catastrophic narratives that have become central to the band’s identity.

CELESTIAL DEATH’s music is built on foundations of atmosphere and intent, stripped to core instrumentation of guitars, drums, bass, and venomous vocals while retaining a cinematic scope. Their songs unfold like parables, grim yet reflective, destructive yet transformative. This ethos reflects Forrest’s own journey, from personal darkness and addiction to sobriety and clarity, with CELESTIAL DEATH becoming both a vessel for catharsis and a statement of purpose.

With a steadily growing presence in Atlanta’s extreme metal scene, CELESTIAL DEATH stand poised to carve their name into the modern blackened metal pantheon. The band represents not just heaviness but vision, not just destruction but creation. For those who seek music that feels apocalyptic in scale and deeply human in spirit, CELESTIAL DEATH is a name to remember.


CELESTIAL DEATH is:
Jay Crash - Guitar, vocals
Jason Schwartzwalder - Lead guitar
Matthew Carmichael - Drums

Social Links:

Heilung Announce Podcast

Heilung are known around the world for transcending the boundaries of sound and history. Since forming in 2015, the Nordic collective have made their unmistakable presence felt everywhere from the Billboard charts to Glastonbury, The Game Awards and major Hollywood films. Their performance rituals draw crowds into an intimate, mystical space that threads together earth, fire and incense with throat singing, primordial rhythms, subtle electronic textures, a mesmerizing light show and instruments made from human bone.

Today, Heilung are inviting both fans and newcomers to step into their world, where history and spirit converge, by announcing their first-ever podcast. Hosted by founding member, singer and shamanic practitioner Kai Uwe Faust, The Podcast journeys into the lore, traditions and primal forces that shape Heilung and their Amplified History. The first episode is dedicated to “Afladhirhait”, which opens their debut album Ofnir and is featured on their latest live album Lifa Iotungard .  

Listen to the first episode of The Podcast Below:

“I’m excited to offer an intimate look at how history, myth and sound merge into what Heilung calls amplified history through this podcast”, Faust says. “Join me during this first episode as I reflect on the songwriting process, mythological roots, historical references, ritual significance and the symbolic world around ‘Alfadhirhaiti’”.

Heilung’s full discography, including Lifa Iotungard, is available now on Season of Mist.

Order & Stream

https://orcd.co/lifaiotungard

In 2025, Heilung embarked on headlining tours of Europe, Australia and New Zealand. Along the way, they cast their spell over more of the world’s biggest stages, including Roskilde Festival, Download Festival and Glastonbury. But no matter where the future takes them, Heilung always begin their performance with a humbling reminder of where we all come from.

“Remember, we are all brothers. All people, beasts, tree and stone and wind, we all descend from the one great being that was always there, before people lived and named it, before the first seed sprouted.”

Line-up:
Kai Uwe Faust
Christopher Juul
Maria Franz

Order & Stream

https://orcd.co/lifaiotungard

Available Formats:
Digital Download
2x12" Vinyl Gatefold - Black
2x12" Coloured Vinyl Gatefold - Gold & Orange Mixed
2x12" Coloured Vinyl Gatefold - Crystal Clear & Black Marbled

Follow Heilung
Official Website: https://www.amplifiedhistory.com/
Facebook: https://www.facebook.com/amplifiedhistory
Instagram: https://instagram.com/amplifiedhistory
Spotify: https://open.spotify.com/artist/7sTKZr30LqC928DZ5P9mNQ
YouTube: https://www.youtube.com/c/Heilung
Bandcamp: https://heilung.bandcamp.com/music
Bandsintown: https://www.bandsintown.com/a/1977594-heilung

KEVIN STEELE RELEASES THE SECOND SINGLE, “THERE’S A BETTER DAY COMIN’” A SONG ABOUT HOPE, FROM HIS FIRST SOLO ALBUM “ONE THING LEFT TO DO”

Kevin Steele recently announced his first solo album, One Thing Left To Do, that will be released on February 27, 2026, via Steele Records/Amplified Distribution. The second single “

There’s A Better Day Comin’” is out now on digital services.

"I've had some pretty dark times in my life and I've sung about some of them on this album but I'm a survivor and I wanted to end the record on a positive note. "There’s A Better Day Comin’" is a song about hope. No matter who you are or what your life experience is, no matter what you believe in or what your politics or preferences are, just to get out of bed every morning and face the day in this ever increasingly crazy world we live in you've got to have a little hope. Some people might think this song has religious overtones or that I'm singing about the hereafter. I'm not. I'm singing about tomorrow, right here. That's what we've got. You've got to make the best of this short life we're given. For me, music has always been my savior. You've got to fight to find your light of love and a way to let it shine!" - Kevin Steele

Pre-save or Pre-order: https://snd.click/cyc6

All of these songs showcase Kevin's masterful songwriting across all the musical styles that have shaped his colorful career, including glam, punk, rock, blues, and even southern gospel. Kevin’s band Roxx Gang were one of America’s great bands and the first rock band signed to Virgin Records in America. Their debut record, the classic "Things You've Never Done Before", sold over 250,000 copies. In a way, they were the bridge between glam and grunge and The Mojo Gurus played a vital role in keeping rock-n-roll alive in "the Tens" working with legendary producers Jack Douglas (John Lennon, Aerosmith, New York Dolls) and Tommy Henricksen (Alice Cooper, Lou Reed, The Hollywood Vampires). With One Thing Left To Do, Steele brings his musical journey full circle with a truly remarkable record that you just have to hear.

Joining Kevin on this new record is guitar phenom / co producer Billy Summer (Florida, Luxury Mane, The New Brutarians) whose music has been heard on major TV shows and films such as Ted Lasso, The Affair, Harpoon, Life and Beth, Chicago Fire, Property Brothers and many others.The result is one hot slab of Rock 'n' Roll revelry covering several genres that showcase a track list of impressive playing and songwriting.

"Billy and I made such a great team. Instant connection of the minds. He knew instinctively where I was going musically with each song before I would even tell him. That's why they call us the Cosmic Twins”, said Kevin.

The band is an allstar collection of Tampa Bay, Florida musicians playing at the top of their game. They formed an instant camaraderie and the good times had in the recording sessions shine across every track!

