EVANS BLUE Release New Single "Speak" via Aphotic Records

Evans Blue has signed with Aphotic Records, marking a new chapter for the acclaimed rock band as they announce the release of their new single, “SPEAK.”The song received its radio premiere on SiriusXM Octane on October 8, 2026, introducing listeners to the next evolution of a band whose music has long given voice to the emotions people struggle to put into words.

 

Evans Blue has built its identity around emotionally charged rock that gives a voice to the things people struggle to say out loud. For years, the band has occupied the space where heavy, melodic rock collides with raw human emotion, building a catalog around the battles people often fight privately. Pain, anger, loss, isolation, resilience and survival aren't simply themes within Evans Blue's music. They're part of its DNA. Through songs like “Erase My Scars,” “Cold,” and “This Time It’s Different,” the band has created a lasting connection with listeners through music rooted in pain, vulnerability, honesty and perseverance.

 

Now, Evans Blue begins it's next chapter with “SPEAK.”

 

Dark, atmospheric and unflinchingly personal, “SPEAK” confronts the kind of grief that doesn't disappear with time. It changes you. The song captures the battle between everything screaming inside your head and the inability to let any of it escape, until silence itself becomes another weight to carry.

 

“‘SPEAK’ is about carrying loss until silence becomes its own kind of prison,” says vocalist Dan Chandler. “It’s the kind of grief that changes who you are forever. And as much as it hurt you or changed you, you won’t give up on yourself.”

 

That is where “SPEAK” ultimately finds its power.

“SPEAK” was written and performed by Evans Blue and produced by Chris Dawson and Evans Blue, with Dawson also handling the mix. The track was mastered by Mike Kaljian.

 

For bassist Joe Pitter, the process of creating the new music has also represented a personal reconnection with the creative force that brought Evans Blue together in the first place.

 

“Working on these songs has given back an appreciation for music and sharing in creativity that I didn't know I had lost. It feels like a step toward something that matters," says Joe Pitter.


This isn't about pretending the damage never happened or finding a clean ending to grief. It's about refusing to let the loss of someone else become the loss of yourself.


With “SPEAK,” Evans Blue isn't trying to recreate its past. The band is taking everything that built its identity, the weight, melody, vulnerability and honesty, and pushing it forward.

 

With the signing to Aphotic Records, Evans Blue is moving forward without abandoning what made the band matter to its audience in the first place. “SPEAK”carries the weight, melody, vulnerability and honesty that have defined Evans Bluewhile pushing those elements into a new era.

 

STREAM "Speak" HERE

 

Evans Blue:

Dan Chandler – Vocals
 Joe Pitter – Bass
 Parker Lauzon – Guitar
 Vlad Tanaskovic – Guitar

ATAVISTIA Release Deluxe Edition Of 'Old Gods Awaken' Alongside Focus Track, "Beneath The Elder Stone"

ATAVISTIA delves further into folk-inspired realms with the release of the deluxe edition of Old Gods Awaken via Blood Blast Distribution. The melodic death metal force is currently on tour around Canada, supported by TROLLWAR on their remaining dates. 

Founder Mattias Sippola comments on "Beneath The Elder Stone":

"'Beneath The Elder Stone' was originally going to be on the main release of Old Gods Awaken but unfortunately didn’t make the cut at the time. This track was written back in 2022 and went through drastic changes. Almost 100% rewritten. 

However, it’s a blessing in disguise that we waited to release it on the Deluxe Edition because it sounds unrecognizably better than it did during the Old Gods Awaken release cycle."


On the release of the Deluxe Edition, Sippola adds: "Releases like this Deluxe Edition will become more common with our future albums, etc. We currently have 5 albums worth of upcoming music written + bonus material."

ATAVISTIA — CANADIAN TOUR 2026

Bringing Old Gods Awaken to the live stage, ATAVISTIA's Canadian tour begins on home soil at Vancouver’s Wise Hall on September 25, where ATAVISTIA will join Finnish folk metal veterans ENSIFERUM and Greek power metal heavyweights FIREWIND. From there, ATAVISTIA will head east through British Columbia, Alberta, Saskatchewan, Manitoba, Ontario and Quebec.

BC technical melodic death metal outfit OMNIESIA will accompany ATAVISTIA for shows in Kamloops, Calgary and Edmonton, while Quebec folk/melodic death metal band TROLLWAR joins the tour beginning October 3 in Sarnia and remains on the bill through the October 11 finale in Montreal.

Purchase tickets here: https://www.atavistiaofficial.com/

Oct. 10 — Oshawa, ON — The Atria — with Trollwar
Oct. 11 — Montreal, QC — Piranha Bar — with Trollwar

Old Gods Awaken showcases ATAVISTIA’s most folk-inspired material to date. Featuring shorter, catchier, and more direct compositions, the record reflects the band’s evolving creative direction while staying rooted in their signature sound. Drawing influence from folk metal, black metal, and a wide spectrum of styles in between, the album captures the band’s commitment to following inspiration wherever it leads.

Known for their fluid approach to genre and songwriting, ATAVISTIA continues to push boundaries while maintaining the essence that defines them.

Old Gods Awaken was produced, mixed and mastered by Mattias Sippola. The album was recorded at Atavistic Studios by Mattias Sippola and Max Sepulveda. Cover artwork for the release was created by Costin Chioreanu. 

ATAVISTIA Lineup:

Mattias Sippola - Guitar, Vocals, Composition, Production
Max Sepulveda - Drums, Engineering
Elia Baghbaniyan - Guitar
Spencer Budworth - Bass, Vocals

FINGER ELEVEN RELEASE NEW MAXI-SINGLE "LAST NIGHT ON EARTH" — ARE THEY GETTING A NEW SINGER?

Multi-platinum hard rock institution and one of the best-selling Canadian bands of all time FINGER ELEVEN unveil a brand new maxi-single of their fan favorite single ''Last Night On Earth,'' out now via Better Noise Music. The release showcases the depth and dynamics of the song, offering a fascinating perspective on "Last Night On Earth" from multiple angles — and heralds the arrival of a fully-loaded Deluxe Version of their most recent album, Last Night On Earth, on November 6. Pre-order Last Night on Earth (Deluxe Edition) here. 

Listen to "Last Night on Earth" maxi-single below.

In tandem with the release, the band launched a special global campaign to find the perfect guest to accompany them on the track. Fans may either add their own vocals or remix the instrumental and post their ensuing creations on social media with the #F11LastNightDuet. Watch what singer Scott Anderson has to say here. 

Anderson says, "We have always loved the idea of turning 'Last Night on Earth' into a duet. Putting the #F11LastNightDuet idea out to the artist community and leaving the creative boundaries open is key. We hope artists will bring their own style and emotion — whether by adding lyrics, adjusting the arrangement, or working within the existing framework. I'm excited to hear the different interpretations. I have no idea what to expect, and that’s exactly what I love about it."

Watch the official video for the original version of the song here.

In other news, FINGER ELEVEN are set for an upcoming 12-city UK tour with SOiL. The tour begins on October 30 at Brighton's Chalk, followed by performances in Hull, Glasgow, Nottingham, Manchester, Bristol, and more. The run concludes on November 14 at London's Electric Ballroom. In March 2027, the band will return to Canada for the Last Night on Earth Tour. See the full list of tour dates below. 

One of the best-selling Canadian bands of all time, FINGER ELEVEN — Scott Anderson(vocals), James Black (lead guitar, backing vocals), Rick Jackett (rhythm guitar), Sean Anderson (bass), and Steve Molella (drums) — have amassed north of 1 billion overall career streams. The Toronto-based band has released a series of consecutive international hit albums and chart-topping singles, setting radio records with "Paralyzer" and "One Thing." After celebrating their legacy with a "Greatest Hits" collection, the band entered a new chapter with Last Night On Earth, featuring the #1 Rock hits "Adrenaline" and "The Mountain." 

