Corey Kent & Jason Aldean Unite for Anthem "Rather Be Here"; 'Heartland Rock and Roll' Arrives 9/25

Multi-Platinum Sony Music Nashville recording artist Corey Kent is joined by country superstar Jason Aldean on his new song, "Rather Be Here," available everywhere today. The collaboration marks another preview of Kent's forthcoming album, Heartland Rock and Roll, due Sept. 25. 

Listen to “Rather Be Here”  Below.

Written by Michael Hardy, James McNair, Josh Miller, Morgan Wallen and Daniel Ross, "Rather Be Here" is a rowdy, feel-good anthem celebrating the unmistakable magic of a Saturday night at the local honky tonk. Fueled by a sing-along hook and southern rock swagger, the track captures this simple truth:

"There's nothing I love more about music than playing live, which is why this song resonated so deeply with me," shares Kent. "The energy from a rowdy Saturday night honky tonk crowd is the spirit of this track."

Kent continues, "I really wanted to capture a '70s-style southern rock vibe, and I'm so lucky to have my big brother in country music, Jason Aldean, on this one. It's still surreal every time I hear his voice come in on verse two. Nobody has blended country and rock & roll better than Jason. His early stuff was such an inspiration to me as an artist, so having him on this song is perfect. It has such an infectious, sing-along quality to it, and I can't wait to hear folks sing it with us at shows."

"Rather Be Here" continues the rollout of Heartland Rock and Roll, Kent's highly anticipated third major-label album and the project that finally puts a name to the sound he's spent years building.

"Heartland Rock and Roll is my third major label album, and it's really the first time I've been able to finally name the sound I've been working towards my entire career," shared Kent. "These songs sound like where I'm from. The lyrics span from nostalgia, to honest regrets and gratitude for the simple things I value most in life. From top to bottom, this is me. Every artist wants to leave their mark in music... a way to say, 'I was here and I did it my way.' This feels like mine. This is heartland rock and roll."

Produced primarily by Austin Goodloe, with additional production from Jon Randall and Chris Farren, Heartland Rock and Roll captures golden-hour nostalgia, rugged honesty and the peace that comes with staying true to yourself. Across 16 tracks, Kent blends country, rock and soul into the signature sound that has defined his career.

The new collaboration follows a string of standout releases from the album, including his recent blockbuster single,"Rocky Mountain Low" featuring Koe Wetzel, fan favorite and current single, "Empty Words," which is already Top 50 and climbing on the Billboard Country Airplay Chart following early release due to overwhelming demand and millions of weekly streams, along with "Wannabe," and "Cigarette Burns."

Infusing Oklahoma roots with the untamed energy of a rebel rocker, Kent has built his career on doing things his own way. From dancehalls and dive bars in Bixby, Oklahoma to earning two No. 1 singles at country radio, more than 1 billion career streams and multiple RIAA certifications, Kent's rise has been steady, hard-earned and fueled by conviction.

"I've been fighting my differences for so long, but now it's like, 'Let's just use those,'" Kent explains. "I'm not trying to be anybody else. Bigger fades, 'better' lasts."

The forthcoming album follows Kent's breakout projects Blacktop and Black Bandana, which established the singer-songwriter as one of country music's most compelling and unconventional voices. To date, Kent has earned Platinum certification for "Something's Gonna Kill Me," Gold certification for "This Heart" and Triple-Platinum certification for his No. 1 breakthrough hit "Wild As Her."

Rolling Stone has praised the Oklahoman-native for giving "the region's signature sound a shot of mainstream sensibility," while CMT and the Opry NextStage program have recognized him as an artist to watch. He has toured alongside Morgan Wallen, Jason Aldean, Parker McCollum, Jon Pardi and Koe Wetzel.

For the latest news and information about Corey Kent, visit coreykentofficial.com

BRANTLEY GILBERT HOSTS FREE SINS OF THE FATHER ALBUM RELEASE PARTY AT NASHVILLE FAIRGROUNDS SPEEDWAY ON JULY 24

WHAT: 

1st Phorm Presents Brantley Gilbert and Nitro Circus to celebrate the release of his eighth studio album SINS OF THE FATHER. The event is free and open to the public, with $10 cash parking. Gilbert will perform live as Nitro Circus executes FMX stunts over the stage, with additional activations including Cars & Caffeine presented by 1st Phorm, tattoo artists, mechanical bulls, and family-friendly activities including bounce houses, food trucks and more.

WHEN:

Friday, July 24, doors at 5pm CT
Nitro Circus at 7:30pm CT
Brantley Gilbert at 8:30pm CT

WHERE:

Nashville Fairgrounds Speedway
625 Benton Ave, Nashville, TN 37203

WHO:

After helping set the stage for the modern country era with his 2009 debut, A Modern Day Prodigal Son, multi-Platinum trailblazer Brantley Gilbert has never shied away from the ugly truth. Boasting a consequential catalog of seven No. 1 hits like the RIAA 7x Platinum “Bottoms Up;” the 2x Platinum “Country Must Be Country Wide,” 2x Platinum “You Don’t Know Her Like I Do,” 2x Platinum “One Hell of An Amen,” and more, he’s spent nearly two decades stitching heartfelt country values and explosive energy to barbed-wire R&B swagger and his signature, Southern-smoke vocal, driving over 8 billion streams and one of the format’s heaviest live shows. Yet with his eighth studio album SINS OF THE FATHER, available July 24, brutal honesty and a brass-knuckled country-rock sound take his confessional song craft to new heights. The project’s current single, “GOOD DAMN” is climbing the charts. Marking his first project with BBR Music Group/BMG Nashville, 15 fresh songs were co-written by Gilbert with Taylor Phillips, Jelly Roll, HARDY, and more, as the hit maker delivers an “unapologetic” throw down of mature themes, once again ready to meet fans where they are. Co-producer Brock Berryhill helps Gilbert create some of the hardest-hitting work of his career, while the diesel-fueled two-lane trap he helped pioneer on genre-defining tracks like Jason Aldean’s “Dirt Road Anthem” is never far away. From the warm buzz of nostalgic pride to fatherhood and faith, red-hot devotion, and rock-bottom redemption, the self-avowed open book holds nothing back. Possessing a can’t-fake-it quality of fierce independence, the ACM, CMA and AMA award winner has toured alongside everyone from Willie Nelson to Toby Keith, Nickelback to Five Finger Death Punch and more.

BRANTLEYGILBERT.COM | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | X

RISING SINGER/SONGWRITER KINSLEY RELEASES “WHIPLASH”

On the heels of the announcement of her signing with MCA, rising singer/songwriter Kinsley releases “Whiplash,” a fiery track that taps into her lifelong love of rock music while remaining grounded in country storytelling. Listen to “Whiplash” BELOW.
 
“This song leans into my rock influences,” shares Kinsley. “Growing up listening to Lynyrd Skynyrd, Foo Fighters and Led Zeppelin, it’s always been one of my favorite genres, and it brings so much energy and spirit to ‘Whiplash.’”
 
Written by Kinsley alongside producers Devin Dawson and Josh Kerr, “Whiplash” follows the release of her debut song “Pieces of Me,” which introduced listeners to her introspective songwriting through themes of heartbreak, identity and healing.
 
While that track looked inward, “Whiplash” turns its gaze outward, channeling sharp wit and unapologetic attitude into a story of karma coming full circle:

As Kinsley continues to build momentum following her signing with MCA, “Whiplash” marks the latest preview of a growing body of work that showcases both her fearless songwriting and genre-spanning influences.
 
Kinsley first connected with audiences through her “Midnight Sessions” on YouTube — intimate performances that offered an early glimpse into her deeply personal songwriting. Watch HERE.
 
From growing up in California, to learning music on her family’s land in North Carolina, to moving to Texas in high school before eventually settling in Tennessee with her family, each chapter has left its mark on both Kinsley’s perspective and her sound.

ABOUT KINSLEY
MCA singer-songwriter Kinsley creates music rooted in honesty, healing, and human connection. Having grown up across California, Texas and Tennessee, her music reflects the many places, experiences, and perspectives that have shaped her. Blending vivid storytelling, poetic lyricism, and raw, soulful vocals, the Nashville-based artist writes the kinds of songs that make listeners feel seen and understood. An “old soul” with a lifelong passion for poetry and songwriting, Kinsley approaches music as both emotional refuge and personal expression — creating deeply human songs that live at the intersection of vulnerability and healing. Online at officialkinsleymusic.com.