Kevin Steele - Lead Vocals, Harmonica

Billy Summer - Guitars, Bass, Vocals, Percussion

Steve Peake - Keyboards

Steven C. Tanner - Drums

Rob Pastore - Pedal Steel Guitar

Jim Stevens - Bass on “The 9 Lives Blues”

Kyle Lovell - Drums on “I Know What Yer Up To”

Scott Myers - Trombone, Vocals

Adam Turkel - Vocals, Percussion

Linda Militello & Zoe Summer - Vocals

All songs written by Kevin Steele - Too Cool Music Publishing - BMI

except Sad, Sad Song written by Kevin Steele & Billy Summer

Too Cool Music Publishing - BMI & Billy Summer Music - BMI

Recorded at The Ward, St. Petersburg, FL

Produced by the Cosmic Twins (Billy Summer & Kevin Steele)

Engineered by Billy Summer

Mastered by Brian Merrill at Studio B, St. Petersburg, FL

Cover Art by Adam Turkel

Photography by Linda Militello

 

Links:

https://www.facebook.com/KSteeleRoxxGang

IRON SAVIOR Unleash New Video For A-HA Classic "Take On Me" From Upcoming Cover Album Awesome Anthems Of The Galaxy

Hamburg-based power metal veterans IRON SAVIOR have just released a new video clip for their latest single, “Take On Me” - the band’s electrifying metal reworking of the classic A-HA hit. The track is taken from their highly anticipated cover album Awesome Anthems of the Galaxy, set to arrive on March 27, 2026 via PERCEPTION – a division of Reigning Phoenix Music!

Following a series of successful singles previewing the album, including their fiery rendition of IRENE CARA’s “Fame” and the powerful take on ALPHAVILLE’s “Forever Young”, the “Take On Me” video adds a fresh chapter to IRON SAVIOR’s cosmic mission of transforming beloved ’80s pop anthems into full-throttle power metal epics. 

Frontman Piet Sielck reveals: "'Take On Me' for sure is one of the most successful pop songs ever. So in the beginning it was more a 'must' than a 'want'… but during the process of transforming it, I started to love this version more and more. Today I am more than happy to have this classic on the album and I‘m proud of the outcome!"

Stream / Download "Take On Me" at: https://ironsavior.rpm.link/takeonmePR 

Watch the video below:

After reigniting their cosmic engines with Machine World – Reforged in 2025, IRON SAVIOR embark on their boldest mission yet. “Awesome Anthems of the Galaxy” transforms some of the most iconic pop hits of the 1980s into full-throttle power metal epics, combining nostalgia, passion, and the band’s trademark precision and fire, proving that the past can shine brighter than ever when reforged in metal.

“After the huge success of the 2002 Condition Red bonus track “Crazy” (Seal), which was actually used in a HBO TV show, we have been asked by fans and medias almost constantly to do a complete cover tracks album," Sielck explains, and adds: "So… two decades later here we are!” quotes frontman Piet Sielck. “AWESOME ANTHEMS continues the transformation from pop-to-metal in Iron Savior style as started with Seal’’s “Crazy” and Eurythmics “Sweet Dreams. We are absolutely proud of the outcome, which never looses the original vibe of the tracks but yet is 100% Iron Savior. Just listen yourself.. I guarantee a lot of smiles while doing so!” 
 

From the electrifying rush of A-HA’s “Take On Me” and the thunderous drama of PHIL COLLINS’s “Against All Odds” to the cinematic pulse of JERMAINE JACKSON & PIA ZADORA’s “When The Rain Begins To Fall” and the adrenaline-fueled “Maniac” by MICHAEL SEMBELLO, IRON SAVIOR turn pop classics into heroic, melodic metal anthems. With Awesome Anthems of the Galaxy, IRON SAVIOR prove once more that great songs never age - they just get heavier!

 
Pre-order the album now at: https://ironsavior.rpm.link/awesomeanthemsPR

About IRON SAVIOR:
Forged in Hamburg’s metal heart, Iron Savior have been delivering their signature brand of powerful, melodic heavy metal for nearly three decades. Led by founder, vocalist, guitarist, and producer Piet Sielck, the band has become a cornerstone of the German power metal scene with their blend of high-octane riffs, anthemic choruses, and sci-fi storytelling.
 
For More Info Visit:
Website | Facebook | Youtube

Cryptopsy Featured on Cover of Decibel Magazine

Fresh off slitting through a largely sold-out European headline tour, Cryptopsy remain insatiable as ever. The most vile band in death metal are nominated for Best Metal/Hard Music Album of the Year at this year’s JUNO Awards, a category that they won just two years ago. Now, as they prepare to headline the longest-running heavy metal tour in North America, the Canadian legends are proud to add another accomplishment to their Hall of Fame career.  

Cryptopsy are proud to announce that they are featured on the cover of this month’s issue of Decibel Magazine. This marks the second time the band have claimed the cover of the world’s foremost authority on heavy metal since the release of their new album An Insatiable Violence. Joining them on the cover of Issue #258 are members of Necrot, Fulci and Blood Monolith, who are supporting Cryptopsy on this year’s Decibel Magazine Tour.

“We are extremely proud to be on the cover of Decibel for the second time in less than a year”, Cryptopsy says. “Decibel is by far one of the most important magazines for metal. We’re honored to share this achievement alongside the bands who are joining us on this year’s Decibel Tour. These shows are going to be violent, cathartic and unforgettable”.    

“Between the strength of the material on their latest release, An Insatiable Violence, and the anniversary celebration of their landmark, None So Vile, 2026 is clearly the year of Peak Cryptopsy”, Decibel Magazine’s Editor-In-Chief Albert Mudrian says. “We couldn’t be more honored to bring the band’s paramount present and potent past together to headline this year’s Decibel Magazine Tour”.

Order Decibel Issue #258

https://store.decibelmagazine.com/collections/back-issues/products/april-2026-258

Catch Cryptopsy on The Decibel Magazine Tour 2026. During this 21-date run across the U.S. and Canada, the band will perform songs from Decibel Hall of Fame inductee None So Vile and their most recent Canadian Grammy-nominated album An Insatiable Violence.  

