Exuberant NYC quintet Ecce Shnak share 'Backroom Sessions' EP and 'Fight Song' video

NYC experimental rock quintet Ecce Shnak has released their 'Backroom Sessions' EP via Records, Man Records, recorded at Backroom Studios in Rockaway, NJ. This 4-song live set arrives ahead of the band's West coast tour this June with platinum-selling legends Spacehog and EMF.

Ecce Shnak has also shared a raucous video for 'Fight Song' (Live), a hard-hitting track with a potent message, offering an ironic take on violence and addressing today's rampant spread of hate-filled vitriol. They earlier shared another track from this EP - their groove-inducing opus 'Prayer On Love' (Live).

Ecce Shnak is David Roush (composer, bassist and one of two singers), Bella Komodromos (vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn (drums). Where fervent brilliance blurs into absolute, uncontainable madness, there resides Ecce Shnak, balanced precariously upon an illuminated sonic high wire.

David Roush explains, "While we originally filmed these performances for our YouTube channel, we felt the audio worked as a thrilling scamper through old material and new material alike. In addition, we are finishing a new full-length album and wanted to have something to tide you over, dear Shnak’iversian, until its release next Spring. So until we can share 'Dandy Variances' with you all, here are the “Backroom Sessions.” We so hope you love them tremendously!"

Rejecting conventional aesthetics, Ecce Shnak (pronounced Eh-kay sh-knock) whimsically incorporates diverse artistic expressions, tackling profound subjects and intriguing minutiae with remarkable clarity. Building on the success of their recently-released debut 'Shadows Grow Fangs' EP,

"The hardcore slammer 'Fight Song' is not a Katy Perry cover. Instead, it is a djent-forward ramble on the ubiquity of violence in human life, be it literal or metaphorical. It was originally an ironic joke when it was released on our first EP, 'Letters to German Vasquez Rubio' in 2012," says David Roush.

"We decided to change the lyrics and release a new version in reaction to the rancid bigotries that so plague the human spirit nowadays, in America and elsewhere. The final line is a call to defend our basic human freedoms while we still have them: “Fight for your right to fight!”"

Ecce Shnak's recently-released debut 'Shadows Grow Fangs' EP showcases incomparable ingenuity and limitless invention, blending art-rock and punk energy with some unexpected twists. Between its title track, web-mocking 'The Internet', sensual 'Prayer on Love', folk ballad 'Stroll With Me', and 150-second hammering lead track 'Jeremy, Utilitarian Sadboy', Ecce Shnak presents a powerful debut effort that is intricately constructed, methodically fashioned, undeniably offbeat and truly entertaining.

Recorded and produced by Jeff Lucci at the Art Farm (NY), this EP was mixed by Nicholas Vernhes  (Animal Collective, Deerhunter, Wild Nothing, The War on Drugs) and mastered by Grammy award-winning engineer Joe LaPorta (David Bowie, The Weeknd, Foo Fighters, Vampire Weekend).
 

The 'Backroom Sessions' EP is out now,available from fine digital music platforms, includingSpotify, Apple Music, YouTube Music and Bandcamp. In June, Ecce Shnak is touring the West coast with platinum-selling legendsSpacehogandEMF. Kicking things off in San Jose on June 14, the tour wraps up on June 28 in Las Vegas. Tickets for the Spacehog / EMF / Ecce Shnak tour are on sale now.

CREDITS
Music written / composed by David Roush
David Roush - vocals, classical guitar, drum kit, keyboard
Jeff Lucci - electric guitar, electric bass
Isabella Komodromos - vocals
Recorded at the Backroom Studios in Rockaway, NJ
Mixing Engineer: Chris Krasnow
Released by Records, Man Records
EP cover artwork & artist photos by Tommy Krause
A&R: Beth Narducci for You + Me Entertainment
Publicity by Shauna McLarnon for Shameless Promotion PR

TOUR DATES (with EFM and Spacehog)
Jun 14   San Jose, CA  - The Ritz
Jun 15   San Francisco, CA  - Great American Music Hall (tickets)
Jun 17   Portland, OR  -  Star Theater
Jun 18   Seattle, WA  - The Neptune
Jun 20   Salt Lake City, UT  - Metro Music Hall
Jun 21   Denver, CO  - Oriental Theater
Jun 23   Phoenix, AZ  - Crescent Ballroom
Jun 24   San Diego, CA  - Music Box
Jun 26   Santa Ana, CA  - The Observatory
Jun 27   Los Angeles, CA  - The Regent
Jun 28   Las Vegas, NV  -  House of Blues


Keep up with Ecce Shnak
Facebook | Bandcamp | Instagram | Twitter | YouTube | TikTok | Spotify | Apple Music | YouTube Music | BandsInTown | Booking | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads | Soundcloud | Link edIn | Email

Finnish Melodic Rockers BROTHER FIRETRIBE Release 'Number One EP' -

Helsinki melodic rock heavyweights BROTHER FIRETRIBE have officially released their new maxi-EP, 'Number One EP.' In addition, the band has released the EP's title track, which is accompanied by a lyric video, available to view below.

Wrapping up the last three years, 'Number One EP' brings together fan-favorite singles “Thunder Rising,” “Just Another Night,” “Are You Ready,” and “Man On A Mission,”alongside two brand new tracks: “Number One” and “How Long Till Tomorrow.” The release is rounded out with a beautiful acoustic version of “Bring On The Rain.”

BROTHER FIRETRIBE vocalist Pekka Heino comments on the new EP:

"'Number One EP' is a sort of an interim statement where we wanted to tie together the songs we’ve put out since the covid years for one solid release with some new material of which we’re super excited about! Can’t wait to go out and play all of them live soon and then dig deep into working on a full blown fresh new album. TRIBE is on a roll!"

Watch the Lyric Video for "Number One"

BROTHER FIRETRIBE have already built a legacy with unforgettable anthems like “One Single Breath,” “Heart Full Of Fire,” “I Am Rock,” “For Better Or For Worse,” and the ultimate soundtrack to a Rocky movie that never got made, “Taste Of A Champion.”

With 'Number One EP,' they prove once again that they’re here to win, delivering high-octane, feel-good rock that knows how to paint the town red and put a smile on your face.

Order 'Number One EP' HERE

TEETH | RELEASE NEW EP I AM THE WAY TO OBLIVION + RELEASE MUSIC VIDEO FOR 'LET IT IN'

Coming off a string SOLD OUT shows with the CANCER BATS and a North American direct support run with NORMA JEAN, Canadian hardcore/metal powerhouse TEETH delivers their newest offering in the form of a 2 song EP. l Am the Way to Oblivion is raw and features unrelenting aggression while serving blended chaotic riffs, crushing breakdowns, and visceral intensity. The EP is now available for purchase on all streaming platforms.

The cherry on top of the sundae is the music video for their latest track, 'Let It In'. Watch the  music video for the frantic assault of jagged guitars, pummeling drums, and feral vocals, capturing the chaos of confinement.

TEETH comments, "A descent into obsession, and the battle for control. ‘Let It In’ is about the cycles we can’t break, and the darkness that begs to be let inside”.

Stream l Am the Way to Oblivion:
https://teeth.bfan.link/i-am-the-way-to-oblivion

I Am the Way to Oblivion EP was recorded earlier this year at Destroyer Studios in Hamilton, Ontario. It was produced by the band and engineered by Chris LeMasters. For the mixing and mastering of the EP, the band once again worked with Lance Prenc (ALPHA WOLF, POLARIS, VOID OF VISION). The album artwork was created by Tiltshift Visual and Chris LeMasters.

