Archers New EP 'Temporary High' Out Now via SBG Records! Release new Single "Crooked Smile" ​

Wisconsin metalcore powerhouse ARCHERS have just dropped their new single, “Crooked Smile,” now available on all major streaming platforms. The track is taken from their brand-new EP, Temporary High, released today via SBG Records.

Produced by acclaimed producer Matt Good (Hollywood Undead, Sleeping With Sirens), Temporary High captures ARCHERS’ continued evolution, blending crushing breakdowns, atmospheric textures, and emotionally charged lyrics.

In regards to the EP, the band states, "Temporary High is all about finding catharsis. It’s about breaking free from toxic cycles and finding value in oneself apart from anyone or anything that would try to usurp one’s own identity."

“Crooked smile is about finding the courage to break negative cycles. It’s about learning to cut out toxic people from your life and to move forward," says the band about the latest single.

 Temporary High is available at:

https://merchnow.com/collections/archers

In addition, the band has shared some huge news! They will be hitting the road with Nothing More and Catch Your Breath from mid January through mid March 2026. The nationwide run will introduce ARCHERS’ explosive live show to even more fans as they continue building momentum into the new year.

"We are so excited and genuinely honored to be hitting the road with Nothing More in 2026! Touring with a band of this caliber is not something we take lightly and we are very excited to learn as much as we can from such seasoned vets. It will be such a treat getting to watch the incredible show they put on every night."

The band's EU/UK run kicked off June 10th in Berlin, Germany at Kantine am Berghain. Then in July, they’ll hit the road again—this time headlining a U.S. tour with support from Rivals, Of Virtue, and Dead Eyes.

Wisconsin-based band ARCHERS is making serious waves. Formed in 2015 by Ben Koehler (guitar) and Nathanael Pulley (vocals), ARCHERS quickly became known for their raw mix of metalcore and pop-rock, tackling everything from mental health to relationships with a brutally honest edge. With Oscar Porter (bass) and Grayson Mesarosh (drums) rounding out the lineup, the band’s sound has only gotten sharper.

2020's New Normal EP was a game-changer, with its powerful blend of heavy riffs and introspective lyrics drawing comparisons to bands like Dayseeker and Sleep Token. Singles like "Bitter" and "Say This Sober" showcase their ability to balance vulnerability with intensity, earning them a fiercely dedicated fanbase. ARCHERS’ music is a journey of strength and catharsis, turning life's darkest moments into anthems of resilience.

Upcoming Tour Dates:

Remaining EU / UK Dates

06/13 - Interlaken, CH - Greenfield Festival

06/15 - Donnington Park, UK - Download Festival

06/16 - Bristol, UK • Exchange

06/18 - London, UK • The Black Heart - SOLD OUT

Archers Headline Tour with Rivals, Of Virtue and Dead Eyes

7/5/2025 - Milwaukee, WI - Milwaukee Summerfest^

7/6/2025 - Ferndale, MI - The Loving Touch

7/7/2025 - Columbus, OH - Skully’s Music Diner#

7/8/2025 - Lakewood, OH Mercury Music Lounge#                 

7/10/2025 - Boston, MA - Brighton Music Hall

7/11/2025 - Philadelphia, PA - The Foundry

7/12/2025 - Richmond, VA - Canal Club           

7/14/2025 - Greensboro, NC - Hangar 1819

7/15/2025 - Atlanta, GA - Masquerade (Hell)

7/16/2025 - Nashville, TN - East Side Bowl                   

7/18/2025 - Chicago, IL - Reggies

7/19/2025 - Cadott, WI - Rock Fest*

7/20/2025 - Indianapolis, IN - Hi-Fi

7/21/2025 - Springfield, MO - The Riff                  

7/23/2025 - Dallas, TX - Trees

7/24/2025 - San Antonio, TX - The Rock Box

7/25/2025 - Oklahoma City, OK - Beer City Music Hall

7/26/2025 - Kansas City, MO - Warehouse On Broadway

7/27/2025 - St Louis, MO - Red Flag

Archers and Rivals only ^

No Of Virtue #

Archers only *

Archers with Nothing More/ Catch Your Breath

1/14/2026 - The Fillmore - Silver Spring, MD

1/16/2026 - The Ritz - Raleigh, NC

1/17/2026 - The Fillmore - Charlotte, NC

1/19/2026 - House of Blues - Lake Buena Vista, FL

1/20/2026 - Jannus Live - Tampa, FL

1/21/2026 - Buckhead Theatre - Atlanta, GA

1/23/2026 - South Side Ballroom - Dallas, TX

1/24/2026 - ACL Live - Austin, TX

2/2/2026 - REVEL - Albuquerque, NM

2/3/2026 - The Criterion - Oklahoma City, OK

2/6/2026 - Marathon Music Works - Nashville, TN

2/7/2026 - Egyptian Room - Indianapolis, IN

2/19/2026 - Wellmont Theatre - Montclair, NJ

2/20/2026 - House of Blues - Boston, MA

2/21/2026 - Wind Creek Event Center - Bethlehem, PA

2/23/2026 - L'Olympia - Montreal, QC

2/24/2026 - HISTORY - Toronto, ON

2/25/2026 - The Fillmore - Detroit, MI

2/27/2026 - GLC Live at 20 Monroe - Grand Rapids, MI

2/28/2026 - The Riviera Theatre - Chicago, IL

3/1/2026 - The Sylvee - Madison, WI

3/3/2026 - The Fillmore - Minneapolis, MN

3/4/2026 - Burton Cummings Theatre - Winnipeg, MB

3/6/2026 - Midway Music Hall - Edmonton, AB

3/7/2026 - Grey Eagle Event Centre - Calgary, AB

3/9/2026 - Commodore Ballroom - Vancouver, BC

3/10/2026 - Moore Theatre - Seattle, WA

3/11/2026 - Crystal Ballroom - Portland, OR

3/13/2026 - Union Event Center - Salt Lake City, UT

3/14/2026 - Fillmore Auditorium - Denver, CO

3/16/2026 - The Pageant - St. Louis, MO

ARCHERS:

Nathanael Pulley - Vocals

Ben Koehler - Guitar

Oscar Porter - Bass/Vocals

Grayson Mesarosh - Drums

For More Information Please Visit:

Official Website

Facebook

Instagram

X

TikTok

YouTube

Alternative Rock Duo PEAKS! Release Digital Ep ‘Modern World Survivors II’ Out Now via FLG

Today, alternative rock duo PEAKS! is excited to announce the release of their digital EP, ‘MODERN WORLD SURVIVORS II,’ out now via FLG. In addition, a new track, “LEECHER,”is out now, accompanied by a lyric video, available to view below.

PEAKS! comments on the new track:

“’LEECHER’ is a scream disguised as a song - born from the urge to call out the toxic patterns we sometimes tolerate. It’s about those people who feed off your energy, twist your words, and hide behind false concern while pulling the strings. We’ve all met someone like that. This track is about waking up to it - seeing the manipulation clearly and refusing to play along anymore.

“Lyrically, it’s sharp, sarcastic, and rooted in truth, not just anger, but clarity. There’s freedom in naming things for what they are and breaking the roles others try to put you in. Sonically, it hits hard: distorted, punchy, relentless. Every riff is designed to cut through the noise like a slap to the face”, they added. 'LEECHER' is a statement: I see you, I’m done, and I won’t shrink to make you comfortable.”

About the EP, the band stated:

“’MODERN WORLD SURVIVORS II’ is for anyone who’s ever felt too much in a world that listens too little. It’s for the gaslit, the shutdown, the ones who’ve been guilt-tripped into silence - and still found a way to make noise. Each track is a snapshot of resistance: ‘LEECHER’ confronts manipulation with venom and truth; ‘BAD DECISIONS’ embraces the beautiful mess of recklessness; ‘MORPHIA’ howls from the edge of numbness, and ‘DON’T WANNA BE LIKE YOU’ goes straight for the throat of hypocrisy.

“This EP lives in the tension between chaos and clarity. The lyrics are confessional, confrontational, sometimes self-destructive - but never hollow. They’re laced with irony, pain, and the raw need to break free from anything fake, expected, or imposed.

