Enter Shikari Surprise Release New Album 'LOSE YOUR SELF' via SO Recordings

With zero announcements or teasers from the band, Enter Shikari have a surprise release, their brand new album! Lose Your Self (released via So Recordings) spans 12 tracks exploring themes of desolation, futility and complete despair at the state of the world, but with glimmers of hopefulness and optimism threaded throughout. Whilst the likes of major pop stars including Beyoncé, Taylor Swift and Justin Bieber who have famously released albums out of the blue over the years, Enter Shikari have managed to not only release Lose Your Self digitally, but also physically, unlike their predecessors. As of right now (12am BST on Friday, April 10th), this accomplished and ingenious body of work is available to stream and also buy in CD and vinyl format worldwide. Listen Below.

Frontman Rou Reynolds articulates,

"We’re delighted to present LOSE YOUR SELF, and give people the chance to hear a Shikari record like never before - as a cohesive whole. We want people to go on a proper journey with this album, and see where it takes them. 

No lead up, no singles, and no explanation. Forcing the listener to actually listen, without being drip-fed ideas out of context, or spoon-fed explanations. We simply present it all, for the listener to immerse themself in.

Releasing in this way was also a decision to not be distracted by chart races, or accolades and “things”. 

We got the No.1 album on our last record. This is simply about the music being presented in a natural way.

Despite turning out to be one our darkest and heaviest albums to date, it also preaches hope and offers answers. 

Shikari will always offer hope, because without hope there is no action. We’ll just always offer it with a dose of realism.” 

Earlier this year, Enter Shikari announced a UK and EU headline arena tour for November, their biggest yet, a headline run in Australia in May, and two headline runs in North America - the first hitting the East Coast in June, where they will be joined by Boston Manor and Initiate as support, the second hitting the West Coast in September and October with Initiate and main support TBA.

The EU dates kick off on 3rd November at the Sporthalle in Hamburg, and include the band’s biggest ever German headline show, at Düsseldorf’s Mitsubishi Halle, boasting a capacity of 7500! The band will then begin the UK leg of the tour in Nottingham at the Motorpoint Arena on 13th November. Gigs in cities including Cardiff, Hull, Glasgow and Manchester will follow, before ending with not one but two shows at London’s Alexandra Palace on 20th and 21st November! All dates, information and tickets for all live dates can be found here.

Every ticket sold for the band’s UK arena tour dates will include a £1 donation to the Music Venue Trust, supporting grassroots music venues under threat of closure in the UK. Enter Shikari were the first artist to implement the scheme which is one very close to their hearts, with ticket sales from their 2024 arena tour carrying the donation, paving the way for the likes of Sam Fender and Coldplay to follow suit with their own generous donations. 

The highly-anticipated November tour is the band’s first arena tour since their A Kiss For The Whole World tour in 2024, celebrating their album of the same name landing them their first ever UK No.1 album in the Official Charts, where they had previously scored 6 Top 10 albums! The 2024 tour included their raucous debut Wembley Arena show. The four-piece last year released Live At Wembley, the triumphant live show recorded in full available on streaming services, and on a limited run of vinyl available at only four record stores worldwide. You can also watch the full show here, which features footage from the first FPV (first-person view) drone to be flown live at Wembley Arena! 

During their remarkable and celebrated career, Enter Shikari have received several accolades in the form of gongs from NME, Kerrang!, Rock Sound, Heavy Music Awards and more. They have played a whopping 3000+ live shows around the world including three headline arena tours in the UK, supported the likes of The Prodigy and Linkin Park and played festivals such as Glastonbury, Reading & Leeds, Download and Slam Dunk where they also headlined in 2023.

LOSE YOUR SELF arrives at a moment when Enter Shikari's trajectory has never been steeper. Their seventh record, A Kiss For The Whole World, gave them their first UK Official Albums Chart No.1 in 2023, completing a run of seven consecutive top-five debuts. The subsequent arena tour included a landmark first headline performance at London's Wembley Arena, later documented on the live album and film Live From Wembley. This November, the band embark on their biggest UK and European arena tour yet, taking in two nights at London's Alexandra Palace, Glasgow's OVO Hydro, Manchester's Co-op Live, and their first ever German headline arena show. North American headline dates are confirmed for the East Coast in June and the West Coast in September/October, along with performances at Vans Warped Tour in Washington D.C. and Summerfest in Milwaukee, WI.

Renowned worldwide for spectacular, innovative live shows that blur the line between concert and communal release, Enter Shikari have built a reputation as one of the most joyously incendiary bands actively touring today. Their production-led performances, featuring arena-scale laser and lighting rigs, regularly see band members launching themselves into the centre of the crowd. Over 3,000 shows worldwide and counting, with headlining performances at major festivals including Slam Dunk, Reading and Leeds, and Download Pilot alongside three UK arena tours. There are few bands working harder or putting more of themselves into every performance they give.

Enter Shikari's North American headline tour begins June 10 in Boston. Tickets available at entershikari.com.

Chronicler Of Ardul Releases Sounds of Ardul

Sounds of Ardul is a sweeping orchestral journey into the dark fantasy realm of Ardul, composed by David Williams of CHRONICLER OF ARDUL. Instead of relying on metal elements, the album embraces cinematic storytelling through rich symphonic textures, intimate folk tunes, and atmospheric worldbuilding. Each track feels like a moment from a larger adventure, guiding listeners through taverns, shadowed forests, ancient mists, and violent clashes. With recurring motifs, emotional character themes, and evocative arrangements, Sounds of Ardul invites audiences to step directly into the world itself, experiencing its wonder, danger, and humanity firsthand.

“Watch Over Me (feat. EXILED HOPE)” opens the album as a bardic folk song carried by clean guitar, violin, hand percussion, and the expressive voice of Sofia Frasz, following a lost traveler yearning for home while navigating the perilous roads of Ardul. “Watch Over Me (Village Version)” shifts to a smaller, more comforting space, portraying the safety and simplicity found within village walls through a short instrumental loop of guitar and violin. “You’re Gone (feat. SYYN)” brings the emotional weight of loss to the forefront, with Aaron Johnson III delivering a somber tavern ballad about love, its fleeting beauty, and the devastating revelation of death that reshapes the meaning of each chorus.

The album’s world building takes a lively turn with “Oh Me Oh My,” a rowdy late-night tavern song featuring vocals by David Williams, built from stomps, claps, bottle taps, and a catchy refrain meant for drunken patrons. “Woodlands” ventures outside into the dark beauty of Ardul’s forests using strings, harp, clarinet, piano, and choir to evoke mystery and deceptive warmth. Its variations expand that setting: “Woodlands (Alternate Version)” isolates the listener with cello, piano, and harp, while “Woodlands (Battle Theme)” heightens the danger with brass, percussion, and rhythmic urgency as hidden threats reveal themselves.

“In the Mists of the Myrewood (Remastered)” returns to the foundational themes of the larger Ardul mythos. A solo piano piece born early in the project’s history, it whispers with darkness and elegance, building into the thick, treacherous fog that defines the Myrewood. “Veiled Truth” explores moral ambiguity through shifting strings, piano, choir, and guitar, reflecting the uneasy question of whether familiar faces can be trusted. “Unwelcomed Guests” continues the rising tension with timpani heartbeats, clacking percussion, unsettling strings, and a divided choir as an unwelcome figure approaches with unclear intentions.

“To Arms! (String Quintet)” marks the snapping point where conflict erupts, delivering an intimate yet fierce battle theme reminiscent of classic RPG duels. “Temporary Respite” pulls the listener back into calm with soft piano and choir, offering a resting place after turmoil. “Moments From Disaster” churns with heavy drums, tense strings, rumbling voices, and pounding piano, capturing the split second before catastrophe when every instinct screams to act.

“Underground” descends into the cold, winding depths beneath Ardul where dissonant strings, heavy drums, male drones, and brooding piano create deliberate disorientation. “Underground (Alternate Version)” tightens the space to a quieter but more claustrophobic passage lit by a single torch. “To Arms!” unleashes the full symphonic battle, a large-scale conflict with expanded orchestration and dramatic intensity.

The album’s final bard song, “Zarek the Bloody,” introduces a legendary figure whose reputation is both heroic and ominous. With accordion, bass, percussion, and vocals by David Williams, the piece hints at Zarek’s deeds, the cursed blade he wields, and his place in the greater Ardul narrative.

Sounds of Ardul also includes extended ten-minute looping versions of twelve tracks, crafted for worldbuilders, tabletop players, writers, and listeners who want to immerse themselves even further. As the third pillar of CHRONICLER OF ARDUL’s overarching project, this album expands the world’s scope while maintaining musical motifs that connect past works to future stories. 

About CHRONICLER OF ARDUL:

CHRONICLER OF ARDUL is the cinematic dark fantasy project created by composer and multi-instrumentalist David Williams, blending orchestral storytelling with the atmosphere and intensity of extreme music. Formed in 2023, the project explores the mythic world of Ardul through three creative pillars: metal, orchestral composition, and written narrative. Every release expands the lore, using recurring motifs, character themes, and emotional worldbuilding to connect albums, stories, and songs into one cohesive universe. Influenced by SHADOW OF INTENT, MENTAL CRUELTY, Nobuo Uematsu, and Yasunori Nishiki, CHRONICLER OF ARDUL approaches concept music with the depth of a novel and the drama of a film score.

