GAVIN ADCOCK RELEASES 3RD ALBUM IN 3 YEARS: THE DAY I HANG IT UP

Gavin Adcock had an instinct to turn others’ doubt into motivation ever since he was a kid on a cattle farm in Watkinsville, Georgia. That drive serves as the inspiration behind his latest album, The Day I Hang It Up, available now via Thrivin Here Records/Warner Records Nashville. Listen HERE. 
 
“As much as people might want to cut me down, as much as they want to make me an outcast or make me smaller in their head, I’m not going anywhere,” Adcock promises. “When I quit, it’s going to be because I want to—not because someone made me, or tried to run me out. That’s the whole premise of The Day I Hang it Up.” 
 
A co-writer on all but four songs, the project also includes collaborations with Treaty Oak Revival, ERNEST, and his previously released fan favorite, “Cheap Thrills” with Hudson Westbrook. 
 
The official music video for “Us Again” featuring Treaty Oak Revival premiered simultaneously with the album release. Directed by Jack Owens and produced by Sydney Hampton, the video builds a narrative around the push-and-pull of a toxic relationship, with the narrator assured that despite the relationship ending, “I know we’ll wind up us again.” Watch BELOW. 
 
Adcock has steadily released new music since announcing the album, with 11 of the 26 tracks available before the official release. Offering a mix of heartbreak, love, and his signature “outlaw-country edge” (Parade), The Day I Hang It Up also adds a layer of depth to the country star’s repertoire. Songs including “Shoes” and “Rockstar Life” delve deeper into the cost of rising fame, while “Holes In The Boat” offers an honest look at trying to balance masculinity and vulnerability concerning mental health. 
 
Adcock previewed the album to fans and industry insiders at Nashville’s Exit/In on Tuesday, Sep. 29. With a 14 song setlist, Adcock sang nine songs off the album while also playing fan favorites, “A Cigarette,” “Ain’t No Cure,” “Need To,” “Last One To Know” and “Run Your Mouth.” 
 
Adcock invited fans to vote on which city they wanted to see host his album release shows. The overwhelming response led the singer to choose and quickly sell out two cities: Studio at The Bomb Factory in Dallas, TX on Oct. 5 and The Eastern in Atlanta, GA on Oct. 8. 
 
The Day I Hang It Up is Adcock’s third album release in three years, and follows the success of his previous album, Own Worst Enemy, which arrived as the top new Country album on the Billboard Top 200 Country Chart AND the top streaming new album on the Billboard 200 All-Genre Chart week of release (Aug 15, 2025). Before that, his major-label debut album Actin’ Up Again became the highest streaming major-label Country debut from a solo male artist in 2024, with more than 15 million on-demand U.S. streams the week of release, and was 2024’s top streaming major-label debut across the entire genre.

About Gavin Adcock:
Gavin Adcock, dubbed by Billboard as "one of country music’s most buzzed-about artists” is a Georgia native, born and raised in Watkinsville. Former Georgia Southern University football player, Gavin grew up working on his family’s cattle farm and dreamt of riding bulls in the PBR. He started writing songs in high school, but it wasn’t until the spring of 2021, when Adcock tore his knee playing football, that he used his healing time to record and release his first original single. Since then, Gavin has collectively amassed more than 2 BILLION global streams across singles including the fan-favorite, RIAA PLATINUM-certified, “A Cigarette,” GOLD-certified songs “Run Your Mouth,” “Deep End,” “Four Leaf Clover” and more. His album, Actin’ Up Again, was crowned the largest major-label country debut from a solo male artist released in 2024 and was the year’s top streaming major-label debut across the genre. Within less than a year, Adcock more than doubled his previous streaming record with over 25 MILLION first week US streams on new album Own Worst Enemy, released August 15, 2025. Own Worst Enemy debuted as the top new Country album on the Billboard 200 Country Chart (No. 4) and top streaming new album on the Billboard 200 All-Genre Chart (No. 14) week of release. In the Spring of 2026 Gavin was able to add Executive Producer to his achievements, with the release of Adcock’s brainchild, Country Never Dies, enlisting the help of nine artist peers to join him on the special, timeless, project. The MusicRow Awards’ “Discovery Artist of the Year” nominee has also won over the hearts of both Country music fans and music industry alike, leading to his New Artist of the Year nominations at both the 60th & 61st ACM Awards. Taking his music to the fans, Adcock is currently underway on The Day I Hang It Up Tour 2026, marking the fourth extensive headlining tour since 2024.

Photo Credit: Madelyn Ormond

COLIN STOUGH & KENNY WAYNE SHEPHERD PLUG IN FOR “BONE DRY (REVISITED)” – OUT NOW

Colin Stough plugs “Bone Dry” back in alongside blues-rock icon Kenny Wayne Shepherd with “Bone Dry (Revisited),” available everywhere today. Listen BELOW.

Originally released in July as one of Stough’s most stripped-down recordings to date, “Bone Dry” found the Mississippi native with nothing left between his gravel-worn vocal and the aftermath of a relationship that took everything out of him. Now, Stough and Shepherd revisit that heartbreak from the other side of the amplifier, giving the song an electric edge while leaving its emotional core exposed.

“Getting to work with Kenny Wayne Shepherd on ‘Bone Dry’ was honestly pretty surreal for me,” shares Stough. “I’ve been a fan of his music for a long time, so having him bring his guitar and his sound to a song that means a lot to me was something I’ll never forget. He took the song to a whole different level, and I’m really proud of what we made together.”

“Colin has been so great to work with. He knows exactly what he wants with his music. I understand just how unusual it is for someone his age to possess that kind of maturity and drive. He has exceptional musical instincts and is such a great writer, singer, guitarist, and he has a lot of depth in his musical arsenal to draw from. It’s been a lot of fun working with him and I’m excited to see what we come up with next,” shares Shepherd.

Written by Stough, Gavin Lucas and Jackson Inman, “Bone Dry” uses the image of a river run dry to capture the point after heartbreak when even the tears are gone. Cracked earth, empty skies and memories of what once flowed freely frame a breakup that leaves Stough drained rather than angry. On “Bone Dry (Revisited),” Shepherd’s unmistakable guitar enters that landscape, answering Stough’s weathered vocal and bringing new voltage to a song built around having nothing left to give.

The collaboration also brings together two artists whose musical roots meet naturally across Southern rock, country and blues. A multi-Platinum blues-rock guitarist with six GRAMMY nominations, Shepherd has notched a string of No. 1 blues albums and No. 1 mainstream rock singles across his career. Raised on the Mississippi-Alabama line, Stough grew up absorbing the sounds of artists including The Allman Brothers and has increasingly pushed his own music toward the heavier edges of his influences. With Shepherd joining him on “Bone Dry (Revisited),” the song stretches further into that blues-rock lineage without losing the raw country storytelling at its center.

About Colin Stough
Born and raised on the Mississippi-Alabama line, 21-year-old Colin Stough was brought up on Southern rock and second chances. A self-taught guitarist and gravel-voiced storyteller influenced by The Allman Brothers, Conway Twitty and Koe Wetzel, he first picked up a guitar at age eight, later trading prized possessions for a pawn shop acoustic he still plays today. After high school, he worked full-time as an HVAC tech until his mom pushed him to audition for American Idol Season 21. That leap launched a life-changing ride, including a standout third-place finish, a deal with 19 Recordings/BMG Nashville and breakout songs like “Sober,” “‘Til The Day One Does” and the hard-edged anthem “White Trash.” With a skinned-raw vocal and lyrics carved from lived experience, Stough has built a loyal following of more than 800K across social platforms. His EPs Promiseland and Lookin’ For Home offer a no-frills portrait of a young man navigating life with Southern grit, while releases including “White Trash,” “20 Bucks,” “Best For You,” “21 Year Old Man Blues,” “Trippin’” and “Bone Dry” continue to showcase both the power and vulnerability of his songwriting. His latest, “Bone Dry (Revisited),” finds Stough joining forces with blues-rock icon Kenny Wayne Shepherd for an electrified new take on his stripped-down heartbreak ballad. On the road, he has opened for acts like Chase Matthew, Drake White and Kidd G as he continues to build his audience one show at a time. A student of Skynyrd and the outlaw spirit, Stough isn't chasing trends. He's telling the underdog's truth, one song at a time.

KEEP UP WITH COLIN STOUGH
WEBSITE | FACEBOOK | INSTAGRAM | TIKTOK | YOUTUBE

OUT NOW: Of Virtue's "Death Of The Altar" + New Video For "Too Late"

Michigan metalcore outfit, Of Virtue, unleash their highly-anticipated new album, "Death Of The Altar", today via Arising Empire. Expanding on the emotional depth that propelled their 2023 hit record, "Omen" to over 65 million streams, the band return sharper and more deliberate than ever, leaning into their charismatic balance of melody, intensity, and unflinching honesty. Watch the brand new video for "Too Late" below, and stream the new record HERE.

Built on crushing guitar riffs, industrial electronics, atmospheric production, and the striking contrast between Tyler Ennis and Damon Tate's vocals, "Death Of The Altar", moves effortlessly between claustrophobic heaviness and enormous, soaring choruses. Across the record, Of Virtue explore what happens when devotion becomes destructive, when love turns into dependency, and when the things we give ourselves begin taking more than they give back.

