Post-Rock Trio Jagged City Share "Ocean East, Ocean West" Video

Post-rock band Jagged City, featuring Jake Woodruff (Defeater) and Carlos Torres (former touring member of Explosions In The Sky) have unveiled their new single "Ocean East, Ocean West." This is the second single taken from their debut EP, There Are More of UsAlways, to be released on January 30 via Pelagic Records.

Watch the visualizer Below.

Stream HERE.

There Are More of Us, Always is a bold collection that moves between spacious, melodic guitar passages and raucous, swelling climbs. With heartfelt, melodious songwriting, a diverse range of eclectic touches buried within, and eruptions of dense, layered sound, this record delivers wonderfully balanced compositions through raw and personal production.

The project began as a cross-continental art experiment between Woodruff and Torres. What started as a simple exchange of ideas quickly found real shape through collaborative composition and thoughtful arrangement. Early sessions with David Haik helped refine the song structures and drum frameworks, setting the groundwork for what would become Jagged City's striking debut.

"We wrote with pure instinct, just tried to add something new to a genre that we love. As we traded ideas, we took some left turns and incorporated elements that may be unexpected," commented Woodruff.

When it came time to record, scheduling issues led to an inspired change of plans. Urian Hackney joined the project both behind the kit and behind the board, engineering and performing the drum parts that propel the record. In two intense days at The Box studio in Burlington, Vermont, Jake and Urian captured the core of the album with an immediacy and urgency that remain audible in every take. 

Carlos recorded bass in Los Angeles alongside longtime musical colleague Michael James (Explosions In The Sky), while Jake added further guitar textures from his home studio, creating layers that thread the compositions together.

This debut is both a statement of intent and an open invitation: Jagged City offer music that rewards close listening and communal experience—an instrumental journey shaped by collaboration and a fierce commitment to feeling. While still post-rock, There Are More of Us, Always utilizes a diverse range of influence, giving a freshness to each uniquely realized track.

"This record is a product of collaboration and love and creativity - we hope it inspires people to be connected and think collaboratively and creatively together. That's the only way forward," concludes Woodruff.

JAGGED CITY ARE: 
Jake Woodruff — guitar
Carlos Torres — bass
Urian Hackney — drums & production
Featuring Takaakira Goto as guest guitarist on "Deluge in a Paper Cup"

The Intemperate Sons Release Cover of Julien-K's "Photo Voltaire" with Music Video via Frame|Work

The Intemperate Sons open 2026 with a powerful cross-genre collaboration, releasing their cover of Julien-K’s “Photo Voltaire”. The track mixes the band’s signature alternative hard-rock foundation with the dark, synth-driven atmosphere of the original, creating a fresh reinterpretation that highlights the strengths of both groups. The release features a special appearance by Julien-K’s Amir Derakh, whose production sensibilities and guitar work have long been central to the band’s influential sound.

 

Stream/Download "Photo Voltaire":

https://onerpm.link/137212555518

https://linktr.ee/theintemperatesons


The Intemperate Sons release all their music through the Frame|Work record label at the direction of Amir Derakh and Ryan Shuck. All Intemperate Sons’ tracks are mixed by Amir Derakh at Synthicidein Long Beach, CA. 

 

The music video was shot at Hurricane Alley Live in Bossier City, LA.  It was edited by Keith Watson and shot by Daniel Dooley.  

WATCH "Photo Voltaire" - A Julien K Cover by The Intemperate Sons:

In the sweltering Dallas summer of 2019, before the onset of a global pandemic, The Intemperate Sons were born from blood, grit, and a shared obsession with the ghosts of alternative rock’s golden age. The Watson family—Keith on drums, Jake on guitars, and Max on vocals, guitars, and keys—joined forces with longtime friend and bassist Mark Marks to create a sound that’s equal parts searing riffs, haunting harmonies, and unapologetic soul. Think Alice in Chains’ brooding intensity, Stone Temple Pilots’ swagger, and R.E.M.’s poetic undercurrent, all filtered through a ‘70s rock haze that refuses to play it safe.

This isn’t just a band; it’s a family affair, where the unspoken bond between father and sons fuels every chord and lyric. Keith, a Dallas stage veteran, pens lyrics that cut deep—tales of regret, resilience, and the chaos of the human condition. Jake’s guitar lines, sharp yet soulful, weave narratives of their own, while Max’s voice carries the weight of a 25-year-old who’s lived a lifetime in his head. Mark, the groove-obsessed bassist, ties it all together.

The Intemperate Sons hit the ground running, catching the ear of rock heavyweights Ryan Shuck and Amir Derakh (Orgy, Dead By Sunrise, Julien-K), who signed them to their Frame|Work label in 2021. Even a global pandemic couldn’t derail their momentum—holed up in The Kitchen Recording Studios, they crafted their debut album, The Color Within (2022), with tracks like “Dust to Dust” and “Running Man”that pulse with raw emotion and retro grit. Collaborations with legends like Tony Franklin (Whitesnake, The Firm) on singles like “Running Man” and “Dust to Dust” and Derakh’s production on singles like “Game of Keep Away” and “Dark Day’s Night” featured on their second and highly successful album, Dark Day’s Night (2024) pushed their sound further, blending post-grunge edge with folk and hard rock undercurrents.

For fans of alternative rock, this band is a throwback and a revelation—a reminder of why you fell in love with the genre’s raw honesty and a promise that its spirit still burns. The Intemperate Sons aren’t chasing trends; they’re carving their own path, one riff, one lyric, one night at a time.performing tracks that scratch deep into the backbone of the human experience. There is no shortage of darkness in their writing style which has a retro vibe with many guitar driven tracks stacked on top of a groovy rhythm section. The heavier style fits perfectly with the two and three-part vocal harmonies that are a huge part of their overall sound. It has been said that musicians that are related form unique sounds and communicate on a frequency only they can understand. This frequency has become engrained in their songwriting, arrangements, guitar melodies and vocal harmonies. The band has been compared to Alice in Chains, Stone Temple Pilots, and even R.E.M.

The Intemperate Sons are:

Max Watson (vocals, backing vocals, guitars, keys, bass)

Jake Watson (guitars, bass and backing vocals)

Keith Watson (drums, backing vocals)

Mark Marks (bass)

 

The Intemperate Sons Show Dates:

 

Friday MAY 15 @ Whisky A Go Go in West Hollywood, CA w/ Gene Loves Gezebel, Vanta After Dark

For More Information Please Visit:

The Intemperate Sons

Official Website

Facebook

Instagram

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YouTube

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Merch Store

 

FRAME|WORK

FRAME|WORK Website

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Capsize Share "Under a Hollow Sky" Lyric Video

In late 2025, Capsize announced their return with "The Fracture," their first release since signing to Roux & Ruin Records

The band drops another new track — this time with "Under a Hollow Sky." Watch the lyric video below.

