Pete International Airport releases 'Sea of Eyes' EP feat. Alexander Hackett, Ride's Andy Bell, Holy Youth Movement & more

November 30, 2024

Pete International Airport presents their new 'Sea of Eyes' EP (aka 'The Lamplighters' EP) released via Portland-based label Little Cloud Records. This release comes hot on the trail the latest offering - the 'Sea of Eyes' GLOK Remix' by Ride legend Andy Bell.

Pete International Airport revolves around Peter G. Holmström of The Dandy Warhols and Sun Atoms, whose sonic odyssey through the dark underbelly of electronic rock invites listeners into a world of unexpected soundscapes, meticulously crafted to captivate the senses. PIA builds immersive and timeless soundscapes, in part owing to Holmström’s ability to curate and his penchant for dropping collaborators into challenging creative spaces - both virtual and actual - then letting them duke it out.

Earlier, PIA shared the original version of 'Sea of Eyes' featuring vocals by Alexander Hackett of Montreal dream-gaze outfit Pang Attack, along with an intriguing video by Italian director Francesca Bonci, and, most recently, the rave-inspired adrenaline-inducing 'Out Past The Razor Wire (HYM Post-Industrial Remix)' by long-term collaborator Holy Youth Movement.

The 5-track 'Sea of Eyes' EP was co-authored with and features vocals by Alexander Hackett. Apart from the remix by Andy Bell, the remixes created by Tom Smith (Holy Youth Movement) and long-time collaborator Daniel Sparks (omniscuro) entail a sonic whirlwind of excitement, which would have fit perfectly in such dynamic soundtracks as 'Hackers' or 'Snatch'.

“I really wanted to showcase Alexander Hackett’s vocal contributions to the record. There’s just this insane depth to his lyrics, and his voice is fantastic. The way the initial rollout of the album happened his songs weren’t the singles… I needed to do something to put that out there, and because I’m gonna be working with him in the future, it was something I wanted to do. It also was an excuse to reach out to Andy Bell and see if he’d do a remix and get some other friends involved," says Holmström.

“I always love hearing other people’s interpretations of the tracks and what their ears latch onto and where they take the track from there."

Mixed by Jeremy Sherrer at Spooky Electric Co. (Modest Mouse, The Shins, The Dandy Warhols) and mastered by Dave Coley at Elysian Mastering, most tracks were recorded at Air Traffic Control studio, and drums at The Trench Studios by The Dandy Warhols' sound engineer Gregg Williams.

The 'Sea of Eyes' EP is a logical progression of 'It Felt Like The End of the World' and the 'Tic Tac' 7" single, which boast the cream of the neo-psychedelic crop, including Slowdive's Rachel Goswell, BJM's Anton Newcombe, Dion Lunadon (A Place To Bury Strangers), Cheap Trick's Tom Petersson, Dark Horses' Lisa Elle, and members of Sun Atoms, Guiding Light and Hopewell.

On November 29, the 'Sea of Eyes' EP will be released on limited edition cassette and digitally via Spotify, Apple Music. and Bandcamp, where PIA's album 'It Felt Like The End of the World' is also available on deluxe double vinyl, CD and digitally and their 'Tic Tac' single with Rachel Goswell. can also be obtained on 7" vinyl.

CREDITS
Music written by Peter G. Holmström
Remix and additional production by Andy Bell (Ride)
Remix and additional production by Tom Smith (Holy Youth Movement)
Original track vocals and lyrics by Alexander Hackett (Pang Attack)
Instruments performed by Peter G. Holmström, except:
Alexander Hackett - Vocals
Paulie Pulvirenti - Toms, Octabans
Daniel Sparks - Drum Programming, Synths
Jeremy Sherrer - Synth, Drum programming
Produced by Jeremy Sherrer and Peter G. Holmström
All tracks recorded primarily at Air Traffic Control, Portland
Drums recorded at The Trench Studios by Gregg Williams
Vocals & additional instruments recorded in Montreal, LA & NYC
Additional production & mixing by Jeremy Sherre at Spooky Electric Co. (Austin, Florida & Spokane)
Mastered by Dave Coley at Elysian Mastering
Album art by Francesca Bonci
Publicity by Shauna McLarnon at Shameless Promotion PR
'Sea of Eyes' video directed by Francesca Bonci
Filmed by June Kang and Lê Thùy-Dương
Guest appearance - June Kang

Portland's SUN ATOMS release 'Everything Forever' album feat. guests from MODEST MOUSE, THE VANDELLES & more

November 9, 2024

Portland psychedelic gaze-wave outfit Sun Atoms present their sophomore album 'Everything Forever', released on November 8 via Little Cloud Records. Meticulously crafted with cosmic energy, their magnum opus features notable guest appearances by Modest Mouse’s Isaac Brock, Jasno Swarez of The Vandelles, and Lauren Andino of Tremours, amongst others. This sophomore album realizes the promise that was there in the debut not only musically, but in a sacred sense. This album gets between the ears, then heads south down past the brain and into the heart.

Sun Atoms is made up of vocalist Jsun Atoms (The Upsidedown, Daydream Machine), producer and bassist Peter G. Holmström (The Dandy Warhols, Pete International Airport), multi- instrumentalist June Kang, saxophonist-trumpeter- guitarist Mars de Ponte (LoveBomb Go-Go), drummer Eric Rubalcava and guitarist Derek Spencer Longoria-Gomez (Hi Hazel).

Homström and iconic mixing engineer Jagz Kooner had just finished The Dandy Warhols' latest album, generating an extraordinary symbiosis. Credited with creating some of the most genre-defining songs of the last 30 years, Kooner began his career working with Andrew Weatherall, remixing and producing for the likes of Bjork, The Chemical Brothers and New Order, as well as mixing for Primal Scream, Massive Attack, Oasis, Garbage and Killing Joke. With Pete producing and Jagz mixing in one of the great marvels of prehistoric Britain (Avebury Henge) at Jagz's Stone Circles Studios, the pair pushed the sonic envelope into the great abyss. The coup de grace was having Keith Tenniswood (Spiritualized, Death in Vegas) master the album at Curve Pusher UK.

Last week, the band shared the surreal, psychedelic fever dream of a video for 'Narco Polo' featuring Isaac Brock of Modest Mouse, which Jsun Atoms says "feels like a dada ice cream party inside a Salvador Dali painting". Holmström and Brock have been friends and collaborators for years, and Sun Atoms recently supported Modest Mouse for some West Coast shows. Earlier in 2024, Sun Atoms released the lead single 'Ceiling Tiles' with Leonard Cohen tribute 'Tower of Song (in the key of JAMC)', and fantastic sonic odyssey 'Take This Love' with B-side 'And The Lion Saw The UFO'.

A genre-defying fusion of psychedelic rock and indie pop, Sun Atoms push the boundaries of their own sonic exploration. Their debut album 'Let There Be Light' (2021). mixed by producer Stephen Street (Blur, The Smiths, The Cranberries), also involvedThe Black Angels’ Alex Maas,The Vandelles' Jasno SwarezandGregg Williams (Sheryl Crow, Blitzen Trapper).

This year, Sun Atoms played a series of sold-out concerts with Dinosaur Jr., crowning the list of shows they have played with Fishbone, Modest Mouse, Federale, Besnard Lakes, The Veldt, New Candys and TREMOURS. They've also shared the stage with the likes of Ty Segall, A Place To Bury Strangers, Neko Case, Built To Spill. Allah Las, Broncho and Night Beats.

As of November 8, 'Everything Forever' is out everywhere, including Apple Music, Spotify and Bandcamp. It can also be ordered on vinyl directly from Little Cloud Records. Sun Atoms has several upcoming concerts in Portland and Seattle, accompanied by The Veldt, Asteroid #4, Los Mundos and Valley Suns, capping off the year with The Dandy Warhols 30th Anniversary show (with LSD & The Search For God and TREMOURS) in Portland on December 11.

ALBUM CREDITS
Written & performed by Sun Atoms
Produced & Engineered by Peter G. Holmström at Air Traffic Control
Additional drums recorded by Gregg Williams at The Trench Studio
Lead vocals & Track 1 recorded by Tommy Dietrick / Joshua Tree Recording Studio
Isaac Brock vocals on Track 5 recorded at his Ice Cream Party studio
Initial tracking by Eric Crespo at Red Lantern Studios
Mixed by Jagz Kooner at Stone Circle Studios (Avebury, England)
Mastered by Keith Tenniswood at Curve Pusher (Hastings, England)
Sequencing by James Scott at Populist Recording
Jsun Atoms - vocals, guitar
June Kang - MPC, synths, percussion
Derek Spencer Longoria Gomez - guitar, vocals
Mars de Ponte - guitar, keys, vocals, horns
Eric Rubalcava - drums, percussion
Peter G. Holmström - bass, guitar, sequencers, keys, xylophone
Gregg Williams – hand drums on Tracks 4,5
Isaac Brock (Modest Mouse) – vocals on Track 5
Allison Green (The Black Doors) additional vocals on Tracks 1,7
Jasno Swarez (The Vandelles) additional vocals on Tracks 6,8
Lauren Andino (TREMOURS) - additional vocals on Track 6
Maria Atoms – additional vocals on Track 7
Album cover by James Coffman. Layout by Sea Gothman
Publicity by Shameless Promotion PR

CONCERTS
Nov. 09 PORTLAND - Show Bar at Revolution Hall (with The Veldt, Asteroid #4 & Los Mundos)
Nov. 16 SEATTLE - Belltown Yacht Club (with Valley Suns)
Dec. 11 PORTLAND - McMenamins Mission Theater (with LSD & The Search For God & TREMOURS) - Little Cloud Records Showcase for The Dandy Warhols 30th Anniversary
Feb. 1 PORTLAND - The Get Down (with Elephant Stone & Asteroid No. 4)

Keep up with Sun Atoms
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Keep up with Little Cloud Records
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Sun Atoms 'Everything Forever' album and new video for 'Narco Polo' feat. Isaac Brock

October 27, 2024

As the final single before releasing their sophomore album 'Everything Forever', Portland psychedelic gaze-wave outfit Sun Atoms and Isaac Brock of Modest Mouse transport unaware bystanders to a surreal, psychedelic fever dream in 'Narco Polo'. With B-side 'Stand Up Citizen', this is the final single from the band's sophomore record', set for release on November 8 via Little Cloud Records.

Sun Atoms is made up of producer and bassist Peter G. Holmström (The Dandy Warhols, Pete International Airport), vocalist Jsun Atoms (The Upsidedown, Daydream Machine), multi-instrumentalist June Kang, saxophonist-trumpeter-guitarist Mars de Ponte (LoveBomb Go-Go), drummer Eric Rubalcava and guitarist Derek Spencer Longoria-Gomez (Hi Hazel).

Lending his distinct dark brilliance to this track, Brocks’ delivery bursts in a tidal ebb and flow throughout this fun artsy tune. Abuzz with a blend of rhythmic strangeness, it is complemented by a fun video created by Brady Tuazon.

"I crafted a narrative where Isaac is a wizard controlling people, with Jsun serving as his mischievous emissary, blurring the lines between realities. At its core, the concept aligns with Sun Atoms' recurring theme of duality. I wanted to take that theme and create a world where the characters aren’t sure if they’re awake or dreaming. Working with Isaac was simply inspiring. We filmed in his incredible space.... His interactions with the toys and wood carvings became the cornerstone of our visual narrative. His performance shaped the way we filmed the next scenes in ways we couldn't have anticipated," says director Brady Tuazon.

"We were fortunate to secure a vibrant location in Portland for the other scenes, perfectly complementing the dreamscape we wanted to create. It was almost as if the location became a character in itself. Every angle and every decoration in the house complimented the surreal nature of our story. In an era where AI is increasingly being utilized in video production, we made a conscious choice to rely on our own strengths and experiences to craft a compelling story. We didn’t want AI to take away the joys of creating. It’s what makes us human and deepens our connection. That connection can’t be replicated through a prompt, but instead is built slowly with each interaction. 'Narco Polo' is more than just a music video - it's a labor of love and a true embodiment of our collective artistic spirit".

Jsun Atoms adds, "The video shoot felt like a dada ice cream party inside a Salvador Dali painting. There was a scene that was especially David Lynchian in the bedroom with all of the characters, including a giant hand, a bear, an ice cream cone (which wicked wizard Isaac ad magically controlled into contorting through the air), and menacing Derek (in his own fever dream inside a dream inside a dream). I have to hand it to director Brady Tuazon. He got the entire cast to trade in their comfort zone for the Twilight Zone".

Peter G. Holmström and Isaac have been friends and collaborators for years, and Sun Atoms recently supported Modest Mouse for some West Coast shows. Holmström shares, "The video is amazing, the first time I saw it was when I was at Jagz Kooner's studio in Avebury Henge UK and we watched it 3 times in a row. Isaac brought a character to the song and video that painted outside the usual Sun Atoms color palate and it takes the music and imagery somewhere we had never gone before".