That idea runs through the album in different forms. Relationships collapse under the weight of obsession, guilt and resentment, while elsewhere the band confront isolation, grief, mortality, mental turmoil and the consequences of self-destructive behavior. Religious imagery repeatedly collides with deeply human experiences of love and suffering, turning the altar into a symbol for everything we worship, sacrifice for and eventually may have to leave behind.

At its core, "Death Of The Altar" is about reaching that breaking point and finally confronting it. Songs such as "Death Of The Altar", "Enemy State", "What's It Like To Be Happy?", "Flatline", and "Devotion" approach that struggle from different angles, while the defiance of "Can't Keep Knockin' Me Down" offers another side of the record: refusing to remain trapped by the people and forces that have caused the damage.

Arriving alongside the album is "Too Late", a massive, emotionally driven metalcore track that captures Of Virtue at their most visceral. Urgent rhythms and punishing riffs collide with soaring melodies as screams and clean vocals trade places throughout one of the record's most immediate choruses. Beneath its intensity lies an unflinching confrontation with regret, selfishness, and the realization that sometimes the damage has already been done. The track's repeated acknowledgement that there may no longer be a way back perfectly reflects the wider emotional weight running throughout "Death Of The Altar".

Facing his mistakes without making excuses on "Too Late", co-vocalist and guitarist Damon Tate shares:

"When this song was being written, I was at a lower point in my life, reflecting on past mistakes, moments where I was not my best self and realizing that I had hurt people in ways that I didn't (or refused to) acknowledge. My emotional maturity was being tested like never before, and by bringing all of these issues forward, I forced myself to swallow the proverbial bitter pill and accept those circumstances. My view of intimate relationships, as well as those with platonic friends and family, was skewed. I have had a hard time communicating my feelings over the course of my life and I don't want those who love and support me to feel like I am shutting them out. I want to be able to feel comfortable asking questions and connecting on a meaningful level before their time on this Earth is up."

On what it took for the band to tear themselves down and rebuild on "Death Of The Altar", co-vocalist and guitarist Damon Tate continues:

"Words can't properly describe how this record feels for all of us! In many ways, this was the hardest record we have ever made emotionally, spiritually and mentally. There were arguments, tense moments and many long conversations peeling back the layers of who we are as a band and what we want to convey with this record. DEATH OF THE ALTAR for us collectively is an ego death experience. The things we thought were the most important were, in time, the things holding us back from the best version of ourselves. It took all of us getting into a room and challenging each other as best friends/brothers to get to where we are at and we couldn't be more proud of the record we made and the mark we hope to leave when everyone has a chance to hear it!"

On the live front, Of Virtue recently completed a summer run alongside Savage Hands and shared the stage with In This Moment in Pittsburgh, before they traveled overseas for their current European tour supporting Unprocessed. All tour details can be found HERE.

Harnessing the potent fusion of powerful melodies and emotionally charged lyrics, Of Virtue maintain a steadfast commitment to authenticity, consistently redefining the genre while staying true to their artistic essence. Beloved across 35 countries and having performed at multiple Danny Wimmer festivals, Upheaval, Full Force, Summer Breeze, and Pulp Summer Slam amongst many others, it's no surprise that they've shared stages with bands such as Slipknot, Bad Omens, Nothing More, and Three Days Grace. Beyond their musical prowess, the metal powerhouse also serve as passionate mental health advocates on and off stage. Often seen using their platform to raise awareness and openly discuss these vital issues, Of Virtue have become a source of hope and inspiration for countless fans facing similar challenges.

Carrying forward the spirit of their 2023 record, "Omen", Of Virtue continue to champion vulnerability, community, and the belief that no one is defined solely by their worst decisions. With "Death Of The Altar", the band refine and expand their sound, one marked by confrontation, growth, and the difficult process of letting go. Unafraid to sit in discomfort, Of Virtue deliver a fearless exploration of what it takes to dismantle the parts of yourself that no longer serve you, even if it means tearing down everything that once felt like home.

Be sure to stay tuned for more Of Virtue news coming very soon.

OF VIRTUE

Supporting Unprocessed

October 3 - Paris, France - Maroquinerie

October 4 - Tilburg, Netherlands - 013 Next Stage

October 5 - Nijmegen, Netherlands - Doornroosje

October 6 - Cologne, Germany - Gebäude 9

October 7 - Hamburg, Germany - Kent Club

October 8 - Berlin, Germany - Hole 44

October 9 - Munich, Germany - Strom

October 10 - Frankfurt, Germany - Batschkapp

ABOUT OF VIRTUE

In the face of omnipresent change, OF VIRTUE has never wavered, forging a legacy that stands as a testament to the power of reinvention and a refusal to surrender. Since the band’s inception, their music – a punishing-yet-melodic mix of hard rock, metal, and alternative – has mirrored that ambition: unexpected and ever-shifting, always rooted in raw emotion. 

That restless spirit is fully realized on “DEATH OF THE ALTAR,” their record following their 2023 record Omen. Built on jackhammer riffs, skittering industrial electronics, and ethereal production, the band’s fourth studio album surges from claustrophobic tension into a widescreen, soaring set of choruses showcasing contrasting vocal styles of Tyler Ennis and Damon Tate – equal parts soulful and caustic. The shifts land like the split second before impact, amplifying the record’s central theme: confronting the moment when devotion turns into self-destruction.

“DEATH OF THE ALTAR,” the band’s fourth album, follows a period of rapid ascent: 2023’s Omen propelled the Michigan-based act to more than 65M streams, 4M YouTube views, and tours and festival appearances alongside Slipknot, Gojira, Bad Omens, The Used, and Three Days Grace, yet their momentum has always been fueled by more than accolades. Drawing inspiration from their diverse ethnic backgrounds (Chinese, Vietnamese, Mexican, Black, and Irish heritage), Of Virtue finds strength from these distinct perspectives, shaping their chemistry, songwriting and shared sense of purpose.

GRAVE DIGGER Release New Single + Lyric Video "The Number"

German heavy metal legends GRAVE DIGGER present “The Number”, the new single from their upcoming studio album Faces of Pain, set for release on January 15, 2027 via Reaper Entertainment. With “The Number”, GRAVE DIGGER reveal a particularly intense side of their new album. Musically, the track is built around a powerful, riff-driven mid-tempo foundation, a massive chorus and Chris Boltendahl’s unmistakably rough vocals. Its dark and menacing atmosphere provides the setting for a subject that is particularly close to the GRAVE DIGGER frontman’s heart.

Watch the official lyric video for “The Number” Below:

Chris Boltendahl comments on “The Number”:

“THE NUMBER is far more than just a song – it is a cry against forgetting and a memorial to humanity.

We look back at one of the darkest chapters in history. There was a time when people were stripped of their names, their identities and their dignity. Instead, numbers were burned into their skin. They were no longer seen as human beings, but treated like animals – trapped in an unimaginable system of systematic inhumanity.

When we look at the world today, a justified fear begins to creep in: the fear that these horrific times, in a different form, could one day return. That we might forget where hatred and the dehumanization of others can lead.

This is exactly where THE NUMBER comes in. This song is an unequivocal statement against the horrors of the past. Against what happened and what none of us ever want to experience again. But despite its serious and historical context, the song carries an even more important message: it is a symbol of hope. A sign for peace, for the inviolable dignity of every human being and for a future in which every name matters and every individual is free to be who they are.”

“The Number” offers another taste of Faces of Pain. Following the straightforward old-school approach of their 45th-anniversary album Bone Collector, GRAVE DIGGER continue down this path with a record that sees the band as energetic, uncompromising and diverse as ever.

Razor-sharp riffs, massive choruses and Chris Boltendahl’s unmistakably rough vocals form the backbone of the album. Fast-paced heavy metal bangers such as “Faces of Pain” and “Satan’s Tango” meet riff-driven mid-tempo anthems including “The Number”, “Legends Never Die” and “When The World Is Calling You”, while “Dead Sun” and “Say Hello To The Devil”reveal the band at their heaviest and darkest.

Pre-orders for the new GRAVE DIGGER album are now open. Faces of Pain will be released on January 15, 2027 via Reaper Entertainment and is available in various formats and limited editions.

Pre-order “Faces of Pain” here: https://lnk.to/FacesOfPain
 

More than 45 years after their formation, GRAVE DIGGER show no signs of slowing down. Faces of Pain is an album packed with energy and classic heavy metal – firmly rooted in the band’s history while looking straight ahead.

The album was produced by Chris Boltendahl at Graveyard Studios in Senden, Germany. 

The cover artwork was created by Uwe Jarling.

Starting in January 2027, GRAVE DIGGER will also bring the new material to the stage. On the “Legends Never Die Tour”, fans can experience the unbroken live power of this German heavy metal institution.

