SYMETRIA Release New EP "All or Nothing" via Curtain Call Records

Hard Rock/Metal Band Celebrates 10 Years With New EP Featuring Singles “The Game,” “XIII” and “All or Nothing”

 

Hard rock/metal band SYMETRIA are turning the page on their next chapter with the release of their new EP, All or Nothing, out now via Curtain Call Records. The three-song release features the previously released singles “The Game” and “XIII,” along with the EP’s title track, “All or Nothing.”

 

"The Game is really about the two games of life," explains the band. "The finite game is one you can play to win, and then it's over. The infinite game is different. It's played so that existence can continue and future generations have a game left to play. If not enough people are participating in that infinite game, everything eventually falls apart, and there are no games left to play at all."

 

Following the overwhelmingly positive response to “The Game,” Symetria continued building momentum with the release of “XIII,” giving fans another glimpse into the band’s evolving sound and setting the stage for the complete All or Nothing EP.

 

“XIII” (Thirteen) finds Symetria pushing their sound forward while maintaining the raw energy and musicianship that have defined the band throughout their journey. The track weaves together intricate melodies, driving rhythms, powerful instrumentation, and an engaging lyrical presentation, delivering a dynamic hard rock/metal experience built for both the headphones and the live stage.

 

"'XIII' isn't just a song, it's a celebration, a gift, a tribute if you will to all the bands and artists who paved the way for heavy music from the beginning.  We, as a band, don't do covers.  We write music.  When the idea of paying tribute or homage to our predecessors came along it was never about who's song to cover, or what band to tribute.  That's not our style.  We're artists.  We create.  So we decided to pay tribute to those who we look up to, thank them for what they did, who they are, the risks they took, and the music they created that inspired us and so many others to start out on this journey in music for ourselves by writing a song about it.  Honestly, what better way is there to truly pay tribute to a legend than to write a song about them, about the music, and maybe a little bit about what it meant to us. A song that will live forever in tribute to them just as the music they created will," shares the band.

 

“'All or Nothing' is a revolution song. From there make of it what you will. Take a look around yourself at the world right now, we are literally standing in the shadow of the next 'All or Nothing' moment in history, and it’s gaining on us fast. It seems like every-time you turn around anymore the world is changing the rules on you, changing the terms of the dream, changing the cost of freedom and what it actually means." 

 

There will be a full production video for “All or Nothing” coming later this year. 

Recorded at SoundMine Studio in East Stroudsburg, Pennsylvania, All or Nothing was produced and mixed by acclaimed producer Dan Malsch, whose production brings added depth, power, dynamics, and expansive sonic character to Symetria’s latest material. The result is a release that captures the band’s hard-hitting approach while showcasing their continued growth as songwriters and performers.

 

The release marks a significant milestone for Symetria, who are celebrating 10 years of creating music, performing live, and evolving their sound. A decade into their journey, the band is showing no signs of slowing down. Instead, Symetria are expanding their reach with an increasingly ambitious live schedule and setting their sights on bringing their music to audiences well beyond their home region.

 

The band will make their second consecutive appearance at B’N’R Fest on Saturday, November 7, in Birdsboro, Pennsylvania. The Reading-area music festival brings together some of the longest-running and most respected local and regional acts from across the Eastern Pennsylvania music scene, making the return appearance another milestone in Symetria’s ongoing live journey.

 

With All or Nothing now available, Symetria are also looking toward their next major step: their first full touring campaign. The band currently has plans in the works to hit the road, with a late summer or fall 2027 tour being targeted.

 

Ten years in, Symetria are embracing the title of their latest release All or Nothing as they enter a new era defined by new music, bigger stages, and an ambition to take their sound further than ever before.

 

All or Nothing is out now via Curtain Call Records.

https://orcd.co/mm1ma3q

 

Symetria has launched an official website that you can find at : 

http://symetria.band

Sat. November 7th @ B'N'R' Fest in Birdsboro, PA

Sat. November 21st @ Alder Brewing in Reading, PA

Sat. December 12th@ Goodfella's in Pottsville, PA

 

For More Information Please Visit:

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Ferret Music's Wounded Touch Release New EP, Share “Scarlet Psalm” Video

Wounded Touch have released their brand new EP, "They Promised Eden, Vol. 2", alongside a brand new video for "Scarlet Psalm" via Ferret Music, the influential independent label known for shaping the landscape of 2000's metalcore, born of a love for punk, hardcore and metal. A scorched meditation on complicity, grief, and the violence of looking away, the track finds the band confronting the distance between witnessing suffering and taking responsibility for what comes next.

At once prayer, confession, and indictment, "Scarlet Psalm" traces the wreckage of a world conditioned to consume violence at a distance. While the lyrics give the track a ritualistic weight, the focus remains painfully human, confronting the shame of what can't be undone, the things forgiven behind a screen, and the peace that becomes intolerable once it is recognized as silence. Watch the brand new video for "Scarlet Psalm" BELOW.

Offering a closer look at "Scarlet Psalm" and speaking to how the Vol. 2 EP came together, vocalist Nick Holland of Wounded Touch shares:

"Volume 2, in contrast to its counterpart that released earlier in the year, maintains its cynical nature but with an aggressive optimism in both sound and subject. We admittedly hadn’t had the full thing mapped out or written when volume 1 dropped but the response to it had us in the studio almost immediately with a frenetic energy we hadn’t experienced since we were teens. Scarlet Psalm is the bridge between the band’s sound we started with and where we’ve arrived today, carried by lyrics about the righteousness of martyrdom. All our mistakes we’ve made in the past and up to this point, and the chance we were still given by Ferret coalesces with the song’s final redemptive line. “Let me make this right."

With both volumes now released, vocalist Nick Holland of Wounded Touch speaks to the evolution connecting the two chapters of "They Promised Eden":

"The marriage of “They Promised Eden” Volume 1 and 2 as a singular release is like looking at a single photo of a living thing mid metamorphosis. The first half is where the band took its sharp turn and swung for the fences with an angry, violent recklessness in sound and design. And the second half is a sonic reflection of that choice and of our trajectory. We’d only had a portion of a song and a half written when we signed to Ferret following Volume 1 and we didn’t know if we should continue on our path or deviate, but we ultimately chose to maintain with the confidence of our writing and as a nod to the earlier years as a band, include a re-recording of Sleep a Cicada Would Envy which seemed to still match the overall bleak, machine like tone. Though it’s a collection of ultimately two separate releases, it still feels like a singular release in concept and the pieces had always been intended to fit together that way."

Wounded Touch's arrival on Ferret Music continues the label's renewed commitment to artists operating with intent, conviction, and an appetite for pushing heavy music forward. Founded by Carl Severson, vocalist of NORA, Ferret Music has long been synonymous with legendary artists across metal, hardcore, and adjacent scenes, including Converge, Disembodied, Killswitch Engage, ZAO, and Every Time I Die, followed by Poison the Well, In Flames, The Devil Wears Prada, and more. Built from within the DIY community, the label earned trust through a hands-on, artist-first approach that prioritized long term development over short term momentum.

Now operating with that same ethos, Ferret Music returns at a time when heavy music is once again thriving at a grassroots level that is driven by community, discovery, and a renewed appetite for authenticity. With Severson back at the helm, the label is focused on cultivating a new generation of artists who push boundaries while staying rooted in the spirit that defined Ferret Music's early years.

Stay tuned for more news from Wounded Touch and Ferret Music coming soon.

