DROP DEAD, GORGEOUS Release "Daggers" EP

Drop Dead, Gorgeous have released their new EP, titled Daggers. Listen below.

"This EP feels like the next chapter of Drop Dead, Gorgeous," according to drummer Danny Cooper. "We wanted to push everything that makes our sound unique while exploring new territory: heavier when it needs to be, more dynamic when it calls for it, and more ambitious without losing the chaos and intensity that people know us for. It's a progression, not a reinvention."

Regarding the focus track "Feels Like Forever," singer Danny "Stills" Stillman calls attention to its impact, saying, "It is a deeply personal tribute to our former guitarist Kyle Browning, who passed away too soon. The song reflects on the pain of losing a close friend, the things left unsaid, memories of better times, and the difficult process of accepting a loss that never fully feels real. 'Feels Like Forever' captures the longing to have one more conversation, while confronting the struggle of letting go and finding closure. More than anything, the song is a remembrance of a friend, bandmate, and a chapter of life that will never be forgotten."

The band has booked several tour dates, including a stop at Warped Tour. All dates are below.

DROP DEAD, GORGEOUS LIVE:
10/4 — Sacramento, CA — Aftershock Festival
11/14–15 — Orlando, FL — Vans Warped Tour
12/12 — Denver, CO — Summit Music Hall —  InVogue 20-Year Anniversary Show (With Lower Definition + Jamie's Elsewhere)

DD,G emerged in the mid-2000s with an emotionally charged take on post-hardcore that helped define the era. As teenagers from Denver, their 2006 debut In Vogue became a landmark for Rise Records, blending synth-laced breakdowns, theatrical flair, and raw vulnerability. Follow-up albums like Worse Than a Fairy Tale and The Hot N' Heavy cemented their place in the scene, influencing a wave of bands that followed.

The tastemakers at VICE tipped the band as that which helped to "perfect a style of post-hardcore that other bands would model themselves after. Where other bands in the scene would regurgitate the same testosterone-tinged bro-rock, Drop Dead, Gorgeous made their mark by putting [emotional] vulnerability into song."

After a decade-long hiatus, core members Daniel "Stills" Stillman, Danny Cooper, and Jake Hansen returned in 2024 with a string of surprise shows and, in 2025, released their first new music in years with the single "Six Feet." The followup "Burn" continued that momentum. They closed out 2025 with "Sink Your Teeth."

2026 continues a run of renewed activity and excitement.

Olive Vox Release Debut EP 'Trace It Back'; Release New Video For "I Do"

Texas alt-rock quartet Olive Vox release their debut EP, Trace It Back, today via Big Machine Rock. Across six tracks, the band turn the lens inward, working through guilt, damaged relationships, self-destructive patterns, expectation and the uneasy process of confronting the parts of yourself you would rather leave buried. Fans can stream Trace It Back HERE.

Arriving alongside the EP is focus track “I Do” and its official video. The song centres on the pressure of being defined by other people and the conflict between keeping the peace, staying true to yourself and wanting to be properly understood by someone who has witnessed what you have been through. Watch the official video below.

Speaking on “I Do”, Olive Vox share:

“This song is about wrestling with the heavy weight of expectations and the feeling of having your true self buried by people who thought they had you figured out. It is caught between wanting to conform to keep the peace and the desperate hope that your art or your voice can bring you back home. Underneath the fear of judgment and getting things wrong, there is a strong need to be truly seen and understood by someone who was actually there to witness the struggle.”

That tension sits naturally inside Trace It Back, an EP shaped by what happens when honesty starts costing something. Across recent singles “Hear Me Out”, “BABYDOLL” and “We Are Not The Same”, Olive Vox have pushed further into direct, emotionally exposed songwriting, confronting guilt, self-destruction, toxic cycles and the consequences of their own behaviour.

For vocalist Parker James, the EP came from a deliberate decision to stop hiding behind more elusive lyrics and write more openly about the period he was living through. Speaking on Trace It Back, he shares:

“The Trace It Back EP compiles past and pre-existing transgressions. I aimed to be more direct and honest in my lyrics, rather than being elusive. I found myself oversharing personal details, which led to regret and overthinking. Due to my anxieties, I became very closeted and shut off. Realizing that it was actually affecting me more than just being my true self, I decided I wouldn’t care about what I wrote as long as it made me happy. This EP serves as a collection and a snapshot of a time and place in my life where I was struggling.” - Parker James

Trace It Back captures that period without trying to force it into a clean resolution. The songs deal with recognising destructive behaviour, carrying guilt, wanting forgiveness and struggling to move beyond versions of yourself that still affect the present.

Musically, the EP draws from alternative rock, post-punk, indie and modern heavy music, with the band keeping melody and live impact at the centre of the songs. That emphasis on performance has remained central throughout the campaign, with Olive Vox continuing to build their audience through touring as much as through streaming and video.

The EP arrives while Olive Vox are on the road supporting The Toadies across the US. Following recent runs with Badflower and Raue and a return to Camp Woodward this summer as featured musicians and mentors, the band play The Blue Note in Columbia, Missouri tonight before continuing the tour through October 3rd in Ventura, California.

Just days later, Olive Vox will head back out for a newly announced run supporting Beauty School Dropout on their “The Circus” F/W 2026 US Tour. The seven-date run begins October 8th in Sacramento, California and takes the band through Reno, Tucson, Oklahoma City, Indianapolis, Allentown and Pittsburgh.

Olive Vox have now surpassed 1.5 million cross-platform streams and 1.89 million YouTube views during the campaign.

Download HERE

Olive Vox

Remaining US Tour Dates with The Toadies

September 18 - Columbia, MO - The Blue Note

September 19 - Indianapolis, IN - Hi-Fi Annex

September 21 - St. Louis, MO - The Pageant

September 23 - Kansas City, MO - The Truman

September 24 - Tulsa, OK - Cain’s Ballroom

September 25 - Canyon, TX - The Lumberyard

September 26 - Santa Fe, NM - The Bridge

September 29 - Flagstaff, AZ - Orpheum Theater

October 2 - Las Vegas, NV - Brooklyn Bowl

October 3 - Ventura, CA - Ventura Theater

Olive Vox

Upcoming Dates With Beauty School Dropout

“The Circus” F/W 2026 US Tour

October 8 - Sacramento, CA - Goldfield Trading Post

October 9 - Reno, NV - The Alpine

October 12 - Tucson, AZ - Hotel Congress

October 14 - Oklahoma City, OK - Beer City Music Hall

October 20 - Indianapolis, IN - HI-FI

October 21 - Allentown, PA - Arrow at Archer Music Hall

October 22 - Pittsburgh, PA - Spirit Hall

New Deathcore EP Strix & Live Session video out now by DROWN IN SULPHUR!

Drown In Sulphur took the metal world by storm with new line-up and two massive advance video singles this summer. Now the time has come to unleash their latest effort, digital EP Strix, to the world via Noble Demon. To make the day even better for their fans, we simultaneously launched a full live session video with the band playing all 5 songs of the EP.

 

Enjoy here: https://music.nobledemon.com/strix

 

Watch the live session EP play through video below:

Strix is blending the nostalgic fury of MySpace-era deathcore with grim black metal influences, marking a deliberate shift toward a less symphonic, more hardcore sound.

