Eric Sardinas Shares New Track "Tonight" — LISTEN

NEW ALBUM MIDNIGHT JUNCTION OUT OCTOBER 13 VIA EARMUSIC

Following the success of his recent single "Long Shot," blues-rock virtuoso Eric Sardinas ignites the scene once again with his scorching new single "Tonight," which is available now.

Listen to the new single below.

"I play slide guitar, I play blues, but it's rock 'n' roll that I interpret in my own way," says Sardinas, highlighting the driving force behind his music, a seamless blend of blues heritage and rock's unbridled energy. A master of his craft, Sardinas has garnered acclaim for his mesmerizing guitar skills, and raw, soul-stirring vocals. Nine years after the release of his last record, the new album Midnight Junction is poised to showcase his artistic journey while staying true to the blues rock roots that have earned him a dedicated global following.

 Sardinas is joined by an excellent rhythm section, compromised of Chris Frazier (Whitesnake, Foreigner) on drums, Koko Powell (Lenny Kravitz, Sheila E) on bass guitar, David Schulz (The Goo Goo Dolls, Bo Diddley) on keys and organ, with very special guest Blues harmonica legend Charlie Musselwhite. Produced by Matt Gruber.

Witness Eric Sardinas and his all-star crew keeping the great blues rock tradition alive and kickin! Midnight Junction is available as CD Digipak, 1LP (black/180g) and Ltd. Red Marbled LP (180g) for pre-order now here.

Wolves At the Gate Share Video for Cover of "Breaking the Habit"

LOST IN TRANSLATION COVERS ALBUM OUT SEPTEMBER 22 VIA SOLID STATE RECORDS

WOLVES AT THE GATE have shared the video for their cover of Linkin Park's "Breaking the Habit." Watch it below. 

The song appears on Lost In Translation, a full covers album. Lost In Translation arrives on September 22 via Solid State Records. Pre-order it here.

"There wasn’t much debate about covering a Linkin Park song because they all played a big role in our lives growing up," the band says. "The hard part was picking the right song that we could actually transform in a different way. The arrangement, sonic landscape, and lyrics of 'Breaking the Habit' ended up being something that connected with everybody unanimously. The genius of the original song is the utter simplicity of the components. The beat and dynamics of the song stay the same for almost the entire song, but at the same time still has so much movement.

"We tried to expand on that and add some more movement in the music to complement and accentuate the vocals. It was a bit of a debate to change the rhythmic elements of the song but doing things like breaking down the second verse became some of our favorite parts. The lyrics of the song were so easily relatable as we often feel the same need to express that type of frustration when faced with our own struggles. We hope our cover can express gratitude and love to Chester, his family, and the rest of LP."

ABOUT WATG:
Unrestricted by genre conventions and determined to raise the bar with each successive album, Wolves at the Gate deliver music and a message with a firm commitment to passion and authenticity. Tirelessly seeking out the light in seemingly overwhelming darkness, the Midwestern post-hardcore group balances soaring melodies with unrelenting metal and emotional heaviness. Eulogies arrives with confidence and forward motion born from reflection, introspection, and isolation.

The small-town Ohio-based five-piece band built the foundations for the album's 13 songs during the pandemic shutdown, shaping diverse tracks like "Shadows," "Peace That Starts The War," and "No Tomorrow" into stunning confessional epics. Wolves at the Gate's audience treasures each of the band's best-known songs for the emotional depth, passionate catharsis, and evocative power contained in them, as evidenced by the millions of streams for WATG anthems. These include "Counterfeit," "A Voice in the Violence," and "Drifter" (from 2019's Eclipse); "Asleep," "Flickering Flame," and "War in the Time of Peace" (from 2016's Types & Shadows); "Relief," and "The Bird and the Snake" (from 2014's VxV); "Dead Man," "The Harvest," and "Slaves" (from 2012's Captors), and "Heralds" (from 2011's We Are The Ones). 
 
WOLVES AT THE GATE ARE:
Steve Cobucci — Vocals/Guitar
Nick Detty — Vocals
Joey Alarcon — Guitar
Abishai Collingsworth — Drums
Ben Summers — Bass

Robben Ford Announces New Live Album "Night In The City" + Share New Single & Video For "Anto'Nate'n'Tate" — WATCH

"If a live recording really represents the best of you – that's a real, and even rare success." — Robben Ford

Robben Ford is, without doubt, one of the most exquisite blues guitarists of all-time, with a resume of collaborations reading like a veritable "who's who" of musical greats. It is for this very reason he can call upon some of the finest musicians out there to create a band that serves the music so well. That's why every album release is greeted with such excitement. Each listen is a musical journey undertaken to discover the wonders of his latest opus. 

As a live performer, he is revered, pouring heart and soul into every note that travels from stage to audience. On his latest release Night In The City, this master of his craft is presented like never before. Recorded at City Winery, Nashville in 2021, it was Ford's first performance after the COVID lockdown — something which only added to the excitement and expectation from both band and crowd. As Ford stated, "It had been so long since playing a significant, live show that expectations were very much heightened. There was an edge that kept us all on our toes and the audience was hungry for a good time. They were very supportive, which was great, because we needed that."

The superlative musicianship throughout is a joy to behold and something Ford in his role as bandleader was able to reflect on, saying, "The fact that I had such a great band is what made the evening for me. Each musician was the perfect man for the job and that helps a band leader relax. All the guys are top, in-demand players."

With a set list that covers material old and new, an exceptional evening was captured to be enjoyed by all. You can already dive into it, as the previously unreleased track "Anto'Nate'n'Tate" is available everywhere as you read these lines.

Listen to "Anto'Nate'n'Tate" on all digital platforms HERE.

Watch the video for "Anto'Nate'n'Tate" 

NIGHT IN THE CITY will be released on December 1 on earMUSIC as CD-digipak, 180g black vinyl in a gatefold sleeve and on all digital platforms.

PRE-ORDER HERE.

Post Profit Share "Cancer Culture" Video — WATCH // Band Signs to SharpTone + Touring With Nothing More

Newly signed SHARPTONE RECORDS band POST PROFIT have shared the video for the new single "Cancer Culture." Watch it here.

The video features the Longview, Texas trio — Matt Jackson [vocals, guitar], Nick Hawner [guitar +vocals], and Zach Hicks [drums + vocals] — doing their best TV news broadcast impersonation while having free reign for a day at the Texas Museum of Broadcasting and Communications in nearby Kilgore, Texas.

The dynamic track highlights Post Profit's undeniably unique musical blend, encompassing all of their influences and proudly displaying where they are as a band sonically. It also touches upon an oft-controversial topic that remains close to their hearts.
 
"It's all about cancel culture," Matt reveals. "People watch you and wait for you to make the wrong step so they can cross you out. This song was born from our frustration with the feeling of being overlooked and pushed aside, and us trying to overcome that and stay determined in our path."
 
As for inking a deal with SharpTone Records, the band had the following to say: "We're beyond excited to announce that we have joined the SharpTone family! Their roster is stacked full of bands that we have looked up to for years such as Loathe, Holding Absence, Don Broco, and Boston Manor, just to name a few. We feel right at home with these amazing bands and the welcome we've received has felt more like a homecoming. We're looking forward to working closely with SharpTone on our upcoming releases, and ushering in a new era of rock music alongside the label's very talented and accomplished roster."

Post Profit will be hitting the road, opening for fellow Texans NOTHING MORE this September, with the first show this Friday, September 8 in Nashville. All dates are listed below. Tickets can be purchased here.
 
ABOUT POST PROFIT
Some would say Post Profit have been waiting for this moment since the cradle, with each member being introduced to musical instruments between the ages of 2 to 6. 

