Darius Rucker’s ‘Riverfront Revival’ Charleston Music Fest Announces 2025 Lineup; Tickets on Sale April 11

For the fourth consecutive year, three-time GRAMMY Award-winner and Charleston native Darius Rucker has teamed up with SRE Entertainment to bring the highly anticipated Riverfront Revival music festival back to North Charleston’s Riverfront Park on Friday, Oct. 10, and Saturday, Oct. 11, 2025. The festival continues to impress each year, and this year’s lineup promises to deliver even more excitement with a return to its Country roots. 
 
In addition to Rucker, this year’s festival will feature another local legend, Bill Murray & His Blood Brothers, plus performances by Riley Green, The Red Clay Strays, Whiskey Myers, Flatland Cavalry, Lukas Nelson, Dylan Marlowe, Kashus Culpepper, Brittney Spencer, Clay Street Unit, Neon Union, Austin Williams, Daniel Donato’s Cosmic Country, Warrick McZeke, Faith Schueler, Whiskey Run and Elizabeth Covington.
 
“My love for Charleston has influenced so much of my career,” notes Rucker. “Riverfront Revival, which made my longtime dream of bringing a music festival to this community a reality, is a celebration of the Lowcountry that gets better every year.”
 
Presale tickets are available tomorrow, April 10, at 10 a.m. ET by signing up for a code via the festival newsletter HERE. General onsale will begin on Friday, April 11 at 10 a.m. ET via RiverfrontRevival.com.
 
Two-day weekend passes begin at $205 for general admission, with general admission plus and VIP levels also available, while one-day passes begin at $130 for GA with the same tier options available. VIP tickets, limited in quantity and sold out three years in a row, include dedicated entrances and viewing areas in front of the stages, exclusive premium lounge areas, bars and upscale air-conditioned restrooms. 
 
Each ticket sold will once again give back philanthropically to the Charleston community, with a portion of proceeds benefiting the Arts in Healing program at the Medical University of South Carolina (MUSC) and Just Be You, a local nonprofit dedicated to empowering teens with confidence, self-love and self-compassion.
 
To stay updated with details, visit RiverfrontRevival.com and follow @riverfrontrevival on Facebook and Instagram.

Kenny's Guitars, Tiki Bars @ SPHERE Makes It Personal

With Sphere production firing with sound, video and lights, Kenny Chesney is doing what he loves best: building something to take No Shoes Nation to new heights. Beyond the all-new, full-immersion content, the impossibly dialed-in sound quality, the Sandbar on the floor and a set list promising some surprises, the East Tennessee songwriter/superstar wanted to create a place where his fans could come together – whether they’re going to the show or not – and celebrate all the music, memories and moments along the way.
 
To document the moment, Chesney wanted to create a space to share the journey. Taking over a two-story space at The Venetian® Resort Las Vegas – the only resort connected to Sphere, he’s curating the multi-purpose Guitars, Tiki Bars and a Whole Lotta Love in partnership with Vibee, the destination experience company bringing fans closer to the music. Culling pictures, passes, license plates, handwritten lyrics, instruments and other mementos from two decades of stadium-sized summers, Guitars, Tiki Bars and a Whole Lotta Love is a place to pause and think about all the stories people lived tailgating, singing along or just meeting a few new friends.
 
“A lot has happened,” says the man Wall Street Journal called “The King of the Road” about the inspiration. “When you start creating something like this, you really step back and think about it. And these crazy summers tours, the fun and music made, wouldn’t have happened without No Shoes Nation, so I wanted to pull back the curtain and let them see at least a piece of it.”
 
And keeping in Chesney’s chill-out and enjoy the day ways, Guitars, Tiki Bars and a Whole Lotta Love comes with its very own beach bar. Christened “Spread the Love,” after his collaboration with The Wailers, the bar is a place to come together, have a drink – grown up or otherwise, meet up with friends or make new friends. Think of it as a lower impact tailgate situation that will be free and open to the public, whether or not you’re heading into Sphere, on Wednesday – Sunday of show weeks from 11 a.m. to 8 p.m.
 
“So much about how we do what we do is different with Sphere, so I want to make sure people can still have the core experiences,” Chesney explains. “Or maybe something that builds from that, creates a whole new way to pre-game, come together and just enjoy all the music we’ve shared whether you’re coming to the show or not.”
 
Kenny Chesney promised No Shoes Nation something very different when he began teasing his touring plans for 2025. Beyond taking the music into a more immersive dimension, he’s finding deeper meaning and nuance in many of the songs. To mirror that deepening sense of what this all means, Chesney wanted to create a space where the journey was as much a piece of the experience as the actual show. As Rolling Stone reported, “No Shoes Nation fandom will descend upon Las Vegas in May… The shows will be a rare chance to see Chesney outside of the massive football stadiums he usually hits on tour.” That intimacy and meaning infuses the experience for anyone who’s ever heard their life or found their meaning in his 33 No. 1s and myriad Top 5 and Top 10 hits.
 
Limited tickets remain for the Sphere residency at KennyChesney.com with official VIP Concert & Hotel Packages available via Vibee, the official VIP Concert & Hotel Package partner for Kenny Chesney’s Live at Sphere residency, at KennyChesney.Vibee.com. All Vibee packages offer guests a choice of premium tickets including Sandbar (general admission floor) or reserved seating, a collectable laminate and lanyard, access to the No Shoes Island VIP Pool Party, exclusive Kenny Chesney curated gift bag and early access to the Guitars, Tiki Bars and a Whole Lotta Love experience on show days for crowd-free shopping on exclusive merch items, and access to a dedicated shopping lane during public hours. Vibee Hotel Packages include a two-night stay at The Venetian Resort Las Vegas (The Venetian or The Palazzo) or Virgin Hotels Las Vegas. 

Photo Credit: Allister Ann

Kenny Chesney Live at Sphere in Las Vegas is presented by Blue Chair Bay® Rum.
 
Kenny Chesney Live at Sphere Las Vegas
Thursday, May 22
Saturday, May 24
Sunday, May 25
Wednesday, May 28
Friday, May 30
Saturday, May 31
Wednesday, June 4
Friday, June 6
Saturday, June 7
Wednesday, June 11
Friday, June 13
Saturday, June 14
Wednesday, June 18
Friday, June 20
Saturday, June 21

Sodom Announce New Album "The Arsonist" + Share Video for "Trigger Discipline"

We all know that good music is always also a question of sound. To this end, the human factor is crucial — along with the right equipment, of course — after all it's about authenticity and individual personality. With that in mind, German thrash metal band Sodom have come to a logical conclusion: To enable the most natural production possible, the drum parts on their latest album The Arsonist were recorded using a 24-track analog tape machine.

No studio tricks, no digital overdubs, or, to quote frontman Tom Angelripper: "No plastic! The difference in sound compared to today's standard drum productions is amazing and has had a positive effect on all the instruments. Naturally, time and effort as well as costs were also higher, but we're happy to fork out for a superior result."

However, it's not only the complex production process that testifies to the band's exceptional creative spirit, but also their diverse songwriting, which saw all four Sodom musicians — the aforementioned Tom Angelripper (vocals, bass), Frank Blackfire (guitar), York Segatz (guitar) and Toni Merkel (drums) — involved in the development of the material on The Arsonist. 

Tom Angelripper continues, "Frank contributed those typical Sodom riffs and hooks again, whereas York favors more epic songwriting. As a perfect complement to both of them, Toni, who is also an excellent guitarist, contributed a number of songs and helped to make the album even more versatile."

The first single and lyric video "Trigger Discipline," the toughest song on The Arsonist, is released today. The song sounds equally martial and is about a sniper who has completely lost control of his actions and shoots people indiscriminately.

Watch the "Trigger Discipline" lyric video below.

The Arsonist will be released on June 27, 2025 worldwide through SPV/Steamhammer as CD digipak, 2LP version, download and stream.
Pre-order info here.

Info about Sodom's Europe shows is here.

240KM/H X AGAPE : FACE 2 FACE NYC PRESALE LIVE NOW

240KM/H // NYC DEBUT
Agapē brings the Face 2 Face concept to NYC for the very first time 🚨

Catch @240kmh_ tearing up the decks at H0L0 on May 2nd for a night of high-speed, bouncy techno and raw, unfiltered energy. This one’s not for the faint of heart.

NYC, are you ready to go full throttle? 🏁

Lineup:
AFEM SYKO F2F FUMI
JUNKFILE F2F SSG_
ANDRES GARCIL F2F ANNA EBERG

BUY TICKETS

Hiroe Announce New Album "Wield" + Share "Tides" Video

Hiroe, the new darlings of the American post-rock underground, will release their debut album, Wield, on June 20 via Pelagic Records. Pre-order Wield here

The band has released their first single from Wield, the titanic-sized "Tides."

Stream "Tides" here. Watch the video below.

Both powerfully melodic and heavy, Wield shows the Philadelphia-based quintet mastering their craft, of creating compelling melodies that sound larger than life.

"The intention for 'Tides' was to evoke aural imagery akin to an unstoppable force colliding with an immovable object," comments the band. "Our studio intern's observation perfectly captured this sentiment: 'It sounds like a soundtrack for Godzilla fighting King Kong.' There's an undercurrent of frustration woven into the song. It serves as a metaphor for the very universal human experience for us all — the constant challenges, both monumental and mundane, that we all face in a struggle to exist."

2022 saw Hiroe burst onto the scene with an explosive debut EP full of soaring anthems and sublime soundscapes. Combining the sonic expansiveness of Deftones with the dynamic heaviness of bands like Isis and Caspian, Hiroe immediately already figured out how to make the most majestic sounding post-rock early in their career. 

"Our first release, Wrought, was a statement of creation," explains principal songwriter and guitarist Eric Kusanagi.
 
For the recording of WieldJill Paslier moved from bass to guitars, with Brian Kong (guitars), Jon Seiler (bass) and Dan Sagherian (drums) joining to complete the lineup. Produced once more by Mario Quintero (Spotlights), Wield capitalizes on everything the band learned in the creation of its predecessor, adding to it a new focus on textural intricacies and compositional detail.
 
"We wanted to show a larger range of musical themes on this record," continues Kusanagi. "You'll hear us dive into some synth work, some piano work, some really interesting effects that Mario helped us dial up." 

As a result, Wield packs in a huge range of details, which reveal themselves over repeated listens. 
 
