After 24-year wait, THE VELDT opens time-capsule with the release of their Robin Guthrie-produced 'Illuminated 1989' album

"This album is not only a historical sonic document, but it’s a shimmering, charming, sensual and cinematic body of remarkable psychedelic rock that resembles nothing currently in the music sphere" ~ Spill Magazine


US alternative rock / postpunk outfit 
The Veldt release their 'Illuminated 1989' album on November 24 via Portland-based Little Cloud Records and North Carolina’s 5BC Records. This is the original 1989 full-length record produced by Cocteau Twins' Robin Guthrie, previewed by the latest offering 'Angel Heart', the lead track 'The Everlasting Gobstopper', and the single 'Aurora Borealis' (with Elizabeth Fraser making a cameo appearance on backing vocals), plus a B-side remix, created by The Veldt. 

Guthrie
also remastered the album for vinyl earlier this year. While originally intended to be the band's first album, their label Capitol Records shelved the recording and sent them back into the studio with producer Lincoln Fong (Moose), resulting in their first album released with the title 'Marigolds'.

One of the most notable first-wave shoegaze bands, formed in North Carolina in the 1980s, The Veldt revolves around identical twins Daniel Chavis (vocals, guitar) and Danny Chavis (guitar). Their unique sound was influenced by Cocteau Twins as readily as Marvin Gaye and free-jazz warriors Sun Ra and Pharaoh Sanders. Referencing European post-punk while embracing modern hip-hop, these trailblazers work with transient dreamscapes as fluidly as solid song structures.
 
Pitchfork included The Veldt's album
 'Afrodisiac', produced by the legendary Ray Shulman (The Sundays, Bjork, The Sugarcubes) and released via Mercury Records, in the top 50 shoegaze albums ever released, while Stereogum included ‘Until You’re Forever’ in the top 31 shoegaze tracks. Their sound also inspired future generations of alternative artists, including TV On the Radio.

The Veldt's journey is fascinating. Performing since they were children, the Chavis brothers’ musical roots lead back to the church and southern juke-joints, and listening to music that included gospel, Motown and Pink Floyd. The Veldt formed in the late 80’s in Raleigh amongst the legendary North Carolina music scene of the time, initially signing with Mammoth Records - leading to a chain of major-label relationships that took the group across Europe and the U.S. playing shows with the likes of Throwing Muses, Pixies, Cocteau Twins and Jesus & Mary Chain.

After moving from Raleigh to New York, they briefly performed as Apollo Heights before returning to their original name The Veldt. Joined by Japanese bassist-programmer Hayato Nakao, they together forging music that is a heady and sensual blend of shoegaze and progressive soul, dreamy soundscapes and infectious grooves. Some of the band's recent notable releases include 
'The Shocking Fuzz Of Your Electric Fur' EP (2017) and the album 'Entropy is the Mainline to God' (2022).
 
Over the years, The Veldt has collaborated with TV On The Radio, Mos Def, Lady Miss Kier (Deee-Lite), A.R.Kane and toured or played with Brian Jonestown Massacre, The Pixies, Throwing Muses, Echo & The Bunnymen, Cocteau Twins, Manic Street Preachers, Phantogram, Modern English, The Jesus and Mary Chain, Oasis, Chuck D, Living Colour and Schooly D.

On November 24, the 'Illuminated 1989' album will be released digitally via Portland-based
Little Cloud Records and 5BC Records, and available from fine music platforms, including Apple Music, Spotify and Bandcamp.  The Veldt is currently touring the USA and will be joined by TREMOURS throughout December, culminating in a performance at Seattle's KEXP. The album will be released on vinyl on December 15.

CREDITS
‘Illuminated 1989’ released via Little Cloud Records and 5BC Records
Danny Chavis - guitar
Daniel Chavis - vocals, guitar, lyrics
Marvin Levi - drums
Joseph Hue Boyle - bass
Elizabeth Fraser - additional vocals
Robin Guthrie - programming, additional guitars
Lincoln Fong - programming
Written by Danny and Daniel Chavis
Recorded and produced at September Sound by Robin Guthrie
Publicity by
Shameless Promotion PR 

TOUR DATES
MON 11/27 = Atlanta, GA @ 529
TUE 11/28 = Birmingham, AL @ TBA
WED 11/29 = New Orleans, LA @ Gasa Gasa
THU 11/30 = Houston, TX @ 1810 Ojeman
FRI 12/1 = Austin, TX @ Hotel Vegas
SAT 12/2 = Silver City, NM @ Whiskey Creek Zocalo w/ Tremours
SUN 12/3 = Phoenix, AZ @ Linger Longer Lounge w/ Tremours
MON 12/4 = San Diego, CA @ Soda Bar w/ Tremours
TUE 12/5 = Los Angeles, CA @ Gold Diggers w/ Tremours
WED 12/6 = San Francisco, CA @ Kilowatt w/ Tremours
THU 12/7 = Portland, OR @ Show Bar w/ Tremours
FRI 12/8 = Seattle, WA @ the Central Saloon (TremoloFest) w/ Tremours
SAT 12/9 = Vancouver, BC @ TBA
SUN 12/10 = Bellingham, WA @ The Shakedown w/ Tremours)
MON 12/11 = Eugene, OR @ Old Nick’s w/ Tremours
TUE 12/12 = Olympia, WA @ Le Voyeur w/ Tremours
WED 12/13 = Tacoma, WA @ TBA
THU 12/14 = Seattle, WA @ KEXP


Keep up with The Veldt
Bandcamp | Facebook | Twitter | YouTube | Instagram | Apple Music | Spotify | BandsInTown | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

London's SABATTA present rock of ages on new 'How To Get Even' album, plus high octane video for 'Get Over Yourself'

"An unholy amalgamation of sounds... Refusing to obey genre lines, they eventually realised that their misfit sound was what defined them – and they didn't want to fit in anyway" ~ Clash Magazine

"Charismatic and wild, frontman Yinka Oyewole leads the band through psychedelia, grunge punk and funk with some great shredding and even falsetto heights.... Sabatta drives a blaze of fiery, magnetic vocals, funked-out bass and thrashing guitar" ~ The Spill Magazine

"Exhibiting a style that can be closely linked to punk legends Bad Brains and Dead Kennedys... uncompromising modern punk rock music" ~ Fortitude Magazine

"The grit and the glory of ‘Get Over Yourself’ is a powerful calling card for the album... You can hear the London concrete embedded in their sound and it is brutalist and compelling"  ~ Joyzine


London-based alternative-psychedelic rock artist
Sabatta presents the new album 'How To Get Even’ via Blackfriars Entertainment), arriving after the trail blazed by two memorable funkadelic groove-laden singles - 'Get Over Yourself', an ode to the obliviously self-important, and ''Get Your Shit Together', a wakeup call to the masses. Here, listeners can experience multiple shades of a very particular hue.
 
From the opening drum rolls of the album’s first track 'Something' to the lilting final notes of album closer 'Small VIctories', 'How To Get Even' is a bit like sitting in a South London dive bar with singer/guitarist , setting the world to rights until the sun comes up.  The chorus of the opener defiantly announces ‘I can’t be something you want that I know I’m not!’, a sentiment that runs throughout the album, explored against the backdrop of a raw, spiky guitar sound and inimitable voice.

Revolving around guitarist and songwriter Yinka Oyewole, who was raised in Essex and is of Nigerian lineage, Sabatta crafts a raw and individual sound with spiky guitar and an inimitable voice, like a mix of Hendrix, QOTSA and early Red Hot Chili Peppers, strained through the sieve of South London. It's no wonder with musical influences ranging from Curtis Mayfield, Prince, Tupac and Hendrix to Bad Brains, Thin Lizzy, Parliament / Funkadelic and Black Sabbath.

Produced and mixed by Oyewole, this album was recorded by Alex Franklinos at
Shrunken Heads Studio (King Krule, Ghostpoet, Songdog, Domino Records)and mastered at London's EC Mastering (Sony, Universal, BBC).

"‘My voice I was born with, but when it comes to guitar I wanted my own tone. I can’t expose the recipe BUT when I play you definitely know it’s me," says Yinka Oyewole.

"While songs like 'To Love Me Is To Know Me', 'Not Today' and the title track 'How To Get Even' show a defiant and indomitable spirit, 'Plugged In' and 'Here I Go Again' respectively celebrate the importance of living in the moment and finding new love. Back-to-back tracks 'Blood, Sweat and Tears' and 'Get Over Yourself' are almost like a yin and yang to each other, the former acknowledging struggle and the latter warning not to take it all too personal. 'Get Your Shit Together' is a mantra we all need to hear sometimes, while 'One Chance’ is a deeper, darker tale of survival. 'Take You There' is an extraterrestrial blues riff fest, a 2-minute instrumental cosmic slop with furious guitar antics".