Zach and Matt forged a friendship as toddlers ever since their moms became best friends from church in Longview, TX. Nick would later learn of Matt's vocal prowess through the high school intercom. "Matt's father was the high school principal," explains Nick. "And he'd have Matt on there in the mornings singing about refraining from drugs and alcohol and striving for good school attendance." 

Over the next few years, the trio would really get to know each other from attending and performing at local shows. Nick and Zach especially hit it off and quickly became inseparable, spending much of their time listening to music, eager to put their own band together. Meanwhile, Matt was sinking his teeth into a Dallas based metalcore band called Far From Earth.
 
During early 2017, Matt started hosting open jams every Sunday at a smoky East Texas dive bar and one night asked Zach to join on drums. Zach dragged his new friend Nick along on guitar and the trio quickly formed a strong musical bond. They would soon start slipping originals into their covers sets and after months of unrelenting practices and bar jams they booked their first show at a Halloween party in Tyler, TX.
 
With the experience of countless gigs across the South, Post Profit soon gained a reputation for their commanding and impactful live performance, including powerful 2021 and 2022 performances at Welcome To Rockville in Daytona, FL. Rallying around influences such as Deftones, Incubus, Failure, and Quicksand, the band refined their original songs and sound into what would become their 2022 debut self-produced album When You Think It's Right It's Always Wrong.  The release garnered over a million cumulative streams independently, and the success of their single "Smother" grabbed the attention of SharpTone Records, eventually landing them a deal.
   
POST PROFIT ON TOUR:
WITH NOTHING MORE + DEAD POET SOCIETY:
9/8 — Nashville, TN — Marathon Music Works
9/9 — Little Rock, AR — The Hall 
9/11 — Oklahoma City, OK — Diamond Ballroom
9/12 — Wichita, KS — The Cotillion Ballroom 
9/14 — Dallas, TX — The Factory In Deep Ellum
9/15 — Houston, TX — House of Blues 
9/16 — San Antonio, TX — Aztec Theatre 
9/18 — Mobile, AL — Soul Kitchen Music Hall 
9/19 — Huntsville, AL — Mars Music Hall
9/20 — Knoxville, TN — The Mill & Mine
9/22 — Fort Lauderdale, FL — Revolution Live
9/23 — Lake Buena Vista, FL — House of Blues
9/25 — Charlotte, NC — The Fillmore Charlotte

Kraanuim Sign To Unique Leader Records, Announce New Album and Drop New Single "Braindead Skullf*cking"

One of Europe's most lauded brutal death metal exports, Kraanium, have announced their signing to new label home, Unique Leader Records. The announcement also comes with news of the band's new album, 'Scriptures of Vicennial Defilement' due out on November 3rd, 2023 and a brand new single and music video for track 'Braindead Skullf*cking'. Listen to the new track here, watch the new music video below and pre-order the album here.

Speaking on their recent announcement, Kraanium share

"We are stoked to have signed with Unique Leader Records for our 6th Full length record!!!

It is an honor for us to be part of a label/roster with so much amazing Brutal history in the music scene, and we could not be happier with the decision.

Our newest album is by far our most brutal to date, and we are so fucking excited to share this next chapter in the Kraanium journey with you all, this album is complex, catchy, groovy and above all 110% Pure Northern Slammage.

Get ready for ´´Scriptures of Vicennial Defilement´´ !!!!"

Unique Leader Records CEO, Jamie Graham adds

‘Kraanium have long been held as one of the absolute leading names in European Brutal Death Metal. Everything about this record is just brutally delicious, from the production, through to the artwork to the concept, it epitomises what the genre represents and we are over the moon to bring the Northern Slam Titans to our roster’.

ABOUT KRAANIUM

KRAANIUM was formed in 2001 and are one of the original pioneers of the slamming brutal death metal genre. Originally founded in the depths of hell in Norway, the band is now a multinational slam machine from all over Europe. 

Over the years they have released 5 full length studio albums, 3 split CDS with more releases in motion. Having toured all over Europe, USA, Russia, Asia as well as performing at many iconic festivals, they have built up a solid world wide fan base and will continue to spread the brutality of SLAM!

Since the passing of their dear brother Martin Funderud, (Former vocalist, 1978-2017), the band is dedicated to honor him as well as his passion for brutal music. Rest in Power.

Autarkh More Man Than Machine on "Strife"

Autarkh's debut already sounded like a message from the future. But the Dutch band push their vision to even further extremes on 'Emergent', which comes out on November 10. The new album is now available for pre-order HERE.   

Today, Autarkh are releasing the first single off 'Emergent'. Watch the intense video for "Strife" below.  

'Emergent' still bristles with melodic dissonance, ambient droning and glitchy programmed beats. It's just that now, instead of looking for their reflection in the natural world, Autarkh journey inward in search of peace.  

"'Strife' shows how we took a different direction on 'Emergent': a more straightforward approach where specific atmospheres rather than the density and intensity of 'Form In Motion' are emphasized", says Nienhuis. "Guitarist David Luiten has done an outstanding job writing this track. The remarkable guitar theme – that we reused in the Autarkh III song "Lost In Sight" – captivated me instantly when I heard the original version (for a different project) in 2020, and led to this Autarkh version that we are delighted to share with you today!’’
    
"Strife" finds Autarkh locked in a battle with their inner demons. The song opens with drum pads that pound quietly, like trying to escape from your own personal prison. The mental anguish only escalates from there, spiked by a thousand megawatts of industrial-sized riffs. But the band doesn't lose hope. "My eternal summer is not so distant anymore", Nienhuis screams as if clawing toward a pinhole of light.    

Autarkh might be from the future. But they're still human after all.

Dutch contemporary metal adventurers Autarkh are back with their sophomore full-length album Emergent. Michel Nienhuis, founder of Autarkh and Dodecahedrom, teamed up again with guitarist/producer David Luiten (Inferum), bassist Desmond Kuijk (Dear Mother) and electronics wizard Tijnn Verbruggen to create the follow-up to their highly acclaimed debut album 'Form In Motion', released by Season Of Mist on 12 March 2021. Monica Kendrick (Chicago Reader, US) on the relevance of the group’s debut: 

"And I’ll call it now: given the time to flourish and sink into the ears of an audience, Autarkh will become highly influential on the next generation of extreme metal." 

'Emergent' is another testament to Autarkh’s imagination and creativity. It delivers increased versatility and contrast, and sees the band expand towards more uplifting and consonant territories. Form In Motion explored the boundaries of sonic extremes; on 'Emergent', Autarkh broadens its horizon and shows diversity and nuance while preserving its intense and razor-sharp edge.

With nine tracks, 'Emergent' is a sonic exploration of the inner universe where all things light and dark can be encountered. The listener is lured into an "Open Focus" (a meditative state of mind) in preparation for an inward journey along the physical energy centers. From the thumping synth basses of "Strife" and the menacing sludgy melancholy of "Duhkha", we move into the bewildering blasts of "Trek", where stellar harmonies will eventually burst through the oppressive atmosphere. The trip continues with the crushing downtempo groove that enforces "Refocus", as well as the mind-bending a capella interlude "Aperture" and the frivolous "Eye Of Horus" and "Countless Kaleidoscopes", to finally deliver all-encompassing enlightenment with Ka. 

Composers Nienhuis’s and Luiten’s statements and states of mind capture the same capriciousness and unease of 'Form In Motion', this time leaving a more open, diverse and radiant imprint. With exciting vocal harmonies, bold contrasts and a vivid imagination, Autarkh sheds a bright light on the inner self and exposes it to the world with intensity and conviction. That makes Emergent an evocative release with a multilayered yet crystal-clear production that promises a bright future for Autarkh.

