Lyric Noel Releases Single + Video "Acid Bloom" feat. Mixi of Stitched Up Heart 

The Two Artists Transform their Real Life Creative Connection into a Dark Exploration of Betrayal, Survival, and Rebirth

 

What began as a connection between two artists quickly blossomed into a close friendship and an inevitable creative partnership. Now, Lyric Noel and Mixi Demner of Stitched Up Heart bring that bond to life through “Acid Bloom,” a powerful new single and cinematic music video released today via Judge & Jury Records.

Lyric and Mixi first connected through their shared passion for music and storytelling. Plans to meet in person at a Stitched Up Heart show soon developed into a genuine friendship, with the two artists immediately recognizing a kindred creative spirit in one another. As their bond grew, Mixi introduced Lyric to Judge & Jury Records, helping open the door to an exciting new chapter in Lyric’s career.

A collaboration between the two soon felt inevitable. With its themes of transformation, emotional entanglement, and the complicated line between love and destruction, “Acid Bloom” became the perfect project through which to capture their chemistry. In many ways, their friendship bloomed alongside the song itself.

WATCH "Acid Bloom" feat. Mixi Demner of Stitched Up Heart Below:

“Flying out to Texas to work with Lyric Noel on ‘Acid Bloom’ was such a dream,” says Demner. “The music video was insane, and the art department killed it with the whole science lab set. Everything about it was perfect. The whole team was amazing, but building a real friendship with Lyric made it extra special. I’m so honored I got to be part of such an incredible experience.”

Beneath that real life friendship lies a much darker fictional story. “Acid Bloom” explores what happens when pain becomes the force that changes you and survival requires becoming something entirely new. Told through the metaphor of a scientific experiment gone wrong, the song follows something beautiful emerging from something corrosive and destructive. The “acid” represents the experiences, people, and circumstances that slowly erode a person’s identity, while the “bloom” symbolizes the stronger, stranger, and uncontrollable version of oneself born from surviving them.

Lyrically, “Acid Bloom” is about reclaiming power after manipulation and betrayal. Rather than allowing those experiences to define the survivor, they become the catalyst for transformation. Sonically, that evolution unfolds through chaotic, cinematic production that builds from mounting tension into an explosive release, mirroring the moment an experiment can no longer be contained.


“‘Acid Bloom’ is about what happens when the thing that promises to heal you is the very thing that’s poisoning you,” explains Lyric. “It’s the moment survival turns into transformation, not because you wanted it to, but because you had no other choice. Sometimes growth isn’t beautiful. Sometimes it burns.”

The accompanying music video, directed by rising visionary Michael Levine, with Maxton Donnell serving as creative lead and Levine assisting in the creative development before taking the director's chair, expands the song's narrative into a disturbing cinematic world. Following a laboratory accident, scientist Lyric Noel transforms into Acid Bloom, an uncontrollable organism that binds her to a captured test subject portrayed by Demner. What begins as a tense captor and captive dynamic gradually develops into a disturbing symbiotic relationship. As both characters become physically and emotionally consumed by the organism’s invasive growth, the video reveals a powerful metaphor for toxic codependency and the ways love, control, healing, and destruction can emerge from the same connection.

With “Acid Bloom,” Lyric continues to establish herself as one of modern rock’s most compelling emerging voices, combining emotionally vulnerable songwriting, explosive production, and ambitious cinematic storytelling. Demner’s unmistakable voice and commanding presence deepen the release’s emotional intensity, resulting in a collaboration that feels both deeply personal and completely unrestrained.

 

STREAM "Acid Bloom"

https://ffm.to/acidbloom

Lyric Noel is built around personifying Lyric Hollar’s lived experience with different mental illnesses and emotional struggles. This project exists to say the things people are usually expected to carry quietly, the intrusive thoughts, the instability, the exhaustion of trying to appear okay. Lyric writes from inside that reality, not from metaphor or distance, turning pain into something raw, visible, and honest. The work does not soften or romanticize struggle, but it does make it beautiful in its truth, giving listeners language and reflection for experiences they already know but rarely hear spoken out loud.

 

As a band, Lyric Noel amplifies that voice with intention. Alongside guitarist, primary composer, and producer Russell Hollar, guitarist Robby Gray, and drummer Jerrin Castillo, the project blends heavy, atmospheric, and alternative elements into music and visuals that match the weight of Lyric’s message. That honesty has connected with more than 900,000 people across social platforms and is now entering its next chapter through a new partnership with Judge and Jury Records. Lyric Noel exists because it is not built on image or trend, but on lived truth, emotional visibility, and the courage to anthropomorphize these intense emotions.

SOFT SCIENCE reach new heights with new single "Understand", previewing "Sand" album

Sacramento outfit Soft Science presents 'Understand'the second offering from their fifth album 'Sand', released via Shelflife Records in North America and Spinout Nuggets in the UK. A reflection on time, memory, and emotional patience, the song drifts through the feeling of carrying someone close even as years pass, holding onto their words like echoes that refuse to fade.

A buoyant track with a glimmer of hope and Lush-infused vibes, at its heart, 'Understand' offers reassurance: when life becomes difficult, return to what is simple and true. Darkness may come, but so will another day—bringing space, breath, and the possibility that one day, everything will make sense.

Soft Science pairs shimmery atmosphere with a sense of restless momentum via their signature blend of dream pop, shoegaze and indie rock. Made up of longtime collaborators Katie Haley (lead vocals, percussion), Matt Levine (lead guitar), Ross Levine (guitar, backing vocals), Tony Cale (drums), Becky Cale (bass, backing vocals), and Hans Munz (atmospheric electronics), they craft immersive music defined by layered guitars, ethereal vocals, synth textures, and postpunk-influenced propulsion.

As of July 21, 'Understand' is available everywhere digitally, including SpotifyApple Music and Bandcamp, where 'Spinning' can also be found. The 'Sand' album will be released on CD and vinyl via Shelflife Records (US) and Spinout Nuggets (UK) on September 4.

ALBUM CREDITS
Lyrics written by Katie Haley & Ross Levine
All songs written by Katie Haley, Ross Levine, Matt Levine, Becky Cale & Tony Cale
except 'Thread', 'Without' and 'Sway' are written by
Katie Haley, Ross Levine, Matt Levine, Becky Cale, Tony Cale & Hanz Munz
Katie Haley - vocals, percussion
Ross Levine - backing vocals, synths, additional guitars
Matt Levine - guitar
Becky Cale - bass guitar, backing vocals
Tony Cale - drums
Hans Munz - additional electronics
Recorded at Shattered Records and The Pool House
Engineered by Jack O'Donnell
Additional Engineering by Ross Levine
Mixed by Kev Bolus at OneEleven
Mastered by Antony Ryan at Red Red Paw
Produced by Soft Science
Artwork by John Conley
c @ p Shelflife Records / Spinout Nuggets 2026
Vinyl UPC code 759159696649 / CD UPC code 759159696656
Publicity by Shameless Promotion PR


Keep up with Soft Science 
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Misery Index Release Ferocious New Single "Feral Future"

After 25 years, Misery Index continue to stand tall at the forefront of extreme music. The band, which features current and former members of Dying Fetus and Pig Destroyer, started 2026 off strong by re-signing to Season of Mist. Now, as they prepare to embark on a headline tour of Europe and the United Kingdom, the firebrands are unleashing their first new single in four years. While still the product of their high-intensity combination of death metal and grindcore, “Feral Future” answers the call of the wild.

“‘Feral Future’ is about changing the way we think about our relationship with nature”, Misery Index bassist and vocalist Jason Netherton says. “Nature isn’t something we rule over or exist outside of. It’s something we are immersed in everywhere all the time. This song champions the rewilding of damaged and corrupted human spaces and reclaims a more feral connection that respects the sublime wonder of nature”.  

Watch the lyric video for “Feral Future” below.

Stream “Feral Future”

https://orcd.co/miseryindexferalfuture

Misery Index An Epitaph for Endtimes EU + UK Summer Tour 2026

July 28 - Helsinki, Finland @ Kult [TICKETS]

July 30 - Wacken, Germany @ Wacken Open Air [TICKETS]

August 1 - Dortmund, Germany @ Dortmund Death Fest [TICKETS]

August 2 - Saint Maurice de Gourdans, France @ Sylak Open Air [TICKETS]

August 4 - Deinze, Belgium @ Elpee [TICKETS]

August 5 - The Hague, Netherlands @ Musicon [TICKETS]

August 6 - Schlotheim, Germany @ Party San Open Air [TICKETS]

August 8 - Swansea, United Kingdom @ Sin City [TICKETS]

August 9 - Manchester, United Kingdom @ Rebellion [TICKETS]

August 11 - Bridgwater, United Kingdom @ The Cobblestones [TICKETS]

August 13 - Munich, Germany @ Backstage [TICKETS]

August 14 - Dinkelsbühl, Germany @ Summer Breeze [TICKETS]

August 15 - Sulingen, Germany @ Reload Festival [TICKETS]

On “Feral Future”, Misery Index keep their social commentary razor-sharp. The band’s new single was one of the very first songs written for their upcoming eighth full-length and its untamed energy helped shape the album’s thematic core. Adam Jarvis pounds his drums until they’re one with the dirt while Mark Kloeppel and Darin Morris sharpen their axes into a filthy headbanging groove.