LEGENDS NEVER DIE TOUR
GRAVE DIGGER
MOTORJESUS
WARWOLF

14.01.2027: Siegburg – Kubana Live Club
15.01.2027: Münster – Sputnikhalle
16.01.2027: Andernach – JUZ Live Club
21.01.2027: Nürnberg – Hirsch
22.01.2027: Memmingen – Kaminwerk
23.01.2027: München – Backstage
24.01.2027: (CH) Pratteln – Z7 Konzertfabrik
28.01.2027: Aschaffenburg – Colos-Saal
29.01.2027: Mannheim – Capitol
30.01.2027: Leipzig – Hellraiser
04.02.2027: Berlin – Hole 44
05.02.2027: Hamburg – Markthalle
06.02.2027: Hannover – MusikZentrum
12.02.2027: Markneukirchen – Musikhalle
13.02.2027: Bochum – RuhrCongress

Tickets: https://www.rockworld24.com/smartlinks/rockworld24/grave_digger_live.html

For More Information Please Visit:

Official Website

Instagram

Facebook

Spotify

TWISTED SISTER ANNOUNCE TOTALLY TWISTED – THE STUDIO ALBUMS 1982–1987

BMG, in partnership with Rhino Entertainment, announces the release of Totally Twisted – The Studio Albums 1982–1987, a celebration of one of the most explosive and influential periods in rock history with a collection that brings together Twisted Sister’s classic studio albums from 1982 through 1987.

Available as a 5-color-LP box set and a 5CD box set—Totally Twisted chronicles the era in which Twisted Sister evolved from a New York City club phenomenon into an international heavy metal powerhouse.

The collection features five landmark studio albums:

• Under the Blade 

• You Can’t Stop Rock ’n’ Roll

• Stay Hungry

• Come Out and Play

• Love Is for Suckers

Together, the albums capture the full arc of Twisted Sister’s defining ’80s run and present the complete studio-album story of a band whose music, imagery and larger-than-life personality helped define an era.

The 5-color-LP edition presents each album on its own uniquely colored vinyl, creating a striking collector’s package designed for fans who want to experience these essential recordings in the classic album format. 

With its combination of hard-rocking attitude, unforgettable songs and unmistakable visual identity, Totally Twisted – The Studio Albums 1982–1987 is an essential collection for longtime Twisted Sister fans and a definitive introduction for a new generation of rock fans.

PRE-ORDER HERE

About Twisted Sister

Formed in New Jersey in the early 1970s, Twisted Sister emerged as one of heavy metal’s most distinctive and successful bands, combining powerful riffs, anthemic choruses, theatrical imagery and an unmistakable spirit of rebellion.

The band’s best-known lineup—responsible for its first four albums—featured Jay Jay French (guitar), Eddie “Fingers” Ojeda (guitar), Dee Snider (lead vocals), Mark “The Animal” Mendoza (bass) and A.J. Pero (drums). Following the Come Out and Play tour, Pero departed the group and was succeeded by former Good Rats drummer Joey “Seven” Franco, who performed on the band’s 1987 album, Love Is for Suckers.

Twisted Sister achieved international breakthrough success with the release of Stay Hungry in 1984. Certified multi-platinum in the United States, the album produced two of the era’s most enduring rock anthems, “We’re Not Gonna Take It” and “I Wanna Rock,” propelling the band to worldwide prominence.

With their uncompromising sound, iconic music videos and larger-than-life visual identity, Twisted Sister helped define the musical and cultural landscape of 1980s heavy metal. Their enduring catalog and singular approach to performance continue to resonate with generations of rock and metal fans around the world.

THROWLIGHT Confront A Fractured American Dream On New Single “Welcome To America”

Southern California genre-defiers THROWLIGHT return with “Welcome To America,” a confrontational new single that turns the band’s collision of rap, metal, hardcore and punk toward the state of the country they call home. The single can be ordered as a limited edition cassette HERE: https://rocomtoys.com/products/welcome-to-america-cassette-single

Driven by frustration with racism, oppression, greed and the erosion of freedoms, “Welcome To America” questions whether the American Dream was ever truly attainable for the generation that inherited it. The track does not simply catalog what the band sees as broken within the country. At its core, it is also a call for change and a reflection of the belief that music should speak directly to the moment in which it is created.The band shares: “The promises that come with living as a citizen of the United States of America have been dismantled and threatened over the past few years. We’ve reached a breaking point where, if change doesn’t come soon, the very freedoms we’ve fought for will be lost. Our song highlights the corrupt systems of racism, oppression and greed that are deeply rooted in our country’s foundations. It all leaves us wondering if the American Dream was ever going to be real for our generation.

“We have hope in change, though. Music should reflect the times, and that’s exactly what our song sets out to do.”

Musically, “Welcome To America” mirrors that urgency. Driving vocals collide with metallic riffs, hardcore aggression and the raw directness of punk, creating a track that feels intentionally restless and confrontational.

Rather than offering easy answers, THROWLIGHT use “Welcome To America” to capture the anger, exhaustion and uncertainty surrounding a country whose promises increasingly feel at odds with reality. Still, the song refuses to surrender completely to cynicism. Beneath its criticism is the belief that change remains possible, and that speaking openly about what is broken is part of getting there.

About THROWLIGHT:

Hailing from South Orange County, THROWLIGHT cultivate a dynamic, genre-fusing sound from the diverse musical backgrounds of its members. Drawing from across punk, metal, rap, and hardcore, this fusion results in a unique style that combines heavy grooves, catchy leads, and rap verses designed to keep listeners' heads swinging. 

Inspired by iconic acts, notably DEFTONES, RAGE AGAINST THE MACHINE, FAITH NO MORE, ICE CUBE, THE BEASTIE BOYS, LINKIN PARK, the band's deep established bonds, having known each other since childhood, also infiltrate their stylistic sound. 

THROWLIGHT emerged through Kevin Betz and Chris Ellis joining to create a metal band, with underground rapper Rocom stepping up as lead vocalist. The addition of Rocom's longtime collaborator in rap, King of Somewhere, finalized the band's distinctive sound as he introduced his synth sounds leading to a blend of hip-hop with a heavy metal soundscape. THROWLIGHT unveiled their debut album Monster independently in 2024. 


THROWLIGHT Is: 

Rocom - Vocals
Chris Ellis - Guitar
Kevin Betz - Bass
Andrew Bogert - Drums
King of Somewhere - Synth


Connect With THROWLIGHT:

Official Website: https://throwlightmusic.com/
Bandcamp: https://throwlight.bandcamp.com/music
E-Shop: https://rocomtoys.com/collections/throwlight
Facebook: https://www.facebook.com/throwlightmusic
Instagram: https://www.instagram.com/throwlightofficial
Twitter/X: https://x.com/throwlightmusic
YouTube: https://www.youtube.com/@throwlight
Spotify: https://open.spotify.com/artist/3wNptBLA2tvZk8NsxwwklA
Apple Music: https://music.apple.com/us/artist/throwlight/1762475208
TikTok: https://www.tiktok.com/@throwlight

[Artwork by Ian Ameling]

Aussie Deathcore Titans TO THE GRAVE Release New Album 'LIBERATION FRONT' — Out Now via BLKIIBLK

Today, TO THE GRAVE, the world's preeminent vegan deathcore band, proudly unleash their new album, 'LIBERATION FRONT,' out now via BLKIIBLK. Celebrating the release, the band also launches their new single, "LIMB FROM LAMB," alongside a music video.

On the new single, bassist Matt Clarke comments:

“'LIMB FROM LAMB' was the song that probably changed the most in the recording process. Until it was done, I wasn’t sure it would even make the cut for the album. It really took Dane’s lyric arrangement and vocal delivery to make it shine. It's a bit of a change of pace from the previous singles, this one is slow (for us), brooding and heavy”

“For the video we leaned heavily into the horror movie imagery. Our music and visuals have always been inspired by horror and this was a chance to be really obvious with one of our favorites. It’s always made sense for us to connect this kind of inspiration to the real-life horror we address in the lyrics."

Watch the Official Music Video for "LIMB FROM LAMB" BELOW:

Since forming in 2010, TO THE GRAVE have become one of Australia's most uncompromising heavy exports, earning acclaim for crushing releases including 'Global Warning,' 'Epilogue,' 'Director's Cuts,' and 2024's 'Everyone's a Murderer.' Armed with a singular mission to confront animal cruelty and environmental destruction through some of modern metal's most punishing deathcore, the Sydney outfit have forged a reputation for pairing unrelenting heaviness with fearless activism. Their live assault has taken them around the globe alongside Lorna Shore, Thy Art Is Murder, Shadow of Intent, Carnifex, Oceano, and more, with Revolver hailing them as "one of the country's heaviest exports" and Distorted Sound calling them "one of the most intense, enthralling bands the genre can offer."

Now, the band returns with 'LIBERATION FRONT,' their fifth album and BLKIIBLK debut, a statement of pure intent. Brutal and uncompromising in both sound and message, TO THE GRAVE transform their death metal-infused assault into a vehicle for activism, raging against animal cruelty and environmental destruction while delivering their most direct and fully realized work to date. From the breakdown-laden opener "MEAT THE HUMANS,"'Liberation Front' marks a ferocious return to the band's deathcore roots. While recent releases leaned further into hardcore, the new album embraces deathcore at its most savage and relentless.

Evans comments about the album:

"'LIBERATION FRONT' was born as a concept on tour last year in Australia after we decided we wanted to make the sequel to 'Director’s Cuts.' What came out was something between that and a more pissed off brother to 'Everyone’s A Murderer.' It’s got so many things I love about the band and a bit of everything pushed to 100 with a really bleak kind of aggression that’s just reaching for your throat the entire time. Very keen to play some of these songs live and it’s an exciting chapter to add.”

Order 'LIBERATION FRONT' HERE

TO THE GRAVE is currently on "The Sawed Off Suffering Tour" with co-headlinerCrown Magnetar. The entire run is supported by Face Yourself and on select dates by the likes of I Declare War, Tracheotomy, Backbiter, Squelching and Ameonna (the new band featuring former Chelsea Grin members Alex Koehler, Jake Harmond and Pablo Viveros, making their live debut). For a full list of remaining dates, please see below.

