The Union Underground and SOiL Announce the 'Back To The 2000's Tour' this March with Special Guests Ra and Flaw

The “Back To The 2000’s Tour” features the return of Texas heavy weights The Union Underground, along with Chicago based SOIL and very special guests RAand Flaw. The tour launches in March 2024 and will feature each band playing exclusive material from their most popular albums that were released in the early 2000’s.

The Union Underground will perform selections from the hit debut An Education In Rebellion. SOiL will perform songs from their sophomore breakthrough album Scars. RA will play material from the album From One, and Flaw will perform songs from their debut album Through The Eyes.

The premise of this tour is to bring fans back to the days when festivals like Ozzfestgave new bands a chance to break through to the masses when the Nu Metal scene was thriving. Each band on the tour not only had massive hit songs at the time, but had also toured together and joined forces to create a massive heavy music scene.

According to The Union Underground frontman Bryan Scott: “ I’m looking forward to re-introducing the world to 'An Education In Rebellion', which in my clearly biased opinion, is a fantastic, timeless album! The continued love and support from Union Underground fans over the years has been overwhelming, and that devotion is exactly what has inspired the new music on the forthcoming album. Make no mistake, this is not a nostalgia tour. It’s the launch of a new chapter for the band and an opportunity for new generations of music lovers to discover us. And our longtime friends in SOiL are the perfect partners in crime for the experience! We will perform “AEIR” in its entirety, Across The Nation and a couple of unreleased songs from the new album. Let’s Get It On!”

SOiL bassist Tim King remarks: “Bryan Scott and I came up with this idea quite some time ago. I’m so happy we were able to bring all these bands together for what is sure to be a great re-introduction to this genre of music. The first tour SOiL did on the “Scars” album was with The Union Underground in 2001. Here we are over 20 years later doing it again. It just proves that great bands can last the test of time”

The “Back To The 2000’s Tour” kicks off March 1 in San Antonio, TX and circles through the Midwest and East Coast to end on March 23 in Joliet, IL.

03.01 SAN ANTONIO, TX @ THE ROCKBOX

03.02 HOUSTON, TX @ SCOUT BAR

03.03 DALLAS, TX @ TREES

03.06 FORT WAYNE, IN @ PIERE'S

03.07 BATTLE CREEK, MI @ THE MUSIC FACTORY

03.08 FLINT, MI @ THE MACHINE SHOP

03.09 HARRISON, OH @ THE BLUE NOTE

03.10 COLUMBUS. OH @ THE KING OF CLUBS

03.13 CLIFTON, NJ @ DINGBATZ

03.14 HERMON, ME @ MORGAN HILL EVENT CENTER

03.15 NEW BEDFORD, MA @ THE VAULT MUSIC HALL

03.16 READING, PA @ REVERB

03.17 LEESBURG, VA @ TALLY HO THEATER

03.19 LAKEWOOD, OH @ THE WINCHESTER

03.20 HOBART, IN @ HOBART ART THEATER

03.21 BLOOMINGTON. IL @ THE CASTLE THEATER

03.22 RINGLE, WI @ Q AND Z EXPO CENTER

03.23 JOLIET, IL @ THE FORGE

Bailee Madison to Release Debut Song, "Kinda Fun," 1/12 on Red Van Records

Already known for her numerous acting and musical roles, multi-talented artist Bailee Madison is set to release her debut song, “Kinda Fun,” on January 12.  The metaphorical track is her first music release with Jonas Group Entertainment’s Red Van Records. Pre-save/pre-add the song here.
 
Collaborating with her boyfriend, Blake Richardson (frontman of the British-Pop Trio New Hope Club), “Kinda Fun” marks Madison’s musical aspirations taking center stage. 
 
“Exploring music has been a dream of mine for as long as I can remember,” said Madison. “Blake and I were hanging out one night, and he started strumming his guitar (as he usually does), and ‘Kinda Fun’ just came together in an evening. The lyrics reflect all I was able to experience as a child in the industry and with an excitement about where I am now personally as I enter my mid-20s. 
 
Most of the lyrics are metaphors about growing up, being proud of what’s been accomplished, not letting opinions cloud my decisions, and giving myself not just permission but the liberation to live and create freely.”
 
In addition to co-writing the song, Madison provided background vocals and played Cello on the track. Producing and playing multiple instruments on the song is co-writer, Blake Richardson.
 
Madison, who recently signed with Jonas Group Publishing as a writer, also inked a deal with Jonas Group Entertainment’s Red Van Records, and “Kinda Fun” marks her first release for the label. “I am so excited to begin my music journey officially and have it be with the team at Red Van Records and Jonas Group Publishing,” said Madison.
 
“I feel incredibly inspired and encouraged to tell stories from my heart. The experience, knowledge and love from this team is priceless, and I can’t think of a better partnership to embark on this incredibly fulfilling next chapter.”
 
Of her joining Red Van Records, Jonas Group Entertainments CEO Phil Guerini said, “Bailee is a uniquely blessed artist who can act, sing, write, dance, and defines captivating in everything she does. Her music is infectious, honest, and fun, and we are thrilled to have her join the Red Van Records family.”
 
Jonas Group Publishing President Leslie DiPiero added, “Bailee is a multi-faceted mega talent. Her songwriting is filled with her soulfulness and magnetic personality. Signing her to Jonas Group Publishing is the perfect way to start the New Year!”
 
As an in-demand actress, Madison is currently starring in the globally renowned franchise and critically recognized reboot Pretty Little Liars: Original Sin. She first gained acclaim in the film Bridge To Terabithia and the physiological war drama Brothers. She’s continued to garner many notable roles, such as Just Go With It, The Strangers: Prey at Night, the fantasy film North Pole, Wizards of Waverly Place, Good Witch, and more. With the 2021 Netflix musical hit A Week Away, she has seamlessly immersed herself into the world of music, a passion that has always been in her heart to pursue. 
 
Beyond the spotlight, Madison is a passionate advocate for charitable causes; she supports Alex's Lemonade Stand Foundation and champions Michelle Obama's Better Make Room campaign, demonstrating a commitment to making a positive impact.

ABOUT RED VAN RECORDS:
Under the Jonas Group Entertainment umbrella, Red Van Records was formed in 2023 by JGE founder Kevin Jonas, Sr. Under the leadership of Jonas and Chief Executive Officer Phil Guerini, the label is home to critically acclaimed singer-songwriter Levi Hummon as well as multi-faceted entertainer Bailee Madison. Headquartered on Nashville’s famed Music Row, Dan Pearson’s Lakeside Entertainment Group provides label services for Red Van Records. With more than twenty years of both independent and major label experience, the Lakeside team has broken a wide range of artists across multiple formats and platforms. 
 
ABOUT JONAS GROUP PUBLISHING:
Established in 2020, Jonas Group Publishing (JGP) is a division of Jonas Group Entertainment (JGE), founded by Kevin Jonas, Sr. in 2005 and helmed by CEO Phil Guerini.  Under the leadership of President Leslie DiPiero, JGP is home to a burgeoning consortium of groundbreaking songwriters, including Terri Jo Box, Franklin Jonas, and Bailee Madison.  Headquartered on famed Music Row, JGP continues to grow its footprint through new signings, catalog acquisitions, recordings, and sync placements. 

Watch Escuela Grind's new video for "Meat Magnet”

New England extreme metal powerhouse, Escuela Grind, will release the new EP, 'DDEEAATHHMMEETTAALL', this Friday, January 12, 2024.

 

Recorded with Will Killingsworth, mixed by the GRAMMY-winning Kurt Ballou (High on Fire), and mastered by Nick Townsend (Cheap Trick, Dr. Dre), the EP houses four new songs including the lead cut, "Ball and Chain", and "Meat Magnet", featuring a guest appearance by Napalm Death vocalist Barney Greenway.

Today, Escuela Grind releases a video for "Meat Magnet", directed by Michael Jari Davidson (Alice In Chains). The unsettling cut features a vox-off between the aforementioned Greenway and Escuela Grind vocalist Katerina Economou interspliced with exhilarating live footage of the band tearing it down. 

Escuela Grind's 'DDEEAATHHMMEETTAALL' EP is the crown jewel in a themed trilogy of releases, including the duo of 2020 EPs 'PPOOWWEERRVVIIOOLLEENNCCEE' and 'GGRRIINNDDCCOORREE', which saw the band espousing its unique takes on the respective underground music sub-genres. 'DDEEAATHHMMEETTAALL' delivers the first new Escuela Grind music since the release of last year's celebrated full-length LP, 'Memory Theater', hailed by The New York Times as ''an opus of extremity", "witheringly intense yet righteously life-affirming" by SPIN, "the heaviest Escuela Grind have ever sounded" by Decibel, and both "a masterclass in punishing, invigorating grindcore" and "a fascinatingly intellectual take on the genre" by Revolver.

 

'DDEEAATHHMMEETTAALL' is the third installment of our EP series where we dive into the genres that most influence this band," offers Economou. "Finishing this trilogy has been years in the works. We are so excited to release these songs as they are perhaps the best reflection of our live performance. The stage has honed these hectic songs to perfection. Originally we were going to have three songs on this EP, but we wanted to create another track that had a huge buildup. This eventually developed into this brutal song, "Ball and Chain", that marks the point in our live shows where we have a wall of death every night. Lyrically, it references death metal tropes of murder and revenge, but with a decidedly feminine angle."   

Escuela Grind - DDEEAATTHHMMEETTAALL Glow In The Dark Vinyl EP

PRE-ORDER

Escuela Grind Memory Theater - Hot Pink Splatter Vinyl LP

SHIPPING NOW

SEE ALL ESCUELA GRIND MUSIC + MERCH

Thursday to Release "War All The Time Live" on Vinyl + Touring This Winter

THURDSAY + VELOCITY RECORDS TO RELEASE RE-PRESS OF CLASSIC ALBUM WAR ALL THE TIME LIVE

BAND TOURING THIS WINTER WITH RIVAL SCHOOLS

Beloved New Jersey post-hardcore icons Thursday and Velocity Recordshave announced the pre-orders for the upcoming vinyl re-press of the band's classic, 2003-released album War All The Time Live via the label's webstore.