Yinka Oyewole began making noise with Sabatta's debut album 
'Middle Of the Night' in 2015, their sound compared to Hendrix and QOTSA, but with an edge like Bad Brains and The Clash, the album’s lead single 'Politician' garnered national play on BBC 6 Music, setting the band off touring nationally.

As of November 17, the ‘How To Get Even' album is available from all fine digital music platforms, including
Spotify, Apple Music and Bandcamp, with a CD release anticipated later this winter.

CREDITS
Music & lyrics by Yinka Oyewole
Recorded by Alex Franklinos at Shrunken Heads Studio, London
Produced & mixed by Yinka Oyewole for Blackfriars Entertainment
Mastered by Aaron McIntosh at EC Mastering, London
Yinka Oyewole - guitar, vocals, bass
Adam Frederick Jacques - drums
Cover artwork by Tilt Designs
Artist photography by Marisa Knight
'Get Over Yourself' video shot & directed by Rodney Victor Williams
Co-directed by Yinka Oyewole
Edited by Alan Schaaf for Otter Studios  
Filmed on location in Borough, South-East London
Aaron Scars - bass (video)
Sebastian Fernandez - drums (video)
Location manager - Art Terry

EXTREME Announce Tour + Share "THICKER THAN BLOOD" Video

Boston's EXTREME will return to the UK and Europe to spark a new revolution that will take over stages from London to Milan and all points in-between. Non-stop touring behind their rapturously received new album SIX has already seen the band crisscross the U.S., as well as thrill audiences in Australia and Japan.

To set off this next leg of their journey and prepare fans for the Extreme live experience, the band shared a new video for "THICKER THAN BLOOD," filmed from a unique perspective.

"With the 'Thicker Than Blood' video, we wanted to shoot a video that celebrates the fifth and most important member of the band — our fans," video co-director and Extreme guitarist Nuno Bettencourt explains. "So we shot it from the fan's point of view."

Watch the video
below.

Globe-spanning footage from California, Australia, and Japan shows just how intense the connection between band and fans can get in the live arena.

"No matter how great a band believes they are, you cannot achieve your dreams of touring the world and doing what you love most, performing, without your fans. It's the most important relationship in our career," Betterncourt continues. 

With Living Colour supporting in the UK and many dates along the way already sold out, the excitement and anticipation for Extreme's return to these shores is electric... and "Thicker Than Blood" is high-wire proof of what the fuss is all about.

SIX is out now, stream it HERE.

Find U.S. tour dates here and below.

TRIUMPH OF DEATH PROUDLY ANNOUNCE THEIR NEW VIDEO ‘MESSIAH’ AND DEBUT ALBUM ‘RESURRECTION OF THE FLESH’ OUT NOW

Hellhammer's "Messiah" marks the earliest collaboration between the band's founder, Tom Gabriel Warrior, and his then new friend (and future Hellhammer bassist) Martin Eric Ain, in late 1983. While Warrior wrote the music, Ain and Warrior co-wrote the lyrics. The song reflects a generation's perennial foreboding of an impending terminal nuclear escalation in West Europe during the Cold War. Which, remarkably, makes it as topical today as it was when it was first created.

Triumph Of Death's performance of "Messiah" is taken from the group's "Resurrection Of The Flesh" live album, and the accompanying video clip was filmed during the group's concert at Dark Easter Metal Meeting in Munich, Germany, in April of 2023.

Triumph Of Death’s debut live release Resurrection Of The Flesh has been receiving glowing reviews in the press and is being heralded as a masterpiece of extreme metal history already.

“A sustained blizzard of riff-driven ugliness, unholy uproar and otherworldly menace, "Resurrection Of The Flesh" is a monstrous, exhilarating gift from Tom G. Warrior to the astute hordes that hang on his every embittered word and deed. It's loud, proud, punk as fuck and, even after 40 years, still considerably more dangerous than 99% of everything else that's going on in metal today. This magnificent abomination endures." – Blabbermouth 8.5/10

“Resurrection Of The Flesh is surely the most artistically satisfying and eventful live album in recent memory” – Metal Hammer UK 8/10

“I want to say thank you for this piece of metal history…this album is already as timeless as its originals” – Moshpit Passion 10/10

“Without a doubt, it is one of the best live albums in a long time and a must-release in any metal fan’s collection.” – Mariskal Rock 10/10

Order the album here:
https://triumphofdeath.lnk.to/rotfPR

Triumph Of Death
Tom Gabriel Warrior - voice/guitar
André Mathieu - guitar/vocals
Jamie Lee Cussigh - bass
Tim Iso Wey – drums

Resurrection Of The Flesh is available as:

  • Deluxe CD mediabook

  • Double gatefold LP w/booklet and posters on black vinyl and B&W swirl (indie store exclusive)

  • Super deluxe double red vinyl LP bookpack with bonus 7” single plus posters and photo card

www.triumphofdeath.net

Nonpoint Release Highly Anticipated New EP "Heartless" and Unveils "Golden Gloves" Single !

Buy/Stream the Heartless EP at https://lnk.to/Nonpoint_Heartless

Nonpoint, the renowned American rock band, is proud to announce the release of their eagerly awaited new EP, Heartless, along with their latest single, "Golden Gloves" today, November 17th. As the fourth single from the Heartless EP, "Golden Gloves" promises to be a sonic masterpiece, giving listeners an enticing glimpse into the band's evolution and creative prowess.

"Golden Gloves" and the Heartless EP are available now for digital streaming and purchase. In a nod to the nostalgia of yesteryears, the EP is also available as a limited edition cassette, making it a must-have collectible for dedicated enthusiasts. Furthermore, Nonpoint has gone the extra mile by including a custom-branded cassette player, with only 300 units ever produced, available exclusively on Nonpoint's official website, Nonpoint.com.

Nonpoint fans have more to celebrate as the band announced "The Million Watts Tour 2023."Joining them on this sensational tour are musical powerhouses (hed p.e.), Sumo Cyco, and Special Guest VRSTY. The tour is scheduled to kick off on December 1st in Harrisburg, PA, at HMAC on Herr. This tour promises to be an unforgettable experience, bringing together diverse musical influences and unmatched energy.

Tickets available at https://nonpointstore.com/pages/tour-dates

Nonpoint's latest offerings, Heartless and "Golden Gloves," are a testament to the band's relentless pursuit of musical excellence and their commitment to delivering authentic, powerful performances. With a track record of captivating audiences worldwide, Nonpoint continues to be a force to be reckoned with in the rock music scene.

2023 The Million Watts Tour Dates:

12/1 Harrisburg, PA @ HMAC on Herr SOLD OUT

12/2 Hartford, CT @ Webster Underground SOLD OUT

12/3 Hampton Beach, NH @ Wallys

12/5 Montreal, QC @ Foufounes

12/6 Toronto, ON @ Lees Palace

12/8 Green Bay, WI @ Epic Event Center

12/9 Belvidere, IL @ The Apollo Theatre

12/10 Chicago, IL @ Bottom Lounge

12/12 Louisville, KY @ Mercury Ballroom

12/14 Angola, IN @ Eclectic Room

12/15 Flint, MI @ Machine Shop SOLD OUT

12/16 Flint, MI @ Machine Shop SOLD OUT

Nonpoint Festival Dates 2024

4/25 Las Vegas, NV - Sick New World SOLD OUT

5/9-12 Daytona Beach, FL - Welcome to Rockville

6/6-9 Soperown, GA - Throwdown at the Campground

Tickets on sale at nonpoint.com

South Florida-based rock band Nonpoint, has been captivating audiences with their energetic sound and passionate performances for over two decades. Formed in 1997, the band has consistently pushed the boundaries of what modern rock can be, combining heavy metal, nu-metal, and hard rock into a unique and powerful musical force. Over the course of their 20-year career, Nonpoint has released several critically acclaimed albums and garnered a reputation as one of the most exciting live acts in the industry.

Throughout their career, Nonpoint has been celebrated for their signature sound and powerful lyrics, which often tackle social and political issues. Their hard-hitting sound and emotional live performances have earned them a dedicated fanbase, as well as recognition from the music industry. Nonpoint has received multiple award nominations and has been praised by publications such as Rolling Stone, Revolver, and Alternative Press.