“This is our future”, Netherton growls during its final blood-pumping sprint. “Feral Future” might be a grim warning for the fate of our planet, but for Misery Index, it’s a sign of more greatness to come.  

The lyric video for “Feral Future” was created by Cloud Motion Design.

Misery Index previously released Live in Munich (2013), The Killing Gods (2014) and Rituals of Power (2019) with Season of Mist. The Killing Gods and Rituals of Power are available now through the label’s web shop.

Order

https://redirect.season-of-mist.com/MiseryIndexShop

“Misery Index is a band for the hellish news cycle we are all trapped in”, Invisible Oranges wrote in a review of Complete Control.      

Now, having toured their previous album extensively since 2022, Misery Index are back with Season of Mist ahead of their upcoming eighth full-length album. The band released their first new single in four years, “Feral Future”, ahead of their An Epitaph for Endtimes European and United Kingdom summer tour.  

Lineup

Jason Netherton - Bass, Vocals

Mark Kloeppel - Guitar, Vocals

Darin Morris - Lead guitar

Adam Jarvis - Drums

Songwriting credits

Music by Jason Netherton and Adam Jarvis

Lyrics by Jason Netherton

Production credits

Mixed by Ricardo Borges

Mastered by Jens Bogren at Fascination Street Studios


Booking contact

Enzo Marangelli (enzo@decibel-touring.com)

Order

https://redirect.season-of-mist.com/MiseryIndexShop


Follow Misery Index

Website: http://www.miseryindex.com

Bandcamp: https://miseryindex.bandcamp.com/

Spotify: https://open.spotify.com/artist/1kTUJy3zL57iEANLB9FpIA

Apple Music: https://music.apple.com/us/artist/misery-index/41588457

YouTube: https://www.youtube.com/c/MiseryIndexOfficial

Facebook: https://www.facebook.com/MiseryIndex

Instagram: https://www.instagram.com/miseryindex.official/

X: https://x.com/MiseryIndex

KING ULTRAMEGA Unleashes New Single “Birth Ritual,” a Powerful Tribute to Chris Cornell

KING ULTRAMEGA, the all-star tribute project honoring the music and legacy of Chris Cornell, returns with its latest single, “Birth Ritual,” a reimagining of the SOUNDGARDEN deep cut originally featured on the legendary Singles movie soundtrack. Arriving one day after what would have been Cornell’s 58th birthday, the release also lands amid the continued celebration of Singles’ 30th anniversary, adding another layer of meaning to a track forever tied to the film, its era-defining soundtrack and the Seattle sound Cornell helped shape.

The new version brings together Matt Cameron, the legendary SOUNDGARDEN drummer who co-wrote and performed on the original track, Mark Menghi (bass & producer), and Lzzy Hale (vocals) and Joe Hottinger (guitar) of HALESTORM. The result is a tribute that honors the song’s raw power while bringing fresh fire to one of the most explosive moments in Cornell’s catalog. The result is a tribute that honors the song’s raw power while bringing fresh fire to one of the most explosive moments in Cornell’s catalog.

For Menghi, KING ULTRAMEGA has grown into something larger than a covers project.

“KING ULTRAMEGA has become more than a cover project; it feels like a living tribute to Chris Cornell’s entire creative spirit,” says Menghi. “If you notice the trend of KING ULTRAMEGA releases thus far, we cover all aspects of Chris’ career—spanning different albums, bands and solo records—with no more than one song from any given release. ‘Birth Ritual’ was originally featured on the legendary Singles movie soundtrack, and it has always been one of my favorite SOUNDGARDEN songs. It was important to me to give a tip of the cap to a phenomenal film—which Chris famously cameos in—and a soundtrack that perfectly defined that entire era. I still have my original VHS of the movie! Even our artwork for this release is a direct nod to the movie’s fictional band, ‘CITIZEN DICK.’”

When it came time to build the lineup for “Birth Ritual,” Cameron’s involvement was essential.

“Bringing in Matt was essential,” Menghi continues. “Having the guy who actually lived that experience—and is famously in the movie performing the OG version of this song live from behind the drum kit in one of the scenes—gives our version an undeniable, authentic energy. Getting to lock in on bass with Matt driving the drums was an absolute dream. Pairing our rhythm section with the sheer power of Lzzy and Joe took this track to the stratosphere. Lzzy completely channels that raw Cornell vocal grit, and Joe’s guitar work is just blistering. Together, I believe we honored the history while bringing fresh energy to it.”

“Birth Ritual” also marks the second time a member of SOUNDGARDEN has performed with KING ULTRAMEGA, following Kim Thayil’s appearance on “The Day I Tried to Live.”

“Humbled, grateful, and completely surreal,” Menghi says. “Between having Matt on ‘Birth Ritual’ and Kim Thayil laying down guitars on ‘The Day I Tried to Live,’ it’s an absolute full-circle moment for me. SOUNDGARDEN has been woven into my creative DNA since a very young age. To have the very architects of that definitive Seattle sound validate what we are doing by stepping into our world and re-recording these tracks with us... it’s truly insane to think about. I’m just incredibly thankful for the opportunity.”

The "Birth Ritual" Lineup Is:

Vocals: Lzzy Hale (HALESTORM)
Guitars: Joe Hottinger (HALESTORM)
Bass: Mark Menghi (METAL ALLEGIANCE)
Drums: Matt Cameron (SOUNDGARDEN)


Connect with KING ULTRAMEGA:

kingultramega.comApple Music | Spotify | Deezer | Instagram | Facebook | Tiktok | X

Colorblind Drop New Song "The Countdown"

Austin, Texas quartet Colorblind  vocalist Travis Moseley, drummer Tyler Moseley, bassist Nicholas Asper, and guitarist Justin Page — are sharing "THE COUNTDOWN," the latest track from their upcoming debut album Who Sold You This Truth ++ Was It Yours To Hold. The album arrives on August 28 via Solid State. Pre-order it here.

 Listen to the song and watch the visualizer below.

The song offers the band's fresh take on a familiar and relatable topic — heartbreak.

"This one felt like it fit so beautifully with the album's themes because it's not really about heartbreak alone—it's about the beliefs we carry into love," says Moseley. "I've always been so trapped between hope and the expectation of loss. The relationship becomes a mirror reflecting old wounds, fears, and identities that haven't fully healed."

Ultimately, Colorblind stand apart because they've never tried to fit in.

Since forming in 2017, the Austin, Texas quartet has forged its own lane in modern heavy music, one captivating song, one sold-out show, and one explosive festival set at a time. They've grown into one of the scene's most compelling new voices, powered by breakout singles like "Motionless," "Needle Eye," and "Letdown" (as featured on SiriusXM Octane), racking up more than 30 million streams in the process.

Their "dreamcore" sound thrives on contrast, blending thundering, detuned riffs with ambient textures and pop-forward melody – pairing weight and atmosphere in a way that feels both immediate and immersive. Beneath that dynamic lies an emotional honesty that has shaped their music from the very beginning: Early independent releases, including their self-titled EP, introduced that core, with songs like "Ghosts" revealing a deeply personal perspective that quickly resonated with listeners. The connection carried into their label debut, WHO SOLD YOU THIS TRUTH, expanding their sound and reach onto tours with blessthefall, Miss May I and Dayseeker, along with major festival stages. Now, with a debut full-length on the horizon and their first headlining tour ahead, Colorblind's future remains wide open, with many more career-defining highs on the horizon with each and every step forward.

Colorblind will return to the road this fall with Catch Your Breath. All dates are below.