 

After the release of “New Moon Rising On Florence” in June and “Groan From The IXth Circle” at the end of July, both accompanied by vibrant and fast cut performance videos, for the EP release the artist is focusing on the last track on the EP, called “The Heptad Omen” and comments:

“Serving as the epic closing chapter of Strix, 'The Heptad Omen' is a dark, apocalyptic anthem that channels raw black metal riffage over a massive deathcore foundation. The track explores the ultimate decay of divine rule, depicting the fall of the Christian age and the birth of individual liberty. From its ominous marine imagery to its devastating breakdown sections, Drown In Sulphur delivers a menacing, highly cinematic finish that ties together the EP’s overarching narrative of rebellion and liberation.”

With Strix, Drown In Sulphur delivers a desperate and focused body of work born out of a renewed hunger for reinvention. The upcoming EP leaves behind traditional symphonic tropes to deliver a sound driven by raw energy and complex, occult storytelling—blurring the lines between theological dread and sonic violence.

 

Formed in Milan, Italy in 2014, Drown In Sulphur quickly shook the underground metal scene, securing millions of streams and views with their explosive early singles "An Epilogue to the Arrogant" and "Blackwind." Through a relentless creative fire and an evolving lineup, the project dropped a string of powerful full-lengths, including Sulphur Cvlt (2021), Dark Secrets Of The Soul (2024), and the rebellious Vengeance (2025).

 

Now, reinforced by their current definitive lineup, the band enters their most authentic era yet.

 

Drown In Sulphur is:

Manuel Riboldi – Vocals

Erik Bellan – Rhythm Guitar

Ciprian Grigore – Lead & Rhythm Guitar

Domenico Francesco Tamilia – Drums & Backing Vocals

 

Stay tuned for tour announcements!

For More Information Please Visit:

Instagram

Facebook

YouTube

https://linktr.ee/nobledemon

Get Out Alive Release "Saint of the Dark" EP Today // Share Title Track — LISTEN

Get Out Alive have released the new EP, Saint of the Dark, today via The Artery Foundation. Get it here.

The artist has also shared the title track, as well. Listen below.

"'Saint of the Dark' revolves around mental health and exploring faith to navigate," Get Out Alive says. "The name is inspired by Carl Jung's shadow theory. To be a 'Saint of the Dark' requires enough virtue to embrace the dark, rather than run from it. It also requires accepting the risk of upsetting others in the pursuit of truth. It's not an archetype for everyone. Experience beautiful vulnerable moments clashing with confusion, desperation, and even some anger. This EP is a spiritual awakening loaded with melodic vocals and alternative metal atmosphere.” 

As for the EP's accompanying title track, GOA says, "'Saint of the Dark' is about the tug of war between virtue and pleasure. The desperate feeling of slipping away from the light, trying to hold on with all you have. Sonically, this song leans into being the ballad of the EP, but don't expect a lack of intensity."

Get Out Alive is the brain trust of Chas Huff, a solo alternative metal artist originally from the southwest suburbs of Chicago, Illinois, who later relocated to Palm Coast, Florida. His musical journey began in high school, producing on a borrowed computer before stepping into the local scene as a performer. Over the years, he played in multiple bands, including a punk band which shared stages with acts like Puddle of Mudd, and later a group that opened for artists such as Fame on Fire, collaborated with notable features, and secured a distribution deal. He further expanded his reach through an international project earning another distribution deal and working alongside recognized collaborators.

After years of band experiences and setbacks, Chas shifted his focus toward his solo project, Get Out Alive, creating a fully independent outlet for his artistic vision. Self-produced and developed alongside collaborator Zack Baker (Rain City Drive), his sound blends heavy riffs, immersive atmosphere, melodic vocals, and emotionally driven, hook-focused songwriting. Outside collaborations and industry opportunities ultimately reinforced his decision to invest fully in his solo path.

Born out of isolation and personal struggle, Chas uses Get Out Alive as more than just music, it serves as a self-help-driven creative expression rooted in growth, faith, and introspection. Influenced by psychology and philosophy, his work explores the balance between light and dark while embracing raw honesty. Through his music, he aims to turn pain into purpose, offering listeners both emotional release and a sense of hope, grounded in the belief that to truly get out alive, you must face the truth.

SHOWING TEETH Drops New "A Fate Worse Than Loneliness" EP — OUT NOW

Infiltrating the vanguard of heavy music with an uncanny and unpredictable sound like no other, acclaimed Nashville-based sonic alchemist SHOWING TEETH presents her much-anticipated debut EP, A FATE WORSE THAN LONELINESS, out now via Republic Records + Spinefarm. In tandem with the project, she opened up an online store and uncovered her first-ever official merch drop, featuring a "Bad Exchanges" camo hat, Labyrinth longsleeve shirt, and CD version of A FATE WORSE THAN LONELINESS — available here. 

To celebrate the EP's arrival, she also served up the music video for the new single "Make It Out" . The clip captures the uncontrolled energy of this disarmingly catchy anthem with gritty footage and an appropriately claustrophobic performance. Watch it below:

Musically, the track's glitchy riff slips into a buoyant palm-muted groove, while airy keys carry the verses. Boosted by alternately crunching and chugging distortion, SHOWING TEETH translates anxiety into a transfixing refrain as she accepts, "Maybe it's too late to pick me up…I'll throw myself back down….Even up to now, I'll tell myself, 'You'll never make it out'." 

Amplifying her internal struggle aloud without shame, she fearlessly wrestles with self-defeat on the hook and pushes through with honesty and heart intact.

She teased the EP with the brutal and bludgeoning "Bad Exchanges." The latter is quickly nearing one million total streams. Plus, she delivered a chaotic music video to accompany the song. Watch it here. 

Earning acclaim, Revolver hailed it as "a series of noise-tastic riff swerves, ground-unsettling gravity blasts, deliciously disjointed sound effects and, of course, the ultra-violent screams and squeals of project leader and vocalist Addison." Metal Hammer named it one of "The 12 Best New Metal Songs You Need To Hear Right Now," going on to profess, "Maybe it's the frequent blast-beats, or the shrieking, grindcore like screeches, but the Nashville artist really nails a sense of frenzied mania."

The EP also boasts "Rip," which has amassed over 1 million streams and counting thus far. Revolver touted it among the "6 Best New Songs Right Now," raving: "Beyond that textual heaviness, SHOWING TEETH goes next level berserk with her feral shrieks."

This fall, she will hit the road as support to President on the band's sold-out North American Campaign 2026 for six weeks across North America. This run commences on September 4 in Nashville, TN at Brooklyn Bowl Nashville, visits major markets coast-to-coast, and closes out on October 14 in Dallas, TX at House of Blues Dallas. All dates are below.
 
Experience A Fate Worse Than Loneliness and more to come from Showing Teeth this fall.