Hunter Hawkins' "Seeking Release (reimagined by Kenny Loggins)" Available Now

Hunter Hawkins revisits one of their most personal songs with the release of “Seeking Release (reimagined by Kenny Loggins),” a sweeping new interpretation of the standout track from the 2021 EP Phase. Produced by Kenny Loggins, the recording expands the emotional scope of the original while preserving its deeply personal message, offering a powerful preview of Hawkins’ forthcoming full-length album. Listen below.

Following a series of difficult conversations with loved ones during a trip to visit extended family, Hunter was looking for space to process the feeling of not being heard or understood. They spent an afternoon alone along the shoreline in La Jolla, where, overlooking the Pacific and surrounded by sunbathing sea lions, they began writing the lyrics and melody for “Seeking Release.” Just days earlier, Hunter had received a scratch guitar track from soon-to-be co-writer Kevin Mahany as an invitation to collaborate. Listening to the recording through their phone, Hunter drafted lyrics in the Notes app and captured melodies in Voice Memos, laying the foundation for what would become one of the album's most personal songs.

Originally released on Phase, “Seeking Release” returns as “Seeking Release (reimagined by Kenny Loggins),” a complete reworking created for Hawkins’ forthcoming full-length album. Instead of simply revisiting the original recording, Hawkins and Loggins rebuilt the song from the ground up with new arrangements, musicians and instrumentation, transforming it into a cinematic centerpiece. String arrangements by Ben Plotnick and Kaitlyn Raitz deepen the song’s emotional impact, carrying it from quiet introspection to an uplifting sense of release.

“‘Seeking Release’ came from a time when I was trying to make sense of feeling unseen and unheard,” says Hawkins. “Writing it helped me realize that the answers I was searching for weren’t going to arrive from somewhere else. They had to come from choosing to let go, trust the process, and allow myself to feel everything instead of fighting it.”

Anchored by lyrics that wrestle with surrender, healing and the desire to be understood, “Seeking Release” asks difficult questions without settling for easy answers. As the song builds from intimate reflection to an expansive orchestral finale, it ultimately reminds listeners that peace often begins when we stop waiting for permission to embrace who we are.

“Seeking Release (reimagined by Kenny Loggins)” stands as one of the defining moments on Hawkins' forthcoming album, reflecting both the vulnerability and artistic growth that continue to shape their music.

CARLY PEARCE RETURNS TO APPALACHIAN ROOTS IN TIMELESS NEW BLUEGRASS TRACK “WHAT IF YOU LOVED ME” WITH DAN TYMINSKI AND MOLLY TUTTLE

GRAMMY, CMA and ACM-Award winning country star Carly Pearce highlights her Bluegrass and Appalachian roots in timeless new song out today, “What If You Loved Me” with two of the genre’s powerhouses, Dan Tyminski and Molly Tuttle. Rich vocal performances melt into tight harmonies as they sing about longing and possibility, layered on top of Tyminski’s mandolin and Tuttle’s clawhammer banjo and guitar. Simultaneously classic and contemporary, “What If You Loved Me” honors tradition for a standout offering from the trio. Listen to the track HERE and watch the official music video BELOW.

“Bluegrass is such a cherished part of who I am as it’s where I got my start,” says Pearce. “To record a song that honors my roots with two artists that I have deep respect and admiration for is not only a special moment, but very emotional. 10-year-old Carly who grew up singing in bluegrass bands would be over the moon to know she has a song with Dan and Molly (as is present-day Carly!). This is the perfect moment in my career to show fans this side of my heart.”

“What If You Loved Me”  is the latest preview of Pearce’s highly anticipated fifth studio album, Honest Woman, which will arrive August 28 via BBR Music Group/BMG Nashville. Co-produced by Pearce with longtime collaborator Ben West, Honest Woman sees Pearce embrace every aspect of who she was, is, and will become through narrative-driven lyrics and a sonic return to form. Including features with Riley Green, Dan Tyminski and Molly Tuttle, the album leans into her bluegrass origins and focuses on authentic country craftsmanship. Honest Woman is an ‘honest’ portrayal of life’s journey delivered by a woman who understands that it’s the fullness of time that defines you. Pre-order, pre-add, and pre-save the album HERE and find the full track list below.

In addition to today’s release, Pearce’s forthcoming album will include current single and “blockbuster duet” (Billboard) with Riley Green, “If I Don’t Leave I’m Gonna Stay,” along with the “lilting portrait of a femme free spirit” (MusicRow) “She Don’t,” the “delightfully snarky & sassy” (Music Row) “You Can Have Him,” “honest anthem” (Rolling Stone) “Church Girl” and the “unfiltered, introspective” (Billboard) “Dream Come True.” As Pearce is readying Honest Woman, each track continues to define “the tone for her most vulnerable era yet” (The Tennessean).

To support the album, Pearce will be performing special two-night residencies across North America. Kicking off September 10 with two nights in Detroit, Pearce will bring her “Honest Woman: Up Close” live shows presented by Conundrum Wines to intimate venues in Chicago, Minneapolis, Los Angeles, Toronto and Boston before concluding with two nights in New York City. Belle Frantz will join Pearce as support. Tickets are on sale now.

CARLY PEARCE - “HONEST WOMAN: UP CLOSE” ROUTING

Thursday, September 10 – Detroit, MI – Saint Andrew’s Hall*
Friday, September 11 – Detroit, MI – Saint Andrew’s Hall*
Wednesday, September 16 – Chicago, IL – Joe’s on Weed*
Thursday, September 17 – Chicago, IL – Joe’s on Weed*
Friday, September 18 – Minneapolis, MN – Fine Line*
Saturday, September 19 – Minneapolis, MN – Fine Line*
Sunday, September 27 – Los Angeles, CA – The Troubadour*
Tuesday, September 29 – Los Angeles, CA – GRAMMY Museum
Thursday, October 15 – Toronto, ON – Toronto Opera House*
Friday, October 16 – Toronto, ON – Toronto Opera House*
Sunday, October 18 – Boston, MA – The Sinclair*
Monday, October 19 – Boston, MA – The Sinclair*
Wednesday, October 21 – New York, NY – Gramercy Theatre*
Thursday, October 22  – New York, NY – Gramercy Theatre*

*With support from Belle Frantz

BLACK SITES Release New Full Length For Eternity With Full Album Visualizer

Chicago's heavy quartet BLACK SITES present their fifth studio album, For Eternity. Released today, the band deliver impactful catchy choruses and lyrical hooks alongside a powerful riff-driven sound across the track list. 

For Eternity also marks a new chapter for BLACK SITES as founder Mark Sugar is now joined by an updated line-up. The new full length offering showcases a development in BLACK SITES's sound and sees the new members' contributions enhance the music's sonic quality.

For Eternity was produced by Mark Sugar & Chris Black, recorded at I Can’t Believe It’s Not Mace Street Studios, with mixing and mastering by Dan Swano. Drums on For Eternity were recorded by Vladimir Ružičić at Kebac Recording Studio.

About BLACK SITES:
Based out of Chicago, IL, USA, BLACK SITES was founded in 2016, initially as a studio project, by vocalist and guitarist Mark Sugar. Sugar was later joined by members John Picillo (bass), Ryan Bruchert (guitar) and Chris Avgerin (drums). BLACK SITES combines old school metal with guitar harmonies, melodic/clean vocals and progressive elements, primarily drawing inspiration from the likes of VOIVOD, BLACK SABBATH, and KING’S X.

BLACK SITES released their debut In Monochrome in 2017 (Mascot/Provogue Records), followed by Exile in 2019. 2021 saw the release of Untrue that was produced by Sanford Parker and awarded Record Of the Year by Dr. A.N. Grier at AngryMetalGuy.com. BLACK SITES ventured to The Promised Land? with their 2024 full-length that featured Tom Draper. (Ex-CARCASS/SPIRIT ADRIFT) on the track "Chasing Eternity".

Now, in 2026, Mark Sugar is joined by new members Jose Salazar (bass), Lee Smith (guitar) and Chris Black (drums). The forthcoming album For Eternity is set to release independently on July 17, 2026.

