156/Silence Unleashes New Album 'From A Distance' and Release Album Title Track Featuring Alex Reade of Make Them Su

It's a great day for 156/Silence fans! Today, the Pittsburgh, Pennsylvania atmospheric metalcore powerhouse has released their new album 'From A Distance' via Pure Noise Records. 'From A Distance' is the quintet's sixth full-length and their most recent album release since 2024's critically acclaimed 'People Watching'. In celebration of today's news, the band has dropped the official music video for the album title track "From A Distance" featuring the inimitable Alex Reade of Make Them Suffer, who also appears in the video. When asked about the inspiration behind the song, the band shared:

"Love. Love is the most important thing in the world no matter what. Through all the bad and evil, there will always be more good. Even if it’s from a distance, the love we share is worth more than anything."

'From A Distance' is available now on all streaming platforms at the link here.                                                   Watch the "From A Distance (ft. Alex Reade)" music video below.

Having recently wrapped the 'It's Not You, It's Me' tour with Chiodos just last week, 156/Silence will next kick off their 'From A Distance'US headlining tour with Aviana, Heavensgate, and Fromjoy as support. The 20-date headlining run begins next Wednesday, September 9, in Worcester, Massachusetts, and concludes in the band's hometown of Pittsburgh, Pennsylvania, on Saturday, October 3. During the headliner, the band will also be bringing the heat at this year's Louder Than Life festival on Sunday, September 20. Never ones to rest on their laurels, 156/Silence will then cross the pond to hit the road on the EU/UK Flowers Tour with The Devil Wears Prada in October, and kick off the new year touring Australia alongside Thrown in February 2027. Dates are already selling out, so be sure to get your tickets at the link here before it's too late.

'From A Distance Tour' US Headlining Dates with Aviana, Heavensgate & Fromjoy:

Wed Sep 9 - Worcester, MA @ Palladium Upstairs - Sold Out

Thu Sep 10 - Brooklyn, NY @ The Meadows - Selling Fast

Fri Sep 11 - Philadelphia, PA @ The Foundry @ The Fillmore - Sold Out

Sat Sep 12 - Baltimore, MD @ Soundstage - Selling Fast

Sun Sep 13 - Richmond, VA @ Canal Club - Selling Fast

Tue Sep 15 - Durham, NC @ Motorco Music Hall - Selling Fast

Wed Sep 16 - Atlanta, GA @ Terminal West

Thu Sep 17 - Winter Park, FL @ The Conduit - Sold Out

Fri Sep 18 - Jacksonville, FL @ Albatross

Sat Sep 19 - Greenville, SC @ Radio Room - Selling Fast

Tue Sep 22 - Dallas, TX @ Puzzles Deep Ellum - Selling Fast

Wed Sep 23 - San Antonio, TX @ The Rock Box

Fri Sep 25 - Mesa, AZ @ Rosetta Room - Sold Out

Sat Sep 26 - Santa Ana, CA @ The Observatory - Selling Fast

Sun Sep 27 - Sacramento, CA @ Goldfield Trading Post - Selling Fast

Tue Sep 29 - Denver, CO @ Marquis Theater - Sold Out

Wed Sep 30 - Kansas City, MO @ RecordBar - Selling Fast

Thu Oct 01 - Chicago, IL @ Reggies Rock Club - Selling Fast

Fri Oct 02 - Detroit, MI @ TSDMAAC (Sanctuary) - Selling Fast

Sat Oct 03 - Pittsburgh, PA @ Preserving - Selling Fast

Louder Than Life Festival 2026

Sep 20 — Louisville, KY — Kentucky Expo Center

EU/UK Flowers Tour Dates with The Devil Wears Prada, Novelists and Oversize:

Oct 7 - Munchen, DE @ Backstage - Low Tickets

Oct 8 - Wiesbaden, DE @ Schlachthof

Oct 9 - Hamburg, DE @ Docks

Oct 10 - Eindhoven, NL @ Effenar

Oct 12 - Vienna, AT @ Simm City - Low Tickets

Oct 13 - Leipzig, DE @ Felsenkeller

Oct 14 - Prague, CZ @ Archa+

Oct 16 - Cologne, DE @ E-Werk - Low Tickets

Oct 17 - Antwerp, BE @ Zappa

Oct 18 - Paris, FR @ Élysée Montmartre - Low Tickets

Oct 20 - Bristol, UK @ Electric

Oct 21 - Leeds, UK @ Project House

Oct 23 - London, UK @ Electric Brixton

Oct 24 - Manchester, UK @ New Century Hall - Low Tickets

Oct 25 - Birmingham, UK @ Institute 1

AU Tour Dates with Thrown, Boundaries and Volatile Ways:

Feb 3 - Perth, AU @ Freo Social

Feb 5 - Adelaide, AU @ The Gov - Final Tickets

Feb 7 - Melbourne, AU @ Forum - Final Tickets

Feb 10 - Canberra, AU @ UC Hub

Feb 11 - Sydney, AU @ Liberty Hall - Final Tickets

Feb 12 - Newcastle, AU @ King St Bandroom

Feb 13 - Brisbane, AU @ The Tivoli - Final Tickets

ABOUT 156/SILENCE

156/Silence makes intense, foreboding, and haunting music. Their songs are cinematic, blending brutality with intellect. They draw on real and imagined terror, all woven into melody and power. Vocalist and lyricist Jack Murray, guitarist and primary songwriter Jimmy Howell, guitarist Ryan Wilkinson, drummer Kyle O’Connell, and bassist Mike Ernst form a formidable unit, forged through shared passions and losses since the band’s earliest incarnation first formed in Pittsburgh in 2015. 

2024’s crowd pleaser, People Watching, was a watershed moment, boasting breakout anthems “Better Written Villain” and “Character Development (Cold Start).” Distorted Sound wrote, “There is enough in the band’s repertoire to not only keep you entertained but also keep you guessing.”

From a Distance, its spiritual sequel and the band’s first album with Pure Noise Records, ups the ante with gut-wrenching depth and atmosphere. Their sixth album is dark and ponderous yet triumphantly self-assured. (It follows the devastating standalone single “Our Parting Ways,” released in 2025 in loving tribute to longtime bassist Lukas Booker, who passed away unexpectedly earlier that year.)

The group’s reputation as a live force of nature was earned on the road, where they deliver audience connection and sonic devastation while touring with the likes of The Devil Wears Prada, Chiodos, Fit For A King, Counterparts, Silent Planet, and The Acacia Strain, among other contemporaries. 

Produced by Josh Schroeder (King 810, Lorna Shore, The Plot In You), From a Distance finds 156/Silence heavy as hell, while leaning into atmosphere, mood, and emotional impact even harder. The group reverently namechecks classic game scores like Resident Evil and Silent Hill, and the heady concepts of prestige TV like Twin Peaks (a sample from Apple TV’s Severance opens the album). 

Murray’s lyrics remain keenly observational, personal, and incisive. From a Distance serves as a bold thematic companion to its predecessor. While earlier records often documented tension at close range, From a Distance observes from a wider vantage point, examining social behavior, celebrity worship, intrusive thoughts, and interpersonal connection with steely focus. 

That authenticity is crucial to the band’s ever-growing audience.  

No two 156/Silence albums are alike, from the unhinged frenetic chaos of Undercover Scumbag (2018) to the gloriously savage and technical Irrational Pull (2020), which Metal Hammer likened to Converge and Botch. The diverse ruminations found in Narrative(2022) took things even further. BrooklynVegan called that album “bolder and richer” and “an exciting step forward for [the] band.” 

People Watching continued the prolific outfit’s tradition of steadfast evolution and innovation. Revolver praised the dark melodic edge of the Animal Farm-inspired “Better Written Villain,” declaring, “156/Silence may have just penned an instant classic of their own canon.” 

As Howell points out, they’d never really tried singing choruses and hooks prior to People Watching. “It went so well that we decided to double down on that.” From a Distance also features guest appearances from some formidable vocalists: Mike Hranica of The Devil Wears Prada, Alex Reade of Make Them Suffer, and Tony Castrati of Crippling Alcoholism. It also cranks up the soundscapes. 

“I look toward bands we love that grew with their listeners, like Thrice and Bring Me The Horizon,” Howell says of their continuing creative mission. “They have a sound, but they grow and change. Some bands are comfortable repeating the same thing again. I don’t want to do that. I want to make you feel the way you do when you hear one of those important bands, without sounding like them.”

Murray describes the title track as “a love song” and “probably the most Twin Peaks-inspired song.”

From a Distance cuts deeper into People Watching’s lyrical heart. “Proxy Idols” tackles celebrity worship. “Order & Entropy”contemplates maintaining focus amid the utter devastation of things falling apart. “Swept from Under (Call of the Void)” sees Murraywrestling with intrusive thoughts. “They tell you to hurt yourself, even when you don’t feel bad,” he says. “It’s just the ever-looming shadow of weird and intrusive thoughts, and negativity, of just being swept from under by the void.” 

From straightforward hard rock to synth-heavy experimentation and all the way back to the band’s deadly mathcore roots, 156/Silencehave established themselves as unbound by any genre limitation. 

“We could go anywhere now, and that’s the goal,” Howell says. “Nothing is ever off the table.” 

BEHEMOTH - Unleash New Single & Video 'In League With Satan' + New Release "I, Scvlptor" Out Now!

Polish extreme metal legends, BEHEMOTH, unleash 'In League with Satan', the second single from their new studio release, I, Scvlptor, which is out today via Nuclear Blast Records (digitally) and Massacre Records (physically). The music video for 'In League with Satan' was produced by the acclaimed Polish production collective Grupa 13. The song and the video feature very special guest, Shagrath of Dimmu Borgir.