Nevertheless, Wield is still an affair of instant gratification for fans of guitar driven post-rock. From the soaring leads of "Tides" to the epic finale of "I've Been Waiting For You All My Life," Hiroe show they've upped their game in every department, but especially that which tugs at your heartstrings.

Wield presents the brave new future we all need in these confusing times. A new American frontier on which we can build our wildest dreams and our most daring ambitions.

HIROE ON TOUR:
6/6 — Baltimore, MD — Monument City Brewing
6/7 — Washington, DC —The Pocket
6/13 — Brooklyn, NY — Gold Sounds
6/14 — Boston, MA — Deep Cuts
6/20 — Harrisburg, PA — JB Lovedraft’s
6/21 — Lancaster, PA  — The Upside
6/27 — Philadelphia, PA — Kung Fu Necktie
6/28 — Pittsburgh, PA — Ormsby's
7/23 — Indianapolis, IN — Black Circle (Post-Fest Pre-Show)

HIROE ARE:
Eric Kusanagi — Guitar
Jill Paslier — Guitar
Brian Kong — Guitar
Jon Seiler — Bass
Dan Sagherian — Drums

Mawiza Follow the Moon on New Video

While still ascending on the metal scene, Mawiza are empowered by their indigenous roots.

The Chilean band hail from the ancestral territory of Wallmapu, which belongs to the Mapuche Nation. By proudly embracing ancestral instruments, traditional chanting and the Mapuzungun language, their style of groove metal has brought them international acclaim. They've won a Chilean Grammy and performed alongside Mercyful Fate, Mastodon, Slipknot and Gojira. Having now signed with the French label Season of Mist, this year, Mawiza are releasing their spirited third album, which RollingStone named one of the 15 Latin Albums that they can't wait to hear.

As this band of warriors prepare to set up on new horizons, today, Mawiza are releasing a new video. Though the song reflects how their culture has changed, "Killari" beams with the strength that they draw from their native land.   

Watch the music video for "Killari" below.

Stream "Killari"
https://orcd.co/mawizakillari

Mawiza have shared a stage with metal's biggest influences, but the band are guided by the spirit of nature. In English, "Killari" means "Moonlight". Much like its namesake, the song reveals its transformative energy in phases. Double bass scampers under the cover of darkness as a clean, somber guitar melody is plucked like stars from the sky. "Chomü rayen teyfükan  (Destroy the withered flower)", the band howl in unison. "Taiñ mongen ñi afkülekan / Re rükükan mew (End our existence / Out of pure selfishness)".  

At home, Mawiza have seen the Mapuche Nation endure troubling times. Trees on their land have been cut down by developers. Many people from the tribe have been forced to move into the city. "My mother taught me to respect all life", says the band's vocalist and rhythm guitarist Awka. Between its scraping dissonant riffs and the flowing proggy grooves of bassist Zewü, "Killari" waxes and wanes between sorrow and anger. But by following the moon, the band find strength in transformation. "Wenu peaymi / Look to the sky!", Awka shouts with both his spear and axe raised as the drums circle into a thunderous breakdown. 

"You can feel low in the night", says Awka, who identifies as non-binary. "Our people have often witnessed oppression against those deemed 'deviant', 'nefarious' or 'diabolical' for not fitting into the concept of man and woman. In ancient times, masculinity and femininity were respected and understood as real forces in constant communication, prayer and movement. But as time passed, through way and the loss of the Spanish crown, the image of the Mapuche man became idealized as virile, strong and an overwhelming warrior, while the woman was seen as the source of future heirs.

"If there is one concept that we as young Mapuche embrace, it's total decolonization", he continues. "As wentxu or 'men' of the Mapuche people, we need zomo newen or 'feminine strength' to exist in a permanent state within each of us. We protect our Epu püllü or 'two spirits' with songs like 'Killari'.
    
"I feel a deep connection to the moon and how it influences all cycles of nature, including the transformation within ourselves", says drummer Txalkan, who wrote the music for "Killari". "The song weaves together rhythms and claves from various Latin American percussion styles. When I play it, I try and reflect that sense of movement and evolution through its variations". 

The video for "Killari" also reflects the changing forces within the Mapuche Nation. "In popular culture, Indians are often shown wearing dirty clothes or being covered in mud", the band says. "We wanted to look like kings". To make this fashion statement, they collaborated with three of the most prominent trendsetters in Latin America. Their stylish outfits were designed by Matías Hernán (@matias_hernan), Ceremonia (@ceremonia_) and Labios Enfermos (@labios.enfermos).

Even the filming location for "Killari" was chosen after an artist's own heart. What was once an abandoned underwear factory was converted by Chilean artist Beatrice di Girolamo into a woodworking studio. It's here, in this re-imagined space, that Mawiza uncover a modern piece of Mapuche artwork in the climbing light of Karü's  guitar solo. "Killari" first appeared on the band's previous album Kollong, which in English means 'mask'. While kollongs are traditionally carved from wood, by adding bits of moss and industrial plastic, this new version pieces together all the current aspects of Mapuche culture. 

"Naq uwamtuymi ta lüq pelom / Feel the white light descending", Awka chants. As he dons the mask, Mawiza becomes the sworn protectors of this illuminating ceremony.   
     
"Some ancient Mapuche concepts are impossible to translate" Awka says. "It would be easy to say that our society was inclusive with non-binary and gender-fluid people. But it is far more complex. Our words are not static. Our weavings are not tied with blind knots. Our ruke or 'house' are made to be disassembled.

"Our machi have always embodied this from the most visible perspective", he continues. "The body is a vessel for forces. The feminine force of küyen is crucial to our understanding and daily lives as Mapuche. Look to the sky and you can find the strength of your mother".  

The video for "Killari" was directed by  Andrés Hetzler (@andreshetzler).

In 2023, Mawiza released the single “Txükur” with the Mapuche rapper MC Millaray and a tremendous and very particular version of Metallica's “Battery”, which they adapted to Mapuzungun.

In August 2023, Mawiza were invited to record a live session by Joe Duplantier, leader of Gojira and owner of Silver Chord Studios in New York. They also visited West West Side Studio, owned by renowned producer Alan Douches and performed an acoustic concert at Selva Gallery in Brooklyn.

At the end of 2024, Mawiza re-released Kollong. This version includes new recordings of vocals done entirely in Mapuzungun and drums re-recorded by Txalkan.

This year, Mawiza will release their third album on Season of Mist.

Booking information
Europe: juan@thatmusicagency.com
Rest of the World: unai@cowboymusic.agency

Follow Mawiza
Instagram:  https://www.instagram.com/mawizakvlt
Facebook: https://www.facebook.com/mawizakvlt
TikTok: https://www.tiktok.com/@mawizakvlt
Spotify: https://open.spotify.com/artist/4oJP24bXA2fbdVmNGNmCtt
YouTube: https://www.youtube.com/@mawizakvlt

Follow Season Of Mist:
Online: http://www.season-of-mist.com
Facebook: http://www.facebook.com/seasonofmistofficial
Instagram: https://www.instagram.com/seasonofmistofficial
Twitter: https://twitter.com/SeasonofMist

Estonian Metalcore Force PRIDIAN Releases New Single “Endless” + Music Video

The wait is almost over: With “Endless," Estonia’s metalcore force PRIDIAN are releasing their fifth and last single from their upcoming record 'Venetian Dark,' which will officially be out in its full glory on May 16th, 2025, via Century Media Records. While “Endless” is being released with an impactful music video, the quartet shows once more what Estonia’s metal scene has to offer, raising the anticipation for their upcoming record. 

Vocalist Laur Lindmäe shares the inspiration for “Endless”:

“There’s something about the way they look at me now. Like I’m a symbol of something I never agreed to. A shape. A signal. A convincing surface. I’ve kept quiet long enough for them to mistake that for agreement. I’ve stood in their ceremonies, watched them raise empty words like banners. I echo their language without saying anything of my own. Not because I believe, but because it’s easier than being exposed. They don’t want truth. They want symmetry. Clean lines. No noise. I can still feel - The thing they’ve forgotten how to name. And I know they see it flicker in me, even if they don’t understand it. Maybe that’s why they keep me close. Maybe that’s what they’re afraid of. Society moves like a machine: polished, efficient, and emotionally numb. It performs belief but doesn’t feel it. It repeats the shape of meaning, but not the soul of it."

Watch the Music Video for "Endless" Below.

Vocalist Laur Lindmäe shares about the inspiration for 'Venetian Dark'

"Looking at it on a larger scale, I believe that humanity has lost its connection with nature, the planet, and even itself. We relentlessly exploit every last resource, driven by profit and greed. Our ideologies have grown superficial, and we are becoming less and less empathetic. Even if we end up destroying the Earth, we seem to have this cockroach-like ability to survive. We'll likely figure out how to launch ourselves into space, discover another planet to inhabit, and start the cycle all over again.”

Pre-Order 'Venetian Dark' HERE

PRIDIAN Live:

07/06/25: Mystic Festival 2025 Gdańsk (Poland)

28/06/2025: Hard Rock Laager 2025 (Estonia) 

12/07/2025: Käbliku Beer Camp & Rock'N'Roll 2025 (Estonia)

 16/08/25: Rockatgons Festival 2025 Riga (Latvia)

About PRIDIAN

Founded 2018 in Tartu, Estonia, metalcore quartet PRIDIAN channels the intensity of their experiences and emotions into a distinctive sound defined by dark, heavy grooves, commanding vocals, and cinematic melodies enhanced with electronic elements. Their first album, 'The Rotten Unknown' (released in 2021 under the name ÆØNS), earned a nomination for “Metal Album of the Year” at the Estonian Music Awards. Building on this success, PRIDIAN released the EP 'Cybergnosis' in 2023, and signed with label Century Media Records in September 2024. Now, with the release of 'Venetian Dark' as their first full length record as PRIDIAN, the quintet prove their place in the international metalcore scene but also why Estonia’s growing metal scene deserves more light in the future.

PRIDIAN are:

Laur Lindmäe - vocals

Jörg-Erik Hanikat - guitar

Martin Randalu - guitar

Robert Leht - drums

MACHINE HEAD | RELEASE MUSIC VIDEO FOR ' BØNESCRAPER' + CURRENTLY ON U.S. TOUR!

Bay Area icons MACHINE HEAD have sharpened their sound into its most direct and impactful form with the release of their eleventh album, UNATØNED. The record - which will be released on April 25th via Nuclear Blast Records - is a testament to momentum, an album honed to its sharpest edge, forged on creative discipline and the hunger to push forward. 