COLORBLIND ON TOUR:
WITH CATCH YOUR BREATH:

10/16 — Cincinnati, OH — Bogart’s
10/17 — Chicago, IL — The Vic Theatre
10/18 — Minneapolis, MN — The Fillmore
10/20 — St. Louis, MO — The Hawthorn
10/21 — Lawrence, KS — The Granada
10/23 — Denver, CO — Summit Music Hall
10/24 — Salt Lake City, UT — The Depot
10/25 — Boise, ID — Knitting Factory
10/27 — Portland, OR — Roseland Theater
10/28 — Seattle, WA — Showbox SoDo
10/30 — Sacramento, CA — Channel 24
10/31 — Santa Ana, CA — The Observatory
11/1 — Tempe, AZ — Marquee Theatre
11/3 — San Antonio, TX — Vibes Event Center
11/5 — Destin, FL — Club LA
11/7 — Orlando, FL — The Beacham
11/8 — Atlanta, GA — Tabernacle
11/10 — Charlotte, NC — The Underground
11/11 — Norfolk, VA — The NorVa
11/13 — New York, NY — Irving Plaza
11/14 — Boston, MA — Big Night Live
11/15 — New Haven, CT — Toad’s Place
11/17 — Montreal, QC — Club Soda
11/19 — Toronto, ON — The Danforth Music Hall
11/20 — Detroit, MI — Saint Andrew’s Hall
11/21 — Cleveland, OH — Globe Iron
11/23 — Grand Rapids, MI — The Intersection
11/24 — Columbus, OH — Newport Music Hall
11/25 — Pittsburgh, PA — Roxian Theatre
11/27 — Allentown, PA — Archer Music Hall
11/28 — Baltimore, MD — Nevermore Hall
11/30 — Nashville, TN — Brooklyn Bowl
12/1 — Springfield, MO — Regency Live
12/2 — Little Rock, AR — The Hall
12/4 — Dallas, TX — The Studio @ The Bomb Factory
12/5 — Oklahoma City, OK — Diamond Ballroom

Avant-Grind Extremists SQUID PISSER Release New Single + Music Video

SQUID PISSER — the brainchild of Tommy Meehan (Grodius Maximus of GWAR) — shares their new single "Fart F***** F*** Face," taken from their long-awaited full-length EP,'Throat Slave,' set for release on August 28th via Skin Graft Records / Sweatband Records. The new track arrives alongside an official music video.

On the new single, Baxter Yogurt explains:

“Our new single is about what can happen when you spend your life pretending to be someone you’re not. Denying yourself doesn’t make those feelings disappear. It can turn them into anger, bitterness, and hatred toward people who have the courage to live honestly. The song is about trusting yourself and refusing to become another miserable hypocrite telling everyone else how to live.”

Watch the Visualizer Below:

Following the sensory overload of 2024's 'Dreams of Puke,' Los Angeles slime merchants SQUID PISSER return with 'Throat Slave,' a "full-length EP" featuring five original songs, six demented remixes, and a foreboding introduction that pushes the band's increasingly strange universe into darker territory.

While retaining the band's trademark volatility and sonic intensity, 'Throat Slave' marks a significant evolution, embracing greater groove, atmosphere, and dynamic tension. It also serves as the first SQUID PISSER release to prominently feature the creative contributions of guitarists Michael Armendariz and Raz Azraai, expanding the band's sonic palette while preserving its uniquely unstable identity.

Side A explores paranoia, confrontation, self-examination, and release, using imagery of decay and mutation to examine the struggle to reclaim one's identity from manipulation and illusion. Side B transforms that vision through remixes by Plack Blague, Hyper Gal, Drumcorps, Fartbarf, Ecology: HomeStones, dj Embryonic Petit Sac, and KK Null (Zeni Geva), reimagining the material as electronic hallucinations, industrial rituals, mutant dance music, and psychedelic fever dreams.

Paired with the luminous, unsettling artwork of Bora Murmure, 'Throat Slave' emerges as SQUID PISSER's most immersive and adventurous release yet, occupying a space between nightmare and revelation.

As Baxter Yogurt puts it, “'Throat Slave' is a collection of songs about defending your identity from parasites... Whether they're people, institutions, bad habits, or the voice in your own head telling you to play it safe. The record is filled with bodily fluids, vermin, disease, and decay because that's what these forces feel like when they're attached to you and feeding. Every song is a battle between self-determination and surrender. The answer isn't self-improvement or enlightenment... It's trusting yourself enough to reject what's false. Don't become somebody else's 'Throat Slave.'

Pre-Order 'Throat Slave' HERE

SQUID PISSER Live:

"Tumors Across America Tour"

August 19 - Long Beach, CA @ Alex's Bar

August 20 - Sacramento, CA @ Cafe Colonial

August 21 - Petaluma, CA @ Phoenix Theatre

August 22 - Palmdale, CA @ Transplants

August 23 - Cottonwood, AZ @ Queen B Vinyl

August 24 - Silver City, NM @ Whiskey Creek

August 25 - El Paso, TX @ EP Underground

August 27 - Austin, TX @ Lost Well

August 28 - Houston, TX @ The End

August 29 - New Orleans, LA @ Poor Boys

August 30 - Birmingham, AL @ The Nick

August 31 - Atlanta, GA @ 529

September 1 - Piedmont, SC @ Tribbles

September 2 - Charlotte, NC @ Snug Harbor

September 3 - Asheville, NC @ Static Age Records

September 4 - Cookeville, TN @ Muddy Roots

September 5 - Harrisburg, PA @ Capitol City Music Center

September 6 - Montague, MA @ RPM Fest

September 7 - Wallingford, CT @ Cherry Street Station

September 8 - Philadelphia, PA @ Nikki Lopez

September 9 - Youngstown, OH @ Westside Bowl

September 10 - Chicago, IL @ Livewire

September 11 - Sioux Falls, SD @ The Den

September 12 - Lincoln, NE @ Reverb

September 13 - Kansas City, MO @ MiniBar

Supporting The Dillinger Escape Plan

October 25 - Portland, OR @ Revolution Hall

October 26th - Vancouver, BC @ Commodore Ballroom

October 27th - Seattle, WA @ Neptune Theatre

SQUID PISSER are: (Album Lineup)

Baxter Yogurt aka Tommy Meehan – Vocals, Guitar, Bass

Michael Armendariz – Guitar, Backing Vocals

Raz Azraai – Guitar

Seth Carolina – Drums

Live Band:

Baxter Yogurt - Vocals

Michael Armendariz - Guitar

Raz Azraai - Guitar

Rusty Kennedy - Bass

Brady Kennedy - Drums

Bastion Rose Announces Progressive Hard Rock Anthem "Someday"

Rock’s darker angels fly again. Bastion Rose release a new single called "Someday." It is loud. It is heavy. It carries the weight of a two-million-stream catalog and the daily expectations of hundreds of thousands of monthly listeners. But those are just numbers.

 

To understand the sheer, triumphant energy of this track, you have to understand the silence that came before it.

 

“Only a few years ago, the silence was literal. Cancer,” says Bastion Rose singer and guitarist, Austin Frink. “I had recently watched my parents pass on, and I fought my own physical war not to join them. I did not sing. After surgery and treatment, I couldn't. But hope has a way of coercing those in despair back to motion. To build. To survive. The whisper became a croak. The croak became a quiet, hoarse note. That note became a roar. Bastion Rose is the roar."

 

Musically, the track is a towering achievement of progressive rock. Building on the world-class sonic blueprint established with three-time Grammy-winning producer David Bottrill (Tool, Godsmack, Mastodon, Muse) on the band's earlier records, "Someday"pairs relentless, aggressive instrumentation with an undeniable, aspirational hook.

 

Where previous releases explored the grit and dirt of sheer survival, "Someday" is the breakthrough.

 

"It is the moment you finally stand up," Frink explains. "You realize that you alone have the power to rebuild your reality. You are the creator of your world."

 

That reality is scaling rapidly. Supported by recent acclaim from SPIN, Metal Hammer, and Classic Rock Magazine, Bastion Rose is translating massive digital leverage into a formidable real-world footprint, with their eyes already beyond their upcoming album, ‘Blue Rising,’ to their following record and international campaign of live shows.

 

“There is no light without the weight of the dark. Scars persist, but in fact compose the art of ourselves. We are powerful, fragile things, expanding and dissolving. How beautiful it is to build and to grow and to reach for the sky as long as we live and breathe.” - Austin Frink, Bastion Rose

 

"Someday" is available on all major streaming platforms.

 

STREAM "SOMEDAY": https://linktr.ee/bastionrose

Bastion Rose:
Austin Frink: Vocals and Guitar
Austin Mudd: Guitar
Steve Pierce: Bass
John Donlon: Drums
Barrett Abraham: Keys

 

For More Information Please Visit:

Official Website

Instagram

Facebook

YouTube

Corey Kent & Jason Aldean Unite for Anthem "Rather Be Here"; 'Heartland Rock and Roll' Arrives 9/25

Multi-Platinum Sony Music Nashville recording artist Corey Kent is joined by country superstar Jason Aldean on his new song, "Rather Be Here," available everywhere today. The collaboration marks another preview of Kent's forthcoming album, Heartland Rock and Roll, due Sept. 25. 

Listen to “Rather Be Here”  Below.

Written by Michael Hardy, James McNair, Josh Miller, Morgan Wallen and Daniel Ross, "Rather Be Here" is a rowdy, feel-good anthem celebrating the unmistakable magic of a Saturday night at the local honky tonk. Fueled by a sing-along hook and southern rock swagger, the track captures this simple truth:

"There's nothing I love more about music than playing live, which is why this song resonated so deeply with me," shares Kent. "The energy from a rowdy Saturday night honky tonk crowd is the spirit of this track."

Kent continues, "I really wanted to capture a '70s-style southern rock vibe, and I'm so lucky to have my big brother in country music, Jason Aldean, on this one. It's still surreal every time I hear his voice come in on verse two. Nobody has blended country and rock & roll better than Jason. His early stuff was such an inspiration to me as an artist, so having him on this song is perfect. It has such an infectious, sing-along quality to it, and I can't wait to hear folks sing it with us at shows."