"With the release of this new single, we're opening another window into what we've been building without revealing the full picture just yet," says singer Daniel Wand. "Cody Stewart (Falling In Reverse, nothing, nowhere) helped bring the production to the finish line on this one, and we're excited about where things are quietly headed."

After several years of sporadic single drops, Capsize fans can look forward to a new physical release, on deck for 2026, with more details to be revealed shortly. The next release will be the band's first since A Reintroduction: The Essence Of All That Surrounds Me, which arrived in 2016 via Equal Vision Records.

There is even more to come from Capsize.

ZP Theart (ex-DragonForce, ex-Skid Row) Has An Anniversary Gift for Fans

Iconic metal vocalist ZP Theart has officially released a special 20th anniversary cover of the power metal anthem "Through the Fire and Flames." Watch it below.

Commemorating two decades to the day since the release of the original recording, Theart describes the release as a heartfelt gift to the fans who have supported his journey since the 2000s.

For this project, Theart entrusted producer and multi-instrumentalist Syndrone with a full sonic overhaul. Syndrone provided the revamped core instrumentation, setting the stage for a masterclass in modern guitar. In a nod to the song's legendary difficulty, rising guitar stars Sophie Burrell and Bradley Hall deliver jaw- dropping guest solos, weaving their own technical fury into the song's framework.

"This song changed so many lives, along with my own, and I thought it was time to give it a proper re-visit," says Theart. "Working with Syndrone to modernize the sound while having Sophie and Bradley add their incredible styles was the perfect way to celebrate this 20 year milestone."

He continues, "Revisiting this song after twenty years is about honoring the incredible energy the fans have kept alive since the very beginning. I wanted to stay true to that spirit while also pushing the sound forward. Working with Syndrone, Sophie, and Bradley brought that same intensity, but with a new perspective for what comes next."

The anniversary single is available now on all major streaming platforms.

For more information, visit here.

BLACK SEA OF TREES Announce New Single "Visions of A Crimson Moon".

Melbourne-based progressive metal band BLACK SEA OF TREES have revealed their new single "Visions of a Crimson Moon".

"Visions of a Crimson Moon" occupies a central position within this narrative. The song marks the first moment of uncertainty for the protagonist. A prophetic dream reveals a cosmic serpent and visions of a kingdom exposed under crimson moonlight. The landscape is shown as barren and built on destruction, with temples of bone beneath a sky dominated by a black hole. The vision introduces doubt that continues to shape the remainder of the album.

Musically, the track unfolds as a long-form progression defined by shifting dynamics and tonal contrast. Structured passages dissolve into atmospheric meditation before reforming into heavy, technical climaxes. Rolling percussion, layered guitars, and cyclical lead motifs establish a sense of motion and inevitability. A recurring note-bending guitar phrase introduces a circular, gravitational feel that becomes a key motif later in the album.

About BLACK SEA OF TREES:
Based out of Melbourne and Victoria in Australia, the progressive metal ensemble composes their music around the narrative of their releases. BLACK SEA OF TREES formed in 2018. The debut album, The Spiritual Beast, materialized in the spring of 2023. The band's forthcoming sophomore full-length is an exploration of spirituality, folklore and philosophy, with death metal, folk and ambient elements incorporated into the soundscapes. "A Red Dawn" marks the beginning of this next chapter for BLACK SEA OF TREES, introducing this next album's concept: the protagonist is chosen by god to overthrow an old kingdom in a spiritual revolution. It's a narrative that is heavily influenced by the Ancient Egyptian Pharaoh, Akhenaten and his life’s journey.

BLACK SEA OF TREES bring to life their themes and concepts through dark atmospheric tones, strong full voiced melodies, falsetto and deep growls. With songs ranging from intense 8-minute long walls of sound to 3-minute atmospheric/acoustic passages, BLACK SEA OF TREES draw inspiration from the likes of OPETH, KATATONIA, CULT OF LUNA, RUSSIAN CIRCLES, and KARNIVOOL. A wide array of styles is entwined into the outfit's distinctive and compelling sound. 

BLACK SEA OF TREES is:
Samuel Exton - Vocals/Guitar
Jan Schotting - Drums
Francesco Adami - Bass
Chris Schwinghamer - Lead Guitar

Connect with BLACK SEA OF TREES:
Bandcamp: https://blackseaoftreesofficial.bandcamp.com/
Instagram: https://www.instagram.com/blackseaoftrees
YouTube: https://www.youtube.com/channel/UC24GQ_gVO_PPBR5TJqmdZpQ
Spotify: https://open.spotify.com/artist/3zogtBHiOCIaGsOfy7y6oS
Apple Music: https://music.apple.com/au/artist/black-sea-of-trees/946433249

Out Now From Redivider - Sounds Of Malice

REDIVIDER, a death metal band from Louisville, Kentucky, presents their debut full-length album Sounds of Malice, a concentrated expression of aggression, narrative depth, and old school brutality fused with modern execution. Formed in early 2021 by Jacob Spencer and Paul Nunavath, REDIVIDER was built with a singular intent: to write crushing death metal rooted in the atmosphere of the 1990s Florida scene while expanding on those foundations with contemporary precision and weight. Joined by Jake Atha and Alexander Farrington, the band forged their identity through live performance and focused songwriting, culminating in an album that reflects both their influences and their evolution.

Sounds of Malice opens with "Quartered and Devoured", a violent and immediate introduction to the record. The track pulls from Dungeons & Dragons mythology, portraying a ritualistic execution of a savage race by divine decree. The music is relentless and hook-laden, prioritizing tension, groove, and a sense of fury that refuses to let up. This track was chosen to lead the album for its visceral energy and capacity to immediately strike the listener.

The title track "Sounds of Malice" follows, drawing from a character created by Spencer for a campaign he never got to play. Told from the perspective of an evil wizard addicted to a substance called Liquid Pain, the song balances morbid fantasy with deeply structured guitar work. The dual solos from Nunavath are a highlight, combining melodic phrasing with unhinged dissonance. It is both personal and grotesque, a reflection of the band’s creative range.

"Shackled to Existence" is the album’s longest and most introspective piece. Originating from an idea by original drummer Tyler Lewis, it deals with the inevitability of death and the emptiness of existence. The track journeys through dynamic shifts, intricate harmonies, and a guitar solo that mirrors the emotional despair embedded in the lyrics. It showcases the band's ability to slow the pace without sacrificing impact.