SHOWING TEETH ON TOUR:
WITH PRESIDENT:
9/4 — Nashville, TN — Brooklyn Bowl Nashville
9/5 — St. Louis, MO — Delmar Hall
9/8 — Chicago, IL — The Riviera Theatre
9/10 — New York, NY — Brooklyn Paramount
9/11 — Toronto, ON — Danforth Music Hall
9/12 — Montreal, QC — MTELUS
9/13 — Boston, MA — Big Night Live
9/15 — Philadelphia, PA — Theatre of Living Arts
9/16 — Silver Spring, MD — The Fillmore Silver Spring
9/18 — Louisville, KY — Louder Than Life*
9/19 — Huntsville, AL — Mars Music Hall
9/20 — Atlanta, GA — Shaky Knees*
9/22 — Orlando, FL — House of Blues Orlando
9/23 — Atlanta, GA — Buckhead Theatre
9/25 — Kansas City, MO — Warehouse on Broadway
9/26 — Denver, CO — Summit Music Hall
9/28 — Salt Lake City, UT — The Depot
9/29 — Las Vegas, NV — Brooklyn Bowl Las Vegas
10/1 — Garden City, ID — Revolution Concert House & Event Center
10/2 — Seattle, WA — Neptune Theatre
10/6 — Berkeley, CA — The UC Theatre
10/7 — Los Angeles, CA — The Wiltern
10/9 — San Diego, CA — House of Blues San Diego
10/10 — Phoenix, AZ — The Van Buren
10/12 — San Antonio, TX — Aztec Theatre
10/13 — Houston, TX — House of Blues Houston
10/14 — Dallas, TX — House of Blues Dallas
10/17 — Nashville, TN — Ceremony Festival*
*Festival Date

Eddie Skuller releases 'Blind Love' EP: A reverant homage to the songwriting of Tom Waits

New Jersey singer-songwriter Eddie Skuller is set to release his ‘Blind Love’ EP, a four-track personal tribute to Waits’ songwriting that revisits a storyteller with a rare ability to capture human character, emotion and melody, as well as his ability to find beauty and humanity in unexpected places.

With a unique vocal style, Skuller brings a raw, analog intimacy to these compositions, exploring the space between homage and reinvention. Performed with reverence, restraint and emotional intelligence, he allows the songs' emotional complexity to emerge, his delivery favoring intimacy over imitation.

Based in Jersey City, Eddie Skuller went to the opposite edge of the state to record this EP - namely, the upstate New York studio The Chicken Shack with producer-proprietor Nick Kinsey, known for his work with Kevin Morby, Waxahatchee and Scott McMickey. Fun fact: Waits himself is said to have made his Mule Variations album in another converted chicken shack on the opposite coast.

Bringing forth sheer raw joy and honed instincts, Skuller is joined on this EP by Ryder Cooley of Dust Bowl Faeries on accordion, Kinsey on drums and keyboards, Jack Skuller on guitars, and Jeremy Chatzky (Springsteen, Steve Earle, Ronnie Spector)on bass.  

Centered around narrative and feeling, Skuller's performance reveals layers of tenderness, nostalgia, and quiet hope. Captured without edits or vocal overdubs, the recording preserves the spontaneity of the recording and the imperfections of analog production, the vocals captured live with the band.

"These four songs share a dark melancholy of lost love and desire, but all resolve with a sense of hope for a positive future outcome. That’s what draws me in to these songs and what connects them. In my live show it’s the spirit of hope that people take with them," says Eddie Skuller.

“What makes this experience unique for me is that it was recorded live in studio to tape. I wanted Nick Kinsey to produce because I was familiar with his aesthetic sensibilities and the warmth that analog recording can provide. The songs became meditative dirges and the lyrics read as pure poetry."

Nick Kinsey notes, “Producing a cover of any Tom Waits song is a daunting proposition, but I think we did a great job paying homage to one of America’s musical heroes, while giving it our own authentic touch.  Eddie’s vocal performance and approach give an emotional immediacy that’s inarguable.”

Skuller earlier shared fine renditions of ‘Downtown Train’ and ‘You Can Never Hold Back Spring’, two of Tom Waits’ most quietly affecting songs, revealing a gentler side of Waits’ catalog, where grit gives way to tenderness and reflection. Blending collage, illustration, photography, typography and animation, the music video is a collaboration with French collective SPX ETC (artists Sandrine Pagnoux and Sophie Etchart), sparked through Sandrine’s Tom Waits editorial for 46pgs magazine.

In addition to his solo work, Skuller is a perennial guest vocalist with The Losers Lounge, the acclaimed tribute series curated by The Psychedelic Furs’ Joe McGintyand regularly held at Joe’s Pub and City Winery in NYC. His live performances have drawn praise for their authenticity, emotional clarity, and musical integrity.

As of August 26th, the 'Blind Love' EP is available everywhere digitally, including Spotify, Apple Music and Bandcamp, where the first two singles can also be found. 


CREDITS
Produced & Mixed by Nick Kinsey at the Chicken Shack Studio, New York
Mastered by Christopher Colbert at National Freedom Studio, Oregon
Eddie Skuller - vocals
Jeremy Chatzky - bass
Jack Skuller - guitar
Nick Kinsey - drums, percussion, keyboards
Ryder Cooley - accordion
EP cover photo and design by Eddie Skuller
‘You Can Never Hold Back Spring’ video produced for SPX ETC
by Sophie Etchart & Sandrine Pagnoux
Single cover photo & design by SPX ETC
Original artist photos by Eddie Skuller
Publicity by Shameless Promotion PR

Keep up with Eddie Skuller
Website | Bandcamp | Facebook | Instagram | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il

Swedish Metal Maestros WORMWOOD Release New EP ‘Å’ — Out Now via Black Lodge Records / Sound Pollution

WORMWOOD, one of Sweden’s most distinctive and internationally acclaimed metal bands, proudly release their new EP ‘Å,’ out now via Black Lodge Records / Sound Pollution. The EP contains two long tracks in classic WORMWOOD fashion, while also introducing new elements that have found their way into the sound as WORMWOOD continue to evolve as a band.

 

‘Å’ is a concept EP built around an idea that has been growing for some time, but never quite belonged on any previous, or upcoming, full-length album. It is a contemporary portrayal told through two filthy stories, inspired by the more marginalized circles of Stockholm. In other words, this is as raw, real and authentic as we can portray reality through music.

Order 'Å' HERE

With four full-length albums, one EP, a live release, and now the forthcoming ‘Å,’ WORMWOOD have built a catalog that continually evolves while deepening the band’s artistic identity. Their work has received widespread recognition: two nominations for “Rock/Metal of the Year” at P3 Guld, strong placements on the official Swedish charts, and recurring international praise from metal media around the world. WORMWOOD have also appeared on several global “Album of the Year” lists – a testament to their growing influence.

WORMWOOD’s reputation, however, is not confined to the studio. The band has toured extensively across Europe, performed at major festivals, and completed their own headline tours. Their audience continues to grow steadily, particularly in Germany, France, the Netherlands, the United Kingdom, and the United States, where their cinematic music videos and strong digital presence further enhance their visual and musical identity.

WORMWOOD stands as one of the most forward-thinking and compelling bands in Swedish metal. With ‘Å,’ they take another step in their artistic evolution – one that promises to captivate both loyal fans and new listeners around the world.

Watch the Official Music Video for "YRA / EXTAS" Below:

Since their formation in Stockholm in 2014, WORMWOOD have developed a sound that is as unmistakable as it is atmospheric. With their characteristic fusion of extreme metal, Scandinavian melancholy, folk influences, and cinematic storytelling, the band has created a sonic landscape that both moves and mesmerizes. Their music effortlessly shifts between grand, epic scope and brutally grounded intensity – a balance few bands truly master.

