Members of Little Big Town join the WME Nashville team during a special visit to the agency's offices, where the GRAMMY-winning quartet participated in a Q&A and shared an exclusive first listen to six songs from their forthcoming album, It’s A Dying Art, out August 28.
Little Big Town and WME’s Nashville Office | Photo Courtesy of WME
Platinum-selling country artist RaeLynn and Nashville Songwriters Hall of Fame member Rhett Akins will release “We’re American Made” on July 3 via Red Van Records, a reimagined version inspired by The Oak Ridge Boys’ iconic No. 1 hit “American Made.” Pre-save/pre-add the song here.
Ahead of its July 3 release, RaeLynn and Akins performed “We’re American Made” together at the Grand Ole Opry. While honoring the spirit of the original, “We’re American Made” shifts the focus from a personal love story to a broader celebration of the people, places and values that continue to shape the American experience. They debuted the song during CMA Fest and a video clip of that performance is here.
“We’re American Made” also follows a landmark moment in Akins' career. On June 28, the Nashville Songwriters Hall of Fame member was surprised on the Grand Ole Opry stage with an invitation from friend and Opry member Jon Pardi to become the newest member of the Grand Ole Opry. Akins, whose songwriting catalog includes 36 No. 1 country hits, will officially be inducted into the Opry later this year.
For the reimagined version of the song, the original “American Made” songwriters and longtime collaborators, Bob DiPiero and Pat McManus, teamed with songwriter Amy Stroup, preserving the spirit of the original while giving it a fresh perspective. Produced by Corey Crowder, the recording blends modern country production with the heart and optimism that made “American Made” a country music classic more than four decades ago.
“The first time I heard this version, it just made me smile,” said RaeLynn. “It's fun, it's positive, and it reminds me of so many things that bring people together. There's a real sense of pride and American Pride in it, and that's something that resonates across generations. Getting to record it with Rhett and help introduce this song to a new generation made it really special.”
“I grew up hearing ‘American Made’ on the radio and loved it every time it came on,” said Akins. “Great country songs never get old, and this is one of those songs. It's a classic for a reason. The writing is timeless, and it was a lot of fun to put a new spin on it while keeping the spirit of the original intact.”
Filled with imagery of highways, hometowns, fireworks and freedom, “We’re American Made” arrives as the nation prepares to celebrate its 250th anniversary. With its singalong chorus, the song captures the pride, gratitude and sense of community that have long been woven into the fabric of country music.
Originally recorded by The Oak Ridge Boys, “American Made” reached No. 1 on the Billboard country chart in 1983 and remains one of the group's most enduring hits. More than forty years later, “We’re American Made” offers a fresh perspective while paying tribute to the songwriters and legacy behind a country classic.
“We’re American Made” will be available everywhere on July 3.
About RaeLynn:
Two-time ACM Awards nominee RaeLynn has built a career on fearless authenticity, sharp songwriting and an undeniable connection with fans. From breakout hits like “God Made Girls” and “Boyfriend” to a new wave of discovery across TikTok and Reels, her music continues to resonate with longtime listeners while reaching a new generation. With more than one billion career streams and over 2.5 million followers, RaeLynn remains one of country music’s most engaging and relatable voices.
Now partnered with Jonas Group Entertainment and Red Van Records, RaeLynn is entering an exciting new chapter highlighted by recent releases including “Come On Cowboy (Giddy Up),” “Heaven Is A Honky Tonk,” “Long Live Country Music” and “Fall Together.” Following a run on Jason Aldean’s Full Throttle Tour, she joins Luke Bryan’s Word On The Street Tour this summer and fall, continuing to bring her energetic live show to audiences nationwide while helping shape the next generation of country music through her music, storytelling and unwavering authenticity.
About Rhett Akins:
Rhett found his way to a professional music career when Decca Records (which had been reactivated then) heard one of his demos. He dropped his first album, A Thousand Memories, in 1995. The record was critically acclaimed and produced four chart singles including his first No. 1 hit, “That Ain’t My Truck,” which he also co-wrote. The song has since become Rhett’s signature song but his success story was just getting started. The following year he released Somebody New which produced another No. 1 hit, “Don’t Get Me Started.”
Akins has written 36 No. 1 singles (and counting), and his impressive catalog hasn’t gone unnoticed in the music industry. Akins has been the recipient of renowned awards and titles. In 2010, Rhett was named the No. 4 Billboard Country Songwriter. The following year, BMI named him Songwriter of the Year. He won it again in 2014. His song “Honey Bee” became the highest selling digital debut by a country male solo artist. His biggest accomplishment, though, may be winning the CMA Triple Play award a total of seven times. The award is presented to a songwriter who penned three No. 1 singles in 12 months and he won it in October 2010, January 2012, February 2014, February 2015, February 2016, February 2017, and again in February 2018! In April 2018 Rhett was named Songwriter of the Year and in September 2019 named the first Songwriter of the Decade by the Academy of Country Music. In July 2021, Rhett was announced as an inductee into the Nashville Songwriters Hall of Fame.
Florida rock band Gunshine has unleashed their latest single and music video, "Shark Lounge," the sixth track revealed from their highly anticipated forthcoming full-length album, Grand Rising, due out digitally on July 24 via vnclm_ / Create Music Group.
Packed with sleazy riffs, larger-than-life storytelling, and an unapologetic rock 'n' roll attitude, "Shark Lounge"draws inspiration from one of Florida's most infamous nightlife landmarks, a notorious Daytona Beach strip club that became legendary for its outrageous atmosphere before ultimately being shut down.
Capturing the absurdity and excess of the venue, "Shark Lounge" embraces a fun, raunchy energy that perfectly complements the band's hard-hitting sound. To elevate the track even further, Gunshine enlisted Michael Starr, frontman of Steel Panther, whose unmistakable vocals and larger-than-life personality make him a natural fit for the song's tongue-in-cheek celebration of rock excess.
"The song is based on a famous strip club in Daytona Beach that was known for all kinds of debauchery," Austin Ingerman explains. "There were stories of prostitution, drugs, grandma strippers, pregnant strippers, even a dancer with a peg leg and they all performed above a live shark tank with an actual shark swimming below. The lyrics have a fun, raunchy vibe and we thought it would be fitting to feature Michael Starr from Steel Panther."
The songs guitars, bass, vocals, were tracked by Austin Ingerman in Pensacola, FL.. Chris Collier played drums (tracked at Ray Luzier’s studio in Nashville called “lose yer ear studios”).
Chris also mixed and mastered the track, as well as, the whole record.
"Shark Lounge" continues to showcase the diverse sonic landscape of Grand Rising, an album that finds Gunshine pushing their sound while remaining rooted in the swagger, hooks, and high-energy spirit that have earned them a loyal following.
Grand Rising arrives July 24 on all major digital streaming platforms.
STREAM "Shark Lounge" HERE
The album is now available on limited edition vinyl and CD here:
https://gunshine.diggers.store/
WATCH "Shark Lounge" Below:
While the digital release of Grand Rising arrives later this summer, fans won’t have to wait long to get their hands on the record. Physical copies of the album, including CD and double vinyl editions, alongside exclusive Gunshine merchandise, are available for purchase online at https://gunshine.diggers.store/ The CD and double vinyl will also be sold through the band at upcoming live shows.
"We tracked the whole record, (except "Goth Girl" and "Single Looks Good On You"), in Las Vegas with producer/mixer Chris Collier (Korn, Mick Mars, Whitesnake, Lynchmob). I've been working with Chris for about 9 years now. He's incredibly talented, has a great ear, and adds a heavy hitting production value that makes the songs sonically translate very well," says Austin Ingerman.
Hailing from Pensacola, Florida, Gunshine have built a reputation on catchy vocal melodies, clever lyrics, blistering guitar riffs and solos, and a lethal rhythm section. Their sound blends edgy, raw Rock ’n’ Roll attitude with a melodic, Pop-forward sensibility, creating music that hits hard while remaining instantly memorable. Combined with their high-energy, commanding live performances, Gunshine continue to enthrall listeners and prove themselves a force to be reckoned with.
With Grand Rising, Gunshine raise the bar yet again in an exciting evolution of the band. The album takes listeners on a dynamic journey filled with genre-bending twists and turns, shifting moods, and unexpected vibes—all while staying true to the core elements that set Gunshine apart. Featuring 13 tracks, each single-worthy in its own right, Grand Rising is poised to become a modern-day rock classic.
