Bask Premiere New Album 'The Turning'

Ever since they came rumbling down from the Blue Ridge Mountains, Bask have sounded of their very own time and place. The climb to reach album number four ended up taking these Southern trailblazers on one hell of a trip. But on The Turning, the band take their homebrewed Heavy Americana to a whole new dimension.  

"The album is passionate, soul searching, driven with purpose and a sense of adventure that doesn't involve pointless wandering", Blabbermouth writes about The Turning in a 8/10 review. "Sure, influences can be heard, assumed and even self-professed, but as a collective, Bask doesn't rip off any band, subgenre nor style. The Turning is a true exploration of sound, story and self". 

"The Turning is an emotionally charged record of the highest order with Bask firmly establishing themselves as one of the most unique and original voices within the modern day Psych Stoner Rock / Metal scene", writes Outlaws of the Sun. "This is a record of real quality and can easily be considered of the best Psychedelic Rock albums of the year".

The Turning comes out tomorrow, Friday, August 22 on Season of Mist, but you can hear all eight lush and roaming songs today by listening to the full album stream on the Season of Mist YouTube channel.     

Listen to The Turning Below.

Pre-order & Pre-save
https://orcd.co/basktheturning

Bask are ringing in this heavy and heady frontier on their current tour of the East Coast. Hear them perform songs off The Turning during the album's opening run out on the road.  

The Turning 2025 East Coast Tour 
August 21 - Savannah, GA @ El Rocko [TICKETS]
August 22 - Asheville, NC @ The Orange Peel [TICKETS]
August 23 - Raleigh, NC @ Chapel of Bones [TICKETS]
August 24 - Richmond, VA @ Fuzzy Cactus [TICKETS]
August 26 - Philadelphia, PA @ MilkBoy [TICKETS]
August 28 - Searsport, ME @ Starboard Lounge [TICKETS]
August 29 - Providence, RI @ Parlour [TICKETS]
August 30 - Wallingford, CT @ Cherry Street Station [TICKETS]
August 31 - Boston, MA @ O'Briens [TICKETS]

"Music is an emotional outlet, but at the end of the day, it's also a way for us to hang out with our best buds", the band says. "The Turning was a challenge, but we weathered the storm and came out the other side with a beautiful album that sounds like Bask".   

Line-up:

Jesse Van Note – Bass
Scott Middleton – Drums
Ray Worth – Guitar
Zeb Wright – Guitar/Vocals
Jed Willis - Pedal Steel

Guest musicians
Clay White - Trumpet
Franklin Keel - Cello
Alex Taub - Piano, Hammond B3 Organ

Recording Studio 
Echo Mountain Recording

Producer 
Kenny Harrington

Engineer
Kenny Harrington

Mixing Studio
Acre AudioMixing

Mixing Engineer
Andrew Schneider

Mastering Studio
West West Side Music

Mastering Engineer
Alan Douches

Available Formats
Digital Download
CD Digipack
12" Vinyl Gatefold (Black)
12" Vinyl Gatefold (Transparent Orange)

Pre-order & Pre-save

https://orcd.co/basktheturning

ALL HELL returns from the shadows with their fifth full-length album, Sunsetter,

Arriving October 10, 2025 on Terminus Hate City. From their origins in Asheville, North Carolina in 2013, the band has carved a singular path through the underground, blending elements of first wave black metal, deathrock, punk, and film score atmospheres into something entirely their own. Sunsetter is the culmination of years of evolution and hardship, a concept record that stretches from ancient myth to modern apocalypse, driven by fire, blood, and vision.

The band (Jacob Curwen on guitar and vocals, Erik Ballantyne on bass, and Elanti on drums) began work on Sunsetter after the release of 2019’s The Witch’s Grail. Progress was slow and plagued by constant disruption. The pandemic struck, personal tragedies followed, and devastating floods hit their home region. In the midst of all this, the band found themselves burned out and disillusioned with metal entirely. But after stepping back and rediscovering their creative hunger, they emerged with a record that is not only their most metal release to date, but also their most fully realized.

Sunsetter tells a sprawling, violent tale of exile, rebirth, and cosmic vengeance. The story begins in ancient times with the curse of Cain, the first murderer, cast into the land of Nod where he joins with Lilith, the exiled first wife of Adam. From their union comes a cursed bloodline. The album’s opening track, “Exiled into Nod,” skips any slow buildup and immediately drops the listener into the chaos of this mythic prayer. It is followed by “Dominus Sanguis, Domina Nox,” a dark hymn to the Lord of Blood and the Lady of Night, and then “The Violent Brood,” a classic ALL HELL track that portrays the frenzy of being hunted by Cain's spawn.

“The Bleeding” flips the perspective and explores the mind of a predator, with a guest solo from Nate Garnette of SKELETONWITCH adding another layer of menace. The title track, “Sunsetter,” takes a more triumphant tone, capturing the defiance and pride of the children of Cain as they reject the sun and claim dominion over the night. Its straightforward power made it the obvious choice for the album’s name.

Side two of the album begins with “The Flood and the Death,” a cinematic, spoken-word interlude that sets the stage for a shift in time. The next chapter takes place centuries later, where the bloodline of Cain has survived the flood and reemerges in the present. “Behold the Night” brings this rebirth to life with driving energy and shifting dynamics. “Path of Cain” offers a darkly anthemic reflection on lineage, sin, and survival.

The final act of the album accelerates toward doom. “Sacrifice to Shadow” portrays a cult's plea for the return of their ancient masters, while “The Ancients Rise” delivers on that prophecy with grinding riffs and ominous brass that call back to the album’s ancient beginnings. The closing track, “The Outer Night,” brings it all to an end. It begins with militaristic urgency, climbs to apocalyptic grandeur, and fades into the cold silence of a world overrun. Cain and Lilith return, and the sun sets for the last time.

The album was recorded, mixed, and engineered by Chris Adams at Hidden Audio, with mastering by Jacob Curwen. The visual aesthetic, including the album art, was also created by Curwen, preserving the band’s independent and uncompromising approach.

The sun fades. The night takes hold. The world belongs to ALL HELL.

About ALL HELL:

ALL HELL is a blackened metal trio from Asheville, North Carolina, known for their relentless fusion of first wave black metal, deathrock, punk, and horror-driven storytelling. Since forming in 2013, the band has carved out a distinct identity rooted in occult themes, razor-sharp riffs, and a fierce DIY ethos. Their sound is aggressive, stripped-down, and deeply atmospheric — a raw, unfiltered descent into myth, violence, and the supernatural.

With five full-length albums and an EP to their name, including 2025’s apocalyptic concept record Sunsetter, ALL HELL has evolved from a local cult favorite into a powerful underground force. Their live presence has taken them across the U.S., sharing stages with acts like RINGWORM, BLACK TUSK, PROFANATICA, and TURN COLD, and performing at festivals such as Decibel Metal and Beer Fest, Dark Lord Day, and RPM Fest.

The current lineup, Jacob Curwen (guitar and vocals), Erik Ballantyne (bass), and Elanti (drums), continues to push the band’s sound forward while staying true to its core. With each release, ALL HELL digs deeper into a unique mythos that spans history, horror, and apocalypse, embracing the dark, the ugly, and the eternal night.

ALL HELL is:

  • Jacob Curwen – Guitar and Vocals

  • Erik Ballantyne – Bass

  • Elanti – Drums


Connect with ALL HELL:

Bandcamp: https://allhell.bandcamp.com
Facebook: https://facebook.com/allhellband
Instagram: https://instagram.com/allhellband
Spotify: https://open.spotify.com/artist/5FVXnF7zGfuo8WF5qq4XHK
Apple Music: https://music.apple.com/be/artist/all-hell/925520478

BRAINSTORM Release New Single & Visualiser Video "The Boys Of Summer"

Still riding on the wave of success caused by their 2025 album Plague Of Rats (February 28, 2025 via Reigning Phoenix Music; DE #13, SE #13, AT #41, CH #42, GR #50), Southern German heavy/power metallers BRAINSTORM use the final weeks of the warm season by having a creative stopover at the beach on their way back from the myth-enshrouded Indus world. Today, they present nothing but a metalled-up take on DON HENLEY’s classic track "The Boys Of Summer" to their fans.
 