Nergal commented on the new single:
 
“When we were looking for a name for our tour with Dimmu Borgir, I thought it would be great to use a timeless slogan and basically quote the gods of satanic rock’n’roll — Venom and “In League with Satan” perfectly fit my vision. I honestly don’t remember what came first — the idea for the tour name or the idea of recording the song itself. What matters is that we recorded it on seven-string guitars with Shagrath from Dimmu as a guest vocalist. The song gained a massive weight and a completely new dimension. We’re planning to play it live and I think our version turned into something truly powerful.”

Stream I, Scvlptor in full: 
https://behemoth.bfan.link/i-scvlptor

Purchase the physical edition of I, Scvlptor:

Massacre Records: 
www.iscvlptor.com

Behemoth Webstore: 
https://behemoth-store.com/en-ea/collections/i-scvlptor
(all vinyl variants, cassettes and bundles sold out)

Watch the music video for 'In League With Satan' Below:

'I, Scvlptor', which is out today, is an exclusive release featuring eight previously unreleased songs - seven new studio recordings and one live track. It is an autonomous body of work that bridges the band's foundational past with their present creative fire. The release features brand-new studio material embodying the full force of Behemoth's live energy and intensity. Two tracks - 'Rise of the Blackstorm of Evil' (from The Return of the Northern Moon, 1992) and 'In Thy Pandemaeternum' (from Pandemonic Incantations, 1998) - are newly re-recorded versions of early Behemoth material, reshaped with modern sonics while preserving their original spirit; a tribute to the bands who had a huge influence on Behemoth - 'In League With Satan' (originally by Venom, feat. Shagrath of Dimmu Borgir) and 'The Return of Darkness and Evil' (originally by Bathory, feat. Sakis Tolis of Rotting Christ). Available on CD, LP, MC and Limited-Edition Box Set through Massacre Records worldwide and digitally via Nuclear Blast Records.

Nergal commented:
“We’re fucking excited about the release of I, Scvlptor. Even though it’s not a regular studio album and is, in fact, more of a compilation, the mere fact that it contains songs nobody has ever heard before makes it a significant release for us. What’s more, some of these tracks are likely a little different from what we offered on our last album, The Shit Ov God. That’s why we see I,Scvlptor as an important record — a connecting piece, a bridge between where we are now and whatever may come next in the distant future.”

Artwork: Bartek Rogalewicz/ LODGE.BLACK

In October 2026, two of the most influential forces in extreme metal join together for a monumental tour: Behemoth and Dimmu Borgir will embark on the “In League with Satan” co-headline tour (with special guests, Dark Funeral), storming across Europe and the UK. Details below:  

IN LEAGUE WITH SATAN TOUR 2026
BEHEMOTH + DIMMU BORGIR

09 Oct – Zurich, Switzerland – Halle 622
10 Oct – Zwickau, Germany – Sparkassen-Arena Zwickau
11 Oct – Esch-sur-Alzette, Luxembourg – Rockhal
13 Oct – Milan, Italy – Alcatraz
14 Oct – Munich, Germany – Zenith
16 Oct – Paris, France – Zenith
17 Oct – London, UK – O2 Brixton Academy
18 Oct – Den Bosch, Netherlands – Mainstage
20 Oct – Cologne, Germany – Palladium
22 Oct – Hamburg, Germany – Inselpark Arena
23 Oct – Berlin, Germany – Columbiahalle
24 Oct – Brno, Czech Republic – Hala Vodova
25 Oct – Katowice, Poland - Spodek 
27 Oct – Helsinki, Finland – Ice Hall
29 Oct – Stockholm, Sweden – B-K
30 Oct – Copenhagen, Denmark – K.B. Hallen

TICKETS: https://www.behemoth.pl/

AIRBOURNE’S New Self-Titled Album Out Today: A “Big, Bombastic” Blast Of Pure Aussie Thunder

AIRBOURNE’s NEW self-titled studio album, out today, September 4th, is a true rock ‘n’ roll tale of no compromise, no sleep and still no ballads (or bullshit); a story fuelled by the riveted will of four musicians, brothers Joel & Ryan O’Keeffe, ably supported by Justin Street & Brett Tyrrell, to create a body of work that proudly offers a full 21 gun salute to hard rock’s glorious traditions, its heritage and its heartbeat, whilst keeping sights firmly trained on the road ahead.

To celebrate the album's release, the band has dropped their new video for the song 'Kid in a Candy Store.'

Watch the Video For 'Kid in a Candy Store' Below:

AIRBOURNE’s sixth studio album is the one that plants the flag deepest for everything the Aussie outfit stands for, their unwavering commitment to The Great Rock ‘n’ Roll Cause, leaving everything (apart from Lemmy’s Bar, of course) on the stage on a nightly basis.

“When I look up to the sky, rub the blood and sweat from my eyes

Hell, no, I ain't dead yet, as long as I can breathe, I can get…”  ‘Gutsy’

PRODUCED BY Brian Howes (who helmed 2013’s ‘Black Dog Barking’); engineered by Mike Fraser (who worked on 2010’s ‘No Guts. No Glory’ & 2016’s ‘Breakin’ Outta Hell’); mixed by Zakk Cervini (BMTH, Architects, Evanescence); and mastered by the legendary Ted Jensen, ‘Airbourne’ The Album is the statement, line in the sand recording that only one band could have made.

For staunch sons of Warrnambool, Joel & Ryan, here was the moment: to create not just the finest body of work in the Airbourne canon, but to raise the bar as high as possible in the name of the hard rock community; to seek out new turf, to protect the ground hard won by heroes past, some sadly fallen, and to both strengthen and celebrate the special, sacred bond with rock fans everywhere…

“Our aim from the start was to create something iconic, gargantuan,” states vocalist / guitarist Joel, “real blockbuster shit. It’s a rocket we’ve been building and building; we’ve filled it with fuel, now we’re ready to let it go.”

“We said, this is it, let’s make the oracle,” continues drummer Ryan, “and if we’re going to do it, no corner can be cut. All of the things we love most about rock‘n’roll are on this record. I firmly believe it’s our very best work…”

In order to embrace the mighty task, AIRBOURNE felt it wise to stay close to home, with Music Farm Studio in the “jungle” outside Byron Bay, South Eastern Australia, the chosen locale; not only does Music Farm host the original Neve console from Albert Studios in Sydney, the desk on which AC/DC, Rose Tattoo and The Angels recorded their classic early albums, but it’s also home to late AC/DC guitarist / founding member Malcolm Young’s eight-track Neve, and naturally both were put to full an’ fruitful use on the

AIRBOURNE sessions.

By choosing vintage gear (and recording to tape), these sessions were never going to be gremlin free, but as things turned out, technical issues were just a part of the story, with near cyclonic storms, deadly snakes and even deadlier super sized spiders (the fabled Big Boy!) adding to the list of perils. They say what doesn’t kill (or bite) you makes you stronger, and for musicians and studio team alike the overriding vision never blurred; nights around the fire pit were spent talking about the big, bold, bombastic albums they’d skipped their homework to listen to; those layered, beautifully crafted records, the recognised classics, that had made them rock fans in the first place…

Next stop, Hothouse Studios in Melbourne; here, all recording was completed alongside engineer / studio owner, Craig Harnath. Rounding things off at Hothouse was an easy choice to make; not only was it where the band had recorded their first EP, but the console, also a Neve, is from Alberts Studio 2, allowing the connection to prime rock history to be maintained.

The challenge was there. The game on.

‘Here She Comes’, one of the two Lange / Adams co-writes, the other being ‘Who Put The Rhythm In You?’, followed in late July, which brings us on a mighty wall of Eddie Van Halen inspired feedback to album focus track, ‘Bogotá’, complete with lashings of EVH ‘Frankenstein’ action, the first time Joel had wielded the instrument!

It’s surely impossible to be a guitarist and not realise the significance of EVH, who (along with Lemmy, Doc Neeson, John Bonham, Bon Scott, Little Richard, Malcolm Young & Ozzy) gets a hand on heart namecheck on album closer, ‘Send Me To Rock‘N’Roll Heaven’, the song that most clearly defines the album’s key themes of lifestyle and legacy; of artists being kept alive in the hearts and minds of fans; of the rock ‘n’ roll torch being passed from one generation to the next, the flame still burning…

‘When you play this riff, you give me back my hands

When you drop the needle, I'm back in the band…’  ‘Alive After Death (Last Plane Out)’

‘AIRBOURNE’. Made with passion. Made in Australia. The Great Barrier Riff.

Now officially out of its cage.

AIRBOURNE Shows with Guns N’ Roses, November / December 2026.

11/29: Adelaide, AU

12/2 Townsville, AU

12/5 Brisbane, AU

12/8 Newcastle, AU

12/11 Melbourne, AU

12/14 Sydney, AU

12/17 Auckland, NZ

California's Soft Science releases fifth album 'Sand', their most immersive record to date

Northern California quintet Soft Science returns with 'Sand', their fifth album, released via Shelflife Records in North America and Spinout Nuggets in the UK.. Building on the band’s signature mix of dream pop, post-punk, shoegaze, and darkwave, this record is both intimate and expansive - rooted in melody, atmosphere, and emotional depth. 

Across these 10 songs, the band pairs shimmering textures with renewed urgency, delivering a dynamic and immersive record that is unmistakably Soft Science. 'Sand' explores the fragile, cyclical nature of love, tracing how relationships can shift beneath our feet while still offering moments of clarity, devotion, hope, and renewal.