Coinciding with the release of "They Promised Eden, Vol 2" and the new "Scarlet Psalm" video, Wounded Touch have launched pre-orders for the vinyl edition of "They Promised Eden", marking their first physical release via Ferret Music. Bringing both EPs together as one complete body of work, the limited one-sided 12" features all six tracks, with an etching on Side B. Available in three color variants: Orange Smoke (limited to 100 and exclusive to Ferret Music), Lemon, Light Blue & Black (limited to 150), and Light Blue, White, & Black (limited to 250, with retail availability beginning November 20). The release is available to pre-order now through Ferret Music's US and EU stores.

US Store can be found HERE.

EU store can be found HERE.

WOUNDED TOUCH

Live

October 24 - Detroit, MI - Sanctuary - Tickets HERE

October 30 - Pontiac, MI - The Crofoot - Tickets HERE

RELEASE SHOW (limited to 100 tickets):

November 6 - Detroit, MI - Sanctuary

Rising Singer/Songwriter Kinsley Unveils Debut EP Learn To Live

Long before she began writing songs, MCA artist and Sony Music Nashville writer Kinsley turned to poetry as a way to process her feelings, experiences and the world around her. That love found its way into songwriting, where she discovered a place to tell stories with the honesty and emotion that have become central to her artistry. The 22-year-old singer/songwriter unveils her debut EP Learn To Live, available now via MCA.
 
“I hope people hear these songs and feel like they can find a piece of their own story in them,” shares Kinsley. “I’ve been in places where I didn’t have the words for what I was feeling, and music gave me somewhere to put all of that. I want to make music that gives people a place to feel seen, understood and a little less alone, the same way music has done that for me.”
 
Written with David DeVaul and Jack Hummel, Kinsley sets the tone for the project with “Pieces of Me,” a deeply personal introduction to her songwriting and the questions of identity that run through the project, set against an increasingly expansive production.
 
On “Someone Prayed For Me” and “Waiting Room,” she delves into darker territory, pulling from personal experiences and the stories of those around her to examine moments of struggle, uncertainty and the search for something to hold onto.
 
Featuring critically-acclaimed songstress Caitlyn Smith, who also serves as a co-writer on the track, “Cold July” reflects on the aftermath of a relationship that unraveled in spite of promises that seemed certain.
 
“Collaborating with Caitlyn Smith challenged me,” Kinsley reveals. “She pushed me both vocally and lyrically, and I am forever grateful and honored to have her on this song. She truly brings this track to life.”
 
“Whiplash” taps into Kinsley’s lifelong love of rock music, while title track “Learn To Live (Louder)” closes out the project. As the first original song she posted, "Learn To Live” resonated with people both online and at writers rounds, marking the beginning of the path that led to this collection and one of the first milestones in her evolution as an artist.

About Kinsley
MCA singer-songwriter Kinsley creates music rooted in honesty, healing, and human connection. With her debut six-song EP Learn To Live, available now, the 22-year-old blends vivid storytelling, poetic lyricism, and raw, soulful vocals to establish herself as a songwriter with a clear voice and perspective. Having grown up across California, Texas and Tennessee, the Nashville-based artist writes the kinds of songs that make listeners feel seen and understood. An “old soul” with a lifelong passion for poetry and songwriting, Kinsley approaches music as both emotional refuge and personal expression — creating deeply human songs that live at the intersection of vulnerability and healing. Online at officialkinsleymusic.com.

Photo Credit: Hannah Gray Hall

SICKSENSE Release New EP Funerals, Alongside Official Music Video For "Seller's Remorse"

Reinvigorated and reinvented, modern metal act SICKSENSE return with the new EP release Funerals. Comprised of a ferocious collection of tracks that demonstrate a fresh sonic direction, SICKSENSE present a nu-metalcore dynamic with hints of melodic prog and djent. Alongside the arrive of Funeralsis a new official music video for the aggressive and unapologetic "Seller's Remorse."
 

"'Seller's Remorse' calls out hypocritical backstabbers." The band explain.

"Without giving away any spoilers, we had a fun day of laughs out in the sun filming the music video for this one!

The lyrics take a dig at the ones who are too lazy to build up anything meaningful themselves. So they decide to tear down harder working people instead, as a cope for their own shortcomings.

Sicksense is never shy to tell it like it is through sarcasm and blunt honesty."
 


Order Funerals HERE: http://funerals.sicksense.com/

Watch "Seller's Remorse" Below:

Nu-metalcore quintet SICKSENSE are preparing to bring Funerals to live stages across North America beginning this November. With eight headline dates in the Midwest and Eastern Canada, SICKSENSE will also be appearing as support for MUSHROOMHEAD & FEAR FACTORY, HEAL THE HURT, PRIMER 55, 40 BELOW SUMMER and EYES SET TO KILL. 

Tour Dates:

NOV 05 — DAVENPORT, IA @ REDSTONE ROOM
[COMING SOON]
NOV 08 — TOLEDO, OH @ FRANKIE’S
NOV 09 — CHICAGO, IL @ THE WC SOCIAL CLUB
NOV 10 — SAUGET, IL @ POP’S ^
NOV 11 — NASHVILLE, TN @ THE BASEMENT EAST ^
NOV 12 — GREENVILLE, SC @ THE RADIO ROOM +
NOV 13 — RALEIGH, NC @ CHAPEL OF BONES #
NOV 15 — RICHMOND, VA @ THE CANAL CLUB #
NOV 17 — HAMDEN, CT @ SPACE BALLROOM #
NOV 18 — QUEBEC CITY, QC @ L’ANTI BAR & SPECTACLES
NOV 19 — MONTREAL, QC @ PIRANHA BAR
NOV 20 — OTTAWA, ON @ DOMINION TAVERN
NOV 21 — MILLERSVILLE, PA @ PHANTOM POWER ~#
NOV 22 — LAKEWOOD, OH @ THE FOUNDRY
NOV 24 — LINCOLN, NE @ BOURBON THEATRE
DEC 03 — LUBBOCK, TX @ JAKE’S BACKROOM *
DEC 04 — AUSTIN, TX @ COME AND TAKE IT LIVE *
DEC 05 — HOUSTON, TX @ SCOUT BAR *
DEC 06 — DALLAS, TX @ THREE LINKS DEEP ELLUM *
DEC 08 — DENVER, CO @ HQ *
DEC 11 — SEATTLE, WA @ EL CORAZON *
DEC 12 — PORTLAND, OR @ HAWTHORNE THEATRE *
DEC 13 — BOISE, ID @ SHRINE SOCIAL CLUB *
DEC 15 — LAS VEGAS, NV @ GREY WITCH *
DEC 16 — WEST HOLLYWOOD, CA @ WHISKY A GO GO *
DEC 17 — ANAHEIM, CA @ HOUSE OF BLUES (THE PARISH) *
DEC 18 — TUCSON, AZ @ THE ROCK *
DEC 19 — PHOENIX, AZ @ CRESCENT BALLROOM *

SUPPORTING:
^ MUSHROOMHEAD & FEAR FACTORY
+ HEAL THE HURT
# PRIMER 55
~ 40 BELOW SUMMER
* EYES SET TO KILL

Purchase tickets HERE: https://sicksense.com/pages/tour-dates

At their core, SICKSENSE represent resilience, individuality, and fearless self-expression. Whether through brutally honest lyrics, high-energy live performances, or their hands-on approach to every aspect of the band’s creative vision, SICKSENSE continue to prove that heavy music has no boundaries when authenticity leads the way.