The Decibel Magazine Tour 2026

with Cryptopsy (celebrating 30 years of None So Vile), Necrot, Fulci and Blood Monolith

Get tickets:https://www.decibelmagazine.com/events/tour/

April 30 - Worcester, MA @ Palladium (Upstairs)

May 1 - Brooklyn, NY @ Brooklyn Monarch

May 2 - Baltimore, MD @ Baltimore Soundstage

May 3 - Philadelphia, PA @ Decibel Metal & Beer Philly (The Fillmore)

May 5 - Atlanta, GA @ Masquerade (Hell)

May 7 - Houston, TX @ White Oak Music Hall

May 8 - Dallas, TX @ The Studio

May 9 - Austin, TX @ Come And Take It Live

May 12 - Los Angeles, CA @ The Regent

May 13 - San Diego, CA @ Brick By Brick

May 14 - Berkeley, CA @ Cornerstone

May 16 - Portland, OR @ Hawthorne Theater

May 17 - Seattle, WA @ El Corazon

May 20 - Denver, CO @ Oriental Theater

May 22 - Minneapolis, MN @ Fine Line Music Cafe

May 23 - Chicago, IL @ Bottom Lounge

May 24 - Detroit, MI @ Crofoot Ballroom

May 25 - Cleveland, OH @ The Grog Shop

May 26 - Pittsburgh, PA @ Preserving Underground

May 27 - Toronto, ON @ Lee’s Palace

May 28 - Montreal, QC @ Fairmount Theatre

An Insatiable Violence, None So Vile and other albums from Cryptopsy’s fearsome discography are now available through Season of Mist

Order

https://redirect.season-of-mist.com/cryptopsyall

Stream

https://orcd.co/cryptopsyaninsatiableviolence

Eric Church’s 'Evangeline vs. The Machine Comes Alive (Official Motion Picture Soundtrack)' Out Now

With his latest critically acclaimed project, Evangeline vs. The Machine, earning a nod for Best Contemporary Country Album at the recent GRAMMY Awards, maverick entertainer Eric Church brings his live show to fans at home with the release of Evangeline vs. The Machine Comes Alive (Original Motion Picture Soundtrack) via MCA. The 19-track live album compliments the IMAX® exclusive theatrical release of Evangeline vs. The Machine Comes Alive, with tickets to the remaining Feb. 14 showing of the limited engagement available now via IMAX.com/EricChurch.
 
Both the concert film and the companion album – the first live album ever recorded at The Pinnacle in Nashville – showcase Church performing his critically acclaimed eighth studio album front-to-back before transitioning into select catalog hits, all reimagined with a six-piece band, four-piece horns, four-piece strings, eight-piece choir and vocalist Joanna Cotten. Watch an official performance video of “Springsteen” live from the Pinnacle HERE.
 
“The thing about the IMAX film is it freezes a moment in time. I’m going to get older; those fans are going to get older, but we froze that moment in time forever musically,” Church shared on “CBS Mornings” earlier this week. “If I want to watch a sporting event tonight…if I want to go to the game, that’s great. If I don’t, I’m going to watch it on television. You can’t do that with concerts, right? I can’t just tune in to who’s playing in Cleveland tonight. So, concerts are a little bit different that way, and that’s why the IMAX film mattered.” Watch the full interview HERE.
 
The film and live album arrive as Church continues his Free the Machine Tour, earning praise from critics across the country as the run continues. “From the jump, it was clear this wasn’t going to be about flash – it was about mood, intention, and immersion…The entire show felt less like a concert and more like a film unfolding in real time,” shared Relive Magazine of the recent D.C. stop, where The Music Universe added, “if you can see only one country music concert in 2026, it needs to be the Free the Machine Tour…there will not be a bigger, fuller all-live sound on the road this year.”
 
The Minnesota Star Tribune opined in St. Paul, “Eric Church is country music’s most courageous and unpredictable superstar – both musically and culturally…The concert, like Church’s career, was about conviction not convention, about evolving, not standing pat, about the moment, not tradition,” while the Green Bay Press Gazette proclaimed the show to be “so nuanced, so sneaky sophisticated, so good that the sum of its parts was as great as the whole. That’s saying something for an artist who increasingly transcends the boundaries of today’s country to be one of music’s more electrifying live acts – period,” with Cleveland.com perhaps stating it most simply, “Country music’s iconoclast did it again.”
 
For more information, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and on Instagram@ericchurchmusic.

2026 Free the Machine Tour Remaining Markets, Venues and Special Guests:
Feb. 13  ||  Buffalo, N.Y.  ||  KeyBank Center  ||  Ella Langley
Feb. 14  ||  Albany, N.Y.  ||  MVP Arena  ||  Ella Langley
Feb. 19  ||  North Little Rock, Ark.  ||  Simmons Bank Arena  ||  49 Winchester
Feb. 20  ||  Kansas City, Mo.  ||  T-Mobile Center  ||  49 Winchester
Feb. 21  ||  St. Louis, Mo.  ||  Enterprise Center  ||  49 Winchester
Feb. 26  ||  Tulsa, Okla.  ||  BOK Center  ||  Stephen Wilson Jr.
Feb. 27  ||  Fort Worth, Texas  ||  Dickies Arena  ||  Stephen Wilson Jr.
Feb. 28  ||  Austin, Texas  ||  Moody Center  ||  Stephen Wilson Jr.
Mar. 5  ||  Knoxville, Tenn.  ||  Thompson-Boling Arena at Food City Center  ||  49 Winchester
Mar. 6  ||  Greensboro, N.C.  ||  First Horizon Coliseum  ||  49 Winchester
Mar. 7  ||  North Charleston, S.C.  ||  North Charleston Coliseum  ||  49 Winchester
Mar. 19  ||  Birmingham, Ala.  ||  Legacy Arena at the BJCC  ||  49 Winchester
Mar. 20  ||  Atlanta, Ga.  ||  State Farm Arena  ||  49 Winchester
Mar. 27  ||  Hollywood, Fla.  ||  Hard Rock Live  ||  Kashus Culpepper
Apr. 3  ||  Greenville, S.C.  ||  Bon Secours Wellness Arena  ||  Ashley McBryde
Apr. 4  ||  Charlotte, N.C.  ||  Spectrum Center  ||  Ashley McBryde
Apr. 10  ||  Jacksonville, Fla.  ||  VyStar Veterans Memorial Arena  ||  Ashley McBryde
Apr. 11  ||  Tampa, Fla.  ||  Benchmark International Arena  ||  Ashley McBryde

About Eric Church
A seven-time ACM Award winner, four-time CMA Award winner (including 2020’s Entertainer of the Year), TIME100Philanthropy 2025 honoree and 11-time GRAMMY nominee – including four nods for Best Country Album, Eric Church has built a passionate fan base through his critically acclaimed catalog of music. Church’s October 2024 release, “Darkest Hour,” saw the superstar signing over all of his publishing royalties to the people of North Carolina to provide immediate relief following the devastation of Hurricane Helene while also providing ongoing funds to support a more resilient future for his home state. The song is featured alongside current single “Hands Of Time” on his latest album, Evangeline vs. The Machine, marking his first new music since 2021’s Heart & Soul triple album (“Stick That In Your Country Song,” “Hell Of A View”). That project followed prior releases including RIAA Gold-certified Desperate Man (“Some Of It,” “Desperate Man”), Platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”), Double-Platinum certified The Outsiders (“Like a Wrecking Ball,” “Talladega”) and 4x Platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 32 Gold, Platinum and multi-Platinum certified songs. Church is also a minority owner of the Charlotte Hornets, a co-owner of the iconic Field & Stream brand, and has his own SiriusXM music channel, “Eric Church Outsiders Radio,” his own liquor offering, Whiskey JYPSI, and his own six-story venue on Nashville’s famed lower Broadway, Chief’s. 