Check out upcoming tour dates HERE
Gunshine are:
Austin Ingerman: (Guitar, Vocals)
Jordan Benson: (Lead Vocals, Piano)
Jake Tripp: (Bass, Vocals)
Tommy Salzburg: (Drums, Vocals)
Today, legendary Christian metal pioneers STRYPER return with a commanding new chapter in their storied career, their 18th studio album: ‘Throne Of Thorns,’ set for release on September 25th via Frontiers Music Srl. Decades into their journey, STRYPER continue to reaffirm their status as one of the most influential and enduring bands in classic metal, seamlessly blending their signature message with a sound that remains as powerful and relevant as ever.
About 'Throne of Thorns,' Drummer Robert Sweet says:
"Soon our new Stryper record will be out, and can you believe it? It's album number 18! I really believe you're all going to love it. Michael worked incredibly hard writing these songs and bringing everything together. Oz, Perry, and I also worked hard to make this, what I feel is our best record yet. I'm confident that once you hear it, you'll agree. Thank you all for your incredible loyalty and for continuing to support what we do."
To celebrate the announcement, the band shares the title track from the upcoming album, alongside an official music video, available below.
On the title track, Michael Sweet comments:
"'Throne of Thorns' is a powerful message. Christ is on the throne, and we are redeemed because of the crown of thorns that He endured. This song is a perfect representation of our 43 years and who we were, and who we are. Heavy yet melodic, classic yet modern, and 100% Stryper!"
Watch the Official Video for "Throne of Thorns" Below:
‘Throne of Thorns’ showcases the band at the height of their creative powers, delivering a masterclass in songwriting and musicianship. The album is packed with grand, meticulously crafted arrangements, where thunderous rhythms, soaring guitar harmonies, and anthemic choruses come together in a style that is unmistakably STRYPER. Each track is infused with both intensity and melody, capturing the essence of classic metal while pushing their sound forward with renewed energy and purpose.
At the forefront stands the unmistakable voice of Michael Sweet, whose passionate, powerful, and instantly recognizable delivery continues to define the band’s identity. His vocal performance on ‘Throne of Thorns’ is nothing short of extraordinary, effortlessly moving between soaring highs and emotive depth, adding a timeless quality to every song.
Perry Richardson says:
"The best music doesn't come from comfort. It comes from living, struggling, growing, and refusing to quit. I hope these songs find you exactly when you need them."
With ‘Throne Of Thorns,’ STRYPER not only honors their legacy but expands upon it, offering an album that will resonate with longtime fans and newcomers alike. It’s a bold, inspired statement from a band that refuses to stand still—proof that true metal greatness only grows stronger with time.
Guitarist Oz Fox concludes:
"I’m really happy with the final outcome of this record and of the heart that went into it. Michaelcontinues to pour everything he has into the music and the message; Robert brings the power and energy that has always been the pulse of STRYPER; Perry’s musicianship, vocal talents, and dedication are second to none, and I’m grateful to be on this journey with all of them."
Four decades and counting, STRYPER shows no signs of slowing down. The band will be back on the road this summer with a full U.S. tour beginning July 17 in Arlington, TX. For a full list of dates, see below.
STRYPER Live:
July 17th - Arlington, TX @ Arlington Music Hall
July 18th - Houston, TX @ House of Blues
July 19th - San Antonio, TX @ Aztec Theatre
Sept 19th - Wissen, GER @ Loud and Proud Festival 2026
Sept 29th - Derry, NH @ Tupelo Music Hall
Sept 30th - Wantagh, NY @ Mulcahy’s Pub and Concert Hall
Oct 1st - Newton, NJ @ The Newton Theatre
Oct 3rd - Harrisburg, PA @ XL Live
Oct 4th - Warrendale, PA @ Jergel’s Rhythm Grille
Oct 6th - Marion, IL @ Marion Cultural and Civic Center
October 8th - McHenry, IL @ The Vixen
Oct 9th - Wisconsin Dells, WI @ Crystal Grand Music Theatre
Oct 10th - Green Bay, WI @ EPIC Event Center
Oct 12th - St. Louis, MO @ The Hawthorn
Oct 13th - Cincinnati, OH @ Bogart’s
Oct 15th - Nashville, TN @ The Cannery Mainstage
Oct 16th - Newton, NC @ Newton Performing Arts Center
Oct 17th - Kingsport, TN @ MeadowView Conference Resort & Convention Center
Oct 19th - Jacksonville, FL @ FIVE
Oct 20th - Orlando, FL @ House of Blues
Oct 22nd - Atlanta, GA @ Center Stage
Oct 23rd - Liberty, SC @ Pickens County PAC
Oct 24th - Hopewell, VA @ Beacon Theatre
Oct 25th - Stroudsburg, PA @ Sherman Theater
Dec 5th - San Juan, PR @ Coca-Cola Music Hall
STRYPER are:
Michael Sweet - Lead Vocals/Lead & Rhythm Guitar
Robert Sweet - Drums & Percussion
Oz Fox - Vocals/Lead and Rhythm Guitar
Perry Richardson - Vocals/Bass
After a wildly successful first leg, LORDS OF ACID are bringing the party back for another round with the Cheeky Freaky Tour – PT. 2, featuring 15 brand-new U.S. dates this October.
The first Cheeky Freaky Tour recently wrapped after an unforgettable run filled with sold out shows, enthusiastic crowds, outrageous performances and the wild live energy that has defined Lords of Acid for decades. The response was so strong that the band decided there was only one thing to do: take the show back
on the road.
“We’re doing Cheeky Freaky Part 2 for one simple reason: the fans asked for more,” says LORDS OF ACID founder Praga Khan. “The energy, the sold out shows, the incredible response - it all made us realize one thing: we weren’t ready to say goodbye just yet. So we’re coming back louder, freakier and more outrageous than ever.”
Joining LORDS OF ACID once again will be Princess Superstar, Tony & The Kiki and MZ NEON—three artists whose own fearless, freaky and outrageous performances helped turn the first tour into a full-night spectacle from the moment the doors opened.
This is far more than a traditional concert bill. Each artist brings a distinct mix of attitude, sexuality, theatricality, chaos and larger-than-life energy, building toward a night that feels more like an immersive underground party than a standard rock show. Together, the entire lineup creates the kind of unpredictable, and wildly entertaining experience that made the first Cheeky Freaky Tour such a success. But this one goes further!
The Cheeky Freaky Tour – PT. 2 begins October 15 in Norwalk, Connecticut, and concludes October 31 in Philadelphia. LORDS OF ACID will also make a special appearance at Sick New World Texas in Fort Worth on October 24.
Tickets and VIP Meet And Greets are available at www.lordsofacid.com
OCT. 15 - NORWALK, CT - DISTRICT MUSIC HALL
OCT. 16 - LANCASTER, PA - PHANTOM POWER
OCT. 17 - ROCHESTER, NY - PHOTO CITY MUSIC HALL
OCT. 18 - COLUMBUS, OH - THE KING OF CLUBS
OCT. 19 - MILWAUKEE, WI - VIVARIUM
OCT. 21 - LINCOLN, NE - BOURBON THEATER
OCT. 22 - DENVER, CO - ORIENTAL THEATER
OCT. 23 - WICHITA, KS - WAVE
OCT. 24 - FT WORTH, TX - SICK NEW WORLD*
OCT. 25 - TULSA, OK - VANGUARD
OCT. 27 - ST LOUIS, MO - THE GOLDEN RECORD
OCT. 28 - INDIANAPOLIS, IN - THE VOGUE
OCT. 29 - NASHVILLE, TN - HIT PARADER
OCT. 30 - RALEIGH, NC - CHAPEL OF BONES
OCT. 31 - PHILADELPHIA, PA - UNDERGROUND ARTS*
*LOA ONLY
FABIO FRIZZI Featuring F2F BAND will bring the legendary composer’s celebrated live tribute to Lucio Fulci back to the U.S. and Canada this fall.
FABIO FRIZZI, the iconic Italian composer, orchestrator, and conductor behind more than one hundred film and television scores, has announced a Fall 2026 North American tour for FRIZZI 2 FULCI - THE CONCERT - FABIO FRIZZI Featuring F2F BAND. The run begins September 23 in Brooklyn, NY and continues through major U.S. and Canadian markets, with support from ETHAN LEE MCCARTHY on select dates.