Line-up:
Michel Nienhuis: vocals & guitars
David Luiten: vocals & guitars
Desmond Kuijk: bass
Tijnn Verbruggen: synths & beats

Recording Studio: David Luiten Studio, Monodisc Studio, Moonbear Music & Engineering
Mix/Master: David Luiten

Cover artwork: Arno Frericks

Pre-order: https://redirect.season-of-mist.com/AutarkhEmergent
Pre-save:https://orcd.co/autarkhemergentpresave

Booking: info@autarkh.com

Formats:
CD Jewelcase
Digital
Vinyl in various colours

Links:
www.autarkh.com
www.facebook.com/autarkh
www.instagram.com/autarkhband
www.youtube.com/c/autarkh
www.autarkh.bandcamp.com

Gary Moore Back To The Blues released on vinyl for the first time ever this October

BMG and Gary Moore release Back To The Blues on double heavyweight vinyl housed in a gatefold sleeve. The album will also be released both digitally and on CD.

Back To The Blues, was Gary Moore’s 13th solo album, where he went back to his traditional blues style. This album has never previously been released on vinyl, and contains new liner notes written by Dave Everley.  This release contains bonus tracks ‘Picture Of The Moon (Single Edit)’, ‘Cold Black Night (Live At VH1)’ and ‘Stormy Monday (Live At VH1)’.

Gary Moore rocked the world of Blues and Rock with his virtuoso guitar playing and soulful voice. Best known for his evocative solo hits, Parisienne Walkways and Still Got the Blues, and his on/off membership of Thin Lizzy, Gary Moore’s solo career comprises over twenty albums. Throughout the 1980s, Gary moved up the rock hierarchy, but turned his back on what he regarded as the empty flash of metal and reverted to his heart music – the blues – where ironically, he scored his biggest commercial success through his 1990s and 2000s blues albums.

As well as running his own bands, during a successful solo career, Gary mixed with the best that rock and blues could offer, playing live and on record with George Harrison, Jack Bruce, Ginger Baker, Greg Lake, BB King, Albert King, Albert Collins and many others. Gary Moore is regarded as one of the most influential Irish musicians of all time. Having been honored by both Gibson and Fender with signature guitars, the Northern Irish star is still seen as one of the best guitar players of all time.

To pre-order / pre-save Back To The Blues go to:
https://gary-moore.lnk.to/backtothebluesPR

ASINHELL unleash 'Desert Of Doom' single

For more than 20 years, vocalist/guitarist Michael Poulsen has been spearheading Danish rock and roll machine Volbeat, releasing eight full-lengths, selling millions of albums, and filling stadiums worldwide. Before fronting Volbeat, however, Poulsen formed death metal band Dominus, which recorded four fast, brutal albums in the mid '90s. When Poulsen was putting together songs for Volbeat's 2021 album, Servant Of The Mind, he wrote a bunch of death metal riffs and saved them on his phone. Then, when he was done with the Volbeat record, he reopened the rusty gates to Armageddon and started putting together songs for his new death metal band Asinhell, whose debut album Impii Hora (Latin for Ungodly Hour), is a tribute to Poulsen's favourite old-school groups.

Impii Hora will be released September 29th via Metal Blade. Pre-order it here.

Today, the band has shared new song "Desert Of Doom" and its official video. Watch it below.

"'Desert Of Doom' was inspired by Bolt Thrower, Death, Entombed, and Motörhead. Bang your head 'til it doesn't bang no more!," says Poulsen.

Poulsen has rekindled the death metal fire that fuelled his first band Dominus. He began jamming on riffs with long-time friend and neighbour, drummer Morten Toft Hansen (Raunchy). The two started playing in Morten's tiny garage: no mics, no P.A. — just a drum kit and a combo amp turned all the way up like they used when they were teenagers. Soon, the pair were completing a new song every time they got together. When it came time to add vocals, Poulsen turned to his good friend, who also happened to be one of his all-time favourite death metal growlers: Marc Grewe (Insidious Disease, ex-Morgoth).

"I had known Michael quite a long time and he always mentioned that we should do a death metal project one day, but I never took him too seriously because he was so busy with Volbeat," Grewe says. "Then he called for real and said, 'Yeah, I want to do it now. Are you up for it?' Immediately, I was like, 'Yes, of course!'"

With Asinhell fully formed, the three convened with Volbeat producer Jacob Hansen to produce, mix, and play bass on their debut album. When it was time to add lead guitar to the album, Michael looked no further than friend and The Arcane Order axeman Flemming C. Lund.

The album will be available in the following formats. Pre-order it here.

• Jewel case CD

• 180g Black Vinyl (Europe excl.)

• Crimson Red Marbled Vinyl (Europe excl.)

• White Vinyl (Europe excl., ltd. 1000)

• Gold/Black Dust (EMP excl., ltd.300)

• Clear w/ Red/White Splatter Vinyl (Europe Band store excl., ltd. 500)

• Silver Vinyl (US excl.)

• Silver w/ Red Splatter Vinyl (US. excl.)

• Black & White Melt Vinyl (US excl.)

• Red/Black Splatter Vinyl (US Band store excl., ltd. 500)

• ASINHELL ARE:

   Michael Poulsen — Guitar

  Marc Grewe — Vocals

  Morten Toft Hansen — Drums 

  FIND ASINHELL ONLINE:

  https://asinhell.com/

GREEN LUNG RELEASE VIDEO FOR 'MAXINE (WITCH QUEEN)' THE SECOND SINGLE FROM 'THIS HEATHEN LAND'

Occult rock darlings GREEN LUNG have released a new video for 'Maxine (Witch Queen)', the second single from their hotly anticipated new record This Heathen Land, which will be released on November 3rd via Nuclear Blast Records.

Vocalist Tom Templar comments "We've celebrated British witchcraft in our lyrics since our first EP, and with this new single we wanted to celebrate the most iconic witch of the modern era - Maxine Sanders. The High Priestess at the heart of Alexandrian Witchcraft, Maxine is an unsung national treasure, and one of the first people to connect genuine witchcraft with rock 'n roll back in the early Seventies. 'Maxine (Witch Queen)' is a love song to Maxine from the perspective of a member of her coven, and melds pounding riffage with psyched-out combo organs and stacked, multi-layered vocal harmonies. We were honoured to have several members of Maxine's real life coven appear in the music video, and advise on the ritual elements. Ultimately, the song is intended as a celebration of Maxine Sanders, which we hope will introduce new initiates to her life’s work, and help her legend to live on."

Watch the video for 'Maxine (Witch Queen)' below.

Pre-order This Heathen Land on various formats now at: https://greenlung.bfan.link/thllp

This Heathen Land is the most complete manifestation of the band’s vision to date, fulfilling their long-held goal to, in the words of vocalist Tom Templar, “create the definitive soundtrack to the folk horror film in our heads.” On This Heathen Land, the band have forged a sound and identity that is entirely their own, while maintaining the Sabbathian heaviness and addictive songcraft which made their previous albums so beloved in the metal underground. From the cover art to the vinyl inserts and lyrical themes, This Heathen Land is a painstakingly-researched and executed heavy metal love letter to the folkloric landscape of the UK.

This Heathen Land was produced by Wayne Adams at Bear Bites Horse Studios and was mixed by Tom Dalgety (Opeth, Clutch, Ghost).

In case you missed it, check out the first single 'Mountain Throne' on all streaming platforms here:  https://greenlung.bfan.link/mtsg

GREEN LUNG is
Tom Templar - Vocals
Scott Black - Guitar
Joseph Ghast - Bass
John Wright - Organ
Matt Wiseman - Drums

CARNATION Reveal the Rot on new single 'Metropolis'

Like so many of the best death metal bands, Carnation aren't shy about delivering capital punishment. "You will die in the darkness / Forfeit your life to progress", growls Simon Duson on "Metropolis", reaching all the way into the pit of his stomach.

