CARLY PEARCE TO RELEASE FIFTH STUDIO ALBUM

Today, GRAMMY, CMA and ACM-Award winning country star Carly Pearce announces her highly anticipated fifth studio album, Honest Woman, will arrive August 28 via BBR Music Group/BMG Nashville. Pre-order, pre-add, and pre-save the album HERE , including new track “She Don’t” which dropped today alongside the album announcement. Available now on all platforms, the song further highlights Carly’s witty lyricism and love of storytelling with her traditional country sensibilities for a sure-to-be fan favorite. Watch the visualizer Below;

Co-produced by Pearce with longtime collaborator Ben West, Honest Woman sees Pearce embrace every aspect of who she was, is, and will become through narrative-driven lyrics and a sonic return to form. Including features with Riley Green, Dan Tyminski and Molly Tuttle, the album leans into her bluegrass roots and focuses on authentic country craftsmanship. Honest Woman is an ‘honest’ portrayal of life’s journey delivered by a woman who understands that it’s the fullness of time that defines you.

"When I started making Honest Woman, I found myself rediscovering who I am and why I wanted to be a country music singer in the first place,” says Pearce. “This album takes me back to the beginning of my story, where the sounds of classic country and bluegrass music shaped who I am. I’m so proud of this body of work, and I truly feel like it’s my best yet.”

Anticipation was at an all-time high during CMA Fest as the phrase “Honest Woman” was seen in various places around Nashville – from her “Carly’s Closet” charity pop-up that raised $20,000 for the CMA Foundation, to the sidewalks outside her CMA Artist of the Day panel moderated by Hillary Scott of Lady A and performances at Nissan Stadium, Billboard Live at Category 10, SiriusXM’s Music Row Happy Hour and Spotify House – leading Pearce’s fans to speculate if Honest Womanwas the title of her forthcoming album.

In addition to today’s release, “She Don’t,” Pearce’s forthcoming album will include current single and “blockbuster duet” (Billboard) with Riley Green, “If I Don’t Leave I’m Gonna Stay,” along with the “delightfully snarky & sassy” (Music Row) “You Can Have Him,” “honest anthem” (Rolling Stone) “Church Girl” and the “unfiltered, introspective” (Billboard) “Dream Come True.” As Pearce is readying Honest Woman, each track continues to define “the tone for her most vulnerable era yet” (The Tennessean).

To support the album, Pearce will be performing special two-night residencies across North America. Kicking off September 10 with two nights in Detroit, Pearce will bring her “Honest Woman: Up Close” live shows presented by Conundrum Wines to intimate venues in Chicago, Minneapolis, Los Angeles, Toronto and Boston before concluding with two nights in New York City. Belle Frantz will join Pearce as support.

Tickets will be available starting Tuesday, June 23 at 12pm local time with the Official Carly Pearce Fan Club presale, where members can redeem their code for tickets to the tour. To sign up for the fan club, fans can visit fanclub.carlypearce.com. General tickets will be available for purchase beginning Friday, June 26 at 10am local time.

CARLY PEARCE - “HONEST WOMAN: UP CLOSE” ROUTING
Thursday, September 10 – Detroit, MI – Saint Andrew’s Hall*
Friday, September 11 – Detroit, MI – Saint Andrew’s Hall*
Wednesday, September 16 – Chicago, IL – Joe’s on Weed*
Thursday, September 17 – Chicago, IL – Joe’s on Weed*
Friday, September 18 – Minneapolis, MN – Fine Line*
Saturday, September 19 – Minneapolis, MN – Fine Line*
Sunday, September 27 – Los Angeles, CA – The Troubadour*
Tuesday, September 29 – Los Angeles, CA – GRAMMY Museum
Thursday, October 15 – Toronto, ON – Toronto Opera House*
Friday, October 16 – Toronto, ON – Toronto Opera House*
Sunday, October 18 – Boston, MA – The Sinclair*
Monday, October 19 – Boston, MA – The Sinclair*
Wednesday, October 21 – New York, NY – Gramercy Theatre*
Thursday, October 22  – New York, NY – Gramercy Theatre*

*With support from Belle Frantz

BADSQUATCH Releases New Single "FCK"

Yet another bold release from brand new artist BADSQUATCH, the third
single from his upcoming album (due in late 2026) embodies the word
”bold” in the song’s name alone. Now he’s dropping a monstrously heavy
track, simply titled “FCK”, directly after the light-hearted second single that
was a fun and groovy 80’s workout tune.


It’s getting more and more obvious that this artist doesn’t play by the rules
that the industry has long been calling for: consistent sound and
easy-to-swallow material. Instead, this new release is once again
completely removed and different from the first two, with huge sounding
guitars, dark and thundering basslines complementing brooding drums,
and a rock vocal performance that truly digs deep with not only timbre and
delivery, but also an honest vulnerability.


This song, with its connotations toward an expletive for a title, ironically,
does not contain a single explicit word in the lyrics aside from the allusion
in the name of the piece itself. Instead, the words craft a picture of the
gut-wrenching moment one feels their heart fully break.


This text of such a powerful yet dreaded moment in life is painted with
music sounding reminiscent of alarms and panic going off inside the head
and heart. The guitars sweep from ear to ear in the mix, utilizing whammy
and wah pedals to create a really eerie baseline before things come
crashing in with the frantic energy of heavier and heavier riffs. All of this
sets the stage for the big man to belt out a story about his experience and
relationship with pain itself.


Considering the title of this song along with the full picture of the music
and lyrics, this next release helps illuminate just a little more of this
curious, new artist. BADSQUATCH seems to be carefully orchestrating
which songs he’s sharing with us first, pushing the envelope of industry
norms in modern release strategies, addressing uncomfortable subjects
once again, and sharing what appears to be deeply personal moments in
genre-defying aural statements. When asked about his inspirations behind
the music, BADSQUATCH’s usual reply is that he’s simply sharing his
experiences on the very personal journey that is discovering what it actually means to be human, and there's nothing more human than heartbreak. 


STREAM "FCK" HERE

Upcoming Tour Dates:

 

June 20th at Rosebuds - Junction City, KS
June 23rd at Goose's Bar and Grill - Papillion, NE

June 25th at Ruhlman's Steakhouse - Ashland, NE

June 26th at Hurrdat Sports Bar - Papillion, NE

June 27th at Loess Hills Harley Davidson - Pacific Junction, IA
June 30th at Reverb Lounge with Smile Empty Soul - Omaha, NE

July 3rd at Harney Street Tavern - Omaha, NE

July 10th at Brokedown Palace - Omaha, NE

July 17th - July 19th at Paradise Tropical Restaurant and Bar - Sunrise Beach, MO

 

 

For More Information Please Visit:

Official Website

Instagram

Facebook

TikTok

YouTube

BraveWords Records Announces the Signing of COLIN PETERIK Single “Swans” Now Available on Bandcamp

BraveWords Records is pleased to announce the signing of COLIN PETERIK. Colin is a “Power Pop” master of hooks and melodies and when you realize that his father is the legendary Jim Peterik, who co-wrote the iconic Rocky III anthem "Eye of the Tiger”, it makes complete sense. Colin is putting the finishing touches on a new album due out later this year, but in the meantime you can check out his latest single “Swans” below.

Colin talks about signing with BraveWords Records, “Giles, Michael, Tim and BraveWords have believed in me since day one, so it was exciting and surreal when they asked me to be on the label. I look forward to doing big things with them, and I couldn’t be more thrilled to join their stacked roster as a recording artist”.

Colin shares the backstory for the songs “Swans”, “My Dad (Jim Peterik) introduced me to Prefab Sprout about 5 years ago. He has showed me so much great music over the years, but this underrated British group must have slipped through the cracks!

Quickly I devoured their entire discography. I was obsessed with the lead singer/songwriter, Paddy McAloon and how he weaved words with melodies like I’ve never heard before.

“Swans” is a beautiful song from their 1997 album “Andromeda Heights”. The protagonist warns his lover that he’s bad news, and there’s still time for her to turn around. Paddy’s silky-smooth vocals express longing; using swans and foxes as metaphors.

I found myself singing it while waiting in a never-ending line at Disney World with my kids, and began working on the track that very night. When we got home, I recorded and finished the track. It was a lot of fun to get into it- I could almost feel the psychic connection with Paddy, singing his lyrics on the mic.

The original version’s production is very minimal, with no percussion, just ethereal keyboards. I decided to take it in a lo-fi hip-hop/jazz direction, which I think fits the mood well. We added some sax, flute, and horns as a finishing touch. I’m very happy with the result, and I hope Paddy has a chance to hear it someday. I’d love to meet him one day.”

"SWANS"

Produced and Performed by Colin Peterik

Lyrics by Paddy McAloon

Video created by Mark Misch

About COLIN PETERIK:

Colin Peterik is a singer/songwriter, producer and multi-instrumentalist from Chicago, IL. His songs, including 2022’s “My Secrets” have racked up millions of plays and garnered him a loyal fanbase. His upcoming fourth solo album “That’s Cool (Or I’m Sorry)” expands on his already eclectic catalogue while focussing his sound and craft.