The singles 'Spinning', 'Understand' and 'Fade' pair propulsive energy with ethereal vocals and luminous guitars, finding beauty in moments that inevitably slip away. ‘Spinning’ captures the frustration of being caught in a loop of recurring conversations and patterns. ‘Understand’ delivers a buoyant, Lush-infused burst of hope rooted in the healing passage of time. ‘Fade’ shifts into a more intimate yet expansive space, pairing a classic four-on-the-floor pulse with dreamy vocals and reflective lyrics about memory, change, and connection. Together, they showcase the creative blend of layered harmonies, cascading guitars, electronic textures, and hook-filled melodies that define the sound of 'Sand'.

Lyrically, throughout 'Sand' runs a strong sense of being stuck in cycles: spinning, circling, repeating old patterns, trying to be heard, trying to understand what went wrong. But it’s not all bleak. The album strikes chords of tenderness and resilience, as evidenced by phrases like “there is hope for us,” “we find a way,” “let in the light” and “steady as we sway” - lyrics that create a push-pull dynamic between weariness and a stubborn belief that connection and perseverance can still produce a better tomorrow. 

Soft Science features Katie Haley (lead vocals, percussion), brothers Matt Levine (lead guitar) and Ross Levine (guitar, backing vocals), partners Tony Cale (drums) and Becky Cale (bass, backing vocals), along with frequent collaborator Hans Munz (electronics). Built around ethereal vocals, twin 12-string guitars, bass, drums and synthesizers, the band creates lush, transportive songs that balance melody, harmony, and rhythm. Praised by critics, Soft Science pairs gauzy textures with restless momentum, blending dream pop, shoegaze, and indie rock into a sound that is hypnotic, melodic, and emotionally direct.

Soft Science's latest album 'Lines' (2023) was preceded by 'Maps' (2018), 'Detour' (2013), and 'Highs and Lows' (2011), along with a split 7”with The Luxembourg Signal (2015) and The House of Love cover ‘I Don’t Know Why I Love You’ and a rendition of Northern Picture Library's ‘Paris’ (2018).

Critically acclaimed, Soft Science has done live sessions at KEXP, WFMU and Part-Time Punks, and performed at New York Popfest, Paris Popfest, The Big Takeover’s 35th Anniversary show, Schellraiser Festival, Tremolo Fest, Dreamgaze PDX, and other festivals across the USA. Soft Science was also highlighted on Sound Opinions’ “Shoegaze Genre Dissection” as one of the hosts’ recent genre favorites (August 21, 2026, Show 1082).

With 'Sand', Soft Science pushes further into the noisier edges of dream pop while preserving the hooks, texture and emotive resonance at the center of their work. Examining how love, memory and identity are shaped by change, they ask what it means to stay connected in an uncertain world. 'Sand' stands as the band's most focused, poignant collection to date. As Dagger Zine wrote, “Pop hooks bump up against heaving waves of sonic swirl and it all shimmers and shines in all the right places,” a fitting description of a group that continues to expand its sound without losing its melodic core.

'Sand' is out September 4 on CD and vinyl, with digital availability through major streaming and download platforms, including Spotify, Apple Music and Bandcamp

ALBUM CREDITS
Lyrics written by Katie Haley & Ross Levine
All songs written by Katie Haley, Ross Levine, Matt Levine, Becky Cale & Tony Cale
except 'Thread', 'Without' and 'Sway' are written by
Katie Haley, Ross Levine, Matt Levine, Becky Cale, Tony Cale & Hanz Munz
Katie Haley - vocals, percussion
Ross Levine - backing vocals, synths, additional guitars
Matt Levine - guitar
Becky Cale - bass guitar, backing vocals
Tony Cale - drums
Hans Munz - additional electronics
Recorded at Shattered Records and The Pool House
Engineered by Jack O'Donnell
Additional Engineering by Ross Levine
Mixed by Kev Bolus at OneEleven
Mastered by Antony Ryan at RedRedPaw
Produced by Soft Science
Artwork by John Conley
c @ p Shelflife Records / Spinout Nuggets 2026
Vinyl UPC code 759159696649 / CD UPC code 759159696656
Publicity by Shauna McLarnon for Shameless Promotion PR


Keep up with Soft Science 
Website | Bandcamp | Facebook | Instagram | Twitter | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il 

Wage War Announce New Album "LANDFALL" Out 10/9 + Band Shares Title Track

Florida's WAGE WAR — Briton Bond [lead vocals], Cody Quistad [rhythm guitar, clean vocals], Seth Blake [lead guitar], Chris Gaylord [bass], and Stephen Kluesener [drums] — continue to absolutely dominate 2026. After releasing the It Calls Me By Name EP this past spring, the band is now pleased to announce the new album Landfall, out digitally October 9 via Fearless Records. Pre-order it here.

The band has shared the visualizer for the vicious title track. Watch and listen below. 

Opening with a foreboding emergency broadcast-style alarm before erupting in a bludgeoning riff, Wage War continue to indulge their heaviest side with "Landfall." It's a groove-heavy, guitar-forward anthem that sounds like... vengeance. The hellbound screams of Bond are punctuated by Quistad's melodic singing, making it a gloriously unpredictable listen. Wage War are at their heaviest and most melodic — EVER — with this track, as they continue to push their own boundaries. It's Wage War, but bigger, stronger, louder, and as impactful as ever.

"'Landfall' is a song about imminent danger and the realization that we aren't in control," Wage War offer. "Referencing our Florida roots, the hurricane imagery became a way of talking about that feeling of being completely at the mercy of something bigger than yourself. Musically, we wanted the verses to feel heavy and threatening, with the chorus being somber and inevitable."

Wage War will return to U.S. stages for a headline tour this fall, with We Came As Romans, Varials, and Cane Hill as support. The "Emergncy Broadcast" tour kicks off October 25 in San Antonio and runs through Novemebr 27 in Orlando in the band's native Florida. Get tickets here.

WAGE WAR ON TOUR:
WITH WE CAME AS ROMANS, VARIALS, + CANE HILL:
10/25 — San Antonio, TX — The Aztec Theatre
10/26 — Houston, TX — White Oak Music Hall
10/29 — Las Vegas, NV — House of Blues
10/30 — Tempe, AZ — Marquee Theatre
10/31 — Riverside, CA — Riverside Municipal Auditorium
11/2 — Albuquerque, NM — Revel Entertainment Center
11/3 — Oklahoma City, OK — Diamond Ballroom
11/4 — Kansas City, MO — Uptown Theater
11/6 — Madison, WI — The Sylvee
11/7 — St. Louis, MO — The Pageant
11/8 — Columbus, OH — KEMBA Live!
11/10 — Indianapolis, IN — Egyptian Room at Old National Centre
11/11 — Cincinnati, OH — The Andrew J Brady Music Center
11/13 — Wallingford, CT — The Dome at Toyota Oakdale Theatre
11/14 — Sayreville, NJ — Starland Ballroom
11/16 — Toronto, ON — HISTORY
11/17 — Buffalo, NY — Buffalo RiverWorks
11/18 — Huntington, NY — The Paramount
11/20 — Silver Spring, MD — The Fillmore
11/21 — Philadelphia, PA — Franklin Music Hall
11/22 — Norfolk, VA — The NorVa
11/24 — Nashville, TN — Marathon Music Works
11/25 — Charlotte, NC — The Fillmore
11/27 — Orlando, FL — Hard Rock Live

HEY NOW RECORDS SIGNS KYLE SCHUESLER

HEY NOW Records hit the streets hard, delivering the first independent complete radio panel lock on a first week single with Kenny Chesney’s “Carry On.” That same passion has fueled more groundbreaking, record-shattering moments, including Chesney’s 100th charting single and elevating him to the country artist with the most Billboard Country Airplay Top 10 singles, alongside the most Billboard Country Airplay No. 1 singles.

“To follow that kind of momentum, we knew we would need a very special artist – and we have been in discussions with several songwriter-artists, performers with massive social media and/or live followings,” offers HEY NOW President & Co-Founder Kris Lamb. “But we couldn’t be more thrilled to announce our first signing being Kyle Schuesler, a West Coast-based roots-songwriter who has a way of wrapping his songs around emotions most people miss – but they’re the ones that really define our lives.”

Schuesler, a 22-year-old guitarist, vocalist and writer, makes good on the promise of Southern California’s Laurel, Coldwater and Topanga Canyon’s vast heritage. With the sweeping urgency, freedom and love of the moment that defined Buffalo Springfield, certain moments of the Byrds, the Burritos, The Beach Boys and Jackson Browne without ever becoming a reductive re-enactor, Schuesler’s music is stained as much by the foam on the waves as the cerulean skies and sun-burned roads rolling up the coastline from San Diego to San Francisco.

“People don’t really know what to call it: Indie? Alt-folk? Acoustic-pop? Coastal country? I’m not sure why people feel they need to label it instead of just listening and enjoying the music,” says the easy-going Huntington Beach, Californian. “The things I love don’t fit in boxes – Noah Kahan, The Lumineers, Zach Bryan – but they feel right when you hear them. That’s what drew me to HEY NOW, no one at the label cared what it was, as much as how much they loved these songs.”

Having signed to Liz Rose Music after releasing 12 individual singles on his own, Schuesler has been taking his writing to new heights and places. Always an introspective artist who’s unafraid of the vulnerable truths, he’s spent the last few months exploring the creative possibilities with Tom Douglas, Jaren Johnston, Ryan Hurd, Troy Cartwright, Joe Fox and Lauren McLamb while continuing to play shows around his native California and beyond, plus Austin’s South By Southwest, Coastal Country Jam and opening shows for Vance Joy, Alana Springsteen, Evan Honer, Jonah Kagen and Logan Crosby.