Today, the band unveil the energetic second single, 'BØNESCRAPER'. The release features a new music video as well as the announcement of the BØNESCRAPER edition LP of UNATØNED (shipping June 17). Watch the music video directed by Mike Sloat.

MACHINE HEAD comments, “This one is for those of us with darkness in our heart, a song about love lost, and a song for those who fail at love... but keep on trying… hence, we scrape our bones to numb the pain.”

Pre-order & pre-save UNATØNED:
https://machinehead.bfan.link/unatoned

Stream 'BØNESCRAPER'
https://machinehead.bfan.link/bonescraper

WATCH: 'BØNESCRAPER' Below

MACHINE HEAD is on their massive North American tour alongside labelmates and Swedish melodic death metal icons IN FLAMES, Italian metal titans LACUNA COIL, and American metalcore outfit UNEARTH. 

Tickets for the tour are available for purchase:
https://www.machinehead1.com/pages/tour

Confirmed dates for MACHINE HEAD's North American Tour 2025 with IN FLAMES, LACUNA COIL, UNEARTH are:

04.05 U.S. Oakland, CA @ Fox Theater
04.07 U.S. Phoenix, AZ @ The Van Buren
04.09 U.S. San Diego, CA @ Observatory North Park
04.10 U.S. Los Angeles, CA @ The Wiltern
04.12 U.S. Las Vegas, NV @ Sick New World **
04.13 U.S. Salt Lake City, UT @ Union
04.15 U.S. Denver, CO @ The Fillmore Auditorium
04.17 U.S. San Antonio, TX @ The Aztec
04.18 U.S. Houston, TX @ House Of Blues
04.19 U.S. Dallas, TX @ House Of Blues
04.21 U.S. Raleigh, NC @ The Ritz
04.22 U.S. Silver Spring, MD @ The Fillmore
04.23 U.S. Brooklyn, NY @ Brooklyn Paramount
04.25 U.S. Reading, PA @ Santander Arena
04.26 U.S. Boston, MA @ House Of Blues
04.27 CAN Montreal, QC @ M'Telus
04.28 CAN Toronto, ON  @ History
04.30 U.S. Cincinnati, OH @ Andrew J. Brady Music Center
05.02 U.S. Detroit, MI @ The Fillmore
05.03 U.S. Chicago, IL @ Radius
05.04 U.S. Minneapolis, MN @ The Fillmore
05.05 CAN Winnipeg, MB @ Burton Cummings
05.07 CAN Calgary, AB @ Grey Eagle Event Center
05.08 CAN Edmonton, AB @ Midway Music Hall
05.10 CAN Kelowna, BC @ Prospera Place

**Festival date -MACHINE HEAD& LACUNA COIL only

Written in motion – on the road, in hotel rooms, and across continents – it reflects the raw energy of their return to the global festival circuit after an 11-year hiatus. UNATØNED was recorded at Robb's Jam Room, Sharkbite Studios, and Drop Of Sun Recording between July 2023 and December 2024. The album was produced by Robb Flynn as well as Zack Ohren who was also responsible for the engineering. The mixing and mastering was handled by Colin Richardson and Chris Clancy at Audioworks UK and the mastering of the record was handled by Ted Jensen and his assistant Justin Shturtz. The only exception was the track 'LANDSCAPE ØF THØRNS' which was produced by Flynn and Joel Wanasek who was also in charge of mixing the single alongside Zack Ohren. MACHINE HEAD once again tapped Seth Siro Anton to create the album artwork.

Eleven albums deep, MACHINE HEAD remains as fierce, relevant, and unstoppable as ever

MACHINE HEAD is:
Robb Flynn | Vocals & Guitars
Jared MacEachern | Bass & Vocals
Reece Scruggs | Guitar
Matt Alston | Drums

More information:
https://www.machinehead1.com/
https://twitter.com/MfnH
https://www.instagram.com/machine_head/
https://www.youtube.com/c/machinehead/featured
https://www.facebook.com/MachineHead
https://www.tiktok.com/@machineheadofficial

Ecce Shnak shares live performance in support of debut Shadows Grow Fangs' EP

Alternative art-rockers Ecce Shnak present 'Prayer On Love' Live at Backroom Studios, a class performance of one of the highlight tracks on their debut 'Shadows Grow Fangs' EP'. A quintet that seemingly never sleeps, they shared videos for the EP's high-energy title track and it's only ballad   'Stroll With Me', just a few weeks ago.

Throughout June, Ecce Shnak (pronounced Eh-kay sh-knock) will be touring with platinum-selling legends Spacehog and EMF, hitting the U.S. West coast. Kicking things off in San Jose, California on June 14, the tour wraps up on June 28 in Las Vegas.

Frontman David Roush is composer, bassist and one of two singers, joined by Bella Komodromos (vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn (drums). If there’s a fine line between wild-eyed, inspired genius and utter, irrepressible insanity, that’s where you’ll find Ecce Shnak, teetering on a neon tightrope.

Released via Record Man, Records, this EP showcases incomparable ingenuity and limitless invention, the NYC quintet delivering a sonic experience that blends art-rock and punk energy with some unexpected twists. Running the gamut from slow-burning meditations on love’s indispensability to mockery of the web from the perspective of a time-traveling poet, this EP is an intricately constructed, methodically fashioned, and undeniably offbeat... as serious and logical as it’s entertaining.

Recorded and produced by Jeff Lucci at the Art Farm (NY), this EP was mixed by Nicholas Vernhes  (Animal Collective, Deerhunter, The Fiery Furnaces, Dirty Projectors, Wild Nothing, The War on Drugs) and mastered by Grammy award-winning sound engineer Joe LaPorta (David Bowie, The Weeknd, Foo Fighters, Vampire Weekend, FKA Twigs, Twenty One Pilots).

Ecce Shnak subverts notions of style, playfully but reverently embracing multiple forms across the spectrum, while addressing weighty themes and notable trivia with striking articulacy. 'The Internet' is an eclectic gem that makes a fine mockery of the web from the perspective of a time-travelling poet. 'Prayer on Love' is a downtempo groove-inducing opus and the lead track 'Jeremy, Utilitarian Sadboy' is a hammering 150-seconds about 19th Century English philosopher Jeremy Bentham,  combining math-metal, post-rock and choral anthems. Folk gem 'Stroll With Me' weaves classical guitar into a ballad about a beloved friend who chose to leave this Earth.

 
The 'Shadows Grow Fangs' EP is out now, available from fine music platforms, includingSpotifyApple Music, YouTube Music and Bandcamp.  Tickets for the Spacehog / EMF / Ecce Shnak tour are now on sale, as are tickets for Ecce Shnak's upcoming May 7 show at NYC's Mercury Lounge. They will be joined by blues-inflected leather-clad punk rock trio OBOY! and British psych-garage trio Tummyache.

CREDITS
Music written / composed by David Roush
David Roush - vocals, classical guitar, drum kit, keyboard
Jeff Lucci - electric guitar, electric bass
Isabella Komodromos -vocals
Recorded and produced by Jeff Lucci at the Art Farm (NY)
Mixed by Nicholas Vernhes
Mastered by Joe LaPorta
Video directed by Milton Walker and David Roush
Animation by Shuyler Nazareth
Produced by Beth Narducci and David Roush
Artist photos by Tommy Krause
A&R: Beth Narducci for You + Me Entertainment
Publicity by Shauna McLarnon for Shameless Promotion PR

TOUR DATES (with EFM and Spacehog)
Jun 14   San Jose, CA  - The Ritz
Jun 15   San Francisco, CA  - Great American Music Hall (tickets)
Jun 17   Portland, OR  -  Star Theater
Jun 18   Seattle, WA  - The Neptune
Jun 20   Salt Lake City, UT  - Metro Music Hall
Jun 21   Denver, CO  - Oriental Theater
Jun 23   Phoenix, AZ  - Crescent Ballroom
Jun 24   San Diego, CA  - Music Box
Jun 26   Santa Ana, CA  - The Observatory
Jun 27   Los Angeles, CA  - The Regent
Jun 28   Las Vegas, NV  -  House of Blues


Keep up with Ecce Shnak
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COSMOSQUAD ANNOUNCES MIDWESTERN TOUR DATES, REUNITING FOR FIRST LIVE SHOWS IN 5 YEARS FEATURING THEIR CLASSIC LINEUP

Veteran progressive rock fusion trio Cosmosquad has announced a highly anticipated Midwest tour for April 2025, marking the band's first live performances in over five years. The tour will feature the group’s classic lineup, including guitarist Jeff Kollman, drummer Shane Gaalaas, and bassist Kevin Chown.

Formed in 1997, Cosmosquad pioneered a distinctive blend of metal and jazz fusion, drawing from the worlds of shredding metal riffs, intricate jazz chord structures, and improvisation. Over the years, the band has released five acclaimed albums, including Cosmosquad (1998), Squadrophenia (2001), Acid Test (2003), Live at the Baked Potato (2010), and their 2017 concept album The Morbid Tango, which received critical praise for its innovative fusion of genres.  “Born from the vibrant Los Angeles music scene of the ‘90s, Cosmosquad has always been a project that allows us to break free from the musical confines of our other high-profile session and touring work,” said Kollman. “We’re excited to reconnect with our fans and bring some fresh energy to our live performances after such a long break.”

Cosmosquad has remained a musical outlet where the trio merges their roots in classic rock with their shared love for jazz fusion. Despite each member’s extensive touring careers, the band has maintained their unique chemistry and a commitment to pushing musical boundaries.

Guitarist Jeff Kollman is known for his signature tone and fearless guitar work. His recent solo album, 2023 A.D. (released in 2024), features a guest appearance from Red Hot Chili Peppers drummer Chad Smith on the single “Tongs & Thongs.” Kollman continues to tour with Alan Parsons, alongside performances with legends like Chris Isaak, Lou Gramm (Foreigner), and many others.

Drummer Shane Gaalaas, originally from Canada, has built a legendary career through his long association with Japanese rock superstars B’z and has worked with notable artists including Glenn Hughes, Billy Idol, Slash feat. Myles Kennedy & The Conspirators, and Uli Jon Roth. Gaalaas’s ability to blend rock attitude with jazz sophistication has earned him recognition as one of the world’s finest drummers.

Bassist Kevin Chown is a prominent member of 90s rock band Steelheart and has previously toured with artists such as Sebastian Bach, Paul Gilbert, Tony MacAlpine, and Tarja Turunen. Chown has also contributed to multiple solo and collaborative projects, including The Bombastic Meatbats, alongside Jeff Kollman and Chad Smith.