BLACK SITES Is:
Mark Sugar (vocals, guitar)
Jose Salazar (bass)
Lee Smith (guitar)
Chris Black (drums)

Connect With BLACK SITES:
Bandcamp: https://blacksites.bandcamp.com
Facebook: https://www.facebook.com/blacksites
Instagram: https://www.instagram.com/blacksitesmusic
TikTok: https://www.tiktok.com/@blacksitesmusic
YouTube: https://www.youtube.com/@blacksites
Spotify: https://open.spotify.com/artist/0yY6r4UHQDv4BUOr5bKu1o

Swedish Folk Metallers FEJD Release Title Track from Upcoming Album + Lyric Video

Today, Swedish folk metal pioneers FEJD release the title track from their highly anticipated fifth full-length album, ‘Nifelheim,’ set for release on August 21, 2026 via Black Lodge / Sound Pollution. The new single arrives alongside a lyric video, available below.

"Nifelheim" invites listeners to embrace a realm of death and ice, the track opens the gates to a world steeped in ancient Nordic myth and mysticism.

From the very first note, “Nifelheim” draws the listener into a landscape of forgotten legends, carried by powerful arrangements and the evocative spirit of Nordic melancholy. With their signature blend of traditional folk instruments and modern metal, FEJD once again demonstrate why they are regarded as one of the leading names in folk metal.

Bridging two worlds with remarkable authenticity, the band combines the strength and intensity of heavy metal with the rich melodies, timeless traditions, and haunting beauty of Nordic folk music. The result is a captivating and immersive musical journey that sets the tone for what promises to be FEJD's most ambitious album to date.

Pre-Order 'Nifelheim' HERE

FEJD are:

Patrik Rimmerfors: Lead vocals, bouzouki

Niklas Rimmerfors: Moraharpa (keyed fiddle)

Esko Salow: Drums

Lennart Specht: Keyboard

Thomas Antonsson: Bass

coldrain Announce New Album 'OPTIMIZE = OPTDEMISE' Out September 25 via Century Media Records

Alt-metal quintet coldrain (Nagoya, Japan) make their global return with their long awaited eighth full-length album “OPTIMIZE = OPTDEMISE”, set for release on September 25th, 2026, via Century Media Records. The album announcement is paired with the release of their new single EX-HUMANITY,” which marks the sixth track unveiled from the upcoming album and the band's first new song since the release of the “OPTIMIZE” EP on October 24th, 2025. The EP includes the band’s prior single releases INCOMPLETE, CHASING SHADOWS, and FREE FALL, all of which will also be featured on the forthcoming album.

PRE-SAVE/BUY THE NEW ALBUM HERE

LISTEN TO “EX-HUMANITY” HERE

& WATCH THE MUSIC VIDEO BELOW:

coldrain announced their “OPTIMIZE = OPTDEMISE JAPAN TOUR” last month, which will be happening from October to December 2026. Additionally, the band has been confirmed as one of the support acts for Electric Callboy’s “TANZNEID WORLD TOUR” tour in Australia for September 2026, alongside Ice Nine Kills. The band will also play at various festivals across Japan this summer.

All dates and further info here: https://coldrain.jp/blogs/live 



- “TANZNEID WORLD TOUR” w/ Electric Callboy & Ice Nine Killls -

04.09.2026 - Australia, Perth: RAC Arena

06.09.2026 - Australia, Adelaide: Adelaide Entertainment Centre Arena

08.09.2026 - Australia, Melbourne: Rod Laver Arena

10.09.2026 - Australia, Sydney: Qudos Bank Arena

12.09.2026 - Australia, Brisbane: Riverstage

____

- OPTIMIZE = OPTDEMISE JAPAN TOUR 2026 -

06.10.2026 - Japan, Kawasaki: CLUB CITTA'

10.10.2026 - Japan, Hiroshima: BLUE LIVE HIROSHIMA

17.10.2026 - Japan, Fukuoka: UNITED LAB

21.10.2026 - Japan, Sapporo: PENNY LANE24

22.10.2026 - Japan, Sapporo: PENNY LANE24

01.11.2026 - Japan, Kanazawa: EIGHT HALL

03.11.2026 - Japan, Niigata: NIIGATA LOTS

29.11.2026 - Japan, Sendai: SENDAI GIGS

01.12.2026 - Japan, Osaka: NAMBA HATCH

02.12.2026 - Japan, Nagoya: COMTEC PORTBASE

09.12.2026 - Japan, Tokyo: TOYOSU PIT

The title OPTIMIZE = OPTDEMISE is itself a warning: a caution against a world in which the rise of AI has come to symbolize humanity’s growing confusion over what it means to be human. More than a framework of “against AI” or “against technology,” this album calls for the liberation of the soul in response to a world that is steadily being bleached of color, and to the brutality of people who, having stopped thinking for themselves, continue to hurt one another. That is the reason coldrain continues to fight. And OPTIMIZE = OPTDEMISE is the album where that essence appears more youthful, pure, and unfiltered than ever before - a human fuse burning toward ignition.

Coldrain, the quintet that is about to release their 8th album, first emerged in Japan in 2007, proudly identifying themselves as a “loud rock” band. Their songwriting, heavily influenced by the nu-metal and emo/screamo movements of the 2000s, resonated directly with the youth culture of America at the time. Yet in the Japanese rock scene of that era, “loud music” was still largely associated with melodic punk and pop-punk. As a result of that advance, coldrain absorbed musical elements far beyond nu-metal and screamo alone. While maintaining melodies that carried a distinctly Japanese sense of emotion, they transformed into a chimera capable of crossing through every subgenre of rock. Their ability to be both heavy and endlessly pop became their greatest weapon.

Now, especially since joining forces with Century Media Records, the very fact that their music cannot be defined by a single attribute - and the very “in-between” quality of their style - has become a musical identity unconstrained by borders or genres, radiating an originality that stands among the strongest in the world. 

coldrain are a band whose lives were changed by music that could never have been born in Japan, and yet they themselves are a hybrid that could only have emerged from the Galápagos-like environment of Japan. That is coldrain. Rather than needing to acquire a new place, coldrain were able to turn simply “being themselves” into music in its most unfiltered form. As a result, OPTIMIZE = OPTDEMISE is pierced throughout by a youthful rawness that feels almost impossible for a band nearing twenty years since its formation.

coldrain are:

Masato – Vocals

Y.K.C - Guitar

Sugi - Guitar

RxYxO - Bass Guitar

Katsuma - Drums

IN THIS MOMENT KICK OFF NEXT ERA WITH NEW SINGLE + MUSIC VIDEO "CRAWL" — WATCH // NEW ALBUM "WITCH" OUT 8/28

IN THIS MOMENT, the GRAMMY® Award-nominated, multi-platinum heavy alternative force of nature, return today with a new single and music video entitled "Crawl." Listen HERE. Watch the music video BELOW.

Most importantly, however, it heralds the arrival of their ninth full-length offering and debut LP for Better Noise Music, WITCH, on AUGUST 28. Pre-order + pre-save HERE.

"Crawl" seethes and surges in signature IN THIS MOMENT style. Anchored by a gut-punching riff and seismic vocals courtesy of inimitable frontwoman MARIA BRINK, the song sets its hooks in, holds tight, and never lets go. It's worthy of obsessing over—like all of the group's best material over the years.

About the track, IN THIS MOMENT, Brink offers, "'Crawl' is a reckoning — a reflection that those who dominate and cause pain will ultimately reap what they sow. As above, so below. The fall is inevitable. Bearing witness to the harm they inflict, the song declares that those who once stood tall will be brought to their knees."

Co-founder and guitarist CHRIS HOWORTH furthers, "'Crawl' is a visceral track that delivers the undeniable observation of powerful entities dominating and abusing the weaker and compromised masses — something that continues to repeat itself throughout human history. The song empowers and, at its core, is about standing up and fighting back." 

However, it's just the beginning. WITCH showcases every side of IN THIS MOMENT: The fury, the femininity, and the fire. It's an 11-track opus that does not relent in intensity and introspection. However, the band didn’t go it alone. This time around, the band tapped friends Dayseeker for "I Want To Believe,"; Kim Dracula for "Heretic,"; and Kat Von D for a cover of the Pink Floyd classic "Another Brick In The Wall." 

"WITCH is my declaration of inner transformation," states Brink. "It's about embracing the duality within — taking pain, persecution, and struggle — and alchemizing them into strength and power. The album reflects both ancient trials and my own journey — where being a 'witch' means being a creator, connected to the universe, manifesting my own reality."