In "Apocalyptic Waste", REDIVIDER offers their take on global ruin, inspired by the Book of Elder Evils from D&D lore. The song is structured to depict an unfolding disaster, beginning with chaos and closing in desolation. The drumming and riffing here lean into the modern death metal playbook while staying grounded in groove, reflecting both destruction and aftermath.

"Fratricide" continues the mythological thread, drawing inspiration from the Elder Scrolls universe. It recounts a cosmic battle between divine brothers over a goddess, resulting in the violent birth of existence itself. The music reflects that chaos through shifting rhythms and dissonant layers while still delivering heavy, crushing sections that ground the narrative in sonic weight.

"Bask in the Rot" moves into monster territory, a tribute to the Gelatinous Cube reimagined as a sentient mass of sewage and death. The band wrote the instrumental parts around Spencer’s vocal rhythm, resulting in a track that drags and smothers, matching the grotesque nature of the subject matter. Influenced by "Where the Slime Lives", it is slow, grinding, and impossible to ignore.

The album concludes with "Left to Rot", a hymn of devotion from the undead to Orcus, Lord of the Undead. One of the earliest songs written by the band, it encapsulates the themes present throughout the record. The arrangement grows from a heavy groove into a dramatic finale that resolves the tension built across the album. It is an appropriate end for a record that began with violent resistance to the gods and closes with a prayer for apocalyptic release.

Recorded at Round Table Recording Company and Michael Kent O’Bryan Studio, mixed by guitarist Paul Nunavath and mastered by Dan Swano at Unisound, Sounds of Malice captures REDIVIDER's live energy and commitment to authentic performance. The band wrote these songs with the stage in mind, crafting moments of impact, tension, and catharsis. Every song exists to be felt physically, with riffs meant to be remembered and choruses meant to incite chaos.

Though Sounds of Malice does not follow a strict concept, its cohesion comes from atmosphere and intention. From the first note to the last, REDIVIDER seeks to overwhelm the listener with stories of death, decay, addiction, ritual, and myth. The band channels their influences, from CANNIBAL CORPSE and MORBID ANGEL to DEATH and GORGUTS, not as a template, but as a foundation to build upon. This album is not a tribute. It is a statement of purpose. REDIVIDER has crafted a debut that is punishing, articulate, and unflinchingly true to the spirit of death metal.

About REDIVIDER:

REDIVIDER is a death metal band from Louisville, Kentucky, formed in 2021 by vocalist Jacob Spencer and guitarist Paul Nunavath. Joined by guitarist Jake Atha and bassist Alexander Farrington, the band draws influence from the early Florida death metal scene and bands like CANNIBAL CORPSE, MORBID ANGEL, DEATH, and GORGUTS. With a sound rooted in old school brutality and layered with modern aggression, REDIVIDER combines guttural vocals, dissonant riffs, and relentless groove to create music that is both violent and immersive.

The band made their live debut in 2022 and quickly gained recognition in the underground scene, sharing stages with acts such as CREEPING DEATH, CRYPTA, MASACRE, COGNITIVE, and SEE YOU NEXT TUESDAY. Their debut album Sounds of Malice is a conceptually rich, sonically punishing record that blends fantasy-driven storytelling with crushing heaviness. Written with live performance in mind, REDIVIDER’s music thrives on tension, rhythm, and unapologetic intensity, death metal built to be felt as much as heard.

REDIVIDER Lineup:

  • Jacob Spencer – Vocals

  • Paul Nunavath – Guitar

  • Jake Atha – Guitar

  • Alexander Farrington – Bass

  • Mike Hargrave – Drums (live)


Connect with REDIVIDER:

NECRONOMICON EX MORTIS Return With “Left To Die,” A Gore-Soaked Death Metal Stomp

Death metal maniacs NECRONOMICON EX MORTIS are back in full blood-drenched form with their new single, “Left To Die,” a crushing mid-tempo bruiser taken from the forth coming EP Zombie Blood Nightmare, arriving February 20, 2026.

“Left To Die” is a straight-ahead stomp fest rooted in classic 1990s death metal, drawing clear influence from the pit-driving grooves of OBITUARY. Built on thick riffs and head-crushing momentum, the track culminates in a ripping end-of-song guitar solo from former MEGADETH shredder Jeff Young, adding a sharp flash of old-school virtuosity to the carnage.

Lyrically, “Left To Die” keeps things simple and gloriously vile. The song tells the story of being abandoned in a gore pit, surrounded by blood and guts and facing an inevitable end. No metaphors and no apologies. Blood and guts are fun.

NECRONOMICON EX MORTIS return with a fiery vengeance on Zombie Blood Nightmare, a new EP that finds the band at their most unhinged. Across six blood-soaked songs, the band pushes hard to recapture the glory days of 1990s death metal, blending horror, violence, and undead absurdity into a relentless riff-driven assault. This is NEM fully committed to terror, stupidity, and the raw spirit of the genre.

“Left To Die” serves as a blunt and bloody introduction to what Zombie Blood Nightmare delivers in full. Heavy, grotesque, and unapologetic.

Mayhem Drop "Life Is a Corpse You Drag" Video

Mayhem, the defining pioneers of black metal return with their seventh studio album, Liturgy of Death.

With this release, Mayhem further solidify their standing as one of the most unyielding forces in extreme music. Now more than four decades into their career, they turn their focus toward the unavoidable presence of mortality.

Liturgy of Death explores the philosophy of mortality with stark, uncompromising clarity. The album presents death not as an ending, but as a universal law that touches all life and exposes the fragility of human existence. This impermanence becomes a call to live with full intensity, for every gain and loss ultimately falls back into the same silence. Echoing ancient philosophies, the album portrays life as a transitional state and death as a gateway to a higher form of being, while the solemn, dark beauty of death permeates the entire work.

Stream new single "Life Is a Corpse You Drag" HERE.

Mayhem's Attila comments on the new track, "'Life Is a Corpse You Drag' is not a slogan, but a ritual and a realization. It names an ancient law: Consciousness as burden, the body as vessel, faith as a seal on a grave already closed. There is no comfort in this recognition but there is release. If we have been dead all along, there is nothing left to lose. What remains is pure energy: Movement without fear, presence without compromise, a victorious march into the final destruction."

Pre-order Liturgy of Death HERE.