BBR MUSIC GROUP/BMG NASHVILLE ANNOUNCES THE SIGNING OF RISING COUNTRY VOICE MARY KUTTER

With “Bed of Roses,” out today via BBR Music Group/BMG Nashville, Mary Kutter makes a stark, unapologetic entrance to the roster. Written by Kutter alongside John Frank and Tom Pino, and produced by Kurt Allison and Tully Kennedy, the song unfolds like a Southern noir short story with equal parts grit, dark humor, and a sense of reckoning. Listen BELOW.

Built on razor-edged riffs and a pulse that cuts like a thorned guitar pick, “Bed of Roses” drops the listener straight into the fallout, where lines have been crossed, secrets stay buried, and beauty grows from something far more dangerous. Kutter’s vocal sits at the center of the tension, cool and unflinching, daring the listener to lean in closer.

Rather than softening the story or looking away, “Bed of Roses” leans all the way in planting itself in a lane of revenge country anchored by hits like The Chicks “Goodbye Earl.” The song lets implication do the heavy lifting, pairing vivid imagery with a sharp sense of humor that keeps the narrative firmly in control. It’s a reminder that sometimes survival isn’t loud. It’s quiet, calculated, and final.

“‘Bed of Roses’ lives in the kind of storytelling country I grew up loving,” says Kutter. “I love songs that make you lean in, raise an eyebrow, and maybe laugh at the wrong moment. This song has teeth. It’s playful with its dark humor, and it doesn’t ask permission. Those are the songs that made me fall in love with this genre in the first place.”

“Bed of Roses” marks a new chapter for Kutter as she steps forward as an artist unafraid to say the quiet part out loud. Leading with classic country storytelling while letting a harder edge show through, the track introduces a voice that doesn’t chase approval or resolution, only truth, however uncomfortable it may be.

About Mary Kutter:

Kentucky raised and Nashville based, Mary Kutter writes songs that live in the gray area blurring genre lines and creative narratives. Drawing from country storytelling and rock-leaning intensity, her music favors sharp images over easy answers. As both a songwriter and recording artist, Kutter gravitates toward characters on the edge, flawed, resilient, and unapologetically human. Before stepping fully into her own voice as an artist, she built a reputation as a songwriter willing to go where others would not, with her work appearing on major-label releases and charting records by Bailey Zimmerman, Nate Smith, and Zach John King. Those experiences sharpened her instincts and reinforced her belief that the most powerful songs are the ones that tell the truth plainly, without sanding down the rough edges. Onstage, Kutter brings that same intensity into the room. Her performances are direct and unfiltered, rooted in connection rather than theatrics. Whether playing intimate venues or larger stages, she commands attention through presence, letting the songs do the heavy lifting. With “Bed of Roses,” Kutter begins a new chapter defined by confidence, clarity, and a refusal to soften the point.

KEEP UP WITH MARY KUTTER
WEBSITE | FACEBOOK | X | INSTAGRAM | YOUTUBE | TIKTOK

DUSTIN LYNCH TURNS THE KEY ON “GETAWAY CAR” — OUT NOW

Multi-platinum recording artist Dustin Lynch accelerates his genre-defining momentum with “Getaway Car,” available everywhere. Marking another tent-pole moment in Lynch’s evolving run of new music, the track reinforces his role as a leader in the country-dance crossover space, where storytelling and high-energy production collide. Fueled by sleek, propulsive production from Petey Martin and Pete Hammerton, the song captures a full-throttle rush where country drive meets escape velocity, built for fast decisions, open roads, and disappearing into the night with no destination required. Listen BELOW.

With the needle pinned red and the bass hitting hard, “Getaway Car” finds Lynch leaving the rooftop bar in the rearview, letting the night blur as momentum takes over. Equal parts reckless and magnetic, the track taps into the adrenaline of living in the moment, a sound Lynch has increasingly come to own as he continues expanding what modern country can look and feel like beyond traditional boundaries.

“‘Getaway Car’ is about that split-second decision to throw it all in drive and see where the night takes you,” shares Lynch. “No plan, no map, just vibes, velocity, and trusting the moment. It’s one of those songs that feels just as good blasting through speakers as it does screaming down the highway."

“Getaway Car” builds on a lane Lynch has steadily carved out, where country roots intersect with nightlife culture and dance floor energy in a way only Lynch can. The release arrives as Lynch continues one of the most dynamic runs in modern country music, with his latest single “Easy To Love,” currently climbing the charts. With 10 number ones at country radio, billions of global streams, and a reputation for delivering hit driven, high energy live shows, Lynch has continued to evolve while maintaining the core identity that defines his career.

Fresh off major announcements including a co-headlining show with Chase Rice at Red Rocks Amphitheatre and his return to Las Vegas extending Wynn Nightlife’s first ever country music artist residency, “Getaway Car” soundtracks the next chapter of Lynch’s trajectory, further cementing his position at the forefront of the country dance crossover and signaling that this space is not a moment, but a movement.

From packed arenas to DJ booths and late-night highways, Dustin Lynch continues to prove his music is built for wherever the night leads.
 

KEEP UP WITH DUSTIN LYNCH
WEBSITE | FACEBOOK | X | INSTAGRAM | YOUTUBE | TIKTOK 

Rising Country Star Maddox Batson Releases New Track “If I See Her Again”

Hailed by the LA Times as “a country Justin Bieber in the making” and the youngest male to ever appear on Billboard’s 21 Under 21, Maddox Batson releases “If I See Her Again,” an upbeat groove with heart-on-his-sleeve lyrics. Listen to “If I See Her Again” via Warner Records / Prosper Entertainment here and watch the official music video below.
 
Written by Batson, Grant Averill, Dave Cohen and Jackson Foote and produced by Cohen and Foote, Batson internalizes scenarios for a second encounter with a young romantic interest.

“‘If I See Her Again’ is about one of those chance encounters where you wish you would say something but don't. You never get that time back. I think everyone can relate,” shares Batson. “Proud of this one and pumped to get it to my fans. Hope y'all like it!”

“If I See Her Again” arrives on the heels of Batson’s “Any Other Night,” a coming-of-age anthem combining smooth vocal flow, clean guitars and a laid back digital beat. Listen to “Any Other Night” here or watch the official music video with fan favorite guest star Embreigh Courtlyn here.
 