“Musically, it’s cathartic and intimate: distorted guitars, punchy rhythms, and haunting melodies form a wall of sound that feels like fists against the walls and voices breaking through static. It’s a darker, more resolved end to the storm we started in Part I - less about survival, more about defiance. We didn’t write these songs to be safe. We wrote them to feel alive. If you’ve ever felt like the only sane person in a twisted system - this one’s for you.”

Watch the Lyric Video for "LEECHER" Below:

PEAKS! is an exceptional alternative rock duo from Turin, Italy, who started their musical journey towards the end of 2020 with the jaw-dropping debut song ‚ “Blackout,” which amassed over 2 million Spotify streams.

PEAKS! is intensely creative and has formed a very strong distinctive image through their visual output since the start: they shoot and create their own videos and content, while collaborating with the renowned Italian graphic designer Giulia Lunge to realize and stay true to their vision.

From big fuzzy guitar riffs to catchy hooks, their musical influences draw from 70s rock to 90/2000s Electro Pop, as well as current bands such as The Score, Twenty One Pilots, Imagine Dragons, grandson, YUNGBLUD, Bishop Briggs, Welshly Arms, SAINT PHNXand more.

Order 'Modern World Survivors II' HERE

PEAKS! debuted live at The Great Escape (2022) in Brighton, gaining huge acclaim that led to festival slots at 2000 Trees in the UK and supporting Pearl Jam at BST Hyde Park in London, then Placebo in Mantova (Italy), their Italian debut in front of 10,000 people. They wrapped up 2022 by playing with Frank Carter and the Rattlesnakes.

2023 saw PEAKS! returning to The Great Escape in Brighton, playing at the first Slam Dunkin Italy, followed by support slots with Dead Poets Society in Holland, and summer shows with Placebo in Italy and Switzerland. They played with Placebo again in 2024, as well as performing at the Storing Festival in The Netherlands.

Over the years, PEAKS! have received great support from DSPs, including placements on New Music Friday playlists across Europe on Spotify, and Fresh Rock and New Rockplaylists on Amazon Music. 

The band have been featured on BBC Radio 1’s ‘Future Artists’ with Jack Saunders and on Kerrang! Radio, as well as earning strong airplay in the UK and across Europe. On TV, their music has been used on Love Island in the UK and on BBC’s Match of the Day, as well as on various US sync projects.

PEAKS! are:

Luca Del Fiore

Lorenzo Mazzucchi

UNFILTERED: LANIE GARDNER REVEALS NEW PICTURE-PERFECT EP, POLAROIDS, AVAILABLE NOW

Named a “2025 Artist to Watch” by the Recording Academy/GRAMMY and Amazon Music, Lanie Gardner, unveils her highly anticipated new EP, Polaroids, via BBR Music Group/BMG Nashville. A six-track collection full of vivid storytelling, boundary-pushing soundscapes, and emotional truth, Polaroids is the perfect soundtrack for long drives, golden-hour moments, and everything in between. Listen to Polaroids here.

Produced by Oscar Charles, Jonathan Singleton, and Chris Ganoudis, Polaroids blends modern country grit with alt-pop edge and acoustic soul, capturing a 25-year-old artist fully stepping into her voice and vision. Building on the raw intimacy of her 2024 debut album A Songwriter’s Diary, Gardner widens the lens with this new project, giving each co-written song a mellow mix of feel-good energy and message-driven meaning.

“Polaroids feels like a time capsule of everything I’ve lived and learned these past few years,” shares Lanie. “Each song is a snapshot of a moment that shaped me — the highs, the heartbreak and everything along the way.”

Alongside previously released standouts like “Buzzkill”—called “searing and sultry” by Billboard—and the emotionally charged “Concrete Cowboy,” Polaroids features a mix of new tracks that further showcase Gardner’s range. Highlights include the breezy opener “Takin’ The Slow Ride,” a windows-down anthem blending country rock with Southern soul, and the bright, roots-pop groove of “Hold Your Horses,” a playful reminder to slow down and soak it all in.

Gardner celebrated the release of Polaroids with a string of appearances at CMA Fest 2025, including standout performances at Spotify House, the Reverb Stage, and Ole Red’s On The Rise Opry celebration, as well as a surprise spotlight set at Darius Rucker and Friends at The Ryman. Today, she will perform at this year’s CMT Next Women of Country program at the Country Music Hall of Fame and Museum, followed by her Polaroids EP release party at Chief’s Bar in downtown Nashville. To cap it off, Lanie will be featured as Apple Music Country's "Riser of the Month," joining host Ward Guenther for weekly in-depth conversations on Country Risers Radio HERE. 

Gardner continues to earn praise and high-profile collaborations across the Country music landscape. Her recent duet “What Could Go Right” with Thomas Rhett remains a fixture on top country streaming playlists, while her heartfelt team-up with Warren Zeiders on “Loving in Letting Go” showcases her emotional depth and vocal power.

This year alone, she made her Stagecoach debut, joined Corey Kent’s Black Bandana Tour, and will hit the road again this fall with Gavin Adcock. She was also named to CMT’s 2025 Next Women of Country class and was recently invited to make her Opry debut, further solidifying her place as one of the genre’s most exciting new voices.

Lanie first gained attention with her viral cover of “Dreams” (55M+ views), which hit No. 25 on the Billboard Rock charts and led to collaborations with David Guetta and MORTEN and her original music has been featured on the soundtracks for both Twisters and Queen of the Ring. As Billboard put it, she’s “a true artist with staying power,” and MusicRow calls her “one of the most exciting rising stars today.”

KEEP UP WITH LANIE GARDNER

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK

Photo Credit: Alysse Gafkjen

SYLOSIS - Release Video For 'Soured Ground' + Limited Vinyl Run Of 'The Path' EP

Storming metal unit SYLOSIS have released the video for the vitriolic 'Soured Ground', taken from their most recent EP, The Path. The band have also announced a limited vinyl run of the EP which can be purchased now from https://sylosis.bfan.link/the-path

On the release of the new video, the band comments:

"Following the success of The Path, it was clear that we had to immortalise these songs on some form of physical media. We knew the songs were strong, but did not expect them to connect with people the way that have. In light of this, we have a very limited pressing of the EP in coke bottle green with custom etching. The finished product is stunning and we can't wait to share it with you. To further celebrate the release, we shot a new video for the song Soured Ground. This was the obvious choice for the video after seeing all the fan feedback. We have a limited number of signed vinyl available on our webstore and on tour in Europe this month. Be sure to grab yourself a copy, and we'll see you on the road - Ali, Ben, Conor & Josh."

Pop Evil Release Raw and Emotionally Charged EP "Unleaded"

In a bold departure from their signature sound, Pop Evil unveil a powerful new chapter with the release of their live acoustic EP, Unleaded, a raw and emotionally charged recording captured in the heart of New York City.

Hosted by SiriusXM Octane and set within the edgy, denim-clad atmosphere of the Cult of Individuality showroom, this release strips away the band’s thunderous riffs and high-octane energy, laying bare the soul of their songwriting in an intimate and electrifying performance.

Known for their explosive live shows and heavy rock anthems, Pop Evil have long been a staple of the hard rock scene. But Unleaded reveals a different side of the Michigan-bred outfit—one that trades distortion and fury for shadow and nuance. The setting was intentionally unconventional. Surrounded by Cult of Individuality’s gritty fashion aesthetic and a crowd of superfans, the band leaned into vulnerability and artistry, proving that their songs are just as powerful—if not more so—when stripped to their emotional core.

The EP features raw, acoustic renditions of fan favorites and a surprise cover of Simple Mind classic '80s hit "Don't You (Forget About Me)," reimagined through a minimalist lens. Frontman Leigh Kakaty's vocals take center stage, enriched by the absence of walls of sound, revealing new shades of melody and lyrical depth. Songs like "What Remains" and "Paranoid (Crash & Burn)" gain new emotional resonance, delivered with haunting clarity and personal intensity. Backed by acoustic guitar, delicate percussion, and harmonized vocals, the stripped arrangements emphasize storytelling over spectacle.

"This was a chance to show our fans who we are underneath it all," Kakaty shared during the Octane broadcast. "No lights, no walls of sound—just the songs and the emotion that built them."