Pre-orders for multiple color vinyl variants in extremely limited quantities, as well as a limited edition CD version of the album, are available here.

Initially released on vinyl and digital formats on June 30, 2022, War All The Time Live has been out-of-print and unavailable on vinyl since it first dropped. This "can't-miss" live celebration of the War All Time album is available to hear on all streaming platforms here. Go ahead and listen, and be transported to front and center at a Thursday gig. 

Thursday are on the road and touring this winter with Rival Schools and Many Eyes. All dates are below. The winter trek finds the band performing War All the Time in full.

THURSDAY ON TOUR:
WITH RIVAL SCHOOLS + MANY EYES:
1/25 — Buffalo, NY — Town Ballroom
1/26 — Detroit, MI — The Majestic Theatre
1/27 — Columbus, OH — Newport Music Hall
1/28 — McKees Rocks, PA — Roxian Theatre
1/30 — Chicago, IL — Concord Music Hall
1/31 — Minneapolis, MN — First Avenue
2/1 — Omaha, NE — Slowdown
2/2 — Denver, CO — Summit Music Hall
2/3 — Salt Lake City, UT — The Depot
2/5 — Seattle, WA — The Crocodile
2/6 — Portland, OR — Roseland Theater
2/8 — Sacramento, CA — Ace Of Spades
2/9 — San Francisco, CA — August Hall
2/10 — Santa Ana, CA — Observatory OC
2/11 — Mesa, AZ — The Nile Theater
2/13 — Austin, TX — Mohawk
2/15 — Jacksonville, FL — Jack Rabbits
2/16 — Fort Lauderdale, FL — Revolution Live
2/17 — Orlando, FL — The Beacham
2/18 — Atlanta, GA — The Masquerade
2/20 — Philadelphia, PA — Theatre Of Living Arts
2/21 — Boston, MA — Paradise Rock Club
2/22 — Baltimore, MD — Baltimore Soundstage
2/23 — Virginia Beach, VA — Elevation 27
2/24 — New York, NY — Irving Plaza

War All the Time arrived in September 2003. It was described as "sensitive as a teardrop, but hitting with the impact of a two-by-four across the jaw" by Entertainment Weekly and "as intense enough to resonate outside their corner of the underground" by Rolling Stone. Elsewhere, Blender highlighted how the band and album "combine emo's nervous-breakdown emotionalism and hardcore punk's aggression." The album is equally beloved by the band's diehard legion of fans and is considered a benchmark of the '00s.

Dead Poet Society Share "My Condition" + Announce L.A. Album Release Show + Spring Tour

  NEW ALBUM FISSION ARRIVES JANUARY 26 VIA SPINEFARM

BAND ANNOUNCES SPECIAL L.A. RECORD RELEASE SHOW SET FOR JANUARY 24 AT PICO UNION PROJECT

NORTH AMERICAN HEADLINE TOUR SET FOR SPRING, FEATURING APPEARANCES AT SHAKY KNEES, WELCOME TO ROCKVILLE, + SONIC TEMPLE

Los Angeles quartet DEAD POET SOCIETY will drop their second albumFISSION on January 26 via Spinefarm. Pre-order it here.

Today, the band has shared "My Condition." Listen here.

Commenting on the track, frontman Jack Underkofler says, "This song took years to write and it’s one of our favorites. It's about knowing that nothing matters, so might as well go for what brings you fulfillment and do what you want."

DPS have also announced details of an exclusive and intimate record release show. Rock Night Out presents Dead Poet Society: The FISSION Album Release Experience, sponsored by Spinefarm Records, is set for January 24 in Los Angeles at Pico Union Project. Stay tuned to the band's social properties for more information on this special show.

Additionally, The FISSION Tour is set for this spring, including appearances at festivals such as Shaky Knees, Welcome to Rockville, and Sonic Temple. Tickets go on sale on Friday, January 12 at 10am local time. All dates are below. Get tickets here.

In the meantime, fans can find themselves transported to a DPS show by watching video comprised of live performance footage for "How Could I Love You?" Watch it here. The footage is culled from the band's recent performances at Blueberry Hill in St. Louis and at the Subterranean in Chicago.

DEAD POET SOCIETY ON TOUR:
4/14 — Vancouver, CA — The Pearl
4/16 — Seattle, WA — El Corazon
4/17 — Spokane, WA — District Bar
4/18 — Boise, ID — Olympic
4/20 — Colorado Springs, CO — Black Sheep
4/23 — Omaha, NE — Waiting Room
4/24 — St. Louis, MO — Delmar
4/26 — Minneapolis, MN — 7th St Entry
4/27 — Milwaukee, WI — Rave
4/28 — Chicago, IL — Bottom Lounge
4/30 — Grand Rapids, MI — Stache
5/1 — Detroit, MI — Loving Touch
5/2 — Toronto, ON — Velvet Underground
5/4 — Atlanta, GA — Shaky Knees*
5/6 — Boston, MA — Sinclair
5/7 — Philadelphia, PA — Foundry
5/9 — Asbury Park, NJ — Wonder Bar
5/10 — Washington, DC — Union
5/12 — Daytona Beach, FL — Welcome to Rockville*
5/14 — Asheville, NC — Grey Eagle
5/15 — Nashville, TN — Basement East
5/17 — Johnson City, TN — Capone's
5/18 — Pittsburgh, PA — Thunderbird
5/19 — Columbus, OH — Sonic Temple*
5/21 — Little Rock, AR — Rev Room
5/22 — Oklahoma City, OK — Beer City
5/24 — Dallas, TX — House of Blues
5/25 — Houston, TX — House of Blues
5/26 — Austin, TX — Parish
5/28 — Tucson, AZ — Club Congress
5/29 — Phoenix, AZ — Crescent
5/30 — Los Angeles, CA — Troubadour
6/1 — Santa Ana, CA — Constellation Room
*Festival Appearance 


 Dead Poet Society accumulated over 100 million global streams, with nearly 50 million streams in the U.S. alone. The band also enjoyed two Top 15 singles at radio and key playlisting. They have also spent as much time as possible on the road — having toured with alt rock powerhouses Badflower, Biffy Clyro, Highly Suspect,and BRKN Love. The band has ultimately established itself as an intense live act not to be missed! 
 

DEAD POET SOCIETY ARE:

Jack Underkofler — Vocals/Guitar

Jack Collins — Guitar

Will Goodroad — Drums

Dylan Brenner — Bass 

EXOCRINE Are Locked and Loaded on New Single

EXOCRINE have been pumping out rapid-fire tech-death since 2015. But the French metal mercenaries truly unleash the full scope of their unrelenting arsenal on the third single off Legend.

Watch the deadly video for "Eidolon" below.

Legend comes out January 26, 2024.

Pre-order: https://redirect.season-of-mist.com/Exocrine-Legend
Pre-save: https://orcd.co/exocrinelegendpresave

In ancient literature, "Eidolon" appear as ghostly doppelgängers. Exocrine go hunting for these demons during the bloody and bullet-filled video for their new single. Strapped with precision blast beats, the band rattle off laser-guided riffs and a bass that grooves with flattening force of a tank.

But this song isn't just balls-to-the-wall adrenaline. On the heels of Jordy Besse's commanding bark, the rhythm section spreads out into doomy, dread-soaked ambience.

"Brace yourselves for the sonic onslaught of Exocrine's latest masterpiece – the music video for our track 'Eidolon'," says lead guitarist Sylvain Octor Perez. "Proudly blending melodic intricacies with brutal force, this song is a testament to the band's unique fusion of melody and brutality.

"It's a sneak peek into our upcoming album", Perez continues, "a perfect marriage of technical prowess and breakneck speed. Exocrine is unleashing a sonic storm that will leave you craving more. Stay tuned for the imminent release of our album, a true embodiment of technical excellence and speed. Get ready to be blown away!"

Born from the depths of Bordeaux, France, EXOCRINE is a technical death metal juggernaut, a force that has redefined the very essence of the genre. Founded by the guitar-virtuoso Sylvain Octor-Perez, alongside the formidable talents of Nicolas La Rosa and Jordy Besse, this trio embarked on their relentless journey in 2013, marking the inception of a musical saga that would leave an indelible mark on the world of extreme music.

Exocrine's debut album, 'Unreal Existence,' unleashed in 2015, was nothing short of a revelation. It showcased the band's audacious creativity, instantly distinguishing them within the technical death metal scene. With labyrinthine compositions, ferocious riffs, and relentless drumming, Exocrine's music delved into uncharted territories of sonic complexity.

In the years that followed, Exocrine solidified their signature sound, with albums such as 'Ascension' in 2017 and 'Molten Giant' in 2018, upon the latter release, Théo Gendron joined as a new member – forming the current-standing quartet of musicians. These releases cemented their reputation as pioneers of the genre, pushing the boundaries of what technical death metal could achieve. The band's compositions are like sonic mazes, constantly evolving, keeping listeners captivated at every twist and turn.

Their 2022 release, 'The Hybrid Suns,' was yet another testament to their musical prowess. It demonstrated their unyielding commitment to pushing the envelope and exploring new realms of technical complexity.

Now, as the anticipation reaches a fever pitch, Exocrine is poised to release their next full-length opus, 'Legend.' This forthcoming masterpiece promises to be an epic chapter in their already storied career, destined to secure their place as legends within the hallowed halls of technical death metal.

Exocrine are architects of sonic transcendence, explorers of the uncharted, and pioneers of the unimaginable. With each release, they redefine the limits of technical death metal, and 'Legend' is poised to be their most audacious and groundbreaking endeavor yet, a true testament to their status as legends in the making.