“Kyle has such a unique way of merging styles,” says Lamb. “It’s seamless, all these genres that people love as his own sound. As a vocalist, not only does his voice have a real warmth that draws you in, he can do things very few singers can. When he goes into a falsetto, you don’t realize how hard that is – and it’s the way he makes everything seem so easy that makes you want to keep listening.”

Continuing to write with some of Nashville’s most elite songwriters, current collaborators and on his own, he’s slated to enter the studio in the next few months. Look for music on HEY NOW in late 2026.

Kyle Schuesler signs with HEY NOW Records.
Front Row L to R: Kyle Schuesler and Kris Lamb (Co-Founder, President, HEY NOW Records)
Back Row L to R: John Esposito (Co-Founder, HEY NOW Records) and Clint Higham (Co-Founder, HEY NOW Records) | Photo Credit: Zach Wesner/HEY NOW Records

Liverpool stalwarts The Room explore the dark side of Modern Life on new ‘Doom Pop!’ album

Liverpool post-punk pioneers The Room present their third album 'Doom Pop!', released via 9x9 Records, as well as the video for the album focus track ‘The Room’. Inspired by the strange days in we are living through, ‘Doom Pop!’ explores the rise of authoritarianism, disinformation, war and paranoia. But it equally draws inspiration from science fiction, horror, and cinematic liminal spaces.

Recorded and mixed at Ark Studios in Liverpool, this album was co-produced by Dave Jackson and Steve Powell (Michael Head & the Red Elastic Band, Autour De Lucie, Echo & The Bunnymen).

"We aimed at shorter, sharper, more pop-oriented songs than on our previous album 'The Telling', which was a continuous story told in eleven songs without repetition or distinct choruses. The ‘pop’ element mainly harks back to the roots of our music, updating our original spiky, post-punk independent sound with Ethan Kyme’s keyboard stylings. Lyrically, it is a response to the current climate of emerging fascism and paranoia that increasingly colonizes all media," says Dave Jackson.

"While the songs ‘Drones’, ‘Drill, Baby, Drill’, ‘Continent of Lies’ and ‘Doom Patrol’concern the paranoia and destruction emanating from worldwide warmongers and oligarchs, other songs are influenced by a love of science fiction, horror and liminal spaces. ‘The Room’ is about the film 'Stalker' and a man who guides ‘tourists’ through a Zone corrupted by alien technology. ‘Temptation Harbour’ references three films by the late director Bela Tarr.

Earlier, the band shared the lead track 'Drill, Baby, Drill!' and 'Things Have Learnt to Walk that Ought to Crawl', an adrenaline-fueled blast of melodic post-punk driven by jangling guitars, relentless momentum, and distinctive drumming. In re-envisioning their 1982 cult classic, The Room revisits their roots, exploring themes that remain topical today, proving the enduring power of this music, 

'Doom Pop!' is The Room's third album with 9x9 Records, preceded by 'Restless Fate' (2023) and 'The Telling'(2024). This a collection of eleven hook-driven post-punk songs confronts the anxieties of modern life, balancing political urgency with imagination and nostalgia.

"'Things Have Learnt to Walk that Ought to Crawl' is a the only older song re-envisioned for this album, and one of only three 1980s songs by The Room to survive in our live set. We decided to re-record and release it as it fits neatly into our new repertoire with its exhilarating jangly forward thrust, and also highlights Clive Thomas’ unique drumming," says Dave Jackson.

‘No One Comes Here From The Town’ is a response to Shirley Jackson’s 'The Haunting Of Hill House', and ‘Trespassing’ attempts to sum up Dave Jackson’s unproduced science fiction screenplay 'Trespassing' in a 3-minute pop song, tangentially influenced by Dave Bowie’s ‘Drive In Saturday’.

In a lighter, nostalgic vein, ‘Magic Games’ tells the story of a child in his grandmother’s parlour in the early 1960s, while ‘Stories’ is about an inspirational oral storyteller who once said, “Stories told thrice become our possessions”.

Favourites of John Peel, The Room was formed by singer Dave Jackson and bassist Becky Stringer in 1979, during the golden years of northern English post-punk. Reforming in 2022 after disbanding in 1985, they are now joined by guitarist Darren Brown, keyboardist Ethan Kyme, and original drummer Clive Thomas. They have since performed at Shiiine On festival and Preston Pop Fest, and have toured or played with The Red Guitars, Blue Orchids, Trupa Trupa, and Estonia with Shelton San.

The Room recorded four John Peel sessions, appeared on The Whistle Test and worked with Television's Tom Verlaine and John Porter (Roxy Music, TheSmiths, Billy Bragg) on their 'In Evil Hour' LP (1984), aside from releasing three other albums ('Bitter Reaction' in 1980, 'Indoor Fireworks' in 1982 and 'Clear!' in 1983. Recordings from Janice Long's BBC Radio One programme and Saturday Live were used for the 1985 release 'Jackpot Jack' EP. 

The Room toured the UK and the USA, and performed with The Fall, The Birthday Party, Bauhaus, Southern Death Cult, Violent Femmes, Tom Verlaine, John Foxx and The Red Guitars. Following the band's split, Becky and Dave went on to form Benny Profane, Dust and Dead Cowboys. Dave has also recorded under his own name and as The Room in the Wood (with Paul Cavanagh).

As of September 4th, the 'Doom Pop!' album is out on CD and limited edition mixed eco-vinyl with both physical formats available in North America via Darla Records. It is also available digitally, including on Spotify, Apple Music and Bandcamp. 

CREDITS
Lyrics by Dave Jackson
Music written by The Room
Dave Jackson – vocals
Becky Stringer – bass
Darren Brown – guitar
Ethan Kyme – keyboards (and Theremin on Track 1)
Clive Thomas – drums on all songs (except 8 & 10) and backing vocals on Track 3
Tom McCabe – drums on Tracks 8 & 10
Helena Jacks – backing vocals on Track 7
Recorded & Mixed by Steve Powell at Ark Recording Studios, Liverpool
Produced by Dave Jackson and Steve Powell

Mastered by Pete Maher 

Cover artwork by Genevieve Baker
Video by Marco Cecere
Publicity by Shameless Promotion PR
 
LIVE SHOWS
SEPT 11 - Birkenhead Future Yard
SEPT 12 - London Aces & Eights
SEPT 26 - Liverpool 81 Renshaw Street
OCT. 9  -  Edinburgh Wee Red Bar
NOV 13 - London Dublin Castle


Keep up with The Room
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube | Spotify | Apple Music | Press contact

Keep up with 9x9 Records
Website | Facebook | Instagram | Twitter | Store

Keep up with Shameless Promotion PR
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Finnish Modern Metal Outfit BLIND CHANNEL Shares New Single "Stars We See" + Official Music Video

Today, Finnish modern metal outfit BLIND CHANNEL serves up the next musical glimpse of their upcoming studio album, ‘Painstream,’ with their mesmerizing new single “Stars We See,” which transforms an existential crisis into a powerful message of hope, reminding humanity that life’s fleeting nature is what makes it meaningful.

“Stars We See” arrives with a captivating music video made by Riivata Visuals.

The band comments:

“We’re incredibly relieved and grateful to have our band back, and absolutely blown away by the response to the first new releases. 'Stars We See' is a sneak peek at the new soundscapes and themes we discovered during our break, and it represents the more hopeful side of the upcoming album. This track will undoubtedly make its way into the setlist of the'Painstream Tour,' kicking off in November. We strongly recommend experiencing this new chapter live. Get your tickets, and we’ll see you out there!”

Watch the Official Video for "Stars We See" Below:

‘Painstream’ is BLIND CHANNEL’s sixth studio album, which will be out via Century Mediaon October 30th. The 12 new powerful tracks lead through the pain of growth, sharp self-reflection, and explosive energy. 

On 'Painstream,' the band comments:

“In a world filled with uncertainty, conflict, and division, pain is one thing all humans share. Rather than separating us, 'Painstream' explores the idea that pain can unite us, reminding us of our common humanity. We examine pain from personal, societal, and existential perspectives, while also uncovering something unexpected: hope.”

Pre-Order 'Painstream' HERE

In addition to the new single, tickets for BLIND CHANNEL’s extensive ‘Painstream’ European headlining tour in early 2027 are now on sale. Purchase your tickets HERE.

BLIND CHANNEL Live:

11/14 - Helsinki, Finland @ Helsinki Ice Hall

11/18 - Tokyo, Japan @ Shibuya Club Quattro

11/19 - Osaka, Japan @ Umeda Club Quattro

02/09 - Hamburg, Germany @ Markthalle

02/10 - Berlin, Germany @ Columbia Theater

02/11 - Warsaw, Poland @ Proxima

02/12 - Krakow, Poland @ Kwadrat

02/13 - Prague, Czech Republic @ Rock Cafe

02/14 - Leipzig, Germany @ Felsenkeller

02/16 - Munich, Germany @ Backstage Werk

02/17 - Vienna, Austria @ Simm City

02/18 - Milan, Italy @ Magazzini Generale

02/19 - Zurich, Switzerland @ Dynamo

02/20 - Stuttgart, Germany @ Im Wizemann

02/21 - Frankfurt, Germany @ Batschkapp

02/23 - Paris, France @ La Maroquinerie

02/25 - Bristol, England @ Thekla

02/26 - Wolverhampton, England @ KK's Steelmill

02/27 - Nottingham, England @ Rescue Rooms

02/28 - Glasgow, England @ Garage

03/02 - Manchester, England @ Club Academy

03/03 - London, England @ Underworld

03/05 - Antwerp, Belgium @ Zappa

03/06 - Amsterdam, Netherlands @ Melkweg

03/07 - Bochum, Germany @ Zeche

03/08 - Cologne, Germany @Live Music Hall

BLIND CHANNEL are:

Niko Vilhelm Moilanen – Vocals

Joonas Porko – Guitar

Olli Matela – Bass

Tommi Lalli – Drums

Aleksi Kaunisvesi – Synths

LUTHER Share "Five of Cups" Video

September holds plenty in store for LUTHER: Coinciding with their live appearances at Reeperbahn Festival (for the "Spotlight on: Heavy Reeperbahn"/MoreCore.de showcase), Envol et Macadam Festival in Québec, Canada (alongside Hatebreed and Despised Icon), and Local Core Festival in Hamburg, the Berlin group presents the brand new single "Five of Cups."