Links:

http://colinpeterik.com/

https://www.facebook.com/colinpeterikmusic

https://www.instagram.com/colin_peterik_music

https://youtube.com/@colinpeterik89

https://x.com/colinpeterik

KING ULTRAMEGA Unveil Tribute Cover Of SOUNDGARDEN's "Loud Love", Ft. Lzzy Hale

In tribute to Chris Cornell, KING ULTRAMEGA presents a high octane interpretation of SOUNDGARDEN's "Loud Love" joined by Lzzy Hale (HALESTORM) leading on vocals, Alex Skolnick (TESTAMENT / METAL ALLEGIANCE) on guitars and drum performance by Dave Krusen (PEARL JAM). KING ULTRAMEGA are raising funds and awareness for MusiCares, the Recording Academy’s nonprofit that provides mental health services, addiction recovery support, and emergency assistance to members of the music community.

"Loud Love" appears on SOUNDGARDEN's 1989 full length Louder Than Love and remains a fan favorite that showcases Chris Cornell's incredible range. Wanting to honor Cornell and the iconic track, and evoke the spirit of this era, Mark Menghi's process for this release saw him take an old school approach in order to achieve the analogue warmth of the original recording. 

On the new release, Lzzy Hale shares: “If there was ever a time to be spreading a message of LOUD LOVE, It’s now.”

Produced by Mark Menghi, "Loud Love" was mixed and mastered by Josh Wilbur. The cover artwork design is by Mark Menghi and the accompanying video is by Tom Flynn. 

Lzzy Hale comments on her approach for tackling vocal duties on "Loud Love", "I don’t think I’ve ever been a good imitator, but I did try to put myself in Chris’ shoes. It’s more about placing yourself inside the song so you can steal its soul. I like to imagine I am the writer and then go about making it my own whilst honoring the original."

On drawing inspiration from Chris, Hale continues, "I feel like I’m always learning something from Chris. Every few years I’ll discover something deeper in his lyrics, or higher in his range. But there is an authenticity that comes with Chris that can’t be taught or trained for. I believe every word he writes. I’m inspired by his control over his animalistic vocal range, and his poetry, but also how honestly he sings." 

Alex Skolnick explains his process on preserving Kim Thayil’s guitar style, "Kim’s playing has a strong sense of groove as well as a rawness and honesty that was especially refreshing when this song first came out (a time of much overproduction & perfection in hard rock). I tried to strike a good balance between referencing and respecting Kim‘s original parts, while also bringing some of my own flavor and ideas, without getting in the way."

Skolnick reveals what it was like working with Menghi outside of METAL ALLEGIANCE: "For the most part, Mark and I have recorded originals in Metal Allegiance, songs that started with a blank page. This time we had a solid road map. In the past, once we had drum tracks, it didn’t matter which of us followed up or whether we tracked separately or simultaneously. This time, we were very dependent on capturing a live performance together in the studio, which was a fun challenge. This tune seemed to require the bass and guitar being locked in while going to tape, I think it’s probably true of most of the Soundgarden catalogue."

Mark Menghi discusses his choice of line-up for "Loud Love": "I knew I wanted Dave to play drums on this tune from the jump. Who better than the dude that played drums on arguably one of the greatest records of all-time and whom also helped lay the groundwork for the Seattle explosion in the late 80’s/early 90’s? I was already in the studio with my Metal Allegiance bro Alex Skolnick putting this finishing touches on a then new Metal Allegiance tune (which turned out to be Black Horizon) when I asked 'Hey would you wanna play on this King Ultramega track?' I just off-the-cuff asked him… what makes it better is I said, “see that old school tape machine over there in the corner? We are going to record our parts together, live, at the same time, the old school way on reel-to-reel!'"

He continues, "The last piece of the 'Loud Love' puzzle was the amazing Lzzy Hale. Having her complete the lineup for this tune is truly humbling. If you listen to the OG version of 'Loud Love', Chris’ vocals are just absolute insanity and who better than Lzzy to tackle this? Lzzy has complete vocal dominance, carries such a strong presence and quite frankly is one of the best vocalists in modern rock today."

A key component of this cover is the analogue production. On taking this creative decision Menghi explains, "It was very important to me to keep this particular song as old school as possible. I wanted to catch the warmth, vibe and feel of the original track which meant (to me) recording to tape, in the same room together and live. Imagine that? A world where you record with other humans in the same room and in analog no less! Reel-to-reel tape recording is a lost art form and was very excited to go back to the recording days of the past for this track. Alex and I are no strangers in recording together; but this was the first time we have ever recorded live together, with real amps blasting and the tape machine running. Truly was a special feel, to capture that live energy."

Dave Krusen of PEARL JAM, who was inducted into the Rock & Roll Hall of Fame in 2017, opens up about revisiting this classic SOUNDGARDEN track. "Seattle was a very turbulent place in the late 80s / early 90s and I think the best thing to come out of it was all the great music. I was a huge Soundgarden fan. I got to meet Chris and Matt when we (Pearl Jam) were working on 10 and they were working on Temple Of the Dog. It was a huge thrill for me. The fact that I was asked to be a part of this King Ultramega record was a huge honor. I was very intimidated to try and tackle the drum parts in 'Loud Love', but the guys I was recording with made it no pressure and a lot of fun."

Krusen shares a personal memory of Chris, "I'll never forget in 1993 backstage at a Pearl Jam show, Chris came up and said 'Hey Dave, it's Chris. Do you remember me?' every time I talked to him, he was always such a sweet guy to me. I miss him and his music. Plus Matt has always been so gracious and cool to me, letting me share his drum throne, was also a huge honor."

The "Loud Love" Lineup Is:

Vocals: Lzzy Hale (HALESTORM)
Guitars: Alex Skolnick (TESTAMENT / METAL ALLEGIANCE)
Bass: Mark Menghi
Drums: Dave Krusen (PEARL JAM)


Connect with KING ULTRAMEGA:

kingultramega.com | Apple Music | Spotify | Deezer | Instagram | Facebook | Tiktok | X

About MusiCares

MusiCares helps the humans behind music because music gives so much to the world. Offering preventive, emergency, and recovery programs, MusiCares is a safety net supporting the health and welfare of the music community. Founded by the Recording Academy in 1989 as a U.S. based 501(c)(3) charity, MusiCares safeguards the well-being of all music people through direct financial grant programs, networks of support resources, and tailored crisis relief efforts.

For more information please visit: www.musicares.org.

Wailin Storms Stoke Fresh Dread on Howling New Single “Dead End”

Recipients of high praise from NPR, The Needle Drop, Brooklyn Vegan, Decibel and Metal Hammer, Wailin Storms have caught fire since migrating to North Carolina in 2014. Now, the Durham natives are fanning the flames even higher with their upcoming fifth album and first for Season of Mist. On The Arsonist, the band deliver a fiery baptism of Southern gothic rock.

Today, Wailin Storms are premiering a suspenseful music video for the third and final advanced single from The Arsonist with Treble. With the ghost of David Lynch riding passenger seat, “Dead End” takes a harrowing post-punk turn.

“‘Dead End’ is about seeing yourself after you die”, Wailin Storms vocalist and guitarist Justin Storms says. “It’s the first song on The Arsonist and one of the first that was written for the album. It flowed out of me while I was messing around with my Strymon El Capistan guitar pedal. It sets the tone by jolting you straight into a fever dream that’s filled with cryptic messages from beyond.

Watch the music video for “Dead End” Below:

The Arsonist comes out July 10, 2026 on Season of Mist

Pre-order & Pre-save

https://orcd.co/wailinstormsthearsonist

Wailin Storms are igniting the stage this summer with a headline U.S. tour. The band will perform “Dead End” and other songs off The Arsonist for the first time, along with crowd favorites from across their critically-acclaimed discography.

Wailin Storms 2026 The Arsonist U.S. Tour

July 17 - Durham, NC @ Stanczyk’s [Album Release Show] [TICKETS]

July 29 - Johnson City, TN @ The Hideaway [TICKETS]

July 30 - Atlanta, GA @ Star Bar [TICKETS]

July 31 - Knoxville, TN @ The Pilot Light [TICKETS]

August 1 - Cincinnati, OH @ Motr [TICKETS]

August 2 - Youngstown, OH @ Westside Bowl [TICKETS]

August 3 - Columbus, OH @ Dirty Dungarees [TICKETS]

August 4 - Pittsburgh, PA @ The Government Center [TICKETS]

August 5 - Baltimore, MD @ Metro Gallery [TICKETS]

August 6 - Brooklyn, NY @ The Gutter [TICKETS]

August 7 - New Hope, PA @ John and Peter’s [TICKETS]

August 8 - Richmond, VA @ Cobra Cabana [TICKETS]

While shrouded by a doomy and dreamy atmosphere, The Arsonist is inflamed by real life anxieties. Taking inspiration from René Magritte, the album’s cover art, which is heavily shadowed except for a tiny house gone up in flames, was painted by Storms himself. “These songs are steeped in the trials and tribulations of everyday life”, he says. The title track is slowly engulfed by love’s eternal flame. “Like the wind controls the sea”, he croons over the gentle sway of his guitar. “You always had a hold on me”. The thunderous climax surges with such feverish intensity that it threatens to send the night of passion up in smoke.  