“If I See Her Again” debuts in anticipation of Batson’s Live Worldwide Tour 2026, which kicks off Feb. 17 in Ft. Lauderdale. The Live Worldwide Tour 2026 will crisscross the U.S. before heading to Canada, Ireland, the United Kingdom, Germany, the Netherlands, Norway and Sweden, on Batson’s first headlining European trek. Joined by special guests Baylee Lynn, Jenna Davis, Just Jayne and Timmy McKeever on select dates, tickets for all shows are available now at MaddoxBatson.com.
 
Batson jump starts his most ambitious year yet – including more new music to come, his collaboration with Ringling Bros. and Barnum & Bailey – the first-ever artist collaboration in the brand’s 150-year history – and a win at Good Good Golf’s Desert Open in Tempe, Arizona. Batson and teammates Garrett Clark (co-founder of Good Good) and Marissa Wenzler (University of Kentucky golf alumna) competed against six other three-person teams (two Good Good players and one musician) before taking home the golden hat trophy. 

After making his Stagecoach festival and Grand Ole Opry debuts in 2025, Batson wrapped his 29-city I Need A Truck Tour and supported select dates on Lainey Wilson’s Whirlwind Tour. The 16-year-old artist has already caught the attention of Forbes, USA Today, American Songwriter, NBC Nightly News, PEOPLE, This Past Weekend with Theo Von and others, with more to come in the year ahead.
 
Live Worldwide Tour 2026 Routing:
Feb. 17  |  Ft. Lauderdale, FL  |  Revolution Live
Feb. 18  |  St. Petersburg, FL  |  Jannus Live
Feb. 20  |  Atlanta, GA  |  Coca-Cola Roxy
Feb. 21  |  Augusta, GA  |  Bell Auditorium
Feb. 22  |  Macon, GA  |  Macon City Auditorium
Feb. 28  |  Allentown, PA  |  Archer Music Hall
March 1  |  Montclair, NJ  |  The Wellmont Theater
March 4  |  Stamford, CT  |  The Palace Theatre
March 6  |  Syracuse, NY  |  Landmark Theatre
March 7  |  Schenectady, NY  |  Proctors Theatre
March 8  | Providence, RI  |  The Strand Ballroom & Theatre
March 11  |  Montreal, QC  |  Beanfield Theatre
March 12  |  Toronto, ON  |  The Danforth Music Hall
March 14  |  Buffalo, NY  |  Buffalo Riverworks
March 15  |  Cleveland, OH  |  Agora Theatre & Ballroom
March 18  |  Detroit, MI  |  Royal Oak Music Theatre
March 20  |  Chicago, IL  |  The Salt Shed
March 21  |  Madison, WI  |  The Sylvee
March 22  |  Minneapolis, MN  |  The Fillmore Minneapolis
March 26  | Calgary, AB  |  Grey Eagle Event Centre
March 28  |  Vancouver, BC  |  Vogue Theatre
March 31  |  Portland, OR  |  McMenamins Crystal Ballroom
April 1  |  Seattle, WA  |  The Showbox
April 3  |  Sacramento, CA  |  Channel 24
April 4  |  San Francisco, CA  |  The Fillmore
April 8  |  Los Angeles, CA  |  The Wiltern
April 11  | San Diego, CA  |  The Observatory North Park
April 16  |  Salt Lake City, UT  |  The Complex
April 18  |  Phoenix, AZ  |  The Van Buren
April 19  |  Albuquerque, NM  |  Revel Entertainment Center 
April 22  |  Austin, TX  |  ACL Live at The Moody Theater 
April 24  |  Houston, TX  |  Bayou Music Center
April 26  |  Tulsa, OK  |  Cain’s Ballroom 
April 29  |  St. Louis, MO  |  The Factory at The District 
May 3  |  Nashville, TN  |  The Pinnacle 
May 12  |  Dublin, IE  |  3Olympia Theatre
May 13  |  Glasgow, UK  |  SWG3 Galvanizers
May 15  |  Manchester, UK  |  Manchester Academy 2
May 16  |  London, UK  |  O2 Shepherd’s Bush Empire
May 19  |  Cologne, DE  |  Club Volta
May 20  |  Amsterdam, NL  |  Tolhuistuin
May 21  |  Hamburg, DE  |  Bahnhof Pauli 
May 23  |  Oslo, NO  |  Vulkan Arena
May 24  |  Stockholm, SE  |  Fryshuset Klubben
 
STAY TUNED WITH MADDOX BATSON
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East Nashville Hard Rock Breakout KALAMITY KILLS Unleashes Explosive New Single “These Days Are Evil”

East Nashville hard rock force KALAMITY KILLS has released its powerful new single, “These Days Are Evil,” an urgent and unflinching anthem confronting division, manipulation, and digital-age addiction while calling listeners back to human connection and personal responsibility.

Written primarily by frontman Jamie Rowe in late 2024 and completed in collaboration with guitarist Jamey Perrenot, the track captures a sense of cultural unrest and psychological tension that feels unmistakably current. Blending aggressive riffs, driving rhythms, and a massive, chant-ready chorus, “These Days Are Evil” stands as one of the band’s most focused and explosive releases to date.

“I wrote most of this song in late 2024 knowing it was something special,” says Rowe. “Putting it in Jamey Perrenot's hands to take it across the finish line has resulted in my favorite KALAMITY KILLS track to date. Look, it's no secret the world is in a dark place these days, but we have a say in how we treat others. I want to see the good in people. An act of kindness goes a long way right now. Maybe we all need to take a second away from our screens and show up for someone in the real world. That's what this song is really about: waking up to the manipulation, refusing to be pawns in their game, and choosing connection over division. We can't control the chaos around us, but we can control how we respond to it.”

The single explores themes of manufactured outrage, screen-driven identity, fear-based messaging, and the constant battle for attention and influence. At its core, however, the message is not despair but choice. While the world may feel unstable, the band emphasizes that individuals still control how they treat one another.

Emerging from East Nashville’s thriving rock underground, KALAMITY KILLS continues to build momentum with music that challenges as much as it energizes. “These Days Are Evil” reflects a band unafraid to confront uncomfortable truths while offering a path forward rooted in awareness and compassion.

About KALAMITY KILLS

KALAMITY KILLS is a hard rock band forged in the heart of East Nashville, Tennessee. Formed in 2022 by vocalist Jamie Rowe and guitarist/producer Jamey Perrenot, the band emerged from the ashes of a solo project into a fully realized sonic assault—fueled by raw emotion, modern aggression, and a deep respect for rock’s roots. With a sound that fuses the swagger of classic hard rock with the intensity and polish of modern metal, KALAMITY KILLS strikes a rare balance between power and vulnerability.