In 2021, Nonpoint's song "Ruthless" reached #16 on Billboard’s Rock Chart, and was featured on the New Metal Tracks and Kickass Metal Playlist on Spotify with over 1.6 million combined subscribers, SiriusXM Octane’s Big Uns Countdown, LA Lloyd top 30, Loudwire Nights and "Ruthless" was the featured track for AEW’s nationally televised event BLOOD AND GUTS on TNT in May. Their single "Ruthless" has reached over 3.5 million streams.

Nonpoint is:
Elias Soriano (Lead Vocals)
Robb Rivera (Drums)
Rasheed Thomas (Guitar /Backing Vocals)
Adam Woloszyn (Bass)
Jason Zeilstra (Lead Guitar)

For More Information Please visit:

Official Website

Facebook

Twitter

Instagram

Nonpoint Store

361 Degrees Records

361 Degrees Records Facebook

Condemned Unleash Their New Album 'Daemonium' via Unique Leader Records

San Diego-based death metal quintet Condemned has unleashed their new album 'Daemonium'via Unique Leader Records. Leading up to today, the band shared their lead single "Sigil of Belial" and "Valac" which can be found on the new full-length. Condemned has also been newly added to Tidal's Creeping Death playlist. Stream 'Daemoinium'at the link here, and be sure to keep 'em peeled for more Condemned news coming soon.

Condemned is:

Art Paiz - Bass

Jimmy Montes - Drums

Steve Crow - Guitars

Clayton Meade - Vocals

Daniel Richardson - Guitars

GASKET Release "Dull the Needle" EP Via Blue Grape + Listen to "Bled Dry"

Baltimore quartet GASKET have released Dull the Needle, a seven song EP today, November 17, via Blue Grape Music. Get it here.

The band has also shared the visualizer for "Bled Dry." Watch + listen
below.

The band describes the EP as an "exhibition of vitality."

The EP clocks in at less than 10 minutes of run time but is a full length dose of ferocity and fury. 

Each song clocks in at under two minutes, efficiently making their points, leaving the listener gasping for air before mercilessly moving onto the next track. 

GASKET serve up a lethal and gnarly blend of crusty punk, old school hardcore, and straight up metal over the course of the EP.  Consider this your fair warning.

"GASKET are opening the door for the next generation of kids looking to take metal and hardcore to new places, and we at Blue Grape Music are proud to help the band propel heavy music culture to an ever widening global audience with the release of their first EP Dull the Needle," says Blue Grape president Dave Rath.

Photo credit: pocholo

Post Profit Release "Self Defeater" EP + Share "Two Toxic"

Newly signed SHARPTONE RECORDS band POST PROFIT — Matt Jackson [vocals, guitar], Nick Hawner [guitar +vocals], and Zach Hicks [drums + vocals] — released their six-song EP, Self Defeater, today, November 17, via SharpTone Records. Get it here.

The band has shared the visualizer for "Two Toxic." Watch + listen
below.

"With 'Two Toxic,' we wanted to do something different and show a more emotional side with what we call an 'anti' love song," the band says. "Lyrically, it touches on the feeling of being in love, but also highlights the negative effects that often come with it.  We put aggressive driving guitars and accents up against gentle delicate moments to resemble that push and pull effect."

The band continues, "We're excited for you all to hear this song and the rest of the EP Self Defeater in its fullness. We've poured our heart, soul, and emotion into it and we hope you enjoy listening to it as much as we did creating it for you. Thank you so much."

Fresh off a spate of dates supporting Nothing More and Dead Poet Society, Post Profit are currently wrapping up a co-headline tour with Silly Goose, with much more touring planned for 2024. All remaining dates with Silly Goose are below. Get tickets
here.

Stay tuned for much more from Post Profit in 2024.

POST PROFIT ON TOUR:
WITH SILLY GOOSE:

11/18 —  New Orleans, LA — Parish @ House of Blues
11/20 —  Nashville, TN — The End

ABOUT POST PROFIT
Some would say Post Profit have been waiting for this moment since the cradle, with each member being introduced to musical instruments between the ages of 2 to 6. 

Zach and Matt forged a friendship as toddlers ever since their moms became best friends from church in Longview, TX. Nick would later learn of Matt's vocal prowess through the high school intercom. "Matt's father was the high school principal," explains Nick. "And he'd have Matt on there in the mornings singing about refraining from drugs and alcohol and striving for good school attendance." 

Over the next few years, the trio would really get to know each other from attending and performing at local shows. Nick and Zach especially hit it off and quickly became inseparable, spending much of their time listening to music, eager to put their own band together. Meanwhile, Matt was sinking his teeth into a Dallas based metalcore band called Far From Earth.
 
During early 2017, Matt started hosting open jams every Sunday at a smoky East Texas dive bar and one night asked Zach to join on drums. Zach dragged his new friend Nick along on guitar and the trio quickly formed a strong musical bond. They would soon start slipping originals into their covers sets and after months of unrelenting practices and bar jams they booked their first show at a Halloween party in Tyler, TX.
 
With the experience of countless gigs across the South, Post Profit soon gained a reputation for their commanding and impactful live performance, including powerful 2021 and 2022 performances at Welcome To Rockville in Daytona, FL. Rallying around influences such as Deftones, Incubus, Failure, and Quicksand, the band refined their original songs and sound into what would become their 2022 debut self-produced album When You Think It's Right It's Always Wrong.  The release garnered over a million cumulative streams independently, and the success of their single "Smother" grabbed the attention of SharpTone Records, eventually landing them a deal.

CELESTE - Release Video For ‘Plisse Les Yeux Jusqu’au Sang’ + New EP "Epilogue(s)" Out Today!

French extreme metal avant-gardists CELESTE have released a video for the song 'Plisse les yeux jusqu’au sang' from their new EP, Epilogue(s), which is out today through Nuclear Blast Records. 

The EP features three exclusive bonus tracks from their most recent album, Assassine(s) (2022). Epilogue(s) beautifully concludes the transformative journey CELESTE embarked upon two years ago. Pushing the boundaries of heavy music once again, CELESTE delivers a sonic tapestry of stunning diversity, immersing listeners in a realm where ethereal melodies meet raw power. Prepare to be captivated as the band's artistic vision reaches its pinnacle, leaving an indelible mark on your musical soul.

And now embark on a spellbinding cinematic journey with the vdeo for 'Plisse les yeux jusqu’au sang', a song which sees CELESTE combine hauntingly melodic textures with probably their heaviest riffs to date.
                    
WATCH THE VIDEO FOR 'PLISSE LES YEUX JUSQU’AU SANG' Below:

PURCHASE OR LISTEN TO THE NEW EP EPILOGUE(S):
https://celeste.bfan.link/epilogue-s

MORE FROM EPILOGUE(S):

WATCH 'IL SE VIDE LENTEMENT' (OFFICIAL VIDEO):

https://youtu.be/XTWUnu4X9cI

WATCH 'WITH IDLE HANDS' (OFFICIAL VIDEO):
https://www.youtube.com/watch?v=5XZB0gK3Veg

About CELESTE:

Having played more than 500 shows around the world, including appearances at several prestigious extreme music festivals, theaters and venues (Hellfest, Roskilde, Copenhell, SummerBreeze, Brutal Assault, Roadburn, Psycho Las Vegas...), with one EP and six albums under their belt, CELESTE have succeeded in creating their own musical atmosphere and are today considered to be one of the most important bands of the "French Avant-Garde Black-Metal" scene.

For 15 years, this French metal band has crafted a hybrid sound that defies easy categorization but remains unmistakable. By skillfully blending elements of black metal, post-metal, and hardcore,
CELESTE has created a singular and immersive musical experience, characterized by its violence, oppressiveness, and darkness.

While
CELESTE is renowned for their musical prowess, their live shows are equally famous for their apocalyptic and suffocating experiences. Immersed in complete darkness and thick smoke, the audience relies on strobe flashes and the red beams of the musicians' headlamps for guidance.

"This band has become one of the defining groups of their generation. Cult favorites for a notoriously picky group of fans, it's easy to see why CELESTE are viewed as some of the best out there right now" METAL INJECTION

Revisit CELESTE's most recent album, ASSASSINE(S):
https://celeste.bfan.link/assassine-s

Credit: Xavier Metral

CELESTE is:
Johan Girardeau - Vocals & Bass
Guillaume Rieth - Guitar
Antoine Royer - Drums
Sébastien Ducotte - Guitar

BAY AREA THRASH LEGENDS, SADUS, RELEASE FIRST ALBUM IN 17 YEARS, THE SHADOW INSIDE

After nearly two decades, the wait is over! East Bay thrash metal legends SADUS have returned with a massively anticipated new album, The Shadow Inside, out now from Nuclear Blast Records. It’s been 17 long years since the release of their last full-length, Out For Blood (2006), and the band sounds just as viciously vital as the day they first lit up audiences almost 40 years ago!