WORMWOOD are:

Nine – Vocals

Tobias Rydsheim – Guitar, Keys, Vocals

Jerry Engström – Guitar

Oskar Tornborg – Bass, Vocals

Simon Samuelsson – Drums

I C Red Unleash "Thermal" EP — LISTEN // Band Shares "Killing Me" Video

I C RED officially launched in 2026, but the force behind it has been building toward this moment for years. They grew up in the music industry, learning it from the inside, taking hits, sharpening their sound, and earning their instincts the hard way. What started as a tightknit team with a shared history evolved into something heavier, darker, and more intentional. An industrial-leaning rock project built on aggressive energy, cinematic production, and hooks that stick.

Their first breach into the system was "Industry Superstar" hit March 6. It was the opening transmission that marked the start of the rollout and the world of I C RED coming online. The band's bold, high impact, and visually cohesive look blends modern heaviness with electronic textures and a concept driven aesthetic that is as striking as the music itself. In a world where everyone is overstimulated, distracted, and numb, I C RED is here to break the trance and make people feel emotion again 

Today, the band shares it debut EP, Thermal. Listen here. 

The band also shared the video for "KILLING ME." Watch it Below:

"At a time when everyone is distracted, overstimulated and increasingly numb, the transmissions on THERMAL were designed to cut through the noise.... to wake you up and make you feel your emotions again. If this record makes you feel something, then the transmissions did the job," says the band.

"We've always been drawn to industrial music, but we also love the huge hooks and impact of modern active rock and metal. THERMAL came from wanting to force those two worlds together and create something that feels both mechanical and human."

DEAD/ASLEEP Awakens: Hard Rock Supergroup Unveils Explosive Self-Titled Debut EP

Sometimes lightning strikes when the right musicians find each other.

DEAD/ASLEEP is that lightning.

The hard rock supergroup officially arrives with the release of its explosive self-titled debut EP, introducing a sound that fuses crushing riffs, soaring melodies, unforgettable hooks, and undeniable chemistry into one powerful statement.

More than just another project, DEAD/ASLEEP is a collective of seasoned musicians bringing years of experience and passion together to create music that feels both familiar and refreshingly fearless. Their debut EP captures the spirit of modern hard rock while honoring the genre's timeless ability to hit listeners with raw emotion, massive choruses, and relentless energy.

From the opening notes to the final crescendo, DEAD/ASLEEP refuses to waste a second. Every track delivers a unique combination of driving guitar work, thunderous rhythms, emotionally charged vocals, and songwriting designed to leave a lasting impression.

Whether it's an arena sized anthem, a heavy groove, or a deeply personal lyric, the EP showcases a band that isn't interested in following trends they're focused on writing songs that connect.

The self titled release highlights everything fans love about hard rock: infectious choruses, explosive performances, dynamic musicianship, and enough intensity to keep fists raised and speakers pushed to their limits.

For listeners searching for authentic hard rock that balances melody with muscle, DEAD/ASLEEP delivers an impressive debut that establishes the band as one to watch.

ABOUT DEAD/ASLEEP:

DEAD/ASLEEP is a heavy rock/metal band featuring members from Drowning Pool, Fire From The Gods, Flyleaf, Live, and Crobot. Combining crushing grooves, massive hooks, and darker emotional themes, the band’s debut singles “Better Off Dead” and “Victimless” explore paranoia, identity, and survival through a raw, atmospheric sound built for fans of emotionally charged heavy music.

MEM

MEMBERS:

Jasen Moreno - Vocals

JamesonTeat - Guitar

Pat Seals - Bass

Dan Ryan - Drums

Sleep Theory Release "(E)motional (S)upport (C)are (P)ackage" EP + Cover Taylor Swift's "Cruel Summer"

SLEEP THEORY — vocalist Cullen Moore, guitarist Daniel Pruitt, bassist Paolo Vergara, and drummer Ben Pruitt — are continuing their string of unexpected yet perfectly executed pop covers.

The band is thrilled to announce the surprise release of its new covers EP, (E)motional (S)upport (C)are (P)ackage, today via Epitaph. Listen and download here.

Alongside the news, Sleep Theory have also dropped a just-in-time-for-the-holiday video for their take on Taylor Swift's "Cruel Summer." Watch it below. 

It's truly Sleep Theory — and Taylor Swift — like you've never heard them before.

"Cruel Summer" follows Sleep Theory's studio covers of NSYNC's "Bye Bye Bye," which is a staple of their live shows, as well as their version of Paramore's "My Heart." 

With catalog streams at 875 million to date on the back of one album and one EP,  Sleep Theory are coming off their third No. 1 at Rock Radio, a Best New Rock Artist win at the iHeart Radio Awards, a sold-out debut European headline tour, and two sold-out North American headline runs. They issued their debut album, Afterglow, produced by David Cowell and mixed by Zakk Cervini (Bring Me The Horizon, Bad Omens, Architects), last spring. 

Upcoming Sleep Theory tour dates and live appearances are below.

SLEEP THEORY ON TOUR: 
U.S. TOUR DATES:
7/18 — Mansfield, OH — Inkcarceration@
7/19 — Tinley Park, IL — Summer of '99 & Beyond Festival@
7/28— Kansas City, MO— The Truman (SOLD OUT) *
7/30— Green Bay, WI— EPIC Event Center*
7/31— Dubuque, IA— Dubuque County Fair Association*
8/1— Omaha, NE— The Admiral Theater*
8/2— Springfield, MO— The Regency Live*
8/21— Montreal, QC— Warped Tour Montreal@
8/22— El Reno, OK— Lucky Star Amphitheater— Rock 100.5FM Kattfest@
9/12-13— Mexico City, MX— Warped Tour Mexico City@
9/20— Louisville, KY— Louder Than Life Festival@
10/4— Sacramento, CA— Aftershock Festival@
10/17— Nashville, TN— Ceremony Festival@
10/24 — Fort Worth, TX — Sick New World@
*Headline Date
@Festival

FRANK RAY RELEASES HIGHLY ANTICIPATED NEW EP, GOOD FOR THE SOUL

Today, country artist Frank Ray released his brand-new EP Good For The Soul via BBR Music Group/BMG Nashville. Produced by Seth Mosley and Michael “X” O’Connor, the five-song collection showcases Ray’s signature blend of heartfelt storytelling and modern country sound. Listen HERE.

“I’m so excited for everyone to hear my new EP, Good For The Soul. This project is a direct reflection of both my love for ’90s country music and where my life is at right now. Every song tells a piece of that story. I’m incredibly grateful to my amazing collaborators and producers whose creativity and support helped bring this project to life,” says Ray.

Ray’s latest EP blends modern country energy with the timeless charm of classic honky-tonk. Featuring nostalgic romance and barn burner vibes, the collection is a direct reflection of his faith journey, the reality of watching his kids grow up, and what it means to keep falling in love with his wife through every season. With two tracks co-written by Ray and a special appearance from country star Tracy Lawrence on the title track, Good For The Soul captures the authentic sound that first inspired him as an artist.

The lead song, “Third Row George Strait” was written by acclaimed Nashville songwriters Ben Hayslip, Dan Isbell and Ben Stennis, and previously released on May 1st, paying tribute to country legend George Strait with a catchy melody and fresh up-tempo energy.

Fans will be able to see Ray perform at the Grand Ole Opry on July 4th as the Opry celebrates America's 250th. Tickets are available HERE.