Watch the video below:

"The lyrics tell the true story of a trip to Naples, where a vacation turns into an unexpected journey through mystical and folkloric experiences, including a prophetic tarot reading and a series of appearances of occult signs. These forced encounters trigger a harsh but inescapable revelation: Sometimes in life, no one is ever completely on your side, and many of those around you may only be there to pick at the remains," explains singer Leo Luther.

The track showcases a new facet of LUTHER's sound. Whereas the last single drew heavily from nu-metal and deathcore influences, "Five of Cups" explores progressive post-hardcore and melodic alternative metal — with a hint of emo. This sonic spectrum appeals to fans of bands such as Loathe, Knocked Loose, Poppy, Korn, Kim Dracula, and The Mars Volta. 

Production, mix, and mastering were handled by Enrico Tiberi, current lead vocalist of The Ocean Collective.

LUTHER LIVE:
9/5 — Hamburg, DE — Local Core Festival
9/10–9/12 — Quebec City, QC — Envol et Macadam Festival (headlined by Bad Religion and Hatebreed)
9/18 — Hamburg, DE — Reeperbahn Festival
10/26— Berlin, DE — Female Fronted Is Not a Genre Festival

SLASH'S MUSIC OF UNIVERSAL STUDIOS HOLLYWOOD – HALLOWEEN HORROR NIGHTS RETURNS ON TWO NEW LIMITED-EDITION VINYL COLORS

Just in time for Halloween, legendary GUNS N' ROSES guitarist Slash is bringing back his acclaimed Music Of Universal Studios Hollywood – Halloween Horror Nights collections with two brand-new limited-edition vinyl variants through Snakepit Records LLC and Deko Entertainment.

Following multiple sellouts in previous years, Music Of Universal Studios Hollywood – Halloween Horror Nights Vol. 1 and Vol. 2 return as exclusive vinyl-only releases featuring 21 original compositions written and recorded by Slash for the world-famous haunted attractions at Universal Studios Hollywood's annual Halloween Horror Nights event.

For the past eight years, Slash has served as the musical architect behind many of Halloween Horror Nights' most memorable haunted house experiences, creating immersive scores that enhance the atmosphere, suspense, and terror encountered by millions of guests each season. His compositions have become an integral part of the event, blending cinematic storytelling with his signature musical style to create unforgettable sonic landscapes. 

Among the featured material is Slash's score for 2024's Universal Monsters: Eternal Bloodlines, which spotlighted an all-female gathering of iconic Universal Monsters including The Bride Of Frankenstein, Dracula's Daughter, She-Wolf Of London, and the ancient Egyptian princess Anck-Su-Namun. Also represented is music from 2025's Scarecrow: Music By Slash, a haunting tale of nature's revenge where sinister scarecrows become agents of destruction against those who have wronged the land.

Approaching each haunted attraction much like a film composer approaches a motion picture, Slash crafts music scene by scene, building tension and atmosphere while guiding listeners through every terrifying twist and turn. The result is a collection of compositions that stand on their own as compelling instrumental works while perfectly capturing the spirit of Halloween Horror Nights.

Both albums are presented in deluxe gatefold packaging and are strictly limited to just 300 copies each. Vol. 1 is available on exclusive "Swamp Thing" Colored Vinyl, while Vol. 2 arrives on "Yellow Smoke" Colored Vinyl.

Whether experienced as a companion to the attractions or as the soundtrack to Halloween night, these limited-edition releases offer fans a unique opportunity to own a piece of the Halloween Horror Nights legacy created by one of rock's most celebrated guitarists.

Music Of Universal Studios Hollywood – Halloween Horror Nights Vol. 1 and Vol. 2are available exclusively through Deko Entertainment.

For more information and to order, visit:https://www.dekoentertainment.com/slash

Slash also returns to Halloween Horror Nights this year to contribute to the original house “KILLceañera: Music by SLASH”.

Tickets available here: www.UniversalStudiosHollywood.com/Halloween

SLEEP HEMPISPHERES OUT DIGITALLY TODAY

Sleep's Hempispheres is out digitally now and physically on October 30 via Third Man Records.

LISTEN & PREORDER "HEMPISPHERES" ON LP OR CD

Pennsylvania's Robin Ross & Carmine Gontz run deep with haunting new single 'Blood Lines'

Some family ties run deeper than blood—and some songs make those connections impossible to ignore. Pennsylvania’s Robin Ross and vocalist Carmine Gontz tap into that haunting, timeless space on 'Blood Lines', a sweeping rock anthem where melodic guitars, rich harmonies, and an emotionally charged performance explore the bonds, memories, and legacies that bind generations together.

Written and performed by Robin Ross with Jack's Maze, 'Blood Lines' is powered by Bill Snyder on guitar, Scott Cowan on melodic guitar, Frank Cinquegrana on drums and Joe Torres on bass.

Released via Pennsylvania indie imprint RPM Entertainment, this single was recorded at Baa Baa Leaf Music Studio in Milford, Pennsylvania, where Ross produced and mixed it, working alongside famed master engineer Jonathan Duckett (Phillip Glass, Kenny G, David Sanborn).  

Carmine Gontz is a rock artist known for his cinematic blend of gothic atmosphere, classic hard rock, and theatrical energy. The recipient of the Central Pennsylvania Music Award (CPMA) for Best Youth Artist, Carmine debuted with 'Planet 25', produced by Dan Malsch (Ghost, Motionless in White, Bowling for Soup). His new single 'Lost In Space' was produced by Matt Starr (Ace Frehely, Mr. Big) and features bass legend Rudy Sarzo (Quiet Riot, Ozzy Osbourne, Whitesnake) and drummer Mike Dupke (W.A.S.P., Dee Snider, Johh Mellencamp). Establishing himself as a rising voice in modern hard rock, Carmine is currently working on his debut album.

"Bloodlines survive through the years like sand in an hourglass. A new baby is born and a grandparent moves up in the sky. Everyday life moves on and the bloodline continues," says Robin Ross. "Life takes and gives the love of our heart as time passes. One day leads into the next and bloodlines find the root of humanity. Love life but do what one must do to survive throughout the bloodlines of generations."  

Emerging from the New Jersey and New York music scenes in 1988, Robin Ross has grown into a central figure in the creative pulse of Milford, PA. A multi-faceted musician, songwriter, and producer for over thirty years, he has released numerous albums while designing and developing several recording spaces, including Triple R Studios and Sound Complex near NYC. He has since grown his current hub, Baa Baa Leaf Music into a creative sanctuary and production house.

In the early ’90s, Ross co-founded Laughing Jack (later renamed Jack’s Maze), praised for a progressive rock style echoing the grandeur of Pink Floyd and Led Zeppelin. After years of an energy engineer career, 2021 marked a return to form, building Baa Baa Leaf Music from the ground up and reuniting with bandmates Frank Cinquegrana, Scott Cowan, and Joe Torres to record new material for the new album, titled 'Once in a Blue Moon', anticipated in autumn.

Just recently, Robin Ross & The Melodynes released the single "All I Want (Is A Lover)", a sun-drenched flower power pop tune, which was featured in the star-studded Apple TV+ and Peacock original series "Margo’s Got Money Troubles", starring Elle Fanning, Michelle Pfeiffer, Nick Offerman and Nicole Kidma. The soundtrack includes artists such as Dire Straits, Billy Idol, Madonna, Shania Twain and Reba McEntire. 

Earlier this year, they also released their second album 'Mind Space', showcasing their own blend of indie and classic rock sounds, involving Wharton Tiers, JoEllen Gaetani, Katlyn Albrecht, Emery Rhodes, Tony Anniello, Joe Torres, TW Howell and Nancy Isola. In 2025, Ross' other project Robin Ross & The TW Howlers also released their 'Back To The Forest' EP.

As of August 11, 'Blood Lines' is available on digital platforms, including Apple Music, Spotify, Amazon and Ban dcamp.

CREDITS
Lyrics by Robin Ross
Music written by Robin Ross, Frank Cinquegrana & Joe Torres
Robin Ross - keyboards/ lead guitar
Carmine Gontz - vocals 
Frank Cinquegrana - drums
Joe Torres - bass
Scott Cowan - melodic guitar
Bill Snyder - power guitar
Recorded at Baa Baa Leaf Music Studios (Milford, PA)
Produced & Mixed by Robin Ross
Supervising Engineer: Jonathan Duckett
Photography & video by Tina Ross
Album artwork & design by Tina Ross
Publishing & booking: RPM Entertainment Enterprises, LLC
Publicity by Shameless Promotion PR


Keep up with Robin Ross
Website | Bandcamp | Facebook | Instagram | YouTube | Reverbnation | Apple Music | Spotify | Booking contact | Press contact

Keep up with Carmine Gontz
Website | Facebook | Instagram | Twitter | YouTube | TikTok

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Email

Green Carnation Premiere A Dark Poem, Part III: The Messiah Complex

Over the past three decades, Green Carnation have never shied away from making grand and gloomy statements. The Norwegian prog bards reached crushing new peaks and delved into the deepest, darkest and most personal depths of the band’s storied career during the first two chapters of A Dark Poem. Now, they are putting an exclamation point on their critically-acclaimed album trilogy with its bold and uncompromising conclusion, A Dark Poem, Part III:The Messiah Complex.