Recorded with Juan Urteaga (EXODUS, TESTAMENT, MACHINE HEAD) at Trident Studios, The Shadow Inside is a merciless masterclass of thrash with blistering tracks like ‘Scorched And Burnt,’ ‘It’s The Sickness’ and ‘Ride The Knife,” that further cement the band’s metal legacy.

Today, SADUS aims attention towards another standout track, ‘Anarchy,’ which is accompanied by the brutal video below.

Commenting on the song, lead vocalist/guitarist Darren Travis states:

“In a world of confusion, people will rise to Anarchy.. there’s no turning back..!”

Stream/Purchase The Shadow Inside: https://bfan.link/tsisadus.ema  

‘Anarchy’ Music Video:

Featuring ominous artwork by accomplished artist Travis Smith (FLESHGOD APOCALPYSE, OPETH), The Shadow Inside, is a contemporary thrash classic with colossal, groove-laden riffs at break-neck rhythm and blistering solos. It’s the record fans have been waiting desperately for and one of the year’s most crucial metal albums.

Commenting on the record’s impending release, Darren Travis says:

“I am giddy with excitement for this album to be unleashed upon the world. With the help of the entire Nuclear Blast team, we will bestow a hugely anticipated release of The Shadow Inside!!  

THANK YOU for your interest in our little band for all these years. I hope you will find the same release of excitement that WE DO!! The love of METAL is the only reason for SADUS!! Thank you ALL for the undying SUPPORT!!!! Fucking SADUS!!”

About SADUS:

It has been sixteen long years since the monstrous sound of SADUS last bestowed a new record upon the world, but the time has finally arrived. This November, Nuclear Blast Records proudly presents the triumphant return of the unconquerable SADUS with their sixth full-length studio album, titled The Shadow Inside.

Adorned with the compelling artwork of Travis Smith, the album cover depicts an all-consuming demon of the cosmos fiercely enveloping a tortured soul beneath, perfectly encapsulating the vision and duality that the songs on this record deliver. Founder and drummer Jon Allen shares his excitement about working with Travis once again, reminiscing about their collaboration on Elements of Anger. He points out that several tracks on the new album, such as ‘The Devil In Me’ and ‘The Shadow Inside,’ revolve around the idea of an internal entity constantly pushing us. At times, one might find themselves at the edge of reason, attributing their actions to the shadow within, an external force they blame for their choices. While not a concept album per-se, every song deals with life decisions and the importance of taking responsibility for one's actions to unlock the best life has to offer. The track ‘The Shadow Inside’ boasts a heavier and slower tone, with a touch of classic, gut-wrenching grind, creating a fitting climax to the album.

A formidable darkness flows through tracks like ‘Anarchy’. Evidently influenced by the tumultuous post-Covid times of mass hysteria, looting, and general loss of control, the melody reflects this chaotic environment. Allen describes the track as “more straightforward and in-your-face, hitting listeners right in the gut. ”Despite the intensity, SADUS manages to retain their signature death/thrash blend, staying true to their old-school roots. The aggression remains palpable, allowing their music to speak for itself with raw, unapologetic power.

‘Scorched and Burnt’ follows suit, with its steady beat and chaotic vocals seamlessly intertwining with blistering guitar work. The track gradually transitions into an impassioned melody, igniting a fiery explosion as the song nears its conclusion. Although inspired by the literal wildfires that plagued California during its creation, ‘Scorched and Burnt’ delves deeper into the idea that individuals often feel like someone or something is constantly out to get them. Yet, in the end, the song urges unity, recognizing that every action, even in chaos, ripples through the lives of others.

The process of creating The Shadow Inside was unhurried and unencumbered by unnecessary roadblocks. SADUS allowed their creativity to flow naturally, collecting riffs and writing together in person.The band took their time, nurturing and developing their musical ideas until they evolved into the powerful tracks we hear today. Allen emphasizes that their drama-free and family-oriented approach to making music is one of the reasons their sound speaks so powerfully to their fans. Collaborating with Juan Urteaga of Trident Studios added another layer of refinement to the album, as his expertise in death metal played a vital role in shaping its overall sound.

All that being said, SADUS is not a band that simply stands apart from the crowd for the sake of being different. They stand tall, unswayed by mass hysteria and media influences, choosing to make their own decisions and encourage others to do the same. In a world filled with disinformation and false flags, they emphasize the importance of being smart, using common sense, thinking for ourselves, and remaining aware of our surroundings.

As November approaches, the anticipation for The Shadow Inside is sure to grow. With their uncompromising vision, SADUS continues to stand as a beacon of authenticity and integrity within the heavy metal community, forever forging their path in the ever-evolving landscape of music.

Follow SADUS:

https://www.facebook.com/sadusguy
https://www.instagram.com/sadus_official
https://twitter.com/SADUS_KILLTEAM
https://www.youtube.com/@SADUS6666

Wind Walkers Release Highly Anticipated Album "What If I Break?" & Drop New Video For "The Overlook"

Wind Walkers, the genre-defying visionaries, are thrilled to announce the release of their groundbreaking album "What If I Break?". Continuing to break boundaries and forge their own path in the alternative music scene, Wind Walkers have swiftly gained acclaim, with "What If I Break?" emerging as one of the standout albums of the year. Fans can stream the recent release HERE.

The album release is accompanied by the release of their latest single "The Overlook". With the incendiary new single, Wind Walkers unleash a sonic inferno through its fiery composition that encapsulates the band's artistic fervor. Fans can watch "The Overlook" below.

Speaking on today's single release, vocalist Trevor Borg shares:

"This song is a bit different than the others on the album in the sense that I didn’t necessarily write the lyrics from personal experience. I’ve always wanted to challenge myself and write a song about a story I loved, and if the name isn’t a dead give away, I wrote this song about my favorite novel “The Shining”. The overlook is about the character Jack and his struggles to be a better version of himself and provide for his family. All while facing consequences of past mistakes as well as battling his vices, and literal possession from spirits in a haunted hotel."

Lifting the curtain behind the record, Trevor continues:

"Lyrically, What if I Break is a very introspective album. I wrote about very real experiences in my life these past few years. This album touches on love and death, connections with others as well as connections with myself. And the pressures that I felt trying to maintain those connections while chasing a dream I’ve had since childhood. These songs are on the verge of being uncomfortably honest, and I couldn’t imagine doing it any other way."

Authenticity is the heartbeat of "What If I Break?", as it dives into the depths of human experience, navigating themes of love, loss, and self-discovery. Seamlessly blending powerful instrumentals with hauntingly honest vocals, each track unfolds as a compelling narrative that showcases a spectrum of raw emotions and cathartic expression. With this latest release, Wind Walkers have made their triumphant return, claiming their status as dynamic trailblazers.

"What If I Break?", produced by the highly regarded Nick Matzkows (known for his work with Attack Attack, Until I Wake, Conquer Divide) and revered Jon Eberhard (I Prevail, Skillet, The Ghost Inside), promises to redefine the boundaries of post-hardcore and alternative metal. With their daring approach, Wind Walkers effortlessly blend the commanding force of modern metal with the irresistible charisma of pop, crafting a sound that is both emotionally charged and undeniably catchy. Be sure to stay tuned for more Wind Walkers news coming soon.

ABOUT WIND WALKERS

Hailing from the vibrant music scene of central Massachusetts, Wind Walkers are leading in redefining the very essence of post-hardcore and alternative metal.

In their innovative approach, they fearlessly combine the relentless power of modern metal with the irresistible allure of pop, creating a sound that is as thought-provoking as it is infectious. Their latest singles, "Dead Talk," and “Bodybag” are a glimpse into the boundless creativity that lies within them, a mere taste of their forthcoming album, “What If I Break?” (set for release on November 17), promises to deliver.

Alongside the instrumental expertise of Timothy Comeau and Neil Comeau on guitar, Craig Martin on bass, and Ethan Cheesman on drums, the pivotal moment of their evolution came with the addition of vocalist Trevor Borg. With his exceptional vocal prowess and captivating stage presence, he's added a new layer of depth and intensity to their already established sound. 

As they continue to evolve and redefine their craft, their unwavering commitment to explore new musical realms sets Wind Walkers apart in the industry. Their music showcases an unapologetic approach to authenticity, an invitation to embrace the unexpected and challenge the status quo. 

