he didnt Releases New Single "Death to Self" From Forthcoming Album Dark Making

he didnt announces the release of "Death to Self", the most melodic moment from the forthcoming album Dark Making, out July 3rd via drone alone productions. 

Built from a beat, an acoustic guitar and a humming vocal, "Death to Self" is a simmering opting-out of society. It is stark, direct and strangely beautiful: a song that steps away from noise without losing the tension, distortion and unease at the centre of he didnt.

he didnt began as a solo project exploring industrial noise, riffs and drones with guitars. As the project and albums developed, samples and electronics became necessary to fully realise the ideas, both live and in the studio. The sound now combines live guitars and bass recorded in a studio, samples of those guitars and bass, and other samples of beats, synths and vocals.

Influenced by 1980s industrial, early MINISTRY albums, Pretty Hate Machine and PUBLIC IMAGE LTD, Dark Making follows that vein and shows he didnt’s use of technology and distortion as writing tools, and as forces for expressing emotion.

Some of the tracks on Dark Making are rough and cut in awkward, jarring ways, with sparse arrangement and production, like an idea creeping out of an underground DIY radio station at 4am. The album continues and develops the sound of he didnt’s debut album Anti-Ambient Passive Resistance, while albums two, three and four moved further into drone territory. Dark Making returns with more of a goth-industrial edge.

Playing drones live is great, but you also need some shorter and more direct songs to keep people interested, and some beats to dance to. Even if that dancing is a slow swaying of the arms and head.

he didnt’s fifth album is a journey into the distortion navel that umbilically links us all. At the centre of that journey is "Death to Self": melodic, minimal and withdrawn, a song for stepping out of the system without knowing where else to go.

About he didnt:

Rooted in industrial noise, the Oxfordshire, UK, based solo project he didnt initially started to explore industrial noise, riffs and drones with guitars. As the project has developed, he didnt began to incorporate further electronics and samples to achieve the desired sound. The project now operates with a combination of live guitars and bass recorded in a studio, samples of those guitars and bass, and other samples of beats, synths and vocals.

For live performances, he didnt doesn't use software, syncing or turntables. Instead he didnt utilizes a laptop, the main basic track, extra samples and various guitar pedals to build the sound.

Since its inception, he didnt has release four full length albums via drone alone: Anti-Ambient Passive Resistance and Blood Red (2023), Nothingness Manifested (2024) and Distraction Threshold (2025). he didnt has received praise for previous releases from Bandcamp Daily, BBC Introducing, The Quietus and Electronic Sound. 

The forthcoming album, Dark Making, is scheduled for release on July 3, 2026, via drone alone productions. 


Connect With he didnt / drone alone productions:

Instagram: https://www.instagram.com/drone_alone_prods/
YouTube: https://www.youtube.com/@dronealoneprods
Bandcamp: https://dronealoneprods.bandcamp.com/

Guitars, Tiki Bars Meets Very Vibe @ Kenny Chesney's SPHERE 26 Residency

When Kenny Chesney became the first solo headliner and first country artist to headline the groundbreaking Sphere, he knew he wanted to make it a full immersion experience for the people who love his music. Beyond a sensory immersive performance that featured surprise guests ranging from Grace Potter and Megan Moroney to David Lee Murphy and Mac McAnally, songs that are never or rarely played live and production that delivered a whole new way to look at his music, Chesney curated Guitars, Tiki Bars and a Whole Lotta Love at the Venetian where fans could see artifacts and visuals from key moments in the Country Music Hall of Famer’s career, hit the merch superstore with several vintage designs, see some special No Shoes Radio programming and enjoy a cold grown-up beverage or soft drink.
 
It was so popular, the lines started an hour or two before opening and the fire marshal might’ve checked in a time or two. As Chesney marveled, “Who knew people would come to look at that stuff, or load up on t-shirts? But it made me feel incredible knowing that No Shoes Nation actually cared about that. When it was time to go back, I wanted to figure out how to make it something different, but deliver the same kind of fun.”
 
Guitars, Tiki Bars and a Whole Lotta Love is making a big – and better located – move to the top of the Venetian’s walking bridge to Sphere. From Wednesday through Sunday, once Kenny kicks off, the area will be open from 10 a.m. to 4 p.m. on non-show days and 11 a.m. to 8 p.m. on show days. The space will feature multiple bars, No Shoes Radio set-up, dedicated merch shop, photo ops and high-top tables to pause and take it all in.
 
For the VIP package holders, Very Vibe is your very special take on Guitars, Tiki Bars and a Whole Lotta Love. Not only is it a dedicated space to check in, cocktail up, enjoy activations and have your own merch mall, it offers both a Chesney island feel and a more streamlined experience picking up your credentials, getting questions answered and starting your weekend.
 
Even better, when the show’s over and you want to keep rolling, Guitars, Tiki Bars and a Whole Lotta Love will be opening up for after-hours cocktailing for anyone who’s not ready to go home. “Out Last Night”? “When the Sun Goes Down”? No problem, as you’re heading out on the walkway, make a turn and you’re right back in the heart of No Shoes Nation.
 
“What could be better than hanging out after the show with all the rest of the people who just shared that experience?” Chesney marveled. “In a world where the community drifts apart after the concert, this seemed like a great way to let people hang out, talk about life, love, the lack thereof – or some song they couldn’t believe we played.
 
“Sometimes the show is just getting you started, so now I can help people keep the party rocking… keep them in the zone and let everybody really maximize their time in Vegas. To me, Sphere has been a whole other way to do this thing we all love. Who knows? Getting together at Guitars, Tiki Bars and a Whole Lotta Love may spark a whole other thing to do around our shows.”
 
For more information, visit KennyChesney.Vibee.com.

Kenny Chesney Live at Sphere Las Vegas
June 19, 2026
June 20, 2026
June 24, 2026
June 26, 2026
June 27, 2026
July 1, 2026
July 8, 2026
July 10, 2026
July 11, 2026

JOAN OF ARC STUDIOWORKS ANNOUNCES FIRST TELEVISION PROJECT WITH ALAN JACKSON

Joan of Arc StudioWorks has announced its inaugural television project co-producing with EverWonder Studios: Alan Jackson: The Last Show. Executive produced by Cindy Mabe, Dawn Gates and Harper Grae.  The primetime television event will be directed by Grammy-nominated and Emmy Award-winning Sam Wrench (Taylor Swift: The Eras Tour, Hannah Montana 20th Anniversary Special) and will air on NBC.

The special will celebrate the country music icon's extraordinary career and his final concert performance. Filmed at Jackson's sold-out "Last Call: One More for the Road – The Finale," presented by Edward Jones and Silverbelly Whiskey at Nashville's Nissan Stadium, the special will capture a once-in-a-generation farewell from one of country music's most beloved and influential artists.
 
Featuring an unforgettable night of music and heartfelt moments, the telecast will honor Jackson's enduring legacy and profound impact on generations of fans and musicians alike as he takes the stage one final time. The special will spotlight Jackson's remarkable catalog of hits spanning more than three decades, including the songs that helped define modern country music and cemented his place as one of the genre's all-time greatest performers.
Alan Jackson: The Last Show will air later this year on NBC and stream the following day on Peacock.
 
"Alan Jackson represents the heart and soul of country music,” shares Cindy Mabe, Founder and CEO of Joan of Arc Music. “We are honored to capture this historic moment in his career. Partnering with EverWonder Studios and having Sam Wrench direct this special ensures that Alan's final show will be presented with the artistry and reverence it deserves. This project perfectly embodies Joan of Arc Music’s mission to preserve country music's legacy while creating compelling content for new audiences."
 
“Alan Jackson is one of the most iconic and defining artists in country music history, and his final show deserves to be captured with the same care and craft he has brought to every performance of his career,” added Micheal Antinoro, President and Founding Partner of EverWonder Studios. “We are so proud to partner with Joan of Arc StudioWorks and collaborate with Sam Wrench to capture and honor a historic moment like this.”
 
“I’m incredibly excited and honored to capture such a seminal concert for country music royalty,” said Director Sam Wrench. “The scale of the stadium show is matched only by Alan’s impact on American music and it’s going to be quite the evening.  I can’t wait to bring it to the screen alongside Joan of Arc StudioWorks and EverWonder for more fans around the world to enjoy.” 
 
Joan of Arc StudioWorks is one of Joan of Arc Music's four integrated pillars, alongside Joan of Arc Entertainment, Joan of Arc Ventures, and Joan of Arc Music Preservation Foundation. Joan of Arc StudioWorks focuses on multi-platform content creation, including television and film production, audio content, and digital monetization strategies. Joan of Arc Music plans to announce additional partnerships, ventures and label and management signings in the coming weeks.

LAINEY WILSON’S NEW SINGLE “PHONE, KEYS, WALLET” OUT NOW

16x ACM, 12x CMA and Grammy Award-winner Lainey Wilson’s new single, “Phone, Keys, Wallet,” is out now, featuring special guest John Mayer on guitar. Listen to the song below (BBR Music Group/BMG Nashville), which world premiered at country radio across the U.S. and Canada today. 

Written during the final leg of the Whirlwind World Tour and recorded at Mayer’s Chaplin Studios in Los Angeles, the track finds Wilson embracing the messy, fast-moving parts of life, and celebrating the person who chooses to love her through it all. 

“I feel like a tornado with boots on half the time, and this song is really about finding somebody who’s okay with that chaos and chooses to love you through it anyway,” Wilson shares. 