About Frank Ray
Blessed with a smooth country vocal, BBR Music Group/BMG Nashville artist Frank Ray is a long road singer-songwriter who built his career on medicinal-strength performances, making the world a slightly-happier place, one night at a time. But with a new understanding of his “duty,” the hit-making former police officer has gone back to his roots. Growing up amid the intense collision of cultures in border towns Laredo, Texas and Columbus, New Mexico, everything from Tracy Lawrence and Rascal Flatts to Tejano, Ranchera, and Norteño music formed his musical foundation, with service in his blood. Spending 10 years as a law enforcement officer in Las Cruces, New Mexico, Ray wrote tickets by day and worked honky tonks by night, until a battle of the bands scored him a gig opening for Keith Urban. A bright fusion of organic honky-tonk pop and smooth Latin twang led to two Texas radio #1s, while the R&B-inflected “Country’d Look Good on You” reached the Top 20 of Billboard’s Country Airplay chart in 2022. Ray’s good-time credentials were solidified on nationwide tours with Luke Combs, Kane Brown, Luke Bryan, and more, and he was hailed by TIME Magazine, Good Morning America, Rolling Stone, Country Radio Seminar, Pandora, Amazon Music, and beyond. A 2023 album debut played up his vibrant Tex-Mex flavor. But on the new EP, Good For The Soul, sunny honky-tonk tones from the ‘90s and 2000s combine with epic balladry and mood-boosting vocals, in a sonic prescription for the good life.


                                         WEBSITE | INSTAGRAM | FACEBOOK | X | TIKTOK

Photo Credit: David McClister

ETERNAL RECURRENCE Unleash New EP Eternal Recurrence, Release Music Video For "Precious Stones"

ETERNAL RECURRENCE presents the debut self titled EP, Eternal Recurrence. Led by composer and multi-instrumentalist C. Alex Luke, ETERNAL RECURRENCE embraces the symphonic metal genre from an alternative perspective with orchestral arrangements drawn from chamber music. The new EP release arrives alongside a music video for the track "Precious Stones". 

The creative process behind “Precious Stones” differs from the rest of the track list on Eternal Recurrence as it was the first song written for the EP dating back to the COVID pandemic. Initially composed as a straightforward metal track with no symphonic elements, “Precious Stones” was subsequently reworked to incorporate the chamber music arrangement and adhere to the new creative direction for ETERNAL RECURRENCE. 

"Precious Stones" features two guest vocalists. Mordian of DIAMORTE and SHIELD OF WINGS delivers a powerful alto performance during the chorus and bridge, while James Dorton of BLACK CROWN INITIATE, DIAMORTE and NE OBLIVISCARIS contributes harsh vocals to the heavier sections of the song.

Furthermore, “Precious Stones” is the only song on the EP not written by C. Alex Luke. The lyrics were written by Jake Thiele, Luke’s former bandmate from UNTIL EXTINCTION. On the lyrical theme Thiele shares, "In short, ‘Precious Stones’ is about the futility and stupidity of the things that divide us and how we let them suck the enjoyment out of life.”

All material on Eternal Recurrence was composed around a chamber ensemble led by German Dmitriev on violins, Steven Schumann on cellos, Maciek Szczyciński on double bass, and C. Alex Luke on piano. These elements are combined with aggressive guitars, lead work, and drumming rooted firmly in modern metal. The EP cover artwork and layout is by Timur Khabirov at All4band Design, and the project's logo was designed by Pavel Kurbanov at All4band Design.

About ETERNAL RECURRENCE:

ETERNAL RECURRENCE is a symphonic metal project based in Chicago, Illinois, founded in 2025 by multi-instrumentalist and composer C. Alex Luke. Known for blending progressive and extreme metal with classical instrumentation, the project takes a chamber music approach to symphonic metal, prioritizing the nuance and expressiveness of real musicians over large-scale orchestral simulation.

Drawing influence from bands such as KAMELOT, EPICA, OPETH, DREAM THEATER, and REVOCATION, ETERNAL RECURRENCE balances intricate compositions with aggressive modern metal. While traditional symphonic metal often relies on massive orchestras or dense sampled arrangements, ETERNAL RECURRENCE was created around the belief that the human touch of live performance remains essential, especially in an era increasingly shaped by artificial intelligence.

Rather than emulating 19th and 20th century symphonic traditions, the project looks to chamber music for inspiration. Chamber ensembles are designed for smaller spaces and intimate performances, emphasizing clarity, interaction, and detail. This philosophy defines the sound of ETERNAL RECURRENCE.

All material on the debut release, Eternal Recurrence, was composed specifically for a chamber string ensemble alongside full metal instrumentation. The ensemble features German Dmitriev on violins, Steven Schumann on cellos, Maciek Szczyciński on double bass, and C. Alex Luke on piano, integrated with heavy guitars, technical leads, and aggressive drumming.

Released independently in 2026, Eternal Recurrence serves as both an introduction and a mission statement, presenting symphonic metal that values realism, restraint, and emotional detail without sacrificing heaviness or intensity. The project exists at the intersection of classical tradition and modern metal, focused on authenticity, composition, and the expressive imperfections that only human performers can provide.

Portland's Wooden Overcoat shares "I Knew You Would', showcasing debut "Hello Sunbeam" EP

Portland psychedelic indie-pop outfit Wooden Overcoat unveils 'I Knew You Would' with its garage-meets-grunge sound, complete with a haunted vocal harmony you didn’t know you needed. The video was created by Italian multi-arts visionary Francesca Bonci, well known for her work with The Dandy Warhols, Tombstones In Their Eyes, Federale (The Brian Jonestown Massacre's Collin Hegna), Pete International Airport and Slowdive's Rachel Goswell.

Wooden Overcoat's recently released debut "Hello Sunbeam" EP is a sweet spot where lo-fi garage psych meets 90s shoegaze, anchored by layered harmonies and an evocatively intimate vocal delivery. Exploring vivid, emotionally resonant themes, this vibrant four-track collection presents a fantastic dreamlike environment for lovers of life.

The sonic brainchild of multi-instrumentalist Brant Hajek, Wooden Overcoat took its name from an old Americana euphemism for a coffin. Hajek’s creative process is personal, having returned to music after a hiatus. What started as a practice in self-production transformed into a deep creative obsession with soundscapes and gear. Recording in a rented basement, Hajek crafted this EP through spontaneous experimentation, propelled forward by sudden bursts of inspiration.

"The lyrics to ‘I Knew You Would’ are more about transcribing emotional impact than saying something meaningful. I wrote it when I was feeling a lot of grief, very uneasy, and it’s about the isolation you can feel going through bouts of depression, even when you have someone very close to you. Thinking about it in hindsight, I feel like I was writing about myself, hurling accusations for not being better, or finding the ability to improve things about myself or the way I was handling stress and grief," says Brant Hajek.

"Recording this EP almost ruined my life, and I hope it sounds like it. Each song is its own little world, in which I lost myself. With childlike wonder, exploring concepts and sounds, I was inspired to make something new each time just to keep the wheel turning. I loved the feeling of momentum, knowing I was creating something out of thin air and maybe grabbing ahold of something slippery and evasive.."

Hajek’s creative process is a deeply personal, layered journey towards the spark that turns an emotionally restless melodies into finished pieces. While he himself performed every instrument on thise EP, Wooden Overcoat is now a full band, bringing these tunes to the stage. With Hajek on guitar and lead vocals, he is joined by bassist Dillon Glusker, guitarist Mac and drummer Brian Levin.

