The wait is finally over and OPETH's highly anticipated 14th studio album, 'The Last Will & Testament,' is now available worldwide today, November 22, via Moderbolaget // Reigning Phoenix Music! To celebrate this release, the Swedish prog legends are now sharing a visualizer for the song "§4," which can be found below.

Opeth frontman Mikael Åkerfeldt comments on the track, "'§4' is an oddball song, just written by instinct. I'm not a clever guy when it comes to writing music. People call us 'thinking man's metal,' I think that's laughable. I listen to music from so many different genres, it's impossible to me to stick to one genre. I find the idea boring to try and belong somewhere, we're a bit all over the place, and I think this song shows our diversity. For '§4' I was inspired by something called 'twelve note music,' which I think is a classical term, where you're supposed to play twelve notes und you cannot repeat a note twice. I heard some of that music by classical pianists playing, and it sounds wicked, it sounds evil, it sounds really strange - so that inspired the initial guitar theme. There's a melodrome theme in the beginning, it just sounds odd, like it doesn't fit in, almost like a free-form jazz solo or something like that. But it quickly kind of lands in an almost traditional metal theme with a common response type death metal vocal that has a stereo double-tracked normal vocal response.

"I can't remember what happened during the writing process, but I reached a point where I just stopped and felt, 'ok, time for something strange!' We ended up with a flute solo by Ian Anderson of Jethro Tull, which was kind of an accident in a way, because I asked him to do a narration, not flute. As he was doing the spoken word bits, he asked me 'do you need a flute solo?' I was like, 'yes, please!‘, while I didn't really have a part for a flute solo! I had to shuffle through the songs quickly in my head before he would change his mind. I had him on the hook, of course I was gonna find a piece! So, he played almost like a common response type flute solo in '§4.'

"This is a great song with the ending piece being one of the more evil pieces of music I've written in a long time: it sounds really menacing, sick almost!“

Order ‘The Last Will & Testament’: HERE

Opeth's fourteenth album was written by Åkerfeldt, with lyrics conferred with Klara Rönnqvist Fors (The Heard, ex-Crucified Barbara). ‘The Last Will & Testament’ was co-produced by Åkerfeldt and Stefan Boman (Ghost, The Hellacopters), engineered by Boman, Joe Jones (Killing Joke, Robert Plant), and Opeth, with Boman, Åkerfeldt, and the rest of Opeth mixing at Atlantis and Hammerthorpe Studios in Stockholm. The strings on ‘The Last Will & Testament’ were arranged by Åkerfeldt and returning prog friend Dave Stewart (Egg, Khan) and conducted by Stewart at Angel Studios in London. Not one to miss a beat, visual artist Travis Smith returns to the fold, crafting his 11th cover, a haunting "photograph" reminiscent of Stanley Kubrick's infamous "Overlook Hotel" photograph. Miles Showell (ABBA, Queen) also revisits mastering and vinyl lacquer cutting at Abbey Road Studios in London.

Åkerfeldt rolls out the red carpet for storied flautist and Jethro Tull main man Ian Anderson. Not only do Anderson's signature notes fly on "§4" and "§7", he narrates on "§1", "§2", "§4", and "§7". Joining Anderson, Europe's Joey Tempest lends a backing vocal hand on "§2”, while Åkerfeldt's youngest daughter, Mirjam Åkerfeldt, is the disembodied voice in "§1".

‘The Last Will & Testament ‘is gripping from start to finish, jaw-dropping inside and out, representing some of Opeth's finest material to date. Just as Opeth welcomed many into its distressed arms over the years, the Swedes again deliver on the promise that great music always tells a compelling story—this time with growls.

Moreover, OPETH has landed the the cover story for Decibel Magazine's current December 2024issue! The in-depth interview with the band was conducted by journalist Chris Dick while the photos were shot by Ester Segarra. The issue can be found HERE.

After three decades of dazzling the world, Opeth have made their most daring creative leap yet. The Last Will & Testament is a progressive and dramatic triumph, and yet more proof that expecting the unexpected is the only way forward for fans of Sweden’s finest.

“It’s a restless record for me,” concludes Åkerfeldt. “It’s an explosion of ideas, which I like. It’s a bit shorter and snappier. But I definitely didn’t want to rehash anything. The only thing that has come back is some of those death metal screams, but the mindset is still much more forward looking. In typical Opeth fashion, it’s not a direct record that you understand and that you love or hate right away. It takes time and if you put that time into it, you might like it… or hate it! It feels like it was written on a whim. Which it was, in a way! I hear things on this album and think, where the fuck did that come from?”

Lineup:

Mikael Åkerfeldt – Vocals, guitars

Fredrik Åkesson – Guitars, backing vocals

Martin Mendez – Bass guitar

Waltteri Väyrynen – Drums and percussion

Joakim Svalberg – Keyboards, backing vocals

Special Guests:

Ian Anderson (Jethro Tull) - spoken word (tracks 1, 2, 4, 7) // flute (tracks 4, 7)

Joey Tempest (Europe) - backing vocals (track 2)

Mirjam Åkerfeldt - spoken word (track 1)

All Music and Lyrics written by Mikael Åkerfeldt

Lyrical concept by Mikael Åkerfeldt, dramatic consultation by Klara Rönnqvist Fors

Produced by Mikael Åkerfeldt

Co-produced by Opeth and Stefan Boman

Engineered by Stefan Boman, Joe Jones and Opeth

Mixing by Stefan Boman and Mikael Åkerfeldt and Opeth at Atlantis and Hammerthorpe, Stockholm, Sweden

Mastering and vinyl lacquer cut by Miles Showell at Abbey Road studios, London, UK

Strings conducted by Dave Stewart at Angel Studios, London, UK

Strings arrangement by Mikael Åkerfeldt and Dave Stewart

Drum technicalities by Kit Cunningham

Artwork by Travis Smith with directions from Mikael Åkerfeldt

Biography by Dom Lawson

About Reigning Phoenix Music

Founded in 2023, Reigning Phoenix Music is truly the 100% independently owned vision of music industry professional Gerardo Martinez and avionics and tech entrepreneur, Sven Bogner. The blueprint is to continue to help heavy metal, extreme, hard, and heavy music thrive by partnering with an array of well-established acts, new talent, and iconic artists, by offering best services and practices in the industry. But most important is to help the artists amplify their art and talent to a winning formula for success!