The 'Everything Forever' LP was mixed by iconic producer Jagz Kooner (Massive Attack, Primal Scream, Oasis, Garbage) and mastered by Keith Tenniswood (Spiritualized, Death In Vegas). Earlier this year, Sun Atoms released two singles from this album on 7-inch vinyl and digitally - the new wave 'Ceiling Tiles' with Leonard Cohen tribute 'Tower of Song (in the key of JAMC)', followed by the fantastic sonic odyssey 'Take This Love' with B-side 'And The Lion Saw The UFO'.

Meticulously crafted with cosmic energy, Sun Atoms captivates the senses beyond the boundaries of sound and space. A genre-defying fusion of psychedelic rock and indie pop, Sun Atoms push the boundaries of their own sonic exploration. Their debut album 'Let There Be Light' (2021). mixed by producer Stephen Street (Blur, The Smiths, The Cranberries), also involved The Black Angels’ Alex Maas, The Vandelles' Jasno Swarez and Gregg Williams (Sheryl Crow, Blitzen Trapper).

This year, Sun Atoms played a series of sold-out concerts with Dinosaur Jr., crowning the list of shows they have played with Fishbone, Modest Mouse, Federale, Besnard Lakes, The Veldt, New Candys and TREMOURS. They've also shared the stage with the likes of Ty Segall, A Place To Bury Strangers, Neko Case, Built To Spill. Allah Las, Broncho and Night Beats.

'Narco Polo' is out everywhere, including Apple Music, Spotify and Bandcamp. The album 'Everything Forever' (out November 8) can be ordered via Bandcamp or via Little Cloud Records. Sun Atoms has several upcoming concerts in Portland and Seattle, accompanied by The Veldt, Asteroid #4, Los Mundos and Valley Suns, capping off the year with The Dandy Warhols 30th Anniversary show (with LSD & The Search For God and TREMOURS) in Portland on December 11.

ALBUM CREDITS
Written & performed by Sun Atoms
Produced & Engineered by Peter G. Holmström at Air Traffic Control
Additional drums recorded by Gregg Williams at The Trench Studio
Lead vocals & Track 1 recorded by Tommy Dietrick/ Joshua Tree Recording Studio
Isaac Brock vocals on Track 5 recorded at his Ice Cream Party studio
Initial tracking by Eric Crespo at Red Lantern Studios
Mixed by Jagz Kooner at Stone Circle Studios (Avebury, England)
Mastered by Keith Tenniswood at Curve Pusher (Hastings, England)
Sequencing by James Scott at Populist Recording
Jsun Atoms - vocals, guitar
June Kang - MPC, synths, percussion
Derek Spencer Longoria Gomez - guitar, vocals
Mars de Ponte - guitar, keys, vocals, horns
Eric Rubalcava - drums, percussion
Peter G. Holmström - bass, guitar, sequencers, keys, xylophone
Gregg Williams – hand drums on Tracks 4,5
Isaac Brock (Modest Mouse) – vocals on Track 5
Allison Green (The Black Doors) additional vocals on Tracks 1,7
Jasno Swarez (The Vandelles) additional vocals on Tracks 6,8
Lauren Andino (TREMOURS) - additional vocals on Track 6
Maria Atoms – additional vocals on Track 7
Album cover by James Coffman. Layout by Sea Gothman
Publicity by Shameless Promotion PR

'NARCO POLO' VIDEO CREDITS
Directed & edited by Brady Tuazon
Produced by Brady Tucson and Jsun Atoms
Director of Photography - Nigel Coutinho
Filmed by Nigel Coutinho and Erik Meharry
Carter Craft Services - Herbert Ha
Cast: Andrew McCracken, Maria Popii Adams, Herbert Ha, Hannah Glavor, Peter G. Holmstrom, Jsun Atoms, June Kang, Derek Spencer Longoria Gomez, Mars de Ponte, Eric Rubalcava, Brady Tucson, Kristin Claflin Costume and Set: Brady Tucson, Hannah Glavor, Kristin Claflin Wood Carvings: Everett

CONCERTS
Nov. 09 PORTLAND - Show Bar at Revolution Hall (with The Veldt, Asteroid #4 & Los Mundos)
Nov. 16 SEATTLE - Belltown Yacht Club (with Valley Suns)
Dec. 11 PORTLAND - McMenamins Mission Theater (with LSD & The Search For God & TREMOURS) - Little Cloud Records Showcase for The Dandy Warhols 30th Anniversary
Feb. 1 PORTLAND - The Get Down (with Elephant Stone & Asteroid No. 4)

Keep up with Sun Atoms
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube | Soundcloud | Apple Music | Spotify | BandsInTown | SongKick | Booking contact | Press contact

Keep up with Little Cloud Records
Website | Facebook | Bandcamp | Twitter | Instagram | YouTube

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Pete International Airport presents 'Out Past The Razor Wire (HYM Post-Industrial Remix)' from November EP

October 1, 2024

Portland-based Pete International Airport presents the single 'Out Past The Razor Wire (HYM Post-Industrial Remix)', created by Holy Youth Movement, a long-term PIA collaborator. This racy adrenaline-filled track is the second taste of Pete International Airport's new 'Sea of Eyes' EP, set for release in November via cult label Little Cloud Records,

Influenced by the energy of rave culture, this is a sonic whirlwind of excitement for listeners, which would have fit perfectly in such iconic soundtracks as 'Hackers' or 'Snatch' with its motorik groove and dynamic energy.

Pete International Airport revolves around Peter G. Holmström of The Dandy Warhols and Sun Atoms, whose sonic vision takes us on a meticulously crafted psychedelic journey into the dark heart of electronic rock. Named after a Dandies song, this project nails the elusive aesthetic of unexpected yet inviting sound art. PIA's quest to build immersive soundscapes that are also timeless songs is successful, in part, due to Holmström’s uncanny ability to curate and his penchant for dropping collaborators into challenging creative spaces—both virtual and actual—then letting them duke it out.

The 'Sea of Eyes' EP consists of five tracks that are rooted in PIA's third album 'It Felt Like The End of the World', released in late 2023 - all five of them co-authored with and featuring vocals by Alexander Hackett. They earlier introduced 'Sea of Eyes' featuring vocals by Alexander Hackett of Montreal dream-gaze outfit Pang Attack. The intriguing shadow-dance video was directed by Francesca Bonci.

The 'Sea of Eyes' EP was mixed by Jeremy Sherrer at Spooky Electric Co. (Modest Mouse, The Shins, The Dandy Warhols) and mastered by Dave Coley at Elysian Mastering. Most tracks were recorded at Holmström’s Air Traffic Control studio in Portland, but drums were recorded at The Trench Studios by The Dandy Warhols' sound engineer Gregg Williams..

"I really wanted to showcase Alexander Hackett’s vocal and lyrical contributions to my record so, using the excuse of a video for 'Sea of Eyes' to release an EP of remixes seemed like a good idea. Of course lots of remixes don’t use the vocals…anyway…I got to work with Andy Bell (Ride) and Tom Smith (Holy Youth Movement) as well as long time collaborator Daniel Sparks (omniscuro) to put it together," says Holmström.

"I first heard Pang Attack when SUUNS shared a track on their socials. At first I was disappointed because it didn’t sound like SUUNS (I was obsessing on them hard) but, for some reason, I kept listening. There was something there that I connected with. Alex’s lyrics and melodic choices were perfect and I had to find out if he was interested in working with me. 'Sea Of Eyes' is the second song that Alex and I collaborated on. His lyrics perfectly capture the vibe of the world at that time".

The 'Sea of Eyes' EP is a logical progression (and continuation) of 'It Felt Like The End of the World' and the 'Tic Tac' 7" single, which jointly boast the cream of the neo-psychedelic crop, including Slowdive's Rachel Goswell, The Brian Jonestown Massacre's Anton Newcombe, Dion Lunadon (A Place To Bury Strangers, The D4), Cheap Trick's Tom Petersson, Lisa Elle of Dark Horses, and members of Sun Atoms, Guiding Light and Hopewell.

As of October 1, 'Out Past The Razor Wire (HYM Post-Industrial Remix)' will be be available exclusively via Bandcamp, where the EP is available for pre-order (digitally and on limited edition cassette). The album 'It Felt Like The End of the World' can also be found there, available digitally, on CD and vinyl as a Deluxe double-album with gatefold sleeve. The 'Tic Tac' single with Rachel Goswell and it's 7" vinyl version are available both via Pete International Airport and The Dandy Warhols.

SINGLE CREDITS
Music written by Peter G. Holmström
Remix and additional production by Tom Smith (Holy Youth Movement)
Original track vocals and lyrics by Alexander Hackett (Pang Attack)
Instruments performed by Peter G. Holmström, except:
Alexander Hackett - Vocals
Paulie Pulvirenti - Toms, Octabans
Daniel Sparks - Drum Programming, Synths
Jeremy Sherrer - Synth, Drum programming
Produced by Jeremy Sherrer and Peter G. Holmström
All tracks recorded primarily at Air Traffic Control, Portland
All drums recorded at The Trench Studios by Gregg Williams
Vocals & additional instruments recorded in Montreal, LA & NYC
Additional production & mixing by Jeremy Sherre at Spooky Electric Co. (Austin, Florida & Spokane)
Mastered by Dave Coley at Elysian Mastering
Album art by Francesca Bonci
Publicity by Shauna McLarnon at Shameless Promotion PR
'Sea of Eyes' video directed by Francesca Bonci
Filmed by June Kang and Lê Thùy-Dương
Guest appearance - June Kang

Keep up with Pete International Airport
Website | Bandcamp | Twitter | Facebook | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Little Cloud Records
Website | Facebook | Bandcamp | Twitter | Instagram | YouTube

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | Spotify | LinkedIn | Email

Pete International Airport (The Dandy Warhols' Peter G. Holmström) shares 'Sea of Eyes', loaded taste of new EP

August 29, 2024

Portland-based Pete International Airport presents the new single 'Sea of Eyes' featuring vocalist Alexander Hackett of Montreal dream-gaze outfit Pang Attack. This is the first offering from PIA's new 'Sea of Eyes' EP, set for release in November via cult label Little Cloud Records, accompanied by an intriguing shadow-dance video, directed by Francesca Bonci.

Pete International Airport revolves around Peter G. Holmström of The Dandy Warhols and Sun Atoms, whose sonic vision takes us on a meticulously crafted psychedelic journey into the dark heart of electronic rock. Named after a Dandies song, this project nails the elusive aesthetic of unexpected yet inviting sound art. PIA's quest to build immersive soundscapes that are also timeless songs is successful, in part, due to Holmström’s uncanny ability to curate and his penchant for dropping collaborators into challenging creative spaces—both virtual and actual—then letting them duke it out.

The 'Sea of Eyes' EP consists of five tracks that are rooted in PIA's third album 'It Felt Like The End of the World', released in late 2023 - all five of them co-authored with and featuring vocals by Alexander Hackett.

"'Sea Of Eyes' was one of the first tracks that got started for 'It Felt Like The End Of The World'. I tried to invent my own guitar tuning (CGCGCD). Of course, someone had done it before, but I got a cool chord sequence that felt good to play for 5+ minutes. I tried adding a chorus, but it never felt right, so that became the Outro," explains Peter G. Holmström.

"I had been obsessing on The Cure’s 'Fascination Street' (especially the bass line) and my first attempt at something similar ended up sounding like Simon Gallup goes dub. The other part of the attempt became the Bass VI melody. Daniel Sparks added an amazing modular synth “trumpet” sound that captured perfectly the claustrophobic atmosphere of the pandemic."

'Sea of Eyes' EP pre-order https://peteinternationalairport.bandcamp.com/album/sea-of-eyes

Just as the latest album, the 'Sea of Eyes' EP was mixed by Jeremy Sherrer at Spooky Electric Co. (Modest Mouse, The Shins, The Dandy Warhols), this EP was mastered by Dave Coley at Elysian Mastering. While most tracks were recorded at Holmström’s Air Traffic Control studio in Portland, all drums were recorded at The Trench Studios by Gregg Williams, who engineered The Dandy Warhols’ albums ‘13 Tales From Urban Bohemia’ and ‘Odditorium or Warlords of Mars’.

"I really wanted to showcase Alexander Hackett’s vocal and lyrical contributions to my record so, using the excuse of a video for 'Sea of Eyes' to release an EP of remixes seemed like a good idea. Of course lots of remixes don’t use the vocals…anyway…I got to work with Andy Bell (Ride) and Tom Smith (Holy Youth Movement) as well as long time collaborator Daniel Sparks (omniscuro) to put it together," says Holmström.

"I first heard Pang Attack when SUUNS shared a track on their socials. At first I was disappointed because it didn’t sound like SUUNS (I was obsessing on them hard) but, for some reason, I kept listening. There was something there that I connected with. Alex’s lyrics and melodic choices were perfect and I had to find out if he was interested in working with me. 'Sea Of Eyes' is the second song that Alex and I collaborated on. His lyrics perfectly capture the vibe of the world at that time".