Line-up:
Sylvain Octor Perez: Lead Guitars
Nicolas La Rosa: Guitars
Jordy Besse: Bass, Vocals
Theo Gendron: Drums

Recording Studio:
Triceraprod Studio

Sound, mixing & Mastering Engineer:
Sylvain Octor Perez

Biography:
Sébastien J. Gamez

Cover art:
Armaada Art

Pre-save: https://orcd.co/exocrinelegendpresave
Pre-order: https://redirect.season-of-mist.com/Exocrine-Legend

Links:
Facebook: https://www.facebook.com/Exocrine/
Instagram: https://www.instagram.com/exocrine_official/
Twitter: https://twitter.com/Exocrine_band
Spotify: https://open.spotify.com/artist/0JmFaHWcs3bFMtNzJnDFKw
Deezer: https://www.deezer.com/us/artist/9621858
Apple Music: https://music.apple.com/us/artist/exocrine/1391841323

Available Formats:
Digital Download
CD Digipak
12" Black Vinyl Gatefold
12" Clear Translucent - Coloured Vinyl Gatefold
12" Aqua Deep - Coloured Vinyl Gatefold

Photo credit: ©Exocrine

Tigirlily Gold Release New Single “I Tried A Ring On,” Impacting Radio On 1/22

Monument Records’ powerhouse duo Tigirlily Gold released their debut EP Blonde last summer, establishing sisters Krista and Kendra Slaubaugh’s prowess as entertainers with rowdy and empowering songs inspired by the years they spent performing in bars on Nashville’s Lower Broadway. Building on the success of the project’s top 40 track “Shoot Tequila,” which received more than 40 million streams to-date, the duo today unveils a new side to their songwriting, with their emotional new single, “I Tried A Ring On.” 
 
“I Tried A Ring On,” written by Kendra and Krista, alongside Pete Good and Josh Jenkins, and produced by Pete Good, was inspired by their real-life heartbreak. Adding depth to their evolving story, “I Tried A Ring On” conveys a heartfelt tale of love’s illusion and the sobering aftermath of shattered expectations. 
 
“We were noticing how many of the breakup songs in country music talk about how hard it is to get over someone, but another extremely hard part of heartbreak that not a lot of people talk about is the gut wrenching feeling of having to start over again when you truly thought you had forever with someone,” Tigirlily Gold shares. “‘I Tried A Ring On’ tells that side of the story, and we are excited for people to discover this whole other side of who we are as writers and as artists.”
 
The song is available across streaming platforms now and will impact country radio as the duo’s next single on Jan. 22. Listen below.
 
With a message that is sure to resonate with anyone who has felt the heartbreak of love’s false starts and showcases the duo's versatility through their compelling songwriting and knack for storytelling, “I Tried A Ring On” is another taste of new music to come. Bringing the girl power energy back to country music, stay tuned for more from Tigirlily Gold throughout 2024. For the latest information visit, tigirlily.com  and follow along on Twitter, Instagram and Facebook @tigirlily and on TikTok @TigirlilyGold.
 
About Tigirlily Gold:
Sister duo Tigirlily Gold has been playing music together since they could walk, and officially formed their band in high school. Growing up, they crisscrossed the mid-west, growing a fierce fan base and selling out amphitheaters across their home-state of North Dakota. After moving to Nashville, they landed a weekly residence at Dierks Bentley’s Whiskey Row on Nashville’s famed lower Broadway. Playing four-hour sets, three to four nights a week, the sisters developed a performance style that’s not only captivating and fun but shows just how much entertaining is in their blood. After releasing their original song “Somebody Does,” in 2021, the track topped the iTunes chart and Tigirlily Gold was signed to Monument Records. They released their self-titled, debut EP in July 2021, working with multi-Grammy Award Winner Shane McAnally, and hit the road with artists like Walker Hayes and Ashley McBryde. Now, the powerhouse duo has embarked on a new musical chapter with their EP, Blonde –a deeply personal project that includes tales of love and loss alongside powerful anthems and songs of female empowerment. Their debut single at country radio, “Shoot Tequila,” reached the Top 40 and found viral success with millions of views across social media, and millions of streams across platforms. Their much anticipated follow up single “I Tried A Ring On” will hit airwaves at the top of 2024. After making their Grand Ole Opry debut and performing to a national audience on the “TODAY Show,” Tigirlily Gold is Ready to bring girl grou

Randall King Grapples w/ Regret in “Coulda Been Love,” Out Now Ahead of 1/26/24 Album

Randall King’s 18-track sophomore album Into The Neon – due Jan. 26 via Warner Music Nashville – takes listeners inside one man’s story of finding love and losing it, with songs made for slow dancing under the starry night sky or two-stepping at a local honky tonk. With the latest taste of new music off the upcoming project, “Coulda Been Love,” out today, King grapples with regret over the girl that got away and love that could have been.
 
Listen to “Coulda Been Love” below and pre-order Into The Neon HERE.
 
“Heartbreak and Honkytonk. Turn up the dial and pour ya a drink, you're gonna need one,” remarks King. Written by Jake Worthington, Kim Penz and Roger Springer, “Coulda Been Love” is an up-tempo toe-tapper, as the narrator retrospectively ponders his decision to turn down a dance with a girl and realizes perhaps it could have led to more.
 
        What was I thinkin’ sayin’ I don’t dance girl
        Let her walk away and it coulda been love
        Bet you right now she’d be lightin’ up my world 
        What was I thinkin’ it coulda been love
 
Co-produced by King alongside Jared Conrad, Into The Neon incorporates a unique blend of the influences from icons and modern masters alike who have inspired King’s sound; inclusive of the timeless ‘80s country twang of George Strait and Keith Whitley, and the blood pumping, Y2K-era rhythms of Dierks Bentley and Gary Allan. 
 
Inspired by the countless nights spent strumming his guitar under the expansive skies in the plains of West Texas where he grew up – and by his current road warrior diet which finds him revitalizing Country’s neo-traditional sound under the neon signs of nearly 150 honky tonks he performs in across the country each year – King ushers people Into The Neon on Jan. 26, 2024. 
 
It’s a place where rowdy roughnecking, romantic tenderness and breathtaking emotion are all welcome; an ode to nature and the humble establishments that have nurtured country music’s blue collar roots since its foundation. It’s these very places that have nurtured King’s love for music and wide open spaces, too.
 
For more information and to follow along with updates, visit RandallKingMusic.com or follow @RandallKingBand across all social platforms.

About Randall King: 
A West Texas native and self-described “old soul," Warner Music Nashville's Randall King has never wavered in his honky-tonk allegiance – in fact, he’s worn it like a badge of honor, growing with pride into a leading voice for today’s traditional country. Amassing over 290 Million streams with singles like “You In A Honky Tonk,” “Hey Cowgirl” and “Mirror, Mirror,” he’s kept the twang alive in country’s mainstream while also earning acclaim through deeply personal EPs like 2020’s Leanna, and his 2022 major label album debut, Shot Glass – which landed on both Whiskey Riff’s Top 40 Country Albums of 2022 and Billboard’s All Genre 50 Best Albums of 2022 (So Far). Schooled on icons like Keith Whitley, George Strait, Alan Jackson and John Anderson, but inspired by modern masters like Dierks Bentley and Gary Allan, King first built an independent, grass-roots following on the strength of his electrifying live shows – each one a harrowing mix of rowdy roughnecking, romantic tenderness and breathtaking emotion – never asking for permission to explore his creative vision. He has since gone on to headline all across the U.S., the U.K. and Europe, where he continues to play nearly 150 shows a year and hone his craft where it matters most. Named a Country Artist to Watch by everyone from Pandora and Country Now to Music Mayhem Magazine, his sophomore major label album Into the Neon takes that craft to the next level on January 26, as King’s neo-traditional roots meet the blood-pumping rhythms and sharp, arena-sized grooves of Y2K-era country and beyond. Co-produced by King and Jared Conrad, and featuring 18 tracks, punchy sounds exist side-by-side with timeless swagger, further blurring the line between yesteryear and today – even as King renews his forever-country vows.

ELVIE SHANE SET TO DELIVER TRANSFORMATIVE STUDIO ALBUM DAMASCUS, AVAILABLE APRIL 19TH

Full of unflinching honesty rooted in compassionate clarity, BBR Music Group/Wheelhouse Records singer/songwriter Elvie Shane delivers his most daring work yet with his forthcoming sophomore album DAMASCUS releasing April 19th, available for pre-order/pre-save/pre-add HERE. With each track stepping into the shoes of another, Shane takes pieces of each character he’s met on his path, melding them into one beautifully woven work. The road to Damascus isn't a journey one takes lightly, yet the album tells the stories of those often untold, giving each testimony a chance to shine through. Shane co-wrote all songs on the project produced by his frequent collaborator, Oscar Charles.

"I feel like I’ve grown a lot since Backslider. I’ve attained just about everything I ever dreamed of…seen the world and made a living with music. I’ve been on top and back down in the mud,” said Shane.  "In that travel and experience, I’ve paid close attention to people more than anything. I’ve seen a lot of struggle, but in that struggle I found common ground and inspiration. Damascus is a record that aims to pick a fight with what holds people down. Normal every day Blue Collar America…my people. These are not all my stories, but they are all stories I believe to be true. But 'What do I Know.’"

He’s given listeners a taste of the project with releases of “Baptized,” “Jonesin’” and “Forgotten Man,” with the latter dubbed “an ode to blue-collar workers that exposes the heart-aching realities of the working class” (Billboard), and with his latest track “Pill,” critics praised its gripping honesty as it “further cements Shane as a new voice of the damaged, addicted, and lost in country music” (Rolling Stone).