“Phone, Keys, Wallet” follows Wilson’s recent releases “Younger You,” a special collaboration with Miley Cyrus, and “Can’t Sit Still,” which Billboard calls, “a rollicking stomp of a song where the frenetic music perfectly matches the driving lyrics,” while iHeartRadio praises, “[it] captures Wilson’s free-spirited, yet driven and hard-working character.” 

The new music adds to yet another monumental year for the Louisiana native, who headlined Stagecoach with an electric set, is the subject of the new Netflix documentary, Lainey Wilson: Keepin’ Country Cool (watch HERE) and recently kicked off a run of stadium shows with Chris Stapleton, which will continue through the summer. Wilson also made her film acting debut in Universal’s adaptation of Colleen Hoover’s Reminders of Him earlier this spring, was selected as one of USA Today’s 2026 Women of the Year and featured on the cover of People Magazine. 

“The reigning current standard-bearer for women in country” (Variety), Wilson hosted the 59th CMA Awards (the first solo female host since Reba McEntire in 1991) last fall, where she won three awards: Entertainer of the Year, Female Vocalist of the Year and Album of the Year (Whirlwind). She also released the deluxe version of her acclaimed album, Whirlwind, this past August, which features five additional tracks, including her #1 single, “Somewhere Over Laredo.” 

The Grand Ole Opry member is a prolific, sought-after songwriter, who has scored nine #1 hits including “4x4xU,” “Wildflowers And Wild Horses,” the 3x PLATINUM certified “Watermelon Moonshine” and the 4x PLATINUM Certified “Heart Like A Truck,” in addition to award-winning collaborations with Cole Swindell (“Never Say Never”), Jelly Roll (“Save Me”) and HARDY (“wait in the truck”). Moreover, Wilson has collaborated with artists such as Reba McEntire, Miranda Lambert, Dolly Parton and Post Malone, made her acting debut in Paramount’s hit television series, Yellowstone, and recently launched her fifth collection with Wrangler, as well as her own boot (Golden West Boots) and jewelry lines (The Lainey Wilson Jewelry Collection). 

LAINEY WILSON CONFIRMED TOUR DATES

June 6—Nashville, TN—CMA Fest
June 13—Tampa, FL—Raymond James Stadium*
June 20—Charlotte, NC—Bank of America Stadium*
June 26—Nashville, TN—Nissan Stadium (Alan Jackson: Last Call – The Finale)
June 28—Calgary, AB—Country Thunder Alberta
July 4—Boston, MA—Hatch Shell at Charles River Esplanade
July 10—Chicago, IL—Windy City Smokeout
July 12—Craven, SK—Country Thunder Saskatchewan
July 17—Pasa Robles, CA—California Mid-State Fair
August 1—Cincinnati, OH—Paycor Stadium*
August 6—Detroit Lakes, MN—WE Fest
August 7—Oshkosh, WI—Xroads41
August 8—Detroit, MI—Ford Field*
August 9—Canton, OH—Concert for Legends
August 12—Sturgis, SD—The Sturgis Buffalo Chip
August 15—Springfield, IL—Illinois State Fair
August 16—Des Moines, IA—Iowa State Fair
August 21—Atlanta, GA—Mercedes-Benz Stadium*
September 19—Las Vegas, NV—iHeartRadio Music Festival
October 2—Ocean City, MD—Country Calling Festival
*with Chris Stapleton

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X | FACEBOOK

 Photo Credit: Cece Dawson

ROCK LANSING RETURNS SATURDAY MAY 10 WITH EPIC LINEUP

Michigan's Premier Rock Festival Returns August 1 for a Full Day of Hard-Hitting Music at Jackson Field

LANSING, MI – Get ready, Michigan and friends. The volume is about to be cranked to eleven!

ROCK LANSING 2026 is set to invade Jackson Field in Lansing, Michigan, on Saturday, August 1, delivering twelve straight hours of rock, metal, and high-energy performances across two stages from 11:00 AM to 11:00 PM.

Featuring a powerhouse lineup led by rock heavyweights Nonpoint, Powerman 5000, Soil, and DED, this year's festival promises to be the biggest and loudest edition of ROCK LANSING to date.

Built for die-hard rock fans and newcomers alike, ROCK LANSING has quickly become one of the Midwest's must attend independent music festivals, bringing together national touring acts and rising regional talent for a day-long celebration of loud guitars, crushing riffs, and unforgettable live performances.

Main Stage Lineup

• Nonpoint

• Powerman 5000

• Soil

• DED

• Blacktop Mojo

• Beyond Threshold

• Poet The Band

• Let It Rot

• Northlake

• Etched In Embers

Second Stage Lineup

• Heartsick

• Icarus Fell

• Riding With Killers

• Burn Absolute

• The Harbor Divide

• From Ashes To Embers

• Left On Red

• Lives Lost

• Autumn Academy

Stages will be set up side by side with a 5 minute change over between bands so the music will be flowing nearly non stop!

From the aggressive grooves of Nonpoint to the industrial-fueled energy of Powerman 5000, the hard-hitting anthems of Soil, and the modern rock aggression of DED, fans can expect a lineup packed with talent from start to finish.

The festival's commitment to showcasing emerging artists remains stronger than ever, giving attendees the opportunity to discover the next generation of rock and metal while enjoying performances from established acts that continue to shape the genre.

Beyond the music, ROCK LANSING delivers the community atmosphere that has helped it grow into a destination event for fans throughout the Midwest. With two stages of continuous entertainment, food vendors, merchandise, artist interactions, and a passionate rock community coming together under one roof, the festival offers an experience that extends far beyond the performances themselves.

As summer festival season reaches its peak, Rock Lansing stands ready to prove that rock and metal remain alive, thriving, and louder than ever.

2026 also brings a new wrinkle to the fest as the "Tattoo You"area sponsored by Vivid Ink is a new feature at this year's ROCK LANSING and will feature 20+ tattoo artists. The tattoo artists will showcase their work and also do

onsite tattoos. 

Whether you're there for the legends, the rising stars, or simply the love of live music, August 1 promises to be a day of unforgettable performances and relentless energy.

ROCK LANSING 2026

📍 Jackson Field – Lansing, Michigan

📅 Saturday, August 1, 2026

⏰ 11:00 AM – 11:00 PM

Prepare for twelve hours of riffs, adrenaline, and pure rock and roll mayhem.

The stage is set.

The amps are warming up.

Rock Lansing is ready to roar. 🤘🔥🎸

BraveWords Records Announces the Signing of the TAZ TAYLOR BAND

BraveWords Records is pleased to announce the signing of the Taz Taylor Band. All of the Taz Taylor Band releases are now available to stream or download on Bandcamp at https://bravewordsrecords.bandcamp.com.

Guitarist Taz Taylor first came to attention when he released "Welcome To America" the debut Taz Taylor Band album in 2006. This album featured legendary vocalist Graham Bonnet (Rainbow, MSG, Alcatrazz) and was met with widespread critical acclaim. Over the next couple of years the band toured extensively in Europe and the U.K. Since then Taz has collaborated with other notables such as Mark Boals, Doogie white and Deep Purple keyboardist, Don Airey as well as maintaining a presence on the live scene in his adopted home of Southern California. 2025 finds Taz Taylor Band releasing their 8th album, "The Other Side Of Midnight." But this time there is a difference...a female vocalist!

Taz explains... "After we completed our last album (Nocturnal) with all of the guest vocalists, we needed to find a guy who could cover all of that material in the live setting. Well as it turns out, that wasn't as easy as we thought. In fact we had to turn to a girl instead!".

So into the frame enters Laura K. Vreeland.

Taz continues... "The cool thing about this is that after working with so many guest vocalists whilst still doing a lot of fully instrumental shows in between, this is actually the very first time that we have made an album with a vocalist who is actually IN the band! By the release of the album we will have been playing together for almost three years and the musical chemistry is incredible."

Giles Lavery, A&R. BraveWords Records, comments on signing the Taz Taylor Band, "I have known Taz for many, many years and I can absolutely say I am delighted to have him as part of the BraveWords family! My first awareness of Taz's great work was the "Welcome To America" album...which, thanks to Taz, was a strong comeback for Graham Bonnet at the time"

Links:

https://www.taztaylor.com

https://youtube.com/@taztaylorband

https://www.facebook.com/taztaylorband

https://www.instagram.com/taztaylorband

https://x.com/taztaylorguitar

https://www.bandsintown.com/a/166451
 
About TAZ TAYLOR:

In January 1997 UK-born Taz Taylor took a leap of faith and boarded a plane to Los Angeles with nothing more than a guitar, a backpack and roughly $2,000... 

He spent much of his first year in the USA as a long haul truck driver, criss-crossing the country countless times in an 18-wheeler and spending the downtime in his sleeper berth practicing guitar. Eventually he settled in San Diego CA and set about recording his debut instrumental album "Caffeine Racer" which was released in July 2004. A band was formed and live shows commenced. 

Caffeine Racer got the attention of legendary vocalist Graham Bonnet, most notable for working with the best guitarists in rock (Ritchie Blackmore, Michael Schenker, Yngwie Malmsteen, Steve Vai) and they set about recording the Taz Taylor Band album "Welcome To America" which was released on the UK label Escape Music in Aug 2006. 

International tours followed in 2007 and 2008, taking the band to UK, Germany, Austria, Switzerland, Hungary and Czech Republic.

In 2009 the band recruited another ex-MSG vocalist, Keith Slack for the "Straight Up" album, also on Escape Music, and also featuring a guest appearance from Deep Purple's Don Airey on keyboards.