FINGER ELEVEN ON TOUR:
10/30 — Brighton, UK — Chalk*
10/31 — Wolverhampton, UK — KK’s Steel Mill*
11/1 — Hull, UK — Asylum*
11/3 — Glasgow, UK — The Garage (Attic)*
11/4 — Newcastle Upon Tyne, UK — Digital*
11/5 — Great Yarmouth, UK — Hard Rock Hell Festival XIX
11/6 — Nottingham, UK — Rock City*
11/7 — Manchester, UK — O2 Ritz Manchester*
11/10 — Northampton, UK — Roadmender*
11/11 — Southampton, UK — The 1865*
11/12 — Torquay, UK — The Foundry*
11/13 — Bristol, UK — O2 Academy Bristol*
11/14 — Camden, UK — Electric Ballroom*
3/3 — Thunder Bay, Canada — Thunder Bay Community Auditorium
3/5 — Winnipeg, Canada — Club Regent Event Centre
3/6 — Saskatoon, Canada — Capitol Music Club
3/7 — Saskatoon, Canada — Capitol Music Club
3/9 — Lloydminster, Canada — Vic Juba Community Theatre
3/11 — Grand Prairie, Canada — Better Than Fred's
3/12 — Grand Prairie, Canada — Better Than Fred's
3/14 — Prince George, Canada — CN Centre
3/15 — Kamloops, Canada — Sagebrush Theatre
3/16 — Victoria, Canada — McPherson Playhouse
3/18 — Nanaimo, Canada — Port Theatre
3/19 — Campbell River, Canada — Tidemark Theatre
3/20 — Vancouver, Canada — Commodore Ballroom
3/22 — Vernon, Canada — Vernon & District Performing Arts Centre
3/23 — Trail, Canada — Charles Bailey Theatre
3/25 — Cranbrook, Canada — Key City Theatre
3/26 — Red Deer, Canada — Red Deer Memorial Centre
3/27 — Tsuut’ina, Canada — Grey Eagle Event Centre
3/30 — Sherwood Park, Canada — Festival Place
3/31 — Camrose, Canada — Jeanne & Peter Lougheed Performing Arts Centre
4/2 — Regina, Canada — Casino Regina
4/3 — Brandon, Canada — Western Manitoba Centennial Auditorium
4/5 — Prince Albert, Canada — EA Rawlinson Centre for the Arts

FINGER ELEVEN ONLINE:
WEBSITE | FACEBOOK | INSTAGRAM | YOUTUBE | SPOTIFY  

HANABIE. Unleash New Single "Bari Bari Buddy" Ending Theme Song For Anime Series 'Reincarnated As A Sword II' via Sony Music Japan

Hailing from Tokyo, Japan, dynamic Harajuku-core sensation HANABIE. have released their latest offering, "Bari Bari Buddy" via Sony Music Japan. Written by vocalist Yukina and guitarist/vocalist Matsuri, the single serves as the ending theme song for the upcoming anime series 'Reincarnated as a Sword II'. Speaking about the song, the band shared:

"We’ve created an epic, larger-than-life song that perfectly captures Fran and Teacher’s grand adventure!

The chorus is something everyone can sing along to, so I hope you’ll join us and get hyped together.

And through this series, I hope we can all become totally badass Buddies!"

HANABIE. fans can also look forward to the band's upcoming new album 'UMAMI', out on Wednesday, December 2 with details forthcoming. Stream "Bari Bari Buddy" here, and keep your eyes peeled for more HANABIE. news coming soon.

ABOUT HANABIE.:

HANABIE. is a Tokyo-based all-girl rock band that has been making waves since 2015, when YUKINA, MATSURI, and HETTSUcame together for a high school club activity. With the addition of CHIKA in May 2023, the band has evolved into a force to be reckoned with. Don’t be fooled by their cute, girlish image—their sound is a hard-hitting blend of powerful shouts, heavy riffs, and unique Japanese flair, capturing fans at home and abroad. Their hit single “Pardon Me, I Have To Go Now” has amassed over 12 million views on YouTube and 5.4 million views on TikTok.

In December 2024, HANABIE. unleashed their EP, Bucchigiri Tokyo, followed by their latest EP, HOT TOPIC, released on Wednesday, January 28, 2026.

2023 marked the beginning of their overseas ventures, and in August 2024, they made history as the first Japanese women to perform on the main stage at Lollapalooza in Chicago, USA. In March 2026, the quartet brought the heat on their first North American headlining tour. With a rapidly growing international following, HANABIE. is actively expanding their presence and making a bold statement on the global stage, so be sure to stay tuned for more HANABIE. news coming soon.

HANABIE. is:

Yukina

Matsuri

Hettsu

Chika

SONS OF ARRAKIS Releases "Rise of Disaster," Announces New Album 'Volume III'

Using the cinematic universe of Frank Herbert’s Dune as a creative foundation, Canada's SONS OF ARRAKIS define their sound as melange rock / cinematic Sci-Fi rock. Blending raw, riff-driven rock with storytelling, atmosphere and evolving sonic landscapes, SONS OF ARRAKIS is preparing to release the full length Volume III on January 22, 2027, via Black Throne Productions. The new single "Rise of Disaster," featuring guest vocals by Luc Bourgeois (SANDVEISS), provides a first glimpse of the forthcoming album. 

"'Rise of Disaster' deals with war, manipulation and the way fear, suffering and collective trauma can be exploited by political and economic powers." The band explain. "One of the major influences behind the lyrics was Naomi Klein’s The Shock Doctrine and its examination of how moments of crisis can be used to impose new forms of control.

The recurring question 'Whose side are you on?' deliberately has no simple answer. It reflects the pressure to choose between competing narratives while the same cycle of violence, destruction and retaliation continues underneath them."

Musically, "Rise of Disaster" evokes a dark soundscape. Urgent, heavy rhythms inject movement and momentum into the track's verses while the melodic choruses provide a contrasting and uplifting quality. Returning to the gloom, "Rise of Disaster" ends with a chaotic instrumental finale.

Produced by SONS OF ARRAKIS, Volume III was recorded at Red Tube Studio & Home studios with Luc Boivin, Frederic Couture & Francis Duchesne. The album was mixed and mastered by Karl Daniel Liden. Album artwork and single covers are by artist Alexandre Goulet at Goulet Design. 

Volume III will be available on vinyl, CD, cassette, and digital formats. 

SONS OF ARRAKIS continued to focus on live shows across 2026 returning to Europe for a festival tour including performances at Krach am Bach, Rock im Wald, Free & Easy and Sauzipf Rocks. As well as joining VOIVOD for a Western Canada tour and appearing at Infest Edmonton. Now the band are turning to focus on their next full length offering, Volume III, scheduled for release on January 22, 2027, via Black Throne Productions.


SONS OF ARRAKIS Is:
Frederic Couture - Lead singer and rhythm guitar
Francis Duchesne - Lead guitar, keyboards and percussions
Vick Trigger - Bass Guitar
Mathieu Racine - Drum

Connect With SONS OF ARRAKIS:
Official Website: https://www.sonsofarrakis.com/ 
Bandcamp: https://sonsofarrakis.bandcamp.com/music 
E-Shop: https://blackthroneproductions.com/ 
Facebook: https://www.facebook.com/sonsofarrakisband/ 
Instagram: https://www.instagram.com/sonsofarrakis 
YouTube: https://www.youtube.com/@sonsofarrakis 
Spotify: https://open.spotify.com/intl-fr/artist/1GSmsJITQDQPCWswHKyjJp?si=RB3n0TxQTy6lrZBQ7I7LfQ 
Apple Music: https://music.apple.com/ca/artist/sons-of-arrakis/1439096020 
TikTok: https://www.tiktok.com/@sonsofarrakis

ANNIHILUS MUNDI Explores Uncertainty And Future Anxiety In The New Single, "King Of Thorns"

ANNIHILUS MUNDI has released the somber new single, "King of Thorns." This mournful track comprised of folk melodies, textural instrumental layers, and vocal harmonies is a raw display of anxiety and fear of the unknown. "King of Thorns" is taken from the upcoming full-length, The Dead Sea Scrolls, scheduled for independent release on November 6, 2026.

