Jamey Johnson and Ronnie Dunn Release "Never Gonna Be" on Friday, Sept. 12

When Jamey Johnson and Ronnie Dunn recorded “Never Gonna Be,” which will be released on Friday, Sept. 12, the lyrics had special meaning to Johnson because Dunn co-wrote the song about him. 

The recording is a poignant full-circle moment because Dunn and co-writer Terry McBride wrote the song about Johnson 15 years ago, just as the Alabama native’s career was taking off.

“It makes me think of my early days in Nashville, bringing my guitar downtown to play,” Johnson says. “Once I was playing Tootsie’s Orchid Lounge and came back out and my 1986 Dodge had been towed. It reminds me of those days when everybody out there was working hard and trying to get noticed and write a better song and perform a version of it live.” 

The song is not only a snapshot in time of Johnson’s early solo career, but a powerful description of the steady stream of countless aspiring artists that have been coming to Nashville for decades, “riding on high hopes, living on dreams,” as the song says, hoping to make it in a town full of “them that are and has beens, and never gonna be.”

Pre-save “Never Gonna Be” HERE.

What did it mean to Johnson to have Dunn write a song about him? He says, “It was awesome! I never ever really knew what to do with it because I don’t think I knew he was pitching it to me to record. I don’t know what I thought at the time.

“I thought he nailed the concept as far as everybody coming to Nashville and it chews them up and spits them out. I guess I never did know which of those categories I fell into. Now I think I do: I’m a ‘never gonna be,’ and I’m OK with that,” he says with a laugh. 

Johnson and Dunn first crossed paths in 2005-06, when Johnson opened shows for Brooks and Dunn. In 2010, Dunn and McBride wrote the song in Saskatchewan, Canada, during a break in Brooks & Dunn’s tour there. 

“It was back when Jamey was just coming on strong, maybe just before he’d had ‘In Color,’” Dunn says of Johnson’s award-winning hit. “We were just looking at the new wave of outlaws coming into town.

“It’s like, ‘Oh boy! This is going to be fun!’ We just took off, thinking, ‘What would it be like?’ Listening to him in interviews, you’d get insights into people and what was going on with him. Man, we were excited! 

“I came from a conservative place in West Texas, where you couldn’t have your hair over your ears in school. I thought, ‘Oh man, we’re gonna get to meet hippies finally!”

Schmitty Signs with The Neal Agency

As Midwest native and Warner Chappell Music singer-songwriter Schmitty prepares to release his debut six-song EP, Office With A Viewavailable everywhere this Friday, he’s signed with The Neal Agency (TNA) for booking. 
 
 "I couldn’t think of a better home for my booking than The Neal Agency. Jake, Ryan, and the team feel like family and share the same values I grew up with back home in the Midwest,” shares Schmitty. “With a roster that looks like my playlist and a winning culture all around, it’s a dream come true. Let’s get to work!"
 
TNA agent Jake Moore added, “We are thrilled to welcome Schmitty to our roster. His mix of raw talent and storytelling instantly stood out.”
 
Office With A View blends Schmitty’s wild child spirit and the down-home morals that shaped him during his years growing up and working on his family farm in Washburn, North Dakota, along the rural banks of the Missouri River. Inspired early on by stories of his paternal grandpa’s Hall of Fame barbershop quartet, The Schmitt Brothers, he was taught his first guitar chords at 13 by a bluegrass-picking neighbor, he recalls: “That’s where the music bug bit me.”
 
Leaving behind his tractor seat as a third-generation grain farmer to chase his dream in Nashville, Schmitty draws from the influences his family instilled - The Eagles to The Allman Brothers - while shaping his own jam-band storyteller aura. 
 
Heartfelt lyrics and candid honesty have elevated his social media presence, with one YouTube share sparking millions in conversation - affirming his belief that God truly put him on this earth to create music. Pulling from his own journey - the highs, lows and lessons learned - he writes with a grounded authenticity that connects heart to heart with listeners. 
 
With previously released songs like “Cadillac,” “This Side of the Porchlight,” and debut album title track “Office With A View,” Schmitty keeps one foot planted firmly in the dirt that raised him while building a foundation for what’s ahead. With new music on the horizon and a growing calendar of shows, Schmitty is represented by Warner Chappell’s Jessi Stevenson for publishing and Fusion Music’s Dylan McGraw and Daniel Miller for management. 
 
Office With A View will be distributed by Cmd Shft.

Photo IDs L to R: Ryan Beuschel (TNA), Jessi Stevenson (Warner Chappell), Schmitty, Jake Moore (TNA), Dylan McGraw (Fusion Music)  | Photo Credit: Kelly Littlefield

COLD SLITHER Announce NYC Show

Reigning Phoenix Music, in collaboration with Hasbro, a leading games, IP and toy company, is thrilled to announce that COLD SLITHER, the reimagined heavy metal menace inspired by the infamous band from G.I. JOE: A Real American Hero, is preparing to take New York by storm. The show will take place on October 11th, the same weekend as NYC’s Comic Con, where the Gramercy Theatre will be conquered by an explosive sonic force that fuses nostalgia with a modern metal powerhouse. Get your tickets HERE.

Zartan comments on the forthcoming NYC show: 

"Well, well, it seems as though there are several potential recruits whom have a desire to join our small but elite society of Dreadnoks... This time in New York City! Our services are once again called upon by Cobra Commander and Reigning Phoenix Music to melt minds with Cold Slither! So be it, my Dreadnoks and I will see you all October 11th... Come prepared...Cobraaaaa!!" 

The show announcement follows the release of the self-titled debut album in June of this year via Reigning Phoenix Music. Also on the horizon, the G.I. Joe-stanning supergroup are set to join the Decibel Flexi Series with an exclusive new banger, “Cobra Island."

Cold Slither is a declaration of war. Fronted by the enigmatic Zartan and his ruthless Dreadnok bandmates Torch, Ripper, and Buzzer, the band fuses old-school heavy metal with anarchic energy and unrelenting force. With tracks built on punishing riffs, venomous vocals, and apocalyptic atmosphere, COLD SLITHER resurrects the myth and turns it into a modern-day metal juggernaut.

Featuring 10 original tracks and a remastered version of their cult-classic single “Cold Slither,” the album plunges into dystopian metal with themes of swamp-born menace and Cobra-fueled power. The Cold Slither album is available across digital and vinyl formats.

Order HERE:
https://coldslither.rpm.link/albumPR

Connect with COLD SLITHER:
Facebook | Instagram | TikTok | X | RPM

Seattle's AudioGust packs a post-grunge punch on 'Isotope', previewing new album

Seattle-based artist AudioGust presents his new single 'Isotope', which packs a fierce post-grunge punch, while delivering a song that is both emotionally and sonically heavy. This is the first track on the coming 'Falling From Down' album — his most unflinching yet — a journey through collapse, resilience, and the fragile beauty of survival.

AudioGust is accomplished songwriter, producer, and multi-instrumentalist Chris Evans, whose journey started as a guitarist and bassist in various 1980s bands. After a decades-long detour in the software industry, he has returned to his true passion - writing and recording in his own studio, releasing loads of music and collaborating with artists worldwide.

“’Isotope’ is about the kind of relationship that doesn’t just fade when it ends — it lingers like radiation in your bones. I wanted to capture that mix of danger, longing, and intensity, where even after someone’s gone, their presence still feels unstable and powerful inside you. It's about when someone leaves but doesn’t really leave. Their absence keeps echoing inside you, and it’s not just memory — it’s something volatile that you can’t shake,” says Chris Evans.

This is the sound of modern rock with teeth and a declaration that the coming album won’t pull any punches. With jagged guitar riffs and an explosive chorus, the track captures the volatility of an explosive relationship, its lyrics blurring memory, longing, and haunting echoes of what’s been lost.