Best known for their debut self-titled album Kalamity Kills, the band quickly turned heads thanks to high-profile collaborations with members of KORN, 3 DOORS DOWN, LA GUNS, CONQUER DIVIDE, and UNDEROATH. Their music has earned national airplay on SIRIUSXM’s Octane, landed on the Billboard Active Rock charts, and crossed over into viral success without ever chasing trends.

More than just a studio project, KALAMITY KILLS is a growing force with a full live lineup, including bassist/vocalist Julia Lauren Bullock and drummer Rob Bodley. Their songs—ranging from explosive anthems to brutally honest ballads—tackle themes of faith, failure, hypocrisy, redemption, and the messy beauty of being human.

KALAMITY KILLS is for the outsiders, the misfits, the ones who’ve been burned and are still standing. Loud. Unapologetic. Unforgettable.
KALAMITY KILLS is:

  • Jamie Rowe – Lead Vocals

  • Jamey Perrenot – Guitar / Producer

  • Julia Lauren Bullock – Bass / Vocals (Live)

  • Rob Bodley – Drums (Live)
     

Connect with KALAMITY KILLS:

  • Website: https://kalamitykills.com

  • Facebook: https://facebook.com/kalamitykills

  • Instagram: https://instagram.com/kalamitykills

  • X (Twitter): https://x.com/kalamitykills

  • Jamie Rowe on X: https://x.com/jamierowe

  • YouTube: https://youtube.com/kalamitykills

  • TikTok: https://tiktok.com/kalamitykills

  • Spotify: https://open.spotify.com/artist/0Q7zrZUeUnTrX0OC2FvTqU?si=qZPINKoURFONBasOc9iB3g

  • Apple Music: https://music.apple.com/us/artist/kalamity-kills/1636401395

Kami Kehoe’s “HEARTLESS” Explores Love on the Edge of Fallout

Alt-rock star on the rise, Kami Kehoe, today ushers in a darker, razor-sharp chapter with her new single, "HEARTLESS", via Atlantic Records. Where past releases traced the full arc of heartbreak and healing, "HEARTLESS" sees Kami flip the script into a love song told from the edge of a potential fallout. Listen to "HEARTLESS" BELOW.

Writing from the perspective of someone who has been burned enough times to go numb, Kami zeroes in on the person who finally makes detachment impossible. Leaning into the reality of choosing to fully love one person meaning that she may have nothing left if they go, Kami reframes the word "heartless" as a consequence of her devotion, rather than indifference.

Coming off the back of her latest single, "FADE OUT,", a cover of "SEX ON FIRE", and a nationwide tour supporting Daughtry, Seether, and POD (which saw her regularly invited to join them on stage), Kami continues to cement her place as one of the genre's most magnetic rising voices. Named as one of Pandora's Artists to Watch in 2026 (The Pandora Ten) and continuing to rack up spins on Sirius XM's Octane, Kami steps into the new year with a ballad that's softer in tempo yet even higher in emotional stakes.

As she opens 2026 with the vulnerable, all-in love story of "HEARTLESS", Kami Kehoe wears her heart on her sleeve:

"HEARTLESS is about having one heart and putting it on the line, but wrestling with the idea of finding your person and knowing that if they leave, they take everything you had with them. Seeing people connect with my music everyday has made me a lot less scared of being this honest, because that kind of truth is exactly what makes music worth making for me."

Kami's growing profile extends beyond the music itself, with a feature in the winter issue of Revolver, spotlighting her rise at the intersection of heavy, alt, and modern rock. As she continues to build on the viral success of tracks like, "DOPAMINE" and "SLEEP WHEN I'M DEAD", Kami's "HEARTLESS" now steps in as a stripped-back, emotionally loaded marker of where she's headed next.

On stage, Kami's 2026 is already packed with high moments, including a performance supporting Godsmack as a part of WMMR's MMRBQ and her set at Rock Fest (WI), placing her alongside some of rock's most established names.

To begin her 2026 live run, Kami will also return to Los Angeles for a special headlining show at the Roxy on February 19. Fans can find Kami's full touring schedule HERE.

Photo Credit - Alex Stone

With signature gritty guitars, atmospheric production, and Kami's evocative vocals, her latest single, "FADE OUT" closed out 2025 as one of her most emotionally charged releases to date. The track capped off her "KANDY" EP era that documented the full arc of heartbreak and healing, garnering millions of streams, 100 million views in short form content, and viral popularity worldwide. Her hit single, "DOPAMINE", earned over 30 million streams and hit #11 on Sirius XM Octane's "Big Uns" Countdown, spotlighting her growth in the modern rock landscape.

Carving out her own space in the alt-rock world, Kami Kehoe has impressively amassed over 105 million streams and more than 2 million social media followers by blending a sultry, velvety vocal with a hard-charged rock energy. Since breaking out with the viral hit “SLEEP WHEN I’M DEAD”, she has continued to evolve her sound—infusing shoegaze, metal, and hip-hop influences into her music while remaining unapologetically authentic.

Be sure to stay tuned for more Kami Kehoe news coming very soon.

ABOUT KAMI KEHOE

KAMI KEHOE has never been one to wait for permission. At just 22, the Los Angeles-based singer, songwriter and drummer has blazed a fearless musical path, most recently with her latest EP, “Kandy”, out now via Atlantic Records, Coup D’Etat Recordings, and 10K Projects. Since emerging, she’s spun a chameleonic, hard-charged rock sound into over a million Instagram followers, 10 million TikTok likes, and over 75 million streams in 2025 alone.

Unapologetic authenticity propelled her breakout hit “SLEEP WHEN I’M DEAD,” from her 2024 album REVIVED (Coup D'état/10K Projects), to audiences around the world in stratospheric fashion. Almost overnight, the garage-punk suckerpunch – the snarl of Joan Jett with the timeless melodicism of the Ramones – ripped through social media at lightning speed, netting Kami 100,000 new TikTok followers a day and further cementing her as a rising force in the underground. 

Diving headfirst into the emotional rollercoaster of heartbreak, obsession, and self-discovery, her latest EP, “Kandy” blends dark melodic rock with pop, metal, and metaphor-rich songwriting. Using candy and drugs as symbols for dangerous pleasures, each of the five tracks explore the tangled interplay between allure and risk, offering a bittersweet reflection on the complexities of desire and the consequences that follow. It’s another bold step forward for Kami as she continues to kick down the guardrails of her sound, another entry in her omnipresent push to rewrite what’s possible for her musical future. 

After making waves with a standout performance at Warped Tour and playing her very first headlining show, Kami has just wrapped her largest tour yet, joining forces with industry legends, Daughtry, Seether, and P.O.D. She’ll continue to evolve as an artist with the same freedom and fearlessness that’s led her here, another chapter in a career that’s continually defied expectations – not that she’s ever really cared about those in the first place.