Known worldwide for his unforgettable collaborations with director Lucio Fulci, FABIO FRIZZI helped define the sound of Italian genre cinema through landmark scores including The Beyond, The City of the Living Dead, Zombie 2, Manhattan Baby, and A Cat in the Brain. His work reached new generations of listeners when Quentin Tarantino featured the main theme from Seven Notes in Black in Kill Bill: Vol. 1.
The FRIZZI 2 FULCI project was born in 2013 on Halloween night at London’s Union Chapel. Since then, FABIO FRIZZI and the F2F BAND have brought Fulci’s cinematic universe to life for audiences around the world, blending horror-score atmosphere, progressive rock, and live performance into an immersive concert experience.
The 2026 run marks the project’s eleventh tour in the United States and will feature longtime members Riccardo Rocchi, Alessio Contorni, and Francesco Saguto, alongside Dave Neabore on bass and Christopher Hawkind on drums.
Tickets and additional information will be available at fabiofrizzi.com.
F2F Fall Tour 2026 Dates
September 23, 2026 - Brooklyn, NY - TV Eye
September 24, 2026 - Philadelphia, PA - PhilaMOCA
September 25, 2026 - Boston, MA - Coolidge Corner
September 26, 2026 - Montreal, QC - Theatre Fairmount
September 27, 2026 - Ottawa, ON - Rainbow Bistro
September 30, 2026 - Toronto, ON - TD Hall
October 1, 2026 - Detroit, MI - Sanctuary
October 2, 2026 - Cincinnati, OH - The Heart of the Northside
October 3, 2026 - Chicago, IL - WC Social
October 4, 2026 - Milwaukee, WI - X-Ray Arcade
October 9, 2026 - Kansas City, MO - Temple
October 10, 2026 - Denver, CO - GLOB
October 11, 2026 - Salt Lake City, UT - Urban Lounge
October 14, 2026 - Vancouver, BC - Rickshaw Theatre
October 15, 2026 - Victoria, BC - Venue TBA
About FABIO FRIZZI
FABIO FRIZZI is an award-winning Italian composer, orchestrator, and conductor whose career spans more than one hundred soundtracks across film and television. A lifelong student of music and cinema, FRIZZI has worked with major Italian directors including Luciano Salce, Steno, Vittorio Sindoni, Tonino Valerii, Gabriele Lavia, Bruno Corbucci, Carlo Vanzina, and Enrico Vanzina.
His enduring collaboration with Lucio Fulci remains one of the most celebrated partnerships in genre cinema, producing music for films such as The Beyond, The City of the Living Dead, The Four of the Apocalypse, Seven Notes in Black, Zombie 2, Manhattan Baby, and A Cat in the Brain.
Since launching FRIZZI 2 FULCI in 2013, FABIO FRIZZI has toured internationally with a band of accomplished musicians, performing suites and live-score experiences dedicated to Fulci’s cinematic legacy.
Connect with FABIO FRIZZI
UNTITLED WITH DRUMS are releasing the second advanced single off their upcoming sophomore album Made Flesh. “Shame” channels frustration and a sharp sense of injustice into a song that hits with the directness of an accusation.
“‘Shame’ is about injustice, insolence and the stark observation that while so many of us are consumed by spirals of remorse and regret, others seem entirely immune and thriving without consequence”, Untitled With Drums says. “A theme that echoes the album's broader thread of truly facing what we feel and acknowledging how deeply these flaws are woven into our core identity. ‘Shame’ is addressed to those who, for once in their lives, would do better to share that burden with the rest of us.”
Watch the music video for “Shame” below:
Made Flesh comes out August 21, 2026 on Season of Mist
Pre-order & Pre-save
Made Flesh maps a free-flowing exploration of the human psyche. The album deals with the ego, denial, toxicity and faith without coming to any easy resolutions. Whereas the album’s lead single, “Matter”, dissected the compulsion to dominate and be seen, “Shame” shifts the lens outward to those who move through the world unburdened by the weight that quietly crushes everyone else. "Still you are unknown to shame / While I bathed in mine / I gave it my name."
No strangers to the specialist press or the festival circuit, Untitled With Drums have been together since 2014. The band released their debut album Hollow in 2020, just days before their native France entered its first COVID lockdown. Despite the timing, the album drew widespread praise and propelled the band to the stages of Hellfest, London’s Desertfest and the Nuits de Fourviere festival, where they opened for the Deftones and Baroness.
The music video for “Shame” has been directed by Angélique Delarbre, and co-edited by Martin Le Borgne.
That UNTITLED WITH DRUMS didn't throw in the towel during the COVID era is nothing short of a miracle. While their debut album, Hollow, had the misfortune of being released just days before the lockdown was declared in France in March 2020, the praise from the specialized media allowed it to soar above the fray. This propelled this heir to Failure, Quicksand, and Cave In to the stages of Hellfest 2022 and the Nuits de Fourvière festival, opening for the legendary Deftones, as well as London's Desertfest. This was enough to build confidence, gather strength, and prepare the ground for a worthy successor to their first album, as well as to the symbols EP released at the end of 2025. This was merely an appetizer before Made Flesh, their sophomore album, through which the Clermont-Ferrand-based band pushes their hybrid of alt rock and 90s post-hardcore to new heights.
Recorded and mixed under the guidance of Cyrille Gachet (Fange, Year Of No Light, The Great Old Ones…) and then mastered by Alan Douches (Dillinger Escape Plan, Every Time I Die, Converge…), Made Flesh grew out of a long and intense period of songwriting, fraught with self-doubt and soul-searching. But above all, it testifies to a compositional intent focused on efficiency and a better showcasing of everything that constitutes the band's sonic DNA. Only one single guiding principle here: ensuring that these 10 new tracks resonate personally. This is Untitled With Drums as its members want you to hear them — not as you might expect. Far from being weakened by their reformation as a quartet, it is precisely their unbreakable bonds forged more than a decade ago that constitute their strength, more alive with symbiosis than ever.
While the power of Lucas D.'s riffs is heightened, the ethereal soundscapes he weaves are even more expanded. They blend seamlessly with Nicolas Z.'s synthesizers, now more prominent than ever. Rémy D.'s drumming provides the songs’ backbone, delivering grooves with assertive nuances without neglecting more intricate patterns. This array of strengths wouldn't be complete without bassist Martin L.B..'s vocals, never failing to deliver an infectious emotional intensity. This energy serves Made Flesh's thematic focus: a satirical outlook on our times delivered from a multitude of perspectives, like donning and dropping one mask after another.
With this sophomore album, UNTITLED WITH DRUMS establish themselves as the beacon of a French rock scene struggling to take risks, too often settling for crude heaviness. Theirs cuts deeper — straight to the flesh.
Line-up:
Martin L.B. — Bass, Vocals, Additional Guitar
Lucas Delay — Guitar, Additional Guitar
Nicolas Zalachas — Keyboards
Remy D. Perrin — Drums, Additional Guitar
Additional Recording Lineup:
Etienne Marchal — Additional Guitar
Recording Studio:
Halle du Jeu de Paume (Vic-le-Comte, France).
Production Credits:
Produced and Mixed by Cyrille Gachet.
Mastered by Alan Douches at West West Side Music.
Cover Art:
Martin Le Borgne
Biography:
Clément Duboscq
Photography:
Angélique Delabre
Follow Untitled With Drums
Linktree: https://linktr.ee/uwd666
Bandcamp: https://untitledwithdrums.bandcamp.com/
Facebook: https://www.facebook.com/untitledwithdrums/
Instagram: https://www.instagram.com/untitled_with_drums/
YouTube:https://www.youtube.com/channel/UC07Z6EpQUvCmC84MN1Rhqzg
Spotify: https://open.spotify.com/artist/4XiFVuDepsbUebkmNbTjlu
Apple Music: https://music.apple.com/artist/untitled-with-drums/1433932755
Just days before the release of their critically acclaimed new studio album Far From God, Portuguese gothic metal icons MOONSPELL have unveiled a lyric video for their latest single, "The Great Wolf in the Sky." The track showcases the band's unmistakable blend of dark atmospheres, soaring melodies and emotional intensity, offering another compelling glimpse into what promises to be one of the band's most celebrated records to date.