Bassist Matt Clarke exclaims:

“These are the heaviest lineups we’ve ever put together, and we can’t wait for these shows across North America and at home in Aus. For North America, all these bands have a different approach, but the one thing that brings it all together is intensity! We’re stoked to be teaming up with Crown Magnetar for this run, and having Face Yourself on the package just makes it more crushing. We’re very excited that we get to play with OG Chelsea Grin members back on-stage for the first time in Ameonna, and I Declare Warhopping on for some shows is awesome! Backbiter, Tracheotomy, and Squelching will all bring their own brands of brutality to the tour. No matter what show you’re hitting, you’re in for a treat.”

TO THE GRAVE Live:

North America w/ Crown Magnetar, Face Yourself

Oct 2 - Atlanta, GA @ The Masquerade (Purgatory) ^

Oct 3 - Jacksonville, FL @ The Albatross ^

Oct 4 - West Palm Beach, FL @ The Banyan Live ^ 

Oct 6 - Dallas, TX @ Club Dada $

Oct 7 - Austin, TX @ Come and Take It Live $

Oct 9 - Mesa, AZ @ Rosetta Room

Oct 10 - Los Angeles, CA @ Echoplex +

Oct 11 - Roseville, CA @ Goldfield Trading Post +

Oct 13 - Portland, OR @ The Hawthorne Theatre +

Oct 14 - Seattle, WA @ El Corazon +

Oct 16 - Salt Lake City, UT @ Soundwell ~

Oct 17 - Denver, CO @ HQ ~

* w/ Backbiter

^ w/ Tracheotomy

$ w/ Squelching

+ w/ I Declare War

~ w/ Ameonna

More Dates TBA!

'LIBERATION FRONT' is more than an album; it is a musical and lyrical call to arms, designed not only to rage against the machine but to educate, provoke, and challenge listeners on every level. Combining their most savage deathcore material to date with an unwavering commitment to animal liberation and environmental activism, 'LIBERATION FRONT' stands as TO THE GRAVE's definitive statement: fierce, unapologetic, and impossible to ignore.

As Evans puts it, “this is our way of establishing order. The band is built around our way of doing things and to me this title is just waving that flag. These songs are about direct action, open rescue, abolition and liberation by any means necessary.”

TO THE GRAVE are:

Dane Evans - Vocals

Jack Simioni - Guitar

Nic Webb - Guitar

Matt Clarke - Bass

Connor Kingdom - Drums

Band Bio HERE

Teen Sensation Kage Archer Shares "Static In My Head" Video — WATCH

Wichita-based teenage wunderkind KAGE ARCHER is back with the video for his ballistic new single "STATIC IN MY HEAD." Watch it below. 

Yes, he's really 13, despite sounding like a seasoned veteran with major metal chops.

"I know everyone wants there to be some deep meaning but this one is just fun," he says. "It's fast as hell, it's heavy, but it's still super catchy."

It also follows Archer's recent single "BONDED BY BLOOD." Listen here. 

Kage Archer is redefining the future of heavy music at just 13 years old. A multi-instrumentalist who mastered drums at four and self-taught guitar and bass shortly after, Kage found his true calling behind the mic. His rise began when a TikTok video of him covering Motionless in White's "Slaughterhouse" went viral, landing him on stage with the band at age 10 in front of 6,000+ fans, a performance Chris Motionless (Motionless in White Vocalist) dubbed a "Top 10 career moment." Known to collect high-profile performances like Infinity stones, Kage has demolished stages with Fit For A King, From Ashes to New, Alpha Wolf, and I Prevail. Now, with guidance from industry heavy-hitter Hiram Hernandez (Producer for Blessthefall, Saosin, Left To Suffer, etc.) and backing from The Artery Foundation, Kage Archer is stepping out of the cover scene to unleash his own original music and dominate the heavy music world.

Folk Metal Duo FORGOTTEN SHRINE Release New Single "Gods Of War," Inspired By The Music Of Skyrim

FORGOTTEN SHRINE traverse dramatic soundscapes and landscapes in the new single release, "Gods Of War." Drawing inspiration from the open-world, mythical realms of Skyrim, "Gods Of War" takes the form of a bard's song in FORGOTTEN SHRINE's characteristic dynamic style. The single is taken from the forthcoming full length Nox Aeterna, set to release independently on November 6, 2026.

Sofia Frasz comments on the origins of "Gods Of War": "I had the idea for this song way before Josh and I even started Forgotten Shrine. I first wrote the lyrics in February 2021, and was thinking about releasing an acoustic Exiled Hope EP at the time. I had wanted to make music that sounded like it could be a Skyrim-style bard’s song, but hadn’t quite found a place for it in the Exiled Hope canon yet. I finally revisited the song shortly after we started Forgotten Shrine, and recorded an updated demo in 2024. Then I sent the demo to Josh, and we embellished and reworked it together."

"Gods Of War" continues the overarching narrative of Nox Aeterna. The album's protagonists, the keepers of an ancient shrine dedicated to art, creativity, and freedom, are well on their way to finding the source of the approaching darkness. They grow weary, however, at the apathy of those they encounter on the road as the impending destruction of all creeps nearer. 

Nox Aeterna was produced, mixed and mastered by Joshua Dalviken. The album artwork was created by Josh Alexander and Joshua Dalviken, with the cover art for "The Parting Glass (Reforged)" created by Josh Alexander and Tricia Alexander. 

About FORGOTTEN SHRINE:
Created by Josh Alexander (Pennsylvania, USA) and Sofia Frasz (Maryland, USA), FORGOTTEN SHRINE fuses the sounds and textures of folk instruments with the power and darkness of metal. Through their genre-crossing arrangements FORGOTTEN SHRINE delve into fantasy realms creating both upbeat songs perfect for embarking on an adventure and heavier offerings for battling shadowy forces. 

Alexander and Frasz combine their compositional styles, instruments and vocal textures to produce dynamic and emotive music. The upcoming full-length sees the duo each take the reins across the track list while ensuring FORGOTTEN SHRINE's core identity remains cohesive. 

FORGOTTEN SHRINE is: 
Josh Alexander - Guitar, Bass, Hurdy Gurdy, Irish Bouzouki, Additional Instruments, Backing Vocals, Composition.
Sofia Frasz - Lead Vocals, Guitar, Lyrics, Composition.

Connect With FORGOTTEN SHRINE: 
Facebook: https://www.facebook.com/profile.php?id=61555238025771&mibextid=ZbWKwL
Instagram: https://www.instagram.com/forgottenshrineband
YouTube: https://www.youtube.com/@ForgottenShrineBand
Spotify: https://open.spotify.com/artist/0q7rFp0yxvWoxGWqIt21nI?si=p5jz0YOOROOHFy5jxHAW6A
Apple Music: https://music.apple.com/gb/artist/forgotten-shrine/1734698132

THE L.I.F.E. PROJECT—Feat. Stone Sour’s Josh Rand & Casandra Carson—Unveils Cover of Led Zeppelin’s “Immigrant Song” + Visualizer

Today, THE L.I.F.E. PROJECT - the dynamic collaboration between guitarist and songwriter Josh Rand (Stone Sour) and powerhouse vocalist Casandra Carson (Paralandra, Casandra’s Crossing) – are thrilled to reveal their latest reimagining, a hard-hitting take on Led Zeppelin’s iconic “Immigrant Song,” out now via Frontiers Music Srl.

Josh Rand comments: 

“Like 'Call Me,' we never planned to release 'Immigrant Song.' In 2019, we moved into a new house, with a new home studio. Really, the music was all put together with me just messing around with the vintage gear I had. Once I started working with Casandra, I asked her if she wanted to take a shot at this for the fun of it.”

Casandra Carson also states:

“Ironically, the first time I remember hearing 'Immigrant Song' was in Shrek the Third, haha!! The second I heard Snow White sing that Viking war cry, my soul and my senses lit up like I’d been struck by lightning. My dad told me it was a song by Led Zeppelin, and I became as obsessed as a kid who just tried chocolate for the first time. I couldn’t get enough. Years later, when I started performing in bands, 'Immigrant Song' remained at the top of my list of songs I wanted to cover. It was only fitting that I would suggest it to Josh, as well, when we first began working together. I guess now I’ll have to watch Shrek the Third again to celebrate our new release.”

Watch the Official Visualizer for “Immigrant Song” Below:

Stream/Listen to "Immigrant Song" HERE

Born from a shared musical vision and an undeniable creative chemistry, THE L.I.F.E. PROJECT represents a fresh and compelling artistic union. While Rand had long envisioned launching a female-fronted project, it wasn’t until 2020 - when a mutual connection introduced him to Carson - that the idea truly began to take shape. What started as an exploratory collaboration quickly evolved into something far more meaningful, laying the groundwork for a project driven by purpose and artistic synergy.

Musically, THE L.I.F.E. PROJECT fuses Rand’s signature heavy riffs and affinity for strong melodic hooks with Carson’s commanding and versatile vocal delivery. Drawing inspiration from classic metal, thrash, and progressive influences, the project channels the raw energy and spirit that first inspired Rand to pick up the guitar, while offering Carsonthe opportunity to explore new sonic and emotional territories.