Unleaded serves as a reminder that even the heaviest rock bands have roots in melody and meaning. It's a testament to Pop Evil’s versatility and their willingness to challenge themselves creatively. By peeling back the layers, this EP offers an unforgettable glimpse into the soul of Pop Evil — raw, unfiltered, and undeniably powerful.

Pop Evil are wrapping up the last few dates of their current headline tour. All remaining dates are below. The band is playing festivals and fairs this summer. Expect more touring later in 2025.

POP EVIL ON TOUR:
7/3 — Traverse City, MI — National Cherry Festival
7/5 — Algona, IA  — ABATE Freedom Rally
7/18 — Timmins, ON — Rock on the River
7/19 — Brantford, ON – Call Home
7/26 — Grover Hill, OH – Wetzelland 
8/2 — Davenport, IA – Mississippi Valley Fair
8/16 — Escanaba, MI — Upper Peninsula State Fair
10/5 — Sacramento, CA — Aftershock

Funeral Release Surprise New EP

Fresh on the crushing heels of their ninth album Gospel of Bone, today, Funeral are returning with a new companion EP. The Funereal displays all the markings that made this band pioneers of funeral doom: glacial riffs, poisoned harmonies, slow-burning solos and deep, pained growls. At its cold heart lies “Gamalt ljós”, a towering 18-minute centerpiece that digs deep into the psychological toll of emotional entrapment.  

The Funereal EP comes out today and is available on all digital platforms.

Stream: https://funeral.fanlink.tv/TheFunerealEP

Listen to “Gamalt ljós” below:

“Gamalt ljós” is one of the most introspective and heavy songs in Funeral’s decades-long career. Sung entirely in Faroese, the song translates in English as “Old Light,” a poetic reference to the fading glow of past hopes and unreachable absolutes. As its triptych structure unfolds, the emotional intensity escalates, navigating Kantian philosophy, spiritual longing, violent imagery and personal grief. "Rópi á gamalt ljós" (“I cry for old light”) emerges as its aching refrain.

The Funereal EP also includes an acoustic reinterpretation of “Når Kisten Senkes,” a standout track from Gospel of Bones. Stripped of the original’s orchestral weight, this new version lays bare the song’s stark mourning and lyrical gravitas. The result is a subdued yet devastating lamentation—an intimate reflection on death, grief, and finality, rendered in delicate acoustics and hushed despair.

Since the album was completed, the now septet has welcomed for the first time ever a full-time violin player “to perform live most of the strings you can hear on our albums as soon as we’ll be able to go back on stage.” In the meantime, Anders confesses the next album is more or less “finished. ‘Praesentialis’ could have been released earlier if we hadn’t to face all those COVID-related problems. We couldn’t meet in person, let alone rehearse or even just take promo pictures… But now we have a new label, a new line-up and a totally renewed sense of energy so why stop there? FUNERAL started thirty years ago be truth be told, it’s never been stronger. So, doom on!”

Recording Lineup:
Jon Aldara
Anders Eek
Morten Søbyskogen
Ingvild Anett Strønen Johannessen / Sareeta
Anders Langberg

Production Credits:
Recorded at Strand Studio, Stabbek, Norway.
Produced, mixed & mastered by Marius Strand at Strand Studio.
 
Guest Musicians:
Jon Aldara – Vocals
Stian Kråbøl - Classical Guitars

Cover Art:
Tristan D.

Stream: https://funeral.fanlink.tv/TheFunerealEP
 

Follow Funeral:
Facebook: https://www.facebook.com/funeralnorway/
Instagram: https://instagram.com/funeralnorway
YouTube: https://www.youtube.com/@DirgeofMourning
Bandcamp: https://funeraldoom.bandcamp.com/
Spotify: https://open.spotify.com/artist/0q3guqlmd8oVaz5v2Fqy3q
Apple Music: https://music.apple.com/artist/funeral/208973684
Deezer: https://www.deezer.com/artist/194130
TIDAL: https://tidal.com/browse/artist/23777

Exuberant NYC quintet Ecce Shnak share 'Backroom Sessions' EP and 'Fight Song' video

NYC experimental rock quintet Ecce Shnak has released their 'Backroom Sessions' EP via Records, Man Records, recorded at Backroom Studios in Rockaway, NJ. This 4-song live set arrives ahead of the band's West coast tour this June with platinum-selling legends Spacehog and EMF.

Ecce Shnak has also shared a raucous video for 'Fight Song' (Live), a hard-hitting track with a potent message, offering an ironic take on violence and addressing today's rampant spread of hate-filled vitriol. They earlier shared another track from this EP - their groove-inducing opus 'Prayer On Love' (Live).

Ecce Shnak is David Roush (composer, bassist and one of two singers), Bella Komodromos (vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn (drums). Where fervent brilliance blurs into absolute, uncontainable madness, there resides Ecce Shnak, balanced precariously upon an illuminated sonic high wire.

David Roush explains, "While we originally filmed these performances for our YouTube channel, we felt the audio worked as a thrilling scamper through old material and new material alike. In addition, we are finishing a new full-length album and wanted to have something to tide you over, dear Shnak’iversian, until its release next Spring. So until we can share 'Dandy Variances' with you all, here are the “Backroom Sessions.” We so hope you love them tremendously!"

Rejecting conventional aesthetics, Ecce Shnak (pronounced Eh-kay sh-knock) whimsically incorporates diverse artistic expressions, tackling profound subjects and intriguing minutiae with remarkable clarity. Building on the success of their recently-released debut 'Shadows Grow Fangs' EP,

"The hardcore slammer 'Fight Song' is not a Katy Perry cover. Instead, it is a djent-forward ramble on the ubiquity of violence in human life, be it literal or metaphorical. It was originally an ironic joke when it was released on our first EP, 'Letters to German Vasquez Rubio' in 2012," says David Roush.

"We decided to change the lyrics and release a new version in reaction to the rancid bigotries that so plague the human spirit nowadays, in America and elsewhere. The final line is a call to defend our basic human freedoms while we still have them: “Fight for your right to fight!”"

Ecce Shnak's recently-released debut 'Shadows Grow Fangs' EP showcases incomparable ingenuity and limitless invention, blending art-rock and punk energy with some unexpected twists. Between its title track, web-mocking 'The Internet', sensual 'Prayer on Love', folk ballad 'Stroll With Me', and 150-second hammering lead track 'Jeremy, Utilitarian Sadboy', Ecce Shnak presents a powerful debut effort that is intricately constructed, methodically fashioned, undeniably offbeat and truly entertaining.

Recorded and produced by Jeff Lucci at the Art Farm (NY), this EP was mixed by Nicholas Vernhes  (Animal Collective, Deerhunter, Wild Nothing, The War on Drugs) and mastered by Grammy award-winning engineer Joe LaPorta (David Bowie, The Weeknd, Foo Fighters, Vampire Weekend).
 

The 'Backroom Sessions' EP is out now,available from fine digital music platforms, includingSpotify, Apple Music, YouTube Music and Bandcamp. In June, Ecce Shnak is touring the West coast with platinum-selling legendsSpacehogandEMF. Kicking things off in San Jose on June 14, the tour wraps up on June 28 in Las Vegas. Tickets for the Spacehog / EMF / Ecce Shnak tour are on sale now.

CREDITS
Music written / composed by David Roush
David Roush - vocals, classical guitar, drum kit, keyboard
Jeff Lucci - electric guitar, electric bass
Isabella Komodromos - vocals
Recorded at the Backroom Studios in Rockaway, NJ
Mixing Engineer: Chris Krasnow
Released by Records, Man Records
EP cover artwork & artist photos by Tommy Krause
A&R: Beth Narducci for You + Me Entertainment
Publicity by Shauna McLarnon for Shameless Promotion PR

TOUR DATES (with EFM and Spacehog)
Jun 14   San Jose, CA  - The Ritz
Jun 15   San Francisco, CA  - Great American Music Hall (tickets)
Jun 17   Portland, OR  -  Star Theater
Jun 18   Seattle, WA  - The Neptune
Jun 20   Salt Lake City, UT  - Metro Music Hall
Jun 21   Denver, CO  - Oriental Theater
Jun 23   Phoenix, AZ  - Crescent Ballroom
Jun 24   San Diego, CA  - Music Box
Jun 26   Santa Ana, CA  - The Observatory
Jun 27   Los Angeles, CA  - The Regent
Jun 28   Las Vegas, NV  -  House of Blues


Keep up with Ecce Shnak
Facebook | Bandcamp | Instagram | Twitter | YouTube | TikTok | Spotify | Apple Music | YouTube Music | BandsInTown | Booking | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads | Soundcloud | Link edIn | Email

Finnish Melodic Rockers BROTHER FIRETRIBE Release 'Number One EP' -

Helsinki melodic rock heavyweights BROTHER FIRETRIBE have officially released their new maxi-EP, 'Number One EP.' In addition, the band has released the EP's title track, which is accompanied by a lyric video, available to view below.