Cosmosquad’s music continues to resonate with fans and critics alike, with glowing praise from industry legends such as Steve Lukather of Toto, who said, “Some of the best, most inspiring stuff I have heard in a long time! Incredible playing and just gorgeous melodic composition. This band is killer!”  and British record producer Terry Brown (Rush, Fates Warning, Voivod) who said “This album is so cool I cannot pick my favorite cut.  Just so much great material and killer execution.”

 TOUR DATES:

  • April 11, 2025: Sweetwater (Fort Wayne, IN)

  • April 13, 2025: Howard's (Bowling Green, OH)

  • April 18, 2025: Reggie’s (Chicago, IL)

  • April 19, 2025: Leroy’s (Porter, IN)

LINKS:

SOCIAL MEDIA:

Volbeat Share New Single "In the Barn of the Goat Giving Birth to Satan's Spawn in a Dying World of Doom"

VOLBEAT — Michael Poulsen (vocals, guitar), and Jon Larsen (drums), and Kaspar Boye Larsen (bass) — recently announced their ninth album God Of Angels Trust. This album arrives on June 6 via longtime label Republic/Universal. Pre-order it here.

The album will coincide with plenty of summer touring on the band's "Greatest Of All Tours Worldwide," with further dates and details below.

Today, the band has shared the video for "In the Barn of the Goat Giving Birth to Satan's Spawn in a Dying World of Doom."

Watch + listen below

It's quite the title and quite the song!

Poulsen shares the origin story, saying, "I had so much fun writing these lyrics. It's about the outcasts and fallen angels of God — all the angels that were cast out of Heaven. And I'm being told to collect them in this big wagon and bring them to a barn."

He continues, "There's a ritual going on where the fallen angels are being sacrificed to Satan's spawn to create soldiers for a new dark kingdom. So, instead of inviting my lady out to go to the cinema, I say, 'I have something better. You have to see what's going on in this barn... we've been invited to see the birth of Satan’s spawn and watch the world go down. How about that?"

He admits,"I think some people will read the lyrics and go, 'What’s wrong with this dude?' But, it's all for fun. It's like a silly horror movie. Or is it?"

Horror movie or not — it rips!

With God Of Angels Trust, The Danish band — which has scored ten #1 songs on the Billboard Mainstream Rock airplay chart, the most ever for a band based outside North America — has thrown caution to the wind, ignored comfort zones, and paid little heed to traditional songwriting in the search for something more immediate and surprising. The end result will thrill Volbeat's dedicated legion of fans.
 
"In the past, I've taken a long time to write and obsessed over so many elements of the songs before finishing them," says Poulsen. "This time, I wanted to make a Volbeat record without thinking too much about it. Instead of following any kind of structure I said, 'Okay, there are no rules. I can do anything I want. I can start with a chorus or do songs that are just a bunch of verses stacked on top of each other. Anything goes.' That was freeing for me and made it exciting to write this album."
  
Poulsen's excitement to thwart convention is palpable throughout God Of Angels Trust, a punchy, crunchy album that's undeniably Volbeat, yet marches to a fresh new metallic and melodic energy. 
 
Poulsen started working on songs for the follow-up to 2021's Servant of the Mind in the summer of 2024. Volbeat was taking a year-long break from touring to give Michael a chance to recover from throat surgery and to tour with his death metal band, Asinhell. Driven equally by his excitement to record a new Volbeat album and by his determination not to follow convention, Poulsen worked on songs for a mere three weeks with bandmates drummer Jon Larsen and bassist Kaspar Boye Larsen. Amazingly, they worked on a new song at every rehearsal. Three weeks into the process, Volbeat had arranged half of God Of Angels Trust. That's when Poulsen decided that having no rules meant he could follow his muse wherever it took him, and he veered off on a different path. He and the band still wrote and rehearsed two songs a week, but they started composing more familiar rock songs that drew from traditional elements. 
  
The band entered the studio with their longtime producer Jacob Hansen in the fall of 2024. As with the songwriting, Poulsen wanted to work quickly and rely on instinct, so they just plugged in and started to play. To keep the music sounding urgent and immediate, Volbeat recorded live in the studio, playing as few takes as possible before moving from one song to the next. 
 
When it came time to add lead guitar, there was no question that Volbeat would tap Flemming C. Lund, who currently tours with the band and worked with Michael in Asinhell. A mere 13 days after they started working with Hansen, Volbeat were finished.   
  
As impressive as it is that Volbeat wrote and recorded an entire album in about five weeks, what's more incredible is that God Of Angels Trust sounds as fleshed out, eclectic, and fulfilling as albums that have taken 10 times longer (or more) to create. In the end, creating such a strong album so quickly was a tremendous challenge that demanded Zen-like calm, a joy for exploration, maximal creativity, and razor-sharp concentration to pull off. 

The band's official D2C store is here.

Volbeat will return to the road on the "Greatest Of All Tours Worldwide," beginning in June and running throughout 2025. The tour begins in June with a co-headline Canadian run with Three Days Grace and special guests Wage War, which will be followed by headline treks in the U.S. with special guests Halestorm and The Ghost Inside, and Europe and the UK with special guests Bush and Witch Fever, iincluding today's newly-announced second show at Copenhagen's Royal Arena on September 20. All dates are below.

VOLBEAT ON TOUR:
GREATEST OF ALL TOURS WORLDWIDE:
2025 CO-HEADLINE WITH THREE DAYS GRACE + WAGE WAR:
6/7 — Vancouver, BC — Rogers Arena
6/9 — Calgary, AB — Scotiabank Saddledome
6/10 — Edmonton, AB — Rogers Place
6/12 — Saskatoon, SK — SaskTel Centre
6/13 — Winnipeg, MB — Canada Life Centre
6/16 — Laval, QC — Place Bell
6/17 — Quebec City, QC — Videotron Centre
6/19 — Toronto, ON — Budweiser Stage
6/21 — London, ON — Canada Life Place
6/22 — Ottawa, ON — Canadian Tire Centre

2025 US HEADLINE:
WITH SPECIAL GUESTS HALESTORM + THE GHOST INSIDE:
7/17 — Denver, CO — Ball Arena
7/19 — Salt Lake City, UT — Utah First Credit Union Amphitheatre
7/21 — Auburn, WA — White River Amphitheatre
7/22 — Ridgefield, WA — Cascades Amphitheater
7/24 — Wheatland, CA — Toyota Amphitheatre
7/25 — Inglewood, CA — Kia Forum
7/26 — Phoenix, AZ — Talking Stick Resort Amphitheatre
7/28 — Irving, TX — The Pavilion at Toyota Music Factory
7/29 — Houston, TX — 713 Music Hall
7/31 — Rogers, AR — Walmart AMP
8/2 — Franklin, TN — FirstBank Amphitheater
8/3 — Alpharetta, GA — Ameris Bank Amphitheatre
8/4 — Tampa, FL — MIDFLORIDA Credit Union Amphitheatre
8/6 — Charlotte, NC — PNC Music Pavilion
8/7 — Bristow, VA — Jiffy Lube Live
8/9 — Camden, NJ — Freedom Mortgage Pavilion
8/10 — Holmdel, NJ — PNC Bank Arts Center
8/12 — Bangor, ME — Maine Savings Amphitheater
8/13 — Gilford, NH — BankNH Pavilion
8/14 — Mansfield, MA — Xfinity Center
8/16 — Hershey, PA — Giant Center
8/17 — Cincinnati, OH — Riverbend Music Center
8/19 — Clarkston, MI — Pine Knob Music Theatre
8/21 — Noblesville, IN — Ruoff Music Center
8/22 — Tinley Park, IL — Credit Union 1 Amphitheatre

Rotting Christ Release New Live Album

ROTTING CHRIST have stood the test of time. Over the past 35 years, Sakis Tolis, his brother Themis and their brothers-in-arms have risen from Greece's blackened catacombs to become one of metal's most reliable forces.

Backed by a legacy that has both defined and defied black metal, last year, the Greek legends carved out a new set of dark, melodic scriptures with fresh rebellion on the unbreakable Pro Xristou

"...this is the most arena-worthy Rotting Christ have been in some time", No Clean Singing wrote about their latest album.  

Now, as they continue to tour the world, Rotting Christ are celebrating 35 years of evil existence with a new live album. This two-hour set was recorded at the Lycabettus Hill Theater in the band's hometown of Athens. Like a pantheon, it spans the band's entire career, from early evil classics like "The Sign of Evil Existence" and the gothic one-two punch of "Sorrowful Farewell" and "Among Two Storms" to " "Δαιμόνων Βρώσης (Demonon Vrosis)",  "Κατά τον Δαίμονα Εαυτού", "Like Father, Like Son" and other chiseled monuments from their modern Hellenic period.

Watch Rotting Christ celebrate 35 Years of Evil Existence Live in Lycabettus on Rotting Christ TV.

35 Years of Evil Existence - Live in Lycabettus is out now on Season of Mist.


Order & Stream

https://orcd.co/rottingchristliveinlycabettus
 

The formidable bond between brothers Sakis and Themis Tolis is not only felt across their unholy discography but also live and in the flesh. Having played more than a hundred shows all across the world in 2024, Rotting Christ continue to keep the true metal spirit alive time and time again.    

Rotting Christ @ Milwaukee Metal Fest
Friday, May 16 - Milwaukee, Wi @ The Rave/Eagles Club [TICKETS]

Pro Xristou (‘Before Christ’ in Greek), serves as a fervent tribute to the last Pagan kings who resisted the onslaught of Christianity, guarding their ancient values and knowledge. In this thematic odyssey, intricately woven through tracks such as ‘The Apostate’ and ‘Ygdrassil’, Rotting Christ delves into the legacies of historical figures such as Flavius Claudius Julianus and Nordic mythological kings, embodying the might of Pagan wisdom in the face of Christian adversity. The album encapsulates the essence of Rotting Christ’s signature style – melodic, yet harsh at times – reinventing themselves yet again, while remaining rooted in their 35-year legacy.