With "The Great Wolf in the Sky," MOONSPELL unveil a sweeping Gothic anthem driven by expansive keys, harmonized guitars, striking vocals and a guest appearance by Alicia Nuhro on strings. The charismatic frontman Fernando Ribeiro reveals: "It's a shameless ode to the great gig in the sky and also a return for us to a theme that is very dear to us: Wolves. This is one of my favorite songs ever for Moonspell, the keyboards sound like a melancholic wolf howling throughout the progress of the song into its epic chorus, that I feel so liberating, like if one took flight to the stars and met that wolf up there. It's one of the first songs that was written for this album and it has been gently nurtured for over 3 years or so. It tells the story of Moonspell, of the wolves who crossed our paths and went away from the pack, due to life circumstances of the inevitability of death. It bridges the many times of Moonspell, past, present, and future and it has the shape of a new anthem that we do hope our fans embrace. It's also dedicated to a fan and a friend who, unfortunately, passed away before he could hear our new album."
The new lyric video is viewable/listenable Below:
Born out of five years of creative searching, doubt and ultimate rediscovery, their forthcoming album marks a powerful return for the band. Far from playing it safe, MOONSPELL deliver a work that feels like a rebirth: Darker, sharper and emotionally unfiltered. Rather than bending to modern trends, the band double down on identity and substance, presenting a bold and beautiful statement of Gothic Metal in its purest essence: Dark, romantic, dramatic and unapologetically heavy.
Thematically, Far From God moves through Baudelairian love, existential guilt and redemption, Christ-like resurrections, and the quiet nobility of creatures of the night. Vampires, werewolves, and sacred symbolism are not escapism here, but vehicles for genuine dark emotion: Solemn, romantic and unfiltered. The album rejects artificial gloss in favour of fantasy grounded in sincerity, rediscovering the heart of Gothic Metal in its most authentic form.
Speaking about the inspiration behind Far From God, Ribeiro explains: "The title resonates how we have all strayed from our path into the direction of the fool’s gold instead of genuine dark feelings and their deep and solemn transmission into the light via music and lyrics and art. I won't dare to say it's the best album we ever did. I'm too old, too wise, and too scarred by people not noticing the talent that Moonspell has to conjure the melodies of dark with elegance and wit. I can only say that we fell in love again with the prospect of our new music and that it took us more than five years to travel this deep into ourselves, just to surface before your eyes with our new album. We were not only inspired, we were touched by a muse and it was her who brought us here, to this musical redemption, to this artful statement of true gothic metal. Moonspell has been our only true influence for this one."
Far from God — produced with Jaime Gomez Arellano (Paradise Lost, Sólstafir, Ghost among many others) — shines like a black diamond, luminous yet shadowed in texture and color, both musically and sonically. It reconnects with the darker spirit of MOONSPELL's classic era while sounding powerful and contemporary. Far From God is not nostalgia; it is a statement. A Gothic Metal hallelujah. MOONSPELL's 21st century Irreligious. It's not only a powerful reminder that MOONSPELL remain a defining force in the genre they helped shape, but an album that will truly save Gothic Metal from boredom and predictability.
Far From God will be released on July 3 via Napalm Records.
Pre-order the album HERE!
MOONSPELL LIVE DATES 2026:
7/10 — Kotka, Finland — Dark River Festival
7/16 — Bolków, Poland — Castle Party Festival
8/2 — Plovdiv, Bulgaria — Ancient Theatre of Plovdiv (Opus Diabolicum Orchestra Show)
8/6 — Schlotheim, Germany — Party.San Metal Open Air
8/28 — Câmpulung Muscel, Romania — Posada Rock Festival
9/18 — London, England — Cosmic Void Festival
9/19 — Istanbul, Turkey — Bosphorus Open Air Metal Fest
10/31 — Porto, Portugal — Hard Club (Halloween Show)
MOONSPELL ARE:
Fernando Ribeiro — Vocals
Ricardo Amorim — Guitars
Pedro Paixão — Keys
Aires Pereira — Bass
Hugo Ribeiro — Drums
U.S. indie rocker Jonny Couch presents 'Where The Sidewalk Ends', his second single from his full-length record by the same name. The 'Where The Sidewalk Ends' album is Couch's first in seven years and his most ambitious work to date. This 10-track rock and roll journey features such fan favorites as 'Sweet Charlene' and more recent compositions, expanding on the melodic craftsmanship and emotional honesty that have become hallmarks of his songwriting,
Drawing inspiration from the 1950 film noir “Where the Sidewalk Ends”, this song channels its sense of mystery and shadowy city streets. its verses carrying a subtle detective-like atmosphere, the lyrics follow a lone figure moving through cold nights in search of connection and resolution.
As the track builds, it transforms into a driving, danceable chorus influenced by Giorgio Moroder and his work with Donna Summer, blending 70s-inspired disco synths with modern new wave production. The result is a cinematic hybrid—part noir, part euphoric release. Couch shares, "The tune has a bit of a detective feel in the verse, but then turns into quite a dance number. You can hear some 70's swirling disco synths on the track, mixed in with the more modern new wave production."
Between infectious rockers and ballads, Couch's music draws its origins directly from the power pop and new wave greats of the late '70s and early '80s. Now, back with renewed focus and a collection of songs rooted in timeless songwriting, strong melodies and rock-and-roll energy.
"This single has everything to do with healing. It's about the pain that eats away at us when a relationship is damaged. It's also about desire—the desire to repair that broken bond and finally find a place of peace with someone you still love. But does that person share the same desire to mend old wounds?” asks Jonny Couch.
“The process of forgiveness is always filled with tension because you never know whether the other person is willing to meet you halfway. You don't know if they'll make the same journey toward reconciliation. For me, that's what getting to the end of the sidewalk means: reaching that place where healing becomes possible."
Recorded at Mr. Pink Records in Bastrop, TX, this single was engineered, mixed, produced and mastered by Jonas Wilson (The Black Angels, Heartless Bastards, Sumbuck, Urban Heat), one of four accomplished producers involved in this album, each bringing their own talents to the sessions.
The first single, 'Overwhelmed', is fuelled by jangling guitars, a propulsive rhythm section, and an undeniable melodic hook, its lyrics exploring the frustrations of a relationship coming apart. Recorded at Landline Recording in Hoboken, NJ, it was engineered, mixed and produced by Jon Chinn (Wild Child, Lomelda, David Ramirez, Gina Chavez). The album's other two producers are Peter Mavrogeorgis (The National, Boy Harsher, Grinderman, Sharon Van Etten, Bootblacks) and Dan Haag(The Astrojet and The Black Swans, both fronted by Fountains of Wayne's Jody Porter.
A staple on the New York and New Jersey music scene, Couch was a NYC rock drummer before going solo in 2016. His acclaimed 'Animal Instinct' EP earned praise for its blend of soulful pop and rock sensibilities, with Louder Than War dubbing him "a Bryan Ferry pop crooner" and High Times calling his work "charming". 2019's debut 'Mystery Man' further solidified his reputation as a gifted songwriter with recognition in Bandcamp Daily's "Unsung Power Pop Gems From All Eras" feature and more.
Building a following through energetic performances and sharp songwriting, Couch has performed alongside The Fleshtones, Josie Cotton, The Nude Party, Paul Collins Beat, and The Plimsouls, and also at the Savannah Stopover Music Festival, Hoboken Arts & Music Festival, Jersey City's Lo-Fi Fest, and WFMU FM. He regularly appears on stage at NYC venues such as Sleepwalk, Bowery Palace and TV Eye, as well as Pet Shop in Jersey City, NJ.
The 'Where The Sidewalk Ends' album features cover artwork by renowned NYC artist Anne Muntges, known for her highly detailed drawings, prints, and installations. Exhibiting nationally and internationally, her work featured in the book "Women Who Rock: Bessie to Beyoncé, Girl Groups to Riot Grrrl".
As of June 30th, 'When The Sidewalk Ends will be available from digital platforms, including Spotify, Apple Music and Bandcamp. The full album -- now available for pre-order -- will be released on July 24th. The album release show takes place that evening at Brooklyn's Sleepwalk with other live dates in New Jersey, Georgia, New York and Illinois happening, along with a series of UK dates in August.