Amidst the wreckage of The Arsonist, Wailin Storms do find a semblance of peace. “It’s All Dark Now Where Your Eyes Used to Be” ends the album with a ghostly flicker of gothic romance. “I know a place where we can sit and grow old”, Storms offers with grim assurance. A piano tolls like death’s bell as he glimpses up at a church that resembles a skull. “There’s a sliver of hope in coming to terms with death”, he concludes. “Life is temporary and that's where its beauty lies”.  

On The Arsonist, Wailin Storms deliver a fiery baptism of Southern gothic rock.

Lineup
Justin Storms - Lead vocals, rhythm guitar
Ben Melton - Lead guitar, backup vocals, Rhodes organ, piano
Steve Stanczyk - Bass
Mark Oates - Drums

Recording credits
Recorded at Earth Analog in May 2025

Production Credits
Produced and engineered by Matt Talbott
Mixed by Mike Lust at Phantom Manor ("Dead End", "Heart of Mine", "You Never Answered", "The Arsonist", "Never Rest", "The Wind", It's All Dark Now Where Your Eyes Used to Be"
Mixed by Dave Downham at Gradwell House ("Saved", "Patient Night")
Mastered by Dave Downham at Gradwell House

All lyrics written by Justin Storms

Cover art
Justin Storms

Layout and design
Steve Stanczyk

Pre-order & Pre-save

https://orcd.co/wailinstormsthearsonist

Available Formats

Digital Download

CD Digipack

12” Vinyl Gatefold (Black)

12” Vinyl Gatefold (Color)


Follow Wailin Storms
Spotify: https://open.spotify.com/artist/2e1J5JQpROgSuT7RcsUbZ2
Apple Music: https://music.apple.com/us/artist/wailin-storms/451185826
Bandcamp: https://wailinstorms.bandcamp.com
YouTube: https://www.youtube.com/@wailinstorms7
Facebook: https://www.facebook.com/wailinstorms/
Instagram: https://www.instagram.com/wailinstorms/?hl=en

GREEN LUNG - reveal new track/video 'Necropolitan Line'

Albion's masters of folklore, riffs and legends return with another slab of tomb-shaking, crypt-kicking occult rock. Green Lung have revealed their latest track, 'Necropolitan Line', a Motorhead-meets-Deep Purple subterranean rampage across London's infamous Necropolis Railway.

'Necropolitan Line' is taken from Green Lung's forthcoming new record, Necropolitan, due out on Friday September 11th 2026. A monumental portrait of the power of nature over the dreams and dominion of humankind, Necropolitan is also a grand celebration of the occult lore and heavy music scene of the band’s birthplace, the city of London.

Green Lung stated:
"Is there a more fitting subject for a Green Lung song than the Necropolis Railway, a real-life train line that carried corpses and mourners across London in the late 19th Century? Mix in some inspiration from 1972's London Underground-set shocker Death Line, a madcap neoclassical organ/guitar duel that evokes Richie Blackmore and Jon Lord at their finger blistering best, and a record Lung BPM of 180, and you have the second single from our fourth album. We can't wait to play this one live for the first time at the Acid Bath show in Manchester on Thursday. Mind the doors!"

The video, directed by Tracy Mathewson and featuring animation from Joseph Brett, is a tribute to the early 70s German TV show Beat Club, which featured Lung antecedents such as Sabbath, Purple and Lucifer's Friend. Featuring an introduction from longtime roadie Metal Joe, we enter the band's own warped version of the show, titled Crypt Club. Will future episodes follow? Only time will tell...

Pre-order Necropolitan here: https://greenlung.bfan.link/necropolitan
Stream ‘Necropolitan Line’ here: https://greenlung.bfan.link/necropolitan-line
Watch the video for ‘Necropolitan Line’ Below:

On the week that Necropolitan is released, Green Lung will be visiting some selected record stores to sign vinyl and CDs, plus fans will have the chance for a photo op with their very own Goatwizard. Head to greenlung.co.uk for more details! And keep your eyes peeled for more events as we get closer to release…

Friday 11-Sep       London, UK Rough Trade East (1pm BST)
Saturday 12-Sep   Manchester, UK HMV Manchester (5pm BST)
Sunday 13-Sep     Birmingham, UK HMV Vault (2pm BST)
Monday 14-Sep     Bristol, UK Rough Trade Bristol (1pm BST)

Later this year, Green Lung will be embarking on their European Dance to the Grave Tour MMXXVI. Special guests will be High On Fire with support from Gnome. The tour poster was designed by the band's frequent collaborator, Richard Wells.

GREEN LUNG
DANCE TO THE GRAVE TOUR MMXXVI
w/ High On Fire & Gnome

03-Dec   BE  Antwerp @ Trix
04-Dec   DE  Frankfurt am Main @ Batschkapp
05-Dec   DE  Munich @ Backstage
07-Dec   AT  Vienna @ Arena
08-Dec   DE  Leipzig @ Anker
10-Dec   DE  Hamburg @ Große Freiheit 36
11-Dec   DE  Berlin @ Astra Kulturhaus
12-Dec   DE  Cologne @ Carlswerk Victoria
13-Dec   NL  Tilburg @ O13
14-Dec   FR  Paris @ Bataclan
16-Dec   UK  London @ The Roundhouse
17-Dec   UK  Bristol @ Bristol Electric
18-Dec   UK  Manchester @ Manchester Academy
19-Dec   IE  Dublin @ The Academy
20-Dec   UK  Glasgow @ SWG3 Galvanizers

For more information and tickets head to: https://www.greenlung.co.uk/

You can also catch Green Lung this weekend on June 25th at Manchester Academy, with Acid Bath and Conan.

25 June - UK  Manchester, Manchester Academy *supporting Acid Bath 

A cult band in every sense of the word, Green Lung emerged from London’s heavy rock scene with self-released debut EP Free the Witch (2018).

Drawing on a host of peculiarly British musical influences, from doomy hard rock to pastoral prog and psych to the Hammer Horror theatrics of the NWOBHM, the band have swiftly risen to the forefront of the UK metal scene.

Lyrically celebrating the folklore, myths and legends of Britain, they conjure the wild and witchy spirit of their forebears for a new generation.

Green Lung have released three critically acclaimed albums, Woodland Rites (2019), Black Harvest (2021) and This Heathen Land (2023). They have toured internationally with Clutch, Opeth and Unto Others, and performed on festival stages from Roadburn to Download. Their latest album This Heathen Land landed at #1 on the UK’s Official Rock and Metal Album Chart.

"This is heavy metal how it should be done" The Guardian

WEBSITE | FACEBOOK | INSTAGRAM | YOUTUBE | TIKTOK | SPOTIFY
 APPLE MUSIC | BANDCAMP

AMBERIAN DAWN Share "Moon" Video — WATCH + LISTEN

FIRST ALBUM WITH NEW SINGER NICOLE WILLERTON, TEMPTATION'S GATES, RELEASES JUNE 26 VIA NAPALM RECORDS — PRE-ORDER

Finnish symphonic metal band AMBERIAN DAWN push into their new era with an invocation to the "Moon." The fourth single off of their upcoming album, Temptation's Gates, shows yet another facet of their fresh sound, turning up the speed to blast beat intensity. Still, "Moon," which features prominent keyboard and guitar solos, remains magical up until its unexpected end. The final screams show the change the band is making with their new singer, Nicole Willerton—AMBERIAN DAWN are more determined than ever. The accompanying album, Temptation's Gates, will be out this coming Friday, June 26 —make sure to get your copy of their first step into the new era! Additionally, the band will play a record release show in Helsinki on June 28 at the official afterparty of Tuska Festival.

Tuomas Seppälä about "Moon":
"I composed this song just a few weeks after we had recruited our new vocalist. From the very beginning, it carried an exceptionally dark and haunting atmosphere, and I wanted to preserve that exact feeling throughout the entire process. For the first time in my career, I decided to introduce growling vocals into the arrangement. It felt completely natural in this song, and I knew Nicole could deliver it with the right intensity and emotion. It had been a long time since I last recorded a guitar solo myself, and stepping back into that role made the experience even more personal. This track captures a darker and more haunting side of our new era."

Nicole Willerton about "Moon":
"The song "Moon" is about finding hope, tranquility, and inner peace in a world filled with destruction, greed, and suffering. The moon serves as a guiding light and a symbol of beauty, reminding us that even when life feels overwhelming or full of misery, it's important to cherish the simple beauties of life, such as nature and the freedom of the spirit."

Watch the Official Music Video for "Moon" Below!