The project began as an idea in 2015 and has since grown into a multi-medium saga, starting with the Myrewood EP in 2023 and continuing with Sword of Virné and accompanying short stories. Williams handles all writing, recording, mixing, and artwork, giving the project a distinct voice anchored in emotional honesty and narrative purpose. Every melody is intentional and often foreshadows future events in the overarching story, creating a world that rewards close listening. CHRONICLER OF ARDUL stands as a unique fusion of fantasy, composition, and immersive storytelling, inviting listeners not only to hear the music but to live within the world it creates.

Connect with CHRONICLER OF ARDUL:

Official Website: chroniclerofardul.com
Bandcamp: https://chroniclerofardul.bandcamp.com/
Facebook: https://www.facebook.com/p/Chronicler-of-Ardul-100063489851273
Instagram: https://www.instagram.com/chronicler_of_ardul
YouTube: https://youtube.com/@ChroniclerOfArdul
Spotify: https://open.spotify.com/artist/5h3LfVFyzZA7Tl0eBhQxKg
Apple Music: https://music.apple.com/us/artist/chronicler-of-ardul/1678862672
TikTok: https://www.tiktok.com/@chronicler_of_ardul

Once To Die Release New Single "Endure" via Mindful Recordings

Southern California band Once To Die released their brand new single “Endure” via Mindful Recordings. The track serves as the second song on The Conquest: Volume 1, the band’s upcoming release and the first chapter in their developing campaign.

 

"Endure" was formed with the idea of reminding every individual that there is a power inside us all to endure anything in life.  Tragedy and loss are inevitable but the strength inside you is the answer.

From the chaotic depths of Southern California, Once To Die was formed in the spirit of introducing powerful yet rupturing experience. Forcing an untainted memorandum that what we face in this life can be conquered against overwhelming odds.  The path of conquest we leave in our wake is yet a distinction of the hereafter.

 

With “Endure,” Once To Die begins the next step in their path forward, setting the tone for what’s to come on The Conquest: Volume 1—a release built on resilience, confrontation, and the relentless will to survive.

 

STREAM "Endure" :

https://ffm.to/endure-09xe

Once To Die:

Jason Morrison - Vocals
Justin Bundy- Guitar
Mark Pistone Guitar
Hector Gonzalez- Bass
Austin D’Amond- Drums

 

For More Information Please Visit:

Official Website

Instagram

Facebook

TikTok

YouTube

APOSTLE Announces New Single “Illusion of Loss”

APOSTLE unveils their latest single, “Illusion of Loss,” a dynamic and emotionally charged composition that offers a glimpse into the band’s forthcoming full-length album, A Splinter in the Infinite Noumenon, arriving June 5, 2026 via Terminus Hate City.

“Illusion of Loss” begins with a sharp, brief breath before an angular and moody guitar and bass melody settles over a plodding, swinging half-time drum groove. Murice White's vocal cadence moves fluidly within the arrangement, locking into the rhythm as the song unfolds. A sudden, deliberate drop in intensity introduces an arpeggiated and introspective passage driven by a rolling snare, gradually building toward a release carried by a mid-tempo blast beat.

The track expands in scope as Murice’s tremolo-picked lead cuts through with urgency while his vocals rise in intensity. Michael’s bass provides a steady melodic anchor, shaping the mood beneath shifting textures. A discordant, arpeggiated lead slices through the mix while Evan’s drumming shifts into a driving double bass pattern that pushes the song forward before returning to a reprise of its opening movement. The closing moments feature a distorted spoken sample describing barely livable conditions in a city, extending the song’s thematic reach outward.

“Illusion of Loss” reflects on the fragility of life, the isolation that can accompany grief, and the internal changes that follow. The song draws from the experience of personal loss and the emotional weight that lingers in its wake. It considers how loss reshapes identity, how it brings forward buried parts of oneself, and how memory can guide purpose moving forward. The connection between individual grief and shared human experience remains central throughout.

The album title references Carl Jung’s description of humanity as a “splinter in the infinite deity,” framing the record as an exploration of spiritual duality, grief, and self-examination. Across six tracks and 27 minutes, the band move through themes of loss, mortality, internal conflict, and eventual healing. The record serves as both a meditation on the human condition and a deeply personal tribute shaped by grief and remembrance.

Produced, engineered, and mixed by Connor Ray at Sobek Sound and mastered by Erol Ulug at Bright Lights, A Splinter in the Infinite Noumenon presents APOSTLE in their most refined and expansive form.

Pre-order A Splinter in the Infinite Noumenon here: https://www.terminushatecity.com/product-page/preorder-apostle-a-splinter-in-the-infinite-noumenon-lp

Their latest album, A Splinter in the Infinite Noumenon, represents the band’s most fully realized work to date. Drawing from existential philosophy and deeply personal experiences with grief and remembrance, the record explores humanity’s connection to something greater while acknowledging the struggle inherent in being human. Across its runtime, APOSTLE seek connection through shared emotional experience, transforming personal suffering into collective release.

APOSTLE is:

Murice White – vocals, guitar
Michael Thomas – bass, vocals
Evan Price – drums

Connect with APOSTLE:

Bandcamp: https://apostlesucks.bandcamp.com
Store: https://www.terminushatecity.com
Instagram: http://www.instagram.com/apostlesucks
Facebook: http://www.facebook.com/apostlesux
Spotify: https://open.spotify.com/artist/67cjLOrbhdb2gFmS9OJKfS
YouTube: https://youtube.com/@terminushatecity

Out Today From Melechesh - Sentinels of Shamash

With Sentinels of Shamash, MELECHESH enters a ceremonial descent into ancient law, fire, and cosmic vigilance. This EP does not simply revisit mythological themes. It inhabits them. Rooted in the solar authority of Shamash, god of truth and justice in Mesopotamian cosmology, the record burns with the tension between chaos and sacred order, between ruin and restoration, between mortal defiance and divine decree.

From its opening moments, Sentinels of Shamash unfolds like a sacred inscription carved into stone tablets beneath a bronze sun. The riffs arrive not as decoration but as proclamations. Rhythms move with ritual precision, evoking procession, invocation, and judgment. Each composition feels deliberate, architectural, constructed with the gravity of an ancient temple rising from desert sands. The vocals do not merely narrate. They command, intone, and summon, channeling a presence that watches from above with unwavering clarity.

The conceptual axis of the EP rests on vigilance. Shamash was not only a solar deity but the eternal witness, the eye that sees all deeds beneath daylight. In that spirit, the sentinels of the title stand as guardians of cosmic balance, positioned at the threshold where disorder threatens to consume structure. Across the EP, forgotten gods and fallen kings emerge from shadow, their legacies weighed against the scales of divine law. Fire becomes both destroyer and purifier. Judgment becomes both terror and restoration.

MELECHESH has long forged a sound that binds ancient Near Eastern mythology with extreme metal intensity, and here that fusion feels sharpened and distilled. Middle Eastern melodic inflections weave through commanding, down tuned riff architecture. The percussion carries a ritualistic cadence that feels older than the genre itself. The sonic landscape suggests wind across temple ruins, bronze weapons glinting in sunlight, and inscriptions etched in cuneiform that speak of decree and consequence. The band does not modernize myth for convenience. Instead, it allows myth to remain vast, severe, and unyielding.

What makes Sentinels of Shamash resonate is its refusal to treat antiquity as ornament. The EP positions ancient law as a living force, a reminder that civilizations rise and fall under the gaze of forces greater than themselves. In a world that often feels untethered from order, these songs confront the listener with the weight of accountability and the inevitability of reckoning. Yet within that severity lies restoration. Balance is not static but earned through trial, fire, and endurance.

Sentinels of Shamash stands as a mythological statement shaped in flame and discipline. It is a work of vigilance, a declaration that truth remains luminous even in eras of shadow. The sentinels do not sleep. The sun does not close its eye. And through relentless sonic force, MELECHESH reminds us that judgment is eternal, and order, though challenged, will rise again in fire.

MELECHESH’s influence extends beyond sound. By integrating ancient Mesopotamian history, Sumerian mythology, and occult symbolism into extreme metal, the band opened new conceptual territory within the genre. Their work has been cited as a catalyst for broader acceptance of culturally rooted themes in metal, inspiring artists worldwide to explore their own heritage through heavy music. Critics and peers consistently acknowledge the band’s originality, discipline, and longevity.

In recent years, MELECHESH has continued to operate with creative independence and a global perspective. The Sentinels of Shamash era reflects a renewed focus on intensity and atmosphere, capturing the band’s enduring fire and refined songwriting approach. Their current performances draw from the full depth of their catalog, presenting both classic material and newer compositions with equal force.

As of 2026, MELECHESH remains a powerful and evolving entity within extreme metal. With over thirty years of artistic dedication, the band continues to embody a borderless spirit and a commitment to innovation. Their music stands as a bridge between ancient civilizations and contemporary extremity, forged through discipline, vision, and unwavering creative resolve.