With "What If I Break?" on the horizon, Wind Walkers is set to make a resounding statement in their respective genre. This forthcoming album promises to be a tour de force, pushing the boundaries of their genre even further and solidifying their place as innovators and trailblazers in the alternative music scene.

Wind Walkers

Trevor Borg - Vocals

Timothy Comeau - Guitar

Neil Comeau - Guitar

Craig Martin - Bass

Ethan Cheesman - Drums

Photo Credit - Ian Urquhart

Dogma Release Self-Titled Album

Faithful truth seekers, today Dogma release their self-titled debut album.  The album features 11 songs/chapters that tell a powerful musical narrative that delves deep into the human psyche.

Also today, Dogma release the video for "Made Her Mine," in which frontwoman Lilith seduces a young nun and envelops her in passion.

Frontwoman Lilith says, "On our debut album, we unveil a raw and unapologetic narrative, shedding light on the struggle against imposed faith, unfair censorship, and the liberation from illogical beliefs. It's a journey through lost innocence and a rebellion against archaic constraints. 'Made Her Mine,' depicted in our music video, is a bold statement, capturing the defiance against societal norms. It's about breaking free, embracing our truth, and challenging the restrictions imposed upon us." 

Lilith further elaborated, "Additionally, the uncensored version of the album artwork stands as a daring reflection of the omnipresence of lust within humanity, irrespective of any condition. It serves as a bold visual testament, unmasking the truth that lust is an inherent part of our nature, free from any imposed limitations such as fake morality and illogical beliefs."

Dogma beckons us to embrace rebellion and unleash our carnal desires. They cast aside the chains of modesty, conjuring a tempest of sensuality that demands unwavering attention and passionate participation.

Previously, Dogma has released the singles & videos for "Carnal Liberation," "Forbidden Zone," and "My First Peak."  Be prepared, for this revelation serves as a harbinger of the impending unveiling of Dogma's forthcoming album. As they forge their sonic arsenal in the crucible of creative passion, they challenge conventions and summon the faithful to join their unyielding crusade.
 
Indulge in the auditory and visual splendor offered by the sisterhood, unraveling the enigma that is DOGMA.

STREAM / GET "DOGMA" ALBUM HERE

Fans can purchase a variety of Dogma merch here.

For more information or to connect with Dogma, go to:
OfficialDogma.com

Follow Dogma:
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UK synthwave artist Richard Evans releases 'Dream of the World' EP, beating the odds after debilitating auto-immune disease.

"A beautiful performance" ~ The Guardian

"While new wave has been around for quite some time, Richard Evans cleverly summons all the best elements of the genre, tastefully packaging them with thoughtful lyrics in a way that is completely fresh and forever young" ~ The Spill Magazine

"Commendable, not only for its allure and catchiness (with elements of Rational Youth, Pet Shop Boys and Jean-Michel Jarre), but also for taking on such topical subject matter as technogenic disaster, environmental devastation and our skewed outlook on our dire prospects as Earth's inhabitants" ~ Ampify Music Magazine

"A standout musical event" ~ The State of the Arts


Manchester-based synthwave artist
Richard Evans has released his new retro-futuristic EP 'Dream of the World' via Cold Star Media. Recorded at Cold Star Studios in July 2023, the inspiring title track is about remaining positive even in the darkest times, as reflected in the accompanying video.

A British-Irish electronic musician, writer and digital media artist, Evans was previously keyboardist in UK cult band
James, with whom he also co-wrote and recorded material. Previous to that, he was also guitarist and songwriter for St. Vitus Dancers.

This was no easy feat. Struck with Miller Fisher Syndrome, a rare debilitating auto-immune disorder (a variant of Guillain-Barre Syndrome) in 2022, it would require Evans' full recovery, something that is not guaranteed to most people suffering from this ailment. He also had to learn to do everything all over again, including speaking, singing and playing music. But he managed to do exactly that, against the odds.

This
3-track EP follows Evans' 2022 debut record 'Sentinel', an electro-pop concept album tthat touches on micro-plastics, gene editing, stardust, technogenic disasters, human evolution, among other themes, this superb eight-track collection telling the story of humanity at a tipping point and a world trapped in a climate crisis.

"'Dream Of The World' is a call to action in the face of an unrelenting climate crisis and, on a personal level, it reflects on a health situation that affected me in late 2022. I was diagnosed with Miller Fisher Syndrome, a rare auto-immune disorder that impacts around one in a million people each year and is a variant of Guillain-Barre Syndrome. I found parallels between the life-threatening aspects of the climate crisis and a condition which decimated nearly all of my body’s functions," says Richard Evans.

"I literally woke up one morning in the midst of losing all muscle control. Over the course of a single day, I became unable to open my eyes, to sit, stand or walk, even to eat or swallow food. I was hospitalised for a month and for the first 10 days of this stay, there was a real risk of respiratory failure. Alongside a treatment plan, I kept going with positive visualisations, mentally depicting future times when I would be well again. If nothing else, this practice helped me find the strength to endure the most challenging experience of my life."

Evans adds, "Once I was released from hospital, music became an important part of my recovery - learning to sing and play keyboards again helped me regain control of my arms, hands and facial muscles. For a long time I had double vision and didn’t have the concentration to work on a computer. However I could play piano for short periods and was able to resume some vocal work after a couple of months. This phase created an unexpected change in my writing process, which previously was built around riffs and sequences developed on a computer. 'Dream Of The World' was composed entirely with piano and voice."

Richard Evans' draws inspiration from real-world science, exploring biotechnology, machine intelligence and the environment. For this album, existing songs were refined and new material was written, combining the warmth of classic synths with pared-down lyrics that explore real-world subject matter.

The Song
'Dream Of The World' reflects how the climate emergency is met with procrastination and indifference from most governments and corporations, as if the switch to zero carbon is somehow beyond human control. The lyrics are also about facing mortality on a personal level, with Evans singing, "I won’t bow to the hand of fate", emphasizing that we don’t always have to accept the hand we’re dealt.

With the sonically hypnotic effect of its single sequence and drum pattern,  
'2084' is about those who deny science and convince others of a different reality, underscored by the lyrics "Hear the priests lie that black is white".

'Motherlode' is a previously unreleased track, recorded during the 'Sentinel' sessions in 2021. It's about the phenomena of algorithmic trading - flash trades - and how ‘the market’ advances in cities worldwide each day to relentlessly exploit planetary resources.

Richard Evans' output extends well beyond the musical realm. He recently received a New Ideas Fund award from Creative UK to develop a virtual production studio. The award supports content for future stage shows and a new sci-fi short film, called 'DeepSleep', which was written and directed by Richard and is due for release in 2024.

Since the early 1980s, Evans' independent creative projects have received nine awards from Arts Council England and a separate one from Creative England, in addition to being commissioned for various projects by the University of Manchester and the Manchester Science Festival.

Evans also wrote, directed and produced
 the science fiction drama 'AEON'. An author of many short stories, he also published the novel 'KOSMONAUT ZERO' (via Dead Ink), researched at Star City Cosmonaut Training Centre. He also oversaw the 'Gagarin 50' exhibition for the 50th anniversary of the first human spaceflight by Yuri Gagarin.

'Dream of the World' is out now. Available
everywhere online, it can be obtained directly from the artist via Bandcamp. On November 23rd, Richard will perform extracts from 'Sentinel' at the Prism Winter Festival at Waterside, Sale, Manchester. Recordings of the live performance will then feature throughout the festival on November 24th and 25th. This first outdoor presentation of 'Sentinel' involves the visuals being projected onto the exterior of the Waterside building.

CREDITS
Music, lyrics, vocals, programming by Richard Evans
Recorded at Cold Star Studios
Mixed and produced by
Hervé Girardin
Graphic design by Lee Baxter
3D wireframes by PJB Creative Media
Mastered by Digitalflesh Audio Mastering
With thanks to Arts Council England, Creative England, Manchester Science Festival, Waterside Arts and the University of Salford
Released by Cold Star Media

Keep up with Richard Evans
Website | Bandcamp | Twitter | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Vimeo | Press contact

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Randall King Offers Baritone-Treatment on Holiday Classic “Silent Night”

With his highly anticipated 18-track sophomore album Into The Neon arriving Jan. 26, 2024, Warner Music Nashville’s Randall King isn’t making fans wait for new music, today offering his Billboard-praised “sturdy baritone” on holiday classic “Silent Night.”
 