The primary narrative themes of The Dead Sea Scrolls draw inspiration from and reference Hideaki Anno’s notorious 1995 anime series Neon Genesis Evangelion and the 1997 film The End of Evangelion. "King of Thorns" briefly steps away from the dominant concept of the album to present a more vulnerable offering from composer and lyricist Daniel Saillant. 

"'King of Thorns' transformed from just a classical guitar riff into a full song in April 2020, initially titled The 'Banished One'". Daniel Saillant explains. "There is still a music video on my personal YouTube page of me in my childhood bedroom, singing and playing an early iteration of the first half of the song. This 'Banished One' and its music video were created in a few hours on the same day it was published after watching most of the United States flippantly ignore COVID guidelines and restrictions while I remained trapped in my room, trying hard not to lose it."

Musically, Saillant's inspiration for "the first half of 'King of Thorns' was Pink Floyd’s 'Money.'" Ensuring that this track is in keeping with the album's overall theme, Saillant uses the music to portray a soundscape that ties into the setting of events explored in the other tracks, "I have always loved how the cash register samples were used to create a sort of drum beat, so I chose to use a variety of mechanical samples (including a fax machine) to simulate the constant sounds [the character] Shinji is surrounded with."

The Dead Sea Scrolls explores the personal lived experiences of composer and lyricist Daniel Saillant. In a fusion of genres and artforms, ANNIHILUS MUNDI presents the central concepts through the lens of Hideaki Anno’s notorious 1995 anime series Neon Genesis Evangelion and its subsequent 1997 film The End of Evangelion. 

The Dead Sea Scrolls was produced, mixed and mastered, and engineered by Daniel Saillant at Wailing Pines Productions. The album's artwork was created by Chris at Misanthropic Designs.

About ANNIHILUS MUNDI:

Formed in 2018, ANNIHILUS MUNDI is the creation of Daniel Saillant, blending elements of death metal, shoegaze, and progressive rock. His 2019 debut album Grief and subsequent releases have positioned him as a distinctive voice in the underground metal scene. Inspired by bands such as CYNIC, DEAFHEAVEN, and DREAM THEATER, Saillant continues to push musical boundaries, combining harsh and clean vocals, complex guitar arrangements, and introspective lyrics.

ANNIHILUS MUNDI is:

Daniel Saillant (Vocals, Guitar, Bass, Keyboards, Programming)

Connect with ANNIHILUS MUNDI:

Bandcamp: https://annihilusmundi.bandcamp.com/music
Facebook: https://www.facebook.com/annihilusmundi
Instagram: https://www.instagram.com/annihilusmundi/
Threads: https://www.threads.net/@annihilusmundi
YouTube: https://www.youtube.com/@annihilusmundi
Twitch: https://www.twitch.tv/annihilusmundi
Spotify:
https://open.spotify.com/artist/1keHp0ZrVPtDqCcGspP3Xa?si=jUB4r9JRSzqTqB tKJ3RfEg
Apple Music: https://music.apple.com/us/artist/annihilus-mundi/1492843855
TikTok: https://www.tiktok.com/@annihilusmundi
Discord: https://discord.gg/PKJDYWPrg9

Enter Shikari Return With Surprise New Single "Higher Ground"

Enter Shikari today return with brand new single, the resolute and optimistic HIGHER GROUND. A totally unexpected release with no prior warning, it’s their first offering of new music since their surprise album release in April, HIGHER GROUND can be heard below. 

Frontman Rou has said of the new track

"Our music has often been about zooming out. Looking at the bigger picture on things gives us perspective, clarity, and often a strange calm in today’s relentless and difficult times. HIGHER GROUND is about just how pivotal taking the broad perspective is. Whether in our personal lives or when looking at the biggest problems that humanity faces, we often gain clarity and see connections that were previously hidden when we find time to zoom out. The track was written during the recording sessions for Lose Your Self but felt like its own entity so was parked and finished off slowly over spring and summer this year.”

The band recently announced that they will play two intimate shows later this month as a warm up to their November arena tour. These shows will also be the first since they announced their indefinite hiatus. The four-piece took to Instagram and shared this statement regarding the future of Enter Shikari, just last week.

Enter Shikari are gearing up for their biggest UK and EU headline arena tour, in November. The EU dates kick off on 3rd November at the Sporthalle in Hamburg, and include the band’s biggest ever German headline show. They will then begin the UK leg of the tour in Nottingham at the Motorpoint Arena on 13th November. They will be joined by Holding Absence and The Callous Daoboys as support for both the EU and UK leg. All dates, information and tickets for all live dates can be found here.

With zero announcements or teasers, Enter Shikari surprise released their new album in April this year. Lose Your Self (released via So Recordings) spans 12 tracks exploring themes of desolation, futility and complete despair at the state of the world, but with glimmers of hopefulness and optimism threaded throughout. Whilst the likes of major pop stars including Beyoncé, Taylor Swift and Justin Bieber who have famously released albums out of the blue over the years, Enter Shikari managed to not only release Lose Your Self digitally, but also physically, unlike their predecessors. Listen to the album here.

Lose Your Self was preceded by the band's 2023 album A Kiss For The Whole World, which delivered their first ever UK No.1 album in the Official Charts, where they had previously scored 6 Top 10 albums! The 2024 tour of the same name included their raucous debut Wembley Arena show. Last year, Enter Shikari released Live At Wembley, making the full live show available on streaming services, and on a limited run of vinyl available at only four record stores worldwide. Fans can watch the full set here, which features footage from the first FPV (first-person view) drone to be flown live at Wembley Arena! 

During their remarkable and celebrated career, Enter Shikari have received several accolades in the form of gongs from NME, Kerrang!, Rock Sound, Heavy Music Awards and more. They have played a whopping 3000+ live shows around the world including three headline arena tours in the UK, supported the likes of The Prodigy and Linkin Park and played festivals such as Glastonbury, Reading & Leeds, Download and Slam Dunk where they also headlined in 2023 and Warped Tour, Riot Fest and Sonic Temple in the US.

Photo credit: Kate Hook

SAOR Release Re-recorded Version of "The Awakening MMXXVI"

SAOR, the one-man Scottish atmospheric black metal project of Andy Marshall, have released "The Awakening MMXXVI," the second single from the upcoming new album Caledonia, which comes out November 6 on Season of Mist. The track is a re-recording of a song first heard on 2014's Aura, and follows lead single "Carved in Stone MMXXVI" ahead of an album revisiting five songs from Saor's first three records.

Listen to The Awakening MMXXVI Below :

The song opens on an instruction: to truly understand the essence of antiquity, learn the lore of the land and become the atavist. From there it moves through a Gaelic cry of “èirich,” meaning “rise,” and a call to follow the celestial compass beyond the illusion of God, before settling on a vow to reignite the flame, forge an iron will, and keep to the overgrown path the forefathers once trod. It is among the most direct lyric writing on the album, now carried by the scale and atmosphere Marshall always heard in it, shaped by years of live performance.

"The Awakening MMXXVI" is one of five tracks on Caledonia. Rather than a nostalgia exercise, the album presents these songs as they exist today, after years of live performance and refinement, closing a circle between early Saor and the band's current form.

Pre-order & pre-save: https://orcd.co/saorcaledonia

Caledonia does not reinvent SAOR's past. It completes it, offering listeners the chance to hear where these songs have been all along, and where, after more than a decade, Marshall has finally brought them.​

Line-up:
Andy Marshall — Composition, Vocals, Electric & Acoustic Guitars, Bass, Pads

Production Credits:

Produced, mixed & mastered by Chris Fielding (https://www.chrisfielding.co.uk/).

Guest Musicians:

Carlos Vivas — Drums
Ella Zlotos — Female Vocals, Tin Whistle, Low Whistle, Uilleann Pipes
Àngela Moya Serrat — Violins

Cover Art:

Anaïs Chareyre-Méjan (https://www.instagram.com/nanirio/).