With powerful, emotionally resonant music, AudioGust is known for his ability to blend high-energy performances with deeply personal storytelling. He has released over four dozen songs across multiple albums and EPs, including his debut 'Walk With Me', follow-ups 'Hope from Darkness' and 'Love and Pain', and his second album 'Here We Go Again' (2025).

AudioGust's coming third album, 'Falling From Down', showcases a harder-edged post-grunge and modern rock sound while retaining the melodic hooks and storytelling that have become his signature. Combining raw rock intensity with strong melodies and emotionally resonant lyrics, AudioGust's tracks are full of energy and memorable hooks, reflecting both a deep understanding of rock’s past and a fresh, contemporary approach. His songs resonate long after the last note fades.

Crafting memorable melodies and thought-provoking lyrics, upbeat rhythms and arrangements, AudioGust's music speaks to the disenchanted and dreamers alike through sonic explorations of the modern human condition. AudioGust was also a finalist in the 2024 USA Songwriting Contest. Writing hooky anthems, AudioGust creates a sound vortex imbued with 90’s to 2000’s alt-rock, his guitar-driven music brings in a strong, driving rhythm section, big choruses and even bigger bridge sections.

Earlier this year, AudioGust released 'Here We Go Again', an album that includes some of his most popular singles, along with new material. It explores the highs and lows of creativity, touching on the unpredictable nature of inspiration—both the exhilarating moments when it strikes and the emptiness when it fades.
 
'Isotope' is out now, available from online music platforms, including Spotify, Apple Music and Bandcamp. The full album will be released on November 7.

ALBUM CREDITS
Music & Lyrics by Chris Evans
Guitar, Bass, Drums, Keyboards and Vocals by AudioGust
Produced & performed by AudioGust
Recorded, mixed and mastered at AudioGust studio in Clinton, WA
Cover artwork by Chris Evans
Artist photos by Ernie Shapiro
Publicity by Shameless Promotion PR


Keep up with AudioGust
Website | Bandcamp | Facebook | Instagram | Threads | Twitter | BlueSky | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Emai l

TRIBAL GAZE DEBUT 'TO THE SPOILS OF FAITH' FROM UPCOMING RECORD

Texas death squad TRIBAL GAZE has revealed the next single, ‘To The Spoils of Faith’ featuring INGROWN vocalist/guitarist Ross Hansen, from their awaited new album, Inveighing Brilliance, that’s due out October 17th from Nuclear Blast Records.

Commenting on the new song, guitarist Quintin Stauts says:

‘Spoils’ was written with one purpose, to cause violence from start to finish. No guitar solos, nothing technical, just hammers for 3 minutes.

TRIBAL GAZE will tour North America in mid-November in support of Inveighing Brilliance this fall with CATTLE DECAPITATION, ABORTED and FROZEN SOUL. Tickets are available HERE.

Stream ‘To The Spoils of Faith’: https://tribalgaze.bfan.link/to-the-spoils-of-faith

Pre-Order Inveighing Brilliance: https://tribalgaze.bfan.link/inveighing-brilliance

‘TO THE SPOILS OF FAITH’ MUSIC VIDEO BELOW:

Injecting a heavy dose of scorching old school death metal straight into the veins of the modern metal scene, TRIBAL GAZE hold nothing back on their massively anticipated followup to 2022’s highly praised The Nine Choirs.

Commenting on the impending record Inveighing Brilliance, Stauts adds:

I think this album, like our others, is us trying to create memorable parts in songs. Parts that make you have to rewind and hear it again. The aim is always to make songs that we love listening to. We’re just trying to add something of value to the death metal world.”

TRIBAL GAZE Tour Dates with CATTLE DECAPITATION, ABORTED and FROZEN SOUL:

11.16 Mesa, AZ @ The Nile Theater
11.18 Oklahoma City, OK @ Diamond Ballroom
11.19 Dallas, TX @ Granada Theater
11.20 San Antonio, TX @ Vibes Event Center
11.21 Houston, TX @ Bad Astronaut Brewing Co
11.22 Baton Rouge, LA @ Chelsea's Live
11.24 Atlanta, GA @ The Masquerade
11.25 Tampa, FL @ The Orpheum
11.26 Ft. Lauderdale, FL @ Revolution Live
11.28 Charlotte, NC @ The Underground
11.29 Richmond, VA @ The Canal Club
11.30 Baltimore, MD @ Baltimore Soundstage
12.02 Brooklyn, NY @ Warsaw
12.03 Worcester, MA @ The Palladium
12.05 Montreal, QC @ Club Soda
12.06 Toronto, ON @ Concert Hall
12.07 Detroit, MI @ Saint Andrew's Hall
12.09 Chicago, IL @ House of Blues
12.10 Minneapolis, MN @ First Avenue
12.12 Denver, CO @ Summit
12.13 Salt Lake City, UT @ Urban Lounge
12.15 Portland, OR @ Roseland Theater
12.16 Seattle, WA @ The Showbox
12.18 Sacramento, CA @ Ace of Spades
12.19 San Diego, CA @ Observatory North Park
12.20 Los Angeles, CA @ The Belasco

About TRIBAL GAZE:

Arising from the scorched earth of Texas, Tribal Gaze return with “Inveighing Brilliance”, a death metal monolith shaped by ancient violence and unforgiving truth. Recently signed to Nuclear Blast Records, the band conjures visions of primal wrath and nihilistic clarity—a sound rooted in the rawness of old-school death metal but sharpened with modern intent. From their name, inspired by unseen forces watching from deep forests, to the crushing weight of their riffs, Tribal Gaze channels something ancient, unknown, and violently present.

“Inveighing Brilliance” is a meditation on the illusion of beauty in nature and existence, and how it pertains to both Mother Nature, and our wretched, human society. Even in moments of light, brutality lurks—eggs are stolen from nests, flesh is torn for survival. This album dissects this duality, revealing the suffering embedded in every living moment. With digital artwork by Dom Pabon (Final Resting Place) that evokes sci-fi decay and meditations of ancient ruin, the album looks and sounds like a lost realm where reality fractures under the pressure of its own contradictions.

Tracks like “Beyond Recognition” and “To the Spoils of Faith” expand on these apocalyptic themes. The former imagines an outside force annihilating humanity in judgment of its arrogance, built on some of the band’s most punishing riffs to date—swinging between chaos, groove, and sheer obliteration. The latter churns with mechanized fury and contempt for blind belief, echoing Meshuggah-like timing with lyrics that drag faith to its own ironic hell. Across the record, Tribal Gaze capture the violence of thought and sound in equal measure—uncompromising and vividly self-aware.

Their ascent to Nuclear Blast was anything but formulaic. After leveling stages on tour with Frozen Soul, the band caught the attention of legendary A&R Monte Conner, who waited outside a venue in New York just to share his admiration. That moment solidified a new chapter for Tribal Gaze—a label that values creative freedom and pushes bands to expand without dilution. With “Inveighing Brilliance”, they’ve done just that: stripped away illusion, stared into the abyss, and made it echo.

Follow TRIBAL GAZE:

Facebook | Instagram | Bandcamp | Spotify | Apple Music

CLOCKTOWERS Unleash Powerful New Single “Ashes” from Upcoming Record 'Genesis'

CLOCKTOWERS have released their new single “Ashes,” the centerpiece of their upcoming debut record Genesis. Formed in 2022 by Tarek Puska and Dakota Logan after a chance reunion in Reily, Ohio, the band quickly rediscovered the chemistry built during their years together in a previous metal project. What began as an impromptu jam soon became a focused writing partnership, leading to a record that merges generations of influence into a sound that is unmistakably their own.

“Ashes” showcases that identity with striking clarity. The song begins with a hypnotic riff before crashing into full force, weaving articulate guitars, a driving rhythm, and vocals that carry both grit and vulnerability. The track shifts between moments of groove and intensity, giving it a dynamic edge that feels alive and unpredictable.