With Necrobutcher, Hellhammer, Attila, Morten Bergeton Iversen, and Ghul locked into a unit tighter than ever, Liturgy of Death celebrates Mayhem's own legacy, a continuation of the raw and uncompromising sound that defined their beginnings. The result is a merciless record — dark, fast, and unrelenting — that captures the band in their most dangerous and vital form. 41 years since their formation in Langhus, Mayhem remain a defining force in Norwegian black metal, continuing to shape the sound they helped create.

MAYHEM LINEUP:
Attila — Vocals
Ghul — Guitar
Hellhammer — Drums
Necrobutcher — Bass
Morten Bergeton Iversen — Guitar

Status Quo's Francis Rossi Shares Double Single "Push Comes To Shove + November Again"

Francis Rossi kicks off 2026 in emphatic style with two brand-new songs, released as a digital double single and taken from his long-awaited new studio album The Accidental, out January 30.

"Push Comes To Shove" bursts with energy, grit and Rossi's unmistakable guitar sound, while "November Again" turns a melancholy refrain into a soaring, catchy chorus. Both tracks capture the founding Status Quo frontman in full flow: Confident, energized, and recalling the sound that made him a cornerstone of British rock.

The Accidental was born from spontaneous studio sessions with guitarist Hiran Ilangantilike and co-producer Andy Brook, resulting in a vibrant album that sounds immediate, alive and free of expectations.

Together, with the previously released tracks "Something In The Air (Stormy Weather)" and "Go Man Go," the new songs "Push Comes To Shove" and "November Again" set the tone for what promises to be one of Francis Rossi's most exciting solo releases to date.

The Accidental finds Francis Rossi once more at the top of his game, delivering a searing yet thoughtful collection of rockers that will please anyone who likes their heavy cut with melody and verve.

Listen to the "Push Comes To Shove" + November Again" Below.

Pre-Order The Accidental HERE.

"For anyone who liked any of my solo albums previously," says Francis Rossi, "… well, I've no idea what you'll make of this one because it's a real departure, but I love it. It's loud, the guitars are right to the fore, and there are some great songs there."

JASON ALDEAN RELEASES THREE NEW SONGS AHEAD OF SONGS ABOUT US APRIL 24 ALBUM RELEASE

Multi-platinum award-winning artist and reigning country powerhouse Jason Aldean continues the rollout of his upcoming album, Songs About Us, with the release of three new tracks today. The songs offer fans a deeper look into the emotional breadth of his new 20-track album and includes Aldean’s long-awaited duet with his wife. “Easier Gone” featuring Brittany Aldean, “Her Favorite Color” and “What’s A Little Heartache” are available now ahead of the official release of Songs About Us on April 24, 2026. Pre-add, pre-save, pre-order HERE.

“This album is about real life,” shared Aldean. “The highs, the lows, and everything in between. Every song started from a real place, and when it all came together, I realized these really are songs about all of us.”

Coinciding with the new music, Aldean, a two-time nominee at the 2026 iHeartRadio Music Awards, appears as the January cover star of Nashville Lifestyles, reflecting on family, longevity, and the personal experiences shaping this next chapter of his career. The feature mirrors the heart of Songs About Us, an album rooted in real-life stories and the music that defines him. To read his cover story, visit here.

Today’s release follows the November announcement of Songs About Us and the surprise drop of “Help You Remember,” “Hard To Love You,” and “Lovin’ Me Too Long,” along with Aldean’s current Top 10-and-climbing single, “How Far Does A Goodbye Go.” Songs About Us follows the reigning ACM Artist of the Decade’s last album, Highway Desperado, which earned him his first career Billboard Hot 100 chart-topping hit and his 30th career #1 at country radio.

Over the past two decades, Aldean has built a remarkable career with 13 Top 10 country albums, 30 No. 1 hits at country radio, and a chart-topping Billboard Hot 100 hit. Recently honored with a SoundExchange Hall of Fame Award for being one of the most-streamed artists of all time, the multi-platform headliner also spearheaded CBS’s New Year’s Eve 2026: Nashville’s Big Bash, performing live for millions across the country and debuting a new track from his upcoming album.

Aldean is set to continue his high-energy Full Throttle World Tour, which returns to the US next week (January 15) before kicking off its 2026 international run in New Zealand, where he will headline for the first time, and Australia, marking his long-awaited return after more than a decade.

For more information on Songs About Us, Full Throttle tour dates, and other Aldean updates, visit www.JasonAldean.com.

KEEP UP WITH JASON ALDEAN

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | X

A RETURN TO WIDE OPEN WONDER: HUNTERGIRL RELEASES “SOMEWHERE WILD” — OUT NOW

With “Somewhere Wild,” out today via 19 Recordings/BBR Music Group/BMG Nashville, HunterGirl steps into 2026 with a song that feels like stepping barefoot into cold creek water and remembering who you used to be. Written with Jeff Garrison and Bob DiPiero, the track is a slow burning, windswept release built on the urge to slip away from the noise, touch the earth again, and follow the quiet pull of a freedom you can feel long before you can name it. Listen Below.

Anchored by a steady, heartbeat pulse and lifted by Dobro and pedal steel that move like shifting light through trees, the song leans into the cinematic sweep of open country. HunterGirl’s unmistakable voice carries both grit and vulnerability, turning the melody into a compass and the chorus into a reminder that somewhere out there is the place that sets your soul back on fire.

“‘Somewhere Wild’ was a song that just fell out in the writing room. It was exactly where my heart was at the beginning of this year. When I was little, my Grandpa had a place by the creek he called The Wilderness. He made it magical. You had to say The Wilderness three times before running through the woods with my sister and cousins, and for a moment it felt like anything could happen.

As you get older, those words, ‘anything can happen,’ start to mean something very different. The unknown becomes a scary place to be. This year I felt like I was back in The Wilderness, but this time I was lost in it.

‘Somewhere Wild’ became my way back. It was a journey of finding myself again and reigniting that spark of endless possibility. It is a reminder that it is never too late to grow, and that sometimes being lost is what leads you home.”

– HunterGirl


“Somewhere Wild” follows “Dirt,” which arrived last fall and struck a chord with fans for its rich, small town imagery and grounding sense of home. It adds to the growing momentum HunterGirl has built through a steady run of releases, including her acclaimed Tennessee Girl EP, each one further establishing her voice as a natural storyteller. Along the way, she has earned 80 million global streams, a Grand Ole Opry debut to a standing ovation, and received praise from People, CMT, and MusicRow, who hailed her as “a major, major new talent.” With tours alongside Luke Bryan and Kimberly Perry, HunterGirl continues to build a career defined by heart, honesty, and an unmistakable point of view, all of which converge on “Somewhere Wild.”