Follow Saor:
Official Website: https://www.saormusic.com/
Linktree: https://linktr.ee/saormusic

Bandcamp: https://saor.bandcamp.com/

Facebook: https://www.facebook.com/saorofficial

Instagram: https://www.instagram.com/saormusic

YouTube: https://www.youtube.com/saormusic

BandsInTown: https://www.bandsintown.com/a/4099241-saor

Spotify: https://open.spotify.com/artist/4rHMzJ1RKUMtid1K2QEYbr

Apple Music: https://music.apple.com/artist/saor/879243889

Tidal: https://tidal.com/artist/5653569

Deezer: https://www.deezer.com/artist/6768301

IAN BLURTON'S FUTURE NOW Release New Single "You Better Get Ready"

IAN BLURTON'S FUTURE NOW provides a further taste of the upcoming album with the next single release, "You Better Get Ready." This fiery upbeat track showcases the high-octane side to FUTURE NOW's warm analogue sound, awash with vocal harmonies and driving rhythms. The full length,Imperial Filth, is scheduled for release via Pajama Party on October 23, 2026.

"It's probably our fastest and most thrash oriented song to date." Explains Ian Blurton. "Lyrically it deals with people who have been thrown out onto the streets and into the cracks of society. It's a song about fighting back when You have been pushed into a corner and how a little empathy goes a long way.

This song also includes our second guest of the record (Liam Deak of TUMBLE) laying down some heavy riffing over drummer Glenn Milchem's relentless double kick."


Produced by Daryl Smith and Ian Blurton at Blurton's very own ProGold Studios, Toronto. Imperial Filth was mixed by Daryl Smith at Chemical West and Mastered by Brad Boatright at Audiosiege. Special guests appearing on Imperial Filth include guitarist Liam Deak of TUMBLE and Lee Rose of ACE OF WANDS performing strings. Cover art for Imperial Filth is by Lydia Sam Planetta and the layout design is by Louis Durand.

Upcoming Canadian Tour Dates:

Sat Oct 24 - Toronto - St Anne's Church
Fri Nov 13 - London - Supply and Demand
Sat Nov 14 - Montreal - Turbo Haus
Fri Nov 20 - Ottawa - House Of Targ
Sat Nov 28 - Sudbury - The Lounge
Sat Dec 5 - Hamilton - The Mule Spinner

About IAN BLURTON'S FUTURE NOW:

FUTURE NOW is the hard-hitting rock project led by Canadian music veteran Ian Blurton. Known for their raw, powerful sound that blends classic rock, metal, and modern influences, FUTURE NOW delivers music that thrives on energy and live performance. With a lineup of seasoned musicians, the band creates guitar-driven anthems that are equal parts heavy and melodic, capturing the essence of rock’s rebellious spirit.

The creative direction of FUTURE NOW is driven by experimentation, "Everyone in this band makes their living in music, but this is a band that is meant to be a total departure from our day jobs. We can do and try pretty much anything we want and explore what is possible in the songwriting department". 

The band is preparing to unveil their next full length record, Imperial Filth on October 23, 2026, via label Pajama Party.

IAN BLURTON'S FUTURE NOW is:

  • Ian Blurton – Guitar/Vocals 

  • Glenn Milchem – Drums/Backup Vocals 

  • Anna Ruddick – Bass 

  • Aaron Goldstein – Guitar 


Connect With IAN BLURTON'S FUTURE NOW:

BADSQUATCH Releases New Single + Video “All My Friends Are Parasites”

Once again, in his newest single, BADSQUATCH gets gritty and he’s still not pulling any punches whatsoever.  The new track titled “All My Friends Are Parasites” is straight out of an old-school thrash catalogue complete with ripping guitars (featuring Cinthya Blackcat on lead) and a snarling attitude of somebody who is completely fed up with the people around them.  This will be the final single from his upcoming debut album, a fourteen-track mental health piece that he says is an account of his journey of learning what it is to be human.

 

As we grow into more knowledgeable, centered, and complete versions of ourselves, there’s a common experience that happens during stages of growth where one finally wakes up to realize that certain relationships are more one-sided than others. It’s a difficult moment to understand that people you may even love don’t reciprocate the same respect or value for the connection that you do, and when you are only pouring into others, yet they never pour back, it becomes a very draining relationship to be in.  Harder still, is learning to set new boundaries with these people as you move forward in your life on the journey to becoming the best version of yourself. Sometimes in that learning process, those boundaries can be vehemently and even harshly laid down.

 

BADSQUATCH’s journey to understand what it means to be human speaks on this with an explosion of exasperation in this new song. He talks of drowning in empathy, some unapologetic boundary-setting, and even straight up pointing the finger at you with a big “you suck”.  Following all of his gnashing of teeth, he does round out the song to include himself by changing the lyric to “we” all suck.  Maybe he’s reminding himself, or us, that we all can be an emotional vampire, and the journey that it is to be human involves a sense of self awareness, especially when one wants to grow.


STREAM “All My Friends Are Parasites”  HERE

 

Listen to “All My Friends Are Parasites” Below:

Upcoming Tour Dates:

 

Thursday October 8th @ Copper Dollar Ranch in Plattsmouth, NE

Friday October 9th @ Culinary Dropout in Omaha, NE

Friday October 16th @ Brokedown Palace in Omaha, NE

Friday October 23rd @ Smitty's Place in Rushville, NE

Saturday October 24th @ The Vet's Club in Valentine, NE

Thursday October 29th @ Jay's in Omaha, NE

Friday October 30th @ One More Bar in Lincoln, NE

Thurs. November 5th @ 1867 in Lincoln, NE w/ With A Vengeance (Tommy Vext) 

 

 

For More Information Please Visit:

Official Website

Instagram

Facebook

TikTok

YouTube

FENDER & JOHN 5 Announce 3 New Signature Telecasters

Today, Fender Musical Instruments Corporation (FMIC) and the Fender Custom Shop (FCS) announce three new signature Telecasters celebrating the genre-defying artistry of John 5: the Fender John 5 Phantom Telecaster, Fender John 5 Ghost Telecaster and Fender Custom Shop John 5 “Phantom” Telecaster. Each of these Telecasters captures a different facet of his technical prowess, unmistakable style and musical versatility, bringing his signature sound and design to more players across a range of price points.

 

“I don’t know if the Telecaster picked me or I picked it. I was so drawn to that shape,” said John 5. “Ever since I was little, Fender was always just the pinnacle, the greatest, and I just wanted nothing more to have the best guitar for me and have the people enjoy it as well.”

 

John 5’s approach to the Telecaster showcases the instrument’s boundless versatility, pushing its iconic design into bold new territory. Equally at home with distortion-drenched shredding and country chicken-picking, John 5 has spent his career proving there’s no genre, style or vibe off limits. A lifelong Telecaster devotee, his technically demanding, theatrical playing has made him one of rock’s most distinctive guitarists.

 

"John 5 is one of the most distinctive players in modern guitar, pushing the Telecaster across genres and beyond convention, and these three instruments reflect that versatility,” said Justin Norvell, Fender Chief Product Officer, Guitars. “Bringing the Ghost back into the Fender lineup puts his signature design within reach of more players. Together, this collection gives fans at every level a way to plug into his sound."

 

The three signature models translate John 5’s sound and visual style into distinct instruments, from the Fender lineup to the Fender Custom Shop:

 

  • John 5 Phantom Telecaster®

John 5’s hard-rock take on the classic Telecaster. Finished in commanding black with a matching headstock, the Phantom pairs DiMarzio® D Activator™ humbuckers with a Floyd Rose® FRTS2000 Special Series tremolo for high-output tones and extreme pitch-bending capabilities. Its stripped-down control layout, featuring a single volume knob and killswitch, keeps the focus on playing, while the streamlined design pushes the Telecaster into bold new territory.

  • John 5 Ghost Telecaster®

A stripped-back, high-output Telecaster built for John 5’s signature sound. The Ghost continues the Fender line in an eye-catching Arctic White finish with matching headstock, chrome hardware and red accents. A nyatoh body gives this model a distinct feel, while DiMarzio® D Activator™ humbuckers deliver the high-output, high-gain tones John 5 is known for. Streamlined controls, including a single volume knob and killswitch, keep the design focused and performance-ready.