SICKSENSE is:

  • Vicky Psarakis — vocals, lyrics, keys

  • Robby J. Fonts — vocals, lyrics

  • Jackson Snowden — guitars

  • Richard Regier — bass, violin

  • Sam Neumann — drums

Connect with SICKSENSE:

CHAYCE BECKHAM RELEASES NEW EP OLD FASHIONED

Chayce Beckham releases his new EP, Old Fashioned, today. The five-song project contains the previously released songs, “Dirt Floor” and “Take Me Home” and three more original tracks co-written by Beckham and produced by Bart Butler. Fans can listen below.

“When I set out to start writing for this project I really wanted to keep it as raw and real as I possibly could,” says Beckham. “My love for the sound of country music from the 70’s still just lights me up and my goal was to approach these songs with that in mind but with a freshness that still plays into what is happening today. I write from a place of truth and from moments I have either lived or witnessed. I love where we landed on these songs and I am grateful to play them on stage each night.”   

Beckham is on tour this fall. Buy tickets HERE.


10/3 Glendale, AZ
10/8  West Dundee, IL
10/9 Paxton, IL
10/10 Petersburg, IN
10/16 Birmingham, AL
10/17 Kennesaw, GA
10/22 Greensboro, NC
10/23 Newberry, SC
11/6 Denver, CO
11/7 Colorado Springs, CO
11/19 Fort Worth, TX
11/20 Buda, TX
11/21 Coupland, TX
12/5 Rootstown, OH

Photo Credit: Nate Griffin

About Chayce Beckham:
Rising country star Chayce Beckham won American Idol singing his own songs and was the first to win singing an original song. Beckham is continuing to write his own music and chart his own path as a country artist, scoring his first #1 at country radio with the platinum hit single “23.” A California native schooled on tough times and a mix of country, rock, hip hop and beyond, the fiery songwriter with his own creative compass started a habit of heart-on-his-sleeve lyricism after a hard season of life left him feeling empty. Yet, his warm rough rasp and steadfast drive charmed the nation on Idol's 19th season. With more than 1.2 billion global on-demand streams and counting, the bluesy and brutally honest anthem “23” debuted at #1 on both iTunes All Genre and Country singles charts, and led to his first album, Bad for Me. Earning next-big-thing and artist to watch predictions from the Grand Ole Opry, CMT, Amazon Music, MusicRow and more,  Beckham is touring and sharing new music including the previously released “Dirt Floor,” a neo western sounding summer love song, and “Take Me Home” in addition to “Ain’t Lying To Myself,” all of which are out now on his new EP Old Fashioned.

DROP DEAD, GORGEOUS Release "Daggers" EP

Drop Dead, Gorgeous have released their new EP, titled Daggers. Listen below.

"This EP feels like the next chapter of Drop Dead, Gorgeous," according to drummer Danny Cooper. "We wanted to push everything that makes our sound unique while exploring new territory: heavier when it needs to be, more dynamic when it calls for it, and more ambitious without losing the chaos and intensity that people know us for. It's a progression, not a reinvention."

Regarding the focus track "Feels Like Forever," singer Danny "Stills" Stillman calls attention to its impact, saying, "It is a deeply personal tribute to our former guitarist Kyle Browning, who passed away too soon. The song reflects on the pain of losing a close friend, the things left unsaid, memories of better times, and the difficult process of accepting a loss that never fully feels real. 'Feels Like Forever' captures the longing to have one more conversation, while confronting the struggle of letting go and finding closure. More than anything, the song is a remembrance of a friend, bandmate, and a chapter of life that will never be forgotten."

The band has booked several tour dates, including a stop at Warped Tour. All dates are below.

DROP DEAD, GORGEOUS LIVE:
10/4 — Sacramento, CA — Aftershock Festival
11/14–15 — Orlando, FL — Vans Warped Tour
12/12 — Denver, CO — Summit Music Hall —  InVogue 20-Year Anniversary Show (With Lower Definition + Jamie's Elsewhere)

DD,G emerged in the mid-2000s with an emotionally charged take on post-hardcore that helped define the era. As teenagers from Denver, their 2006 debut In Vogue became a landmark for Rise Records, blending synth-laced breakdowns, theatrical flair, and raw vulnerability. Follow-up albums like Worse Than a Fairy Tale and The Hot N' Heavy cemented their place in the scene, influencing a wave of bands that followed.

The tastemakers at VICE tipped the band as that which helped to "perfect a style of post-hardcore that other bands would model themselves after. Where other bands in the scene would regurgitate the same testosterone-tinged bro-rock, Drop Dead, Gorgeous made their mark by putting [emotional] vulnerability into song."

After a decade-long hiatus, core members Daniel "Stills" Stillman, Danny Cooper, and Jake Hansen returned in 2024 with a string of surprise shows and, in 2025, released their first new music in years with the single "Six Feet." The followup "Burn" continued that momentum. They closed out 2025 with "Sink Your Teeth."

2026 continues a run of renewed activity and excitement.

Olive Vox Release Debut EP 'Trace It Back'; Release New Video For "I Do"

Texas alt-rock quartet Olive Vox release their debut EP, Trace It Back, today via Big Machine Rock. Across six tracks, the band turn the lens inward, working through guilt, damaged relationships, self-destructive patterns, expectation and the uneasy process of confronting the parts of yourself you would rather leave buried. Fans can stream Trace It Back HERE.

Arriving alongside the EP is focus track “I Do” and its official video. The song centres on the pressure of being defined by other people and the conflict between keeping the peace, staying true to yourself and wanting to be properly understood by someone who has witnessed what you have been through. Watch the official video below.

Speaking on “I Do”, Olive Vox share:

“This song is about wrestling with the heavy weight of expectations and the feeling of having your true self buried by people who thought they had you figured out. It is caught between wanting to conform to keep the peace and the desperate hope that your art or your voice can bring you back home. Underneath the fear of judgment and getting things wrong, there is a strong need to be truly seen and understood by someone who was actually there to witness the struggle.”

That tension sits naturally inside Trace It Back, an EP shaped by what happens when honesty starts costing something. Across recent singles “Hear Me Out”, “BABYDOLL” and “We Are Not The Same”, Olive Vox have pushed further into direct, emotionally exposed songwriting, confronting guilt, self-destruction, toxic cycles and the consequences of their own behaviour.

For vocalist Parker James, the EP came from a deliberate decision to stop hiding behind more elusive lyrics and write more openly about the period he was living through. Speaking on Trace It Back, he shares:

“The Trace It Back EP compiles past and pre-existing transgressions. I aimed to be more direct and honest in my lyrics, rather than being elusive. I found myself oversharing personal details, which led to regret and overthinking. Due to my anxieties, I became very closeted and shut off. Realizing that it was actually affecting me more than just being my true self, I decided I wouldn’t care about what I wrote as long as it made me happy. This EP serves as a collection and a snapshot of a time and place in my life where I was struggling.” - Parker James

Trace It Back captures that period without trying to force it into a clean resolution. The songs deal with recognising destructive behaviour, carrying guilt, wanting forgiveness and struggling to move beyond versions of yourself that still affect the present.

Musically, the EP draws from alternative rock, post-punk, indie and modern heavy music, with the band keeping melody and live impact at the centre of the songs. That emphasis on performance has remained central throughout the campaign, with Olive Vox continuing to build their audience through touring as much as through streaming and video.

The EP arrives while Olive Vox are on the road supporting The Toadies across the US. Following recent runs with Badflower and Raue and a return to Camp Woodward this summer as featured musicians and mentors, the band play The Blue Note in Columbia, Missouri tonight before continuing the tour through October 3rd in Ventura, California.

