ENSLAVED - Celebrate Album Release Day With Visualizer For 'I Am Ice (Ft. Johan Sara Jr.)'

Progressive trailblazers Enslaved release their acclaimed seventeenth studio album, Mið (Nuclear Blast Records). 

In celebration, the band have released the visualiser for focus track 'I Am Ice', featuring Sami musician Johan Sara Jr.

Guitarist Ivar Bjørnson states: “Mið is out, and I am immensely proud to share it with you. An album exploring the idea of ‘centre’ raises a question: what are we moving towards? For me, that is the quest: following an idea far enough that it begins to challenge your reasons for following it. Mythology, sound and what it means to be human keep giving us things to explore. It feels good to be here, with this record.” 

Of the collaboration with Johan Sara Jr., he adds: “‘I Am Ice’ is a world of its own, with the seeds of the whole album hidden within it. Johan Sara’s joik opens a space where different ages and distant places seem to exist at once. Guitars, voices and percussive textures move through that space, with all the tension and friction their meeting brings. Some of what happens here finds its counterpart later on Mið. I like the thought of returning to the song after hearing the whole record and discovering that something familiar has taken on another meaning.”

Vocalist/bassist Grutle Kjellson adds: "I remember struggling a bit to come up with a logical vocal arrangement, so I decided to do something I rarely do: write the lyrics in their entirety without adapting them to the music. Ivar had a few lines lying around, and so had I. At the time, I was also trying to study the metrics, verse structure and origins of the Old Norse skaldic poetry. For some strange reason, I decided to try to create something resembling these ancient verses in the lyrics, and, fascinatingly enough, the lines seemed to take shape quite naturally as I went along! I shan’t claim this is written 100% like a skaldic poem, but still heavy inspired by such.

"The song is about a journey through personal darkness and the process of rising again. Once the lyrics were finished, the arrangement suddenly made sense as well – or at least, it made sense by
Enslaved standards."

PURCHASE / STREAM MIð:
https://enslaved.bfan.link/mid

WATCH THE VIDEO FOR 'I AM ICE (FT. JOHAN SARA JR.)' BELOW:

Throughout their 35-year journey, across 17 albums, the Norwegian vanguard have continually redefined the boundaries of progressive black metal, weaving Old Norse histories and sacred traditions into complex modern soundscapes. With their latest offering, Enslaved turn their gaze toward the fundamental concept of the axis: the middle, the origin, and the infinite reach of the present moment.  

To celebrate the arrival of Mið, Enslaved will hit the road across the UK and Europe in February 2027 as a co-headline with Iceland's Sólstafir, with support coming from Norway's Gaahls Wyrd.

Tickets are available here: https://enslaved.no/


ENSLAVED & SÓLSTAFIR
CO-HEADLINE TOUR 2027
w/ Gaahls Wyrd


04/02/27 - DE Berlin, Festsaal
05/02/27 - DE Leipzig, Felsenkeller 
06/02/27 - DE Hamburg, Fabrik 
07/02/27 - DK Copenhagen, Amager Bio 
08/02/27 - DE Frankfurt, Batschkapp 
09/02/27 - FR Strasbourg, La Laiterie
11/02/27 - FR Rennes, Antipode 
12/02/27 - FR Clermont-Ferrand, La Cooperative de Mai 
13/02/27 - FR Toulouse, Le Metronum 
14/02/27 - ES Barcelona, Razzmatazz 2 
16/02/27 - FR Paris, Elysee Montmartre 
17/02/27 - UK London, Electric Ballroom 
18/02/27 - BE Liege, OM 
19/02/27 - NL Nijmegen, Doornroosje
20/02/27 - NL Utrecht, Tivoli Pandora 
21/02/27 - DE Cologne, Live Music Hall 
23/02/27 - CH Solothurn, Kofmehl
24/02/27 - IT Milan, Magnolia 
25/02/27 - AT Vienna, SIMM City 
26/02/27 - PL Warsaw, Progresja 
27/02/27 - CZ Brno, Fleda 

Enslaved live in 2027 (USA)

27-30 May 27   US - Baltimore @ Maryland Deathfest 2027

Enslaved live in 2026

30 Oct 26         NO - Oslo @ Big Dipper - Signing Session / Meet & Greet
31 Oct 26         NO - Oslo @ Oslo Spektrum w/ Dimmu Borgir & Satyricon

Never faltering, Norway’s iconic Enslaved continue to exist as one of the most original and dependable components in our scene's indestructible backbone. Possessing the reputation as one of the most riveting live acts around, they never fail to offer us talent of the highest calibre, always doing justice to their signature black/progressive sound. Enslaved was formed in 1991 by Ivar Bjørnson and Grutle Kjellson, releasing their first demo Yggdrasill in the summer of 1992, their legendary mini-album Hordanes Land coming out in 1993, and with their debut full-length Vikingligr Veldi arriving in the spring of 1994.

It’s a rare and remarkable feat that 35 years and now 17 albums in, Enslaved’s horizons still continue to expand. Every stage of the Bergen band’s evolution, every new phase entered, has felt like an organic act of discovery and renewal. Their journey has been at once a commitment to a promise that found its embryonic form in the Norwegian black metal scene they emerged from, and a willingness to challenge both orthodoxy and themselves from the off to make that potential manifest.

Enslaved’s new album, Mið, an Old Norse word for ‘centre’, or ‘middle’, marks another departure, and another new beginning. The band have always dealt in states of transition, nor least on the thematically linked, mythology-steeped rites of passage that were 2020’s Utgard and 2023’s Heimdal. What lay beyond, however, was… unexpected.

Mið is an album that sheds light on harmonies and dialogues embedded all around us: between the ways of the past, and how they can bring enlightenment to the present, between small kernels of truth and their ability to project onto the most universal on canvases, and between band members relying on instinct and each other to create a record that galvanises on every possible level.

Enslaved are:
Ivar Bjørnson | guitars 
Grutle Kjellson | vocals, bass
Arve 'Ice Dale' Isdal | guitar
Håkon Vinje | keyboards
Iver Sandøy | drums


Website | Bandcamp | Facebook | Instagram | Twitter | Spotify | YouTube | Apple Music

The Artery Foundation's KVDE and DONTYOUDARE Collide on Collab Track "Fake"

Two of THE ARTERY FOUNDATION's most promising bands — DONT YOU DARE and KVDE — are colliding with an epic collaborative track titled "FAKE."

Bounce? Check.
Boundless Grooves? Check.
Breakdowns galore? Check.

Listen below.

"Working with DYD on this record was honestly a unique and fun experience, especially considering it was the first time I'd ever collaborated on a song completely remotely," KVDE says. "Every session was just me, Noah and Matt on Discord throwing ideas back and forth and tracking them in real time. They're both insanely talented at what they do, and I've personally been wanting to create something with them since the first time I ever heard them."

He continues, "Lyrically, 'Fake' is about that moment when you start seeing through someone. The way people can create an entire version of themselves for the world to see while hiding who they really are underneath. I think we've all experienced people who say the right things, play the right part and make you believe they’re genuine, until eventually the cracks start to show. This song is really about recognizing that facade for what it is and reaching the point where you’re done playing along with it."

DONT YOU DARE's Noah Duarte weighs in, saying, "Finally getting to work with KVDE was absolutely amazing. It was a challenging but ultimately rewarding journey and just seeing someone who is so talented take your idea and warp them in their own ways to make something completely unique! Be that Kade interpreting Matt’s guitar parts to me taking Kade's melodies and putting my own little spin on it. We were all just chilling in Discord making something awesome at the end of the day."Duarte finishes, "The song to me is about the fake nature of people who want to use you for their own gain, leeches feeding off each other, fake friends that hop from one friend to another; lost, it’s about recognizing it before it happens to you. Reality is what you make it, people can make a fake world out of nothing."

DYD LIVE DATES:
WITH OF MICE & MEN, MOTHICA, + HOLLOW PACT:

11/19 — Santa Ana, CA — The Observatory
11/20 — San Diego, CA — House of Blues San Diego
11/21 — Sacramento, CA — Ace of Spades

KOE WETZEL SURPRISES FANS AHEAD OF SOLD-OUT RED ROCKS SHOW WITH “HARD WAY” FEAT. STEPHEN WILSON JR., OUT NOW

Ahead of tonight’s penultimate show of The Night Champion World Tour, Koe Wetzel surprised fans with the release of “Hard Way,” rounding out the deluxe edition of his critically acclaimed sixth studio album, The Night Champion. Listen to “Hard Way” HERE and order The Night Champion (Deluxe) on vinyl HERE.
 
“Hard Way” finds Wetzel teaming up with fellow genre-bending artist Stephen Wilson Jr. for the final addition to the project that has given fans a steady flow of new music since its initial arrival in June. The hard-charging, guitar-forward anthem unites the pair’s growling vocals in a rock-fueled tale of lessons learned through a life lived on the edge.
 
       ‘Cause if you ain’t rolling doubles, better listen to what I say
        If you wanna get to Heaven, there’s gonna be some hell to pay
        Some people gotta learn it the hard way
 
“It’s been a hell of a ride with this record, and we weren’t quite done yet. Before the sun comes up on The Night Champion, we’ve got one more song left to play,” shares Wetzel. “I’ve been a fan of Stephen’s for a while now, and we got to play a bunch of shows together last year, so I’m fired up to have a song together now, too.”
 
The surprise release arrives as Wetzel continues a career-defining run, with current single “Jaded” feat. Ella Langley Top 10-and-climbing at Country radio and reaching a new peak of No. 18 on the all-genre Billboard Hot 100. 
 
Following this week’s conclusion of The Night Champion World Tour, Wetzel reunites with Parker McCollum for the return of their Naughty or Nice Tour, with six sold-out acoustic shows across Texas to celebrate the holiday season.
 