The track was recorded during BRAINSTORM’s Plague Of Rats sessions in 2024, and the timing of its release couldn’t be more fitting as the group have entered the final stages of this year’s festival season.
 
Vocalist Andy B. Franck adds: “Even though ‘The Boys Of Summer’ deals with rather nostalgic themes of ‘summer love’ and the memory of a past relationship, for me - at the time a 13-year-old - it was, beyond the metal anthems of the 80s, a great song that I associated with summer, girls and the corresponding feeling for many, many years. DON HENLEY and the EAGLES are simply awe-inspiring. Even today, this song still evokes great memories for me, and since it’s also a song about questioning the past, this track fits perfectly into our times. I’m proud that we recorded it, and maybe it will be part of a show soon. People will love it and then share memories with this, our version!”
 
Watch the official visualizer video below.
Stream "The Boys Of Summer": https://brainstorm.rpm.link/theboysPR
 
But the metal world doesn’t have to worry - the band are far from resting on their latest laurels: Behind the curtain, BRAINSTORM have been working on extending their 2025/2026 Plague Of Rats touring cycle, and the announcement of more live dates following their confirmation for the next edition of Summer Breeze Open Air (Dinkelsbühl, Germany) is really just a matter of time… Stay tuned!

BRAINSTORM remain a vital force in the metal scene, seamlessly blending traditional elements with modern influences in their latest work, Plague Of Rats. Drawing inspiration from the rich and mystical narratives of ancient Indian civilization, this album delivers an energetic line-up of tracks devoid of slow songs or ballads, fully embodying the band’s dynamic and robust metal style. Expertly crafted with the collaboration of Sebastian “Seeb” Levermann (ORDEN OGAN, ANGUS McSIX) for mixing and mastering at Greenman Studios, and featuring striking artwork by Gyula Havancsák (DESTRUCTION, KREATOR, GRAVE DIGGER etc.) and photography by Alex Kühr, Plague Of Rats offers ten compelling new tracks that transport listeners to the captivating worlds of India and beyond.
 
Order/stream Plague Of Rats: https://brainstorm.rpm.link/plagueofratsPR

About BRAINSTORM
BRAINSTORM look back on an unparalleled career: since their 1997 debutHungry, the band have continued to develop and to consolidate their position in the international metal scene with albums like Metus Mortis [2001], Soul Temptation [2003], Liquid Monster [2005], and most recently Midnight Ghost [2018] and Wall Of Skulls [2021]. They have toured worldwide and achieved impressive chart positions in recent years, but instead of resting on their laurels, they are more determined than ever and setting new milestones with their brand new album Plague Of Rats.

BRAINSTORM are:
Andy B. Franck | vocals
Torsten Ihlenfeld | guitars
Milan Loncaric | guitars
Dieter Bernert | drums
 
More on BRAINSTORM:
brainstorm-web.net | Facebook | Instagram | X | TikTok | RPM

THE HALO EFFECT - unveil new cover of Kent's classic "If You Were Here"

As the summer festival season winds down after a string of unforgettable performances, THE HALO EFFECT surprise fans with a brand-new release — a cover of the beloved 1997 hit 'If You Were Here' by Swedish alternative pop-rock icons Kent (originally released in Swedish as “Om du var här”).

Handpicked by bassist Peter Iwers, the track is a heartfelt tribute to a band that helped shape Sweden’s musical landscape. The Halo Effect’s rendition blends Mikael Stanne’s rich, emotive clean vocals with a hypnotic, pounding bass line and soaring melodic guitars, honoring the song’s essence while infusing it with the band’s signature sound.

Listen to 'If You Were Here' on all platforms: https://thehaloeffect.bfan.link/iywhsg

Watch the visualizer for 'If You Were Here' Below.

THE HALO EFFECT live:

29.08. RO Campulung Muscel – Posada Rock Festival 

30.08. GER Schramberg-Tennenbrom – Metalacker Festival  

21.11. BU Sofia – Joy Station 

22.11. TUR Istanbul – If Besiktas 

25.11. JP Osaka – Bigcat  

26.11. JP Tokio – Toyosu Pit 

29.11. FI Joensuu – Unholy Winterfest 

 

THE HALO EFFECT is:
Niclas Engelin | guitar
Jesper Strömblad | guitar
Mikael Stanne | vocals
Peter Iwers | bass
Daniel Svensson | drums

THE SORROW OF BEING IMMACULATE Releases "Sea of Trees"

THE SORROW OF BEING IMMACULATE provide another sonic space in which to dwell inside the uncomfortable and the emotional in the new single "Sea of Trees". The anonymous solo project has announced their new full-length album Suicide Forest, will arrive on September 26, 2025 via Drone Alone. 

"Sea of Trees," another name for Japan's Aokigahara Forest, is built around a single crushing riff, slowly embellished with lead parts that rise and twist like the restless spirits often imagined in that place. Following the release of the first single and title track "Suicide Forest," it continues the project's theme around an abstract tribute to those spaces where despair and silence meet. 

Written and recorded in solitude in a remote Welsh barn during winter 2024, Suicide Forest is an instrumental descent into psychological ruin, framed by loops of distorted guitar, subterranean bass, and meditative drones. The album’s eleven tracks move between suffocating sludge and eerie ambience, rooted in themes of trauma, detachment, and the long half-life of sorrow. There are no vocals. No catharsis. Just the sound of emotional erosion played at full volume.

The album was engineered and co-mixed by Mike Bannard at Safehouse Studios, Oxford, with mastering, artwork, and production handled by THE SORROW OF BEING IMMACULATE themselves. The result is a record that feels more exorcism than expression—music created not for others, but in spite of everything.

Suicide Forest follows 2024’s Church Music for Satanists EP, which gained underground attention for its immersive gloom and hypnotic minimalism. The new album expands on that aesthetic while deepening its emotional range and sonic intensity.

About THE SORROW OF BEING IMMACULATE:

THE SORROW OF BEING IMMACULATE is an anonymous solo project from Oxford, England, crafting bleak, instrumental sludge and drone since 2023. With no vocals, no public identity, and no live appearances, the music exists in complete isolation: just distortion, repetition, and emotional exhaustion.

Emerging from the Welsh countryside with the debut EP Church Music for Satanists in early 2024, THE SORROW OF BEING IMMACULATE quickly established a signature sound: hypnotic, heavy, and relentlessly minimal. The follow-up full-length, Suicide Forest, released by drone alone in 2025, pushed further into themes of anxiety, decay, and existential fatigue, blending guitar-driven doom with eerie drones and field-recorded interference.

Influenced by artists such as ELECTRIC WIZARD, SUNN O))), EARTH, and CARTER/TUTTI/VOID, the project explores psychological weight through slow repetition and spiritual dissonance. There are no lyrics because nothing more needs to be said. The riffs are the message.

For those drawn to the darker corners of sound, where catharsis is earned through endurance, THE SORROW OF BEING IMMACULATE offers a solitary descent.

Connect with THE SORROW OF BEING IMMACULATE:
 

IRON SAVIOR - Reforged - Machine World: Out Friday!

IRON SAVIOR proudly presents their new album Reforged - Machine World, the third chapter in their acclaimed re-recording series that ignites fresh fire into timeless anthems from their legacy. This thunderous collection features reimagined classics drawn from the band’s prolific early 2000s era, along with a turbocharged cover of JUDAS PRIEST’s “Starbreaker,” all delivered through their signature fusion of futuristic power metal and classic heavy metal intensity.

IRON SAVIOR are:
Piet Sielck | vocals, guitars
Joachim Küstner | guitars
Patrick Opitz | bass
Patrick Klose | drums

Adam Ezra Group - REVELATE IS OUT NOW

Revelate is out around the globe now!!