"Rather Be Here" continues the rollout of Heartland Rock and Roll, Kent's highly anticipated third major-label album and the project that finally puts a name to the sound he's spent years building.

"Heartland Rock and Roll is my third major label album, and it's really the first time I've been able to finally name the sound I've been working towards my entire career," shared Kent. "These songs sound like where I'm from. The lyrics span from nostalgia, to honest regrets and gratitude for the simple things I value most in life. From top to bottom, this is me. Every artist wants to leave their mark in music... a way to say, 'I was here and I did it my way.' This feels like mine. This is heartland rock and roll."

Produced primarily by Austin Goodloe, with additional production from Jon Randall and Chris Farren, Heartland Rock and Roll captures golden-hour nostalgia, rugged honesty and the peace that comes with staying true to yourself. Across 16 tracks, Kent blends country, rock and soul into the signature sound that has defined his career.

The new collaboration follows a string of standout releases from the album, including his recent blockbuster single,"Rocky Mountain Low" featuring Koe Wetzel, fan favorite and current single, "Empty Words," which is already Top 50 and climbing on the Billboard Country Airplay Chart following early release due to overwhelming demand and millions of weekly streams, along with "Wannabe," and "Cigarette Burns."

Infusing Oklahoma roots with the untamed energy of a rebel rocker, Kent has built his career on doing things his own way. From dancehalls and dive bars in Bixby, Oklahoma to earning two No. 1 singles at country radio, more than 1 billion career streams and multiple RIAA certifications, Kent's rise has been steady, hard-earned and fueled by conviction.

"I've been fighting my differences for so long, but now it's like, 'Let's just use those,'" Kent explains. "I'm not trying to be anybody else. Bigger fades, 'better' lasts."

The forthcoming album follows Kent's breakout projects Blacktop and Black Bandana, which established the singer-songwriter as one of country music's most compelling and unconventional voices. To date, Kent has earned Platinum certification for "Something's Gonna Kill Me," Gold certification for "This Heart" and Triple-Platinum certification for his No. 1 breakthrough hit "Wild As Her."

Rolling Stone has praised the Oklahoman-native for giving "the region's signature sound a shot of mainstream sensibility," while CMT and the Opry NextStage program have recognized him as an artist to watch. He has toured alongside Morgan Wallen, Jason Aldean, Parker McCollum, Jon Pardi and Koe Wetzel.

For the latest news and information about Corey Kent, visit coreykentofficial.com

BLACK SITES Release New Full Length For Eternity With Full Album Visualizer

Chicago's heavy quartet BLACK SITES present their fifth studio album, For Eternity. Released today, the band deliver impactful catchy choruses and lyrical hooks alongside a powerful riff-driven sound across the track list. 

For Eternity also marks a new chapter for BLACK SITES as founder Mark Sugar is now joined by an updated line-up. The new full length offering showcases a development in BLACK SITES's sound and sees the new members' contributions enhance the music's sonic quality.

For Eternity was produced by Mark Sugar & Chris Black, recorded at I Can’t Believe It’s Not Mace Street Studios, with mixing and mastering by Dan Swano. Drums on For Eternity were recorded by Vladimir Ružičić at Kebac Recording Studio.

About BLACK SITES:
Based out of Chicago, IL, USA, BLACK SITES was founded in 2016, initially as a studio project, by vocalist and guitarist Mark Sugar. Sugar was later joined by members John Picillo (bass), Ryan Bruchert (guitar) and Chris Avgerin (drums). BLACK SITES combines old school metal with guitar harmonies, melodic/clean vocals and progressive elements, primarily drawing inspiration from the likes of VOIVOD, BLACK SABBATH, and KING’S X.

BLACK SITES released their debut In Monochrome in 2017 (Mascot/Provogue Records), followed by Exile in 2019. 2021 saw the release of Untrue that was produced by Sanford Parker and awarded Record Of the Year by Dr. A.N. Grier at AngryMetalGuy.com. BLACK SITES ventured to The Promised Land? with their 2024 full-length that featured Tom Draper. (Ex-CARCASS/SPIRIT ADRIFT) on the track "Chasing Eternity".

Now, in 2026, Mark Sugar is joined by new members Jose Salazar (bass), Lee Smith (guitar) and Chris Black (drums). The forthcoming album For Eternity is set to release independently on July 17, 2026.

BLACK SITES Is:
Mark Sugar (vocals, guitar)
Jose Salazar (bass)
Lee Smith (guitar)
Chris Black (drums)

Connect With BLACK SITES:
Bandcamp: https://blacksites.bandcamp.com
Facebook: https://www.facebook.com/blacksites
Instagram: https://www.instagram.com/blacksitesmusic
TikTok: https://www.tiktok.com/@blacksitesmusic
YouTube: https://www.youtube.com/@blacksites
Spotify: https://open.spotify.com/artist/0yY6r4UHQDv4BUOr5bKu1o

MOONSPELL Announce North American Tour as Special Guests of CRADLE OF FILTH

Fresh off the release of their brand-new, internationally acclaimed studio album Far From God via Napalm Records, Portuguese gothic metal pioneers MOONSPELL have announced their long-awaited return to North America this fall as special guests of extreme metal legends CRADLE OF FILTH. The extensive U.S. and Canadian run will also feature WORM GLOOM and BLACK SATELLITE, bringing one of the season's most compelling dark and extreme metal packages to stages across the continent.

Armed with songs from their latest offering Far From God alongside fan favorites and timeless classics, MOONSPELL will also celebrate the 30th anniversary of their landmark album Irreligious, delivering a set that spans the band's remarkable career.

Fernando Ribeiro comments:
"Moonspell and Cradle of Filth, came a long way… We first played together in 1994 and since then we've sharing stages all around the globe. It's also our return to the North America and we sure want to make it count! Cradle is on a creative and touring roll so we’ll try to get ourselves some of their charm and deliver you amazing nights to the sound of our very own Portugal brand of Gothic Metal. We’ll be promoting our new album Far from God, the 30th anniversary or Irreligious and will go deep into our history and legacy. See you under the spell!"

Local Ticket Presales start on Thursday, July 16 at 10am local time
Public On Sale: Friday, July 17 at 10am local time

Released on July 3, 2026 via Napalm Records, Far From God has quickly established itself as one of MOONSPELL's most celebrated works to date. The album earned several international cover stories and entered the charts at #3 in Portugal, #19 in Austria, #27 in Germany, #46 in Switzerland, and reached #22 on the French Rock & Metal Albums Charts, underscoring both the band's enduring international appeal and the overwhelming response from fans and critics alike.

Born out of five years of creative searching, doubt and ultimate rediscovery, Far From God marks a powerful return for the band. Far from playing it safe, MOONSPELL deliver a work that feels like a rebirth: darker, sharper and emotionally unfiltered. Rather than bending to modern trends, the band double down on identity and substance, presenting a bold and beautiful statement of Gothic Metal in its purest essence: dark, romantic, dramatic and unapologetically heavy.

Far from God – produced with Jaime Gomez Arellano (Paradise Lost, Sólstafir, Ghost among many others) – shines like a black diamond, luminous yet shadowed in texture and colour, both musically and sonically. It reconnects with the darker spirit of MOONSPELL's classic era while sounding powerful and contemporary. Far From God is not nostalgia; it is a statement. A Gothic Metal hallelujah. MOONSPELL's 21st century Irreligious. It's not only a powerful reminder that MOONSPELL remain a defining force in the genre they helped shape, but an album that truly saves Gothic Metal from boredom and predictability.

Get Far From God HERE!

MOONSPELL LIVE DATES 2026:
7/10 — Kotka, Finland — Dark River Festival
7/16 — Bolków, Poland — Castle Party Festival
8/2 — Plovdiv, Bulgaria — Ancient Theatre of Plovdiv (Opus Diabolicum Orchestra Show)
8/6 — Schlotheim, Germany — Party.San Metal Open Air
8/28 — Câmpulung Muscel, Romania — Posada Rock Festival
9/18 — London, England — Cosmic Void Festival
9/19 — Istanbul, Turkey — Bosphorus Open Air Metal Fest
10/31 — Porto, Portugal — Hard Club (Halloween Show)

North American Tour Dates
with CRADLE OF FILTH, WORM GLOOM & BLACK SATELLITE:

9/29 — San Diego, CA — The Observatory North Park
9/30 — Phoenix, AZ — The Van Buren
10/3 — Portland, OR — Hawthorne Theatre
10/4 — Seattle, WA — Substation
10/6 — Vancouver, BC — The Vogue Theatre
10/7 — Spokane, WA — Knitting Factory
10/8 — Boise, ID — Knitting Factory
10/9 — Butte, MT — Covellite Theatre
10/11 — West Des Moines, IA — Val Air Ballroom
10/12 — Davenport, IA — Capitol Theatre
10/14 — Toronto, ON — The Opera House
10/15 — Montreal, QC — Théâtre Beanfield
10/16 — Norwalk, CT — District Music Hall
10/17 — Sayreville, NJ — Starland Ballroom
10/19 — Baltimore, MD — Baltimore Soundstage
10/20 — Boston, MA — Big Night Live
10/21 — Wilmington, DE — The Crown
10/22 — Brooklyn, NY — Warsaw
10/24 — Allentown, PA — Archer Music Hall
10/25 — Cleveland, OH — House of Blues Cleveland
10/26 — Cincinnati, OH — Bogart's

MOONSPELL ARE:
Fernando Ribeiro — Vocals
Ricardo Amorim — Guitars
Pedro Paixão — Keys
Aires Pereira — Bass
Hugo Ribeiro — Drums

Iconic Hard Rockers NIGHT RANGER Share Newly Remastered Single "Sister Christian (2026)" + Visualizer

Today, hard rock legends NIGHT RANGER are proud to share the newly remastered version of their classic power ballad, "Sister Christian (2026)," taken from their upcoming ‘Best Of’ album, set for release on August 28th via Frontiers Music Srl. The new single arrives alongside an official visualizer, available below.