Rising from the home of symphonic metal are AMBERIAN DAWN: The Finnish five-piece is set to open Temptation's Gates, their new album, out on June 26 via Napalm Records. The band's first release with new singer Nicole Willerton takes them onto a more modern, occasionally even surprisingly rough path. With it, AMBERIAN DAWN, led by founder, guitarist, and main composer Tuomas Seppälä, slowly emancipate themselves from being "just" the band who—gloriously!—covered Swedish pop legends ABBA with their previous album, Take a Chance — A Metal Tribute to ABBA (2022).

Infusing their epic keyboard sounds with guitar-driven melodic metal, AMBERIAN DAWN reach into a world unknown and prove their versatility while their catchy anthems remain strong and charming as ever. Temptation's Gates has the band determined for a future sparkling temptingly bright — and they're ready to step through that gate.

Tuomas Seppälä about Temptation's Gates:
"When I started working with our new singer, I felt the same kind of excitement I had years ago when I began creating our debut album back in 2007 and 2008. At that time, AMBERIAN DAWN were still newcomers to the band world, even though we were already experienced musicians. With Temptation's Gates, I felt that same spark of creating something new for the first time in a long while. I hadn't composed many songs yet when I began collaborating with our new vocalist. Most of the material came together surprisingly fast once I realized how easy and natural it was to work with her. I was deeply inspired by Nicole's enthusiasm, dedication, and efficiency. I truly feel that the band has been reborn with her joining us. Musically, our style has evolved once again, perhaps moving slightly back toward a heavier, more metal-driven direction. At the same time, elements of our classic sound and identity are naturally still present. In many ways, creating this album felt like going back to my roots. For the first time in a long while, I also took on a bigger role as a guitarist. I focused more on crafting guitar riffs, played roughly half of the guitar leads on the album, and even performed one full guitar solo myself."

Nicole Willerton about Temptation's Gates:
"Temptation's Gates is the first album I've sung on and recorded with AMBERIAN DAWN, and it has been a beautiful experience. While writing the lyrics, each song was inspired by feelings, memories, and moments that were especially prominent during the creation of the album. Writing the lyrics felt like diving into the subconscious, bringing these emotions to the surface. It was wonderful to explore the creative process of arranging the backing vocals. I especially love how AMBERIAN DAWN's music makes strong use of backing vocals, helping to create a fuller, richer sound around the lead vocals. It's definitely a fiery album that combines a broad spectrum of emotional depths, ranging from love and melancholy to darker elements such as fear and inner struggles. A recurring message throughout the album is to embrace one’s true desires and to accept and acknowledge one’s honest feelings."

Get Your Copy Of Temptation's Gates NOW!

AMBERIAN DAWN ARE:
Tuomas Seppälä — Keyboards, Guitar
Nicole Willerton — Vocals
Emil Pohjalainen — Guitar
Joonas Pykälä-aho — Drums
Jukka Hoffren — Bass

California dreampop outfit Soft Science return with 'Spinning', heralding novel 'Sand' album

Sacramento-based outfit Soft Science presents 'Spinning', a propulsive and emotionally charged track and the first offering from their fifth album 'Sand', scheduled for release on September 4th via Shelflife Records in North America and Spinout Nuggets in the UK. The accompanying video was created by directed and edited by Matthew Maxwell. 

Building on the band’s signature blend of dream pop, shoegaze and indie rock, ‘Spinning’ captures the dizzying frustration of being caught in an emotional loop—repeating the same conversations, hoping to be heard, and wondering if anything is finally getting through. Pairing shimmery atmosphere with a sense of restless momentum, the band manage to turn relationship fatigue into something hypnotic, melodic, and deeply relatable.

Comprised of longtime collaborators Katie Haley (lead vocals, percussion), Matt Levine(lead guitar), Ross Levine (guitar, backing vocals), Tony Cale (drums), Becky Cale (bass, backing vocals), and Hans Munz (atmospheric electronics), Soft Science crafts immersive dream pop defined by layered guitars, ethereal vocals, synth textures, and post-punk-influenced propulsion.

"Spinning is one of my favorite songs on 'Sand' - It has such strong energy. It’s the kind of song that is catchy and you can’t help moving to it, but it also has a lot of tension, which fits so well with the lyrics. Matt’s guitar work really adds to the mood and tension felt in the song," says Katie Haley.

"We had the melody and the idea of “Round and Round” and then Ross came up with the chorus lyrics “You got me spinning round, am I getting through now.” I loved it and felt inspired immediately to come up with the verses. Generally, I find ruminating on things, talking about the same issue over and over with no resolution, and prolonged indecision really irritating and I was dealing with a couple situations with these themes at that time. Once Ross set the chorus the rest of the words poured out."

With ethereal vocals, twin 12-string guitars, bass, drums, and synthesizers, the band layers luminous melodies, celestial harmonies, and propulsive rhythms into lush, transportive songs. As showcased via KEXP sessions and noted by critics, Soft Science pairs a bright melodic sensibility with a melancholy undertow, creating music that is both immediate and deeply atmospheric.

"I've always loved using straightforward driving guitars with a looping hook on the bass to create a constant sense of propulsion. On 'Spinning', I was looking for that energy. Katie's soft, flowing melody, aginst that really brought it together. The last thing we recorded was the chorus harmony she came up with - it really kicked it up a level. The missing link it needed, lifting the whole track," says Ross Levine.

Highlighting the track’s experimental approach, Matt Levine shares, "Spinning is really special.  We were talking about doing backwards guitar leads, which, in a way, seemed easy, but how do you make it feel intentional?  So I started high and descended with the general idea that I wanted the lead to do the opposite. To my amazement, the result of the first take was amazing. The next challenge was how to play a backwards lead forward live, something I've never had to work through before."

Across the ten tracks on 'Sand', Soft Science expand their sound while retaining the melodic clarity and emotional resonance that define their work. The album explores impermanence—how love, memory, and identity shift under pressure—and what it means to keep choosing connection in a world with no guarantees. Across ten tracks, the band balances shimmering atmosphere with urgency and movement, shaping one of their most immersive and emotionally direct releases to date.

Soft Science's latest album was 'Lines' (2023), preceded by 'Maps' (2018), 'Detour' (2013), and 'Highs and Lows' (2011), along with singles including a split 7” with The Luxembourg Signal (2015), and The House of Lovecover ‘I Don’t Know Why I Love You’and their rendition of Northern Picture Library's ‘Paris’ (both 2018).

Having earned critical acclaim over the years, Soft Science has done live sessions at KEXP, WFMU, and Part-Time Punks in Los Angeles, and has performed at New York Popfest, Paris Popfest, The Big Takeover’s 35th Anniversary show, Schellraiser Festival, Tremolo Fest and Dreamgaze PDX, apart from select US and European shows.

As of June 23, 'Spinning' available digitally everywhere, including Spotify, Apple Music and Bandcamp. The 'Sand' album will be released via Shelflife Records (US) and Spinout Nuggets (UK) - on both CD and vinyl - on September 4th.

ALBUM CREDITS
Lyrics written by Katie Haley & Ross Levine
All songs written by Katie Haley, Ross Levine, Matt Levine, Becky Cale & Tony Cale
except 'Thread', 'Without' and 'Sway' are written by
Katie Haley, Ross Levine, Matt Levine, Becky Cale, Tony Cale & Hanz Munz
Katie Haley - vocals, percussion
Ross Levine - backing vocals, synths, additional guitars
Matt Levine - guitar
Becky Cale - bass guitar, backing vocals
Tony Cale - drums
Hans Munz - additional electronics
Recorded at Shattered Records and The Pool House
Engineered by Jack O'Donnell
Additional Engineering by Ross Levine
Mixed by Kev Bolus at OneEleven
Mastered by Antony Ryan at Red Red Paw
Produced by Soft Science
Artwork by John Conley
c @ p Shelflife Records / Spinout Nuggets 2026
UPC code for the vinyl LP - 759159696649
UPC code for the CD - 759159696656


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Dogma Unleash Cinematic New Single - My Matricidal

Following a breakout year that saw DOGMA sell out every European headlining show, complete its largest Latin American tour to date, and continue its rapid international ascent, the band returns today with “My Matricidal,” the highly anticipated new single and music video. 

"My Matricidal" is a theatrical collision of aggressive guitars, ritualistic percussion, haunting cinematic soundscape, soaring vocal performances, and a relentless series of sonic blows that steadily escalate toward a towering climax. The result is a dark, emotionally charged composition that expands the band's signature blend of hard rock, metal, and provocative storytelling.

Accompanying the single is an ambitious new music video that expands the narrative introduced in “Fate Unblinds,” revealing another key piece of the puzzle while raising new questions about everything that came before.

Regarding the new release, Lilith comments, "The themes explored in ‘My Matricidal’ are not really about betrayal. They are about recognition. There comes a moment in every person's life when something they believed, trusted, or accepted can no longer withstand reality. Most people spend their energy focusing on the deception itself, but I think the more important question is what happens after the truth becomes impossible to ignore. Some people retreat into anger or denial. Others choose to learn from it and move forward with greater clarity. That moment of choice has always fascinated me because it ultimately shapes the direction of a person's life. The truth reveals itself in time. What you do with it is your responsibility. You shape your fate."