King’s take on “Silent Night,” co-produced by King and Jared Conrad, juxtaposes his signature low-pitched vocals with the dancing high chords of the mandolin, and the steady strum of a steel guitar, offering an upbeat tempo on the holiday favorite. View “Silent Night” lyrics below.
 
“We ain’t silent on this night, it’s out now!” exclaimed King. “Early Christmas present from me to y’all!”
 
Into The Neon, also produced by King and Conrad, incorporates a unique blend of the influences from icons and modern masters alike who have inspired King’s sound; inclusive of the timeless ‘80s country twang of George Strait and Keith Whitley, and the blood pumping, Y2K-era rhythms of Dierks Bentley and Gary Allan. 
 
Showcasing his ability to traverse from a toe-tapping waltzer with “When My Baby’s In Boots” to the yearning lament of “I Could Be That Rain,” King lays it all on the line with songs that could just as easily be enjoyed while slow dancing under the starry night sky or while line dancing at a local honky tonk. 
 
King has stayed busy on the road while balancing time in the studio recording new music throughout 2023, recently returning from his first-ever European tour in September, Neon Overseas, with a set of 11 shows, including sold-out stops in Cologne, Germany; London England and more. As the year winds down, King continues to support Jon Pardi and Ian Munsick on select tour dates, while headlining stops in Las Vegas, NV during NFR; Salt Lake City, UT and more. 

For upcoming tour dates and more information, visit RandallKingMusic.com or follow @RandallKingBand across all social platforms.

 
Randall King 2023 Performances: 
Nov. 17 // Cleveland, OH // Agora Theater & Ballroom
Nov. 18 // Hershey, PA //  GIANT Center
Nov. 30 // Independence, MO // Cable Dahmer Arena
Dec. 1 // Tulsa, OK // BOK Center
Dec. 2 // Fort Worth, TX // Dickies Arena
Dec. 8 // Grand Junction, CO // Warehouse 25 Sixty Five
Dec. 9 // Salt Lake City, UT // Soundwell
Dec. 10 // Las Vegas, NV // Stoney's Rockin Country
Dec. 13 // Las Vegas, NV // South Point Casino
Dec. 14 // Las Vegas, NV // South Point Casino
Dec. 15 // Mesa, AZ // Denim & Diamonds
Dec. 16 // Las Cruces, NM // Whisky Dick's
 
About Randall King:
One of country’s new crop of modern traditionalists, Warner Music Nashville artist Randall King grew up on the endless plains of West Texas – and his sound is steeped in their timeless beauty with a mix of grit and grace. He grew up singing in the back of a ‘93 Chevy Suburban, mimicking the pure-country vocals of stars like Keith Whitley, George Strait, Alan Jackson and John Anderson and over the years became drawn to the electrifying energy of modern stars like Eric Church, Dierks Bentley and Jason Aldean. After years of hustling and a road-warrior’s diet of 150 shows each year, King produced and released the defiant 2016 EP, Another Bullet, then followed up with a 2018 self-titled album. Now, King is bringing an organic, timeless sound to the mainstream with his major label debut album Shot Glass. The 11-song collection, seven of which were co-written by King, centers around a night out at a bar, with each track representing a different point of view of those in the room. The album was named to Whiskey Riff’s Top 40 Country Albums of 2022 and Billboard’s All Genre 50 Best Albums of 2022 (So Far), making him the only male country artist to make the list. With over 200+ million career streams to his name, the 2023 Music Mayhem Magazine and 2022 Pandora and Country NowCountry Artist to Watch is looking to the anywhere-and-everywhere future with music that captures the essence of a Western poet who’s never been afraid to be himself.

COLIN STOUGH DELIVERS A RASPY-SOUL RENDITION OF “BLUE CHRISTMAS”

Country newcomer and 19 Recordings/BMG artist Colin Stough puts a raspy-Soul spin on a classic today (11/17), letting his sandpaper vocal loose for an icy, twangy rendition of “Blue Christmas.” Available across all streaming platforms and digital retailers, listen here.

Originally written by Billy Hayes and Jay W. Johnson, the colorful Christmastime anthem became a timeless favorite in the hands of The King, Elvis Presley, capturing the all-too-common twinge of holiday heartache. A fellow Mississippi native, Stough now puts his own mark on the track – while also paying homage to his roots.

Produced by Alex Maxwell, the singer-songwriter dials his blowtorch vocal down to a warm fireside glow, letting each heavyhearted word roll out slow and lonesome – just like the Big River itself. Meanwhile, his reverb-heavy guitar captures an edgy vibe somewhere between honky-tonk and Hot R&B, with a thick bass line and a festive touch of sleigh bells joining in. It adds up to a gritty-but-still-tender take on a tune Stough’s known his whole life.

“Elvis Presley is not only a legend overall, but he's also a Mississippi boy like me. I grew up about 30 minutes from where he was born,” Stough shares. “I love ‘Blue Christmas’ and wanted to do a version of my own. It’s got this smooth, bluesy vibe which I really dig.”

Releasing just as the holiday season begins, Stough’s “Blue Christmas” follows the October delivery of his debut EP,
Promiseland – a heady collision of grungy Southern Rock and pure-Country style that introduces a rising talent.

Just 19 years old and coming off a standout third-place finish on Season 21 of American Idol in 2022, Stough has stunned fans with a freight train of full-bodied vocal rasp and his down-home blend of Hard Rock and twang, both in the studio and on the stage.

Stough has spent this past year headlining shows across the nation, while also supporting artists like Kidd G and Drake White. Next on deck with Chase Matthew in 2024, find upcoming show dates 
here.

About Colin Stough:

A 19-year-old Country Rock phenom and native of Gattman, Mississippi, Colin Stough has come a long way in a few short years – and with his debut EP Promiseland, the 19 Recordings/BMG artist is still just getting started. After learning to play guitar at 8 years old, Stough first pursued artistic dreams at 10, boldly trading childhood possessions for his first guitar at a local pawn shop – an instrument he still plays to this day. After graduating high school, the naturally gifted singer and self-taught songwriter began working full-time as an HVAC technician, before his mother convinced him to audition for American Idol. Impressing judges Luke Bryan, Katy Perry, and Lionel Richie, Stough stunned viewers and soon built a thriving fan base, finishing third on Season 21 of the show in 2022. He spent the ensuing months writing and recording original music, while also touring nationwide to put his blowtorch vocal and guitar-slinging edge on full display. After signing with 19 Recordings/BMG, his distinctive mix of Southern Rock distortion and pure-Country style have helped tracks like “I Still Talk To Jesus” and “Bad Day” rack up more than 9.4 MILLION global on-demand streams, and in September 2023, Stough released the single “Promiseland,” along with an official music video. The hard-hitting anthem is the title track to Stough’s debut EP, which is out now and puts the emerging artist on track to reach even more dreams in the future. Stough has headlined across the country and opened for established artists like Kidd G and Drake White. Stay tuned for much more to come.

Photo Credit: Spencer R.

KEEP UP WITH COLIN STOUGH

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THE FRONTMEN'S ICONIC HITMAKING VOICES RETURN TO THE MAINSTREAM ON NEW EP, FAMILIAR FACES

THE FRONTMEN, three of ‘90s country’s most recognizable voices — Richie McDonald, formerly of Lonestar; Tim Rushlow, formerly of Little Texas; and Larry Stewart of Restless Heart — today dropped their latest EP via BBR Music Group/BMG Nashville.FAMILIAR FACES, a six-song compilation, is available HERE.

 

FAMILIAR FACES, produced by two-time GRAMMY-nominated Mickey Jack Cones, features three original songs, as well as three Lonestar, Little Texas and Restless Heart No. 1 hits, re-recordedFrontmen-style. The trio tag team lead vocals throughout the EP.

 

"We’re excited to finally get to share our new music with the world,” says McDonald. “Seems we’ve been working towards this moment for the better part of fifteen years. I guess good things do come to those who wait.”

 

The original songs on the project include the new track “I Need You,” alongside previously released songs “It Was Always You” and “Left Their Mark,” all hand-picked by the trio and Cones. Tune in on Monday, November 20 to iHeartRadio's Bobby Bones Show as the trio will join Bobby in studio to discuss the project.

 

“Since our first Navy / USO shows over 12 years ago, I’ve always felt there was something special about the three of our voices together,” explains Rushlow. “Getting the chance to finally show what we sound like collectively is a thrill. I love the authenticity and honesty in this music. Mickey Jack climbed aboard and became the fourth member as we all collaborated on this project. These songs have been impacting audiences in concert for a while, so we’re very excited to see it released.”