Line-up:
Sakis Tolis - Guitar, Vocals
Themis Tolis - Drums
Kostas "Spades" Heliotis - Bass
Kostis Fouk - Guitar

Biography:
Sébastien J. Gamez

Follow Rotting Christ:
Official Website: https://www.rotting-christ.com/en
Facebook: https://www.facebook.com/rottingchristofficial/
Instagram: http://www.instagram.com/rottingchristofficial/
Twitter (X): https://twitter.com/athanatoieste
YouTube: https://www.youtube.com/user/RottingChristOfficia
Bandcamp: https://rottingchristofficial.bandcamp.com/
Apple Music: http://itunes.apple.com/artist/rotting-christ/id28441629
Spotify: https://open.spotify.com/artist/7FhkwcO8Jd7BRWdllBpXBJ

Available Formats:
Digital Download
2CD Digipak
3x12" Vinyl Gatefold - Black
3x12" Coloured Vinyl Gatefold - Gold w/ Linen Lamination & Gold Foil
3x12" Coloured Vinyl Gatefold - Gold & Black Marbled
3x12" Coloured Vinyl Gatefold - Orange & Black Marbled
3x12" Coloured Vinyl Gatefold - Red & Black Marbled

Sleep Theory Drop "III" Video — WATCH // Headline Tour Kicks Off Next Month

Breakout four-piece Sleep Theory — vocalist Cullen Moore, guitarist Daniel Pruitt, bassist Paolo Vergara, and drummer Ben Pruitt — recently announced their eagerly awaited debut album, Afterglow, which arrives on May 16 via Epitaph Records. The album offers a stunning display of diverse rock flavors and was produced by David Cowell and mixed by Zakk Cervini (Bring Me The Horizon, Bad Omens, Architects). Pre-order it here

They are sharing the video for new single "III."

Watch it below.

The song is a thrill ride, mixing synths and raucous riffing with the band's signature, stadium-sized melodies.

"At its core, 'III' is about betrayal," shares Moore about the intensely personal subject matter. "It's that gut-wrenching feeling when someone you trusted completely lets you down. The song dives into that pain, but it's also about facing the truth, even when it hurts and realizing not everyone is who they say they are."

He continues, "I want people to really think about who they let into their lives. Not everyone deserves your trust, and sometimes, those closest to you can do the most damage."

However, the song is meant to inspire hope and to find the positives that are embedded in a painful moment. Moore finishes, "But beyond, it's about learning from those experiences rather than letting them break you. If this song helps someone feel less alone in that kind of situation, then it's done its job."

"III" follows "Static," which peaked at No. 16 on Spotify Viral 50 in the U.S. and is the band's fastest-growing song to date, with over 12 million streams since its release. The album's lead single "Stuck In My Head" ascended to the No. 1 lot on the Active Rock radio charts — a first for the band! The song is currently No. 26 and building at Alternative radio. All told, Sleep Theory have accumulated 300 million streams across nine singles in their brief but blockbuster career thus far.

Sleep Theory will embark on its first-ever headline tour, kicking off on May 20 in Birmingham, Alabama and winding through the U.S. before wrapping on June 28 in their hometown of Memphis. The band has also booked appearances at select festival dates.  Support will come from Nevertel,  Oxymorrons, and Stray View. Get tickets here

SLEEP THEORY ON TOUR:
WITH NEVERTEL, OXYMORRONS, + STRAY VIEW:

5/20 — Birmingham, AL — Workplay

5/21 — Mobile, AL — Soul Kitchen

5/23 — Corpus Christi, TX — Brewers Street Ice House

5/24 — Woodlands, TX — The Cynthia Woods Mitchell Pavilion (Buzzfest)*

5/25 — Dallas, TX — Dos Equis Pavilion (KEGL's BFD)*

5/27 — El Paso, TX — Lowbrow Palace

5/28 — Phoenix, AZ — The Marquee

5/29 — Las Vegas, NV — Brooklyn Bowl

5/30 — Anaheim, CA — House of Blues

5/31 — Reno, NV — Virgin Street

6/3 — Boise, ID — Knitting Factory

6/4 — Spokane, WA — Knitting Factory

6/6 — Salt Lake City, UT — The Complex

6/7 — Colorado Springs, CO — The Black Sheep

6/8 — Denver, CO — The Summit

6/10 — Lincoln, NE — Bourbon

6/11 — Minneapolis, MN — Varsity

6/13 — Madison, WI — Sylvee

6/14 — Chicago, IL — House of Blues

6/15 — Detroit, MI — St. Andrews Hall

6/16 — Grand Rapids, MI — Elevation

6/18 — Syracuse, NY — The Wescott

6/19 — Boston, MA — The Sinclair

6/20 — New York, NY — Gramercy Theater (SOLD OUT)

6/21 — New York, NY — Gramercy Theater

6/22 — Portland, ME — State Theater

6/24 — Pittsburgh, PA — Mr. Smalls
6/25 – Lexington, KY — Manchester Music Hall

6/26 — Nashville, TN — Brooklyn Bowl

6/28 — Memphis, TN — Minglewood Hall
*FESTIVALS

OTHER FESTIVAL DATES:

4/18 — Tuscon, AZ — Pima County Fair

5/17 — Daytona, FL — Welcome To Rockville

7/11 — Gettysburg, PA — Gettysburg Bike Week 

7/18 — Mansfield, OH — Inkcarceration 

9/21 – Louisville, KY – Louder Than Life 

10/5 — Sacramento, CA — Aftershock 

Sleep Theory combine energetic hard rock and metalcore, alongside the powerhouse vocalist Cullen Moore. Praised by Jelly Roll and David Draiman, they've toured with Shinedown, Falling In Reverse, and Beartooth. In under two years, they became the fifth most-played artist on Active Rock radio. Afterglow and the Paper Hearts EP merge heavy rock with pop and R&B, producing anthemic bangers and emotional ballads. Saluted by Revolver, Loudwire, and Amazon Music as an Artist to Watch in 2025, they've become one of heavy music's biggest breakouts. With Afterglow, the quartet proves ready to ascend to the next level. Sleep Theory deliver the dynamic, heavy bounce and massive vocal hooks that the rock world desperately needs. Moore is a powerhouse singer who outmatches nearly all his peers, recalling the most classic and timeless pop, R&B, and rock 'n' roll vocalists of the last several decades. Sleep Theory push themselves creatively at every turn, catapulting the genre to new sonic heights. 

Dogma releases "Banned"; EU Tour Announced!

Sinners, the time has come. Dogma’s newest invocation, "Banned," is here, a profane melody woven in flesh and defiance, a hymn to liberation wrapped in forbidden rhythms, a  fusion of metal and tango that tears through the veil of sanctimony.

Some acts are condemned, others are justified. Who draws the line? "Banned" tells another chapter of the story, the moment desire collides with imposed virtue, where submission is shattered, and pleasure becomes power.

But sinners, they are not stopping here.

For the first time ever, Dogma sets foot on European soil, joining forces with Patriarkh on the Sinning Over Europe Part 1 tour. With this, the first gates are broken, and their presence is marked across Hungary, Romania, Bulgaria, Slovenia, Italy, Switzerland, Germany, Netherlands, and Belgium.

This is only the beginning. There are more places to reach, more sinners waiting in the shadows. Let this be a warning: Europe is ready for Dogma, and they are ready to take it.

SINNING OVER EUROPE PART 1 TOUR DATES 

06.04 – Budapest, HUN @ Analog
07.04 – Cluj Napoca, ROM @ Form Space
08.04 – Bucharest, ROM @ Quantic
09.04 – Sofia, BUL @ Mixtape5
11.04 – Kranj, SLO @ Subart
12.04 – Milan, ITA @ Hellbrigade Fest
13.04 – Taneto, ITA @ Fuori Orario
14.04 – Monthey, SUI @ Pont Rouge
15.04 – Munich, GER @ Backstage
16.04 – Oberhausen, GER @ Helvete
17.04 – Hengelo, NLD @ Metropool
18.04 – Drachten, NLD @ Iduna
19.04 – Haarlem, NLD @ Patronaat
20.04 – Ghent, BEL @ Vierde Zaal
21.04 – Erfurt, GER @ From Hell

Get your tickets here: https://www.bandsintown.com/a/15542111

MEET & GREET WITH DOGMA: A CALL TO THE UNHOLY CONGREGATION

This first-ever European tour is not just about the stage. Dogma summons our sinners to a limited, intimate gathering beyond the lights and the noise. This is your chance to meet Dogma, to speak, to share, to be part of the movement.

These meet & greets are extremely limited. No show tickets included.  Reserve your place here: https://officialdogma.store/eu-meetngreet/

And sinner, if you come to the show, don’t come empty.  Wear your Dogma emblems. Let us see you under the crimson light adorned in your devotion.  “Banned” is out.  Europe awaits.  Will you join the sin?


MESSAGE FROM LILITH

Sinners,

For the first time, we set foot on European soil. A land steeped in history, contradiction, and rebellion, where saints were martyred, heretics burned, and revolutions born. Now, Dogma arrives, not to kneel, but to rise.

"Banned" is revelation. A wound torn open, a truth they buried, a desire they shamed. It is not just a song, but a confession, a defiance, a sin they tried to erase. Some will flinch, some will fall silent, and some will wake up, which one will you be?

To those who will stand before us on this tour, I want to see you. I want to see you wearing our emblems, our mark, your devotion. Show me that Europe is ready. Show me that Dogma belongs here.

This is just the beginning.

Rise. Sin. Be free. Cause this is not Banned.

 

About DOGMA:
Known for blending hard rock, metal, and theatricality, DOGMA’s shows are more than just performances, they’re experiences that push audiences to confront their innermost desires and truths. Their music, laden with powerful riffs and unapologetic sensuality, invites listeners into a world where self-expression is the ultimate form of freedom.

Join DOGMA in this provocative journey as they shatter the barriers between the sacred and the profane.

Connect with Dogma:

Website
Instagram
Facebook
YouTube

BLEED FROM WITHIN - release video for 'Violent Nature' + new album 'Zenith' out NOW

Metal titans BLEED FROM WITHIN have today released their brand new studio album, Zenith, via Nuclear Blast Records. After their most successful year to date, Zenith's whirlwind of accomplished songwriting, white-hot metal fury and hard-earned confidence proves the best is yet to come from the Scottish heavyweights. To coincide with the album release, they have also revealed a video for storming opening track 'Violent Nature'.

On the release of their new album, the band comment:

"Today is the day. Friday 4th April 2025 marks the release of our greatest work so far. This is the best collection of songs we ever put together and a massive step forward for us creatively. Since we released Hands Of Sin last year, we've worked very hard on delivering something essential to our needs. Something that gave purpose to the time we'd dedicated and something we felt was missing in modern metal. Now, almost a year later, we are ready to share it with the world and see where it takes us. Here's to the future.