The release arrives at a pivotal moment in DOGMA's continued growth. During the first half of 2026, the band completed its largest European and Latin American touring cycle to date, performing for thousands of fans across both continents. Every European headlining show sold out, including appearances in London, Manchester, Wolverhampton, Bristol, Eindhoven, Hamburg, and Munich.

The momentum continues this summer as DOGMA returns to Europe for appearances at major festivals including Copenhell, Basinfire, Tuska, Rockharz, Rock Imperium, and Resurrection Fest, alongside a special headlining performance in Istanbul.

With the release of “My Matricidal,” DOGMA maintains a single position: The truth reveals itself in time.

Upcoming festival dates:

Jun 29: Istanbul, Türkiye · Blind
Jul 2: Ballenstedt, Germany - Rockharz Festival
Jul 4: Viveiro, Spain · Resurrection Fest
Jul 5: Cartagena, Spain · El Batel Park

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Blake Shelton Hits Top 30 at Country Radio with "Let Him In Anyway"

Country music superstar Blake Shelton continues to build momentum with his latest single, “Let Him In Anyway,” which has climbed into the Top 30 on Country radio and experienced a 30% increase in streaming.

Written by Michael Hardy, Zach Abend, Kyle Clark and Carson Wallace, “Let Him In Anyway” has become one of Shelton’s most personally meaningful recordings.

“If you can hear this song and it doesn’t punch you in the gut and break your heart, you probably need to be examined in other ways,” Shelton said.

“I just wanted this song to have a platform and a way to be heard. That’s what I love about our writers in Nashville and what I love about country music in general. Great songs come out of this town every day, and every now and then you're lucky enough to get your hands on one. I think this is one of those songs.”

The song's impact extends beyond radio, with fans quickly connecting with the official music video, further fueling the track's growing success across streaming and digital platforms. The music video is available below.

The song's momentum comes on the heels of Shelton's performance at CMA Fest earlier this month. Fans who weren't able to attend the Nashville event can catch the performance when “CMA Fest presented by SoFi” airs Thursday, June 25, at 8/7c on ABC and streams the next day on Hulu.

“I love coming to CMA Fest and everything I get to do here, but the stadium show is the centerpiece of it all,” Shelton said. “My first appearance at CMA Fest was in 2001, and 25 years later I'm still getting invited back. I know how lucky I am and how rare that is, so I'm taking it all in and enjoying every minute.”

Hosted by Riley Green and Good Morning America co-anchor Lara Spencer, “CMA Fest presented by SoFi” is a three-hour television event featuring unforgettable performances, special collaborations and standout moments captured during the 2026 CMA Fest in Nashville, giving fans front-row access to one of Country Music's most star-studded weekends.

Photo Credit: Robby Klein

IAN MUNSICK PREVIEWS THE MOUNTAIN GOAT WITH EXCLUSIVE INDUSTRY LISTENING EVENT

Wyoming native Ian Munsick previewed his fourth studio album, The Mountain Goat, on Wednesday (June 17) at The Estelle in Nashville, Tennessee to an intimate audience of industry professionals. The Mountain Goat is Munsick’s first project via WEST TO THE REST RECORDS / Triple Tigers Records and arrives August 21. Pre-save HERE.
 
Munsick co-produced the album alongside Jeremy Spillman and Mike Robinson, and also played an extensive role in the instrumentation heard on the record. In total, Munsick is credited with playing nine different instruments: acoustic guitar, electric guitar, bass guitar, mandolin, banjo, harmonica, piano, bouzouki and kazoo, as well as lending background vocals and programming.
 
Additionally, five D2C fan packs are available to pre-order on his online store, including an exclusive autographed zoetrope vinyl. Pre-order HERE.

About Ian Munsick:
As one of modern country’s few Rocky Mountain artists – and the only one to merge its timeless traditions with an electrifying roots-pop edge – Wyoming native Ian Munsick lives in the wild places few singer-songwriters go. Yet with his fourth album, The Mountain Goat, he climbs farther out on his creative ledge than ever. Marking his first independent album on WEST TO THE REST RECORDS / Triple Tigers Records, Munsick remains as sure footed as his project’s fearless namesake, thriving in the isolation of a Western-flavored modern country frontier. Racking up over one billion career streams with previous albums Coyote Cry, White Buffalo, and Eagle Feather, Munsick has produced one RIAA-Platinum duet “Long Live Cowgirls” (with Cody Johnson) – No. 1 on SiriusXM’s The Highway Hot 30 Countdown – plus two Gold-certified hits: “Long Haul” and “Horses Are Faster.” Spotify, CMT, and the Grand Ole Opry were among those to recognize Munsick’s vision, and concertgoers across the globe have found a Western authenticity that can’t be faked. Munsick made history in 2025, becoming the first Wyoming-born artist to headline Cheyenne Frontier Days – the iconic rodeo known as the “Daddy of ‘Em All” – and with The Mountain Goat, his quest to bring Western mystique to modern fans continues. Fusing genuine tradition with cutting-edge sonics, 15 tracks feature an “earthy” new organic undercurrent, with the multi-instrumental master more connected to his acoustic roots – and more protective of his territory.

Brantley Gilbert Releases Title Track and “GOOD OL’ BOYS” from SINS OF THE FATHER, Arriving 7/24

Multi-Platinum trailblazer Brantley Gilbert delivers two new songs from his eighth studio album SINS OF THE FATHER, set for release July 24 via BBR Music Group/BMG Nashville: title track “SINS OF THE FATHER” and “GOOD OL’ BOYS,” available now.
 
“SINS OF THE FATHER” was born from Gilbert’s honest concern about how his actions would impact the next generation. It emerged as the “most country song on the album,” imparts Gilbert, with his unvarnished vocal joined by a twangy, drop-tuned acoustic guitar:

Meanwhile, explosive “GOOD OL’ BOYS” is tailor made for Gilbert’s six-piece juggernaut of a touring band, which has shared tours with Five Finger Death Punch and Nickelback. “That song goes harder than probably anything I’ve ever written,” he admits.
 
No stranger to pushing country’s evolutionary curve, SINS OF THE FATHER goes beyond sonic innovation, to confront the ugly truth. Fusing heartfelt country values with explosive energy and barbed-wire R&B swagger, he describes the project as a deeply personal playlist, once again ready to meet fans where they are.
 
“As long as there’s a box in country music, I know where I belong,” the Georgia-born hitmaker says. “And that’s right on the outside of it. All of my albums are a chapter of my life and this one’s no different. I don’t have skeletons in the closet – my shit’s out in the open. So if there’s any piece of my story that could help somebody, I’m cheating them if I keep it to myself.”
 
The moments here are often heavy – both emotionally and in guitar-driven sonic power, exemplified by today’s releases. Co-produced with rock-schooled collaborator Brock Berryhill (Twenty One Pilots, Kane Brown), SINS OF THE FATHER marks some of the hardest-hitting work of Gilbert’s career, yet the diesel-fueled two-lane trap he helped pioneer is never far away. Bottomless distortion and pounding drums join melodic, gravel-road grooves, while the bare bones of country soul turn painful realities into three-chords-and-the-truth.
 
Currently climbing the charts at Country radio, Gilbert recently premiered the official music video for lead single “GOOD DAMN” and released the deeply personal “F****D ME UP,” with MusicRow praising, “his gripping, broken vocal on this ballad grabs ahold and doesn’t let go…it’s a powerful thing.”
 
Along with today’s release, Gilbert also launches his latest merch collection featuring youth sizes, marking his first-ever merch drop to include children’s sizing. The collection includes four t-shirt and two hoodie designs. To view and purchase the collection, visit BrantleyGilbert.com.
 
In addition to readying his new album, Gilbert’s already had an exceptionally busy year, helping set a Guinness World Record for the oldest person to crowd surf, as Pauline Kana (known online as “Gangster Granny”), completed the feat during his set in Bellville, Texas on May 2. Earlier this year, Gilbert served as the Grand Marshal for Round 13 of the Monster Energy SMX World Championships at Nissan Stadium in Nashville.
 
He also launched Real American Beer Zero after becoming an investor and equity partner of Real American Beer (RAB). RAB Zero is the company’s first non-alcoholic beer with $1 per case sold of RAB Zero going to the USO in addition to ongoing donations tied directly to sales, supporting active-duty service members and their families.
 
The Real American Tour continues this Saturday, with headlining and festival dates through the fall on sale now. For tour dates and additional information, visit BrantleyGilbert.com.

Kenny Chesney Kicks Off 2nd Sphere Residency Intimacy, Old Favorites, Good Vibes & A Whole Lotta Joy

Kenny Chesney vowed his second residency at Vegas’ Sphere would make a shift, leaning into the venue’s ability to consume fans – and from the moment the East Tennessee songwriter/superstar hit the stage with “Here And Now,” he delivered. Beyond the fresh visuals, set changes and 29 songs, there was a momentum to the show that swept No Shoes Nation up for a night that took them places, brought emotions and memories to the surface and dancing to every level of Sphere’s four-tiered, 366-foot vertical leveled venue.
 