Building his reputation as an artist “that would do Merle Haggard proud” (Rolling Stone), Elvie Shane reminds us that we’re more alike than different with “What Do I Know,” written by Shane, Oscar Charles, Dan Couch and Jonathan Sherwood. Full of lived-in honesty and fundamental truths, Shane puts his gritty, powerful vocals on display with a mid-tempo version of his classic country-rock sound. Along with the track, Shane shared a moving video for “What Do I Know,” featuring a cameo by John Carter Cash, available to watch below.

Fueled by a passion for his fans, Shane is set to hit the road on The Damascus Acoustic Stories Tour, a 10-stop intimate tour starting on 2/1 in Louisville, KY. Tickets are available HERE.

The Damascus Acoustic Stories Tour Dates:
2/1 - Louisville, KY - Mercury Ballroom
2/2 - Lexington, KY - The Bur
2/3 - Indianapolis, IN - The Hi-Fi Indy
2/8 - Chicago, IL - Carol's Pub
2/9 - Cincinnati, OH - The Ludlow Garage
2/10 - Columbus, OH - A&R Music Ba
2/13 - Knoxville, TN - Open Chord Stage
2/14 - Decatur, GA - Eddie's Attic
2/15 - Greenville, SC - Radio Room
2/17 - Somerset, KY - The Virginia

About Elvie Shane:
As a native of small-town Kentucky whose influences range from Dwight Yoakam and Steve Earle to classic rock, Gospel, R&B and hip hop, Wheelhouse Records’ Elvie Shane has emerged as a country star with his heart on his sleeve – and as a champion of those with their name on a patch. Breaking out with the Platinum certified Number One single, “My Boy,” the singer/songwriter first took a stand for family values that go far beyond bloodlines, setting himself apart with a deeply felt 2020 tribute to step-parents and their unconditional love. Hailed by critics from Billboard and Rolling Stone to the Nashville Scene and beyond, the track helped launch Shane’s album BACKSLIDER onto multiple Best Of lists, winning over fans with its gritty yet gracious fusion of heartland rock, modern country and stand-for-something purpose. With over 372 million career streams and counting, that fusion often presents itself onstage as a mix of rebellious energy, indelible imagery and working-class pride, and it has made Shane a favorite all across the globe. Pairing his headlining MY KINDA TROUBLE TOUR in 2021 with high-profile opening slots for Darius Rucker, Jason Aldean, Toby Keith, Brothers Osborne, Brooks & Dunn and Lady A, among others, plus country’s biggest festivals and a 2023 tour across the heart of Europe, he capped it all with a nomination for Best New Country Artist at the 2023 iHeartRadio Music Awards, and is now laying the groundwork for a new chapter. Following inclusion on the star studded Stoned Cold Country tribute to The Rolling Stones 60th anniversary (submitting a special version of “Sympathy for the Devil”), Shane's new tracks include “Pill,” “Jonesin’,” “Baptized” and “Forgotten Man” out now. Rolling Stone praises “Forgotten Man” as it “expertly sums up what it means to be blue-collar in the 21st century in this defiant, angry country single that would do Merle Haggard proud." An anthem for those chasing the American dream with calloused hands and a weary, but still-believing heart, it’s another example of Shane’s deep-feeling take on country, as a new blue-collar generation arrives. Serving as a table of contents like sneak peek into his forthcoming album Damascus, fans can expect a transformative new sound and exploration of rural culture on his sophomore album. For more information visit elvieshane.com.

KEEP UP WITH ELVIE SHANE
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | X

COLIN STOUGH KEEPS THE FAITH WITH “I STILL TALK TO JESUS (ACOUSTIC)”

19 Recordings/BMG artist Colin Stough starts the new year off with a powerful message of resilience, as he offers up a fresh rendition of one of his biggest hits with “I Still Talk To Jesus (Acoustic).” Available across all streaming platforms and digital retailers, listen here.

A Country-Rock ballad of unshakable hope, “I Still Talk To Jesus” was originally part of Stough’s standout time on ABC’s American Idol in 2022. Eventually finishing third on Season 21, Stough released the aching anthem alongside his fellow Top 5 finalists, showing fans a moving example of inner toughness – and one heart’s weary-yet-determined refusal to give up on love.

Produced by Sean Rogers, Stough’s new acoustic take of the track further highlights that message. Using only guitar to back his dynamic Mississippi vocal, the rising star dials down his million-watt intensity for a captivating blend of wounded soul and falsetto grit, cutting straight to heart of one of his most popular songs. Meanwhile, a raw performance of the all-natural track – penned by Stough, Sean Thomas Rogers, and Francisco Martin – was captured and edited by Mike Rodway.

“I wanted to share this track to start the new year off right!” Stough says. “This was one of my biggest songs last year and a fan-favorite, so I hope everyone enjoys this acoustic take. It’s just one of them records where the words cut deep, and I think this version really lets ‘em shine.” 

“I Still Talk To Jesus (Acoustic)” follows the recent release of “Sleep Tonight (Acoustic)” – another reimagined favorite revealing Stough’s heartfelt lyricism – and a gravelly rendition of the Elvis Presley holiday classic, “Blue Christmas.”

In October 2023, the emerging artist released his six-track debut EP, Promiseland, and has since captured the attention of both critics and fans alike. Country Now praises, “Promiseland showcases a deep level of honesty and authenticity,” as they further named him among their Country Next: Artists To Watch In 2024 list. Likewise, Stough made Holler’s New and Upcoming Country and Americana Artists You Need to Know roundup, hailing that he’s a “singer who was born to do this,” with a voice that’s “equally at home singing grungy Southern rock as it is twangy old school country.”

Spending last year headlining while also supporting artists like Kidd G and Drake White, he’s next on deck with Chase Matthew starting in February. Find upcoming show dates here. 

Photo Credit: Mike Rodway

About Colin Stough:

A 19-year-old Country Rock phenom and native of Gattman, Mississippi, Colin Stough has come a long way in a few short years – and with his debut EP Promiseland, the 19 Recordings/BMG artist is still just getting started. After learning to play guitar at 8 years old, Stough first pursued artistic dreams at 10, boldly trading childhood possessions for his first guitar at a local pawn shop – an instrument he still plays to this day. After graduating high school, the naturally gifted singer and self-taught songwriter began working full-time as an HVAC technician, before his mother convinced him to audition for American Idol. Impressing judges Luke Bryan, Katy Perry, and Lionel Richie, Stough stunned viewers and soon built a thriving fan base, finishing third on Season 21 of the show in 2022. He spent the ensuing months writing and recording original music, while also touring nationwide to put his blowtorch vocal and guitar-slinging edge on full display. After signing with 19 Recordings/BMG, his distinctive mix of Southern Rock distortion and pure-Country style have helped tracks like “I Still Talk To Jesus” and “Bad Day” rack up more than 9.4 MILLION global on-demand streams, and in September 2023, Stough released the single “Promiseland,” along with an official music video. The hard-hitting anthem is the title track to Stough’s debut EP, which is out now and puts the emerging artist on track to reach even more dreams in the future. Stough has headlined across the country and opened for established artists like Kidd G and Drake White. Next supporting Chase Matthew, stay tuned for much more to come.


KEEP UP WITH COLIN STOUGH

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | X

Drake Milligan to Kick Off 2024 With New Music and More Milestones

Stoney Creek recording artist DRAKE MILLIGAN is keeping his boot on the gas as the new year begins, following a chart-topping breakout with plans for a brand new EP. 

Set for release on February 16, the pure-country hitmaker’s Jukebox Songs EP marks another bold chapter of high-energy twang. Produced by fellow Texan and traditionally-minded star, Trent Willmon, the EP will once again highlight Milligan’s smooth, booming baritone vocal, towering over four fresh tracks full of instant-classic intensity and diverse country soul...including an unforgettable heartbreak anthem. Pre-order/pre-add/pre-save HERE.

“Jukebox Songs is exactly what it sounds like," says Milligan. "My goal for this EP was to write and find songs that feel classic and memorable - the kinda tunes would fit right in on some old Rock-Ola in the corner of a smoke-filled bar on the outskirts of nowhere Texas. It’s a continuation of the old-meets-new Country sound I’ve always gone for, and this time with my friend Trent Willmon at the reins as producer, I’m very excited to keep this honky tonk train rollin.’” 


Penned by Bobby Pinson, Matt Rogers & Ben Stennis, “Don’t Leave Me Loving You” is a timeless, classic-country style ballad, aching and built on a still-tender emotional wound. The track places Milligan’s standout Texas baritone before a delicate, rootsy arrangement. Listen now below.

Meanwhile, Milligan will also soon return to his primetime-TV roots. He’s set to compete on NBC’s upcoming America’s Got Talent spin-off show, Fantasy League, and will also hit the road alongside Cody Johnson to open 10 dates on his 2024 U.S. arena tour. 

Both build on a streak of early success, stemming from Milligan’s America’s Got Talent emergence and his breakout album debut, DALLAS/FORT WORTH. 

Named “One of the Best Country Albums of 2022” by Billboard, Saving Country Music and Whiskey Riff, the project dominated iTunes upon its release, hitting #1 on both the iTunes All-Genre and Country Albums Charts, while simultaneously holding positions #1, #2, #3 and #5 on iTunes Country Video Chart and spawning back-to-back #1s on the iTunes Country Songs Chart.

Milligan went on to be named an “Artist to Watch” by CMT, Pandora and Music Mayhem, while DALLAS/FORT WORTH also landed in the Top 10 of Billboard’s Country Albums Sales Chart, leading to his new chapter.

Earlier this year, the singer-songwriter returned to America’s Got Talent to debut his current single, “I Got A Problem,” and appeared on both The Kelly Clarkson Show and the Canadian Country Music Association Awards – where he opened the show with performance of his duet with The Reklaws "Honky Tonkin' About" (a 2023 #1 on Canadian Country Radio).

Other 2023 highlights include Milligan’s nomination for Breakthrough Male Video of the Year at the CMT Music Awards, his main stage debut at Stagecoach and a standout performance at Nashville’s CMA Music Festival.