Over time, the band has crafted a distinct sound that balances intensity with accessibility, underpinned by a natural creative partnership. Their material reflects a thoughtful and organic development process, allowing ideas to evolve freely and cohesively.

Lyrically, THE L.I.F.E. PROJECT sets itself apart by venturing beyond traditional rock themes, embracing broader narratives and concepts. Their songs often draw from history, social issues, and real-world tensions, exploring themes such as empowerment, resistance, and societal challenges. This approach adds depth and substance to their music, complementing its powerful sonic foundation.

Line Up:

Casandra Carson - Vocals

Josh Rand - Guitar

Japanese Melodic Power Metal Force HAGANE Sign With Napalm Records!

Napalm Records is thrilled to welcome Japanese melodic power metal force HAGANE to the family!

Hailing from Tokyo, HAGANE have been making waves since their formation in 2018 with their energetic blend of soaring melodies, powerful riffs, lightning-fast guitar work, and infectious songwriting. After captivating audiences in Japan, HAGANE made a strong impression on European soil this summer at Germany's renowned Rockharz Festival, proving that their high-energy performance and melodic metal have what it takes to connect with audiences far beyond their home country.
 
Now, HAGANE are ready to enter their next chapter with Napalm Records. The band has signed a worldwide physical deal, excluding Japan, with the Austrian rock and metal label for their upcoming studio album Through the Night. Set for physical release outside Japan on January 15, 2027, the album showcases HAGANE's unique take on melodic power metal, combining epic melodies, powerful vocals, technical musicianship, and an unmistakable Japanese spirit. Through the Night marks an exciting new chapter for the band and their growing international fan base.

HAGANE comment:
''We have signed a worldwide agreement—excluding Japan—with the Austrian label Napalm Records. This prestigious metal-specialized label is home to numerous world-renowned acts, including DragonForce (whose songs have been covered on YouTube by Sakura and JUNNA), Kamelot, Accept, Frozen Crown, and Alter Bridge. Through this partnership, the new album Through the Night will be released globally on both CD and vinyl. Please stay tuned for HAGANE's future activities on the global stage.''

Napalm Records Senior A&R Sebastian Münch about the signing:
''HAGANE absolutely impressed us at this year's Rockharz Festival. For fans of melodic power metal, this is definitely a band to watch! A big thank you to our Japanese partners at Euclid Agency and Eagletail Music for the great collaboration.''

Pre-order your copy of Through the Night HERE.

HAGANE LIVE 2027

In spring 2027, HAGANE will return to Europe for four shows, bringing Through the Night to stages in Germany and Denmark. Following their impressive Rockharz appearance, the shows will give fans the chance to experience the band’s explosive live energy up close. With a new album, a new label home, and plenty of momentum behind them, HAGANE are ready to take their next step on the international metal stage.

EUROPE 2027:
4/9 — Roskilde, DK — Epic Fest
4/13 — Berlin, DE — Lido
4/14 — Hamburg, DE — Markthalle
4/16 — Köln, DE — Club Volta

HAGANE ARE:
Nagi — Vocals + Guitars
Sayaka — Bass guitar
Sakura — Guitars
Juuna — Drums

Miranda Lambert's Sold-Out The Truth Show to Stream as Amazon Music 'Songline Live' (10/7)

As anticipation builds for the release of her new album Crisco this Friday, Oct. 2, Miranda Lambert invites fans inside her sold-out, one-night-only performance opening Nashville’s newest venue, The Truth. Amazon Music will bring the performance to fans with a special Songline Live broadcast, premiering Wednesday, Oct. 7 at 9 p.m. ET on Amazon Music, Prime Video and Twitch. Tune in HERE.
 
Recording live at The Truth on Oct. 1, the special Songline Live episode will offer fans who couldn’t be in the room an opportunity to experience Lambert’s highly anticipated performance of select Crisco tracks and her catalog of hits, all accompanied by a 12-piece string section.
 
The Oct. 1 concert marks the first of two special album-release celebrations for Lambert, who will follow the Nashville show with a home state performance at the legendary Billy Bob’s Texas in Fort Worth on Oct. 6. Both venues will host free pre-show parties open to the public from 4-8 p.m., giving fans the chance to celebrate Criscoahead of each show with a variety of activations, including a photo booth, chain stitching and early access to merchandise. Fans can also support MuttNation’s “Fill the Little Red Wagon” campaign by bringing a pet supply donation for a chance to win a signed Crisco CD.
 
Co-produced by Lambert and Frasure, the 12-track album celebrates the many worlds that have always existed within country music while nodding to the genre’s shared history with disco, weaving together heartbreak and hope, highways and honky-tonks, rhinestones and roller skates. The album features previously released tracks including GRAMMY-nominated “A Song To Sing” with Chris Stapleton, the title track “Crisco,” “Till The Going’s Gone,” “Sunset Marquis” and “Two Things Can Be True,” with opening track and forthcoming radio single “Snakeskin Boots” recently revealed to be a collaboration with Ella Langley.
 
For more information, visit MirandaLambert.com and follow on social media @MirandaLambert.

About Miranda Lambert
Critically acclaimed groundbreaker/songwriter/superstar Miranda Lambert has defined her multifaceted career as an artist, entertainer, producer, entrepreneur, advocate and businesswoman with an unflinching quest for excellence, honesty and conviction. GRAMMY-nominated single “A Song To Sing” with Chris Stapleton arrived recently as the biggest streaming debut of her career, with Rolling Stone praising its “dreamy disco groove and lovestruck devotion.” The song appears on her forthcoming album Crisco arriving Oct. 2 via MCA. The new project follows her 2024 GRAMMY-nominated Postcards from Texas, which continued her unbroken streak of 10 consecutive Top 10s on the Top Country Albums chart. The most-awarded artist in Academy of Country Music history, including their top honor for Entertainer of the Year, she has also won three GRAMMYs and 14 Country Music Association Awards. A TIME100 honoree and perennial best-of-the-year list maker at the New York Times, TIME, Rolling Stone, Billboard, Stereogum, People and more, NPR has called her “the most riveting country star of her generation.”

Lambert has taken those standards to become a label co-founder, teaming with longtime collaborator Jon Randall to launch their own imprint, Big Loud Texas, in partnership with Big Loud Records. She is also a New York Times bestselling author and the first female restaurateur on Lower Broadway with her Tex-Mex cantina Casa Rosa, while also expanding her creative reach with her Wanda June Home collection as well as Idyllwind, her western clothing, accessories and footwear brand at Boot Barn. Her passion for animals inspired the creation of MuttNation Foundation, a 501c3 nonprofit which has raised over $15 million since inception to promote shelter pet adoption, support rescue organizations nationwide, advance spay & neuter and help shelters recover from natural disaster.
 
MirandaLambert.com | Facebook | X | Instagram | TikTok | YouTube

KINSLEY SIGNS WITH WME - Debut EP Learn To Live Available Now

On the heels of the release of her debut EP Learn To Live, Kinsley signs with WME for worldwide representation.
 
The 22-year-old has quickly established herself as a rising singer/songwriter, co-writing all six songs on Learn To Live available now via MCA, and recently signing a publishing deal with Sony Music Nashville.
 
“I’ve been dreaming about getting these songs out into the world and getting to play them live,” shares Kinsley. “Having a team like WME in my corner as we start developing that side of my career is really exciting, and I can’t wait to see what we build together. I’m beyond thankful for their belief in me.”
 
“We were immediately drawn to Kinsley’s songwriting and the way she connects with people through her music,” says WME’s Kanan Vitolo. “She has a really clear voice as an artist, and there’s so much room for her to grow. We’re thrilled to be working with her as she brings these songs to audiences for the first time.”
 
Learn To Live offers an introduction to Kinsley’s deeply personal songwriting, spanning themes of heartbreak, healing, self-discovery and learning how to move forward. The project includes “Pieces Of Me,” “Whiplash,” “Cold July” featuring Caitlyn Smith and title track “Learn To Live (Louder),” which was written solely by Kinsley and was the first original song she shared publicly, connecting with fans online and at writers rounds.
 
An “old soul” with a lifelong passion for poetry and songwriting, she approaches music as both personal expression and emotional refuge, writing the kinds of songs that say the things people are often too afraid to say themselves. Through her music, she hopes not only to share her own story, but to give voice to the experiences and emotions others may struggle to put into words.
 
Kinsley began sharing her music through the intimate “Midnight Sessions” performances online before bringing her songs to songwriter rounds and stages around Nashville.

L to R: Kyle Quigley (Morris Higham Management), Kinsley and Kanan Vitolo (WME)

About Kinsley
MCA singer-songwriter Kinsley creates music rooted in honesty, healing, and human connection. With her debut six-song EP Learn To Live, available now, the 22-year-old blends vivid storytelling, poetic lyricism, and raw, soulful vocals to establish herself as a songwriter with a clear voice and perspective. Having grown up across California, Texas and Tennessee, the Nashville-based artist writes the kinds of songs that make listeners feel seen and understood. An “old soul” with a lifelong passion for poetry and songwriting, Kinsley approaches music as both emotional refuge and personal expression — creating deeply human songs that live at the intersection of vulnerability and healing. Online at officialkinsleymusic.com.