The 'Sea of Eyes' EP is a logical progression (and continuation) of 'It Felt Like The End of the World' and the 'Tic Tac' 7" single, which jointly boast the cream of the neo-psychedelic crop, including Slowdive's Rachel Goswell, The Brian Jonestown Massacre's Anton Newcombe, Dion Lunadon (A Place To Bury Strangers, The D4), Cheap Trick's Tom Petersson, Lisa Elle of Dark Horses, and members of Sun Atoms, Guiding Light and Hopewell.

As of August 29, 'Sea of Eyes' will be released (digitally and on limited edition cassette) exclusively via Bandcamp, where the EP is available for pre-order and where 'It Felt Like The End of the World' is also available digitally, on CD and vinyl as a Deluxe double-album with gatefold sleeve. The 'Tic Tac' single with Rachel Goswell and it's 7" vinyl version are also available via Pete International Airport and The Dandy Warhols.

SINGLE CREDITS
Music written by Peter G. Holmström
Vocals and lyrics by Alexander Hackett (Pang Attack)
Instruments performed by Peter G. Holmström, except:
Alexander Hackett - Vocals
Paulie Pulvirenti - Toms, Octabans
Daniel Sparks - Drum Programming, Synths
Jeremy Sherrer - Synth, Drum programming
Produced by Jeremy Sherrer and Peter G. Holmström
All tracks recorded primarily at Air Traffic Control, Portland
All drums recorded at The Trench Studios by Gregg Williams
Vocals and additional instruments recorded in Montreal, LA & NYC
Additional production & mixing by Jeremy Sherrer at Spooky Electric Co. (Austin, Florida & Spokane, WA)
Mastered by Dave Coley at Elysian Mastering
Album art by Francesca Bonci
Publicity by Shauna McLarnon at Shameless Promotion PR
Video directed by Francesca Bonci
Filmed by June Kang and Lê Thùy-Dương
Guest appearance - June Kang

Keep up with Pete International Airport
Website | Bandcamp | Twitter | Facebook | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Little Cloud Records
Website | Facebook | Bandcamp | Twitter | Instagram | YouTube

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | Spotify | LinkedIn | Email

Portland's SUN ATOMS announces new 7" single 'Take This Love' via Little Cloud Records.

July 10, 2024

"Sun Atoms is a tripped-out opus packed with droning electronics, shimmering guitars, dayglo melodies and a deep, whispered delivery" ~ Brooklyn Vegan

"Swirling keyboards, chiming psych tinged licks and the foreboding attitude dashed vocals craft a foreboding and bristling concoction, it has echoes of the Mission, The Sisters of Mercy or the propulsive sound of Leonard Cohen‘s 'I'm Your Man’ album" ~ God is in the TV Zine

"Ebbing and flowing like Love and Rockets under a Spiritualized raga; the spirit of Bowie’s classic Moonage Daydream echoes through the band’s astral fabric” ~ First Look

"Artistic leap into an enthralling intersection of post-punk, indie rock and new wave... a gateway for your consciousness to coast into fascinating sonic realms" ~ Spill Magazine

“Sun Atoms bend and blend through luminary influences Leonard Cohen, The Cure, Moon Duo and Nick Cave in an amalgamation that combines psychedelic, dark wave, and post-modern pop” ~ The Big Takeover

"Sun Atoms fuses styles and sounds like a long lost Basquiat painting found in deep space among comets and stars” ~ Maximum Volume

In a whirlwind of sonic serendipity, Portland psychedelic gaze-wave outfit Sun Atoms presents their new single 'Take This Love', a sonic odyssey that transports listeners to a realm of pure musical enchantment. The fun continues in the clever sci-fi video, created by Bradley Tuazon at Oregon's world-famous Airplane Home. On July 26, this 2-track single will be released via Little Cloud Records digitally and on 7" vinyl, previewing Sun Atoms' sophomore album.

Sun Atoms is made up of bassist Peter G. Holmström (The Dandy Warhols, Pete International Airport), vocalist Jsun Atoms (The Upsidedown, Daydream Machine), multi-instrumentalist June Kang, Mars de Ponte (LoveBomb Go-Go), L.A. drummer Eric Rubalcava and Boise native Derek Spencer Longoria-Gomez (Hi Hazel).

Mixed by iconic producer Jagz Kooner (Massive Attack, Primal Scream, Oasis, Garbage) and mastered by Keith Tenniswood (Spiritualized, Death In Vegas), 'Take This Love' stands as a testament to Sun Atoms' commitment to musical innovation and creativity with Jsun Atoms delving into introspective realms, while pondering the “hieroglyphs in bright lights” illuminated by the desert stars. Its lyrical crowning blow lies in the line “take this love and shove it up your heart”.

'Take This Love' came to life in the wee hours of the morning following a transformative show in the enigmatic locale of Pioneertown. Once at Joshua Tree Recording Studios, the band found themselves ensconced in a creative fervor at 3am, recorded by Tommy Dietrick (The Brian Jonestown Massacre, David J, Mark Gardener, Smallstone, Sky Parade). As the desert sands whispered ancient mysteries, the band delved into uncharted territory, forging a unique sonic tapestry that transcends convention.
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“We thought we'd be back earlier in the night, but hanging with friends after the show pushed us back a few hours. When we arrived at the studio, the house kit was already set up for our drummer, Eric. He and Tommy captured a driving thunderous rhythm, perfectly accenting the sequencing pattern June Kang brought in on the MPC. Peter came up with another one of his brilliant, hooky-pirate bass lines while our guitarist Derek tightroped the threshold of melody and fuzz. Enigmatic Martian muse Mars de Ponte added a celestial touch with ear-worm guitar leads and ethereal keys that linger long past the final chord. Peter later doubled the lead guitar line with a toy xylophone and Portland vocalist Allison Green (The Black Doors) also added her signature rich texture to the vocals," explains Jsun Adams.

Venturing into strange new sonic frontiers, the B-side 'And The Lion Saw The UFO' emerges as a sci-fi cautionary tale, resonating with experimental Krautrock beats and psychedelic textures. Initially recorded with Eric Crespo of experimental psych outfit Abronia, and featuring the illustrious Gregg Williams (Sheryl Crow, The Dandy Warhols) on hand drums, this auditory odyssey delves into dreamlike reverie, blurring the line between reality and imagination.

Meticulously crafted and imbued with cosmic energy, Sun Atoms' music captivates the senses, operating beyond the boundaries of sound and space. A genre-defying fusion of psychedelic rock, indie pop and post-punk, Sun Atoms push the boundaries of their own sonic exploration, inviting listeners on a musical escapade that defies categorization.

"From the start, 'Take This Love' captivated my ears with its mesmerizing rhythm and unapologetically bold lyrics. While the themes of love are familiar, Jason's lyrics always carry an element of surprise. The line "hieroglyphs in bright lights" inspired the wild idea of interdimensional love, a concept that, though unconventional, highlights the transcendent nature of love—a connection we can sense even without a shared language. Our idea was ambitious but the best way to visualize the song was through the story of two inter-dimensional beings trying to find each other," says video producer Bradley Tuazon.

"I had always wanted to film at the airplane home in Hillsboro, and this video's concept was perfect for it. Bruce Campbell (owner of the Airplane Home) kindly allowed us to film there. We didn’t really have a budget so we had to maximize our visuals with what was available to us. The location aided us in creating something fun, memorable and off the wall. From start to finish, we had just under a month to finalize storyboards, make costumes, and figure out logistics on top of our full-time jobs. This is the fifth production our crew has done this year, and I'm humbled each time we come together to create something special."

Earlier this year, Sun Atoms released their 'Ceiling Tiles' single on 7-inch vinyl, featuring the new wave-inspired single 'Ceiling Tiles' and the charismatic B-side (a unique fuzzed-out tribute to Leonard Cohen) called 'Tower of Song (in the key of JAMC)'. They also played a series of sold-out concerts with Dinosaur Jr. and shows with Federale, The Veldt and TREMOURS, in addition to playing Seagaze Festival and Treefort Festival, where they shared the stage with Ty Segall, A Place To Bury Strangers, Neko Case and Built To Spill.

The band debuted in 2021 with the album 'Let There Be Light', produced by Peter G. Holmström and mixed by iconic producer Stephen Street (Blur, The Smiths, The Cranberries), which involving contributions by The Black Angels’ Alex Maas, The Vandelles' Jasno Swarez and Gregg Williams (Sheryl Crow, Blitzen Trapper). Since then, Sun Atoms has also played shows with Modest Mouse, Fishbone, Besnard Lakes, The Veldt and New Candys, and has shared the stage with the Allah Las, Broncho and Night Beats.

On July 26, 'Take This Love' will be released on 7-inch vinyl and fine digital platforms, including Apple Music, Spotify and Bandcamp. In the meantime, the 'Ceiling Tiles' single is also available on beautiful 7" vinyl.

CREDITS
Written and played by Peter G. Holmström, Jsun Atoms, June Kang, Derek Spencer Longoria-Gomez, Mars de Ponte, Eric Rubalcava
Produced and Engineered by Peter G. Holmström at Air Traffic Control
Recording (additional drums) by Gregg Williams at The Trench Studio
Initial Recording (add. vox) by Tommy Dietrick / Joshua Tree Recording Studio
Initial tracking by Eric Crespo at Red Lantern Studios
Mixed by Jagz Kooner at Stone Circle Studios (Avebury, England)
Mastered by Keith Tenniswood at Curve Pusher (Hastings, England)
Peter G. Holmström - bass, guitar, sequencers, keys, xylophone
June Kang - MPC, synths, percussion, guitar
Derek Spencer Longoria-Gomez - guitar, vocals
Mars de Ponte - guitar, keys, vocals, horns
Eric Rubalcava - drums, percussion
Jsun Atoms - vocals, guitar
Additional vocals by Allison Green
Hand drums by Gregg Williams
Lion Vocal Consult: Nate Wey & Christian Hurd
Cover artwork by James Coffman. Layout by Sean Gothman
Music video directed & edited by Brady Tuazon
Artist photos by Lisa Hagen Glynn
Released by Little Cloud Records 2024
Publicity by Shameless Promotion PR

TOUR DATES
July 20 SANDY, Oregon - Shady Pines Fest, McKinnon Airpark
Aug 10 MAUPIN, Oregon - The Oasis
Sept 7 PORTLAND, Oregon - PDX POP FEST Main Stage, Downtown
Nov. 9 PORTLAND, Oregon - Show Bar (with The Veldt, Asteroid #4 & Los Mundos)

Keep up with Sun Atoms
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube | Soundcloud | Apple Music | Spotify | BandsInTown | SongKick | Booking contact | Press contact

Keep up with Little Cloud Records
Website | Facebook | Bandcamp | Twitter | Instagram | YouTube

Keep up with Shameless Promotion PR
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Brooklyn post-punk outfit CLONE bring the firepower on debut album 'CL. 1', released via Little Cloud Records

June 23, 2024

"Loud, aggressive disharmonies flow into a flood of raging and conflicting emotions where droning reverb-injected riffs, angsty and obsessive excruciatingly ringing John McGeoch-esque guitar strains" ~ White, Light White Heat

"Feeding what are now greedy expectations, fuelled by this smashing earworm, Clone ignites a firestorm of sonic pleasure - enthralled and fascinated with its sonic impression, emotional turbulence and convincing delivery" ~ The Spill Magazine

"Highly Urgent Political Rock" ~ Destroy // Exist

"A monument to what seems like a dying art form, Clone emerges from the streets of Brooklyn—streets that have been fertile ground for underground music for decades—to remind us of what a band can truly be in an age of digitization, pre-fabrication, and superficiality" ~ Idioteq

Brooklyn post-punk outfit Clone presents their debut 'CL. 1' album, just in time for the summer solstice. Released via Portland label Little Cloud Records and North Carolina's 5BC Records, this is an album born from a seemingly lost wellspring of shared imagination and a youthful transformative power.

Their sonic exploration, once a private refuge, now invites all. Earlier, the band shared caustic excellence in the iconoclastic singles 'Dividing Line', 'Immutable' and 'Redeemer', each igniting a fire for change.

'CL.1' is a phenomenal debut album – a truly impressive first outing. Recorded and mixed by NYC legendary producer Martin Bisi (Sonic Youth, Swans, Brian Eno, John Zorn, Herbie Hancock, Iggy Pop, Helmet, Dresden Dolls) at his famed BC Studio, built by Brian Eno. Co-produced by Bisi and LG Galleon, this record was mastered by Fred Kevorkian (The White Stripes, Sonic Youth, Juliana Hatfield, Pharaoh Sanders, Regina Spektor, Cassandra Wilson, Lloyd Cole).

One of the most exciting new post-punk bands on the scene these days, each member of Clone is of strong musical lineage. Dead Leaf Echo frontman LG Galleon is joined by NYC musicians Gregg Giufree (Pilot to Gunner), Max Idas and Dominick Turi. Today, their live line-up includes Paul Liziragga (Namesake) and Alex Cox (The Veldt).

Clone's music is evocative, in ethos and ambition, of a time when music still could change lives. Their lyrics involve the struggles and critiques of the working person's daily life. The bands started playing shows in 2019, building their fanbase organically, brick by brick, word of their incendiary live shows spreading. Each time they play, more are won over.