A Dark Poem, Part III: The Messiah Complex comes out tomorrow, Friday, September 4 on Season of Mist, but you can hear the entire album - including its epic orchestral finale - today by listening to the full album stream below.

“A Dark Poem is by far our biggest achievement since Light of Day, Day of Darkness”, Green Carnation vocalist Kjetil Nordhus. “Our new album trilogy returns to the epic storytelling that put us on the map back in 2001. While the reception to Part I and Part II has been overwhelmingly positive for us, we do believe that Part III saves the best for last”.

“The intention behind A Dark Poem was to build a completely new musical universe”, Green Carnation bassist and primary lyricist Stein Roger Sordal says. “While the direction revealed itself as the creative journey unfolded, The Messiah Complex was carefully planned with a clear vision for where we wanted the story to end. Our goal was for all three parts to stand on their own, but Part III brings them all together into a unified whole”.

Pre-order

https://orcd.co/greencarnationadarkpoempart3

Pre-save on Spotify

https://open.spotify.com/prerelease/7eKL7wH7rftsR5g3FXSVBy

Catch Green Carnation during their upcoming hometown shows and European summer festival dates.

During their headlining show in September at the Kilden Performing Arts Centre, the band will perform A Dark Poem in its entirety for the first and final time. Already, fans from 18 different countries have purchased tickets for this once-in-a-lifetime event.  

Green Carnation 2026 + 2027 Show Dates

September 12 - Kristiansand, Norway @ Kilden Performing Arts Centre [TICKETS]#

September 25 - Bucuresti, Romania @ Bucharest Prog Day II [TICKETS]

September 26 - Barcelona, Spain @ Be Prog! My Friend [TICKETS]

May 1, 2027 - Kopervik, Norway @ Karmøygeddon [TICKETS]

June 11, 2027 - Technikum, Munich @ Prog Metal Mania [TICKETS]

#Performing A Dark Poem, Part I-III

With A Dark Poem, Part III: The Messiah Complex, Green Carnation finish a masterpiece that stands alongside Light of Day, Day of Darkness as the defining statement of their storied career.  

Recording lineup
Kjetil Nordhus - Vocals
Stein Roger Sordal - Bass, Rhythm Guitars, Lead Guitars, Keyboards
Bjørn Harstad - Lead Guitars, Effects
Endre Kirkesola - Keyboards, Synthesizers, Organs, Effects
Jonathan Alejandro Perez - Drums

Guest musicians
Ingrid Ose - Flute on “Broken Souls, Common Enemies”

Kristiansand Symphony Orchestra and Opera Choir on “A Dark Poem - Orchestral Suite”

Live lineup
Kjetil Nordhus - Vocals
Stein Roger Sordal - Bass
Tchort - Guitars
Bjørn Harstad - Guitars
Trond Breen - Guitars
Endre Kirkesola - Keyboards

Recording & Mixing Studio
dUb Studio

Mastering Studio

Rorysound Studios

Production Credits
Producers - Endre Kirkesola, Stein Roger Sordal, Kjetil Nordhus
Mixing & Sound Engineer - Endre Kirkesola

Mixing Assistant — Bjørn Harstad

Mastering Engineer — Lawrence Mackrory

Credits for “A Dark Poem - Orchestral Suite”

Recorded at Kilden Performing Arts Centre in Kristiansand, Norway

Performed by the Kristiansand Symphony Orchestra and Kristiansand Opera Choir

Symphone Orchestra Conductor - Alexander Hanson

Choir Preparation and Conductor - Anne Haugland Balsnes

Mixing & Sound Engineer - Simen Endresen Hefte

Mastering Studio - Rorysound Studios

Mastering Engineer - Lawrence Mackrory

Cover artist
Niklas Sundin

Pre-order & Pre-save
https://orcd.co/greencarnationadarkpoempart3

Follow Green Carnation:
Bandcamp: https://greencarnationsom.bandcamp.com/
Facebook: https://www.facebook.com/GreenCarnationNorway
Instagram: https://www.instagram.com/green2carnation/
Twitter (X): https://x.com/Green2Carnation
YouTube: https://www.youtube.com/channel/UC2vfEaTADayEniT7xbG-XCA
Spotify: https://open.spotify.com/artist/1ZaJhNBAhJ3HjPsWiB9sDc
Apple Music: https://music.apple.com/artist/green-carnation/72866964
Deezer: https://www.deezer.com/artist/8192
Tidal: https://tidal.com/browse/artist/23079

Swedish Metal Maestros WORMWOOD Unveil Official Music Video for "PURPOSELESS GEOMETRY"

Today, WORMWOOD, one of Sweden’s most distinctive and internationally acclaimed metal bands, proudly unveils the music video for "PURPOSELESS GEOMETRY," the second track taken from the recently released EP ‘Å,’ out now via Black Lodge Records / Sound Pollution. The EP contains two long tracks in classic WORMWOOD fashion, while also introducing new elements that have found their way into the sound as WORMWOOD continues to evolve as a band.

“PURPOSELESS GEOMETRY” portrays Stockholm from the margins of society, a city of buildings, roads, bridges, and other infrastructure created to bring structure and direction to human existence. Yet as the sense of belonging fades, so too does the meaning of the surrounding world. What once symbolized function, progress, and purpose gradually dissolves into empty geometric forms within an environment where the individual has become alienated from both society and themselves.

In the video, the words take center stage, accompanied by slow, almost documentary-like footage captured throughout Stockholm and its outskirts.

The video features previously unreleased handheld footage from the filming of the “YRA | EXTAS” music video, starring actress Astrid Hallén, alongside aerial drone footage shot by Svartna Film. The video also includes a separate acting performance by Crister Claesson.

The result serves as a visual extension of the song’s central theme: humanity placed amid the monumental structures of the modern city, while their original purpose slowly erodes and disappears.

Watch the Official Music Video for "PURPOSELESS GEOMETRY" Below:

With four full-length albums, one EP, a live release, and now the forthcoming ‘Å,’ WORMWOOD have built a catalog that continually evolves while deepening the band’s artistic identity. Their work has received widespread recognition: two nominations for “Rock/Metal of the Year” at P3 Guld, strong placements on the official Swedish charts, and recurring international praise from metal media around the world. WORMWOOD have also appeared on several global “Album of the Year” lists – a testament to their growing influence.

WORMWOOD’s reputation, however, is not confined to the studio. The band has toured extensively across Europe, performed at major festivals, and completed their own headline tours. Their audience continues to grow steadily, particularly in Germany, France, the Netherlands, the United Kingdom, and the United States, where their cinematic music videos and strong digital presence further enhance their visual and musical identity.

Today, WORMWOOD stands as one of the most forward-thinking and compelling bands in Swedish metal. With ‘Å,’ they take another step in their artistic evolution – one that promises to captivate both loyal fans and new listeners around the world.

Order 'Å' HERE

Produced by Sverker Widgren & Tobias Rydsheim

Since forming in Stockholm in 2014, WORMWOOD has developed a sound as unmistakable as it is atmospheric. With their characteristic fusion of extreme metal, Scandinavian melancholy, folk influences, and cinematic storytelling, the band has created a sonic landscape that both moves and mesmerizes. Their music effortlessly shifts between grand, epic scope and brutally grounded intensity – a balance few bands truly master.

WORMWOOD are:

Nine – Vocals

Tobias Rydsheim – Guitar, Keys, Vocals

Jerry Engström – Guitar

Oskar Tornborg – Bass, Vocals

Simon Samuelsson – Drums

Siamese Drop New Single "nevermore"

Modern metal outfit SIAMESE just dropped their brand new single "nevermore," answering the calls of their fanbase. Initially featured as an exclusive track on the physical edition of their new studio album dissolution, released June 26 via Long Branch Records, "nevermore" is now available across all streaming platforms. Listen below.

Vocalist Mirza Radonjica offers insight into the highly relatable story behind the song, saying, "'nevermore' is about realizing that what looked like passion was actually conflict addiction. Some people don't fall in love with you, they fall in love with the chaos you bring into their story. The dramas and the war. The mythology they get to build around themselves by breaking someone else."

'nevermore' pushes the signature SIAMESE sound to the next level, blending heavy metalcore intensity with a catchy alt-metal chorus and wild EDM elements. Following a recent U.S. headline tour and mainstage appearances at festivals like Vainstream and Impericon, the Danish band will be hitting the road across the EU and UK this winter alongside DAYSEEKER and NORTHLANE.

Following Home (2021) and Elements (2024), over 100 million streams, and global tours with some of the biggest acts in the world —including KORN, COREY TAYLOR, and DAYSEEKE R— dissolution is the album SIAMESE never planned to make, but ultimately had to. It marks the band's most personal release to date. Written during a period defined by the departure of one of their primary songwriters, the record forced the band into a fundamental reset of their processes and intentions. With dissolution, SIAMESE evolved from a songwriting camp into a true, cohesive unit. The result is a sound heavier than anything SIAMESE have ever released: <ore instinctual, aggressive, and introverted. At the core of dissolution lies a deeply complicated father-son relationship.

The album represents the most comprehensive body of work SIAMESE has crafted so far. Throughout the creative process, the band collaborated with a tight circle of trusted contributors — including Zachary Baker, Mads Zelasny, Zach Jones, KJ Strock, and Paul Spirou. Each brought fresh perspectives to the table without compromising the core identity of the record.

Siamese will tour the EU and UK later this year, in support of DAYSEEKER + NORTHLANE.