Without missing a beat, Chesney rolled into “Livin’ In Fast Forward,” “Young,” “Beer In Mexico,” “Keg In The Closet” and “Til It’s Gone.” Beyond the momentum, there was a sense of how much of Chesney’s music had consumed the lives of the sold-out almost 17,000 fans who’d journeyed from across the country. If not a sacred space, the fans found plenty to cheer for – and sing along with – over the course of a night that included the Jamaica-friendly “Everybody Wants To Go To Heaven,” followed by a whirling “Guitars, Tiki Bars (& A Whole Lotta Love)” that went double, then double-double time at the end.
 
“Sphere lets you really consider the tempos, lets you take liberties and risks,” Chesney said of his bold set choices after the show, “and it creates an intimacy that lets you really pull people to you. You can do things here you can’t anywhere else.”
 
Whether that meant a slow-burning erotic take on “Come Over,” matched with moody black and white reimagining of deep desire, “Noise,” which created a vortex of all the emotionally and visually charged things that overload us, swirling to a black hole at the top before dissolving into a quiet tableau, or the surging “All The Pretty Girls,” delivered in an aquarium of neon mermaids, the moods were plenty, the audience was primed and hung on every moment and emotion. Even “Carry On,” Chesney’s history-making new single, brought the joy-of-living to life on a stage that seemed to place the crowd at a perfect tropical beach music festival.
 
“Sphere lets me take people back home with ‘I Go Back,’ to piers that don’t exist for ‘Til It’s Gone,’ flying through downtown Los Angeles for ‘Settin’ The World on Fire,’ inside a pinball machine with ‘Big Star’ and some of my favorite places in ‘When I See This Bar,’” Chesney offered after the show. “You can take them, give them even more of what the song is…”
 
Making “When I See This Bar” even more was the surprise appearance of good friend and fellow superstar Eric Church, who ambled onstage in signature sunglasses, bringing a cool vibe. Sharing the moment – and several moments the pair had shared, including Church’s last-minute filling in for a sick artist at Chesney’s Country Music Hall of Fame induction, the pair delivered a reflective moment homaging their roots. Asking his friend if he’d like to do a couple, Chesney turned fan, joining the crowd for the choruses of Church’s “Drink In My Hand,” then laughing and sharing about forgotten lyrics during Church’s blanking, then starting over celebratory “Springsteen.”
 
For the fans, some of whom had been derailed by weather and technical problems out of Boston, traveling all night through New York, Los Angeles and anywhere there was a connection, the passion was set on stun. Even the intimate “Knowing You” was met with massive cheers, while the set closing “Out Last Night” rippled with both the promise and the zest of all the fun one can have when chasing a good time.
 
After almost 90 seconds of cheers, Chesney returned for a three-song encore that nailed every groove, phase and reality of his career. Kicking into the multi-rhythmic, double chorused “American Kids,” the capacity crowd practically levitated with euphoric self-identification, then melted into the yearning look back “Anything But Mine.”
 
With the audience clearly wrung out, Chesney offered an early career classic wrapped in chamois-feeling warmth to send the first show’s crowd into the night. Dropping into the memories, he brought “Don’t Happen Twice” to a high simmer, waved, signed and reminded the crowd – as Las Vegas Review-Journal wrote on Friday – of one of his most intoxicating superpowers: “he’d learned how to infuse his songs with real life, these people and their stories.”
 
“To me, these songs I sing aren’t just mine, they’re all of ours,” Chesney offered during his post-show wind-down. “If we can sing them true, play deep and just surrender to what they say, we can connect on a whole other level here. It was a lot of feelings, a lot of years, but man, did we feel it, and the love, and all the passion people bring.
 
“Whether it was Eric and his family coming all the way across the country to be part of kick-off, the people down front singing every word – or the people near the top holding up their phones with flames burning, I could feel it all, and whatta feeling.”

Photo Credit: Allister Ann

ETERNAL RECURRENCE Unleash New EP Eternal Recurrence, Release Music Video For "Precious Stones"

ETERNAL RECURRENCE presents the debut self titled EP, Eternal Recurrence. Led by composer and multi-instrumentalist C. Alex Luke, ETERNAL RECURRENCE embraces the symphonic metal genre from an alternative perspective with orchestral arrangements drawn from chamber music. The new EP release arrives alongside a music video for the track "Precious Stones". 

The creative process behind “Precious Stones” differs from the rest of the track list on Eternal Recurrence as it was the first song written for the EP dating back to the COVID pandemic. Initially composed as a straightforward metal track with no symphonic elements, “Precious Stones” was subsequently reworked to incorporate the chamber music arrangement and adhere to the new creative direction for ETERNAL RECURRENCE. 

"Precious Stones" features two guest vocalists. Mordian of DIAMORTE and SHIELD OF WINGS delivers a powerful alto performance during the chorus and bridge, while James Dorton of BLACK CROWN INITIATE, DIAMORTE and NE OBLIVISCARIS contributes harsh vocals to the heavier sections of the song.

Furthermore, “Precious Stones” is the only song on the EP not written by C. Alex Luke. The lyrics were written by Jake Thiele, Luke’s former bandmate from UNTIL EXTINCTION. On the lyrical theme Thiele shares, "In short, ‘Precious Stones’ is about the futility and stupidity of the things that divide us and how we let them suck the enjoyment out of life.”

All material on Eternal Recurrence was composed around a chamber ensemble led by German Dmitriev on violins, Steven Schumann on cellos, Maciek Szczyciński on double bass, and C. Alex Luke on piano. These elements are combined with aggressive guitars, lead work, and drumming rooted firmly in modern metal. The EP cover artwork and layout is by Timur Khabirov at All4band Design, and the project's logo was designed by Pavel Kurbanov at All4band Design.

About ETERNAL RECURRENCE:

ETERNAL RECURRENCE is a symphonic metal project based in Chicago, Illinois, founded in 2025 by multi-instrumentalist and composer C. Alex Luke. Known for blending progressive and extreme metal with classical instrumentation, the project takes a chamber music approach to symphonic metal, prioritizing the nuance and expressiveness of real musicians over large-scale orchestral simulation.

Drawing influence from bands such as KAMELOT, EPICA, OPETH, DREAM THEATER, and REVOCATION, ETERNAL RECURRENCE balances intricate compositions with aggressive modern metal. While traditional symphonic metal often relies on massive orchestras or dense sampled arrangements, ETERNAL RECURRENCE was created around the belief that the human touch of live performance remains essential, especially in an era increasingly shaped by artificial intelligence.

Rather than emulating 19th and 20th century symphonic traditions, the project looks to chamber music for inspiration. Chamber ensembles are designed for smaller spaces and intimate performances, emphasizing clarity, interaction, and detail. This philosophy defines the sound of ETERNAL RECURRENCE.

All material on the debut release, Eternal Recurrence, was composed specifically for a chamber string ensemble alongside full metal instrumentation. The ensemble features German Dmitriev on violins, Steven Schumann on cellos, Maciek Szczyciński on double bass, and C. Alex Luke on piano, integrated with heavy guitars, technical leads, and aggressive drumming.

Released independently in 2026, Eternal Recurrence serves as both an introduction and a mission statement, presenting symphonic metal that values realism, restraint, and emotional detail without sacrificing heaviness or intensity. The project exists at the intersection of classical tradition and modern metal, focused on authenticity, composition, and the expressive imperfections that only human performers can provide.

SKILLET ANNOUNCE NEW SINGLE "SCREAM" + FALL 2026 HEADLINE TOUR

23x-platinum rock band SKILLET have announced their explosive new single, "Scream," arriving July 10, alongside the launch of their upcoming "Comatose: 20 Years, Still Screaming Tour," a major fall headline run produced by Live Nation.

The new track serves as the first taste of a new era of music from the band, with additional releases expected later this year. Fans can pre-save "Scream" HERE. 

The announcement follows a monumental start to the year for SKILLET. Their 6x-platinum anthem "Monster" recently surpassed 4 billion global streams, earned a place in Spotify's Billions Club, and solidified its status as one of the most-streamed rock songs of all time. The achievement is particularly historic as "Monster" remains the only song by a Christian artist to surpass 1 billion streams on Spotify. The milestone arrives on the heels of the band's completely sold-out European headline tour, which moved more than 90,000 tickets across 23 cities, bringing SKILLET in front of the largest international audiences of their career.

For the new music, the band returned to familiar ground. "We went back to Memphis and worked with a producer who knew the band before we'd made our first record," says frontmanJohn Cooper. "Life has taken some great turns, but it's also taken some painful turns. Now we're here, and we still have more of a story to tell. The music kept getting heavier, and I said, 'We've got to go all-in.'"