The lyrics pull directly from experience. Written during the aftermath of a decade-long marriage, “Ashes” confronts separation, regret, and the possibility of reconciliation. Its emotional weight is underscored by a performance that refuses to hide behind artifice. The words, the delivery, and the music all carry the same unfiltered honesty.

For the single, CLOCKTOWERS were joined by Jason Viebrooks (HEATHEN, GRIP INC., EXHORDER) on bass and guitar alongside Dakota, and Todd J. Farler on drums, whose sharp, swinging energy adds another layer of urgency. While the record Genesis remains a two-man effort with Tarek on vocals and Dakota on instruments, these contributions brought “Ashes” into sharper focus without diluting the band’s vision.

The accompanying video captures the song’s intimacy and intensity, with Tarek performing the lyrics directly to his wife off-camera. The single artwork, portraying a redhead, continues that personal thread, grounding the release in the story that inspired it.

With Genesis soon to follow, “Ashes” marks the arrival of CLOCKTOWERS with a sound that is bold, urgent, and entirely their own.

About CLOCKTOWERS:

CLOCKTOWERS is a genre-blending rock/metal duo that proves lightning can strike twice—first in the past, then in the most unexpected moment years later. The band was officially born in 2022, but the story begins long before that.

Vocalist Tarek Puska and multi-instrumentalist Dakota Logan first crossed paths in an earlier metal outfit that spent five years grinding through shows, songwriting sessions, and the chaotic rhythm of band life. Life eventually pulled them in different directions—but fate clearly had other plans. Years later, in the unassuming town of Reily, Ohio, the two reconnected by chance at a local pizza joint. A quick conversation turned into a jam session. One riff became a song—“Spirit Junkie”—and by the end of that session, CLOCKTOWERS had begun.

What followed was a creative eruption. Tarek and Dakota fell into a regular routine, meeting 2 to 3 days per week to write, explore sounds, and record from the ground up in a DIY home studio setting. Over the next two years, this process grew into their debut full-length album, Genesis—a record that pulses with heavy riffs, soaring melodies, and the kind of authenticity that only comes from lived experience and musical trust.

At its core, CLOCKTOWERS thrives on contrast and chemistry. Tarek, born in 1969, brings a lifetime of hard-earned perspective and vocal power rooted in classic metal and rock traditions. Dakota, born in 1995, injects fresh energy, fearless experimentation, and a modern edge that pushes the sound into uncharted territory. Their 25-year age gap isn’t a limitation—it’s a superpower. It allows the band to seamlessly blend old-school grit with new-school fire, delivering music that’s nostalgic without being dated, current without being trendy.

CLOCKTOWERS draws inspiration from a wide palette of heavy music: the swagger and electricity of AC/DC, the doom-soaked weight of BLACK SABBATH, the eerie theatricality of GHOST, the brooding darkness of TYPE O NEGATIVE, the bombast of KISS, and the razor-sharp muscle of METALLICA. Yet, these aren’t just influences—they’re launch pads. CLOCKTOWERS takes what’s familiar and twists it into something personal and raw, layering in textures, emotions, and hooks that make their sound unmistakable.

The band’s songwriting is deeply intentional. Some tracks stem directly from personal experience—loss, growth, heartbreak, and perseverance—while others flow from instinct and emotion, letting the pen follow the pulse of the heart. The result is music that hits hard not just sonically, but emotionally. Big choruses, pounding grooves, and intricate guitar work are matched with lyrics that are introspective, honest, and often cathartic.

One of their standout tracks, “Ashes,” caught the attention of Jason Viebrooks, known for his work with HEATHEN, GRIP INC., and now EXHORDER. Viebrooks lent his talents on bass and guitar alongside Dakota for the single, while Todd J. Farler, a seasoned drummer from Cincinnati, added a thunderous groove that elevated the track even further. It’s the only track on the record that features guest musicians—every other note, riff, and lyric on Genesis comes straight from the two founding members. That was a deliberate decision. CLOCKTOWERS is about preserving a raw, undiluted vision. No filler. No compromises.

With Genesis, CLOCKTOWERS has positioned itself not just as a band, but as a statement—a declaration that real, passionate, no-bullshit rock and metal is alive, evolving, and still capable of hitting you straight in the soul. Whether you’re a lifer raised on vinyl and leather jackets, or a newcomer looking for authenticity in a crowded digital landscape, CLOCKTOWERS offers something that resonates.

This is music forged in connection. Fueled by memory. Driven by instinct. And played with the kind of conviction that can only come from two people who live and breathe it.

CLOCKTOWERS is:

  • Tarek Puska – Vocals

  • Dakota Logan – All instruments (guitars, bass, additional production)

How Stoned Jesus Reached New Highs on "Low"

While they've blazed through folk, prog, pop and alternative rock following their first sip of doom metal, after 15 years, Stoned Jesusare still reaching new creative peaks. On the latest single from the band's mind-melting new album, Songs to Sun, the heavy progressive rockers rose above personal lows by doing something they've never done before: blast beats and harsh vocals.

Today, frontman Igor Sydorenko is releasing a new video that shows how to play and how he wrote "Low". Thanks to a simple riff and instant chemistry shared between Sydorenko and his new rhythm section, the band stopped worrying about pleasing people and blasted out the heaviest song in Stoned Jesus' wide-ranging discography.

"This is probably the happiest I've been creatively in Stoned Jesus", Sydorenko says. "With both Andrew and Yuri now in the band, we can experiment as deep as we can.

"Even though, we are currently working on the darker follow-up to Songs to Sun", he continues, "the three of us are constantly laughing all the time".

Watch Igor Sydorenko explain how to play and how he wrote "Low" below:

Songs to Sun comes out September 19, 2025 on Season of Mist. 

Pre-order & Pre-save
https://orcd.co/stonedjesussongtosun

Pre-save on Spotify
https://open.spotify.com/prerelease/4CYNwXVJHZn9MMtOIvLApx?si=KvumqJJMQFuZhiPMEA5lBA

Can't wait to hear Stoned Jesus' mind-melting new album? Hear all of Songs to Sun before it comes out during the band's upcoming listening party on Bandcamp.

Songs to Sun Bandcamp Listening Party

Tuesday, September 16 @ 1:30 pm CEST / 7:30 pm CEST

RSVP
https://stonedjesus.bandcamp.com/live/songs-to-sun-listening-party

Songs to Sun is the first album in a forthcoming trilogy that once complete, will stand as the pinnacle of what’s been a decades-long trip for Stoned Jesus. While picking up where the band’s last album, Father Light left off, Sydorenko and his new mates still nod to their early classics Seven Thunders Roar and The Harvest. But by merging metal’s fiery intensity with mind-melting grooves, vintage prog and their catchiest choruses yet, they bring the many distinct phases of Stoned Jesus to a bright, burning head.

The video for “Shadowland: how to play it & how I wrote it” was written and filmed by Igor Sydorenko. It was edited by Radion Yakumenko.

Songs to Sun is the first album in a forthcoming trilogy that once complete, will stand as the pinnacle of what's been a decades-long trip for Stoned Jesus. While picking up where Father Light left off, Sydorenko and his new mates still nod to Seven Thunders Roar and The Harvest along the way. But by merging metal's fiery intensity with mind-melting grooves, vintage prog and their catchiest choruses yet, they bring the many distinct phases of Stoned Jesus to a bright, burning head.      