"We had been rehearsing and writing the material all through the very end of Trump's first term, having started the band right before COVID hit. Taking a leering look down on class systems via politicized punk rock always seems appropriate, but we had no idea that the first day of tracking at Martin Bisi's studio (BC Studios) would coincide with the results of the new election. We rehearsed the songs in Bushwick but the studio was in Gowanus (30 min away) so everyday I woke up and got on the bike to the studio for overdubs. But the first day was different - in the excitement of the election having gone deep into the night (after sleep had overtaken), we awoke to cheers of excitement," says LG Galleon.

"I went to my local barista and asked for my normal and was handed a bottle of tequila. No time for coffee, the celebrations had already started. Emotions were running high and optimistic and it carried over into the studio. We quickly delivered the material over to Martin during the next two days and overdubs followed shortly after. A feeling of writing the songs in desperation near the end of his term made for a feeling of release; albeit we knew it was a pyrrhic victory in the moment. COVID and life would mean we'd lose two of the original members when they left New York, but there will always be the feeling we had there in that moment on Election Day. It's interesting that now that this material is being released, Round 2 looms in the very near future, bringing back all those same fierce feelings of retribution once more."

Clone is a unit of its parts. Egalitarian in their writing process, songs are built upon inchoate sparks offered by any member, letting the jams run free in their rehearsal space until there’s a complete song, guided by the alchemy of intuition. There’s no rule book here, and no one defining member, but there is a palpable chemistry.

Rooted in belief in its galvanizing, redemptive power, the kind which used to be written for the lonely and the scarred and the diffident (before something truly was lost), something deeply enmeshed within the human psyche that could be shared. Clone are fitfully reclaiming this, which at its crux, is the imagination of youth. Captured vividly here, their private universe of sonic exploration is now open to all.

On June 21, the 'CL. 1' album was released as a 12" vinyl LP, featuring an impressive black and white mix, and as a digital download everywhere, including Apple Music, Spotify. and Bandcamp.

CREDITS
All tracks written by Clone
Lyrics by LG Galleon (onewithwave music ASCAP)
Performed by LG Galleon / Gregg Giufree / Max Idas / Dominick Turi
LG Galleon - guitar, vocals, keys
Gregg Giufree - drums
Max Idas - bass
Dominic Turi - guitar, keys
Recorded and mixed by Martin Bisi (Sonic Youth, Swans) at BC Studios
Co-produced by LG Galleon
Mastered by Fred Kevorkian at Kevorkian Mastering
Album cover art designed by Roy Burns iii
Single cover artwork by Jacques Urioste
Released by Little Cloud Records and 5BC Records
'Dividing Line' video by Preston Spurlock
BnW artist photography by Silvia Saponaro
Publicity by Shameless Promotion PR

Brooklyn post-punk outfit CLONE reveals 'Redeemer', a caustic taster of debut 'CL. 1' album

May 21, 2024

"Loud, aggressive disharmonies flow into a flood of raging and conflicting emotions where droning reverb-injected riffs, angsty and obsessive excruciatingly ringing John McGeoch-esque guitar strains" ~ White, Light White Heat

"Feeding what are now greedy expectations, fuelled by this smashing earworm, Clone ignites a firestorm of sonic pleasure - enthralled and fascinated with its sonic impression, emotional turbulence and convincing delivery" ~ The Spill Magazine

"Highly Urgent Political Rock" ~ Destroy // Exist

"A monument to what seems like a dying art form, CLONE emerges from the streets of Brooklyn—streets that have been fertile ground for underground music for decades—to remind us of what a band can truly be in an age of digitization, pre-fabrication, and superficiality" ~ Idioteq

Brooklyn post-punk outfit Clone presents their invigorating new single 'Redeemer', which is about cult leaders and the “cult” of personality surrounding politics and celebrities. A scathing indictment of the modern obsession with the cult of personality that folks so easily create and bow down to. Hollow trends, manufactured personas, this is a cleverly-constructed sonic commentary on a world obsessed with the superficial and the emptiness that lurks beneath the surface.

'Redeemer' is the third taste of their debut 'CL. 1' album, following 'Immutable' and 'Dividing Line' with its multi-media video created by Preston Spurlock. Through their sharp guitars and penetrating vocals, this is a call to arms to see through the charade and puncture such phenomena as hero worship, hype and propaganda (and to get back to what is real).

This album will be released on vinyl and digitally via Portland-based Little Cloud Records and North Carolina's 5BC Records on June 21.

'Redeemer' https://clonebk.bandcamp.com/track/redeemer
'CL. 1' album order https://clonebk.bandcamp.com/album/cl-1
'CL. 1' vinyl order https://littlecloudrecords.com/products/clone-cl-1-pre-order
'Dividing Line' https://youtu.be/Wek1uSlQ7Go
Bandcamp https://clonebk.bandcamp.com/track/dividing-line-single
Spotify https://open.spotify.com/track/2erYq66VOoe3KCAuhApdNZ
'Immutable' https://youtu.be/nIzBvX7nt08
Bandcamp https://clonebk.bandcamp.com/track/immutable
Spotify https://open.spotify.com/track/0Q5Qlxiq97crgRjsLC24C5
Apple Music https://music.apple.com/nz/artist/clone/1498878509

Clone is led by LG Galleon, best known as frontman of Dead Leaf Echo. On this album, he is joined by NYC musicians Gregg Giufree (Pilot to Gunner), Max Idas and Dominick Turi. Live, he is joined by Paul Liziragga (Namesake) and Alex Cox (The Veldt).

“'Redeemer' is about convincing yourself that betrayal can be used a form of trust. Religious groups always need a scapegoat, who has failed them, to rely on to strengthen beliefs within their core," says LG Galleon.

"Like the smiling face on your television, it only takes a viral face to dictate policy to the people. Whether it’s Donald Trump paying homage to Hannibal Lecture or Eric Adams telling immigrants to become lifeguards because he thinks they’re good swimmers. Even the lowest level of intelligence can enthrall and convince the public with ridiculous statements."

Clone started playing shows in summer of 2019, building their fanbase organically, brick by brick, word of their incendiary live shows spreading. Each time they play, more are won over.

Operating in what’s rapidly becoming an antiquated model, they’re a unit of parts. Egalitarian in their writing process, one where songs are built upon inchoate sparks offered freely by any member, letting the jams run free in their rehearsal space until there’s a complete song, guided by the alchemy of intuition. There’s no rule book here, and no one defining member, but there is a palpable chemistry.

As a debut album, 'CL.1' is a damn auspicious opening volley, recorded and mixed by NYC legendary producer Martin Bisi (Sonic Youth, Swans, Brian Eno, John Zorn, Herbie Hancock, Iggy Pop, Helmet, Dresden Dolls, Cop Shoot Cop) at his famed BC Studio, built by Brian Eno. Produced by LG Galleon and Bisi, it was mastered by Fred Kevorkian.

Clone's music is evocative, in ethos and ambition, of a time when music still could change lives. Their lyrics involve the struggles and critiques of the working person's daily life.

Rooted in belief in its galvanizing, redemptive power, the kind which used to be written for the lonely and the scarred and the diffident (before something truly was lost), something deeply enmeshed within the human psyche that could be shared. Clone are fitfully reclaiming this, which at its crux, is the imagination of youth. It’s captured vividly here, and their private universe of sonic exploration is now open to all.

'Redeemer' is out now, available exclusively through Bandcamp, while the previous two singles are also available on Apple Music, Spotify and elsewhere online. On June 21, the 'CL. 1' album will be released everywhere digitally and as a 12" vinyl LP - the Salt Sea Strain Edition entails an impressive black and white mix.

CREDITS
All tracks written by Clone
Lyrics by LG Galleon (onewithwave music ASCAP)
Performed by LG Galleon / Gregg Giufree / Max Idas / Dominick Turi
LG Galleon - guitar, vocals, keys
Gregg Giufree - drums
Max Idas - bass
Dominic Turi - guitar, keys
Recorded and mixed by Martin Bisi (Sonic Youth, Swans) at BC Studios
Co-produced by LG Galleon
Mastered by Fred Kevorkian
'Dividing Line' video by Preston Spurlock
BnW artist photography by Silvia Saponaro
Album cover art designed by Roy Burns iii
Single cover artwork by Jacques Urioste

Dead Leaf Echo's LG Galleon announces debut CLONE album, shares video for 'Dividing Line'

April 22, 2024

"Loud, aggressive disharmonies flow into a flood of raging and conflicting emotions where droning reverb-injected riffs, angsty and obsessive excruciatingly ringing John McGeoch-esque guitar strains" ~ White, Light White Heat

"Feeding what are now greedy expectations, fuelled by this smashing earworm, Clone ignites a firestorm of sonic pleasure - enthralled and fascinated with its sonic impression, emotional turbulence and convincing delivery" ~ The Spill Magazine

"Highly Urgent Political Rock" ~ Destroy // Exist

"A monument to what seems like a dying art form, CLONE emerges from the streets of Brooklyn—streets that have been fertile ground for underground music for decades—to remind us of what a band can truly be in an age of digitization, pre-fabrication, and superficiality" ~ Idioteq

Post-punk outfit Clone - a Brooklyn-based supergroup featuring members of The Veldt, Dead Leaf Echo, Namesake and Pilot to Gunner - announces their debut record 'CL. 1' and presents the lead track 'Dividing Line', a song about how Donald Trump tried to start a class war within the USA.

The 'CL. 1' album will be released via Portland-based Little Cloud Records and North Carolina's 5BC Records this summer. The video for 'Dividing Line', which involved claymation, drawing and digital rendering, was created by Preston Spurlock.

Clone is led by LG Galleon, best known as frontman of Dead Leaf Echo, On this album, he is joined by NYC musicians Gregg Giufree (Pilot to Gunner), Max Idas and Dominick Turi. Live, he is joined by Paul Liziragga (Namesake) and Alex Cox (The Veldt). Clone started playing shows in summer of 2019, building their fanbase organically, brick by brick, word of their incendiary live shows spreading. Each time they play, more are won over.

Operating in what’s rapidly becoming an antiquated model, they’re a unit of parts. Egalitarian in their writing process, one where songs are built upon inchoate sparks offered freely by any member, letting the jams run free in their rehearsal space until there’s a complete song, guided by the alchemy of intuition. There’s no rule book here, and no one defining member, but there is a palpable chemistry.

Co-produced by LG Galleon, their debut record 'CL.1' is a damn auspicious opening volley, completely recorded and mixed by NYC legendary producer Martin Bisi (Sonic Youth, Swans, Brian Eno, John Zorn, Herbie Hancock, Iggy Pop, Helmet, Dresden Dolls, Cop Shoot Cop) at his famed BC Studio, built by Brian Eno, and mastered by Fred Kevorkian.

Clone's lyrics involve the struggles and critiques of the working person's daily life. About the new single 'Dividing Line', LG Galleon says, "This song is called the “Donnie” song. Yes it’s about Donald Trump. It’s when our former failed leader tried to incite a race riot during the Pandemic. The chorus goes “Get up, cause Donnie wants to start a fire, get up cause Donnie wants to start a riot, start a fire fire fire fire fire fire fight."

Evocative, in ethos and ambition, of a time when music still could change lives. Rooted in belief in its galvanizing, redemptive power, the kind which used to be written for the lonely and the scarred and the diffident (before something truly was lost), something deeply enmeshed within the human psyche that could be shared. Clone are fitfully reclaiming this, which at its crux, is the imagination of youth. It’s captured vividly here, and their private universe of sonic exploration is now open to all.

'Dividing Line' is out now, available everywhere digitally, including Apple Music, Spotify and Bandcamp. As of June 21, the 'CL. 1' album will be released in digital and CD formats.

CREDITS
All tracks written by Clone
Lyrics by LG Galleon (onewithwave music ASCAP)
Performed by LG Galleon / Gregg Giufree / Max Idas / Dominick Turi
LG Galleon - guitar, vocals, keys
Gregg Giufree - drums
Max Idas - bass
Dominic Turi - guitar, keys
Recorded and mixed by Martin Bisi (Sonic Youth, Swans) at BC Studios
Co-produced by LG Galleon
Mastered by Fred Kevorkian
'Dividing Line' video by Preston Spurlock
BnW artist photography by Silvia Saponaro
Album cover art designed by Roy Burns iii
Single cover artwork by Jacques Urioste

Bandcamp https://clonebk.bandcamp.com/track/dividing-line-single
Spotify https://open.spotify.com/track/2erYq66VOoe3KCAuhApdNZ
'Immutable' https://youtu.be/nIzBvX7nt08
Bandcamp https://clonebk.bandcamp.com/track/immutable
Spotify https://open.spotify.com/track/0Q5Qlxiq97crgRjsLC24C5
Apple Music https://music.apple.com/nz/artist/clone/1498878509
'CL. 1' album order https://littlecloudrecords.com/products/clone-cl-1-pre-order

THE VELDT shares 'Live at KEXP' performance following release of ROBIN GUTHRIE-produced 'Illuminated 1989' LP

March 20, 2024

After a lifetime pursuing the creation of fantastic music and bringing it to their fans in person, The Veldt presents what their much-anticipated live session at Seattle'sKEXP, hosted by Larry Mizell, Jr. Filmed in December 2024, this was the final stop on their recent West coast tour.