MALEFIC Unleash Debut Album Impermanence Today via Terminus Hate City; Premiere Video for “In Darkest Dreams (The Reaping)”

Atlanta blackened thrash visionaries MALEFIC have officially released their long-awaited debut full-length, Impermanence, out today via Terminus Hate City. Marking the culmination of a journey that began in 2018, the album stands as a testament to perseverance, creative defiance, and an unrelenting devotion to extreme metal in all its forms.

In conjunction with the album’s release, MALEFIC have unveiled a new music video for “In Darkest Dreams (The Reaping),” a harrowing visual companion to one of the record’s most dynamic tracks. The video plunges viewers into a nightmarish landscape where fantasy and mortality collide, echoing the song’s tale of a deathly reaper figure stalking the shadows of the subconscious.

Blending black, death, and thrash metal into a volatile and cohesive statement, Impermanence explores themes of political decay, addiction, existential dread, perseverance, and the irreversible consequences of human choices. The album refuses to be confined by genre boundaries, drawing from progressive rock structures, melodic black metal atmospheres, and punishing death metal intensity.

The record erupts with opener “Blood Of The Throne,” a blistering assault of precision riffing, furious drumming, and venomous vocals that confronts oppressive economic systems head-on. “In Darkest Dreams (The Reaping)” follows with a progressive-leaning structure and one of the album’s rare defined choruses, merging death metal brutality with blackened thrash undertones. The album can be ordered HERE. 

“Of Gods And Man” shifts into melodic black metal territory, weaving intricate picking patterns and dueling solos beneath vocalist Aaron Baumoel’s existential reflections on greed and humanity’s relationship with a creator. The dynamic “Idiocracy” introduces a black-n-roll swagger, pairing memorable triplet riffs with sharp social commentary.

“Deserter” reintroduces crushing death metal grooves and call-and-response harsh vocals that channel themes of abandonment and despair. “Disembodiment” offers a haunting acoustic opening before ascending into the album’s emotional apex, confronting narcissism and manipulation with both musical beauty and lyrical darkness.

The sprawling centerpiece “Obsidian Earth” serves as Impermanence’s magnum opus: grandiose, melodic, and unrelentingly aggressive, culminating in a searing solo by Jason Davila while lamenting humanity’s self-inflicted extinction. “Echoes Of Silence” ventures further into progressive territory, chronicling addiction’s dual nature through chaotic black metal passages and cathartic melodic release.

Closing track “It Haunts” descends into a blackened abyss of charging riffs and spectral acoustics, sealing the album with an ominous sense of supernatural finality.

Forged through years of personal and professional trials, the album captures MALEFIC at their most focused and fearless, delivering a work that is as intellectually provocative as it is sonically devastating.

About MALEFIC:
MALEFIC roared onto the Atlanta metal scene in 2007 with ambitions to modernize the black metal genre. With their tight riffs, tasty leads, and relatable lyricism, MALEFIC abandons cliches and defies traditional genre boundaries. Their special blend of black metal, drawing from thrash and death metal influences, appeals to metalheads across subgenres. They count OLD MAN'S CHILD, CARCASS, TESTAMENT, DISSECTION, and OPETH among their most prominent influences, offering a fresh, modern take on metal that is unrivaled in the United States.

Though they are set to release their very first full-length album, Impermanence, in 2025, MALEFIC boasts an impressive live performance history, having played shows with notable bands such as 1349, CRYPTA, and PROFANATICA. After a hiatus in 2009, the band eagerly picked back up where they left off and reformed with a new lineup. MALEFIC initially began work on Impermanence in 2018, taking their time to ensure that every detail accurately reflected their vision for their album. The band's hard work and dedication has culminated in a powerful debut, lovingly crafted by fans of nuanced, boundary-pushing music. 

MALEFIC lineup:
Jason Davila - Guitar
Aaron Baumoel - Drums, Vocals
Sam Williams - Guitar
Andy McGraw - Bass

Out Today from BLAZONER

Blazoner’s new covers EP Sonic Chambers began almost by accident. The trio of Andy Murray, Brian Carnes, and Stephen Sullivan walked into the studio intending to track a couple of songs purely for fun. They had been slipping covers into their live sets for a while, choosing favorites from across the spectrum of heavy rock, classic rock, prog, and anything else that spoke to them. Once they finished the first two recordings, the energy in the room made it clear that stopping there would have been impossible. They returned to the studio and finished what became a five song EP that highlights the full range of the group’s influences while still sounding unmistakably like Blazoner.

When the band stepped back and listened to everything in sequence, Sonic Chambers revealed itself as more than a quick studio experiment. It became a snapshot of the music that shaped them, filtered through the loud, intense, harmony driven identity they have built together. They had not planned to make an EP, but the excitement of the process carried them forward. Sonic Chambers stands as a celebration of influence, instinct, and the simple joy of creating something that feels alive.

About BLAZONER:

BLAZONER is a heavy rock power trio from Fredericksburg, Virginia, built on the belief that loud music should feel both massive and melodic. The band leans into thick, saturated riffs, driving rhythms, and vocal harmonies that hit as hard as the instruments behind them. Their sound blends the grit of stoner rock, the pulse of classic heavy rock, and the swirling textures of psychedelia, creating a style that feels raw, hook driven, and unmistakably their own.

Formed by Andy Murray, Brian Carnes, and Stephen Sullivan, BLAZONER is powered by the natural chemistry the three share when they play together. Every member sings, which gives the band a vocal identity rarely found in heavy music. Whether delivering gritty leads or layered harmonies, the voices of all three members work together to add color and emotion to the band’s thick wall of sound. The result is a blend of heaviness and melody that stands out both live and on record.

BLAZONER came out of the gate with a commitment to playing hard, writing often, and letting instinct lead the way. Since releasing their first music in 2023, the band has grown quickly through high energy performances that showcase their volume, intensity, and connection as performers. Crowds respond not only to the weight of the riffs and the immediacy of the songs, but also to the sense that the band is having as much fun onstage as anyone in the room.

Their music reflects a wide range of influences, yet everything is filtered through the same core approach. Play loud, play with purpose, and make songs that feel alive. Whether crafting originals or reimagining the tracks that shaped them, BLAZONER focuses on movement, emotion, and the thrill of a great groove hitting at full power.

BLAZONER continues to evolve as they write, record, and perform, always pushing toward a heavier, tighter, more expressive version of their sound. For the band, heavy music is more than a style. It is energy, teamwork, and a constant exploration of what three people can create when they trust every instinct and hold nothing back.