Earlier, Wooden Overcoat released the shimmering lead track "Home" - a reverb-drenched sanctuary, blending in sun-drenched textures and a wash of tape echo and reverb, and "Finally Arrived" with its viscous guitars, slow thudding drums, rhythmic trance-like pulse and dreamy soundscape.  Between mourning and romantic friction, it examines the delicate nature of human connection and tendency to view individuals as replaceable assets. "Heaven Right Now" is a reverb-soaked psych-rock track about hidden emotional fractures, shared suffering, and how people quietly break under pressure.

"This EP was written at a dark time in my life. My mother was diagnosed with cancer, the world was flipped on its head and never really recovered, political turmoil and conflicts overseas dominated the collective conscious, and it profoundly affected me. My relationship was suffering from cumulative stress and I can now see how it came through in what I created. Themes of beauty that doesn’t last, self-sabotage, dissociation, cynicism, and desire for connection but feeling removed from it," says Hajek.

The "Hello Sunbeam" EP is out now, available on digital platforms everywhere, including Spotify, Apple Music and Bandcamp.

CREDITS
Written, recorded, mixed and mastered by Brant Hajek
Performed by Brant Hajek
Recorded in a house in Portland, Oregon
Only humans made this art
Cover art + photo by Brant Hajek
Band photos by Brett Chauncey
Videos by Francesca Bonci 
Publicity by Shameless Promotion PR

Keep up with Wooden Overcoat
Bandcamp | Instagram | Facebook | Twitter | YouTube | Spotify | Apple Music | Booking contact | Press contact

Keep up with Shameless Promotion PR
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Gideon Releases New EP '4x4' and "YEEHAW" Official Visualizer via Sumerian Records

Tuscaloosa, Alabama quartet Gideon have dropped their new EP '4x4' and the official visualizer for "YEEHAW" via Sumerian Records. Leading up to the EP's release, the band shared "'Til The Wheels Fall Off", "Wrong One" and the EP title track "4x4".

"We’re happy to finally present to you all, the '4x4' EP in its entirety! Shout out to Randy Lebouef and Ryan Leitru for helping us bring the vision to life, and we hope you all enjoy it as much as we enjoyed making it!"

Fans down under will have their chance to giddy-up starting Friday, September 4 in Brisbane, Australia when Gideon hits the road with Bury Tomorrow and Headwreck, followed by dates in Osaka and Tokyo, Japan, with Bury Tomorrow on Monday, September 14 and Wednesday, September 16, respectively. Afterward, the band will be performing at this year's Aftershock on Saturday, October 3 in Sacramento, California. For ticket information, please click here.

AU Tour Dates with Bury Tomorrow and Headwreck

Fri Sep 4 - Brisbane @ The Tivoli

Sat Sep 5 - Newcastle @ King St Bandroom

Sun Sep 6 - Sydney @ Metro Theatre

Wed Sep 9 - Melbourne @ Northcote Theatre

Thu Sep 10 - Adelaide @ The Gov

Fri Sep 11 - Perth @ Magnet House

Japan Tour Dates with Bury Tomorrow:

Mon Sep 14 - Osaka @ Yogibo Meta Valley

Wed Sep 16 - Tokyo @ Reny Alpha

Aftershock 2026

Sat Oct 3 - Sacramento, CA @ Discovery Park

THE NEAL AGENCY SIGNS LANDON WILKS

As Landon Wilks prepares to release his debut EP, Young and Restless,  on the heels of his breakthrough single “Leave Me Be,” the Mississippi native has signed with The Neal Agency (TNA) for booking.
 
"Joining the Neal Agency is something I'm really excited about. From their globally recognized artists, to the new up-and-comers, the attention to detail at every level is unmatched,” says Wilks. “That kind of care across the board doesn't happen everywhere, and it says a lot about who they are. I know they're going to be a huge factor in my career, especially when it comes to touring.”
 
Speaking on the signing, TNA Agent Juliette Edwards shares, “Landon brings a rare level of vulnerability and honesty to his songwriting. From the first listen, it’s clear he’s an artist carving out a lane entirely his own.”
 
“We are so excited to work with Landon. He has a uniquely raw sound, and the grit in his voice lets you know exactly who he is the moment he starts singing,” TNA Agent Evan Kantor adds. “We’re looking forward to helping him share his authentic storytelling with the masses throughout his touring career.”
 
Since releasing his debut single, Wilks has earned a reputation for his honest songwriting and emotionally driven sound. Rooted in real-life experiences, Wilks’s music blends heartfelt storytelling with a modern edge, creating songs that feel both personal and universally relatable. His ability to capture raw emotion with simplicity and authenticity has quickly built a loyal and growing fanbase.
 
Wilks has brought his music to audiences nationwide through touring, including dates with Waylon Wyatt, where he continued to sharpen his live performance and expand his reach. Known for his natural stage presence and genuine connection with fans, Wilks delivers performances that balance intimacy and energy—making him a strong fit for clubs, festivals and brand-aligned live events. 
 
With a sound that sits comfortably between modern country and contemporary pop, Wilks continues to carve out his own lane—driven by authenticity, strong melodies and stories that stay with listeners long after the show ends.
 
In addition to Wilks, TNA’s roster proudly represents ADHD, Palmer Anthony, Cameron Sacky Band, Aidan Canfield, Preston Cooper, Country Night, ERNEST, Riley Green, Jacob Hackworth, HARDY, Preston James, Zach John King, Rob Langdon, Ella Langley, Cody Lohden, McCoy Moore, Chase Rice, Josh Ross, Rhys Rutherford, Schmitty, Seaforth, Nate Smith, Will Terry, Morgan Wallen, Ole 60, Chandler Walters, Lauren Watkins, Matthew West, Kenny Whitmire, Anne Wilson, Scott Wolverton, Jake Worthington and Bailey Zimmerman, along with entertainment brand Whiskey Jam. 

Portland's Wooden Overcoat serves potent psych-pop on debut "Hello Sunbeam" EP

Portland dreampop outfit Wooden Overcoat presents their debut "Hello Sunbeam" EP, a sweet spot where lo-fi garage psych meets 90s shoegaze, all anchored by layered harmonies and an evocatively intimate vocal delivery. The focus track "Heaven Right Now" is a reverb-soaked desert psych-rock track about hidden emotional fractures, shared suffering, and how people quietly break under pressure.

Wooden Overcoat is the sonic brainchild of multi-instrumentalist Brant Hajek, having returned to music after a hiatus, recording songs he'd written in his late teens. What started as a practice in self-production transformed into a deep creative obsession with soundscapes and gear. Recording in a rented basement, Hajek built the foundation of the EP through spontaneous experimentation—often veering away from planned sessions to follow sudden bursts of inspiration.

"Recording this EP almost ruined my life, and I hope it sounds like it. Each song is its own little world, in which I lost myself. With childlike wonder, exploring concepts and sounds, I was inspired to make something new each time just to keep the wheel turning. I loved the feeling of momentum, knowing I was creating something out of thin air and maybe grabbing ahold of something slippery and evasive. There’s a feeling of satisfaction I can’t compare to anything else that I get when listening back to something fresh," says Brant Hajek.

"Over countless hours tinkering away with mics, pedals, amps, preamps, and the overall process of tracking and layering guitars, I wanted to make something that sounds old but fresh. I want something that sounds warm and dense, but somehow also airy. I think I achieved that. The curse of any recording artist is wishing you could go back and do it all differently. But instead of beating it to death, I want people to hear the rawness of the result of someone finally figuring out how to a make a record."