On the trail of their 'Illuminated 1989' album, recently released via Little Cloud Records and 5BC Records, The Veldt's core members of Daniel Chavis (vocals, guitar), Danny Chavis (lead guitar) and Hayato Nakao (guitar) are joined here by Alex Cox (bass), LG Galleon (guitar), Martin Neuman (guitar) and Dale Miller(drums).

Formed in North Carolina in the 1980s, their heady and sensual blend of shoegaze and progressive soul, dreamy soundscapes and infectious grooves makes them stand out among the world's most notable first-wave shoegaze bands. Here at KEXP, they perform five tracks that exemplify their extraordinary sound: 'The Everlasting Gobstopper', 'Aurora Borealis', 'In A Quiet Room', 'Forever Green' and 'Joi'.

'Illuminated 1989' album is the original 1989 full-length record produced by Cocteau Twins' Robin Guthrie, who also remastered this album for vinyl. Originally intended to be the band's first album, their label Capitol Records shelved the recording and sent them back into the studio with producer Lincoln Fong (Moose, Piroshka), resulting in their first album released with the title 'Marigolds'.

Surrounding the album,The Veldt shared videos for 'Angel Heart', 'The Everlasting Gobstopper' and 'Shallow by Shallow', featuring footage filmed live at the Ritz in NYC by Simon Raymonde of Cocteau Twins (The Veldt had been opening for them). Most recently, they shared the seductive 'Aurora Borealis Remix' - the B-side to their 'Aurora Borealis' 7" single, featuring Elizabeth Fraser cameo on backing vocals.

Pitchfork included The Veldt's album 'Afrodisiac', produced by the legendary Ray Shulman (The Sundays, Bjork, The Sugarcubes) in the top 50 shoegaze albums ever released, while Stereogum included ‘Until You’re Forever’ in the top 31 shoegaze tracks. Their sound also inspired future generations of alternative artists, including TV On the Radio.

'ILLUMINATED 1989' ALBUM CREDITS
‘Illuminated 1989’ released via Little Cloud Records and 5BC Records
Danny Chavis - guitar
Daniel Chavis - vocals, guitar, lyrics
Marvin Levi - drums
Joseph Hue Boyle - bass
Elizabeth Fraser - additional vocals
Robin Guthrie - programming, additional guitars
Lincoln Fong - programming
Written by Danny and Daniel Chavis
Recorded and produced at September Sound by Robin Guthrie
Publicity by Shameless Promotion PR

Portland psych-rockers SUN ATOMS honor Leonard Cohen on 'Tower of Song (in the key of JAMC)' & announce tour dates

March 11, 2024

Portland alternative pop / postmodern rock outfit Sun Atoms presents a unique fuzzed-out tribute to iconic songwriter Leonard Cohen with 'Tower of Song (in the key of JAMC)', released as the flipside of their new 'Ceiling Tiles' single.

Released via Little Cloud Records digitally and on 7" vinyl and mixed by the iconic Jagz Kooner (Massive Attack, Primal Scream, Oasis, Garbage), this single is the first taste of the band's sophomore album (out ths summer). The accompanying video, produced by Bradley Tuazon, follows ghosts on a velvety caper through an endless maze through streets and a 113,000+ square foot state-of-the-art concert venue, the band members appearing like rare birds in the roles of madcap non-conformist odd fellows living outside of the lines.

Sun Atoms is made up of bassist Peter G. Holmström (The Dandy Warhols, Pete International Airport), vocalist Jsun Atoms (The Upsidedown, Daydream Machine), multi-instrumentalist June Kang, Mars de Ponte (LoveBomb Go-Go), L.A. drummer Eric Rubalcava and Boise native Derek Spencer Longoria-Gomez(Hi Hazel).

2021 brought the band's debut album 'Let There Be Light', also produced by Holmström and mixed by the iconic Stephen Street (Blur, The Smiths, The Cranberries), involving performances by the likes of The Vandelles' Jasno Swarez, The Black Angels’ Alex Maas and Gregg Williams (Sheryl Crow, Blitzen Trapper).

"When I was a child, I saw a being made of light climb through my bedroom window, they stood at the foot of my bed and reached out to touch my foot," explains Jsun Atoms. "Mesmerizing and haunting, much like the new Sun Atoms single 'Ceiling Tiles', which reveals a story of characters living under a faux sky being manipulated to make it appear that the stars are aligning, when in fact, above this tiled Truman Show, the stars are doing just that. The characters in the song go about their day-to-day dance while the globe they are spinning on becomes an eye."

Sun Atoms kicked off 2024 by playing three sold-out shows at Portland’s historic Revolution Hall, opening for Dinosaur Jr., which presented the perfect chance to shoot their new video. With its long stairways and iconic brick facade as the ideal backdrop for this monochromatic video, here unfolds a mysterious tale of characters living between worlds and connected by Jean Cocteau’s famously mirrored portal.

Sun Atoms has also played shows with Modest Mouse, Fishbone, Besnard Lakes, The Veldt and New Candys, as well as performing at Seattle’s Freakout Fest and Portland’s Lose Yr Mind Fest with Allah Las, Broncho and Night Beats.

The 'Ceiling Tiles' single is available on beautiful 7" vinyl and from fine digital platforms, including Apple Music, Spotify and Bandcamp. Sun Atoms are touring the West Coast in March-April, kicking off with Treefort Festival, where they join Ty Segall, A Place To Bury Strangers, Neko Case and Built To Spill. Tickets for this tour are now available to order.

CREDITS
'Ceiling Tiles' written by Peter G. Holmström, Jsun Atoms, June Kang, Derek Spencer Longoria-Gomez, Mars de Ponte, Eric Rubalcava
Produced and Engineered by Peter G. Holmström at Air Traffic Control
Recording (additional drums) by Gregg Williams at The Trench Studio
Recording (add. vox) by Tommy Dietrick / Joshua Tree Recording Studio
Initial tracking by Eric Crespo at Red Lantern Studios
Mixed by Jagz Kooner at Stone Circle Studios
Mastered by Keith Tenniswood at Curve Pusher
Peter G. Holmström - bass, guitar, sequencers, keys
June Kang - MPC, synths, percussion
Derek Spencer Longoria-Gomez - guitar, vocals
Mars de Ponte - guitar, keys, vocals
Eric Rubalcava - drums, percussion
Jsun Atoms - vocals, guitar
Cover artwork by James Coffman. Layout by Sean Gothman
Video directed and Edited by Brady Tuazon
'Tower of Song (in the key of JAMC)' written by Leonard Cohen
Released by Little Cloud Records 2024
'Ceiling Tiles' video directed by Brady Tuazon with support from Nigel Coutinho, Ryan Gamo, Erik Meharry and Hannah Glavor
Artist photos by Erik Meharry

Portland-based Sun Atoms present 'Ceiling Tiles' 7" single and haunting monochrome video

February 13, 2024

"Sun Atoms is a tripped-out opus packed with droning electronics, shimmering guitars, dayglo melodies and a deep, whispered delivery" ~ Brooklyn Vegan

"Ebbing and flowing like Love and Rockets under a Spiritualized raga; the spirit of Bowie’s classic Moonage Daydream echoes through the band’s astral fabric” ~ First Look

"Thoroughly enjoyable. We appreciate their artistic leap into an enthralling intersection of post-punk, indie rock and new wave. Worthy of your “put on repeat” playlist, this music opens a gateway for your consciousness to coast into fascinating sonic realms" ~ Spill Magazine

“Sun Atoms give first rate performances that bend and blend song to song through luminary influences Leonard Cohen, The Cure, Moon Duo, and Nick Cave in a resulting amalgamation that combines psychedelic, dark wave, and post-modern pop” ~ The Big Takeover

"Sun Atoms fuses styles and sounds like a long lost Basquiat painting found in deep space among comets and stars” ~ Maximum Volume

Portland alternative pop / postmodern rock outfit Sun Atoms present their new single 'Ceiling Tiles', released via Little Cloud Records digitally and on 7" vinyl. The video follows ghosts on a velvety caper through an endless maze, arriving at a house of cards on the verge of metaphysical collapse. The B-side complements chills with thrills with a unique rendition of the Leonard Cohen classic, here dubbed 'Tower of Song (in the key of JAMC)'.

Written around a compelling baseline by Peter G. Holmström (The Dandy Warhols, Pete International Airport), who also produced this single, the single was mixed by the iconic Jagz Kooner (Massive Attack, Primal Scream, Oasis, Garbage). This is the first taste of the band's sophomore album, to be released in late spring.

Vocalist Jsun Atoms (The Upsidedown, Daydream Machine) is joined by Holmström on bass, multi-instrumentalist June Kang, Mars de Ponte (LoveBomb Go-Go), L.A. drummer Eric Rubalcava and Boise native Derek Spencer Longoria-Gomez (Hi Hazel). 2021 brought the band's debut album 'Let There Be Light', also produced by Holmström and mixed by the iconic Stephen Street (Blur, The Smiths, The Cranberries), involving performances by the likes of The Vandelles' Jasno Swarez, The Black Angels’ Alex Maas and Gregg Williams (Sheryl Crow, Blitzen Trapper).

"When I was a child, I saw a being made of light climb through my bedroom window, they stood at the foot of my bed and reached out to touch my foot," explains Jsun Atoms. "Mesmerizing and haunting, much like the new Sun Atoms single 'Ceiling Tiles', which reveals a story of characters living under a faux sky being manipulated to make it appear that the stars are aligning, when in fact, above this tiled Truman Show, the stars are doing just that. The characters in the song go about their day-to-day dance while the globe they are spinning on becomes an eye."

Filmed by Brady Tuazon, this video follows several characters, who come to life from of a deck of tarot cards. An amalgamation of new colors in psychedelic, dark wave, and post-modern pop, 'Ceiling Tiles' explores a dreamy netherworld peeling away under the heartbeat like a synthesized glove. A cautionary tale of a dystopian future, some of which is already materializing before our eyes now, we follow the characters into a mirror, where they live outside of the lines under a faux sky, only to find that the planet itself is an eye, crying rain. Do they make it through the maze of plastic plants and security guards and get the message out in order to light up the world?

As Sun Atoms kicked off 2024 by playing three sold-out shows at Portland’s historic Revolution Hall, opening for Dinosaur Jr., this presented the perfect chance to shoot this video. With its long stairways and iconic brick facade as the ideal backdrop for this monochromatic video, here unfolds a mysterious tale of characters living between worlds and connected by Jean Cocteau’s famously mirrored portal.

As Sun Atoms roams this 113,000+ square foot state-of-the-art concert venue, Brady reveals two worlds, weaving through each other’s transparent personas and disappearances like white light on black attire. The band members appear like rare birds in the roles of madcap non-conformist odd fellows living outside of the lines.

“I wanted to conjure the same feelings I had the first time I saw Sun Atoms perform this song. Jsun and I were in lockstep as we discussed the vision for the video. We pulled in inspiration from Jean Cocteau and other noir films like “The Killing” by Kubrick," explains the video's director, Brady Tuazon.

"Working within the boundaries of black and white let us emphasize the theme of two worlds in a psychedelic noir manner. Portraying each member as their normal selves and as a ghost version adds another layer to the duality. It makes us ask the questions, “If our own ghosts saw us today, would they be kind and encouraging to us? Or would they be spirits signaling their existence as a cautionary tale? Filming the video was a true testament of the grit and creative solidarity at the core of Portland creatives. We had limited time and resources to pull this off”.

Apart from Dinosaur Jr., Sun Atoms has played shows with Modest Mouse, Fishbone, Besnard Lakes, The Veldt and New Candys, in addition to performing at Seattle’s Freakout Fest and Portland’s Lose Yr Mind Fest with Allah Las, Broncho and Night Beats. The band will be touring this spring, starting at Treefort Festival, along with Ty Segall, A Place To Bury Strangers, Neko Case and Built To Spill.

As of February 23, the 'Ceiling Tiles' is available on beautiful 7" vinyl and from fine digital platforms, including Apple Music, Spotify and Bandcamp. Sun Atoms will be releasing a new album in late spring.