Ali, Davie, Goonzi, Kennedy, Steven"


Purchase and stream Zenith now at: https://bleedfromwithin.bfan.link/zenith.ema

Catch BLEED FROM WITHIN across North America in 2025 supporting BULLET FOR MY VALENTINE and TRIVIUM on 'The Poisoned Ascendancy' tour, before they return to the UK and Europe for 'The Zenith Tour', where they'll be joined by AFTER THE BURIAL and GREAT AMERICAN GHOST.

THE POISONED ASCENDANCY NORTH AMERICAN TOUR 2025
supporting BULLET FOR MY VALENTINE and TRIVIUM

19.04.25 - MO, Chesterfield - The Factory
20.04.25 - NE, Omaha - Steelhouse
22.04.25 - WI, Green Bay - Epic Event Center
23.04.25 - MI, Grand Rapids - GLC Live At 20 Monroe
26.04.25 - IL, Chicago - Byline Bank Aragon Ballroom
27.04.25 - MI, Detroit - The Fillmore
29.04.25 - PA, Pittsburgh - Stage AE
30.04.25 - PA, Philadelphia - The Fillmore
02.05.25 - MA, Boston - MCM Music Hall At Fenway
03.05.25 - QC, Laval - Place Bell
04.05.25 - ON, Toronto - Great Canadian Resort Theatre
06.05.25 - DC, Washington - The Anthem
07.05.25 - NY, New York - The Rooftop At Pier 17
09.05.25 - PA, Bethlehem - Wind Creek Event Center
11.05.25 - TN, Nashville - The Pinnacle
13.05.25 - KY, Corbin - Corbin Arena
14.05.25 - GA, Atlanta - Coca-Cola Roxy Theatre
17.05.25 - NC, Charlotte - Skyla Credit Union Amphitheatre
18.05.25 - NC, Raleigh - Red Hat Amphitheater

2025 Festival Dates

10.05.25 - US, Sonic Temple Art & Music Festival
16.05.25 - US, Welcome To Rockville
15.06.25 - UK, Download Festival
26.06.25 - NO, Tons Of Rock
05.07.25 - TR, Headbangers Weekend
14.08.25 - DE, Reload Festival

THE ZENITH TOUR 2025
w/ AFTER THE BURIAL & GREAT AMERICAN GHOST

10.09.25 - BE, Antwerp - Zappa
11.09.25 - DE, Cologne - Live Music Hall
12.09.25 - DE, Hamburg - Docks
13.09.25 - DE, Berlin - Kesselhaus
14.09.25 - PL, Warsaw - Progresja
16.09.25 - FI, Helsinki - Tavastia
17.09.25 - FI, Tampere - Olympia-Kortteli
19.09.25 - SE, Stockholm - Klubben Fryshuset
20.09.25 - SE, Gothenburg - Pustervik
21.09.25 - NO, Oslo - Vulkan Arena
22.09.25 - DK, Copenhagen - Amager Bio
24.09.25 - CZ, Prague - Meet Factory
25.09.25 - HU, Budapest - Barba Negra
26.09.25 - AT, Vienna - SIMM City
27.09.25 - DE, Munich - Backstage
28.09.25 - CH, Zürich - Kompex 457
30.09.25 - FR, Villeurbanne - CCO La Rayonne
01.10.25 - FR, Toulouse - La Cabane
03.10.25 - PT, Lisbon - LAV - Lisboa Ao Vivo
04.10.25 - ES, Madrid - Salva Mon Live
05.10.25 - ES, Barcelona - Razzmatazz 2
07.10.25 - FR, Paris - Bataclan
08.10.25 - NL, Tilburg - 013 Poppodium
10.10.25 - UK, London - O2 Forum Kentish Town
11.10.25 - UK, Manchester - O2 Ritz
12.10.25 - UK, Glasgow - Barrowlands
13.10.25 - UK, Glasgow - Barrowlands

Tickets for all dates are available now at bleedfromwithin.com

Bleed From Within are:
Scott Kennedy - Vocals
Craig Gowans - Lead Guitar
Steven Jones - Rhythm Guitar & Vocals
David Provan - Bass
Ali Richardson - Drums 

HOT MILK Share "Swallow This" Video

HOT MILK continue their Corporation P.O.P era with new single "Swallow This," which takes swipe at the so-called leaders of the world, who seem hell-bent on callously cavaliering us headfirst into collapse.

Talking further on the single, lead singer Han Mee expands, "We live in a post-truth era, we are confused, we are lost, and we are untrusting. We must follow our gut to what is moral, right and kind. 'Swallow This' is a protest song against the hypodermic needle of control media. They anger and press upon pressure points to gain control. As we have always said, 'QUESTION EVERYTHING.' It is healthy and it is right in this world that has evolved too fast for our primate brains to keep up. We must prioritize the wellness and safety of our fellow man, no matter their race, creed, religion, gender, or sexuality. We are human beings, do not let something as common as money and power replace what truly matters. Community, joy, laughter, spirit. I will stand on that picket line first if it comes to it, for now, this is all we got. Enjoy, f 'em."

Watch the video for "Swallow This" below.

Hot Milk's sophomore album Corporation P.O.P. is an extravagant, uncompromising assessment of the perilous world around us, examined through a sharp British lens that is both witty and universal. 

Having studied a politics degree, Han Mee has used that with Corporation P.O.P. — where Hot Milk unleash the pent-up anger experienced en masse around the globe. "I've always felt like a bit of a white knight – it's my duty to save the world somehow," says Han. "I feel very, very impacted by the world's issues, consistently. I wanted to be an MEP [Member of European Parliament], that was my dream."

Despite its global outlook, Corporation P.O.P. is an album that takes root in Manchester and Salford, exemplified by the band's decision to shoot all of their videos in their hometown. "Newt Gingrich, who was a U.S. politician, once said, 'All politics is local,'" says Han. "I'm trying to look local and be involved locally so I can affect my world. This is how I survive, because the world can feel overwhelming."

"Manchester is the best f'in city in the world," she continues, getting somewhat emotional, having recently u-turned from a permanent move to L.A. when Manchester came calling back to her. "We started this band in Manchester, it's intrinsic to me and who I am. It has to bleed into the art we create, because it helped me create it."

Produced by the band's own Jim Shaw, with Zach Jones and KJ Strock, you can sense Hot Milk's killer instinct throughout the record, a result of the intensive writing process and recorded as live album, it offers the band at their heaviest with their raw, unapologetic lyrics which brim with unfiltered emotion.  

Snapshotting the gloom of the present and unloading very real fears for the future, the sentiment behind Corporation P.O.P. might feel locked inside a time capsule. But fast forward two decades, and time will surely prove why this record carries the hallmarks of something timeless.

PRE-ORDER THE RECORD

The album will be available as Color LP, Band Store Exclusive LP, and CD.

Hot Milk have also announced a series of dates across the UK and U.S. this Spring and Summer.

U.S. SPRING TOUR:
4/16 — Charlotte, NC — The Underground
4/17 — Atlanta, GA — Terminal West
4/18 — Orlando, FL — The Beacham
4/19 — Fort Lauderdale, FL — Culture Room
4/22 — Baltimore, MD — Baltimore Soundstage
4/23 — Philadelphia, PA — Union Transfer
4/25 — Hartford, CT — The Webster
4/26 — Boston, MA — Paradise Rock Club
4/27 — New York, NY — Gramercy Theatre
4/29 — Richmond, VA — The Canal Club 
5/1 — Detroit, MI — Saint Andrew's Hall
5/2 — Millvale, PA — Mr. Smalls Theatre, Funhouse & Cafe
5/3 — Cleveland, OH — The Roxy
5/4 — Toronto, ON — Lee's Palace
5/6 — Chicago, IL — Concord Music Hall 
5/7 — Minneapolis, MN — Fine Line
5/9 — Lawrence, KS — The Bottleneck
5/10 — Denver, CO — Summit Music Hall
5/11 — Salt Lake City, UT — Soundwell
5/13 — Seattle, WA — El Corazon
5/14 — Portland, OR — Star Theater
5/16 — Sacramento, CA — Goldfield Trading Post
5/17 — Los Angeles, CA — Echoplex
5/18 — Phoenix, AZ — Ben's Bells Project / Phoenix Studio
5/20 — Dallas, TX — Trees
7/26 & 7/27 — Long Beach, CA — Warped Tour 2025
9/19 — Lousiville, KY — Louder Than Life Festival
10/2 — Sacramento, CA — Aftershock Festival

ABOUT HOT MILK:
HOT MILK have blossomed over the course of three self-produced EPs and a Top 40 album. This constant stream of releases has meant that Hot Milk were never away from the spotlight — or the stages they call home. Their rise has taken them to stadium support slots with Foo Fighters,  Blink-182, Green Day, Limp Bizkit, Pale Waves, and more. They have graced the main stages of the best festivals in Europe, America, South America, and Australia. An appearance on Jimmy Kimmel in the U.S., BBC Radio 1 playlists, covers of UK media, and their own headline sold-out tours, to over 120 million streams to date. The band also released a documentary, Kaleidoscope Of The Abyss, in Summer 2024.

Watch the video for the previous single "90 Seconds to Midnight" here.

Eric Church Brings 'Evangeline vs. The Machine' to Red Rocks for Three Unique Shows This July

With his new album Evangeline vs. The Machine arriving May 2, Stereogum’s “greatest working rock star” Eric Church returns to the iconic Red Rocks Amphitheatre for a special three-night run of distinct performances July 14-16, curating a unique, immersive experience for each show:
 
July 14: Eric Church vs. The Machine – a full-scale production featuring his band joined by a dynamic ensemble of strings, horns and choir combining to deliver an epic, must-see set.
 
July 15: Eric Church vs. The ECB – a raw, high-energy set with his original band, including longtime collaborator Joanna Cotten.
 
July 16: Eric Church vs. The Guitar – a stripped-down, intimate evening with Church alone on stage, delivering an acoustic performance like only he can.
 
Church’s history at Red Rocks is one of legend. He made his debut in August 2007 and his August 2016 performance at the venue was captured for a PBS special, highlighted by his hauntingly beautiful cover of Leonard Cohen’s “Hallelujah.” A roughly once-a-decade experience, this return to Red Rocks marks his first performance at the venue since that show.
 
Tickets for this special three-night event will be available to Church Choir members on Monday, April 7, before opening to the general public on Friday, April 11. Become a Church Choir member here. Supporting Church across all three nights is Stephen Wilson Jr. and a limited number of three-day tickets are available for fans eager to see the full trio of shows.
 