TOUR NEWS: Daughtry Announce Second Leg Of 20 YEARS UNPLUGGED

Multi-GRAMMY-nominated, multi-platinum rock band Daughtry have announced the second leg of their 20 Years Unplugged tour, extending the intimate acoustic celebration into 2027 with 26 newly announced dates. The new run opens January 23 at Saracen Casino Resort in Pine Bluff, AR and closes March 7 at the Tabernacle Presented By iTHINK Financial in Atlanta, GA. 

To celebrate 20 Years Unplugged,a limited allotment of tickets will be available for $20 at each show, while supplies last. Artist presale, VIP packages, and the $20 ticket promotion begin Wednesday, September 30 at 10am local and run through Thursday, October 1 at 10pm local. 

Local promoter, venue, radio, and other presales run Thursday, October 1 from 10am to 10pm local. Tickets go on general sale Friday, October 2 at 10am local HERE.

Before the newly announced dates begin, Daughtry will take the first leg of 20 Years Unplugged across the U.S. this fall. The 22-date run opens October 12 at Troy Savings Bank Music Hall in Troy, NY and continues through November 14 at Majestic Theatre in Dallas, TX, with support from Buffalo, NY singer-songwriter and multi-instrumentalist Ryan Perdz across all shows. Tickets for the first leg are on sale now HERE.

20 Years Unplugged pulls arena-sized songs into a stripped-back setting where Chris’s unmistakable voice, the scrape of a guitar string, and the quiet before a chorus carry the weight. The format brings fans closer to the lyrics and stories threaded through two decades of Daughtry, connecting the catalogue that built the band with the heavier, more emotionally exposed music defining them today.

The second leg arrives during an active 20th-anniversary campaign for Daughtry. In July, the band released There and Back Again, an 11-track collection of newly rerecorded versions of catalogue cornerstones including “It’s Not Over,” “Home,” “Over You” and “What About Now.” At the same time, the SHOCK TO THE SYSTEM era has produced No. 1 singles “ARTIFICIAL,” “PIECES” and “THE BOTTOM,” keeping the anniversary rooted as firmly in the band’s creative present as in the songs that made them one of modern rock’s defining commercial forces.

Daughtry

20 Years Unplugged | US Tour

First Leg 2026

featuring Ryan Perdz

October 12 | Troy, NY | Troy Savings Bank Music Hall

October 13 | Beverly, MA | The Cabot

October 15 | Uncasville, CT | Mohegan Sun Arena

October 16 | Waterloo, NY | The Vine Showroom at del Lago Resort & Casino

October 17 | Atlantic City, NJ | Ovation Hall at Ocean Casino Resort

October 20 | Huntington, NY | The Paramount

October 21 | Englewood, NJ | Bergen Performing Arts Center

October 23 | Danville, VA | The Pantheon at Caesars Virginia

October 24 | Florence, KY | Turfway Park Event Center

October 26 | Greensburg, PA | The Palace Theatre

October 27 | Wheeling, WV | Capitol Theatre

October 29 | Nashville, IN | Brown County Music Center

October 31 | Omaha, NE | The Astro Theater

November 1 | Des Moines, IA | Hoyt Sherman Place

November 3 | Kansas City, MO | Uptown Theater

November 4 | Oklahoma City, OK | The Criterion

November 7 | Las Vegas, NV | Pearl Concert Theater at Palms Casino Resort

November 8 | Napa, CA | Uptown Theatre Napa

November 10 | Anaheim, CA | Grove of Anaheim

November 11 | Tucson, AZ | Fox Tucson Theatre

November 13 | San Antonio, TX | The Aztec Theatre

November 14 | Dallas, TX | Majestic Theatre

Second Leg 2027

January 23 | Pine Bluff, AR | Saracen Casino Resort

January 25 | Melbourne, FL | King Center

January 27 | Orlando, FL | Hard Rock Live

January 28 | Clearwater, FL | Ruth Eckerd Hall

January 30 | Biloxi, MS | Hard Rock Hotel & Casino

January 31 | Houston, TX | Bayou Music Center

February 2 | Corpus Christi, TX | Selena Auditorium

February 3 | Austin, TX | ACL Live at The Moody Theater

February 6 | Ventura, CA | Majestic Ventura Theater

February 8 | Sacramento, CA | Channel 24

February 10 | Denver, CO | Paramount Theatre

February 12 | Durant, OK | The Grand Theater - Choctaw Casino

February 13 | St Louis, MO | The Pageant

February 15 | Cedar Rapids, IA | Paramount Theatre

February 16 | Duluth, MN | DECC Symphony Hall

February 18 | Eau Claire, WI | Pablo Center at the Confluence

February 20 | Rockford, IL | Hard Rock Live

February 21 | Gary, IN | Hard Rock Live

February 23 | Detroit, MI | The Fillmore

February 26 | Hershey, PA | Hershey Theatre

February 27 | Bethlehem, PA | Wind Creek Event Center

March 1 | Orono, ME | Collins Center for the Arts

March 3 | Charlottesville, VA | Paramount Theater

March 5 | Charleston, SC | Charleston Music Hall

March 6 | Nashville, TN | The Truth

March 7 | Atlanta, GA | Tabernacle Presented By iTHINK Financial

ABOUT DAUGHTRY

Daughtry remain a force of nature in rock music and culture, standing as one of the best-selling rock bands of the 21st century. The history-making group have scored multiple platinum and gold certifications, notched two No. 1 debuts on the Billboard 200, packed venues worldwide, and sold north of 11 million albums and 25 million singles. Their self-titled debut was the top-selling album of 2007 and became the fastest-selling rock debut album in SoundScan history, earning four GRAMMY® Award nominations and winning four American Music Awardsalongside seven Billboard Music Awards, including Album of the Year.

Across subsequent albums Leave This Town, Break The Spell, Baptized, Cage To Rattle, and Dearly Beloved, Daughtry have continued to build a catalogue rooted in anthemic songwriting, emotional honesty, and Chris Daughtry’s unmistakable vocal power. Recent singles “World On Fire,” “Heavy Is The Crown,” and “Changes Are Coming” all cracked the Top 10 at Billboard Rock Airplay, while the band’s 2023 cover of Journey’s “Separate Ways (Worlds Apart)” featuring Lzzy Hale of Halestorm became another major moment in their ongoing evolution.

In 2024, Daughtry launched a heavier new era with SHOCK TO THE SYSTEM, which earned the band 3 Number 1 singles “ARTIFICIAL,” “PIECES,” and “THE BOTTOM,” while There and Back Again and 20 Years Unplugged revisit the songs that built the band through fresh recordings and a closer, more exposed live setting.

ABOUT RYAN PERDZ

Ryan Perdz is a 25-year-old singer, songwriter, and multi-instrumentalist from Buffalo, NY. Raised on his grandparents’ family farm, he began teaching himself guitar at age ten and later expanded into bass, violin, and mandolin, developing a hands-on approach to songwriting and arrangement. Influenced by Nirvana, Chris Cornell, Red Hot Chili Peppers, and Led Zeppelin, Perdz channels the emotional weight of 90s rock through a modern lens, balancing grit with melody. After independently releasing multiple singles and his First Sight EP, he signed with Big Machine Rock in 2025 and released his debut full-length album Can’t Cry, on August 14, 2026.

Void Sector Zero Announce Thrashing Debut Album Dead Space Enigma

Powered by the gravitational pull of a thousand suns, Void Sector Zero brings together three of extreme metal’s brightest burning stars in guitarist Christian Muenzner (Necrophagist, ex-Obscura, ex-Alkaloid), vocalist and bassist Alex Weber (Revocation, Malignancy, Exist), and drummer Gabe Seeber (Decrepit Birth, Abigail Williams, Carach Angren). While inspired by past greats, the star-powered band’s upcoming debut album, Dead Space Enigma, shreds a hole through the space time continuum with their modern spin on progressive thrash metal.      

Today, Void Sector Zero are announcing Dead Space Enigma with a music video for the album’s stellar lead single. “Vortex Divinium” whirls at warp speed through Area 51.  

“This song was inspired by Bob Lazar’s story about Element 1-15, the element that he says was used to fuel the anti-gravity propulsion system of the alien space craft that he was working on”, Muenzner says. “Musically, the song has a very proggy and neoclassical twist with traces of ‘70s prog and jazz fusion”.

Watch the music video for “Vortex Divinium” below:

Dead Space Enigma comes out December 11, 2026 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/voidsectorzerodse

The stars of Void Sector Zero first crossed paths in 2022. Muenzner, Weber and Seeber hit it off while all three were playing together in Obscura during the world tour for A Valediction.

“I’ve always wanted to play tech-thrash”, Muenzner says, citing Coroner, Voivod, Toxik, Martyr, Hexenhaus and Aspid as personal favorites. “When I decided to start my own band in this style, I thought of Alex and Gabe. Not only are they both great players, but I knew from our time in Obscura that we had great chemistry both on and off stage”.

“I am extremely excited to be creating music with Christian and Alex as Void Sector Zero”, drummer Gabe Seeber says. “Playing with musicians of this caliber will push me to progress and become a better musician, and there’s no better label to represent us and this sound than Season of Mist”.  

“Dead Space Enigma was a real blast to work on”, vocalist and bassist Alex Weber says. “Chris wrote a very demanding set of tunes that really pushed my bass and vocal techniques to new levels. To date, I feel like this album has the best recorded bass tone that I’ve ever gotten. It also led me to try new things with my voice that I didn’t know I could do. I can’t wait for everyone to hear it!”