Just days later, Olive Vox will head back out for a newly announced run supporting Beauty School Dropout on their “The Circus” F/W 2026 US Tour. The seven-date run begins October 8th in Sacramento, California and takes the band through Reno, Tucson, Oklahoma City, Indianapolis, Allentown and Pittsburgh.

Olive Vox have now surpassed 1.5 million cross-platform streams and 1.89 million YouTube views during the campaign.

Download HERE

Olive Vox

Remaining US Tour Dates with The Toadies

September 18 - Columbia, MO - The Blue Note

September 19 - Indianapolis, IN - Hi-Fi Annex

September 21 - St. Louis, MO - The Pageant

September 23 - Kansas City, MO - The Truman

September 24 - Tulsa, OK - Cain’s Ballroom

September 25 - Canyon, TX - The Lumberyard

September 26 - Santa Fe, NM - The Bridge

September 29 - Flagstaff, AZ - Orpheum Theater

October 2 - Las Vegas, NV - Brooklyn Bowl

October 3 - Ventura, CA - Ventura Theater

Olive Vox

Upcoming Dates With Beauty School Dropout

“The Circus” F/W 2026 US Tour

October 8 - Sacramento, CA - Goldfield Trading Post

October 9 - Reno, NV - The Alpine

October 12 - Tucson, AZ - Hotel Congress

October 14 - Oklahoma City, OK - Beer City Music Hall

October 20 - Indianapolis, IN - HI-FI

October 21 - Allentown, PA - Arrow at Archer Music Hall

October 22 - Pittsburgh, PA - Spirit Hall

New Deathcore EP Strix & Live Session video out now by DROWN IN SULPHUR!

Drown In Sulphur took the metal world by storm with new line-up and two massive advance video singles this summer. Now the time has come to unleash their latest effort, digital EP Strix, to the world via Noble Demon. To make the day even better for their fans, we simultaneously launched a full live session video with the band playing all 5 songs of the EP.

 

Enjoy here: https://music.nobledemon.com/strix

 

Watch the live session EP play through video below:

Strix is blending the nostalgic fury of MySpace-era deathcore with grim black metal influences, marking a deliberate shift toward a less symphonic, more hardcore sound.

 

After the release of “New Moon Rising On Florence” in June and “Groan From The IXth Circle” at the end of July, both accompanied by vibrant and fast cut performance videos, for the EP release the artist is focusing on the last track on the EP, called “The Heptad Omen” and comments:

“Serving as the epic closing chapter of Strix, 'The Heptad Omen' is a dark, apocalyptic anthem that channels raw black metal riffage over a massive deathcore foundation. The track explores the ultimate decay of divine rule, depicting the fall of the Christian age and the birth of individual liberty. From its ominous marine imagery to its devastating breakdown sections, Drown In Sulphur delivers a menacing, highly cinematic finish that ties together the EP’s overarching narrative of rebellion and liberation.”

With Strix, Drown In Sulphur delivers a desperate and focused body of work born out of a renewed hunger for reinvention. The upcoming EP leaves behind traditional symphonic tropes to deliver a sound driven by raw energy and complex, occult storytelling—blurring the lines between theological dread and sonic violence.

 

Formed in Milan, Italy in 2014, Drown In Sulphur quickly shook the underground metal scene, securing millions of streams and views with their explosive early singles "An Epilogue to the Arrogant" and "Blackwind." Through a relentless creative fire and an evolving lineup, the project dropped a string of powerful full-lengths, including Sulphur Cvlt (2021), Dark Secrets Of The Soul (2024), and the rebellious Vengeance (2025).

 

Now, reinforced by their current definitive lineup, the band enters their most authentic era yet.

 

Drown In Sulphur is:

Manuel Riboldi – Vocals

Erik Bellan – Rhythm Guitar

Ciprian Grigore – Lead & Rhythm Guitar

Domenico Francesco Tamilia – Drums & Backing Vocals

 

Stay tuned for tour announcements!

For More Information Please Visit:

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https://linktr.ee/nobledemon

Get Out Alive Release "Saint of the Dark" EP Today // Share Title Track — LISTEN

Get Out Alive have released the new EP, Saint of the Dark, today via The Artery Foundation. Get it here.

The artist has also shared the title track, as well. Listen below.

"'Saint of the Dark' revolves around mental health and exploring faith to navigate," Get Out Alive says. "The name is inspired by Carl Jung's shadow theory. To be a 'Saint of the Dark' requires enough virtue to embrace the dark, rather than run from it. It also requires accepting the risk of upsetting others in the pursuit of truth. It's not an archetype for everyone. Experience beautiful vulnerable moments clashing with confusion, desperation, and even some anger. This EP is a spiritual awakening loaded with melodic vocals and alternative metal atmosphere.” 

As for the EP's accompanying title track, GOA says, "'Saint of the Dark' is about the tug of war between virtue and pleasure. The desperate feeling of slipping away from the light, trying to hold on with all you have. Sonically, this song leans into being the ballad of the EP, but don't expect a lack of intensity."

Get Out Alive is the brain trust of Chas Huff, a solo alternative metal artist originally from the southwest suburbs of Chicago, Illinois, who later relocated to Palm Coast, Florida. His musical journey began in high school, producing on a borrowed computer before stepping into the local scene as a performer. Over the years, he played in multiple bands, including a punk band which shared stages with acts like Puddle of Mudd, and later a group that opened for artists such as Fame on Fire, collaborated with notable features, and secured a distribution deal. He further expanded his reach through an international project earning another distribution deal and working alongside recognized collaborators.

After years of band experiences and setbacks, Chas shifted his focus toward his solo project, Get Out Alive, creating a fully independent outlet for his artistic vision. Self-produced and developed alongside collaborator Zack Baker (Rain City Drive), his sound blends heavy riffs, immersive atmosphere, melodic vocals, and emotionally driven, hook-focused songwriting. Outside collaborations and industry opportunities ultimately reinforced his decision to invest fully in his solo path.

Born out of isolation and personal struggle, Chas uses Get Out Alive as more than just music, it serves as a self-help-driven creative expression rooted in growth, faith, and introspection. Influenced by psychology and philosophy, his work explores the balance between light and dark while embracing raw honesty. Through his music, he aims to turn pain into purpose, offering listeners both emotional release and a sense of hope, grounded in the belief that to truly get out alive, you must face the truth.

SHOWING TEETH Drops New "A Fate Worse Than Loneliness" EP — OUT NOW

Infiltrating the vanguard of heavy music with an uncanny and unpredictable sound like no other, acclaimed Nashville-based sonic alchemist SHOWING TEETH presents her much-anticipated debut EP, A FATE WORSE THAN LONELINESS, out now via Republic Records + Spinefarm. In tandem with the project, she opened up an online store and uncovered her first-ever official merch drop, featuring a "Bad Exchanges" camo hat, Labyrinth longsleeve shirt, and CD version of A FATE WORSE THAN LONELINESS — available here. 

To celebrate the EP's arrival, she also served up the music video for the new single "Make It Out" . The clip captures the uncontrolled energy of this disarmingly catchy anthem with gritty footage and an appropriately claustrophobic performance. Watch it below:

Musically, the track's glitchy riff slips into a buoyant palm-muted groove, while airy keys carry the verses. Boosted by alternately crunching and chugging distortion, SHOWING TEETH translates anxiety into a transfixing refrain as she accepts, "Maybe it's too late to pick me up…I'll throw myself back down….Even up to now, I'll tell myself, 'You'll never make it out'." 