They certainly did with "Scream." Clean electric guitar slips into the undertow of crushing distortion as Cooper delivers a catchy and cathartic chorus:"I wanna scream. I wanna break something beautiful."Ominous keys ring out, the beat snaps, and he wonders, "Will I ever be enough?" before a palm-muted bridge unleashes one final burst of emotion punctuated by glitchy electronics.

"I don't think I'm the only one who's noticing the volatility of the world and how social media is a cesspool where people are constantly yelling at each other," Cooper explains. "It's not helping anyone's mental health. In this landscape, it's easy to feel like nothing matters. "Scream" is about wanting your life to matter when the world feels chaotic and overwhelming."

TICKETS:
Tickets will be available starting via a Skillet Artist Presale and Spotify Presale, details below. Additional presales will run ahead of the general onsale which starts Friday, June 26 at 1:00pm local time at LiveNation.com. For tickets, tour dates, and more information, you can also visit Skillet.com.

Spotify Reserved: Skillet's Reserved by Spotify tickets may be available to eligible US Spotify Premium subscribers through Ticketmaster. Eligible fans will be notified by Spotify via email and app notification, and will have the opportunity to purchase up to two tickets before the general on-sale.

SKILLET ON TOUR:
09/30—Schenectady, NY—Proctors Theatre
10/02—Philadelphia, PA—The Fillmore
10/03—Montclair, NJ—The Wellmont Theater
10/04—Huntington, NY—The Paramount
10/07—Boston, MA—MGM Music Hall at Fenway
10/08—Silver Spring, MD—The Fillmore Silver Spring
10/10—Grand Rapids, MI—GLC Live at 20 Monroe
10/11—Detroit, MI—The Fillmore
10/12—Pittsburgh, PA—Citizens Live at The Wylie
10/14—St. Louis, MO—The Pageant
10/16—Minneapolis, MN—Uptown Theater
10/17—Milwaukee, WI—Landmark Credit Union Live
10/18—Omaha, NE—Steelhouse Omaha
10/20—Kansas City, MO—The Midland Theatre
10/22—Denver, CO—Fillmore Auditorium
10/23—Salt Lake City, UT—The Union Event Center
10/26—Airway Heights, WA—Pend Oreille Pavilion at Northern Quest
10/27—Seattle, WA—Moore Theatre
10/30—Wheatland, CA—Hard Rock Live Sacramento
10/31—Inglewood, CA—YouTube Theater
11/01—Phoenix, AZ—The Van Buren
11/05—Dallas, TX—House of Blues
11/06—San Antonio, TX—The Aztec Theatre
11/10—Orlando, FL—House of Blues

Out Now - BLOOD OF ANGELS - Les Agnst ov Thanatous

Les Agnst ov Thanatou is the forthcoming full-length album from BLOOD OF ANGELS, out on June 21, 2026. Born from confrontation with loss, mortality, and the fear that follows both, the album plunges headfirst into the emotional and psychological aftermath of death. Drawing from extreme metal, cinematic atmosphere, and disciplined melodic structure, the record presents a cohesive narrative that traces the human response to grief through violence, ritual, memory, and reflection. Every song advances the album’s central question of how people survive after death has altered their world.

The album opens by drawing the listener away from the physical world and into a transitional psychological space where the boundaries between life and death begin to dissolve. This opening establishes the emotional framework of the record and prepares the listener for the confrontations that follow. From this point, the music shifts into expressions of conflict, reflecting the instinctive human response to mortality through aggression, denial, and rage.

As the narrative progresses, chaos gives way to structure. Songs centered on ritual and ceremony reflect humanity’s need to impose meaning on death through tradition, belief, and communal experience. These passages acknowledge loss as a shared condition shaped by culture and history, offering moments of order within emotional upheaval.

Midway through the album, the focus turns inward. Themes of psychological trauma, survivor’s guilt, and emotional isolation emerge as external struggle collapses into internal reckoning. The music becomes increasingly layered and introspective, mirroring the persistence of memory and the lasting impact of grief long after the moment of loss.

In its closing movements, Les Agnst ov Thanatou confronts finality and remembrance. Acceptance appears as awareness rather than comfort, recognizing the permanence of death while affirming the endurance of legacy and memory. The album concludes in a reflective state, emphasizing that while life ends, its influence continues through those who remain.

Through its cohesive narrative and emotional intensity, Les Agnst ov Thanatou stands as BLOOD OF ANGELS’ most immersive conceptual work to date. The album invites listeners to confront fear, loss, and mortality directly, offering an experience that remains long after the final sound fades.

About BLOOD OF ANGELS:

BLOOD OF ANGELS is an extreme metal band based in Tampa, Florida, known for blending melodic death metal, blackened atmospheres, and aggressive modern metal into a unified and emotionally charged sound. Since forming in 2017, the band has developed a reputation for confronting dark subject matter through disciplined songwriting, cinematic structure, and uncompromising intensity.

The band’s music draws influence from across the metal spectrum, incorporating elements of death metal, black metal, thrash, and groove while maintaining a strong melodic foundation. Rather than adhering to a single subgenre, BLOOD OF ANGELS focuses on emotional impact and narrative cohesion, using heavy music as a vehicle for catharsis, reflection, and confrontation.

Lyrically, BLOOD OF ANGELS explores themes of mortality, loss, conflict, and psychological struggle. These ideas are often presented through concept-driven releases that encourage immersive listening rather than isolated tracks. The band’s forthcoming album, Les Agnst ov Thanatou, continues this approach with a focused examination of grief and the human response to death.

BLOOD OF ANGELS has earned multiple industry awards for songwriting and performance, including honors from the Hollywood Independent Music Awards and Akademia Music Awards. In 2025, the band completed a sold-out headlining European tour, further establishing their presence on the international metal stage.

With a commitment to artistic growth and respect for metal’s legacy, BLOOD OF ANGELS continues to push forward with music that is heavy, deliberate, and emotionally resonant.

BLOOD OF ANGELS is: 

Randy Reyes – Vocals, Acoustic Guitar
Aaron Robinson – Guitar
Jonathan Rushford – Drums, Keyboards
The Maggot – Bass, Background Vocals

Connect with BLOOD OF ANGELS:

Official Website: http://www.bloodofangels.net
Spotify: https://open.spotify.com/artist/0kq6q6hYYdNgk0ZSvgQPzF
Facebook: http://www.facebook.com/bloodofangels1
Instagram: http://www.instagram.com/bloodofangels
YouTube: http://www.youtube.com/bloodofangels
ReverbNation: http://www.reverbnation.com/bloodofangels1
Merch / E-Shop: https://merchbooth.com/pages/blood-of-angels-battle-gear
Apple Music: https://music.apple.com/us/artist/blood-of-angels/1195719891

GLORYHAMMER Announce New Album!

The enemies of Dundee tremble as exalted power metal heroes GLORYHAMMER announce their long-awaited fifth album, Space 1993: Wrath of Kor-Virliath! Due for release on October 16, via Napalm Records, the album is a direct sequel to 2015's Space 1992: Rise of the Chaos Wizards, continuing the epic saga of the McFife dynasty. Space 1993: Wrath of Kor-Virliath follows Angus McFife V, the Crown Prince of Fife last seen in 2022's single "Fly Away," as he ventures into a perilous journey across spacetime that will lead him to the distant future of 1993, where his destiny lies.

Across 11 tracks, the band of heroes draws upon a more diverse range of influences than ever before, without ever compromising on the hook-driven, memorable songwriting that they are known for. From classic power metal to thrash, high energy synth rock to vast, sweeping orchestral soundscapes and more. Produced by the band themselves and mixed by Jacob Hansen (Volbeat, Amaranthe), this is GLORYHAMMER as you've never heard them before.

GLORYHAMMER about the new album: "Mighty warriors, rejoice! The almighty GLORYHAMMER return triumphantly with a new chapter in the long and tumultuous history of the Intergalactic Empire of Fife. Multidimensional wormholes, abandoned space stations, and EPIC BATTLES await at the final frontier of Space 1993. FOR THE ETERNAL GLORY OF DUNDEE!"