Hajek’s creative process is a deeply personal, layered journey towards the spark that turns an emotionally restless melodies into finished pieces. While he himself performed every instrument on thise EP, Wooden Overcoat is now a full band, bringing these tunes to the stage. With Hajek on guitar and lead vocals, he is joined by bassist Dillon Glusker, guitarist Mac and drummer Brian Levin.

The band debuted with the shimmering single "Home", enveloping the senses in a reverb-drenched sanctuary, blending in sun-drenched textures and a wash of tape echo and reverb, followed by "Finally Arrived" with its viscous guitars, slow thudding drums, rhythmic trance-like pulse and dreamy soundscape.  A tapestry of personal mourning and romantic friction, at its core, it examines the delicate nature of human connection, lamenting a cultural tendency to view individuals as replaceable assets.

The video for both singles were created by Italian multi-arts visionary Francesca Bonci, well known for her work with The Dandy Warhols, Pete International Airport and Slowdive's Rachel Goswell, LA's Tombstones In Their Eyes, Federale (The Brian Jonestown Massacre's Collin Hegna), post-rock outfit The Quality of Mercury, and iconic British bard Philip Parfitt.

"This EP was written at a dark time in my life. My mother was diagnosed with cancer, the world was flipped on its head and never really recovered, political turmoil and conflicts overseas dominated the collective conscious, and it profoundly affected me. My relationship was suffering from cumulative stress and I can now see how it came through in what I created. Themes of beauty that doesn’t last, self-sabotage, dissociation, cynicism, and desire for connection but feeling removed from it," says Hajek.

"To me this album is about romanticism vs. reality. “Hello Sunbeam” is something I might say to myself when I’m having a bad day, joking about how grumpy I’m being. But it’s also something I might say when I look outside to see the clouds are parting for a bit and maybe things don’t have to be so dreary."

The name Wooden Overcoat—an old Americana euphemism for a coffin—hints at the project’s core philosophy: a playful balance of moody, mystical imagery with light-hearted humor. Hajek’s creative process is personal, the rough versions eventually coalescing into vivid, emotionally resonant themes. In contrast, this music is vibrant, creating a fantastic dreamlike environment for lovers of life.

The "Hello Sunbeam" EP is available from digital platforms everywhere, including Spotify, Apple Music and Bandcamp.

CREDITS
Written, recorded, mixed and mastered by Brant Hajek
Performed by Brant Hajek
Recorded in a house in Portland, Oregon
Only humans made this art
Cover art + photo by Brant Hajek
Band photos by Brett Chauncey
Videos by Francesca Bonci 
Publicity by Shameless Promotion PR


Keep up with Wooden Overcoat
Bandcamp | Instagram | Facebook | Twitter | YouTube | Spotify | Apple Music | Booking contact | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads | Soundcloud | LinkedIn | Email

asthelifeleavesyoureyes Release Deluxe Version Of 'You Left A Sinner, Covered In The Blood' via Papercut Recordings

Hailing from Portland, Oregon, metalcore quintet asthelifeleavesyoureyes has released the deluxe version of their EP 'You Left A Sinner, Covered In The Blood' and new single "Weight Of War" (via Papercut Recordings). Speaking about the release, the band commented:

"Love yourself and those around you. Having people believe in what we’re doing enough to help push it further means everything. We’re beyond excited to finally release the deluxe version of ‘You Left A Sinner, Covered In The Blood’ and give these songs the life they deserve with Papercut."

The band will also be hitting the road for a handful of dates beginning Friday, June 12, with Fr3ak and Blind Equation. 'You Left A Sinner, Covered In The Blood' (Deluxe) is available now on all streaming platforms at the link here.

Upcoming asthelifeleavesyoureyes Tour Dates:

June 12 - Portland, OR

June 14 - Seattle, WA

June 15 - Boise, ID

June 16 - Spokane, WA*

*No Blind Equation

DONT YOU DARE Drop "S.O.S" EP + Share "Burning Out"

Born from the raw concrete of Sacramento, California, DONT YOU DARE (styled without the apostrophe) are a modern rock duo fusing the intensity of nu-metal and metalcore with raw, unfiltered emotion.

Vocalist Noah Duarte, a poet-turned-frontman, joined forces with guitarist Matt English to create a sound that's both therapeutic and confrontational, and the foundation of what would become DONT YOU DARE.

They just released their S.O.S EP via The Artery Foundation.

They also dropped the single "BURNING OUT."

Listen to below + get the EP here. 

"'BURNING OUT' is about the emotional burnout turned anger and resentment of trying to save a toxic relationship that keeps taking pieces of you until there's nothing left to give," says English. "The line ,'Everything I love has left me now, everything I love is burning down,' is the realization that fantasy and reality can no longer co-exist, when you realize how much of your worth and identity has been attached to that person that you're falling away from. The helplessness of being stuck in a cycle where you feel like you're always the one who has to change, always the one taking blame, and no matter what you do, nothing can save it."

Regarding the EP as a whole, Duarte states, "S.O.S is a call for help, every song is a different situation I went through emotionally or literally. Late nights, days that didn't seem to end, staring at the ceiling with questions running through my head and no answers in sight. S.O.S as a whole was three years of hard work, long headache-induced sessions, screaming until my voice gave out, generated into five songs that show the world who DONT YOU DARE is and what we will continue to be!"

He continues, "I could go on and on about this EP and how much I am thankful to everyone who worked on it, including my brother and best friend, Matt English, my manager and RIDE OR DIE, Matt Scarpelli, or the person who went out on a limb and gave us a chance, Eric Rushing. But I will give it to the fans to listen to and love as much as we do; to sing along with us every night, because without people to listen to these songs, DONT YOU DARE would be nothing. So here's to our debut EP, S.O.S, and to the beginning of DONT YOU DARE. Thank you to everyone who helped along the way and pushed me and Matt to our breaking point, to be the best version of ourselves day in and day out. This EP is everyone's to enjoy and cherish. I hope it means as much to everyone listening as it does to me."

DONT YOU DARE LIVE:

5/29 — Anaheim, CA — Parish Room at House of Blues (Supporting Arankai)
6/5 — Los Angeles, CA — Moroccan Lounge (With Carry the Day + Silent Vice)

The Artery Foundation is a familiar name to hard rock fans. In 2025, the brand has rebooted and is a full service company. It's a label, artist management and producer management firm, among other things. During its 2010s heyday, the brand helped author the burgeoning metalcore scene, having been responsible for signing and breaking genre titans.

From the sweaty chaos of basements and VFW halls to the world's biggest festivals, Artery has helped guide talent from local notoriety to global recognition. The list of heavy music cornerstone acts that started with Artery speaks for itself: A Day To Remember, Motionless In White, Dance Gavin Dance, Beartooth, Sleeping With Sirens, The Amity Affliction, Asking Alexandria, The Devil Wears Prada, Our Last Night, Memphis May Fire, Fit For A King, The Plot In You, Attila, Attack Attack!, and more. 

In 2010, the company launched Artery Recordings, a label imprint that gave rise to breakout acts like Chelsea Grin and Kublai Khan TX. As Artery continued to expand, founder Eric Rushing concurrently deepened his influence on Sacramento's music and nightlife culture. His handiwork is evident in various live venues, restaurants, and bars.