Wrapping up the last three years, 'Number One EP' brings together fan-favorite singles “Thunder Rising,” “Just Another Night,” “Are You Ready,” and “Man On A Mission,”alongside two brand new tracks: “Number One” and “How Long Till Tomorrow.” The release is rounded out with a beautiful acoustic version of “Bring On The Rain.”

BROTHER FIRETRIBE vocalist Pekka Heino comments on the new EP:

"'Number One EP' is a sort of an interim statement where we wanted to tie together the songs we’ve put out since the covid years for one solid release with some new material of which we’re super excited about! Can’t wait to go out and play all of them live soon and then dig deep into working on a full blown fresh new album. TRIBE is on a roll!"

Watch the Lyric Video for "Number One"

BROTHER FIRETRIBE have already built a legacy with unforgettable anthems like “One Single Breath,” “Heart Full Of Fire,” “I Am Rock,” “For Better Or For Worse,” and the ultimate soundtrack to a Rocky movie that never got made, “Taste Of A Champion.”

With 'Number One EP,' they prove once again that they’re here to win, delivering high-octane, feel-good rock that knows how to paint the town red and put a smile on your face.

Order 'Number One EP' HERE

TEETH | RELEASE NEW EP I AM THE WAY TO OBLIVION + RELEASE MUSIC VIDEO FOR 'LET IT IN'

Coming off a string SOLD OUT shows with the CANCER BATS and a North American direct support run with NORMA JEAN, Canadian hardcore/metal powerhouse TEETH delivers their newest offering in the form of a 2 song EP. l Am the Way to Oblivion is raw and features unrelenting aggression while serving blended chaotic riffs, crushing breakdowns, and visceral intensity. The EP is now available for purchase on all streaming platforms.

The cherry on top of the sundae is the music video for their latest track, 'Let It In'. Watch the  music video for the frantic assault of jagged guitars, pummeling drums, and feral vocals, capturing the chaos of confinement.

TEETH comments, "A descent into obsession, and the battle for control. ‘Let It In’ is about the cycles we can’t break, and the darkness that begs to be let inside”.

Stream l Am the Way to Oblivion:
https://teeth.bfan.link/i-am-the-way-to-oblivion

I Am the Way to Oblivion EP was recorded earlier this year at Destroyer Studios in Hamilton, Ontario. It was produced by the band and engineered by Chris LeMasters. For the mixing and mastering of the EP, the band once again worked with Lance Prenc (ALPHA WOLF, POLARIS, VOID OF VISION). The album artwork was created by Tiltshift Visual and Chris LeMasters.

In May, they hit London Music Hall as direct support for IN FLAMES, headlining Pouzza Fest in Montreal, and were just announced as part of the lineup for legendary New England Metal and Hardcore Festival.  The band is set to announce more North American tour dates soon!

TEETH live dates
05.01 London, ON @ London Music Hall w. IN FLAMES
05.17 Montreal, QC @ Pouzza Fest
09.20 Worcester, MA @ New England Metal and Hardcore Festival

Driven by rage, TEETH’s sound is an unfiltered, cathartic eruption of fury and despair.

TEETH is:
Blake Prince | Vocals
Chris LeMasters | Guitar
Bryan Beerbaum | Guitar
Marc Quagliarini | Bass
Seb Lalonde-Ricardi | Drums

More information:
Facebook | Instagram | YouTube | X | Spotify | Tik Tok

Florida Indie-Punk Rockers Virginity Release "Fidelity Castro" EP via Smartpunk Records

Smartpunk Records' power pop darlings Virginity have released their new EP "Fidelity Castro" as a follow-up to their 2024 LP "Bad Jazz" - available to purchase here. The EP is a collection of six dynamic tracks that went from being outcasts on the album tracklist to star songs in their own right.

Listen below.

The band has received critical acclaim from the rock scene's top tastemakers, including New Noise Magazine, Brooklyn Vegan, Audiotree, and more. As fan favorites at Smartpunk's SXSW showcase and Florida's beloved FEST, Virginity have cultivated a core fanbase who are foaming at the mouth for these new tracks. 

Speaking about the new EP, Virginity says, "Fidelity Castro started out being a way to just throw a couple of tunes out that had been sitting on the back burner for a while. As we assembled those, we kept returning to the live recordings we’d done in Jordan’s living room when we first started writing for Bad Jazz and felt like a couple of songs had so much life in them that we had to send them out into the world with our new recordings. We’ve also got a Shins tune on here because we’re just fans of that band and that record (Chutes Too Narrow) in particular. That was just something fun to do and a challenge, to make it our own a little. Lastly, we’ve got Love Exists, which is a song so incredibly void of any cynicism (basically an idea that’s nonexistent in our catalog) that we weren’t sure what to do with it. Should we rerecord it, make it a full band affair, or perhaps make it a proper piano ballad or something? Ultimately, we decided the magic was already there and that it should just be put out as is. The arc of this band has been about progressively getting more and more authentic. In a way, Fidelity is our most authentic release yet. There’s a real “scars and all” approach to it. We’re not being precious about any of it and, for now, that’s really inspiring and exciting for us. We really believe that some of these songs are some of the best we have to offer, and we’re so proud of this little collection."

ABOUT VIRGINITY
Virginity’s “Fidelity Castro EP” was originally supposed to be a way to release the leftover scraps from the Bad Jazz recording sessions, but as the band continued to finesse the recordings, the EP morphed into something entirely different. It took on a life of its own, and taught the band it can operate more loosely than it ever has before.

Featuring 5 original tracks and a cover of one of their favorite Shins tunes, the EP shows the band finishing three partially developed concepts from the Bad Jazz sessions as well as 3 demos of songs that never made it to the studio, but showed just as much promise as anything that landed on the album. And while the basic tracks of the demos were recorded live and raw, they show another side of the band’s abilities and yearning to experiment with lo-fi production (a la a recent obsession with Guided By Voices) and attempt to not overthink something that already rocks ass. 

ABOUT SMARTPUNK RECORDS:
Smartpunk has been a recognizable name in the scene for a long time (Remember that sponsored Warped Tour stage?!). After exchanging several hands and countless ideas of what it could and should be, they decided to start a record label in 2016 with the main idea of focusing solely on reissuing records that have been out of print or never on vinyl. After all, they're a label of vinyl dorks themselves! After releasing Set Your Goals' Mutiny and Gameface's Good, they started to venture into signing newer bands. They actively balance in between many worlds — putting out amazing music from friends and bands that rock, reissuing older titles, and partnering with other incredible labels in our scene and doing exclusive color variants of their releases.

"Since forming the record label, Smartpunk Records has released timeless albums such as Less Than Jake's Anthem, Nominee's Lowlife, RIVALS' Sad Looks Pretty on Me, Virginity's POPMORTEM, and melodic skate punkers The Swellers' My Everest.

Breakout Country Artist Maddox Batson Releases 'First Dance' EP

Powered by a stunning year of early hits, rising country sensation Maddox Batson unveils his highly anticipated First Dance EP, available now via Prosper Entertainment/Warner Records. The multi-instrumental singer-songwriter continues to captivate audiences with his heartfelt storytelling and signature sound, building on a story which has already caught global attention. Listen to First Dance HERE.
 
With millions of streams to his name, Batson first connected with fans through his viral hits like “Tears In The River” and “I Wanna Know,” showcasing raw talent and deep emotional resonance. His instinctive ability to blend classic country roots with a fresh, modern twist has made him one of the most exciting new voices in the genre today.
 