"Metropolis" is punishing. The latest single off 'Cursed Mortality" will bludgeon your eardrums with grinding riffs and a blast beat that barrels full steam ahead, like a train with its brakes cut. But it also comes with a personal touch.

While the song gets its name from Fritz Lang's 1927 sci-fi classic, Duson is painfully familiar with the relentless pace of modern life, having had all the life sucked out of him by a previous job. 

"'Metropolis' reveals the corruption and filth concealed beneath the glitter and glamour of our world, echoing the dark undertones of our civilization's relentless advancement", says Carnation. "This song is a haunting reminder that often, what lies beneath the surface is far more enigmatic than meets the eye".

Watch the high-speed visualizer for "Metropolis" Below

'Cursed Mortality' comes out on November 3. Pre-order the album HERE. Pre-save it HERE

Faithful fans will undoubtedly find what they have come to love and expect of Carnation  on ‘Cursed Mortality’. However, they can also expect the unexpected, as the band venture further into previously unknown territories.

The artwork for 'Cursed Mortality' was masterfully crafted by the late Mariusz Lewandowski (†), who is renowned for his remarkable talent in creating majestic. dark. surrealist. masterpieces. Lewandowski's haunting visuals perfectly capture the essence of the album.

Carnation also collaborated with the revered Lord of the Logos, Christophe Szpajdel, who created a brand new logo that perfectly encapsulates the essence of ‘Cursed Mortality'. Known for his iconic designs and ability to bring forth the spirit of the music through typography, Szpajdel's contribution further solidifies the album's visual identity.

The second decade of Carnation begins now. Prepare for an intense journey concerning the exploration of fleeting mortality.

Photo by Gaëlle Spaas

For the last decade, CARNATION has been at the forefront of reviving old school death metal. There’s something to be said about the artfulness of taking something so primitive and walking that fine line between keeping its classic authenticity without sounding tired or dated. CARNATION has always teetered this line, injecting a fresh and contemporary approach without losing the genre’s time-honored traditions. However, the band’s third endeavor sees CARNATION erasing those boundaries entirely and abandoning any and all conventions as they traverse into daring new territory. ‘Cursed Mortality’ pulls the Belgian death dealers deeper into experimental new waters, taking risks as the band steps out of the shadows of its predecessors and comes into its own identity. 'Cursed Mortality's' statement is clear: This is no longer simply a revival; this is CARNATION’s rebirth.

“We still play death metal and we still identify as such” explains frontman Simon Duson. “But we know that this is also our second decade performing it. And while it is very important for us to stay true to the old-school style, we know we had to open things up a bit and reach out to those who might be interested in extreme metal, but aren’t that much into the old aspect of it. It also feels fresher to us because we’ve decided to change our visual approach, with a new logo, a new look on stage and so on. In a way, it really feels like the beginning of a new chapter for CARNATION.”

Album number three is much more than just a new chapter, but rather feels like a sequel to an already storied career, punctuated by press accolades, an impressive history of live performances, and a lauded discography consisting of several EPs, splits, and two critically acclaimed full-length albums.

With the debut of its first EP in 2015, CARNATION quickly garnered the attention of fans, media, and most notably of all, record label Season of Mist, who quickly noticed the band’s potential and picked them up without hesitation. Upon forming this union, the band dropped its first full-length, ‘Chapel of Abhorrance,’ in 2018. Angry Metal Guy astutely noted that the Belgians’ debut album was “one of the best death metal debuts of the year, and CARNATION have earned their place as one of the most promising new bands in the genre'' while Distorted Sound Magazine echoed these remarks, calling ‘Chapel of Abborhance’ “one of most brutalizing, well executed and, above all, fun, death metal releases of 2018'' in its 9/10 review of the album.

CARNATION’s momentum only seemed to pick up from there. The band kept busy on the road, performing a variety of tours with their death metal brethren in Deserted Fear, Schirenc Plays, Pungent Stench, and Pestilence, while headlining stages in Japan and Brazil. Upon conquering the live circuit and laying waste to audiences across three different continents, the band unleashed its 2020 opus, ‘Where Death Lies,’ which broke them out from the underground with the kind of seismic force that most bands can only dream of. If the critics liked ‘Chapel of Abhorrance,’ ‘Where Death Lies’ was the moment they fell in love, enamored by Carnation’s relentless brutality and crushing precision.

While touring had been halted that year, CARNATION never stagnated nor waivered. The band’s tenacity paid off with their sophomore effort being named among one of the best records of the year by The Pit, Chicago Music Guide, Pandemonium Metal, and many more, while the single “Iron Discipline'' was singled out by Loudwire as one of the best songs of 2020. Legacy outlet Kerrang! also took notice, ranking the band among the “50 Greatest Death Metal Bands Right Now,” cracking the top 20 picks.

While the Belgian slayers still stay true to their roots, they step outside of their comfort zone with more groove, melody, and progression, showcasing their versatility as musicians and clearly defining their own unique sound. ‘Cursed Mortality’ sounds darker, with passages of melancholic melodies that compliment the heaviness.

Most bands might feel anxious about making such dramatic changes, especially to incorporate clean vocals within such extreme music, CARNATION embraces the unknown and does not fall victim to fear or monotony. “As artists, it's something natural,” explains Verstrepen about why the band has shifted direction. “Doing the same thing over and over again doesn't inspire us. We love to create and we love to explore new paths. We knew some people wouldn't like clean vocals in death metal, but we don't want to think of that too much. We stand 100% behind our music and we really like what we did here. Some people will drop out, but there will definitely be others joining! As Lemmy would say, 'You win some, you lose some.'”

Indeed, a personal metamorphosis is always a risk, but one that historically has paid off. The first records of bands like Black Sabbath, Carcass, Death, or even Bathory sound nothing like the mid-late era offerings of those very same artists, and yet, those records that strayed off the beaten path are regarded as some of the most seminal albums in the history of metal. Playing it safe sounds easy, but it isn’t always a part of a legend’s origin story. And CARNATION isn’t here to play by the rules; the band is ready to take a leap of faith and redefine an era.

CARNATION Lineup:
Simon Duson: Vocals
Jonathan Verstrepen: Lead Guitar
Bert Vervoort: Rhythm Guitar
Yarne Heylen: Bass Guitar
Vincent Verstrepen: Drums

Recording studio: Project Zero Studio

Producer / Mixing engineer: Yarne Heylen

Mastering studio and engineer: Joel Wanasek

Biography: Katy Irizarry

Artwork: Mariusz Lewandowski

Logo: Christophe Szpajdel

Links:
https://www.carnationband.com/         
https://www.facebook.com/CarnationBE/          
https://www.instagram.com/carnationbandofficial/
https://www.youtube.com/c/CarnationOfficialBE
https://open.spotify.com/artist/7s6SmrbyQvp26jN5EbnU9u

Pre-save: https://orcd.co/cursedmortalitypresave
Pre-order: https://redirect.season-of-mist.com/CarnationCM

Available Formats:
CD digipak
Digital
12” vinyl in various colours
Merchandise

CANADIAN PROTO-PUNK GREATS TEENAGE HEAD RELEASE ‘PERFORMANCE: LIVE AT HEATWAVE’

First time ever released! Vinyl LP and DVD Documentary Film

In the summer of 1977 when the whole punk scene was blossoming in Toronto, word hit the street that some big-time manager was looking for the best punk band in Toronto. That guy turned out to be John Brower and he decided the best Toronto punk band was Teenage Headfrom Hamilton, Ontario, and the area’s answer to the Ramones, New York Dolls, and Stooges. And Brower’s decision was a wise one – Teenage Head (comprised of singer Frankie Venom, guitarist Gord Lewis, bassist Steve Mahon, and drummer Nick Stipanitz) quickly became the most popular Canadian punk band, on the strength of such classic studio efforts as 1979’s self-titled debut, 1980’s platinum-certified Frantic City, and 1982’s gold-certified Some Kinda Fun. 
 