Credits:

PRODUCED BY 
Ashmedi 


CO-PRODUCED BY 
Rob Caggiano 

Kristian “Kohle” Kohlmannslehner 


MIXED & MASTERED BY 
Kristian “Kohle” Kohlmannslehner 


EXTRA PRODUCTION 
Rob Caggiano – Rearrangements on "In Shadows In Light", Played and Recorded All Bass Lines, Backing Vocal 

Kristian “Kohle” Kohlmannslehner – Sonic effects & “Cosmic Spice” 


THE MELECHESH COUNCIL 

Ashmedi – Vocals, 12-string & 6-string guitars, percussion 
Nikitas Mandolas – Drums 

Rob Caggiano – Bass 

Guest vocals on “The Seventh Verdict” by Jessica Pimentel 


STUDIOS & RECORDING 

Kohlekeller Studio, Germany – Engineering by Daniel Claar and Kristian “Kohle” Kohlmannslehner 

Neverworld Recordings, New Jersey , USA – Main vocals recordings engineered & co-produced by Rob Caggiano, Kingsize Soundlabs, Eagle Rock, Los Angeles, USA – Additional main vocal recordings, engineered & co-produced by Rob Caggiano 
Forneus Studio, Holy Land – Additional recordings by Tom Coen 


ADDITIONAL CONTRIBUTIONS 

Bass (studio): Rob Caggiano 

Group backing vocals: Rob & Nikitas 

Percussion (darbuka, djembe, daff, bongos): Ashmedi 

Music & lyrics: Ashmedi 

Guest contribution: Moloch 


ARTWORK & VISUALS 

Cover art: Néstor Ávalos 

Photography: Maja Mekina 


EXECUTIVE PRODUCER 

Gerardo Martinez – Reigning Phoenix Music

Connect With MELECHESH: 

  • Facebook: https://www.facebook.com/melecheshofficial

  • Instagram: https://www.instagram.com/melechesh_official

  • Twitter/X: https://twitter.com/Melechesh

  • YouTube: https://www.youtube.com/@MelecheshOfficial

  • Bandcamp: https://melechesh.bandcamp.com

  • Spotify: https://open.spotify.com/artist/1xT4Y7Qz2nJ6TP2PzefRgS

  • Apple Music: https://music.apple.com/artist/melechesh/2912018

  • Deezer: https://www.deezer.com/en/artist/11971

UADA Streams New Acoustic Album 'Interwoven' Ahead of Physical Release, Kicks Off North American Tour

As promised, enigmatic black metal horde UADA is now streaming its new acoustic album 'Interwoven' in its entirety below!

While the original April 10 release date is still being honored digitally, the physical copies will not be shipped until late May due to delays at the manufacturing plant. The album represents an acoustic journey tracing one song from each chapter of UADA's discography as well as various covers from the bands who've inspired them. 'Interwoven' will be released via Eisenwald and physical copies can be pre-ordered HERE.

In addition, UADA is now hitting the road! The band has joined forces with industrial metal artist MORTIIS for a very special co-headliner, featuring exclusive anniversary sets and supporting performances by Jerome Reuter’s ROME and WRAITH KNIGHT. UADA will be performing their seminal 2016 debut album 'Devoid of Light' in its entirety + a special CERMONIAL CASTINGS 30-year anniversary set featuring Wraith Knight. In addition, MORTIIS shall be performing songs from his groundbreaking 2001 full-length, 'The Smell Of Rain,' along with other volumes of dystopian despair. The tour kicks off tonight, April 10, in UADA's hometown of Portland, OR. The full itinerary can be found below while tickets are now available HERE.

UADA is also celebrating the 10 year anniversary of their debut album, 'Devoid of Light,' with a special reissue! Originally released in 2016, 'Devoid of Light' remains a remarkably focused debut - just five tracks, a little over thirty minutes - and yet a fully formed statement. The 'Devoid of Light (10th Anniversary Edition)' returns in an expanded form. Remastered by Arthur Rizk, who previously handled mixing and mastering for UADA's sophomore album 'Cult of a Dying Sun' and mastering for the acoustic album 'Interwoven,' the material gains depth without losing the character of the original recordings. This edition also includes previously unseen photography by Peter Beste, alongside rare archival material, expanded liner notes, and an exclusive bonus track. It will be released on July 17, 2026 via Eisenwald in CD format and 3 vinyl color variations; it is now available for pre-orders HERE.

Moreover, after much demand from fans, UADA will be returning to Milwaukee Metal Fest for the second time since leaving their mark during the 2024 edition. The festival will take place at The Rave/Eagle's Club from June 4 - 7, with UADA performing on the 7th. More info and tickets can be found HERE.

GET TICKETS HERE

THE WITCHES OF DYSTOPIA TOUR MMXXVI

(UADA + MORTIIS w/ Jerome Reuter’s ROME + WRAITH KNIGHT):

04/10/26: Portland, OR @ Dante's

04/11/26: Vancouver, BC @ Rickshaw

04/13/26: Calgary, AB @ Dickens

04/14/26: Edmonton, AB @ Starlite

04/16/26: Winnipeg, MB @ Sidestage

04/17/26: Minneapolis, MN @ Skyway at Studio B

04/18/26: Madison, WI @ Annex

04/19/26: Chicago, IL @ Reggies

04/20/26: Detroit, MI @ Sanctuary

04/21/26: Indianapolis, IN @ Black Circle

04/22/26: Covington, KY @ Madison Live

04/23/26: Pittsburgh, PA @ Preserving Underground

04/24/26: Toronto, ON @ Lee's Palace

04/25/26: Montreal, QC @ Cafe Campus

04/26/26: Quebec City, QC @ La Source

04/27/26: Boston, MA @ Brighton Music Hall

04/28/26: Brooklyn, NY @ Meadows

04/29/26: Bensalem, PA @ Broken Goblet

04/30/26: Baltimore, MD @ Metro

05/01/26: Raleigh, NC @ Chapel Of Bones

05/02/26: Atlanta, GA @ 529 EAV

05/03/26: Orlando, FL @ Conduit

05/05/26: Houston, TX @ Warehouse Live

05/06/26: Austin, TX @ Come And Take It Live

05/07/26: Dallas, TX @ Club Dada

05/08/26: Albuquerque, NM @ Launchpad

05/09/26: Denver, CO @ HQ

05/10/26: Salt Lake City, UT @ Urban Lounge

05/11/26: Las Vegas, NV @ Swan Dive

05/12/26: San Diego, CA @ Brick By Brick

05/13/26: Los Angeles, CA @ The Echo

05/14/26: San Jose, CA @ The Ritz

05/15/26: Eugene, OR @ John Henry's

05/16/26: Seattle, WA @ El Corazon

Additional UADA Tour Dates:

06/07: Milwaukee, WI @ Milwaukee Metal Fest

photographed by Peter Beste

Recording lineup: 

Jake Superchi - All Vocals, Guitars, and Percussion

Nate Verschoor - Bass

Special Guest:

C.E. Brown - Cello 

Cover Art: Peter Beste

Album Credits:

Engineered and mixed at Obsidian Spells between Summer 2023 and Spring 2024 by Jake Superchi 

Mastered by Arthur Rizk

Stream // Download: https://uada.lnk.to/interwoven

Formats:

Digital

Deluxe CD Artbook

Deluxe 180g Slipcase LP Shadow Black Vinyl

Deluxe 180g Slipcase LP Raven Smoke Vinyl

Deluxe 180g Slipcase LP Wolf's Blood Vinyl

Deluxe 180g Slipcase LP Elder Earth Vinyl

Follow/Stream UADA:

BANDCAMP

OFFICIAL WEBSITE

FACEBOOK

INSTAGRAM

SPOTIFY

APPLE MUSIC

YOUTUBE

WEBSTORE

New Southwest Contender in Alternative Rock, LES PALMS Releases Debut Single ‘Second Chance’

New Southwest contender in alternative rock, LES PALMS, releases debut single “Second Chance”. This track is a refreshing take on late 90s/early 2000s indie rock with a pop-punk punch. The lyrics preach a relatable human element, how in even the worst situations everyone deserves a second chance. The single was produced in Las Vegas, NV under Chris Collier

The group’s founder and guitarist Sean Fitz is the bassist for the RIAA Gold Certified American

hard rock band OTHERWISE. Seth Laurent(frontman) and Volkan Tonga (bass) are both

founding members of the high-energy Las Vegas band theguiltyparty. The trio met through

shows with each other's respective bands and bonded over writing music.

Sean Fitz on the single:

“‘Second Chance’ was originally written for my solo project, but once I heard Seth’s version of

the song, I knew we had something I wanted to run with. Flash forward four months, and Les

Palms is more than just an idea.”

Seth Laurent behind the lyrics of

“Second Chance”:

“‘Second Chance’ is very personal to me. Not being adequate enough for someone due to a

drinking problem is not a fictional tale in my life.”