In May, they hit London Music Hall as direct support for IN FLAMES, headlining Pouzza Fest in Montreal, and were just announced as part of the lineup for legendary New England Metal and Hardcore Festival.  The band is set to announce more North American tour dates soon!

TEETH live dates
05.01 London, ON @ London Music Hall w. IN FLAMES
05.17 Montreal, QC @ Pouzza Fest
09.20 Worcester, MA @ New England Metal and Hardcore Festival

Driven by rage, TEETH’s sound is an unfiltered, cathartic eruption of fury and despair.

TEETH is:
Blake Prince | Vocals
Chris LeMasters | Guitar
Bryan Beerbaum | Guitar
Marc Quagliarini | Bass
Seb Lalonde-Ricardi | Drums

More information:
Facebook | Instagram | YouTube | X | Spotify | Tik Tok

Florida Indie-Punk Rockers Virginity Release "Fidelity Castro" EP via Smartpunk Records

Smartpunk Records' power pop darlings Virginity have released their new EP "Fidelity Castro" as a follow-up to their 2024 LP "Bad Jazz" - available to purchase here. The EP is a collection of six dynamic tracks that went from being outcasts on the album tracklist to star songs in their own right.

Listen below.

The band has received critical acclaim from the rock scene's top tastemakers, including New Noise Magazine, Brooklyn Vegan, Audiotree, and more. As fan favorites at Smartpunk's SXSW showcase and Florida's beloved FEST, Virginity have cultivated a core fanbase who are foaming at the mouth for these new tracks. 

Speaking about the new EP, Virginity says, "Fidelity Castro started out being a way to just throw a couple of tunes out that had been sitting on the back burner for a while. As we assembled those, we kept returning to the live recordings we’d done in Jordan’s living room when we first started writing for Bad Jazz and felt like a couple of songs had so much life in them that we had to send them out into the world with our new recordings. We’ve also got a Shins tune on here because we’re just fans of that band and that record (Chutes Too Narrow) in particular. That was just something fun to do and a challenge, to make it our own a little. Lastly, we’ve got Love Exists, which is a song so incredibly void of any cynicism (basically an idea that’s nonexistent in our catalog) that we weren’t sure what to do with it. Should we rerecord it, make it a full band affair, or perhaps make it a proper piano ballad or something? Ultimately, we decided the magic was already there and that it should just be put out as is. The arc of this band has been about progressively getting more and more authentic. In a way, Fidelity is our most authentic release yet. There’s a real “scars and all” approach to it. We’re not being precious about any of it and, for now, that’s really inspiring and exciting for us. We really believe that some of these songs are some of the best we have to offer, and we’re so proud of this little collection."

ABOUT VIRGINITY
Virginity’s “Fidelity Castro EP” was originally supposed to be a way to release the leftover scraps from the Bad Jazz recording sessions, but as the band continued to finesse the recordings, the EP morphed into something entirely different. It took on a life of its own, and taught the band it can operate more loosely than it ever has before.

Featuring 5 original tracks and a cover of one of their favorite Shins tunes, the EP shows the band finishing three partially developed concepts from the Bad Jazz sessions as well as 3 demos of songs that never made it to the studio, but showed just as much promise as anything that landed on the album. And while the basic tracks of the demos were recorded live and raw, they show another side of the band’s abilities and yearning to experiment with lo-fi production (a la a recent obsession with Guided By Voices) and attempt to not overthink something that already rocks ass. 

ABOUT SMARTPUNK RECORDS:
Smartpunk has been a recognizable name in the scene for a long time (Remember that sponsored Warped Tour stage?!). After exchanging several hands and countless ideas of what it could and should be, they decided to start a record label in 2016 with the main idea of focusing solely on reissuing records that have been out of print or never on vinyl. After all, they're a label of vinyl dorks themselves! After releasing Set Your Goals' Mutiny and Gameface's Good, they started to venture into signing newer bands. They actively balance in between many worlds — putting out amazing music from friends and bands that rock, reissuing older titles, and partnering with other incredible labels in our scene and doing exclusive color variants of their releases.

"Since forming the record label, Smartpunk Records has released timeless albums such as Less Than Jake's Anthem, Nominee's Lowlife, RIVALS' Sad Looks Pretty on Me, Virginity's POPMORTEM, and melodic skate punkers The Swellers' My Everest.

Breakout Country Artist Maddox Batson Releases 'First Dance' EP

Powered by a stunning year of early hits, rising country sensation Maddox Batson unveils his highly anticipated First Dance EP, available now via Prosper Entertainment/Warner Records. The multi-instrumental singer-songwriter continues to captivate audiences with his heartfelt storytelling and signature sound, building on a story which has already caught global attention. Listen to First Dance HERE.
 
With millions of streams to his name, Batson first connected with fans through his viral hits like “Tears In The River” and “I Wanna Know,” showcasing raw talent and deep emotional resonance. His instinctive ability to blend classic country roots with a fresh, modern twist has made him one of the most exciting new voices in the genre today.
 
First Dance features seven tracks with the same youthful magnetism, including highlights like the single “Girl In Green.” Showcasing his stunning signature style, Batson paints a cinematic picture on the catchy chorus, “Tell me, have you seen the girl in green? Felt like a movie, yes it could’ve been a dream.” The music video for “Girl In Green” is set to premiere at 1pm PT on Friday, March 21 - watch HERE.
 
On “Problem,” soft spoken acoustic guitar fills the emotional gaps between slick snaps and buoyant beats. Dealing with the turbulence of a toxic relationship, Batson comes to an empowering realization on the unshakable refrain, “Baby, what you mad at me for? Maybe you’re the problem.” He shares a perceptive fusion of spirit and soul on the moving “God Talkin’,” and then, there’s the romantic clarity of “It Was You.” Loose acoustic guitar underlines his emotionally charged hook, “The one thing I've been missing, it was you.” Full track listing below.
 
Setting the stage for First Dance, Batson’s new EP arrives after the standout “I Don’t Like You Anymore.” The latter is approaching 1 million Spotify streams and 2.6 million YouTube views on its accompanying music video. It follows in the wake of the buzzing “X’s,” which has already amassed over 5.7 million Spotify streams in addition to 11 million YouTube views on the music video.
 
This spring, the charismatic singer-songwriter and performer is set to hit the road once again with headlining tour dates in New York City, Dallas, Chicago and more, along with a performance at Stagecoach Music Festival in Indio, CA. Following high demand, Batson upgraded venues across the country with limited tickets remaining. This fall, he’s set to join one of country’s biggest stars, supporting Lainey Wilson’s Whirlwind Tour.
 
In a short time, Batson has skyrocketed to the forefront of country music fueled by a series of popular independent singles. Born just north of Nashville, Tenn. and raised in Birmingham, Ala., the now 15-year-old developed a fervent passion for music as a kid. Eventually, he cultivated a sharp signature style by infusing classic country storytelling and swagger with southern rock energy, pop palatability and distinctive grooves. With cuts like a current Lana Del Rey and Quavo single “Tough,” the “Tears In The River” singer will soon make his debut on the Grand Ole Opry Stage on March 26, 2025.