SIAMESE LIVE:

11/28 — Wolverhampton, UK — KK's Steel Mill (w/ Dayseeker, Northlane)
11/29 — Wolverhampton, UK — KK's Steel Mill (w/ Dayseeker, Northlane)
12/1 — Leeds, UK — Project House (w/ Dayseeker, Northlane)
12/2 — Manchester, UK — Academy 1 (w/ Dayseeker, Northlane)
12/3 — Bristol, UK — Prospect (w/ Dayseeker, Northlane)
12/5 — Glasgow, UK — O2 Academy (w/ Dayseeker, Northlane)
12/6 — London, UK — O2 Academy Brixton (w/ Dayseeker, Northlane)
12/8 — Paris, France — Elysee Montmartre (w/ Dayseeker, Northlane)
12/9 — Oberhausen, Germany — Turbinenhalle 1 (w/ Dayseeker, Northlane)
12/10 — Hannover, Germany — Capitol (w/ Dayseeker, Northlane)
12/12 — Warsaw, Poland — Proxima (w/ Dayseeker, Northlane)
12/13 — Berlin, Germany — Huxley's (w/ Dayseeker, Northlane)
12/15 — Prague, Czech Republic — Lucerna Music Bar (w/ Dayseeker, Northlane)
12/16 — Munich, Germany — Tonhalle (w/ Dayseeker, Northlane)
12/18 — Amsterdam, Netherlands — Melkweg (w/ Dayseeker, Northlane)

GET TICKETS — HERE

SIAMESE ARE:
Mirza Radonjica – Vocals
Christian Lauritzen — Guitar, Violin
Marc Nommesen — Bass
Joakim Stilling — Drums

DUSTIN LYNCH ANNOUNCES SEVENTH STUDIO ALBUM CLEAN SLATE - AVAILABLE OCTOBER 30

MULTI-PLATINUM, 10x #1 hitmaker Dustin Lynch announces his seventh studio album, Clean Slate, arriving October 30 via BBR Music Group/BMG Nashville. The 12-track collection is available to pre-add, pre-save and pre-order HERE.

Taking its name from the album’s introspective title track, Clean Slate finds Lynch looking at where he’s been, what he’s learned and where he wants to go next. Across 12 tracks, love comes into view from every angle: imagining the life you could build, recognizing the one worth coming home to, chasing a new spark, revisiting the one that got away and confronting the heartbreak that refuses to disappear at last call. There are nights made for cutting loose and hard-earned lessons that only come with time, all leading back to the possibility of clearing the slate and moving forward.

“There’s a lot of life on this record,” shares Lynch. “Falling for somebody, missing somebody, looking back at things you might do differently now, going out and having a damn good time, and figuring out what matters when everything else gets quiet. I’ve lived a lot of life since my first record, and I wanted this album to feel true to where I am today while still sounding like me.”

Lynch co-wrote seven of the album’s 12 tracks, working alongside Nashville songwriters including Zach Crowell, Justin Ebach, Josh Thompson, Jameson Rodgers, Brent Anderson, Hunter Phelps, Ben Johnson, John Byron and more. Production is shared across the collection by Ross Copperman, Zach Crowell and Austin Shawn, with MC4D producing and featuring on album closer “Home To You.” Clean Slate also features Ashley Cooke on “How You Been.”

Before Clean Slate arrives in full, Lynch leads off with “Made In A Bottle,” available September 4. Written by Jesse Frasure, Mark Holman and Geoff Warburton and produced by Ross Copperman, the straight-down-the-middle honky-tonk anthem is built on real instruments, real players and the snap of a full band. Against that high-energy backdrop, Lynch makes the rounds from bar to bar only to learn there isn’t a pour strong enough to outrun the memory of the one he lost.

“We started playing ‘Made In A Bottle’ live this summer and the reaction was immediate,” shares Lynch. “I love the energy of it and the rhythmic pocket in that chorus. You can’t help but move along to it. Production-wise, we wanted it to feel like you’re right there in the middle of our live show. There aren’t a bunch of studio tricks. It’s real instruments and real players, and it’s just a great honky-tonk song. We’ve road-tested it all summer, and it fits our show perfectly.”

The announcement follows Lynch’s Setlist Staples - 10 #1’s, a collection bringing together all 10 of his Country radio chart-toppers and capturing the songs that have become the foundation of his live show. Released August 28, the collection arrived alongside new RIAA certifications for “Small Town Boy” (5X PLATINUM), “Thinking ’Bout You” (4X PLATINUM), “Ridin’ Roads” (2X PLATINUM) and “Chevrolet (feat. Jelly Roll)” (PLATINUM).

Lynch continues to bring that catalog to the stage with shows slated throughout the fall and into 2027, including a September 30 return to the Grand Ole Opry, followed by a special post-show event at Studio A. For tickets and a full list of upcoming dates, visit HERE.

Shock Rock Legends GWAR are Coming to Mutant Football League 2

You prayed. GWAR heard. And they're coming. Digital Dreams Entertainment Inc. is thrilled to announce Mutant Football League 2: Antarctica Scumdogs, a brand-new DLC pack starring the boundary-breaking metal band, launching for PlayStation 5, Steam, and XBOX Series X|S in October 2026.

GWAR tore a new cosmic wormhole in the fabric of space and spilled out into the Mutant Football League 2 universe, where sport is almost as violent as they are — where players are mutilated, referees can be murdered, cheating is encouraged, and sometimes the best defense is simply killing the other team.

It feels just like home for GWAR. 

“MFL fans have been asking me for years, 'When are you going to get GWAR into the game?'" said Michael Mendheim, president of Digital Dreams Entertainment, “Well, the wait is finally over. Football just got louder, bloodier, and a whole lot more GWAR. The Antarctica Scumdogs are coming to MFL2, and we’re making damn sure they’re the deadliest team in the game.”

For more than three decades, GWAR has brought its unique combination of heavy metal, outrageous characters, elaborate mythology, satire, and spectacular stage shows to fans around the world. Now the Scumdogs have found a new stage.

And this one has goalposts. 

Check Out the Release Announcement Below:

If you think you know football, you've got another thing coming. MFL2 isn't your typical game of toss the pigskin. It's a bloodsport of the most brutal kind, where the refs expect dirty play, and a screw-up might just cost you your life. The stadium might kill you, too. It just depends where you're standing when the buzzsaws start spinning, and the mutant worms start feasting.

It's the perfect nightmare playground for GWAR, and a crossover MFL2 players have been begging for. Antarctica Scumdogs is the band's first video game appearance in more than 30 years, and the only time you can be GWAR. The band's MFL2 team includes:

• Blöthar the Berserker

• BälSäc the Jaws 'O Death

• JiZMak Da Gusha

• Grodius Maximus

• Beefcake the Mighty

• Sawborg Destructo

• Bonesnapper

GWAR lead singer Blöthar the Berserker commented:

"Today, the Antarctica Scumdogs of GWAR take to the frozen tundra of the Mutant Football League, where killing isn’t everything, it’s the ONLY thing! Let the games begin!!" 

In true GWAR fashion, the Scumdogs are built to destroy everything in sight, but mainly you. They are the most physically destructive team in MFL2, designed around a philosophy of brutality and carnage and turning every match into a white-knuckle battle for survival. If you're playing against GWAR, the score is the last thing on your mind. 

It wouldn't be GWAR without a killer venue. Antarctica Scumdogs introduces a spectacular new stadium steeped in GWAR mythology - along with a few surprises we're saving for launch.

MFL2 + GWAR World Debut @ PAX, September 4-7, 2026

The GWAR: Antarctica Scumdogs DLC for Mutant Football League 2 will make its worldwide playable debut at PAX West in Seattle from Sept. 4–7, and attendees visiting Digital Dreams Entertainment's booth can be the first anywhere to take GWAR onto the MFL2 gridiron. The GWAR: Antarctica Scumdogs DLC will be available to play at the Digital Dreams Entertainment booth at PAX West, Arch Building, Level 4, Booth #853.

Digital Dreams is also holding a daily raffle during the convention, giving attendees the chance to become immortalized as a playable member of GWAR's Antarctica Scumdogs team. 

JIM PETERIK & WORLD STAGE Announces New Album ‘River of Music: The Power of Duets Vol. 2’ Out on December 4th via Frontiers Music Srl

Today, JIM PETERIK & WORLD STAGE are proud to announce their new album, 'River of Music: The Power of Duets Vol. 2,' set for release on December 12th via Frontiers Music Srl. Celebrating the announcement, the band also shares the first single, "Back In The Day,"alongside an official music video, available below.

JIM PETERIK shares:

“I’m so excited about the release of the first single from my new 'River of Music: The Power of Duets Vol. 2' release. “Back In The Day” is one of my favorite tracks. It’s really a thrill to share the stage and vocals with my super talented son Colin Peterik. The song is a nostalgic look back at my younger days. 'We’d make the weekend last till early Monday morn!' Ah yes those were the days. 'When life gets too predictable we say- meet you back- back in the day!' The video for the song was created by the amazing Greg Bizzaro who always catches the essence of every song. Hope you enjoy these moments of our youth as much as we enjoyed re- living them! Stumbling back to school I remain."

Watch the Music Video for "Back In The Day" Below:

Few songwriters in the history of American rock have left a legacy as enduring as JIM PETERIK. From timeless anthems such as “Eye of the Tiger,” “Burning Heart,” “High On You,” “Vehicle” and “Caught Up In You” to countless collaborations spanning generations of artists, PETERIK has always understood that great music begins with great songs—and great voices.

With ‘River Of Music – The Power Of Duets Vol. 2,’ JIM PETERIK & WORLD STAGE return with a remarkable collection celebrating the magic that happens when exceptional singers come together in service of unforgettable melodies. 