Amplifying her internal struggle aloud without shame, she fearlessly wrestles with self-defeat on the hook and pushes through with honesty and heart intact.

She teased the EP with the brutal and bludgeoning "Bad Exchanges." The latter is quickly nearing one million total streams. Plus, she delivered a chaotic music video to accompany the song. Watch it here. 

Earning acclaim, Revolver hailed it as "a series of noise-tastic riff swerves, ground-unsettling gravity blasts, deliciously disjointed sound effects and, of course, the ultra-violent screams and squeals of project leader and vocalist Addison." Metal Hammer named it one of "The 12 Best New Metal Songs You Need To Hear Right Now," going on to profess, "Maybe it's the frequent blast-beats, or the shrieking, grindcore like screeches, but the Nashville artist really nails a sense of frenzied mania."

The EP also boasts "Rip," which has amassed over 1 million streams and counting thus far. Revolver touted it among the "6 Best New Songs Right Now," raving: "Beyond that textual heaviness, SHOWING TEETH goes next level berserk with her feral shrieks."

This fall, she will hit the road as support to President on the band's sold-out North American Campaign 2026 for six weeks across North America. This run commences on September 4 in Nashville, TN at Brooklyn Bowl Nashville, visits major markets coast-to-coast, and closes out on October 14 in Dallas, TX at House of Blues Dallas. All dates are below.
 
Experience A Fate Worse Than Loneliness and more to come from Showing Teeth this fall.

SHOWING TEETH ON TOUR:
WITH PRESIDENT:
9/4 — Nashville, TN — Brooklyn Bowl Nashville
9/5 — St. Louis, MO — Delmar Hall
9/8 — Chicago, IL — The Riviera Theatre
9/10 — New York, NY — Brooklyn Paramount
9/11 — Toronto, ON — Danforth Music Hall
9/12 — Montreal, QC — MTELUS
9/13 — Boston, MA — Big Night Live
9/15 — Philadelphia, PA — Theatre of Living Arts
9/16 — Silver Spring, MD — The Fillmore Silver Spring
9/18 — Louisville, KY — Louder Than Life*
9/19 — Huntsville, AL — Mars Music Hall
9/20 — Atlanta, GA — Shaky Knees*
9/22 — Orlando, FL — House of Blues Orlando
9/23 — Atlanta, GA — Buckhead Theatre
9/25 — Kansas City, MO — Warehouse on Broadway
9/26 — Denver, CO — Summit Music Hall
9/28 — Salt Lake City, UT — The Depot
9/29 — Las Vegas, NV — Brooklyn Bowl Las Vegas
10/1 — Garden City, ID — Revolution Concert House & Event Center
10/2 — Seattle, WA — Neptune Theatre
10/6 — Berkeley, CA — The UC Theatre
10/7 — Los Angeles, CA — The Wiltern
10/9 — San Diego, CA — House of Blues San Diego
10/10 — Phoenix, AZ — The Van Buren
10/12 — San Antonio, TX — Aztec Theatre
10/13 — Houston, TX — House of Blues Houston
10/14 — Dallas, TX — House of Blues Dallas
10/17 — Nashville, TN — Ceremony Festival*
*Festival Date

Eddie Skuller releases 'Blind Love' EP: A reverant homage to the songwriting of Tom Waits

New Jersey singer-songwriter Eddie Skuller is set to release his ‘Blind Love’ EP, a four-track personal tribute to Waits’ songwriting that revisits a storyteller with a rare ability to capture human character, emotion and melody, as well as his ability to find beauty and humanity in unexpected places.

With a unique vocal style, Skuller brings a raw, analog intimacy to these compositions, exploring the space between homage and reinvention. Performed with reverence, restraint and emotional intelligence, he allows the songs' emotional complexity to emerge, his delivery favoring intimacy over imitation.

Based in Jersey City, Eddie Skuller went to the opposite edge of the state to record this EP - namely, the upstate New York studio The Chicken Shack with producer-proprietor Nick Kinsey, known for his work with Kevin Morby, Waxahatchee and Scott McMickey. Fun fact: Waits himself is said to have made his Mule Variations album in another converted chicken shack on the opposite coast.

Bringing forth sheer raw joy and honed instincts, Skuller is joined on this EP by Ryder Cooley of Dust Bowl Faeries on accordion, Kinsey on drums and keyboards, Jack Skuller on guitars, and Jeremy Chatzky (Springsteen, Steve Earle, Ronnie Spector)on bass.  

Centered around narrative and feeling, Skuller's performance reveals layers of tenderness, nostalgia, and quiet hope. Captured without edits or vocal overdubs, the recording preserves the spontaneity of the recording and the imperfections of analog production, the vocals captured live with the band.

"These four songs share a dark melancholy of lost love and desire, but all resolve with a sense of hope for a positive future outcome. That’s what draws me in to these songs and what connects them. In my live show it’s the spirit of hope that people take with them," says Eddie Skuller.

“What makes this experience unique for me is that it was recorded live in studio to tape. I wanted Nick Kinsey to produce because I was familiar with his aesthetic sensibilities and the warmth that analog recording can provide. The songs became meditative dirges and the lyrics read as pure poetry."

Nick Kinsey notes, “Producing a cover of any Tom Waits song is a daunting proposition, but I think we did a great job paying homage to one of America’s musical heroes, while giving it our own authentic touch.  Eddie’s vocal performance and approach give an emotional immediacy that’s inarguable.”

Skuller earlier shared fine renditions of ‘Downtown Train’ and ‘You Can Never Hold Back Spring’, two of Tom Waits’ most quietly affecting songs, revealing a gentler side of Waits’ catalog, where grit gives way to tenderness and reflection. Blending collage, illustration, photography, typography and animation, the music video is a collaboration with French collective SPX ETC (artists Sandrine Pagnoux and Sophie Etchart), sparked through Sandrine’s Tom Waits editorial for 46pgs magazine.

In addition to his solo work, Skuller is a perennial guest vocalist with The Losers Lounge, the acclaimed tribute series curated by The Psychedelic Furs’ Joe McGintyand regularly held at Joe’s Pub and City Winery in NYC. His live performances have drawn praise for their authenticity, emotional clarity, and musical integrity.

As of August 26th, the 'Blind Love' EP is available everywhere digitally, including Spotify, Apple Music and Bandcamp, where the first two singles can also be found. 


CREDITS
Produced & Mixed by Nick Kinsey at the Chicken Shack Studio, New York
Mastered by Christopher Colbert at National Freedom Studio, Oregon
Eddie Skuller - vocals
Jeremy Chatzky - bass
Jack Skuller - guitar
Nick Kinsey - drums, percussion, keyboards
Ryder Cooley - accordion
EP cover photo and design by Eddie Skuller
‘You Can Never Hold Back Spring’ video produced for SPX ETC
by Sophie Etchart & Sandrine Pagnoux
Single cover photo & design by SPX ETC
Original artist photos by Eddie Skuller
Publicity by Shameless Promotion PR

Keep up with Eddie Skuller
Website | Bandcamp | Facebook | Instagram | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il

Swedish Metal Maestros WORMWOOD Release New EP ‘Å’ — Out Now via Black Lodge Records / Sound Pollution

WORMWOOD, one of Sweden’s most distinctive and internationally acclaimed metal bands, proudly release their new EP ‘Å,’ out now via Black Lodge Records / Sound Pollution. The EP contains two long tracks in classic WORMWOOD fashion, while also introducing new elements that have found their way into the sound as WORMWOOD continue to evolve as a band.