Revelate is live on all streaming platforms!!  Stream Revelate!

You all have been so incredible, sparking new fans and listeners from all over the world by streaming our last release, “Sweet Beautiful Thing.”  Revelate is the first song we’re releasing from the album we’ve been working so hard on for the last year and a half, and will be releasing in full over the next 10 months.  We can’t wait for you to hear it, and fingers crossed that more and more folks out there get excited about listening!! 

Bambie Thug Returns With New Single "REDRUM" + Signs With Spinefarm Worldwide + Universal Music Publishing Group

Cork-born alt-trailblazer Bambie Thug (they/them/fae) has released their brand-new single "REDRUM," out now via Spinefarm.

Listen to "REDRUM" here or watch below.

Fresh off a massive European arena tour with Babymetal and Poppy, and a sensational debut performance at Glastonbury earlier this year, Bambie Thug returns with a defiant new anthem "REDRUM." Produced by Shaun Lopez (††† & Deftones), "REDRUM" fuses sinister guitar riffs and crashing drums with Bambie's signature screams and politically charged lyrics into a powerful rebel cry. Lyrically locked in on the state of the world, the track is a fearless statement of who Bambie Thug is — an unwavering voice for the queer community and other marginalized groups — and an artist that refuses to be silenced.

On the new single, Bambie Thug said, "'REDRUM' nearly wasn't a thing, because Shaun wasn't going to show me the beat! But when he played it I immediately knew it needed to be mine! I took the instrumental back to my hotel on Sunset Blvd. and spent the night watching news, old protests, and screaming ideas into my headphone mic, probably disturbing the other guests. The next day, Shaun brought Scott Chesak in with us to add the middle section, which I think sounds like armed police banging on their shields. I was using the same old karaoke mic the Beastie Boys used on 'Sabotage' for the vocals! Working with Shaun is amazing, we just get on so well and he's crazy talented. I loved our time together and I’m excited to continue collaborating with him. 

"'REDRUM' is a masterclass, sonically and lyrically. Seeing the reaction it's had live just emphasizes to me how important the song is. It's political, it'a anti-war, it's a 'rebel cry' for the LGBTQIA community and for everyone who is fed up with living in this disconnected world. All I can offer to these turbulent times is my art and hope it wakes people up."

"REDRUM" marks Bambie Thug's first release under their global recording deal with Spinefarm, home to Bullet For My Valentine, Creeper, Dayseeker, and Black Veil Brides.

Talking about the signing, Jonas Nachsin, GM of Spinefarm worldwide said, "We are so excited to welcome Bambie Thug to the Spinefarm family. When we heard that a tarot card reading had resulted in the final decision to join forces with us, we realized that even the spirit world got to weigh in on our new partnership; we then collectively exclaimed 'Crown the Witch' with great exuberant celebration!! We can't wait to see what BT has in store for the world in this and in the coming years."

In addition to signing with Spinefarm, Bambie Thug has also signed with Universal Music Publishing.

UMPG's Claire Walters, A&R Creative Manager added, "We are extremely excited to be working with Bambie, they are an exceptional talent with great artistic vision, and we can’t wait to see what’s next!"

ABOUT BAMBIE THUG:
Cork-born alt disruptor Bambie Thug (they/them/fae) is smashing through gender and socio-political stereotypes to create an era-defining sound that borders on elements of pop, rock, electronic and more. Self-coining the term ‘Ouija-pop’ to describe their sound, Bambie Thug has made serious waves over the last few years with a series of genre-defying singles and a critically acclaimed EP CATHEXIS. Bambie represented Ireland at the 2024 Eurovision Song Contest with their spellbinding entry "Doomsday Blue," finishing at sixth place — the highest placement for an Irish act in 24 years. Following the contest, "Doomsday Blue" flooded the charts globally, reaching the top 40 in Ireland (#23), Lithuania (#9), Greece (#12), Finland (#40), as well as earning their first UK chart entry at #67. A strikingly visual artist, Bambie’s cinematic videos have seen them transform into a variety of otherworldly characters such as "HIM" from The Powerpuff Girls, a lethal arachnid creature and a vampire bride. No stranger to the big stage, Bambie has played festivals across the world including Glastonbury, Download and Electric Picnic to much critical acclaim. Their show-stopping performances have been described as "a genderqueer, occult-tinged, strikingly theatrical edge” (Evening Standard), and they have received ongoing global support from the likes of NME, Kerrang!, Rolling Stone UK, GAY TIMES, BBC Radio 1, Spotify, Amazon Music and more.

BAMBIE THUG PRONOUNS: THEY/THEM/FAE

BAEST Launches Visualizer for New Song, “Depraved World," New Album 'Colossal' Out Now

Danish death metal commando BAEST is now celebrating the release of its fourth studio album, 'Colossal,' which is out now, via Century Media Records! The band is also now sharing a visualizer with animation by Frederik Birn for the album’s closing track, “Depraved World," which can be found below.

BAEST comments, “Lo and behold! Our new album ‘Colossal’ is out now. We’re proud of this one and we’ve been working hard to reach this outcome. And the title says it all - it’s grandiose, it’s epic and it’s COLOSSAL!”

Produced by Tue Madsen at Antfarm Studio (Heaven Shall Burn, The Black Dahlia Murder, The Haunted, etc.), the album contains nine tracks across 42 minutes, including the already released singles "Colossus" and "Imp Of The Perverse," as well as an upcoming single with guest vocal features by Jesper Binzer of D-A-D on “King Of The Sun."

'Colossal' is now available to order, stream, or download HERE.

The album’s artwork was created by Solomacello

Are you ready to rock? Something colossal is coming…

Baest are back, with a new sound and a badass attitude. Over the last decade, the Danish quintet have become one of the most celebrated and respected death metal bands in Europe. Their reign of terror began with debut album Danse Macabre, which emerged to great acclaim in 2019. Since then, the Danes have been relentless. Subsequent albums Venenum (2019) and Necro Sapiens (2021) cemented their reputation as extreme metal mavericks with an ear for lethal hooks, while their passionate dedication to playing live enabled them to spread the word at shows and festivals around the world. 

But things are slightly changing with album number 4: Colossal. Pieced together in the aftermath of Covid lockdowns, and fine-tuned over the last couple of years, the new Baest album is an absolute monster. The new songs are still rooted in the belligerent death metal that informed previous records, but Colossal represents a wholesale transformation. Inspired by and infused with old school, classic metal riffs and a giant helping of rock ‘n’ roll bombast, Baest have written an album that delights in the glory of heavy metal and the fine art of rocking out. Bursting at the seams with catchy riffs and classy melodies, with stylistic salutes to everyone from Ozzy Osbourne and Dokken, through to Iron Maiden and Whitesnake, this is the magnificent rock ‘n’ roll rebirth of Baest. 

BAEST line-up:

Svend Karlsson - Rhythm/Lead Guitar 

Simon Olsen - Vocals 

Lasse Revsbech - Rhythm/Lead Guitar 

Sebastian Abildsten - Drums & Percussion

Mattias ‘Muddi’ Melchiorsen - Bass

Album Artwork:

Solomacello

Production:

Tue Madsen at Antfarm Studio

Special Guests:

Jesper Binzer of D-A-D on "King Of The Sun"

ORM on "Misfortunate Son"

Formats (U.S.): Ltd. CD Digipak / LP / Digital Album

BAEST online:

OFFICIAL WEBSITE

FACEBOOK 

INSTAGRAM

YOUTUBE

STREAM // DOWNLOAD

RYLAI Drops Alternative Indie-Pop Single “Fall For You” — Two Years in the Making

Rising alternative and indie-pop artist RYLAI just released his new single, “Fall For You,” a track that leans into the rock realm and showcases a process that took over two years to complete. This marks his second single since debuting this past June, following “Without You.” Built from the ground up as a passion project, “Fall For You” is a true grassroots production. RYLAI not only directed the entire production but also laid down many of the song’s core elements himself. Four musicians, from three different continents, came together to bring it to life: RYLAI and Liner from Korea, Dylan from America, and Faekt from Hungary.