  • Fender Custom Shop John 5 “Phantom” Telecaster®

Crafted by the Fender Custom Shop, this modernized Telecaster pairs a gloss black two-piece select alder body with Ultra Contours and a maple neck featuring a Modern “C” profile, 10"–14" compound-radius flat-laminated ebony fingerboard and 22 medium jumbo frets. A pair of DiMarzio® D Activator™ humbuckers delivers tight, high-output tones, while a Floyd Rose® Original double-locking tremolo enables extreme pitch manipulation with tuning stability. Additional premium appointments include Luminlay® side dots, black hardware, locking tuners and a satin urethane neck finish.

 

Watch The Fender Custom Shop explore the John 5 "Phantom" Telecaster and an in conversation video with John 5 as he walks through the John 5 "Phantom" Telecaster.

In celebration of the new guitar models, John 5 also releases a brand-new song and video for “Phantom” today. See the music video HERE, filmed by Mike Savage and featuring drummer Joey Aguirre. The song was mixed by Barry Pointer.

 

“Phantom” follows the release of John 5’s latest album Ghost, which offered anchor tracks including “Hollywood Story” (about the first time John 5 picked up a guitar and the path that led him to the incredible career he has today) as well as "Fiend," "Deviant," “Moon Glow” and “You Me and the Devil Make Three.”

 

Fans can stream Ghost HERE and order limited-edition vinyl variants of the

album, including exclusive bundles with Ghost T-shirts HERE. Vinyl variants include green splatter, red fire splatter and opaque red options.

This fall, John 5 will head out on tour with solo dates planned in the UK, Mexico, South America and Thailand. Find the full itinerary below and more information at John-5.com.

JOHN 5 FALL 2026 SOLO TOUR DATES

October 11 Exeter, England @ Exeter Phoenix

October 12 Southampton, England @ The 1865

October 13 Bristol, England @ Thekla

October 14 Wolverhampton, England @ KK’s Steelmill

October 15 Chester, England @ Live Rooms

October 16 Newcastle Upon Tyne, England @ Newcastle University

October 17 Glasgow, Scotland @ Slay

October 18 Manchester, England @ Club Academy

November 5 Guadalajara, Mexico @ Anexo Independencia

November 6 Chihuahua, Mexico @ Salon Pistoleros

November 7 Monterrey, Mexico @ Café Iguana

November 8 Mexico City, Mexico @ El Foro

November 10 Toluca, Mexico @ Kiss Lounge

November 12 Santiago, Chile @ Blondie

November 14 Mar del Planta, Argentina @ Vorterix

November 15 Cordoba, Argentina @ Club Paraguay

November 17 Buenos Aires, Argentina @ Uniclub

November 19 Lima, Peru @ Yield Rock

November 28 Kanchanaburi, Thailand @ Asia Harley Days

Follow JOHN 5 online:

Official Website: https://john-5.com

Facebook: https://facebook.com/john5official

Instagram: https://instagram.com/john5official

Twitter: https://twitter.com/john5guitarist

YouTube: https://www.youtube.com/c/john5officialYT/

TikTok: https://www.tiktok.com/@john5official

Official Webstore: https://john5store.com

Montreal indie rock artist Martin Saint explores the art of leaving on “Endless Bridge" single

Montreal-based indie rock/alt-pop artist Martin Saint presents his new single "Endless Bridge", a poignant exploration of love, loss, forgiveness, and letting go. The song follows a relationship from its tender, snow-covered beginnings through heartbreak and separation, ultimately arriving at the possibility of reconciliation and emotional release.

Drawing on the atmospheric DNA of ’80s artists such as The Mission, The Church and Echo and the Bunnymen, "Endless Bridge" evokes changing seasons, long distances, and the passage of time. Its imagery moves between the innocence of early romance, a sense of divine grace, and the vulnerability of confronting what remains after two people part.

At its core, the song is about what happens when love is tested by time and distance. Rather than holding on at all costs, the narrator gradually arrives at a place of acceptance—where forgiveness becomes a form of freedom, and letting go becomes its own expression of love. The final image, like an offering carried out to sea, captures that surrender: painful, beautiful, and ultimately liberating.

Martin Saint is a Montreal-based singer-songwriter who is perhaps best known as lead singer and guitarist of The Ember Glows and Citylake prior to that. Since The Ember Glows parted ways in 2024 after half a decade and a solid string of releases, Martin has established himself as a solo artist. Apart from writing, recording and performing his own music, he also collaborates with a handful of fellow Montreal artists, such as Johnny Couteau, SU, DJ Sarcastic, and HJ & The Constellations.

"Endless Bridge" is Martin's first new music since his full-length "Seekers" album, released in spring of 2025. With glimmers of Nick Cave, David Bowie, Leonard Cohen, Bauhaus and The Doors infused through his work, his music presents a unique cinematic mood permeated by poetic lyrics, baritone vocals, and hooks over soundscapes.

"The song "Endless Bridge" is about as close to a love song as I’ll ever get, but there’s a bittersweetness to it. Beginnings, endings, renewals. It expresses faith in the future and letting go of forces holding us back, even if this may take a lifetime. There’s definitely a spiritual undertone tucked in there. Musically, I wanted something that’d sound epic. Something that is melancholic and foggy, but ultimately also uplifting and catchy," says Martin Saint.

"In between the two albums, I went back into the studio to re-record "Endless Bridge", one of my holder songs that I had originally released back in 2017 with my former band Citylake. I felt this song, in particular, deserved a dedicated rework and a new release — under my own name this time around. This song and its performance reflects where I am at this moment in time, as well as how far I’ve come since the period that the song was penned."

On 'Endless Bridge', Martin Saint is accompanied by Julie Abel on piano, Frank Bones on drums, and Jack Vignavong on bass. Recorded and co-produced by Frank Bones and Martin Saint at Indica Studio 24, Studio Pacifique and Martini Lounge, with recording assistance from Olivier René de Cotret, the single was mixed by Frank Bones with cover photography and design by Ursa Minor.

Martin Saint has also published "Under The Full Angry Moon", a quality collection of song lyrics spanning a few years, along with a number of short poems and his own drawings to illustrate specific songs. The book comes with QR codes that lead to the respective recordings. Just as his music combines some of the dark elements of 80s UK post-punk with a touch of psychedelia, this book also blends cinematic imagery with dramatic delivery.

Out October 6th, "Endless Bridge" is available everywhere online, including Spotify, Apple Music and Bandcamp. Work is already underway towards Martin's next full-length album in 2027.

CREDITS
Written and arranged by Martin Saint
Martin Saint - vocals and guitar
Julie Abel - piano
Frank Bones - drums
Jack Vignavong - bass
Recorded by Frank Bones and Martin Saint
at Martini Lounge, Indica Studio 24 and Studio Pacifique
Assisted by Olivier René de Cotret
Mixed and mastered by Frank Bones
Co-produced by Frank Bones and Martin Saint
Cover sleeve photography & design by Ursa Minor


Keep up with Martin Saint
Website | Bandcamp | Facebook | Instagram | Threads | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il 

SIGNS OF TRANQUILITY UNLEASHES “THE RISE” AN ANTHEM FOR BREAKING FREE, FINDING YOUR WAY OUT, AND BECOMING YOUR BEST SELF

SIGNS OF TRANQUILITY confront that difficult truth head on with their powerful new single, “The Rise,” an emotionally charged anthem about breaking free from the life that is holding you back and having the courage to build something better.

“The Rise” isn't simply a song about change. It's about the pain, fear, uncertainty and strength required to completely reinvent your life.

At its heart, the song explores what happens when the things you've built your entire world around are ultimately the very things hurting you. Walking away can feel impossible. Starting over can feel terrifying. And sometimes, the dream of becoming the person you were meant to be seems impossibly far away.

But that's where “The Rise” begins.

“The Rise is all about losing everything you’ve ever known in the search of becoming your best self, and creating a life that you wake up feeling excited about, and above all, living in peace.”

The song serves as a reminder that sometimes the first step toward a better life is recognizing that the life you're currently living isn't the one your heart is calling for.

Whether it's a life you hate, a dream that seems impossible, an environment that continues to hold you back, or an addiction that has taken control, “The Rise” carries one central message: There is always a way out.