But it was on the concert stage that Teenage Head was best experienced. And now, fans will be able to hear a vastly sonically improved version of one of their most popular shows recorded in 1980, with the arrival of Performance: Live at Heatwave on September 5, 2023 via SINGMarket. 

Pre order link here: 
https://market.singidea.com/market/asset/b1933438-b2e1-4dde-a5d0-6912cc8baff3

“Teenage Head was never booked to play the Heatwave Festival, that’s why our name never appeared on the poster or the ticket!,” remembers Mahon. “After our infamous sell out show at Ontario Place on June 2nd, 1980, we were set to headline a festival to be called the ‘Canadian Rock Festival’ on August 20th at Exhibition Stadium during the CNE (Toronto’s annual summer fair). Alice Cooper was set to play the same venue the night before, but when it turned out that Alice was not exactly in shape to get through the show, the thousands of fans in the Stadium expressed their unhappiness and ripped the place apart and did extensive damage to the sound system, as a result our show was cancelled. Our management team contacted our early supporter John Brower who was the promoter of Heatwave and of course he offered us a slot. Our set was recorded by Doug McClement on 8-track half-inch tape on his Comfort Sound truck.”
 
And according to the bassist, it turns out that the performance became one of the band’s best-known out of near-tragedy. “On September 7, 1980, a little after playing Heatwave we suffered a terrible accident traveling home from a gig in Palmerston, Ontario. Gord’s injuries were devastating, he was out of commission for the better part of a year. So, knowing we weren’t able to play the 3rd annual broadcast on Halloween, we quickly went into Amber Studios, also in Toronto. There, we mixed the Heatwave show, which Q107 did broadcast on Halloween 1980 (which explains all the not-so-great bootleg versions). It’s very possible that we may have never pulled that tape from the vaults had it not been for that accident. We are really lucky to have had these tapes. Now thanks to the wizardry of Peter Moore we finally have a great version that captures the power of the day. Doug Arrowsmith used two songs in the documentary Picture My Face: The Story of Teenage Head – and here are the rest.”
 
Performance:
Live at Heatwave will be available as a killer deluxe package (see below for details), as well as less expensive offerings that focus solely on the 1980 performance. But either way, fans of Teenage Head are in for a special blast from the past, according to Mahon – “So kick back, crank it up, grab a cold one and transport back to Mosport Park, August 23, 1980, it’s a TEENAGE HEAD PERFORMANCE LIVE AT HEATWAVE.” 

SING Deluxe Package - includes vinyl and DVD documentary film

Physical Items:
• LP: pink 180g high-quality vinyl with fluorescent green and yellow splatter
• CD: of entire album w/ bonus encore C’mon Everybody
• DVD Documentary: Picture My Face – The Story of Teenage Head
• 2’ x 3’ Poster
• 2 x 8” x 10” b/w 1980s-era band glossy photos
• 4 x 4 sticker of album cover
• Actual size Heatwave ticket stub reproduction

Digital Collectable High Resolution Items:
• MP3s of all album tracks
• Audiophile WAV files of all album tracks (including the encore track C’mon Everybody)
• Front cover of album
• Back cover of album
• Front of album insert
• Back of album insert
• 2’ X 3’ Teenage Head iconic live poster
• Two vintage setlists
• Two vintage 8” X 10” photos
• Two lyric sheets
• Heatwave ticket stub
 

PLUS:
• Golden Ticket to win a Fender bass guitar signed by Stephen Mahon!
 
 

FOR MORE INFORMATION, VISIT: 
www.singmarket.com

Contemporary Alternative Rock Band, A Doll's House Release Debut Single "HEY WAIT" to all major platforms!

Contemporary alternative rock band A Doll's House will release their debut single on September 8th to all major platforms. The single is already being picked up at radio stations across the country.

"Hey, Wait", the first single from A Doll’s House debut album, Annum, is emblematic of the band’s “chill rock” sound. Produced by Brian Wheat, a contagious groove and honed harmonies tell of a woman who now “lives a life uphill” remembering when “there used to be somewhere to run.”

Annum is the debut album from A Doll’s House. Produced by Brian Wheat (co-founder of the American rock band Tesla), the album is perhaps best described as “chill rock.” Contagious grooves and melodies coupled with true musicianship and honed harmonies, Annum is a refreshing contemporary rock album with pop appeal. The title Annum (Latin for “year”) derives from the last four tracks of the album, which loosely chart the course of a year through the seasons, "Steps to Summer", "Witch’s Tree", 'Chimney', and "Wisteria'.

New music can come from anywhere...even four middle-aged guys. Meet A Doll’s House. A band that is old but new. In the late 80’s, Dav and Seth, two friends in L.A.,started writing songs together. They found Tony --the drummer--and A Doll’s House was born. For a few years, the band played all the L.A. clubs, The Whiskey, The Roxy, The Troubadour, etc. They built a bit of a following and they did well. But not well enough. Life took over and the party ended. They were barely 22 years old. Thirty years later, those same three guys were now in their 50s with established careers as a lawyer, a veterinarian and a TV producer. Married, kids, mortgages --the whole deal. Bucking the odds and embracing the well-worn adage “better late than never,” they got back to making music together. The gods smiled and they were met with two strokes of good luck. First, an L.A. vocalist, Dave Santos, found the original three guys and the four clicked virtually overnight. With a serious lead singer in place, the second bit of good fortune struck. Brian Wheat,a seasoned rocker and record producer, stumbled on A Doll’s House. Brian is perhaps best known as the bass player and co-founder of Tesla –a true American rock band that has charted multiple Top 40 hits, sold millions of albums world-wide and is still going strong. A Doll’s Housewanted to record a self-financed album at Brian’s J Street Studios. Brian heard the songs and decided to take charge of producing the album himself in every sense of the word, from arranging to recording, to mixing and mastering. The result is A Doll’s House first album: Annum. A ten-track album, literally thirty years in the making....Welcome to A Doll’s House world.

Pre-Save "Hey Wait"

https://lnk.to/adollshouse_heywaitsingle

For More Information Please Visit:

Official Website

Facebook

Instagram

TikTok

YouTube

GRAVEYARD - Release new single 'Breathe In, Breathe Out'

Swedish blues rock institution GRAVEYARD have released a new single titled 'Breathe In, Breathe Out', the second single from their upcoming album 6, that's set to be released on September 29th via Nuclear Blast Records.

The band comments “Our 2nd single from the upcoming album 6 is rolling in like a fresh breeze from the west coast for all of you to enjoy. We are happy and thrilled about it, hope you will feel the same”

Watch the video for 'Breathe In, Breathe Out'  below.

Pre-order the album and stream 'Breathe In, Breathe Out' now at: 
https://graveyard.bfan.link/breathe-in-breathe-out.ema

The album was recorded at Silence Studios and Don Pierre Studios and was produced by Don Ahlsterberg, who previously worked with the band on Graveyard (2007), Hisingen Blues (2011) and Lights Out (2012).

6 is easily identifiable as the most striking, original album of GRAVEYARD’s story so far. A gently lysergic blend of desolate guitars, simmering Hammond and lithe, nimble bass and drums, the Swedes demonstrate a lightness of touch that they have only hinted at in the past.