The track is filled with rich guitar layers: Dylan contributed acoustic textures and atmospheric effects, Faekt handled the overdrive guitar (including a bold double-octave technique), and Liner delivered the bulk of the remaining parts, even coming up with melodies for sections like the intro, outro, and Verse 3. RYLAI himself added additional guitar layers and took charge of comping, timing, and producing the final parts.

Instrumentation didn’t stop there; the song uses two different basses (Faekt and Dylan split duties), Moog-driven synths, re-recorded drums (with some demo elements surviving the final cut), and massive vocal stacks that ballooned to 92 tracks by the end. Faekt also directed standout moments like the crowd vocals and harmonies, while RYLAI handled the intricate ad-libs, background vocals, and vocal production, with Colby fine-tuning the crowd vocals and doublings.

The result? A track that feels alive: raw, layered, and deeply collaborative. “Fall For You” may not have a major label machine behind it, but it’s the kind of record that reminds listeners what can happen when passionate artists from around the world come together with nothing but their love for music. As RYLAI puts it: “Four guys, three continents, two years, and one song we poured everything into. Will the world feel what we felt making it? I guess we’re about to find out.”

Stream “Fall For You” HERE

MORE INFO:
RYLAI is a rising singer-songwriter and producer born and raised in Seoul, South Korea. His passion for music began in the quiet aftermath of a pivotal moment at the end of sixth grade, when he started exploring melodies on an old digital piano that had sat untouched for years. Though he had taken piano lessons as a child, it wasn’t until then that he truly connected with music — creating original ideas that gradually turned into songs.

Influenced by a wide range of artists, RYLAI draws vocal inspiration from Naul of Brown Eyed Soul, whose emotional head voice and rich chord progressions left a lasting impression. He also cites Ado for her unparalleled vocal intensity and expressiveness, and Seo Tai Ji, a Korean pop-rock icon known for his genre-bending approach to music. Kendrick Lamar remains one of RYLAI’s biggest influences — both for his lyrical depth and for the way each of his albums tells a cohesive, meaningful story. Inspired by that model, RYLAI’s own music follows an overarching narrative, with each release revealing a new chapter.

Fermentor - Agreement: Out NOW!

FERMENTOR’s latest sonic experiment, Agreement, drops August 15th, 2025. This 17-track instrumental album concludes a trilogy of improvised releases, following Mind Meld and Release Me. Agreement pushes their boundary-defying blend of blistering death metal and sprawling, freeform post-rock to new extremes, delivering cinematic brutality and storytelling without words through instinct-driven chemistry.

The album opens with "Wintry Earth," a bleak, droning descent marked by jagged time signatures, eerie guitar textures, and a brutal death metal finale that sets a tense, violent tone. "Whisper Flesh" follows, a raw improvisation where dissonant loops and jagged grooves shift between blast-heavy death metal and crushing, groove-laden choruses, spiraling into ritualistic heaviness.

"Dead Farm" and "Ceratops" offer contrasting explorations of heaviness. "Dead Farm" channels the primal force of SEPULTURA, seismic pulse of GOJIRA, and progressive sludge of MASTODON with groove-driven intensity. Meanwhile, "Ceratops" unfolds slowly from meditative calm into a cathartic, tectonic climax, showcasing the band’s dynamic range from muscular aggression to patient build.

"More Than Eight" dives into FERMENTOR’s signature improvised chaos, layering guitar loops instinctively over shifting rhythms. "Ghost Girl" ventures further into experimental territory, blurring meditative post-rock and thunderous groove metal with spiraling solos and ethereal textures.

"Roach God" captures raw vulnerability through imperfect, high-wire improvisation where mistakes become defining characteristics - an authentic snapshot of risk and discovery. "Rotted" is a relentless, riff-driven brutal death metal descent, free of loops and culminating in a monstrous breakdown forged in pure instinct.

"Deactivated" builds angular chaos with dissonant grooves, shifting time signatures, and a searing solo, exploding into a triumphant finale. The title track "Agreement" is a study in tension and release, layering palm-muted guitars over hypnotic loops, culminating in a crushing halftime outro, a seismic exhale of raw improvisation and controlled chaos.

"There With That" blends cinematic instincts and epic metal grandeur, balancing atmosphere and intensity with emotional clarity. "Human Caterpillar" immortalizes a glitching guitar pedal feedback during an improvisation, turning technical failure into a chaotic, avant-garde Easter egg and a tongue-in-cheek highlight released on April Fools’ Day.

"Transgression" blasts with thrash-rooted energy, tight cymbal chokes and groove-drenched riffs channeling the band’s early chemistry and old-school aggression. "Hides Behind Hands" offers a rare breath of melancholic reflection, trading brutality for beauty through shimmering loops and restrained percussion, inviting pause and introspection.

"Protohuman" is a kaleidoscopic hybrid of swirling loops, jagged rhythms, and pulverizing eruptions that merge FERMENTOR’s death-thrash roots with fearless experimentation. "Skybeam" unleashes a deafening blast of explosive energy, a chaotic tempest signaling the album’s climax.

Finally, "All Ashes" winds down with reflective melodies and subtle textures, a sonic exhale that gathers Agreement’s sprawling journey into a poignant, meditative farewell.

Agreement stands as a bold testament to FERMENTOR’s fearless embrace of improvisation, raw emotion, and genre-defying exploration. Through blistering death metal, expansive post-rock, and moments of beautiful imperfection, the album captures a journey of friendship, risk, and creative discovery. It invites listeners into a world where chaos and control coexist, forging a powerful, unspoken narrative that lingers long after the final note fades. This is more than an album. It is an immersive experience that challenges expectations and redefines the boundaries of instrumental music.

FERMENTOR is:

  • Dylan Marks - Drummer

  • Adam "Wally" Wollach - Guitarist

ABOUT FERMENTOR:
FERMENTOR is a San Diego-based two-piece instrumental metal band formed in 2008 by drummer Dylan Marks (ATHEIST, BEEKEEPER) and guitarist Adam “Wally” Wollach (BEEKEEPER, TRASHAXIS). Stripping away the comforts of a traditional band infrastructure, FERMENTOR relies solely on communicating through only two elements; drums and guitar. The two instruments acting more like contrapuntal voices, rather than just rhythm and melody.

Their musical chemistry was discovered in the summer of 2008 when the two cousins took advantage of an opening at Wollach’s recording studio. Having never collaborated before and with only four weeks to write and record, they created their first EP entitled Matanzaa.

BBR MUSIC GROUP/BMG NASHVILLE ANNOUNCES THE SIGNING OF UNDERGROUND RECORDING ARTIST ATLUS

BBR Music Group/BMG Nashville adds Atlus to its roster, an artist that came up through the underground and has now amassed over a billion on-demand streams. Anchored by self-penned viral hits, a platinum single, four independent studio albums, national touring and a fan base that has grown into the millions across social platforms, Atlus’ BBR Music Group/BMG Nashville/Stoney Creek Records debut “Devil Ain’t Done,” is out today. Listen Below.

Over infectious grooves & melodies, the former truck driver's lyrics in “Devil Ain’t Done” reflect themes of self-doubt & perseverance. Grappling with relatable struggles that so many empathize with, this new track expands on the singer-songwriter’s mission to make music that is both universal and uniquely him.

“I believe that everyone runs into the devil at some point in their life, and sometimes it's the devil in your mind and sometimes it's the devil in your hometown. And where I grew up, he drove a nice car, had fast cash in his pockets, pills in the glove box, and he lived in the trailer next door. I spent most of my life avoiding that devil,” explains Atlus. “Life is much better now, but the devil can find his way into any room.  I just remind myself to keep being a good person and not give into the temptation.”