With these one-off shows on the horizon to celebrate new album Evangeline vs. The Machine, lead single “Hands Of Time” is already impressing, having set a new personal record en route to becoming most added at Country radio last week with 135 first-week stations and earning immediate praise from fans and critics alike. Stereogum lauded the “juicy, fired-up Southern rocker about living in a world that increasingly makes no sense to you;” Rolling Stone celebrated the “nostalgic jukebox, full of allusions to songs and artists that were essential to Church’s career: Bob Seger and ‘Hollywood Nights,’ Tom Petty and ‘Even the Losers,’ AC/DC’s ‘Back in Black,’ and Willie and Waylon’s ‘Luckenbach, Texas,’ among them;” and Billboard honored the way “the song builds into a punchy, rock-fueled anthem as Church sings of turning to simple pleasures – particularly music – to fend off the impact of the passing decades.”
 
Among the other songs featured on the forthcoming Jay Joyce-produced album is “Darkest Hour,” released ahead of the project to support relief efforts following the devastation caused by Hurricane Helene in September 2024, with all of Church’s publishing royalties donated to provide ongoing funds in support of a more resilient future for his home state of North Carolina. “That song had the chance to change things—it already has,” Church reflects. “The greatest concert I’ve ever played was the Concert for Carolina – that’s the greatest thing I’ve been involved with. This song played a big part of that night and is a rallying cry for the people there that still need a lot of help. As a person who writes and performs a song, seeing it truly impact people’s lives is the greatest thing you can hope to accomplish.”
 
Also included is “Johnny,” a soul-stirring reinterpretation inspired by “The Devil Went Down to Georgia” and the Covenant School tragedy, which Church has previewed in limited settings at both his Chief's To Beat The Devil residency and the recent Country Radio Seminar, leaving audiences in awe. “About a year ago, we had a shooting here in Nashville at the Covenant School,” he explained when introducing the song during CRS. “Where my kids go to school, my two boys, is about a mile from that school. I will tell you something, the hardest thing I’ve ever done in my life – parent or otherwise – is dropping them off at that school the day after the shooting and watching them walk inside. I sat in the parking lot for a long time, and as fate would have it, as I was pulling out, Charlie Daniels was playing, ‘The Devil Went Down to Georgia.’ I remember thinking, man, we could use Johnny right now, because the Devil’s not in Georgia, he’s everywhere. I went home and wrote ‘Johnny’.”
 
For more information, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and Instagram@ericchurchmusic.
 

About Eric Church
A seven-time ACM Award winner, four-time CMA Award winner (including the 2020 award for Entertainer of the Year) and 10-time GRAMMY nominee – including three nods for Best Country Album, Eric Church has amassed a passionate fan base around his critically acclaimed catalog of music. Church’s October 2024 release, “Darkest Hour,” saw the superstar signing over all of his publishing royalties to the people of North Carolina to deliver immediate relief following the devastation of Hurricane Helene while also providing ongoing funds to support a more resilient future for his home state. The song is featured alongside current single “Hands Of Time” on his forthcoming album, Evangeline vs. The Machine arriving May 2, marking his first new music since 2021’s Heart & Soul triple album (“Stick That In Your Country Song,” “Hell Of A View”). That project followed prior releases including RIAA Gold-certified Desperate Man (“Some Of It,” “Desperate Man”), Platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”), Double-Platinum certified The Outsiders (“Like a Wrecking Ball,” “Talladega”) and 4x Platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 32 Gold, Platinum and multi-Platinum certified songs. Church is also a minority owner of the Charlotte Hornets, a co-owner of the iconic Field & Stream brand, has his own SiriusXM music channel, “Eric Church Outsiders Radio,” his own liquor offering, Whiskey JYPSI, and recently opened Chief’s, a six-story venue on Nashville’s famed lower Broadway.

ALBUM RELEASE: Thornhill Unleash New Album 'BODIES'; Drop Visualizer for "Under The Knife"

The wait is over, and today an astonishing new era for Melbourne's Thornhill has arrived via their brand new studio album BODIES, out now via UNFD. Accompanying the album is the release of visualizer for under the knife. Stream BODIES here and watch the visualizer below.

A dauntless pastiche of creative freedom and ingenuity, BODIES finds Thornhill in full flight, with its 11 tracks layered with authenticity and electrifying execution, cementing the group's status yet again as one of Australia's most engaging heavy acts.

Opening with percolating bounce via DIESELBODIES thrives with caustic urgency (Revolver), swooning melodics soaked in oscillating chaos and clarity (Silver Swarm), serene reprieves (fall into the wind), grinding swagger (TONGUES) and mellow R&B flavours (CRUSH), offering an expansive and kaleidoscopic palette that circles upbeat buoyancy and crushing heaviness; a snapshot of Thornhill in their most assured form to date.

Coinciding with the release today of BODIESThornhill have also shared a visualizer for the album's haunting penultimate track under the knife. Providing context on the new track, the band share

"We wanted to convey an underlying fear of being unnoticed or forgotten, the notion of a silhouette falling between fingers conveys a message of fleeting moments—something that can be grasped but never fully held. Within the atmosphere of the instrumentation, a haunting exploration of love and lust, blends these two feelings into something more tragic, yet hopefully relatable. There's a delicate balance between submission ("underneath your knife") and resistance ("I don’t wanna know yet"), which creates a soft tension, a push/pull that moves with song dynamics."

In celebration of the new album, for the first time ever, Thornhill will headline stages across North America in Spring 2025. The tour is already shaping up to be a massive success, with their Los Angeles show on April 11th at The Echo officially sold out and several other dates on low ticket warnings two months out. Featuring AVOID, Ocean Grove, and Banks Arcade, this spectacular line-up is an unmissable event for fans of modern heavy music. Get tickets before they sell out HERE. The band also recently announced that they will be playing Louder Than Life Festival in Louisville, Kentucky on Friday, September 19th, 2025. For further info and to purchase tickets, head to louderthanlifefestival.com/

Commenting on their first ever US headline run, Thornhill shares: 

“We couldn’t be more excited to announce our very first North American headline tour! It’s something we’ve dreamed about for years, and now it’s finally happening. We’re bringing along some incredible friends—AVOID, Ocean Grove, and Banks Arcade—and trust us, this lineup is going to deliver a high-energy show from start to finish. We’re so gassed to bring the songs of our new album ‘Bodies’ to the stage.”

THORNHILL ‘BODIES’

North American Headline Tour 

with Special guests AVOID, Ocean Grove and Banks Arcade



- 04.11 – Los Angeles, CA – Echo 

- 04.12 – Mesa, AZ – The Underground 

- 04.15 – San Antonio, TX – Paper Tiger 

- 04.16 – Dallas, TX – RBC 

- 04.17 – Houston, TX – Secret Group 

- 04.19 – Tampa, FL – Crowbar 

- 04.20 – Orlando, FL – Abbey 

- 04.22 – Atlanta, GA – Masquerade (Purgatory) 

- 04.23 – Greensboro, NC – Hangar 1819 

- 04.24 – Baltimore, MD – Baltimore Soundstage 

- 04.25 – Asbury Park, NJ – House of Independents 

- 04.26 – Brooklyn, NY – Meadows 

- 04.27 – Worcester, MA – Palladium (Upstairs) 

- 04.29 – Montreal, QC – Fairmount Theater 

- 05.01 – Toronto, ON – Velvet Underground 

- 05.02 – Lakewood, OH – Mahalls 

- 05.03 – Detroit, MI – The Loving Touch 

- 05.04 – Chicago, IL – Bottom Lounge 

- 05.06 – Minneapolis, MN – Amsterdam 

- 05.07 – Kansas City, MO – RecordBar 

- 05.09 – Denver, CO – Marquis 

- 05.10 – Salt Lake City, UT – Urban 

- 05.12 – Seattle, WA – El Corazon 

- 05.13 – Portland, OR – Hawthorne Theater 

- 05.15 – Sacramento, CA – Goldfields 

- 05.16 – Anaheim, CA – Chain Reaction 

ABOUT THORNHILL

Eternal purveyors of artful and engaging heavy creations, Thornhill possess a flair for nuanced rock beyond their influences. Via their ARIA Award-nominated 2022 album Heroine, Thornhill solidified a steadfast reputation as one of the most innovative and immersive heavy acts in the Australian scene, with Heroine debuting at #3 on the ARIA Albums charts, and at #1 on the Australian Albums charts.

Thornhill have amassed a heaving array of accolades over the years, including triple j's Feature Album and additions to countless Best Of The Year listings for their 2019 release The Dark Pool. And in 2023 and 2024, the band gifted some insatiable new material courtesy of standalone singles "Viper Room" and "Obsession", as well as a live album, Live On Tour!, boasting performances captured in the wild across the globe that released in June.

Thornhill kicked off 2024 supporting Silent Planet on extensive North American run, before joining Aussie heavies Polaris on tour in the UK and Europe, appearing at Impericon Festival alongside As I Lay Dying, August Burns Red and While She Sleeps, and touring North America supporting Northlane. Thornhill joined Fear Factory, Thy Art Is Murder, Hands Like Houses and many more performing at last year's Froth & Fury Fest in Adelaide, ending the year with a huge headlining a huge run across the UK and Europe.

The band have released three previous singles from their new album BODIES - "TONGUES" which featured swirling melodies, gut-punching heaviness, and deeply evocative lyricism, “Silver Swarm” which explored the chaotic manipulation and push-pull of toxic relationships, while “nerv.” fused haunting electronics with nu-metal fury, earning the band widespread acclaim, a Spotify cover feature on The Core playlist, and adds to Kickass Metal and All New Metal playlists. Together, the singles have racked up 5 million Spotify streams and 642,000 YouTube views.

Now, armed with their most ambitious and thrilling work to date and ready to lay waste to stages across the US on their immient BODIESheadline tour, Thornhill continue their quest to reinvent heavy music with the release of 'BODIES'. Speaking on their upcoming release, the band share

“‘BODIES’ marks a bold evolution in our ever-developing sound. ‘Heroine’ was defined by its meticulously crafted and tightly woven concept, but the weight of this careful construction sometimes overshadowed the energy of the music itself, leaving some listeners feeling disconnected. With ‘BODIES,’ we’ve embraced a more immediate, unfiltered approach that feels like a lightning bolt, looking to capture the energy of ‘Thornhill right now.’