Tour Routing:
March 28         Columbus, OH            The Bluestone*
March 29         Louisville, KY            Mercury Ballroom*
March 30         Indianapolis, IN          Egyptian Room*
April 4             Rosemont, IL              Joe’s Live*
April 5             Rootstown, OH           Dusty Armadillo*
April 6             New York, NY            Irving Plaza*
April 9             Savannah, GA             Victory North*
April 10           Charleston, SC            Charleston Music Hall*
April 11           Raleigh, NC                Lincoln Theatre*
April 13           Huntsville, AL            Mars Music Hall*
April 17           Dallas, TX                  House of Blues*
April 18           Houston, TX               White Oak Music Hall - Downstairs *
April 19           Austin, TX                  Emo’s Austin *
April 22           Denver, CO                 Summit
April 24           Phoenix, AZ                Crescent Ballroom*
April 26           Indio, CA                    Stagecoach Music Festival
Sept 11            Baton Rouge, LA        Raising Cane’s River Center^
Sept 13            Bossier City, LA         Brookshire Grocery Arena^
Oct 16             St. Louis, MO             Hollywood Casio Amphitheatre^
Oct 17             Rosemont, IL              Allstate Arena^
Oct 18             Saint Paul, MN           Xcel Energy Center^

About Maddox Batson:
Maddox Batson navigates the world with wisdom and wit far beyond his 15 years. After the Nashville-born, Alabama-based songwriter began gaining notoriety covering songs from Zach Bryan, Red Clay Strays, and more, he started to write his own songs. Thanks to early singles like “Tears In The River” and “I Wanna Know,” Batson quickly showed that he wasn’t only a star at covering country hits, but an excellent writer of his own home-cooked cuts – a practice he saw first-hand as a co-writer on Lana Del Rey and Quavo’s smash hit collaboration, “Tough.”
 
With the arrival of his latest single, “Girl In Green” and his EP First Dance, Batson is ready to show the world what he can create all while preparing for sold-out live shows across the country, his debut appearance at Stagecoach Music Festival and more new music. Life is moving fast for the multi-instrumentalist (piano, guitar & mandolin)who has fully embraced his next-up in country-pop music.  “It can be overwhelming, this life, but I’ve got a lot of good people surrounding me,” he explains. “I’m still just a kid, though, and I’m happy about that.” More at MaddoxBatson.com.

STAY TUNED WITH MADDOX BATSON
TikTok | Instagram | YouTube | Press Website

GILLSAW Immerse Yourself with an Electrifying Experience with the Release of the bands Debut EP "FOG WATCH"

STREAM "FOG WATCH"

 The wait is over.

Prepare for the sonic storm of the year as industrial metal trailblazers Gillsaw prepare to unleash their highly anticipated debut EP, "Fog Watch", out NOW.

This six-track powerhouse will pull listeners into a relentless world of crushing rhythms, eerie atmospheres, and guttural intensity. With a unique blend of industrial noise, sludgy metal riffs, and haunting electronic landscapes,

Gillsaw carves out their own space in the genre.

"Fog Watch" showcases the band’s ability to blend chaotic energy with thought-provoking storytelling, offering an immersive experience that’s both exhilarating and unsettling.

FOG WATCH Narrative:

"Fog Watch" tells the tragic story of Ian, a man descending into madness. Through a series of increasingly distorted experiences, we witness his journey from isolated lighthouse keeper to drug-addicted nomad.

• Fog Watch: Ian battles loneliness and encroaching insanity, symbolized by the perpetual fog. The lyrics reflect his isolation and mental deterioration.

• Thankful: Ian's desire for validation turns to bitter rage as he resents the lack of gratitude from those he protects.

• Rizen: Ian falls under the influence of a false deity, surrendering reason for blind obedience.

• Siren Comes: Ian faces nightly temptations, battling internal fears and desires.

• Trenched In: Ian's final act of devotion leads to his self-burial, a symbolic death and rebirth.

• Bombay Way: The reality is revealed: Ian's experiences were drug-induced delusions, culminating in a fatal overdose in Bombay Beach.

"FOG WATCH" explores themes of isolation, the search for meaning, and the destructive power of delusion.

GILLSAW'S SOUND

Gillsaw's sound is a meticulously crafted fusion of heavy metal's muscularity and industrial music's stark, electronic edge. This powerful core is layered with intricate progressive structures and ethereal new age ambient textures, creating a dynamic and immersive atmosphere that defies genre boundaries.

Reconciler Release "Three Songs" EP via Smartpunk Records

Reconciler's new EP "Three Songs" might be short but it packs a mighty punch of punk. The band, previously featured on Kerrang!, Idioteq, and more continues to deliver bold lyrical themes set to visceral soundtracks as this EP marks the next phase of their musical evolution.

Merchandise, vinyl, and other products for the EP release are available here.

The band's vocalist Joseph Lazzari explains, "Three Songs offers a heavier, more visceral side of Reconciler’s heart-on-sleeve approach that contemplates grappling with mental health as the credits roll on the American Dream."

ABOUT RECONCILER:
Reconciler is a band from Atlanta, GA first amplified in the summer of
2016. Harkening to a sound alternately Southeast and East Bay, they released their debut LP, Set Us Free, in February of 2019 to critical acclaim. A split 7-inch with the legendary Gainesville outfit, Ship Thieves followed in January of 2021. With a solidified new lineup and a refined focus, Reconciler went to work completing their sophomore album, Art For Our Sake, released on Smartpunk Records in the U.S. and Gunner Records in Europe in February of 2024. The band followed the release with their first tour of Europe and The U.K. Art For Our Sake’s singles were featured on editorial playlists, and widely played on college radio. The album’s title track became the most-played song on Sirius XM’s Faction Punk station for several months. On March 7th, 2025, Reconciler will release a limited 7-inch, Three Songs, ahead of a southern tour and SXSW appearance.Three Songs offers a heavier, more visceral side of Reconciler’s heart-on-sleeve approach.

Tropic Gold Share "The Angels Are Gone" Video — WATCH // New EP Out Now

South East England trio TROPIC GOLD have released their new EP, SICK TO DEATH OF EVERYHING, via UNFD.

Get it here. 

They've also released the video for "THE ANGELS ARE GONE."

"'THE ANGELS ARE GONE' plays on as a lyric response to the question from the end of the introduction track opening the EP, that being 'How do you feel?,'" the band says. "The track's intention was to feel like a downward spiral when your head is just wrecked and in all the wrong places, with the chorus stating 'I need a reason to stay, 'cos the angels are gone.'"

Regarding the deeply personal EP, Tropic Gold siphoned every bit of emotion the members have experienced in recent times and parlayed it into these songs, saying, "SICK TO DEATH OF EVERYTHING had everything poured into it over some really difficult times — the name sums up what was, and has been, going through our heads. It's our most honest and vulnerable body of work, and hope that people hear it and connect so they understand they aren't alone with day-to-day instability of mental health, life uncertainty, and self-loathing."

Tropic Gold offer up a thoroughly modern and moody meld of alternative, metal, pop, and electronica, cajoling their passions for a dynamic culture pool of music and production styles into a single sonic petri dish. Though originally formed in 2019, the quartet have spent years in the lab, developing their sound and strong aesthetics behind the closed doors of a bespoke, self-built multi-media studio.

The Tropic Gold method is truly hands on, with guitarist Joshua Lee handling all production and recording duties, as well as diving into the weeds on their visual curation, manning the camera and edit suite as often as the production chair. 

SICK TO DEATH OF EVERYTHING follows Tropic Gold's 2023-released What A Wonderful Experience EP via UNFD.

Pairing swathes of moody atmospherics with soaring, ear worm choruses, the band’s songs feel like they would be equally A Vibe™ pulsing across sticky, cramped dance floors as soaring atop airy arenas. Coming on like a new romantic Bring Me The Horizon or a post breakup Don Broco, who just discovered their parents copy of The Cure'sDisintegration or a 45rpm copy ofSing The Sorrow playing at 33rpm… tl;dr: Tropic Gold are as gloomy as they are catchy.  Sharing a sonic space with the likes of the aforementioned BMTH and Broco, PVRIS, (latter day) Architects, Caskets, Spiritbox's plaintive moments and even Enter Shikari (albeit on Valium), Tropic Gold are just getting started in figuring out how to weaponize their cocktail of slap and swag.