KEEP UP WITH HUNTERGIRL

WEBSITE | INSTAGRAM | TIKTOK | FACEBOOK | X | YOUTUBE

About HunterGirl

HunterGirl is a luminous and emotionally grounded songwriter rooted in Tennessee storytelling. Onstage since she was three and writing songs by nine, she built her career the old school way, playing honky tonks across the Southeast while working with veterans nonprofits including Operation Song, Freedom Sings, and A Soldier’s Child, helping service members turn their stories into songs. She rose to national attention as the runner up on American Idol, earning praise from judge Luke Bryan, who called her the “new age Miranda Lambert” and his “favorite female Country voice.” Since then, HunterGirl has amassed nearly 80 million global streams, made her Grand Ole Opry debut to standing ovations, and toured with Luke Bryan and Kimberly Perry, all while solidifying her reputation as a natural storyteller with a compelling point of view. Her Tennessee Girl EP showcased both range and heart, highlighted by fan favorites “Bad Boy” and “Ain’t About You,” and her release “Dirt” resonated widely for its vivid small-town imagery and emotional truth. Now, in 2026, HunterGirl unveils “Somewhere Wild,” a slow burning, windswept anthem that rekindles the sense of wide-open wonder she first felt exploring The Wilderness as a child. With a voice that feels both lived in and full of light, she continues to carve her own lane as one of country music’s most compelling new artists.

Solo Artist Seth Salois Releases New Single "Surrender" + Music Video 

Rhode Island-based singer, songwriter, and guitarist Seth Salois proudly releases his brand-new single, “Surrender,” available now on all streaming platforms. "Surrender" is the 2nd single off of the forthcoming album Between the Darkness and the Light due out in late 2026. 

STREAM “Surrender” HERE

 

"'Surrender' was always going to be the 2nd single because I felt it was a great way to showcase the ends of my writing spectrum. I grew up on bands who were able to create energy, emotion and chaos etc., not just with heaviness but with content and passion. Bands like Alice in Chains, Stone Temple Pilots, Collective Soul and Sevendust had these beautiful songs that had as much veracity as the heaviest parts of their catalog. Not that I am ever comparing myself to them but they were always such influence on me as to what was possible," shares Salois.

 

The song was recorded, produced, mixed, and mastered at No Boundaries Studio in RI by Chris Piquette. Chris also lent himself to the guitar, bass, programming. The drums were done by Brody Briggs who lend his talent to the first single "Failed Storm Drain" and the rest of the remaining songs to come. 


WATCH the Official Music Video for "Surrender": Below

If you are looking for songs with words that matter, music that carries a story and a voice that tells the truth, you have found what you’re looking for. Seth Salois is Rhode Island native who has been the front man/guitarist, lyricist, and catalyst for the RI base band Psycle for over 20 years. Bringing tenacity, soul and purpose to what Psycle’s music stood for was always at the fore front of the group and this can now be found in his own songs.

With the upcoming EP Between the Darkness and the Light, due out in 2026,  Seth has created a landscape of songs to voice his experiences, his will and the transference of those around him. The EP will consist of 5 songs that will reach the edges of all his musical inspirations ranging from the 90’s Seattle sound, to Modern artists such as Shinedown, Daughtry, and Alter Bridge. The first single “Failed Storm Drain” will bring you thru a maze of beautiful melodies, introspective lyrics and crushing guitars that leave you asking, “Are we better when we are together?”. With the swing and edge of bands like Chevelle and Breaking Benjamin to the soulful delivery of Chris Daughtry, “Failed Storm Drain” delivers a potent statement to its last breath.

Creating a family of like-minded individuals who are looking for stories to share, feelings of hope and light in the darkest of times, and a way through it all is not only who he is as a person but who he tries to inspire others to be. Welcome to a place where the only ego in the room…is the song.

 Catch all of SALOIS show dates at www.saloisofficial.com or HERE

Stay tuned for more updates, and join Seth Salois on his exciting journey.

 

For More Information Please Visit:

Official Website

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IRON SAVIOR Unleash Powerful Metal Cover Of “Relax”

Hamburg’s power metal pioneers IRON SAVIOR return with their brand-new single "Relax", a crushing metal reinterpretation of the legendary 80s hit by Frankie Goes to Hollywood.

Following their previously released covers of Irene Cara’s “Fame” and Alphaville’s “Forever Young”, the band once again proves their ability to transform iconic pop songs into uncompromising power metal anthems. “Relax” is the latest single taken from the upcoming album Awesome Anthems of the Galaxy, scheduled for release on March 27, 2026 via PERCEPTION – A Division of Reigning Phoenix Music.

Originally built on provocation and groove, “Relax” is reborn as a driving, riff-heavy anthem that turns restraint into raw energy. "Relax is one of my all time favorite non-metal song," IRON SAVIOR frontman Piet Sielck reveals. "It’s been on my mind for a very long time to do this and I really think, this version serves the original well. We did a good job in transferring the vibe and the energy of the original into the Iron Savior cosmos."

The band injects the track with soaring vocals, massive guitars, and their unmistakable melodic power, without losing the spirit of the original. With Awesome Anthems of the Galaxy, IRON SAVIOR prove once more that great songs never age - they just get heavier!
 
Stream / Download "Relax" at: https://ironsavior.rpm.link/relaxPR

After reigniting their cosmic engines with Machine World – Reforged in 2025, IRON SAVIOR embark on their boldest mission yet. “Awesome Anthems of the Galaxy” transforms some of the most iconic pop hits of the 1980s into full-throttle power metal epics, combining nostalgia, passion, and the band’s trademark precision and fire, proving that the past can shine brighter than ever when reforged in metal.

From the electrifying rush of A-ha’s “Take On Me” and the thunderous drama of Phil Collins’ “Against All Odds” to the cinematic pulse of Jermaine Jackson & Pia Zadora’s “When The Rain Begins To Fall” and the adrenaline-fueled “Maniac” by Michael Sembello, IRON SAVIOR turn pop classics into heroic, melodic metal anthems.

“After the huge success of the 2002 Condition Red bonus track “Crazy” (Seal), which was actually used in a HBO TV show, we have been asked by fans and medias almost constantly to do a complete cover tracks album," Sielck explains, and adds: "So… two decades later here we are!” quotes frontman Piet Sielck. “AWESOME ANTHEMS continues the transformation from pop-to-metal in Iron Savior style as started with Seal’’s “Crazy” and Eurythmics “Sweet Dreams. We are absolutely proud of the outcome, which never looses the original vibe of the tracks but yet is 100% Iron Savior. Just listen yourself.. I guarantee a lot of smiles while doing so!” 
 