Milligan likewise made his Grand Ole Opry debut in late 2022 and has already become an Opry regular, while earning critical acclaim from USA Today, Billboard, People, Taste of Country, Parade, American Songwriter,Country Now, Saving Country Music, Country Swag and Hollywood Life, to name a few.

Milligan recently made his debut headlining date at Billy Bob’s Texas, thrilling a hometown crowd of nearly 4,000 fans (twice) and adding his hands to the famous “Wall of Fame.” He was then asked to return to headline the venue’s massive 2023 New Year’s Eve concert, capping another big year.

View a complete list of Drake Milligan’s tour dates here.

About Drake Milligan:

Drake Milligan burst onto the national music stage entering the Billboard Emerging Artists Chart at #5 after dominating iTunes with his debut album, Dallas/Fort Worth, charting back-to-back #1 hits on the iTunes Country Songs Chart, #1 on iTunes All-Genre Chart and reclaimed the #1 spot on iTunes Country Albums Chart, all while simultaneously holding positions #1, #2, #3 and #5 on iTunes Country Video Chart. In the UK, Milligan’s debut album spent 11 consecutive weeks in the Top 20 of the Official Country Artists Albums Chart. A student of classic Country music with the swagger of early Rock ‘n’ Roll, the Fort Worth, Texas native is an electrifying entertainer who cites George Strait and Elvis Presley – the King of Country and the King of Rock ‘n’ Roll – as musical heroes, and his unique twist of traditional Country has been embraced by fans, peers and the media alike. Milligan has performed on The Kelly Clarkson Show, The Grand Ole Opry, Stagecoach and CMA Music Festival, and earned high praise from People, BBC, USA Today, Parade, American Songwriter, CMT.com, Billboard, ET, Access Hollywood, Cosmopolitan, Cowgirl Magazine and Taste of Country. Following his Dallas/Fort Worth debut – named “One of the Best Country Albums of 2022” by Billboard and others – Milligan uncorked a Canadian Country Radio #1 in 2023 (“Honky Tonkin’ About” with The Reklaws), garnered 5 million views in just a few months with “Cowgirl For Christmas,” and headlined the massive New Year’s Eve celebration at the famed “World’s Largest Honky Tonk,” Billy Bob’s Texas, where he had also delivered two sold-out homecoming shows in the previous year. Looking ahead, the Stoney Creek Records phenom has dropped “Don’t Leave Me Loving You” – a timeless heartbreak ballad with a modern edge – and is set to release his new EP, Jukebox Songs, on February 16. The acclaimed “Artist to Watch” (CMT, Pandora, etc.) will also return to his primetime TV roots for the America’s Got Talent spin-off show, Fantasy League, and hits the road alongside Cody Johnson on his 2024 U.S. arena tour.


KEEP UP WITH DRAKE MILLIGAN
WEBSITE | INSTAGRAM | FACEBOOK | TIKTOK | YOUTUBE | X

Phoenix's SNAILMATE offer antidote to a pressurized year: treat yourself to a 'Stress Sandwich'

"Ferocious and evocative... an intense sonic fusion of thrash rock, hip hop and punk complete with an infectious layered screamo chorus and daring synths. Fuzzy basslines glide over intense drumming full of emotion for an enthralling must listen"~ Earmilk

“This homage to being chronically, unwaveringly lazy is another standout hybrid gem from the pair, and proves as eccentric as it is downright catchy” ~ Phoenix New Times

“A genre-bending rollercoaster ride that defies convention and categorization. This album seamlessly weaves together elements of synth music, punk and metal while drawing inspiration from an eclectic mix of artists ranging from Daft Punk and Public Enemy to Limp Bizkit and Linkin Park... unique and electrifying” ~ Skylight Webzine

"How this isn’t pouring from every MF-ers lips in time of need is a mystery" ~ Global Texan Chronicles

Phoenix-based Snailmate crowned 2023 by releasing their album 'Stress Sandwich' and relentlessly touring. Rleased via Toronto's Indiestructable Records, they offer a twisted humorous take on existential anxiety, delivering funky, poppy, screamy fun through alternative raps. The duo's also presents the video for 'Trash, Baby', created by Chase A Warren.

Alternatively described as synthpunk grindcore pop nerd rap, this has practically become a way of life for the duo, reinforced by their earlier albums 'Live In Japan' (2019) and 'Love in the Microwave' (2017), plus a myriad of EPs and singles. Known for their frenetic and impressive shows (numbering over a thousand now), 2023 saw the ban

Snailmate is lyricist-vocalist and synth wizard Kalen Lander and drummer-backup vocalist Bentley Monet, whose music fuses synthpunk, grindcore, pop and nerd rap for an unpredictable and explosive sound. Together they craft music that is cathartic and relatable yet unique and genre-defying, using humor and wit to tackle topics from isolation and queer identity to bangers about hot sauce and nostalgia.

Produced by Ari Leopold at Lava Lake Studio in Phoenix, 'Stress Sandwich' is about growth, exploring themes such as vulnerability, disappointment, and art-making as a beautiful yet imperfect process. They go head to head with depression, anxiety, imposter syndrome, anger, hunger, laziness... but also fun things! These 10 tracks - laced with sarcasm, breathless lyricism and unpredictable genre-bending energy - will leave you satisfied and wanting more.

"This album has been in the works for so long. It took years to process all these feelings and experiences and distill them into just ten short songs, but I’m really glad we didn’t try and finish this thing any sooner. It would have tasted so much different. The flavors needed time to develop. I couldn’t have written 'Toll Road' until that bastard stole our money. 'The Snailmate Show' wasn’t a thing before we were forced to quarantine and couldn’t play live. And until we had to go through some intense physical changes, 'My Weird Gross Body' just wouldn’t have been the same," says  Kalen Lander.

"I beat myself up a lot during this whole process. I felt like I was taking too long to write the lyrics, and that meant that I was bad at writing. I had lost my touch. But then I really started to understand how, when I FINALLY finished the words for a song, it was perfect. It couldn’t have been perfect if I’d forced it out any sooner. And I think 'The Laziest Man in the World' encapsulates that sentiment better than anything." 

As part of the LGBTQ community and with Bentley being a transgender artist, Snailmate inspires their listeners to be unapologetic and unashamed of who they are, cultivating a fervent fanbase based on inclusivity and shows as a safe space for all genders and people of all sexualities.

'Stress Sandwich' is out now, available digitally from fine music platforms, including Apple Music, Spotify and Bandcamp. It can also be ordered on vinyl and CD vinyl from the band's own store, where ample merch is also available, including their very own award-winning hot sauce!

CREDITS
Performed by Kalen Lander & Bentley Monet
Written by Kalen Lander & Bentley Monet
Produced by Kalen Lander & Ari Leopold
Recorded, Mixed & Mastered by Ari Leopold @ Lava Lake Studio in Phoenix, AZ
Music video by Chase A Warren

LIVE DATES
Jan. 12   Tempe, AZ @ The Beast
Jan. 14   Phoenix, AZ @ Last Exit Live
Mar. 23  Phoenix, AZ @ Gracie's Tax Bar
Apr 19  Los Angeles, CA  @ The Offbeat

Stress Sandwich' album   https://snailmate.bandcamp.com/album/stress-sandwich
CD, vinyl & merch  https://snailmateband.storenvy.com
Spotify  https://open.spotify.com/album/4Hw9gzWkUvZ2tLNCKjTU7S

Keep up with Snailmate
Website | Bandcamp | Facebook | Instagram | Twitter | TikTok | Soundcloud | YouTube | Patreon | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

Art-Punk Kraut-Rock duo CIRCOLO VIZIOSO presents 'Choppy' single, previewing debut album

"From Sonic Youth, The Black Angels to Fugazi and Nirvana, this is a band who wears their inspirations on their sleeves, blending these in a fascinating way. Raw and visceral, Circolo Vizioso makes for a highly recommended listen, presenting groundbreaking music with a signature sound" ~ The Spill Magazine


Kraut-inspired punk rock duo Circolo Vizioso presents 'Choppy', a high-octane song spawned from of a bout of depression brought on by a failed love story. This is the first taste of their debut album 'Verrueckt' (out March 1), following their 5-track 'Isolation' EP (2020). Here they offer a potent taste of their unique brand of high-intensity, lyric-driven punk, created mainly with electric violin, guitar and drums.

Hailing from Berlin, Circolo Vizioso is made up of Tony Scafidi (guitar, bass, drum, hi-hat, vocals) and Paul Geigerzaehler (violin, snare drum, vocals). The band plays abrasive, groovy punk music that is influenced, on the one hand, by the sound of 1990s New York, Chicago and Washington embodied in such bands as Fugazi, Blonde Redhead and Sonic Youth, and by the sound of early 80's and 90's Eastern German and Eastern European punk bands like Dezerter, Sandow and Schleimkeim on the other.

"I'd had a severe break up and the song went out as a sort of persistent beat, prolonging an apex point that hardly makes it out of the main riff, opening up only at the very yet repeating it self only faster," says Tony Scafidi.

"Metaphorically, it's kind of like when a couple try to sort things out and get back together, but then fail due to continued use of old commuication tools for a completely new situation they can no longer manage. At the time, I was also listening to The Black Angels a lot and having sleeping problems. There's a weird cocktail here."

Formed in March 2020 on a balcony in Friedrichshain, Berlin during the first Covid-19 lock-down, Circolo Vizioso was born as an attempt to keep art and music alive and to provide support to their neighbours during a time when no concerts were happening and no cinemas, museums or galleries were open.

In spirit, Circolo Vizioso is a last ditch effort to resist the isolation and the lack of social and human contact, as well as the hunger for music and art during this unusual time.

About the upcoming 'Verrueckt" album, Paul Geigerzaehler explains, "We wanted an album that could express anger, frustration and disaffection against an unfair world and all the discomfort entwined with that and we wanted to do it with direct and bare lyrics, abrasive violin lines, fat distorted guitar solos, and big fuzzy riffs. Yet we wanted people to dance to all this batshit crazy world in a sort of self-exorcising dance, where one can head to bed with the feeling that they have at least sweat their daily demons out for the night."