First Dance features seven tracks with the same youthful magnetism, including highlights like the single “Girl In Green.” Showcasing his stunning signature style, Batson paints a cinematic picture on the catchy chorus, “Tell me, have you seen the girl in green? Felt like a movie, yes it could’ve been a dream.” The music video for “Girl In Green” is set to premiere at 1pm PT on Friday, March 21 - watch HERE.
 
On “Problem,” soft spoken acoustic guitar fills the emotional gaps between slick snaps and buoyant beats. Dealing with the turbulence of a toxic relationship, Batson comes to an empowering realization on the unshakable refrain, “Baby, what you mad at me for? Maybe you’re the problem.” He shares a perceptive fusion of spirit and soul on the moving “God Talkin’,” and then, there’s the romantic clarity of “It Was You.” Loose acoustic guitar underlines his emotionally charged hook, “The one thing I've been missing, it was you.” Full track listing below.
 
Setting the stage for First Dance, Batson’s new EP arrives after the standout “I Don’t Like You Anymore.” The latter is approaching 1 million Spotify streams and 2.6 million YouTube views on its accompanying music video. It follows in the wake of the buzzing “X’s,” which has already amassed over 5.7 million Spotify streams in addition to 11 million YouTube views on the music video.
 
This spring, the charismatic singer-songwriter and performer is set to hit the road once again with headlining tour dates in New York City, Dallas, Chicago and more, along with a performance at Stagecoach Music Festival in Indio, CA. Following high demand, Batson upgraded venues across the country with limited tickets remaining. This fall, he’s set to join one of country’s biggest stars, supporting Lainey Wilson’s Whirlwind Tour.
 
In a short time, Batson has skyrocketed to the forefront of country music fueled by a series of popular independent singles. Born just north of Nashville, Tenn. and raised in Birmingham, Ala., the now 15-year-old developed a fervent passion for music as a kid. Eventually, he cultivated a sharp signature style by infusing classic country storytelling and swagger with southern rock energy, pop palatability and distinctive grooves. With cuts like a current Lana Del Rey and Quavo single “Tough,” the “Tears In The River” singer will soon make his debut on the Grand Ole Opry Stage on March 26, 2025.

Tour Routing:
March 28         Columbus, OH            The Bluestone*
March 29         Louisville, KY            Mercury Ballroom*
March 30         Indianapolis, IN          Egyptian Room*
April 4             Rosemont, IL              Joe’s Live*
April 5             Rootstown, OH           Dusty Armadillo*
April 6             New York, NY            Irving Plaza*
April 9             Savannah, GA             Victory North*
April 10           Charleston, SC            Charleston Music Hall*
April 11           Raleigh, NC                Lincoln Theatre*
April 13           Huntsville, AL            Mars Music Hall*
April 17           Dallas, TX                  House of Blues*
April 18           Houston, TX               White Oak Music Hall - Downstairs *
April 19           Austin, TX                  Emo’s Austin *
April 22           Denver, CO                 Summit
April 24           Phoenix, AZ                Crescent Ballroom*
April 26           Indio, CA                    Stagecoach Music Festival
Sept 11            Baton Rouge, LA        Raising Cane’s River Center^
Sept 13            Bossier City, LA         Brookshire Grocery Arena^
Oct 16             St. Louis, MO             Hollywood Casio Amphitheatre^
Oct 17             Rosemont, IL              Allstate Arena^
Oct 18             Saint Paul, MN           Xcel Energy Center^

About Maddox Batson:
Maddox Batson navigates the world with wisdom and wit far beyond his 15 years. After the Nashville-born, Alabama-based songwriter began gaining notoriety covering songs from Zach Bryan, Red Clay Strays, and more, he started to write his own songs. Thanks to early singles like “Tears In The River” and “I Wanna Know,” Batson quickly showed that he wasn’t only a star at covering country hits, but an excellent writer of his own home-cooked cuts – a practice he saw first-hand as a co-writer on Lana Del Rey and Quavo’s smash hit collaboration, “Tough.”
 
With the arrival of his latest single, “Girl In Green” and his EP First Dance, Batson is ready to show the world what he can create all while preparing for sold-out live shows across the country, his debut appearance at Stagecoach Music Festival and more new music. Life is moving fast for the multi-instrumentalist (piano, guitar & mandolin)who has fully embraced his next-up in country-pop music.  “It can be overwhelming, this life, but I’ve got a lot of good people surrounding me,” he explains. “I’m still just a kid, though, and I’m happy about that.” More at MaddoxBatson.com.

STAY TUNED WITH MADDOX BATSON
TikTok | Instagram | YouTube | Press Website

GILLSAW Immerse Yourself with an Electrifying Experience with the Release of the bands Debut EP "FOG WATCH"

STREAM "FOG WATCH"

 The wait is over.

Prepare for the sonic storm of the year as industrial metal trailblazers Gillsaw prepare to unleash their highly anticipated debut EP, "Fog Watch", out NOW.

This six-track powerhouse will pull listeners into a relentless world of crushing rhythms, eerie atmospheres, and guttural intensity. With a unique blend of industrial noise, sludgy metal riffs, and haunting electronic landscapes,

Gillsaw carves out their own space in the genre.

"Fog Watch" showcases the band’s ability to blend chaotic energy with thought-provoking storytelling, offering an immersive experience that’s both exhilarating and unsettling.

FOG WATCH Narrative:

"Fog Watch" tells the tragic story of Ian, a man descending into madness. Through a series of increasingly distorted experiences, we witness his journey from isolated lighthouse keeper to drug-addicted nomad.

• Fog Watch: Ian battles loneliness and encroaching insanity, symbolized by the perpetual fog. The lyrics reflect his isolation and mental deterioration.

• Thankful: Ian's desire for validation turns to bitter rage as he resents the lack of gratitude from those he protects.

• Rizen: Ian falls under the influence of a false deity, surrendering reason for blind obedience.

• Siren Comes: Ian faces nightly temptations, battling internal fears and desires.

• Trenched In: Ian's final act of devotion leads to his self-burial, a symbolic death and rebirth.

• Bombay Way: The reality is revealed: Ian's experiences were drug-induced delusions, culminating in a fatal overdose in Bombay Beach.

"FOG WATCH" explores themes of isolation, the search for meaning, and the destructive power of delusion.

GILLSAW'S SOUND

Gillsaw's sound is a meticulously crafted fusion of heavy metal's muscularity and industrial music's stark, electronic edge. This powerful core is layered with intricate progressive structures and ethereal new age ambient textures, creating a dynamic and immersive atmosphere that defies genre boundaries.

Reconciler Release "Three Songs" EP via Smartpunk Records

Reconciler's new EP "Three Songs" might be short but it packs a mighty punch of punk. The band, previously featured on Kerrang!, Idioteq, and more continues to deliver bold lyrical themes set to visceral soundtracks as this EP marks the next phase of their musical evolution.

Merchandise, vinyl, and other products for the EP release are available here.

The band's vocalist Joseph Lazzari explains, "Three Songs offers a heavier, more visceral side of Reconciler’s heart-on-sleeve approach that contemplates grappling with mental health as the credits roll on the American Dream."

ABOUT RECONCILER:
Reconciler is a band from Atlanta, GA first amplified in the summer of
2016. Harkening to a sound alternately Southeast and East Bay, they released their debut LP, Set Us Free, in February of 2019 to critical acclaim. A split 7-inch with the legendary Gainesville outfit, Ship Thieves followed in January of 2021. With a solidified new lineup and a refined focus, Reconciler went to work completing their sophomore album, Art For Our Sake, released on Smartpunk Records in the U.S. and Gunner Records in Europe in February of 2024. The band followed the release with their first tour of Europe and The U.K. Art For Our Sake’s singles were featured on editorial playlists, and widely played on college radio. The album’s title track became the most-played song on Sirius XM’s Faction Punk station for several months. On March 7th, 2025, Reconciler will release a limited 7-inch, Three Songs, ahead of a southern tour and SXSW appearance.Three Songs offers a heavier, more visceral side of Reconciler’s heart-on-sleeve approach.

Tropic Gold Share "The Angels Are Gone" Video — WATCH // New EP Out Now

South East England trio TROPIC GOLD have released their new EP, SICK TO DEATH OF EVERYHING, via UNFD.