Lineup
Igor Sydorenko - Vocals, Guitar, Bass, Keyboards
Andrew Rodin - Bass, Backing Vocals
Yurii Ciel - Drums, Backing Vocals      


Production Credits
Produced by Igor Sydorenko
Recorded by Ignancy Gruzecki
Mixed and Mastered by Karl Daniel Lidén at Studio Tri-Lamb, Sweden

Recording Studio
Monochrom Studio in Poland

Cover Art
Vadym "Karaska" Karasiov

Pre-order
https://orcd.co/stonedjesussongtosun

Pre-save on Spotify
https://open.spotify.com/prerelease/4CYNwXVJHZn9MMtOIvLApx?si=KvumqJJMQFuZhiPMEA5lBA

Available Formats
Digital Download
CD Digipack
12" Vinyl (Black)
12" Vinyl (Black and White Marbled)
12" Vinyl (Translucent Blue, Black and White Marbled)
12" Vinyl (Silver and Black Splatters)
12" Vinyl (Yellow with Blue Splatters)

Follow Stoned Jesus:
https://linktr.ee/stonedjesusband
https://music.apple.com/sg/artist/stoned-jesus/396799004

https://open.spotify.com/artist/23lyMLxYNPS15hpVvFNptR
instagram.com/stonedjesusband
http://facebook.com/stonedjesusband
twitter.com/stonedjesusband
https://www.tiktok.com/@stonedjesusband

youtube.com/c/StonedJesus
stonedjesus.bandcamp.com

Kublai Khan TX Unleash New Track "The Mountain of Corsicana" + Music Video

Texan titans Kublai Khan TX have unleashed their crushing new single "The Mountain of Corsicana" (via Rise Records) and the official music video directed by Max Moore (Knocked Loose, Spiritbox, A Day To Remember). The band describes the inspiration behind the punishing track as "a monument to the final man". Fans will also soon have their chance to see Kublai Khan TX on the road across the US on their headlining tour with Drain, Gideon and Guilt Trip as support, kicking off on Saturday, September 18 at Louder Than Life in Louisville, Kentucky (ticket information here). Stream "The Mountain of Corsicana" here, and watch the official music video below.

Kublai Khan TX US Headlining Tour Dates with Drain, Gideon + Guilt Trip

09.18 – Louisville, KY – Louder Than Life

09.20 – Worcester, MA – NEMHC Festival

09.21 – Sayreville, NJ – Starland Ballroom (Sold Out)

09.23 – Buffalo, NY – Buffalo Riverworks

09.24 – Silver Spring, MD – The Fillmore

09.26 – Pittsburgh, PA – Roxian Theater

09.27 – Lakewood, OH – The Roxy (Sold Out)

09.28 – Philadelphia, PA – Franklin Music Hall

09.30 – Chicago, IL – The Salt Shed

10.01 – Detroit, MI – The Fillmore Detroit

10.03 – Birmingham, AL – Furnace Fest

10.04 – Charlotte, NC – The Fillmore Charlotte (Sold Out)

10.05 – N. Myrtle Beach, SC – House of Blues

10.07 – Atlanta, GA – The Eastern (Sold Out)

10.08 – St. Petersburg, FL – Jannus Live (Sold Out)

10.10 – San Antonio, TX – Vibes Event Center

10.11 – Houston, TX – White Oak Music Hall

10.12 – Dallas, TX – The Factory in Deep Ellum

10.14 – Kansas City, MO – Uptown Theater

10.15 – Denver, CO – The Fillmore Auditorium

10.16 – Albuquerque, NM – Sunshine Theater

10.17 – Tempe, AZ – The Marquee (Sold Out)

10.18 – Las Vegas, NV – When We Were Young

10.19 – Las Vegas, NV – When We Were Young

10.20 – Salt Lake City, UT – Rockwell at The Complex

10.21 – Boise, ID – Knitting Factory

10.23 – Sacramento, CA – Ace of Spades (Sold Out)

10.24 – San Jose, CA – San Jose Civic

10.25 – Riverside, CA – Riverside Municipal Auditorium (Sold Out)

10.26 – Los Angeles, CA – Hollywood Palladium (Sold Out)

L.A. Hard Rock Rising Stars S8NT ELEKTRIC Drop Video for New Single "Peace of Myself"

S8NT ELEKTRIC have quickly become a force in the heavy music scene, not just for their innovative rock sound – a collision of crushing riffs and infectious pop hooks – but for their commitment to truly living "OFF THE EDGE." This isn't just a motto; it's a lifestyle, demonstrated by their death-defying stunts including being circled by drift cars and skydiving.

Founded on the bold vision of singer Bri Carbajal and lead guitarist Niko Tsangaris, and brought to life by the talents of Trey Baker (drums), Sinner (guitar), and Harrison Forsythe (bass), S8NT ELEKTRIC use their adrenaline junkie attitude and honest songwriting to inspire listeners to confront their fears and chase their dreams. The band has toured Europe every summer, opening for artists like Wolfmother, Mammoth WVH, MC5, Dirty Honey, and WARGASM, as well as playing huge festivals such as Bottlerock, Rockville, Prague Rocks, and Azkena Rocks.

With "PEACE OF MYSELF," S8NT ELEKTRIC are releasing a new single and video today. It is the third track from their debut album OFF THE EDGE, which will be released in Fall 2025. 

Watch the "PEACE OF MYSELF" video below

Stream the single here

"'PEACE OF MYSELF' is a song about finally saying what you really feel. We can become victims to people-pleasing, and in the process of trying to make everyone like us, we completely lose ourselves. There's a breaking point you reach when you've tried so hard to keep the peace, only to realize that it will never be enough. For us, this song is that exact moment. The moment that you refuse to make yourself small enough to fit into someone else's world and learn to embrace your true self, even if people don't like it," comments S8NT ELEKTRIC.

S8NT ELEKTRIC ARE:
Bri Carbajal — Vocals
Niko Tsangaris — Guitar
Trey Baker — Drums
Sinner — Guitar
Harrison Forsythe — Bass

LA electronic duo LUCKYANDLOVE reveals 'Lonely At Night', rich taster of coming album

LA-based synthwave outfit LUCKYANDLOVE presents their new single 'Lonely At Night', a sultry retro-futuristic delight previewing their third album 'Humaura' (hu • mau • ra), defined by the duo as the atmosphere that emanates from the feelings of the human spirit void of technological control.

Inducing a melancholy dream state of layered sounds, 'Lonely At Night' brings a waterfall of cascading analog strings into shuttering bass lines as syncopated percussion splashes around. With haunted swirling vocals, buzzed out synths, and electrified vibes, they propose a sonic escape from the loneliness through this vortex-sea of sound.

Evoking a brand new art school originality, LUCKYANDLOVE is the raw sonic experiment of Loren Luck and April Love, whose music transcends genres. Their live analog synth beats, Moog instrumentation and beautiful, harmonic vocals trigger an immediate download of fuzzy sunset synthgaze, blue-black neon darkwave, and tigerprint electro punk.

"Picture of a vacant dorm room, where almost everyone left for holiday, leaving the character almost completely alone in a haunted dorm building. The track speeds up in the end, guitars and harmonies a cheerful finale," says April Love.

Loren Luck adds, "Loneliness is a killer. The song describes human feelings of being lonely and reconnecting. We are social animals that require human interaction in the flesh. Life is more enjoyable with someone to share it. Entrapments of modern day keeps people imprisoned. A romantic song."

'Lonely At Night' arrives on the back of their angst-laden anthem ‘I Am Human’, delicately fused together with pulsating molten kicks, abrasive fuzz-laden analog synths and confident sensual vocals. Calling out to make our own choices and take back our lives, this song underlines the need to reconnect with being Human.

This album was recorded, mixed and mastered for digital release by Grammy award-winning engineer Be Hussey (Modern English, Swervedriver, The Church, Alcest, Twin Tribes, Boy Harsher, Luna, Kim Deal) at Balboa Studio and Catwater for the digital music, and mastered for vinyl and lathe cut by Grammy-nominated engineer Nicholas Townsend (Cheap Trick, Weezer, Garbage, Dr. Dre, 2Pac, Grimes, Iron Maiden) at Townsend Mastering.