About GRAVEYARD

As enduring and authentic as an old school leather jacket, GRAVEYARD have long since mastered the art of rock’n’roll. Formed in 2006 in Gothenburg, Sweden, their shared passion for hard rock, psychedelia and the eternal bedrock of blues marked them out from the start. Led by vocalist/guitarist Joakim Nilsson, they opened their account with their now seminal self-titled Tee Pee Recordings debut in 2007, showcasing fiery chemistry and some wildly imaginative songwriting. Subsequently snapped up by the mighty Nuclear Blast Records, the band’s rise to prominence was swift and irresistible.
 
In 2008, guitarist Jonatan Ramm expanded the ranks, joining Nilsson, bassist Rikard Edlund and drummer Axel Sjöberg for the recording of second album Hisingen Blues. A critical smash that more than lived up to the hype, it established GRAVEYARD as rock’n’roll heavyweights. A thunderous, soul-stirring live band, with subtlety and swagger in equal amounts, they spent the next decade keeping fans of loose-limbed and earthy rock music in a near-constant state of rapture. From the rootsy clatter of 2012’s Lights Out to the magical, muscular grooves of 2018’s Peace (taking in the sepia-tinted folk doom of 2015’s Innocence & Decadence along the way), GRAVEYARD have made some of the most vital and vivid heavy rock of the 21st century.

GRAVEYARD is
Joakim Nilsson - vocals, guitar
Jonatan Ramm - vocals, guitar
Truls Mörck - vocals, bass
Oskar Bergenheim - drums

Trevor Rabin launches ‘Push’; second track taken from ‘Rio’, his first new solo vocal album in 34 years

Trevor Rabin, the South African guitarist, singer, multi-musician, writer and producer, recently announced ‘Rio’, his first solo album of vocal material in 34 years, set for release on October 6th, 2023 worldwide.

Today he is pleased to reveal the second single taken from the album, and you can now watch the video for ‘Push’ below.

Trevor comments: “For this song I was thinking of the horror of politics and politicians. Once Vinnie Calaiuta played drums on this, it inspired me to redo some of  the instrumentation. Vinnie‘s performance lifted this song beyond what I  imagined. I utilized the strings at the end of the track to start the ARW live shows.”

‘Rio’ will be available as a Ltd CD+Blu-ray Mediabook & Ltd Deluxe Gatefold Red 180g 2LP + Blu-ray (including 8-page LP-booklet and obi strip), both featuring bonus material, 5.1 surround sound & liner notes. Also available as Standard CD Jewelcase, Gatefold 180g 2LP+LP-booklet (with etching on side D), and as Digital Album.  The cover for the album was created by Trevor himself: “I dabble with digital art so I sent some images of mine to the label and was pleasantly surprised when they liked them.”.

Pre-order and stream the new single here:
https://trevorrabin.lnk.to/Rio

The Ltd CD+Blu-ray Mediabook & Ltd Deluxe Gatefold Red 180g 2LP + Blu-ray also features the following bonus tracks:
Spek & Polly
Fragile (Demo)
Georgia

Given that his previous vocal-led solo album, ‘Can’t Look Away’, was released in 1989 (2012’s ‘Jacaranda’ was all-instrumental), Rabin has kept us waiting for more than three decades for a follow-up. Trevor admits that there was pressure from all sides, including his own family, to have speeded up the process. However, the delay is excusable. Since leaving Yes following the ‘Talk’ album in 1994 and largely as a prequel to touring as part of ARW in 2016, the guitarist entered the time-consuming world of movie soundtracks. Not just any old movies, either. Trevor’s name appears as composer for such blockbusters as Con Air, Armageddon, Remember the Titans, Enemy Of The State, Deep Blue Sea, Glory Road, and Gone In 60 Seconds and both National Treasure movies, amongst many others. “Over the past ten years I was having ideas, concepts that I couldn’t implement due to my busy schedule,” he explains, adding: “To be honest, those years flew by in a flurry. I knew that this was the time, and once I found my momentum I worked on the album 24/7.”  The process proved a labour of love and as with his first and second solo records, ‘Trevor Rabin’ and ‘Face To Face’ (from 1977 and ’79 respectively), Rabin handled just about all of the instruments himself.

Stylistically, ‘Rio’– is tough to categorize. Besides guitar-driven rock-meets-pop, ‘Goodbye’ is Country & Western with an edgy drive, while ‘Tumbleweed’ begins in a burst of harmonies. No wonder its working title was ‘The Demographic Nightmare’.

“I wanted to get into many different areas,” Rabin states. “Of course there are ‘prog things’, but overall there are a lot of styles going on.”
As mentioned, Trevor plays the majority of the instruments on the record. However, on drums for a number of tracks is Lou Molino, while Trevor also contributes some drums and percussion. Vinnie Calaiuta provides drums on ‘Push’, and Rabin’s son Ryan Rabin helped out with some of the most important percussive arrangements. Along the way Trevor also drafted in a couple of friends, Dante Marchi and Liz Constantine, to sing back up on two songs.

TREVOR RABIN Online:
www.instagram.com/trevorrabin.official 
www.facebook.com/TrevorRabinMusic 
https://twitter.com/trevorrabin


INSIDEOUTMUSIC Online:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
 www.facebook.com/InsideOutMusic
www.twitter.com/insideouteu 

CHERRY RED TO RELEASE “CELEBRATE IT TOGETHER: THE VERY BEST OF HOWARD JONES 1983-2023” COMPILATION OCTOBER 6TH

In celebration of his 40-year career, Cherry Red Records will soon release CELEBRATE IT TOGETHER: THE VERY BEST OF HOWARD JONES 1983-2023. Due out on October 6th, the very special compilation will be available in three different formats: 4CD, 2LP or 2CD. This is the first anthology that looks at his entire catalogue, from the original version of “New Song,” all the way to a 2023 Elephant Talk remix of it that recasts it within a modern electronica context. It includes songs from his classic Warner-era catalogue, as well as work from his independent Dtox label and features the comprehensive collection of hit singles, remixes, key album tracks, live versions and alternative recordings.

For CELEBRATE IT TOGETHER, Jones personally chose to group the songs into four categories: “Popular Hits,” “Electro,” “Chill,” and “Curiosities.” He wanted to elevate this selection of songs beyond the typical chronological approach and create themes that mix and match different pieces from different eras, with the overall listening experience top of mind. The deluxe 4CD box set version contains 64 remastered tracks and includes 4 previously unreleased tracks and a further 6 tracks previously unreleased on CD. Please see below for the respective CD track listings. To access cover art, please click here. To pre-order CELEBRATE IT TOGETHER, please click here.

Howard Jones just wrapped a wildly-successful summer tour of North America as main support for Culture Club on The Letting It Go Show shed trek. Berlin rounded off the bill. Of Jones’ set, USA Today declared him to be “personable and gracious…in fine form”, dubbing him the “genial keyboard wizard”. Later this month, Howard Jones will headline a short run of dates in Canada before heading to Japan and the UK to continue his 40th anniversary shows. Please see below for the Canadian itinerary.

Howard Jones has been a constant presence on the international touring scene for the past four decades, playing live in a number of configurations including intimate solo shows and dates with his full high-tech band set-up. He first burst upon the contemporary music scene in 1983, with his very English songwriting and pioneering synthesizers with “New Song”. His first two albums, HUMAN’S LIB and DREAM INTO ACTION, were worldwide hits. HUMAN’S LIB reached #1 in the UK and featured the hits “New Song” and “What Is Love?” In 1985, Jones released the follow-up, DREAM INTO ACTION, which quickly became a Top Ten platinum album in the United States and featured the hits “Things Can Only Get Better,” “Life In One Day,” “No One Is To Blame” and “Like To Get To Know You Well”.