Written by Atlus, David Garcia (who also co-produced the release with Andrew Baylis) and Geoff Warburton, “Devil Ain’t Done” marks a new chapter in the groundswell of his career.

"Every time we introduce Atlus to someone new, there is an instant and passionate connection,” says BMG America’s President, Frontline Recordings Jon Loba. “He is a true poet, who powerfully and intimately chronicles the very real struggles and tragedies of life in a way that still leaves hope for a better day.  While his journey and sound are specific, we have found that, even inside the label, he connects across age, gender and musical taste in an incredibly universal way. We could not be more excited to partner with him and his team in championing his music across the globe!"

“Music has always been personal to me. Everything I write either helps me work through something or tells a real story from my life,” states Atlus. “The industry default is ‘It’s not personal, it’s just business.’ But that’s never been true for me, and from day one [Jon] Loba, JoJamie [Hahr] and everyone at BMG have shown it’s never been true for them either. It’s clear we are truly on the same page. It IS personal and that is the way we do business.”

About Atlus:

Raised in a single-parent home marked by poverty and addiction, Atlus had to grow up fast, building incredible resilience and laying the foundation for a life rooted in the search for authentic relationships and honest storytelling. Phonetically named after the mythological Titan who held up the heavens, Atlus wrote his first two (of four) albums while working as a commercial driver behind the wheel of semi-trucks, using the long, lonesome miles of highway to craft lyrics and workshop melodies as he drove countless hours to help support his family and fund studio time.

That pavement-pounding lifestyle became both his education and his engine. Over time, it helped grow his underground following and ultimately led to breakout moments like performing alongside Jelly Roll at a packed Red Rocks Amphitheatre in his home state, and landing a Top 5 album on Spotify’s Global Album Chart, along with a Platinum single. The magic of Atlus lies in how he marries candid, arresting, and often dark subjects with a kaleidoscope of sound. His music blends multiple styles into something fresh and immersive, anchored by storytelling that creates a deep community with his fans. Now with over a billion on-demand streams and two million followers across socials, Atlus continues to build his career on real connections and tenacity. He’s holding up his musical dreams in support of his family and anyone who turns to music as an outlet for their own struggles. Signed to BBR Music group/BMG Nashville, his debut release on the label, “Devil Ain’t Done” is available now HERE.

Atlus is represented by co-managers Shawn McSpadden (Range Media Partners) and Matt Wallace/Andrew Perlowich(Wardog Mgmt), CAA for booking, and FBMM Entertainment Business Management.

KEEP UP WITH ATLUS

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK

Savage Hands Blaze Into A New Era With "Trust Issues"

Maryland's unflinching alt-metal bruisers, Savage Hands, are storming into their next fierce chapter and unleashing their seismic new single, "Trust Issues". Fans can listen to "Trust Issues" HERE.

Kicking down the door to a new era, Savage Hands deliver "Trust Issues", a blast of grit, adrenaline, and the kind of vulnerability that you scream rather than whisper. With this brand new track and their current US run with metalcore titans Attack Attack!, the band are hungrier, angrier, and more self-aware than ever. Careening between glitchy chaos and anthemic melody, the band aren't simply stepping up, but daring the rest of the scene to keep pace.

Currently charging across the U.S. in support of their recent singles, Savage Hands open up about the start to this pivotal new era:

"Honestly, this song is exactly what we are about. We got to write it with a huge idol of ours (Aaron Gillespie) and we were stoked for the opportunity to be able to collaborate and make something so true to our roots.”

Armed with their searing new single, "Trust Issues", Savage Hands are hitting the road for Attack Attack!'s monstrous ONE HIT WONDER Tour, alongside fellow metalcore pit-starters Versus Me. Fans can purchase tickets to the ONE HIT WONDER Tour now HERE.

Guided early on by multi-platinum producer Andrew Baylis (Jelly Roll, Sleeping With Sirens, etc), Savage Hands have sharpened their craft into a volatile blend of ominous atmosphere, sledgehammer riffs, and skyscraping choruses. A hybrid sound that dissolves the lines between post-hardcore, metalcore, and alternative rock, all while hitting with precision and purpose.

Propelled by the success of previous singles, "Demon", "Washed Away", and "Halo", the quintet have been in constant forward motion since their 2018 debut, amassing over 55 million streams along the way. From steely Maryland roots to festival stages, Savage Hands' relentless drive has shaped a sound that thrives on the collision of chaos and catharsis bleeding into one another. With their latest releases, "Trust Issues", "Reload Repeat", and "Trace Erase", Savage Hands are opening the door to a new chapter, one that's heavier, sharper and more unapologetic than anything that's come before.

Be sure to stay tuned for more Savage Hands news coming very soon.

ONE HIT WONDER TOUR

Aug 12 | Atlanta, GA | The Masquerade Hall

Aug 13 | Winter Park, FL | Conduit

Aug 14 | Charleston, SC | Music Farm

Aug 15 | Richmond, VA | Canal Club

Aug 16 | Reading, PA | Reverb

Aug 17 | New York, NY | Racket

Aug 19 | Buffalo, NY | Rec Room

Aug 20 | Pittsburgh, PA | Crafthouse

Aug 21 | Detroit, MI | The Shelter

Aug 22 | Cleveland, OH | Globe Hall

Aug 23 | Joliet, IL | The Forge

Aug 24 | Minneapolis, MN | Fine Line Music Cafe

Aug 26 | Des Moines, IA | Wooly's

Aug 27 | Omaha, NE | The Waiting Room

Aug 29 | Denver, CO | Marquis Theater

Aug 30 | Grand Junction, CO | Mesa Theater

Aug 31 | Salt Lake City, UT | Metro Music Hall

Sep 2 | Seattle, WA | The Crocodile

Sep 3 | Portland, OR | The Nova PDX

Sep 5 | Roseville, CA | Goldfield's

Sep 6 | Los Angeles, CA | Echoplex

Sep 7 | Phoenix, AZ | The Rosetta Room

Sep 9 | San Antonio, TX | The Rock Box

Sep 10 | Houston, TX | Scout. Bar

Sep 11 | Dallas, TX | Puzzles

Sep 12 | Tulsa, OK | The Vanguard

Sep 13 | Wichita, KS | Wave

Sep 14 | Springfield, MO | The Regency

Sep 16 | St Louis, MO | Red Flag

Sep 17 | Nashville, TN | The Basement East

Sep 18 | Fort Wayne, IN | Piere's

--

Sep 19 | Louisville, KY | Louder Than Life

Full tour information can be found HERE.

ABOUT SAVAGE HANDS

From day one, Savage Hands have had a razor-sharp, singular focus on who, and where, they want to be. Founded in 2016 in Waldorf, Maryland, the group, under the tutelage of multi-platinum producer Andrew Baylis (Jelly Roll, Sleeping With Sirens) have become staples in the heavy music underground thanks to a series of SharpTone Records releases – 2018’s Barely Alive, 2020’s The Truth In Your Eyes and 2023’s Rock Bottom – that have showcased their punishing blend of post-hardcore, metalcore and alternative rock. Their music is pressure-cooker dynamism careening through airy choruses, crushing drops and hard-charged lyricism, a sound they’ve brought to stages from coast to coast with the likes of D.R.U.G.S., Magnolia Park and While She Sleeps through their fiery, raved-about live show.

And now the band – Mike Garrow (vocals), Justin Hein (guitar), Nathan O’Brien (bass), Alex Gacek (drums) and Jayvon Green (guitar) – are entering a brand-new era of evolution with “Reload, Repeat” and “Trace Erase,” a double single produced by Jonathan Dolese (D.R.U.G.S., Downswing) that doubles down on the maximalist blend of styles and influences that have brought them here. The breakdowns are more thunderous than ever, the skittering beds of electronics more pronounced and Garrow’s coarse-throated roar more harrowing as he details letdown, backstabbing and family trauma – a sonic car crash brought to life three minutes at a time.