LUCKYANDLOVE’s visceral, urgently-present dark electro-pop appeal continues to stretch through time and space. Their 'Lucky + Love' and 'Transitions' albums earned them a global fan following and led to US and UK tours, while their tracks 'It's a Mistake', 'Animal' and 'Summertime Frolic' appeared in the film 'Tiger Within' (Ed Asner's final performance), featuring music supervised by Tony Knox, DJ at KXLU's No More Heroes show.

Blending raw analog synth sounds with driving punctuated percussion and punchy analog bass, the compositions on ‘Humaura’ feature enchanting lyrics rooted in emotions ranging from melancholy and sorrowful glom to a state of blissful trance. Shaped by the embers of Siouxsie and The Banshees, Cocteau Twins, and Bauhaus, resonant specters carry over from synth-laden galaxies, where the needle hit the vinyl groove and Doc Martens marched to basement dance floors.

On September 9, 'Lonely at Night' is available on all music platforms, including Spotify, Apple Music and Bandcamp.  The 'Humaura' album will be released on October 3 via SRD - Southern Record Distributors and can now be pre-ordered from the LUCKYANDLOVE Store or Bandcamp.

LUCKYANDLOVE's record release party is October 11 at The Slipper Clutch in LA via Deathrecordzz Presents, with appearances by Warsaw Pact, Amore De Paris, No Exits, and a DJ set by Echolust. 

CREDITS
Written and arranged by Loren Luck & April Love
Produced and performed by LUCKYANDLOVE
April Love - vocals, synths (Moog, Juno, HX Stomp)
Loren Luck - drums, synths (Elektron Rytm, Elektron A4, HX Stomp)
Original songs written & performed raw on analog electronic synthesizers & analog drum machines
Recorded (live with live effects) on TASCAM DP-32SD 32-track Portastudio
Vocals recorded by Be Hussey at Catwater and Balboa Studios in Los Angeles
Recorded in LA at Downtown Rehearsal Studios & Echo Park Studios
Mixing & digital mastering by Be Hussey at Catwater (Los Angeles, CA)
Mastered for vinyl by Nick Townsend at Townsend Mastering
Album artwork painting, layout & design by LUCKYANDLOVE
Front cover artwork by Loren Luck
Video directed By Loren Luck of LUCKYANDLOVE
Cinematography & videography by Romeal Hogan and Kevin Mapp
Video filmed in LUCKYANDLOVE's Studio
©℗ 2025 All rights reserved LUCKYANDLOVE 2025
Published by Oilxice Publishing (ASCAP) and Lynx Technique Publishing (ASCAP)
Vinyl and digital Download Distributed worldwide by SRD/IDOL
Catalogue no. LNL003A
LUCKYANDLOVE studio photos by Alejandro Restrepo
Publicity by Shameless Promotion PR


Keep up with LUCKYANDLOVE
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Join Our Winning Streak: Celebrating Recovery & Resilience This September!

September is National Recovery Month, and this year, I want to celebrate the incredible strength of the recovery community and shine a light on the dedication of those actively working to reduce stigma and highlight the profound human impact of these illnesses.

 

I'm launching a special weekly initiative inspired by my song "Winning Streak” - watch this clip to hear more about what “Winning Streak” is about.

Starting today, I'll be re-sharing stories and resources each week specifically focused on substance use disorders and recovery. My hope is to create a space for understanding, support, and encouragement, about celebrating resilience in all its forms. I've been so inspired by the stories I've heard and seen on the road and want to honor the journey of your Winning Streak all month long. 

 

Your experiences can inspire and empower others more than you know. 

SHARE YOUR #WINNINGSTREAK


If you’re interested in learning more each week and being a part of this journey, sign up with the link below:

SIGN UP FOR WINNING STREAK WEEKLY

Let’s take the steps to start our winning streak together today.

CONEY HATCH'S CLASSIC SELF-TITLED DEBUT ISSUED AS EXPANDED 2LP SET, ANNOUNCE UPCOMING TORONTO SHOW

Fans of Canadian hard rock legends Coney Hatch will soon be able to experience their classic self-titled debut album with fully remastered audio by acclaimed engineer Harry Hess. On October 24, 2025, "Coney Hatch" will be reissued via Anthem Records, marking the anniversary of the band’s gold debut album some four decades after its original May 21, 1982 release. 

 

To celebrate this iconic release, the band have announced their only appearance of 2025 with a special up close and unplugged performance on Friday, November 14 at The Redwood Theatre in Toronto. 

To order tickets, visit: https://www.theredwoodtheatre.com/event-details/coneyhatch  

 

This beautiful 2LP reissue breathes new life into the classic album. Featuring the group's classic line-up (singer/guitarist Carl Dixon, singer/bassist Andy Curran, lead guitarist Steve Shelski, and drummer Dave Ketchum, the debut spawned such classic rock gems as "Devil's Deck," bringing out every searing riff and soaring vocal with stunning clarity and power.

 

"After over four decades of touring and recording, it’s truly special to see this anniversary release come to life," Curran says. "The artwork, rare photos, and the discovery of the Cleveland Agora live audio from our very first show in the USA add a perfect finishing touch for  the band and our dedicated fans."

 

And collectors take note: the blue/orange 2LP edition is a LIMITED EDITION first pressing of ONLY 500 UNITS available! 

 

To order the album, visit: https://lnk.to/ConeyHatchAnniversary 

Adding to the release are never-before-heard "Live in Cleveland" recordings, captured at the band's first-ever U.S. show at the iconic Agora Ballroom in 1982. This raw, high-energy performance showcases the band at their hard-hitting best and marks a key moment in their rise in the music scene just prior to joining Judas Priest on a 30 date North American "Screaming for Vengeance" tour.

 

Dixon adds, "Our show at the Redwood Theatre will be the first time presenting the mighty Hatch sound in an Unplugged & Acoustic format. Still intense, with the same tightness and power that all these years together have built, but with more nuance and emphasis on the songs and vocals. We have some surprises planned and we can't wait to show off our skills in a new setting!" 

 

Fans can dig deeper into the band's history with ultra-rare photos unearthed from the personal archives of the band members, offering an intimate glimpse into Coney Hatch’s early years.

 

This release includes rare 1982 vintage audio sound bites from Kim Mitchell, where he reflects on producing the band during their formative days.

 

This is a must-have collector’s item for die-hard fans and music history buffs.

 

Anthem's first pressing for Canada on opaque blue vinyl and translucent orange vinyl, includes: 

  • The fully remastered debut album “Coney Hatch” 

  • Three bonus Tracks: “Dreamland”, “Where I Draw The Line” and “Sin After Sin (Demo)” previously only available on UK import version of the album. 

  • Never-before-heard "Live at The Agora Cleveland, 1982" recordings  

  • Ultra-rare photos unearthed from the band’s personal archives 

  • Rare 1982 vintage audio sound bites from Kim Mitchell 

 

Come Friday, October 24th, get ready to experience this '80s rock classic like you never have before!

Garmarna Winners of The John Lennon Songwriting Contest

For the past three decades, Garmarna have won equal praise from metal heads and folk lovers. On their seventh and most recent album, the Swedes continued to weave traditional medieval tales with rock, pop, dance and other modern-day inventions, alongside executive producer Christopher Juul from Season of Mist labelmates Heilung. In 2021, Förbundet was nominated for Folk Album of the Year by the Grammis. Now, four years later, its opening song is taking home a different award. 

Today, Garmarna are proud to announce that "Ramunder" was selected by The John Lennon Songwriting Contest as the Session I Grand Prize Winner in the World category. The prize package for this award includes a Taylor acoustic-electric guitar and more than $4,000 in recording equipment.

"It's a great honor to receive this award", says Garmarna, who were selected as a finalist by the same contest in 2021 for their song "Dagen Flyr". "John Lennon and The Beatles pushed the envelope on what you can do in just about every field of the music business. Throughout our 35 year career, we've always aimed to do the same by mixing traditional Swedish ballads with contemporary influences. We always try to stay curious and bend the rules, with feet firmly planted in the ballad tradition".
          