Get it here. 

They've also released the video for "THE ANGELS ARE GONE."

"'THE ANGELS ARE GONE' plays on as a lyric response to the question from the end of the introduction track opening the EP, that being 'How do you feel?,'" the band says. "The track's intention was to feel like a downward spiral when your head is just wrecked and in all the wrong places, with the chorus stating 'I need a reason to stay, 'cos the angels are gone.'"

Regarding the deeply personal EP, Tropic Gold siphoned every bit of emotion the members have experienced in recent times and parlayed it into these songs, saying, "SICK TO DEATH OF EVERYTHING had everything poured into it over some really difficult times — the name sums up what was, and has been, going through our heads. It's our most honest and vulnerable body of work, and hope that people hear it and connect so they understand they aren't alone with day-to-day instability of mental health, life uncertainty, and self-loathing."

Tropic Gold offer up a thoroughly modern and moody meld of alternative, metal, pop, and electronica, cajoling their passions for a dynamic culture pool of music and production styles into a single sonic petri dish. Though originally formed in 2019, the quartet have spent years in the lab, developing their sound and strong aesthetics behind the closed doors of a bespoke, self-built multi-media studio.

The Tropic Gold method is truly hands on, with guitarist Joshua Lee handling all production and recording duties, as well as diving into the weeds on their visual curation, manning the camera and edit suite as often as the production chair. 

SICK TO DEATH OF EVERYTHING follows Tropic Gold's 2023-released What A Wonderful Experience EP via UNFD.

Pairing swathes of moody atmospherics with soaring, ear worm choruses, the band’s songs feel like they would be equally A Vibe™ pulsing across sticky, cramped dance floors as soaring atop airy arenas. Coming on like a new romantic Bring Me The Horizon or a post breakup Don Broco, who just discovered their parents copy of The Cure'sDisintegration or a 45rpm copy ofSing The Sorrow playing at 33rpm… tl;dr: Tropic Gold are as gloomy as they are catchy.  Sharing a sonic space with the likes of the aforementioned BMTH and Broco, PVRIS, (latter day) Architects, Caskets, Spiritbox's plaintive moments and even Enter Shikari (albeit on Valium), Tropic Gold are just getting started in figuring out how to weaponize their cocktail of slap and swag.

TROPIC GOLD ARE:
Jacob Parris — Vocals
Joshua Lee — Guitars + Programming
Amy Barnett — Drums

THE VICE Release "A Great Unrest" EP and"From The Barricades" Music Video! ​

Swedish dark metal act THE VICE has unleashed its brand new 5 track EP A Great Unrest via Noble Demon. To celebrate the release in a fitting manner, the band has released a music video for the track "From The Barricades".

THE VICE about the song:
"Sometimes rock 'n' roll shouldn't be more complicated than one middle finger and zero f*cks to give. And that's what "From The Barricades" is all about.It's punk song cast in our blackened mold of ferocious rock and die-hard metal, accelerating all the way until the very end. Nothing more, nothing less, but one hell of a ride.."

Watch the video for "From The Barricades" below:

Listen to "A Great Unrest" HERE

Following the success of their latest full-length album, Dead Canary Run (2024, Noble Demon), THE VICE embarked on an exciting journey to create a series of EPs. The addition of Joel Öhman, a long-time collaborator, has transformed the band into a finely-tuned quartet, enriching their sound with fresh perspectives and innovative approaches.

The first offering from this new chapter, A Great Unrest, has this growth on full display, amplifying every inch of the foundation made of blackened metal, ambient pop and unbridled rock'n'roll. 

The five tracks - three new ones, a cover of "1 Sun" by Miley Cyrus and a rearranged version of "Welcome The Storm" from the latest album - were recorded in the fall of 2024 at Studio Underjord (Skraeckoedlan, Magna Carta Cartel, Haystack among others) in rural Sweden.

Fresh off of writing and recording a full album, this EP was the perfect way to musically break the "limitations" that can come when working to create a really unified piece of art.

And while it wasn't exactly Fantomas-levels of diverse tracks, sound engineer and owner of the studio, Joona Hassinen really pulled his 'A' game giving it a coherent sound. A Great Unrest sounds a bit lighter, yet more harsh than Dead Canary Run with an electrified, distorted tension running throughout. 

"A Great Unrest" is out now on Noble Demon and available for purchase at THIS LOCATION

The Vice are:
Rickard - Vocals & Guitars 
Charlie - Bass 
Petter - Drums
Guest appearance by Joel Öhman (Piano)

For more info visit:
https://www.facebook.com/TheViceOfficial/  
https://www.instagram.com/theviceofficial/  
https://theviceonline.bandcamp.com/  
https://linktr.ee/nobledemon    

Chase Rice Shares "Live From Chief's" EP: Eric Church & George Strait Covers Plus Unreleased Original "Cowboy Goodbye"

Country music maverick Chase Rice has surprised fans with today's release of a special three-song EP, Live From Chief's. Captured during his recent acoustic underplay shows at Chief's on Broadway on Feb. 13 and 14 – which American Songwriter cited as emblematic of the fact that "Chase Rice didn't change, he just got brave enough to be himself" – the project highlights Rice's raw, unfiltered artistry in a way that fans rarely get to experience at his larger arena shows. Listen HERE.

The project opens with two standout covers: fellow Asheville-area native Eric Church’s “Carolina,” one of the first songs Rice was inspired to learn to play on guitar during his college years at UNC, and George Strait’s iconic rodeo hit “I Can Still Make Cheyenne,” which itself inspired the EP’s third song.
 
The previously unreleased “Cowboy Goodbye,” a yearning song co-written by Rice with Oscar Charles and Foy Vance during a recent post-Red Rocks retreat in Colorado, serves as a pivotal moment for his next studio album – the oft-teased Eldora expected later this year. The first song written for the highly anticipated follow up to recent independent success Go Down Singin’, “Cowboy Goodbye” reflects on the sacrifices that come with the pursuit of music and the longing for something more:

“I love my life; I love my job; I love what I get to do for a living – but I’ve given up a lot to do it,” Rice shares in the live recording’s introduction, reflecting on the deeply personal parallels between the life of a touring musician and that of a true cowboy. “I don’t have a family yet – that’s the goal – but that’s one of the main things that I’ve given up to do this thing… Since I was a little kid, I always wore the cowboy boots, I always wore the cowboy hat and the cowboy way of life was always just kind of in my mind.”
 
Co-produced by Rice and Charles, the EP features an intimate, stripped-down sound with Charles on drums and background vocals, Jonathan Sherwood on bass and Tori Allen on fiddle. Recorded at two back-to-back sold-out shows at Chief’s just a few weeks ago, these performances were part of a unique two-night residency where Rice celebrated his artistic evolution:
 
Feb. 13: A Night of I Hate Cowboys & All Dogs Go to Hell – A deep dive into the storytelling and raw emotion of Rice’sacclaimed album praised for its authenticity and connection to his roots, hailed by Billboard as “one of 2023’s most unexpected artistic pivots” and Forbes as “a full-circle, career defining journey for Rice, as both a singer and a songwriter.”
 
Feb. 14: A Night of Go Down Singin’ – A showcase of Rice’s recent independent release, praised by Rolling Stone as “an excellent collection of poignant, often anthemic country,” which finds him “trying to do what creative people are supposed to: grow and change,” while Cowboys & Indians proclaimed that “maturity and clarity are the reality on Chase Rice's new album…what is sure to be one of 2024’s most well-received country albums of the year.”
 
With Live From Chief’s available across all streaming platforms now, fans get a rare, up-close listen to the stripped-down magic that made these shows unforgettable, while also catching a first glimpse of what’s to come with Eldora.

For more information and all of the latest news, visit ChaseRice.com and follow on Facebook, Twitter and TikTok@ChaseRiceMusic and on Instagram @ChaseRice.

About Chase Rice
With more than 2.6 million albums sold and over 2.8 billion total streams, plus a legion of passionate fans at his high-energy concerts across the globe, Chase Rice has established himself as a powerful force in Nashville and beyond. With independent album Go Down Singin’ available everywhere now as the follow-up to the critically acclaimed I Hate Cowboys & All Dogs Go To Hell, and both brought together on the songwriter-forward Fireside Sessions, Rice’s sound continues to evolve to reflect the realities of his life; from emotional reckoning to an admiration of the American West. The new music serves as a follow up to his three-part project, The Album, which featured his latest Platinum-certified No. 1 hit, “Drinkin’ Beer. Talkin’ God. Amen.” and the Platinum-certified Top 10 hit “Lonely If You Are.”
 