CREDITS
'Ceiling Tiles' written by Peter G. Holmström, Jsun Atoms, June Kang, Derek Spencer Longoria-Gomez, Mars de Ponte, Eric Rubalcava
Produced and Engineered by Peter G. Holmström at Air Traffic Control
Recording (additional drums) by Gregg Williams at The Trench Studio
Recording (add. vox) by Tommy Dietrick / Joshua Tree Recording Studio
Initial tracking by Eric Crespo at Red Lantern Studios
Mixed by Jagz Kooner at Stone Circle Studios
Mastered by Keith Tenniswood at Curve Pusher
Peter G. Holmström - bass, guitar, sequencers, keys
June Kang - MPC, synths, percussion
Derek Spencer Longoria-Gomez - guitar, vocals
Mars de Ponte - guitar, keys, vocals
Eric Rubalcava - drums, percussion
Jsun Atoms - vocals, guitar
Cover artwork by James Coffman. Layout by Sean Gothman
Video directed and Edited by Brady Tuazon
'Tower of Song (in the key of JAMC)' written by Leonard Cohen
Released by Little Cloud Records 2024
'Ceiling Tiles' video directed by Brady Tuazon with support from Nigel Coutinho, Ryan Gamo, Erik Meharry and Hannah Glavor
Artist photos by Erik Meharry

TOUR DATES
March 23 BOISE, ID - Treefort Festival, In-store at Record Exchange
March 24 BOISE, ID - Treefort Festival, Shrine Social Club
March 25 SACRAMENTO, CA - Old Ironsides
March 27 LAS VEGAS, NV - The Usual Place
March 28 LOS ANGELES, CA - The Moroccan Lounge
March 29 PIONEERTOWN, CA - Red Dog Saloon
March 30 SAN FRANSCISCO, CA - Kilowatt
April 5 PORTLAND, Oregon - Star Theater
April 6 SEATTLE, WA - Seagaze Festival, Tractor Tavern Seattle

Keep up with Sun Atoms
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The Dandy Warhols' Peter G. Holmström presents third Pete International Airport album 'It Felt Like the End of the World'.

January 20, 2024

From the depths of one's psyche comes 'It Felt Like The End of the World', the latest album from Pete International Airport, a.k.a. Peter G. Holmström of The Dandy Warhols, released cult label Little Cloud Records. The third album from the Portland artist, this meticulously crafted psychedelic rock journey is a journey into the dark heart of electronica. It is also a triumph of process and vision.

In 2023, PIA also released the singles 'Next of Kin' featuring Lisa Elle of Dark Horses and 'Tic Tac' as a 7" vinyl version featuring Slowdive's Rachel Goswell, pressed on translucent yellow vinyl, with the B-side featuring a remix by Anton Newcombe (The Brian Jonestown Massacre).

The album's core roster boasts the cream of the neo-psychedelic crop, of which The Dandy Warhols and their shadow, The Brian Jonestown Massacre, are the reigning kings. Members of Omniscuro, Sun Atoms, Guiding Light and Hopewell, most of whom are repeat collaborators and on-again / off-again members of the live band, give voice to the album’s elegiac thesis while adding more light and hope than could be expected from this scene, at this time in history, and in a business that was just dealt a death blow by a pandemic.

The album also features Alexander Hackett (Pang Attack), Dion Lunadon (A Place To Bury Strangers, The D4) and Cheap Trick's Tom Petersson on 12-string bass, each tangling with PIA’s usual coterie of musical foils with songs merging into Holmström’s hyper-stylized world of symbols, themes and archetypes.

Mixed by Jeremy Sherrer at Spooky Electric Co. (Modest Mouse, The Shins, The Dandy Warhols), this album was mastered by Dave Coley at Elysian Mastering,

'It Felt Like The End of the World' LP https://peteinternationalairport.bandcamp.com/album/it-felt-like-the-end-of-the-world
Vinyl order https://bit.ly/3ZK7XNa
Spotify https://open.spotify.com/album/17F3GvmGjaXZK7Eb28YHhL

Holmström explains, "This record was mostly written and recorded during the pandemic so sonically and lyrically it can’t help but be influenced by what we all went through. There is a melancholy darkness as well as a peaceful beauty. The album title came from a “fairytale/poem” that is whispered at the end of 'Sea Of Eyes'. It perfectly captures the hopeful/scary feeling of change that comes at the end of something".

Named after a Dandy Warhols song, this eclectic project nails the elusive aesthetic of unexpected yet inviting sound art. Pete International Airport's quest to build immersive soundscapes that are also classic, catchy songs is successful, in part, due to Holmström’s uncanny ability to curate and his penchant for dropping collaborators into challenging creative spaces—both virtual and actual—then letting them duke it out.

The use of repetition - visually and sonically - and the use of limitations and boundaries (i.e. every Pete International Airport record has 11 songs) cements the collection into a beautifully cohesive whole that becomes more interesting with repeated listens. Peter, his long-time collaborator / producer Jeremy Sherrer, and his stable of co-creators have given us more than one album’s worth of hooks, ideas and beauty, somehow smelting them into a single monolith of sound that is accessible from any point, celebrating a world that just keeps ending.

"Musically, this record started with an obsession on the bass tone/line from The Cure’s 'Fascination Street' and a healthy appreciation of the detail in their sonic density. Most songs start on an acoustic, which in most cases gets muted somewhere in the process. Then layers of beats, bass lines, melodies, arpeggios, etc. get added / removed until the piece of music is interesting enough to entice someone to write lyrics and sing on it,," says Peter G. Holmström.

"Lyrically, I might suggest a topic that captures our dark chaotic world without sounding preachy. Sometimes the singers listen to me, other times they follow what the song makes them feel."

'It Felt Like The End of the World' is out now everywhere, including Apple Music, Spotify and Bandcamp, and on CD as a Deluxe double-album in a gatefold sleeve on transparent vinyl with an orange blob or on transparent vinyl with a purple blob. The 'Tic Tac' 7" vinyl is available on Bandcamp via Pete International Airport and The Dandy Warhols.

CREDITS
Recorded in Portland, LA, NY, UK and Montreal
Chamber Orchestra recorded by Chris Bergstrom
Mixed by Jeremy Sherrer at Spooky Electric Co.
Mastered by Dave Coley at Elysian Mastering
Album art by Francesca Bonci
Music written by Peter G. Holmström
Vocals and lyrics by:
Alexander Hackett (Pang Attack) on 'Sea Of Eyes', 'Out Past The Razor Wire', 'No Blindfold'
Lisa Elle (Dark Horses) on 'Fluid/Flex', 'Next Of Kin'
Daniel Sparks (Omniscuro) on 'The Watermark'
Jasun Adams (Sun Atoms, The Upside Down) on 'Commercial Eyez', 'Brave New World'
Dion Lunadon (The D4, A Place To Bury Strangers) on 'Commercial Eyez'
Chuck Davis (The Guiding Light) on 'Commercial Eyez'
Jason Sebastian Russo (Hopewell, The Guiding Light) on 'The Thoughts You Won’t Think'
Rachel Goswell (Slowdive, Mojave 3) on 'Tic Tac'

Instruments performed by Peter G. Holmström except:
Jeremy Sherrer - drum programming, MPC
Paulie Pulvirenti (Elliott Smith, Number 2, Eyelids) - drum kit, toms, octobans
Gregg Williams - toms
Cory Gray (Old Unconscious / Car Crashlander / The Delines) - piano, organ, synth
Rishi Dhir (Elephant Stone) - sitar
Tom Petersson (Cheap Trick) - 12-string bass
Lisa Molinaro (Talk Demonic / Modest Mouse) - viola
Louise Woodward - composer / arranger on 'Il Canto Della Polena'
Chamber Orchestra for 'Il Canto Della Polena'
Shin-Young Kwon - violin 1
Keiko Araki - violin 2
Charles Noble - viola
Pansy Chang - cello
Jason Schooler - double bass
Joseph Berger - French horn

Keep up with Pete International Airport
Website | Bandcamp | Twitter | Facebook | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

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THE VELDT shares 'Shallow By Shallow' single with live video footage by SIMON RAYMONDE from 1989 NYC concert

January 20, 2024

"This album is not only a historical sonic document, but it's a shimmering, charming, sensual and cinematic body of remarkable psychedelic rock that resembles nothing currently in the music sphere" ~ The Spill Magazine

US trailblazing shoegazers The Veldt present 'Shallow by Shallow', a highlight track from their new 'Illuminated 1989' album, recently released on vinyl via Portland-based Little Cloud Records and North Carolina’s 5BC Records.

One of the most notable first-wave shoegaze bands, formed in North Carolina in the 1980s, The Veldt revolves around identical twins Daniel Chavis (vocals, guitar) and Danny Chavis (guitar).

'Illuminated 1989' is the original 1989 full-length record produced by Cocteau Twins' Robin Guthrie, who also remastered this album especially for vinyl. While originally intended to be the band's first album, their label Capitol Records shelved the recording and sent them back into the studio with producer Lincoln Fong (Moose, Piroshka), resulting in their first album released with the title 'Marigolds'.

"Shallow by Shallow is one of the first songs that we recorded at Cocteau Twins' studio 'September Sound' in Twickenham. It was also the opening song on our first Cocteau Twins opening slot in 1989, which was filmed live in NYC at the RITZ by Simon Raymonde of Cocteau Twins. Lincon Fong, who would go on to record our ' Marigolds' album in 1993, also joined us there on stage for the closing song 'Get Up'. We would inevitably go on to play and record with Robin Guthrie throughout the years, including for the album that is now titled 'Illuminated 1989', which we are finally able to release," says Danny Chavis.

"This is a stream of consciousness... It’s the search for the soul and the energy of the earth, out-of-body experiences, and explores how to communicate with the universe... This song also ask the universal question what is hamburger but chopped steak".

The Veldt earlier previewed the singles 'Angel Heart', 'The Everlasting Gobstopper', and 'Aurora Borealis' (featuring Elizabeth Fraser cameo on backing vocals and a B-side remix by The Veldt). The Veldt has also just wrapped up their U.S. tour, culminating in a performance at Seattle's KEXP.

The Veldt's unique sound was influenced by Cocteau Twins as readily as Marvin Gaye and free-jazz warriors Sun Ra and Pharaoh Sanders. Referencing European post-punk while embracing modern hip-hop, these trailblazers work with transient dreamscapes as fluidly as solid song structures.

Pitchfork included The Veldt's album 'Afrodisiac', produced by the legendary Ray Shulman (The Sundays, Bjork, The Sugarcubes) and released via Mercury Records, in the top 50 shoegaze albums ever released, while Stereogum included ‘Until You’re Forever’ in the top 31 shoegaze tracks. Their sound also inspired future generations of alternative artists, including TV On the Radio.

The Veldt's journey is fascinating. Performing since they were children, the Chavis brothers’ musical roots lead back to the church and southern juke-joints, and listening to music that included gospel, Motown and Pink Floyd. The Veldt formed in the late 80’s in Raleigh amongst the legendary North Carolina music scene of the time, initially signing with Mammoth Records - leading to a chain of major-label relationships that took the group across Europe and the U.S. playing shows with the likes of Throwing Muses, Pixies, Cocteau Twins and Jesus & Mary Chain.

After moving from Raleigh to New York, they briefly performed as Apollo Heights before returning to their original name The Veldt. Joined by Japanese bassist-programmer Hayato Nakao, they together forging music that is a heady and sensual blend of shoegaze and progressive soul, dreamy soundscapes and infectious grooves. Some of the band's recent notable releases include 'The Shocking Fuzz Of Your Electric Fur' EP (2017) and the album 'Entropy is the Mainline to God' (2022).

Over the years, The Veldt has collaborated with TV On The Radio, Mos Def, Lady Miss Kier (Deee-Lite), A.R.Kane and toured or played with Brian Jonestown Massacre, The Pixies, Throwing Muses, Echo & The Bunnymen, Cocteau Twins, Manic Street Preachers, Phantogram, Modern English, The Jesus and Mary Chain, Oasis, Chuck D, Living Colour and Schooly D.

The 'Illuminated 1989' album is out now on limited edition translucent pink or clear vinyl with a gatefold sleeve. It is also available from fine digital platforms, including Apple Music, Spotify and Bandcamp.

CREDITS
‘Illuminated 1989’ released via Little Cloud Records and 5BC Records
Danny Chavis - guitar
Daniel Chavis - vocals, guitar, lyrics
Marvin Levi - drums
Joseph Hue Boyle - bass
Elizabeth Fraser - additional vocals
Robin Guthrie - programming, additional guitars
Lincoln Fong - programming
Written by Danny and Daniel Chavis
Recorded and produced at September Sound by Robin Guthrie
Publicity by Shameless Promotion PR

2+ decades since first recorded, THE VELDT and ROBIN GUTHRIE finally see the release of The Veldt's 'Illuminated 1989' album

December 18, 2023

"This album is not only a historical sonic document, but it's a shimmering, charming, sensual and cinematic body of remarkable psychedelic rock that resembles nothing currently in the music sphere" ~ The
Spill Magazine

At long last, groundbreaking shoegazers The Veldt have released their 'Illuminated 1989' album on vinyl via Portland-based Little Cloud Records and North Carolina’s 5BC Records. This is the original 1989 full-length record produced by Cocteau Twins' Robin Guthrie, who also remastered this album especially for vinyl. While originally intended to be the band's first album, their label Capitol Records shelved the recording and sent them back into the studio with producer Lincoln Fong (Moose, Piroshka), resulting in their first album released with the title 'Marigolds'.