Watch the video for "Ramunder" below:

Förbundet is out now on Season of Mist

Order

https://redirect.season-of-mist.com/garmarna-forbundet

Stream

https://linktr.ee/garmarna_official

While they've always pulled from the darker chapters of Swedish folklore, "Ramunder" claims the crown as Garmarna's most chilling tale. Reimagined by razor-sharp acoustics, distorted grooves and a stomping drum beat, the opening of Förbundet sets a rather bloody scene with the tale of a warrior that destroys his enemies purely for the sake of his own enjoyment.

However, "Ramunder" isn't all doom and gloom. Anders Norudde saws his moraharpa with devilish delight. The Swedish multi-instrumentalist, composer, carpenter and violin-maker is a member of Hedningarna, the fellow groundbreaking Swedish folk band who were an early inspiration for Garmarna.       

Next year, Garmarna will face the Session II Grand Prize Winner in a public vote to determine the overall winner for the World category. 

When asked about how fans have responded to their different influences and diverse output over the years, Stefan cannot definitively say because their followers are seemingly fluid in their tastes as well. “Sometimes we’ve thought the audience will hate the new stuff, all jungle beats or house or pop or whatever,” he says. “The audience is a mix of metal heads, folk enthusiasts, hipsters, and just casual music lovers of all ages. Along the way, they have seemed to like what we do! We know that a lot of people wished the return album 6 would have been a bit more traditional, but then a lot of people also praised it for being 'so much GARMARNA' in the sense that it took an unexpected turn somewhere new.”

Their loyal acolytes should be pleased with 'Förbundet', and they will likely draw in new converts as well. You're next.


Lineup
Emma Härdelin: Vocals, violin
Stefan Brisland-Ferner: Violin, Viola, Hurdy gurdy, Keyboards, Nordic bowed lyre, Kantele, Moraharpa, Mouth harp, Electronics, Electric guitar, Mandolin, Backing vocals
Gotte Ringqvist: Acoustic guitar, Hardanger fiddle, backing vocals
Rickard Westman: Electric guitar, Electric bass
Jens Höglin: Drums, Percussion, Electronics

Guest musicians
Maria Franz: Vocals on ”Två Systrar”
Anders Norudde: Moraharpa on ”Ramunder”
Ulf Gruvberg: Vocals on ”Lussi Lilla”
 
Producer
Stefan Brisland-Ferner

Executive producer
Christopher Juul

Mixing
Christopher Juul

Mastering
Christopher Juul

Recording studios
DNA Studios in Stockholm with Stefan Brisland-Ferner
Studio NEVO Sundsvall with Stefan Brisland-Ferner and Henrik Heinrich
Studio Cobra Stockholm with Christian Gabel

Cover art
Axel Torvenius

Bio
Bryan Reesman

Order
https://redirect.season-of-mist.com/garmarna-forbundet

Stream
https://linktr.ee/garmarna_official

Available formats:
Digital Download
CD Digipack
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold ​- Silver
12" Coloured Vinyl Gatefold - Gold
12" Coloured Vinyl Gatefold - Red


Follow Garmarna
https://linktr.ee/garmarna_official
https://garmarnasom.bandcamp.com/album/f-rbundet
https://www.facebook.com/Garmarnaoffical
https://www.instagram.com/garmarna_official/
https://open.spotify.com/artist/7ED7dE68y0YZGpyXcuiRsI?si=x80dzp_RQd-uQdbF5AN5cg

Behemoth Premiere Video for "Avgvr (The Dread Vvltvre)"

Kings of extreme metal, BEHEMOTH, have announced the premiere of the music video for the song "Avgvr (The Dread Vvltvre)," the vicious closing track of their critically acclaimed most recent album, The Shit Ov God, which was released in May 2025.

The video for "Avgvr (The Dread Vvltvre)" is the latest in a series of stylistically very different, but masterfully crafted, high-concept music videos for BEHEMOTH's thirteenth studio album, where each clip is perfectly tailored to the tone and atmosphere of the respective song.

The video arrives just in time for BEHEMOTH's upcoming live shows, because on September 19, they will embark on a Latin American tour with supports DEICIDE and NIDHOGG, please scroll down for all confirmed dates.

Don't forget to check out The Shit Ov God — BEHEMOTH's most inflammatory and extreme record to date!

Purchase/stream the album The Shit Ov God here

Watch the video for "Avgvr (The Dread Vvltvre)" Below.

The Shit Ov God Album Cover by Bartek Rogalewicz/LODGE.BLACK

ALL HELL - Sunsetter

ALL HELL returns from the shadows with their fifth full-length album, Sunsetter, arriving October 10, 2025 on Terminus Hate City. From their origins in Asheville, North Carolina in 2013, the band has carved a singular path through the underground, blending elements of first wave black metal, deathrock, punk, and film score atmospheres into something entirely their own. Sunsetter is the culmination of years of evolution and hardship, a concept record that stretches from ancient myth to modern apocalypse, driven by fire, blood, and vision.

The band (Jacob Curwen on guitar and vocals, Erik Ballantyne on bass, and Elanti on drums) began work on Sunsetter after the release of 2019’s The Witch’s Grail. Progress was slow and plagued by constant disruption. The pandemic struck, personal tragedies followed, and devastating floods hit their home region. In the midst of all this, the band found themselves burned out and disillusioned with metal entirely. But after stepping back and rediscovering their creative hunger, they emerged with a record that is not only their most metal release to date, but also their most fully realized.

Sunsetter tells a sprawling, violent tale of exile, rebirth, and cosmic vengeance. The story begins in ancient times with the curse of Cain, the first murderer, cast into the land of Nod where he joins with Lilith, the exiled first wife of Adam. From their union comes a cursed bloodline. The album’s opening track, “Exiled into Nod,” skips any slow buildup and immediately drops the listener into the chaos of this mythic prayer. It is followed by “Dominus Sanguis, Domina Nox,” a dark hymn to the Lord of Blood and the Lady of Night, and then “The Violent Brood,” a classic ALL HELL track that portrays the frenzy of being hunted by Cain's spawn.

“The Bleeding” flips the perspective and explores the mind of a predator, with a guest solo from Nate Garnette of SKELETONWITCH adding another layer of menace. The title track, “Sunsetter,” takes a more triumphant tone, capturing the defiance and pride of the children of Cain as they reject the sun and claim dominion over the night. Its straightforward power made it the obvious choice for the album’s name.

Side two of the album begins with “The Flood and the Death,” a cinematic, spoken-word interlude that sets the stage for a shift in time. The next chapter takes place centuries later, where the bloodline of Cain has survived the flood and reemerges in the present. “Behold the Night” brings this rebirth to life with driving energy and shifting dynamics. “Path of Cain” offers a darkly anthemic reflection on lineage, sin, and survival.

The final act of the album accelerates toward doom. “Sacrifice to Shadow” portrays a cult's plea for the return of their ancient masters, while “The Ancients Rise” delivers on that prophecy with grinding riffs and ominous brass that call back to the album’s ancient beginnings. The closing track, “The Outer Night,” brings it all to an end. It begins with militaristic urgency, climbs to apocalyptic grandeur, and fades into the cold silence of a world overrun. Cain and Lilith return, and the sun sets for the last time.

The album was recorded, mixed, and engineered by Chris Adams at Hidden Audio, with mastering by Jacob Curwen. The visual aesthetic, including the album art, was also created by Curwen, preserving the band’s independent and uncompromising approach.

The sun fades. The night takes hold. The world belongs to ALL HELL.