SINGLE CREDITS
Written by Jonny Couch a.k.a. Jonathan Edward Couch (BMI)
Jonny Couch - Vocals, Drums, Synths
Jonas Wilson - All Guitars, Bass, Additional Synths
Produced, Engineered & Mixed by Jonas Wilson
Recorded at Mr. Pink Records, Bastrop TX
Mastered By Jonas Wilson at Mr. Pink Records in Bastrop, TX
Copyright / Publishing 2026 by Damaged Sofa Music (BMI)
Album cover artwork by Anne Muntges
Video written and directed by Richard Jordan
Director of Photography & Editing by Charles Colfer
Starring Alexander Saris as "Guy" & Jonny Couch
Jonny Couch photos by Sumner Dilworth
Publicity by Shameless Promotion PR
LIVE DATES
JUNE 05 Jersey City, NJ @ Groove On Grove (free outdoor show) - Grove Street Path Plaza
JUNE 19 Savannah, GA @ The Wormhole (with Peter Dark Mav and Hale The Wolfe)
JULY 04 Brooklyn, NY @ Mama Tried (with Mighty Fine and 45 Adapters)
JULY 24 Brooklyn, NY @ Sleepwalk - Album Release Show (with Status Set / Jewel Thief)
AUG 03 Asbury Park, NJ @ Wonder Bar - for the 'Happy Mondays' series
AUG 11 Nottingham, UK @ Billy Bootleggers - for the "Ruby Tuesdays" series
AUG 12 Hastings, UK @ Jenny Lind Inn
AUG 13 London, UK @ Dublin Castle
AUG 16 Brighton, UK @ Daltons (with The DSM IV and Francis Pig)
SEPT 05 Chicago, IL @ The Cubby Bear (with Kicked By A Hand)
Keep up with Jonny Couch
Website | Bandcamp | Facebook | Instagram | YouTube | Spotify | Apple Music | SongKick | BandsInTown | Press contact
Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads | Soundcloud | Link edIn | Email
Escape The Hive is an original 70s style hard rock band. No tracks. No samples. Old school style riffs and harmonies. With a sound and fury reminiscent of the arena rock bands of that era. Featuring one time Jake E. Lee vocalist for Red Dragon Cartel, Michael Thomas Beck and Grammy Nominated and guitarist Conrad Varela, drummer Rich Hinshaw & former DL Marble bassist Paul Williams.
They released their debut “This Is Gonna Sting” in 2023 to critical acclaim. Then hit the road playing with acts like Angel, Burning Witches, Faster Pussycat, Gene Loves Gezabel and many more. Relentlessly touring the US to promote it. One crowd at a time. They amassed 130k views for their single/video, ”I Can See It”. They are now looking forward to the release of their new record Fight or Flight. As Beck states, “This new record is the next evolution for Escape The Hive. A bit heavier, a little bluesier and we can't wait for everyone to hear the new songs. We are SO exited to have our new release out on Deko Entertainment. Thank you to all the members of The Hive who have waited patiently. Hoping you dig it!”. Hinshaw continues, “Hope the passion that went into this new record comes across! It's been a great ride so far. Here's to waking up! And not spilling the wine.”
Listen here: https://push.fm/ps/bg1fswaw
Fight or Flight has ten blistering new tracks including “Stings Like The Truth” and the first single “Around The Sun”, as Williams states about the new album, “This record means a lot to all of us in various ways. It’s decades in the making if you will. A true collaboration of many styles with the common goal of producing great music, with moving melodies and driving grooves designed to engage the listener and make ‘em ask for more.” Varela continues, “This record is the culmination of 4 lifelong musicians, thousands of miles on the road, and every fan that has supported us along the way coming to fruition. It's angrier, shreddier, and louder than our freshman release, and marks the beginning of a new era for Escape The Hive. We hope you love it just as much (if not more) than we do!”
Watch “Around The Sun” below:
Escape The Hive thrives on stage with an electrifying live performance and will be hitting the road across the US in support of their new release Fight or Flight.
Order the CD here: https://www.dekoentertainment.com/inthesquare/escape-the-hive
For more information, visit:
https://www.facebook.com/EscapeTheHive
https://www.instagram.com/escapethehive/
www.dekoentertainment.com
Deko Entertainment–Art Has Value
With "Leave It All Behind", SINNER present the next single from their upcoming and final studio album, Boom Bang Goodbye, set for release on July 31, 2026, via RPM. The track begins with the atmosphere of a classic power ballad and gradually builds in intensity before culminating in a soaring, anthemic refrain. Combining '80s-inspired melodies with a powerful modern sound, the song brings the kind of emotional dynamics that hard rock fans have always cherished.
Mat Sinner comments:
"As a child of the 80s, this song fits perfectly into the soundscape I envisioned. 80s vibes and an ultra-fat, modern sound. Groovy, driving – it was a blast to make this song. My friend Ronnie Romero really outdid himself. What an incredible vocal performance – hats off to him!"
The accompanying video perfectly complements "Leave It All Behind". Alongside Ronnie Romero and Mat Sinner, it features Alex Scholpp, Jim Müller, Leonie Jakobi, Sascha Krebs, as well as Thalia Bellazecca and André Hilgers (PRIMAL FEAR). Together, the performance footage captures exactly what "Leave It All Behind" is all about – emotion, energy and the visible joy of making music together.
Lyrically, "Leave It All Behind" looks back on times gone by while dealing with memories, transience and the act of letting go. Lines such as "Do you remember our wild days?" and "I leave it all behind" give the song a reflective touch without losing sight of what lies ahead.
With Ronnie Romero on vocals, "Leave It All Behind" delivers a fierce impact. His passionate performance carries the emotive tension between the calmer moments of the verses and the energetic peaks of the song, adding a fiery quality to the sound.
Once again, the album's core musicians, Ronnie Romero (lead & backing vocals), Mat Sinner (bass & vocals), Alex Scholpp (guitars & lead guitars), Lisa Müller (keyboards) and Moritz Müller (drums), leave their unmistakable mark.
Following "Wait", featuring Michael Bormann on vocals, "Leave It All Behind" is another taste of Boom Bang Goodbye – the final chapter of an extraordinary career. After more than four decades, 19 studio albums and countless international tours, Mat Sinner and his longtime companions are preparing one final musical statement.
Boom Bang Goodbye will be released on July 31, 2026, and can be pre-ordered here: https://sinner.rpm.link/boomPR
The new single "Leave It All Behind" is now available on all streaming platforms: https://sinner.rpm.link/behindPR
Alt-rock powerhouse Weathers has today released "Happy Pillz (Higher Dose)", a fresh reimagining of the band's fan-favorite track "Happy Pills" via their new label home, Big Machine Rock. Speaking about the release, the band shared:
“'Happy Pills' is already familiar to our fans, but this new version breathes life into something beloved for some time. It has the new sound of who we are today while sticking to the roots of what we know our fans love. We didn’t want to change much but wanted them to hear what it would sound like re-recorded today. We hope it gives our dedicated fans a second dose of the same energy with a new high that has no come down. We feel like it signifies a new life for the song. As if it was given a second chance to do it all over again.”
Stream "Happy Pillz (Higher Dose)" at the link here, watch the official video below, and be sure to stay tuned for more Weathers news coming soon.
ABOUT WEATHERS
Southern California-based alternative rock band Weathers — lead singer/frontman Cameron Boyer, guitarist Cameron Olsen and bassist Brennen Bates — have been consistently creating finely crafted introspective pop songs heavily inspired by the counter-culture of the 80s and 90s since forming in 2015. The band makes music that speaks to those among us who tend to forget that, regardless of outward appearances, everyone is struggling with something and that no one is alone. Weathers’ story is a tale of growing up, of coming into one’s own, and includes themes of depression or anxiety and the often difficult maintenance of mental health.
They first grabbed listeners' attention with 2016's "Happy Pills," which peaked at number 21 on the Billboard Alternative Songs chart. Initially, vocalist Boyer and guitarist Olsen met in 2012 while attending a battle of the bands in the Los Angeles suburb of Manhattan Beach. By 2015, they had formed Weathers, recruiting bassist Bates. Signing with RCA Records, they released their debut single, "I Don't Wanna Know," a swaggeringly moody song that drew comparisons to Walk the Moon and The Neighbourhood. Fans followed, and in March 2016 they landed a slot at SXSW. Their follow-up single, "Happy Pills," garnered the band even more attention, becoming the most added track to rock radio in July 2016. In 2018, they issued the Kids in the Night EP, featuring the single "1983."
Through cinematic soundscapes and progressive arrangements SWANWRITER explores tales of horror, history, internal unease and grief in their second full-length, melodies of despair. The album arrives alongside a full length visualizer offering.
Project founder Koda shares,
"The album is a collection of psychological horror and gothic horror stories. Musically, the songs are very moody and melancholy, mixing heavy moments with calmer acoustic instrumentation passages. The album was produced with a lot of care and love, so I hope it's able to touch the hearts of listeners."