BLAZONER Is:

Andy Murray — drums and vocals
Brian Carnes — bass and vocals
Stephen Sullivan — guitar and vocals

Connect with BLAZONER:

Bandcamp: https://blazoner.bandcamp.com/album/escape-to-electric-land
Facebook: https://www.facebook.com/share/1VxuvmkoQn/?mibextid=wwXIfr
Instagram: https://www.instagram.com/blazonerband?igsh=MTNqMGplYXh2NHlrNA%3D%3D&utm_source=qr
YouTube: https://youtube.com/@blazoner?si=a5PLZSKRjAmk4vB0
Spotify: https://spotify.link/Z17LAAz7KXb
Apple Music: https://music.apple.com/us/artist/blazoner/1709365327

TX2 Drops New Single "Murder Scene" Featuring Magnolia Park

LA-based alt-rock artist TX2 has today released his debut album End Of Us via Hopeless Records. The 13-track album features collaborations with Black Veil Brides, Magnolia Park, Ice Nine Kills, DeathbyRomy, and Ekoh, and arrives after a decade of building one of heavy music's most polarizing and devoted fanbases. Today’s release is highlighted by focus track, "Die Alone" which captures the album's emotional core. Fans can listen to the full album HERE. 

Speaking on today’s highly anticipated release,TX2 frontman, Evan Thomas shares

“After 11 years of building toward this moment, the band and I are excited to unveil our debut album, ‘End of Us’, structured as a rock opera. Each single leading up to this release has told a story painting the larger album theme of, ‘The Resistance’, the final survivors in a world devastated by a vampire holocaust. I hope the story we’ve told through our debut album reminds the X Movement and those all around us that they cannot erase us.”

End Of Us marks a turning point for an artist who did what most won't: weaponized being the internet's punching bag and turned online hate into undeniable momentum. With 1 million monthly Spotify listeners, 1.3 million TikTok followers, and 100 million streams on previously released singles before the album even dropped, TX2 turned algorithmic outrage into a self-sustaining business outside traditional development models.

The album collects previously released singles including "The End of Us" featuring Black Veil Brides, "Murder Scene" featuring Magnolia Park, "HOSTAGE (they will not erase us)," "The Rain," "Feed" featuring DeathbyRomy, and "Nice Guy" featuring Ekoh, alongside new tracks that complete the album's narrative arc. Between them, the previously released songs generated 100 million streams and 42 million TikTok likes in the last 12 months alone.

TX2 has earned co-signs from Caleb Shomo, Ice Nine Kills, Black Veil Brides, Magnolia Park, and From First to Last while building the X Movement, a Discord-based mental health community with thousands of active members. As an openly queer artist, his refusal to sanitize his advocacy has made him both a target and a lifeline.

Thomas describes the album's sound as "punk meets vampire-core with an Eminem edge," drawing from influences like My Chemical Romance, Green Day, Black Veil Brides, and Linkin Park while carving out space entirely his own. He self-directed all music videos alongside guitarist Cameron Rostami with horror aesthetics inspired by Resident Evil and Silent Hill.

TX2 begins his US "End of Us" headline tour this month before heading to Australia with Rain City Drive in March, followed. He then returns to the US for a North America tour supporting Black Veil Brides before heading to Europe for a massive European festival run including Download Festival (alongside Linkin Park, Guns N' Roses, and Limp Bizkit), Rock AM Ring, Rock Im Park, Rock For People, Novarock, Graspop, Jera On Air, and Vainstream. For tickets and further information head to tx2merch.com/pages/tour

TX2 - THE END OF US TOUR (w/ Buffalo Farm & Flat Out)

Feb 6 - Grey Witch - Las Vegas, NV

Feb 7 - SOMA - San Diego, CA

Feb 8 - Temblor Bowling Company - Bakersfield, CA

Feb 11 - Lowbrow Palace - El Paso, TX

Feb 12 - Come And Take It Live - Austin, TX

Feb 13 - Laser City Music Hall - Oklahoma City, OK

Feb 15 - Vinyl Music Hall - Pensacola, FL

Feb 17 - The East - Nashville, TN

Feb 18 - Off Broadway - St. Louis, MO

Feb 19 - xBk Live - Des Moines, IA

Feb 21 - 4th & Polk Music & Event Space - Topeka, KS

Feb 23 - Uptown Funk Dueling Pianos - Albuquerque, NM

Feb 24 - 191 TOOLE - Tucson, AZ

TX2 w/ BLACK VEIL BRIDES - NORTH AMERICA 2026

Apr 25 - Riverside Municipal Auditorium - Riverside, CA

Apr 26 - Grand Theatre at The Grand Sierra Resort - Reno, NV

Apr 28 - Showbox SoDo - Seattle, WA

Apr 30 - The Union Event Center - Salt Lake City, UT

May 1 - Fillmore Auditorium - Denver, CO

May 2 - The Astro - Omaha, NE

May 4 - House of Blues - Dallas, TX

May 5 - House of Blues - Houston, TX

May 6 - The Aztec Theatre - San Antonio, TX

May 8 - Tabernacle - Atlanta, GA

May 11 - Piedmont Hall - Greensboro, NC

May 12 - The NorVa - Norfolk, VA

May 14 - The Fillmore Philadelphia - Philadelphia, PA

May 15 - Stage AE - Pittsburgh, PA

May 17 - The Fillmore Detroit - Detroit, MI

May 19 - Egyptian Room at Old National Centre - Indianapolis, IN

May 21 - The Fillmore Minneapolis - Minneapolis, MN

May 22 - Ramova Theatre - Chicago, IL

May 23 - The Sylvee - Madison, WI

May 25 - HISTORY - Toronto, ON

May 26 - MTELUS - Montreal, QC

May 28 - Palladium Times Square - New York, NY

May 29 - The Fillmore Silver Spring - Silver Spring, MD

May 30 - The Palladium - Worcester, MA

ABOUT TX2

TX2 is the project of Los Angeles-based artist Evan Thomas, known for raw, emotionally charged alt-rock that refuses to play by the rules. Since going viral on TikTok in 2023 with "I Would Hate Me Too," TX2 has amassed 1 million monthly Spotify listeners, 1.3 million TikTok followers, and a touring resume that includes opening for Beartooth, I Prevail, Killswitch Engage, Ice Nine Kills, and Parkway Drive on the Summer of Loud tour.

Thomas founded the X Movement, a community dedicated to mental health awareness and creating safe spaces for fans who feel like they don't belong. He's openly queer, vocally advocates for LGBTQ+ rights and fan safety, and stays after every show to meet every fan, sometimes for hours. He's been called emo's most hated artist and its most necessary voice, often in the same breath. His debut album End Of Us is out now via Hopeless Records.