Seth Laurent on recording with Chris Collier:

“Working with Chris Collier was one of the best experiences I’ve had making music. He let me

work through as many takes necessary, giving the track performance room to shine. “

The track will be available everywhere from Apple Music to Spotify, and even your local Touch Tunes on April 10, 2026. You can find more information on the band at their website lespalms.com

ATREYU Unleashes New Single "Children Of Light" Featuring Max Cavalera + Visualizer

Today, while gearing up for their spring tour supporting Sevendust, ATREYU are excited to unleash their new single, "Children Of Light," featuring the legendary Max Cavalera. The new track is taken from ATREYU's upcoming album, 'The End is Not the End,' set for release on April 24, 2026 via Spinefarm.

On the new single, ATREYU comments:

"'Children of Light' was created with a primal spirit in mind. A 'festival' song. Heavily inspired by classic Sepultura, though it seemed like an untouchable ask, we wanted Max involved. We’re honored to share this song with a legend."

Watch the Visualizer for "Children Of Light" Below:

‘The End is Not the End' is undeniably ATREYU’s heaviest album ever and their most adventurous. “We realized what made ATREYU great in the beginning was that we didn’t sound like anyone else,” frontman Brandon Saller explains. “We didn’t really make sense anywhere. We weren’t an emo band, a metal band, a punk band — but somehow it all worked. We kind of just carved our own path.”

Guitarists Dan Jacobs and Travis Miguel, bassist Porter McKnight, drummer Kyle Rosa, and Saller created several of 'The End is Not the End'’s songs on creative trips.

“Tokyo made us feel like kids again,” Saller says. “We’d write for a few hours in the morning, then go out and get lost in all this inspiration. The first song we finished was ‘Dead,’ and we knew we were onto something.” 

After the Japanese sessions, the band and their producer decamped to San Juan Island off the coast of Washington, where isolation became a creative accelerant. “It was the polar opposite of Tokyo. We didn’t leave the house for four days and wrote some of the heaviest songs on the record.” 

The result is an album that feels simultaneously classic and unfamiliar, aggressive and unselfconscious, deeply emotional and unconcerned with trends. Produced by Matt Pauling, ATREYU’s tenth album is vibrant, inventive, and beautifully aggressive.

“It’s our heaviest, most metal record we’ve made,” Saller points out. “But it’s also the biggest musical journey we’ve taken in years.” 

The album moves seamlessly from soaring melodic heft to muscular metallic weight, with cinematic shades and atmosphere, all tied together by a driving, raw intensity. Tracks like “Dead,” “Ghost in Me,” “Children of Light (featuring Max Cavalera),” and “Afterglow”sound both timely and timeless. 

Pre-Order 'The End is Not the End' HERE

ATREYU recently announced a spring tour supporting Sevendust kicking off April 20th in Indianapolis, IN before concluding in Knoxville, TN on May 20th. For the full list of dates, please see below.

ATREYU Live:

4/15 - Milwaukee, WI @ The Rave^

4/17 - Des Moines, IA @ Wooly's^

4/18 - St. Louis, MO @ Delmar Hall^

4/20 - Indianapolis @ Egyptian Room at Old National Centre*

4/21 - Lexington, KY @ Manchester Music Hall*

4/22 - Birmingham, AL @ Iron City Bham*

4/24 - Mobile, AL @ Soul Kitchen Music Hall*

4/25 - Destin, FL @ Club LA*

4/27 - Corpus Christi, TX @ House Of Rock^

4/28 - Dallas, TX @ House of Blues*

4/29 - Oklahoma City, OK @ Diamond Ballroom*

5/1 - Denver, CO @ Summit*

5/2 - Albuquerque, NM @ Sunshine Theater*

5/4 - Wichita, KS @ The Cotillion*

5/5 - Springfield, MO @ Regency Live*

5/7 - Daytona Beach, FL @ Welcome to Rockville+

5/8 - Greensboro, NC @ Hangar 1819^

5/9 - North Myrtle Beach, SC @ House of Blues*

5/11 - Norfolk, VA @ The NorVa*

5/12 - Harrisburg, PA @ XL Live*

5/14 - McKees Rocks, PA @ Roxian Theatre*

5/15 - Columbus, OH @ Sonic Temple Art & Music Festival+

5/16 - Baltimore, MD @ Nevermore Hall*

5/17 - Asbury Park, NJ @ House of Independents^

5/19 - Charlotte, NC @ The Fillmore*

5/20 - Knoxville, TN @ The Mill & Mine*



*Supporting Sevendust

^Headlining

+Festival Appearance

ATREYU’s riffs, hooks, melodies, and relentless energy remain a driving force in heavy music, with over a billion streams worldwide and a fanbase that keeps growing. The Southern California band recently wrapped a triumphant co-headlining U.S. run and tore through massive festivals like Download, Hellfest, Welcome to Rockville, and Inkcarceration.

Since forming around the turn of the millennium, ATREYU have pushed well beyond their DIY roots—earning multiple RIAA Gold records, Top 20 Billboard 200 debuts, and spots on major film and video-game soundtracks. Their latest album, 'The Beautiful Dark of Life' (2023, Spinefarm), debuted in the Top 10 on Billboard’s Top Hard Rock Albums and has already racked up over 75 million streams, with singles like "Gone" and "Watch Me Burn" lighting up rock radio and flagship playlists like Spotify’s "Volume" and Apple Music’s "The Riff."

ATREYU are: 

Brandon Saller - Lead Vocals 

Dan Jacobs - Guitar 

Travis Miguel - Guitar

Porter McKnight - Bass/Vocals

Kyle Rosa - Drums

Yellowcard Recharge Their Hit Single "Bedroom Posters" With New Version Feat. Blippi

Continuing what has become the most unexpected and awesome collaboration of 2026, multi-platinum pop-punk royalty Yellowcard have joined forces with global children's education sensation Blippi to recharge and revamp their buzzing hit "Bedroom Posters" with a brand new duet version, out now via Better Noise.It's Yellowcard and Blippi's second track together, following "Go Go Go," and third recording of "Bedroom Posters."

Listen to "Bedroom Posters" (Feat. Blippi) here and watch the video below. 

This iteration of the track maintains the energy of the original, yet Blippi brings his own magic to the party. He has retrofitted the tune with a fresh and family-friendly perspective, flipping lyrics like "Tear down my bedroom posters" to "Look at my bedroom posters" and soaring with the band on a sky-high chant of "Airplanes and rollercoasters." Together, they also excitedly continue the "Year of Vehicles," extending the celebration of the vehicles kids dig the most — from race cars and monster trucks to excavators and everything in between.

It's the ultimate pop-punk anthem for the kids and mom and dad!

About the track, Yellowcard's Ryan Key said, "My favorite part about this process was handing over an instrumental version of 'Bedroom Posters' to the Blippi team and letting them completely re-write the lyrics. I had the idea that this feature could be perfect because of the concept of posters on kids' walls. I think they nailed it and this is hopefully going to inspire a generation of new little rockers!

Regarding the accompanying video, he states, "It was so fun to make. I think it pushed us all out of our comfort zones a little, and at this stage of our career, that usually leads to an amazing outcome. For me, as a first-time dad of a 2-year-old who is already showing signs of being very musical, I think this is going to be a really special way for him to connect with my music and see me doing what I love. I hope that energy is what other parents find when they are watching and listening to this with their kids."

Blippi said, "Music is one of my favorite ways to play and collaborate, so teaming up with my friends in Yellowcard was a blast! We turned 'Bedroom Posters' into a version that kids and families can sing, dance, and laugh along with. I can't wait for everyone to hear it!"

As mentioned, "Bedroom Posters" follows hot on the heels of Yellowcard's appearance on Blippi's "Go Go Go." The collab caught the attention of Billboard, praising how the track "introduces pop-punk to a new generation just in time for Yellowcard's comeback."

Yellowcard's "Bedroom Posters" has quietly emerged as a staple with millions of streams and views as well being the current radio single featuring Good Charlotte; it's landed at No. 5 on the Alternative Radio Charts. Beyond looks from Alternative Press Magazine, Rock Sound, and more, Consequence applauded how "the song finds Yellowcard singer Ryan Key trading vocals with Good Charlotte’sJoel Madden," while Rolling Stone put it best, "It’s the collaboration made in pop-punk dreams."

Meanwhile, Yellowcard are set to embark on their eagerly awaited headline run, "Up Up Down Down Tour," across the US. The stacked bill features special guests New Found Glory and Plain White T's. This run kicks on May 6 at Atlanta's Coca-Cola Roxy, visits major cities such as Chicago, Denver, San Francisco, Las Vegas, Nashville, and New York, and concludes on June 17 at Boston's Leader Bank Pavilion. 

All confirmed tour dates are below.