The spell has been cast. Allow WITCH to possess you.

ITM teased this chapter with "Sleeping With The Enemy." Beyond reeling in over 1 million streams, it earned critical acclaim. Rock Sound hailed it as “blistering,” and Revolver plugged its power.

Led by the magnetic presence of Brink, the band has turned its fusion of spectacle, vulnerability, and massive melodic hooks into a global phenomenon, earning platinum-certified success and more than two billion career streams along the way.

IN THIS MOMENT will tour this fall as part of Taste Of Chaos. All dates are below.

IN THIS MOMENT ON TOUR:
9/17 — La Crosse, WI —Copeland Park (With Nothing More)
9/19 — Louisville, KY — Louder Than Life Festival

WITH HOLLYWOOD UNDEAD, I SEE STARS, VANA, + MELROSE AVENUE:
9/22 — Charlotte, NC — The Fillmore
9/23 — Raleigh, NC — The Ritz 
9/25 — Virginia Beach, VA — The Dome
9/26 — Reading, PA — The Theatre @ Santander Arena
9/28 — Silver Spring, MD — The Fillmore Silver Spring
9/29 — Worcester, MA — Palladium
9/30 — New Haven, CT — College Street Music Hall
10/3 — Milwaukee, WI — The Rave - Eagles Ballroom
10/6 — Grand Rapids, MI — GLC Live at 20 Monroe
10/8 — Omaha, NE — Steelhouse Omaha
10/9 — Waukee, IA — Vibrant Music Hall
10/11 — Chicago, IL — Aragon Ballroom
10/13 — Kansas City, MO — The Midland Theatre
10/14 — Chesterfield, MO — The Factory
10/16 — Houston, TX — House of Blues Houston
10/17 — Dallas, TX — The Bomb Factory
10/19 — Denver, CO — Fillmore Auditorium 
10/20 — Salt Lake City, UT — Rockwell at the Complex
10/21 — Garden City, ID — Revolution Concert House
10/22 — Reno, NV — Grand Theatre at Grand Sierra Resort
10/24 — Maricopa, AZ — Harrah's Ak-Chin
10/25 — Las Vegas, NV — The Theater at Virgin Hotels Las Vegas
10/26 — Anaheim, CA — House of Blues Anaheim

The next era of In This Moment will amplify everything they've built with this mantra:"Your voice, our flame. Set your truth on fire."

LUDOVICO TECHNIQUE Join COMBICHRIST On Fall Tour

LUDOVICO TECHNIQUE is set to make their long-awaited live resurgence in the US and Canada this fall, joining COMBICHRIST on their 2026 North American tour.

Led by singer, songwriter, and multi-instrumentalist Ben V., LUDOVICO TECHNIQUE has built a devoted following through its fusion of Gothic Alternative Metal, industrial darkness, cinematic atmosphere, and emotionally intense songwriting. Known for a visual world as haunting as its sound, the band’s live presentation brings together shadowy theatricality, heavy electronics, and the kind of immersive intensity that has made LUDOVICO TECHNIQUE a standout name in the dark alternative underground.

The upcoming run places LUDOVICO TECHNIQUE in front of audiences across the U.S. and Canada alongside industrial metal mainstay COMBICHRIST, bringing the band’s brooding, yet seductive sound to a new wave of live shows beginning September 15 in Richmond, VA and wrapping October 17 in Atlanta, GA.

Tickets are available now at https://ludotechnique.com/tour

VIP upgrades are also available and include a meet and greet with the band, photo opportunity with the band, personal item signing, exclusive signed band photo, exclusive signed VIP tour poster, exclusive signed lyric sheet, and exclusive VIP laminate. VIP upgrades do not include a concert ticket. Fans must purchase show tickets separately.

VIP upgrades are available at https://nationalactsvip.com/Ludovico-Technique

LUDOVICO TECHNIQUE — North American Tour 2026 Supporting Combichrist with Dead Animal Assembly Plant

  • September 15 - The Canal Club - Richmond, VA

  • September 16 - Reverb - Reading, PA

  • September 17 - The Meadows - Brooklyn, NY

  • September 18 - Taffeta Music Hall - Lowell, MA

  • September 19 - Foufounes Électriques - Montreal, QC

  • September 20 - The Rockpile - Toronto, ON

  • September 22 - The Winchester - Lakewood, OH

  • September 23 - The Sanctuary - Detroit, MI

  • September 24 - The Forge - Joliet, IL

  • September 25 - Skyway Theater - Minneapolis, MN

  • September 26 - The Bottleneck - Lawrence, KS

  • September 27 - The Federal Theatre - Denver, CO

  • September 29 - El Corazon - Seattle, WA

  • September 30 - Dante’s - Portland, OR

  • October 1 - Cornerstone - Berkeley, CA

  • October 3 - Backstage Bar & Billiards - Las Vegas, NV

  • October 6 - The Rosetta Room - Mesa, AZ

  • October 7 - Launchpad - Albuquerque, NM

  • October 8 - The Shrine - Tulsa, OK

  • October 9 - Haltom Theater - Haltom City, TX

  • October 10 - The Rock Box - San Antonio, TX

  • October 11 - Numbers - Houston, TX

  • October 13 - The End - Nashville, TN

  • October 15 - Conduit - Orlando/Winter Park, FL *

  • October 16 - The Orpheum - Tampa, FL

  • October 17 - The Masquerade - Atlanta, GA

    * LUDOVICO TECHNIQUE only.

About LUDOVICO TECHNIQUE:

LUDOVICO TECHNIQUE is an American Gothic Alternative Metal band from New York City, formed by singer, songwriter, and multi-instrumentalist Ben V. Blending gothic atmosphere, industrial aggression, alternative metal, and dark electronic elements, the project has earned recognition throughout the heavy music and dark alternative scenes for its distinctive sound, striking visual identity, and emotionally charged approach to songwriting.

Connect With LUDOVICO TECHNIQUE:

MOONSPELL Announce North American Tour as Special Guests of CRADLE OF FILTH

Fresh off the release of their brand-new, internationally acclaimed studio album Far From God via Napalm Records, Portuguese gothic metal pioneers MOONSPELL have announced their long-awaited return to North America this fall as special guests of extreme metal legends CRADLE OF FILTH. The extensive U.S. and Canadian run will also feature WORM GLOOM and BLACK SATELLITE, bringing one of the season's most compelling dark and extreme metal packages to stages across the continent.

Armed with songs from their latest offering Far From God alongside fan favorites and timeless classics, MOONSPELL will also celebrate the 30th anniversary of their landmark album Irreligious, delivering a set that spans the band's remarkable career.

Fernando Ribeiro comments:
"Moonspell and Cradle of Filth, came a long way… We first played together in 1994 and since then we've sharing stages all around the globe. It's also our return to the North America and we sure want to make it count! Cradle is on a creative and touring roll so we’ll try to get ourselves some of their charm and deliver you amazing nights to the sound of our very own Portugal brand of Gothic Metal. We’ll be promoting our new album Far from God, the 30th anniversary or Irreligious and will go deep into our history and legacy. See you under the spell!"

Local Ticket Presales start on Thursday, July 16 at 10am local time
Public On Sale: Friday, July 17 at 10am local time

Released on July 3, 2026 via Napalm Records, Far From God has quickly established itself as one of MOONSPELL's most celebrated works to date. The album earned several international cover stories and entered the charts at #3 in Portugal, #19 in Austria, #27 in Germany, #46 in Switzerland, and reached #22 on the French Rock & Metal Albums Charts, underscoring both the band's enduring international appeal and the overwhelming response from fans and critics alike.

Born out of five years of creative searching, doubt and ultimate rediscovery, Far From God marks a powerful return for the band. Far from playing it safe, MOONSPELL deliver a work that feels like a rebirth: darker, sharper and emotionally unfiltered. Rather than bending to modern trends, the band double down on identity and substance, presenting a bold and beautiful statement of Gothic Metal in its purest essence: dark, romantic, dramatic and unapologetically heavy.