The imagery behind “The Rise” is rooted in the idea of seeing the life you truly want and making the decision to climb toward it.

That climb isn't supposed to be easy.

There will be fear. There will be setbacks. There will be moments when letting go seems easier than continuing upward. But the song refuses to surrender to that fear.

“I promise you, if you are brave enough to look up and see the life you truly want for yourself and get on that rope and climb… There is always a way out, and a chance to live the way your heart truly calls for.”

It's a message about resilience without pretending that transformation is painless.

Because sometimes you fall.

Sometimes you lose your grip.

Sometimes you have to start again.

And that's okay.

“Be Brave, Fearless, and if you fall off that rope, dust yourself off and get right back on.”

That philosophy is the emotional heartbeat of “The Rise.”

SIGNS OF TRANQUILITY is working on two brand-new EPs of original music, with the first singles, The Enforcer, and Forgotten available now. To truly experience what the band has become, fans are encouraged to catch them live—because that’s where the magic happens.

NIGHT COBRA Announces Sophomore Full-Length, Unleashes First Single, "Keepers Of The Cult"

Forged in the asphalt-cracked underbelly of Houston, TX, NIGHT COBRA unleashes a blistering, high-octane take on razor-sharp heavy metal. Following their celebrated debut album released in 2022 on High Roller Records the band returns sharper, leaner, and more dangerous than ever with a new union with independent heavy metal purveyor Nameless Graves Records. Mixed by the great Mike Exeter (Black Sabbath, Judas Priest, Ozzy Osbourne, etc.), 'Beware the Dark Future' is due on November 6 with two stunning vinyl variants, CD, and digital formats. The "Keepers of the Cult" are now unleashing the anthemic first single, which can be found below.

'Beware the Dark Future' is now available for pre-order via Nameless Graves for CD HERE and vinyl HERE. The single will be available digitally at a later date.

NIGHT COBRA frontman Christian "Bakka" Larson comments, "As the world crumbles we give you an offering of apocalyptic heavy metal. This album is for those without hope and know that humanity has no future...."

Forged in the asphalt-cracked underbelly of Houston, TX, trad metal revivalists NIGHT COBRA unleashes a blistering, high-octane take on razor-sharp heavy metal designed to blow the future apart. Following their celebrated debut album released in 2022 on High Roller Records the band returns sharper, leaner, and more dangerous than ever with a new union with independent heavy metal purveyor Nameless Graves Records.

Fronted by Christian "Bakka" Larson, the driving force behind Necrofier, veteran of Eternal Champion and Venomous Maximus, and visionary creator/producer of the powerhouse Hell's Heroes festival, Night Cobra carries the torch of true metal pedigree while injecting it with a lethal dose of swagger and attitude that can only come from a band that calls Texas home. The album was mixed by the great Mike Exeter (Black Sabbath, Judas Priest, Ozzy Osbourne) and also marks appearances from Texas metal masters Dobber Beverly (Necrofier, Insect Warfare, Oceans of Slumber) and Trevi Biles (Venomous Maximus). The album is bolstered by a guest appearance from James Rivera (Helstar, ex-Destiny's End, ex-Vicious Rumors, ex-Malice). 

Recording Lineup:

Christian Bakka - Vocals/Synth

Brandon Barger - Guitar

Bill Fool - Guitar

Trevi Biles - Bass

Dobber Beverly - Drums 

Live Lineup:

Christian Bakka - Vocals/Synth

Brandon Barger - Guitar

Bill Fool - Guitar

Trevi Biles - Bass

Anthony Vallejo - Drums 

Special Guest:

James Rivera (Helstar, ex-Destiny’s End, ex-Vicious Rumors) on "Cry for Blood" and "Starlight"

Album credits:

Recorded at Southwing Audio & Shadow Wind Studios 

Mixed by Mike Exeter (Black Sabbath, Judas Priest, Ozzy Osbourne)

Mastered by Peter Hewitt-Dutton at The Bakery

Layout by Subhuman Being

Cover Artist: Calvin Cushman 

Links:

BANDCAMP

E-SHOP

FACEBOOK

INSTAGRAM

YOUTUBE

SPOTIFY

APPLE MUSIC

THE L.I.F.E. PROJECT—Feat. Stone Sour’s Josh Rand & Casandra Carson—Unveils Cover of Led Zeppelin’s “Immigrant Song” + Visualizer

Today, THE L.I.F.E. PROJECT - the dynamic collaboration between guitarist and songwriter Josh Rand (Stone Sour) and powerhouse vocalist Casandra Carson (Paralandra, Casandra’s Crossing) – are thrilled to reveal their latest reimagining, a hard-hitting take on Led Zeppelin’s iconic “Immigrant Song,” out now via Frontiers Music Srl.

 

Josh Rand comments: 

“Like 'Call Me,' we never planned to release 'Immigrant Song.' In 2019, we moved into a new house, with a new home studio. Really, the music was all put together with me just messing around with the vintage gear I had. Once I started working with Casandra, I asked her if she wanted to take a shot at this for the fun of it.”

 

Casandra Carson also states:

“Ironically, the first time I remember hearing 'Immigrant Song' was in Shrek the Third, haha!! The second I heard Snow White sing that Viking war cry, my soul and my senses lit up like I’d been struck by lightning. My dad told me it was a song by Led Zeppelin, and I became as obsessed as a kid who just tried chocolate for the first time. I couldn’t get enough. Years later, when I started performing in bands, 'Immigrant Song' remained at the top of my list of songs I wanted to cover. It was only fitting that I would suggest it to Josh, as well, when we first began working together. I guess now I’ll have to watch Shrek the Third again to celebrate our new release.”

Watch the Official Visualizer for “Immigrant Song” Below:

Stream/Listen to "Immigrant Song" HERE

Born from a shared musical vision and an undeniable creative chemistry, THE L.I.F.E. PROJECT represents a fresh and compelling artistic union. While Rand had long envisioned launching a female-fronted project, it wasn’t until 2020 - when a mutual connection introduced him to Carson - that the idea truly began to take shape. What started as an exploratory collaboration quickly evolved into something far more meaningful, laying the groundwork for a project driven by purpose and artistic synergy.

Musically, THE L.I.F.E. PROJECT fuses Rand’s signature heavy riffs and affinity for strong melodic hooks with Carson’s commanding and versatile vocal delivery. Drawing inspiration from classic metal, thrash, and progressive influences, the project channels the raw energy and spirit that first inspired Rand to pick up the guitar, while offering Carsonthe opportunity to explore new sonic and emotional territories.

Over time, the band has crafted a distinct sound that balances intensity with accessibility, underpinned by a natural creative partnership. Their material reflects a thoughtful and organic development process, allowing ideas to evolve freely and cohesively.

Lyrically, THE L.I.F.E. PROJECT sets itself apart by venturing beyond traditional rock themes, embracing broader narratives and concepts. Their songs often draw from history, social issues, and real-world tensions, exploring themes such as empowerment, resistance, and societal challenges. This approach adds depth and substance to their music, complementing its powerful sonic foundation.

Line Up:

Casandra Carson - Vocals

Josh Rand - Guitar

TRUTH the New Album from STORM FORCE is Out Now

Storm Force have released their new album Truth. The entire album is available to stream or as a 24 bit hi res digital download on Bandcamp. CDs are available from Eonian Records.

24 Bit Hi Res Digital for the album Truth: 

https://bravewordsrecords.bandcamp.com/album/truth

CD: https://www.eonianrecords.com/new-products/storm-force-truth

Storm Force delivers powerful melodic hard rock fueled by soaring vocals, massive hooks, and the timeless energy of classic arena rock. Founded by guitarist and songwriter Greg Fraser, best known for his work with Canadian hard rock veterans Brighton Rock, the band blends classic influences with a modern edge, creating a sound that feels both familiar and refreshingly current.


The band first made its mark with the release of its debut album, Age Of Fear, in 2020 through Escape Music. The album earned praise from melodic rock fans and media alike, showcasing a powerful mix of driving guitars, memorable choruses, and emotionally charged songwriting.