SWANWRITER's exploration of gore and gloom draws from a wealth of thematic and musical influences, notably "the painted valley" inspired by historical a figure, Blood Countess Elizabeth Bathory, while the closing track "phobia" follows a personal journey in the aftermath of loss.
Thunderous moments of heaviness reveal the extreme power of SWANWRITER's compositional style while haunting piano passages and ethereal orchestration intertwine across the track list. With emotion and atmosphere at the heart of melodies of despair, the album was designed to be experienced from beginning to end in a single sitting to allow its recurring moods and thematic connections to fully emerge.
SWANWRITER presents a thoroughly compelling display of light and shade through intricate, considered progressive instrumental arrangements. Across melodies of despair, SWANWRITER balances chaos and calm through explorations of dark and emotional narratives.
melodies of despair was produced and mixed by Koda, mastered by Roland Rodas, and features cover artwork by 無た｡ / muta.
About SWANWRITER:
SWANWRITER is a dark progressive metal project based in Vancouver, British Columbia, created and performed entirely by the anonymous multi-instrumentalist known as Koda. Formed in 2023, the project emerged from a desire to merge progressive metal songwriting with classical composition, atmospheric storytelling, and emotionally driven arrangements.
Having studied classical piano from an early age before later discovering extreme metal, Koda developed SWANWRITER as a space to explore long-form composition without stylistic limitation. The music draws influence from progressive and experimental metal alongside classical composers such as Bach, Beethoven, and Chopin, resulting in compositions that emphasize dynamics, texture, and narrative pacing.
SWANWRITER debuted with There is a darkness in June 2023, establishing a sound centered on extended song structures, melodic development, and cinematic atmosphere. Rather than focusing on technical exhibition, the project prioritizes mood, storytelling, and cohesion across full-length releases.
Themes throughout SWANWRITER’s work often intersect with psychological horror, melancholy, and introspection, shaped in part by inspiration from horror games, film soundtracks, and dark ambient music. Each release is approached as a complete artistic statement, with careful attention given to sequencing, emotional progression, and sonic detail.
Operating independently, SWANWRITER remains a studio-focused project, with future ambitions that include composing music for horror and narrative-driven media.
Connect with SWANWRITER:
Bandcamp: https://swanwriter.bandcamp.com/
Instagram: https://www.instagram.com/swanwritermusic/
Facebook: https://www.facebook.com/swanwritermusic/
X / Twitter: https://x.com/swanwritermusic
YouTube: https://www.youtube.com/@swanwriter
Spotify: https://open.spotify.com/artist/6unE9CWOXt5c4UIiaHD5RR
Apple Music: https://music.apple.com/us/artist/swanwriter/1686779640
TikTok: https://www.tiktok.com/@swanwritermusic
Ice Nine Kills enter the fog today with “Play Dead,” a brand-new single and accompanying music video created in collaboration with Dead by Daylight, the world’s leading multiplayer horror game. Written for Dead by Daylight’s 10th Anniversary celebrations and announced on their anniversary live stream, “Play Dead” brings Ice Nine Killsinto one of horror gaming’s most iconic worlds, uniting two genre-obsessed universes built on suspense, survival, mythology, and the thrill of the kill.
The track was created in collaboration with longtime Dead by Daylight composer Michel F. April and arrives alongside an in-game Ice Nine Kills Collection, allowing players to represent the band inside the game’s ever-expanding horror universe with unique DLC.
Fans can stream “Play Dead” now HERE and watch the accompanying music video BELOW.
The release follows the band’s first-ever #1 at Active Rock Radio with “Twisting The Knife (feat. Mckenna Grace),” the official song from Scream 7, and continues an extraordinary run that has seen Ice Nine Kills soundtrack some of modern horror’s biggest moments across film, gaming, and beyond.
The forthcoming part two of the music video continues INK’s celebrated lore, which has featured genre stars including Matthew Lillard (Scream), David Arquette (Scream), Terry Kiser (Weekend at Bernie’s), Catherine Corcoran (Terrifier), and Bill Mosely (The Devil’s Rejects), among many others. “Play Dead” welcomes skateboard legend Tony Hawk, Devon Sawa (Idle Hands), Krsy Fox (Terrifier 3), and the Dead by Daylight team to the INKverse.
Ice Nine Kills mastermind Spencer Charnas shares:
“Ice Nine Kills has always lived somewhere between menace and mischief. ‘Play Dead,’ our take on Dead by Daylight, is a collision of hooks, horror, and total chaos. As lifelong horror fans, we find it surreal and an absolute honor to have Ice Nine Kills’ music officially tied to Terrifier, Scream, Ready or Not, and now, the iconic survival horror game Dead by Daylight.
Collaborating with Dead by Daylight gave us the chance to step into a world that feels deeply aligned with our creative instincts. The game has an incredible legacy, and that chaotic, eerie, immersive energy is something we respect and admire. We wanted the song to feel like a real extension of that universe, not just inspired by it, but genuinely part of it.
We worked closely with longtime composer Michel F. April to ensure every detail, from the atmosphere to the intensity, felt true to the game, and we spent time on set with Dead by Daylight creatives Mathieu Cote and Eric Pope, as well as player experts like SpookyLoopz.
The video also features iconic genre star Devon Sawa. He’s one of my favorite actors, from Idle Hands and Final Destination to literally playing “Stan” in the Eminem video. And we’ve got Krsy Fox, one of the new modern horror scream queens, who not only had a showstopping performance in Terrifier 3, but is a kickass indie horror film producer, too.
Having Tony Hawk appear with us felt essential because he isn’t just the Michael Jordan of skateboarding. He’s synonymous with the marriage of music, gaming, and subculture. We bonded over the same offbeat pop-culture touchstones, from punk rock to the irreverent ’80s comedies like The Naked Gun that shaped my brain just as much as horror did.
And of course, Dingbar Tarbani slithered in to make things even stranger.”
Dead by Daylight has become a definitive force in interactive horror, bringing together an ever-expanding roster of original and iconic Killers and Survivors from across film, television, gaming, and beyond. With more than 70 million players worldwide, the game has built a vast, collision-ready universe where horror’s most unforgettable characters can share the same blood-soaked playground.
“Dead by Daylight has always been about celebrating horror in all its forms, and Ice Nine Kills shares that same passion for the genre we have,” said Mat Côté, Head of Partnerships for Dead by Daylight. “We’ve always been big fans of their music, and their creativity and deep connection to horror culture made this collab feel incredibly natural. We’re excited for our players to represent the band in-game with the Collection we created together, and we can’t wait for everyone to experience the new Dead by Daylight crossover track the guys cooked up.”
“Play Dead” follows a succession of high-profile horror collaborations that have cemented Ice Nine Kills as one of the genre’s most natural musical counterparts. “A Work of Art” served as the official song from Terrifier 3, the highest-grossing unrated film ever. “Twisting The Knife (feat. Mckenna Grace)” played over the closing credits of Scream 7, the blockbuster sequel that delivered the biggest domestic opening weekend in the franchise’s history. Ice Nine Kills Presents “Hell or High Slaughter (Grave Diggler: Pt. 2)” then blazed into Ready or Not 2: Here I Come, deepening the band’s expanding lore with the introduction of their “fathers’” band. Most recently, it was revealed that Spencer will also be voicing a character in the highly anticipated Halloween: The Game exclusively available as part of the game's Digital Deluxe Edition releasing on September 4, 2026.
Now, with “Play Dead,” Ice Nine Kills step fully into horror gaming.
Twenty years on from their debut album, the band continue to build one of the most immersive worlds in modern heavy music, where songs become scenes, videos become lore, and every new release sharpens the blade for whatever comes next.
Ice Nine Kills Credit F Scott Schafer
“We didn’t know it at the time, but it all started with a vanity plate: L8 NYTR,” say The Paranoyds. “Then there was the tour with the Kills, the two most genuine people and authentic rockers we might have ever crossed paths with. We spent most of August going to Jamie’s home studio with the goal of writing a song a day. We eventually recorded our demos with him later that November. daylight savings comes in, and it gets dark so early--perhaps the depth and grit that our summertime demos needed? We would leave the sessions and come back the next day to find that Jamie had worked total studio magic on the tracks after we left. he was our late nighter, el capitán, guiding everything to exactly where it needed to be.”