TROPIC GOLD ARE:
Jacob Parris — Vocals
Joshua Lee — Guitars + Programming
Amy Barnett — Drums

THE VICE Release "A Great Unrest" EP and"From The Barricades" Music Video! ​

Swedish dark metal act THE VICE has unleashed its brand new 5 track EP A Great Unrest via Noble Demon. To celebrate the release in a fitting manner, the band has released a music video for the track "From The Barricades".

THE VICE about the song:
"Sometimes rock 'n' roll shouldn't be more complicated than one middle finger and zero f*cks to give. And that's what "From The Barricades" is all about.It's punk song cast in our blackened mold of ferocious rock and die-hard metal, accelerating all the way until the very end. Nothing more, nothing less, but one hell of a ride.."

Watch the video for "From The Barricades" below:

Listen to "A Great Unrest" HERE

Following the success of their latest full-length album, Dead Canary Run (2024, Noble Demon), THE VICE embarked on an exciting journey to create a series of EPs. The addition of Joel Öhman, a long-time collaborator, has transformed the band into a finely-tuned quartet, enriching their sound with fresh perspectives and innovative approaches.

The first offering from this new chapter, A Great Unrest, has this growth on full display, amplifying every inch of the foundation made of blackened metal, ambient pop and unbridled rock'n'roll. 

The five tracks - three new ones, a cover of "1 Sun" by Miley Cyrus and a rearranged version of "Welcome The Storm" from the latest album - were recorded in the fall of 2024 at Studio Underjord (Skraeckoedlan, Magna Carta Cartel, Haystack among others) in rural Sweden.

Fresh off of writing and recording a full album, this EP was the perfect way to musically break the "limitations" that can come when working to create a really unified piece of art.

And while it wasn't exactly Fantomas-levels of diverse tracks, sound engineer and owner of the studio, Joona Hassinen really pulled his 'A' game giving it a coherent sound. A Great Unrest sounds a bit lighter, yet more harsh than Dead Canary Run with an electrified, distorted tension running throughout. 

"A Great Unrest" is out now on Noble Demon and available for purchase at THIS LOCATION

The Vice are:
Rickard - Vocals & Guitars 
Charlie - Bass 
Petter - Drums
Guest appearance by Joel Öhman (Piano)

For more info visit:
https://www.facebook.com/TheViceOfficial/  
https://www.instagram.com/theviceofficial/  
https://theviceonline.bandcamp.com/  
https://linktr.ee/nobledemon    

Chase Rice Shares "Live From Chief's" EP: Eric Church & George Strait Covers Plus Unreleased Original "Cowboy Goodbye"

Country music maverick Chase Rice has surprised fans with today's release of a special three-song EP, Live From Chief's. Captured during his recent acoustic underplay shows at Chief's on Broadway on Feb. 13 and 14 – which American Songwriter cited as emblematic of the fact that "Chase Rice didn't change, he just got brave enough to be himself" – the project highlights Rice's raw, unfiltered artistry in a way that fans rarely get to experience at his larger arena shows. Listen HERE.

The project opens with two standout covers: fellow Asheville-area native Eric Church’s “Carolina,” one of the first songs Rice was inspired to learn to play on guitar during his college years at UNC, and George Strait’s iconic rodeo hit “I Can Still Make Cheyenne,” which itself inspired the EP’s third song.
 
The previously unreleased “Cowboy Goodbye,” a yearning song co-written by Rice with Oscar Charles and Foy Vance during a recent post-Red Rocks retreat in Colorado, serves as a pivotal moment for his next studio album – the oft-teased Eldora expected later this year. The first song written for the highly anticipated follow up to recent independent success Go Down Singin’, “Cowboy Goodbye” reflects on the sacrifices that come with the pursuit of music and the longing for something more:

“I love my life; I love my job; I love what I get to do for a living – but I’ve given up a lot to do it,” Rice shares in the live recording’s introduction, reflecting on the deeply personal parallels between the life of a touring musician and that of a true cowboy. “I don’t have a family yet – that’s the goal – but that’s one of the main things that I’ve given up to do this thing… Since I was a little kid, I always wore the cowboy boots, I always wore the cowboy hat and the cowboy way of life was always just kind of in my mind.”
 
Co-produced by Rice and Charles, the EP features an intimate, stripped-down sound with Charles on drums and background vocals, Jonathan Sherwood on bass and Tori Allen on fiddle. Recorded at two back-to-back sold-out shows at Chief’s just a few weeks ago, these performances were part of a unique two-night residency where Rice celebrated his artistic evolution:
 
Feb. 13: A Night of I Hate Cowboys & All Dogs Go to Hell – A deep dive into the storytelling and raw emotion of Rice’sacclaimed album praised for its authenticity and connection to his roots, hailed by Billboard as “one of 2023’s most unexpected artistic pivots” and Forbes as “a full-circle, career defining journey for Rice, as both a singer and a songwriter.”
 
Feb. 14: A Night of Go Down Singin’ – A showcase of Rice’s recent independent release, praised by Rolling Stone as “an excellent collection of poignant, often anthemic country,” which finds him “trying to do what creative people are supposed to: grow and change,” while Cowboys & Indians proclaimed that “maturity and clarity are the reality on Chase Rice's new album…what is sure to be one of 2024’s most well-received country albums of the year.”
 
With Live From Chief’s available across all streaming platforms now, fans get a rare, up-close listen to the stripped-down magic that made these shows unforgettable, while also catching a first glimpse of what’s to come with Eldora.

For more information and all of the latest news, visit ChaseRice.com and follow on Facebook, Twitter and TikTok@ChaseRiceMusic and on Instagram @ChaseRice.

About Chase Rice
With more than 2.6 million albums sold and over 2.8 billion total streams, plus a legion of passionate fans at his high-energy concerts across the globe, Chase Rice has established himself as a powerful force in Nashville and beyond. With independent album Go Down Singin’ available everywhere now as the follow-up to the critically acclaimed I Hate Cowboys & All Dogs Go To Hell, and both brought together on the songwriter-forward Fireside Sessions, Rice’s sound continues to evolve to reflect the realities of his life; from emotional reckoning to an admiration of the American West. The new music serves as a follow up to his three-part project, The Album, which featured his latest Platinum-certified No. 1 hit, “Drinkin’ Beer. Talkin’ God. Amen.” and the Platinum-certified Top 10 hit “Lonely If You Are.”
 
This is the same gravelly-voiced Chase Rice fans first fell in love with years ago – but better, freer; unbeholden and uninhibited. The new music builds upon the success of his sophomore album, Lambs & Lions, which featured the 3x Platinum, two-week chart topper “Eyes On You” – Rice’s first No. 1 as an artist and the most-streamed song of his career. Lambs & Lions followed Platinum-certified Ignite the Night, which debuted at No. 1 on Billboard’s Top Country Albums and No. 3 on the all-genre chart, producing a pair of Top 5 hits; Platinum-certified “Gonna Wanna Tonight” and Double Platinum “Ready Set Roll.” In addition to guesting on sold-out stadium shows with Kenny Chesney and Garth Brooks, Rice served as direct support on Dierks Bentley’s 2024 Gravel & Gold Tour and consistently sells out venues on his own headlining tours across the U.S. and beyond, with the Go Down Singin’ International Tour underway now.