They earlier previewed the singles 'Angel Heart', 'The Everlasting Gobstopper', and 'Aurora Borealis' (featuring Elizabeth Fraser cameo on backing vocals and a B-side remix by The Veldt). The Veldt has also just wrapped up their U.S. tour with TREMOURS, culminating in a performance at Seattle's KEXP.

One of the most notable first-wave shoegaze bands, formed in North Carolina in the 1980s, The Veldt revolves around identical twins Daniel Chavis (vocals, guitar) and Danny Chavis (guitar). Their unique sound was influenced by Cocteau Twins as readily as Marvin Gaye and free-jazz warriors Sun Ra and Pharaoh Sanders. Referencing European post-punk while embracing modern hip-hop, these trailblazers work with transient dreamscapes as fluidly as solid song structures.

Pitchfork included The Veldt's album 'Afrodisiac', produced by the legendary Ray Shulman (The Sundays, Bjork, The Sugarcubes) and released via Mercury Records, in the top 50 shoegaze albums ever released, while Stereogum included ‘Until You’re Forever’ in the top 31 shoegaze tracks. Their sound also inspired future generations of alternative artists, including TV On the Radio.

'Illuminated 1989' album https://theveldtmusic.bandcamp.com/album/illuminated-1989
Vinyl order https://littlecloudrecords.com/collections/frontpage/products/the-veldt-illuminated-1989-pre-order
Spotify https://open.spotify.com/album/5Tf9MrkDsfKi5leleBZt7n

The Veldt's journey is fascinating. Performing since they were children, the Chavis brothers’ musical roots lead back to the church and southern juke-joints, and listening to music that included gospel, Motown and Pink Floyd. The Veldt formed in the late 80’s in Raleigh amongst the legendary North Carolina music scene of the time, initially signing with Mammoth Records - leading to a chain of major-label relationships that took the group across Europe and the U.S. playing shows with the likes of Throwing Muses, Pixies, Cocteau Twins and Jesus & Mary Chain.

After moving from Raleigh to New York, they briefly performed as Apollo Heights before returning to their original name The Veldt. Joined by Japanese bassist-programmer Hayato Nakao, they together forging music that is a heady and sensual blend of shoegaze and progressive soul, dreamy soundscapes and infectious grooves. Some of the band's recent notable releases include 'The Shocking Fuzz Of Your Electric Fur' EP (2017) and the album 'Entropy is the Mainline to God' (2022).

Over the years, The Veldt has collaborated with TV On The Radio, Mos Def, Lady Miss Kier (Deee-Lite), A.R.Kane and toured or played with Brian Jonestown Massacre, The Pixies, Throwing Muses, Echo & The Bunnymen, Cocteau Twins, Manic Street Preachers, Phantogram, Modern English, The Jesus and Mary Chain, Oasis, Chuck D, Living Colour and Schooly D.

The 'Illuminated 1989' album is out now on limited edition translucent pink or clear vinyl with a gatefold sleeve. It is also available from fine digital platforms, including Apple Music, Spotify and Bandcamp.

CREDITS
‘Illuminated 1989’ released via Little Cloud Records and 5BC Records
Danny Chavis - guitar
Daniel Chavis - vocals, guitar, lyrics
Marvin Levi - drums
Joseph Hue Boyle - bass
Elizabeth Fraser - additional vocals
Robin Guthrie - programming, additional guitars
Lincoln Fong - programming
Written by Danny and Daniel Chavis
Recorded and produced at September Sound by Robin Guthrie
Publicity by Shameless Promotion PR

After 24-year wait, THE VELDT opens time-capsule with the release of their Robin Guthrie-produced 'Illuminated 1989' album

November 24, 2023

"This album is not only a historical sonic document, but it’s a shimmering, charming, sensual and cinematic body of remarkable psychedelic rock that resembles nothing currently in the music sphere" ~ Spill Magazine

US alternative rock / postpunk outfit The Veldt release their 'Illuminated 1989' album on November 24 via Portland-based Little Cloud Records and North Carolina’s 5BC Records. This is the original 1989 full-length record produced by Cocteau Twins' Robin Guthrie, previewed by the latest offering 'Angel Heart', the lead track 'The Everlasting Gobstopper', and the single 'Aurora Borealis' (with Elizabeth Fraser making a cameo appearance on backing vocals), plus a B-side remix, created by The Veldt.

Guthrie also remastered the album for vinyl earlier this year. While originally intended to be the band's first album, their label Capitol Records shelved the recording and sent them back into the studio with producer Lincoln Fong (Moose), resulting in their first album released with the title 'Marigolds'.

One of the most notable first-wave shoegaze bands, formed in North Carolina in the 1980s, The Veldt revolves around identical twins Daniel Chavis (vocals, guitar) and Danny Chavis (guitar). Their unique sound was influenced by Cocteau Twins as readily as Marvin Gaye and free-jazz warriors Sun Ra and Pharaoh Sanders. Referencing European post-punk while embracing modern hip-hop, these trailblazers work with transient dreamscapes as fluidly as solid song structures.

Pitchfork included The Veldt's album 'Afrodisiac', produced by the legendary Ray Shulman (The Sundays, Bjork, The Sugarcubes) and released via Mercury Records, in the top 50 shoegaze albums ever released, while Stereogum included ‘Until You’re Forever’ in the top 31 shoegaze tracks. Their sound also inspired future generations of alternative artists, including TV On the Radio.

The Veldt's journey is fascinating. Performing since they were children, the Chavis brothers’ musical roots lead back to the church and southern juke-joints, and listening to music that included gospel, Motown and Pink Floyd. The Veldt formed in the late 80’s in Raleigh amongst the legendary North Carolina music scene of the time, initially signing with Mammoth Records - leading to a chain of major-label relationships that took the group across Europe and the U.S. playing shows with the likes of Throwing Muses, Pixies, Cocteau Twins and Jesus & Mary Chain.

After moving from Raleigh to New York, they briefly performed as Apollo Heights before returning to their original name The Veldt. Joined by Japanese bassist-programmer Hayato Nakao, they together forging music that is a heady and sensual blend of shoegaze and progressive soul, dreamy soundscapes and infectious grooves. Some of the band's recent notable releases include 'The Shocking Fuzz Of Your Electric Fur' EP (2017) and the album 'Entropy is the Mainline to God' (2022).

Over the years, The Veldt has collaborated with TV On The Radio, Mos Def, Lady Miss Kier (Deee-Lite), A.R.Kane and toured or played with Brian Jonestown Massacre, The Pixies, Throwing Muses, Echo & The Bunnymen, Cocteau Twins, Manic Street Preachers, Phantogram, Modern English, The Jesus and Mary Chain, Oasis, Chuck D, Living Colour and Schooly D.

On November 24, the 'Illuminated 1989' album will be released digitally via Portland-based Little Cloud Records and 5BC Records, and available from fine music platforms, including Apple Music, Spotify and Bandcamp. The Veldt is currently touring the USA and will be joined by TREMOURS throughout December, culminating in a performance at Seattle's KEXP. The album will be released on vinyl on December 15.

CREDITS
‘Illuminated 1989’ released via Little Cloud Records and 5BC Records
Danny Chavis - guitar
Daniel Chavis - vocals, guitar, lyrics
Marvin Levi - drums
Joseph Hue Boyle - bass
Elizabeth Fraser - additional vocals
Robin Guthrie - programming, additional guitars
Lincoln Fong - programming
Written by Danny and Daniel Chavis
Recorded and produced at September Sound by Robin Guthrie
Publicity by Shameless Promotion PR

TOUR DATES
MON 11/27 = Atlanta, GA @ 529
TUE 11/28 = Birmingham, AL @ TBA
WED 11/29 = New Orleans, LA @ Gasa Gasa
THU 11/30 = Houston, TX @ 1810 Ojeman
FRI 12/1 = Austin, TX @ Hotel Vegas
SAT 12/2 = Silver City, NM @ Whiskey Creek Zocalo w/ Tremours
SUN 12/3 = Phoenix, AZ @ Linger Longer Lounge w/ Tremours
MON 12/4 = San Diego, CA @ Soda Bar w/ Tremours
TUE 12/5 = Los Angeles, CA @ Gold Diggers w/ Tremours
WED 12/6 = San Francisco, CA @ Kilowatt w/ Tremours
THU 12/7 = Portland, OR @ Show Bar w/ Tremours
FRI 12/8 = Seattle, WA @ the Central Saloon (TremoloFest) w/ Tremours
SAT 12/9 = Vancouver, BC @ TBA
SUN 12/10 = Bellingham, WA @ The Shakedown w/ Tremours)
MON 12/11 = Eugene, OR @ Old Nick’s w/ Tremours
TUE 12/12 = Olympia, WA @ Le Voyeur w/ Tremours
WED 12/13 = Tacoma, WA @ TBA
THU 12/14 = Seattle, WA @ KEXP

Keep up with The Veldt
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Dandy Warhols & Slowdive legends team up on Pete International Airport 'Tic Tac' feat. Rachel Goswell. 7” vinyl is out November 24

November 12, 2023

Portland-based Pete International Airport presents the video for 'Tic Tac' featuring Slowdive goddess Rac hel Goswell, directed by Francesca Bonci. A few weeks ago, they released their 2-track 'Tic Tac' 7" vinyl version via Little Cloud Records, pressed on translucent yellow vinyl, with the B-side featuring a remix by yet another music icon - Anton Newcombe of The Brian Jonestown Massacre.

Pete International Airport is the brainchild of guitarist Peter G. Holmström of The Dandy Warhols. Named after one of their songs, this eclectic project builds immersive soundscapes that are also classic, catchy songs. Holmström has an uncanny ability to curate, with a penchant for dropping collaborators into challenging creative spaces—both virtual and actual—then letting them duke it out.

'Tic Tac' originally featured on Pete International Airport's recently released third album 'It Felt Like The End of the World' - a meticulously crafted psychedelic rock journey into the dark heart of electronica, released just ahead of the 7" vinyl edition.

"I co-wrote 'Tic Tac'. I bought his last album and I really liked it. Peter Holmström has different singers on each song and co-writes with everybody, which I think is a really interesting way to work. Obviously, Pete is a guitarist, first and foremost, and a very good one. He sent me music for 'Tic Tac, and it's actually changed a lot. It was a lot more guitar-y, the original musical piece that he sent me, and it got really stripped down and changed," says Rachel Goswell.

"I think he sent me that in 2020. That was a COVID lockdown year and I had a lot of stuff going on. It took me I think nearly about a year to actually get around to sitting down properly and writing it. I kept procrastinating about doing it and then once I'd done it, I was really pleased with it. But I think as a record, there's some great songs on it. I didn't know who else had written with him on this record, I was just really happy to be a part of it. It is quite a broad spectrum musically, and quite eclectic."

This album features numerous other guests, including Alexander Hackett (Pang Attack) Lisa Elle (Dark Horses), Dion Lunadon (A Place To Bury Strangers, The D4), and Cheap Trick's Tom Petersson on 12-string bass, each tangling with PIA’s usual coterie of musical foils with songs merging into Holmström’s hyper-stylized world of symbols, themes and archetypes.

Mixed by Jeremy Sherrer at Spooky Electric Co. (Modest Mouse, The Shins, The Dandy Warhols), it was mastered by Dave Coley at Elysian Mastering.

'It Felt Like The End of the World' can be found everywhere digitally, including Spotify, Apple Music and Bandcamp, where it is available as a Deluxe double-album in a gatefold sleeve, pressed on transparent vinyl with an orange blob or on transparent vinyl with a purple blob.

As of November 24, the 'Tic Tac' 7" will be available on vinyl exclusively via Pete International Airport's Bandcamp and The Dandy Warhols. The digital version is currently available on these same two sites.

CREDITS
Music written by Peter G. Holmström
Vocals and lyrics by Rachel Goswell (Slowdive, Mojave 3)
Remix by Anton Newcombe (The Brian Jonestown Massacre)
Mixed by Jeremy Sherrer at Spooky Electric Co.
Mastered by Dave Coley at Elysian Mastering
Album art by Francesca Bonci
'Tic Tac' video directed by Francesca Bonci

Pete International Airport releases 'Tic Tac' 7" vinyl version feat. Slowdive's Rachel Goswell - * PIA's new album 'It Felt Like the End of the World' is out now

October 10, 2023

Portland-based Pete International Airport has released 'Tic Tac' 7" vinyl version via Little Cloud Records, pressed on translucent yellow vinyl. Featuring Slowdive goddess Rachel Goswell as both vocalist and co-writer, the single is complemented by a remix by the iconic Anton Newcombe (The Brian Jonestown Massacre) as the B-side.

Pete International Airport is the brainchild of guitarist Peter G. Holmström of The Dandy Warhols. Named after one of their songs, this eclectic project builds immersive soundscapes that are also classic, catchy songs. Holmström has an uncanny ability to curate, with a penchant for dropping collaborators into challenging creative spaces—both virtual and actual—then letting them duke it out.

'Tic Tac' is lifted from PIA's recently released third album 'It Felt Like The End of the World' - a meticulously crafted psychedelic rock journey into the dark heart of electronica.