2010 saw the band returning to Taz's instrumental roots with the release of "Big Dumb Rock" and the band played a string of dates to promote BDR opening for MSG (5 times), Uli Jon Roth (6 times), UFO (twice), Gary Hoey (5 times), Pat Travers (3 times), Dokken, Skid Row, Great White, Molly Hatchet, LA Guns (3 times), Lynch Mob, Wishbone Ash, Tony McAlpine (4 times), Alan Holdsworth, Ace Frehley, John 5 (4 times) and Eric Johnson.

In 2014 TTB released "Deja Voodoo", an all instrumental offering of eight songs and the band took to the road playing shows all across the UK as well as in California.

June 2017 saw the release of “Pressure And Time”. This album featured the vocal talents of Chandler Mogel and also the return of Taz’ acoustic guitar playing which featured prominently on 3 of the songs on this album, most notably on a complete re-working of “Highway Song” originally recorded by Blackfoot.

This album was released on Escape Music in Europe and on Rubicon Music in Japan. The Japanese version included a live bonus track, Explorations… recorded on the band’s 2014 tour in the U.K.

2019 saw the release of “Hats, Tats And Guitars”…Taz’ favorite Instrumental release!

2022 heralded a new beginning for TTB. Now managed by Giles Lavery Management and signed to new label Global Rock Records, TTB released “Nocturnal” an album of Melodic Hard Rock featuring a handful of world class guest vocalists including Graham Bonnet, Mark Boals and Doogie White amongst others and showcasing the continuing evolution of Taz’ guitar playing!

Ray Hawthorne Is Nine Years Sober And Proud Of Every Scar On "I Tried"

Pop punk's most lovable liability, Ray Hawthorne, is back with his latest single, "I Tried", trading in his usual chaos to step into a confessional for a moment. A bruising, yet beautiful ballad, "I Tried" tackles the particular weight of being deep in addiction and deciding that trying, even poorly, was the only thing left to offer. Listen to the new single, "I Tried", Below.

Serving as the sixth single of his latest era, "I Tried" encapsulates Ray Hawthorne's journey prior to sobriety. Now proudly nine years sober, Ray Hawthorne peers back at the moments where survival felt like too much to ask for. Almost as if it was a scar that is shown off by someone who made it out, "I Tried" is proof that all stories have a next chapter after all.

Rather than address the emotional weight of his most vulnerable work to date, Ray Hawthorne chose to discuss why the current state of the entertainment industry should inspire you to listen to his latest single:

"Nick Cage is Spider-Man. YouTubers are making hit Hollywood movies. A Lego store is somehow the most exciting thing in the news cycle. Also Beartooth exists. And here I am trying to make you care about my song. How, in this climate, can I even compete? Well I think I’ve got something.

Remember in Beauty and the Beast when Belle is rolling around singing about books? She’s like “It’s my favorite. Far off places, daring sword fights, magic spells, a prince in disguise!” What if I told you that “I Tried” also has all those things. The far off places are places secret drug deal locations. The sword fights are my internal struggle to stop. The magic spells are drugs. I wasn’t able to figure out how to connect the prince in disguise part so I’ll leave that up to you. I tried though. How’s that? I bet you’ve never heard someone link their stories of almost dying as a drug addict to Beauty and the Beast. Good thing Disney never sues anybody. I bet that makes you want to listen. Go ahead. I won’t stop you.”

Renowned for his work in North Kingsley, the acclaimed project alongside Shavo Odadjian of System of a Down, Hawthorne initially captured hearts as the Heartbreak Hero with his inaugural solo release "Heartbreak Feels Good in a Place Like This". Building on his solo work, his debut record "Ray Hawthorne Sucks" further cemented his status as a bold new voice in pop punk, quickly amassing a devoted following and over 20 million streams across all streaming platforms for his magnetic charm and razor-sharp wit.

Blending heartbreak, sarcasm, and just the right amount of emotional stability, Ray Hawthorne leads with a messy kind of hope, turning emotional freefall into something you can scream along to. Where debut album and his firstborn, "Ray Hawthorne Sucks", leaned into an earnest DIY vulnerability, his latest record, "Ray Hawthorne Isn't Real", took a turn and tapped into the restless defiance of a secondborn. The 15 tracks helped embrace the chaos, laugh at the pain, and maybe, just maybe, allow us all to find a little redemption along the way.

Starting from the very real possibility that Ray Hawthorne is just a guy screaming into the ether (and somehow making it sound catchy), his catalog has become a refuge for anyone who's ever felt too loud, too sensitive, or too much. Loud, petty, and deeply cathartic, Ray Hawthorne is proudly one of the most unapologetically honest voices modern pop-punk.

Be sure to stay tuned for more Ray Hawthorne news coming very soon.

ABOUT RAY HAWTHORNE

Do you remember that episode of Degrassi where Ashley really wants Craig to tell her he loves her, but Craig gets all panicked and can’t tell her that he does? It causes so much drama in their relationship. She begins to question her feelings for him and because of that, he becomes seemingly unsure of his feelings for her. So, in an effort to quell the bad vibes, Craig writes a song that includes lyrics IMPLICITLY AND EXPLICITLY stating that he loves her. (Total banger by the way, the only song of his I like better is the one he sings at the battle of the bands after the two inevitably break up, it’s also about Ashley. I believe it’s called ‘What I Know’) Anyway, Craig was only able to admit he loved Ashley in song form, but you as the viewer are left wondering ‘Does he really love her, or was this just his solution to end the drama?’ Or, ’Is this truly the only way he can express himself because he’s kind of nervous about speaking his true feelings outside of the structured environment of a song?’. I tend to believe it’s a mixture of both. So what I’m trying to say is, this collection of songs is kind of like that. I always feel like I have so much to say but often feel a bit too vulnerable when discussing my actual feelings. So for the majority of my life, I’ve just written them into songs instead. These songs can be quite vulnerable even if they seem silly at times. So now you’re left to wonder... am I telling the truth or just trying to get rid of Ashley’s bad vibes?

Melodic Death Metal Force SIGYN Signs to Noble Demon and Unleashes Lyric Video for "The Crawlers" ​

Finnish melodic death metal force SIGYN has officially joined the ranks of Noble Demon and are now unveiling their brand new single and lyric video "The Crawlers", taken from the band’s upcoming sophomore full-length album "From Nation To Chaos", set for release on July 10th.

Blending razor-sharp riffing, epic melodies, and relentless energy, "The Crawlers" showcases SIGYN’s trademark sound while also exploring slightly new sonic territory, further underlining the band’s evolving approach to modern melodic death metal.

Speaking about the track, guitarist Markus Suomela reveals:

"The starting point of the song differed from our earlier SIGYN material, and at first I wasn’t sure which direction it would take. However, the orchestration and keyboard parts composed by Valtteri brought exactly the right atmosphere to it, and now the track is one of my favorites on the upcoming album."

Watch the lyric video for "The Crawlers" below:

Originally formed in 2008 in Helsinki, SIGYN operate within what can best be described as "Epic Melodeath" - a powerful blend of heavy riffs, fast-paced aggression, and memorable melodies, occasionally enriched with symphonic elements. Drawing inspiration from the early 2000s Finnish metal scene, the band fuses intensity and atmosphere into a modern yet unmistakably classic melodic death metal sound.

Following their debut album "Dehumanized" (2023), which earned a spot in Kaaoszine’s "Top 10 Albums of the Year" list, SIGYN quickly established themselves as one of the rising names in the Finnish extreme metal underground. The album’s single "The Real Me" further expanded their reach, receiving airplay on both Radio Helsinki and Radio Rock.

With "From Nation To Chaos", SIGYN continue to refine their identity - combining soaring melodies, relentless riffing, and an epic sense of scale that will appeal to fans of Children Of Bodom, Wintersun, Arch Enemy, Nightwish, Behemoth, Dimmu Borgir, and Cradle Of Filth.

Reflecting on the band’s new chapter with Noble Demon, Markus Suomela comments:"SIGYN is proud to join the Noble Demon family and to take this next step in our journey. It feels like a great home to our music, and we can’t wait to share what we have been working on. Exciting times ahead!"

Noble Demon CEO Patrick Walch adds: "Another Finnish band, yes. We could claim once again ‘it must be something in the water or in the mother’s milk in the land of the thousand lakes’, indeed. So, I can’t help but do it as the Finns would — be sparse with words and suggest you check out SIGYN’s first album single ‘Blind Prophet’, which is already out on all streaming services. Listen for yourself and you’ll understand why there is no way to get around this band in 2026. New album out very soon! Of course on NobleDemon \m/"

"From Nation To Chaos" will be released digitally on July 10 via Noble Demon and is available for pre-save at THIS LOCATION

For more info visit:

Official Website

Facebook

Instagram

Noble Demon

Alt-Rock Quartet CORELLA Shares New Single "Bitter End" + Official Video

CORELLA have released their brand new single “Bitter End,” the latest song taken from their forthcoming second album ‘A Beautiful World To Lose,’ out on September 18th via FLG. “Bitter End” arrives alongside an official video, available below. 

“Bitter End” is a scorching indie rock track which is quick to take no prisoners, tearing out the blocks in a frenzy of distortion and pounding drums, while frontman Joel Smith plays rock ‘n’ roll ringmaster with his lyrical snarl taking aim at the circus of life and the rat race for success. 

CORELLA debuted the new single live to a rabid reaction from fans on their whistlestop headline tour across the North of England last week. Performing packed to the rafters shows at six sweaty intimate venues, they unleashed a number of tracks from ‘A Beautiful World To Lose’ live for the first time to chaotic scenes as displayed in the video for “Bitter End.” 