'Best Of' features newly remixed & remastered versions of classic hits spanning NIGHT RANGER’s illustrious career, alongside some standout tracks from the band’s more recent releases. The album will be released on both CD and Vinyl. The double LP is available in 3 different colors: black, gold, & orange splatter.

"The new 'Best Of' is a celebration of not only our classic hits but also what we’ve created over the last 20 years. And we’re just gonna keep cranking it cause we’re having too much fun to stop! So enjoy the ride and see ya on the road!” Jack Blades

Watch the Visualizer for "Sister Christian (2026)" Below:

Few bands have defined the sound of American melodic rock quite like NIGHT RANGER. From the soaring anthem of “Sister Christian” to the thunderous riffs of “Don’t Tell Me You Love Me," and fan favorites like “You Can Still) Rock in America” this album’s ‘Best Of’ collection captures the very essence of their decades-long career — now refreshed for 2026.

Featuring the classic hits alongside standout tracks from their more recent albums, this compilation spans the full spectrum of NIGHT RANGER’s signature sound: anthemic choruses, blazing guitar solos, and unforgettable melodies. Highlights include the power-pop perfection of “(You Can Still) Rock in America,” the heartfelt balladry of “When You Close Your Eyes,” and the cinematic sweep of “Four in the Morning.”

But the ‘Best Of’ is not just a look back. It also celebrates the band’s creative output over the last 20 years, spotlighting tracks like “Time of Our Lives,” “High Road,” “No Time to Lose,” “Somehow Someway,” and “Truth,” proving that NIGHT RANGER’s energy, songwriting, and musicianship have only grown stronger with time. These songs show that the band continues to innovate while staying true to the melodic rock roots that made them legendary.

The band — Jack Blades (bass and vocals), Kelly Keagy (drums and vocals), Brad Gillis(guitars), Eric Levy (keyboards), and Keri Kelli (guitars) — delivers every track with the energy and precision that have kept NIGHT RANGER at the forefront of rock for more than four decades.

This ‘Best Of” album also features two bonus tracks that make this collection of songs truly special: a fresh take on “Wasted Time” recorded live off the floor at Sweetwater Studios, also accompanied by an exclusive music video, and a festive live performance of “Feliz Navidad” that showcases the band’s playful side.

Perfectly timed ahead of their summer 2026 tour, this ‘Best Of’ album serves as both a definitive introduction for new fans and a must-have collection for longtime followers. Whether revisiting the classics or discovering the new 2026 remasters, NIGHT RANGER’s ‘Best Of’ is a celebration of enduring melodies, electrifying performances, and the unforgettable spirit of one of rock’s most iconic bands.

Pre-Order ‘Best Of’ HERE

NIGHT RANGER Live:

 

7/17/2026 Fond Du Lac County Fair

7/18/2026 – St. Louis, MO @ Hollywood Casino

7/24/2026 – Mahnomen, MN @ Shooting Star Casino

7/25/2026 – Bay City, MI @ Veterans Memorial Park

7/26/2026 – Detroit, MI @ Sound Board inside Motorcity Casino Hotel

8/8/2026 – Lincoln City, IN @ Lincoln State Park Amphitheatre

8/14/2026 – Louisville, KY @ The Louisville Palace

8/15/2026 – Gibson City, IL @ Gibson City Summer Bash

9/4/2026 – Du Quoin, IL @ Du Quoin State Fair

9/6/2026 – Essex Junction, VT @ Champlain Valley Expo

11/13/2026 – Las Vegas, NV @ Kiss Kruise Landlocked in Vegas 2026

11/14/2026 Las Vegas, NV @ Kiss Kruise Landlocked in Vegas 2026

11/15/2026 – Las Vegas, NV @ Kiss Kruise Landlocked in Vegas 2026

2/27/2027 – New Orleans, LA @ The 80s Cruise

2/28/2027 – New Orleans, LA @ The 80s Cruise

3/1/2027 – New Orleans, LA @ The 80s Cruise

3/2/2027 – New Orleans, LA @ The 80s Cruise

NIGHT RANGER are:

Jack Blades: lead vocals, bass guitar

Brad Gillis: lead guitars

Kelly Keagy: lead vocals, drums

Keri Kelly: lead guitars

Eric Levy: keyboards

Ray Hawthorne Sends The Call To Voicemail On New Single "Hang Up"

Pop punk's most lovable liability, Ray Hawthorne, unravels on his latest single, "Hang Up", where self-awareness stops being productive and starts eating you alive. Trapped between the truth and or self-preservation, "Hang Up" follows the instinct to lie just enough to get through the day, wrapping Ray Hawthorne's ugliest thoughts into something undeniably catchy. Listen to the new single, "Hang Up" Below:

Turning the lens sharply inward, "Hang Up" abandons easy catharsis in favor of something more restless and unresolved. The track wrestles with identity, the comfort of self-sabotage, and the strange safety in never fully meaning what you say. Without a resolution, you're faced with the worst things you believe about yourself on repeat, the dial tone, and the growing suspicion that the line's been dead the whole time.

In an effort to provide insight into the track "Hang Up", Ray Hawthorne took a moment to make things significantly worse:

"When I was recording this song it became abundantly clear to me that it needed to start with a shit talking voicemail. I called a friend of mine that I met at the school bus stop when I was like nine years old and we’ve been inseparable ever since. This girl officiated my wedding, that’s how close we are. So anyway, I call her and I go “Yo pimp, can you shit talk me on a voice note real quick?” She laughed and said she’s literally always ready to talk shit on me. Thats a real friend right there. Like two minutes later I get hit with no less than four voice notes tearing me apart as a person. Shit that cuts deep in a way only your closest friends know how to get to you. It was awesome. We couldn’t even use everything because there was so much shit talk and not enough instrumental intro. But maybe one day I’ll drop the deleted scenes on a Hang Up DVD. Until then, I think the song is worth listening to just for Kristi’s performance alone.”

Renowned for his work in North Kingsley, the acclaimed project alongside Shavo Odadjian of System of a Down, Hawthorne initially captured hearts as the Heartbreak Hero with his inaugural solo release "Heartbreak Feels Good in a Place Like This". Building on his solo work, his debut record "Ray Hawthorne Sucks" further cemented his status as a bold new voice in pop punk, quickly amassing a devoted following and over 20 million streams across all streaming platforms for his magnetic charm and razor-sharp wit.

Blending heartbreak, sarcasm, and just the right amount of emotional stability, Ray Hawthorne leads with a messy kind of hope, turning emotional freefall into something you can scream along to. Where debut album and his firstborn, "Ray Hawthorne Sucks", leaned into an earnest DIY vulnerability, his latest record, "Ray Hawthorne Isn't Real", took a turn and tapped into the restless defiance of a secondborn. The 15 tracks helped embrace the chaos, laugh at the pain, and maybe, just maybe, allow us all to find a little redemption along the way.

Starting from the very real possibility that Ray Hawthorne is just a guy screaming into the ether (and somehow making it sound catchy), his catalog has become a refuge for anyone who's ever felt too loud, too sensitive, or too much. Loud, petty, and deeply cathartic, Ray Hawthorne is proudly one of the most unapologetically honest voices modern pop-punk.

Be sure to stay tuned for more Ray Hawthorne news coming very soon.