About ALL HELL:

ALL HELL is a blackened metal trio from Asheville, North Carolina, known for their relentless fusion of first wave black metal, deathrock, punk, and horror-driven storytelling. Since forming in 2013, the band has carved out a distinct identity rooted in occult themes, razor-sharp riffs, and a fierce DIY ethos. Their sound is aggressive, stripped-down, and deeply atmospheric — a raw, unfiltered descent into myth, violence, and the supernatural.

With five full-length albums and an EP to their name, including 2025’s apocalyptic concept record Sunsetter, ALL HELL has evolved from a local cult favorite into a powerful underground force. Their live presence has taken them across the U.S., sharing stages with acts like RINGWORM, BLACK TUSK, PROFANATICA, and TURN COLD, and performing at festivals such as Decibel Metal and Beer Fest, Dark Lord Day, and RPM Fest.

The current lineup, Jacob Curwen (guitar and vocals), Erik Ballantyne (bass), and Elanti (drums), continues to push the band’s sound forward while staying true to its core. With each release, ALL HELL digs deeper into a unique mythos that spans history, horror, and apocalypse, embracing the dark, the ugly, and the eternal night.

ALL HELL is:

  • Jacob Curwen – Guitar and Vocals

  • Erik Ballantyne – Bass

  • Elanti – Drums


Connect with ALL HELL:


Bandcamp: https://allhell.bandcamp.com
Facebook: https://facebook.com/allhellband
Instagram: https://instagram.com/allhellband
Spotify: https://open.spotify.com/artist/5FVXnF7zGfuo8WF5qq4XHK
Apple Music: https://music.apple.com/be/artist/all-hell/925520478

WATCH Drowning Pool Perform “Bodies” with Offset on “The Tonight Show Starring Jimmy Fallon” ​   

Last night, multi-platinum superstar Offset joined hard rockers Drowning Pool to perform his genre-crossing smash single “Bodies” on The Tonight Show Starring Jimmy Fallon.

 

Joined by Atlanta standout J.I.D and hit-making producer BNYX®, Offset tore into the hard-rocking “Bodies” from his new KIARI:OFFSET deluxe album — but instead of sampling the iconic whispered hook and grinding guitar from Drowning Pool’s 2001 nü-metal hit of the same name, they had the real thing. Watch the instantly legendary performance below.

 

Drowning Pool is officially back in the studio, crafting a brand-new EP set for release in 2026 via SBG Records. This highly anticipated project will mark the next chapter in the band’s legacy as they gear up to celebrate the 25th anniversary of their landmark debut album, Sinner.

 

Since its release in 2001, Sinner has become a defining record in modern rock, featuring the anthemic hit “Bodies,” which remains a cultural staple across radio, sports arenas, and entertainment to this day. With the 25-year milestone approaching, Drowning Pool is ready to honor their history while pushing their sound forward.

 

The forthcoming EP will be a powerful reminder of why Drowning Pool remains one of rock’s most enduring acts.

 

Further details on the EP, anniversary celebrations, and touring plans will be announced in the coming months.

Known for their iconic anthem “Bodies,” Drowning Pool needs no introduction. This breakout single propelled them to international recognition, leaving an indelible mark on the nu metal landscape. The song’s relentless energy and defiant spirit resonated with a generation, becoming an anthem for moshers, metalheads, and fans of electrifying live performances.

 

Ryan McCombs played a pivotal role in the band’s evolution, joining their ranks in the aftermath of the tragic loss of beloved frontman Dave Williams. His powerful vocals and charismatic stage presence breathed new life into Drowning Pool, solidifying their status as metal titans. Songs like “37 Stitches,” “Feel Like I Do,” and “Turn So Cold” catapulted them to new heights, earning them a place among the genre’s heavyweights.

 

Yet, Drowning Pool’s story is not just about music; it’s a testament to enduring friendships and a shared passion for their craft. Ryan’s return to the band in 2023 marks a reunion of kindred spirits, a return to the roots of their musical journey. As he succinctly puts it, “Just being back in the same room together after so many years… was a quick reminder as to why I considered them to be my best friends in the business back in the day.”

 

Drowning Pool’s return is a testament to the enduring power of their music, a reminder that their unapologetic spirit continues to strike chords with audiences worldwide. The band experienced a triumphant resurgence in 2023 and with new music on the horizon, a 2025 calendar proving that the demand for the band isn’t about to slow down.., Drowning Pool has a white knuckle grip on their present and future with no plans to slow down.

Photo credit: Todd Owyoung/NBC

For More Information Please Visit:

Drowning Pool

Official Website

Spotify

Facebook

Instagram

YouTube

ROMAN CANDLE Ignite A New Era With New Single “Fire In The Night Sky Forever”

Las Vegas hardcore force Roman Candle return today with Fire In The Night Sky Forever, a blistering new single and video that tears through themes of betrayal, punishment, and self-resurrection. Anchored in raw emotional unrest and delivered with razorwire precision, the track captures the band at their most volatile. Also announced today is the band's signing to world renowned independent label, Sumerian Records. Listen to "Fire In The Night Sky Forever" HERE and watch the accompanying music video below.

“To us, Fire In the Night Sky Forever is not just the embodiment of rage, but also a harsh confrontation. We’ve been working on this release for quite some time, and we’re so stoked to finally be putting it out. Having the support from Sumerian is an honor and we would not be here without the love from everyone that has been on our side since day one. ”

With an unrelenting live reputation and a full album on the way (more on that soon), “Fire In The Night Sky Forever” offers a searing preview of what's to come next and makes one thing clear, Roman Candle have every intention of setting everything ablaze.

ABOUT ROMAN CANDLE

Roman Candle is a visceral and emotionally charged hardcore band from Las Vegas, Nevada, built around the creative core of Piper Ferrari (vocals) and Jonas Vece (guitar). Emerging from the ashes of their former project sowithout., the two formed Roman Candle with a vision to push the boundaries of hardcore through vulnerability, intensity, and intentionality.

Rooted in the lineage of bands like Saetia, Touché Amoré, and Poison the Well, Roman Candle blends classic “screamo” sensibilities with a modern edge—balancing raw catharsis and poetic tension. Their 2022 debut EP Discount Fireworks marked them as a standout in the Las Vegas underground. After spending much of 2023 & 2024 showcasing their new material live, the band's reputation for emotionally resonant, tightly wound songs that leave nothing on the table was further cemented. The band also spent a considerable amount of time on the road with bands like Dying Wish, Boundaries, Militare Gun, Foreign Hands, Pool Kids and one off shows with Touche Amore, Botch, Better Lovers and more.

Known for fiercely passionate live performances, Roman Candle has become a vital voice in the evolving Las Vegas hardcore scene. As a femme-fronted band, Piper Ferrari brings a rare and welcome presence to the genre, challenging norms and creating space for a more inclusive scene. Alongside Jonas Vece’s cutting guitar work and atmospheric tension, the band captures a sense of urgency that’s both deeply personal and powerfully collective.

With a full-length album on the horizon and growing attention beyond their hometown, Roman Candle is shaping a future for screamo that feels just as emotionally immediate as its roots.

Roman Candle Are

Piper Ferrari - Vocals

Jonas Vece - Guitar

Alex Dupis - Drums

Sergio Lopez - Bass

PREYRS Reveal "Zeros, Ones & Lies" Video

PREYRS, a visceral new force in alternative rock and metal, reveal their second ever single, "Zeros, Ones & Lies," out now via Pelagic Records.

Watch the live session video below

Stream the single here

PREYRS is the brainchild of Belfast rock artist Amy Montgomery and drummer/producer Michael Mormecha. Fusing raw alternative rock energy with the weight of metal, the quartet's music is an electrifying clash of aggression and euphoria, darkness and uplift, chaos and control. Elements of artists as disparate as Nine Inch NailsChelsea WolfeSonic Youth, and Julie Christmas combine to delirious and heady effect.