Regarding the single, Joel says:

“‘Bitter End’ captures that restless drive to chase something bigger, exploring the highs, chaos, and obsession that come with wanting more out of life. It plays with the idea of the modern dream; success, excess, and the determination to keep pushing no matter the cost.” 

Watch the Official Video for "Bitter End"

Produced by Grammy-winning Jason Perry (The Molotovs, McFly, Don Broco), ‘A Beautiful World To Lose’ finds the rapidly rising Manchester band performing with a new ferocity and sense of purpose. They have taken their formative indie influences and honed them into something new and razor-sharp. 

From searing riffs and snarled lyrics in “Rewire,” to bold vulnerability in “Lost A Friend,”alongside huge uplifting anthems such as found in “Simple Life,” ‘A Beautiful World To Lose’ buzzes with energy, while taking their songwriting and musicianship to grand new heights. The themes cover loss, heartbreak and disillusionment, tracking a generation’s frustration and apathy over the things that are out of their control. 

With a wealth of support for the band coming across Radio 1, Radio X and BBC Introducing, while also clocking up over 70 million streams since the release of the debut album, CORELLAhave ignited a following which has led to numerous capacity headline tours across the UK and Europe, main stage performances at festivals including Reading & Leeds, while also touring with the likes of Kaiser Chiefs, Pale Waves, Circa Waves and The Wombats. 

Pre-Order 'A Beautiful World To Lose' HERE

DEVIL’S CUT RELEASE NEW VIDEO FOR TRACK “IF I LEAVE”

DEVIL’S CUT release the official video for “If I Leave,” a hard-hitting standout from the band’s debut album, ROADKILL. Blending bruised-heart honesty with whiskey-soaked heaviness, the track finds vocalist Trey Landrum wrestling with self-doubt, regret, and the fear of losing someone before they walk away first. 

The video was directed by Zabb (Sicko, the Bloodclown, Black Metal: The Ultimate Documentary). Watch it below:

Devil’s Cut have dubbed their sound “Mossy Oak metal,” a tongue-in-cheek tribute to their Louisville, KY roots, where crushing riffs, stomping grooves, and hard-rock aggression collide with infectious country-twang melodies and unapologetic Southern identity. Equal parts dive bar and mosh pit, the band proudly wear their roots on their sleeves: Dolly and Dale tees, camo hats, NASCAR jackets, muddy trucks, cold beers, bonfires, and neon-lit nights all factor into the world they’ve built. 

Devil’s Cut will be spending much of 2026 on the road in support of their album ROADKILL, winning yet more fans with their all-in-this-together, put-a-drink-up live show, including a tour with kindred spirits Alborn.

 Check out Devil’s Cut at any of the following tour stops:

6/05 Ironton, OH - Drift Days Music Festival
6/08 Lansing, MI - Mac’s Bar
6/11 Evansville, IN - Ray Leo’s
8/18 Memphis, TN -  Haven Haus
8/02 Warner Robins, GA - Reverb Room
8/21 Tampa, FL - Brass Mug
8/22 Sanford, FL - West End Trading Co
8/23 Jacksonville, FL - Eclipse
8/25 Myrtle Beach, SC - End Zone

 Get/Stream Roadkill HERE.

Connect with Devil's Cut"

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Half Me Release "Weather Eye"

With "Weather Eye," Half Me return with one of their most crushing and confrontational tracks to date.

The new single is a suffocating descent into manipulation, blind obedience, and the devastating consequences of placing faith in false idols. Blending relentless aggression with an atmosphere of looming dread, the Hamburg-based metalcore outfit once again prove why they have become one of Europe's most exciting heavy acts.

Lyrically, "Weather Eye" is a direct attack on systems of control and the figures who exploit fear, loyalty, and suffering for their own gain. Lines such as "These saints hold smoking guns" and "No one"s watching over you" dismantle the illusion of protection and expose the hypocrisy hidden behind authority, belief, and power. Throughout the song, feelings of apathy, hopelessness, and inner collapse collide with a growing sense of resistance, ultimately culminating in a violent rejection of those who seek to control others.

Musically, Half Me deliver exactly what fans have come to expect: punishing breakdowns, razor-sharp riffs, oppressive atmosphere, and explosive vocal performances that shift seamlessly between seething tension and outright fury. Every section of "Weather Eye" feels designed to ignite chaos, combining modern metalcore precision with the raw intensity that has become the band's trademark.

Since emerging as one of Germany's fastest-rising heavy exports, Half Me have built a reputation through relentless touring, acclaimed festival appearances, and a string of hard-hitting releases that have resonated far beyond their home country. Sharing stages with some of the biggest names in modern heavy music and steadily expanding their international audience, the band have established themselves as a formidable force within the new wave of European metalcore.

With "Weather Eye," Half Me channel rage, disillusionment, and defiance into a mosh-fueled anthem that refuses to offer comfort or false hope. Instead, the track forces listeners to confront uncomfortable truths, question the narratives they've been fed, and decide for themselves whether they 

HALF ME ARE:
Christopher Zühlke — Vocals
Christopher Hesse — Guitar
Silvan Petersen — Guitar
Tobias Max Sajons — Bass
Maximilian Eisersdorff — Drums

WME LOSERS LIVE's Roaring Return

WME once again kicked off CMA Fest Week with Losers Live, a free, two-night outdoor concert series at Losers Bar & Grill in Midtown. Losers Live featured an exciting mix of country icons, chart-toppers and rising stars on Monday, June 1 and Tuesday, June 2.
 
On Monday night, WME's Braxton Keith headlined the 2026 Losers Live series. Monday’s show also included Ava Hall, Cassidy Daniels, Dalton Davis and Rhett Akins. Rhett Akins brought Myles Morgan and Riley Green to the stage for two surprise performances. On Tuesday, June 2, the hits continued with a powerhouse lineup of country favorites, including A.R. Simmons, Abbie Callahan, Colby Lee Swift, Colton Dawson, Dawson Steagall, Deltona, Ethan Garner, Highway Home, Myles Morgan, Presley Barker, SJ McDonald, Spencer Hatcher, The Kruse Brothers, Timmy McKeever, Trey Pendley and Tyler Booth, in addition to a surprise performance by Jon Pardi.

Presented by WME in partnership with Losers Bar & Grill and Duck Blind, Losers Live offered fans a chance to see some of Country music’s best and brightest in an intimate outdoor setting right in the heart of Midtown Nashville.

Photo Credit: Jonathan Plarr, WME

About WME:
WME is the world’s preeminent talent agency. With over 125 years of experience, WME enables artists, athletes and brands to grow their businesses, leverage the full potential of their intellectual property and bring projects to life that define the cultural landscape. WME’s expertise spans books, comedy, digital media, fashion, film, food, licensing, music, sports, television, theater and more.  Headquartered in Beverly Hills, WME’s office locations include Australia, Chicago, China, London, Miami, Nashville and New York. WME is part of WME Group, a global network of businesses that represent the world’s leading talent, intellectual property and brands. For more information, please visit www.wmeagency.com.

DARIUS RUCKER’S ANNUAL “DARIUS AND FRIENDS” SURPASSES $6.2 MILLION RAISED FOR THE KIDS OF ST. JUDE

Multi-GRAMMY Award winner Darius Rucker welcomed friends and fans to a sold-out Ryman Auditorium on Monday, June 1, for the 17th annual “Darius and Friends” benefit concert, which was paired with a corresponding celebrity golf tournament yesterday, June 2, and kickoff event headlined by Walker Hayes on Sunday, May 31, raising a massive $1.1 million for St. Jude Children's Research Hospital®. The 2026 effort brings the all-time fundraising total to more than $6.2 million, helping ensure families never receive a bill from St. Jude for treatment, travel, housing or food.
 
The annual event once again combined unforgettable music with a shared commitment to supporting the lifesaving mission of St. Jude. This year’s sold-out show featured performances from Rucker alongside Jason Aldean, Lauren Alaina, Carter Faith, Randy Houser and Mark Wills.
 
“Every year it amazes me how quick my friends are to say ‘yes’ to joining us here at the Ryman – and then you guys sell out the show without even knowing who’s going to come sing with us,” mused Rucker. “It’s incredible. I can’t thank everyone enough for the generosity and the eagerness to come out and support the wonderful work St. Jude is doing.”
 
The spirit of generosity was evident from the opening moments of the evening. Fundraising efforts got off to a remarkable start, with an intense bidding war for a guitar signed by all participating artists setting the tone for the night as it topped out at a $20,000 winning bid during the live auction hosted by the Big 98’s Wayne D and Tay. Additional auction moments – including signed items and premium seating opportunities – continued to inspire enthusiastic support from the crowd. 
 
Throughout the night, the historic Ryman Auditorium felt more like a gathering of friends than a concert venue, with the audience remaining an active part of the show from the opening notes through the final encore. The sold-out crowd was on their feet as soon as Rucker opened the evening with his own hits before welcoming Carter Faith to the stage for a performance of her own songs as well as a crowd-pleasing country remix of Britney Spears’ “Oops!... I Did It Again.”
 
From there, Rucker mixed his own songs with collaborations and special moments. Mark Wills earned a standing ovation with a rousing rendition of “Dixieland Delight,” while Lauren Alaina joined Rucker for a playful cover of the legendary Johnny & June duet “Jackson” and Jason Aldean thrilled fans with his own chart-topping hits.
 