ABOUT RAY HAWTHORNE

Do you remember that episode of Degrassi where Ashley really wants Craig to tell her he loves her, but Craig gets all panicked and can’t tell her that he does? It causes so much drama in their relationship. She begins to question her feelings for him and because of that, he becomes seemingly unsure of his feelings for her. So, in an effort to quell the bad vibes, Craig writes a song that includes lyrics IMPLICITLY AND EXPLICITLY stating that he loves her. (Total banger by the way, the only song of his I like better is the one he sings at the battle of the bands after the two inevitably break up, it’s also about Ashley. I believe it’s called ‘What I Know’) Anyway, Craig was only able to admit he loved Ashley in song form, but you as the viewer are left wondering ‘Does he really love her, or was this just his solution to end the drama?’ Or, ’Is this truly the only way he can express himself because he’s kind of nervous about speaking his true feelings outside of the structured environment of a song?’. I tend to believe it’s a mixture of both. So what I’m trying to say is, this collection of songs is kind of like that. I always feel like I have so much to say but often feel a bit too vulnerable when discussing my actual feelings. So for the majority of my life, I’ve just written them into songs instead. These songs can be quite vulnerable even if they seem silly at times. So now you’re left to wonder... am I telling the truth or just trying to get rid of Ashley’s bad vibes?

Emptiness Premiere Nowhere Speaks

On their new album, Nowhere Speaks, experimental metal band Emptiness unlock an unheard dimension that’s governed by their own awe-inspiring logic.  

Nowhere Speaks comes out tomorrow, Friday, July 17 on Season of Mist, but you can hear all ten absorbing songs today by listening to the full album stream below:

Pre-order & pre-save

https://orcd.co/emptinessnowherespeaks

Save for vocals, keyboards and additional effects, Emptiness performed Nowhere Speaks live in the studio, after four years of preparation, rehearsals and tests to ensure the music could be performed with the right weight and intention. This is not a production detail so much as a commitment to a specific kind of tension, the kind that does not survive being assembled in pieces. Emptiness’ previous album, Vide (2021), had no distortion, was sung entirely in French, and existed at the edge of silence; Nowhere Speaks moves in the opposite direction, and does so deliberately, opening exactly where Nothing But The Whole (2014) cut off mid-riff and closing by looping back to that album's opening riff.

From early in their career, EMPTINESS has worked this way: Jérémie Bézier handling production across all its dimensions, Olivier J.L.W. directing the visual work in its entirety. Sound and image conceived, shaped and finalized from within. Nowhere Speaks continues that closed circuit, as it always has been.

Nowhere Speaks is not a return. After the most introverted and isolated record of their career, the band opens outward into density and live intensity. The album, developed over an extended period of time, was composed by Jérémie Bézier and Olivier J.L.W., who oversee its production across both sonic and visual dimensions, bringing the work to completion as a unified whole, committed to tape live in the studio. The structural conceit of opening mid-riff from where Nothing But The Whole ended, and closing with that album's opening riff, is not nostalgia. It is the same logic that has always governed EMPTINESS: the cycle without a fixed point, beginning and ending inside each other, nothing and everything at the same time. The band has spent years demonstrating that they do not move in straight lines. Nowhere Speaks is a continuation from a point the listener was not meant to forget.

Line-up:
Jérémie Bezier — Vocals, Bass
Olivier J.L.W. — Guitars
Simon L. — Guitars
Dea Hydra — Synths
Laye Louhenapessy — Drums

 

Follow Emptiness:
Facebook: https://www.facebook.com/Emptiness.be
Instagram: https://www.instagram.com/emptiness.official
Bandcamp: https://emptiness.bandcamp.com/
Twitter/X: https://x.com/Emptiness_band
Spotify: https://open.spotify.com/artist/5AXPdt3zknCylvlnEi0JFO
Apple Music: https://music.apple.com/artist/emptiness/303855225
Deezer: https://www.deezer.com/artist/199828
Tidal: https://tidal.com/artist/4813509

Miscreance Reach Peak Tech-Thrash on New Single “Oracle’s Rift”

When they first crawled forth from Italy’s underground four years ago, Miscreance were likened to Death, Sadus, Voivod and other immortal beings from the alternate timeline that is the history of extreme metal. But on the band’s upcoming second album, they deliver a mind-altering experience that’s far from just another blast from the past.

Today, Miscreance are releasing the second advanced single from their upcoming new album. By venturing deep into an unrecognizable past, the band reach peak tech-thrash on “Oracle’s Rift”.

“Through a collective hallucination, a voyage through time led us to discover a moment in human history that was lost”, the band says about the far-out path they took to Reminiscence. “‘Oracle’s Rift’ takes us to where the skies end. Whirl to the dirge of judgement and walk the path to oblivion”.

Listen to “Oracle’s Rift” below:

Reminiscence comes out August 28, 2026 on Season of Mist

Pre-order & Pre-save

https://orcd.co/miscreancereminiscence

While recorded in Italy, Miscreance discovered the concept for Reminiscence by sifting through the sands of time. As the band chug, gallop and shred through steep shifts in tempo, “Oracle’s Rift” opens upon a hidden world where ancient cave dwellings house crystal dripstones and a shadowy all-knowing entity.  

We are all very happy with how our first album turned out but we wanted to go bigger by tying Reminiscence to a specific concept”, guitarist Tommaso Cappelletti says.

Bassist Jean-Claude Rossignol explains further. “What we’ve created is a ‘lost album’, sent from an unknown civilization that’s both futuristic and extremely primitive. Through psychic powers and capabilities that transcend earthly comprehension, these primordial extraterrestrials have achieved total neural unity. Yet innate wickedness still lures inside of them, harboring the need for preys, scalps and lust”.

Old-school heshers will raise horns upon recognizing the mark of the greats on “Oracle’s Rift”. “We still play old-school tech-thrash", assures guitarist Andrea Granauro. But while faithful to both Atheist and Dark Angel as it is scrupulous to Coroner, Reminiscence isn’t an attempt to recall death metal’s glory days.

“You’ve never known the face of death / But now it becomes yours”, drummer Andrea Feltrin growls from deep within the many twisted passages of the album’s new single. As Miscreance tear through the final sprint of “Oracle’s Rift” before cleansing themselves in the fires of hell, the last thing you see – or hear – is death metal’s future mutating right before our eyes into an otherworldly fusion of whammy bar and bongo.

While recorded in Italy, Miscreance discovered the concept for Reminiscence by sifting through the sands of time. Along with splintering riffs and trippy tempo shifts, the band uncovered a hidden world where jungle-dwelling hunters and digeridoo coexist with strange tongues, telepathic surgeries and a burning celestial corpse. As imagined by Iranian artist Mona Shiraz, the album’s cover art is a modern interpretation of the kind of painting that was all the rage during the Stone Age. “What we’ve created is a ‘lost album’”, Rossignol says. “It comes from an unknown civilization that’s both futuristic and extremely primitive. Through psychic powers and capabilities that transcend earthly comprehension, these primordial extraterrestrials have achieved total neural unity. Yet innate wickedness still lures inside of them, harboring the need for preys, scalps and lust”. Climbing “The Moaning Hill” is not for the faint of heart, but the intricate twists along its perverse path lead to truly sacred pleasures.

       

“You’ve never known the face of death / But now it becomes yours”, Feltrin growls amidst the many peaks hidden within “Oracle’s Rift”. As the band tear through a torturous passage with ruthless precision, the last thing you see – or hear – is death metal’s future mutating right before our eyes.

With Reminiscence, Miscreance unlock a mind-altering experience of old-school technical death metal.

Lineup
Andrea Feltrin - Drums and Vocals
Jean-Claude Rossignol - Bass
Tommaso Cappelletti - Guitars
Andrea Granauro - Guitars

Guest musicians
Leo Di Angilla - Percussion, Digeridoo, Flute, Berimbau

Recording and Production Credits
Recording Studio - Bridge Produzioni Audio in Susegana, Italy
Mixing and Mastering Studio - Majestic Studio in Silea, Italy
Producer - Marino De Angeli
Mixing, Mastering and Sound Engineer - Marino De Angeli

Cover art
Mona Shiraz

Follow Miscreance
Apple Music: https://music.apple.com/us/artist/miscreance/1502815524
Spotify: https://open.spotify.com/artist/2v4mzDLx1JSnxzq8CsYDzD
Bandcamp: https://miscreance.bandcamp.com/music
YouTube: https://www.youtube.com/channel/UC09Rq5Qo2p914wCf7PVFjqQ
Facebook: https://www.facebook.com/Miscreance/
Instagram: https://www.instagram.com/miscreance_official/

DUNCAN EVANS AND THE WEEPING STARLIGHT Present Introspective New Single "Waiting For Rain"

The new single release "Waiting For Rain" sees DUNCAN EVANS AND THE WEEPING STARLIGHT delve into the unpredictable nature of creativity and inspiration, and the frustration this brings. The band's forthcoming album, The World is a War Zone, is scheduled to arrive on September 18, 2026 via Widowbird Records.

"The early verses talk about feeling imprisoned and 'unanswered prayers'".Explains Duncan Evans. "As the song progresses the verses become more hopeful, speaking of how we can find inspiration from within. The chorus uses metaphors including 'rainfall', 'starlight' and 'heaven' to talk about how we can find the motivation we need from inside ourselves."

DUNCAN EVANS AND THE WEEPING STARLIGHT's use of this imagery occurs throughout The World is a War Zone. In "Waiting For Rain", these themes direct attention inward portraying motivation as something to be cultivated rather than granted at will.