Far from God – produced with Jaime Gomez Arellano (Paradise Lost, Sólstafir, Ghost among many others) – shines like a black diamond, luminous yet shadowed in texture and colour, both musically and sonically. It reconnects with the darker spirit of MOONSPELL's classic era while sounding powerful and contemporary. Far From God is not nostalgia; it is a statement. A Gothic Metal hallelujah. MOONSPELL's 21st century Irreligious. It's not only a powerful reminder that MOONSPELL remain a defining force in the genre they helped shape, but an album that truly saves Gothic Metal from boredom and predictability.

Get Far From God HERE!

MOONSPELL LIVE DATES 2026:
7/10 — Kotka, Finland — Dark River Festival
7/16 — Bolków, Poland — Castle Party Festival
8/2 — Plovdiv, Bulgaria — Ancient Theatre of Plovdiv (Opus Diabolicum Orchestra Show)
8/6 — Schlotheim, Germany — Party.San Metal Open Air
8/28 — Câmpulung Muscel, Romania — Posada Rock Festival
9/18 — London, England — Cosmic Void Festival
9/19 — Istanbul, Turkey — Bosphorus Open Air Metal Fest
10/31 — Porto, Portugal — Hard Club (Halloween Show)

North American Tour Dates
with CRADLE OF FILTH, WORM GLOOM & BLACK SATELLITE:

9/29 — San Diego, CA — The Observatory North Park
9/30 — Phoenix, AZ — The Van Buren
10/3 — Portland, OR — Hawthorne Theatre
10/4 — Seattle, WA — Substation
10/6 — Vancouver, BC — The Vogue Theatre
10/7 — Spokane, WA — Knitting Factory
10/8 — Boise, ID — Knitting Factory
10/9 — Butte, MT — Covellite Theatre
10/11 — West Des Moines, IA — Val Air Ballroom
10/12 — Davenport, IA — Capitol Theatre
10/14 — Toronto, ON — The Opera House
10/15 — Montreal, QC — Théâtre Beanfield
10/16 — Norwalk, CT — District Music Hall
10/17 — Sayreville, NJ — Starland Ballroom
10/19 — Baltimore, MD — Baltimore Soundstage
10/20 — Boston, MA — Big Night Live
10/21 — Wilmington, DE — The Crown
10/22 — Brooklyn, NY — Warsaw
10/24 — Allentown, PA — Archer Music Hall
10/25 — Cleveland, OH — House of Blues Cleveland
10/26 — Cincinnati, OH — Bogart's

MOONSPELL ARE:
Fernando Ribeiro — Vocals
Ricardo Amorim — Guitars
Pedro Paixão — Keys
Aires Pereira — Bass
Hugo Ribeiro — Drums

OCEAN SLEEPER Release "My Forever Drug"

Regional Victorian metalcore four-piece Ocean Sleeper today reveals the third taste from their forthcoming sophomore album Peace When I'm Deadout August 21, in the form of new single "My Forever Drug." Listen below.

"My Forever Drug" was written in collaboration with Ocean Sleeper and L.A. producers Jon Lundin (Point North, Sleeping With Sirens) and Curt Martin (Catch Your Breath, Kami Kehoe). It was engineered in Melbourne at Ocean Sleeper guitarist and clean vocalist's Ionei Heckenberg's Studio and mixed and mastered in Portland by Jeff Dunne (Wage War, Knocked Loose, Motionless In White, Disturbed).

Right before kicking off their US tour last year, the band holed up in L.A. to write. It was the band's final day in the US, and a session that almost didn't happen at all. A chance, last-minute call brought them together with Jon Lundin (co-writer on "Break The Cycle") and Curt Martin at Curt's L.A. studio. What followed was pure lightning in a bottle: "My Forever Drug" was written, recorded, and finished, start to finish, in just six hours. No overthinking it, no second-guessing — just a song that showed up fully formed and got out of its own way.

Arriving alongside a haunting music video that completes a three-part narrative journey — one that began with their debut single "Break The Cycle" and continued through "Peace When I'm Dead." The visual pulls no punches, portraying a man trapped in an agonizing time loop, forced to relive the same devastating moment again and again: The loss of his partner to suicide. True to form, Ocean Sleeper refuse to look away from life's darkest corners. With "My Forever Drug" and its gut-wrenching accompanying video, the band once again prove their rare gift for confronting the heaviest, most deeply buried emotions — naming them, honoring them, and setting them free into the world so others might find their own reflection in the pain.

"My Forever Drug" is the final single to arrive prior to the release of Ocean Sleeper's sophomore album Peace When I'm Dead. Capturing the weight of grief, guilt and regret, Peace When I'm Dead showcases Ocean Sleeper's ability to vulnerably explore the darker corners of the human experience, confronting inner turmoil, depression and profound emotional lows head on. The exploration of acknowledging, expressing and releasing deeply felt negative emotions gives Ocean Sleeper's music a great sense of catharsis and connection. 

"After finally breaking into global touring and just returning from another tour throughout the UK and Europe, it gives new meanings in multitudes, appreciation and gratitude for people connecting with our songs," says Karl Spiessl, Ocean Sleeper's vocalist and manager. "Playing the sold out shows overseas and having people already knowing every word to the new songs as well as the old songs is an incredible feeling."

Having fully warmed up on their recent UK/EU tour, Ocean Sleeper will treat Australian fans this September when they hit the road on the Peace When I'm Dead Tour presented by New World Artists and Fireball AU. Their biggest national headline tour begins at Liberty Hall in Sydney on Friday 4th September, hitting The Princess Theatre in Brisbane on Saturday 5th (SOLD OUT), Magnet House in Perth on Thursday 10th, Hindley St Music Hall in Adelaide on Friday 11th, and ending with a massive home state show at the Forum in Melbourne on Saturday 12th September. With Brisbane sold out and tickets to remaining shows flying, fans are urged to get in quickly to avoid missing out. These shows mark just 5 of the 82 shows the band will play across the world in 2026/2027. 

Ocean Sleeper hails from Gippsland in regional Victoria and now stands as the region's biggest and one of the country's most exciting metalcore exports. Their background is core to their identity and the deep connection they share with fans. Despite hailing from a small country town, Ocean Sleeper have never let geographical limits stand in their way — tearing down barriers and defying expectations at every turn. Through fierce self-sufficiency and brutal persistence, the metalcore four-piece have built a vehemently loyal fan base and following throughout Australia, the U.S., and Europe. 

OCEAN SLEEPER TOUR DATES:
Peace When I'm Dead National Tour 2026
Presented by New World Artists and Fireball AU

AUSTRALIA:
9/4 — Sydney, NSW, AU — Liberty Hall: TICKETS
9/5 — Brisbane, QLD, AU — The Princess Theatre: SOLD OUT
9/10 — Perth, WA, AU — Magnet House: TICKETS
9/11 — Adelaide, SA, AU — Hindley Street Music Hall: TICKETS
9/12 — Melbourne, VIC, AU — Forum: TICKETS

UK + EUROPE:
SUPPORTING NEVERTEL:

6/15 — Glasgow, UK — Classic Grand
6/16 — Newcastle, UK — The Cluny
6/17 — Leeds, UK — The Key Club
6/19 — Manchester, UK — Deaf Institute
6/20 — Brighton, UK — Patterns
6/21 — London, UK — Underworld
6/23 — Eindhoven, NL — The Jack
6/24 — Dortmund, DE — FZW Club
6/25 — Leipzig, DE — Conne Island
6/26 — Prague, CZ — Cafe V Lese
6/27 — Vienna, AT — Chelsea
6/29 — Stuttgart, DE — Wizemann Studio
6/30 — Wiesbaden, DE — Kesselhaus
7/1 — Hannover, DE — Lux

NORTH AMERICA:
SUPPORTING NEVERTEL:

9/18 — Louisville, KY — Louder Than Life Festival
9/19 — Grand Rapids, MI — Elevation
9/20 — Detroit, MI — The Sanctuary
9/22 — Omaha, NE — Waiting Room
9/23 — Denver, CO — Marquis Theatre
9/25 — Houston, TX — Studio at Warehouse Live
9/26 — Austin, TX — Come and Take It Live
9/27 — Dallas, TX — House of Blues
9/29 — Memphis, TN — 1884
10/1 — Columbus, OH — A&R Bar
10/2 — Pittsburgh, PA — Preserving Underground
10/3 — Cleveland, OH — Grog Shop
10/4 — Buffalo, NY — Electric City
10/6 — Syracuse, NY — The Song & Dance
10/8 — Worcester, MA — Upstairs at The Palladium
10/9 — New York, NY — Gramercy Theatre
10/10 — Allentown, PA — Arrow
10/11 — Hampton Beach, NH — Wally's
10/13 — Johnson City, TN — Capone's
10/14 — Charleston, SC — Music Farm
10/16 — Birmingham, AL — Workplay
10/17 — Nashville, TN — Ceremony Fest
10/18 — Atlanta, GA — The Masquerade