One of the night’s most memorable moments came during Randy Houser’s set, with both a high-energy cover of Don Williams’ “Tulsa Time” and a powerhouse performance of “Like A Cowboy” that drew one of the evening’s biggest standing ovations. Following the performance, Rucker laughed as he told the crowd, “I know I can sing… But there’s only been four people I’ve ever been jealous of in my life: Luther Vandross, Steve Perry, Chris Stapleton and Randy F*cking Houser.”
 
As the evening reached a fever pitch, Rucker led the audience on a nostalgic trip through the ’90s with a Tim McGraw meets TLC meets Bell Biv DeVoe medley that had fans nearly drowning out the stage with their own voices. The evening then ended according to tradition, with a massive “Wagon Wheel” singalong concluding another unforgettable night in support of St. Jude.
 
This year’s milestone fundraising event adds yet another successful page to the nearly two-decade history of “Darius and Friends.” Prior guests have included Brooks & Dunn, Brothers Osborne, Kane Brown, Luke Bryan, Luke Combs, Sheryl Crow, John Daly, Dan + Shay, Vince Gill, Jamey Johnson, Jelly Roll, Charles Kelley of Lady A, Ashley McBryde, A.J. McLean of the Backstreet Boys, Megan Moroney, Brad Paisley, Kenny Rogers, Tommy Thayer of KISS and Morgan Wallen, among many others.
 
In addition to the concert, Jason Aldean, Drew Baldridge, Brandon Bauman, Chayce Beckham, George Birge, Priscilla Block, Tyler Braden, Kane Brown, Captain Keith Colburn, Dax, FILMORE, Wyatt Flores, Mack Geiger, Vince Gill, Cole Goodwin, Randy Houser, Austin Mahone, Jeff Marino, Kameron Marlowe, Drake Milligan, John Morgan, Will Moseley, Todd Nichols, Dylan Schneider, Dan Tyminski, Blake Whiten, Mark Wills and Warren Zeiders joined Rucker for the corresponding golf tournament.
 
The annual fundraising event was made possible with support from generous sponsors AMD and The Law Office of Jennifer McCoy.
 
For more information, visit DariusRucker.com and follow on social media @DariusRucker.

Photo Credit: Catherine Powell

About Darius Rucker
Rucker first achieved multi-Platinum status in the music industry as lead singer and rhythm guitarist of the GRAMMY Award-winning band Hootie & the Blowfish, who have sold more than 25 million albums worldwide including their Double Diamond-certified (22x Platinum) debut Cracked Rear View, which remains among the top 10 best-selling studio albums of all time. Since releasing his first Country album in 2008, Rucker has earned a whole new legion of fans with four No. 1 albums on the Billboard Country chart plus 10 No. 1 singles at Country radio and 11 Gold, Platinum or multi-Platinum certified hits. Rucker was inducted as a Grand Ole Opry member in 2012 and he won his third career GRAMMY Award in 2014 for Best Solo Country Performance with his Diamond-certified (11x Platinum) version of “Wagon Wheel,” one of the top five best-selling Country songs of all time. His latest album Carolyn’s Boy (featuring recent single “Never Been Over” with Jennifer Nettles) is available everywhere now as is his New York Times bestselling memoir “Life’s Too Short,” released via Dey Street in 2024.
 
As a lifelong philanthropist, Rucker co-chaired the capital campaign that generated $150 million to help build the new MUSC Shawn Jenkins Children's Hospital in his hometown of Charleston, S.C. and has raised over $6.2 million for St. Jude Children's Research Hospital through his annual “Darius and Friends” benefit concert and golf tournament. In addition, Rucker has advocated for over 200 charitable causes supporting public education and junior golf programs in South Carolina through the Hootie & the Blowfish Foundation and serves as a National Chair for the National Museum of African American Music in Nashville, Tenn. Rucker is also an avid sports fan, with his Darius Rucker Collection by Fanatics line of NFL, MLB, NHL, NCAA and WWE apparel available via Fanatics.com, and he is part of the Music City Baseball investment group working to bring an MLB team to Tennessee in addition to serving as a partner at the MGC Sports & Entertainment agency.
 
About St. Jude Children’s Research Hospital
St. Jude Children’s Research Hospital is leading the way the world understands, treats and defeats childhood cancer and other life-threatening diseases. Its purpose is clear: Finding cures. Saving children.® It is the only National Cancer Institute-designated Comprehensive Cancer Center devoted solely to children. When St. Jude opened in 1962, childhood cancer was largely considered incurable. Since then, St. Jude has helped push the overall survival rate from 20% to more than 80%, and it won't stop until no child dies from cancer. St. Jude shares the breakthroughs it makes to help doctors and researchers at local hospitals and cancer centers around the world improve the quality of treatment and care for even more children. Because of generous donors, families never receive a bill from St. Jude for treatment, travel, housing or food, so they can focus on helping their child live. Visit St. Jude Inspire to discover powerful St. Jude stories of hope, strength, love and kindness. Support the St. Jude mission by donating at stjude.org, liking St. Jude on Facebook, following St. Jude on Twitter, Instagram, LinkedIn and TikTok, and subscribing to its YouTube channel.

DEVILDRIVER Unleash New Single "Dead In The Water" From Upcoming Album "Strike To Kill," Out 7/10 — LISTEN + PRE-ORDER

"Let the fire rise, you were born for this, stay the course" —Dez Fafara

The fans and critics have made their voices heard, DEVILDRIVER have leveled it up! In anticipation their rabid new album, Strike and Kill, out July 10 via Napalm Records, the groove metal legends first released the boisterous lead single "Dig Your Own Grave," cracking over 400k cross platform streams, becoming a mainstay on SXM's Liquid Metal, and stampeding up the Metal Contraband charts just a month after release.

If you know what's good for you, you'll pay close attention to the words on their next bloodthirsty ripper, "Dead In The Water" out today. This single is built upon cataclysmic blast beats and ornately blackened guitarmonies, delivering the good with vibrance and violence. Iconic frontman Dez Fafara's delivery remains venomous, galvanizing listeners with affirmations of perseverance and resilience in the face of adversity.

Dez on "Dead In The Water":
"This is one of the most positive songs I've ever written lyrically, coming from a very dark time straight into blinding light. I needed to empower others to do the same as I did, and tell them to 'stay the course,' life turns around if given the chance to flourish.

"The vibe musically on this is very old school DEVILDRIVER and the entire band is cracking hard here, if you're a long time listener you're gonna love this one! Enjoy!"

Check Out The Official Music Video for "Dead In The Water" Below:

Pre-order your copy of Strike and Kill — NOW!

Following DEVILDRIVER's career defining double album Dealing With Demons Vols. 1 & 2 —with Vol. 1 sitting at #1 at metal radio for a triumphant 15 weeks, and Vol. 2 celebrated by internationally revered media like Metal Injection, Kerrang!, and Blabbermouth, who lauded "you can't stop the unstoppable"— the band sets out on a rabid hunt with Strike and Kill, holding the blade to your throat, and serving up that trademark DEVILDRIVER blend of melodeath elegance, blackened atmosphere, tectonic grooves, and Fafara's iconic visceral delivery.

Wasting no time, the album bursts open with the incendiary "Dig Your Own Grave," a flurry of assault rifle kicks and crunchy riffs encircle the listener casting them into the waiting abyss before transitioning into "Dead in the Water," showcasing the vibrant melodeath tapestries of master guitar duo Alex Lee and Gabe Mangold. "Sanctified In Scars" implements industrial pulsating beats and ethereal sonic textures, sanctifying Fafara's venomous voice with blackened tremolo excellence. The album’s title track "Strike and Kill" is a reconciliation of hardships and lessons learned, built upon the backs of blisteringly technical riffage and dizzyingly swift drumming by Davier Perez. Tracks like "In the Moonlight" and "Never Coming Home" wrap listeners in serenely blissful guitarmonies, elevating the brutality with elegance and emotion. "Ride or Die" unleashes pure metal inertia, pulling listeners in with unrelenting force. Exemplifying their technical edge with tracks like “Headed for the Fall” and "You’re just a Ghost," the band embraces mind-bendingly off-kilter patterns that spin listeners' heads. "Summoning Shadows" offers the albums longest respite from carnage, with textured acoustic guitars building tension before the band comes crashing back in with triumphant power. "Shut the Silence On" and "Oath of Iron" get super thrashy with their ballsy riffage and blast beats, before "All Bets are Off" brings things to a cataclysmic conclusion. 

DEVILDRIVER ON TOUR:
8/14 — San Diego, CA — Observatory North Park
8/15 — Las Vegas, NV — Brooklyn Bowl
8/16 — Phoenix, AZ — Marquee
8/18 — San Antonio, TX — Aztec Theater
8/19 — Austin, TX — Come and Take It Live
8/20 — Houston, TX — House of Blues
8/22 — Dallas, TX — House of Blues
8/23 — Oklahoma City, OK — Diamond Ballroom
8/25 — Chicago, IL — Bottom Lounge
8/26 — Milwaukee, WI — The Rave
8/29 — Colorado Springs, CO — Sunshine Studios
8/30 — Salt Lake City, UT — The Depot
9/1 — Boise, ID — Treefort Music Hall
9/2 — Reno, NV — Club Underground
9/3 — Sacramento, CA — Goldfield
9/4 — San Jose, CA — The Ritz
9/5 — Anaheim, CA — House of Blues

The Joy Thieves unleash 'Apocalypse Pending' album with video for 'No Anchor' & focus track 'Ambush Vinez'

Chicago-based alternative collective The Joy Thieves release their full-length album 'Apocalypse Pending' on June 5th via Armalyte Industries. While the industrial-rock-punk-experimental supergroup known has always combined a wide array of musicians together in order to craft their signature sound, they stretch this concept to its very limits with this record.