As of January 5, 'Choppy' will be available everywhere digitally, including Apple Music, Spotify and Bandcamp. The full 'Verrueckt' album, which will be released on March 1, is already available for pre-order directly from the artist via Bandcamp.

CREDITS
Music and Lyrics by Paul Geigerzaehler and Tony Scafidi
Tony Scafidi - guitar, bass, drum, hi-hat, vocals
Paul Geigerzaehler - violin, snare drum, vocals
Audrey Quillons - backing vocals on 'Walls' and 'Verruecht'
Produced by Paul Geigerzaehler and Tony Scafidi
Sound Engineer - Smail Shock Production at B Studio in Berlin
Mixed and Mastered by Sacha Tilotta in Catania, Italy

Annie Bosko Releases Self-Titled EP Ahead of Late Night Debut on "Jimmy Kimmel Live!" 1/8

With a voice that beams like a ray of California sunshine, Annie Bosko’s country music journey has seen her travel the world, evolving and exploring with the respect of fans and heroes alike. But after years of hard knocks and creative shapeshifting, Bosko is now coming home. Home to the record deal of her dreams. Home to simple country songs told from the heart, equal parts healing and hope. She’s come home to a sound and approach anchored deep in the organic twang of the ‘90s golden era, and with her five-track EP Annie Bosko via Stone Country Records, she’s inviting you inside.
 
“I don’t think I’ve been able to capture it all this well before,” Bosko admits. “There’s a beauty of getting to a place where you stop trying to please people or chase what you think is cool, and just do what’s in your heart. It’s about creating what you feel the world needs right now, and for me, I miss those songs that made me move to Nashville.”
 
With a “fearless” pure-country sound and edge-of-your-seat songwriting, Bosko captures the full range of this American art form at its best – working with co-writers like Jeffrey Steele, Bridgette Tatum, Danny Myrick and more to uplift, inspire or just sing along with women everywhere.
 
“The thing that excites me about this new music is I feel rejuvenated,” she beams. “I’m done being afraid to show my country roots. And I’m doing it with a modern twist.”
 
Returning to California to make her late-night debut on “Jimmy Kimmel Live!” on Monday, January 8 with lead single “Neon Baby,” the track captures a sensual side of mature femininity, as Bosko flexes her “neo-traditional” soul for a passionate, steel-laced slow burner.
 
Hope can be found in “Sometimes I Forget,” as the tried-and-true artist delivers a “much needed” message of gratitude. With spirit-lifting lyrics and a sonic swell of warm country rock, it’s an acknowledgment of the little things we take for granted – those small blessings that make us “us.” For Bosko, finally being able to see those little things has let her become the country artist she was always meant to be.
 
“Boots On” reignites the line-dancing energy and all-out fun of the ‘90s, offering a wild ride of guitar riffs, soaring melodies and let-your-hair-down lyrics, dedicated to women who truly do it all (with their boots on) while fiddle rockers like “Honky Tonk Highway” tribute the women bold enough to chase their dreams – wherever they lead – and the tongue-in-cheek “He Gone,” written by Lainey Wilson, Terri Jo Box and Trent Tomlinson, continues country’s long history of fun (but undeniably intelligent) wordplay.
 
Following her performance on “Jimmy Kimmel Live!,” Bosko will celebrate the release of the project at Los Angeles’ famed Troubadour on Wednesday, Jan. 10, with tickets available for purchase HERE. Earlier this week, Bosko joined the Tournament of Roses Parade in Pasadena, California for a special performance on New Year’s Day on The Cowboy Channel’s float “Cowgirl’s Rule.

Photo Credit: Ford Fairchild

About Annie Bosko
With a voice that beams like a ray of California sunshine, Stone Country Records/Brown Sellers Brown singer-songwriter Annie Bosko pairs a sound anchored deep in the organic twang of ‘90s country with simple songs told from the heart, preaching equal parts healing and honky-tonk hope. A student of legendary crooners like Patsy Cline with added inspiration from Shania Twain, George Strait, Dwight Yoakam, The Beatles and more, the Golden State native broke out in 2014 with the SiriusXM/CMT hit “Crooked Halo,” bucking the bro-country trend for a traditionally flavored anthem that has now amassed more than 3 million streams. She went on to write songs recorded by Willie Nelson and Jessica Simpson, tour alongside Tim McGraw, Dierks Bentley and Blake Shelton, sell out the famed Troubadour and perform on the Grand Ole Opry and at Ryman Auditorium – the fabled Mother Church of Country Music – while also becoming an in-demand studio vocalist and earning the title Artist to Watch from Rolling Stone Country. After a series of standout collaborations with country icons Vince Gill, Dwight Yoakam and Raul Malo, she is now embracing her true nature for a creative rejuvenation. Working with producers Derek George and Mickey Jack Cones, a new batch of music pairs unapologetic twang, clever wordplay, and deep compassion with her long standing downhome-diva vocal, capturing the full range of a timeless American art in its purest form. In 2023, Bosko released the powerful-yet-tender ballad “Dandelions” in memory of the victims of Nashville’s Covenant School shooting – a track written alongside Danny Myrick which has now become a beacon of community remembrance and faith. Lost in grief and capturing the reverberating shock of that day’s unfathomable loss, the track has been embraced by the Covenant School families themselves, with all proceeds from being donated for their benefit through ACM Lifting Lives. Looking ahead, Bosko will release her five-song EP Annie Bosko on January 5, 2024, featuring
sharp-yet-simple, pure-country songs written or co-written with hit makers like Jeffrey Steele, Bridgette Tatum and more, all aimed at uplifting, inspiring or just singing along with women and country-music lovers everywhere.

PEYTON PARRISH #1 Album in the World!

SOUL is Available at:

Apple Music

Explore music from Peyton Parrish on Spotify

Imagine a hard rock artist having the #1 album in the world, beating out Chris Stapleton, Taylor Swift, and Niki Minaj. Well, it happened this week!

Peyton Parrish has built an army of fans worldwide through his YouTube and TikTok, amassing an average of 20 million plays per single he releases. Currently, he has over 1.6 million monthly listeners and is growing!

The new single "Poetry Glass" was released over the holidays and has flown over 1 million spins. The video has over 1.6 million views.

WATCH "Poetry Glass" below.

The 10-track album is a blend of rock, electronic and pop with Peyton’s signature raspy vocals. SOUL includes “Poetry Glass,” an edgy pop-rock anthem with a catchy hook and melody. The album also features “Stuck in the Dark,” a moving ballad showcasing Peyton’s vocal range, as well as “Fallen Angel,” an uplifting song with a powerful message of inner strength. “This album is really personal for me,”said Peyton. “The songs explore relationships, challenging life experiences and finding the strength within yourself to get through them all. I put my whole heart and SOUL into this record, and I can't wait for my fans to experience the journey with me.”

Peyton’s previous album Rise of Vikingr dropping number #1 on the iTunes charts with viral hits "Dane", "Dragur", and "My Mother Told Me" metal version.

Renowned for his unique blend of throaty Viking-inspired metal and post-grunge rock, Peyton Parrish has made a mark through original compositions and gained widespread recognition for his inventive cover renditions. In 2023 his rock-inspired Disney cover album The Most Magical Album on Earth gave Peyton Parrish his first Billboard #1 album. Other accolades include Billboard #1 with his cover of Hercules "Go the Distance" following his first Billboard #1 with his cover of Mulan's "I'll Make a Man Out of You".

For More Information Please Visit:

Official Website

Instagram

YouTube

Facebook

TikTok

LUCIFER - Release Video For New Single 'Maculate Heart'

Heavy rock megalith LUCIFER are kicking off the new year in style with a brand new single called 'Maculate Heart', which is yet another preview to be released before their magnificent new album, Lucifer V, drops on January 26th, 2024.
 

Consisting of nine unholy hymns, LUCIFER's fifth offering can easily be regarded as their magnum opus and sees the band channeling all their strengths known from previous records into one monumental mass of electrifying heavy rock and roll.


Infectious and hook-heavy stunner 'Maculate Heart' might be the most accessible song LUCIFER have ever recorded and it's being released today as a slightly trimmed radio edit for your listening pleasure. Bring it on!

In case you missed the announcement of LUCIFER's upcoming Satanic Panic European tour with Angel Witch, Attic, The Night Eternal and Crank, please scroll down to the bottom for all dates and more infos.

PRE-ORDER / PRE-SAVE LUCIFER V:
https://lucifer.bfan.link/lucifer-v

LISTEN TO 'MACULATE HEART - RADIO EDIT'':
https://lucifer.bfan.link/maculate-heart

WATCH THE VIDEO FOR 'MACULATE HEART - RADIO EDIT' below.

THINGS YOU MIGHT HAVE MISSED RELATED TO LUCIFER V:

'Slow Dance in A Crypt' Official Music Video:
https://youtu.be/9tR8nGUfvC0

'At The Mortuary (Halloween Edit)' Official Music Video: 
https://youtu.be/jkvQILyvro0

'A Coffin Has No Silver Lining (The Sistine Version)' Promo Music Video:
https://youtu.be/-EZkgyp9D18

ABOUT LUCIFER


Since its inception in 2014 In Berlin, the highly prolific band led by charismatic singer Johanna Platow Andersson has released four electrifying albums on Rise Above (LUCIFER I) and Century Media Records (LUCIFER II-IV), as well as and numerous stand-alone singles infused with 1970s hard rock, proto heavy metal, doom and occult rock, with a nod to their main influences such as Black Sabbath, Pentagram & Blue Öyster Cult. They have played over 200 shows in the Europe, Japan, North & South America, including festivals such as KISS Kruise, Psycho Las Vegas, Hellfest, Wacken and many more, most recently supporting the band GHOST on their European tour in spring 2023. Two of their shows have been recorded and broadcasted by prestigious German national TV program Rockpalast.