Despite the band’s lengthy incubation period, Void Sector Zero hatch something truly mind-blowing on Dead Space Enigma. Fueled by Seeber’s adroit maneuvering from behind the drum kit, “Vortex Divinium” zips through Lazar’s twisted tale from Area 51. “Become god in the blink of an eye”, Weber growls with superhuman force. Catchy melodies fall atop gravity-defying bass runs like stardust as Muenzner shoots off into a shimmering solo that’s more well-traveled than Halley’s Comet.

“Bluesy guitarists like Jimi Hendrix and Robin Trower influence my approach to soloing as much as Yngwie Malmsteen and other great metal guitarists”, Muenzner says. “Whether it’s neoclassical or classic heavy metal, I like to add contrasts to my solos by introducing new colors”.

The video for “Vortex Divinium” was filmed and directed by Jesus Hernandez.  

Despite the band’s lengthy incubation period, like an experiment secreted at Area 51, Void Sector Zero hatch something truly mind-blowing on Dead Space Enigma. The album isn’t bound to one particular concept, but each song opens another portal into science fiction or cosmic horror. Lead single “Vortex Divinium” whirls at hyper speed through the warped mind of Bob Lazar. Propelled by gravity-defying bass runs, a dizzying guitar solo shreds the cosmic divide between tech-trash,‘70s prog rock and jazz fusion.

“Bluesy guitarists like Jimi Hendrix and Robin Trower influence my approach to soloing as much as Yngwie Malmsteen and other great metal guitarists”, Muenzner says. “Whether it’s neoclassical or classic heavy metal, I like to add contrasts to my solos by introducing new colors”.    

While Void Sector Zero gravitate toward tech-thrash, Dead Space Enigma is teeming with life-forms from across the metal universe. Guest vocalist Morean commands the freakishly fast march of “Cybernetic Infantry” from behind an eerily catchy vocoder. Under the influence of hard rock and trad metal, the twisted time signatures of “Extraterrestrial Disassembly” unravel into a DMT trip gone horribly wrong. “I like albums that offer an escape from reality”, Muenzer says. “Ammutseba” bangs heads in honor of the great Lovecraftian deity, but the all-consuming power of its chorus speaks to this band’s place amongst the gods of extreme metal. “A prophecy / Was once foretold”.  

On Dead Space Enigma, Void Sector Zero emerge with a star-studded explosion of progressive thrash metal.

Lineup

Christian Muenzner - Guitars, Synth

Alex Weber - Vocals, Bass

Gabe Seeber - Drums

Guest musicians
Morean (Alkaloid, ex-Dark Fortress) - Vocals on "Dead Space Enigma" & "Extraterrestrial Disassembly"

Recording credits
Guitars and synths recorded at Shredquarter Studios in Mexico City.
Bass and vocals recorded at Alex Weber's home studio.
Drums recorded at Mayhemeness Recording Studio in Sacramento, California.

Production credits
Produced by Christian Muenzner, Pere Revert and Alex Weber.
Mastering, Mixing & Sound Engineer - Pere Revert
Mastering & Mixing Studio - SONNOS Andorra
Drums engineered by Robert Swanson

Cover art
Tim Kokott

Pre-order & Pre-save

https://orcd.co/voidsectorzerodse

Available Formats
​​​​​CD Digipak
12" Vinyl Gatefold (Black)
12" Vinyl Gatefold (Transparent red and black marbled)
12" Vinyl Gatefold (Transparent blue, black and white marbled)

Follow Void Sector Zero

Facebook:https://www.facebook.com/p/Void-Sector-Zero-61573165450159/

Instagram: https://www.instagram.com/voidsectorzero/

Bandcamp:https://voidsectorzero.bandcamp.com/album/dead-space-enigma

Apple Music: https://music.apple.com/us/artist/void-sector-zero/6804730839

Spotify: https://open.spotify.com/artist/3lU80TNIsN89szETw3iTTD

BRYMIR Cover Scooter's "How Much Is The Fish" + Video!

In the midst of their darkest album to date, Finnish melodic death metallers BRYMIR show their fun side with an unexpected cover. Reworking Scooter's Eurodance classic ''How Much Is The Fish,'' the quartet delivers an additional nod to their stance against ocean pollution, ''Herald of Aegir," from the previous album, Voices In The Sky (2022). Live performances of the song regularly see salmon plushies in the audience, just like live pre-tastes of ''How Much Is The Fish'' over the festival summer have called fans into their very own ''fish pit." BRYMIR certainly know how to hype up their album!

What We Leave Behind releases this Friday, October 2, 2026 via Napalm Records. The band is currently playing release shows in their native Finland and will tour Europe in February and March 2027 — find all dates below.

BRYMIR about "How Much Is The Fish":
''As the album on the whole is definitely the darkest we've done so far, musically and thematically, we wanted to close the album with a bonus song of something defiantly upbeat and silly… And as children of the ever-hopeful golden age of the Eurobeat, we found the perfect song in this classic. When life gives you lemons, transform the juice and keep asking the important questions—like 'How Much is the Fish'? If anybody finds the answer, please contact us immediately.''
 
Watch the Official Music Video for "HOW MUCH IS THE FISH" BELOW:

Helsinki-based BRYMIR make a strong case for melodic death metal with What We Leave Behind, coming October 2, 2026 via Napalm Records! In a darkening world full of existential dread, the Finnish band — singer Viktor Storm Gullichsen, guitarist Joona Björkroth, bassist Jarkko Niemi, and drummer Patrik Fält — takes a stand with their most sinister album yet. Again heavily influenced by their singer’s main job as a movie sound designer, BRYMIR create vast cinematic soundscapes around their sometimes bleak, sometimes hopeful, but always honest messages.
 
Strongly tied to current societal developments, BRYMIR deliver an equally raw and fantastical album. Their darkest output yet, the band’s fifth album hits especially hard—and leaves absolutely no open questions behind. As introspective as it is outspoken, What We Leave Behind is an epic plea for humanity.

BRYMIR about What We Leave Behind:
"Since our previous album, the world certainly hasn't gotten any lighter—and as art reflects life, our fifth album, What We Leave Behind, is the darkest creation we've made so far. Both musically as well as thematically… 'What We Leave Behind?' is the core question explored from many perspectives: from personal hopes, dreams, and fears to societal developments to dark sci-fi and existential despair. Join us on this dark emotional journey, at times violent, at times beautiful, and always honest in baring the soul of what is BRYMIR — no compromise, everything raw and real."

Get Your Copy Of What We Leave Behind NOW.

BRYMIR LIVE 2026:
FESTIVALS:
11/6 — Kempele, FI — ZRock Winter Fest

WHAT WE LEAVE BEHIND TOUR 2026:
WITH SPECIAL GUESTS HORIZON IGNITED + OMNIVORTEX:
9/18 — Vantaa, FI — Skenesali
9/25 — Seinäjoki, FI — Rytmikorjaamo
9/26 — Oulu, FI — 45 Special
10/2 — Tampere, FI — Olympia
10/3 — Lahti, FI — VNUE
10/8 — Jyväskylä, FI — Lutakko
10/9 — Turku, FI — Apollo
10/16 — Kouvola, FI — House of Rock
10/17 — Kuopio, FI — Circus
10/24 — Vaasa, FI — Fanny
10/30 — Hämeenlinna, FI — Suisto
10/31 — Helsinki, FI — Korjaamo

EUROPEAN SPRING 2027:
2/19 — Copenhagen, Denmark — BETA
2/20 — Oslo, Norway — John Dee
2/21 — Stockholm, Sweden — Kollektivet Livet
2/23 — Hamburg, Germany — Knust
2/24 — Aschaffenburg, Germany — Colos-Saal
2/25 — Berlin, Germany — Bi Nuu
2/26 — Stuttgart, Germany — Proton
2/27 — Pratteln, Switzerland — Z7
2/28 — Munich, Germany — Backstage
3/1 — Leipzig, Germany — Hellraiser
3/2 — Neunkirchen, Germany — S. Reithalle
3/3 — Cologne, Germany — Club Volta
3/4 — Sittard, Netherlands — Volt
3/5 — Utrecht, Netherlands — De Helling
3/6 — Bochum, Germany — Gleis 9

BRYMIR ARE:
Viktor Storm Gullichsen — Vocals
Joona Björkroth — Guitars
Jarkko Niemi — Bass
Patrik Fält — Drums

TRUTH the New Album from STORM FORCE is Out Now

Storm Force have released their new album Truth. The entire album is available to stream or as a 24 bit hi res digital download on Bandcamp. CDs are available from Eonian Records.

24 Bit Hi Res Digital for the album Truth: 

https://bravewordsrecords.bandcamp.com/album/truth

CD: https://www.eonianrecords.com/new-products/storm-force-truth

Storm Force delivers powerful melodic hard rock fueled by soaring vocals, massive hooks, and the timeless energy of classic arena rock. Founded by guitarist and songwriter Greg Fraser, best known for his work with Canadian hard rock veterans Brighton Rock, the band blends classic influences with a modern edge, creating a sound that feels both familiar and refreshingly current.

The band first made its mark with the release of its debut album, Age Of Fear, in 2020 through Escape Music. The album earned praise from melodic rock fans and media alike, showcasing a powerful mix of driving guitars, memorable choruses, and emotionally charged songwriting.