Howard Jones has sold upwards of 10 million albums worldwide and continues to make new music and tour the world. Jones has recently performed on NBC’s top-rated morning and nighttime shows respectively, The Today Show and The Tonight Show Starring Jimmy Fallon. His ubiquitous hits can be heard in such high-profile television series and films such as “Stranger Things,” “Breaking Bad,” “Watchmen,” “The Carrie Diaries,” “Superstore” and “Bumblebee”.

Howard Jones Canadian tour dates:

9/26 - Saint Catherine’s, ON - First Ontario Performing Arts Centre

9/27 - Oakville, ON - Oakville Centre For The Performing Arts

9/28 - Richmond Hill, ON - Richmond Hill Centre For The Performing Arts

9/29 Kingston, ON - Kingston Grand Theatre

10/1 Brantford, ON Sanderson Theatre

For more information on Howard Jones, please visit: www.howardjones.com

To access publicity images of Howard Jones, please visit: www.howardjones.com/press/index.html

New Model Army Share Video for Orchestral Version Of "Winter"

New Model Army are about to release one of the defining albums of their long and respected career. Sinfonia, recorded with the Sinfonia Leipzig orchestra, is a masterpiece from a band who can somehow make it all look (and sound) easy.

"Winter (Orchestral Version)" is the second single taken from this magnum opus, and it is five minutes of sheer class from front to back. The arrangements, meticulously put together by Shir-Ran Yinon and conducted by Cornelius During, are a new benchmark of the tried-and-trusted "rock-band-meets-orrchestra" scenario, with none of the — and conversely moments of total musical abandonment and expression — obscured by what is essentially a 40-piece band.

Watch the video below. 

Stream the song here.

"Winter" is a powerful track musically and narratively, with Justin Sullivanimploring: "Bring me the snowfall, bring me the cold wind, bring me the winter."

It's a wish from the protagonist asking for a metaphorical escape from the hell that they find themselves in. However, the song offers a glimpse of hope by its end, with talk of redemption, reconciliation, and healing.

New Model Army are a band who have earned respect throughout their career for not only making less obvious choices than one might expect, but also daring to make music that reveals itself more with each listen.

With Sinfonia they have broken the barriers between band and orchestra in true New Model Army style, redefining that relationship and defying expectation. All songs have been arranged for orchestra by long-time friend and guest violinist Shir-Ran Yinon, who, in collaboration with the band, created something unique but staying true to New Model Army.

Sinfonia will become available as a Double-CD Hardcover Mediabook, Triple 180g-Vinyl Gatefold and Digital. All live album's first print CD and Vinyl LP Editions will include the full show on DVD.

A Strictly Limited earBOOK Edition with Double-CD, DVD, Blu-ray, 80- page book and an exclusive Bonus CD with eight songs from the band's "SO36" show in Berlin on July 17, 2022, as well as various bundles will become available via an exclusive direct to consumer web shop.

Pre-Order Sinfonia here.

FORMATS:
Ltd. 2CD+DVD Mediabook / Ltd. 3LP+DVD Gatefold / Digital

DVD
Full live show together with the Sinfonia Leipzig orchestra, filmed at Tempodrom, Berlin, Germany, on July 15, 2022

BAY AREA THRASH LEGENDS, SADUS, TO RELEASE FIRST ALBUM IN 16 YEARS, THE SHADOW INSIDE, ON NOV 17TH

East Bay thrash metal legends SADUS will make their long-awaited return this fall for the release of their first album in 16 years, The Shadow Inside, on November 17th via Nuclear Blast Records. Reunited in 2017, the band spent the last several years writing the record at their own pace, impervious to outside trends and influences, and recently finished recording with Juan Urteaga (EXODUS, TESTAMENT, MACHINE HEAD) at Trident Studios.

Featuring ominous artwork by accomplished artist Travis Smith (FLESHGOD APOCALPYSE, OPETH), The Shadow Inside, is a contemporary thrash classic with colossal, groove-laden riffs at break-neck rhythm and blistering solos. It’s the record fans have been waiting desperately for and one of the year’s most crucial metal albums.

Commenting on the record’s impending release, founding vocalist/guitarist Darren Travis says:

“I am giddy with excitement for this album to be unleashed upon the world. With the help of the entire Nuclear Blast team, we will bestow a hugely anticipated release of The Shadow Inside!!   

THANK YOU for your interest in our little band for all these years. I hope you will find the same release of excitement that WE DO!! The love of METAL is the only reason for SADUS!! Thank you ALL for the undying SUPPORT!!!! Fucking SADUS!!”

SADUS unleashed the first single, ‘It’s The Sickness,’ late last year. Today, the band has unveiled the record’s next track, ‘Ride The Knife,’ which is available now for streaming and is accompanied by the lyric video below.

Stream ‘Ride The Knife’: https://bfan.link/rtnsadus

Pre-Order The Shadow Inside: https://bfan.link/tsisadus

‘Ride The Knife’ Lyric Video:

About SADUS:

It has been sixteen long years since the monstrous sound of SADUS last bestowed a new record upon the world, but the time has finally arrived. This November, Nuclear Blast Records proudly presents the triumphant return of the unconquerable SADUS with their sixth full-length studio album, titled The Shadow Inside.

Adorned with the compelling artwork of Travis Smith, the album cover depicts an all-consuming demon of the cosmos fiercely enveloping a tortured soul beneath, perfectly encapsulating the vision and duality that the songs on this record deliver. Founder and drummer Jon Allen shares his excitement about working with Travis once again, reminiscing about their collaboration on Elements of Anger. He points out that several tracks on the new album, such as ‘The Devil In Me’ and ‘The Shadow Inside,’ revolve around the idea of an internal entity constantly pushing us. At times, one might find themselves at the edge of reason, attributing their actions to the shadow within, an external force they blame for their choices. While not a concept album per-se, every song deals with life decisions and the importance of taking responsibility for one's actions to unlock the best life has to offer. The track ‘The Shadow Inside’ boasts a heavier and slower tone, with a touch of classic, gut-wrenching grind, creating a fitting climax to the album.

A formidable darkness flows through tracks like ‘Anarchy’. Evidently influenced by the tumultuous post-Covid times of mass hysteria, looting, and general loss of control, the melody reflects this chaotic environment. Allen describes the track as “more straightforward and in-your-face, hitting listeners right in the gut. ”Despite the intensity, SADUS manages to retain their signature death/thrash blend, staying true to their old-school roots. The aggression remains palpable, allowing their music to speak for itself with raw, unapologetic power.

‘Scorched and Burnt’ follows suit, with its steady beat and chaotic vocals seamlessly intertwining with blistering guitar work. The track gradually transitions into an impassioned melody, igniting a fiery explosion as the song nears its conclusion. Although inspired by the literal wildfires that plagued California during its creation, ‘Scorched and Burnt’ delves deeper into the idea that individuals often feel like someone or something is constantly out to get them. Yet, in the end, the song urges unity, recognizing that every action, even in chaos, ripples through the lives of others.

The process of creating The Shadow Inside was unhurried and unencumbered by unnecessary roadblocks. SADUS allowed their creativity to flow naturally, collecting riffs and writing together in person.The band took their time, nurturing and developing their musical ideas until they evolved into the powerful tracks we hear today. Allen emphasizes that their drama-free and family-oriented approach to making music is one of the reasons their sound speaks so powerfully to their fans. Collaborating with Juan Urteaga of Trident Studios added another layer of refinement to the album, as his expertise in death metal played a vital role in shaping its overall sound.