INTERNATIONAL WATERS WITH PARKWAY DRIVE:
10/22 — Hellbound Cruise Festival
10/23 — Hellbound Cruise Festival
10/24 — Hellbound Cruise Festival

EUROPE + UK 2027:
SUPPORTING CATCH YOUR BREATH:

1/13 — Dublin, IE — The Academy
1/15 — London, UK — Electric Ballroom
1/16 — Manchester, UK — Manchester Academy 2
1/17 — Glasgow, UK — Garage
1/19 — Birmingham, UK — XOYO
1/20 — Bristol, UK — Bristol Electric
1/22 — Frankfurt am Main, DE — Batschkapp
1/23 — Berlin, DE — Columbia Theater

The Archives Nashville Surpasses $107,000 Raised for the CMA Foundation with 3rd Annual Artist Closet Sale

 The Archives Nashville, a premium digital archiving and storage company specializing in musicians’ wardrobes, celebrates $44,865.93 as the final fundraising total from the third annual Artist Closet Sale during this year’s CMA Fest. Fans enjoyed an exclusive opportunity to shop from their favorite artists’ closets, knowing a portion of the proceeds supported the CMA Foundation’s mission to provide students with access to high-quality music education and equip educators with the resources needed to sustain thriving programs.
 
The 2026 Artist Closet Sale invited CMA Fest fans to purchase wardrobe items for a star-studded lineup including Alana Springsteen, Ashley McBryde, Bailey Zimmerman, BunnieXO, Carter Faith, Ella Langley, Jason Aldean, Jelly Roll, Jon Pardi, Jordan Davis, Kassi Ashton, Little Big Town, Luke Combs, Maddie & Tae, MaRynn Taylor, Megan Moroney, Miranda Lambert, Riley Green, Russell Dickerson, Terri Clark, The Band Perry, Tucker Wetmore and Wynonna Judd. Held at Fan Fair X, located in Nashville’s Music City Center, the activation featured a record number of 23 artist participants. 
 
“We’re immensely grateful for the generosity of both the artists and festival goers that participated in our third annual event,” shares The Archives founder and celebrity stylist, Tiffany Gifford. “Raising over $107,000 in just three years speaks to the passionate community we have in country music. The Archives team is excited to continue our efforts in 2027 to champion the CMA Foundation.” 
 
Gifford created The Archives in 2023 to aid celebrity clients in storing their vast wardrobes safely and securely while offering a digital solution for organization, accessibility and swift searching. Using RFID tracking technology for storage and categorization, The Archives offers a viable wardrobe archiving solution for artists and teams to view all pieces at once.
 
Clients are able to see specific movement of wardrobe between closets to take current inventory in case of loss or damage; ensure proper storage of all garments and accessories to preserve valuable and noteworthy pieces; quickly search and filter wardrobe from garment attributes, events worn, and style details; more easily curate garment displays for museums and private companies or personal showings; and monetize select pieces by making them available for rent through the platform.
 
For more information, please visit TheArchivesNashville.com and follow on Instagram @thearchivesnashville.

L-R: Victoria Rutledge (CMA Foundation, Director, Development) Tiffany Gifford (The Archives Nashville, Founder/Owner and Celebrity Stylist), Lindsey Morrison (CMA Foundation, Senior Manager, Community Engagement), Alexandra Karalash (The Archives Nashville, Studio Director) and Michelle Kirk (CMA Foundation, Senior Director)
Photo Credit: Britney Buckwalter for CMA 

About the CMA Foundation:
The CMA Foundation transforms lives through the power of music education. Established by the Country Music Association in 2011 and headquartered in Nashville, TN, the nonprofit 501(c)(3) invests in high-quality programs that ensure all students have access to music. In partnership with the music industry and like-minded nonprofits, the CMA Foundation directs research-informed funding where it makes the greatest impact—empowering music teachers through professional development, providing resources for classrooms and programs, and creating life-changing opportunities for students. 

GLORYHAMMER Release Video for New Single "Ultimate Sacrifice"

Power metal heroes GLORYHAMMER share the first single off of their upcoming album, Space 1993: Wrath of Kor-Virliath, coming October 16 via Napalm Records.

"Ultimate Sacrifice" is a sweeping track filled with epic storytelling. Elder God Kor-Virliath is back to conquer the universe after Zargothrax’s failed ritual, and the Space Kingdom of Fife seems forsaken. But GLORYHAMMER are ready to fight and tell the tale of one of the biggest battles yet — the choirs and orchestral arrangements of "Ultimate Sacrifice" are a first glimpse into the more diverse range of influences and higher production value that the band brings to their catchy songwriting on Space 1993: Wrath of Kor-Virliath. The new track is accompanied by an animated video directed by Alex Henderson. In the style of a TV series, it follows the summoning of Kor-Virliath and the heroes' quest to fight him – to the bitter end.

GLORYHAMMER about "Ultimate Sacrifice":
"Mighty warriors! Prepare for battles of galactic steel! Will Angus McFife V fulfill his dream of flying away on a unicorn? What was the true fate of the Hootsman after he imploded? Find out now, in the next episode of GLORYHAMMER!"

Watch the Animated Video for "Ultimate Sacrifice" Below:

The enemies of Dundee tremble as exalted power metal heroes GLORYHAMMER announce their long-awaited fifth album, Space 1993: Wrath of Kor-Virliath! Due for release on October 16 via Napalm Records, the album is a direct sequel to 2015's Space 1992: Rise of the Chaos Wizards, continuing the epic saga of the McFife dynasty. Space 1993: Wrath of Kor-Virliath follows Angus McFife V, the Crown Prince of Fife last seen in 2022's single "Fly Away," as he ventures into a perilous journey across spacetime that will lead him to the distant future of 1993, where his destiny lies.

Across 11 tracks, the band of heroes draws upon a more diverse range of influences than ever before, without ever compromising on the hook-driven, memorable songwriting that they are known for. From classic power metal to thrash, high energy synth rock to vast, sweeping orchestral soundscapes and more. Produced by the band themselves and mixed by Jacob Hansen (Volbeat, Amaranthe), this is GLORYHAMMER as you've never heard them before.

Will Angus and his allies prevail in this titanic struggle? Or will the galaxy plunge into demonic chaos? Join GLORYHAMMER and find out – For the Eternal Glory of Dundee!

GLORYHAMMER about the new album:
"Mighty warriors, rejoice! The almighty GLORYHAMMER return triumphantly with a new chapter in the long and tumultuous history of the Intergalactic Empire of Fife. Multidimensional wormholes, abandoned space stations, and EPIC BATTLES await at the final frontier of Space 1993. FOR THE ETERNAL GLORY OF DUNDEE!"


Pre-Order Your Copy of Space 1993: Wrath of Kor-Virliath NOW, available in various limited formats:

GLORYHAMMER LIVE 2026:
FESTIVALS:
07/12 — Mogilovo, BG — Midalidare Rock
08/22— Malung, SE — Brothers Of Metal Open Air

ALBUM RELEASE TOUR:
WITH MAJESTICA + ARION

10/16 — Toulouse, FR — Interference
10/17— Villava, ES — Sala Totem Aretoa
10/18 — Madrid, ES — Sala But
10/20 — Barcelona, ES — Razzmatazz 2
10/21 — Lyon, FR — Rayonne
10/23 — Stuttgart, DE — LKA Longhorn
10/24 — Hamburg, DE — Docks
10/25 — Utrecht, NL — Tivoli Vredenburg
10/26 — Copenhagen, DK — Amager Bio
10/28 — Helsinki, FI — Tavastia
10/30 — Stockholm, SE — Fryshuset
10/31 — Gothenburg, SE — Pustervik
11/01 — Oslo, NO — Rockefeller
11/03 — Berlin, DE — Festsaal Kreuzberg
11/04 — Warsaw, PL — Proxima
11/05 — Ostrava, CZ — Club Garage
11/06 — Hanover, DE — Capitol
11/07 — Oberhausen, DE — Turbinenhalle 2
11/08 — Saarbrücken, DE — Garage
11/10 — Vienna, AT — Arena
11/11 — Nuremberg, DE — Hirsch
11/12 — Frankfurt, DE — Batschkapp
11/13 — Munich, DE — Backstage
11/14 — Leipzig, DE — Hellraiser
11/15 — Pratteln, CH — Z7
11/17 — Paris, FR — Machine du Moulin Rouge
11/18 — Antwerp, BE — Trix
11/20 — London, UK — Islington Assembly Hall
11/21 — Manchester, UK — Academy 2
11/22 — Glasgow, UK — Garage