LUCIFER, now located in Stockholm, have been nominated twice for a Swedish Grammy in the category 'Best Hardrock/Metal Album' as well as the Swedish Radio Award P3 and several GAFFA nominations. Amongst others, they have graced the cover of the leading US metal magazine, Decibel, before their first album was released.

The group has concluded recording their fifth studio album, LUCIFER V, the first one to be released by their new label, Nuclear Blast Records, due out on January 26th 2024. Although LUCIFER is known to notoriously deliver critically acclaimed albums, supreme songwriting and quality recordings, LUCIFER V is rumored to be their best album yet. Combining elements of all their previous albums into one monumental mass of electrifying heavy rock and roll. Eerie landscapes shaped by soaring guitar riffs, the thunderous pounding of bass and drums from some sort of groovy inferno, haunted melodies to weep into your drink to, the screeching tires of a 1971 Cadillac hearse, the humorous morbidity and tragic wit of Johanna’s lyrics. If death had a best friend, it would be LUCIFER and they would hang out together at the local cemetery, shooting the shit. In November 2023, LUCIFER embarked on a full North American co-Headline tour with occult rock legends, Coven.  Catch LUCIFER live in February 2024 when LUCIFER brings The Satanic Panic Tour to Europe together with Angel Witch and guests Attic and The Night Eternal.

LUCIFER is:

Johanna Platow Andersson (vocals)
Nicke Andersson Platow (drums)
Linus Björklund (guitar)
Martin Nordin (guitar)
Harald Göthblad (bass)

Worship LUCIFER:
www.lucifer.church

Letdown. Releases New Double Single "Anxiety/Making Miseries" via Big Loud Rock

Breakout alt-rock sensation Letdown. is kicking off the New Year with a band, releasing new double single "Anxiety" and "Making Miseries" today via Big Loud Rock. "Anxiety" will be featured on MTV's wildly popular reality series The Challenge, airing this upcoming Wednesday, January 10. When asked about the inspiration behind today's dual release, Letdown. mastermind Blake Coddington shared:

"‘Anxiety’ is an introspective song that delves deep into my personal inner fears. It echoes a sense of unease, and the tumultuous journey through the labyrinth of my own anxieties. Painting a picture of vulnerability, the song encapsulates the essence of my inner turmoil - a cathartic exploration of the struggles I face inside myself, inviting listeners to confront their own fears.”

"‘Making Miseries’” is about the negative effect a bad relationship with someone and even yourself can have on your mental state. The song dives right in with the feeling of your whole world being upside down every way you think about it. The song is a wild ride outlining the details and truth of what we're doing to each other and ourselves and what it looks like."

Having wrapped up a momentous 2023 with his track "Crying In The Shower" peaking inside the Top 20 at U.S. Alternative Radio and performing at renowned festivals including Aftershock and Louder Than Life, 2024 promises even more exciting Letdown. news to come. Stream "Anxiety" and "Making Miseries" here, watch the visualizer below, and stay tuned for more Letdown. news coming very soon.

Letdown. (period included) may have started as a pandemic project for Blake Coddington, but the Chicago/Nashville-based rocker is in a very different place in 2023. Having spent the last three years cultivating a fervent fanbase through a number of single releases and emerging as a striking live act — finally bringing his music into the physical lives of his online fans across several sold-out, headlining shows this past year — Coddington is rapidly growing his presence away from the internet for the first time in Letdown.’s short history. 

The powerful vocals and emotional lyrics over catchy, upbeat drums and guitars originally served as a cathartic way for the songwriter to express himself while working a dead-end job that he hated. But 2022 saw Letdown. being signed to Big Loud Rock and move beyond his beginnings as a viral, at-home musician. This year, however, represents a whole new start for the passionate vocalist, or as Coddington himself puts it: “It’s Season II of Letdown., and it’s definitely the biggest chapter yet.” 

With his debut EP, 'Crying In The Shower', releasing February 24, 2023 and the ability to continue his touring success with an upcoming month-long run in Europe, as well as North American dates supporting Giovannie & The Hired Guns this spring, “Season II” is looking a lot more action-packed than Letdown.’s first couple of years. It was just three years ago that he began throwing videos on YouTube expecting to get a few hundred views, yet now he’s become a known and respected musical commodity both in-person and online with over 643K followers and 5.1M likes on TikTok, 25+ million views on his YouTube channel, over 80M on demand streams and editorial playlisting from the likes of Spotify’s All New Rock, New Noise, Rock Out and Rock Hard. “I always feel weird when people ask me how long I’ve been around, because I got so used to telling people that Letdown. was this new thing,” Coddington laughs. “But now we’re touring and we’ve got a record coming out with a label involved and all of this stuff. I know I’m not ‘seasoned’ yet, but it feels new, exciting and different.” 

As for the new EP itself, pushing forth a collection of seven songs is still a bit of a new experience for Coddington, who’s gotten this far by steadily releasing a single at a time. The title track and opener is a perfect example of the wild, emotional ride that Letdown. enjoys taking his fans on. The song builds into a pumped-up anthem that you can’t help but sing along to, and behind the reactive hook and catchy rhythm, Letdown. takes listeners through the experience and inner turmoil of trying to get over someone you can’t forget by wailing, “crying in the shower, but I can’t wash you away.” 

“You ever listen to happy songs when you're upset or sad or depressed and they make you feel even worse?” Coddington asks with a smirk. “That’s what ‘Crying in the Shower’ is for me. It's like, ‘Here's a list of terrible things, set to an incredibly upbeat, happy beat’ — which is almost a metaphor for me. I’m a happy-looking guy who is quite the opposite on the inside.” Elsewhere, the EP continues to document Coddington’s internal struggle as he searches for answers in times of darkness, uncertainty and self-doubt on stadium-sized singles “Go To Hell”, “Empty”, “Shipwreck” and “Ugly”, a soaring, pop-rock belter featuring Kelsy Karter & the Heroines that encompasses the types of thoughts related to self image and how we perceive ourselves. “That song is a literal depiction of how I feel about myself,” Coddington adds. “It may be a dichotomy between the actual person that I am and the person that I see in the mirror as my flaws are sometimes all I see. As I try to disassociate from the me that I hate, I also struggle with the reality that we are one and the same.” 

In regards to the release of his first full body of music, Coddington remains thrilled for his future, the development of Letdown., and continuing to connect with those who have found solace in his powerful online community. “Getting to put out something like an EP seems so classic to me, which makes me really excited about it.” he says. “I’m honestly just excited that people won’t have to select another song after each one and can just ride the wave. I think we've really curated it in a way that takes you on an emotional rollercoaster — in the best way possible.”

The Requiem Share "Kill The Lights"

DEBUT ALBUM A CURE TO POISON THE WORLD ARRIVES FEBRUARY 16 VIA FEARLESS RECORDS
 

South Florida alt rock band THE REQUIEM — Damien [vocals], Felipe [lead guitar], and Salem [bass] — will release their debut album A Cure to Poison the World on February 16 via Fearless Records. Pre-order it here.

Today, the band has shared the lyric video for "Kill The Lights."

Watch it below.

Here, they show off their alt-rock chops and capture the essence of post-hardcore tension and release. Push and pull riffing and emotive vocals carry the track forward. It's a deceptively simple song that packs a lot of palpable emotion into just a few minutes. 


"'Kill The Lights' is about the feeling of resentment and disgust some of us get at a young age towards our environment, people, and difficult situations we've been inadvertently brought up on," the band says.

Regarding the album as a whole, the band sees it as a catalyst with which to directly connect with fans. "I want people to actually be able to relate to the music and identify," Damien says. "It's the same way I felt my favorite artists spoke for me." Felipe shares the sentiment, saying, "Our goal is to be our most pure form These songs thematically reference growing up, the struggles of becoming an adult, and lessons we've learned."

ABOUT THE REQUIEM:
No matter how sunny it may be in Broward County, a different energy exists beneath the surface. Each generation it seeps out, either in the area's shock rock luminaries during the nineties or a bevy of post-Soundcloud rap stars in the twenty-tens. That brings us to The Requiem. The Broward County, FL trio—Damien [vocals], Felipe [lead guitar], and Salem [bass]—piece together elements of alternative, rock, emo, and even eighties into an uncompromising and undeniable vision of what music can be without boundaries. After piling up over 1 million streams independently and stirring up buzz, the group captivate on a series of 2023 singles and more to come.
 
"We want to represent our generation in the best way possible," exclaims Damien. "Rock music has lost the sloppiness and the vulgarity it used to have. When you're young, you need to embrace that attitude and danger. We want to bring all of that back to alternative music."
 
The band embarked on this mission back in 2020. Damien teamed up with Salem and Felipe. Together, they nodded to influences as diverse as The Used, AFI, Pierce The Veil, and Finch as well as Ozzy Osbourne, Mötley Crüe, and Genesis. They gained traction with the independent single "Corpse Party," reeling in 371K Spotify streams and counting.

LEON FREAR releases 'A Town Called Chapel', a mixed emotion ode to his hometown, ahead of debut album

"Frear has a voice which somewhat recalls Marty Willson-Piper of The Church fame and his side project Nocturum... This is something for fans of Nick Cave and related"~ Side-Line Magazine

"Track of the Day. The way he tells the story makes it seem like he and the listener are commiserating together... a song with a great story" ~ Chasing Destino

"With a unmistakeable voice deserving of becoming a regular fixture in the mind-memory of music lovers everywhere... catchy and contemplative, showcasing clever lyrics channeled through his smooth and deep timbre.  fabulous from start to end and is obviously confessional while also being an invested labor of love" ~ Rock n Roll Biz

"The combination of evocative lyrics and a dynamic musical backdrop creates an immersive experience, inviting listeners to delve into the complexities of love, longing, and self-discovery" ~ Skylight Webzine

Indie musician and songwriter Leon Frear presents 'A Town Called Chapel', the second offering from his debut album 'Wild Rice', which introduces the listener to a man still affected years later by the frisson and fallout of a clandestine love affair.