The album thrives on spontaneity and freedom, foregoing rigid concepts in favour of pure, in-your-face authenticity. It’s less about delivering a carefully constructed narrative and more about creating a visceral, open-ended experience. ‘BODIES’ serves as a sonic moodboard—a collection of feelings and vibes—intentionally left open to interpretation. It has an upbeat and almost celebratory, party energy at times, but also retains all the emotion and intensity Thornhill are known for, making it our heaviest and most explosive work to date.

With ‘BODIES,’ we invite listeners to connect on their own terms. It’s raw, personal, and unapologetically immediate—a record that thrives in the moment, capturing our band at our most authentic and free.”

BENEDICTION - Release Lyric Video For 'A Carrion Harvest' + "Ravage Of Empires" Album Out Now + EU Tour Starts Today!

Today, British death metal legends, BENEDICTION, are celebrating the release of their highly anticipated new album Ravage Of Empires, not only with the coinciding release of a lyric video for the album's devastating opening track 'A Carrion Harvest', but also by kicking off their European tour with guests Junge Rot & Master tonight in Hamburg.

"Brace for impact, or be blown away" - these lines from the chorus of fast-paced ripper 'A Carrion Harvest' can be regarded as a condensed instruction manual for Ravage Of Empires. The album's opening track sets the stage for a demonstration of pure old-school death metal power in eleven chapters by one of the genre's pioneers, and its torch bearers to this day and age.

You can watch the lyric video for 'A Carrion Harvest' below or stream Ravage Of Empires in full at a service of your choice.

PURCHASE / STREAM RAVAGE OF EMPIRES:
https://benediction.bfan.link/ravage-of-empires

WATCH THE LYRIC VIDEO FOR 'A CARRION HARVEST' Below:

ABOUT BENEDICTION

“Sometimes They Come Back” is not just the title of a horror movie based on a macabre tale by Stephen King, it is also a summary of what happened to UK death metal veterans BENEDICTION, yet you might like to add a “better than ever before”. While never officially disbanded, 2020’s Scriptures, the group’s eighth studio album achieved what is usually not an easy feat. It connected well with classics like Transcend the Rubicon (1993) and its immediate and memorable songwriting, the heavy-as-a-brick Grind Bastard (1998), and also saw legendary vocalist Dave Ingram return with his merciless roar and knack for morbid, twisted lyrics. After two albums with Dave Hunt on vocals, Scriptures was BENEDICTION’s first record in over a decade impressing with aggressive up-tempo attacks like ‘Iterations of I’ and ‘Rabid Carnality’ or the neck-breaking mid-tempo barrage of ‘Stormcrow’, songs that became live staples alongside ‘evergreens’ such as ‘I Bow to None’, ‘Magnificat’, ‘Subconscious Terror’ or ‘Vision in the Shroud’ in no time. With Scriptures, BENEDICTION even almost cracked Germany’s top ten by entering at a phenomenal #11 of the Official German Charts showing that the death metal veterans founded 1989 in Birmingham, England, offered an extremely well received sonic catharsis when due to the pandemic, people were locked down and pissed off.

With their brilliant new record Ravage Of Empires in tow, founding members and guitarists Darren Brookes and Peter Rew, longtime vocalist Dave Ingram, drummer Giovanni Durst, and Nik Sampson (bass) will travel far and wide once more. Already confirmed are the Tales of the Triple Death Tour with Jungle Rot and Master kicking off on album release date as well as confirmed appearances at Wacken Open Air and Maryland Deathfest. More to be announced soon!

Catch BENEDICTION live on their European release tour in April 2025 with guests Jungle Rot and Master. All confirmed live dates below.

TALES OF THE TRIPLE DEATH...
BENEDICTION
W/ JUNGLE ROT & MASTER

04.04.25    DE    Hamburg  Kultur Palast 
05.04.25    DE    Bad Oeynhausen. Druckerei 
06.04.25    NL    Sittard. Volt 
07.04.25    BE    Kortrijk. DVG 
08.04.25    LU    Esch-Belval. Rockhal 
09.04.25    DE    Mannheim. 7er Club 
10.04.25    DE    Obertraubling. Event Hall Airport 
11.04.25    DE    Geiselwind. Eventzentrum Strohofer 
12.04.25    AT    Salzburg. Rockhouse 
13.04.25    DE    Jena. F-Haus 
15.04.25    DE    Berlin. Lido 
16.04.25    DE    Essen. Turock 
17.04.25    CH    Aarau. KIFF 

TICKETS HERE: https://www.we-live.agency/shows 

More confirmed dates for 2025:
21.05.25   US    Brooklyn, NY. The Meadows 
22.05.25   US    Baltimore, MD. Maryland Deathfest
21.06.25   PT    Beja. Nada Fest 
25.06.25   CZ    Spalene Porici. Basinfirefest 
26.-27.07.25   ES    Cangas De Morrazo. Kanekas Metalfest 
30.07-02.08.25   DE    Wacken. Wacken Festival 
01.08.25   DE    Loebnitz. Full Rewind Fest

Larry Fleet's Ode "A Lotta Women" Out Now

Country hitmaker Larry Fleet may be a self-proclaimed rollin’, ramblin’ and gamblin’ man, however behind it all is the woman who keeps him steady—his wife. Built from grit and grace, her unshakable loyalty shines as the inspiration behind Fleet’s newest release, “A Lotta Women.” Listen Below.

Fleet’s release arrives as his headlining Hard Work & Holy Water Tour spans the United States with sold-out shows featuring Kentucky-rooted Everette on select dates. Showcasing his dynamic vocals and an ace band, he also brings the tour to Europe in August.

Written by Fleet, James McNair and Jake Mitchell, “A Lotta Women” offers a unique perspective on relationships as a touring artist.
 
“There’s not a lotta women that put up with this kind of life, especially with everything that entails: being gone all of the time and traveling,” Fleet shares. “I’ve got me one of those women that sticks around through it all and gives me the opportunity to pursue this dream. And that’s true for a lot of us workin’ folks.”
 
A lotta women woulda washed their hands of a man like me
Changed the locks
Pawned the rock
I’d be forgotten but not forgiven
 
“It’s a different side of me,” Fleet continues. “It’s a little more rock with a cool vibe to it and I dig what our producer Trent Willman did to this arrangement. Hope y’all enjoy.”
 
The release follows Fleet’s “Hard Work & Holy Water,” which reflects Fleet's background in pouring concrete by day and playing in local bars by night, encapsulating the work ethic that’s helped the troubadour transition into the independent artist he is today.
 
As Billboard observes, “with a style that delves into blues, rock and retro-country with ease,” Fleet’s years of hard work are paying off. 
 
Whether writing about his days working construction (“Earned It” and “Working Man”) or balancing his life present-day (“Things I Take For Granted” and “Muddy Water”), you leave Fleet’s 20-plus song headlining sets with a deeper sense of gratitude and optimism he’s proud to impart. 
 
For more information, visit LarryFleet.com.

See Larry Fleet Live: 
April 3, 2025 || Pensacola, FL || Vinyl Music Hall*
April 4, 2025 || Bossier City, LA || Margaritaville Resort Casino-Paradise Theatre
April 10, 2025 || Asheville, NC || The Orange Peel*
April 11, 2025 || Charlotte, NC || The Fillmore*
April 12, 2025 || North Myrtle Beach, SC || House of Blues*
April 17, 2025 || Orlando, FL || House of Blues*
April 19, 2025 || Charleston, SC || The Refinery *
April 24, 2025 || Columbus, OH || The Bluestone*
April 25, 2025 || Wyandotte, MI || District 142*
April 26, 2025 || Rosemont, IL || Joe’s Live*
May 1, 2025 || Binghamton, NY || Touch of Texas*
May 2, 2025 || Huntington, NY || The Paramount*
May 3, 2025 || New Haven, CT || Toad’s Place*
May 8, 2025 || Indianapolis, IN || Deluxe at Old National Centre*
May 9, 2025 || Pittsburgh, PA || Stage AE*
May 10, 2025 || Norfolk, VA || The NorVa*
May 15, 2025 || Pelham, TN || The Caverns*
May 16, 2025 || Pelham, TN || The Caverns*
May 17, 2025 || Sevierville, TN || Blooming BBQ Music & Food Festival
June 12, 2025 || Morgantown, WV || Hazel Ruby McQuain Park
June 13, 2025 || Clanton, AL || Peach Jam Jubilee
June 19, 2025 || Ashvland, VA || Hanover Vegtable Farm
June 20, 2025 || Baltimore, MD || Power Plant Live!
June 21, 2025 || Wildwood, NJ || Barefoot Country Music Fest
June 26, 2025 || South Greenfield, MO || Baker-Spain Stampede
July 4, 2025 || Madison, IN || Roostertail Music Festival
July 18, 2025 || Twin Lakes, WI || Country Thunder Wisconsin
July 19, 2025 || Franklin, OH || JD Legends
July 26, 2025 || Winston Salem, NC || Lawrence Joel Veterans Memorial Coliseum
Aug. 20, 2025 || Glasgow, UK || SWG3^
Aug. 22, 2025 || Camden, UK || Electric Ballroom^
Aug. 23, 2025 || Bottesford, UK || The Long Road Festival^
Aug. 26, 2025 || Belfast, UK || Limelight 1^
Aug. 28, 2025 || Dublin, Ire. || The Academy, Middle Abbey Street^
Aug. 30, 2025 || Den Haag, Netherlands || Once In A Blue Moon Festival^
Sept. 13, 2025 || Burnsville, MN || Buck Concert Series
Oct. 5, 2025 || Winnsboro, SC || Field & Stream Festival
 
* With Special Guest Everette
^ International Tour Dates

ABOUT LARRY FLEET
Tennessee-born troubadour Larry Fleet grew up on a stack of records spanning Merle Haggard, Otis Redding, Willie Nelson, and Marvin Gaye. A thoughtful songwriter with a knack for a one-liner, an ear for a sturdy hook, and a powerhouse voice that strikes like a match, Fleet was working blue-collar jobs to make ends meet long before landing his recording contract with Big Loud Records. Seven years later and again working as an independent artist, the devout family man is turning heads among fans and critics as a songwriter (“Man Made A Bar” recorded by Morgan Wallen featuring Eric Church) alongside his own music, 2021's tribute to the music that raised him, Stack of Records, his aptly titled 2019 debut, Workin' Hard, 2023’s Earned It, featuring the single “Things I Take For Granted,” and his first latest, 2025’s independently-released “Hard Work & Holy Water.” Saving Country Music puts it simply: “If you're looking for the future of traditional country music, then look no further.” 

CONNECT WITH LARRY FLEET
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