Pre-order the album now at: https://ironsavior.rpm.link/awesomeanthemsPR

About IRON SAVIOR:
Forged in Hamburg’s metal heart, Iron Savior have been delivering their signature brand of powerful, melodic heavy metal for nearly three decades. Led by founder, vocalist, guitarist, and producer Piet Sielck, the band has become a cornerstone of the German power metal scene with their blend of high-octane riffs, anthemic choruses, and sci-fi storytelling.
 
For More Info Visit:
Website | Facebook | Youtube

Code:Words Share New Single "Limerence"

THE ARTERY FOUNDATION recently announced that it had added CODE:WORDS to its roster.

Today, the band debuts its new single "Limerence."

Listen Below.

Vocalist John Dillon shares that the track is about "being caught in the grey area between something real and something imagined, and the mental spiral that comes with infatuation and uncertainty."

The band also has an upcoming show supporting Solely Veil at the Goldfield Trading Post in Roseville, California on January 17.

ABOUT CODE:WORDS:

When CODE:WORDS formed in Los Angeles in 2023, they did not arrive quietly. The band showed up with urgency and a sound that already felt lived in — like it had a past behind it, like they'd been a touring act for years before anyone was paying attention.

They first gained attention with "Wash the Blood," a debut that spread without a rollout or a manufactured moment. People found it on their own and kept passing it along. In just over a year, the band's catalog pushed toward two million streams — not on manufactured hype, but on repeat listens and slow-built loyalty.

Fronted by John Dillon, with Garrett Lowery and Max Codoceo, CODE:WORDS write from uncomfortable places: Obsession. Shame. Control. Emotional exhaustion. Nothing is exaggerated. Nothing is softened. The music is meant to make you feel something raw, and it leaves you uneasy in the best way.

The band's sound was shaped alongside producer Hiram Hernandez (Blessthefall, Honey Revenge). The approach is deliberate. Clear, and concise with one objective; Give you everything until, you feel it all.

ABOUT THE ARTERY FOUNDATION:
The Artery Foundation is a familiar name to hard rock fans. In 2025, the brand has rebooted and is a full service company. It's a label, artist management and producer management firm, among other things. During its 2010s heyday, the brand helped author the burgeoning metalcore scene, having been responsible for singing and breaking genre titans.

From the sweaty chaos of basements and VFW halls to the world's biggest festivals, Artery has helped guide talent from local notoriety to global recognition. The list of heavy music cornerstone acts that started with Artery speaks for itself" A Day To Remember, Motionless In White, Dance Gavin Dance, Beartooth, Sleeping With Sirens, The Amity Affliction, Asking Alexandria, The Devil Wears Prada, Our Last Night, Memphis May Fire, Fit For A King, The Plot In You, Attila, Attack Attack!, and more. 

In 2010, the company launched Artery Recordings, a label imprint that gave rise to breakout acts like Chelsea Grin and Kublai Khan TX. As Artery continued to expand, founder Eric Rushing concurrently deepened his influence on Sacramento's music and nightlife culture. His handiwork is evident in various live venues, restaurants, and bars.

MALEFIC Strike With “Blood Of The Throne,” A Ruthless Opening Statement From Impermanence

Blackened thrash force MALEFIC returns with ferocity intact on their new single, “Blood Of The Throne,” the opening salvo from their forthcoming full-length album Impermanence, due out February 13th, 2026 via Terminus Hate City. Pre-orders for Impermanence are available HERE. 

Starting the album with a bang, “Blood Of The Throne” is a blistering blackened thrash track driven by relentless high tempos and unyielding aggression. The song showcases each member of MALEFIC at their absolute limits, featuring extremely fast and precise guitar picking, overly ornate drumming, and a sharp command of leads, melodies, and harmonic interplay.

Lyrically, “Blood Of The Throne” confronts the struggles of capitalism and the systems of global control imposed on the masses. While its sentiment echoes the idea of slaying the monarchy, the focus is firmly on modern structures of power, including CEOs, members of Congress, and world leaders. Ironically, the song was originally written by former guitarist Cory, whose later political alignment moved in a drastically different direction. Despite that, the lyrics remain strikingly relevant, fitting both the desperation present in the music and the broader social climate. Regardless of where listeners fall on the American political spectrum, the message is clear. We all recognize the real demons in our society, we simply do not agree on the solution.

As a high-energy, hype-driven track, the band felt Impermanence had to begin with something uncompromising. “Blood Of The Throne” sends a clear message that MALEFIC is not here to ease listeners in. Originally intended to be the album title, the song instead lent its name and artwork to a four-song demo released on Bandcamp and later on cassette. Having existed since the band’s early days, the track has evolved significantly with the modern lineup.

The song builds tension through desperate, biting vocals before opening into a soaring melodic break reminiscent of classic 1980s heavy metal. It ultimately closes with a final verse and solo, turning what was once a somber, reflective ending into a decisive final statement. That choice reinforces the song’s core theme. Capitalism and global politics do not quietly fade out, they grind forward until there is nothing left.

A proven crowd-pleaser and one of the band’s favorite tracks to perform live, “Blood Of The Throne” is also among the most demanding songs in the MALEFIC catalog, particularly for the drummer and vocalist, due to the sheer intensity and density of every part.

About MALEFIC:
MALEFIC roared onto the Atlanta metal scene in 2007 with ambitions to modernize the black metal genre. With their tight riffs, tasty leads, and relatable lyricism, MALEFIC abandons cliches and defies traditional genre boundaries. Their special blend of black metal, drawing from thrash and death metal influences, appeals to metalheads across subgenres. They count OLD MAN'S CHILD, CARCASS, TESTAMENT, DISSECTION, and OPETH among their most prominent influences, offering a fresh, modern take on metal that is unrivaled in the United States.

Though they are set to release their very first full-length album, Impermanence, in 2025, MALEFIC boasts an impressive live performance history, having played shows with notable bands such as 1349, CRYPTA, and PROFANATICA. After a hiatus in 2009, the band eagerly picked back up where they left off and reformed with a new lineup. MALEFIC initially began work on Impermanence in 2018, taking their time to ensure that every detail accurately reflected their vision for their album. The band's hard work and dedication has culminated in a powerful debut, lovingly crafted by fans of nuanced, boundary-pushing music. 

MALEFIC lineup:
Jason Davila - Guitar
Aaron Baumoel - Drums, Vocals
Sam Williams - Guitar
Andy McGraw - Bass

Death Thrash Metal Outfit INTOXICATED Unleashes Vicious New Single, "Shifted Cross"

Florida death thrash metal outfit INTOXICATED will be unleashing their third full-length, 'The Dome,' on March 27, 2026 via Redefining Darkness! The band is now unleashing the vicious second single from the album, "Shifted Cross," which can be found below.