A seasoned musician, this album represents a new start for him under this moniker. Now based in Chicago, Frear describes this single as “a poison pen love letter to an historically musical time and place, to big blown-up plans and irreplaceable, lost relationships. No matter what else I say, It's a letter I sign with love.”

“The song ‘A Town Called Chapel,’ is the opening track on my album because it paints the landscape and provides background on the insular, dissolute college town / former-small-town music mecca that this whole experience sprang from," says Leon Frear.

"It's a song about knowing that you need to leave a situation that is grimy, bad for you and a little hedonistic. But you're so used to it - the feeling is so warm and comfy that you just can't bear to leave. I might sound hypercritical of the place and maybe that makes me a hypocrite. But I’m also from there and a fair target for these less flattering descriptions myself. Love, lust, and naïveté. All that stuff. It's part of me. It's my home."

This follows the artist's debut single 'Secret Second Moon' with its fantastic animated video, created by French artist Ronald Grandpey. It's a powerful introduction to a collection of songs that reflects a dramatic period in which Frear experienced a life-altering love affair, its implosion and aftermath, followed by a decade of reflection and changes.

Informed by his own personal experience, Frear's music speaks of love, lust, broken promises, broken phones, and multiple incinerated bridges. This 10-track collection was produced by Frear in his home studio in Chicago, playing every instrument and capturing every breath to tape during a recording process that took years in isolation to complete.

About the forthcoming album, Leon Frear says, "'Wild Rice' is the story of those times, but told in reflection. The songs came from a place of true grief, regret and a little bit of anger. But through all of those things, I gained wisdom and became a better person. And while the details may be different, I think every human on this planet shares in the experience of feelings of grief. Ultimately, I think it is an album about empathy."

"Sonically, I was inspired to make Wild Rice while listening to old Leonard Cohen albums, Harvest by Neil Young, Stories from the City by PJ Harvey and lots of old ballads by Nick Cave. Those albums and artists sound weary and world worn and I did my best to capture a similar feeling."

Laced with hints of sadness and regret, anger and remorse, somehow the lyrics are tempered with a sardonic wit that leaves the listener wondering if Frear doesn’t secretly savor feeling bad, just for laughs. If there’s an opportunity to mock an uncaring universe, this is an opportunity Frear doesn’t let go to waste.  

Dubbing his brand of post-alternative music “vocabulary rock”, Frear aims to shift the emphasis away from the man and towards the music and lyrics, while inviting the listener to commiserate together through this exploration of grief, depression and sadness.

As of January 4, 'A Town Called Chapel' is available from fine music platforms, including Spotify, Apple Music and Bandcamp.  The 'Wild Rice' album will be released (on vinyl and digitally) on March 1.

CREDITS
Music and lyrics written by Leon Frear
Recorded by Leon Frear in his Chicago home studio
Mastering by Adam Boose at Cauliflower Studios
Vocals and instruments performed by Leon, except
Faye Whitt - backup vocals on 'Murder of Crows'
Front cover collage by Faye Whitt
Ronald Grandpey - Director / animator for  'Secret Second Moon' video
Artist photos by Jeremy Glickstein

Keep up with Leon Frear
Bandcamp | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

VITRIOL Reveals Play-Through Video for Furious New Song, "Shame and Its Afterbirth"

PRE-ORDER

Death metal battalion VITRIOL is now unleashing its third new single, "Shame and Its Afterbirth," along with a dual guitar and bass play-through clip! The track is taken from the band's upcoming sophomore full-length, 'Suffer & Become,' which is due on January 26, 2024 via Century Media Records! The furious new song and video can be found below.

VITRIOL guitarist and vocalist Kyle Rasmussen comments, "'Shame' begins the story of 'Suffer & Become' with a celebration of our nature. It speaks to how modernity estranges one from the voiceless voice within them, and on the consequences of ignoring the call of their instincts. It also happens to be my favorite song (musically) that I've ever written. I set out to carve deep valleys and build tall mountains when writing this album, and I believe this song to be the best example of that achievement."

Pre-orders are now live for 'Suffer & Become' HERE. The album will be available digitally as well as in Standard CD Jewelcase, Ltd. Deep Blood Red LP (All ex-US Retail), Orange Crush LP (All US Retail), and Red / Yellow / Black Transp. Splatter LP (Band Exclusive).

For Portland, Oregon's VITRIOL, nothing comes easy. Nothing. The title of their second Century Media album, 'Suffer & Become,' says it all. "The title really sums it up," says guitarist and vocalist Kyle Rasmussen. "I pushed things to a point while making this album where it almost became untenable. Things that were supposed to be done in weeks took months. It wasn't easy, but I think it was suffering well spent."

At the core of 'Suffer & Become' lies a profound sense of extremity and unease. This very essence defines Vitriol as the vanguard in death metal's evolutionary path—a sonic landscape characterized by its profound darkness, density, and the infusion of nanotechnological precision interwoven with intense, seething emotions. Not easy listening in the slightest. Since forming in 2013, Rasmussen and longtime co-conspirator, bassist, and co-vocalist Adam Roethlisberger have worked with a single-minded vision: to push the genre to its breaking point and invent a new uncompromising paradigm in the process. VITRIOL is a masterclass in pain – and that's just their jumping-off point.

Recounting VITRIOL's initial journey into the outer fringes of extremity, Rasmussen is characteristically thoughtful. "I was starving for something that didn't pull any punches," says Kyle of VITRIOL's caustic mission statement, which detonated into the realm of extreme metal with 2013's 'Antichrist' demo. "Death metal was important to me because it speaks to an aggression, a frustration that I had when I was younger. It wasn't just a sonic connection but an emotional connection, which made music almost a means to an end. What I saw happening in extreme metal at the time was almost a removal of emotion in favor of musicality, that fire, that piss and vinegar spirit. Basically, I wanted something that wanted me dead."

With 2017's 'Pain Will Define Their Death' EP, VITRIOL took its spot as one of the underground's most uncompromising exponents, leading them to join forces with Century Media. The resultant album, 2019's "To Bathe from the Throat of Cowardice," was nothing short of a crucial next step for the band and the genre itself. Decibel Magazine said, "Vitriol leave no doubt they are one of the best the genre has to offer, with shades of Nile, Hate Eternal, and Anaal Nathrakh frequently peeking through." Hitting the road that year, at first in Europe with Nile and then in the US with Cattle Decapitation and Atheist, and then Vader before the onset of Covid, VITRIOL was quick to establish themselves as much of an uncompromising force onstage as they are on record.

"Doing 'Black Seeds of Vengeance' alongside Karl Sanders [of Nile] onstage in Europe on our very first tour was nothing short of a 'pinch me' moment," Kyle recounts from VITRIOL's early touring days. "More recently, we were touring with Morbid Angel, and Steve Tucker, who is my favorite Morbid Angel vocalist, came out of his dressing room in a VITRIOL t-shirt and exclaimed that we were one of his favorite new bands! That blew my mind as a fan, first and foremost – a total 'Holy Fuck!' moment." 

'Suffer & Become' is nothing short of a benchmark for VITRIOL (rounded out by guitarist Daniel Martinez and Matt Kilner). It's as dense and blackened as anything to erupt from Rasmussen's vision of sonic disorder. From the onset of the opening track, "Shame and Its Afterbirth," there's a new sense of openness, grandeur, and occasional beauty in VITRIOL's aural arsenal. "I wanted to have an album that had a stark duality to it," says Kyle. "Very high highs and very low lows. We're very familiar with the lows but not so much with the triumphant highs. I wanted the album to have more of a sense of optimism to it, both lyrically and musically. I wanted the album to convey a sense of optimism that probably gets lost in the black maelstrom that is the first album." 

Produced by Rasmussen and mixed by Dave Otero (Archspire, Cattle Decapitation), 'Suffer &

Become' isn't merely the sound of VITRIOL upping the ante in death metal's musical arms race; it is also the sound of salvation for its driving force. "Living in the world of that first album was very difficult for me," says Rasmussen. "It's not a nice place. It was very intentionally imbalanced in the same way a horror film is imbalanced. I wanted a healthier world for me to live in, and I believe I achieved that."

Not that the writing and recording of 'Suffer & Become' was anything short of soul-rending. Rasmussen labored over the creation of the album in the studio, on tour in hotel rooms, to the point of painstaking obsessiveness. Kyle is straightforward about the grueling record-making process and its personal impact. "The record feels a bit like a Jungian Dante's Inferno," he states. "Plumbing the circles of my personal, psychological, and spiritual hell and then purposely refocusing it so it's not the unhinged, dark catharsis of the first album. This record is a lot more vulnerable."

Songs like "Weaponized Loss" or "The Flowers of Sadism" are what Kyle describes as a "dark baptism" in comparison to the absolute darkness of "To Bathe…". The sound of VITRIOL remains as joyless and dark as ever, but with a glimmer of hope. VITRIOL has taken its trauma-put-to-sound approach to the next level and discovered a new sense of beauty in the blackness. 'Suffer & Become' is death metal with a bloody, beating heart.

Line-Up:

Kyle Rasmussen - Guitars and Vocals

Adam Roethlisberger - Bass and Vocals

Matt Kilner - Drums

Daniel Martinez - Guitars

Producer // Mixing // Mastering:

Dave Otero

Album artwork:

Dylan Humphries

Photo Credit:

Peter Beste

Bio:

Mike Gitter

Physical Formats:

Standard CD Jewelcase

Ltd. Deep Blood Red LP (All ex-US Retail)

Orange Crush LP (All US Retail)

Red / Yellow / Black Transp. Splatter LP (Band Exclusive) 

Photo by Peter Beste