Drawing inspiration from Whitesnake, Dokken, Scorpions, and Bon Jovi, Storm Force delivers music built for loud speakers, live stages, and fans who still believe in authentic, guitar-driven rock!

Age Of Fear the debut Storm Force album, along with both Fraze Gang albums are now available for a budget friendly download of $5,99 each at bravewordsrecords.bandcamp.com

Band Members:

• Patrick Gagliardi – Lead Vocals

• Greg Fraser – Lead Guitar, Backing Vocals

• Mike Berardelli – Bass Guitar

• Roger Banks – Drums

Production:

• Produced and Mixed by Darius Szczepaniak

• Strada XR Atmos Studio, Mississauga, ON

• Recorded at Storce Recording, Niagara Falls, ON

Additional Musicians:

• All keyboards by Mike “Benny” Bedrosian, except on “Between The Lines,” performed by Ray Coburn.

• Margaret Maria – Cello on “I Wasn’t Finished Loving You”

Songwriting:

• All songs written by Patrick Gagliardi and Greg Fraser, except “Saviour,” written by Greg Fraser.

Links:

https://stormforce.ca/

https://www.facebook.com/officialstormforce

https://x.com/stormforceband

https://youtube.com/@stormforce6368

https://www.instagram.com/stormforceband

https://www.tiktok.com/@stormforceband

Manchester's CAULBEARERS announce new album, sharing the lead track 'Brothers At The Wheel'

Manchester-based outfit Caulbearers return with ‘Brothers At The Wheel’, an urgent and uncompromising single that confronts the structures of power governing modern life, while ultimately offering solidarity and collective action as an alternative to despair. It's is a rich and timely preview of their forthcoming album 'Come Back Home', out on October 30th via Single Cell Recordings..

A collective of musicians formed in 2007 and led by Damien Mahoney, Caulbearers are known for blending diverse musical styles, including soul, funk, hip-hop, dub, nu jazz, folk and post-punk influences. With contributors hailing from around the UK and Europe, their DIY ethic has coursed through every element of their releases, from design, production, videos and gigs to the recording process itself.

Mixed by Seadna McPhail (Badly Drawn Boy, Jah Wobble, Everything Everything, I Am Kloot, Happy Mondays) and mastered by Jim Spencer (New Order, Johnny Marr, Charlatans, Factory Floor) at Eve Mastering, this song was recorded by Mahoney and Chris Hamilton at Toast Recordings and Seadna McPhail at Airtight Studio..

'Brothers At The Wheel' traces a journey of political awakening - from a naive plea for those in power to change course before disaster hits, to disillusionment at the resulting hollow words and empty promises that leave the status quo intact.

“If we truly consider humanity as a brotherhood and sisterhood of equals, it seems the ultimate betrayal of our family to exploit, to oppress and to victimise others whilst creating structures that concentrate wealth in the hands of an ever-smaller, unaccountable minority,” explains Damien Mahoney.

“The 'wheel' in the title is that system -- a machine built to keep turning for profit and power, regardless of the cost to people, communities, or the planet.”

The song's resolution isn't despair but solidarity: a call for unity at the grassroots level, recognising that the same struggle echoes in other streets, other words, other languages. In resisting the forces intent on dividing us, the lyrics point to real power within the collective -- like a seed that can grow into something more balanced, harmonious, and connected.

The song's urgency isn't just lyrical -- it's built into the music itself. 'Brothers At The Wheel' comes straight out of the traps with an unrelenting groove: strings, bass, and keys locked into a single insistent pattern, guitar answering in the gaps, percussion driving it forward, while the vocal melody cuts its own path in short, sharp phrases that swap between landing on and off the beat.

Past the tempo shift, the song opens into a second movement: a soaring, wordless lament from ethereal folk artist Ruth Blake — beautiful and mournful, yet defiant, a celebration of the human spirit. Underneath, the arrangement builds in waves — guitars layering, cello and violin rising, keys, bass and drums gathering weight — swelling to a crescendo before dissolving.

'Brothers At The Wheel' is available everywhere digitally from September 29th, including  Spotify, Apple Music and Bandcamp, the latter version also including a bonus radio edit, capturing the awakening in full — appeal, disillusionment, and the turn toward unity — within a tighter arc. On October 10, Caulbearers' album release show will take place at The Carlton Club in Manchester, joined by Ruth Blake and number of special guests, and support from John Haycock.

CREDITS

Lyrics & Music written by Damien Mahoney

Damien Mahoney — vocals
Ruth Blake - vocals
Stefan Skrimshire - cello
Will Lenton - keys
Anton Hunter - guitars
Grenville Harrop - drums
Dan Mitchell - bass
Gavin Mullan - percussion
Olivia Moore - violin
Produced & Edited by Damien Mahoney
Mixed by Seadna McPhail at Airtight Studios
Recorded by Chris Hamilton at Toast, Damien Mahoney at Padded Cell & Seadna McPhail at Airtight
Mastered by Jim Spencer at Eve Mastering
Cover design & artwork by Latent Variables
© 2026 Single Cell Recordings

Publicity by Shameless Promotion PR

Keep up with Caulbearers
Website | LinkTree | Bandcamp | Facebook | Instagram | Twitter | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Ruth Blake
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube | Soundcloud | Apple Music | Spotify | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il 

Eric Church Announces First-Ever Australian Headline Dates

With Eric Church’s brand-new song “On The Road” reflecting on his storied career through the memories that stay with him, the 11-time GRAMMY nominee proves there are still new memories to be made with today’s announcement that he will make his long-awaited Australian headline debut in March 2027. 
 
Joined by special guest Parker McCollum, also making his debut Down Under, Church will take the stage at Rod Laver Arena in Melbourne on March 13 and Afterpay Arena in Sydney on March 16, before heading to Queensland to headline CMC Rocks QLD’s 20th anniversary celebration on March 20.
 
“Australia, we heard you, and we’re on our way,” Church shares. “It’s been a long time coming, and we’re damn excited to finally bring this show to you. We’re gonna pack as much as we can into these nights, so come early, stay late and let’s make up for lost time.”
 
As always, Church Choir members will have first access to arena show tickets, with presales beginning this Wednesday, Sept. 30 at 11 a.m. local time ahead of tickets going on sale to the general public Thursday, Oct. 1 at 12 p.m. local time via EricChurch.com.
 
The highly anticipated arrival has been years in the making, with Church having been on CMC Rocks’ “bucket list for almost twenty years,” according to Festival Director Jeremy Dylan. “We are certain the Chief will raise the proverbial roof with his legendary live show,” Dylan said following the festival’s 2027 lineup announcement.
 
Church will also join as special guest on Kenny Chesney’s recently announced all-stadium Original Vibe Room Tour 2027, kicking off at Tampa’s Raymond James Stadium on April 24 and running through Aug. 28 at Foxboro’s Gillette Stadium. Tickets to all stadium tour dates are on sale now.
 
For more information, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and on Instagram @ericchurchmusic.

Gavin Adcock Releases “Bad Off”: His Last Single Before THE DAY I HANG IT UP Arrives Oct. 2

Georgia native Gavin Adcock has been steadily releasing songs for eight weeks leading into the release of his third studio album, The Day I Hang It Up, due Oct. 2. Now, with just one week remaining until the album is here, the man American Songwriter called “a modern-day outlaw” is releasing his final taste of the project today. Listen to “Bad Off” Below.
 
Written by Adcock, Jack Rauton, Joybeth Taylor and Colton Venner, “Bad Off” depicts the downward spiral following a breakup, and the bad decisions that go along with it.
 
Life was going my way, now I’m seein’ sideways
And every move I make is wrong
Livin’ out a Waylon song
Guess I’m doin’ one thing right
Yeah I’m Bad Off, up to no good tonight
 
Adcock recently invited fans to vote on which city they wanted to see host his album release shows. The overwhelming response led the singer to choose two cities: Studio at The Bomb Factory in Dallas, TX on Oct. 5 and The Eastern in Atlanta, GA on Oct. 8. To celebrate the title of the 18th track on the album, “18,” tickets cost just $18 and can be purchased HERE for Dallas and HERE for Atlanta, respectively. 
 