Vocalist/guitarist Erik Payne comments, "'Shifted Cross' was written for the puppeteers. The ones that hide in the night, the manipulative cowards. It's a reminder that we see them and to never get complacent. They as well can be pulverized where they snivelingly hide."

INTOXICATED is a thrash/death metal band from Altamonte Springs, Florida, originally formed in 1993. Led by vocalist and guitarist Erik Payne, the band quickly carved out a place in Florida’s extreme metal lineage, earning early mentorship from Death’s legendary Chuck Schuldiner. Rooted firmly in Florida’s storied death-thrash tradition, Intoxicated’s sound draws natural comparisons to Death, Sadus, and Obituary— as marked by unrelenting speed, sharp riffing, and concise, high-impact songwriting.

'The Dome' is now available for pre-orders in the USA HERE while it's available for the rest of the world HERE.

In addition, INTOXICATED is hitting the road tomorrow, December 5, in support of Obituary's Florida Swamp Tour 2. The trek will kick off in Destin, FL and make its way through the state until the final stops in Tampa, FL on December 13 - 14. The full itinerary can be found below while tickets can be found HERE.

The cover artwork for 'The Dome' was created by Celeste Payne.

Intoxicated is a thrash/death metal band from Altamonte Springs, Florida, originally formed in 1993. Led by vocalist and guitarist Erik Payne, the band quickly carved out a place in Florida’s extreme metal lineage, earning early mentorship from Death’s legendary Chuck Schuldiner. Their first run produced a trio of EPs—.08 (1994), Scars (1995), and Metal Neck (1997)—before releasing their third EP, Drain.

Following their initial rise, Intoxicated went on hiatus as Payne, along with Obituary’s Donald Tardy and Ken Andrews, joined the touring lineup for Andrew W.K. in 1999, a role they held for nearly two decades while performing around the world.

The band reactivated in 2019, returning with the Walled EP (2020) and their long-awaited debut full-length, Watch You Burn (2022). The album showcased the band’s signature blend of ragged thrash aggression and Florida-bred death metal grit. Featuring guest appearances from Ken Andrews (Obituary, ex–Andrew W.K.) and Tony Foresta (Municipal Waste), and produced, mixed, and mastered by Ryan Boesch (Foo Fighters, Andrew W.K.) at Candor Recording—formerly Morbid Angel’s headquarters—Watch You Burn reaffirmed Intoxicated’s place among fans of classic Kreator, Death, Obituary, Protector, and Devastation.

Now, Intoxicated is preparing to unleash their second full-length album, The Dome, on Redefining Darkness Records.

Rooted firmly in Florida’s storied death-thrash tradition, Intoxicated’s sound draws natural comparisons to Death, Sadus, and Obituary— as marked by unrelenting speed, sharp riffing, and concise, high-impact songwriting.

Lineup:

Erik Payne - Guitar/Vocals

John Sutton - Guitar

Shawn Clarson - Bass/Backing Vocals

Colin Vaccaro - Drums

Album credits:

Produced by Ryan Boesch and Erik Payne @ Candor Recording in Tampa Fl

Recorded, mixed and mastered by Ryan Boesch

Cover Artist: Celeste Payne

Formats:

CD

Vinyl

Digital

Pre-orders (Worldwide excl. USA): https://shop.redefiningdarkness.com/

Preorders (USA): https://tornfromthegrave.us/collections/intoxicated

Links:

Official Website

Bandcamp

Facebook

Instagram

YouTube

Spotify

Apple Music

SCHATTENMANN Unveil Title Track From Upcoming Album Endgegner

SCHATTENMANN usher in the new year with the release of Endgegner, the title track from their upcoming studio album. The song signals a decisive next step for the band and sets the tone for a new chapter in their musical journey.

With “Endgegner” [German for “Final Boss”], SCHATTENMANN present themselves sharper and more focused than ever. The track blends German-language metal with pronounced core elements, driven rhythms, and an unapologetic attitude. Crushing riffs, a powerful groove, and a commanding chorus turn the song into a statement piece that reflects both intensity and confidence.

As frontman Frank Herzig reveals:
"This song was my ultimate final boss! Never before has a track driven me so crazy, challenged me so much, and demanded so much from me. In the entire history of Schattenmann, there hasn't been a song that required so many versions and attempts. In the end, I am incredibly proud of it – especially because the path to the finished song was so rocky and because it offers so much both musically and lyrically. It grabs you immediately and doesn't let go until the very end: hard, loud, emotional."
 
Stream / Download the new single: https://schattenmann.rpm.link/endgegnersinglePR

“Endgegner” Tour 2026
30.01.2025 DE Nuremberg - Schattenspiele (w/ AESTHETIC PERFECTION & INDUCTION)

Tickets: https://www.eventim.de/artist/schattenmann/ 
VIP Upgrade Bundles: https://schattenmann.rpm.link/shopPR 

About SCHATTENMANN
Founded in 2016, Nuremberg-based band SCHATTENMANN have entered the metal world by storm! Pinnacling with their top 10 album Día de muertos in 2023, the quartet - singer Frank Herzig, guitarist Jan Shook, bass player Luke Shook & drummer Rorschach - paved their way with impactful songwriting but also with energising live shows. A thrilling combination which has resonated with a wide range of range (mostly) European metalheads so far. Sheer metal and continuous touring are the keys of why SCHATTENMANN have become one of the leading German ambassadors in the hard ‘n’ heavy universe within less than 10 years.
 
SCHATTENMANN are:
Frank Herzig | vocals
Jan Shook | guitars
Luke Shook | bass
Rorschach | drums
 
More on SCHATTENMANN:
schattenmann.band | Linktree | Facebook | Instagram | TikTok
Bandsintown | YouTube | Spotify | Apple Music

HOKKA UNLEASHES VIDEO FOR SECOND SINGLE 'DEATH BY CUPID'S ARROW'

The story of the warrior and the sensai continues as HOKKA presents their second single, 'Death By Cupid’s Arrow'. Following the powerful debut of 'In The Darkness', the new track expandsHOKKA’s cinematic narrative with intensity, emotion, and epic scale.

'Death By Cupid’s Arrow' is released alongside another epic music video bringing the next chapter of the story vividly to life through striking visuals and dramatic storytelling.

Both singles have already been performed on Finnish national television during the country’s major New Year's Eve broadcast, introducing HOKKA to a nationwide audience and marking a significant milestone for the band.