Musically, in the verse of "Waiting For Rain", the band borrows its steady-paced rhythms and dominant guitar hook from folk rock. Accompanied by vocal arrangements that are simple and stark, tension is built ahead of the chorus through movement between major and minor keys. "Waiting For Rain" opens into an intense and frantic chorus that sees discordant touches balance against the lead vocal melody. 

The World is a War Zone marks the first full-length release under the name DUNCAN EVANS AND THE WEEPING STARLIGHT. Formed in 2022 to reflect the emergence of a committed three-piece lineup, the band channels intense post-punk dynamics through the dark and primal undercurrents of folk music. Across nine tracks and 45 minutes, the album explores faith, psychological upheaval, suffering and renewal, navigating the internal battlefields that shape modern existence while holding fast to the possibility of redemption.

About DUNCAN EVANS AND THE WEEPING STARLIGHT:

DUNCAN EVANS AND THE WEEPING STARLIGHT is the collaborative evolution of songwriter and multi-instrumentalist DUNCAN EVANS, built around a committed three-piece lineup that transforms intimate compositions into expansive, emotionally charged performances. Formed under this name in 2022, the project reflects a shift from solo authorship toward a unified band dynamic, where arrangements are shaped collectively and the music breathes with the chemistry of a live unit.

At its core, the band fuses post-punk intensity with the dark and primal undercurrents of folk music. Hypnotic bass lines and powerful, nuanced drumming provide a muscular foundation for chiming guitar arpeggios, warm organ textures and sheets of atmospheric noise. The songs often move through shifting time signatures and dramatic dynamic contrasts, flowing from sparse, fragile passages into towering crescendos with a sense of purpose and emotional weight.

Lyrically, DUNCAN EVANS AND THE WEEPING STARLIGHT explores faith, doubt, suffering, transcendence and the search for meaning in a fractured world. Religious imagery frequently appears, reframed as metaphor and directed inward rather than toward distant absolutes. The writing confronts catastrophe and psychological turmoil with unflinching honesty while holding onto the belief that renewal and redemption remain possible.

The result is a sound that feels sombre, mournful and fiercely committed, grounded in the traditions of post-punk and folk yet shaped by a distinctly personal vision.

DUNCAN EVANS AND THE WEEPING STARLIGHT is:
 

  • Duncan Evans – vocals, guitars, synths, software instruments

  • Ol Jessop – bass guitar

  • Kev Reid – drums


Connect with DUNCAN EVANS AND THE WEEPING STARLIGHT:

Official Website: https://www.duncanevans-music.co.uk/
Bandcamp: https://duncan-evans.bandcamp.com/
E-Shop: https://www.duncanevans-music.co.uk/shop/
Facebook: https://www.facebook.com/duncanevansmusic
Instagram: https://www.instagram.com/duncanevansmusic
Twitter/X: https://www.x.com/devansmusic

The Ocean Share New Single "Belligerence"

"Belligerence," the second single off The Ocean's upcoming 12th studio album Solaris is a heavy one: A song that makes reference to the band's older albums while imbuing it with a fresh sense of intensity. Listen below.

New vocalists Enrico Tiberi's vocals deliver a familiarity and energy that is sure to resonate with long-time fans of the band. Meanwhile, Lane Shi (Otay:Onii), who used to sing for the American band Elizabeth Colour Wheel, adds a new direction to The Ocean's sound, comprising elements and experience as a musician and performance artist who has appeared at events such as CTM, Biennale, or as part of Florentina Holzinger's polarizing opera Sancta. When Shi's and Tiberi's voices meet in the harmonized verses, it's moments of unprecedented beauty. 

"Belligerence" draws parallels between the cosmic explorations of Tarkovsky's 1972 film Solaris — the inspiration behind the band's new album — and the explorative nature of artists and current-day political leaders. One of the last lines of the lyrics of "Subatlantic," the closing track of Holocene is "prepare for departure" — invoking the idea of a group of survivors embarking on a ship to take them away from a sinking mothership earth, to build a new place to live in space.

Solaris is an album that tells a story of cosmic escapism:  journey on that ship, which is essentially a celestial rescue boat escaping from a metaphorically sinking Mother Earth. The rescue boat can be imagined as a historic naval vessel, and the lyrics and episodes of the album  make reference to the real-life explorers of the past who set out to discover (back then) unknown continents and uncharted territories: Da Gama, Magellan, Sir Frances Drake, as well as the Polar explorers Amundsen, Scott, Rasmussen etc.

The stories of these historic journeys all share similar elements: Storms, disease, wreckage, power games, personal rivalries, egos, belligerence, mutiny, AND finally the quest for truth and justice. While most explorers initially had noble motives and were driven by a limitless spirit of exploration and discovery which was stronger than the many hardships suffered along the way, their legacy is often stained with cultural imperialism, genocide and tales of dictatorial leadership.

Far from being a glorification of male, white explorers who sought to colonize unknown worlds, or a romanticization of patriarchal constructs, Solaris draws a line between these extremely driven explorers and present-day political leaders. It poses questions of the shadowy darkness of being a "great" leader, it queries the very notion of a divine calling and the cost of following such an instinctive pull. It also traces the shape of these psychological patterns into the creative world and applies the same lines of enquiry to creative forces. Can exploration be redefined to be conceived as a process of silent observation, documentation and learning, rather than bequeathing our own ideas and values on others?

The album serves as a critique of the underlying motives and psychological dispositions of an explorative mindset and a thirst for power. It is an existential questioning, a probe of reason of the general purpose of technological advance, in the specific light of the destruction of our habitat. It's a dystopian outlook into a future where Earth has become uninhabitable – not despite, but as a direct consequence of human intelligence, as the foundation of technological advance.

The band comments, "'Belligerence' is a song about the culture of arguing and about the destructive force of contained anger and belligerence as a trait of character, often transfigured as an attribute of reason and a critical mind."

THE OCEAN IS:
Robin Staps — Guitar, Cocals
In addition, the following musicians performed on this record:
Mattias Hägerstrand — Bass 
Jordi Farré — Drums + Percussion
Thorsten Quaeschning — Keys 
Enrico Tiberi — Vocals + Keys
Lane Shi — Vocals 
Emmanuel Jessua — Guitar
Marco Gennaro — Guitar 
Orestis Zafiriou – Keys
Simen Eifring — Trombone
Jiawei Zhang — Vibraphone

JAH WOBBLE & TIAN QIYI recast 'Strawberry Fields Forever', heralding 'Mystic Liverpool' album

Legendary bassist and producer Jah Wobble and Liverpool-based duo Tian Qiyipresent 'Strawberry Fields Forever', ushering in their new album 'Mystic Liverpool: The Beatles' Psychedelic Psongbook', out August 14th via Cherry Red Records and Wobble's label 30 Hertz. Previewed by the lead track 'Tomorrow Never Knows', this is a deeply personal reimagining of The Beatles’ psychedelic period, these songs are framed within a soundscape of Chinese, Mongolian and dub traditions.

These songs may have been penned by John Lennon and Paul McCartney, but Jah Wobble (aka John Wardle) and his sons John T Wardle and Charlie Wardle (aka Tian Qiyi) have made these songs uniquely their own. 'Mystic Liverpool' draws on Wobble’s signature dub bass, John T’s drums, Chinese percussion and yangqin, and Charlie’s erhu and vocals, while 'Strawberry Fields Forever' sees Charlie play morin khuur with the boys' mother Zi Lan Liao — a Royal Academy of Music–trained harpist and the most recognized gu-zheng performer worldwide — joining on gu-zheng.

Jah Wobble is a founding member of Public Image Ltd (PiL) and formed Invaders of the Heart in 1982. In his 50-year career, he has achieved chart success, a Mercury Music Prize nomination and a rich discography. He has collaborated with Can's Holger CzukayJaki LiebezeitU2's The Edge and producer François Kevorkian, in addition to Sinéad O’Connor, Massive Attack, Ginger Baker, Björk, Brian Eno, Pharoah Sanders and, most recently, Horace Andy on his 'Timeless Roots' album, Ken Boothe on his 'Old Fashioned Ways' album, and Jon Klein on the 'Automated Paradise' album.

Tian Qiyi takes their name from John T Wardle and Charlie Wardle's Chinese middle names, Tian Qi and Tian Yi. Meshing British, Chinese, Mongolian and dub traditions, their music bridges cultures to forge a sound that also weaves in post-punk and experimental production, their sound imbued with magnetic tension between ancient tradition and dub futurism, East and West, land and spirit.

"This is the one that started everything for me — the song that opened my psyche as a small boy in the East End. So it was always going to be the centrepiece of this record. It’s a family track in every sense with Charlie on erhu, morin khuur and vocals, John T on drums and yangqin, and Zi Lan on guzheng," says Jah Wobble.  