Highly influenced by the hip hop music production techniques of the 80’s and early 90’s, 'Apocalypse Pending' finds the Joy Thieves Productions team of Dan Milligan and James Scott redefining themselves by utilizing a sample-heavy production to forge elements of industrial, rock, experimental, punk, hip hop, metal, and freeform jazz. But instead of sampling the music of others, they found inspiration in the talents of the band’s 80+ other members, resulting in an incendiary sound all their own.

Anxious to explore new musical territory, they challenged themselves by turning the entire song-creation process upside down. Instead of relying on members to contribute already-written songs, as they’d done in the past, they meticulously gathered hundreds of unrelated recorded musical fragments from their fellow Joy Thieves, then painstakingly reconstructed brand new pieces of music from these fragments, ultimately creating a fresh and innovative sound.

Longtime fans of the band will instantly recognize the iconic voice of Chris Connelly (Fini Tribe, Revolting Cocks, Ministry, Pigface). Seething with frustration and rage at one moment, and coolly delivering beat poetry the next, 'Apocalypse Pending' finds the multi-talented Connelly in his element; using the album’s densely layered, sonic collage as the perfect vehicle to deliver the band’s violently anti-fascist sentiments.



The Joy Thieves have also shared videos for 'No Anchor' and ‘The Wrong End of Your Rifle’, created by Lumbra Productions. Eyeing the edge of collapse, capturing the zeitgeist with such precision, they touch on the decay of the individual, exploring the isolation of our modern world.

“These days, the process of simply writing and recording an album no longer seems to be enough for me. In order to feel fully engaged, I need new and exciting musical challenges - preferably ones that make me start wondering if I just might be in waaaay over my head. Once I get that feeling, there’s absolutely no question I’m on the right track," says Dan Milligan.

"
In the case of 'Apocalypse Pending', that challenge began as a question - What kind of music would RZA or The Bomb Squad make if they had been raised on a steady diet of Gang of 4, The Jesus Lizard, and Ministry?"

Chris Connelly adds, “At their core, the lyrics for 'Apocalypse Pending' are violently anti-fascist. It’s funny how worked up and angry I get when I talk about these songs. But I’m finding I simply can’t hold back anymore; and it feels so good to lyrically address every aspect of this current horror show. I’m so glad we have a creative outlet to express these thoughts. At least until we all get Pussy Riot-ed into prison."

Since signing with London alternative-industrial label Armalyte Industries in 2018, The Joy Thieves have delivered 11 critically-acclaimed releases. 'Apocalypse Pending' is the latest -- produced, engineered and mixed by Joy Thieves Productions at Populist Recording + Mastering.

The Joy Thieves includes current, former, and touring members of Ministry, Stabbing Westward, The Rollins Band, Killing Joke, Pigface, RevCo, PIG, David Bowie, Blue October, Machines of Loving Grace, Depeche Mode, Nine Inch Nails, KMFDM, Naked Raygun, Foetus, My Life With the Thrill Kill Kult, Pegboy, Nitzer Ebb, Die Krupps and more.

The band crafts their cohesive signature sound from the contributions of its ever-growing 80+ roster of members, drawn from a diverse range of genres, including industrial, rock, punk, darkwave, hip hop and experimental music. Created by “all of us, and yet, none of us”, this is a sound all their own, their music aggressive, yet precise; confrontational, but refined; and harsh, yet melodic.

On June 5th, 'Apocalypse Pending' will be available on Digipack CD and across music platforms including Spotify, Apple Music and Bandcamp.

CREDITS
Track 1 written by Dan Milligan, DJ Darryl Hell
Tracks 2, 4, 7, 10,11 written by Chris Connelly & Dan Milligan
Track 3 written by Chris Connelly, Jeff Harris, Dan Milligan
Track 5 written by Chris Connelly, Dan Milligan, Derek Christopher, Dee J Nelson
Track 6 written by Chris Connelly, Dan Milligan, Derek Christopher, Jeff Harris
Track 8 written by  Chris Connelly, Dee J Nelson, Dan Milligan
Track 9 written by Chris Connelly, Dan Milligan, Jane Jensen
Track 12 written by Chris Connelly, Dan Milligan, James Scott
Track 13 written by Chris Connelly, Dan Milligan, Dee J Nelson Nelson, Jeff Harris, Steven Archer
Produced, engineered & mixed by Joy Thieves Productions
at Populist Recording + Mastering, Wheaton, IL
Mastered by James Scott at Populist Recording + Mastering
Additional production by:
Derek Christopher at Penfield Studios, Mark Pistel at Room 5 Studios, Jeff Harris at JH Studios
Steven Archer at House of Wolves, Dee J Nelson at DJN Music Studio, Jane Jensen at Autozen Music, and DJ Darryl Hell at HellLab Studios
Art direction by Destiny Justic Scott
Original artwork by Charlie Athanas for Burning City
Videos by Joel Lopez by Lumbra Productions 

Released via Armalyte Industries

Artist studio photos by Derick Smith
Publicity by Shameless Promotion PR


Keep up with The Joy Thieves
Website | Bandcamp | LinkTree | Merch | Facebook | Instagram | BlueSky | YouTube | Spotify | Apple Music | Twitter | Press contact

Keep up with Chris Connelly
Website | Bandcamp | Facebook | Instagram | Twitter | Soundcloud | YouTube | Spotify | Apple Music | Amazon | Press contact

Keep up with Armalyte Industries
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | YouTube 

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il

ANGELS ON THE BATTLEFIELD Present Epic Interpretation Of ALICE COOPER's "Poison" Feat. ANTHEA

ANGELS ON THE BATTLEFIELD has unleashed an epic and cinematic reimagining of ALICE COOPER's iconic track "Poison". This release sees the symphonic progressive metal ensemble join forces with Los Angeles based symphonic/melodic metal band, ANTHEA. 

The alluring gothic mood of "Poison" is enhanced through ANGELS ON THE BATTLEFIELD's immersive musical arrangement. Intensity arises from the ferocious heaviness of the metal instrumentation while orchestral and synth layers sculpt an enveloping atmosphere. Haunting harmonies and technical prowess on display from ANTHEA's vocalists Diego Valadez, Juna Pina, Astrid Anaya, and Mel Del Real elevate the track with a touch of the ethereal. 

ANGELS ON THE BATTLEFIELD honor the character and impact of the original song while infusing the arrangement their own distinctive compositional qualities. Produced by ANGELS ON THE BATTLEFIELD, "Poison" was recorded at Counter Communications with engineering, mixing and mastering by Chris Wirsig. The track's cover art was created by JD McGibney.

About ANGELS ON THE BATTLEFIELD:

Based out of Los Angeles, CA, ANGELS ON THE BATTLEFIELD began as a side project for guitarist JD McGibney (ex-VOODOO KUNGFU) before augmenting to a full line-up in 2021. Alongside McGibney, the instrumental symphonic progressive metal band is now comprised of Jason Klein on bass (ex-BUTCHER BABIES), Eddie Trager on drums (ex-NEKROGOBLIKON) and Chris Wirsig on keyboards (award winning TV and film composer).

The ethos of the band is to empower listeners through music, to assist individuals who are fighting on their own battlefields and to help them find courage. ANGELS ON THE BATTLEFIELD strive to improve awareness of and discourse around mental illness through the power of heavy metal. The band made their live debut at the 2022 "This Is My Brave" mental health fundraiser, where the band helped to raise around $30,000 to donate to local Los Angeles mental health charities.

2024 saw ANGELS ON THE BATTLEFIELD open for Taiwanese folk metal artist NiNi at her debut USA headline show in November of 2024. In the following year, the quartet embarked on their debut headline West Coast tour across October/November of 2025.

In 2025, ANGELS ON THE BATTLEFIELD's 2024 single release "Modern Prometheus" was long listed in the 2025 GRAMMY Awards in three categories: Best Metal Performance, Best Instrumental Composition and Best Arrangement - Instrumental or A Capella. Additionally, "Modern Prometheus" was nominated in the Hollywood Independent Music Awards in 2025.

Following the band's haunting interpretation of "Phantom of the Opera" featuring guitarist Eli Santana (IGNITE, ex-HUNTRESS, ex-HOLY GRAIL), ANGELS ON THE BATTLEFIELD deliver untamable power in the new single "Poison" featuring ANTHEA. 

ANGELS ON THE BATTLEFIELD is:

JD McGibney - Guitar
Jason Klein - Bass
Chris Wirsig - Keyboard/Orchestration
Eddie Trager - Drums
 

Connect with ANGELS ON THE BATTLEFIELD:

Official Website: https://onthewingsofdragons.com/ 
Facebook: https://www.facebook.com/AngelsOnTheBattlefieldBand/ 
Instagram: https://www.instagram.com/angels_on_the_battlefield/ 
Twitter/X: https://twitter.com/aotb_band :
YouTube: https://www.youtube.com/@angelsonthebattlefield 
Spotify: https://open.spotify.com/artist/6vQV1dRMKNBHCRku2IsPMU?si=RoaUH-SuTCq5nRsPMrgpEg 
Apple Music: https://music.apple.com/us/artist/angels-on-the-battlefield/1441558520 
TikTok: https://www.tiktok.com/@aotbband

DEAD BY WEDNESDAY Drops Devastating New Single + Video “Flesh,” via Combat Records

Veteran New Haven, Connecticut metal band Dead By Wednesday, featuring current and former members of Ellefson, Cro-Mags, and Tantric has officially signed with the newly revived iconic heavy metal label Combat Records and is set to unleash their devastating new single “Flesh" worldwide on all major streaming and digital platforms on Friday, June 5, 2026.