For more information and all the latest news, visit KoeWetzelMusic.com. Follow on TikTok @Koe_Wetzel and on Instagram and Facebook @KoeWetzelMusic.

Enter Shikari Surprise Release New Single “Lightyears”, Announce January 2027 US Shows

British rock innovators Enter Shikari have surprised fans with the release of their tender and deeply personal new single, “Lightyears”, alongside the announcement of four US headline shows for January 2027. The newly confirmed dates will see the band hit Fort Lauderdale, Orlando, Atlanta and Nashville, following their appearance aboard the Emo's Not Dead Cruise on January 22. They will also perform at Treefort Music Fest in Boise, Idaho, on April 3. Listen to “Lightyears” BELOW..

Speaking on the inspiration behind the new track, frontman Rou Reynolds explains:

"Last year I took it upon myself to digitalise all our old family camcorder footage. It was a surreal experience. Seeing the old family holidays, Christmases, school concerts, and birthdays; it was a cocktail of emotions. But what struck me most was the bizarre nature of watching back periods of my life that now seem so detached from reality now. Looking back on former versions of myself that no longer exist, people that have passed, places that have been knocked down - it was a form of nostalgia that veered on painful at times (or almost like ’vertigo’, as I say in verse two). Lightyears is not only me speaking to loved ones who are no longer with us, it’s also me speaking to my former self. Seeing the innocence and fragility of who you were as a child is often something recommended in psychotherapy in order to recalibrate how you treat yourself now. It can quieten what can often be a relentlessly critical and mean inner voice. This felt like a literal and stark version of that.”

“Lightyears” follows the release of “Higher Ground” earlier this month, which arrived in the wake of the band's announcement of an indefinite hiatus. Last week, the band also unveiled Live From The Golden Age, a special four-track live session directed by Tom Pullen, with audio recorded and mixed by George Perks. Featuring the first live performance of “Higher Ground”, the session is available to watch HERE.

The new music follows April's surprise release of their latest album, Lose Your Self, which arrived completely unannounced in both digital and physical formats via So Recordings. Spanning 12 tracks, the album explores themes of desolation, futility and despair at the state of the world, whilst threading moments of hope and optimism throughout. Listen to Lose Your Self HERE.

The four newly announced US shows will kick off on January 27 at the Culture Room in Fort Lauderdale, FL, before heading to Orlando, Atlanta and Nashville. Artist presale is available now, with all presales closing Thursday, October 29 at 10 PM local time. General tickets go on sale Friday, October 30 at 10 AM local time. Full dates and ticket information can be found HERE.

Before returning stateside in January, Enter Shikari will embark on their biggest UK and European headline arena tour to date this November, joined by Holding Absence and The Callous Daoboys.

With more than 3,000 live shows around the world under their belts, Enter Shikari have established themselves as one of the UK's most formidable live acts. Along the way, they have supported the likes of The Prodigy and Linkin Park, headlined three UK arena tours and collected accolades from NME, Kerrang!, Rock Sound and the Heavy Music Awards.

Enter Shikari US Shows

January 27, 2027 | Culture Room | Fort Lauderdale, FL

January 28, 2027 | The Beacham | Orlando, FL

January 29, 2027 | The Masquerade (Heaven) | Atlanta, GA

January 30, 2027 | The Basement East | Nashville, TN

January 22, 2027 | Emo's Not Dead Cruise | Norwegian Joy, Great Stirrup Cay

April 3, 2027 | Treefort Music Fest | Boise, ID

Melodic Hard Rockers STORMWARNING Return with Sophomore Album ‘Future In Utopia’ Out on January 22, 2027 via Frontiers Music Srl

Today, STORMWARNING are excited to announce the release of their highly anticipated sophomore album, ‘Future In Utopia,’ out on January 22, 2027 via Frontiers Music Srl. Marking the announcement, the new single, “Forged In Ice And Fire,” along with an official visualizer, are available now, giving fans a taste of the upcoming record.

Sergio Mazul comments:

“’Forged In Ice And Fire’ is a song inspired by the challenges we all face in life. People and situations who takes us for breaking points, beyond our limits: broken trust, broken heart, broken dreams… Disappointments all around and you need to reborn, sometimes, dozens of times in one life. Restart from the absolute zero. Gave a filter of who or what you give permission to stay close and walk by your side since then. And yes, you can consider that there’s a lot of my personal experiences inside. But I’m sure Santiago and Marcelo faced similar situations and all STORMWARNING’s audience, as well. It's a ‘call to arms’ to everyone who forged themselves as steel, those who never surrender in search of their dreams!”

“’Forged In Ice And Fire’ is an anthem of resilience and rebirth. A powerful reminder that no matter how much life puts us through, we can always rise again, stronger than before. The perfect soundtrack for anyone who refuses to surrender,” adds Santiago Ramonda.

Watch the Visualizer for "Forged In Ice And Fire" Below:

With ‘Future In Utopia,’ STORMWARNING returns with their second album, once again showcasing the talent and unmistakable vocal presence of Santiago Ramonda. 

Building on the foundations of their debut, the new record takes the band's melodic hard rock sound to a more mature and confident level, combining powerful guitars, polished production, memorable melodies and an abundance of strong, hook-driven songwriting. 

The album was once again produced by Sergio Mazul and Marcelo Gelbcke, whose work helps give the record its powerful, polished, and contemporary sound.

Marcelo Gelbcke stated:

“’Future In Utopia’ represents a significant step forward for STORMWARNING. The songwriting and arrangements have matured, and the production is more elaborate, while the futuristic concept gives the album a stronger identity. Each song has its own personality, from the cinematic atmosphere of ‘Shine And Shade’ and the epic journey of ‘Argonaut’ to the classic 80s feeling of ‘Mystical’ and the high-energy drive of ‘Night Drive Therapy.’ ‘Victory Is Mine’ opens the album with an anthemic statement, while ‘Forged In Ice And Fire’ captures the classic STORMWARNING sound with a powerful mid-tempo groove and a huge chorus.”

“The entire band delivered outstanding performances,” he added. “Felipe Souza, my longtime bandmate in Landfall, brings incredible technique, power and musicality to the drums. Santiago Ramonda has also grown tremendously as a vocalist, delivering an outstanding performance with remarkable range, power and emotion. He was much more involved in the creative process this time, contributing extensively to the vocal lines and bringing another dimension to the album. I'm incredibly proud of what we created together and excited for everyone to hear this new chapter of STORMWARNING.”

Sergio Mazul also said:

“’Future In Utopia’ means a huge step into the future, in comparison with STORMWARNING’s first album; and I’m not speaking about the landscape of Blade Runner or that vision from the 80’s of what would happen with the world after the year 2000: I’m speaking about evolution. ‘Shine And Shade’ is a true crime and 80’s serial killer thriller inspired by the scary Nightstalker (with a Hollywood shape). There are references to the Future World in amazing songs like ‘Timecop,’ the title track, or even ‘Enter The Cyber City.’ 

“’Victory Is Mine’ and ‘Forged In Ice And Fire’ are songs about highs and lows and intense life experiences; ‘Argonaut’ and the ballad ‘Lovelorn’s Pyre’ are EPIC Hard Rock anthems inspired by movies and bands like TEN, and the 80’s roller-coaster enjoys the enthusiasts with ‘Mystical’ and ‘Night Drive Therapy.’ If you sum all this inspiration coming to life from me and Marcelo and includes Santiago singing like never before, putting his soul, contributions with hundreds of ideas and details during all the process, the result is one UNIQUE album that we consider one of the best musical works of our entire careers,” he added. “I’m really curious to know how the experience of Rock, Metal, and AOR fans will be with ‘Future in Utopia’ around the globe!”

Pre-Order 'Future In Utopia' HERE

STORMWARNING have crafted an album that balances the classic elements of melodic rock with a fresh and contemporary approach, with Santiago's expressive vocals at the heart of the songs. 

The result is a collection of tracks filled with big choruses, emotional melodies and the kind of timeless songwriting that will appeal to both longtime fans of the genre and a new generation of listeners.

Santiago Ramonda comments:

“This album is very special to me. Marcelo and Sergio have an incredible ability to understand exactly what our music needs, and their vision has been instrumental in shaping the sound of STORMWARNING. Having already contributed two songs to our previous album, being more actively involved in the songwriting process this time around has made this experience even more meaningful to me. Marcelo and Sergio’s humility, professionalism, and open-mindedness in embracing a collaborative approach have brought a whole new dimension to the project. Sharing the creative process across all the songs has been incredibly rewarding, giving me even more energy and motivation to keep growing as an artist and sharing my music with the world.”

“I honestly believe this album is a huge step forward from our previous record. As you embark on the journey of listening to it, you’ll keep discovering new influences and unexpected details that reflect the richness of this team. Every song brings something different, yet they all contribute to making this album a powerful and cohesive statement. This is, without a doubt, the most incredible album I’ve ever had the opportunity to work on, and I truly believe it has the potential to stand among the finest hard rock albums of recent years,” he continued.

‘Future In Utopia’ confirms STORMWARNING as one of the exciting names in the new generation of melodic hard rock, while establishing a clear and distinctive identity for the band. 

A strong second chapter for STORMWARNING and another important step forward for Santiago Ramonda and the project.

STORMWARNING are:

Santiago Ramonda - Vocals, Backing Vocals

Marcelo Gelbcke - Bass, Guitars and Keyboards

Felipe Souzza – Drums

Theodor Bastard Channel Ritual Energy on New Single "Ostavlyaem"

During the long and trying silence since their last studio venture in 2021, Karelia’s Theodor Bastard have been searching for a way out of the shadows cast by the pandemic, war and invasive technologies. Now, with their upcoming new album,▽, the world music pioneers are returning with dark electronics for our dark times.