Suicide Puppets Drop "Where Killers Go to Die" EP + Share "Piggy" Video

Suicide Puppets, featuring Twisty Suicide on vocals, Jonny Suicide on bass and backup vocals, Steven Suicide on lead guitar, Invictus Suicide and Z Suicide on rhythm guitar, and Veritas Suicide on drums, have released their devilishly evil new EP, Where Killers Go to Die.

It's perfectly acceptable to ghoulishly gift yourself or your loved one with this music on Valentine's Day!

Get the EP here.
 

At the intersection of crushing riffs, intricate orchestration, and the darkness of industrial goth resides the monolith known as Suicide Puppets. 

The Harrisburg-based sextet has been showcasing their unique blend of metal, goth, and industrial to an ever-growing fanbase. This was captured most recently during their 2021 tour with Soulfly, where they delivered their intense energy and visuals nightly.

Today, the band shares the video for "Piggy." Watch it below:

"'Piggy' is a dark, guttural anthem that pulls no punches," the band says. "It's a raw, unapologetic reflection on the underbelly of society, where every distorted riff and tortured scream exposes the grotesque truths we often ignore — a visceral journey into the heart of despair."

Where Killers Go To Die is a brutal symphony of chaos, where the line between agony and exhilaration fades into a haunting reality. It's not just music — it's the soundtrack to a soul’s final descent. 
 

Suicide Puppets' music is featured in several upcoming indie horror films, including The Boy From Below, Skate To Hell, Deathwoods, Blood On The Bleachers, and The Slasher Nurse.

NYC's Ecce Shnak presents 'Shadows Grow Fangs' EP & future-creepy video for 'The Internet'

NYC-based outfit Ecce Shnak presents their debut EP 'Shadows Grow Fangs' via Record Man, Records, showcasing incomparable ingenuity and limitless invention over five songs. The quintet also present their new video for the title track. 

If there’s a fine line between wild-eyed, inspired genius and utter, irrepressible insanity, that’s where you’ll find Ecce Shnak, teetering on a neon tightrope. With David Roush as composer, bassist, and one of two singers, he is joined by Bella Komodromos (vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn(drums).

This EP runs the gamut from slow-burning meditations on love’s indispensability to mockery of the web from the perspective of a time-traveling poet – “What the fuck is the internet?!” Of course, this might sound a little ‘zany’, but it’s really not. Not at all. It’s intricately constructed, methodically fashioned, and – while undeniably offbeat – as serious and logical as it’s entertaining.

Recorded and produced by Jeff Lucci at the Art Farm (NY), their debut EP was mixed by Nicholas Vernhes  (Animal Collective, Deerhunter, The Fiery Furnaces, Dirty Projectors, Wild Nothing, The War on Drugs) and mastered by Grammy-winning engineer Greg Calbi (John Lennon, David Bowie, Bruce Springsteen, Talking Heads, Patti Smith, Tom Petty, Todd Rundgren).

Ecce Shnak subverts notions of style, playfully but reverently embracing multiple forms across the spectrum, while addressing weighty themes and notable trivia with striking articulacy. “Each genre has its own manner of expression, mannerisms, history, motivations, virtues, flaws, limitations, and so on," says David Roush. At my best as a composer and lyricist, I listen to and respect each one, then whatever I take from their souls informs mine, inhabiting it, expanding, and merging.”

Ecce Shnak recently shared the single 'The Internet', an eclectic gem that makes a fine mockery of the web from the perspective of a time-travelling poet, following the downtempo groove-inducing opus 'Prayer on Love' and the lead track 'Jeremy, Utilitarian Sadboy' a 150-second track about 19th Century English philosopher Jeremy Bentham that combines math-metal, post-rock and choral anthems.

 
“Though we’re just releasing it now, the song 'Shadows Grow Fangs' is around 15 years old. I started writing it before I had even committed to a life as a musician, when I was a mere 25-year-old living and working in South Philadelphia, thinking I would become a psychotherapist some day. 'Shadows Grow Fangs' is about the tragic misunderstandings of ourselves, other people, and everybody’s wants and needs in those horrifying moments in which we feel abandoned and threatened. Tragically, sometimes people alienate ourselves from one another precisely when we need each other most. Worse still, sometimes we alienate ourselves from each other precisely when we could be of greatest help to one another," saysDavid Roush.

"The terrifying “shadows” of abandonment and the perils of conscious life “grow fangs” of merciless resentment, revenge, nihilism, and gross misanthropy. When we chomp each other in this state, we chomp ourselves, too. Maybe that was our point all along, but how could we know either way? We are terrified and confused. To be sure, a state of terror and confusion is rarely a state that gives rise to our best selves, but it is a state we often find ourselves in! It’s a hard to state avoid, as a human being anyway. How do we avoid this jackassery? This is not a bitter rhetorical question. It is a genuine moral challenge, and one of the basic moral challenges of a human life."

As of February 7, 'Shadows Grow Fangs' is available from fine music platforms, including Spotify, Apple Music and YouTube Music. Ecce Shnak's EP release show will take place on February 26 at the Red Pavilion in New York.

CREDITS
Music written / composed by David Roush
David Roush - vocals, classical guitar, drum kit, keyboard
Jeff Lucci - electric guitar, electric bass
Isabella Komodromos - background vocals
Recorded and produced by Jeff Lucci at the Art Farm (NY)
Mixed by Nicholas Vernhes
Mastered by Greg Calbi
Video directed by Milton Walker and David Roush
Animation by Shuyler Nazareth
Produced by Beth Narducci and David Roush
Artist photos by Tommy Krause
A&R: Beth Narducci for You + Me Entertainment
Publicity by Shauna McLarnon for Shameless Promotion PR


Keep up with Ecce Shnak
Facebook | Bandcamp | Instagram | Twitter | YouTube | TikTok | Spotify | Apple Music | YouTube Music | Booking | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads | Soundcloud | Link edIn | Email

Queer Latin Country Artist Angie K Releases New Self-Titled EP

2024 was a break out year for El Salvador-born, rising country singer/songwriter Angie K which found the powerhouse vocalist making her Grand Ole Opry debut and premiering her video for “Golden” in Times Square via CMT. Showing no signs of slowing down, she is kicking 2025 off with the release of a personal and reflective self-titled EP available today. Named a 2025 Artist to Watch by both Consequence and the Nashville Scene, Angie K is a co-writer on all six tracks of the independent release called, “fiery and fierce,” by Entertainment Focus. Produced by acclaimed writer/producer and BMI Songwriter of the Year, Stephony Smith, listen to Angie K HERE. 
 
“This is definitely one of the toughest projects I’ve ever made,” shared Angie K. “Not so much in the studio with the band but writing these songs and deciding on what made the cut. Purposely choosing the most vulnerable ones…that took a lot of emotional work.” 
 
She continues, “Putting something so personal out requires letting go of the way people might react to it, as an artist that’s hard to do. ‘Red Dirt’ and ‘Death of Me’ are songs about deep grief. While ‘Games’ and ‘I’m Going Under’ have repressed anger and frustration coursing through them. ‘Stay’ and ‘Golden’ are both about me finding my way out of those darker feelings. This EP is a snapshot of my life when I wrote these songs. I’m so proud of it and excited for folks to go on this emotional journey.”
 
The release of the EP comes on the heels of a major personal life moment for the out, country artist as well, her engagement to longtime love, Marissa Boucher. Angie shared the news exclusively yesterday with Us Weekly, “When I pulled out the ring and she saw it, I knew she was going to say yes. We both cried, it was the best moment of my life. Then she ran and got her bag and pulled out a ring too! It was an unreal moment. Then as if the night couldn’t get better, as we walked back to the restaurant, a violin player started playing some of our favorite songs — all pure chance. It really was the most perfect way to end the night.”