Today, the band has unveiled the music video for the single (see below). 

After building major momentum during recent live performances, “Flesh” quickly became a fan favorite leading the band to prioritize the song as the first release from their upcoming new EP, due out in early 2027 via Combat Records / Mindsnap Music. The single will also appear on the official Milwaukee Metal Fest promotional compilation album.

In addition to the release, Dead By Wednesday has been announced as part of Milwaukee Metal Fest 2026, curated by Jamey Jasta of Hatebreed. The band will perform Sunday, June 7 at 4:45 PM on the BLK II BLK / Copycats Media Stage at The Rave Bar alongside an explosive lineup of heavy acts.

Guitarist Dave Sharpe shares, “This is probably one of our toughest songs to date but still captures the true essence of the old school DBW sound & heavy grooves that are known to be the foundation of the band.” 

Robert Dujmusic (CEO Combat Records) adds, “Known for their relentless energy, crushing sound, and dedication to the Metal Scene, DEAD BY WEDNESDAY has built a powerful reputation worldwide trough YEARS of touring and amazing releases. We at Combat Records are totally excited to begin this new partnership and help bring the bands next chapter to an even bigger audience.”

“Flesh” was engineered and recorded by Jeff Weed, then mixed and mastered in Los Angeles by Ricky Bonazza bassist of Fear Factory and Butcher Babies.

“Huge love to my brothers in Dead By Wednesday — one of the hardest working bands out there, always grinding, always pushing, and doing it for the right reasons. It was an absolute pleasure mixing this new release, and I’ve got nothing but respect for these guys. A band I’ll always hold close to my heart, and I’m beyond stoked for everyone to finally hear this one," says Ricky Bonazza.

The accompanying music video was filmed in New York City and directed by Grammy-nominated filmmaker Tom Flynn, known for his work with numerous legendary metal artists.

For More Information Please Visit:

Official Website

Facebook

Instagram

YouTube

TodoMal Undergo Heavy Meditation on New Single “Graveyards of Joy”

TodoMal are releasing the title track as the third and final advanced single from their upcoming third album Graveyards of Joy. The song finds the atmospheric doom metal duo at their most elegiac amidst a heavy meditation on depopulation, decay and the gradual reclamation of abandoned places.

Watch the music video for “Graveyards of Joy” below:

Graveyards of Joy comes out July 3, 2026 on Season of Mist

Pre-order

https://orcd.co/todomalgraveyardsofjoy

Available Formats:
Digital Download

CD Digipak

12” Vinyl Gatefold (Black)

12” Vinyl Gatefold (Transparent Turquoise)

12” Vinyl Gatefold (Half Gold, Half Black)

"Graveyards of Joy" draws from the ghost towns and emptied provinces of TodoMal’s native Spain, conjuring a landscape where "no gods'll ever settle here, 'cos all they ever do is walk by." As the song unfolds, the desolation gives way: new people arrive, signs of life begin to re-emerge and something resembling hope takes shape during a finale that’s as sweeping as the landscape it describes.

TodoMal was formed in 2020 by Christopher B. Wildman and Javier Fernández Milla, two veteran multi-instrumentalists of the Spanish underground scene. A Greater Good appeared on multiple year-end lists, including Mondosonoro's Top 10 albums of 2023, and sold through its initial pressing. The band has since expanded into a five-piece live ensemble and performed at festivals including Be Prog! My Friend, Under The Doom Fest and Frantic Fest, sharing stages with Candlemass, My Dying Bride and Dødheimsgard. Extensive European touring is confirmed for 2026, including a co-headlining run with Evoken across ten dates in July and August.

TodoMal Graveyards of Joy 2026 European Tour

4 July - Viveiro, ES @ Resurrection Fest

24 July - Tolmin, SI @ Tolminator Fest

30 July - Paris, FR @ Le Klub*
31 July - Rouen, FR @ Fury Defendu*
1 August - Diest, BE @ Club Hell*
2 August - Rotterdam, NL @ Baroeg*
3 August - Hamburg, DE @ MS Stubnitz*
5 August - Berlin, DE @ Neue Zukunft*
6 August - Schlotheim, DE @ Party.San Open Air*
7 August - Karlsruhe, DE @ Die Stadtmitte*
9 August - Dresden, DE @ Chemiefabrik*
10 August - Prague, CZ @ Subzero*

11 August - Bratislava, SK @ Pink Whale

18 September: Barcelona, ES @ Sala Boveda

25 September: Madrid, ES @ Dark Echoes Fest (w/ Draconian, Dødheimsgard)

26 September: Auzas, FR @ L'Homme Sauvage Festival

*with Evoken

Graveyards of Joy is the third album and the closing chapter of a trilogy. Written in solitude following personal tragedy, it channels grief, anger and hard-won hope into nine tracks of slow-burning, widescreen doom. The music breathes: vast Hammond-driven passages give way to desolate folk, Morricone-like strings open onto dusty cinematic plains, and heavy riffs anchor songs that never lose sight of melody. A DIY record of striking emotional depth and modern, alternative edge.

Recording Line-up:
Wildman – Guitars and Vocals

Mile – Bass and Vocals

Javi – Guitars

Bud – Drums

Cecilia – Synths and Vocals

Production Credits:

Recording Studio: Trinitat-Montseny / 7th Middle Street / Moontower Studios

Producer: Javier Fernández Milla / Christopher B. Wildman; assisted by Javier Félez Rodríguez (drums recording and guitar engineering)

Mixing: Javier Fernández Milla at Trinitat Montseny

Mastering: Jaime López Arellano at Arda Recorders (Portugal)

Guest Musicians:
Cecilia Tallo (background vocals, tracks 4 and 6)

Teodora Gosheva (vocals)

Darío Garrido (acoustic guitars)

Manu Clavijo (live strings)

Cover Art:
Lluís Rigalt, Ruïnes (1865), Museu Nacional d'Art de Catalunya.

Photography:
Christopher B. Wildman

Pre-save & Pre-order: https://orcd.co/todomalgraveyardsofjoy


Follow TodoMal:
Bandcamp: https://todomalband.bandcamp.com/

Facebook: https://www.facebook.com/todomalofficial

Instagram: https://www.instagram.com/todo_mal_band/

SoundCloud: https://soundcloud.com/todomal

Spotify: https://open.spotify.com/artist/2grCvuOH8MibDqryxpW6jR

Apple Music: https://music.apple.com/artist/todomal/1587939438

Deezer: https://www.deezer.com/artist/146831572

Tidal: https://tidal.com/artist/5655213

NYHC Crossover Pioneers CRO-MAGS Unleash New Single "Wired for Chaos" + Official Music Video

Today, CRO-MAGS, the iconic New York hardcore outfit fronted by Harley Flanagan, proudly make their BLKIIBLK debut with the new single, "Wired for Chaos." The new track marks CRO-MAGS' first new music in six years, giving fans a taste of what's to come.

"Wired for Chaos," which shares its name with last year's documentary about Harley, was recorded, mixed, and mastered by Arthur Rizk (Power Trip, Code Orange, Cavalera Conspiracy). It was produced by Harley and Arthur and features drum phenom Greyson Nekrutman. The new single arrives alongside an official music video, available below.

Watch the Music Video for "Wired for Chaos" Below:

On the new single "Wired for Chaos," Harley Flanagan comments:

“The new video for ‘Wired for Chaos’ reminds me of our first video, ‘We Gotta Know,’ which came out 40 years ago, except that it shows where the band is at now. I am proud to say that we are one of those few bands that have a multigenerational audience and bridge the gap between hard-core kids, metalheads, punks, skinheads, and more, as seen in the audience of this video, which was filmed at our shows on the past few tours. Not many bands have such a blended fan base besides Motörhead, and I am proud to say that we are following in that tradition."

Harley continues, "The song title ‘Wired for Chaos’ was taken directly from the recent documentary of the same name. It comes in with an aggressive metal intro befitting a UFC walk-in or a video game, then bursts into a more traditional HC thrash vibe before returning to a heavy beatdown at the end in an unmistakable CRO-MAGS style. The song is literally about being programmed and wired for chaos from birth, not just by environment, but by parents, trauma, childhood experiences, and the resulting PTSD that I personally struggle with as a result.”

Stream / Listen to "Wired for Chaos" HERE

CRO-MAGS Live:

Europe:

June 6 — Emmen, Netherlands @ Pitfest

June 7 — Hamburg, Germany @ Hafenklang

June 8 — Copenhagen, Denmark @ Beta

June 9 — Berlin, Germany @ Neue Zukunft

June 10 — Schwerin, Germany @ Club Zenit

June 12 — Venlo, Netherlands @ Grenswerk

June 13 — Bergen Op Zoom, Netherlands @ Gebouw-T

June 14 — Hoofddorp, Netherlands @ C-Punt

June 15 — Heidelberg, Germany @ Halle02

June 16 — Essen, Germany @ Turock

June 17 — Saabrucken, Germany with Sepultura @ Garage

June 18 — Luzern, Switzerland @ Sedel

June 20 — Clisson, France @ Hellfest

July 20 — Gdansk, Poland with Biohazard @ B90

July 21, 2026 — Warsaw, Poland with Biohazard @ Progresja

July 22, 2026 — Wroclaw, Poland with Biohazard @ Zaklete Rewiry

July 24 — Debrecen, Hungary @ Campus Festival

July 25 — Martinska, Croatia @ Punk + Zestoka Festa

August 5 — Vagos, Portugal @ Vagos Metalfest 2026

August 7 — London, UK @ United and Strong Fest

August 8 — Newport, UK @ Corn Exchange

August 9 — Blackpool, UK @ Rebellion Festival

USA:

September 26 — Daytona Beach, FL @ Party Weekend

October 4 — Sacramento, CA @ Aftershock Festival

More Dates TBA!