This is the same gravelly-voiced Chase Rice fans first fell in love with years ago – but better, freer; unbeholden and uninhibited. The new music builds upon the success of his sophomore album, Lambs & Lions, which featured the 3x Platinum, two-week chart topper “Eyes On You” – Rice’s first No. 1 as an artist and the most-streamed song of his career. Lambs & Lions followed Platinum-certified Ignite the Night, which debuted at No. 1 on Billboard’s Top Country Albums and No. 3 on the all-genre chart, producing a pair of Top 5 hits; Platinum-certified “Gonna Wanna Tonight” and Double Platinum “Ready Set Roll.” In addition to guesting on sold-out stadium shows with Kenny Chesney and Garth Brooks, Rice served as direct support on Dierks Bentley’s 2024 Gravel & Gold Tour and consistently sells out venues on his own headlining tours across the U.S. and beyond, with the Go Down Singin’ International Tour underway now.

Suicide Puppets Drop "Where Killers Go to Die" EP + Share "Piggy" Video

Suicide Puppets, featuring Twisty Suicide on vocals, Jonny Suicide on bass and backup vocals, Steven Suicide on lead guitar, Invictus Suicide and Z Suicide on rhythm guitar, and Veritas Suicide on drums, have released their devilishly evil new EP, Where Killers Go to Die.

It's perfectly acceptable to ghoulishly gift yourself or your loved one with this music on Valentine's Day!

Get the EP here.
 

At the intersection of crushing riffs, intricate orchestration, and the darkness of industrial goth resides the monolith known as Suicide Puppets. 

The Harrisburg-based sextet has been showcasing their unique blend of metal, goth, and industrial to an ever-growing fanbase. This was captured most recently during their 2021 tour with Soulfly, where they delivered their intense energy and visuals nightly.

Today, the band shares the video for "Piggy." Watch it below:

"'Piggy' is a dark, guttural anthem that pulls no punches," the band says. "It's a raw, unapologetic reflection on the underbelly of society, where every distorted riff and tortured scream exposes the grotesque truths we often ignore — a visceral journey into the heart of despair."

Where Killers Go To Die is a brutal symphony of chaos, where the line between agony and exhilaration fades into a haunting reality. It's not just music — it's the soundtrack to a soul’s final descent. 
 

Suicide Puppets' music is featured in several upcoming indie horror films, including The Boy From Below, Skate To Hell, Deathwoods, Blood On The Bleachers, and The Slasher Nurse.

NYC's Ecce Shnak presents 'Shadows Grow Fangs' EP & future-creepy video for 'The Internet'

NYC-based outfit Ecce Shnak presents their debut EP 'Shadows Grow Fangs' via Record Man, Records, showcasing incomparable ingenuity and limitless invention over five songs. The quintet also present their new video for the title track. 

If there’s a fine line between wild-eyed, inspired genius and utter, irrepressible insanity, that’s where you’ll find Ecce Shnak, teetering on a neon tightrope. With David Roush as composer, bassist, and one of two singers, he is joined by Bella Komodromos (vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn(drums).

This EP runs the gamut from slow-burning meditations on love’s indispensability to mockery of the web from the perspective of a time-traveling poet – “What the fuck is the internet?!” Of course, this might sound a little ‘zany’, but it’s really not. Not at all. It’s intricately constructed, methodically fashioned, and – while undeniably offbeat – as serious and logical as it’s entertaining.

Recorded and produced by Jeff Lucci at the Art Farm (NY), their debut EP was mixed by Nicholas Vernhes  (Animal Collective, Deerhunter, The Fiery Furnaces, Dirty Projectors, Wild Nothing, The War on Drugs) and mastered by Grammy-winning engineer Greg Calbi (John Lennon, David Bowie, Bruce Springsteen, Talking Heads, Patti Smith, Tom Petty, Todd Rundgren).

Ecce Shnak subverts notions of style, playfully but reverently embracing multiple forms across the spectrum, while addressing weighty themes and notable trivia with striking articulacy. “Each genre has its own manner of expression, mannerisms, history, motivations, virtues, flaws, limitations, and so on," says David Roush. At my best as a composer and lyricist, I listen to and respect each one, then whatever I take from their souls informs mine, inhabiting it, expanding, and merging.”

Ecce Shnak recently shared the single 'The Internet', an eclectic gem that makes a fine mockery of the web from the perspective of a time-travelling poet, following the downtempo groove-inducing opus 'Prayer on Love' and the lead track 'Jeremy, Utilitarian Sadboy' a 150-second track about 19th Century English philosopher Jeremy Bentham that combines math-metal, post-rock and choral anthems.

 
“Though we’re just releasing it now, the song 'Shadows Grow Fangs' is around 15 years old. I started writing it before I had even committed to a life as a musician, when I was a mere 25-year-old living and working in South Philadelphia, thinking I would become a psychotherapist some day. 'Shadows Grow Fangs' is about the tragic misunderstandings of ourselves, other people, and everybody’s wants and needs in those horrifying moments in which we feel abandoned and threatened. Tragically, sometimes people alienate ourselves from one another precisely when we need each other most. Worse still, sometimes we alienate ourselves from each other precisely when we could be of greatest help to one another," saysDavid Roush.

"The terrifying “shadows” of abandonment and the perils of conscious life “grow fangs” of merciless resentment, revenge, nihilism, and gross misanthropy. When we chomp each other in this state, we chomp ourselves, too. Maybe that was our point all along, but how could we know either way? We are terrified and confused. To be sure, a state of terror and confusion is rarely a state that gives rise to our best selves, but it is a state we often find ourselves in! It’s a hard to state avoid, as a human being anyway. How do we avoid this jackassery? This is not a bitter rhetorical question. It is a genuine moral challenge, and one of the basic moral challenges of a human life."

As of February 7, 'Shadows Grow Fangs' is available from fine music platforms, including Spotify, Apple Music and YouTube Music. Ecce Shnak's EP release show will take place on February 26 at the Red Pavilion in New York.

CREDITS
Music written / composed by David Roush
David Roush - vocals, classical guitar, drum kit, keyboard
Jeff Lucci - electric guitar, electric bass
Isabella Komodromos - background vocals
Recorded and produced by Jeff Lucci at the Art Farm (NY)
Mixed by Nicholas Vernhes
Mastered by Greg Calbi
Video directed by Milton Walker and David Roush
Animation by Shuyler Nazareth
Produced by Beth Narducci and David Roush
Artist photos by Tommy Krause
A&R: Beth Narducci for You + Me Entertainment
Publicity by Shauna McLarnon for Shameless Promotion PR


Keep up with Ecce Shnak
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Queer Latin Country Artist Angie K Releases New Self-Titled EP

2024 was a break out year for El Salvador-born, rising country singer/songwriter Angie K which found the powerhouse vocalist making her Grand Ole Opry debut and premiering her video for “Golden” in Times Square via CMT. Showing no signs of slowing down, she is kicking 2025 off with the release of a personal and reflective self-titled EP available today. Named a 2025 Artist to Watch by both Consequence and the Nashville Scene, Angie K is a co-writer on all six tracks of the independent release called, “fiery and fierce,” by Entertainment Focus. Produced by acclaimed writer/producer and BMI Songwriter of the Year, Stephony Smith, listen to Angie K HERE. 
 
“This is definitely one of the toughest projects I’ve ever made,” shared Angie K. “Not so much in the studio with the band but writing these songs and deciding on what made the cut. Purposely choosing the most vulnerable ones…that took a lot of emotional work.” 
 
She continues, “Putting something so personal out requires letting go of the way people might react to it, as an artist that’s hard to do. ‘Red Dirt’ and ‘Death of Me’ are songs about deep grief. While ‘Games’ and ‘I’m Going Under’ have repressed anger and frustration coursing through them. ‘Stay’ and ‘Golden’ are both about me finding my way out of those darker feelings. This EP is a snapshot of my life when I wrote these songs. I’m so proud of it and excited for folks to go on this emotional journey.”
 