GLORYHAMMER ARE:
Angus McFife V, Crown Prince of Fife — Vocals
Ser Proletius, Grand Master of the Space Knights of Crail — Guitars
The Hootsman, The Barbarian Warrior of Unst, King of California — Bass
Zargothrax, Dark Sorcerer of Auchtermuchty — Keyboards
Ralathor, Mysterious Hermit of Cowdenbeath — Drums

Iconic Hard Rockers NIGHT RANGER Share Newly Remastered Single "Sister Christian (2026)" + Visualizer

Today, hard rock legends NIGHT RANGER are proud to share the newly remastered version of their classic power ballad, "Sister Christian (2026)," taken from their upcoming ‘Best Of’ album, set for release on August 28th via Frontiers Music Srl. The new single arrives alongside an official visualizer, available below.

'Best Of' features newly remixed & remastered versions of classic hits spanning NIGHT RANGER’s illustrious career, alongside some standout tracks from the band’s more recent releases. The album will be released on both CD and Vinyl. The double LP is available in 3 different colors: black, gold, & orange splatter.

"The new 'Best Of' is a celebration of not only our classic hits but also what we’ve created over the last 20 years. And we’re just gonna keep cranking it cause we’re having too much fun to stop! So enjoy the ride and see ya on the road!” Jack Blades

Watch the Visualizer for "Sister Christian (2026)" Below:

Few bands have defined the sound of American melodic rock quite like NIGHT RANGER. From the soaring anthem of “Sister Christian” to the thunderous riffs of “Don’t Tell Me You Love Me," and fan favorites like “You Can Still) Rock in America” this album’s ‘Best Of’ collection captures the very essence of their decades-long career — now refreshed for 2026.

Featuring the classic hits alongside standout tracks from their more recent albums, this compilation spans the full spectrum of NIGHT RANGER’s signature sound: anthemic choruses, blazing guitar solos, and unforgettable melodies. Highlights include the power-pop perfection of “(You Can Still) Rock in America,” the heartfelt balladry of “When You Close Your Eyes,” and the cinematic sweep of “Four in the Morning.”

But the ‘Best Of’ is not just a look back. It also celebrates the band’s creative output over the last 20 years, spotlighting tracks like “Time of Our Lives,” “High Road,” “No Time to Lose,” “Somehow Someway,” and “Truth,” proving that NIGHT RANGER’s energy, songwriting, and musicianship have only grown stronger with time. These songs show that the band continues to innovate while staying true to the melodic rock roots that made them legendary.

The band — Jack Blades (bass and vocals), Kelly Keagy (drums and vocals), Brad Gillis(guitars), Eric Levy (keyboards), and Keri Kelli (guitars) — delivers every track with the energy and precision that have kept NIGHT RANGER at the forefront of rock for more than four decades.

This ‘Best Of” album also features two bonus tracks that make this collection of songs truly special: a fresh take on “Wasted Time” recorded live off the floor at Sweetwater Studios, also accompanied by an exclusive music video, and a festive live performance of “Feliz Navidad” that showcases the band’s playful side.

Perfectly timed ahead of their summer 2026 tour, this ‘Best Of’ album serves as both a definitive introduction for new fans and a must-have collection for longtime followers. Whether revisiting the classics or discovering the new 2026 remasters, NIGHT RANGER’s ‘Best Of’ is a celebration of enduring melodies, electrifying performances, and the unforgettable spirit of one of rock’s most iconic bands.

Pre-Order ‘Best Of’ HERE

NIGHT RANGER Live:

 

7/17/2026 Fond Du Lac County Fair

7/18/2026 – St. Louis, MO @ Hollywood Casino

7/24/2026 – Mahnomen, MN @ Shooting Star Casino

7/25/2026 – Bay City, MI @ Veterans Memorial Park

7/26/2026 – Detroit, MI @ Sound Board inside Motorcity Casino Hotel

8/8/2026 – Lincoln City, IN @ Lincoln State Park Amphitheatre

8/14/2026 – Louisville, KY @ The Louisville Palace

8/15/2026 – Gibson City, IL @ Gibson City Summer Bash

9/4/2026 – Du Quoin, IL @ Du Quoin State Fair

9/6/2026 – Essex Junction, VT @ Champlain Valley Expo

11/13/2026 – Las Vegas, NV @ Kiss Kruise Landlocked in Vegas 2026

11/14/2026 Las Vegas, NV @ Kiss Kruise Landlocked in Vegas 2026

11/15/2026 – Las Vegas, NV @ Kiss Kruise Landlocked in Vegas 2026

2/27/2027 – New Orleans, LA @ The 80s Cruise

2/28/2027 – New Orleans, LA @ The 80s Cruise

3/1/2027 – New Orleans, LA @ The 80s Cruise

3/2/2027 – New Orleans, LA @ The 80s Cruise

NIGHT RANGER are:

Jack Blades: lead vocals, bass guitar

Brad Gillis: lead guitars

Kelly Keagy: lead vocals, drums

Keri Kelly: lead guitars

Eric Levy: keyboards

Ray Hawthorne Sends The Call To Voicemail On New Single "Hang Up"

Pop punk's most lovable liability, Ray Hawthorne, unravels on his latest single, "Hang Up", where self-awareness stops being productive and starts eating you alive. Trapped between the truth and or self-preservation, "Hang Up" follows the instinct to lie just enough to get through the day, wrapping Ray Hawthorne's ugliest thoughts into something undeniably catchy. Listen to the new single, "Hang Up" Below:

Turning the lens sharply inward, "Hang Up" abandons easy catharsis in favor of something more restless and unresolved. The track wrestles with identity, the comfort of self-sabotage, and the strange safety in never fully meaning what you say. Without a resolution, you're faced with the worst things you believe about yourself on repeat, the dial tone, and the growing suspicion that the line's been dead the whole time.

In an effort to provide insight into the track "Hang Up", Ray Hawthorne took a moment to make things significantly worse:

"When I was recording this song it became abundantly clear to me that it needed to start with a shit talking voicemail. I called a friend of mine that I met at the school bus stop when I was like nine years old and we’ve been inseparable ever since. This girl officiated my wedding, that’s how close we are. So anyway, I call her and I go “Yo pimp, can you shit talk me on a voice note real quick?” She laughed and said she’s literally always ready to talk shit on me. Thats a real friend right there. Like two minutes later I get hit with no less than four voice notes tearing me apart as a person. Shit that cuts deep in a way only your closest friends know how to get to you. It was awesome. We couldn’t even use everything because there was so much shit talk and not enough instrumental intro. But maybe one day I’ll drop the deleted scenes on a Hang Up DVD. Until then, I think the song is worth listening to just for Kristi’s performance alone.”

Renowned for his work in North Kingsley, the acclaimed project alongside Shavo Odadjian of System of a Down, Hawthorne initially captured hearts as the Heartbreak Hero with his inaugural solo release "Heartbreak Feels Good in a Place Like This". Building on his solo work, his debut record "Ray Hawthorne Sucks" further cemented his status as a bold new voice in pop punk, quickly amassing a devoted following and over 20 million streams across all streaming platforms for his magnetic charm and razor-sharp wit.

Blending heartbreak, sarcasm, and just the right amount of emotional stability, Ray Hawthorne leads with a messy kind of hope, turning emotional freefall into something you can scream along to. Where debut album and his firstborn, "Ray Hawthorne Sucks", leaned into an earnest DIY vulnerability, his latest record, "Ray Hawthorne Isn't Real", took a turn and tapped into the restless defiance of a secondborn. The 15 tracks helped embrace the chaos, laugh at the pain, and maybe, just maybe, allow us all to find a little redemption along the way.