YELLOWCARD ON TOUR:
5/6 — Atlanta, GA — Coca-Cola Roxy
5/8 — Hollywood, FL — Hard Rock Live
5/13 — Sterling Heights, MI — Michigan Lottery Amphitheatre at Freedom Hill
5/16 — Chicago, IL — Salt Shed Outdoors
5/17 — Milwaukee, WI — Landmark Credit Union Live
5/20 — Denver, CO — JUNKYARD
5/21 — Sandy, UT — The Plaza at America First Field
5/23 — Bend, OR — Hayden Homes Amphitheater
5/24 — Woodinville, WA — Chateau Ste. Michelle
5/25 — Airway Heights, WA — BECU Live at Northern Quest
5/27 — San Francisco, CA — Bill Graham Civic Auditorium
5/28 — Stateline, NV — Tahoe Blue Event Center
5/30 — Las Vegas, NV — BleauLive Theater at Fontainebleau
5/31 — Santa Ana, CA — Observatory Festival Grounds
6/1 — Phoenix, AZ — Arizona Financial Theatre
6/4 — Houston, TX — 713 Music Hall
6/5 — Irving, TX — The Pavilion at Toyota Music Factory
6/6 — San Antonio, TX — Freeman Coliseum
6/8 — Nashville, TN — Ascend Amphitheater
6/9 — Charlotte, NC — Skyla Credit Union Amphitheatre
6/11 — New York, NY — SummerStage in Central Park
6/12 — Asbury Park, NJ — Stone Pony Summer Stage
6/15 — Moon Township, PA — UPMC Events Center
6/17 — Boston, MA — Leader Bank Pavilion

YELLOWCARD ARE:
William Ryan Key – Vocals/Guitar
Sean Mackin – Violin
Ryan Mendez – Guitar 
Josh Portman – Bass 

DOKKEN'S ERASE THE SLATE IS NOW AVAILABLE FOR THE FIRST TIME ON 180G VINYL IN THE UNITED STATES

Dokken, formed in Los Angeles in 1978, had several hit singles which charted on the Billboard Hot 100, such as "Alone Again", "In My Dreams", and "Burning Like a Flame", and has sold more than 10 million albums worldwide. The classic Dokken line-up consisted of founder Don Dokken on vocals, George Lynch on lead guitar, Mick Brown on drums and Jeff Pilson on bass.

Released in 1999, Erase the Slate had marked a fresh chapter for Dokken, introducing Reb Beach (best known for Winger and later Whitesnake) as the band’s lead guitarist. Erase the Slate blends Dokken’s classic melodic metal roots with a more modern, late-'90s hard rock edge. Reb Beach brought a technically sharp yet fluid guitar style that differed from the flashier, more aggressive approach of former guitarist George Lynch. His playing added a polished, groove-oriented feel while still delivering strong solos and riffs,

Listen to “Change The World” Below:

Now it is available through Deko Entertainment for the first time in the United States on 180g vinyl. Completely remastered, repackaged, and limited to only 500 copies of each variation including a beautiful Green Smoke and classic Black. Erase the Slate includes stand out tracks "Erase The Slate", "Change the World", as well as a cover of the Harry Nilsson song “One” made popular by the Three Dog Night. This is a must have for any Dokken fan!

Pre-order Erase the Slate while supplies last, shipping in July 2026:  https://www.dekoentertainment.com/reissues/dokken

For more information, visit

www.dekoentertainment.com

Deko Entertainment–Art Has Value

HEY THANKS. RETURN WITH SOPHOMORE ALBUM AVOIDANCE ALBUM ARRIVES JULY 3 VIA IODINE RECORDINGS BAND SHARES "RECOLLECTION"

hey thanks. have returned — and with a darker, more deliberate sound.

Blending post-punk and new wave influences, their sophomore full-length, Avoidance, reflects on time, identity, and the weight of isolation.

The album will arrive July 3 via Iodine Recordings. Pre-order or pre-save it here.

Today, the band shares the moody, new wave and '80s-influenced single "Recollection." Listen Below":

"Lyrically, this song is an expression of trying to understand the difference between love and desire," says singer Travis Opal. "The feeling of fulfillment that certain social and romantic relationships can give a person, etching them into feeling a sense of community and/or belonging. But trying to understand where that intent comes from within."

As for the song itself, Opal shares, "The production was created using a lot of the live drum samples we made and fiddling with live percussion and guitar performances. Blending that in with a wide array of synth landscapes that we recorded in our home studio."
 
Overall, Avoidance finds hey thanks. stepping back from trying to explain everything and sitting in the uncertainty instead.
 
 Across these songs, nothing fully resolves. Moments repeat, thoughts loop, and meaning stays just out of reach. It lives in that in-between space, caught between experience and understanding.
 
As mentioned by Opal, Avoidance was recorded in their home studio. The album took shape piece by piece using live drum samples, layered percussion, guitar performances, and dense synth work, giving Avoidance its character. The band allowed the songs to unfold naturally, arriving somewhere more honest in the process.
 
Built on synth layers, live percussion, and bright, driving rhythms, the songs move with a steady pulse while never fully settling. There is a constant push and pull throughout, something that feels light on the surface but carries weight underneath.
 
Rather than offering clarity, Avoidance stays with the questions.

HEY THANKS. ARE:
Travis Opal — Vocals
Jaron Dufrene — Guitar
Trevor Lee — Drums

CRIMSON GLORY Release New Track “Beyond The Unknown” from the Upcoming Album “Chasing The Hydra”

Crimson Glory recently announced their brand new album “Chasing The Hydra”, the first new album in 26 years. The album will be released worldwide on all digital services, CD and vinyl on April 17th via BraveWords Records. The early reviews have been incredible and today the band releases a new track to YouTube for the fans… “Beyond The Unknown”

“Encapsulated, “Beyond The Unknown” was inspired by the thought of being comfortable with not knowing the answers to questions that pertain to the cosmos, our origins, our purpose, etc., and in some cases, even being apathetic towards it. Since the dawn of time, man has never been comfortable with not knowing things, and many times he has settled for not only unsatisfactory answers, but answers that are provably wrong. Whatever we fill in the gaps with, there will always be things we don't know, and may never know. So, we could say that there will always be things beyond the unknown.”

For US and European CD and vinyl preorder links: https://tr.ee/k3s7jc_MSq

Presave the album on Spotify: https://tr.ee/k3s7jc_MSq

Preorder the album on Apple iTunes: https://tr.ee/k3s7jc_MSq

Alongside mainstay founding members Ben, Jeff and Dana, the band announced in 2023 the addition of amazing new vocalist Travis Wills and guitarist Mark Borgmeyer. The band have been touring heavily over the past year... making this album one of the most anticipated releases of 2026 within the Heavy Metal Scene!

About Crimson Glory:

Crimson Glory, an American heavy metal institution that formed in 1983 in Sarasota, Florida, USA. The classic line-up featured vocalist Midnight, guitarists Jon Drenning and Ben Jackson, bass guitarist Jeff Lords, and drummer Dana Burnell. With this line-up, they rose to international fame in the mid-1980s and were considered one of the pioneers of the American progressive metal movement, alongside bands like Queensrÿche, Dream Theater, Fates Warning, and Watchtower. With 3/5 of the classic line up still intact, and now joined by acclaimed new vocalist Travis Wills, the band have been touring heavily over the past year... making this album one of the most anticipated releases of 2026 within the Heavy Metal Scene!

Swedish Gothic Doom Entity DRACONIAN Drop "Misantrophe River" Video

Swedish gothic doom metal entity DRACONIAN reveal their new single, "Misantrophe River," the second offering cut from their upcoming full-length, In Somnolent Ruin, to be released on May 8 via Napalm Records. "Misantrophe River" confronts listeners in true DRACONIAN fashion with life's hardest questions, exploring feelings of alienation when swimming against the stream, and the search for direction in unfamiliar territory.

The undisputed leaders of the second wave of gothic doom metal are finally back — and they return in better shape than ever! In Somnolent Ruin promises to be one of the most personal records in DRACONIAN's discography, revealed through a dream-like journey across 9 tracks and the poetic lyricism of vocalist Anders Jacobsson. The new album also marks the return of long-time vocalist Lisa Johansson — the band's vocalist for their first five records. 

Ander Jacobsson about the new single:
"'Misanthrope River' was the first song written for this album. The initial idea goes back to the early days of Under a Godless Veil, but it remained dormant until work on this record began. It's an emotional gothic doom track- fairly minimalist, yet expansive in feel, with subtle touches that hint at post-metal and give the atmosphere a broader sense of depth. There's a suggestion of something ancient and mysterious running through it. Although interactive, at its core, the song deals with separation and isolation in a world where the larger truth has been kept from you and how those feelings slowly turn into resentment. You're pushing against the current wading upstream while doubting the way forward. In that struggle you'll be grasping at straws for any sense of peace while unintentionally shutting out the one closest to you. Shot in the Faroe Islands, the video places its actors within vast, striking landscapes. It was directed by Gaui H., the same director behind 'Cold Heavens.'"


Watch the official music video for "Misantrophe River" Below:

Pre-Order Your Copy of In Somnolent Ruin — NOW!

In Somnolent Ruin captures the essence of a band that no longer needs to prove anything — and yet still does. Active since the mid-1990s and having released their debut album, Where Lovers Mourn, in 2003, DRACONIAN have continuously demonstrated their unmatched ability to craft otherworldly doom melodies and searing heavy instrumentation, complemented by lyrics that read like poetry. Their art cuts deep, compelling listeners to confront their inner demons, wander through the darkest shadows, and even embrace emotional numbness, only to emerge with a sense of inner peace. This album confronts listeners with life's hardest questions, exploring feelings of alienation and the search for direction in unfamiliar territory.