Fresh off crushing cities across North America during their headline run on this year’s Decibel Magazine Tour, Cryptopsy remain insatiable as ever. The Montreal legends’ latest album, An Insatiable Violence, received their second nomination for Best Metal/Hard Music Album at this year’s JUNO Awards, a category they won two years ago. Now, ahead of their summer European headline tour, they are revealing a freakish surprise that shows once more why they are the most vile band in death metal.
Today, Cryptopsy are announcing that they are performing later this summer at Billy Strings’ annual Ionia Freak Fair. The band will headline The Pyramid Scheme Pinball & Metal Tent on Saturday, August 29. The news arrives almost a year since they collaborated with the Grammy Award-winning bluegrass star on “Blasphemy Made Fresh”.
“We’re incredibly grateful and honored to be part of something as unique as the Ionia Freak Fair”, Cryptopsy says. “Music has always been about breaking boundaries. We can’t wait to bring something heavy to this year’s festival. Who knows, maybe Billy will even stop by for a song…”
Cryptopsy at 2026 Ionia Freak Fair
Saturday, August 29 @ The Pyramid Scheme [SOLD OUT]
Get tickets for Cryptopsy’s 2026 European Headline Tour
http://lnk.to/CRYPTOPSY-EUROPESUMMER26
July 25 - Steenwijk, NL @ Stonehenge Festival
July 26 - Cham, DE @ LA
July 28 - Brasov, RO @ Rockstadt Extreme Fest
July 29 - Kosice, SK @ Collosseum
July 30 - Kraków, PL @ Hype Park
July 31 - Löbnitz, DE @ Full Rewind
August 1 - Dortmund, DE @ Dortmund Deathfest
August 2 - Brighton, UK @ Chalk
August 3 - Cardiff, UK @ The Globe
August 5 - Dublin, IE @ Whelans
August 6 - Derby, UK @ Bloodstock Open Air
August 7 - Helsinki, FI @ Helsinki Metal Fest
August 8 - Jaromer, CZ @ Brutal Assault
August 9 - Vagos, PT @ Vagos Metal Fest
August 12 - Trier, DE @ The Forum
August 13 - Dinkelsbühl, DE @ Summer Breeze
August 14 - Colmar, FR @ Spirit In Black Festival
August 15 - Kortrijk, BE @ DVG Club
August 16 - Carhaix, FR @ Motocultor
August 18 - Martigny, CH @ Sunset Bar
August 19 - Pinarella Di Cervia, IT @ Rockplanet
August 20 - Spital Am Semmering, AT @ Kaltenbach Open Air
August 21 - Litomerice, CZ @ Death Coffee Party
Listen to “Blasphemy Made Fresh” Below:
An Insatiable Violence, None So Vile and other albums from Cryptopsy’s fearsome discography are now available through Season of Mist
Order
https://redirect.season-of-mist.com/cryptopsyall
Stream
https://orcd.co/cryptopsyaninsatiableviolence
Cryptopsy recognize that not every death metal band sticks around long enough to win a Canadian Grammy 30 years into their career. The cover art for An Insatiable Violence was created by the late, great vocalist Martin Lacroix. "The album artwork has got to be one of the most important things to us!”, the band says. “Martin Lacroix was one of our vocalists, one of our great friends and one of the nicest people that anyone could have the privilege to meet. We really wish he was here with us to share this moment. His perfect smile would say it all! Rest in peace brother".
With Cryptopsy’s latest career renaissance showing no signs of slowing down, the recent accolades are only the beginning. An Insatiable Violence reaches a new peak in a career loaded with them.
Lineup
Flo Mounier - Drums
Matt McGachy - Vocals
Christian Donaldson - Guitar
Oli Pinard - Bass
Guest Musicians
Mike DiSalvo performs vocals on "Embrace the Nihility"
Recording, Mixing & Mastering Studio
Christian Donaldson’s Studio
Production, Sound & Mixing Engineer
Christian Donaldson
Cover Art
Martin Lacroix
Photography
Maciej Pieloch
Biography
Adrien Begrand
Pre-order & Pre-save
https://orcd.co/cryptopsyaninsatiableviolence
Booking agents
USA - Continental Touring
Europe - Avocado Booking
http://www.avocadobooking.com/
Follow Cryptopsy
Bandcamp: https://cryptopsyofficial.bandcamp.com/
Facebook: https://www.facebook.com/cryptopsyofficial
Instagram: https://www.instagram.com/cryptopsyofficial/
Spotify: https://open.spotify.com/artist/29PgYwTelpNl6370XLqFtN
Youtube: https://www.youtube.com/@CryptopsyDeathMetal
BandsInTown: https://www.bandsintown.com/a/2941-cryptopsy
There comes a moment when pretending everything is okay is no longer an option.
For LOVELESS & COMPANY, that moment arrives with the release of their emotionally gripping new single, "I'm Done."Blending soaring melodies, raw rock energy, and deeply personal lyricism, the band delivers a song that speaks to anyone who has ever carried invisible burdens while trying to convince the world they were fine.
"I'm Done" isn't about giving up.It's about reaching a breaking point where honesty becomes the only path forward.
Fueled by dynamic instrumentation and a vocal performance that balances vulnerability with unwavering conviction, the track captures the emotional weight of burnout, isolation, and the relentless pressure to keep moving forward when life refuses to let up.
Lead vocalist and guitarist Aaron Loveless explains the heart behind the song:
"I'm Done" is about carrying the world on your shoulders for so long that it stops feeling temporary and starts feeling permanent. Life gets heavy, and you keep pushing through it anyway, because you don't have the luxury of quitting. No matter where you go, there you are just you and the truth and in that moment the mask falls. You've reached the end of the rope. You don't negotiate with it. It's been trapped under your ribs until it finally rips out of your chest, screaming, 'I'm Done.'"
That emotional honesty is exactly what makes "I'm Done"resonate so deeply. Rather than relying on clichés or manufactured angst, LOVELESS & COMPANY confront the realities of emotional fatigue with sincerity, crafting a song that feels deeply personal while remaining
universally relatable.
Musically, the band strikes a compelling balance between heavy, emotionally charged rock and memorable melodic hooks. Driving guitars, thunderous rhythms, and cinematic dynamics create a soundscape that mirrors the song's emotional arc building tension before erupting into an unforgettable chorus that refuses to let go.
The result is a track that doesn't simply ask listeners to hear it, it invites them to feel every word. In an era where many people quietly battle anxiety, burnout, depression, and the overwhelming demands of everyday life, "I'm Done" serves as both a cathartic release and a reminder that vulnerability is not weakness. Sometimes the strongest thing a person can do is admit they've reached their limit.
With "I'm Done," LOVELESS & COMPANY continue establishing themselves as a band unafraid to tackle difficult emotions through authentic songwriting and powerful musicianship. Their ability to transform deeply personal experiences into anthems of resilience positions them as one of the most emotionally compelling voices
in modern rock.
ABOUT LOVELESS & COMPANY:
Loveless & Company is an Arizona based outlaw rock band known for blending southern rock, country western swagger, and raw rock and roll energy. Characterized by fierce live theatrics and gritty anthems, the group is led by frontman and guitarist Aaron Loveless alongside drummer and producer Mikey Loveless, guitarist Billy Loveless & bassist Wayne Loveless.
Delve into the chaos of the cosmos with "Limitless", the new single release from the US and Mexico based melodic death metal band FALSIMONIAN. The quartet's dynamic heavy sound is influenced by Mexican folk and Latin-American roots music, as well as progressive elements and jazz. FALSIMONIAN's forthcoming EP For Survival is set to arrive independently on November 7, 2026.
Drawing inspiration from concepts such as autotheism, the big bang, and relativity, the band takes a more abstract approach with their lyrics in "Limitless". The track's narrative is positioned from the perspective of a celestial being, leaning into the cosmic horror realm, which is a personified form of the universe.
A chaotic mood emerges from "Limitless" which begins with an onslaught of sharp and aggressive rhythmic stabs. The violent intensity creates a sense of disturbance and discomfort. Stylistically, "Limitless" is rooted in melodic death metal though progressive sections and groove passages are incorporated across the track. This song also features the first guitar solo heard by Cesar Robles on the upcoming EP in a display that is initially melodic before developing into intricate, technical shredding.
Presented through the lens of a fictional, dystopian world, the EP considers the everyday impact onto individuals who are living under the threat and fear of a world-ending catastrophe. "Limitless" is a key moment for the narrative's protagonist in which, through a moment of introspection, they decide to take action against the imposing darkness.