The release of the EP comes on the heels of a major personal life moment for the out, country artist as well, her engagement to longtime love, Marissa Boucher. Angie shared the news exclusively yesterday with Us Weekly, “When I pulled out the ring and she saw it, I knew she was going to say yes. We both cried, it was the best moment of my life. Then she ran and got her bag and pulled out a ring too! It was an unreal moment. Then as if the night couldn’t get better, as we walked back to the restaurant, a violin player started playing some of our favorite songs — all pure chance. It really was the most perfect way to end the night.”

A 2024 CMT LISTEN UP artist, Angie K was born and raised in El Salvador until age 11 before moving to Georgia, with her love for country music was nurtured from a young age. Her mother’s dedication, saving up to bring her to Nashville to the Grand Ole Opry, came full circle with her making her Opry debut last Aug., fulfilling a lifelong dream. The Holler “Artist You Need to Know” is set to return to the Opry stage on Feb. 15 to celebrate the new EP. 

American Songwriter was on hand for her emotional Opry debut sharing, “Her voice rang strong and clear through the Grand Ole Opry House, compelling fans to raise their phones on the last song and fill the darkened theater with light—a moving display of acceptance and adoration for a woman who has dreamed of standing in the hallowed circle since before her feet touched North American soil.”

The EP release follows a recent collaboration with Jimencio for the Tejano and country music infused “Yo Quiero Todo.” Co-penned by Jimencio and Angie K, it is the first collaboration between the Nashville artists, with the duo lauding an unconditional love that withstands all circumstances. Listen to “Yo Quiero Todo” HERE. 

The queer country artist first made her mark on Music City with bilingual track, “Real Talk,” catapulting her onto the country scene as a “Highway Find” on SiriusXM’s The Highway. The EP features two unreleased tracks “Games” and “I’m Going Under as well as recent releases “Stay,” “Death of Me” and “Red Dirt on Mars,” which left Billboard praising her “disarming vulnerability.” 
 
A member of the 2023 CMT Next Women of Country class, Angie worked on the EP with legendary writer/producer Smith, who penned the smash hit “It’s Your Love” for Tim McGraw/Faith Hill and has received cuts from some of music’s biggest stars including The Chicks, Shania Twain, Barbara Streisand, Kenny Chesney, Terri Clark, Reba McEntire and more. She explained the influence Smith had on her when it came to releasing “Death of Me” in a “Holler Nashville Session” sharing, “It's a very vulnerable song, and I almost didn't put in on the record, but I'm glad I did - just because of the stories I've heard of people relating to it.” 

As an out and independent artist, she has accumulated over 20 million+ streams and 500k+ followers. Angie has also shared the stage with Tanya Tucker, Trace Adkins, Melissa Etheridge and more. She took the main stage at Nashville Pride and the Reverb Stage at CMA Fest last year. 
 
Fans can find Angie K this spring and summer performing at Tortuga Music Festival, Gulf Coast Jam and NEBRASKAland Days. For the latest stay tuned at officialangiek.com/ and follow along @officialangiek on Instagram, TikTok, and Facebook.

Photo Credit: Marissa Boucher

The Intemperate Sons Release Single "Broken Door" (Live) via FRAME|WORK ​

The Intemperate Sons are stoked to announce the release of the first single from their first ever live EP, recorded during their electrifying performance at the legendary Whisky A Go Go in Hollywood, CA in November 2024. This amped up rendition of a fan-favorite track from their debut album delivers a powerful, full-throttle energy, showcasing a heavier and dynamic new edge!

Stream "Broken Door"

https://linktr.ee/theintemperatesons

https://onerpm.link/289181206036

The Intemperate Sons release all their music through the Frame|Work record label at the direction of Amir Derakh and Ryan Shuck. All Intemperate Sons’ tracks are mixed by Amir Derakh at Synthicidein Long Beach, CA.  All mastering is done by Mike Marsh Mastering in the U.K.

The band's latest album Dark Day's Night is available HERE

The Intemperate Sons emerged onto the rock scene in the summer of 2019 in Dallas, TX, to bring their distinct sound to the genre. A deep love for music brought family members Keith Watson (drums), Jake Watson (guitars) and Max Watson (vocals, guitars, keys) together along with close friend Mark Marks, who provides the groove on bass to unite everything together. The band's sound has been described as a 90's alternative style that is obsessed with the 70's.

Keith is well acquainted with entertaining massive crowds of concert goers and has played with many successful bands in Dallas, such as Gun Hill, Natural Born Thrillers and Agents of Solace, on top of opening for Lynch Mob, Joe Lynn Turner and Sponge. He is the primary lyricist for the band and has written the music for some of their most successful songs, including “Dust to Dust,” “The Color Within,” and “Unrealized.”

Multi-talented and gifted with the ability to play various instruments, Max is also the lead vocalist of the group. Along with being musically dexterous, he has also collaborated with Keith to write lyrics on the released songs “Going Crazy” and “Way Back When.” In the studio, Max usually surmounts expectations and goes above and beyond to prepare prior to a session with his own vocal harmonies.

Jake is the song architect of the Sons and extremely instrumental in the crafting of the music. His inventive ways of bringing lyrics to life in clever ways are unprecedented and fascinating to see in the studio setting. He is a prolific writer of music as well and is credited with helping create the songs “What’s Done is Done,” “Remission,” “Way Back When” and “Wading in the Gray.” Both Max and he play lead guitar on many of the songs as well. The other members of the band fondly refer to him as the “art director” since he enjoys taking charge in those areas for the group.

Prolific and unifying, Mark is an accomplished bass player and well known in Dallas. He was in the regionally successful band, Haggard, and had opened for Sebastian Bach of Skid Row. His input in song writing has been invaluable to the process of creating captivating melodies.

Despite the pandemic putting a pause on many major events, The Intemperate Sons lived up to their name and let nothing hold them back from making music. Constantly hard at work in the studio, they have collaborated with Amir Derakh (Julien-K, Dead by Sunrise, Orgy, Rough Cutt) and Ryan Shuck (Julien-K, Adema, Dead by Sunrise, Orgy). Both have lent their musical talents to various songs and ultimately have brought the Sons on to their label, Frame|Work. This led the band to also recently join the management roster at The Label Group. Ryan worked with Amir to produce the band’s upcoming track, “Game of Keep Away,”and has had a huge impact on the group. He’s been especially influential on Max’s vocal melodies and delivery. Amir also plays guitar on this latest ballad and has been mixing all of the band’s music as well as performing on multiple songs.

Another notable collaboration has been with Tony Franklin (The Firm, Roy Harper, Kenny Wayne Shepherd, Whitesnake), primarily on the first album, The Color Within. He has been a valuable friend of the band and has played bass on some of their best tracks from that album, including “Running Man,” “Dust to Dust” and “The Color Within.”

The Intemperate Sons’ take on alternative rock is a dark and powerful concoction of hard rock mixed with folk and grunge concepts. The band has earned a serious reputation for writing and performing tracks that scratch deep into the backbone of the human experience. There is no shortage of darkness in their writing style, which has a retro vibe with many guitar-driven tracks stacked on top of a groovy rhythm section. The heavier style fits perfectly with the two and three-part vocal harmonies that are a huge part of their overall sound. It has been said that musicians that are related form unique sounds and communicate at a frequency only they can understand. This frequency has become engrained in their songwriting, arrangements, guitar melodies and vocal harmonies. The band has been compared to Alice in Chains, Stone Temple Pilots and even R.E.M.

The Intemperate Sons are:

Max Watson (vocals, backing vocals, guitars, keys, bass)

Jake Watson (guitars, bass and backing vocals)

Keith Watson (drums, backing vocals)

Mark Marks (bass)

The Intemperate Sons Show Dates:

Sat Feb 1 @ Hanovers Draught Haus in Pflugerville, TX with Dogs and Diamonds

Fri Feb 21@ Trees Storytellers in Dallas, TX with Mad Mexicans, InnrCor and Rivethead

Fri March 14 @ Fitzgerald's Bar & Live Music Venue in San Antonio, TX

Fri July 11 @ Deep Ellum Art Company in Dallas, TX