A 2024 CMT LISTEN UP artist, Angie K was born and raised in El Salvador until age 11 before moving to Georgia, with her love for country music was nurtured from a young age. Her mother’s dedication, saving up to bring her to Nashville to the Grand Ole Opry, came full circle with her making her Opry debut last Aug., fulfilling a lifelong dream. The Holler “Artist You Need to Know” is set to return to the Opry stage on Feb. 15 to celebrate the new EP. 

American Songwriter was on hand for her emotional Opry debut sharing, “Her voice rang strong and clear through the Grand Ole Opry House, compelling fans to raise their phones on the last song and fill the darkened theater with light—a moving display of acceptance and adoration for a woman who has dreamed of standing in the hallowed circle since before her feet touched North American soil.”

The EP release follows a recent collaboration with Jimencio for the Tejano and country music infused “Yo Quiero Todo.” Co-penned by Jimencio and Angie K, it is the first collaboration between the Nashville artists, with the duo lauding an unconditional love that withstands all circumstances. Listen to “Yo Quiero Todo” HERE. 

The queer country artist first made her mark on Music City with bilingual track, “Real Talk,” catapulting her onto the country scene as a “Highway Find” on SiriusXM’s The Highway. The EP features two unreleased tracks “Games” and “I’m Going Under as well as recent releases “Stay,” “Death of Me” and “Red Dirt on Mars,” which left Billboard praising her “disarming vulnerability.” 
 
A member of the 2023 CMT Next Women of Country class, Angie worked on the EP with legendary writer/producer Smith, who penned the smash hit “It’s Your Love” for Tim McGraw/Faith Hill and has received cuts from some of music’s biggest stars including The Chicks, Shania Twain, Barbara Streisand, Kenny Chesney, Terri Clark, Reba McEntire and more. She explained the influence Smith had on her when it came to releasing “Death of Me” in a “Holler Nashville Session” sharing, “It's a very vulnerable song, and I almost didn't put in on the record, but I'm glad I did - just because of the stories I've heard of people relating to it.” 

As an out and independent artist, she has accumulated over 20 million+ streams and 500k+ followers. Angie has also shared the stage with Tanya Tucker, Trace Adkins, Melissa Etheridge and more. She took the main stage at Nashville Pride and the Reverb Stage at CMA Fest last year. 
 
Fans can find Angie K this spring and summer performing at Tortuga Music Festival, Gulf Coast Jam and NEBRASKAland Days. For the latest stay tuned at officialangiek.com/ and follow along @officialangiek on Instagram, TikTok, and Facebook.

Photo Credit: Marissa Boucher

The Intemperate Sons Release Single "Broken Door" (Live) via FRAME|WORK ​

The Intemperate Sons are stoked to announce the release of the first single from their first ever live EP, recorded during their electrifying performance at the legendary Whisky A Go Go in Hollywood, CA in November 2024. This amped up rendition of a fan-favorite track from their debut album delivers a powerful, full-throttle energy, showcasing a heavier and dynamic new edge!

Stream "Broken Door"

https://linktr.ee/theintemperatesons

https://onerpm.link/289181206036

The Intemperate Sons release all their music through the Frame|Work record label at the direction of Amir Derakh and Ryan Shuck. All Intemperate Sons’ tracks are mixed by Amir Derakh at Synthicidein Long Beach, CA.  All mastering is done by Mike Marsh Mastering in the U.K.

The band's latest album Dark Day's Night is available HERE

The Intemperate Sons emerged onto the rock scene in the summer of 2019 in Dallas, TX, to bring their distinct sound to the genre. A deep love for music brought family members Keith Watson (drums), Jake Watson (guitars) and Max Watson (vocals, guitars, keys) together along with close friend Mark Marks, who provides the groove on bass to unite everything together. The band's sound has been described as a 90's alternative style that is obsessed with the 70's.

Keith is well acquainted with entertaining massive crowds of concert goers and has played with many successful bands in Dallas, such as Gun Hill, Natural Born Thrillers and Agents of Solace, on top of opening for Lynch Mob, Joe Lynn Turner and Sponge. He is the primary lyricist for the band and has written the music for some of their most successful songs, including “Dust to Dust,” “The Color Within,” and “Unrealized.”

Multi-talented and gifted with the ability to play various instruments, Max is also the lead vocalist of the group. Along with being musically dexterous, he has also collaborated with Keith to write lyrics on the released songs “Going Crazy” and “Way Back When.” In the studio, Max usually surmounts expectations and goes above and beyond to prepare prior to a session with his own vocal harmonies.

Jake is the song architect of the Sons and extremely instrumental in the crafting of the music. His inventive ways of bringing lyrics to life in clever ways are unprecedented and fascinating to see in the studio setting. He is a prolific writer of music as well and is credited with helping create the songs “What’s Done is Done,” “Remission,” “Way Back When” and “Wading in the Gray.” Both Max and he play lead guitar on many of the songs as well. The other members of the band fondly refer to him as the “art director” since he enjoys taking charge in those areas for the group.

Prolific and unifying, Mark is an accomplished bass player and well known in Dallas. He was in the regionally successful band, Haggard, and had opened for Sebastian Bach of Skid Row. His input in song writing has been invaluable to the process of creating captivating melodies.

Despite the pandemic putting a pause on many major events, The Intemperate Sons lived up to their name and let nothing hold them back from making music. Constantly hard at work in the studio, they have collaborated with Amir Derakh (Julien-K, Dead by Sunrise, Orgy, Rough Cutt) and Ryan Shuck (Julien-K, Adema, Dead by Sunrise, Orgy). Both have lent their musical talents to various songs and ultimately have brought the Sons on to their label, Frame|Work. This led the band to also recently join the management roster at The Label Group. Ryan worked with Amir to produce the band’s upcoming track, “Game of Keep Away,”and has had a huge impact on the group. He’s been especially influential on Max’s vocal melodies and delivery. Amir also plays guitar on this latest ballad and has been mixing all of the band’s music as well as performing on multiple songs.

Another notable collaboration has been with Tony Franklin (The Firm, Roy Harper, Kenny Wayne Shepherd, Whitesnake), primarily on the first album, The Color Within. He has been a valuable friend of the band and has played bass on some of their best tracks from that album, including “Running Man,” “Dust to Dust” and “The Color Within.”

The Intemperate Sons’ take on alternative rock is a dark and powerful concoction of hard rock mixed with folk and grunge concepts. The band has earned a serious reputation for writing and performing tracks that scratch deep into the backbone of the human experience. There is no shortage of darkness in their writing style, which has a retro vibe with many guitar-driven tracks stacked on top of a groovy rhythm section. The heavier style fits perfectly with the two and three-part vocal harmonies that are a huge part of their overall sound. It has been said that musicians that are related form unique sounds and communicate at a frequency only they can understand. This frequency has become engrained in their songwriting, arrangements, guitar melodies and vocal harmonies. The band has been compared to Alice in Chains, Stone Temple Pilots and even R.E.M.