"I co-wrote 'Tic Tac'. I bought his last album and I really liked it. Peter Holmström has different singers on each song and co-writes with everybody, which I think is a really interesting way to work. Obviously, Pete is a guitarist, first and foremost, and a very good one. He sent me music for 'Tic Tac, and it's actually changed a lot. It was a lot more guitar-y, the original musical piece that he sent me, and it got really stripped down and changed," says Rachel Goswell.

"I think he sent me that in 2020. That was a COVID lockdown year and I had a lot of stuff going on. It took me I think nearly about a year to actually get around to sitting down properly and writing it. I kept procrastinating about doing it and then once I'd done it, I was really pleased with it. But I think as a record, there's some great songs on it. I didn't know who else had written with him on this record, I was just really happy to be a part of it. It is quite a broad spectrum musically, and quite eclectic."

'Tic Tac' 7" feat. Rachel Goswell https://peteinternationalairport.bandcamp.com/album/tic-tac
Spotify https://open.spotify.com/track/3YEpq8aiiUcYTQgjNs6zYe

'It Felt Like The End of the World' LP https://peteinternationalairport.bandcamp.com/album/it-felt-like-the-end-of-the-world
Vinyl order https://bit.ly/3ZK7XNa
Spotify https://open.spotify.com/album/17F3GvmGjaXZK7Eb28YHhL

This album features numerous other guests, including Alexander Hackett (Pang Attack) Lisa Elle (Dark Horses), Dion Lunadon (A Place To Bury Strangers, The D4), and Cheap Trick's Tom Petersson on 12-string bass, each tangling with PIA’s usual coterie of musical foils with songs merging into Holmström’s hyper-stylized world of symbols, themes and archetypes.

Mixed by Jeremy Sherrer at Spooky Electric Co. (Modest Mouse, The Shins, The Dandy Warhols), it was mastered by Dave Coley at Elysian Mastering.

'It Felt Like The End of the World' is available from fine digital platforms, such as Spotify, Apple Music and Bandcamp, where it is also available on CD and a Deluxe double-album in a gatefold sleeve, pressed on transparent vinyl with an orange blob or on transparent vinyl with a purple blob.

The 'Tic Tac' 7" release is available exclusively via Pete International Airport's Bandcamp, and also via The Dandy Warhols.

CREDITS
Music written by Peter G. Holmström
Vocals and lyrics by Rachel Goswell (Slowdive, Mojave 3)
Remix by Anton Newcombe (The Brian Jonestown Massacre)
Mixed by Jeremy Sherrer at Spooky Electric Co.
Mastered by Dave Coley at Elysian Mastering
Album art by Francesca Bonci
Artist photos by Mary Martley

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Peter G. Holmström (The Dandy Warhols) presents Pete International Airport album 'It Felt Like the End of the World' & video for 'Next of Kin' feat. Lisa Elle (Dark Horses)

September 22, 2023

From the city of Portland and the depths of one's psyche comes Pete International Airport, which revolves around Peter G. Holmström of The Dandy Warhols, who has released the new album 'It Felt Like The End of the World' via Little Cloud Records.

Their third album, this is a meticulously crafted psychedelic rock journey into the dark heart of electronica. It is also a triumph of process and vision. Mixed by Jeremy Sherrer at Spooky Electric Co. (Modest Mouse, The Shins, The Dandy Warhols), the album was mastered by Dave Coley at Elysian Mastering.

"This record was mostly written and recorded during the pandemic so sonically and lyrically it can’t help but be influenced by what we all went through. There is a melancholy darkness as well as a peaceful beauty. The album title came from a “fairytale/poem” that is whispered at the end of 'Sea Of Eyes'. It perfectly captures the hopeful/scary feeling of change that comes at the end of something," says Peter G. Holmström.

Named after a song by The Dandy Warhols, this eclectic project nails the elusive aesthetic of unexpected yet inviting sound art. Pete International Airport's quest to build immersive soundscapes that are also classic, catchy songs is successful, in part, due to Holmström’s uncanny ability to curate and his penchant for dropping collaborators into challenging creative spaces—both virtual and actual—then letting them duke it out.

This album features numerous guests, including Rachel Goswell (Slowdive, Mojave 3), Alexander Hackett (Pang Attack), Dion Lunadon (A Place To Bury Strangers, The D4), and none-other-than Cheap Trick's Tom Petersson on 12-string bass, each tangling with PIA’s usual coterie of musical foils with songs merging into Holmström’s hyper-stylized world of symbols, themes and archetypes.

Pete International Airport also presents the video for 'Next of Kin' featuring Lisa Elle of Dark Horses, who says, “In the depths of isolation, I recall wanting to overcome the usual caution and hesitation one often experiences when faced with lots of time and choice. Recognising that life is fleeing can actually be life affirming. This is a song born of frustration and a need to push onwards full heartedly. Working with Peter remotely has been, on the one hand a private experience - developing ideas and recording by myself but also a liberating exercise in surrender and real creative acceptance”.

Album order (all formats)
https://peteinternationalairport.bandcamp.com/album/it-felt-like-the-end-of-the-world

Vinyl order
https://littlecloudrecords.com/collections/frontpage/products/pete-international-airport-it-felt-like-the-end-of-the-world-pre-order

The album's core roster boasts the cream of the neo-psychedelic crop, of which The Dandy Warhols and their shadow, The Brian Jonestown Massacre, are the reigning kings. Members of Dark Horses, Omniscuro, Sun Atoms, Guiding Light and Hopewell, most of whom are repeat collaborators and on-again / off-again members of the live band, give voice to the album’s elegiac thesis while adding more light and hope than could be expected from this scene, at this time in history, and in a business that was just dealt a death blow by a pandemic.

The use of repetition - visually and sonically - and the use of limitations and boundaries (i.e. every Pete International Airport record has 11 songs) cements the collection into a beautifully cohesive whole that becomes more interesting with repeated listens. Peter, his long-time collaborator / producer Jeremy Sherrer, and his stable of co-creators have given us more than one album’s worth of hooks, ideas and beauty, somehow smelting them into a single monolith of sound that is accessible from any point, celebrating a world that just keeps ending.

"Musically, this record started with an obsession on the bass tone/line from The Cure’s 'Fascination Street' and a healthy appreciation of the detail in their sonic density. Most songs start on an acoustic, which in most cases gets muted somewhere in the process. Then layers of beats, bass lines, melodies, arpeggios, etc. get added / removed until the piece of music is interesting enough to entice someone to write lyrics and sing on it,," says Peter G. Holmström.

"Lyrically, I might suggest a topic that captures our dark chaotic world without sounding preachy. Sometimes the singers listen to me, other times they follow what the song makes them feel."

'It Felt Like The End of the World' is out now via Little Cloud Records, downloadable from fine music platforms, such as Spotify, Apple Music and Bandcamp, where it is also available on CD and a Deluxe double-album in a gatefold sleeve, pressed on transparent vinyl with an orange blob or on transparent vinyl with a purple blob.

CREDITS
Recorded in Portland, LA, NY, UK and Montreal
Chamber Orchestra recorded by Chris Bergstrom
Mixed by Jeremy Sherrer at Spooky Electric Co.
Mastered by Dave Coley at Elysian Mastering
Album art by Francesca Bonci
Music written by Peter G. Holmström
Vocals and lyrics by:
Alexander Hackett (Pang Attack) on 'Sea Of Eyes', 'Out Past The Razor Wire', 'No Blindfold'
Lisa Elle (Dark Horses) on 'Fluid/Flex', 'Next Of Kin'
Daniel Sparks (Omniscuro) on 'The Watermark'
Jasun Adams (Sun Atoms, The Upside Down) on 'Commercial Eyez', 'Brave New World'
Dion Lunadon (The D4, A Place To Bury Strangers) on 'Commercial Eyez'
Chuck Davis (The Guiding Light) on 'Commercial Eyez'
Jason Sebastian Russo (Hopewell, The Guiding Light) on 'The Thoughts You Won’t Think'
Rachel Goswell (Slowdive, Mojave 3) on 'Tic Tac'

Instruments performed by Peter G. Holmström except:
Jeremy Sherrer - drum programming, MPC
Paulie Pulvirenti (Elliott Smith, Number 2, Eyelids) - drum kit, toms, octobans
Gregg Williams - toms
Cory Gray (Old Unconscious / Car Crashlander / The Delines) - piano, organ, synth
Rishi Dhir (Elephant Stone) - sitar
Tom Petersson (Cheap Trick) - 12-string bass
Lisa Molinaro (Talk Demonic / Modest Mouse) - viola
Louise Woodward - composer / arranger on 'Il Canto Della Polena'
Chamber Orchestra for 'Il Canto Della Polena'
Shin-Young Kwon - violin 1
Keiko Araki - violin 2
Charles Noble - viola
Pansy Chang - cello
Jason Schooler - double bass
Joseph Berger - French horn

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OUT NOW via OX4 SOUND: THE KUNDALINI GENIE 'Half In, Half Out' single

September 11, 2021

"Wholesome. So I was bound to love them... it’s all a reverie anyway, one you don’t want to wake up from" ~ More Fuzz

"Mesmerizing... hypnotically pushes with fiery guitar cycles, shadowy bass line, muffled drum thumps, and dispassionately droning vocals... The Kundalini Genie deliver solid melody, hooks and tides of effects-pedal-induced mayhem" ~ Big Takeover Magazine

"Some of the best psych rock music currently being made anywhere. The kind whose ripping tunes do a number on your head and afterwards leaves you thanking them" ~ Amplify Music Magazine

"A glowing tangent of slow tripping beats, packed into kaleidoscopic soundscapes of synths, guitars and fuzzy vocals... could be an ode to the lurching ‘stoner blues’ heyday of the 90s, like Craig Nicholls, Richard Ashcroft and John Squire in bed together with fresh sheets on" ~ Urbanista Magazine

"A psychedelic rock‘n’roll band unlike any other. Spaced out drones, druggy melodies, a hammering rhythmic section and an eccentric, high octane frontman leading the charge" ~ It's Psychedelic Baby Magazine

Scottish psychedelic rock’n’roll outfit The Kundalini Genie has announced they will release their fifth studio album 'Half In, Half Out' by the end of 2021, following up their '11:11' album via Space Ranch Records (Europe) and Little Cloud Records (USA) in 2020. Ahead of this, they present the title track 'Half In, Half Out', a powerful offering to whet our appetites for the long-player.

The Kundalini Genie is focused around singer-songwriter Robbie Wilson (sitar, guitar, vocals) and also involves Jason Houston (guitar, vocals), Melissa Rennie(guitar, keys, vocals), Lloyd Ledingham (bass, vocals), Louis Martin (guitar, vocals) and Grant Robertson (drums).

"This song is about assholes, really. People who aren’t nice. People who think they’re better than you, or too cool for you, or higher and mightier than you, it’s also about when those people inevitably fall short of their own high opinion of themselves and make themselves look a fool, in a nutshell," says Robbie Wilson.

This album was mixed by Jason Shaw (Cambodian Space Project, Frankie Teardrop, Sonic Jesus, Aerofall) and mastered by RIDE's Mark Gardener at OX4 Sound Studio in Oxford,.

"Robbie Wilson (Kundalini Genie) is a total force and a total star in the making . He’s so driven and I loved mastering his record," says Mark Gardener.

Emerging from the nether regions of Glasgow, The Kundalini Genie has been blowing minds globally with music characterised by droning hypnotic fuzz rock, 60’s British Invasion-inspired melodies, transcendental sitar, and dreamy, spaced out soundscapes.

Their sonic journey ranges across the spectrum of their own musical influences - The Brian Jonestown Massacre, Spiritualized, The Dandy Warhols, The Warlocks, The Beatles, The 13th Floor Elevators, The Kinks, The Rolling Stones, The Black Ryder and Black Market Karma.

When not tapping into the intense space-gaze elements of Spiritualized, Black Rebel Motorcycle Club and Swervedriver, sauntering hypnotic guitars stride steadily forward as the sitar floats along, carrying the subconscious into a benevolent flow and inner journey.

With live shows involving eclectic displays of voodoo mojo and sound that ripples through the audience like a sonic tranquilizer, to date the band has performed in support of The Brian Jonestown Massacre, The Warlocks, The Underground Youth, The Myrrors, The Stevenson Ranch Davidians, Triptides, New Candysand Spindrift, in addition to participation in numerous festivals.

As of September 8, the 'Half In, Half Out' single will be available everywhere online, including Apple Music and Spotify. The full album is slated for release on November 12 digitally, on vinyl-style CD, and on aubergine-coloured 12" vinyl with reverse board artwork. It can be pre-ordered via Bandcamp.

CREDITS
Written by Robbie Wilson
Recorded by Jason Shaw and Robbie Wilson
Mixed by Jason Shaw
Mastered by Mark Gardener at OX4 Sound
Robbie Wilson (vocals, guitars, bass, drums, percussion, keys, harmonica)
Jason Houston (guitar, vocals)
Jason Shaw (guitars)
Album artwork by Cyllan Wednesday
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