UK Progressive Metal Band Rolo Tomassi Release Video For "Tempest"; Select U.S. Dates Announced

UK progressive metal outfit Rolo Tomassi have unveiled a sparse yet striking new video for “Tempest,” a standout track taken from their recently released In The Echoes of All Dreams EP. The EP further expanded Rolo Tomassi’s boundary-pushing sound, weaving together elements of post-hardcore, metal, and ambient experimentation. 

In The Echoes of Dreams is now available on limited edition vinyl, offering fans a collectible physical edition. Get it HERE.

The band says, “We're pleased to share the video for ‘Tempest’ alongside the vinyl release of our EPIn The Echoes Of All Dreams. We can't wait to be back out playing some shows this summer and move forward with this new material, having enjoyed our 20th anniversary celebrations in 2025. Hope to see you at a show!"

The band is also playing a handful of dates in the U.S. this summer:

07/25 - Indianapolis, IN - POST Festival
07/26 - Chicago, IL - Beat Kitchen
07/28 - Pittsburgh, PA - Preserving Underground
07/31 - New York, NY - TV Eye

Since their 2005 inception in Sheffield, Rolo Tomassi have evolved from math-core prodigies into one of the UK’s most vital progressive forces. For over two decades, they have defied the rigid boundaries of heavy music, weaving a tapestry of sound that is as intellectually demanding as it is emotionally resonant. Prior to the recent EP InThe Echoes of All Dreams, the band released the full-length album, Where Myth Becomes Memory, which served as the final part in an unintended trilogy that began with 2015’s Grievances and continued with 2018’s Time Will Die And Love Will Bury It. 

Connect with Rolo Tomassi:

Website
X
Instagram

Electronic-dreampop outfit Strange Fruit releases surreal 'Drips' EP, a cosmic motorik trip

Indonesian electro-bliss outfit Strange Fruit presents their new 'Drips' EP, a lucid trip to the edge of sonic consciousness, released by Gentle Tuesday Recordings. A defining moment in the band’s evolution, this release unifies fragments of their kosmische experimentation over the past 11 years to achieve a more cohesive sonic identity. It also sees the Jakarta-based collective step into a new league with the involvement of world-class producers Hardway Bros, Tom Furse and Jonathan Kusuma in this release.

The band also share the video for the highlight track 'Monopolar', a sensory explosion that keeps us suspended between dream and awareness, between that which is surreal and radiant. Gradually fading and blurred in technicolor, the video is directed by Mellow Splice, who also created the EP cover artwork, reflecting the track’s fluid and surreal qualities through abstract, water-like imagery.

Strange Fruit is Baldi Calvianca (vocals & synth), Irza Aryadiaz (synth), John Tampubolon (guitar), Nabil Favian (bass) and Dino Kristianto (drums). Since their 2015 debut EP 'Dolphin Leap' via Leeds Records, they've moved fluidly between noise pop, krautrock, shoegaze and electronica. Now converging into a more focused, hybrid sound with deeper integration of electronic elements, this EP is driven by machine-led rhythms and analog textures, fusing emotional depth with rhythmic precision.

Rooted in hauntology, Strange Fruit drift deep into all the right places. 'Iridescent' channels a sense of dancefloor euphoria through minimalist beats and atmospheric layering, balancing introspection with forward momentum while finding a luminous dimension within darkness and adversity.

The title track, 'Drips', celebrates the band’s roots, blending shoegaze textures and electronic elements to create a dense, immersive soundscape. Sentimental yet rebellious, the interplay of rough guitar and bass noise with hybrid electronic textures creating a sense of hazy reverie. Baldi Calvianca’s vocals sounds mercurial, merging with bursts of light.

'Pouvoir Moteur' brings steady motorik rhythms, where repetitive sensations flow seamlessly down an endless highway. Irza Aryadiaz explains: “Here we take the obsession with factory machinery operated by humans and represent it through the repetitive 4/4 beats of German krautrock. It feels like breaking through space and time when the drum pattern is played consistently, moving nonstop.”

With unexpected song structures, chord progressions and subtle embellishments, this EP was produced with electronic producer Bernardus Fritz, who shares, “Strange Fruit's strength lies in their ability to create synthesizer sounds that are reverberant, wide, and surreal. Each track tells a story—there’s a journey between scenes, with cosmic sound design that reflects us as beings living in a different galaxy."

For this EP, Strange Fruit worked with three notable producers, who reinterpreted original tracks without compromising their original essence. Sean Johnstone a.k.a. Hardway Bros—a renowned UK DJ known for founding A Love From Outer Spacewith Andrew Weatherall—infuses downtempo elements and channels a slower club-house atmosphere.  Jonathan Kusuma, a prominent member of Jakarta’s Dekadenz collective, explores extended leftfield disco with a strong focus on echo-rich, repetitive bass drum tempos.

Strange Fruit also worked with Tom Furse of The Horrors and now with MIEN(alongside The Black Angels' Alex Maas and Elephant Stone's Rishi Dhir). Re-envisioning 'Monopolar' with slower breakbeat grooves, noisier ambient textures and acid house influences, the band joins an exclusive club of artists remixed by Furse, including Tame Impala, Charlotte Gainsbourg, Temples and The Twilight Sad.

As of April 3, the 'Drips' EP is available across digital platforms via Gentle Tuesday Recordings, including Spotify, Apple Music and Bandcamp. It will be released on cassette on April 17, followed by a physical vinyl release, planned for mid-2026 in collaboration with Loide Records (SEA & Japan territories) and TipTop Records(Worldwide territories excluding SEA & Japan).

CREDITS
Written by Baldi Calvianca & Irza Aryadiaz
Performed by Strange Fruit
Produced by Bernardus Fritz & Strange Fruit
Guest vocals on 'Drips' by Putri Effendi
Mixed by Nabil Favian
Vocals recorded by Aggasta Giovanno at Studiomaja in Jakarta, Indonesia
Drums recorded by Devfian Julius Simputra at Studio 1 SAE Institute Jakarta
Premasters prepared by Hosea Hanelsan at Studio 1 SAE Institute, except for remixes
Mastered by Sam at The Wall Studio (France), except Track 6 mastered by Tom Furse
Track 5 - remix by Jonathan Kusuma
Track 6 - remix by Tom Furse
Track 7, 8 & 9 - remixes by Sean Johnston
All tracks published by Massive Music Entertainment,
except Monopolar (Hardway Bros Remix), Monopolar (Hardway Bros Live At The SSL Vocal Dub) & Monopolar (Hardway Bros Live At The SSL Dub) by Massive Music Entertainment / Minds on Fire
Album cover artwork by Moses Sihombing and Hafizh Armynazrie of Mellow Splice
'Monopolar' video produced by Gentle Tuesday Recordings & Strange Fruit
Video directed by Mellow Splice. Filmed by Moses Sihombing & Hafizh Armynazrie
Edited buy Hafizh Armynazrie & Moses Sihombing
Photographer: Osman Luqman
All Rights Reserved. © & ℗ Gentle Tuesday Recordings 2026
Bookings & Management - Benedict Pardede
Publicity by Shameless Promotion PR

Keep up with Strange Fruit
Bandcamp | Facebook | Instagram | Spotify | Apple Music | Booking contact | Press contact

Keep up with Gentle Tuesday Recordings
Bandcamp | Facebook | Instagram | YouTube | Soundcloud 

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