 

Classic tunes on the EP are songs most will instantly recognize: Lonestar's “Amazed (The Frontmen Edition),” Little Texas' “God Blessed Texas (The Frontmen Edition)” and Restless Heart's “I’ll Still Be Loving You (The Frontmen Edition).”

 

“To have this opportunity to share brand new music with music fans all over the world is just amazing,” adds Stewart. “Tim, Richie and I have created a bond in music that we can’t wait to share with country music fans of all ages. These new songs mean a lot to us and hope fans everywhere enjoy our latest new single release ‘I Need You’ along with the new re-records of our big hits on the Familiar Faces EP.”

Photo Credit: Alysse Gafkjen

About The Frontmen:
The Frontmen features three singers who were THE voices of three of the top country bands of the '90s: Richie McDonald, formerly of Lonestar, Tim Rushlow, formerly of Little Texas, and Larry Stewart of Restless Heart. From their rave review performances around the globe for our troops, to casinos, fairs and corporate events, to their globally televised performance on the steps of the hallowed Lincoln Memorial in Washington, DC, The Frontmen are making their mark on the country music scene. Stewart, Rushlow and McDonald have collectively sold over 30 million records and had over 30 major hits between them. They have a chemistry and brotherhood seldom matched, and they have logged the travel miles to prove it, wowing audiences around the globe with their brand of highly successful intimate unplugged shows. Powerhouse hits performed by The Frontmen include Restless Heart classics, “The Bluest Eyes in Texas,” “That Rock Won’t Roll,” “I’ll Still Be Loving You” and “Why Does It Have to Be (Wrong or Right)." Lonestar smashes such as “Amazed,” “Front Porch Looking In,” and “I’m Already There,” plus Little Texas hits including “God Blessed Texas,” “Amy’s Back in Austin,” and “What Might Have Been.” These songs and many others included in their shows are the soundtrack of a generation. With their combined vocal and instrumental talents, The Frontmen deliver a high-energy show packed with fan-favorites from their three award-winning and critically acclaimed bands. For more information, visit
thefrontmenlive.com.

KEEP UP WITH THE FRONTMEN
 
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Capstan Share "Bloom" — LISTEN

Florida five-piece CAPSTAN — Anthony DeMario [vocals], Joe Mabry [guitar], Harrison Bormann [guitar], Andrew "Boz" Bozymowski [bass, vocals], and Scott Fisher [drums] — have shared another new single.

Listen to and watch the visualizer for "Bloom"
here. Stream the song here.

"Bloom" demonstrates the softer side of Capstan. Driven by a lilting piano melody, gorgeous vocals, and layered harmonies, it's an emotional journey that packs a sonic lifetime into the space of four minutes. Stick around for the epic ending. It's quite the payoff.

"Every one of us will experience tremendous shifts throughout our lives," the band says, offering a closer look into the song. "We all change drastically as we age, especially as we attempt to overcome our past traumas. 'Bloom' speaks to the journey of learning to focus on the future, instead of the tragedies of the past. A song about growth, and the transition from cyclical self-destructive behavior into hopeful intention for what is to come. It's about the desire to impact the world in a positive, meaningful way, from the perspective of a person who was previously only able to view life through the lens of their trauma. The desire to be the love, be the change. We never stop growing. We never stop blooming."

"Bloom" follows the previously issued double singles "
Bête Noire" + "Heart to Heart."

Captan are touring next year with Holding Absence. All dates are below.

CAPSTAN ON TOUR:
WITH HOLDING ABSENCE, CASEY, + ACRES:

1/16 — Seattle, WA — Neumos
1/17 — Portland, OR — Hawthorne Theatre
1/19 — Roseville, CA — Goldfield Trading Post - Roseville
1/20 — Los Angeles, CA — Echoplex
1/21 — Anaheim, CA — Chain Reaction
1/23 — Mesa, AZ — The Nile
1/24 — Albuquerque, NM — Launchpad
1/26 — Denver, CO — Marquis Theater
1/27 — Lawrence, KS — The Granada (half house)
1/28 — Dallas, TX — South Side Music Hall
1/30 — San Antonio, TX — Rock Box San Antonio
1/31 — Houston, TX — RISE Rooftop
2/2 — Tampa, FL — The Orpheum
2/3 — Atlanta, GA — The Masquerade - Hell
2/4 — Nashville, TN — The Basement East
2/6 — Lakewood, OH — Mahall's
2/7 — Chicago, IL — Bottom Lounge
2/9 — Detroit, MI  — The Shelter
2/10 — Toronto, ON — Velvet Underground Toronto
2/11 — Montreal, QC — Le Studio TD
2/13 — Baltimore, MD — Baltimore Soundstage
2/14 — New York (NYC), NY — Gramercy Theater
2/16 — Philadelphia, PA — The Foundry
2/17 — Worcester, MA — The Palladium

Capstan released their second album
SEPARATE in 2021 via Fearless Records.

Reading indie outfit ROCKET KINGS shares 'The Yellow Bird of Fortune', a pop-rock gem from sophomore album 'Paving The Way'

"A true sonic thrill... Positive, clear, inspiring and fun with solid production... brings to mind to some quite celebrated artists - The Wedding Present, the Pixies, Supergrass and The Boo Radleys" ~ The Spill Magazine

"Harmonious, easy going and melodic with a 10/10 feel-good factor, Rocket King delivers a sound that will happily settle in your ears and leave you humming along unconsciously. This song has us looking forward to what delights the entire album may bring" ~ Amplify Music Magazine

"A delightful indie pop gem that combines folk influences with a contemporary twist... a sense of whimsy and joy... speaks to the band’s dedication to innovation and uniqueness while maintaining a sense of fun and enjoyment in their craft" ~ Skylight Webzine


Positively-vibed Reading-ased outfit
Rocket Kings presents their new single 'The Yellow Bird of Fortune', a highlight track from their uplifting 12-track 'Paving The Way' album, complete with a new video created by Lee Waters.

Formed in 2016, Rocket Kings is made up of Dave Stewart (ukulele, vocals), Bex Crossland (vocals, ukulele), David Heath (drums), Jess Tuthill (ukulele, vocals), and Yoshiko Nakayama (bass). United by their love of music, their positivity is infectious through the upbeat, original pop-rock songs they perform. With three ukuleles in their line-up, along with bass and drums: this is ukepop as you've never heard it before!  

"Dave stumbled across the phrase ‘The Yellow Bird of Fortune’ - a yellow bird is commonly believed to be a symbol of positivity and luck – and thought it would make a great song title. The song is written in a way that feels relatable and real. It’s about people and situations you are drawn to that are not good for you or that hurt you. Dave is an eternal optimist (as far as music goes anyway) and so he is always looking to find the best in different situations. He wrote this song about change, grabbing new opportunities and finding happiness," says Bex Crossland.

"David plays some of his most inspired drumming on this track, which is not surprising as it is his favourite song to play”.

Dave Stewart adds, "Bex will tell you that this is all very well for the optimists, but whilst "the optimists will always keep on smiling, time is ticking away for the rest". Recording the song was particularly exciting as it is one of two songs on the album that includes trumpet for the first time in the band’s history."

Earlier, the band shared the singles
'She's Going To Mars' and the title track 'Paving The Way'. With 12 tracks on offer, this sophomore album presents a fab sound reflecting a blend of The Beautiful South, Teenage Fanclub, Belle and Sebastian and The Cranberries, complemented by a healthy dose of ukuleles, melodies and harmonies.

The new' album was recorded, engineered, mixed and mastered by
Josh McCrohan at Creative Control Studio in Bracknell. Dave Stewart produced this record together with McCrohan, who has become a really important factor in Rocket Kings' sounds. Having provided professional sound services for Ian Anderson, Jethro Tull, Echo & The Bunnymen, Squeeze, Paul Young and Fairport Convention, among others, his input has been invaluable.

The band debuted on the music scene with
‘The Spellbound EP' in 2018, influenced by Teenage Fanclub, Lou Reed, The Kinks, The Wedding Present, Status Quo and The La’s. Their most recent album - 'Everyday Adventures' - was released in 2021. The band also recently shared a series of demos (from 2016), called 'Intense Whirlwind'.

The 'Paving the Way' album is out now, available digitally and also on limited edition vinyl and CD via
Bandcamp. The album will also be available via other fine digital outlets, including Spotify and Apple Music.  