For Survival was produced by Jesus Fuentes Valverde, with mixing and mastering by Gil Andrade. Drums engineering was undertaken by Ruben Sanchez at Urvn Studios, with guitars and keyboards recorded by Jesus Fuentes Valverde and vocals recorded by Erick Valverde. Guitar and vocal editing, and bass programming, was by Jesus Fuentes Valverde. Additional guitars on "Limitless", "Judgment" and "For Survival" were recorded and edited by Cesar Robles.
All artwork photography for the EP and single releases are from X-Rays Erick Valverde has taken over the last 10 years. The artworks utilize original photographs of a colorful sunset as the light source behind the X-Rays. These colors are commonly seen in the desert skies of the US/Mexico border. Ariadne Willis, adjusted the photographs for the layout and design of the EP and single covers. Erick's accidents and health struggles have also indirectly influenced the overall theme of the EP. Additional photography by Rancho Creativo Studios.
About FALSIMONIAN:
Rooted in melodic death metal, FALSIMONIAN began as the brainchild of Jesus Fuentes and Erick Valverde in 2024, who welcomed Cesar and Mauricio in 2025 completing the band's line-up. Their sound is unique to the members' life experiences as bi-cultural individuals hailing from the harsh desert in the US-Mexico border.
With members based out of El Paso, Texas, USA; Myrtle Beach, South Carolina, USA; and Leon, Guanajuato, Mexico, FALSIMONIAN incorporate genre influences from Mexican folk and Latin-American roots music, as well as jazz. Musically, the band draw inspiration from metal acts including OPETH, DARK TRANQUILLITY, DREAM THEATER, CHILDREN OF BODOM, and BORN OF OSIRIS.
FALSIMONIAN take their name from the Latin word "falsimonia", meaning: trick, imposition, deception. Situated in a fictitious dystopian world, the forthcoming EP explores the mundane daily realities of survival in the midst of dark times of war, hate and manipulation. For Survival arrives on November 7, 2026.
FALSIMONIAN Is:
Erick Valverde - Vocals
Jesus Fuentes Valverde - Guitars, Keyboards
Cesar Robles Sanchez - Lead Guitars
Mauricio “Moritz” Gonzalez - Drums
Connect With FALSIMONIAN:
Official Website: https://falsimonian.com/
Facebook: https://www.facebook.com/falsimonian
Instagram: https://instagram.com/falsimonian
YouTube: https://www.youtube.com/@falsimonian
Discord: https://discord.gg/aU5TbnPF8M
Following their recent signing to Terminus Hate City, THE NOCTAMBULANT reveal the next few pages of this Southern Gothic chapter. Steeped in the traditions of Blues, Rockabilly, Goth rock and American Country, THE NOCTAMBULANT embrace this aesthetic and sonic niche while maintaining their signature black metal sound. THE NOCTAMBULANT will release their forthcoming full length album Revival on September 18, via Terminus Hate City.
On the new single "Skeleton Key" THE NOCTAMBULANT share,
"this track captures the desire to achieve salvation and transcendence—by any means necessary. It tells the story of using one body to reach immortality in another. The weakness of the flesh must be overcome in the pursuit of something greater."
"Skeleton Key" unleashes a dire savagery through a blackened haze. It foreboding onslaught marches steadily onward as weighted rhythmic strikes soon erupt into a fury of high-speed intensity. As the darkness consumes, the inevitable end is inescapable.
Recorded at Tri-Rush Studios, Revival was engineered and produced by E. Helvete and D. Franseth. The album was mixed and mastered by Daniel Thabet at Liquid Studios, with the cover art designed by Dream Creatures.
About THE NOCTAMBULANT:
In 2013, THE NOCTAMBULANT formed in Jacksonville, Florida, with a mission to spread the culture of Southern Appalachia through their unique interpretation of black metal. Merging the genre’s primal aggression with the crushing weight of blackened death metal and the haunting atmospherics of Southern Gothic, they sought to honor the myths, spirits, and eerie folklore of the region.
Founded by E. Helvete (Guitars, Vocals) and D. Franseth (Drums) following the breakup of their psychobilly band, THE NOCTAMBULANT emerged as they delved into the darker realms of black metal. With the addition of Lars Goerschafft (Bass) and, later, Rev Beaumont (Guitar), the band fully embraced a sound that merges relentless intensity with ghostly Appalachian storytelling, crafting an auditory spell of sorrow, brutality, and mysticism.
Their music weaves a sonic tapestry of feral blackened riffs, ominous melodies, and immersive soundscapes steeped in spectral Appalachian lore. Drawing inspiration from metal legends such as VENOM, CELTIC FROST, BATHORY, and DARK FUNERAL, THE NOCTAMBULANT channels both ferocity and haunting atmosphere, merging the unrelenting force of extreme metal with the ghostly echoes of ancient myths and the desolation of the Southern Gothic landscape. Their next album is set to emerge in 2026.
THE NOCTAMBULANT is:
E. Helvete - Guitars/Vocals
D. Franseth - Drums
Lars G - Bass
Rev. Beaumont - Lead Guitar
Links:
Facebook: https://m.facebook.com/TheNoctambulant/
Instagram: https://www.instagram.com/thenoctambulant/
TikTok: https://vm.tiktok.com/ZMeEM8R9y/
In a world of singles and tracks, it’s easy to forget the power of a song that delivers not just the smallest details, but the emotional tidal waves that exist long after a moment has faded. For Kenny Chesney, who announced his 21st album and second teaser with the title track to Silver Sands Marina, the sweeping midtempo so completely painted the place and sensations, there was only one thing to do: make a video.
“When you hear the song, it’s so perfectly drawn, you almost can’t believe it’s real,” the man Wall Street Journal called “The King of the Road” says. “But, of course, it is a real place – located on Lake Winnipesaukee – where generations of families and friends have tied up their boats, checked in, enjoyed the water and being together. You can feel all the happiness and fun people have had there the moment you step on the property.”
Ablaze with curiosity, Chesney wanted to see what inspired the song’s ability to hold such subtly indelible feelings. Realizing it was a family owned business, the 2025 Country Music Hall of Fame inductee decided to – almost in keeping with the song’s off-season storyline – check-in, and create a video that instills hyper-local, off-the-beaten-path places with an innocence and charm that transcends the bigger, slicker reality of today’s escapes.
Filming on a grey day shortly after recording the title track of his Sept. 25 release, Chesney is seen in single performance pieces around the pier, the motel and marina’s property. Filming outside the traditional tourist seasons, the Silver Sands Marina delivers that anticipatory tension that it isn’t abandoned, but waiting on something – and Chesney’s to-the-camera vocals and guitar-playing suggest a witness to all that has happened there.
“Like the song, there’s a sense this place can’t be real,” Chesney says. “When you pull up, it’s even more wonderful than the pictures. You can feel people’s lives have played out here; kids who’ve met, grown up together, occasionally gotten married and brought their kids there; fishing trips and reunions. And, as my song suggests, the occasionally unexpected encounter where you meet someone who sees you for all that you are – even if it’s only for a moment.”
Working with longtime collaborator Shaun Silva, Chesney fashions a clip that surrenders expectations for a full immersion in the moment. Those downstrokes on his acoustic guitar an extension of the passion; his vocals transporting himself – and the viewer – to a memory that retains all of its vibrance. Whether an empty pool waiting for summer, knotty pine wood and tired pink paint, or lake water rippling, the clip offers a real-world escape from the mundane.
So taken with the setting, Chesney and photographer Allister Ann documented the day turning to night. Whether portraits of the East Tennessee songwriter/superstar or almost portraits of the setting itself, the photographs delivered a different feel for the stadium-sized headliner. They also suggest the emotional depth beneath the album’s feel-good moments and simple wisdom.
Built around a memory that will last a lifetime, the song and video suggest escape is as much a state of mind as it is the rainy afternoon, 20-dollar blinds, pink painted walls, wet sand, bicycles propped up, a sky that’s red, orange and blue and a mug stolen as a talisman of the encounter.
Like “Carry On,” which closed out the entire country radio reporting panel in its first week, “Silver Sands Marina” provides a new way of looking at something pretty common. But in that truth that exists right where you are, there’s also the freedom of knowing magic has a way of arriving in unlikely places.
“When the song came in, it took me some place,” Chesney marvels. “But it also said a lot of things about where we can find real fulfillment. For me, the more I listened, the more I knew I had to see this place… And once I did, I knew I had to show it to all the people like me, who dream of freedom and escape, but who also know showing up is the spark that makes it happen.”