With Music Row Magazine celebrating his “rowdy, high-octane performance,” it’s a reputation he’s bringing to fans across the country on his 30-city The Day I Hang It Up Tour. The trek features a rotating lineup of special guests, including Pecos & The Rooftops, Corey Kent, Tyler Nance, Jake Worthington, The Creekers, Braxton Keith and Mack Geiger.
 
A proven must-see live performer, Adcock has sold out venues coast to coast across multiple headline tours, including the Monster Energy Outbreak Tour Presents: Gavin Adcock, Actin’ Up Again (Again) Tour and Need To Tour. Most recently, he joined Morgan Wallen for select dates on both legs of Wallen’s 2025 and 2026 tours, earning explosive responses from audiences nationwide.
 
To purchase tour tickets or to pre-order limited edition vinyl, visit GavinAdcockMusic.com. 

The Day I Hang It Up Tour 2026                                       
Oct 15 || Macon, Ga. || Atrium Health Amphitheater > %                 
Oct 16 || Birmingham, Ala. || Coca-Cola Amphitheater > %
Oct 17 || Little Rock, Ark. || First Security Amphitheater > %          
Oct 22 || Fishers, Ind. || Fishers Event Center $ ^ 
Oct 23 || Knoxville, Tenn. || Knoxville Civic Coliseum $ ^
Oct 24 || Cary, N.C. || Koka Booth Amphitheatre $ ^ 
Oct 29 || Charlotte, N.C. || Bojangles Coliseum > % 
Oct 30 ||Savannah, Ga. || Enmarket Arena > % 
Oct 31 || Estero, Fla. || Hertz Arena > %
 
Nov 6 || Boston, Mass. || MGM Music Hall at Fenway > %
Nov 7 || Reading, Penn. || Santander Arena > %
Nov 13 || Detroit, Mich. || Masonic Temple Theatre > %
Nov 14 || Grand Rapids, Mich. || Van Andel Arena > %
 
Dec 10 || Las Vegas, Nev. || The Theater at Virgin Hotels !
 
Opener denotations:
$: Pecos & The Rooftops
^: Tyler Nance
%: The Creekers
>: Braxton Keith
!: Mack Geiger

Corey Kent's Highly Anticipated HEARTLAND ROCK AND ROLL Available Now

Multi-Platinum Sony Music Nashville recording artist Corey Kent releases his highly anticipated third major-label album, Heartland Rock and Roll, available everywhere today. The 16-track collection, which Entertainment Focus noted “doesn’t just feel like another release; it feels like a statement of identity,” captures the Oklahoma native’s signature blend of country, rock and soul while putting a name to the sound he has spent his career building. Listen to Heartland Rock and Roll  Below. 

Originally slated as a 15-track album, Heartland Rock and Roll grew at the last minute with the addition of the sultry “Don’t Stop Now,” written by Kent with Austin Goodloe, Lydia Vaughan and Joybeth Taylor. After Kent teased the song for fans, the response was immediate, convincing him the track needed to make the final album.

“My new song ‘Don’t Stop Now’ has gotta be the sexiest song I’ve ever written,” shares Kent. “It’s a new lane for me but I had so much fun writing and recording this one because it has so much soul and vibe to it. It almost feels like a Continuum-era John Mayer song, if John Mayer had a Southern accent. Early on I was influenced a lot by soul and R&B music and it’s been really fun to explore how I can incorporate that in my own sound.”

The song finds Kent exploring a more sensual side of his songwriting, painting an intimate scene, “We’re already halfway down the hall / Knocked a couple pictures off the wall,” before building into its soulful chorus:

Produced primarily by Austin Goodloe, with additional production from Jon Randall and Chris Farren, Heartland Rock and Roll spans 16 tracks that blend golden-hour nostalgia, rugged honesty, hard-earned perspective and the peace that comes with staying true to yourself. The album features previously released tracks including “Everyday Life,” “Rocky Mountain Low” featuring Koe Wetzel which Billboard called “an unyielding, rock-fueled anthem,” “Wannabe,” “Cigarette Burns,” “Rather Be Here” featuring Jason Aldean and current single “Empty Words,” which is Top 25 and climbing at country radio, logging almost 5 million streams per week.

“Heartland Rock and Roll is my third major label album, and it’s really the first time I’ve been able to finally name the sound I’ve been working towards my entire career,” said Kent. “The lyrics span from nostalgia, to honest regrets and gratitude for the simple things I value most in life. From top to bottom, this is me. Every artist wants to leave their mark in music... a way to say, ‘I was here and I did it my way.’ This feels like mine. This is heartland rock and roll.”

The album’s release follows a year of momentum for Kent, who has continued to build his profile on stages across the country while preparing for his biggest headline tour to date. Earlier this month, Kent announced his 2027 Heartland Rock and Roll Tour, a 20+ date cross-country trek kicking off Jan. 22 at Billy Bob’s Texas in Fort Worth and making stops in Houston, Detroit, Columbus, Atlanta, Pittsburgh, Boston and more before culminating April 30 with Kent’s headline debut at Nashville’s famed Ryman Auditorium. Tyler Nance and Jacob Hackworth will join as support throughout the tour. Tickets are available at coreykentofficial.com.

“This year I’ve played all over the world and opened up for some of my favorite artists,” shared Kent. “But now it feels like it’s time for a headline tour right here in the heartland…the Heartland Rock and Roll Tour! I’ve reimagined everything on this tour making this show unlike anything we’ve ever done. I hand picked some of my favorite venues in the country and it’s almost time!”

Infusing Oklahoma roots with the untamed energy of a rebel rocker, Kent has built his career on doing things his own way. From dancehalls and dive bars in Bixby, Oklahoma, to earning two No. 1 singles at country radio, more than 1 billion career streams and multiple RIAA certifications, Kent’s rise has been steady, hard-earned and fueled by conviction.

“I’ve been fighting my differences for so long, but now it’s like, ‘Let’s just use those,’” Kent explains. “I’m not trying to be anybody else. Bigger fades, ‘better’ lasts.”

To date, Kent has earned Platinum certification for “Something’s Gonna Kill Me,” Gold certification for “This Heart” and Triple-Platinum certification for his No. 1 breakthrough hit “Wild As Her.” Rolling Stone has praised the Oklahoman native for giving “the region’s signature sound a shot of mainstream sensibility,” while CMT and the Opry NextStage program have recognized him as an artist to watch. He has toured alongside Morgan Wallen, Jason Aldean, Parker McCollum, Jon Pardi and Koe Wetzel.

COREY KENT’S 2027 HEARTLAND ROCK AND ROLL TOUR

*Jan. 22 – Billy Bob’s Texas – Main Stage – Fort Worth, TX
*Jan. 23 – House of Blues – Houston, TX
*Jan. 28 – Majestic Theatre – Detroit, MI
*Jan. 29 – The Bluestone – Columbus, OH
*Jan. 30 – Dusty Armadillo – Rootstown, OH
*Feb. 4 – Wooly’s – Des Moines, IA
*Feb. 5 – Varsity Theater – Minneapolis, MN
*Feb. 6 – Bourbon Theatre – Lincoln, NE
*Feb. 18 – Buckhead Theatre – Atlanta, GA
*Feb. 19 – The Foundry – Greenville, SC
*Feb. 20 – Charleston Music Hall – Charleston, SC
*Feb. 25 – The Signal – Chattanooga, TN
*Feb. 26 – Coyote Joe’s – Charlotte, NC
*Feb. 27 – The Senate – Columbia, SC
*Mar. 11 – Stage AE – Pittsburgh, PA
*Mar. 12 – The Fillmore Silver Spring – Silver Spring, MD
*Mar. 13 – The Paramount – Huntington, NY
^Mar. 18 – Toad’s Place – New Haven, CT
^Mar. 19 – Aura – Portland, ME
^Mar. 20 – House of Blues – Boston, MA
*Apr. 30 – Ryman Auditorium – Nashville, TN
*Tyler Nance
^Jacob Hackworth

For the latest news and information about Corey Kent, visit coreykentofficial.com.