 

‘Å’ is a concept EP built around an idea that has been growing for some time, but never quite belonged on any previous, or upcoming, full-length album. It is a contemporary portrayal told through two filthy stories, inspired by the more marginalized circles of Stockholm. In other words, this is as raw, real and authentic as we can portray reality through music.

Order 'Å' HERE

With four full-length albums, one EP, a live release, and now the forthcoming ‘Å,’ WORMWOOD have built a catalog that continually evolves while deepening the band’s artistic identity. Their work has received widespread recognition: two nominations for “Rock/Metal of the Year” at P3 Guld, strong placements on the official Swedish charts, and recurring international praise from metal media around the world. WORMWOOD have also appeared on several global “Album of the Year” lists – a testament to their growing influence.

WORMWOOD’s reputation, however, is not confined to the studio. The band has toured extensively across Europe, performed at major festivals, and completed their own headline tours. Their audience continues to grow steadily, particularly in Germany, France, the Netherlands, the United Kingdom, and the United States, where their cinematic music videos and strong digital presence further enhance their visual and musical identity.

WORMWOOD stands as one of the most forward-thinking and compelling bands in Swedish metal. With ‘Å,’ they take another step in their artistic evolution – one that promises to captivate both loyal fans and new listeners around the world.

Watch the Official Music Video for "YRA / EXTAS" Below:

Since their formation in Stockholm in 2014, WORMWOOD have developed a sound that is as unmistakable as it is atmospheric. With their characteristic fusion of extreme metal, Scandinavian melancholy, folk influences, and cinematic storytelling, the band has created a sonic landscape that both moves and mesmerizes. Their music effortlessly shifts between grand, epic scope and brutally grounded intensity – a balance few bands truly master.

WORMWOOD are:

Nine – Vocals

Tobias Rydsheim – Guitar, Keys, Vocals

Jerry Engström – Guitar

Oskar Tornborg – Bass, Vocals

Simon Samuelsson – Drums

I C Red Unleash "Thermal" EP — LISTEN // Band Shares "Killing Me" Video

I C RED officially launched in 2026, but the force behind it has been building toward this moment for years. They grew up in the music industry, learning it from the inside, taking hits, sharpening their sound, and earning their instincts the hard way. What started as a tightknit team with a shared history evolved into something heavier, darker, and more intentional. An industrial-leaning rock project built on aggressive energy, cinematic production, and hooks that stick.

Their first breach into the system was "Industry Superstar" hit March 6. It was the opening transmission that marked the start of the rollout and the world of I C RED coming online. The band's bold, high impact, and visually cohesive look blends modern heaviness with electronic textures and a concept driven aesthetic that is as striking as the music itself. In a world where everyone is overstimulated, distracted, and numb, I C RED is here to break the trance and make people feel emotion again 

Today, the band shares it debut EP, Thermal. Listen here. 

The band also shared the video for "KILLING ME." Watch it Below:

"At a time when everyone is distracted, overstimulated and increasingly numb, the transmissions on THERMAL were designed to cut through the noise.... to wake you up and make you feel your emotions again. If this record makes you feel something, then the transmissions did the job," says the band.

"We've always been drawn to industrial music, but we also love the huge hooks and impact of modern active rock and metal. THERMAL came from wanting to force those two worlds together and create something that feels both mechanical and human."

DEAD/ASLEEP Awakens: Hard Rock Supergroup Unveils Explosive Self-Titled Debut EP

Sometimes lightning strikes when the right musicians find each other.

DEAD/ASLEEP is that lightning.

The hard rock supergroup officially arrives with the release of its explosive self-titled debut EP, introducing a sound that fuses crushing riffs, soaring melodies, unforgettable hooks, and undeniable chemistry into one powerful statement.

More than just another project, DEAD/ASLEEP is a collective of seasoned musicians bringing years of experience and passion together to create music that feels both familiar and refreshingly fearless. Their debut EP captures the spirit of modern hard rock while honoring the genre's timeless ability to hit listeners with raw emotion, massive choruses, and relentless energy.

From the opening notes to the final crescendo, DEAD/ASLEEP refuses to waste a second. Every track delivers a unique combination of driving guitar work, thunderous rhythms, emotionally charged vocals, and songwriting designed to leave a lasting impression.

Whether it's an arena sized anthem, a heavy groove, or a deeply personal lyric, the EP showcases a band that isn't interested in following trends they're focused on writing songs that connect.

The self titled release highlights everything fans love about hard rock: infectious choruses, explosive performances, dynamic musicianship, and enough intensity to keep fists raised and speakers pushed to their limits.

For listeners searching for authentic hard rock that balances melody with muscle, DEAD/ASLEEP delivers an impressive debut that establishes the band as one to watch.

ABOUT DEAD/ASLEEP:

DEAD/ASLEEP is a heavy rock/metal band featuring members from Drowning Pool, Fire From The Gods, Flyleaf, Live, and Crobot. Combining crushing grooves, massive hooks, and darker emotional themes, the band’s debut singles “Better Off Dead” and “Victimless” explore paranoia, identity, and survival through a raw, atmospheric sound built for fans of emotionally charged heavy music.

MEM

MEMBERS:

Jasen Moreno - Vocals

JamesonTeat - Guitar

Pat Seals - Bass

Dan Ryan - Drums

Sleep Theory Release "(E)motional (S)upport (C)are (P)ackage" EP + Cover Taylor Swift's "Cruel Summer"

SLEEP THEORY — vocalist Cullen Moore, guitarist Daniel Pruitt, bassist Paolo Vergara, and drummer Ben Pruitt — are continuing their string of unexpected yet perfectly executed pop covers.

The band is thrilled to announce the surprise release of its new covers EP, (E)motional (S)upport (C)are (P)ackage, today via Epitaph. Listen and download here.

Alongside the news, Sleep Theory have also dropped a just-in-time-for-the-holiday video for their take on Taylor Swift's "Cruel Summer." Watch it below. 

It's truly Sleep Theory — and Taylor Swift — like you've never heard them before.

"Cruel Summer" follows Sleep Theory's studio covers of NSYNC's "Bye Bye Bye," which is a staple of their live shows, as well as their version of Paramore's "My Heart." 

With catalog streams at 875 million to date on the back of one album and one EP,  Sleep Theory are coming off their third No. 1 at Rock Radio, a Best New Rock Artist win at the iHeart Radio Awards, a sold-out debut European headline tour, and two sold-out North American headline runs. They issued their debut album, Afterglow, produced by David Cowell and mixed by Zakk Cervini (Bring Me The Horizon, Bad Omens, Architects), last spring. 

Upcoming Sleep Theory tour dates and live appearances are below.

SLEEP THEORY ON TOUR: 
U.S. TOUR DATES:
7/18 — Mansfield, OH — Inkcarceration@
7/19 — Tinley Park, IL — Summer of '99 & Beyond Festival@
7/28— Kansas City, MO— The Truman (SOLD OUT) *
7/30— Green Bay, WI— EPIC Event Center*
7/31— Dubuque, IA— Dubuque County Fair Association*
8/1— Omaha, NE— The Admiral Theater*
8/2— Springfield, MO— The Regency Live*
8/21— Montreal, QC— Warped Tour Montreal@
8/22— El Reno, OK— Lucky Star Amphitheater— Rock 100.5FM Kattfest@
9/12-13— Mexico City, MX— Warped Tour Mexico City@
9/20— Louisville, KY— Louder Than Life Festival@
10/4— Sacramento, CA— Aftershock Festival@
10/17— Nashville, TN— Ceremony Festival@
10/24 — Fort Worth, TX — Sick New World@
*Headline Date
@Festival

FRANK RAY RELEASES HIGHLY ANTICIPATED NEW EP, GOOD FOR THE SOUL

Today, country artist Frank Ray released his brand-new EP Good For The Soul via BBR Music Group/BMG Nashville. Produced by Seth Mosley and Michael “X” O’Connor, the five-song collection showcases Ray’s signature blend of heartfelt storytelling and modern country sound. Listen HERE.