New single, the high-octane "Zeros, Ones & Lies," wrestles with the spiritual toll of being fed constant footage of atrocity and catastrophe by a media that accepts no responsibility for their part in the global race to the bottom. The track bursts into furious life with urgent, double-time drums met by guitars distorted to the brink of destruction before the song all but caves in on itself as Amy quietly asks of us: "Can you feel it? / Like a river / It flows so silently / It flows so violently."

Busking on the streets of Belfast from the age of 15, Amy Montgomery met multi-instrumentalist Michael Mormecha a few years later and they've been working together ever since. Both songwriters in their own right, Michael fronted renowned Irish post-hardcore outfit Mojo Fury and worked as a producer for artists including The Bonnevilles, Mojo Fury, and Joshua Burnside. They're joined as PREYRS by longtime guitarist Nolan Donelly and new bass player Ciarán McGreevy.

Known for electrifying live performances, PREYRS made their UK festival debut at Bloodstock Open Air this August and appeared at Stendhal Festival in Ireland. Nominated as "Best Live Act" and "Best Artist" at the Northern Ireland Music Prize, Amy’s undeniably fierce and captivating frontperson energy has been her secret weapon often described as "otherworldly" or "a force of nature." For those seeking the epic, the healing, the aggressive and the unrelenting pulse of alternative rock and metal, PREYRS are it.

PREYRS will be supporting punk legends New Model Army across Europe this winter. 

Info about PREYRS live dates here

PREYRS ARE: 
Amy Montgomery — Vocals
Micheal Mormecha — Drums
Nolan Donelly — Guitars
Ciarán McGreevy — Bass

FIT FOR AN AUTOPSY | RELEASE MUSIC VIDEO FOR 'IT COMES FOR YOU'

Prolific metal band FIT FOR AN AUTOPSY deliver an unrelenting standalone single, perfectly titled 'It Comes For You'. The track is an aggressive, full-throttle journey right out of the gate; masterfully blending the band's older sound with the high-caliber production and songwriting that has become a hallmark of FIT FOR AN AUTOPSY. 'It Comes For You' was recorded earlier this year at Graphic Nature Audio in Kinnelon NJ with the bands own Will Putney handling the production, mixing and mastering. The cover artwork was created by Jorden Haley.

Watch the visual onslaught that Eric Richter at Channel 13 Productions created for 'It Comes For You', below:

FIT FOR AN AUTOPSY's Will Putney states, "An aggressive offering from our camp felt like an appropriate response to the current climate of class disparity and political overreach. Sometimes I feel like we’re beating a dead horse over here but it’s important to consistently remind the listener to remain intolerant of such authoritarian rule.  Believe it or not, but one day, it comes for you."

Stream/purchase 'It Comes For You':
https://ffaa.bfan.link/it-comes-for-you

Last year, the band released their seventh studio album The Nothing That Is which featured the singles 'Hostage', 'Savior Of None / Ashes Of All', 'Lower Purpose', and 'Red Horizon'. Stream/purchase The Nothing That Is at https://ffaa.bfan.link/the-nothing-that-is

In less than 3 weeks, FIT FOR AN AUTOPSY will join KILLSWITCH ENGAGE on their headlining tour across UK and Europe. The 25-date trek will kick-off in off on September 29th in Lisbon and will make stops in London and Berlin before concluding in Helsinki on December 3rd. Joining them for the complete tour is DECAPITATED whereas the first leg of the tour will have HATEBREED and the second leg will include EMPLOYED TO SERVE.

Tickets for all upcoming shows are available now. For additional information, visit: https://fitforanautopsy.co/pages/tour

Today, the band also announces their Australian headlining dates. Support for the 7-date run will include BODYSNATCHER, VOLATILE WAYS and PAIN BODY.
Tickets for the Australian dates will go on sale on September 11 at https://fitforanautopsy.co/pages/tour

About:
FIT FOR AN AUTOPSY’s acclaimed 2022 album On What the Future Holds was the band’s highest-charting release to date, becoming the first of their six full-lengths to reach the Top 25 of the Billboard 200. But while some musicians would take such an achievement as a cue to duplicate whatever worked last time, or maybe even tailor their sound to boost its commercial appeal, the band—vocalist Joe Badolato, guitarists Will PutneyPatrick Sheridan, and Tim Howley, bassist Peter Spinazola, and drummer Josean Orta—simply continued to evolve along their own path. The Nothing That IsFIT FOR AN AUTOPSY’s seventh and latest album (and third for Nuclear Blast), bears no sign whatsoever of commercial concession or rehashed past glories. Instead, the ten-song album finds the band exploring moodier textures and deeper emotions that add new power and dynamics to their already brutal and complex music, while also completely tuning out the ambient noise of passing musical trends and the expectations of the outside world. Produced by Putney at his Graphic Nature Audio studio in Kinnelon, New Jersey, The Nothing That Is is an album filled with anger, frustration, and crushing despair. Songs like "Hostage", "Red Horizon", "Lower Purpose", and the pummeling title track grapple with the horrors that the human race has unnecessarily inflicted upon the world, while the epic, introspective closer "The Silver Sun" reflects bitterly upon our uncertain future. Built to be listened to in its entirety in a single sitting, The Nothing That Is flows like the gripping soundtrack to a documentary film of our increasingly dystopian existence. A ringing wake-up call for humanity and a thoroughly intense listening experience, The Nothing That Is brims with both aggression and melody, it's bracing music is delivered with the confidence of a band that has honed its skills and forged its sense of purpose through fifteen-plus years of all-out live shows. Sufficiently secure of their place in the metal firmament to let their music go wherever feels right for a particular song, FIT FOR AN AUTOPSY have delivered what may well be the greatest album of their career.

FIT FOR AN AUTOPSY ARE:
Joseph Badolato | Vocals
Patrick Sheridan | Guitar
Timothy Howley | Guitar
Will Putney | Guitar
Peter Blue Spinazola | Bass
Josean Orta Martinez | Drums

Messina Touring Group Elevates Rachel Powers to Vice President

Messina Touring Group (MTG) has elevated Rachel Powers from Vice President of Marketing to Vice President, reflecting her expanding role within the company and her continued impact on the live entertainment industry.
 
“It’s an absolute honor to continue growing with a company known for its unwavering commitment to artists, always putting them and their best interests first,” shares Powers. “I’m fortunate to work alongside some of the most talented professionals in the business, many of whom have helped pave the way for me. It’s been a privilege to support some of the best artists and their incredible teams. I’m especially grateful to Louis for his mentorship and for believing in me – this opportunity means the world.”
 
In addition to prior responsibilities of co-leading the marketing department and overseeing tour marketing for Blake Shelton, Eric Church and Zac Brown Band, this new role expands Powers’ focus beyond marketing to include broader oversight and more deeply involved in high-level decision-making, cross-functional leadership and driving overall growth for the business
 
Powers has been a driving force behind some of country music’s most successful tours. Since 2017, she has overseen tour marketing for Shelton, from his Doing It to Country Songs Tour to his upcoming 2026 Live in Las Vegas residency at The Colosseum.
 
She leads marketing for Church’s highly anticipated Free the Machine Tour launching this weekend, following her work on his The Gather Again Tour, which sold over 860,000 tickets, grossed $100 million, and earned Top Country Tour at the 2022 Billboard Music Awards and Church’s record-breaking Double Down Tour in 2019, which sold more than 770,000 tickets, grossed nearly $72 million and made history as the first solo headliner at Nissan Stadium.
 
Her contributions have been widely recognized throughout the industry. She has been named to Billboard’s Country Power Players list (2024, 2025) and Women in Music Executive list (2023, 2025). She was selected for the second cohort of the Country Music Association’s Women’s Leadership Academy, recognized as an inaugural honoree on Pollstar’s Impact: NextGen list in 2019, and invited to join the first class of the American Express Women in Music Leadership Academy.

Photo Credit: Chris Zebo