All that being said, SADUS is not a band that simply stands apart from the crowd for the sake of being different. They stand tall, unswayed by mass hysteria and media influences, choosing to make their own decisions and encourage others to do the same. In a world filled with disinformation and false flags, they emphasize the importance of being smart, using common sense, thinking for ourselves, and remaining aware of our surroundings.

As November approaches, the anticipation for The Shadow Inside is sure to grow. With their uncompromising vision, SADUS continues to stand as a beacon of authenticity and integrity within the heavy metal community, forever forging their path in the ever-evolving landscape of music.

Follow SADUS:

https://www.facebook.com/sadusguy
https://www.instagram.com/sadus_official
https://twitter.com/SADUS_KILLTEAM
https://www.youtube.com/@SADUS6666

Finnish Melodic Doom Heavyweights KAUNIS KUOLEMATON Announce New Album; Share Music Video For First Single!

Finnish heavyweights KAUNIS KUOLEMATON have announced the release of the band's brand new album Mielenvalta, which will be coming out on October 13 via Noble Demon.

With a fearless approach that defies genre boundaries, this band has redefined the very essence of Melodic Doom Metal, seamlessly blending ethereal beauty with unrelenting force. Since their formation in 2012, KAUNIS KUOLEMATON has embarked on a relentless quest to push the limits of their craft, creating a unique and mesmerizing brand of melancholic metal that resonates with fans from all corners of the metal spectrum. Their crushing and recognizable sound has earned them spots sharing stages with renowned acts such as Omnium Gatherum, Wolfheart, Cult of Luna, Vorna, and October Tide. From playing festivals to headlining their own shows across Finland, KAUNIS KUOLEMATON has captivated audiences with their magnetic performances. With three albums, one EP, and several singles under their belt, these Finnish metallers have firmly established themselves as a force to be reckoned with in the metal scene.

Now, prepare yourself for their upcoming magnum opus, Mielenvalta, set to be unleashed on October 13 via Noble Demon. This highly anticipated release promises to be another intense chapter in KAUNIS KUOLEMATON's storied history. Brace yourself for a sonic journey that transports you to a realm where beauty and brutality coexist, where haunting melodies intertwine with savage screams, and where the boundaries of metal are shattered.

With their latest album Syttyköön Toinen Aurinko, featuring lyrics entirely in Finnish, KAUNIS KUOLEMATON has already left an indelible mark on the scene, garnering praise from fans and critics alike. Now, as they prepare to unleash Mielenvalta, the band's evolution reaches new heights, promising an immersive experience that will leave you breathless.

With the track "Peilikuva", the band has unleashed the first single today. The song is released alongside a brand new music video, which you can watch here:

KAUNIS KUOLEMATON on "Peilikuva":

"Peilikuva (Reflection) tells about the challenges that life brings. You don't always know if the decisions are right or wrong and often life can seem very difficult to handle. Still, whatever the choices, whatever life turns out to be, you see yourself in the mirror. Exactly who has built your own life and that is YOU."

"With the song's calmness, aggressiveness, melodies and tempo changes, you can travel to your own mental landscapes and see what your life has been like until now. If you notice it's time for a change, make it happen. You are responsible for your own life."

Mielenvalta will be coming out on October 13 via Noble Demon and is now available for pre-order at THIS LOCATION

KAUNIS KUOLEMATON live:

20.10.2023 Helsinki FI - On The Rocks (Album release show)

KAUNIS KUOLEMATON are:
Olli Suvanto - Vocals
Mikko Heikkilä - Clean vocals, Rhythm guitar
Ville Mussalo - Guitars
Jarno Uski - Bass
Miika Hostikka - Drums

Find KAUNIS KUOLEMATON online:

Official Website

Facebook

Instagram

Find NOBLE DEMON online:

Official Website

Facebook

BandCamp

Twitter

YouTube

TikTok

Spotify

SiM Drop Official Music Video "Sad Song" From Upcoming New Album 'PLAYDEAD' Out September 27 (via UNFD)

Genre-blending Japanese powerhouse SiM has released their latest single and poignant music video for "Sad Song". The track will be on the band's upcoming new album 'PLAYDEAD', out on Wednesday, September 27. Prior to today, the band has released tracks "RED" (the theme song to the latest season of Netflix's animated series 'Kengan Ashura') and "DO THE DANCE", along with the accompanying visualizer. Most recently, SiM unleashed "HiDE AND SEEK"along with an incredible AI-generated music video, created by The Dor Brothers. Watch the music video for "Sad Song" below, stream the track here, and be sure to pre-order 'PLAYDEAD' at the link here.

Stateside SiM fans have their chance to see the band's high-energy live show on the Jackpot Juicer North American Tour with Dance Gavin Dance, Rain City Drive, and Within Destruction. For ticket information, please click here.

Jackpot Juicer North American Tour Dates

September 1 || Garden City, ID || Revolution Concert House

September 2 || Salt Lake City, UT || The Union Event Center

September 3 || Denver, CO || Mission Ballroom

September 5 || Austin, TX || ACL Live At The Moody Theater (LOW TICKETS)

September 6 || Oklahoma City, OK || The Criterion

September 8 || Houston, TX || White Oak Music Hall

September 9 || Dallas, TX || The Factory in Deep Ellum

September 10 || Birmingham, AL || Iron City (LOW TICKETS)

September 12 || Fort Lauderdale, FL || Revolution Live at the Backyard (LOW TICKETS)

September 13 || Orlando, FL || Hard Rock Live (LOW TICKETS)

September 15 || Nashville, TN || Wildhorse Saloon (LOW TICKETS)

September 16 || Atlanta, GA || Coca-Cola Roxy

September 18 || Raleigh, NC || The Ritz (LOW TICKETS)

September 19 || Silver Spring, MD || The Fillmore (LOW TICKETS)

September 21 || Chicago, IL || Radius

September 23 || Milwaukee, WI || The Rave II

September 25 || Cleveland, OH || Agora Theatre

September 27 || Boston, MA || MGM Music Hall at Fenway

September 29 || New York, NY || The Rooftop at Pier 17 (LOW TICKETS)

September 30 || Asbury Park, NJ || Stone Pony Summer Stage

Kvelertak Share "Endling" Lyric Video — WATCH + LISTEN

Your favorite punked-up, black metal-adjacent, classic rock-worshipping Norwegian group KVELERTAK are back! Their new album Endling arrives on September 8 via Rise Records/Petroleum Records. Pre-order it here.

Today, the band has shared the lyric video for the title track "Endling." Watch and listen below. 

"Starting with a guitar hook that could have been picked up at a First Avenue show during a U.S. tour and culminating in a Queen-like crescendo of harmonic guitar leads, 'Endling' serves as a requiem for destroyed nature and broken human destinies from our own time," the band says, giving a real bird's eye view into the song! "Trusting silver-tongued modernity only ends in a trunk full of fury and unspent wealth drugged in a rut behind you on your certain journey across the river Gjöll."

Thematically, the album continues on the path of 2020's critically acclaimed Splid — which received press accolades from Stereogum, MetalSucks, Kerrang!, Revolver, Invisible Oranges, Blabbermouth, Guitar World, and more — by delving further into local lore and legend, though guitarist Vidar Landa summed it up best. "On Endling, we tell the stories of the extinct and dying men and women of Norway. Old and new myths, culture, and rituals come to life — the folklore that doesn't fit a TV series concept. Vikings and trolls are for television. This is the real deal."

 "As the sun fell, at the time when oxen are unyoked, following the trail cut by the footsteps of Rasmus Vardal, the marauders of rock came riding again, screaming Kielland is dead, long live Kielland!," exclaims the band.