Dizzy F'n Reed (Guns N' Roses) Releases Lyric Video for Single “Earn It 2 Burn It” via 50q records ​  

Legendary rock pianist/keyboardist and longtime Guns N’ Roses member Dizzy F’n Reedhas just dropped his brand-new single, “Earn It 2 Burn It,” via 50q records. The track is the third single off his upcoming full length solo album Rock ‘N’ Roll Chose Me, which will see its physical vinyl release on August 22, 2025, with the digital full-length album release following on September 5, 2025.

 

In celebration of the release, Reed has also unveiled the official lyric video for “Earn It 2 Burn It,” which can be seen below.

 

Dizzy shares, "The song is about working our asses off and never actually seeing any money at all. And starting off our lives with incomprehensible debt from the cost of our education to do something else altogether while being pummeled with information about what we should like, want and need. The music was born from my love of metal and my hero John Lord. Thank you Johnny Kelly, Mike Duda and Jason for making it like it needed to be."

 

STREAM “Earn It 2 Burn It” 

Spotify

Apple Music

Deezer

Amazon

WATCH "Earn It 2 Burn It" Lyric Video Below.

Pre-order the physical vinyl at http://50qrecords.com/store/

 

Dizzy Reed and Pittsburgh based 50q records are proud to present his second solo album Rock ‘N’ Roll Chose Me, a personal and socially reflective 10-song album exploring themes of letting go, mental health struggles, the American Dream, and the unifying power of music, all viewed through a lens of perseverance, connection, and the human cost of chasing meaning in a divided society.

 

Written and produced by Dizzy Reed, the album is a gritty, emotionally charged journey. It was produced by Jason Achilles Mezilis, mixed by Evan Rodaniche and mastered by Gentry Studer.

 

Dizzy Reed continues to balance his legacy as a rock icon with his ever-evolving role as a songwriter, storyteller, and solo artist.

 

For fans of hard rock with heart and authenticity, Rock 'N' Roll Chose Me is the next chapter in Dizzy Reed’s musical journey.

Dizzy Reed is a US-born musician and composer who is best known as the keyboardist and backing vocalist for the rock band Guns N’ Roses. A touring musician since the age of 12, Dizzy joined Guns N’ Roses in 1990, helping transform the band's sound with his blues, funk and classic rock stylings on the keyboards, most notably on the Use Your Illusion I & II albums. He was inducted into the Rock n’ Roll Hall Of Fame in 2012 as a member of G N’ R, and fronts side project Hookers and Blow on lead vocals and keys.

 

About 50q records:

Founded in Pittsburgh, 50q records is built on a deep appreciation for the iconic sounds of the past, reimagined and amplified for today's sonic landscape. 50q records partners with bands and musicians who carry that timeless sound in their DNA, helping shape music that nods to the past while pushing forward with purpose.

For More Information Please Visit:

 

Official Website

Instagram

Facebook

https://50qrecords.com/

RAVEN BLACK Unleashes Dual Darkness with Releases of CRY OF THE RAVEN & DEAD

Step into the twisted carnival not once more but twice more. Raven Black, the darkly theatrical metal phenomenon, is about to shatter reality with two devastating new releases: Cry of the Raven and Dead. Known for blending metal’s ferocity with a Tim Burton-esque world of eerie fantasy, Raven Blackis ready to deliver their most intense, emotionally charged, and sonically powerful work to date.

Following years of captivating fans with their unique “dark carnival metal” sound, Raven Black returns sharper, heavier, and more fearless than ever. Cry of the Raven promises a soaring, sinister journey through rage, resilience, and redemption—driven by bone-crushing riffs, haunting melodies, and Raven’s unmistakable voice cutting through the storm. Dead sinks even deeper, exploring mortality, loss, and the shadows of the soul with a theatrical ferocity that only this band can conjure.

CRY OF THE RAVEN

Song is about Raven’s hidden struggle with the demands and pressure while undergoing her own personal and private depression and illness. The stuff people don’t see or know the truth about. 

We all have some kind of suffering in silence. 

We are never alone in it but we sometimes choose to

keep it hidden. 

Meet RAVEN BLACK, a theatrical metal act originally from Los Angeles. Their unique brand of metal, influenced by gothic, classical, and heavy metal music, serves as the soundtrack to vocalist Raven's duality as she shares her story of being a hybrid of both dark and light.

Drawing from a myriad of musical inspirations, RAVEN BLACK expertly blends elements from their favorite art forms, including movies, ethnic backgrounds, and personal life experiences. Each song is crafted to take fans on an adventure, offering new perspectives and understandings. Their sound ranges from melodic to dark, fun to raging and psychotic—yet every track tells a story.

At the heart of their narrative lies a comic book character: a girl whose innocence was taken at a young age. Overcoming her demons and cursed by her predators, she discovers she is half human, half doll. The doll within her is dark, and as she embraces her inner darkness, she travels with her demons who protect her from those seeking to steal her inner power.

She is the key.

San Francisco's OCTAVIAN WINTERS unveils 'Hermine' ahead of A Murder of Crows appearance

San Francisco post-punk outfit Octavian Winters presents their new single 'Hermine', an invigorating song that channels the band's edgier energy. Erupting with a wall of sound from the first notes, this is the first song written for their debut album, anticipated for early 2026 via Stratis Capta Records.

Formed in 2022, Octavian Winters is guitarist Stephan Salit (Thrill of The Pull), drummer Randy Gzebb (Thrill of The Pull, Love Club), bassist Jay Denton and Ria Aursjoen (AURSJOEN) on vocals and keyboards. Fusing a visceral and ethereal sound, they create haunting textures and channel half-remembered stories from an indifferent metropolis, shadows and lunar energy looming over a concrete maze.

Now critically acclaimed, the band gained a solid reputation with their 2023 debut EP 'The Line or Curve', and 2024's 'Nebula / Velveteen' collaboration with Mark Pistel (Consolidated, Meat Beat Manifesto), their tightly crafted songs running the gamut from the ethereal to the dark and driving. This new offering, 'Hermine', visits those harder edges.

"Hermine was wonderful to write and sing because it has a real no-holds-barred energy about it. I was also able to revisit some of my metal roots, in terms of vocal delivery, which was both fun and cathartic," says vocalist Ria Aursjoen. "The lyrics reference the novel Steppenwolf by Hesse, and explore the nature of the fragmented psyche and passionately urges the freedom of self acceptance."

Randy Gzebb says, "It feels like the song is moving forward with unstoppable momentum. This is one of my favorite songs to play live". Stephan Salit adds, “I started out writing this as an homage to Geordie Walker (R. I. P. )  but it took on a life of its own and well, here we are".

Just as their forthcoming album, 'Hermine' was produced, recorded, mixed and mastered by William Faith (The Bellwether Syndicate, Faith & the Muse, Christian Death) at 13 Studio in Chicago.

Octavian Winters' members have a rich history of collaborating and touring with notable artists, including Nine Inch Nails, Killing Joke, Lords of the New Church, Savage Republic, Christian Death, The Frozen Autumn, Everything Goes Cold and Black Tape for a Blue Girl.

Octavian Winters will be performing at A Murder of Crows Festival in New York on August 30, joining Pink Turns Blue, Vision Video, Ritual Howls, Hallowed Hearts, Astari Nite, Soft Vein, Altar de Fey, Nox Novacula, The Brickbats, The Long Losts and 45 Grave. West coast fans can also enjoy their October 31 show at Bar Sinister in Los Angeles for their legendary Ghostly Halloween Ball.