Previous singles “Nebo” “Sverkay” and “Vedma” launched Theodor Bastard back into the international headlines with a feature in the award-winning crime drama The Method and coverage spanning from Headbanger Russia and Belgium’s Grimm Gent to Canada’s Different Stages Radio, Latin America’s Metallerium and Metal Devastation Radio and Wildfire Music in the United States.

Today, Theodor Bastard are releasing the third and final advanced single from ▽ (pronounced V). By reconnecting with the band’s electronic roots, “Ostavlyaem” channels a ritual energy that lifts the spirit beyond our earthly realm.

“Across our new album, ▽, darkwave, indietronica, post-punk and neo-psychedelia are not used as genre references”, Theodor Bastard producer, multi-instrumentalist and founding member Fedor Svolotch says. “They are fused into a single world, where ritual presence and the physicality of live sound coexist”.

“‘Ostavlyaem’ brings a different feeling of farewell than the rest of the album”, Svolotch continues. “It is fragile but communicates its fragility through motion, rhythm and a strange tenderness rather than heaviness”.

Listen to “Ostavlyaem” Below:

▽ comes out November 13, 2026 on Season of Mist.

Pre-order

https://orcd.co/theodorbastardv

Theodor Bastard will perform “Ostavlyaem” and other new songs from ▽ this November and December during their 10-date headlining tour of Russia.

Theodor Bastard ▽ 2026 Russian Tour

November 27 - Yekaterinburg @ Svoboda

November 29 - Novosibirsk @ Podzemka

December 4 - Krasnodar @ Port 219

December 5 - Rostov-on-Don @ Krop Arena

December 12 - Saint Petersburg @ Eifman Academy

December 18 - Moscow @ Urban

December 19 - Nizhny Novgorod @ DKRT

December 20 - Penza @ TsKiD

December 21 - Saratov @ Oniks

December 22 - Samara @ ODO

Can’t wait to hear ▽? RSVP for Theodor Bastard’s upcoming Bandcamp Listening Party and hear the entire album before it comes out.

▽ Bandcamp Listening Party

Monday, November 2 @ 1:30 pm Eastern Time

RSVP

https://theodorbastard.bandcamp.com/merch/listening-party

▽ reflects just how much has changed since the world last heard from Theodor Bastard. While the band are still recognized internationally as leaders for ritual folk and world music, on their new album, they’ve re-embraced their early electronic impulses because that’s how life feels now: cold, sharp, tense.

“Our sound changed because the world changed”, Svolotch explains. “We had to destroy our own habits and expectations to make ▽. We wanted to start again, as if the band has no past, no safe place, no ready-made formula. As a result, this album is not a continuation of what came before. It’s a different door”.

To a world that’s mired in its own deadly trance, ▽ arrives like a much needed slap across the face. However, compared to the album’s previous singles, “Ostavlyaem” dances to a fragile beat that preserves the ritual spirit that’s always at the heart of Theodor Bastard. Electronic marimba springs lightly between soft drum pads, grounded by vocalist Yana Veva, whose  melodies transcend our broken sphere to a place amongst the stars. “Оставляем всё своё земле / Всё своё траве / Всё своё здесь (We leave all that is ours to the earth / All that is ours to grass/ All that is ours to here)”.

“So much has surrounded us during recent years: the pandemic, war, division, fear, anxiety over technology, and a sense that reality itself is becoming darker and more unstable”, Svolotch says. “We have felt so much anger, pain, confusion and disappointment both in ourselves and in the world around us. All these emotions were gathering inside us, changing, darkening, searching for a form, until they eventually transformed into the unexpected on ▽”.

“Across ▽, darkwave, indietronica, post-punk and neo-psychedelia are not used as genre references. They are fused into a single world, where ritual presence and the physicality of live sound coexist”, Svolotch concludes. “It is unmistakably Theodor Bastard, but in a state of renewal, where the band’s recognizable identity becomes a starting point for transformation rather than a limit”.  

With  ▽, Theodor Bastard return with dark electronics for dark times.  

Recording Lineup
Yana Veva - Vocals, Lyrics, Vocal arrangements, Synthesizers, Keyboards
Fedor Svolotch - Arrangements, Guitars, Bass guitar, Synthesizers, Analog synthesizers, Keyboards, Drum programming, Sound design, Sound production, Mixing
Christine Kazarian - Harp
Vyacheslav Salikov - Cello / Strings
Kusas - Percussion, Bells, Metallophone, Marimba, Jaw harp
Ekaterina Dolmatova - Backing vocals
Eli H - Bass guitar
Alexey Kalinovskiy - Keyboards, Synthesizer, Lap slide guitar
Vyacheslav Nikiforov - Drums
Sergey Smirnov - Drums
Maria Starostina - Flute, Backing vocals
Maxim Kostyunin - Guitar
Gale Dorothy - Vocals on Molnii i Svist

Current Lineup
Yana Veva - Vocals
Fedor Svolotch - Sound, Guitar, Electronics
Andy Vladich - Drums
Alexey Kalinovskiy - Keyboards
Kusas - Percussion
Vyacheslav Salikov - Cello
Ekaterina Dolmatova - Backing vocals

Production Credits
Producer - Fedor Svolotch
Sound Engineer - Fedor Svolotch
Mixing Engineer - Fedor Svolotch
Mastering Engineer - Boris Istomin
Recording Studio - Theo Records
Mastering Studio - Knob Studio

Cover Artwork
Fedor Svolotch

Artwork / Layout Designer
Yana Veva & Fedor Svolotch

Pre-order & Pre-save
https://orcd.co/theodorbastardv



Follow Theodor Bastard
Website: https://theodorbastard.com/
Bandcamp: https://theodorbastard.bandcamp.com/
Spotify: https://open.spotify.com/artist/2PQ9UX4kWDE3mf2fYGRzqF
Apple Music: https://music.apple.com/us/artist/theodor-bastard/204585292
YouTube: https://www.youtube.com/theodorbastard
Facebook: https://www.facebook.com/TheodorBastard/
Instagram: https://www.instagram.com/theodor_bastard/?hl=en

BAT PAYS TRIBUTE TO VENOM LEGEND CRONOS WITH PREVIOUSLY UNRELEASED COVER OF 'LIVE LIKE AN ANGEL (DIE LIKE A DEVIL)'

Channeling the raw, primitive speed that birthed extreme metal, Richmond metal-punks BAT have unleashed a scorching cover of VENOM’s classic 'Live Like an Angel (Die Like a Devil).'

As a foundational influence on BAT’s own brand of heavy speed metal, the cover serves as a direct tribute to Conrad “Cronos” Thomas Lant. Engineered by Ian Whalen and Yavé Rust, mixed and mastered by Joel Grind and featuring original drummer Felix Griffin, BAT’s 2015 rendition captures the relentless, primitive drive that defined a genre. 'Live Like an Angel (Die Like a Devil)' is available now on Bandcamp.

BAT's Ryan Waste comments, “It’s undeniable the impact that Cronos and Venom has had on myself and BAT. In the early days of the band we wore our influences on our sleeve, covering Motörhead and Venom in our live set. When it came time to record our debut full length, “Wings Of Chains” back in 2015, we tracked “Live Like an Angel (Die Like a Devil)” along with the 12 originals. It’s been lying dormant in the vaults for over ten years and upon hearing the news of Conrad’s passing, we decided to resurrect it in his honor.”

Purchase / stream BAT's cover of 'Live Like an Angel (Die Like a Devil)':
https://bfan.link/llaadlad

ABOUT 'LIVE LIKE AN ANGEL (DIE LIKE A DEVIL)' TRACK:
BAT - 2015 Lineup
Ryan Waste - Bass / Vocals
Nick Poulos - Guitar
Felix Griffin - Drums

Recorded during the “Wings of Chains” sessions Richmond, VA 2015
Engineered by Ian Whalen and Yavé Rust
Mixed and Mastered by Joel Grind
VENOM- 'Live Like An Angel (Die Like A Devil)'
Originally written by Jeffrey Dunn (Mantas), Conrad Lant (Cronos), and Anthony Bray (Abaddon)

ABOUT BAT:
The power trio, including Ryan Waste, Nick Poulos, and Chris Marshall, decamped to Philadelphia in June 2021 where Arthur Rizk recorded the basic tracks for Under The Crooked Claw. Yavé Rust tracked lead guitars and vocals later when the band was back in Richmond, ultimately to be mixed by Rizk and mastered by Joel Grind. The artwork for the album was inked by Brandon Holt and colored by Margaret Rolicki.

Jam-packed with tight, concise songs loaded with punchy choruses and lightning-laced leads, each of the 13 tracks offers a new horror short story mixing the perfect blend of heavy metal, punk, and rock ‘n’ roll or as Waste coins it "primitive heavy speed".

Order / stream BAT's latest studio album Under The Crooked Claw now at:
https://bat.bfan.link/utcclp

BAT is:
Ryan Waste | Bass & Vocals
Nick Poulos | Guitar
Chris Marshall | Drums

Photo credit: Reneé Stramel

Epic Heavy Metal Newcomers UNCHAINED VENGEANCE Stream New Album Ahead of Friday's Release

From the battle-scarred strongholds of Portland, OR rises a new force in epic heavy metal: UNCHAINED VENGEANCE. The newcomers are pleased to now make their debut with 'Unbound and Unforgiving,' an anthemic offering with epic soundscapes that conjure the feeling of valiantly riding into battle on horseback with sword and mace in hand. The band is now streaming the offering in its entirety ahead of its release this Friday Below.

'Unbound and Unforgiving' is due on October 30, 2026 via Nameless Grave Records. It can be pre-ordered now HERE.