Produced by legendary producer Ron Nevison (Led Zeppelin, Heart, Bad Company, Survivor) and featuring an all-star cast of musicians including Phil X, Tony Franklin, Kim Bullard, Denny Fongheiser and more, the album showcases ten powerful performances that blend soaring AOR, melodic rock, heartfelt balladry and PETERIK's unmistakable gift for storytelling.

At the heart of the album are a series of inspired vocal pairings featuring JIM PETERIKalongside an outstanding lineup of guest singers including Bree Gordon, Cathy Richardson, Kaity Heart, Tony Hitchcock, Dave Mikulskis and Colin Peterik. From the nostalgic warmth of “Back In The Day” and “Trains,” to the uplifting power of “Everest,” “The Best In Us” and “The Power Of Two,” each song captures a unique emotional connection while remaining unmistakably rooted in the classic melodic sensibilities that have defined PETERIK's extraordinary career.

Elegant, uplifting and filled with world-class musicianship, ‘River Of Music – The Power Of Duets Vol. 2’ is more than a collection of songs—it's a celebration of friendship, collaboration and the enduring power of melody. For fans of classic AOR and melodic rock, this is another essential chapter in the ever-evolving WORLD STAGE story.

Pre-Order ‘River of Music: The Power of Duets Vol. 2’ HERE

Line Up:

Denny Fongheiser: Drums

Phil X: Guitar

Tony Franklin: Fretted and Fretless Bass

Kim Bullard: Keyboards & Orchestration

Jim Peterik: Keyboards and Vocals

Ed Breckenfeld: Drums

Mike Aquino: Electric and Acoustic guitar

Bob Lizik: Bass

Heavy Rock Force AUDREY HORNE Reveal Title Track "Achilles"

Norwegian hard rock force AUDREY HORNE unleashes a hard-hitting new single with "Achilles," the title track of the band's upcoming 8th studio album, out this Friday, September 4, 2026 via Napalm Records! Roaring guitars meet impactful rhythms, all topped with powerfully captivating vocals. The band showcases the more progressive side of its sound on this ambitious single, arriving with a lyric video, and the strong sonic contrasts support the lyrics. Following the release of Achilles, AUDREY HORNE are set to head out on a European headline tour next month.
 
AUDREY HORNE on "Achilles":
"'Achilles' is a song about the 'us vs. them' situation in today's increasingly polarized world. It is also the title track from our new album and shows a bit more progressive side of the band. When we started recording the album, this song stood out immediately as a perfect opening track, and it has an energetic drive that will fit us perfectly on stage as well. We hope you guys like it as much as we do. Peace and love, AUDREY HORNE."
  
Watch the Lyric Video for "Achilles" Below:

Pre-Order Your Copy of Achilles NOW.

AUDREY HORNE's latest studio albums Blackout (2018) and Devil’s Bell (2022) received critical praise internationally, and the band was even awarded a Spellemannprisen (Norwegian equivalent to a Grammy) for their 2005 debut album. With previous international tours both as headliners and together with bands such as Papa Roach and Backyard Babies, as well as support slots for AC/DC and Mötley Crüe, AUDREY HORNE are one of Norway's most interesting rock exports. 
 
The new album features 11 multi-faceted tracks, ranging from high-energy, heavy rock pieces to more melodic and progressive songs, leaving no questions about the songwriting capabilities of this five-piece, which consists of vocalist Toschie, guitarists Ice Dale (Enslaved) and Thomas Tofthagen, bassist Espen Lien and drummer Kjetil Greve.
 
Following the hard-hitting title track "Achilles," more hit material is delivered through songs like "God Damn Beautiful"; this groovy Thin Lizzy-inspired track brings bass player Espen Lien to center stage on lead vocals. The band stays true to its sound on the high-energy rock 'n' roll number "Insanity" that features a catchy chorus and twin guitars — and a gripping storyline inspired by the classic Iron Maiden tune "Hallowed Be Thy Name!" Closing track "New Star Falling" wraps the album up beautifully, showcasing the melodic side of AUDREY HORNE's sound.

With Achilles, AUDREY HORNE return with an atmospheric heavy rock album that combines classic '70s and '80s influences with lyrical themes spanning escapism to commentary on the instability of the world we live in. A perfect fit for both rock radio and live stages!

AUDREY HORNE LIVE 2026:
09/03 — Oslo, NO — John Dee
09/04 — Porsgrunn, NO — RIP
09/05 — Hamar, NO — Festiviteten
09/19 — Trondheim, NO — Verkstedhallen
10/08 — Cologne, DE — Gebäude 9
10/09 — Essen, DE — Turock
10/10 — Münster, DE — Sputnik Café
10/11 — Hamburg, DE — Bahnhof Pauli
10/13 — Leiden, NL — Nobel
10/14 — Eindhoven, NL — Effenaar
10/15 — Kortrijk, BE — CVC Club
10/16 — Paris, FR — Nouveau Casino
10/17 — Grenoble, FR — L’Austra Rocks
10/18 — Zurich, CH — Plaza
10/20 — Munich, DE — Backstage Halle
10/21 — Bamberg, DE — Live Club
10/22 — Frankfurt, DE — Das Bett
10/23 — Dresden, DE — Puschkin Club
10/24 — Berlin, DE — Hole 44
12/04 — Kopervik, NO — Ovenpå
12/05 — Bergen, NO — USF Verftet

AUDREY HORNE ARE:
Toschie — Vocals
Arve "Ice Dale" Isdal — Guitar
Thomas Tofthagen — Guitar
Espen Lien —  Drums
Kjetil Greve —  Bass

Kingdom Collapse Drop "Victorious" Video Feat. Wrestler Thunder Rosa

San Antonio, Texas-based rockers KINGDOM COLLAPSE have unleashed the beast! The band has shared the video for new single "Victorious," featuring champion AEW professional wrestler and former MMA star Thunder Rosa.

Watch it below.
 
The song is a high octane rager that comes out of the gates hard. The band deftly strikes a balance between aggression and melody, fearlessly toeing the line and kicking some ass. The video features Thunder Rosa doing what she does best — kick some ass. 

"'Victorious' is a signature Kingdom Collapse anthem that we did for our diehards," states singer Jonathan Norris. "Big riff, sing-along chorus, and a resilient attitude."

As for the accompanying video, bassist Aaron Smith says, "Since this one has such a motivational vibe, we invited our friend and AEW wrestler Thunder Rosa to be featured in the video. She's a badass so we knew she'd do a great job."

The song lives on their debut album Survivor, which will be released on October 30 via Mascot Records.

Pre-save it HERE.

Kingdom Collapse have hit the road hard in the U.S. and have spent the last month touring with Nashville rockers RED, and they will pause for breath before storming the festival stages and touring with Royale Lynn in July and then spending August on the road with Of Virtue and Savage Hands. Catching them live will make you understand how that kinetic energy has seen them share stages with the likes of Three Days Grace, Nothing More, 10 Years, From Ashes To New, Fire From The Gods, Saliva, Hinder, ATTACK ATTACK!, and Adelita's Way.

Kingdom Collapse originated from the childhood friendship between Norris and Smith, who grew up together, discovered music around the same time, and recognized its power after Jonathan lost his father at eight years old.

In order to cope, he immediately retreated into music and the embrace of a small community, which included Aaron's family. This was the turning point where both boys realized the power of friendship, the power of music, and their potential together. "I saw my father die right in front of my eyes," Jonathan sighs. "I didn't even know what was happening. In some ways, that darkness has never left. Music became my light. I connected with it, and it gave me hope for the future. Kingdom Collapse is a band that carries that torch." 

The band's current single is Top 30 at Active Rock and building.

TOUR DATES:
Tickets available HERE:

HEADLINE RADIO SHOWS:
9/2 — The Black Sheep — Colorado Springs, CO
9/4 — The Alpine — Reno, NV
9/6 — District at Knitting Factory — Spokane, WA

WITH ADELITAS WAY:
9/10 — Pop's Night Club — Sauget, IL
9/11 — The Machine Shop — Flint, MI
9/12 — The Castle Theatre — Bloomington, IL
9/13 — High Noon Saloon — Madison, WI
9/15 — The Forge — Joliet, IL
9/17 — The Green Door — Lansing, MI
9/18 — The King of Clubs — Columbus, OH

WITH LAKEVIEW:
10/15 — General Duffy's — Redmond, OR
10/16 — Ponderosa — Portland, OR
10/17 — Steel Creek — Tacoma, WA
10/18 — District Bar — Spokane, WA

WITH ADELITAS WAY:
11/4 — Come and Take It Live — Austin, TX
11/5 — Payne Arena — Hidalgo, TX
11/6 — Scout Bar — Houston, TX
11/7 — Haltom Theater — Haltom City, TX
11/8 — Vanguard — Tulsa, OK
11/10 — The Venue on Sunset — Springfield, MO
11/11 — Bottleneck — Lawrence, KS
11/12 — Matchbox — Omaha, NE
11/13 — Bigs Bar — Sioux Falls, SD
11/15 — Federal Theatre — Denver, CO
11/19 — The Newberry — Great Falls, MT
11/20 — The Pub Station — Billings, MT
11/21 — The Gem — Idaho Falls, ID
11/22 — The Complex — Salt Lake City, UT


9/10 — Sauget, IL — Pop’s
9/12 — Bloomington, IL — Castle Theatre
9/13 — Madison, WI — High Noon Saloon
9/15 — Joliet, IL — The Forge

KINGDOM COLLAPSE ARE:
Jonathan Norris — Vocals
Aaron Smith — Bass
David Work — Guitar
Gaston Flores — Drums