“I’m so excited for everyone to hear my new EP, Good For The Soul. This project is a direct reflection of both my love for ’90s country music and where my life is at right now. Every song tells a piece of that story. I’m incredibly grateful to my amazing collaborators and producers whose creativity and support helped bring this project to life,” says Ray.

Ray’s latest EP blends modern country energy with the timeless charm of classic honky-tonk. Featuring nostalgic romance and barn burner vibes, the collection is a direct reflection of his faith journey, the reality of watching his kids grow up, and what it means to keep falling in love with his wife through every season. With two tracks co-written by Ray and a special appearance from country star Tracy Lawrence on the title track, Good For The Soul captures the authentic sound that first inspired him as an artist.

The lead song, “Third Row George Strait” was written by acclaimed Nashville songwriters Ben Hayslip, Dan Isbell and Ben Stennis, and previously released on May 1st, paying tribute to country legend George Strait with a catchy melody and fresh up-tempo energy.

Fans will be able to see Ray perform at the Grand Ole Opry on July 4th as the Opry celebrates America's 250th. Tickets are available HERE.

About Frank Ray
Blessed with a smooth country vocal, BBR Music Group/BMG Nashville artist Frank Ray is a long road singer-songwriter who built his career on medicinal-strength performances, making the world a slightly-happier place, one night at a time. But with a new understanding of his “duty,” the hit-making former police officer has gone back to his roots. Growing up amid the intense collision of cultures in border towns Laredo, Texas and Columbus, New Mexico, everything from Tracy Lawrence and Rascal Flatts to Tejano, Ranchera, and Norteño music formed his musical foundation, with service in his blood. Spending 10 years as a law enforcement officer in Las Cruces, New Mexico, Ray wrote tickets by day and worked honky tonks by night, until a battle of the bands scored him a gig opening for Keith Urban. A bright fusion of organic honky-tonk pop and smooth Latin twang led to two Texas radio #1s, while the R&B-inflected “Country’d Look Good on You” reached the Top 20 of Billboard’s Country Airplay chart in 2022. Ray’s good-time credentials were solidified on nationwide tours with Luke Combs, Kane Brown, Luke Bryan, and more, and he was hailed by TIME Magazine, Good Morning America, Rolling Stone, Country Radio Seminar, Pandora, Amazon Music, and beyond. A 2023 album debut played up his vibrant Tex-Mex flavor. But on the new EP, Good For The Soul, sunny honky-tonk tones from the ‘90s and 2000s combine with epic balladry and mood-boosting vocals, in a sonic prescription for the good life.


                                         WEBSITE | INSTAGRAM | FACEBOOK | X | TIKTOK

Photo Credit: David McClister

ETERNAL RECURRENCE Unleash New EP Eternal Recurrence, Release Music Video For "Precious Stones"

ETERNAL RECURRENCE presents the debut self titled EP, Eternal Recurrence. Led by composer and multi-instrumentalist C. Alex Luke, ETERNAL RECURRENCE embraces the symphonic metal genre from an alternative perspective with orchestral arrangements drawn from chamber music. The new EP release arrives alongside a music video for the track "Precious Stones". 

The creative process behind “Precious Stones” differs from the rest of the track list on Eternal Recurrence as it was the first song written for the EP dating back to the COVID pandemic. Initially composed as a straightforward metal track with no symphonic elements, “Precious Stones” was subsequently reworked to incorporate the chamber music arrangement and adhere to the new creative direction for ETERNAL RECURRENCE. 

"Precious Stones" features two guest vocalists. Mordian of DIAMORTE and SHIELD OF WINGS delivers a powerful alto performance during the chorus and bridge, while James Dorton of BLACK CROWN INITIATE, DIAMORTE and NE OBLIVISCARIS contributes harsh vocals to the heavier sections of the song.

Furthermore, “Precious Stones” is the only song on the EP not written by C. Alex Luke. The lyrics were written by Jake Thiele, Luke’s former bandmate from UNTIL EXTINCTION. On the lyrical theme Thiele shares, "In short, ‘Precious Stones’ is about the futility and stupidity of the things that divide us and how we let them suck the enjoyment out of life.”

All material on Eternal Recurrence was composed around a chamber ensemble led by German Dmitriev on violins, Steven Schumann on cellos, Maciek Szczyciński on double bass, and C. Alex Luke on piano. These elements are combined with aggressive guitars, lead work, and drumming rooted firmly in modern metal. The EP cover artwork and layout is by Timur Khabirov at All4band Design, and the project's logo was designed by Pavel Kurbanov at All4band Design.

About ETERNAL RECURRENCE:

ETERNAL RECURRENCE is a symphonic metal project based in Chicago, Illinois, founded in 2025 by multi-instrumentalist and composer C. Alex Luke. Known for blending progressive and extreme metal with classical instrumentation, the project takes a chamber music approach to symphonic metal, prioritizing the nuance and expressiveness of real musicians over large-scale orchestral simulation.

Drawing influence from bands such as KAMELOT, EPICA, OPETH, DREAM THEATER, and REVOCATION, ETERNAL RECURRENCE balances intricate compositions with aggressive modern metal. While traditional symphonic metal often relies on massive orchestras or dense sampled arrangements, ETERNAL RECURRENCE was created around the belief that the human touch of live performance remains essential, especially in an era increasingly shaped by artificial intelligence.

Rather than emulating 19th and 20th century symphonic traditions, the project looks to chamber music for inspiration. Chamber ensembles are designed for smaller spaces and intimate performances, emphasizing clarity, interaction, and detail. This philosophy defines the sound of ETERNAL RECURRENCE.

All material on the debut release, Eternal Recurrence, was composed specifically for a chamber string ensemble alongside full metal instrumentation. The ensemble features German Dmitriev on violins, Steven Schumann on cellos, Maciek Szczyciński on double bass, and C. Alex Luke on piano, integrated with heavy guitars, technical leads, and aggressive drumming.

Released independently in 2026, Eternal Recurrence serves as both an introduction and a mission statement, presenting symphonic metal that values realism, restraint, and emotional detail without sacrificing heaviness or intensity. The project exists at the intersection of classical tradition and modern metal, focused on authenticity, composition, and the expressive imperfections that only human performers can provide.

Portland's Wooden Overcoat shares "I Knew You Would', showcasing debut "Hello Sunbeam" EP

Portland psychedelic indie-pop outfit Wooden Overcoat unveils 'I Knew You Would' with its garage-meets-grunge sound, complete with a haunted vocal harmony you didn’t know you needed. The video was created by Italian multi-arts visionary Francesca Bonci, well known for her work with The Dandy Warhols, Tombstones In Their Eyes, Federale (The Brian Jonestown Massacre's Collin Hegna), Pete International Airport and Slowdive's Rachel Goswell.

Wooden Overcoat's recently released debut "Hello Sunbeam" EP is a sweet spot where lo-fi garage psych meets 90s shoegaze, anchored by layered harmonies and an evocatively intimate vocal delivery. Exploring vivid, emotionally resonant themes, this vibrant four-track collection presents a fantastic dreamlike environment for lovers of life.