Drawing inspiration from Whitesnake, Dokken, Scorpions, and Bon Jovi, Storm Force delivers music built for loud speakers, live stages, and fans who still believe in authentic, guitar-driven rock!

Age Of Fear the debut Storm Force album, along with both Fraze Gang albums are now available for a budget friendly download of $5,99 each at bravewordsrecords.bandcamp.com

Band Members:

• Patrick Gagliardi – Lead Vocals

• Greg Fraser – Lead Guitar, Backing Vocals

• Mike Berardelli – Bass Guitar

• Roger Banks – Drums

Production:

• Produced and Mixed by Darius Szczepaniak

• Strada XR Atmos Studio, Mississauga, ON

• Recorded at Storce Recording, Niagara Falls, ON

Additional Musicians:

• All keyboards by Mike “Benny” Bedrosian, except on “Between The Lines,” performed by Ray Coburn.

• Margaret Maria – Cello on “I Wasn’t Finished Loving You”

Songwriting:

• All songs written by Patrick Gagliardi and Greg Fraser, except “Saviour,” written by Greg Fraser.

Links:

https://stormforce.ca/

https://www.facebook.com/officialstormforce

https://x.com/stormforceband

https://youtube.com/@stormforce6368

https://www.instagram.com/stormforceband

https://www.tiktok.com/@stormforceband

UK Alt-Metal Trio TROPIC GOLD Release New Single "sodium" + Official Music Video

Today, South East England trio TROPIC GOLD have released their brand new single, “sodium,” their second for new label partner, BLKIIBLK, following the release of “WITCH HOUSE” (feat. Harpy) in June.

The band shares:

“‘sodium’ is a story of two things being drawn together despite the destruction— two people, or one and something they can’t let go of. The element of sodium itself is in tears and sweat, what you can taste and feel in exhausting and painful situations. 'Will you take that freak in me?' is the vulnerability at the center of it — asking whether the unfiltered parts of you can be accepted. ‘sodium’ is knowing you’re falling, but craving the feeling enough to give in anyway.”

Watch the Official Music Video for "sodium" Below:

TROPIC GOLD pulls from metalcore, industrial noise, electronic production, and modern alternative culture without ever sitting comfortably in one lane. Self-produced and creatively self-driven, the South East trio have built early momentum through a mix of huge hooks, abrasive electronics, and the kind of volatility that makes their songs feel like they could completely fall apart at any second.

Support from BBC Radio 1, Kerrang!, and Rock Sound has helped push the band well beyond underground buzz, while tours alongside WARGASM, Resolve, Windwaker, and Normandie have quickly established them as a genuinely impressive live band rather than just another internet-heavy project.

The material following last year’s ‘SICK TO DEATH OF EVERYTHING’ EP feels sharper, heavier, and more immediate, leaning harder into contrast without losing the hooks underneath it all.

With appearances at Download Festival and a stage headline slot at 2000trees Festivalthis summer, TROPIC GOLD are starting to feel less like a promising new act and more like a band properly breaking through.

Stream / Listen to "sodium" HERE

TROPIC GOLD Live:

October 15th - London @ Downstairs at The Dome

October 16th - Manchester @ The Deaf Institute

October 17th - Glasgow @ Attic Bar (The Garage)

November 28 - Sheffield @ Novocaine Festival

SILL CROW Revisits it's Musical Legacy with the Re-Release of Four Essential Albums

Some music deserves a second life.

SILL CROW is giving fans exactly that with the re-release of four albums from the band's catalog: Sill Crow, Live From Charleston, Live From Charleston II and New Way.

The re-releases bring the band's music back into the spotlight, offering longtime listeners an opportunity to revisit four important releases while giving new fans a chance to discover the sound, energy and evolution of SILL CROW.

From the band's self-titled SILL CROW to the raw live energy captured across Live From Charleston and Live From Charleston II, and ultimately the musical journey represented by New Way, the collection provides a look at different chapters of the band's story.

FOUR ALBUMS. ONE BAND. A NEW CHANCE TO HEAR IT ALL.

Re-releasing a catalog isn't simply about looking backward.

It's about recognizing that great music can find an entirely new audience years after it was originally released.

For existing SILL CROW fans, these albums offer a chance to return to familiar songs and memories. For listeners discovering the band for the first time, the re-releases provide an opportunity to experience the catalog as a complete body of work.

Live From Charleston and Live From Charleston II capture another side of SILL CROW, the live experience while Sill Crow and New Way showcase the band's recorded work across different points in its musical journey.

Together, the four releases tell a bigger story.

Where the band came from. Where it went. And the music that remains.

A CATALOG WORTH REDISCOVERING

In an era where music is constantly moving forward, revisiting a band's catalog can reveal something that sometimes gets lost in the endless stream of new releases:

The music doesn't have an expiration date.

SILL CROW'S four re-releases give fans an opportunity to press play, turn up the volume and rediscover the songs on their own terms.

Whether you've been with Sill Crow from the beginning or you're hearing the band for the first time, there's never been a better reason to dive into the catalog.

Sill Crow

Live From Charleston

Live From Charleston II

New Way

Four albums. Four chapters. One SILL CROW.

SPOTIFY

APPLE MUSIC

BANDCAMP

SILL CROW BIO:

Sounds like gravel in your veins, mud in your heart, and pain in your soul. SILL CROW has returned from the crossroads, having stared down the devil himself, to bring you their very own brand of blues based alternative rock.

Led by Chris Roberts, and formed in 2015, they've unleashed a string of releases, notably their debut album in 2020, all of which showcase their unique blend of thoughtful songwriting, craftsmanship, and unbridled rock fury.

Manchester's CAULBEARERS announce new album, sharing the lead track 'Brothers At The Wheel'

Manchester-based outfit Caulbearers return with ‘Brothers At The Wheel’, an urgent and uncompromising single that confronts the structures of power governing modern life, while ultimately offering solidarity and collective action as an alternative to despair. It's is a rich and timely preview of their forthcoming album 'Come Back Home', out on October 30th via Single Cell Recordings..

A collective of musicians formed in 2007 and led by Damien Mahoney, Caulbearers are known for blending diverse musical styles, including soul, funk, hip-hop, dub, nu jazz, folk and post-punk influences. With contributors hailing from around the UK and Europe, their DIY ethic has coursed through every element of their releases, from design, production, videos and gigs to the recording process itself.

Mixed by Seadna McPhail (Badly Drawn Boy, Jah Wobble, Everything Everything, I Am Kloot, Happy Mondays) and mastered by Jim Spencer (New Order, Johnny Marr, Charlatans, Factory Floor) at Eve Mastering, this song was recorded by Mahoney and Chris Hamilton at Toast Recordings and Seadna McPhail at Airtight Studio..

'Brothers At The Wheel' traces a journey of political awakening - from a naive plea for those in power to change course before disaster hits, to disillusionment at the resulting hollow words and empty promises that leave the status quo intact.

“If we truly consider humanity as a brotherhood and sisterhood of equals, it seems the ultimate betrayal of our family to exploit, to oppress and to victimise others whilst creating structures that concentrate wealth in the hands of an ever-smaller, unaccountable minority,” explains Damien Mahoney.

“The 'wheel' in the title is that system -- a machine built to keep turning for profit and power, regardless of the cost to people, communities, or the planet.”

The song's resolution isn't despair but solidarity: a call for unity at the grassroots level, recognising that the same struggle echoes in other streets, other words, other languages. In resisting the forces intent on dividing us, the lyrics point to real power within the collective -- like a seed that can grow into something more balanced, harmonious, and connected.

The song's urgency isn't just lyrical -- it's built into the music itself. 'Brothers At The Wheel' comes straight out of the traps with an unrelenting groove: strings, bass, and keys locked into a single insistent pattern, guitar answering in the gaps, percussion driving it forward, while the vocal melody cuts its own path in short, sharp phrases that swap between landing on and off the beat.

Past the tempo shift, the song opens into a second movement: a soaring, wordless lament from ethereal folk artist Ruth Blake — beautiful and mournful, yet defiant, a celebration of the human spirit. Underneath, the arrangement builds in waves — guitars layering, cello and violin rising, keys, bass and drums gathering weight — swelling to a crescendo before dissolving.

'Brothers At The Wheel' is available everywhere digitally from September 29th, including  Spotify, Apple Music and Bandcamp, the latter version also including a bonus radio edit, capturing the awakening in full — appeal, disillusionment, and the turn toward unity — within a tighter arc. On October 10, Caulbearers' album release show will take place at The Carlton Club in Manchester, joined by Ruth Blake and number of special guests, and support from John Haycock.

CREDITS

Lyrics & Music written by Damien Mahoney

Damien Mahoney — vocals
Ruth Blake - vocals
Stefan Skrimshire - cello
Will Lenton - keys
Anton Hunter - guitars
Grenville Harrop - drums
Dan Mitchell - bass
Gavin Mullan - percussion
Olivia Moore - violin
Produced & Edited by Damien Mahoney
Mixed by Seadna McPhail at Airtight Studios
Recorded by Chris Hamilton at Toast, Damien Mahoney at Padded Cell & Seadna McPhail at Airtight
Mastered by Jim Spencer at Eve Mastering
Cover design & artwork by Latent Variables
© 2026 Single Cell Recordings

Publicity by Shameless Promotion PR

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