Starting from the very real possibility that Ray Hawthorne is just a guy screaming into the ether (and somehow making it sound catchy), his catalog has become a refuge for anyone who's ever felt too loud, too sensitive, or too much. Loud, petty, and deeply cathartic, Ray Hawthorne is proudly one of the most unapologetically honest voices modern pop-punk.

Be sure to stay tuned for more Ray Hawthorne news coming very soon.

ABOUT RAY HAWTHORNE

Do you remember that episode of Degrassi where Ashley really wants Craig to tell her he loves her, but Craig gets all panicked and can’t tell her that he does? It causes so much drama in their relationship. She begins to question her feelings for him and because of that, he becomes seemingly unsure of his feelings for her. So, in an effort to quell the bad vibes, Craig writes a song that includes lyrics IMPLICITLY AND EXPLICITLY stating that he loves her. (Total banger by the way, the only song of his I like better is the one he sings at the battle of the bands after the two inevitably break up, it’s also about Ashley. I believe it’s called ‘What I Know’) Anyway, Craig was only able to admit he loved Ashley in song form, but you as the viewer are left wondering ‘Does he really love her, or was this just his solution to end the drama?’ Or, ’Is this truly the only way he can express himself because he’s kind of nervous about speaking his true feelings outside of the structured environment of a song?’. I tend to believe it’s a mixture of both. So what I’m trying to say is, this collection of songs is kind of like that. I always feel like I have so much to say but often feel a bit too vulnerable when discussing my actual feelings. So for the majority of my life, I’ve just written them into songs instead. These songs can be quite vulnerable even if they seem silly at times. So now you’re left to wonder... am I telling the truth or just trying to get rid of Ashley’s bad vibes?

Emptiness Premiere Nowhere Speaks

On their new album, Nowhere Speaks, experimental metal band Emptiness unlock an unheard dimension that’s governed by their own awe-inspiring logic.  

Nowhere Speaks comes out tomorrow, Friday, July 17 on Season of Mist, but you can hear all ten absorbing songs today by listening to the full album stream below:

Pre-order & pre-save

https://orcd.co/emptinessnowherespeaks

Save for vocals, keyboards and additional effects, Emptiness performed Nowhere Speaks live in the studio, after four years of preparation, rehearsals and tests to ensure the music could be performed with the right weight and intention. This is not a production detail so much as a commitment to a specific kind of tension, the kind that does not survive being assembled in pieces. Emptiness’ previous album, Vide (2021), had no distortion, was sung entirely in French, and existed at the edge of silence; Nowhere Speaks moves in the opposite direction, and does so deliberately, opening exactly where Nothing But The Whole (2014) cut off mid-riff and closing by looping back to that album's opening riff.

From early in their career, EMPTINESS has worked this way: Jérémie Bézier handling production across all its dimensions, Olivier J.L.W. directing the visual work in its entirety. Sound and image conceived, shaped and finalized from within. Nowhere Speaks continues that closed circuit, as it always has been.

Nowhere Speaks is not a return. After the most introverted and isolated record of their career, the band opens outward into density and live intensity. The album, developed over an extended period of time, was composed by Jérémie Bézier and Olivier J.L.W., who oversee its production across both sonic and visual dimensions, bringing the work to completion as a unified whole, committed to tape live in the studio. The structural conceit of opening mid-riff from where Nothing But The Whole ended, and closing with that album's opening riff, is not nostalgia. It is the same logic that has always governed EMPTINESS: the cycle without a fixed point, beginning and ending inside each other, nothing and everything at the same time. The band has spent years demonstrating that they do not move in straight lines. Nowhere Speaks is a continuation from a point the listener was not meant to forget.

Line-up:
Jérémie Bezier — Vocals, Bass
Olivier J.L.W. — Guitars
Simon L. — Guitars
Dea Hydra — Synths
Laye Louhenapessy — Drums

 

Follow Emptiness:
Facebook: https://www.facebook.com/Emptiness.be
Instagram: https://www.instagram.com/emptiness.official
Bandcamp: https://emptiness.bandcamp.com/
Twitter/X: https://x.com/Emptiness_band
Spotify: https://open.spotify.com/artist/5AXPdt3zknCylvlnEi0JFO
Apple Music: https://music.apple.com/artist/emptiness/303855225
Deezer: https://www.deezer.com/artist/199828
Tidal: https://tidal.com/artist/4813509

AXTY Unleash New Single "who I am"

Today, Brazilian metalcore rising stars AXTY unveil the next look into their forthcoming Napalm Records debut album, The Pain Made Me Who I Am, out August 21 via Napalm Records. "who I am," the record's pummeling second track, leverages infectiously groovy riffage with some tasteful record scratching, factor in some inhuman growls, death slams, and a truly anthemic chorus and you have the makings of a certified nu-revival anthem. 

Frontman Felipe Hervoso on "who I am":
"‘who I am' is probably one of our favorite songs we've ever written. It has everything we love packed into a single track: Catchy choruses, groovy guitar riffs and drum parts, some filthy deathcore animal noises, and to top it all off, a The Office meme that drops straight into a caveman breakdown at the end. 'who I am' also carries one of the most meaningful lyrics on the album. 2025 was a rough year for us, both personally and as a band. A lot changed. Some people tried to tear us down, but we made it through, and we'll keep coming back stronger, louder, and more determined than ever."

Watch the Official Music Video for "who I am" Below:

With their new album, AXTY explore universal lyrical themes of self-evolution through harnessing pain and resilience born from adversity, transforming negative experiences into fuel for growth. Moments of barbarism and serenity all tied together with infectious grooves, pristine production, and an unwavering dedication to brutality. Throughout its 12 tracks, The Pain Made Me Who I Am proves AXTY as a visionary force to watch in the ever-expanding modern metalcore scene — inarguably poised for star status as they climb the ranks.

AXTY about The Pain Made Me Who I Am:
"The Pain Made Me Who I Am revolves around human emotions, particularly the darker, more difficult ones. However, rather than dwelling on suffering, we focused on the role these emotions play in personal growth and self-evolution. Resilience born from adversity, the idea that growth and self-discovery are deeply rooted in struggle, we wanted to explore how negative experiences, rather than defining us in a limiting way, become the very foundation of who we are."

Get Your Copy Of The Pain Made Me Who I Am NOW!

The Pain Made Me Who I Am delivers the goods from note one as earth-shattering intro track "pain made me" pulls out all of the stops — crashing in with dense down-tuned guitar chugs beneath hip-hop charged samples. Anthemic "who I am" showcases the band's seamless, genre-pushing blend with intense polyrhythmic deathcore passages and soaring metalcore melodies, while tracks like "all I love" incite pure metallic violence with the band’s erratic trademark guitar acrobatics, hypnotic drum patterns and addictive vocals — both crushing and clean — showcasing the broad talents of frontman Felipe Hervoso, drummer Gabriel Vacari, and guitarist Jonathas Peschiera. Particularly, Hervoso's keen ability to dramatically tilt his vocal approach from crooning cleans to virtually superhuman screams, growls and squeals will have his name on the lips of deathcore vocal enthusiasts in no time. Songs like "nothing but pain" inject heavy doses of the futuristic metalcore fusion AXTY has become lauded for, while album standouts like first single/album closer "end this" weave alternative and even nu-metal flavor into the album's addictive mix.

AXTY ARE:
Felipe Hervoso — Vocals
Gabriel Vacari — Drums
Jonathas Peschiera — Guitar

Joyous Wolf Share "Runaway"

So Cal rock band JOYOUS WOLF — Pedro Cordeiro, vocals; Blake Allard, guitar; Robert Sodaro, drums; and Greg Braccio, bass —will issue their new album In Between on August 21 via Blue Grape Music. Pre-save it here.

Today, they've released the video for new song and album opener "Runaway." Watch it below.

"'Runaway' is a relentless anthem built for the chase," explains Allard. "With its driving rhythm and predatory 'hunter vs. prey' lyricism, 'Runaway' captures the raw intensity of a high-speed pursuit. It's for anyone who has ever been in a desperate, high-stakes escape."
 
Forming in Orange Country, CA, with humble beginnings, Joyous Wolf have created their own hybrid of hard driving rock 'n' roll, soul, blues, and alternative music. Heavily influenced by artists spanning not only various genres, but literally decades of music, their electric live performances have taken them from the clubs of the Sunset Strip to international stages.