From the battle-scarred strongholds of Portland, Oregon rises a new force in Epic Heavy Metal: UNCHAINED VENGEANCE.

Forged by the union of powerhouse vocalist Nick Courtney (former member of Vicious Rumors and the acclaimed Iron Maiden tribute band Fear of the Dark) and multi-instrumentalist Nick Wusz (of Dolven and Travellers Rest), UNCHAINED VENGEANCE arrives with their debut full-length assault, Unbound and Unforgiving.

This is a journey into an age long forgotten—an time where honor outweighs gold, where warriors carve their legends in steel, and where the sword triumphs over sorcery. Across ten triumphant tracks, UNCHAINED VENGEANCE unleashes a relentless barrage of thunderous riffs, soaring vocals, galloping rhythms, and heroic melodies destined to echo across the battlefield.

From the bond between warrior and blade in "The Whisper of Sorrowsbane," to the condemnation of false champions in "False Knight," and the bittersweet return to a fallen homeland in "Only Ruins Remain," Unbound and Unforgiving weaves tales of courage, loss, revenge, and redemption. Majestic acoustic passages and contemplative interludes, masterfully performed by dungeon synth maestro Fen Walker, provide moments of reflection before the next charge into glory.

Adorned with breathtaking cover art by Silvana Massa and a battle-ready logo crafted by Brendan Elliot, this debut stands as a banner for all who still believe in the warrior spirit.

Raise your steel. Break your chains. March into the fire.

The age of UNCHAINED VENGEANCE has begun.

Carved in blood…Forged in fire…Unbound and Unforgiving

Lineup:

Nick Courtney - Vocals

Nick Wusz - Guitars, bass, drums

Interlude Tracks 1,4,7, and 10 by Fen Walker

Album credits:

Music recorded at Cirrus Studios, in Portland, Oregon by Nick Wusz

Vocals recorded at Perfect Audio, Vancouver, Washington

Mixed and Mastered by Pooya Entezari at Perfect Audio

Layout by Obscure Visions

Cover Artist: Silvana Massa

Logo Artist: Brendan Elliott

Pre-orders: https://linktr.ee/UnchainedVengeance

Links:

BANDCAMP

E-SHOP

INSTAGRAM

YOUTUBE

ALIEN FAKTOR return after 28 years with defiant electro-industrial anthem 'Hanging by a Threat'

Electro-industrial music mavericks Alien Faktor return with 'Hanging by a Threat', a hard-hitting rage-fuelled anthem, attacking the news of the day with both emotion and insight.  Channeling political disillusionment into a defiant call to resist hatred, intolerance and fascism, this is the first single from 'Stockholm Syndrome', the band's first new album in 28 years.

Band founder Thomas L. Muschitz returned from a lenghty hiatus to confront the issues of the day and shout truth to the world, that something is very wrong here. Heavy guitar accentuates bombastic percussion and stomp worthy synth programming, accentuated by samples of revolution.

Founded in Milwaukee in the early 1990s by Thomas L. Muschitz, Alien Faktor developed a distinctive sound that blends industrial noise, electronic dance rhythms, soundtrack influences, and elements of metal. Following a run of releases on Muschitz’s own Decibel Records and a Top 25 placement on CMJ’s Dance Chart, Alien Faktor went on hiatus at the end of the 1990s.

Now based in Madison, Wisconsin and reunited with bandmate Mike Hunsberger on guitar and programming, the duo has re-emerged with new material capturing the zeitgeist of our modern society. In late 2025, inspired by his work in film and audio production, and disgusted with the state of the world, Thomas Muschitz began writing the first of many songs for their first album in almost 30 years.

Those sessions laid the creative groundwork for 'Stockholm Syndrome', ushering in a new chapter, retaining the project's foundations while directing its creative energy toward the present. 'Hanging By A Threat' transforms political despair into a musical act of defiance. Its message is direct: kindness is strength, violence is weakness, compassion is art, and hate is disease.

“I have felt sickened at the state of my nation, and to a larger extent, many of the same issues that seem to be infecting the world at large. Turning despair into anger, and clinging to the vestiges of hope, I did the one thing that i have always done. Create art. It was time to return, to raise my voice and speak loudly," says Thomas L. Muschitz.

"My deepest desire is that this song is a rally cry among many other voices, a reminder that the power resides in the people, and we need to fight injustice, intolerance, fear, hate and this insidious rise of fascism, each of us in their own unique way.”

On 'Stockholm Syndrome', Alien Faktor revisits its classic 1990s sound through dark, cerebral electro-industrial music, shaped by fresh influences and modern production. Hard beats, noise effects, EBM synths, textural guitars, and psychedelic atmospheres expand the project’s abrasive foundations into a broader, genre-bending sound.

Bringing in sonic richness, this album was mastered by the legendary Greg Reely, known for his work with pioneering industrial acts such as Skinny Puppy, Front Line Assembly, numerous artists on the Nettwerk label, and other award-winning acts like Delerium, Fear Factory and Sarah McLaughlin.
 
Alien Faktor’s recording career launched in 1994 with 'Abduction', the first-ever release on Decibel Records, followed by 'Desolate' (1995), 'Final Expenses' (1996) and 'Listen!' (1996). Hunsberger joined Alien Faktor for the 1997 album 'Arterial Spray... and Cattle Mutilations', which reached No. 20 on CMJ’s Dance Top 25 in February 1998. Their music was also remixed by such renowned as Joseph Bishara (Drown), Seibold (Hate Dept) and Matt Green (Spahn Ranch). 

Recording at Chicago Trax, The Warehouse and their own Milwaukee studio, The Womb, Alien Faktor worked within Chicago’s industrial figures like Chris Randall (Sister Machine Gun) and Van Christie (Die Warzau). 

Alien Faktor has also earned recognition for remix work with Caustic, Purr Machine, Pain Station, Collide, Swamp Terrorists, Leather Strip, and Psychic TV, featuring Genesis P-Orridge, in addition to covering Alanis Morissette’s 'You Oughta Know' for the compilation 'Nod’s Tacklebox o’ Fun', released by Re-Constriction Records. More recently, Alien Faktor has covered MGMT's synth-heavy hit 'Time To Pretend'.

At the end of the 1990s, as the music landscape shifted for artists and labels amid broader changes in the music industry, Decibel Records closed their doors and Alien Faktor went on indefinite hiatus.

Tying the band's future and past, the album art for 'Stockholm Syndrome' was created by James Barany, painter and professor at the Milwaukee Institute of Art and Design, who also created the renowned painting for the cover of 'Arterial Spray... and Cattle Mutilations'.

As of October 27th, 'Hanging by a Threat' is available everywhere digitally, including Spotify, Apple Music and Bandcamp. The 'Stockholm Syndrome' album will be released on January 15th.

CREDITS
All tracks written by Thomas L. Muschitz
except Track 2, music by Thomas L. Muschitz & lyrics by Matt Fanale
Thomas L. Muschitz - vocals, synths, programming, guitar, metal percussion 
Mike Hunsberger - guitars (Tracks 1 & 10) and Bass (Track 10)
Matt Fanale - vocals (Track 2)
Steven Seibold - guitar, bass & additional production (Track 4)
Connie Ward - vocals (Track 8)
Produced, engineered & mixed by Thomas L. Muschitz
Mastered by Greg Reely
Publishing - Faktorsongs ASCAP 2026
Album UPC - 608657002622
CD Design by Henry Ingram
Album cover painting “Nomenclature of Sierpinski” 2026 by James Barany
Photography by Paige Gilberg
Publicity by Shameless Promotion PR

Keep up with Alien Faktor
Website | Facebook | Bandcamp | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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The Flaming Lips announce The Teardrop Throbs!

Third Man Records is proud to announce the eagerly awaited label debut album from The Flaming Lips. The Teardrop Throbs arrives everywhere on Friday, January 22, 2027. The 3x GRAMMY® Award-winning band’s 17th official studio album and first all-new LP in more than six years will be available digitally, on CD, and on vinyl in black and limited edition ‘Teardrop Blue’. Pre-orders/pre-saves are available now. Produced by The​ Flaming​ Lips,​Taylor​Johnson,​Dave Fridmann,​and​ Scott​ Booker with additional production by Jon Fridmann and Mike Fridmann,  The Teardrop Throbs is heralded by today’s premiere of the first single, “God Will Control The Werewolves,” available to stream everywhere now.

STREAM 'GOD WILL CONTROL THE WEREWOLVES'

PRE-ORDER / PRE-SAVE 'THE TEARDROP THROBS'

Long known as one of the best and most visually exuberant live bands of all time, The Flaming Lips will introduce fans to the world of The Teardrop Throbs with a series of intimate performances across the United States and in the United Kingdom. Dates begin January 22-23 at Nashville, TN’s Brooklyn Bowl, followed by two-night stands at New York City’s Irving Plaza (January 26-27), Los Angeles, CA’s The Bellwether (February 23-24), Chicago, IL’s Metro (February 27-28), and London’s O2 Shepherds Bush (April 2-3). The Flaming Lips pre-sale begins this Wednesday, October 28 at 10 AM (local). Local pre-sales begin Thursday, October 29 at 10 AM (local), and the general on-sale begins this Friday, October 30 at 10 AM (local). Tickets for all shows go on sale this Friday, October 30. Additional dates will be announced.

TOUR UPDATES & TICKET INFO

Melodic Metal Outfit DYING LIGHT Releases New Single "Dust," Announces Next Album 'The Wicked Crow'

New Jersey's DYING LIGHT is preparing to unveil the next full length offering, The Wicked Crow. The announcement of the new album arrives alongside the first single and video release, "Dust." With a sound rooted in hard rock with heavy metal influences, The Wicked Crow is scheduled to arrive independently on April 23, 2027.