Joel Hokka comments on the song: 

“Cupid’s arrow to the chest or a knife in the back — it’s all the same. Death by Cupid’s Arrow is a song about the not-so-nice side of love. Time after time, a poor broken heart cries out its pain as it drowns.”

Check out the video Below:

Listen to the single on all platforms: https://hokka.bfan.link/death-by-cupid-s-arrow

In addition, HOKKA has just announced their first live shows for 2026 giving fans the opportunity to experience the power and storytelling of the warrior and sensai saga on stage for the first time.

The first club show:
07.05.26  FI  Helsinki - Tavastia

Confirmed Finnish festival shows:
12. - 13.06.26  FI  Lahti - Kesämössö
27.06.26          FI  Helsinki - Tuska
03. - 05.07.26  FI  Turku - Ruisrock
17. - 19.07.26  FI  Joensuu - Ilosaarirock
23. - 25.07.26  FI  Kuopio - Kuopiorock
25.07.26          FI  Oulu - QStock

line up:
Joel Hokka - voc
Pauli Rantasalmi - guitar
Sampo Sundström - guitar
Jimi Aslak - drums

social media: 
Instagram: @joelhokka @jimiaslak @paulirantasalmi
Tiktok: @joelhokka @jimiaslak.  
YouTube: @hokkasyndicate.    

DEAD ANIMAL ASSEMBLY PLANT Roll Out New Single "Hearse"

Portland-based industrial outfit DEAD ANIMAL ASSEMBLY PLANT return with their new single "Hearse", a cheeky, high-energy bone shaker inspired by classic gallows humor and driven by relentless industrial force, available via Armalyte Industries. 

The track takes its cue from the haunting childhood rhyme, “Don’t ever laugh as the hearse goes by for you may be the next to die.” Embracing the dark humor of the line, DEAD ANIMAL ASSEMBLY PLANT transforms it into a frantic, stomp-along anthem that barrels forward with manic intensity and morbid fun.

“Hearse” features guest drums by Martin Atkins, a founding figure of the Chicago post-punk and industrial movement. Best known for his work with PUBLIC IMAGE LTD., MINISTRY, and KILLING JOKE, Atkins helped define the sound and attitude of modern industrial music. He is also the founder of Invisible Records, a pivotal imprint responsible for releasing and championing numerous underground industrial and experimental artists. His signature frenetic style underscores the song’s urgency and chaos, pushing the track into overdrive.

Adding another layer of ferocity is Glen Clarke, currently of VEER UNION and UNGOTHLY PLACES, and formerly of 2 SHADOWS, whose screams and growls inject raw aggression into the mix. The song also features a chilling spoken sample from John Kassir (aka the Cryptkeeper), alongside Z. Wager, delivering the titular line with unmistakable menace.

Anchored by relentless guitars and bass, "Hearse" is a high-energy march through the graveyard and a reminder of life’s brutal simplicity. In the end, we’re all just meat on the slab. Live it up or die trying.

About DEAD ANIMAL ASSEMBLY PLANT:
Formed in 2007, the Portland OR, USA, act began as a solo project by Zach Wager before evolving into a full band in 2011. Drawing inspiration from the likes of SLIPKNOT, PIG, NINE INCH NAILS, and ROB ZOMBIE, DEAD ANIMAL ASSEMBLY PLANT allow themselves to be experimental with their creative direction. The band use these influences along with a wide array of instruments and styles to create a distinctive sound, "I think the unique elements of our sound really stem from not trying to write any conventionally genre specific song. So whether it’s using theremins, sampling high tension wires, or anything we feel can add some personality to the song - nothing is off limits."

Over the course of their career to date, DEAD ANIMAL ASSEMBLY PLANT's notable appearances include Knotfest (2015), Wasteland Weekend (2018-2022, 2024), as support for COMBICHRIST on the Only Death is Immortal North American Tour (2024), along with headlining Hellfire Tour (2018, West Coast/Southwest Run) and Bring Out The Dead North American Tour (2019). DEAD ANIMAL ASSEMBLY PLANT have also created/performed multiple soundscapes for Belgian surrealist photographers, Mothmeister, at their art exhibits. 

DEAD ANIMAL ASSEMBLY PLANT is: 
Zach ‘Dead’ Wager (Vocals)
Rebecca ‘Buzz’ Wager (Guitars)
Nick ‘Nix’ Snyder (Bass)
Jason ‘Skorn’ Moore (Drums)

PARMALEE BLAZES A TRAIL TO THEIR LONGEST RUNNING NUMBER ONE AT COUNTRY RADIO WITH “COWGIRL”

Parmalee hits a new stride with its sixth number one at country radio “Cowgirl,” scoring its longest running number one on Stoney Creek Records at both the Billboard and Country Aircheck/Mediabase charts. This lead single from their BBR Music Music Group/BMG Nashville album Fell In Love With A Cowgirl earned four weeks at the top of the Billboard Country Airplay chart (the longest-leading hit by a group of three or more members in nearly 14 years) and two weeks on the Country Aircheck/Mediabase chart. With this milestone, Parmalee became the only band within the last year to score multiple weeks at number one on the Country Airplay charts. This marks the fifth consecutive number one (six total) for the band who capped off 2025 by teasing new music for their fans with the release of their latest “How Do I Let You Go.”

“Bringing in the new year with the number one song in the country is crazy,” says Matt Thomas of Parmalee. “It’s great to see the song connect with so many people and continue to grow. I feel like it’s just getting started. Cheers to 2026 yall!”

Comprised of brothers Matt and Scott Thomas (lead vocals/guitar and drums, respectively), cousin Barry Knox (bass), and lifelong friend Josh McSwain, Parmalee has been a household name with headliner status for years. With five back-to-back #1s at country radio, Parmalee was recognized as the most played country act by Billboard in 2022 for their iconic love song “Take My Name.” 

Having just wrapped their “Feels Like Home” Tour, Parmalee, with over 1.6 billion on-demand streams and a growing list of platinum singles, has cemented their place as a hit-making powerhouse and live-concert favorite. Get tickets for their upcoming shows HERE.

Upcoming Tour Dates:
February 19 - Rutland, VT - The Paramount-Rutland
February 20 - Foxborough, MA - Six String Grill & Stage
February 21 - Jordan, NY - Kegs Canalside
February 27 - Fort Lauderdale - Top Shelf Country Cruise 2026
April 17 - Temecula, CA - Temecula Stampede
July 24 - Chillicothe, IL - Chillicothe River And Rails Fest
August 28 - Dieppe, Canada - YQM Countryfest 

KEEP UP WITH PARMALEE

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