The Intemperate Sons are:

Max Watson (vocals, backing vocals, guitars, keys, bass)

Jake Watson (guitars, bass and backing vocals)

Keith Watson (drums, backing vocals)

Mark Marks (bass)

The Intemperate Sons Show Dates:

Sat Feb 1 @ Hanovers Draught Haus in Pflugerville, TX with Dogs and Diamonds

Fri Feb 21@ Trees Storytellers in Dallas, TX with Mad Mexicans, InnrCor and Rivethead

Fri March 14 @ Fitzgerald's Bar & Live Music Venue in San Antonio, TX

Fri July 11 @ Deep Ellum Art Company in Dallas, TX

HANABIE. Release New EP 'Bucchigiri Tokyo' + New Music Video "Ito Okashi My Type" via Sony Music Japan

Harajuku-core trailblazers HANABIE. have released their new EP 'Bucchigiri Tokyo' and the official music video for their latest track "Ito Okashi My Type". When asked about the inspiration behind the EP, vocalist Yukina shared:

"The theme of this EP is "Tokyo" the birthplace of our music. Each track is pure chaos and pop, bursting with everything that makes HANABIE. unique! It’s a work that delivers total satisfaction—like a full-course meal for your ears. We love the word "Bucchigiri" for its strong sound and energy. With this EP, we want to go bucchigiri from Tokyo to the world!"

HANABIE. vocalist and guitarist Matsuri commented:

"This album was created with great care, cherishing both the raw passion of our early days and how we've evolved to where we are now! With all the activities in Japan and the many overseas tours we embarked on, 2024 has been an incredible year, and I believe this EP is the culmination of it all. Centered around the theme of "Tokyo" it’s filled with love, so I hope you'll listen to it over and over again!"

Bassist Hettsu also shared:

"Over the past year, traveling around the world has made me appreciate Tokyo even more! This EP was created through those emotions and each track feels like its own protagonist, packed with songs that are truly worth listening to. Let’s listen to this EP and charge full throttle in life!"

Drummer Chika stated:

"I've been with HANABIE. as their drummer, Chika, for about a year and a half now also since moving to Tokyo finally gotten used to life here. So now what I believe is perfect timing, I arranged all the drum parts for the tracks on this EP! It's a collection of six incredibly diverse songs, so I hope you'll listen to the whole EP! By the way, don't you think "Bucchigiri" is such a fun word to say?"

The band has previously dropped "OTAKU Lovely Densetsu" and their most recent banger, "Metamorphose!", which together have amassed nearly 3 million views on YouTube and over 2.6 million streams on Spotify alone. 'Bucchigiri Tokyo' is available now on all streaming platforms at the link here, and watch the music video for "Ito Okashi My Type" here or in the thumbnail below. Furthermore, the band will also have a new track "Oishii Survivor" featured as the opening theme song for the upcoming anime series 'Momentary Lily'streaming next year (Japanese trailer here). Be sure to stay tuned for more HANABIE. news coming in early 2025.

HANABIE. is:

Yukina

Matsuri

Hettsu

Chika

No Cure Share "Hang Me From the Bible Belt" Video — WATCH // Band Drops EP Today

 NO CURE — comprised of Blaythe Steuer [vocals], Aesop Mongo [guitar], Kyle Ray [guitar], Jake Murnane [bass], and Duncan Newey [drums] — have dropped their concept EP I Hope I Die Here , December 6, via SharpTone Records. Grab the eight-track EP here, which will include a limited run of double 7" vinyl, cassettes, and a CD. 

Today, they have shared the video for "Hang Me From the Bible Belt," which features Gideon's Daniel McWhorter. Watch it below.

"I am so proud of this song," says Steuer. "I sat on the intro riff for a couple years and I'm so happy it finally found its place. This song came together so well and it says what I've needed to say my whole life. Thank you so much to Dan singing on this with us."

On the EP, the band delivers an inimitable hybrid of gritty basement-bred hardcore boosted by death metal proficiency and explosive unpredictability. The EP also features guests on every track. All features are highlighted in the track listing below. "Every track features someone that has made an undeniable mark on Alabama hardcore over the years," the band explains about inviting so many of its friends to contribute to the release. "We do not expect you to recognize every name on this record, and that's the point."

As for the EP as a whole, the band has stated, "I Hope I Die Here is a love letter to Alabama and the Southeastern experience. It is an acknowledgment of suffering, and a proclamation of strength. This record is conceptually driven and more musically diverse than our previous EPs, on purpose. There is a distinct reason for each song to exist. We approach many topics, including what it's like to grow up under the boot of religion, fraternity culture, the dark side of a beloved landmark, local ecological exploitation, and more. We do not believe the world needs any more songs about how craaaaaazyyy of a guy you are, how much you hate your town, or how your ex was such a *checks notes* bitch for breaking up with you because you cheated on her."

Expect more from No Cure in 2025.

TESLA Release Acoustic Music Video; 'ALL ABOUT LOVE' EP Out Now Digitally and on Vinyl ​

Legendary rock band TESLA has unveiled the acoustic music video for their latest single, "All About Love." The track is part of their All About Love EP, which is now available as a special edition release on limited collector's 12" vinyl.

What you will hold in your hands is a one of a kind collectors edition 12” VINYL EP that showcases TESLA’s new song “All About Love” in the three formats that TESLA the band is famously known for: ELECTRIC, ACOUSTIC, and LIVE performances. Multiple versions of this new song are presented here on this EP. 

 Music lovers will state that a great “song” will sound great played in any of these formats, so TESLA’s Brian Wheat and Frank Hannon have teamed up to produce this 12” Vinyl EP of their new single  “All About Love” showcasing these different versions of the song. 

Captured by Brian Wheat in his upstate NY recording studio, there is an electric version that shows how the band performs the song in full force, as well as two stripped down acoustic versions that showcase the dynamics of his mixes. Thus, Jeff Keith’s heartfelt lyrics about sharing love can be felt and to honor TESLA’s tradition of  adding an acoustic instrumental to their love ballads, Frank Hannon recorded here a new classically influenced acoustic guitar solo piece titled “From The Heart” that is a nod to their 1987 hit “Love Song”. 

Furthermore, to present the “live in concert”  element of TESLA, a rendition of "All About Love" segues into James Gang’s classic song "Walk Away", both were recorded live at a Las Vegas concert earlier this year. They are included here as bonus tracks! 

Throughout their nearly 40 year career, TESLA the band has performed diligently showing their prowess in these diverse environments. Both their electric and acoustic formats are received with love and acceptance by their loyal fanbase and TESLA the band is still selling out concerts to this day. 

 So put on your headphones or crank up your sound system to enjoy this audiophile vinyl treat; the ALL ABOUT LOVE E.P. with special edition single on a Limited Collectors 12" vinyl.

Purchase the EP here: https://linktr.ee/Teslatheband

Tickets for the "Keepin' It Real" Tour 2025 are available for purchase at

https://teslatheband.com/tour/

Tesla Tour Dates 2025

Jan 10 @ Sunrise Theatre in Fort Pierce, FL

Jan 11 @ Harvest Nights Music Festival in Immokalee, FL

Feb 28 @ Kewadin Casinos in Sault Ste. Marie in Sault Ste. Marie, MI

Mar 4 @ Coca-Cola Roxy in Atlanta, GA

Mar 5 @ Florida Theatre in Jacksonville, FL

Mar 7 @ House of Blues Orlando in Lake Buena Vista, FL

Mar 10 @  Monsters of Rock Cruise 2025 in Miami, FL

Mar 16  @ Seminole Casino Coconut Creek in Coconut Creek, FL

That they are still roaring and soaring should be no surprise. That’s just how they are built. TESLA may have been born in the mid-80s, but their bluesy, soulful sound is strongly embedded in the roots of organic, authentic, 1970s rock and roll. The same roots that produced bands like Bad Company, Grand Funk Railroad, AC/DC, Lynyrd Skynyrd, Led Zeppelin and Aerosmith.