On the narrative behind "Dust", DYING LIGHT comments: 
"The lyrics paint a tense, cinematic scene centered on a person holding lethal power in a moment of emotional emptiness. An emotional plea gives way to a tense exchange. The victim recognizes the assailant as an empty vessel but also recognizes that outside powers may yet intervene. For one person everything is turned to nothing in one lethal moment. Is it the killer or the victim who was killed?"

Highly rhythmic with a sense of foreboding, "Dust" emerges with a bluesy guitar riff and swampy bass. The driving momentum of the track's verses subsides upon reaching the melodic choruses. Comprised of call and response vocal lines, the chorus arrangement sees the energy shift and provides space to breathe.

On the creative direction of the forthcoming full length, The Wicked Crow, the band shares: 
"This particular album was meant to be heavy with some drop tunings while holding on to our melody and hooks. We hope to plant an ear bug in every song. The lyrical content is always important. We try to tell a story in every song."

The Wicked Crow was produced, mixed and mastered by Charlie Berezansky at Rival Sound. 

About DYING LIGHT:
New Jersey based melodic metal outfit DYING LIGHT formed in 2020 comprised of Jim Haldenwang (guitarist/songwriter), Jeff Ross (vocals), Chris Fritz (bass/vocals), Doug Edwards (guitar) and Shaun Dilliplane (drums). Following Doug Edwards's exit, Jake Whittaker joined taking on the role of bassist which saw Chris Fritz switch to guitars.

2020 saw the release of DYING LIGHT's self titled demo album, which was swiftly followed by Far From Life in 2021. Showcasing a progression in their sound, Shallow Grave arrived in early 2023 with 2025 bringing the release of The Slumber.

Drawing inspiration from across hard rock and metal's subgenres, DYING LIGHT's sound carries a classic metal foundation that balances aggressive riffs with melodies and memorable hooks. Thematically the band explores themes of mental illness, addiction, toxic relationships, violence, and despair.


DYING LIGHT Is:
Jeff Ross - Lead Vocals
Jim Haldenwang - Guitar, vocals
Chris Fritz - Guitar, Vocals
Shaun Dilliplane - Drums
Jake Whittaker - Bass

Connect With DYING LIGHT:
Facebook: https://www.facebook.com/dyinglightnj
Instagram: https://www.instagram.com/dyinglightnj
YouTube: https://www.youtube.com/@dyinglightdyinglight7159
Spotify: https://open.spotify.com/artist/37mizXFxbj4jAkzYwPZvQA?si=OUh-T3pyTl2jkbLYTHrv3Q
Apple Music: https://music.apple.com/us/artist/dying-light/1098109963

Progressive Death Metal Band DYSTOPIA AD Release New Single, "The Last Citadel"

Progressive death metal act DYSTOPIA A.D. explores a bleak future in the new single release, "The Last Citadel." Drawing sonic inspiration from across metal's subgenres, the trio is preparing to unleash the new full length offering Wasteland Empire independently on January 15, 2027.

While the band's music is rooted in death metal, the array of musical influences in DYSTOPIA A.D.'s sound is revealed in this latest single release:
"'The Last Citadel' opens the album with a haunting, epic introduction followed by relentless thrash riffs, dueling guitar solos, and gang vocals evocative of classic bands like Exodus and Testament." DYSTOPIA A.D. explains. 

Positioned as the opening track on the band's forthcoming album, "The Last Citadel" establishes the setting of 'The Wasteland.' This desolate plain is a dark depiction of humanity's future. Lyrically, the track's narrative sees "survivors band together to fend off the forces of destruction." 

Wasteland Empire was produced, mixed and mastered by DYSTOPIA A.D.. Additional percussion on "Breath of Decay" was performed by Gabriel R. The band's logo is by Luciferium War Graphics, with the album cover artwork by Hans Trasid of Dis-Art Design. 

About DYSTOPIA A.D.:
Formed in 2018 by Aki Shishido (ASH & ELM, STRAINS OF BELLUM) and Chris Whitby (HELLBORE, BLACK NEGATIVE DOMINATION)., the progressive death metal act from New Jersey, USA, incorporate an array of musical influences notably technical/melodic death metal with elements of progressive rock and power metal. DYSTOPIA A.D. draw inspiration from the likes of SEPULTURA, BLIND GUARDIAN, TESTAMENT, REVOCATION, and SHADOWS FALL. The genre fusion across the band's sound heightens the impact of their music with relentless power and attack, emotion and understanding. 

DYSTOPIA A.D.'s first release Designing Ruin arrived in 2018, followed by Rise of the Merciless (2020) and the critically acclaimed Imperial Dawn in 2022. Now moving into their next chapter with the forthcoming full-length, Wasteland Empire, DYSTOPIA A.D. are joined by UK based Charlie Munro (HELLBORE), a longtime friend, collaborator, and producer. Wasteland Empire is set to arrive independently on January 15, 2027.


DYSTOPIA A.D. Is:
Aki Shishido – Lead guitar
Charlie Munro - Lead guitar
Chris Whitby – Vocals, rhythm and lead guitars, bass, keyboards, drum programming


DYSTOPIA A.D. Online:
Bandcamp: https://dystopiaad.bandcamp.com/
E-Shop: https://dystopiaad.bandcamp.com/merch
Facebook: https://www.facebook.com/DystopiaAD
Instagram: https://www.instagram.com/dystopiaad/
YouTube: http://www.youtube.com/@dystopiaad8476
Spotify: https://open.spotify.com/artist/6cl9TYbCxaL2O9UcaeHtGY
Apple Music: https://music.apple.com/in/artist/dystopia-a-d/1436807145

Dragony Drop New Song "I Have the Power" — LISTEN + WATCH

For almost 20 years, DRAGONY have been a part of the international power metal scene, and can look back on five studio albums, one EP, and many tours all over the globe, as both a headlining and support act for bands like Ensiferum, Gamma Ray, Serenity, Freedom Call, Blind Guardian, Sonata Arctica, and many more.

2024 saw the release of the most recent album Hic Svnt Dracaenas and the band is currently working heavily on a successor album following intensive touring activities, like the 2025 Japan tour as special guest for Twilight Force and an extensive European tour as support for Ensiferum in early 2026. Dragony wanted to shorten the wait for the fans for the new album by releasing some new music.

As singer and band founder Siegfried Samer is a known fan of the Masters of the Universe cartoons of the 1980s (after all, the band's third album even carries the title Masters of the Multiverse as an homage), and since this year finally saw the release of Travis Knight's excellent Masters of the Universe movie adaptation, the band decided to once again pay tribute to this beloved franchise by recording a cover version of the title song to the 1985 He-Man and She-Ra crossover film The Secret of the Sword.

The band wishes all fans a lot of fun with the new song, and will return shortly with more details surrounding the upcoming new album, the first to fully feature new additional singer Maria Nesh alongside frontman Samer.

Stay glorious — you have the power!

Stream it here.

Watch the visualizer and listen to the song Below:

DRAGONY LIVE:

SYMPHONIC METAL NIGHTS WITH TEMPERANCE:
4/2 — Vienna, AT — Szene 4/4 — Graz, AT — Explosiv

Psychedelic Desert Rock Trio AUNT CYNTHIA'S CABIN Presents New Single "Archangel"

A dreamy haze meets raw, emotional eruption in the new single, "Archangel" as psychedelic desert rock act AUNT CYNTHIA'S CABIN delves into the spiritual realms seeking reprieve from enduring night terrors. Following the bold swagger of their first single, "Bash," "Archangel" takes cues from the grand, theatrical build of OZZY OSBOURNE's "Mr. Crowley" and the adventurous guitar work of early KING CRIMSON. The track lands ahead of the forthcoming full length Aunt Cynthia's Cabin, scheduled for release on December 18, 2026, via Black Throne Productions. The album is available for pre-order HERE.

Vocalist and guitarist Brennan Justice comments: "'Archangel' is written about night terrors that I’d been struggling with for several years. It was a paralyzing experience, waking up in a panic, not quite knowing where I am, and leaving me anxious for hours or sometimes several days after. Once I accepted that, you know, this is happening and I have to really think outside the box to get rid of it, I started praying to Archangel Michael for protection while I sleep. So the song is about the terrors and my prayer for a safe place to sleep."

With "Archangel" the band deviates from their usual doubled-guitar arrangement, using only a single lead guitar track to lend the performance a more exposed, vulnerable quality. Recorded by AUNT CYNTHIA'S CABIN in a converted barn belonging to drummer Jeremy Luvaas, Aunt Cynthia's Cabinnot only sees the band develop their sound but also experiment with creativity and methods of musical production.

Aunt Cynthia’s Cabin was recorded and mixed by Brennan Justice, and mastered by JJ Golden. The album was recorded in Camp Verde, Arizona. The album is available on vinyl (in variants: Black Canyon Edition, Salt Mine Edition, Desert Sky Edition), digital, and CD formats. Alongside the release an additional 4th repress (x500) of the trio's 2020 release Misty Woman will be available on vinyl in variants Swami's Edition and Leucadia Edition. 

Pre-Order HERE:

Aunt Cynthia's Cabin LP - https://blackthroneproductions.com/products/aunt-cynthias-cabin-self-titled
Aunt Cynthia's Cabin Premium Bundle - https://blackthroneproductions.com/products/aunt-cynthias-cabin-premium-bundle
Misty Woman LP - https://blackthroneproductions.com/products/aunt-cynthias-cabin-misty-woman-repress-3

Aunt Cynthia's Cabin sees the trio embark on their next chapter, leaning further into cinematic realms. Recording for this album was undertaken by the band themselves, moving out of the traditional studio set up into their own defined space, a converted barn belonging to drummer Jeremy Luvaas, a sense of freedom and creative development that can be heard across the track list. AUNT CYNTHIA'S CABIN once again join forces with Black Throne Productions for this release. Aunt Cynthia's Cabin will be unveiled on December 18, 2026. 