Pre-Order Your Copy of Space 1993: Wrath of Kor-Virliath NOW, available in various limited formats:

GLORYHAMMER LIVE 2026:
FESTIVALS:
07/12 — Mogilovo, BG — Midalidare Rock
08/22— Malung, SE — Brothers Of Metal Open Air

ALBUM RELEASE TOUR:
WITH MAJESTICA + ARION
10/16 — Toulouse, FR — Interference
10/17— Villava, ES — Sala Totem Aretoa
10/18 — Madrid, ES — Sala But
10/20 — Barcelona, ES — Razzmatazz 2
10/21 — Lyon, FR — Rayonne
10/23 — Stuttgart, DE — LKA Longhorn
10/24 — Hamburg, DE — Docks
10/25 — Utrecht, NL — Tivoli Vredenburg
10/26 — Copenhagen, DK — Amager Bio
10/28 — Helsinki, FI — Tavastia
10/30 — Stockholm, SE — Fryshuset
10/31 — Gothenburg, SE — Pustervik
11/01 — Oslo, NO — Rockefeller
11/03 — Berlin, DE — Festsaal Kreuzberg
11/04 — Warsaw, PL — Proxima
11/05 — Ostrava, CZ — Club Garage
11/06 — Hanover, DE — Capitol
11/07 — Oberhausen, DE — Turbinenhalle 2
11/08 — Saarbrücken, DE — Garage
11/10 — Vienna, AT — Arena
11/11 — Nuremberg, DE — Hirsch
11/12 — Frankfurt, DE — Batschkapp
11/13 — Munich, DE — Backstage
11/14 — Leipzig, DE — Hellraiser
11/15 — Pratteln, CH — Z7
11/17 — Paris, FR — Machine du Moulin Rouge
11/18 — Antwerp, BE — Trix
11/20 — London, UK — Islington Assembly Hall
11/21 — Manchester, UK — Academy 2
11/22 — Glasgow, UK — Garage

SCRATCHING, SCREAMING, AND SHREDDING: THE NINJA KITTIES ARRIVE WITH THEIR SELF TITLED ALBUM

THE NINJA KITTIES are officially here, and they're bringing a genre-bending sonic assault that refuses to play by

anyone's rules.

With the release of their highly anticipated self-titled LP, Ninja Kitties, the band delivers a relentless collection of songs that proudly wave the flag for punk rock while kicking down the walls separating generations and genres.

Drawing inspiration from the rebellious spirit of 1970s punk and the explosive energy of 1990s punk rock, THE NINJA KITTIES inject their music with elements of classic rock, alternative rock, hard rock, metal, emo, and screamo, creating a sound that is both nostalgic and undeniably fresh.

From razor-sharp riffs and infectious hooks to screamo growls and technically impressive arpeggio sweep solos, Ninja Kittiesis a musical rollercoaster built for fans who crave melody, aggression, and unapologetic individuality.

LISTEN ON:

YOUTUBE MUSIC

AMAZON MUSIC

REVERB NATION

THREE LEFT DELIVER AN EMOTIONAL AND EXPLOSIVE BLOW WITH NEW SINGLE AND VIDEO "WITHOUT WARNING"

'Without Warning' is controlled chaos. It's about the moments that blindside you and force you to decide whether or not you're going to break or fight back. We wanted the music to hit as hard as the feeling does."

Sometimes the biggest battles are the ones you never see coming. One moment everything feels normal. The next, your world is turned upside down. Without Warning is about the chaos, betrayal and the fight to survive what comes next.

Watch the official music video from THREE LEFT and experience the story for yourself. If you love hard hitting modern rock, subscribe and join us for what comes next.

Modern rock band THREE LEFT confronts chaos, betrayal, and survival with their powerful new release.

Life can change in an instant.

One moment everything feels normal. The next, everything you thought you knew has been shattered. That emotional whiplash serves as the driving force behind "Without Warning," the latest single and music video from hard-hitting modern rock outfit THREE LEFT.

Packed with soaring melodies, crushing guitars, and emotionally charged performances, "Without Warning"explores the devastating reality that sometimes the biggest battles are the ones nobody sees coming. It's a song about navigating the wreckage left behind by betrayal, enduring chaos, and finding the strength to survive when life takes an unexpected turn.

"Without Warning" doesn't pull punches. Instead, THREE LEFT channels pain and uncertainty into an anthemic release that is as cathartic as it is explosive.

LISTEN ON:

SPOTIFY

YOUTUBE

APPLE MUSIC

REVERB NATION

THREE LEFT BIO:

Built on heavy riffs, soaring hooks, and unapologetic energy, Three Left is a modern hard rock band delivering the kind of music that feels equally at home on active rock radio and a festival main stage. Hailing from Wisconsin, the band has carved out a sound that blends driving guitars, melodic vocals, and arena-sized choruses with the intensity and authenticity that today’s rock fans demand.

At a time when rock music continues to evolve, THREE LEFT stands firmly in the lane of modern active rock, combining aggressive musicianship with memorable songwriting. Their music explores the unpredictability of life, fractured relationships, personal struggles, and the moments that change everything—wrapped in a sound designed to hit hard while staying accessible to a broad rock audience.

The band’s latest single, “Without Warning,” marks a major step forward. Released with a cinematic music video, the track captures the chaos of unexpected life-changing moments through explosive instrumentation and a massive singalong chorus. The song showcases what has become the band’s calling card: heavy without sacrificing melody and emotional without losing intensity.

THREE LEFT has built its following through relentless promotion, independent hustle, and a growing reputation for energetic live performances. Whether playing intimate clubs or larger regional stages, the band brings a high-impact show built around audience engagement and the belief that every performance should leave a lasting impression.

As independent artists, THREE LEFT continues to expand its reach through strategic releases, professional production, and an unwavering commitment to connecting with fans. With “Without Warning” introducing the next chapter of the band’s evolution, THREE LEFT is positioned to make an impact across active rock radio, streaming platforms, and the festival circuit.

For fans of modern hard rock that values both power and melody, THREE LEFT delivers songs that hit with purpose and performances that demand attention.

THE ETERNAL Release Video For New Single "Existing To Expire"

Australian/Finnish dark progressive gothic metal collective THE ETERNAL have unveiled a brand-new video for their latest single, "Existing To Expire." The song is the second track to be released from the band's highly anticipated eighth full-length studio album, Obscured Horizons, which will be released worldwide on September 18 via Reigning Phoenix Music.

Following the acclaimed first single, "Lament For The Hollow," "Existing To Expire" offers another powerful glimpse into what is shaping up to be THE ETERNAL's most immersive and definitive work to date. Expanding on the emotional weight, cinematic scope and haunting atmosphere that have become hallmarks of the band's sound, the new single further reveals the depth and ambition of Obscured Horizons.

The album is available for pre-order starting today: https://theeternal.rpm.link/horizonsPR

About the new single, Mark Kelson reveals:
"Existing to Expire explores that moment where you confront the weight of your own disillusionment—when truth and illusion blur to the point that you feel stripped of clarity and left in the dirt. For me, it’s about reclaiming agency after that collapse. There’s a strong sense of breaking free from passivity, which speaks to an internal turning point, a refusal to simply exist in a state of decay. In that sense, ‘existing to expire’ isn’t just about mortality, it’s about recognising a cycle of stagnation and choosing to rise from it, even when identity itself feels like it’s dissolving.”

Stream "Existing To Expire": https://theeternal.rpm.link/existingPR

Watch the new video Below:

Following the widespread acclaim of their 2024 full-length Skinwalker and the evocative companion EP Celestial, THE ETERNAL return with Obscured Horizons, an album that stands as both culmination and evolution. 

Where Skinwalker was hailed for its emotional weight, cinematic scope and seamless fusion of melancholic atmosphere with crushing heaviness, and Celestial further expanded the band's sonic palette with its introspective depth and dynamic intensity, Obscured Horizons pushes even further into uncharted territory. The album refines THE ETERNAL's signature blend of doom-laden textures, progressive sophistication and haunting melodic resonance, while embracing a broader, more expansive sound that feels both intimate and monumental.

At its core, Obscured Horizons is an exploration of disillusionment, fractured identity and the struggle to reclaim clarity in a world saturated with distortion. The album moves through states of emotional collapse, liminal transition and existential unrest, confronting deception, both external and internal, before emerging into renewal and self-awareness. Rather than surrendering to decay, Obscured Horizons charts a defiant ascent, refusing numbness, rejecting illusion and ultimately reclaiming light from the shadows that threaten to eclipse it.

With Mark Kelson (vocals/guitars) and Richie Poate (guitars) in Melbourne, alongside Niclas Etelävuori (bass; ex-Amorphis/Flat Earth) and Jan Rechberger (drums; Amorphis) in Helsinki, THE ETERNAL remain a truly international collaboration, unified across continents yet bound by a singular artistic vision.

Their sound continues to resonate with listeners drawn to the emotional gravity of dark metal while carving a path distinctly their own. As they enter a new creative chapter with their gaze fixed firmly on the unseen, Obscured Horizons represents a bold statement from a band continuing to evolve while remaining true to its artistic identity.

THE ETERNAL Australian Live Dates, with AMORPHIS:
September 23, 2026 The Croxton Bandroom, Thornbury, VIC
September 24, 2026 The Triffid, Newstead, QLD
September 25, 2026 Liberty Hall, Moore Park, NSW
September 26, 2026 The Basement, Belconnen, ACT

 

THE ETERNAL is:
Mark Kelson / Guitar & Vocals
Richie Poate / Guitar
Niclas Etelävuori / Bass
Jan Rechberger / Drums & Percussion
 

More on THE ETERNAL:
Facebook | https://www.facebook.com/TheEternal
 Instagram | https://www.instagram.com/theeternalofficial/
 X | https://www.twitter.com/theeternalband
 TikTok | https://www.tiktok.com/@theeternalofficial
 YouTube | https://www.youtube.com/channel/UC4vJAnrZbwUesT_FlY03mdw