The sonic brainchild of multi-instrumentalist Brant Hajek, Wooden Overcoat took its name from an old Americana euphemism for a coffin. Hajek’s creative process is personal, having returned to music after a hiatus. What started as a practice in self-production transformed into a deep creative obsession with soundscapes and gear. Recording in a rented basement, Hajek crafted this EP through spontaneous experimentation, propelled forward by sudden bursts of inspiration.

"The lyrics to ‘I Knew You Would’ are more about transcribing emotional impact than saying something meaningful. I wrote it when I was feeling a lot of grief, very uneasy, and it’s about the isolation you can feel going through bouts of depression, even when you have someone very close to you. Thinking about it in hindsight, I feel like I was writing about myself, hurling accusations for not being better, or finding the ability to improve things about myself or the way I was handling stress and grief," says Brant Hajek.

"Recording this EP almost ruined my life, and I hope it sounds like it. Each song is its own little world, in which I lost myself. With childlike wonder, exploring concepts and sounds, I was inspired to make something new each time just to keep the wheel turning. I loved the feeling of momentum, knowing I was creating something out of thin air and maybe grabbing ahold of something slippery and evasive.."

Hajek’s creative process is a deeply personal, layered journey towards the spark that turns an emotionally restless melodies into finished pieces. While he himself performed every instrument on thise EP, Wooden Overcoat is now a full band, bringing these tunes to the stage. With Hajek on guitar and lead vocals, he is joined by bassist Dillon Glusker, guitarist Mac and drummer Brian Levin.

Earlier, Wooden Overcoat released the shimmering lead track "Home" - a reverb-drenched sanctuary, blending in sun-drenched textures and a wash of tape echo and reverb, and "Finally Arrived" with its viscous guitars, slow thudding drums, rhythmic trance-like pulse and dreamy soundscape.  Between mourning and romantic friction, it examines the delicate nature of human connection and tendency to view individuals as replaceable assets. "Heaven Right Now" is a reverb-soaked psych-rock track about hidden emotional fractures, shared suffering, and how people quietly break under pressure.

"This EP was written at a dark time in my life. My mother was diagnosed with cancer, the world was flipped on its head and never really recovered, political turmoil and conflicts overseas dominated the collective conscious, and it profoundly affected me. My relationship was suffering from cumulative stress and I can now see how it came through in what I created. Themes of beauty that doesn’t last, self-sabotage, dissociation, cynicism, and desire for connection but feeling removed from it," says Hajek.

The "Hello Sunbeam" EP is out now, available on digital platforms everywhere, including Spotify, Apple Music and Bandcamp.

CREDITS
Written, recorded, mixed and mastered by Brant Hajek
Performed by Brant Hajek
Recorded in a house in Portland, Oregon
Only humans made this art
Cover art + photo by Brant Hajek
Band photos by Brett Chauncey
Videos by Francesca Bonci 
Publicity by Shameless Promotion PR

Keep up with Wooden Overcoat
Bandcamp | Instagram | Facebook | Twitter | YouTube | Spotify | Apple Music | Booking contact | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads | Soundcloud | LinkedIn | Email

Gideon Releases New EP '4x4' and "YEEHAW" Official Visualizer via Sumerian Records

Tuscaloosa, Alabama quartet Gideon have dropped their new EP '4x4' and the official visualizer for "YEEHAW" via Sumerian Records. Leading up to the EP's release, the band shared "'Til The Wheels Fall Off", "Wrong One" and the EP title track "4x4".

"We’re happy to finally present to you all, the '4x4' EP in its entirety! Shout out to Randy Lebouef and Ryan Leitru for helping us bring the vision to life, and we hope you all enjoy it as much as we enjoyed making it!"

Fans down under will have their chance to giddy-up starting Friday, September 4 in Brisbane, Australia when Gideon hits the road with Bury Tomorrow and Headwreck, followed by dates in Osaka and Tokyo, Japan, with Bury Tomorrow on Monday, September 14 and Wednesday, September 16, respectively. Afterward, the band will be performing at this year's Aftershock on Saturday, October 3 in Sacramento, California. For ticket information, please click here.

AU Tour Dates with Bury Tomorrow and Headwreck

Fri Sep 4 - Brisbane @ The Tivoli

Sat Sep 5 - Newcastle @ King St Bandroom

Sun Sep 6 - Sydney @ Metro Theatre

Wed Sep 9 - Melbourne @ Northcote Theatre

Thu Sep 10 - Adelaide @ The Gov

Fri Sep 11 - Perth @ Magnet House

Japan Tour Dates with Bury Tomorrow:

Mon Sep 14 - Osaka @ Yogibo Meta Valley

Wed Sep 16 - Tokyo @ Reny Alpha

Aftershock 2026

Sat Oct 3 - Sacramento, CA @ Discovery Park

THE NEAL AGENCY SIGNS LANDON WILKS

As Landon Wilks prepares to release his debut EP, Young and Restless,  on the heels of his breakthrough single “Leave Me Be,” the Mississippi native has signed with The Neal Agency (TNA) for booking.
 
"Joining the Neal Agency is something I'm really excited about. From their globally recognized artists, to the new up-and-comers, the attention to detail at every level is unmatched,” says Wilks. “That kind of care across the board doesn't happen everywhere, and it says a lot about who they are. I know they're going to be a huge factor in my career, especially when it comes to touring.”
 
Speaking on the signing, TNA Agent Juliette Edwards shares, “Landon brings a rare level of vulnerability and honesty to his songwriting. From the first listen, it’s clear he’s an artist carving out a lane entirely his own.”
 
“We are so excited to work with Landon. He has a uniquely raw sound, and the grit in his voice lets you know exactly who he is the moment he starts singing,” TNA Agent Evan Kantor adds. “We’re looking forward to helping him share his authentic storytelling with the masses throughout his touring career.”
 
Since releasing his debut single, Wilks has earned a reputation for his honest songwriting and emotionally driven sound. Rooted in real-life experiences, Wilks’s music blends heartfelt storytelling with a modern edge, creating songs that feel both personal and universally relatable. His ability to capture raw emotion with simplicity and authenticity has quickly built a loyal and growing fanbase.
 
Wilks has brought his music to audiences nationwide through touring, including dates with Waylon Wyatt, where he continued to sharpen his live performance and expand his reach. Known for his natural stage presence and genuine connection with fans, Wilks delivers performances that balance intimacy and energy—making him a strong fit for clubs, festivals and brand-aligned live events. 
 
With a sound that sits comfortably between modern country and contemporary pop, Wilks continues to carve out his own lane—driven by authenticity, strong melodies and stories that stay with listeners long after the show ends.
 
In addition to Wilks, TNA’s roster proudly represents ADHD, Palmer Anthony, Cameron Sacky Band, Aidan Canfield, Preston Cooper, Country Night, ERNEST, Riley Green, Jacob Hackworth, HARDY, Preston James, Zach John King, Rob Langdon, Ella Langley, Cody Lohden, McCoy Moore, Chase Rice, Josh Ross, Rhys Rutherford, Schmitty, Seaforth, Nate Smith, Will Terry, Morgan Wallen, Ole 60, Chandler Walters, Lauren Watkins, Matthew West, Kenny Whitmire, Anne Wilson, Scott Wolverton, Jake Worthington and Bailey Zimmerman, along with entertainment brand Whiskey Jam.