AUNT CYNTHIA'S CABIN Is:
Brennan Justice (guitar/Vox)
Anthony DeFreitas (bass/vox)
Jeremy Luvaas (drums/percussion)


Connect With AUNT CYNTHIA'S CABIN:
Bandcamp: https://auntcynthiascabin.bandcamp.com  
E-Shop: https://auntcynthiascabin.printful.me     
Facebook: https://www.facebook.com/auntcynthiascabin/        
Instagram: https://www.instagram.com/auntcynthiascabin        
YouTube: https://www.youtube.com/channel/UC61wjDcx2Jiqs_Hsds4trPw        
Spotify: https://spotify.link/OHhzUB1gOXb        
Apple Music: https://music.apple.com/us/artist/aunt-cynthias-cabin/1351437121

BAD WOLVES RELEASE NEW VERSION OF "JOLENE" FEATURING DOLLY PARTON

Bad Wolves have released "Jolene” (with Dolly Parton) through Better Noise Music [Stream HERE]. The new recording pairs the band's hard-rock take on Parton's 1974 iconic hit, this time with her own vocals included. This new version was made with the support and approval of the Estate of Dolly Parton. Like the original cover version released on August 31, proceeds will be donated to Dolly Parton's Imagination Library — committed to improving early childhood literacy around the world.

Before her passing, Bad Wolves shared their cover of “Jolene” with Dolly and her team. Since the release of the original cover, Dolly's team helped bring her voice to the track, supplying previously recorded stems mixed for this release by Kent Wells.

Earlier this month, Bad Wolves and Better Noise Music joined Dolly's team at NOZ Studios to hear the finished track together for the first time. The session inspired the band to pay it forward. They invited students from Nashville’s School of Rock to appear alongside them in the official music video. [Watch BELOW].

"Bad Wolves and the kids from The School Of Rock performed 'Jolene' with raw passion, heavy grit, and zero compromise. This is the same independent spirit Dolly Parton used to build The Imagination Library from the ground up. Having witnessed the challenges her own father faced with illiteracy, Dolly didn't wait for someone else to fix the problem, she used her platform to make a difference. She found a way to start sending free books to children to promote literacy and a love of reading because it was important to her. Right now, Dolly’s foundation, The School Of Rock, and Bad Wolves are calling on every artist to honor Dolly's legacy by using their platform to support this effort and make a difference in children’s lives. Leverage your independent strength to help give the next generation the future they deserve," says Better Noise Music chairman Allen Kovac.

"Being able to raise money for Dolly's charity is an honor, and being able to work with the kids from the Nashville School of Rock was an amazing experience," states Bad Wolves' John Boecklin.

“At School of Rock, our mission is to enrich lives through performance-based music education while building a passionate community of students and instructors. Dolly Parton has long been a favorite artist within our school—not only because of her extraordinary musical legacy, but also because of the joy she has brought to generations of fans and her enduring commitment to education. Supporting the Imagination Library through this project is a meaningful way to celebrate Dolly, give back to a cause she champions, and express our deep admiration for her legacy. Our students were thrilled to be part of creating this video, and their energy, enthusiasm, and genuine desire to support the cause made the experience especially rewarding. Dolly Parton will always be a ROCKSTAR at the Nashville School of Rock, and we are proud to honor her legacy through the power of music and the next generation of performers," enthuses Angie McCreight, Owner of Nashville School Of Rock

“Jolene with Dolly Parton” is available today on all major streaming and download platforms. Every stream and every download puts more books in the hands of more kids. The official music video is also available now on music video platforms.

ABOUT DOLLY PARTON'S IMAGINATION LIBRARY
Launched in 1995, Dolly Parton’s Imagination Library is the world's leading early childhood book-gifting program and the flagship initiative of The Dollywood Foundation, a 501(c)(3) nonprofit organization. Since its founding, the program has gifted more than 300 million free books to children across the United States, Canada, the United Kingdom, Australia, and the Republic of Ireland. Each month, the Imagination Library mails over 3 million high-quality, age-appropriate books directly to children’s homes. Every enrolled child receives one book per month from birth to age five, at no cost to families.

Inspired by her father's inability to read and write, Dolly created the Imagination Library in her hometown of Sevier County, Tennessee, to inspire a love of reading from the earliest years. In true Dolly fashion, she soon shared that dream with other communities that wanted to give their children the same opportunity to Dream More, Learn More, Care More, and Be More.

The program is made possible through the continued support of Dolly's Estate and The Dollywood Foundation, which invest in the partnerships, resources and systems that empower thousands of Local Program Partners. These local partners build awareness and provide the funding needed to cover the wholesale cost of the books and mailing for children in their communities. Together, this unique partnership helps place books into the homes—and hearts—of millions of children around the world.

For more information, visit imaginationlibrary.com.

Leng Tch'e Break Silence with New EP 'Hammered Into Collapse'

Belgian razorgrind band Leng Tch’e are breaking a decade-long silence with the release of Hammered Into Collapse. Their new two song EP features the smashing title track, as well as its latest crushing single “Voided”.

Listen to Hammered Into Collapse Below.

Hammered into Collapse is out now on all digital streaming platforms via Season of Mist.

Stream

https://orcd.co/lengtchehic

Two decades in, Leng Tch’e still sound like a band settling a score with time itself. “Hammered Into Collapse” is built around the image of a parasite that has fed on its host for 20 years without ever being sated. “Voided” builds to an apocalyptic scale, filling with insanity until it’s devoured whole.

Hammered Into Collapse was recorded at Hearse Studio with engineer Lander Cluyse, mixed by Taylor Young at The Pit Recording Studio and mastered by Brad Boatright at Audiosiege. Known for working with God’s Hate, Full and Hell and Vitriol, Young helps situate Leng Tche’s new EP within a current, heavier-leaning corner of the grind and death metal landscape.

Hammered into Collapse arrives as proof of life. The EP, led by its title track released September 24 ahead of the full two-song set on October 23, marks LENG TCH’E’s first new material since 2017’s Razorgrind, closing a gap of nearly a decade for the Belgian grindcore unit. Mixed by Taylor Young, whose recent credits include God’s Hate, Full of Hell and Vitriol, and mastered by Brad Boatright at Audiosiege, the record plants the band inside a contemporary, physically punishing strain of US extreme metal rather than simply picking up where they left off. Two tracks, under seven minutes combined, no ceremony: a band closing distance on its own catalogue after a long and, at times, uncertain silence.

The band’s roots go back to early 2001, when drummer Sven De Caluwé, later of Aborted, founded the project in Ghent alongside guitarist Glen Herman, vocalist Isaac Roelens and bassist Kevin Loosveld, initially under the name Anal Torture. The rechristening took its cue from the historical Chinese execution method of the same name, death by a thousand cuts, a fittingly literal image for a band built on attrition and incremental brutality rather than spectacle. Grindcore was the chassis, but hardcore, death metal and looser, stoner-adjacent detours were folded in almost immediately, and the resulting hybrid earned a name of its own: razorgrind.

That name stuck fast, though the lineup did not. Death by a Thousand Cuts, released in 2002 on the Italian label Spew barely a year after the band’s formation, established the template and generated enough underground noise that Willowtip picked up ManMadePredator for US release the following year. Personnel shuffled constantly through this period, guitarists and vocalists rotating in and out, but the songwriting held its shape, and by 2005 Leng Tch’e had signed to Relapse Records for The Process of Elimination, the album that took them past cult-underground status. Hooked riffing married to some of the fastest material the band had written yet caught the attention of the wider grind and death metal circuit, earning festival slots at Furyfest, Graspop, Summer Breeze and Maryland Deathfest alongside international touring runs.

Marasmus followed in 2007, thickening the death metal end of the band’s sound. That same year brought the rupture that would define the band’s next phase: De Caluwé’s departure left the lineup without a single founding member. Rather than folding, the reconstituted band pushed forward. Hypomanic (2010) continued the work of widening the band’s musical vocabulary and kept them on the road, with stops at Hellfest, Neurotic Deathfest, Motocultor and Metalfest, but seven years then passed before Razorgrind materialized in 2017. Named for the style the band had spent over a decade refining, it was received in grind circles as a genuine return to form, arguably the strongest record the band had made since losing its original architect, and confirmation that the post-2007 lineup had fully made the sound its own.

What came after was quiet, though not empty. The band never stopped playing live, a 2026 appearance at Gullegem Metal Fest confirmed as much, but no new recorded material surfaced for nearly nine years, an absence long even by a band whose entire career has been built on patience and gaps. The lineup that emerges on the other side of that silence is Serge Kasongo on vocals, Jan Hallaert on guitar, Olivier Coppens on drums and Nicolas Malfeyt on bass and backing vocals, a unit that has now spent longer together than any prior configuration of the band.

Hammered into Collapse was recorded at Hearse Studio with engineer Lander Cluyse, built around a single escalating idea: two decades of denial giving way, all at once, to what the lyrics call cerebral hijack. Serge Kasongo’s words track a narrator who spent a lifetime avoiding a reckoning only to find it arrives anyway, swallowing and digesting the wasted time in real time. “Voided” takes the same collapse and pushes it outward, past the individual and into something closer to apocalypse, spiralling from mental unravelling to total blackout, into the void. Where the title track stays claustrophobic and internal, “Voided” opens up until the personal and the cosmic blur together.

LENG TCH’E HAVE EARNED THEIR SILENCES.

Nine years on from Razorgrind, the wait is over and the collapse has arrived.

