Acclaimed progressive metal legends OPETH have been honored with the prestigious Best Hard Rock & Metal award at this year’s Swedish Grammis. This achievement marks yet another milestone in the band’s illustrious career, further cementing their legacy as one of Sweden’s most influential and celebrated musical acts.
The award follows the release of ‘The Last Will & Testament,' the band’s fourteenth studio album, which was officially released on November 22 via Reigning Phoenix Music / Moderbolaget.
Order ‘The Last Will & Testament’: HERE
Opeth's fourteenth album was written by Åkerfeldt, with lyrics conferred with Klara Rönnqvist Fors (The Heard, ex-Crucified Barbara). ‘The Last Will & Testament’ was co-produced by Åkerfeldt and Stefan Boman (Ghost, The Hellacopters), engineered by Boman, Joe Jones (Killing Joke, Robert Plant), and Opeth, with Boman, Åkerfeldt, and the rest of Opeth mixing at Atlantis and Hammerthorpe Studios in Stockholm. The strings on ‘The Last Will & Testament’ were arranged by Åkerfeldt and returning prog friend Dave Stewart (Egg, Khan) and conducted by Stewart at Angel Studios in London. Not one to miss a beat, visual artist Travis Smith returns to the fold, crafting his 11th cover, a haunting "photograph" reminiscent of Stanley Kubrick's infamous "Overlook Hotel" photograph. Miles Showell (ABBA, Queen) also revisits mastering and vinyl lacquer cutting at Abbey Road Studios in London.
Åkerfeldt rolls out the red carpet for storied flautist and Jethro Tull main man Ian Anderson. Not only do Anderson's signature notes fly on "§4" and "§7", he narrates on "§1", "§2", "§4", and "§7". Joining Anderson, Europe's Joey Tempest lends a backing vocal hand on "§2”, while Åkerfeldt's youngest daughter, Mirjam Åkerfeldt, is the disembodied voice in "§1".
‘The Last Will & Testament ‘is gripping from start to finish, jaw-dropping inside and out, representing some of Opeth's finest material to date. Just as Opeth welcomed many into its distressed arms over the years, the Swedes again deliver on the promise that great music always tells a compelling story—this time with growls.
After three decades of dazzling the world, Opeth have made their most daring creative leap yet. The Last Will & Testament is a progressive and dramatic triumph, and yet more proof that expecting the unexpected is the only way forward for fans of Sweden’s finest.
“It’s a restless record for me,” concludes Åkerfeldt. “It’s an explosion of ideas, which I like. It’s a bit shorter and snappier. But I definitely didn’t want to rehash anything. The only thing that has come back is some of those death metal screams, but the mindset is still much more forward looking. In typical Opeth fashion, it’s not a direct record that you understand and that you love or hate right away. It takes time and if you put that time into it, you might like it… or hate it! It feels like it was written on a whim. Which it was, in a way! I hear things on this album and think, where the fuck did that come from?”
Lineup:
Mikael Åkerfeldt – Vocals, guitars
Fredrik Åkesson – Guitars, backing vocals
Martin Mendez – Bass guitar
Waltteri Väyrynen – Drums and percussion
Joakim Svalberg – Keyboards, backing vocals
Special Guests:
Ian Anderson (Jethro Tull) - spoken word (tracks 1, 2, 4, 7) // flute (tracks 4, 7)
Joey Tempest (Europe) - backing vocals (track 2)
Mirjam Åkerfeldt - spoken word (track 1)
All Music and Lyrics written by Mikael Åkerfeldt
Lyrical concept by Mikael Åkerfeldt, dramatic consultation by Klara Rönnqvist Fors
Produced by Mikael Åkerfeldt
Co-produced by Opeth and Stefan Boman
Engineered by Stefan Boman, Joe Jones and Opeth
Mixing by Stefan Boman and Mikael Åkerfeldt and Opeth at Atlantis and Hammerthorpe, Stockholm, Sweden
Mastering and vinyl lacquer cut by Miles Showell at Abbey Road studios, London, UK
Strings conducted by Dave Stewart at Angel Studios, London, UK
Strings arrangement by Mikael Åkerfeldt and Dave Stewart
Drum technicalities by Kit Cunningham
Artwork by Travis Smith with directions from Mikael Åkerfeldt
Biography by Dom Lawson