In Somnolent Ruin’s journey begins with "I Welcome Thy Arrow," which captivates from the very first seconds through haunting melodies and a vocal interplay that embodies fragility and strength alike. Tracks such as "The Monochrome Blade" and "The Face of God" introduce increased tempo and eruptive vocal dynamics. "Anima" features Swedish artist Daniel Änghede, adding layers of emotional depth and confronting listeners with their darker impulses, capturing the sense of being lost and questioning one's place in the world. "Asteria Beneath the Tranquil Sea" serves as a transitional interlude between "I Gave You Wings" and "Cold Heavens", the latter exploring the delicate balance between life and death and not finding relief in any of both, while delivering the album's most intense vocal performance. "Misanthrope River" opens with an extended instrumental passage and narration by Simon Bibby, slowing the tempo but by no means reducing the emotional weight, reflecting life’s daily struggles and obstacles. The closing track, "Lethe," references the river of forgetfulness in Greek mythology. Those who drank from it would lose all memory. "Oh, shooting star… Drown in me! Drink. Forget. Repeat," mourns Jacobsson through devilish growls. And yet, In Somnolent Ruinremains a work of art one wishes not to forget — not a single blink of an eye.

DRACONIAN ARE:
Johan Ericson – Guitar, Vocals + Keys
Anders Jacobsson – Vocals
Lisa Johansson – Vocals
Daniel Arvidsson – Bass
Niklas Nord – Guitar
Daniel Johansson – Drums

XCOMM Announce Debut Album 'Time To Burn' Out May 22 via Blowed Out Records; Drop New Single "Borrowed Happiness"

Venice Beach hardcore unit XCOMM announce their debut album Time To Burn, due Friday, May 22 via Blowed Out Records, and share new single and music video "Borrowed Happiness" today. Watch Below. Stream HERE.

Produced by Ross Robinson (Korn, The Cure, Slipknot, Glassjaw, At The Drive In), Time To Burn is the full statement that previous singles - "Reasons," "Fake ID," and "Hot Pursuit / One And Nothing" have been pointing toward since XCOMM first broke cover in September 2025. In the months since, "Fake ID" surpassed 2.5 million views, the band opened for the Foo Fighters at a sold-out Kia Forum charity show, they earned a spot on the prestigious NME 100 of 2026, and built a following of nearly 80,000 Instagram followers in a matter of weeks.

.

Speaking on the making of Time To Burn, drummer Revel Ian shares:

"Ross Robinson transformed us into musical weapons that will blow your head off when you play our record."

Frontman Michael Gatto adds:

"I'll forever be grateful for having the opportunity to record this album, the whole process from tracking to mixing was truly incredible. Borrowed Happiness is one of my favorite tracks on the record, shooting the music videos with Darren and all the dudes in the van was super cool and I love when we play this one live."

Producer Ross Robinson says:

“Nothing brings me more satisfaction as a producer than sharing that undeniable life force of untainted expression…XCOMM, being the youngest band I’ve ever worked with, I had to nickname the studio sessions as “daycare.” It was so fun and alive throughout the whole process. Made me realize on another level how important the pulse of youth truly is.”

The release arrives with XCOMM's live presence already in full swing. Fresh off opening for the Foo Fighters at a sold-out Kia Forum charity show in January and an appearance at the 3rd Anniversary Parking Lot Show at The Punk Rock Museum in Las Vegas alongside Spike and the Gimme Gimmes, Kate Clover, The Whops, and River Ratts, the band head to Pacific Electric in Los Angeles on April 11th for California Chaos Festival alongside Militarie Gun, Stateside, Grave Secrets, Blossom, Jawdropped and Star 99, before joining Warped Tour 2026 in Washington D.C. on June 13th and 14th and Long Beach, CA on July 25th and 26th.

XCOMM 2026 Live Dates

April 11, 2026 -- Los Angeles, CA -- Pacific Electric (California Chaos Festival)

June 13 and 14, 2026 -- Washington, D.C. -- Warped Tour

July 25 and 26, 2026 -- Long Beach, CA -- Warped Tour

Time To Burn is out Friday, May 22 via Blowed Out Records. Pre-order HERE.

ABOUT XCOMM

XCOMM are a ferocious hardcore punk band from Venice Beach, fusing old-school intensity with a modern sense of chaos and clarity. Formed in 2023, the band features frontman Michael Gatto, bassist Adan Escoto, drummer Revel Ian, and DJ/sampler Hunter Grogan.

Signed to Blowed Out Records, XCOMM recorded their upcoming debut album Time To Burn with the legendary Ross Robinson producing. Early singles “Reasons,” “Fake ID,” and “Hot Pursuit / One And Nothing” showcase their ability to bottle frustration, urgency, and sharp self-awareness into precise, pummeling anthems. “Fake ID” alone has amassed over 2.5 million views across all platforms, helping propel the band to nearly 80,000 Instagram followers in just a few short weeks.

XCOMM kicked off 2026 supporting the Foo Fighters at the Kia Forum in Los Angeles and were named in the prestigious NME 100 of 2026. In 2025, they shared a stage with Down at Milwaukee Metal Fest, earned heavy rotation on SiriusXM’s Liquid Metal and Faction Punk. They will appear at both Warped Tour 2026, 3rd Anniversary of The Punk Rock Museum in Las Vegas and California Chaos Festival at Pacific Electric in Los Angeles.

XCOMM are:

Michael Gatto – Vocals/Guitar

Revel Ian – Drums

Adan Escoto – Bass

Hunter Grogan – DJ

REVERYA Unveils Haunting New Single “Lost," A Modern, Ethereal Descent into Emotional Undertow

Emerging progressive act REVERYA returns with their newest single, “Lost,” a sweeping and emotionally immersive track that blends modern progressive composition with an ethereal sonic atmosphere. The song captures the feeling of surrendering to forces beyond control, whether love, memory, or the tides of one's own mind.

Built on dynamic shifts and layered textures, “Lost” moves fluidly between introspective calm and crushing intensity. REVERYA crafts a soundscape that mirrors the ocean imagery threaded through the lyrics. Calm surfaces give way to powerful currents beneath, creating a track that feels both intimate and cinematic while balancing vulnerability with explosive momentum.

At its core, “Lost” explores the pull between self preservation and emotional surrender. The lyrics evoke a haunting push and pull between staying near the surface and feeling irresistibly drawn into deeper waters. Lines such as “Dive deep into the sea as the waves crash down to seduce me” and “Drag me down and leave me to drown in a love to get lost in” embody the song’s central theme, the allure and danger of losing oneself in something consuming.

Musically, REVERYA leans into progressive sensibilities through expansive arrangements, evolving rhythms, and atmospheric layers that unfold gradually before crashing into moments of catharsis. The track’s dynamic composition reinforces its emotional arc, shifting from delicate tension to powerful release.

With “Lost,” REVERYA continues carving out a distinct identity within the modern progressive landscape, one where ethereal ambience and emotional intensity coexist in powerful contrast.

SALIVA Release New Single "COPE" feat. Trevor McNevan of Thousand Foot Krutch via Judge & Jury ​    

A Rock Anthem Rooted in Resilience and Redemption, “Cope” Delivers a Message of Hope for Those Struggling Through Life’s Darkest Moments

 

Saliva have returned with their new single “Cope,” featuring Trevor McNevan of Thousand Foot Krutch, available now via Judge & Jury Records. 

 

“Cope” is a rock song that illustrates a vision of hope to people in a dark place. The track blends the crisp rap cadence of Bobby Amaru with the soaring vocals of Trevor McNevan of Thousand Foot Krutch. The song was produced by Cameron Pierce Mizell (Machine Gun Kelly, Sleeping with Sirens) and Luke Fiadino (Locked Shut, Dixon Dallas, Jackson Rose). 

 

Resurfacing the sonic aesthetic of Saliva’s #1 Modern Rock hit “Always,” and #2 Mainstream Rock hit “Your Disease", “Cope” was inspired by a mutual passion shared by both Bobby and Trevor to help people afflicted by addiction and personal demons.

 

Bobby Amaru, frontman of Saliva says, “Cope is about the quiet battles young people fight while trying to figure out who they are in a world that doesn’t always make it easy. It’s for every kid who feels too much, thinks too hard, and is just trying to make it through the noise. Having Trevor McNevan on this track was a blast and I feel that he really brought the song home.”

 

Trevor McNevan adds, “Cope is about losing control—and realizing you were never meant to have control in the first place. The song really illustrates the feeling of hitting the bottom and realizing the only way up is to surrender.”

 

“COPE” feat. Trevor McNevan is available now on all major streaming platforms!