Turn it up.

SIAMESE DROP NEW SINGLE "ALONE — LISTEN

Just in time for their upcoming EU and UK tour this winter alongside DAYSEEKER and NORTHLANE, Danish modern metal outfit SIAMESE drops their brand-new song "alone." 

Like their previous single "nevermore," the new track "alone" was initially featured as an exclusive track on the physical edition of their new studio album dissolution (released June 26 via Long Branch Records). Now, the song is available across all streaming platforms for fans to enjoy. It builds an evocative, immersive soundscape, seamlessly blending EDM elements with the band's signature alt-metal style — all without using a single guitar.

'"'Alone' about receiving intimacy without care,'' explains lead singer Mirza Radonjica. ''A situation where loneliness becomes healthier than the alternative.'' 
The track perfectly captures this theme through its moody, poignant tone.

Stream "alone" here.

Get the new album here.

Following Home (2021) and Elements (2024), over 100 million streams, and global tours with some of the biggest acts in the world —including KORN, COREY TAYLOR, and DAYSEEKER — dissolution is the album SIAMESE never planned to make, but ultimately had to. It marks the band's most personal release to date. Written during a period defined by the departure of one of their primary songwriters, the record forced the band into a fundamental reset of their processes and intentions. With dissolution, SIAMESE evolved from a songwriting camp into a true, cohesive unit. The result is a sound heavier than anything SIAMESE have ever released: More instinctual, aggressive, and introverted. At the core of dissolution lies a deeply complicated father-son relationship.

The album represents the most comprehensive body of work SIAMESE has crafted so far. Throughout the creative process, the band collaborated with a tight circle of trusted contributors — including Zachary Baker, Mads Zelasny, Zach Jones, KJ Strock, and Paul Spirou. Each brought fresh perspectives to the table without compromising the core identity of the record.

Siamese will tour the EU and UK later this year, in support of DAYSEEKER + NORTHLANE.

SIAMESE LIVE:
10/31 — DE, Stuttgart — Corefest

WITH DAYSEEKER + NORTHLANE:
11/28 — Wolverhampton, UK — KK's Steel Mill
11/29 — Wolverhampton, UK — KK's Steel Mill
12/1 — Leeds, UK — Project House
12/2 — Manchester, UK — Academy 1
12/3 — Bristol, UK — Prospect
12/5 — Glasgow, UK — O2 Academy
12/6 — London, UK — O2 Academy Brixton
12/8 — Paris, France — Elysee Montmartre
12/9 — Oberhausen, Germany — Turbinenhalle 1
12/10 — Hannover, Germany — Capitol
12/12 — Warsaw, Poland — Proxima
12/13 — Berlin, Germany — Huxley's
12/15 — Prague, Czech Republic — Lucerna Music Bar
12/16 — Munich, Germany — Tonhalle
12/18 — Amsterdam, Netherlands — Melkweg

GET TICKETS HERE.

SIAMESE ARE:
Mirza Radonjica — Vocals
Christian Lauritzen — Guitar, Violin
Marc Nommesen — Bass
Joakim Stilling — Drums

HELLRIPPER Digitally Releases Cover of ARCTIC MONKEYS song, "If You Found This It's Probably Too Late”

Scotland's ibex-obsessed blackened thrash bastard of Hades, otherwise known as HELLRIPPER, is now unleashing a fiery cover of the song "If You Found This It's Probably Too Late" by the Arctic Monkeys. The song can be found along with two previously released covers of two songs from legendary Seattle speed metal punks, ZEKE. Listen now below.

HELLRIPPER guitarist/vocalist/songwriter James McBain comments, “I wanted to record something that would perhaps be a little unexpected, and this Arctic Monkeys B-side was screaming for the Hellripper treatment. It may be kind of surprising to some, but they’re one of my all time favourite bands, and though it may not be immediately evident in my music, they have always greatly influenced how I approach songwriting and production. Enjoy!”

The band's first ever U.S. trek will kick off later this month! The full itinerary can be found below and tickets to all upcoming live performances are available HERE.

HELLRIPPER will be supporting its critically-acclaimed new album, 'Coronach,' which was released worldwide on March 27, 2026 via Century Media Records, making it his debut to the label! 'Coronach' can be streamed, downloaded, or ordered HERE.

Enter the GOAT KVLT HERE.

HELLRIPPER LIVE NORTH AMERICAN DATES (w/ HAVOK):

10/26: Roseville, CA @ Goldfield Trading Post

10/27: Berkeley, CA @ Cornerstone Berkeley

10/28: Los Angeles, CA @ The Regent Theater

10/29:Fresno, CA@ Strummer’s

10/30: Las Vegas, NV @ Backstage Bar Billiards

10/31: Mesa. AZ @ Nile Theater

11/02: Dallas, TX @ AM/FM

11/03: Austin, TX @ Come and Take it Live

11/04: Houston, TX @ Warehouse Live Midtown

11/06: Atlanta, GA @ Masquerade (Hell)

11/07: Nashville, TN @ Basement East

11/08: Asheville, NC @ Eulogy

11/09: Richmond, VA @ Canal Club

11/11: Baltimore, MD @ Baltimore Soundstage

11/12: Harrisburg, PA @ Capital City Music Hall

11/13: Boston, MA @ Brighton Music Hall

11/14: New York, NY @ Racket

11/15: Lakewood, OH @ Mercury Music Lounge

11/17: Detroit, MI @ Catacombs at the Sanctuary

11/18: Chicago, IL @ Reggies

11/19: Kansas City, MO @ Recordbar

11/20: Denver, CO @ Gothic Theatre
11/25: Montreal, QC @ Piranha Bar 

11/26: Quebec, QC @ La Source De La Martinière

11/27: Ottawa, ON @ Dominion Tavern

11/28: Toronto, ON @ Supermarket Bar & Variety

Hellripper EU Live Dates (w/ NECROFIER):

TH 17.09.2026 Hannover (Germany) - Cafe Glocksee * / Sold out!

FR 18.09.2026 Esbjerg (Denmark) - Tobakken *

SA 19.09.2026 Aarhus (Denmark) - VoxHall *

SU 20.09.2026 Gothenburg (Sweden) - Monument *

MO 21.09.2026 Oslo (Norway) - Vaterland * / Sold out!

TU 22.09.2026 Norrköping (Sweden) - Dynamo *

WE 23.09.2026 Stockholm (Sweden) - Kollektivet Livet *

TH 24.09.2026 Malmö (Sweden) - Plan B *

FR 25.09.2026 Lübeck (Germany) - Treibsand *

SA 26.09.2026 Hinte (Germany) - Coast Rock Festival *

SU 27.09.2026 Namur (Belgium) - Le Belvedere *

HELLRIPPER Latin American Dates:

SA 09.01.2027 Mangualde (Portugal) - Mangualde Hardmetalfest

TH 14.01.2027 Rio De Janeiro (Brazil) - Experience Music

FR 15.01 2027 Curitiba (Brazil) - Basement Cultural

SA 16.01.2027 Sao Paulo (Brazil) - Burning House

SU 17.01.2027 Belo Horizonte (Brazil) - Caverna

TU 19.01.2027 Buenos Aires (Argentina) - Uniclub

WE 20.01.2027 Santiago (Chile) - Sala RBX

TH 21.01.2027 Lima (Peru) - Vichama Conciertos

SA 23.01.2027 Bogota (Colombia) - Ace of Spades

SU 24.01.2027 Quito (Ecuador) - Necronik

TU 26.01.2027 San Jose (Costa Rica) - Amon Solar

TH 28.01.2027 Monterrey (Mexico) - Cafe Iguana

FR 29.01.2027 Hermosillo (Mexico) - London Pub

SA 30.01.2027 Tijuana (Mexico) - Dragón Rojo

SU 31.01.2027 Mexico City (Mexico) - Circo Volador

HELLRIPPER 2027 DATES (+ more TBA):

SA 13.03.2027 Eindhoven (The Netherlands) - Dynamo / Welcome To Hell Festival

TH-SU 25-28.03.2027 Oslo (Norway) - Inferno Festival

FR-SA 28-29.05.2027 Buchenbach (Germany) - Boarstream Open Air Festival

TH-SA 03-05.06.2027 Stykkisholmur (Iceland) - Satan Festival

FR-SU 11-13.06.2027 Leeuwarden (The Netherlands) - Into the Grave Festival

* w/ Necrofier

+ w/ Havok

The brainchild of guitarist/vocalist/solitary force, James McBain, Hellripper has been running like a denim-vested, backpatch-encrusted William Wallace, bravehearting his way through metal's bloodiest battlefields since first coagulating his personal darkness in 2014. Taking armaments from “Kill 'Em All” era Hetfield and “Welcome to Hell” era Mantas, McBain has immersed his fascination with darkness and speed with Scottish history and come with bloody masterpieces like 2023's “Warlocks Grim & Withered Hags” that Metal Injection stated: "Bursts with growth and a mature exploration of darkness and eeriness while maintaining that original high-octane burning”. McBain is presently sharpening his blades and casting new spells that will transmogrify into Hellripper's Century Media debut “Coronach”.

Hellripper Lineup:

James McBain – All Instruments & Vocals

Hellripper live and video performance line-up:

James McBain – Guitar & Vocals

Joseph Quinlan – Guitar

Andy Milburn – Bass

Max Southall – Drums

Album credits:

Recorded and mixed by Hellripper’s James McBain at Coronach Studios in Scotland, UK

Mastered by Damien Herring at Subterranean Watchtower Studios in the USA.