The history of Harley Flanagan and his band CRO-MAGS is integral not just to the history of hardcore, but to modern metal, rock, and punk itself. With roots stretching from the shadow of Warhol and the Velvets to CBGB’s hardcore matinees and L’Amour Brooklyn thrash-a-thons, all the way through current generations of punk and extreme metal, CRO-MAGS are the connective tissue. Just ask the likes of Dave Grohl, Green Day, and Turnstile. CRO-MAGSstand side by side with Black Sabbath, Motörhead, and Metallica as both an influence and a gamechanger.

The brainchild of a 14-year-old Harley Flanagan, CRO-MAGS began in 1981 while Flanaganwas playing drums for The Stimulators. By 1982/83, he had recorded the primal CRO-MAGSdemos — four songs that would become the blueprint for the seminal 1986 release, 'Age of Quarrel.' Initially a solo vision, Flanagan wrote and played all of the music himself. In 1985, alongside guitarist Parris Mayhew, vocalist John Joseph McGowan, and drummer Mackie Jayson, the genre-defining 'Age of Quarrel' demo was recorded. The full-length album followed in 1986, with Doug Holland of Kraut joining on second guitar.

Explosive both on and offstage, CRO-MAGS have had a tumultuous history, to put it mildly. Through multiple lineups, six studio albums beyond the original demos, and more than four decades of worldwide touring, CRO-MAGS remain one of the most iconic bands in American hardcore and metal. Today, the band is led by Flanagan on bass and vocals — a role he has held since 'Best Wishes' (1989). He remains the only member to appear on every CRO-MAGS release since the band’s founding.

MORTIIS Unleashes New Darkwave Banger, "Tundra, Heart of Hell"

Iconic Norwegian artist MORTIIS is now pleased to unleash another new single from his upcoming full-length, 'Ghosts of Europa.' "Tundra, Heart of Hell," is a gothic, darkwave banger that channels the likes of Bauhaus, Joy Division, Nick Cave & The Bad Seeds, and more! The nostalgic track can be found along with a lyric video below.

MORTIIS comments on the single, "For some reason the word 'Tundra' has been a recurring word in my life, and I attached it to various songs and lyrics over time, though very few ever came to any sort of fruition. In fact, the earliest versions of this song was called 'Tundra' or even 'Thundra' (because it sounded cooler) before I decided to add 'Heart Of Hell' to add some context. A big chunk of these lyrics also harken back to the time between 'The Stargate' and 'The Smell Of Rain.'"

'Ghosts of Europa' is due on June 26, 2026 via Prophecy Productions, making it MORTIIS' debut to the label! 'Ghosts of Europa' is available as ltd. box set incl. 2CD artbook edition, gatefold LP (excl. handmade sand-filled vinyl), bonus LP, music cassette et al. (50 copies). Ltd. box set incl. 2CD artbook edition, gatefold LP (excl. 'galaxy' metallic vinyl), bonus LP, music cassette et al. (450 copies). As a 60-page hardcover 2CD artbook incl. 8-track bonus CD, ltd. Gatefold marble smoke vinyl LP (300 copies), ltd. Gatefold crystal clear vinyl LP (300 copies), Gatefold black vinyl LP, and Digipak CD Pre-orders are now live HERE.

Mortiis is a pioneering dark ambient and industrial metal artist, widely credited as the founder of the dungeon synth genre, whose work spans from haunting atmospheric soundscapes to abrasive, genre-defying electronic metal. With a legacy stretching over three decades, he remains one of the most influential and enigmatic figures in underground dark music

With Ghosts of Europa, the enigmatic Norwegian artistic entity, known as MORTIIS, presents an album that he views as a creative liberation. During its long and winding creation process such concepts as genre, rules or experimenting with sounds dissolved while simply making music that reflected every conceivable idea on his mind without accepting any limitations became his guiding principle.

Of course, MORTIIS' musical handwriting is ever present. Echoes from the often quite divergent phases of his previous works can be found across Ghosts of Europa. Yet, the creator of musical worlds left hardly a stone not turned in his epic quest for genuinely new ways of expression. As a result, this cinematic and visionary album often feels expansive, strange, and darkly dystopian. In this, Ghosts of Europa reflects its maker's struggles while creating the album – as for him, these tend to come into existence at the cost of friendships and relationships as well as much soul searching. 

"Ghosts of Europa" has also been shaped to some extent by the original idea that involved a collaboration of MORTIIS with Stephan Groth from APOPTYGMA BERZERK based on their mutual fascination with the highly influential old German school of electronic music, and particularly TANGERINE DREAM and Klaus Schulze. When this fell apart, MORTIIS decided to continue on his own and a long process of transforming the early recorded materials began.

Relics of this early stage remain in hints of the influences from Berlin as well as a host of guest contributions, but visions of bleak, desolate, and timeless alien landscapes warped and mutated the songs. This carried Ghosts of Europa into spaces where MORTIIS never existed before. 

In the beginning of the artistic entity MORTIIS there was black metal. The artist Håvard Ellefsen known as the musical entity MORTIIS started out as a bass player in and during the formation of legendary Norwegian band EMPEROR in 1991 and 1992. After parting ways with these black metal pioneers, MORTIIS embarked on a solo career, the so called Era I From 1993 until 1999, the Norwegian released six full-length albums that were entirely composed on synthesizers and are considered to constitute a fundamental influence on the later Dungeon Synth genre.

In the next decades, MORTIIS evolved and redefined is sound through several eras that embraces experimental & heavy industrial rock, a new wave of gothic & electronic influences, experimental studio works, and back to his roots. 

During most of his career MORTIIS has performed with a mask and face prosthetic that turned his stage persona into an otherworldly being. Over the year, his looks have changed and evolved. For a time during 'Era 0', his live concept even abandoned the wearing of the iconic mask. MORTIIS' stage entity has often been compared with a troll – a creature of Nordic folklore, which it was never intended to be according to the artist.

"Ghosts of Europa" is the sonic testimony of an experienced and matured musician, who created what he loves most and does best: electronic rock with stylistic influences from many genres while not being bound by any that creates dark soundscapes, cinematic sonic visions, and a plethora of emotions. Just when you think that you have finally figured "Ghosts of Europa" out, MORTIIS will surprise you with another facet and fresh aspect of his richly detailed masterpiece.

Line-up:

Håvard "Mortiis" Ellefsen – vocals, keyboards, vocoder, bass guitar, programming

Guest musicians

Benedicte Computorgirl (COMPUTORGIRL) – vocals on track 4

Christopher Amott (ARCH ENEMY et al.) – guitar solo on track 7

Christopher Rakkestad (ELVARHØI, BOLVERK) – vocals on track 1-6

Emil Nikolaisen (SERENA MANEESH, BRIAN JONESTOWN MASSACRE et al.) – fuzz & noise guitars & additional FX on track 3 & 4

Iliana Basileios Tsakiraki (ENEMY OF REALITY, SEPTICFLESH et al.) – vocals on tracks 1, 2, & 5

Laurie Ann Haus (BLIZZARD GAMES) – vocals on track 1, 2, 5 & 7

Matthew Setzer (SKINNY PUPPY, LONDON AFTER MDNIGHT) – throat singing on track 7

Michal Kielbasa (BLACK MAGIC RITES et al.) – tubular bell & vibraphone on track 2, tubular bell on track 6 & tabla loops, additional synths & FX on track 7

Sarah Jezebel Deva (THE KOVENANT, CRADLE OF FILTH et al.) – vocals on tracks 1-3, 5 & 6

Thomas Bolverk (RAGNAROK, BOLVERK) – distortion, clean & sampled guitars on track 6

Thorsten Quaeschning (TANGERINE DREAM) – additional synths & sequencers on track 1

Vegard Blomberg (MOCK) – e-bow & guitars on track 2, additional Copicat, Space Echo, fuzz & e-bow guitars) on track 4, Copicat, Space Echo & fuzz guitars on track 4, fuzz guitars on track 6, fuzz & ambient guitars on track & guitars on track 8

Erling Blomberg – additional guitars on track 8

Album Credits:

Recorded (re-recorded, re-animated & eternally tweaked and re-tweaked) at various locations over a thousand sessions during years of misery, poverty, and disdain (2020-2026) in Fredrikstad (NO)

Early vocal recording by co-producer Stephan Groth at Pitch Black Drive, Fredrikstad (NO)

Mix by Sean Beavan at The Grey Room, Crestline, CA (US)

Mastering by Jules Seifert at Epic Audio Media, London (UK)

Cover Artist: Nihil

Layout Creator: Laurent Clément (Dead Seed Productions)

Pre-orders:

https://mortiiswebstore.com/pages/ghosts-of-europa

Available formats:

"Ghosts of Europa" is available as a 60-page hardcover 2CD artbook incl. 8-track bonus CD, ltd. Gatefold XXX vinyl LP, Gatefold black vinyl LP, and Digipak CD.

MORTIIS Links:

FACEBOOK

INSTAGRAM

X

BANDCAMP

SPOTIFY

APPLE MUSIC

YOUTUBE

OFFICIAL SHOP