STREAM "COPE"

https://ffm.to/salivacope

 

Saliva - "Cope" (feat. Trevor McNevan of Thousand Foot Krutch) Official Lyric Video Below:

Saliva on Tour:

Official dates: https://saliva.com/pages/tour

 

Apr 16, 2026 - Fort Worth, TX @ Tannahill’s Tavern & Music Hall

Apr 17, 2026 - San Antonio, TX @ Fiesta Oyster Bake 2026

Apr 18, 2026 - Midland, TX @ La Hacienda Event Center

Apr 19, 2026 - Dallas, TX @ The Echo Lounge & Music Hall

May 8, 2026 - Daytona Beach, FL @ Welcome To Rockville 

May 17, 2026 - Columbus, OH @ Sonic Temple Festival

Jun 10, 2026 - Seattle, WA @ El Corazon

Jun 13, 2026 - Sidney, MT @ Richland County Fair

Aug 13, 2026 - San Francisco, CA @ August Hall

Aug 14, 2026 - Los Angeles, CA @ Echoplex

 

 Saliva exploded onto the hard rock scene with anthems like “Click Click Boom” and “Your Disease,” the latter earning a Grammy nomination. Their major-label debut Every Six Seconds (2001) went double-platinum, followed by Back Into Your System (2002), which produced hits including “Always,” “Raise Up,” and “Rest In Pieces.” 

 

Since 2011, frontman Bobby Amaru has led the band through a new era with releases including Rise Up (2013), Love, Lies & Therapy (2016), 10 Lives (2018), Every Twenty Years EP (2021), and Revelation (2023). In 2023, the band suffered the devastating loss of founding guitarist Wayne Swinny, whose legacy continues to shape their music and live shows. Reflecting on his passing, Amaru shared, “This band meant more to Wayne than music itself, and he wanted us to continue in its current form.” 

 

Most recently, Saliva released Revelation: Retold (2025) via Judge & Jury Records, a deluxe reimagining of their 2023 album featuring guest vocals, unreleased tracks, and new takes on fan favorites, reinforcing the band’s resilience and continued evolution.

Crippled Black Phoenix Release Gothic New Single “Vampire Grave”

CRIPPLED BLACK PHOENIX are releasing “Vampire Grave”, the third and final advanced single from the UK macabre rock band’s upcoming album Sceaduhelm. The song is one of the album's most immediately compelling, built around a central image of chosen decay and the kind of intimacy that survives only by abandoning the living world entirely. It features Louisville, Kentucky’s Ryan Patterson of the band’s Fotocrime, Coliseum and Mirrorless.  

Listen to “Vampire Grave” below:

Sceaduhelm comes out April 17th via Season of Mist.

Pre-order & pre-save

https://orcd.co/cbpsceaduhelm

Pre-save on Spotify

https://open.spotify.com/prerelease/6jvoEOyJQXUQmdI1WlVXrK

Written by Justin Greaves with lyrics by Ryan Patterson, "Vampire Grave" frames disillusionment not as crisis but as conclusion. Patterson's lyric follows a narrator who has quietly stopped arguing with the terms of existence and arrived, without drama, at an alternative: immortality in death alongside another person, in a grave of their own choosing. The vampire conceit is not deployed for atmosphere alone. It carries a genuine emotional logic, the sense that if there are no winners in life, then permanent withdrawal becomes the only rational act of devotion. The phrase "bloodsick and depraved" sets the register early, and the song does not soften from there.

Patterson, who has collaborated with Justin Greaves and Crippled Black Phoenix across several projects, speaks to the immediacy of the song's central image: "‘Vampire Grave’ was the first song we did together for this album; Justin sent me the music with that working title and I immediately imagined two immortal lovers, blood junkies on an eternal death trip. It's a barn-burner of a song driven by Justin's drums and guitar, and perfectly completed by Belinda's creepy and beautiful backing vocals. It's one of my favorite vocal performances and I'm excited for people to hear it."

Belinda Kordic joins Patterson on backing vocals, her presence lending the song a layered intimacy that runs deeper than mere arrangement. The song also features percussion from Robin Tow and synths from Lucy Marshall, building a density that distinguishes it from some of the album's starker, more skeletal compositions. The result is a song that remains entirely within Sceaduhelm's emotional territory while offering a stronger immediate grip than much of the surrounding material.

As with previous releases, Justin Greaves remains the sole composer of the music, each composition emerging from his own emotional and creative impulse. The lyrical dimension is separate and equally personal. The words and themes are written by the vocalists themselves, each lyricist expressing their own feelings, experiences, and perspectives rather than interpreting someone else’s narrative. Belinda Kordic, Ryan Patterson, and Justin Storms each author their own texts, bringing distinct emotional viewpoints into the material.

Lyrically and thematically, Sceaduhelm is preoccupied with exhaustion as a condition rather than a moment, with time framed not as a healer but as an eroding force. Songs address burnout, grief, surveillance, institutional violence, and damaged intimacy, often blurring the line between the personal and the political. Musically, the album favours restraint over release, employing repetition, minimalism, and slow escalation to sustain tension without catharsis. Recorded across multiple locations and mixed with deliberate austerity, the record resists warmth, clarity serving discomfort rather than solace.

Within Crippled Black Phoenix’s wider catalogue, Sceaduhelm does not seek to resolve previous narratives or replicate past high points. Instead, it documents a moment of exposure and endurance, listening closely to what remains when spectacle fades and outrage exhausts itself. It stands as a severe, human record, concerned less with declaration than with persistence, and affirms once more the band’s refusal to stand still, soften its gaze, or offer easy answers.

Biography:

Sébastien Gamez

Pre-save & Pre-order: https://orcd.co/cbpsceaduhelm

Publicists:

EU/World:

Sébastien Gamez

sebastien.gamez@season-of-mist.com

US/South America:

Will Yarbrough

will.yarbrough@season-of-mist.com

Follow Crippled Black Phoenix:
Bandcamp: https://riseupandfight.bandcamp.com/
Facebook: https://www.facebook.com/CBP444/
Instagram: https://www.instagram.com/cbp_444/
Apple Music: https://music.apple.com/artist/crippled-black-phoenix/251718934
Spotify: https://open.spotify.com/artist/6WEyPcf9ezhNLm1xOBjbwH
Tidal: https://tidal.com/browse/artist/3607159
Deezer: https://www.deezer.com/artist/391823

Alternative Emo-Rock Band GREYWIND Shares New Single "Waterfall feat. Nick Thomas of The Spill Canvas (Acoustic)"

Following the success of their recently released album, 'Severed Heart City,' viral sensations GREYWIND are excited to release a new version of the standout single, "Waterfall."

Having garnered viral success in the build-up to the album release, the single "Waterfall" saw GREYWIND more than double their overall streams, as well as boost their monthly Spotify listeners by more than 100k. To celebrate all the success, the band is now sharing an acoustic version of "Waterfall" featuring Nick Thomas of The Spill Canvas.

GREYWIND vocalist Steph O'Sullivan comments:

"We’re so excited to have Nick Thomas from The Spill Canvas on the acoustic version of 'Waterfall.' It’s been so exciting to hear how another vocalist interpreted the track, and we were blown away by what Nick brought to it. We couldn’t have imagined a more perfect feature on one of our songs!”

Watch the Music Video for

"Waterfall ft. Nick Thomas of The Spill Canvas (Acoustic)" Below:

The moody world of GREYWIND's recently release album, 'Severed Heart City,' incorporates singles like “Swerve,” which travelled substantially on social media and received recognition from the likes of BBC Radio 1 Introducing Rock and Rock Sound, as have several other anthemic cuts from the record. GREYWIND have seen multiple 'Severed Heart City' tracks appearing on the Kerrang! Chart, as well as receiving spins on Kerrang! Radio, with "Acid Rain" making the K! Nights playlist.

 

Produced, engineered and mixed by Sam Guaiana (Neck Deep, Silverstein, Holding Absence), ‘Severed Heart City’ wears GREYWIND’s classic emo influences firmly on its metaphorical sleeve. It’s no surprise to hear that they’re inspired by emo pop originators like Jimmy Eat World, Fall Out Boy and My Chemical Romance, with the duo’s flair for the dramatic and knack for an earworm melody resulting in an album filled to the rafters with anthems. These are songs you can imagine ringing out from the biggest of stages and being sung back at the band by rapt audiences the world over. Envelop yourself in GREYWIND’s ‘Severed Heart City.’ 

Order 'Severed Heart City' HERE

After a highly successful UK tour run supporting Waterparks, GREYWIND is excited to be hitting the road again starting on April 7th in Nashville, TN as special guests on the Emo Orchestra Tour with The Spill Canvas. The tour will stretch across the entire United States before concluding in Montgomery, AL on May 16th. For a full list of dates, please see below.