As of August 12, 'Hermine' is available everywhere digitally, including Apple Music, Spotify and Bandcamp.  Concert tickets can be obtained at  https://octavianwinters.com/shows

CREDITS 
Music written by Octavian Winters
Lyrics by Ria Aursjoen
Ria Aursjoen - Vocals / Keyboards
Stephan Salit - Guitars / Vocals
Randy Gzebb -  Drums
Jay Denton - Bass
Produced, recorded, mixed & mastered by William Faith at 13 Studio, Chicago, IL
Released by Stratis Capta Records
Published by Flare and Bloom Music BMI
Cover artwork backdrop by Henry Austin Lannan
Octavian Winters wordmark by Eric Olson
Artist photos by David Kruschke, except
Banner portrait by Katheleen Landino
Publicity by Shameless Promotion PR

PERFORMANCES
August 30 @ 6pm - A Murder of Crows Festival, New York, NY
October 31 @10pm - Bar Sinister, Los Angeles - Ghostly Halloween Ball


Keep up with Octavian Winters
Website | Bandcamp | Facebook | Instagram | Twitter | Tiktok | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il

Siena Root - Made In KuBa

SIENA ROOT's signature analogue sound and enthralling storytelling await in the forthcoming Made In KuBa. The Swedish quartet’s new double live album is scheduled to release worldwide on October 3, 2025, via Perception - A Division of Reigning Phoenix Music.

Recorded over three intimate nights in March 2024 at Germany’s legendary Kulturbahnhof (KuBa) in Jena, the release picks up where 2011’s Root Jam left off. SIENA ROOT's commitment to an authentic sound created 'in the moment' is evident across this new offering. "Coincidence & Fate" is a captivating introduction to Made In KuBa. The track showcases the quartet's warm ambient tones across organ, guitars and percussion, as well as Zubaida Solid's powerfully emotive vocals. The groove rhythm laden "Ridin' Slow", picks up the pace leaning further into fuzz and hard-rock influences. "Wishing For More" continues in the same vein with enchanting energy and a rock fueled spirit. 

Indulging in the live experience, SIENA ROOT's improvisation and exploratory aspects are revealed through the dynamic journey across the track list. The calm and serene soundscape of "Mountain II" reveals and sultry atmospheric mood with a jazz influenced backdrop. Drawing from an array of styles is a key part of SIENA ROOT's creativity. In "We (We Are Them)", folk-esque touches appear amidst the instrumental layers that rise and fall in intensity. The dreamy yearning arising from "Keeper of the Flame" is enticing. "Tales of Independence" returns to the bright and colorful land of groove with an uplifting and up-tempo beat. 

Otherworldly synths bring a psychedelic vibe to "In My Kitchen", alongside a mysterious and seductive edge. A darker, doomier side to SIENA ROOT's music arrives in "The Summer is Old", before giving way to a burst of sunshine in the form of a warm and magical sound. A vintage rock offering awaits in the playful "The Outlander". An ethereal quality is found in the haunting "Imaginary Borders" which soon erupts into a highly rhythmic, rock-led, progression. Made In KuBa reaches it's end with "Root Rock Pioneers". This finale builds anticipation with an interplay of guitars before the full band burst into life. It's a crowd-pleasing hit filled with riffs and wrapped up in a package of feel good rock 'n' roll. 

About SIENA ROOT
SIENA ROOT is a band renowned for its vibrant spectrum of styles, standout guest collaborations, and unique interpretations of classic rock. With eight full-length studio albums, one double live album, and three 7” singles to their name, each release showcases the group’s evolving sound and artistic depth.

Touring extensively across Europe since the early 2000s, SIENA ROOT has crafted a wide range of genre-blending songs. Live performances are the lifeblood of the band—frequently joined by prominent guest musicians, their shows often evolve into wild, improvised sessions that inspire future studio work. Their live act is known for its uncompromising approach, powered by heavy vintage equipment few bands have the passion or strength to take on the road. During the recording of their live albums, they even brought a full-size multi-track tape recorder across Europe.

This relentless dedication sets SIENA ROOT apart. A concert experience with the band is dramatic and exciting—visually as well as emotionally. It's a dynamic root rock experience.

SIENA ROOT are:
Zubaida Solid | vocals, keys
Johan Borgström | guitars
Sam Riffer | bass
Love Forsberg | drums, percussion

REVERYA - Affliction In Bloom

REVERYA is a mystical trio hailing from Tampa, Florida, whose sound drifts between the ethereal and thunderous. After the haunting debut EP Melinoe, they unveil their first full-length opus, Affliction In Bloom, set for CD release on October 24th, 2025.

This album is no ordinary collection of songs—it's a conceptual garden where each track blossoms as a distinct flower, embodying the trials and tenderness of human suffering. With titles drawn from nature’s poetry, each bloom holds symbolic weight, weaving an emotional tapestry meant to be experienced in full—start to finish, petal to petal.

The journey begins in stillness with "Allium", a soft, meditative prelude that eases listeners into the dreamy tendrils of "Wisteria".

"Allium" opens like a whispered incantation—two minutes of delicate acoustic reverie, drifting gently until faint, ethereal vocals rise like mist. The allium flower, symbolizing light and fortune, offers a soft blessing for the journey ahead. Rooted in garlic, it wards off darkness, setting the tone for the album's unfolding.

"Wisteria", one of REVERYA's earliest creations, bloomed even before the band fully formed. Born from political frustration, it reflects the dangerous allure of unchecked power. Like the Wisteria vine—beautiful yet poisonous—the song serves as a haunting reminder of the consequences of ignoring power’s dark side.

The album ignites with "Pyrophyte", a fiery counterpart to "Wisteria". With relentless screams, it mirrors escalating fury in the face of a corrupt, power-hungry world. Addressing global struggles, the song touches on war, division, and the uncertain future for younger generations. As chaos builds, a powerful, defiant singalong bursts forth, reminding us that we endure even through the fire. The title "Pyrophyte", referring to a plant that thrives in fire, symbolically connects to humanity’s resilience.

"Forget Me Not" follows, a tender exploration of the emotional weight in deciding whether to bring a child into this world of uncertainty reflected in predecessors, "Wisteria" and "Pyrophyte". Its soft piano and strings give way to raw vocals, capturing perhaps the most vulnerable moment on the record. The lyrics explore the anguish and desperation of parents watching their children suffer through internal and/or external struggles in such an evil and confusing world. Tender words cradled softly in warm blankets of orchestra and piano, cushioned with guitar chugs, and carried by luscious drums grooves.  The chorus poignantly illustrates the anguish of making such a choice, intertwined in a desperate apology leaving the listener to ponder over the only solo featured on the album. The nursery door is closed but never forgotten with a callback to the chorus played softly on a child's toy music box.

"Dahlia", the final flower to bloom, was crafted swiftly and naturally by the trio. Partially inspired by the Black Dahlia murder, the song reflects betrayal and emotional disintegration. A fitting partner to "Forget Me Not", the track captures the dark beauty of the flower—both musically and visually—marking a shift in tone with thall influences. "Dahlia" and "Forget Me Not" serve as emotional companions, validating pain within.

The final act unfolds like the setting sun—"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional for funerals, symbolizes the album’s reflection on grief and loss.

"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional in funerals, symbolizes the album’s reflection on grief.

"Asphodel" began with an instrumental foundation crafted by Travis and Kaleb, then later tailored to honor a loved one who suffered a stroke due to a brain tumor, leaving them paralyzed with no memory or chance of returning to their previous self, only to breathe unconsciously completely dependent on life support. The gut-wrenching decision to set them free with a prayer for a peaceful afterlife inspired the lyrics and atmospheric soundscapes. We journey through the stages of grief in this song with a soft verse, a pre-chorus and breakdown filled with angry desperation, bursting into the song's powerful and sentimental chorus, leading into a healing and hopeful singalong outro. In Greek Mythology, souls who have passed must wipe their memory by drinking from the River of Lethe, before they are peacefully transitioned to the Asphodel Fields where they experience a peaceful, eternal afterlife.

"Magnolia" is a heartfelt tribute to a grandmother who passed away during the pandemic. The song began with the lyrics alone as just a poem or letter for her, acting as an answer to a recording of her urging her grandchildren to spend time learning her language, Arabic, as well as confessing the happiness she felt being with her grandchildren despite the far distance. The scent of the Magnolia flower is that of her perfume which evokes early childhood moments spent together. Through fear, aggression, hope, harmony, heartbreak, grief, and more, this soft, sentimental track is a perfect send off to bring this journey to a close.