CREDITS
All songs written by Dave Stewart except ‘Damn Tired’ and ‘Say it with a Smile’, which were written by Jess Tuthill
Recorded, engineered, mixed & mastered by Josh McCrohan at Creative Control Studio in Bracknell
Produced by Dave Stewart and Josh McCrohan  
Bex Crossland sang, played the ukulele, piano and tambourine.
Greg Forys played bass.
David Heath played the drums.
Dave Stewart sang, played the ukulele, shaker and tambourine.
Jess Tuthill sang and played the ukulele.  
Richard Vanryne played trumpet on ‘The Yellow Bird of Fortune’ and ‘Say it with a Smile’.
The choir on ‘The Time of Our Lives’: Ben Ash, Nicola Blair, Jude Brindley, Dawn Challis, Chris Clements, Anna Freshwater, James Gildersleve, Jason Helmore, Ruth Horbury, Alison Hull, Jane Jones, Stella Murphy, Barbara O’Donovan, Frances Osang, Zoe Robinson, Helen Savidge, Chris Taylor, Jayne Tricker, Alan Turner.
Front cover photo by Liz Pearmain
'The Yellow Bird of Fortune' video created by Lee Waters

Keep up with Rocket Kings
Bandcamp | Facebook | Twitter | Instagram | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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Valleyheart Drop Audiotree Live Session — WATCH

Massachusetts trio VALLEYHEART, who craft dynamic, cinematic alternative rock earmarked by lyrical eloquence and sweet melodies, have shared their Audiotree session. Watch it below.

The tracks are available via all DSPs, while the full video session is now live on YouTube.

The band released its second album Heal My Head via Tooth & Nail. Get it here

ABOUT VALLEYHEART + HEAL MY HEAD:
Valleyheart's music summons the biggest and smallest corners of emotions alike, which has garnered them millions of streams and acclaim from American Songwriter, FLOOD, Vanyaland, and more. "At an individual and communal level, we deal with trauma and unsettling questions of our identity and existence," Klein shares about the deeply personal nature of Heal My Head. At the album's core is the ultimate and universal desire to connect. He continues, "From a lyrical perspective, I wrote this album to talk about and unwrap those things in my own life and relationships. When you open this door, there's a lot of pain to sift through, so I'm trying to create a language for listeners to have those conversations. I hope it's a platform for people, so they don't feel alone as they go through life." Valleyheart continue to build an emotional bond with audiences. Following the 2017 Nowadays EP, they deepened this connection with their debut album, Everyone I've Ever Loved, in 2018. "Friends In the Foyer" eclipsed 877K Spotify streams as the band took home the "Rock Artist of the Year" trophy at the 2019 Boston Music Awards. On its heels, the Scenery EP arrived to widespread acclaim. FLOOD noted that "they explore powerful, accessible soundscapes in an adequately sized package," while Substream hailed them as "equal parts boldness and beauty." Throughout 2020 and 2021, they assembled what would become Heal My Head at sessions at The Halo Studio in Portland, Maine, with longtime collaborator and co-producer Kevin Billingslea and at The Record Company in Boston. Kevin Billingslea and Klein co-engineered, co-produced, and co-mixed the album, with a portion of the record being self-produced by Klein at his home studio.  Overall, Heal My Head forges an instant and direct connection with its listeners.


VALLEYHEART ARE:
Kevin Klein — Vocals, Guitar, Producer
Chris Babbitt — Bass
Zakk Nix — Drums

Sleep Theory Share "Fallout" Video — WATCH

Breakout four-piece Sleep Theory — vocalist Cullen Moore, guitarist Daniel Pruitt, bassist Paolo Vergara, and drummer Ben Pruitt — have shared the video for "Fallout" from their Paper Hearts EP, out now via the Epitaph Records. Get the EP, which has been streamed over 33 million times, here.

The video features intense performance footage colliding with equally intense apocalyptic imagery, both of which fit the urgency of the song. It's a continuation of the end-of-the-world theme seen in the video for "
Numb."

It premiered over at Knotfest.com. Watch it
below.

"Creating 'Fallout' was a very personal for us, and seeing the music video come to life was surreal," the band states. "The emotion in the track is something we poured our hearts into, and we're thrilled that it resonates so powerfully with our fans. [Director] Orie [McGuiness] took our vision and elevated it beyond expectations. The way the music video captures the essence of the song is amazing. We truly couldn't have asked for a better visual representation for this song."

Sleep Theory will hit the road on a 40-date trek with Beartooth, The Plot In You, and Invent Animate in Winter 2024. All dates are below.

Since bursting onto the scene earlier this year, Sleep Theory have gone from strength to strength — and they show no signs of slowing down.

The Paper Hearts EP features two buzzy singles — "Numb" and "Gone or Staying" — and the songs have established Sleep Theory as one of the most exciting and talked about artists of 2023. The band was praised by Loudwire for its ability to "adapt 2000s arena rock and nu-metal for the future with their anthemic metal-tinged sound that would please any fan of Linkin Park and their ilk. At once enthralling, emotional and disarming, SleepTheory's supercharged single 'Numb' is everything a radio rock fan could want. You'll be humming it for days after." 

 With further press coverage from American Songwriter, Billboard, Celebrity Access, Punktastic, and beyond, as well as major nods from SiriusXM's Octane, Sleep Theory have had a huge 2023 and are clearly gearing up for an even bigger 2024.

In just the past three months, Sleep Theory's monthly listeners have more than doubled, while their YouTube channel views have tripled. They are averaging 1.5 million streams per week, while "Numb" is sitting at No. 16 on the Active Rock chart and continues to climb. The track was No. 1 on on Sirius XM Octane, while the band was the first rock artist included in SiriusXM/Pandora's Artist Accelerator program and will be a part of the Next Wave Concert Series this month.

They've toured with everyone from Shinedown to Set It Off, shared stages with I Prevail and Badflower, and have appeared at Louder Than Life, Rock Fest, ShipRockled, and Point Fest. They also count Jellyroll and Disturbed David Draiman as fans.

PHOTO CREDIT: Alex Bemis

SLEEP THEORY ON TOUR:
12/8 — Minneapolis, MN – The Armory - 93x Nutcracker at The Armory w/ Falling In Reverse, Daughtry

WITH BEARTOOTH, THE PLOT IN YOUR, + INVENT ANIMATE:
1/12 — Cincinnati, OH — Andrew J. Brady Center
1/13 —  Asheville, NC —  Orange Peel
1/14 — Louisville, KY —  Mercury Ballroom 
1/16 — Detroit, MI — Royal Oak
1/17 — Buffalo, NY — Town Ballroom 
1/19 — Toronto, ON — History
1/20 — Montreal, QC — M Telus
1/21 — Boston, MA — House of Blues
1/23 — Philadelphia, PA — Franklin Music Hall 
1/24 — Pittsburgh, PA — Roxian 
1/26 — New York, NY — Palladium Times Square
1/27 — Balitmore, MD — Rams Head
1/28 — Norfolk, VA — The NorVa
1/30 — Atlanta, GA — Tabernacle
2/2 — Charleston, SC — Charleston Music Hall
2/3 — Orlando, FL — House of Blues
2/4 - 2/10 — Shiprocked
2/11 — Tampa, FL — Jannus
2/13 — Huntsville, AL — Mars Music Hall
2/14 — New Orleans, LA — House of Blues
2/15 — Houston, TX — White Oak Music Hall
2/17 — San Antonio, TX — Boeing Center at Tech Port
2/18 — Dallas, TX — House of Blues
2/20 — Phoenix, AZ — Van Buren
2/21 — San Diego, CA — Soma
2/22 — Los Angeles, CA — The Wiltern
2/24 — Sacramento, CA — Hard Rock Hotel & Casino
2/25 — Portland, OR — Crystal Ballroom
2/27 — Seattle, WA — Showbox SoDo
2/28 — Spokane, WA — Knitting Factory
3/1 — Boise, ID — Knitting Factory
3/2 — Salt Lake City, UT — The Complex
3/3 — Denver, CO — The Fillmore
3/5 — Fargo, ND — Sanctuary Events Center
3/6 — St. Paul, MN — Myth Live
3/8 — Chicago, IL — Riviera
3/9 — Madison, WI — The Sylvee
3/10 — Sauget, IL — Pop’s
3/12 — Indianapolis, IN — Egyptian Room at Old National Center
3/13 — Nashville, TN — Marathon Music Works
3/14 — Fort Wayne, IN — The Clyde Theater

WITH STAIND, SEETHER, ASKING ALEXANDRIA, DAYSEEKER AYRON JONES, + TIM MONTANA:
4/19 — Tampa, FL — Amalie Arena
4/20 — Orlando, FL — Central Florida Fairgrounds

5/10 — Daytona, FL – Welcome To Rockville