GREYWIND Live:

Supporting Emo Orchestra with The Spill Canvas

April 7 - Nashville, TN @ Cannery Hall

April 8 - Cincinnati, OH @ Taft Theatre

April 9 - Bloomington, IL @ Castle Theatre

April 10 - Fort Wayne, IN @ Piere’s

April 11 - Pontiac, MI @ The Crofoot

April 12 - Buffalo, NY @ Town Ballroom

April 14 - Albany, NY @ The Egg

April 16 - Sayreville, NJ @Starland Ballroom

April 17 - Springfield, MA @ MGM Springfield

April 18 - Providence, RI @ Uptown Theater

April 19 - Wilmington, DE @ The Queen

April 21 - Birmingham, AL @ Iron City Bham

April 23 - San Antonio, TX @ The Aztec Theatre

April 24 - Austin, TX @ The Paramount Theatre

April 25 - Houston, TX @ Mainland Music Hall

April 26 - Dallas, TX @ Granada Theater

April 28 - Tempe, AZ @ Marquee Theatre

April 29 - Cerritos, CA @ Lyric Theater at Cerritos Center for he Performing Arts

April 30 - San Francisco, CA @ August Hall

May 1 - Los Angeles, CA @ The Novo

May 2 - Las Vegas, NV @ The Strat

May 4 - Albuquerque, NM @ El Rey Theater

May 5 - Colorado Springs, CO @ The Black Sheep

May 6 - Englewood, CO @ Gothic Theatre

May 8 - Madison, WI @ Barrymore Theatre

May 9 - Sheboygan, WI @ Stefanie H. Weill Center for the Performing Arts

May 10 - Chicago, IL @ Ramova Theatre

May 11 - Louisville, KY @ Mercury Ballroom

May 12 - Indianapolis, IN @ HI-FI Annex

May 14 - Atlanta, GA @ Center Stage Theater

May 15 - Biloxi, MS @ Beau Rivage Resort & Casino

May 16 - Montgomery, AL @ Montgomery Performing Arts Centre

The Joy Thieves erupt with scathing 'The Wrong End of Your Rifle' single feat. Chris Connelly

Chicago alt-rock outfit The Joy Thieves are back with ‘The Wrong End of Your Rifle’, the first single from their full-length album 'Apocalypse Pending', out June 5th via Armalyte Industries. Featuring Chris Connelly (Fini Tribe, Revolting Cocks, Ministry, Pigface) on vocals, this ripping track addresses the intense frustration we’re all feeling over corporations and billionaires seemingly able to do whatever they want, whenever they want, without consequence.

Revolving around musicians-producers Dan Milligan and James Scott (a.k.a. Joy Thieves Productions), The Joy Thieves is a musical supergroup that includes current, former, and touring members of Ministry, Stabbing Westward, The Rollins Band, Killing Joke, Pigface, RevCo, PIG, David Bowie, Blue October, Machines of Loving Grace, Depeche Mode, Nine Inch Nails, KMFDM, Naked Raygun, Foetus, My Life With the Thrill Kill Kult, Pegboy, Nitzer Ebb, Die Krupps and more.

A jagged, cynical critique of the intersection between state violence, corporate greed, and digital voyeurism, ‘The Wrong End of Your Rifle’  portrays a world where human life is devalued and even the most violent acts are packaged as content or conveniently filtered, filmed yet ultimately ignored by the screen-numbed masses.  

“When the billionaires are accountable for nothing, and force their will by suppression in the streets, we have to become inventive. As we are forced to watch corporations create for-profit prisons, we must remember that we can't argue or reason with bullets,” says Chris Connelly.

Since signing with legendary London alternative-industrial label Armalyte Industries in 2018, The Joy Thieves have delivered 11 critically-acclaimed releases. Produced, engineered and mixed by Joy Thieves Productions at Populist Recording + Mastering, 'Apocalypse Pending' is the newest record to blaze a mind-bending trail.

Joy Thieves Productions crafts their surprisingly cohesive signature sound from the contributions of its ever-growing 80+ roster of members, drawn from a diverse range of genres, including industrial, rock, punk, darkwave, hip hop and experimental music, they produce a sound that The Joy Thieves describe as being created by “all of us. And yet, none of us”. This approach has allowed the band to create a sound all its own. Aggressive, yet precise. Confrontational, but refined. Harsh, yet layered with melody.

Many of the songs on the new album began with producer-drummer Dan Milligan re-recording iconic hip hop breakbeats with modern drum sounds. ‘The Wrong End of Your Rifle’ began exactly that way -- with a modern re-imagining of the one of the most famous breakbeats of all time (‘Ashley’s Roachclip’ by The Soul Searchers). This formed the basis upon which the entire track was built.

“At the very beginning of the creation process for Apocalypse Pending, the goal was to blend the existing Joy Thieves’ sound with elements of the golden age of hip hop, and I think ‘The Wrong End of Your Rifle’ does that as well as any song on the album,” says Dan Milligan.

For a band with members spread all over the world, The Joy Thieves' music feels like it could have only been made in Chicago. Anchored by their love of industrial rock, their music immediately outgrows the restrictions of the genre by stretching into the new realms, creating a sound that both honors the past while pushing its evolution into the future.

As of April 7th, ‘The Wrong End of Your Rifle’ is available from digital music platforms, including Spotify, Apple Music and Bandcamp. The 'Apocalypse Pending' album will be released on June 5th.

CREDITS
Single written by Chris Connelly, Dan Milligan, Derek Christopher, Dee J Nelson
Produced, engineered & mixed by Joy Thieves Productions at Populist Recording + Mastering, Wheaton, IL
Mastered by James Scott at Populist Recording + Mastering
Additional production by:
Derek Christopher at Penfield Studios
Mark Pistel at Room 5 Studios
Jeff Harris at JH Studios
Steven Archer at House of Wolves
Dee J Nelson at DJN Music Studio
Jane Jensen at Autozen Music
DJ Darryl Hell at HellLab Studios
Art direction by Destiny Justic Scott
Original artwork by Charlie Athanas for Burning City

Released via Armalyte Industries

Artist studio photos by Derick Smith
Publicity by Shameless Promotion PR


Keep up with The Joy Thieves
Website | Bandcamp | LinkTree | Merch | Facebook | Instagram | BlueSky | YouTube | Spotify | Apple Music | Twitter | Press contact

Keep up with Chris Connelly
Website | Bandcamp | Facebook | Instagram | Twitter | Soundcloud | YouTube | Spotify | Apple Music | Amazon | Press contact

Keep up with Armalyte Industries
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | YouTube 

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il

JAMEY JOHNSON HONORS MERLE HAGGARD ON OUTLAW LEGEND’S BIRTHDAY W/ “PRETTY WHEN IT’S NEW”

In observance of legendary outlaw country singer Merle Haggard’s birthday today, April 6, Jamey Johnson is honoring his memory with a cover of Haggard’s 2010 release, “Pretty When It’s New.” Produced by The Kent Hardly Playboys and recorded at The Moose Lodge, with T.W. Cargile serving as engineer, Johnson’s version of “Pretty When It’s New” is available everywhere now. Listen Below.
 
Haggard was born on this day in 1937 and died on this same date ten years ago at age 79. One of the most important figures in the history of country music, the California native was inducted into the Country Music Hall of Fame in 1994 and the Nashville Songwriters Hall of Fame in 1977.
 
Haggard also received a Kennedy Center Honor in 2010, and Johnson was among those who honored him, performing “Ramblin’ Fever” with Willie Nelson and Kid Rock.
 
Bobby Bare introduced Johnson to Haggard during a party in 2008, and later they were both booked on a show in Hodag, WI.  Haggard invited Johnson to spend time with him on his bus and they became fast friends. Haggard would call him, sometimes at 3 a.m., to talk about music, musicians, fishing, the military, or whatever was on his mind.
 
Johnson performed with Haggard numerous times, such as the memorable collaboration during the 2012 Ohio State Fair, where Johnson joined Haggard on “Long Black Veil,” a performance that some said signified the passing of the torch—two generations of outlaw-leaning country artists sharing a classic. Around this time, the two also performed “Heaven Was a Drink of Wine” during a Haggard concert. 
 
Haggard and Willie Nelson recorded “It’s All Going to Pot,” written by Johnson, Buddy Cannon and Larry Shell, for their 2015 album Django & Jimmie. The light-hearted song became a fan favorite from their final collaboration together.
 
Haggard and Johnson recorded “I Fall to Pieces” for Johnson’s 2012 album, Livin’ for a Song: A Tribute to Hank Cochran. 
 
Johnson often performed Haggard’s songs during his show, including “Mama Tried” and “I Think I’ll Just Stay Here and Drink.” After Haggard’s death, Johnson filled in for Haggard on the nine dates that had been planned with Nelson.

Rolling Stone asked Johnson to write a tribute to Haggard after his death and published it in April 2016.
 
Johnson wrote, “Merle Haggard was a mentor to me. But more than that, he cared about me. He wanted to make sure I learned something from him—not just the music, not just the lifestyle, but something good. You’ve heard it said, ‘You give a man a fish, he eats for a day. You teach a man to fish, he eats for a lifetime.’ Merle taught me how to make music, and that’s how I make my living and feed my family today. I couldn’t owe anybody a greater debt of gratitude than I owe Merle Haggard.”
 
About Jamey Johnson
Award-winning singer/songwriter Jamey Johnson has served as country music’s north star for nearly two decades, inspiring a generation of artists with his unforgettable albums that have built a bridge connecting traditional country with the music of today.
 
The 10-time GRAMMY nominee has been called “one of the greatest country singers of our time,” by The Washington Post. As rock legend Don Henley says, Johnson is “the nearest thing” we have to late country icon George Jones. His music has garnered international acclaim and is embraced by fans of classic and contemporary country, as well as Americana and mainstream rock.
 
The Grand Ole Opry member is also widely regarded as one of the greatest country songwriters of his generation. He is one of only two people in the history of country music (along with Kris Kristofferson) to win two Song of the Year awards in the same year – for “Give It Away” and “In Color” – from the Academy of Country Music and the Country Music Association