The ground started shaking in Sacramento, CA, in 1984; gold country that would soon be producing some platinum. They started out as City Kidd, until a suggested name change to TESLA, honoring the eccentric inventor Nikola Tesla who pioneered all things electrical. Their 1986 platinum debut album, Mechanical Resonance, included Top 40 hits “Modern Day Cowboy” and “Little Suzi.” 1989’s double-platinum The Great Radio Controversy included hits “Heaven’s Trail (No Way Out)” and “Love Song”. Suddenly, TESLA, who had been touring with bands such as Def Leppard and David Lee Roth, earned headlining status. In 1990, TESLA helped reshape the face of modern rock music by stripping down to the Five Man Acoustical Jam, an informal collection of their biggest hits peppered with rock and roll classics by the Beatles, Stones, and others. This album produced their biggest hit single to date, a cover of Five Man Electrical Band’s “Signs.” Other 90s albums from TESLA include platinum selling Psychotic Supper and Bust a Nut. The band continues to record and release material including 9 new albums since 2000.

TESLA’s legacy is alive and well as they continue to record and sellout venues all over the world. As comfortable, rugged, and dependable as your favorite pair of boots, they endure. TESLA is a celebration of the greatest spirits of rock and roll.

TESLA:
Vocals: Jeff Keith
Guitar: Frank Hannon
Bass: Brian Wheat
Guitar: Dave Rude
Drums: Steve Brown

For More Information Please Visit:

Official Website

Spotify

Facebook

Twitter

Instagram

YouTube

Counterparts Drop New "Heaven Let Them Die" EP With No Advance Warning + Share Two Videos

Today, Canadian quartet COUNTERPARTS — Brendan Murphy, vocals; Kyle Brownlee, drums; Tyler Williams; guitars, and Jesse Doreen, guitars — dropped Heaven Let Them Die, a surprise EP. Listen here.

Fans can purchase the release, along with a full merch line, here. 

The EP finds the band going harder than ever before.

The band has also shared videos for "A Martyr Left Alive" and "No Lamb Was Lost." Watch them below.

"Heaven Let Them Die is Counterparts at our most aggressive — sonically, lyrically and visually," says Murphy. "Picking up where Eulogy ended, Heaven Let Them Die details how I came to terms with all I had foreshadowed in the previous release and how that led me to where I am now. This EP is the most authentic representation of Counterparts to date — honest, harsh and without restraint."

ABOUT COUNTERPARTS:
Since forming in 2007, Counterparts have gone from the Hamilton, Ontario, underground to touring the world as one of Canada's most important and impactful musical exports. They've released seven full lengths, with A Eulogy for Those Still Here landing in 2022. They've also released four EPs and a live album. Now, they have delighted fans with the surprise EP, Heaven Will Let Them Die, out via Pure Noise. The band has sold 250,000 albums through the course of its career and their most recent headliner in support of AEFTSS was almost entirely sold out.

AUSTIN MEADE Shares Title Track for New EP 'PRETTY LITTLE WAIST' via Snakefarm NOW!

Texan rocker AUSTIN MEADE brings together all his recent singles into one fresh EP, 'PRETTY LITTLE WAIST.' Released via Snakefarm , the EP arrives alongside the brand-new single of the same name.

About "PRETTY LITTLE WAIST," MEADE comments:

"The main guitar riff was a regular sound check jam for a few months straight out of Willie’s brain. I was pumped to arrange it into a full song and push the limits on how heavy we could make the track feel. Kile Odell (producer) and Keith Wallen (Breaking Benjamin) helped us push the envelope there. I threw in quite a few lyrics intentionally referencing back to the 'Abstract Art' record. It was intriguing to play with the ‘waste of time’ and view of a ‘pretty little waist’ all within the same song. I love to hear the wide range we have been able to cover sonically from my original records up to this point. This is the heaviest headbanger we’ve released to date."

MEADE will be announcing his Christmas tour during the second week of November. 2025 tour dates will be announced shortly as well!

Order 'PRETTY LITTLE WAIST' HERE

Thanks to his metal and classic-rock-loving dad, MEADE got to see bands like Judas Priestand he worshipped Whitesnake. In junior high, he related to the intense emo-rock of Paramore and Fall Out Boy, and the power of songwriters like John Mayer.

Yet, with gratitude to plainspoken but deep heartland songwriters like Tom Petty, and cutting his teeth touring in the Texas and Oklahoma Red Dirt scene, MEADE’s music overflows with wide-open soulfulness. He was a drummer for years, even teaching to pay the bills, but MEADE found his true voice when he began playing guitar as a teen in his pastor father’s church. Those experiences lend both a gravitas and rebelliousness to MEADE’s songs and self.

Now the frontman of his band and slinging guitar licks with expert precision, his music rolled out with two releases in 2014, his first EP 'Long Ways To Go' followed by his first full-length album 'Chief Of The Sinners.' His next EP 'Heartbreak Coming' came in 2016 with a couple of singles to announce his commencement on the Texas Music Chart, followed by his second full-length album 'Waves' in 2019. In 2021, MEADE introduced his third LP 'Black Sheep' including the hit tracks "Happier Alone," "Cave In," "Dopamine Drop," and "Deja Vu." MEADE released his fourth LP 'Abstract Art Of An Unstable Mind' in the Fall of 2022, further showcasing his ability to seamlessly blend genres into a groovy yet piercingly fresh sound of rock 'n' roll.

chokecherry Release Debut EP + Share "Messy Star" Video

San Francisco shoe gaze x grunge pop trio chokecherry — comprised of vocalist/guitarist Izzie Clark and bassist/vocalist E. Scarlett Levinson, along with drummer Abri Crocitto — have dropped the incredibly buzzy EP Messy Star, their debut release for Fearless Records. The EP has been grabbing attention from the likes of Alternative Press, Playboy.com, and Bringin' It Backwards. 

Get it here. 

Today, chokecherry have also shared the epic video for the title track, in which the band pulls back the curtain on some of its unexpected influences.

Watch it Below.

Often the band's closing number during their live sets, "Messy Star" is a thrashing nod to their heavier sound, taking inspiration from artists like Turnstile, Ty Segall, and Mannequin Pussy. The track tells a story of metaphorical demonic possession, and being at the mercy of a mischievous and destructive "shadow self."
 
"This song is truly meant to make you dance and lose your mind in the moshpit," the band states. "Lyrically, the song touches on themes of being at war with yourself (or rather, your shadow self) and peeling back the curtain on the dark parts of the human psyche. The narrator of the track sits in a more fictional role than our other songs, which was fun to explore and build a narrative around — a sort of villain arc, if you will. The nature of the 'possession' is open to interpretation, but listeners can relate to its references to addiction, insecurity, and self-destruction. For us, it invokes memories of the sweaty L.A. punk shows that shaped our musical repertoire."
 
chokecherry continue, "We wrote this song as a homage to our doom, psych rock, and hardcore influences. This is the earliest chokecherry track that made it to a record. From the track's inception, it was an odyssey that took different forms from its live performances to its eventual recording for this EP."

chokecherry have been steadily making noise since meeting on the dating app Hinge. The San Francisco Gate praised chokecherry's "blend of white-hot shoegaze," calling it "the modern sound of the California sun vaporizing the San Francisco fog." Clark and Levinson may not have worked out on the romantic front, but the pair are clearly musical soulmates and it's  
beautiful thing to witness and hear.

Chokecherry will capture the hearts of rock fans everywhere with songs that boast thick, '70s-inspired bass lines laden with strategically placed howls and hums. Their passionate, hypnotic delivery overflows and fills into every word, allowing vulnerability that listeners can truly attach to. If their Spotify streams —2.8 million global streams and counting — are any indication of how many music fans will dig what chokecherry are putting down, then it's time for 2024 to buckle the F up.

2025 better be ready, too. Because there is more on the way from chokecherry.