Affliction In Bloom is not just an album but a timeless voyage—an invitation to feel deeply, to hurt and heal, and to find meaning in both bloom and decay. It is deeply personal yet universal, an elegy, a wish, and a love letter wrapped in petals and pain.

REVERYA is:

  • Nadine  (Vocals/Keys)

  • Travis (Guitars)

  • Kaleb (Drums)

Close Enemies Release New Single "More Than I Could Ever Need" through TLG|ROCK ​ 

Close Enemies, a powerhouse band featuring legendary musicians Tom Hamilton, multiple Grammy winner, Rock and Roll Hall of Fame member, and bassist of the biggest-selling American rock band of all time, Aerosmith, is joined by legendary drummer Tony Brock (The Babys and Rod Stewart), touring veterans Peter Stroud (Sheryl Crow and Don Henley) and Trace Foster on guitar, and singer Chasen Hampton, who has been singing professionally since the age of 11, as a member and co-host of the famed 90s Mickey Mouse Club and pop group The Party, release their new single "More Than I Could Ever Need" through TLG|ROCK, distributed through Virgin Music Group on all major streaming platforms. 

“More Than I Could Ever Need” is a deeply personal and haunting rock ballad written by Aerosmith bassist Tom Hamilton as a tribute to his wife of almost 50 years. The song is a moving ode to commitment, passion, and the kind of love that only gets stronger with time. 

 

Close Enemies have announced upcoming tour dates under the banner “An Evening with Close Enemies – Live in Concert.” Fans can expect an intimate experience showcasing the band’s undeniable chemistry and a setlist packed with songs from Aerosmith & The Baby's along with their originals.

 

STREAM "More Than I Could Ever Need"

https://tlgent.ffm.to/closeenemies-morethanicouldeverneed

 

PLAY the single below.

Tour Dates:

 

8/28 @ Iroquois Ampitheater in Louisville, KY w/ Tom Keifer & L.A. Guns

8/29 @ The Arcada Theatre in St. Charles, IL w/ Winger

8/30 @ The Sonnentag in Eau Claire, WI w/ Tom Keifer and L.A. Guns

10/2 @ Riviera Theatre in North Tonawanda, NY w/ Tom Keifer

10/4 @ Daryl's House Club in Pawling, NY

10/8 @ Iridium Club in New York, NY

10/10 @ Six String Grill & Stage in Foxborough, MA

1/2  @ The Coach House in San Juan Capistrano, CA

1/3 @ The Whisky A Go Go in Hollywood, CA

1/7 @ Tower Theatre in Fresno, CA

1/9 @ The Guild Theatre in Menlo Park, CA

1/10 @ Goldfield Trading Post in Roseville, CA

1/11 @ The Nile Theater in Bakersfield, CA

1/23 @ Central Park Performing Arts Center in Largo, FL

1/24 @ Culture Room in Ft. Lauderdale, FL

For More Information Please Visit:

Official Website

Instagram

Facebook

TikTok

X

Attack Attack! Raises The Stakes With "Attack Attack! II" - Out Now!

Metalcore titans, Attack Attack!, have today unleashed their brand new album, "Attack Attack! II" via Oxide Records. It's been over a decade since fans last got a full-length ride with metalcore's favorite troublemakers, and the wait is officially over! Packed with high-octane riffs, explosive energy, and a few surprises only Attack Attack! could pull off, this album is more than just a comeback. Fans can listen to "Attack Attack! II" HERE.

Accompanying today's release is yet again, another monstrous single, "Karmageddon", which happens to be one of Attack Attack!'s heaviest tracks to date. A relentless dose of the band's signature intensity and attitude, packed into a ferocious, unapologetic onslaught that showcases the band at their most unyielding.

As the streams continue to climb and the hot takes around "Attack Attack! II" multiply, Attack Attack! weigh in:

"We guarantee this album sounds even better if you hit repeat.”

In celebration of their upcoming record, "Attack Attack! II", the band will be embarking on the ONE HIT WONDER Tour next week, where they'll be bringing their chaotic new era to cities across the US. Fans can purchase tickets to the ONE HIT WONDER Tour now HERE.

Prior to today's album release, Attack Attack! also released four massive singles, "Dance!" featuring Will Ramos of Lorna Shore, "Chainless", "ONE HIT WONDER", and "i complain on r/metalcore". After blindsiding fans with a fake-out country remix, the real version of "Dance!" delivered sheer chaos and pit-stirring aggression as they teamed up with one of deathcore's most recognizable voices, Will Ramos, for their first ever official feature. The first two tracks sent metalcore into a tailspin, sparking conversations from fans to top-tier music outlets - Revolver, Metal Injection, Rock Sound, etc - who hailed Attack Attack! for their fearless return. "ONE HIT WONDER" and "i complain on r/metalcore" kept the momentum surging, setting the tone for an audacious new era that is loud, unavoidable, and fearlessly sarcastic.

Formed in 2007, Attack Attack! has become a staple in the metalcore scene, amassing over 100 million streams across major streaming platforms on multiple chart-topping records. As torchbearers of the genre, the band continue to push the boundaries of metalcore while solidifying their place in its ever-growing legacy. Known for their no-holds-barred approach, Attack Attack! remain unpredictable as ever, with more bold twists in store for the year ahead.

Be sure to stay tuned for more Attack Attack! news coming very soon.

ONE HIT WONDER TOUR

Aug 12 | Atlanta, GA | The Masquerade Hall

Aug 13 | Winter Park, FL | Conduit

Aug 14 | Charleston, SC | Music Farm

Aug 15 | Richmond, VA | Canal Club

Aug 16 | Reading, PA | Reverb

Aug 17 | New York, NY | Racket

Aug 19 | Buffalo, NY | Rec Room

Aug 20 | Pittsburgh, PA | Crafthouse

Aug 21 | Detroit, MI | The Shelter

Aug 22 | Cleveland, OH | Globe Hall

Aug 23 | Joliet, IL | The Forge

Aug 24 | Minneapolis, MN | Fine Line Music Cafe

Aug 26 | Des Moines, IA | Wooly's

Aug 27 | Omaha, NE | The Waiting Room

Aug 29 | Denver, CO | Marquis Theater

Aug 30 | Grand Junction, CO | Mesa Theater

Aug 31 | Salt Lake City, UT | Metro Music Hall

Sep 2 | Seattle, WA | The Crocodile

Sep 3 | Portland, OR | The Nova PDX

Sep 5 | Roseville, CA | Goldfield's

Sep 6 | Los Angeles, CA | Echoplex

Sep 7 | Phoenix, AZ | The Rosetta Room

Sep 9 | San Antonio, TX | The Rock Box

Sep 10 | Houston, TX | Scout. Bar

Sep 11 | Dallas, TX | Puzzles

Sep 12 | Tulsa, OK | The Vanguard

Sep 13 | Wichita, KS | Wave

Sep 14 | Springfield, MO | The Regency

Sep 16 | St Louis, MO | Red Flag

Sep 17 | Nashville, TN | The Basement East

Sep 18 | Fort Wayne, IN | Piere's

Sep 20 | Louisville, KY | Louder Than Life

Full tour information can be found HERE.

ABOUT ATTACK ATTACK!

If you went to Warped Tour in the mid 2000’s, shopped at Hot Topic, or were active on Myspace; then you have heard the name “Attack Attack!” While the band’s early career was relatively short-lived, their reputation has done nothing but grow since the band went on indefinite hiatus in 2013. Known for incorporating dance/electronica music with metal, the band consistently bent the rules of songwriting. They took the sounds they liked and crafted seemingly incompatible genres into anthems for local Ohio scene kids, and later, audiences across the globe. After years of silence, Attack Attack!exploded back onto the scene in 2020. They’re here to remind you that rules are made to be broken, adversity is meant to be overcome, and that legends never die.