"The dub sensibility runs right through it — there’s a lot of space in the mix, a lot of trust in the listener. I don’t think we’ve tried to compete with the original. What we’ve done, I hope, is honour the mystery of it — let it breathe in a slightly different room, with different instruments, and see what happens. It still feels like more than music to me."

JAH WOBBLE TOUR DATES
AUG 14–16 - Suffield, UK @ The Suffield Arms (Suffield Summer ¡Fiesta! 2026)
OCT 3 - Stourbridge, UK @ Katie Fitzgerald's
OCT 16 - Todmorden, UK @ Unitarian Church
OCT 21 - Frome, UK @ The Tunnels
OCT 22 - Bristol, UK @ The Fleece
OCT 23 - Reading, UK @ The Face Bar
NOV 7 - London, UK @ Bush Hall
NOV 25 - Hasselt, Belgium @ Club AFF
NOV 26 - Bruges, Belgium @ Cactus
NOV 27 - Oudenaarde, Belgium @ Harmonie


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Adrian Crowley & Bring Your Own Hammer resurrect the past on 'Quinn The Adventurer' single

Bring Your Own Hammer (BYOH) in partnership with Dimple Discs, continues its acclaimed Music and History Series with the release of "Quinn the Adventurer", a compelling new single performed by celebrated Irish songwriter Adrian Crowley that stands as another striking chapter in this series, bringing an extraordinary true story from Ireland's past vividly into the present through song.

This previews "From the Tombs", This barnstorming  21-song double album is a journey through the history of crime, law and order in Ireland and among the Irish Diaspora in the 19th century.

This is the second BYOH album following "My Grief on the Sea", a collection of songs about the sea, maritime voyages, and migration to and from Ireland during the 1800s, dedicated to Cathal Coughlan (Microdisney, Fatima Mansions), one of Ireland’s most revered artists, who was also involved in this project.

A musical portrait of one of the most remarkable true stories to emerge from the Irish diaspora, "Quinn the Adventurer" tells the extraordinary tale of James Quinn (a.k.a. Tim O'Brien), a young Irish Catholic who left Belfast in 1920 to embark on an astonishing journey across North and South America. By 1924, Quinn had arrived in Hollywood, where he worked as an extra in silent films alongside Charlie Chaplin.

Quinn's adventure took an unexpected turn when L.A. newspapers reported his arrest upon exhibiting a collection of Amazonian shrunken heads at the Long Beach Pike amusement park. Charged with the theft of the collection (valued at $25,000), Quinn was convicted of first-degree burglary and sentenced to San Quentin State Prison. Yet, thanks to the extraordinary twists of his life, he never served his sentence, instead skipping bail before resurfacing in Panama, on his way to Havana, Cuba.

Adrian Crowley's rich, unmistakable voice and masterful storytelling transform Quinn's remarkable journey into an evocative ballad that captures the spirit of adventure, reinvention and myth. The song invites listeners to imagine themselves crossing the Caribbean alongside Quinn, hearing first-hand the stories of a life lived on the edge of history.

One of Ireland's most distinctive musical voices, Crowley has spent more than two decades crafting music celebrated for its poetic depth, haunting narratives and resonant baritone. An award-winning songwriter, singer and composer, his most recent album "Measure of Joy", produced by the acclaimed John Parish, received widespread critical praise and radio support.

Bring Your Own Hammer is a masterclass in collaborative artistry that unites historical scholarship and contemporary composition. Curated by Dr. Richard Mc Mahon(lecturer in History at MIC, Limerick and currently a visiting fellow at the Institute of Criminology, University of Cambridge), BYOH explores forms of invented history, rooted in historical sources from Ireland and overseas, with support from Dr. Niall Whelehan(senior lecturer at the University of Strathclyde in Glasgow, who has written widely on the history of modern Ireland and the Irish diaspora with a focus on the 19th century).

Bringing some of Ireland’s and Britain’s finest songwriters together with historians to create new and original song cycles based on historical sources and to interpret song material rooted in the history of 19th-century Ireland and of the Irish Diaspora. Not a band, nor an ensemble or even a collective, Bring Your Own Hammer is a faction - one that is armed with voices and instruments and dedicated to re-interpreting historical material in song form.

Other contributors to this landmark album include Sean O’Hagan (Microdisney, Stereolab, High Llamas), Audrey Riley, Cian Nugent, Linda Buckley, Tony Higgins, SJ McArdle, Michael Walsh, Lisa LambeLuke Haines (The Auteurs, Baader Meinhof), Miriam Ingram, Hugh Bunker (Fatima Mansions), Damian O'Neill (The Undertones), Brigid Mae Power, Anne Gilpin (Morton Valence),  Lavinia Blackwall (Trembling Bells), Inni-K, NQL. Kelsey Michael, Neil Farrell (Toasted Heretic) and Michael J. Sheehy. 

As of July 10, "Quinn The Adventurer" is out on digital platforms, such as Apple Music, Spotify. and Bandcamp, where 'My Grief On The Sea' is also available on CD and imited Edition vinyl.

CREDITS
Written Adrian Crowley
Adrian Crowley - vocals, guitars, mellotron
Mixed by maxo
Mastered by Seán Mac Erlaine
Produced by Adrian Crowley
Publishing: Domino Publishing Co. Ltd.
Cover design by Paul Callanan & Richard Mc Mahon
Released by Bring Your Own Hammer & Dimple Discs
Publicity by Shameless Promotion PR


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Goroda Release New Single + Video “Do Something Wrong” feat. Bobby Amaru of Saliva

Hard rock band GORODA have unleashed their new single and music video, "Do Something Wrong," featuring Bobby Amaru of Saliva, available now via Judge & Jury Records.

 

After GORODA opened for Saliva at a sold-out show earlier this year, the bands connected. The mutual respect and appreciation they developed led them to join forces and create “Do Something Wrong.”

 

“Our song 'Do Something Wrong' showcases our creative potential and highlights the genres in which we particularly excel in. The track features a striking musical break, as well as a collaboration with a band that has inspired us for many years. In many ways, the song is a scream, not so much for help, but rather as a response to the tense situations unfolding in the modern world. Through this piece, we aim to show that there is always another way to act…that things can be done differently,” shares the band. 

 

Bobby Amaru adds, "When they sent me the song idea, the first thing that grabbed me was the message. From the lyrics alone, I knew they were writing for the world, not just for themselves. It carried a powerful message of unity and hope, and I felt connected to it right away. I also have a lot of respect for their work ethic and the passion they put into everything they do, so it was an easy yes for me."

Lyrically, "Do Something Wrong" challenges the notion that people should be forever defined by where they come from, the mistakes they've made, or the history they've inherited. Instead, the song emphasizes that what truly matters is where you stand today, what you stand for, and who you choose to stand beside. Through its message, GORODA encourages listeners to connect across differences, reject division, and embrace shared humanity. "Do Something Wrong" captures that spirit while introducing the band to an even broader audience through their collaboration with Bobby Amaru.

 

Musically, GORODA has carved out a sound all their own. Drawing from influences that span synth-wave, progressive jazz, classical music, and modern hard rock, the band blends technical musicianship with emotionally charged songwriting to create an unmistakable sonic identity. Their songs serve as vehicles for collective reflection, urging society to confront its mistakes and resist the corrupt officials and institutions of power. 

 

“Do Something Wrong” feat. Bobby Amaru of Saliva is available now on all major streaming platforms!

 

STREAM "Do Something Wrong"

https://ffm.to/dosomethingwrong

hot mess Chase The Feeling Of A Neon Night On New Single "Take Me Home"

Milwaukee pop rock upstarts, hot mess, have today released their latest track, "Take Me Home", a neon lit, pulse racing anthem that marks a bold step for the rising band. Expanding on their knack for infectious hooks and raw-edged energy, hot mess lean into their cinematic, synth-driven production on "Take Me Home", all while holding tight to the grit that captures the impulsive rush of a late night drive or crowded dance floor. Fans can stream "Take Me Home" BELOW.

Built on shimmering, retro-futuristic synth layers and driven by a punk rock backbone, "Take Me Home" finds hot mess fusing 90s nostalgia with a distinct modern edge. At its core, the brand new track is a plea stripped of pretense, yearning for someone or something with total, unguarded intensity and embracing the kind of fleeting, all-in moments that feel like they might not come twice.

Speaking on the DNA of "Take Me Home", bassist Trevor Gallagher shares:

"This is the ultimate track to kick off our new era. The song blends 80’s Blade Runner esque synth layers, with Mötley Crue levels of swagger and punk rock energy. But the 80s are long gone. We needed some new heat for a new day. Something nostalgic enough to get you interested and cool enough to make you stick around for the whole party."

Only six songs into their career, hot mess are still in the earliest chapters of their story, yet the trajectory is unmistakable. Colliding a danceable pop rock with a streak of pop punk grit, the band deliver songs that feel instantly familiar and endlessly replayable. Hook heavy and high energy, hot mess are just rough enough around the edges to hint that something bigger is beginning to take shape.

Stay tuned for more news from hot mess soon.

Photo Credit: Ariel Kassulke