Cover Artwork: Adam Burke / Nightjar Illustration

Formats:

Jewelcase CD

Digital Album

LP (formats below):

- “Black Cuillin” LP on black vinyl (Unlimited, available in Europe)

- “Wild Thistle” LP on transp. magenta vinyl (Ltd. to 400x copies, available from UK retailers and Hellripper)

- “Saltire” LP on blue vinyl (Ltd. to 300x copies, available from selected German & Austrian retailers and from Hellripper)

- “Highland Mist” LP on grey vinyl (Ltd. to 1000x copies, available from Hellripper)

- “Baobhan Sith” LP on transp. forest green vinyl (Unlimited, available in the USA)

- “Granite City” LP on electric smoke colored vinyl (Ltd. to 500x copies, available in the USA)

- “Bean Nighe” LP on ultra clear vinyl (Ltd. to 300x copies, available in the USA from Hellripper)

Pre-order // pre-save: https://hellripperband.lnk.to/Coronach-AlbumID

Links:

Website

Instagram

YouTube

Spotify

TikTok

Discord

Twitch

Facebook

GAVIN ADCOCK GIFTS FANS THE 26TH TRACK FROM THE DAY I HANG IT UP: “MOST WANTED” OUT NOW

Georgia native Gavin Adcock is gifting fans with the 26th track off The Day I Hang It Up. “Most Wanted,” which was previously a physical-exclusive bonus track, is available now on streaming platforms. Listen BELOW. 
 
Written by Adcock, Jack Hummel, Ben Hayslip and David Lee Murphy, “Most Wanted” is a play on words, juxtaposing a man’s reputation as an outlaw with the allure of the woman who has captured his attention:
 
        It’s my face on the poster baby
        But just like a thief, you steal the show
        Some folks say I’m a real bad man
        But baby, you’re Most Wanted
 
The Day I Hang It Up spans 26 tracks, with Adcock featured as a co-writer on all but four songs. Produced by Jay Rodgers, the album also includes collaborations with Treaty Oak Revival, ERNEST, and his previously released fan favorite, “Cheap Thrills” with Hudson Westbrook. 
 
The album inspired the name of Adcock’s headlining The Day I Hang It Up Tour, which is currently underway. Adcock recently extended the run into 2027 with Blake Whiten supporting on 12 additional dates. Following performances in Australia in March, Adcock will embark on the second leg of The Day I Hang It Up Tour on April 1, kicking off at Gatton Park in Lexington, KY, followed by two nights at The Factory in St. Louis, MO and stops in eight additional cities, including Oklahoma City, OK, Richmond, VA and Baltimore, MD. Tickets for the newly announced shows are on sale today at 10am local time at GavinAdcockMusic.com. 
 
The official music video for “Us Again” featuring Treaty Oak Revival premiered simultaneously with the album release. Directed by Jack Owens and produced by Sydney Hampton, the video builds a narrative around the push-and-pull of a toxic relationship, with the narrator assured that despite the relationship ending, “I know we’ll wind up us again.” Watch HERE. 
 
Offering a mix of heartbreak, love, and outlaw country influences, The Day I Hang It Up also adds a layer of depth to the country star’s repertoire. Songs including “Shoes” and “Rockstar Life” delve deeper into the cost of rising fame, while “Holes In The Boat” offers an honest look at trying to balance masculinity and vulnerability concerning mental health. The album left The Tennessean remarking Adcock as "a voice capable of withstanding an enduring career." 
 
The Day I Hang It Up is Adcock’s third album release in three years, and follows the success of his previous album, Own Worst Enemy, which arrived as the top new Country album on the Billboard Top 200 Country Chart AND the top streaming new album on the Billboard 200 All-Genre Chart week of release (Aug 15, 2025). Before that, his major-label debut album Actin’ Up Again became the highest streaming major-label Country debut from a solo male artist in 2024, with more than 15 million on-demand U.S. streams the week of release, and was 2024’s top streaming major-label debut across the entire genre.

Gavin Adcock The Day I Hang It Up 2026-2027 Tour
Newly Announced Dates in Italics
 
Oct. 16            Coca-Cola Amphitheater || Birmingham, AL
Oct. 17            First Security Amphitheater || Little Rock, AR
Oct. 22            Fishers Event Center || Fishers, IN
Oct. 23            Knoxville Civic Coliseum || Knoxville, TN   
Oct. 24            Koka Booth Amphitheatre || Cary, NC
Oct. 29            Bojangles Coliseum || Charlotte, NC
Oct. 30            Enmarket Arena || Savannah, GA
Oct. 31            Hertz Arena || Estero, FL
Nov. 6             MGM Music Hall at Fenway || Boston, MA
Nov. 7             Santander Arena || Reading, PA
Nov. 13           Masonic Temple Theatre || Detroit, MI
Nov. 14           Van Andel Arena || Grand Rapids, MI
Dec. 10            The Theater at Virgin Hotels Las Vegas || Las Vegas, NV
March 6           Meatstock Gippsland || Melbourne, Australia
March 13         Meatstock Toowoomba || Toowoomba, Australia
April 1             Gatton Park || Lexington, KY
April 2             The Factory || St. Louis, MO
April 3             The Factory || St. Louis, MO
April 10           SJB Pavilion || Oxford, MS
April 29           Salem Civic Center || Salem, VA 
May 1              The St. Augustine Amphitheatre || St. Augustine, FL
May 7              The Zoo Amphitheatre || Oklahoma City, OK
May 8              White Oak Music Hall || Houston, TX
May 13            Virginia Credit Union LIVE! || Richmond, VA
May 14            Hard Rock Live at Etess Arena || Atlantic City, NJ
May 15            Pier Six Pavilion || Baltimore, MD
May 27            Floores Country Store || Helotes, TX
May 28            Floores Country Store || Helotes, TX

About Gavin Adcock:
Gavin Adcock, dubbed by Billboard as "one of country music’s most buzzed-about artists” is a Georgia native, born and raised in Watkinsville. Former Georgia Southern University football player, Gavin grew up working on his family’s cattle farm and dreamt of riding bulls in the PBR. He started writing songs in high school, but it wasn’t until the spring of 2021, when Adcock tore his knee playing football, that he used his healing time to record and release his first original single. Since then, Gavin has collectively amassed more than 3 BILLION global streams across singles including the fan-favorite, RIAA PLATINUM-certified, “A Cigarette,” GOLD-certified songs “Run Your Mouth,” “Deep End,” “Four Leaf Clover” and more. His album, Actin’ Up Again, was crowned the largest major-label country debut from a solo male artist released in 2024 and was the year’s top streaming major-label debut across the genre. Within less than a year, Adcock more than doubled his previous streaming record with over 25 MILLION first week US streams on new album Own Worst Enemy, released August 15, 2025. Own Worst Enemy debuted as the top new Country album on the Billboard 200 Country Chart (No. 4) and top streaming new album on the Billboard 200 All-Genre Chart (No. 14) week of release. In the Spring of 2026 Gavin was able to add Executive Producer to his achievements, with the release of Adcock’s brainchild, Country Never Dies, enlisting the help of nine artist peers to join him on the special, timeless, project. The MusicRow Awards’ “Discovery Artist of the Year” nominee has also won over the hearts of both Country music fans and music industry alike, leading to his New Artist of the Year nominations at both the 60th & 61st ACM Awards. Taking his music to the fans, Adcock is currently underway on The Day I Hang It Up Tour 2026, marking the fourth extensive headlining tour since 2024. The tour’s namesake and Adcock’s newest album, The Day I Hang It Up, is available now.

CHAYCE BECKHAM GETS IN THE HOLIDAY SPIRIT WITH THE RELEASE OF “WHITE CHRISTMAS”

Chayce Beckham puts his signature country spin on the timeless holiday classic “White Christmas” in his first-ever Christmas release, out today. Boasting a rich, new instrumentalization of weeping pedal steel, piano and a melancholic fiddle, the song replaces symphonic strings with front-porch soul. Heartfelt vocals deliver Irving Berlin’s nostalgic lyrics with down-home sincerity. Listen to “White Christmas” BELOW.

“Christmas and the holiday season is my favorite time of year,"  says Beckham. "When I thought of which song I wanted to release as my first-ever Christmas song, I immediately was drawn to the classic ‘White Christmas’ and putting my own stamp on the song is something I really hope the fans enjoy.”

Beckham recently released his new EP, Old Fashioned, featuring five original tracks co-written by Beckham. Fans can hear the new songs while Beckham is on tour this fall. Buy tickets HERE.  

10/16 Birmingham, AL
10/17 Kennesaw, GA
10/22 Greensboro, NC
10/23 Newberry, SC
11/6 Denver, CO
11/7 Colorado Springs, CO
11/19 Fort Worth, TX
11/20 Buda, TX
11/21 Coupland, TX
12/5 Rootstown, OH

About Chayce Beckham:
Rising country star Chayce Beckham won American Idol singing his own songs and was the first to win singing an original song. Beckham is continuing to write his own music and chart his own path as a country artist, scoring his first #1 at country radio with the platinum hit single “23.” A California native schooled on tough times and a mix of country, rock, hip hop and beyond, the fiery songwriter with his own creative compass started a habit of heart-on-his-sleeve lyricism after a hard season of life left him feeling empty. Yet, his warm rough rasp and steadfast drive charmed the nation on Idol's 19th season. With more than 1.2 billion global on-demand streams and counting, the bluesy and brutally honest anthem “23” debuted at #1 on both iTunes All Genre and Country singles charts, and led to his first album, Bad for Me. Earning next-big-thing and artist to watch predictions from the Grand Ole Opry, CMT, Amazon Music, MusicRow and more,  Beckham is touring and sharing new music including the previously released “Dirt Floor,” a neo western sounding summer love song, and “Take Me Home” in addition to “Ain’t Lying To Myself,” all of which are out now on his new EP Old Fashioned. Beckham just released his first ever holiday song, the classic “White Christmas.”